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In this milestone 100th episode, we welcome the incomparable Dr. George Baxter-Holder, VP of Talent Development at SkinSpirit and one of aesthetics' most influential voices. Known for his signature bowties and infectious energy, Dr. George is more than just a celebrated industry leader - he's a recipient of multiple industry awards, an ISPAN fellow, Certified Aesthetic Nurse Specialist, accomplished author, and mentor to countless professionals in the field. Throughout this special episode, he shares his wisdom and signature magic on topics ranging from personal growth to industry evolution. Our Favorite Episode Highlights: • George's inspiring path from his early career challenges to becoming a sought-after trainer and thought leader • The evolution of SkinSpirit from a single location to 50 clinics nationwide and how culture and talent development have played a critical role • Crucial insights on maintaining quality and safety standards across a rapidly growing aesthetics organization • Candid discussion about industry challenges, including the "master injector" trend and the need for standardized credentials • The importance of authentic leadership and staying true to yourself while scaling your influence • Vision for the future of medical aesthetics and the role of proper training and education Dr. George's story serves as both inspiration and blueprint for success in the field, demonstrating how passion, persistence, and authenticity can shape a remarkable career. As he reflects on SkinSpirit's growth from a single location to more than 50 clinics nationwide, Dr. George offers invaluable insights into how maintaining strong culture and talent standards has been crucial to their success. One of the most compelling aspects of our discussion centers on the evolving landscape of aesthetic medicine. Dr. George addresses head-on some of the industry's most pressing challenges, including the controversial "master injector" trend and the critical need for standardized credentials. The episode delves deep into what it means to be an "intrapreneur" in aesthetics - a path that Dr. George advocates as a powerful alternative to private practice ownership. He makes a compelling case for how professionals can build influential, successful careers within larger organizations while maintaining their artistic autonomy and personal brand. A significant portion of our conversation focuses on the critical role of quality and safety standards in scaling aesthetic practices. Dr. George shares practical insights into recruitment, emphasizing the importance of finding providers who are both humble and hungry. He outlines how robust onboarding processes, clear policies, and regular monitoring systems work together to maintain consistent quality across multiple locations. Looking to the future, Dr. George shares his vision for the evolution of medical aesthetics. As the aesthetics industry continues to mature, Dr. George emphasizes the need for standardized training, proper credentialing, and maintaining the highest safety standards. His vision for the future includes creating more structured pathways for new practitioners while preserving the artistry and innovation that makes this field unique. This episode serves not only as a celebration of 100 episodes but as a masterclass in leadership, growth, and maintaining excellence in aesthetic medicine. Learn more about Dr. George: Instagram: https://www.instagram.com/gorgeous_bygeorge/ LinkedIn: https://www.linkedin.com/in/george-baxter-holder-697939a4/ SkinSpirit: https://www.skinspirit.com/
15min tinklalaidėje apie Lietuvos ir pasaulio futbolą „Skrieja kamuolys“ – nukrypimas į amerikietišką futbolą, mūsų pasirinkimai geriausio Lietuvos futbolininko rinkimuose, Romualdo Jansono peržiūra Bergame, lietuviai Lenkijoje, Čekijoje ir Saudo Arabijoje, o taip pat – akivaizdžios Londono „Arsenal“ problemos, MU sėkmė, „Barcelona“ dominavimas prieš Madrido „Real“, Madrido „Atletico“ rekordas, Miuncheno „Bayern“ ir „Serie A“. Prie mikrofonų – 15min sporto žurnalistai Aurimas Tamulionis ir Marius Bagdonas bei „Go3“ komentatoriai Rytis Vyšniauskas ir Karolis Dudėnas. 00:00 Tinklalaidžių klaudymo ypatumai ir amerikietiškas futbolas 07:52 Ką rinktume geriausiu Lietuvos futbolininku? 11:11 R.Jansonas – Bergamo „Atalanta“ peržiūroje 15:36 P.Golubickas pristatytas Lenkijoje 19:46 Pirma Vilniaus „Žalgirio“ treniruotė 20:50 A.Dolžnikovas karjerą tęs Čekijoje 25:30 M.Tamulionis, M.Adamonis ir kiti perėjimai 33:05 G.Gineitis ir nuspėtas Turino derbis 39:21 Tuščias „Arsenal“ ir Th.Henry įvarčio šventimas 43:08 Sprigtas „Liverpool“ ir nauja Ryčio meilė 47:00 G.Potteris, D.Moyesas ir „Tamworth“ vyrukai 1:00:43 MU sėkmė ir „Arsenal“ problemos 1:12:55 Ispanų/arabų supertaurė – šlovė „Barcai“ 1:23:47 Rekordiniai D.Simeone auklėtiniai 1:26:58 „Bayer“ Dortmunde ir „Bayern“ Menchengladbache 1:41:23 Žvilgsnis į „Serie A“ ir prasmingi Karolio žodžiai
Spaudos apžvalga;Kaune Galaunių namai-muziejus pradėjo parodų ciklą „Kolekcininkai”. Pirmojoje parodoje pristatoma Edvardo Mickevičiaus surinkta dekoratyvinių lėkščių kolekcija;Socialinių tinklų eksperto ir konsultanto Dariaus Gerulio komentaro ir prognozių šiems, 2025-iesiems metams internetui bei socialiniams tinklams;Klasikos koncertų salės rekomendacijos su Gabija Narušyte;Lietuvos nacionalinis operos ir baleto teatras masi iniciatyvos kurti Nacionalinę talentų platformą, padėsiančią ugdyti įvairių specialybių profesionalus šalies muzikinėms scenoms. Pokalbis apie šią platformą su Lietuvos nacionalinio operos ir baleto teatro vadove Laima Vilimiene;Režisieriaus Arūno Matelio prodiusuotas filmas „Domingo, Domingo” nominuotas prestižiniam „Goya” apdovanojimui. Pokalbis šį filmą ir nominaciją su režisieriumi Arūnu Mateliu;„Partizanų apranga, kaip ir patys partizanai, gyvena savo gyvenimą. Ji įgauna savo randus. Joje susideda garbė, orumas, pagarba tėvynei ir jos žmonėms“, – sako dizaineris Giedrius Paulauskas. Jis beveik metus tyrinėjo Dainavos apygardos vado Adolfo Ramanausko Vanago uniformą, kol galiausiai ją atkūrė.Ved. Donatas Šukelis
Šiais metais Europos kultūros sostine džiaugiasi netolimo Tartu gyventojai, 2027- aisiais šis titulas atiteks Latvijos miestui Liepojai, o dar po dviejų metų - Lenkijos miestui Liublinui. Kaip ši žinia pasitikta Lenkijoje ir koks Liublinas pačių lenkų akimis?Nacius palaikęs, Hitleriui nekrologą parašęs, savo laiku provokatyvus, tačiau iki šių dienų didelį skaitymo malonumą suteikiantis kūrėjas. Tai norvegų rašytojas, Nobelio literatūros premijos laureatas Knutas Hamsunas. Kol Norvegijoje diskutuojama, ką šiandien daryti su prieštaringai vertinamo rašytojo palikimu, Lietuvos skaitytojai vis dar laukia kokybiškų Hamsuno literatūros vertimų ir dar tik pažindinasi su jo niuansuota biografija.Ispanų teatro kūrėjas Pablo Gisbert tiki, kad šiuolaikinis teatras pranašesnis už kiną, o Europoje turime laikytis drauge. Barselonoje gyvenantis duetas jau pažįstamas lietuviams – šią vasarą jo trupės spektaklį Tado Ivanausko sodyboje prie Kauno pamatė beveik tūkstantis žmonių. Dar vieną kūrinį trupė atveža į festivalį „Sirenos“.„Ar mada gali reprezentuoti Lietuvą užsienyje?“ – komentare klausia mados žurnalistė Deimantė Bulbenkaitė.„Jaučiuosi kaip geležis, o Panevėžys – kaip magnetas“, – sako aktorius Irmantas Pilis. Jis veda ekskursijas „Panevėžys turi senamiestį“ ir pasakoja, kaip mato gimtąjį miestą, apie miesto dėmesį kultūrai ir tai, kas skatina jaunus žmones čia grįžti.„Jeigu nori atskleisti ir reprezentuoti savo visuomenės įvairovę, menas yra viena iš formų tai daryti,“ – apie žmonių įvairovės atspindėjimą naujausiame šokio spektaklyje „Lustopija“ sako vienas jo choreografų Laurynas Žakevičius. Kokį visuomenės paveikslą piešia šis spektaklis?Ved. Marius EidukonisRed. Indrė Kaminckaitė
Jonas Lekšas, Karolis Tiškevičius ir Lukas Malenauskis aptarė svarbiausią Lietuvos 3x3 krepšinio pirmadienį ir kaip pavyko iki jo ateiti. Daug dėmesio skyrėme ir antradienį prasidėsiančioms olimpiados 5x5 krepšinio atkrintamosioms. Tinklalaidės partneriai: – UNIPARK - tavo žadintuvas, kad nepamirštum išjungti parkavimo! Išmaniai atsiskaityk už parkavimą miestų zonose visoje Lietuvoję, įsigyk “Įvažiavimo į Neringą bilietą” vos kelių mygtukų paspaudimu, o jeigu vairuoji elektromobilį - programėlėje dar rasi ir daugiau nei 130 įkrovimo stotelių visoje Lietuvoje. Atsisiųsk populiariausią parkavimo programėlę Lietuvoje UNIPARK per Google Play arba App Store! – Išbandyk „Telia Play” MIDI arba MAXI planą, kuriame įtraukiamas ir Eurosport paketas. Pirmasis mėnuo - visiškai nemokamai! Mėgaukis kokybiškomis sporto transliacijomis kartu su Telia Play. Plačiau: https://www.telia.lt/privatiems/televizija?be-isipareigojimu Temos: Senkutės triumfas ir tinklininkių liūdesys (00:00); Svarbiausia diena Lietuvos 3x3 istorijoje (7:02); Vydo Gedvilo absurdai Prancūzijoje (9:54); Lietuvių forma, Prancūzijos sėkmė ir serbų krachas (13:38); Keistina 3x3 taisyklė (24:10); Kokie čia tie krepšininkai tam 3x3? (26:52); 3x3 krepšinis panašesnis į futbolą (31:58); Didysis olimpinis 3x3 ketvertas (34:40); Kokie pinigai laukia 3x3 olimpinės rinktinės? (38:30); 5x5 olimpinis krepšinis grįžta: prancūzų problemos (45:10); Ispanų magija, Pietų Sudano ašaros (48:20); Vokietija - Graikija (53:35); Prancūzija - Kanada (57:30); Serbija - Australija (59:59); Nustebinęs penketukas (1:06:27); Nuvylusių penketukas (1:12:48).
Anglų pasaka „Pusė kilogramo cukraus“. Režisierė Lilija Žadeikytė. Vaidina aktoriai Gražina Urbonaitė, Lilija Žadeikytė, Gediminas Girdvainis. 1990m. Ispanų pasaką „Kas beldžiasi“ vaidina aktoriai Elvyra Žebertavičiūtė, Gerardas Žalėnas, Audris Chadaravičius. 1998m.
Kassavaitinėje 15min tinklalaidėje apie futbolą „Skrieja kamuolys“ – ispanų triumfu ir anglų skausmu pasibaigęs „Euro 2024“ finalas, sutarimas dėl būsimo „Auksinio kamuolio“ laimėtojo, bemiegė naktis dėl „Copa America“, Lionelio Messi žaidimas ir ašaros, Lietuvos klubai Europoje ir vietiniame fronte bei diskusija dėl mūsų rinktinės Europos ar pasaulio čempionatuose vieną dieną... Komanda – 15min sporto žurnalistai Aurimas Tamulionis ir Marius Bagdonas bei „Go3“ komentatoriai Rytis Vyšniauskas ir Karolis Dudėnas. 00:00 Įžanga, skaičiuojam miegą ir kritikuojam CONMEBOL 06:42 Ispanų kontrolė finale, Rodri trauma, anglų bėdos ir H.Kane‘o forma 16:58 Išgelbėta M.Bagdono karjera, geresnė komanda ir maldos futbolas 29:54 G.Southgate'o ateitis ir ginčas dėl anglų bei ispanų statuso 44:15 Sutarimas dėl būsimo „Auksinio kamuolio“ laureato 56:36 „Copa America“ finalas, Argentinos auksas ir L.Messi dabartis bei ateitis 1:09:21 Kas laimės „Finalissima 2025“? 1:14:36 „Panevėžio“ ir Vilniaus „Žalgirio“ sėkmė Europoje, bei estų smūgis „Šiauliams“ 1:28:56 19-mečių merginų čempionatas Lietuvoje ir skaudus startas 1:31:08 G.Gineičio trauma ir kaip Lietuvai patekti į didįjį čempionatą?
Šiai laidai labai reikalingas jūsų palaikymas! https://contribee.com/o-dangau #Euro2024 #ivartis #Euro #England #Spain
Šiai laidai labai reikalingas jūsų palaikymas! https://contribee.com/o-dangau 00:00:00 – Įžanga 00:00:55 – Ispanija ir Sakartvelas 00:25:18 – Anglijos išsigelbėjimas 00:56:00 – Prancūzija vs Belgija 01:00:10 – Portugalija vs Slovėnija #Euro2024 #ivartis #Euro #England #Serbia #Spain #Italy #Slovenia #Poland #Belgium #France #Mbappe #Kane
Kassavaitinėje 15min tinklalaidėje apie futbolą „Skrieja kamuolys“ – didysis sugrįžimas prie mikrofono, žvilgsniai į Europos čempionatą, geriausias rinktines ir „TOPsport A lygą“ bei Lietuvos klubams tekusius burtus su 15min žurnalistais Aurimu Tamulioniu ir Vokietijoje viešinčiu Mariumi Bagdonu bei „Go3“ komentatoriumi Ryčiu Vyšniausku. 00:00 Įžanga, R.Vyšniausko sugrįžimas ir per visą Europą nuskambėjęs juokas dėl R.Lukaku 15:21 Kroatų ašaros ir diskusija dėl italų – turi jie žvaigždžių, ar ne? 32:59 Ispanų dominavimas ir potencialus ketvirtfinalis su vokiečais 55:21 Škotų gėda, vengrų šansai ir M.Bagdonas „lentpjūvėje“ 1:01:19 Ko tikėtis iš anglų? Ir kas laimės grupę – prancūzai ar olandai? 1:09:07 Penktą pavarą įjungęs futbolas Lietuvoje ir Ryčio jausmai „Džiugui“ 1:15:24 V.Slivka – į Japoniją, A.Kučys – į Slovėniją ir F.Černychas – į Kauną. Kas įdomiau? 1:24:01 Atvira LFF taurė 1:26:59 Ir kaip seksis mūsų klubams Europoje?
This week we are heading to Kansas City to chat with one of the legacy injectors, a real OG, who has been part of our industry for more than 2 decades, Georgia Cirese, RN, CANS. Georgia began her journey in a Plastic Surgery office, pre-Botox, and found her niche in the science and artistry of injecting. She worked in a dermatology clinic for years after, but she felt the entrepreneurial pull 4 years ago when she opened Georgous Aesthetic Bar. Situated in the high-end Country Club Plaza in KC, she and her daughter have collaborated to build a world-class medspa that focuses on exceptional outcomes and patient experience. Georgia is part of the founding group of injectors who came together 20+ years ago to, in her words, slay the jungle of aesthetics. With little training and an even smaller portfolio of products, that veteran cohort of injectors laid the foundation for what would become a thriving industry decades later. Georgia was exactly where she needed to be when the Botox brand took off- she was assisting Dr. Jerome Lamb, a plastic surgeon in KC, in the OR as he performed face lifts and other aesthetic procedures. Her surgical knowledge coupled with her own experience from her first Botox injections were the catalyst for her career. She understood the artistry, the anatomy, and she knew a gentle touch was a necessity if patients were going to want to come back! She enrolled in an Aesthetic Advancements course early on which helped to build the necessary skills to really thrive. Now she's a trainer for the organization and has been for many years. It had a positive impact on her learning journey, and she's paying it forward. Catching up to modern day, Georgia is a well-known national trainer for Allergan and AAI, and she's been on podiums throughout the industry. Looking back on where she started, she talks about the rise in influence of the medspa and the “non-core” injector and what it means to be faculty on podium and to be the respected expert in the room. That hasn't always been the case Those are stripes she has definitely earned with years and years of practice, mentoring and training others, and acting as an advisor to the industry. This year she was appointed to the board at ISPAN – a full circle moment. She was one of the original nurses to earn the Certified Aesthetic Nurse Specialist designation. Over the last several years, ISPAN has worked diligently to get the CANS certification recognized as a true board certification, and they've done it! As that organization expands to include more nurses and hopefully other licensures as well, Georgia is in a position to continue her advocacy of industry-wide standards and regulations to create a safer and better skilled specialty. As an entrepreneur, she's busy building her business with continued growth, including being named a top 10 Allergan account in Missouri. More than 50% of her patients come from word of mouth, and it's not surprising when you hear her talk about her staff and the investment in hiring the right people to fit her culture. She's creating a unique experience for patients through her team, and it's her careful hiring and onboarding process that ensure it's sustainable. She has her daughter as her right hand managing the business operations and marketing. Together, they have created a practice that is as well known for Georgia's incredible skill as it is for that of her Providers. As Georgia continues to train, she doesn't discount her own need to constantly learn and evolve. After 20 years in aesthetics, thousands of patients, and more injections than one can imagine, she's still eager to constantly improve…..THAT is why she's still slaying the jungle and remains one of the most respected injectors two decades later! Learn more about Georgia: https://georgouskc.com/ Follow her on Instagram: https://www.instagram.com/georgousinjections/ Follow GAB on Instagram: https://www.instagram.com/georgouskc/
Iki XV a. „h“ tarimas visai išnyko ispanų kalboje. Būta bandymų šią raidę iš ispanų abėcėlės visai ištrinti. Bet ji ne tik kad liko – kartais atlieka skiriamąją funkciją, pavyzdžiui, „ola“ reiškia banga, o „hola“ – labas.
Norite daugiau turinio? Jį rasite čia: https://contribee.com/krepsinisnet 00:00 – staigmena Panevėžyje 12:55 – finalo startas 27:15 – „M Basket“ bomba 31:08 – „Šiaulių“ ir „Gargždų“ vyr. trenerio paieškos 37:06 – „Baskonia“ fiasko 45:14 – žavinti „Unicaja“ 51:23 – Šaras į NBA 57:11 – atviras R.Javtokas
The 16:9 PODCAST IS SPONSORED BY SCREENFEED – DIGITAL SIGNAGE CONTENT Brad Koerner is a Harvard-trained architect who has spent decades looking at how technology affects and defines built environments. He has a specific interest in technologies like lighting and digital displays. An American based now in beautiful Amsterdam, Koerner works with both end-users and technology companies. By his own admission, he's obsessed by the question of how digital and interactive technologies are starting to disrupt centuries-old thinking about architectural design. We met recently at Integrated Systems Europe, where he did a well-received talk on his ideas and observations. He later sent me the presentation deck, and it was pretty clear I needed to get him on this podcast. In our chat, we get into a whole bunch of things - but focus quite a bit on the terms immersive and experiential ... what they mean and how they get applied. Subscribe to this podcast: iTunes * Google Play * RSS TRANSCRIPT Brad, thank you for joining me from Amsterdam. Can you give me a background on what you do and what Koerner Design is all about? Brad Koerner: Yeah, thanks, Dave, for having me. It's really an honor. So Koerner Design is my own design firm, and I focus on the future of the built environment, iSPAN, architectural lighting, digital signage, and circular economy product design. What would be a typical engagement? If there is such a thing as typical. Brad Koerner: A typical engagement for me is working with lighting design companies to create sustainable products. I've been engaged with a few digital signage and marketing firms looking at trends in digital media. I'm also working with DC Power folks, thinking about sort of infrastructure-level improvements that help lighting and digital signage. So a company would come to you saying, we are thinking about doing this, but we don't have our heads wrapped around how it would all come together? Brad Koerner: Yeah I speak a lot. I talk about the future of the built environment through a variety of different channels, and a lot of people find inspiration in the pieces that I do. For example, I just spoke at Integrated Systems Europe on immersive digital environments, and an earlier presentation I gave was called “Every surface is a screen, now what?” The year before that I presented at Integrated Systems Europe, also on DC Power Systems. These videos go out there and they get people really inspired. They start to see these industries in new ways. They look at their problems with a fresh mind, and they really want to engage them in an innovation process, right? A proper design-driven innovation process. So I help them do a future envisioning session: what are the trends, what are the options, what do they have? Then we turn that into a sort of proper wishlist of product concepts or new business concepts, and then we drive it into the roadmap where it's scoped and prioritized, and they focus on that. I also then take it all the way out and help 'em with product marketing and marketing communications for those new launches. So they would come to you because you're not selling them anything other than your insight and expertise as opposed to trying to angle them toward how they're gonna use a fine-pitch LED wall? Brad Koerner: Correct. I'm agnostic when it comes to all the technologies and equipment. You talk in your presentations a lot about immersive digital experiences and I'm very curious about how you define immersive because I just wrote the other day about a company that described a billboard along a roadway as immersive, and I thought, boy, that's really stretching to call that immersive, but maybe I'm wrong. Brad Koerner: I think it's helpful for your audience to understand by background. I'm an architect. I have two degrees in architecture, and when I was young, I always wanted to be a Disney Imagineer as a kid, and that's what drove me into architecture, and then as a side interest, I took up theater lighting and stage set design. So I really think of immersive digital experiences from that sort of the architectural point of view where you are in physical places, you are surrounded by six surfaces and in today's world, all of those can become digital, they can become luminous, they can become a portal to the internet or to the digital world in some form or another. I've said this because I cross over between architectural lighting and digital signage a lot in my work. Every pixel is a light source and every light source is a pixel in these modern building projects. And a lot of people still don't quite understand that concept yet. An immersive digital experience is becoming how you design an architectural space, and I think particularly a lot of architects and interior designers are really trailing behind the technology. They look at signage as a thing that's applied after the fact almost like a typical signage project, non-digital signage. They don't yet understand how to take everything they've been taught about architecture placemaking, creating thresholds, creating progression, creating a sense of space or wonder, efficiency or economy for working environments, or branded retail experience. They don't know how to take what they're so good at and apply digital to it and mix digital into that and use digital to create something really engaging placemaking. That's what I mean by immersive digital experiences. You say they don't know how, but is it the case that they do want to? Brad Koerner: Some for sure, some absolutely not. I saw Michael Schneider from Gensler speak at the Integrated Systems Europe show a few years ago, and Gensler has a whole group now that's called the Digital Experience Design Group, and this is exactly what they're focused on. Gensler hired the Head of Imagineering at Disney. Brad Koerner: Bob Weiss, right? So they get it. For every Gensler, that's out there, There are a lot of architects that think of digital experience design as well, “Don't put a TV on my wall that's gonna show a Coke ad”, right? And they don't get it right. They still think of architecture as concrete and steel and glass and like Le Corbusier's famous quote, “It's the magnificent play of forms bathed in light”, and I've inverted that many times and I've spoken and I said you know what happens when the forms themselves emit light and they become digital, how are you gonna design that? How do you design the element of time? And with the element of time, you get this sort of very active storytelling capacity within architectural placemaking. So it's no longer enough for you to design a wall and it just sits there forever. You have to think about how that wall will change over time, right? These sorts of cycles of time, whether it's days, weeks, seasons, hours, minutes, or whatever that is, that wall can change dynamically. So why will you change it? How will you use that for placemaking and creating engaging experiences? I don't think most traditionally educated architects and interior designers can really get their heads around that yet. Even lighting designers have this sort of classic preset scene notion when it comes to controls. They're struggling with getting their heads around digital media and that live data stream, live media, and sort of interactivity. But you seem to be suggesting that this is a matter of time as opposed to maybe it'll happen because I keep writing and talking about how that time is coming fairly quickly when architects and people who design physical spaces are thinking about LED and projection and other technologies as design materials, as design considerations. Brad Koerner: Yeah. I think it's inevitable. The best science fiction has shown this for decades now. It's shown this amazing potential world we can live in, both the positive and the dystopian use of it like Children of Men. I just spoke in Integrated Systems Europe and I started my presentation by saying, “The future is now!” You look at Blade Runner, you look at Minority Report, you look at Star Trek, and all of those things that everybody still thinks of as like out there decades away in the future, now in fact, is decades behind us, right? And people haven't admitted to where we are, right? The future is already here. It's just unevenly distributed and digital signage is definitely a world where that is super true, right? You go to the trade shows and a few years ago Sony had an 8k native-resolution digital wall that was eight meters wide and four meters tall, and it was hyperrealistic. That technology exists, but then you go to clients out there and you know they can't afford at any budget, anything, or they simply won't choose to do that, and I think it's inevitable. These architects that are afraid of it, I think what happens is somebody will put a digital sign in their space whether they like it or not for other reasons, and the worst-case scenario is it does become an ad, right? And that's not what they want in their space. So they better get their head around it and integrate it actively into their design concepts and really look at the poetics of it. How can they use simple things like beautiful motion graphics and beautiful textures? Just like an interior designer would make a material sample board, a swatch board, they need to think of the digital media like that. What is the sort of swatches of digital media that they're presenting to their clients when they're designing these grand lobbies or offices or retailers or whatever? I wonder though, with Gensler, they are an extremely well-established company with huge clients and everything else, and they work with Fortune 100s, fortune 500s, giant airports, and everything else. But there's a whole bunch of designers that are working with like a regional insurance company or something like that, and they're just saying, we get what you're saying, but our customers aren't gonna spend that money. They want a defined ROI. They don't want something that's just artistic and ethereal and vague in terms of what this does. Brad Koerner: I think you're talking about a couple of things, right? So first off, there's just cheap, right? You'll always have customers that can never be cheap enough, right? But you have to segment the market, right? There are always customers at the high end of the range that wants the newest, the coolest, the hottest things at the beginning of the cycle. I joke that it's the sort of corporate lobby art budget crowd that always seems to have the money to do those sorts of fanciful things. But the technology keeps plummeting in price, right? A lot of this technology was indeed available even 20 years ago, but it was at such a price point no one could afford it unless you're like U2 going on a concert tour with a LED screen with the width of a football field. They could afford it but no one else. Or Comcast and their lobby because they were a cable company before streaming! Brad Koerner: Yeah, the Comcast lobby, right? What is that already 15 years ago, right? It's like I said, the future is here. It's just unevenly distributed. So the price points just keep coming down until they become more and more common. Could you have imagined even a decade ago that every little restaurant and coffee shop, and donut shop would have digital menu boards? It's amazing how fast that swept through the market, and right now we have these sorts of virtual production spaces, right? I think it was, what, just three years ago, the Mandalorian showed sort of the first instance of that, and there was that movie First Man Before, I think was the first that used an LED screen in camera on film. Now it's everywhere, right? Every studio around the world is installing these virtual production facilities within a year. The accelerating rate of technological innovation is a term that's thrown around, and I don't think people understand what accelerating rate means. AI image generation six months ago exploded onto the scene, and now everyone is using it every designer is thinking about how it's gonna disrupt them, and every content producer is thinking about how they can suddenly reduce the cost of their content generation using this sort of AI image generation, or increase their margin. That was just six months ago, so I think with the technology becoming so cheap, it's low cost to visualize the concepts. It's such a low cost to design, commission, and program them. The hardware is continually plummeting in costs, so you to open up new opportunities, right? The menu boards in little mom-and-pop restaurants. There will always be the high end of the market going down into the middle end of the market, and they will use these, right? And they will have very smart design teams that come up with real ROI stories for why these things work, and it becomes fanciful and sci-fi today or yesterday, tomorrow just becomes normal and accepted. People don't even think about it anymore. The bottom end of the market will always be cheap. There'll always be people who can never save enough money or be stingy enough. That's in every market, right? Lighting, construction, you name it. It's always like that. You're suggesting in your presentation that the digital and physical worlds are fusing in that with physical spaces being portals to a virtual world. I'm curious about what you mean by that, and maybe you can give me a couple of examples of how that's actually playing out. Brad Koerner: Let me go back to when I was in school. I have a Master's in Architecture from Harvard, and when I was there, I did a thesis titled ‘Active Object Surfaces and Zones' I looked at using physical interactive controls for retail displays and lighting, and this was in 1999. So I was a bit ahead of the scene on that one. But in the early 200s, I believed that physical spaces would become the best interface to the internet which is, I know, a wild concept for many now. But you have to remember back then we were still using 20-inch Sony Trinitron screens were like the hot technology, and people were still using three-and-a-half-inch floppy discs and dial-up modems but the internet showed so much promise and there were a lot of designers doing really amazing websites and that was very spatial, right? And even just the notion of hypertext itself is very spatial. So I kept imagining that physical spaces and using your body as the control and creating progression and threshold and a lot of the sort of architectural principles that you see in the internet experience could be combined. But then, in 2007, Steve Jobs launched the iPhone, and little black mirrors hijacked our internet experience, right? Now though, I think people are over that, and we're saturated with personal devices and little black mirrors everywhere, the retailers are finally waking up to say, Hey, we need that digital in our physical experience, and so are the hospitality providers and healthcare providers. And they're starting to think, wait for a second, now we can tie all this digital data o tour spaces, right? And we can take all these great media that we have on our little black mirrors, and we can put it into our physical spaces. We can create these great experiences, and we can complete this cycle of gathering data from the real world, using it to drive great media content creation, live and interactivity and use it to drive behavior back in the real world, right? And it completes that virtuous cycle, and that's what I mean when I say architecture becomes a portal to the virtual world. A portal you can go back and forth between, right? The digital might come from into the space, and the spatial actions might drive digital data, right? Can you give me some examples of where you've seen this applied and you think it really works because I've walked into some spaces that retail spaces and other spaces that are called immersive and experiential and thought to myself, being an old fart, cranky and everything that that's nice, but I don't see the point of this and I sometimes struggle with how they're gonna see a return out of this? Brad Koerner: Yeah, I haven't seen many. Long story short: I think you just have this great divide where you have, for example, a lot of startups doing smart buildings, right? And they're deploying all these sensors, and they're gathering up all this data, but then they don't return that data back to the spaces. The data does very little to act on the physical space. Then you have all this great media content that's out there and you'll throw up media content on these screens, and it's not tied to anything that's happening in the space, right? So it has no recognition of if somebody's even looking at it or not, much more if that person is gazing at it or wanting to engage it. There's been a lot of crazy stuff. There's indoor GPS positioning using lighting systems and apps. That was a flop. People have tried to tie app experiences into the real world. Not a lot of that has any real success story. You see a lot of these sorts of art-driven installations where I call it the be in Me and My Shadow problem. You can put a stereo vision camera system in space and track people exactly, but then, all they do is show the person's presence on some huge digital wall, and it's like me in my shadow, and there's no other point to it, so you have to think about why you need interaction in a space, right? I say for lighting and digital media, you can deliver the right light or the right content at the right place at the right time. You can use it to create really memorable human experiences, or you can use it to drive action, right? And those are areas that are not well explored yet, right? You don't have a lot of good designers out there connecting all of those systems together to create genuinely good experiences. I actually worked with a startup called Digi Valet that makes a hotel room control system for luxury hotel rooms. So they make an app that sits on an iPad, but the other half of their system is this black box that interfaces with every physical control system in a modern hotel room like the thermostat, the blinds, the lighting, the media, everything that's Bluetooth, the Bluetooth controlled faucet on the bathtub, the Bluetooth coffee maker, the Bluetooth perfume/scent sprayer, and all that stuff. And it was great because they asked me to help them. This had a lot of customers, these hotel chains wanted to develop a brand of digital media and lighting experiences as part of this iPad app, right? And it was a fascinating way to think about it. So you're in this hotel room, and you click, I want to watch a movie. It immediately says on your iPad, okay, can we set the cinema lighting? Yes. Can we lower the blinds? Yes. Would you like us to order you champagne and popcorn? Yes. It totally changes the way you think of the room, right? You don't have lighting control pads and blinds, and you don't have to find the remote control for the TV. It's all about having this really smart butler that just knows what to do when you want to watch a movie. So if you're a frequent flier or whatever, you travel between different Marriotts, and you use your loyalty card, and it just sets it up in your room. So you don't even do anything; that's your configuration. Brad Koerner: That's the next level, right? That's future beyond that when you can add in the CRM systems on top of that so it remembers your preferences. Then the next level beyond that is there's almost this genie-like ability where they begin to understand your desires so well that they can start to add magic to your experience that you are not even expecting or the hotel can't do it at scale, right? I just think that's fascinating, like how could you take those principles of experience design and apply them into high-end retail or high-end healthcare, or even just a commercial office environment, right? It's a beautiful UX/UI experience in a space. We desperately need to see more intelligence and creativity around using digital in physical spaces. Yeah, I wanted to ask about the discipline that needs to be enforced at the start of these things. When I've done consulting in my dark past, I would try to ensure the first question out of my mouth that I would throw at the customer or a client was: why are you doing this? What do you want to see out of it? And so on. Is that the sort of thing that needs to be addressed super early so that it's not just, “We've seen these big video walls and other lobbies, we want one too.” Brad Koerner: Usually, the first question I ask is, what's your budget? But that doesn't work too well. Can you afford me? Brad Koerner: It's both of those, right? It's what's your budget and why? I think that, first off, many of these companies have a lot more budgets if they want. They just don't want to at first, they don't understand what is possible, they don't understand what it would cost, and they don't understand the ROI on that investment. So it's a real uphill battle, and that tail is as old as time, that's an architect preaching an upgraded finish on the oak panels, or that's a lighting designer preaching adding dimming into the system. It's always like that in these construction projects, and you are right, about the why, you can have all this technology in the world, right? Anything you can dream, you can do, right? So technology is not the limiting factor. It's imagination, right? Imagination is the limiting factor and thinking is almost like a movie director or the early stages of any media content where you have to think in storyboards, right? You have to think in moments of time. You have to think about their journey, what's the user journey, and what's the user experience, right? If you've seen any of these big design firms, they map user journeys, right? Throughout the omnichannel retail experience, they create these huge flow charts that take up a whole wall. You have to think about that in physical places now. So if you're walking into the shopping mall, do you put signage at the door's threshold? Classically, in retail design, you don't put anything really important at the threshold of the door because you need a sort of decompression zone where people charge into a space. Then they slow down, and then they look around, right? There's just a lot of classic common sense design stuff that is not being employed in digital signage, particularly in any interactivity, right? You need these new combinations of skill sets that just don't exist yet. You almost need to take a game designer with a world-class architect and make them work together and see what happens, right? You need to take a Hollywood storyboard artist and combine them with a technologist and make them work together and see what happens., and that's what's missing right now from all of this, and I think you have companies like Moment Factory and Gensler and some out there are on that bleeding edge that they are trying to do that. Here in Amsterdam, there's Purple Storytelling, and there are lots of little groups that see the future that they struggle with, right? I think they struggle to see, and get the clients to understand the potential. I think things like Unreal Engine and live rendering and that sort of starting with a game engine, which is so powerful with live rendering, is going to make visualizing these scenarios so much faster, so much more profound, instead of starting with a classic architectural sketch, and then you went to an architectural photorealistic rendering, but it didn't move. Now architects are using things like Unreal Engine to make these animations, particularly in the luxury real estate marketing firm. Have you ever seen what some of these high-end luxury real estate developments are doing for their marketing? It's unreal. It's Hollywood-grade special effects from just 10 years ago, and they're using it just to sell condos. You start to take the power of that, and you add it into very specific segments. So, retailers, have their very specific sort of customer flows, customer journeys, and ROI expectations, and hospitality operators have their very specific desires, healthcare facilities, have very different customer journeys. With Unreal Engine, you can now tie together these professions. It's the first time in my career that I've seen this flow complete, that you can use architectural models in BIM in Unreal Engine, and you can show these scenarios. You can animate them, you can set up the interactivity, right? Cuz it's a game engine at heart, and then you can use that for commissioning these systems. I think that will be the next step in all of this. But are people like architects and those who design physical spaces, are they conditioned and trained and understanding about the ROI needs of their clients? Is that something they've always had to address, or is this new because of this more mysterious ROI that you would see out of an immersive space? Brad Koerner: It's a great question. I don't think they are. I have two degrees in architecture. I was never trained to think of a business scenario. Again, it's combining different skill sets, right? It's almost like you need to combine an architect with an MBA and think about why, what's the point? It's a real challenge, right? Obviously, if you're a high-end real estate developer and you're doing luxury condos, you know that if you add marble to the lobby, you're going to get a certain ROI. You might not have it calculated, but you understand your customers, and you understand it's going to help with sales. You understand that it's worth it, right? You can't just put chipboard and cheap carpet in, you have gotta do the upgraded finishes, but you also know where not to spend the money, and you know where it's not going to get return value to you. And there's an intuitive aspect to that you can never just set up in a spreadsheet, and $5,223.32 will be your ROI in 32 days. You'll never get that precise, and that's why you need a creative mind and a business mind, and they need to come together to figure these things out, but it will happen, right? If you create a great experience for a hospitality provider, right? They'll know it. They'll know it from the customer feedback, reviews, and qualitative comments on that, right? And eventually, that drives revenue for them. But those sort of attribution problems for ROI is vexing in every industry. Marketing goes through this all the time, but it will happen more and more in physical placemaking with these systems, and I think it's a skill. Again, people have to get good at this. It doesn't exist now, and it's tricky because it combines several skill sets that have never worked together in the past and you have to fuse them to sort these things. Yeah, I listened to a panel at Digital Signage Experience, and I believe it was somebody from Moment Factory who was saying that in terms of a return, they're now starting to hear from the HR departments of companies who are saying that having an experiential aspect to their lobby and their overall space is incredibly important in terms of recruitment and retainment of employees these days that particularly in technology jobs where you may have several choices as to who you're going to work for, what that space looks like and how you feel in it matters. Brad Koerner: Yeah. It's like in the commercial office section, right? I forget the exact numbers, but it's $3 a square foot, $30 a square foot, and $300 a square foot, right? Three bucks are your cost of energy, and 300 is your cost of salary, right? So should you focus on saving a few pennies of energy, or should you focus on saving hundreds of dollars of efficiency for your employees and salaries? That's just the concept that has to be employed everywhere. There's this sort of scale of effect that is critical to ROI. Understanding that is often siloed, right? You get a salesperson running in with some smart building system. They're talking about saving energy because we'll turn all the lights off more. And they don't understand that will create a lousy experience for the workers, right? And it will really damage the effectiveness of the workers and retention and all that, right? Same thing with digital signage, anything, right? If you put a big LED wall into a commercial office, will you just put a waterfall on it? Is that going to help make your employees happy? Maybe, maybe it's as dumb as that. But could you do something more sophisticated with it? Could you recognize employee accomplishments live? Could you show employee performance live depending on what your business or industry is, do you give people a pat on the back instantaneously? There are so many scenarios that could be developed around these technologies when, again, when the surfaces you're surrounded by become digital. You need to think about what they do, how they react to you, and how people react to those surfaces.? What is that cycle of action-reaction? It sounds like you're saying there's more to this stuff than eye candy. Brad Koerner: Eye candy's great. I'm not going to argue against eye candy. There's a lot in this world that is just for eye candy's sake, and that makes a big difference, right? This is a classic design. This is architecture, this is interior design, this is a brand design, and retail design. Some of it is just eye candy, and people know how to justify that, right? That's a tale as old as time, right? It's making a statement. It's making a brand, culture, making, and experience. Why does Starbucks charge $8 for a coffee when they spend 50 cents on it? Because they've invested heavily in how their stores look, they feel and smell and sound, and there's just a lot of eye candy there, right? They consciously built all that so that they could charge that price premium. So yeah, it will just be eye candy for some of the digital stuff. I joke about the waterfalls, but can you beat the waterfall? In terms of your media content, it's mesmerizing, right? It's biomimetic, it makes you feel comfortable. I think humans have these deep-seated connections to natural effects. Maybe you just put a glorious force scene on your huge LED wall, and somehow the best thing you can show, right? I don't know. It could be as dumb as that. You have to test it. I think the other thing people have to get savvy on is that you don't just build it and walk away. You have to build and operate it, and these teams that are developing these concepts will have to work with the operators, whoever it is to tweak it, right? To look at, we're going to make a whole bunch of assumptions, right? There are cycles of time, there's media content, there's interactivity, there are all these new things that people have to figure out. They can simulate it upfront. Nowadays, they can go into the virtual world during the construction project and get it mostly right or pretty close. But then, who will fine-tune that in the field over time or refresh it over time? Most people don't even think of the media budget. How many people forget about, oh wait, you mean we need a media budget for all these screens we've built? They can't even do that, and it's a long way before you're going to have clients actively spending the money to tweak this stuff and make sure it's optimal over time. All right. Great conversation. I think we could have gone on for three hours, but gotta cut it off at some point. If people want to find out more about your company or perhaps bring you out to speak to their company or a conference, where do they find you online? Brad Koerner: They can find me on LinkedIn just Brad Koerner or KoernerDesign.com. All right. Thank you very much for spending some time with me. Brad Koerner: Great. Thanks, Dave.
Ispanų liaudies pasaką „Puodynėlė medaus“ seka aktorius Ferdinandas Jakšys.
Kasdienė pasaulio futbolo čempionato apžvalga. Vedėjai Ervinas Kvitkauskas ir Tautvydas Vencevičius. #qatar2022 #osportas #podcast #podkastas #ivartis #worldcup
https://fkzalgiris.lt/pc2022-spelione/ Visiems futbolo aistruoliams siūlome dalyvauti „Žalgirio“ Pasaulio futbolo čempionato spėlionėje su galimybe laimėti nuostabų prizą – 10 tūkst. eurų. Norint dalyvauti spėlionėje reikia spėti, kurių šalių rinktinės užims pirmąsias 8 vietas 2022 m. Pasaulio futbolo čempionate. #fifaworldcup #qatar2022 #osportas #podcast #podkastas #ivartis #worldcup
Čečėnų lyderiui Ramzanui Kadyrovui Rusijos prezidentas Vladimiras Putinas neseniai suteikė vieną aukščiausių šalyje karinių laipsnių - generolo pulkininko. R. Kadyrovas pastaruoju metu didina savo įtaką Rusijoje, kritikuoja kariuomenės vadovybę už pralaimėjimus Ukrainoje. Kokia tai asmenybė, kaip jis formavosi ir kokie jo santykiai su Vladimiru Putinu? Apie tai sukarybos apžvalgininku Egidijumi Papečkiu.Spalio 12 d. minima ispanų kalbos diena. Kiek lietuviai nori mokytis šios kalbos? Pokalbis su Ispanų kalbos dėstytoju Alfonso Rascon.Ką žinome apie pagoniškų laikų Vilnių? Laidoje sveičiuojasi Lietuvos istorijos instituto mokslo darbuotojai, archeologai dr. Irma Kaplūnaitė ir dr. Rytis Jonaitis.Menininkas Gitenis Umbrasas kuria didžiulę Šv. Kristoforo mozaiką, kuri savo vietą ras ant Vilniaus miesto savivaldybės fasado.Ved. Agnė Skamarakaitė
Jonas Lekšas, Augustas Šuliauskas ir „BasketNews.lt podkaste“ apsilankęs Ramūnas Butautas aptarė ispanų triumfą pasibaigusiame Europos čempionate ir pažvelgė į būsimą Lietuvos rinktinės paveikslą pasaulio čempionate. Temos: Įžanga į finalą (0:00); Ispanų užtikrintumas ir gynybos pergalė (3:40); Scariolo unikalumas (11:27); Čempionate neįtikinę prancūzai (14:28); Triukšmas dėl Lorenzo ir MVP klausimas (17:51); Prasčiausia turnyro komanda (22:12); Iškilusi nauja krepšinio jėga Europoje (25:45); EČ nenuspėjamumą atspindėjusi Lenkija (30:00); Simbolinio penketo klausimas (34:50); Įspūdingas ar nerealizuotų lūkesčių čempionatas? (38:42); Žvilgsnis į Lietuvos rinktinę pasaulio čempionate (40:52).
Rėmėjais galite tapti paspaudę šią nuorodą: https://contribee.com/krepsinisnet 00:00 – ar „Gargždai“ turi minimalų LKL biudžetą? 03:54 – patys pralaimėję slovėnai 09:18 – favoritų iškritimas 12:04 – vokiečių pralaimėtas pusfinalis 13:52 – ryškiausia ispanų žvaigždė 16:52 – pavogtas MVP prizas 19:26 – ispanų sistema 22:20 – ar ispanų auksas mažiau spindi 24:44 – V.Collet darbas ir trenerių problema Prancūzijoje 30:40 – teisėjavimas ir juokingi K.Novako pasiteisinimai 35:30 – kas labiausiai nuvylė ir nustebino 39:11 – „Šiauliai“ Čempionų lygos atrankoje
Vos tik Vilniaus universiteto Filologijos fakultetas atidaro studentų registraciją mokytis, kaip antrosios arba trečiosios užsienio kalbos, ispanų, vokiečių, prancūzų ar italų kalbos, laisvų vietų nebelieka jau po 15 min.Tuo tarpu stebint moksleivių antrosios užsienio kalbos pasirinkimą, matome, kad populiariausia užsienio kalba yra rusų. Rusų, kaip antrąją užsienio kalbą, kasmet pasirenka nuo 75 iki 80 proc. visų šeštaklasių.Kodėl? Ar tikrai moksleiviai „savo noru“ pasirenka rusų kalbą antrąja užsienio kalba? Kiek moksleivių pasirinkimą, kokios mokytis antrosios užsienio kalbos apsprendžia mokyklos užsienio kalbų asortimentas?Kokia antroji užsienio kalba, gyvenant Lietuvoje, yra perspektyviausia? Kodėl dauguma moksleivių taip ir neišmoksta mokykloje antrosios užsienio kalbos? Ar realu mokykloje per penkerius metus, tai yra nuo šeštos iki dešimtos klasės išmokti antrosios užsienio kalbos? Kiek tikslūs teiginiai esą vokiečių ir prancūzų kalbos yra per sunkios, kad jas išmoktum mokykloje per penkerius metus kaip antrąsias kalbas? Ar tikrai ispanų ir rusų kalbas, kaip antrąsias, mokiniai įsisavina lengviau ir greičiau? Ar dar turėtume mokytis rusų kalbos kaip antrosios užsienio kalbos?Ir, ar neturėtų Lietuvos moksleiviai dėl ypatingos Lietuvos geopolitinės padėties mokytis ne dviejų, o trijų užsienio kalbų?Diskutuoja: Vilniaus universiteto Filologijos fakulteto ispanų-lietuvių kalbų dėstytoja dr. Aistė Kučinskienė, filologė ir etnologė dr. Daiva Šeškauskaitė, Goethe's instituto Vilniuje kalbos skyriaus vadovė Nijolia Buinovskaja bei Prancūzijos instituto Vilniuje direktorius Thomas Buffinas.Ved. Jonė Kučinskaitė
Naujausioje 15min laidoje apie futbolą „Skrieja kamuolys“ – A lygos, kurioje dominuoja „Panevėžys“, apžvalga, laukiame Čempionų lygos ir klausiame, ar Ispanijos klubai turi galimybių Anglijoje, įdomybės „Premier“ lygoje ir „Manchester United“ laukiantys pokyčiai, nuobodi Bundeslyga, puiki savaitė Milano „Inter“ ir dar vienas „Barcelona“ pralaimėjimas namuose. Komanda – Karolis Dudėnas ir 15min žurnalistai Marius Bagdonas, Mantas Krasnickas bei Gintaras Radauskas. Praėjusią savaitę kartu su laidos rėmėju VIAPLAY uždavėme klausimą, koks bus Miuncheno „Bayern“ ir Dortmundo „Borussia“ rungtynių rezultatas. Burtų keliu paaiškėjo, kad prizą – VIAPLAY kuponą, kuris jam leis net 6 mėnesius žiūrėti naujausius filmus, tiesioginius sporto renginius ir populiarius serialus, laimėjo ROKAS RIMŠA, atspėjęs, jog „Bayern“ nugalės 3-1. Dėmesio, naujas klausimas – suskubkite! Kurią minutę bus įmuštas pirmasis įvartis trečiadienio vakaro rungtynėse tarp „Liverpool“ ir „Villareal“? Laimėti vėlgi galėsite VIAPLAY kuponą. 00:00 įžanga 08:07 A lyga ir stringantys „Žalgiriai“ 34:23 ar Ispanijos klubai parodys dantis Anglijoje? 42:52 „Premier“ lyga ir „Man Utd“ vargai 1:13:05 Bundeslyga nuobodi: ką daryti? 1:32:14 Milano klubai verti lyderystės Italijoje 1:39:08 „Barcelona“ vėl pralaimėjo namuose
The party arrives at the Kin's Farm, causing chaos because they have a darkfriend in their midst. Ispan is taken into the care of Adeleas and Vandine, sealing their doom. After much bickering, and more angreal sorting, the party heads uphill to use the Bowl of the Winds. Using the Bowl of the Winds is epic, amazing, and visually stunning! Did you miss Spoilercon 2021? Do you want to revisit your favorite events? Rewatch the events at https://youtube.com/playlist?list=PLMos4E4aIwdVPalobyjlPlhjpEj4RYsP3 CALL TO ACTION! If you would like to see SpoilerCon continue in the future and you have the energy to help with the Planning Committee, please shoot us an email at wotspoilers@gmail.com or spoilercon@gmail.com Join the conversation on Discord: https://discord.gg/YtWvCnS Contribute on Patreon: https://www.patreon.com/wotspoilers Email us: wotspoilers@gmail.com Youtube: https://www.youtube.com/channel/ Twitter: https://twitter.com/wotspoilers Instagram: https://www.instagram.com/wot_spoilers/ Facebook: https://www.facebook.com/WOTSpoilers/
Ispanų pasaką „Frančas Žiogas“ seka aktorius Dalius Skamarakas.
Bu rubrikada Ispaniya mətbəxinin məşhur yeməyi olan - Tortilla de patatas barəsində məlumatı sizə təqdim edirik !
Ispanų pasakas „Trijų jaunikių sužadėtinė“ ir „Iš kelio“ seka aktorius Dalius Skamarakas.
Ispanijos rinktinės žaidėjai ir vėl padalino vienas kitam daugybę perdavimų, tačiau varžovų gynybos nepramušė – kažkur tai jau matyta. Savo ruožtu škotų ambicijas pakirto fantastiškas čeko puolėjo Patrio Schicko smūgis iš aikštės vidurio, o Lenkijos rinktinę pražudė patyrusio saugo klaida. Kolektyvas – 15min žurnalistai Marius Bagdonas ir Gintaras Radauskas bei futbolo tinklaraščio „Vienuolika“ bendraautoris Karolis Dudėnas. 00:00 įžanga ir kalbos apie geriausius 02:24 save pačius nuvylę škotai 09:27 vilčių nepateisinusi Lenkija 14:57 ispanų galvos skausmas dėl Alvaro Moratos 19:58 ar labai stengsis prancūzai ir vokiečiai? 29:42 Cristiano Ronaldo siekia rekordo 35:27 prizas! Komentaruose „Facebook“ paskyroje palikite spėjimus, kas šio vakaro Prancūzijos ir Vokietijos rinktinių dvikovoje nubėgs didžiausią atstumą. Prizas – kuprinė!
Anglijos rinktinė įrodė, kad didelės aistruolių viltys į ją dedamos ne be reikalo, nugalėdama blankokus kroatus. Nyderlandai trileryje Amsterdame įveikė Ukrainą, o austrai galiausiai palaužė užsispyrusią Šiaurės Makedoniją. Pirmadienį – dar trys susitikimai, viename kurių pasirodys stipri Ispanijos rinktinė. Apie visa tai ir kitus „Euro 2020“ štrichus – laidoje. Kolektyvas – 15min žurnalistai Mantas Krasnickas ir Gintaras Radauskas bei politologas Marijuš Antonovič. 00:00 įžanga 01:20 geras anglų žaidimas 12:59 trileris Amsterdame ir olandų pergalė 19:05 Austrija palaužė Šiaurės Makedoniją 21:15 ar ispanams nesukliudys suirutė dėl COVID-19? 26:32 Lenkijos rinktinė – stipresnė nei 2016-aisiais? 32:53 škotų futbolo šventė Glazge 38:36 prizas! Kuprinę šįkart laimėjo Remigijus Remigijaus! Sveikiname ir kviečiame susisiekti su mumis feisbuke!
„Euro 2020” startui skirta „Skrieja kamuolys“ laida. Laidos dalyviai – 15min žurnalistai Gintaras Radauskas, Mantas Krasnickas ir Marius Bagdonas. 00:00 Intro 00:30 „Euro 2020“ prasideda 01:00 Europos čempionatas ir „Covid-19“ 01:30 Kodėl futbolo šventėje neliko Dublino ir Bilbao? 05:00 Viktoras Orbanas ir pilnas stadionas Budapešte 05:55 Apie „Covid-19” saugumo protokolus 10:00 A grupė: italų sugrįžimas į didžiąją sceną 13:40 B grupė: Belgijos istorinis šansas 16:44 C grupė: Nyderlandų metamorfozės 19:15 D grupė: „Futbolas grįžta namo!“ 22:15 E grupė: Ispanų sprendimai ir problemos 24:36 trys banginiai F grupėje 27:50 Drąsūs spėjimai 29:30 Kas yra šio čempionato favoritai? 31:26 Atidarymo mačas Turkija – Italija 38:52 Konkursas žiūrovams
We are joined again today by Morgan, Podcast of the Dragon, who recently made an appearance on the Way Of The Leaf YouTube show (https://www.youtube.com/watch?v=BtFhJltHENk). This chapter contains several points of view, and a near kidnapping. Ispan and Falion fail to get the information they want, and Teslyn masterfully manages Joline. Is Mat sleeping with Caira, or not? Your hosts are undecided. Nerim wields a cast iron pan and gets much love for it. Is Ebou Dar like New Orleans, and can we please go there? What is Noel doing here? Content warning: discussion of sexual assault SpoilerCon: Will be held on October 1-3 in Portland, OR Currently planning an in-person/digital hybrid event Follow on Twitter (@spoilercon) and subscribe to newsletter (bit.ly/SConNews) to get updates https://spoilercon.wixsite.com/home
Today we are so excited to air "Know Your Secret Sauce and They Will Come" with Michelle Doran, MSN, APRN, BC, CANS, co-founder of RN Esthetics! In this episode we explore the influences her parents had on her career path, and how working with family at first turned out not to be the best option. Further, we explore an exciting new program she is spearheading "Diversity in Aesthetics" which seeks to bring change to the industry by starting small at home. This episode also has some vulnerable moments and is real. We won't give it away, you'll have to listen! See below for some great highlights! We appreciate your reviews, it helps us get found! 6:50 Early beginnings working with family...tehe! 8:03 Gauging the big decisions to move from two rooms to a full facility 15:45 RN Esthetics Diversity In Aesthetics Program 19:19 How her team helps her with systems and processes 20:03 Should your Medical Director be in the Aesthetic Field? 21:31 Insecurity and it's correlation to success 24:46 The Secret Sauce of All Medspa Practices 25:23 Early Mistakes she made 31:50 Where is the aesthetic going for the industry? Opinion 34:17 The importance of having a wealth team that understands the industry @rnesthetics_ma https://rnestheticsandlaser.com/ Michelle Dyment Doran is a Board Certified Nurse Practitioner and Certified Aesthetic Nurse Specialist (CANS). She is the co-founder and clinical director of RN Esthetics. In addition, she has the distinction of being a trainer for Allergan Medical Aesthetics, a nomination given to only 200 Nurses in the country. Doran serves on the Allergan Advisory Committee and has been chosen as an Ambassador for trainings. She received her BS from The University of Massachusetts Amherst and a MS from Boston College. She has advanced training in Injectables, cannula, laser and skincare and primarily focuses on injecting and teaching. Education 1996, BS Nursing, University of Massachusetts Amherst 2001, MS Nursing (Summa Cum Laude), Boston College Special Certifications Board Certified Adult Nurse Practitioner & Aesthetic Nurse Specialist (CANS), Consultant Clinic (UK) & Julie Horne Lip Master Certification, Laser Certification ESI, Swift Beauty Certification, Member of ISPAN, Trainer for Allergan Medical Institute, Chosen for Allergan Ambassador Tour 2018 Treatments Provided at RN Esthetics Botox, Dysport, Dermal Fillers, Sculptra Favorite Treatments at RN Esthetics Botox, dermal fillers, Hydrafacial, Sculptra, Vivace Favorite Products at RN Esthetics Anything ZO - love the firming serum, daily power defense and sunscreen primer. --- Send in a voice message: https://anchor.fm/diamondhands/message
Kuratorė Vaida Stepanovaitė su kolegomis „Vakarinėje mokykloje“ kalbasi apie darbą ir kelia klausimus, kokiomis aplinkybėmis kultūros sektoriaus darbuotojai gali jaustis profesiškai saugūs. Domisi Kotryna Lingienė.Ispanų dokumentinis filmas apie kavinukę Islandijoje „Omarų sriuba“ renka apdovanojimus tarptautiniuose kino festivaliuose. Ugnė Kačkauskaitė kalbasi su filmo bendraautoriais Arūnu Mateliu ir Gintaru Sodeika.Muzikantas Rokas Kašėta sako, kad prasmingiausių dalykų esame pratę ieškoti kur nors toli. Po ilgų kelionių po pasaulį dzūkodelikas Rokas grįžo į Lietuvą ir dabar dainuoja dzūkiškai.Mato Šiupšinsko komentaras apie architektūros kritiką (kartojimas).Pasaulyje: paslaptingi metaliniai monolitai 3 skirtingose vietose, uolų piešiniai Amazonės džiunglėse, Kubos menininkų kova dėl žodžio laisvės, Tate muziejai kuria išlikimo planus.Filosofas Algis Mickūnas sako, kad dabar pasaulyje tiesos ieško ne filosofija, o mokslas. Ohajaus universiteto profesorius kelia klausimą apie mokslo ribotumą – jo manymu, dirbtinis intelektas niekada negalės filosofuoti klasikine prasme.Ved. Juta Liutkevičiūtė
Pokalbis su VDU dėstytoja Vigilija Žiūraite apie meilę ispanų kalbai, prasidėjusią dar vaikystėje stebint telenoveles, ispanų kalbos dėstymą ir disertaciją apie Ispanijos politikos permainas. Vigilija Žiūraitė neseniai tapo viena jauniausių apdovanotųjų už Ispanijos ir Lietuvos draugystę bei Ispanijos kalbos ir kultūros puoselėjimą ordino kryžiumi.Ar pandemija pavogs Kalėdas? Lapkričio pabaigoje didieji miestai įžiebdavo egles, kur susirinkdavo daugybė žmonių, prasidėdavo Kalėdinės mugės. Kaip visa tai atrodys šiemet – tiek Lietuvoje, tiek kitose šalyse?Pokalbis su Seimo nare tapusia buvusia lietuvių bendruomenės Jungtinėje Karalystėje pirmininke Dalia Asanavičiūte apie jos emigracijos ir grįžimo į Lietuvą patirtis.Liadą veda: Rūta Kupetytė
Su laidos viešnia ponia Evelina Gužauskyte – ispanų literatūros mokslų daktare, Lotynų Amerikos literatūros ir kultūros dėstytoja, vertėja, o nuo 2013 m. – Velzlio koledžo (Wellesley College) Bostone (JAV) – asocijuota profesore, aptarimui pasirinkta tema „Išvaizdos kultūra. Lotynų Amerika ir 500 metų istorijos“. Mažai mums pažįstamų, geografiniu atžvilgiu tolimų kraštų kultūrų lobyną, įskaitant kolonijinio laikotarpio raštiją ir vaizduojamuosius menus ir tradicijas, mokslininkė, primindama Lotynų Amerikos šalių istorijos faktus ir atsižvelgdama į žmonių nuolatinio atsinaujinimo poreikį, akcentuoja, išvaizdos kultūros, aprangos išraiškas, atkreipia dėmesį į kultūrinių „sistemų“ pokyčius, įgijus nepriklausomybę. Tyrinėtoja nurodo ypatingas daiktiškosios individų tapatybės sąsajas su dvasiniais, religiniais ritualais, jų simboliškumą, komentuoja moteriškiems ir vyriškiems apdarams priskiriamus vaidmenis, iš esmės pritaria teiginiui, kad jų audinių raštai gali būti „perskaitomi“.Laidos autorius ir vedėjas Eugenijus Skerstonas
Andreas Gosling. Pasaka „Princesė širdyje“. Skaito aktorius Algirdas Dainavičius. Ispanų pasaka „Kas beldžiasi“. Seka aktoriai Elvyra Žebertavičiūtė, Gerardas Žalėnas, Audris Chadaravičius.
Įdomybės. Kalba. Ha raidė ispanų kalbos abėcėlėje.
Ispanų renesanso muzika. Ved. Živilė Stonytė.
On this episode of the IKnowDomoKnows Podcast, I am joined by two business partners of mine... Ian and Shee. Both are established entrepreneurs, with businesses of their own. I decided to hold my very fist interview with them, because as someone who is actively pursuing her own entrepreneurship, I knew these two had a lot of knowledge to share with me and my listeners... You don't want to miss this info pact episode that will leave you not only inspired, but filled with confidence to be your own boss!! Music Cred: "Fuck With Myself" by: BANKS "You Never Leave" by: iSpan --- Send in a voice message: https://anchor.fm/domodoit92/message
Carmen Caro Dugo lietuviškai jau yra prakalbinusi Birutę Jonuškaitę, Vandą Juknaitę, Bitę Vilimaitę, Kristijoną Donelaitį, Antaną Baranauską ir kitus Lietuvos rašytojus. Šiemet išleistas naujausias vertėjos darbas – XX amžiaus lietuvių poezijos antologija, kurioje daugiau nei 30 svarbiausių mūsų šalies poetų. Šiandien laidoje su Carmen kalbamės apie vertimo iššūkius. Ved. Dovilė Kuzminskaitė.
Ispanų pasaka „Kuprota princesė“. Skaito aktorė Vesta Šumilovaitė.
Ispanų pasaka „Trijų jaunikių sužadėtinė”.Skaito aktorius Dalius Skamarakas.
Sivan Parienta, RN is a registered nurse, specializing in aesthetic injectables. She began her aesthetic career with a prominent plastic surgeon and found her place in the medical spa industry. Sivan was initially drawn to cosmetic nursing as an artistic outlet for beauty. Fillers are her sculpting clay and clients, her muse. She is passionate about the evolving aesthetics world. Sivan is committed to continued education and seeks innovative and creative injection techniques that fit her client’s unique needs. Her advanced training and experience as earned her the title of Master injector. She is an ISPAN member and is currently pursuing her CANS certification. Sivan is known for lip augmentation. She also provides jawline contouring, profile balancing and strategic volume replacement. She is a versatile injector with a focus on the natural undetectable aesthetic.
„Pakeliui su klasika“ – Ispanų kompozitoriaus Joaquíno Rodrigo 1939-aisiais sukurto „Aranchueso“ koncerto sukūrimo istorija: kompozitorius labiausiai norėjo, kad klausytojai įsijaustų į XVI a. pab. įkurtuose Aranchueso rūmų soduose augančių augalų grožį, kvapus, garsus. Rubrikoje „Retro“ – gruzinų dainininkės Nani Bregvadzės atliekamos dainos, vėliau klausysimės Tbilisio Valstybinio Zacharijaus Paliašvilio operos ir baleto teatro solistų – kolektyvo „Suliko“ vokalinės muzikos, kuri skambės gegužės 2 d. Nacionalinės filharmonijos scenoje minint Gruzijos Nepriklausomybės atkūrimo ir Lietuvos Valstybės atkūrimo šimtmečius. Kaip skamba Otaro Joselianio filmai? – apie tai paskutinį pusvalandį, kurį baigsime Kate Bush dainomis su gruziniškos muzikos prieskoniais.
„Pakeliui su klasika“ – Ispanų kompozitoriaus Joaquíno Rodrigo 1939-aisiais sukurto „Aranchueso“ koncerto sukūrimo istorija: kompozitorius labiausiai norėjo, kad klausytojai įsijaustų į XVI a. pab. įkurtuose Aranchueso rūmų soduose augančių augalų grožį, kvapus, garsus. Rubrikoje „Retro“ – gruzinų dainininkės Nani Bregvadzės atliekamos dainos, vėliau klausysimės Tbilisio Valstybinio Zacharijaus Paliašvilio operos ir baleto teatro solistų – kolektyvo „Suliko“ vokalinės muzikos, kuri skambės gegužės 2 d. Nacionalinės filharmonijos scenoje minint Gruzijos Nepriklausomybės atkūrimo ir Lietuvos Valstybės atkūrimo šimtmečius. Kaip skamba Otaro Joselianio filmai? – apie tai paskutinį pusvalandį, kurį baigsime Kate Bush dainomis su gruziniškos muzikos prieskoniais.
Ispanų renesanso kompozitorius Cristobal de Morales. Mišios. Laidą parengė Živilė Stonytė.
Ispanų renesanso kompozitorius Cristobal de Morales. Mišios. Laidą parengė Živilė Stonytė.
Ispanų renesanso (Francisco Guerrero) kalėdinės giesmės, laidą parengė Živilė Stonytė.
Ispanų renesanso (Francisco Guerrero) kalėdinės giesmės, laidą parengė Živilė Stonytė.
Ispanų pasaka „Kas beldžiasi?”. Skaito aktoriai Audris Chadaravičius, Elvyra Žebertavičiūtė ir Gerardas Žalėnas.
Ispanų pasaka „Kas beldžiasi?”. Skaito aktoriai Audris Chadaravičius, Elvyra Žebertavičiūtė ir Gerardas Žalėnas.
Ispanų pasaka „Kuprota princesė“. Skaito aktorė Vita Šumilovaitė.
Ispanų pasaka „Trijų jaunikių sužadėtinė”.Skaito aktorius Dalius Skamarakas.
Ispanų renesanso muzika,kompozitoriaus Cristobal de Morales "Mišios".Laidą parengė Živilė Stonytė.
Ispanų renesanso muzika,kompozitoriaus Cristobal de Morales "Mišios".Laidą parengė Živilė Stonytė.
Ispanų Renesanso Francisco Guerrero kalėdinės giesmės. Atlieka Canto Fiorito senosios muzikos ansamblis.
Ispanų Renesanso Francisco Guerrero kalėdinės giesmės. Atlieka Canto Fiorito senosios muzikos ansamblis.
Ispanų pasaka „Ferdinandas”. Režisierius Justinas Bautrėnas. Įrašyta 1961 m.