Podcasts about kim kashkashian

Sobre su trabajo, Félix Romeo había escrito: «Cuando leo los libros de Julián Rodríguez siento que tienen una potencia aérea: ese misterio de que el acero pueda moverse rápidamente entre las nubes». Además de escritor, codirector de la editorial Periférica; director de la galería de arte «Casa sin fin»; de la revista de arte y estética «Sub rosa» o Premio Ojo Crítico de Narrativa de RNE en 2016, entre muchas otras cosas. Hace cinco años que falleció Julián Rodríguez Marcos, siempre en nuestro recuerdo. Cello Suite No. 2 in D Minor, BWV 1008 - Transcr. for Viola: 1. Prélude                de Johann Sebastian Bach, Kim Kashkashian            J.S. Bach: Six Suites for Viola SoloRothko Chapel 5                    Morton Feldman        Rothko ChapelTristan und Isolde, WWV 90 / Act I: Prelude to Act I de Richard Wagner, Gewandhausorchester, Kurt Masur   The Unreleased MastersSonata in D Minor, K. 32                   Domenico Scarlatti, Khatia Buniatishvili       LabyrinthClouds            Adam Baldych, Vincent Courtois, Rogier Telderman           CloudsRêverie, L. 68 de Claude Debussy    Werner Haas  Classical Piano: ImpressionsMon'ami                    Tiganá Santana          Tempo & MagmaCaring            Mathias Eick   CaringFlamenco sketches Miles Davis Kind of Blue LegacyEscuchar audio

In the pantheon of immortal combinations of musical instruments, there must be a special temple for the piano and cello. It's hard to think of another duo that offers more musical possibilities, or draws more effectively on the respective strengths of both instruments. From the piano we get effortless rhythmic definition, chords, and harmonies; from the cello, long, singing lines and rich overtones that stretch melody to the boundaries of expression. Together, they define a musical landscape of emotional range, depth, and beauty. On this transmission of Hearts of Space, we celebrate the piano and cello, on an autumn journey derived from the Byzantine hymns, traditional folk, and sacred Sufi music of Central Asia, called MELOS. Music is by G.I.GURDJIEFF and THOMAS DeHARTMANN, performed by pianist VASSILIS TSABROPOULOS and cellist ANJA LECHNER; by MANUEL de FALLA, performed by violist KIM KASHKASHIAN and pianist ROBERT LEVIN; by pianist MISHA ALPERIN, and by cellist HANS CHRISTIAN. [ view playlist ] [ view Flickr image gallery ] [ play 30 second MP3 promo ]

Today on Boston Public Radio: We opened the lines to get listener reactions to a Georgia grand jury report unanimously finding no evidence of fraud in the state's election, repudiating Donald Trump's claims to the contrary. Boston Globe business columnist Shirley Leung discussed new Black-owned businesses in Seaport. GBH's Callie Crossley discussed the sentencing of the Buffalo grocery store mass shooter, and comedian Chelsea Handler facing backlash for her satirical sketch riffing on the freedom of being a childless woman. Restaurateurs Tracy Chang of Pagu, Rachel Miller of Nightshade Noodle Bar, and Maria Rondeau of La Royal. All three have been named semifinalists for this year's James Beard awards. Roger Kabler is a Robin Williams impressionist. He joined to discuss his role in the film "Being Robin," screening at The Cabot in Beverly this weekend. Kim Kashkashian, a grammy winning musician and founding member of Music For Food, and Jennifer Hanlon Wigon, executive director of Women's Lunch Place, joined for Live Music Friday, to discuss Music For Food's ongoing 13th season. Performances by violists William Coleman, Sarah Darling, Kim Kashkashian, Samuel Zacharia, and violinist Meesun Hong Coleman. We closed the show by opening the lines again to hear from listeners about AMC's new seating policy charging different prices depending on the seat's location in the theater.

Steven Isserlis explores the rich and varied community at IMS Prussia Cove. With contributions from some of the people who are associated with the many aspects of the music seminars, including Jonathan Gaisman, Peter Greiner, Bridget Hugh-Jones, Mark Jennings, Alexander Maund, Petroc Trelawney, Samuel West and Rosie Yeatman. Artistic Director: Steven Isserlis  @StevenIsserlis Contributors in order of appearance: John Antonaki Petroc Trelawney Viv Shield Rosie Yeatman Nik Anikitou David Sommer Sam Hewson Arlex Martinez Eleanor Mumford Tim Bickersteth Bridget Hugh-Jones Alexander Maund Hannah Morrow Peter Greiner   Mark Jennings Amy Norrington Samuel West Jonathan Gaisman Music in order of appearance: Brahms Op.111 played by the Salzburg Camerata, conducted by Sándor Végh. Webern, Six Bagatelles for String Quartet, IMS Concert St Bunyan Church, 24.9.05 - Ida Levin & Susie Park violins, Lila Brown viola, Kari Ravnan, Cello. Mendelssohn Octet, Open Chamber Music 1978, St Michael's Mount - Sándor Végh, Sachiko Nakajima, Ola Rudner, Erich Höbarth, violin, Kim Kashkashian, Michel Rouilly, viola, Marcy Rosen, Steven Isserlis, cello. Schubert String Quartet in D minor, IMS Concert St Martin & St Meriadoc Church, Camborne, 2006 – Pekka Kuusisto, Fenella Humphries, violin, James Boyd, viola, Richard Harwood, cello. Schubert B-Flat Piano Trio, IMS Concert, 1978 - Sándor Végh, violin; Johannes Goritzki, cello; Peter Pettinger, piano. Brahms String Sextet in G Major Op.26. Kurtág, Carenza Jig, performed by Scott Dickinson. Haydn Sting Quartet Op.50 No.1 in B Flat, IMS Concert Wigmore Hall, 26.11.22 – Krysia Osostowicz, violin, Lesley Hatfield, violin, Tim Boulton, viola, Amy Norrington, cello. Narrator: Samuel West @exitthelemming Series Producer: Melissa FitzGerald @Melissafitzg With thanks to Chris Doggett for the archive digitisation. Special thanks to Capriccio for the use of the recording of the Brahms Op.111 played by the Salzburg Camerata, conducted by Sándor Végh. Cover Artwork: Bananadesign Ltd Follow us on Instagram @ims_pc Twitter @ims_pc www.i-m-s.org.uk This episode is dedicated to the loving memory of Tessa Gaisman, IMS Prussia Cove's Chairman from 1996 - 2022. 

Kim Kashkashian ist eine der großen Bratschistinnen unserer Zeit. Wie kaum eine andere hat sie sich für ihr Instrument eingesetzt, es aus seinem Schattendasein geholt und dafür gekämpft, dass die Bratsche auch in der zeitgenössischen Musik einen festen Platz bekommt. Kim Kashkashian hat die junge Generation der Bratschistinnen und Bratschisten geprägt. Am 31. August wird sie 70 Jahre alt.

Founded in 1972 by Hungarian violinist Sándor Végh and Hilary Tunstall-Behrens, the International Musicians Seminar held at Prussia Cove in Cornwall has become one of the world's most respected classical music institutions.  In this episode, cellist and IMS Artistic Director Steven Isserlis looks back at the beginnings of IMS. We hear from the founder Hilary Tunstall-Behrens, his nephew Peter, and some of the musicians who came to Cornwall in the early days to immerse themselves in music and the landscape: Lesley Hatfield, Krysia Osostowicz, Daniel Philips, Christoph Richter, Susan Tomes and David Waterman.  Artistic Director: Steven Isserlis  @StevenIsserlis Contributors in order of appearance: Hilary Tunstall-Behrens, Co-Founder Peter Tunstall-Behrens Susan Tomes Krysia Osostowicz Christoph Richter Daniel Phillips Lesley Hatfield David Waterman Featuring IMS recordings: Haydn Sting Quartet Op.50 No.2, Open Chamber Music 2020, St Mary's Church, Penzance - Krysia Osostowicz, Juliette Roos, violin, Hélène Clement, viola, Christoph Richter, cello Mendelssohn Octet, Open Chamber Music 1978, St Michael's Mount - Sándor Végh, Sachiko Nakajima, Ola Rudner, Erich Höbarth, violin, Kim Kashkashian, Michel Rouilly, viola, Marcy Rosen, Steven Isserlis, cello. Fauré Piano Quintet No.2, Open Chamber Music 2021, St Pol de Leon Church, Paul - Lesley Hatfield, Grace Park, violin, Robin Ireland, viola, Madelyn Kowalski, cello, Antoine Préatk, piano. Narrator: Samuel West @exitthelemming Series Producer: Melissa FitzGerald @Melissafitzg With thanks to Chris Doggett for the archive digitisation. Special thanks to Capriccio for the use of the recording of the Brahms Op.111 played by the Salzburg Camerata, conducted by Sándor Végh. Cover Artwork: Bananadesign Ltd Follow us on Twitter @ims_pc Follow us on Instagram @ims_pc www.i-m-s.org.uk

Viento del Este y niebla gris anuncian que viene lo que ha de venir. No me imagino qué irá a suceder, mas lo que ahora pase ya pasó otra vez. Jan Garbarek & Kim Kashkashian & Manu Katché, Richard M. Sherman & Robert B. Sherman, Sam Vitoulis, David Helpling featuring Miriam Stockley, Michael Whalen, Raúl Gonzalo, Osamu Kitajima, Klaus Schulze, Terminus Void, industrial-1, Ben Bertrand. El playlist detallado con enlaces a las audiciones íntegras de cada album: lostfrontier.org/episodios/2022/978

Liz and Steph have a delightful conversation with violist CAROL RODLAND! Carol enjoys a distinguished international career as a concert and recording artist whose playing has been described as “larger than life, sweetly in tune and infinitely variegated”. Ms Rodland is also currently professor of viola and chamber music at the Julliard School, where she herself studied with the godmother of the viola, the incomparable Karen Tuttle. We talk about her full-circle tour of Europe and the US, studying and teaching with viola giants Karen Tuttle and Kim Kashkashian. What's it like to be besties with Kim K? How does her recent injury help her teaching? How does community service fit into her busy schedule? We dig into these subjects and way more with Carol, who's such a gracious guru - committed to giving each student exactly what they need to reach their potential. Mentioned in this episode:The Karen Tuttle Legacy, by Jeffrey Irvine, Kim Kashkashian, Michelle LaCourse, Lynne Ramsey, Karen Ritscher, Carol Rodlandhttps://www.thestrad.com/reviews/book-review-the-karen-tuttle-legacy-a-resource-and-guide-for-viola-students-teachers-and-performers/10734.articleSupport the show

This is a special episode where I offer you a recap of the concepts we've covered during the Joyful Practice Challenge in March of 2022. Focusing on joy in practice is a powerful tool in becoming more efficient, and you're in for a treat because I have everything you need to get started in this episode! You're going to hear insight from Rachel Barton Pine, Mary Elizabeth Bowden, Vijay Gupta, Tom Hooten, Kim Kashkashian, Brian Lewis, Jennifer Montone, Laurie Niles, Elizabeth Rowe, Ralph Skiano, Mimi Zweig, and yours truly, and we will cover a wide variety of topics, from presence, to rewards, exploration, discovery, using technology, recording yourself, observing your thoughts, and many more. This episode is going to help you bring more awareness, presence, engagement, fun, and results in your practice.   GRAB YOUR FREE COMPANION GUIDE AND ACCESS ALL LIVE VIDEO LINKS TO THIS CURRENT AND TO THE PAST CHALLENGES HERE.   THE MUSIC MASTERY EXPERIENCE - YOUR LIFE CHANGING MUSICAL EXPERIENCE: BOOK A CALL AT www.mindoverfinger.com/musicmasteryexperience

Welcome to today's episode with award-winning trumpet soloist, Mary Elizabeth Bowden.  Mary is an artist with a profound, genuine approach to music-making. In our conversation, we covered: How her artistic path has unfolded (3:45) Mary's creative journey to a soloist career, and a discussion of the age limit on competitions (7:05) What her life looks like now, as someone who wears so many hats (14:26) Her approach to staying in playing shape, practicing, and learning new pieces through mental preparation (19:02) Advice for how to show up as the best musician you can be (29:25) How Mary deals with doubt, and continues to craft her own path (35:40) Habits that contributed to her success, suggested skills for young musicians to acquire outside of musicianship, and Mary's favorite tool in the practice room (39:24)   LINKS:   Website: https://www.maryelizabethbowden.com/ Instagram: https://www.instagram.com/marytrpt/  YouTube: https://www.youtube.com/c/MaryElizabethBowden Facebook: https://www.facebook.com/maryelizabethbowdentrumpet JOYFUL PRACTICE CHALLENGE: Join me March 7-18, 2022 for the Joyful Practice Challenge: A motivating FREE 10-Day Challenge for Musicians. Take 10 minutes a day to transform your practice: Reconnect with your love of playing and making music Revive your motivation and your joy of practicing  Bring more mindfulness and efficiency in the practice room    Get ready to be inspired by wisdom from: Rachel Barton Pine, Mimi Zweig, Brian Lewis, Laurie Niles, Vijay Gupta, Kim Kashkashian, Tom Hooten, Elizabeth Rowe, Jennifer Montone, Mary Elizabeth Bowden, and Ralph Skiano!⠀⠀⠀⠀⠀⠀ The JOYFUL PRACTICE CHALLENGE includes:⠀⠀⠀⠀⠀⠀⠀⠀

On episode 237 of The Quarantine Tapes, guest host Sunita Puri is joined by Jonathan Hepfer. Jonathan Hepfer is a musician and the artistic director of Monday Evening Concerts, a long-running contemporary concert series in Los Angeles.Jonathan joins Sunita to discuss the history of Monday Evening Concerts and how he first encountered the series. They talk about the role he takes on as a curator and what it means to try to make classical music more accessible. The pair mention all of the influences that have helped them form their love of classical music, and the togetherness we all feel while listening with each other. Finally, Sunita asks Jonathan about the impact of the pandemic on his work and they talk about the healing power of music.Hildegard von Bingen Canticles Of Ecstasy“Tradition is not the worship of ashes, but the preservation of fire.”Gustav MahlerHarold Budd / Brian Eno - The Pavilion Of Dreams (1978)Luigi Nono-Luigi Nono: Incontri for 24 Musicians (1955) "We make a space inside ourselves, so that being can speak."Martin HeideggerJohn Cage Four Minutes Thirty Three Seconds 4'33Yves Klein Monotone SymphonySunita Puri is an author and the Medical Director of the Palliative Medicine and Supportive Care Service at the Keck Hospital and Norris Cancer Center of the University of Southern California, where she also serves as Chair of the Ethics Committee. She graduated from Yale University with a B.A. in Anthropology and studied Modern History at Oxford University as a Rhodes Scholar. She completed medical school and residency training in Internal Medicine at the University of California San Francisco, and fellowship training in Hospice and Palliative Medicine at Stanford University. Her work has appeared in the New York Times, Slate, the Journal of the American Medical Association, and JAMA – Internal Medicine. For her writing, she has received fellowships from the MacDowell Colony, UCross Foundation, and Mesa Refuge. In 2018, she received the Etz Chaim Tree of Life Award from the USC Keck School of Medicine, awarded annually to a member of the faculty who, in the eyes of the campus community, models and provides humanistic and compassionate care. Sunita was born in Kentucky and is the daughter of naturalized citizens from Punjab state, India. Her family now lives in Los Angeles.That Good Night, by Sunita PuriJohnathan Hepfer is a percussionist, conductor, and concert curator specializing in avant-garde and experimental music. Jonathan is the Artistic Director of Monday Evening Concerts in Los Angeles, on which he performs regularly.  He has taken part in the US premieres of major works by Salvatore Sciarrino, Gérard Grisey, György Kurtág, Rolf Riehm, Jo Kondo, Aldo Clementi, Klaus Lang, Ramon Lazkano, Francisco Guerrero, Thomas Meadowcroft and Simon Steen-Andersen.  His collaborators have included such luminaries as Marino Formenti, Kim Kashkashian, Alexei Lubimov, Séverine Ballon, Natalia Pschenitschnikova, and Mario Caroli. Of particular interest to Jonathan is the alchemical relationship of language and music. 

I have admired today's guest for a very long time! Kim Kashkashian is an internationally recognized and decorated violist who has worked tirelessly to broaden the range of technique, advocacy, and repertoire for the viola. Our conversation is absolutely filled with information and inspiration, including: Her musical journey and how her artistic path has unfolded, focusing heavily on conquering her fears and belief in chance (3:24) Why pursuing an objective view is essential to your growth (9:48) How Kim defines mindful practice... (11:26)  ...and how focusing on the entire production of your sound (including resonance, energy, and what you send out) maximizes your practice (12:51) Kim's suggestions to exercise expressive playing, including knowing exactly what a piece means to you by personifying the music (and letting how you transmit that message to an audience come second) (15:36) How the difference between intention and desire relates to the tension in performance (22:56) The distinction between being judgmental and making good differentiation, and the impact of each (29:55) Kim's advice to current music students on broadening your perspective, learning the language of music (separate from the craft of playing your instrument), and knowing the historical context of pieces (33:36) The doubt and resistance Kim has faced on her own journey (36:38) The importance of listening to yourself with love, knowing yourself and what you want to say, and knowing how to say it (37:50)   MORE ON KIM KASHKASHIAN: YouTube channel: https://www.youtube.com/results?search_query=kim+kashkashian+viola Facebook: https://www.facebook.com/profile.php?id=100063660876526   Kim Kashkashian, internationally recognized as a unique voice on the viola, was born of Armenian parents in Michigan. She studied the viola with Karen Tuttle and legendary violist Walter Trampler at the Peabody Conservatory of Music in Baltimore. Since fall 2000 she has taught viola and chamber music at New England Conservatory. Following Grammy Award nominations for several previous recordings, Kashkashian received a 2012 Grammy Award in the "Best Classical Instrumental Solo" category for Kurtág and Ligeti: Music for Viola, on the ECM Records label. Kashkashian's recording, with Robert Levin, of the Brahms Sonatas won the Edison Prize in 1999. Her June 2000 recording of concertos by Bartók, Eötvös and Kurtág won the 2001 Cannes Classical Award for a premiere recording by soloist with orchestra. In 2016, Kashkashian was elected a Fellow of the American Academy of Arts and Sciences. Kashkashian has worked tirelessly to broaden the range of technique, advocacy, and repertoire for the viola. A staunch proponent of contemporary music, she has developed creative relationships with György Kurtág, Krzysztof Penderecki, Alfred Schnittke, Giya Kancheli, and Arvo Pärt, and commissioned works from Peter Eötvös, Ken Ueno, Thomas Larcher, Lera Auerbach, and Tigran Mansurian. Marlboro and the Viennese school represented by her mentor, Felix Galimir, were major influences in developing her love of chamber music. Kim Kashkashian is a regular participant at the Verbier, Salzburg, Lockenhaus, Marlboro, and Ravinia festivals. She has long-standing duo partnerships with pianist Robert Levin and percussionist Robyn Schulkowsky, and played in a unique string quartet with Gidon Kremer, Daniel Phillips, and Yo-Yo Ma. As a soloist, she has appeared with the great orchestras of Berlin, London, Vienna, Milan, New York, and Cleveland, and in recital at the Metropolitan Museum of New York, Kaufmann Hall, New England Conservatory's Jordan Hall, as well as in Philadelphia, Pittsburgh, Cleveland, Frankfurt, Berlin, Paris, Athens, and Tokyo. Kashkashian's musicianship has been well represented on recordings through her association with the prestigious ECM label in a fruitful collaboration that has been continuous since 1985. Kim Kashkashian has taught in Bloomington, Indiana, and in Freiburg and Berlin, Germany, and now resides with her daughter in Boston. Kim is a founding member of Music for Food, an initiative by musicians to fight hunger in their home communities. B.M., Peabody Conservatory of Music; M.M., New School of Music Philadelphia. Viola with Walter Trampler and Karen Tuttle. Former faculty of University of Indiana and conservatories in Freiburg and Berlin, Germany.   LINKS: "Performing and Music Communication" Barbara Hannigan live in Berlin on Sarah´s Horn Hangouts: https://www.youtube.com/watch?v=0lFs1C_ewiE     PRACTICING FOR PEAK PERFORMANCE: I'm excited to tell you that Practicing for Peak Performance is now available for download! Go to MindOverFinger.com for access to all the tools that will help you transform your practice, gain confidence in your process, and start performing at your best.    With the purchase of PPP, you gain: Access to all recorded content - over 7 hours of instruction Guidance in effective high-performance systems Detailed handouts For a limited time only, a free 30-minute consultation with me. PPP alumnus Karmen Palusoo has this to say about it: “For a long time I have had this belief that learning an instrument is difficult and hard work or that it has to be, and there is no other way. Only a few weeks after PPP, I am starting to feel that change! My everyday practice sessions are now filled with freedom and ease!”   THANK YOU: A HUGE thank you to my fantastic producer, Bella Kelly, who works really hard to make this podcast as pleasant to listen to as possible for you. Most sincere thank you to composer Jim Stephenson who graciously provided the show's musical theme.  Concerto #1 for Trumpet and Chamber Orchestra – Movement 2: Allegro con Brio, performed by Jeffrey Work, trumpet, and the Lake Forest Symphony, conducted by Jim Stephenson. Thank you to pianist-singer-song-writer Louise Kelly for the introduction!  You can find out more about Kelly and her creative work by visiting louisekelly.com.    MIND OVER FINGER: As we head into this new season, I encourage you to visit MindOverFinger.com for a plethora of resources on mindful practice and information on how to work with me. Sign up for my newsletter and receive your free guide to a highly productive mindful practice using a metronome! mindoverfinger.com https://www.facebook.com/mindoverfinger/ https://www.facebook.com/groups/mindoverfinger https://www.instagram.com/mindoverfinger/

Kevork Mourad is an Armenian-Syrian artist who collaborates with musicians, creating visual art in front of live audiences. He has worked with some of the most celebrated performers in classical music including Yo-Yo Ma, violist Kim Kashkashian and the Los Angeles Master Chorale. He talks about growing up as an Armenian in Syria, developing his unique practice, the thrill of creating art in front of a crowd, and how war has changed the way he paints.See omnystudio.com/listener for privacy information.

Pittsburgh born violist Daniel Orsen has just recorded the Schubert Arpeggione Sonata with pianist Pierre Nicolas Columbay in New Haven Connecticut. Daniel remembers his work with Pittsburgh Symphony violist Marylene Gingras Roy and Kim Kashkashian at the New England Conservatory of Music. He discusses playing percussion in High School in Penn Hills, playing in the Pittsburgh Youth Symphony, describes the instrument Schubert wrote for, suggests some great recordings of Schubert to listen to and details the best pizza places in New Haven in this conversation with Jim Cunningham.

In de maand augustus in Vrije Geluiden speciale aandacht voor de cellosuites van Johann Sebastian Bach. Gespeeld op cello, op viool, op altviool, of op saxofoon! Maar ook volkomen andere toffe muziek, van nieuwe uitgaven op cd of digitaal, uit fraaie archiefvondsten en nog-lang-niet-sleetse grammofoonplaten. Met Bach gespeeld door Rachel Podger, Kim Kashkashian, Lucia Swarts, en Peter Gregson, en muziek van Conlon Nancarrow.

Jätkame vioolavirtuoos Kim Kashkashiani duubelalbumi kuulamist, millele on salvestatud Bachi soolosüidid.

Jätkame vioolavirtuoos Kim Kashkashiani duubelalbumi kuulamist, millele on salvestatud Bachi soolosüidid.

Jätkame vioolavirtuoos Kim Kashkashiani duubelalbumi kuulamist, millele on salvestatud Bachi soolosüidid.

Jätkame vioolavirtuoos Kim Kashkashiani duubelalbumi kuulamist, millele on salvestatud Bachi soolosüidid.

Kim Kashkashian & Bachi soolosüidid vioolale

Kim Kashkashian & Bachi soolosüidid vioolale

King Crinson, Ecm, Kim Kashkashian, Betty Olivero, Heinz Holliger, Stefano Scodanibbio, Eleni Marandrou, Jan Garbarek

King Crinson, Ecm, Kim Kashkashian, Betty Olivero, Heinz Holliger, Stefano Scodanibbio, Eleni Marandrou, Jan Garbarek

King Crinson, Ecm, Kim Kashkashian, Betty Olivero, Heinz Holliger, Stefano Scodanibbio, Eleni Marandrou, Jan Garbarek

Op mijn dagelijkse wandelingen zie ik de herfst, ik ruik de herfst, en het gekras van kraaien doorklieft het bruin, rood en geel. Maar hoe klinkt de herfst? Als een altviool bij Bach… Johann Sebastian Bach, Cellosuite nr.2, BWV.1008 (arr.); I. Prelude, Kim Kashkashian (altviool) Johann Sebastian Bach, Cantate BWV.18; ‘Gleichwie der Regen und Schnee vom Himmel fallt’; Sinfonia (vroege versie), Amsterdam Baroque Orchestra olv Ton Koopman Johann Sebastian Bach, Cantate BWV.18 ‘Gleichwie der Regen und Schnee vom Himmel fallt’; Sinfonia (versie Leipzig), Amsterdam Baroque Orchestra olv Ton Koopman

Inspired by Carol Rodland’s Rochester-based “If Music be the Food…” food drive concerts, violist Kim Kashkashian launched a concert series titled Music for Food in 2010 to help relieve food insecurity in the Greater Boston area. Working with a group of Boston-based musicians and guest artists, Music for Food has created over 500,000 meals through donations made at concerts for nearly 100 hunger-relief organizations. More than 160 international artists have performed at concerts worldwide that were organized by Music for Food. Here Kim Kashkashian and other members of the organization share the reasons they are committed to this worthy project.

We know what you're thinking: Another episode about Bach?! That's what we said! In fact, in this episode we ask Grammy-winning violist Kim Kashkashian to explain why classical musicians play and record the same music repeatedly, and specifically, why it's often the music of Bach. Her answer is totally fascinating! We also address the elephant in the room, i.e., whether or not it would have been okay with Bach that she played his Cello Suites on viola on her new album. Music in this episode:   Special Thanks to Todd Reynolds for his music, Taskforce: Farmlab from Outerbourough.

Aad van Nieuwkerk verkent iedere zaterdag en zondag tussen 23.00 en 24.00 uur de grenzen van de klassieke muziek. Met nieuwe releases, concerttips, reportages, actuele ontwikkelingen in de muziekwereld, een vaste plek voor jong talent, en natuurlijk: adembenemende muziek! Gemaakt in nauwe samenwerking met het televisieprogramma Vrije Geluiden. Met muziek van J.S. Bach door Kim Kashkashian [altviool]; Dietrich Buxtehude door Ensemble Stravaganza; Robert Hunt en Hugh Sturmy door Blue Heron olv Scott Metcalfe; Claude Debussy door Jean-Efflam Bavouzet [piano]; Olivier Messiaen door het Trio Messiaen; en Wim Henderickx door Boho Strings.

Alison Pipitone and singer/violist Mary Ramsey discuss Mary's career with 10,000 Maniacs, John & Mary, and Girls Gone Mild. The featured musician is Kim Kashkashian, accomplished and award-winning violist.

Optagelser fra den østrigske sommerfestival 1986 med violinisten Gidon Kremer og hans venner. Kremer var fra 1981 til 2011 kunstnerisk leder af sommerfestivalen i den lille østrigske by, hvor musikere på allerhøjeste niveau gav kollektive koncerter med meget blandede programmer. Schubert: Notturno. Sjostakovitj: Strygekvartet nr. 14. Schulhoff: Concertino og Sekstet. Mozart: Klarinetkvintet. Gidon Kremer, violin. Kim Kashkashian, bratsch. David Geringas, cello. Sabine Meyer, klarinet. Oleg Maisenberg, klaver. Hagen Kvartetten, m.fl. Vært: Svend Rastrup Andersen. www.dr.dk/p2koncerten (Sendt første gang 9. juli 2017).

Dmitri Schostakowitsch: 24 Präludien op. 34 (arr. für Viola und Klavier) | Lera Auerbach: "Arcanum" - Sonate für Viola und Klavier | Kim Kashkashian (Viola) | Lera Auerbach (Klavier)

March 13, 2015. A pre-concert conversation with Kim Kashkashian and Péter Nagy. Speaker Biography: Violist Kim Kashkashian received a 2012 Grammy Award for Best Classical Instrumental Solo. An advocate of contemporary music, she tours frequently as a soloist and chamber musician. She is currently on the faculty of the New England Conservatory and is a founding member of Music for Food, an initiative by musicians to fight hunger in their home countries. Speaker Biography: Pianst Péter Nagy grew up as a child prodigy in Hungary and studied at the Liszt Academy of Music in Budapest. He tours as a chamber musician and orchestral soloist, appearing with ensembles such as the Tokyo Symphony, Helsinki Philharmonic and Hungarian Radio Symphony. In the U.S., he has toured widely with violist Kim Kashkashian, and has appeared at the Ojai and Marlboro Festivals. For transcript, captions, and more information, visit http://www.loc.gov/today/cyberlc/feature_wdesc.php?rec=7080

March 13, 2015. Violist Kim Kashkashian (performing on violas from the Library's Stradivari instrument collection) and Hungarian pianist Peter Nagy perform Schumann's "Fantasiestucke," op. 73, for viola and piano; Bartok's "Rhapsody" no. 1 for violin and piano, BB 94a, Sz. 87; Tihanyi's "Eight Invocations to the Lunar Phases"; and Brahms' Sonata for viola and piano in E-flat major, op. 120, no. 2. Speaker Biography: Violist Kim Kashkashian received a 2012 Grammy Award for the "Best Classical Instrumental Solo" category. An advocate of contemporary music, she tours frequently as a soloist and chamber musician. She is currently on the faculty of the New England Conservatory and is a founding member of Music for Food, an initiative by musicians to fight hunger in their home countries. Speaker Biography: Pianst Peter Nagy grew up as a child prodigy in Hungary and studied at the Liszt Academy of Music in Budapest. He tours as a chamber musician and orchestral soloist, appearing with ensembles such as the Tokyo Symphony, Helsinki Philharmonic and Hungarian Radio Symphony. In the U.S., he has toured widely with violist Kim Kashkashian, and has appeared at the Ojai and Marlboro Festivals. For more information, visit http://www.loc.gov/today/cyberlc/feature_wdesc.php?rec=6830

Next Step #245: Using symbols and myths to explain the mysteries in life gets a bit confusing when Armenian churches light some bonfires in the back yard. Mid Winter. Purification, Presentation, Valentine's and Adam & Eve all come together for today's show. The Pope's resignation begs the question of running the Perfect Body of Christ with imperfect people. Stripping away the imperfections and finding the bulls-eye in the middle of our faith. "There's something beautiful in the Armenian Church but..." was the general consensus last week, and this week there's more. The Curtain in the Armenian Church - and how we have become the curtain -the reason for separation from paradise. In New Mexico - figuring out the Catholic Church and in Paradise figuring out Adam & Eve's identity. It's about time the Armenian alphabet adds a "th" and "w" sound. All in this week's edition.Anush's Pomegranate Seed: "Amazing Love" Song: Schubert - Grammy Award Winning artist Kim KashkashianKim Kashkashian Grammy Award More on  Life, Love & Sayat Nova - Next Step #35 10 Worst Popes of All Time Lenten Journey - www.armodoxy.blogspot.com Produced by Suzie Shatarevyan for epostle.netLook for The Next Step on blubrry.comNow on Stitcher Radio! 

Mozart: Violin Sonata No. 21, K. 305 (January 29, 2006)Mozart: Sinfonia Concertante for violin and viola, K. 364 (January 29, 2006)Join us for two performances celebrating the 250th birthday of music’s most notorious prodigy, Wolfgang Amadeus Mozart. These concerts, recorded live during our Mozart Marathon in January of 2006 , feature some of our favorite soloists as well as the Gardner Chamber Orchestra, the museum’s resident ensemble. To start, violinist Corey Cerovsek and pianist Jeremy Denk perform Mozart’s delightful violin sonata in E minor. Then, Corey is joined by violist Kim Kashkashian and the Gardner Chamber Orchestra for a fiery rendition of Mozart’s violin-versus-viola showdown, his Sinfonia Concertante. Mozart himself was a violist, like our Music Director (and violist) Scott Nickrenz. Perhaps when he wrote this piece he was trying to settle the age-old rivalry between violists and violinists. Mozart challenges the technical boundaries of both instruments and asks the question: can a violist keep up with a violinist? Can a violist keep up with a violinist?