Podcasts about Showman

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A snowy museum visit, a restless soundscape, and a conversation that kept outshining the art on the walls—this one is about the moment when performance feels undeniably real. We dig into why sincerity and trust matter so much, how a chosen audience can change the stakes, and what happens when the right people step into a room with the right intent. When you take your crowd seriously, they rise to the occasion, and the noise—footsteps, hums, clinks—turns into texture rather than distraction.From there, we unpack the power of teams and the long game of collaboration. Keeping a core crew over years compounds trust and taste, especially in small, fragile communities where one loss can feel like a corner of the room disappears. We ask the uncomfortable question: does time served equal value? Sometimes a decade of work underwhelms; sometimes a poem drafted at 5pm pierces straight through. The difference is judgment. Artists are editors and choice-makers, and the craft is in choosing what to keep, what to cut, and when to let the gesture speak without words.We also wade into AI, authorship, and authenticity. If a machine can make the frame, who supplies the meaning? The answer lives in the curating eye: selecting, sequencing, and framing with intent. Outsourcing isn't new—pop songs and comedy thrive on writers' rooms—so we explore how juggling, magic, and movement reframe authorship and improvisation. Delay the narrative, read the room, and collapse possibilities into a single, resonant outcome. Along the way, we talk myth-making and emotional truth: the stories artists tell themselves to aim higher, and the stories audiences need to feel the aura of the work.If you care about performance that invites rather than insists, about teams that build taste over time, and about the razor's edge between process and product, you'll find plenty to chew on here. Support the show... After a long abscence our Merch Shop is back! Check out t-shirts, hoddies, and hats! Show yourself as a Follower of the Way of the Showman. You can also "listen" to the Way of the Showman at youtube. If you want to help support this podcast it would be tremendous if you wrote a glowing review on iTunes or Spotify. If you want to contact me about anyhthing ou can reach me on thewayoftheshowman@gmail.comYou can find out more on the Way of the Showman website. Follow the Way of the Showman on Instagram. If you're compelled to suport the showes and have the means to do so, you can suport the podcast financially at: https://www.buymeacoffee.com/captainfrodo

REDIFF - Direction l'Ouest américain avec l'une de ses figures les plus légendaires. William Cody, chasseur de bisons, éclaireur des plaines et créateur du célèbre show « Le Buffalo Bill Wild West », un spectacle itinérant retraçant la conquête de l'Ouest. Découvrez la vie trépidante de Buffalo Bill, le cow-boy qui a conquis le monde en faisant du Far West une scène à ciel ouvert. Crédits : Lorànt Deutsch, Éric Lange. Chaque dimanche, retrouvez un épisode des saisons précédentes d'"Entrez dans l'Histoire" de 14h à 14h30 à l'antenne de RTL, mais aussi en podcast sur toutes les plateformes d'écoute.Hébergé par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

REDIFF - Direction l'Ouest américain avec l'une de ses figures les plus légendaires. William Cody, chasseur de bisons, éclaireur des plaines et créateur du célèbre show « Le Buffalo Bill Wild West », un spectacle itinérant retraçant la conquête de l'Ouest. Découvrez la vie trépidante de Buffalo Bill, le cow-boy qui a conquis le monde en faisant du Far West une scène à ciel ouvert. Crédits : Lorànt Deutsch, Éric Lange. Chaque dimanche, retrouvez un épisode des saisons précédentes d'"Entrez dans l'Histoire" de 14h à 14h30 à l'antenne de RTL, mais aussi en podcast sur toutes les plateformes d'écoute.Hébergé par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

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Czy Donald Trump to polityk z prawdziwego zdarzenia, a może showman, który lubi, kiedy karmi się jego ego? Czy w pogłoskach o tym, że jest rosyjskim szpiegiem, może być ziarno prawdy? Na ile to Rosjanie pomogli mu wygrać wybory prezydenckie w 2026 roku? Czy jego działania mogą doprowadzić do wojny domowej w Stanach Zjednoczonych? I czy rzeczywiście Donald Trump będzie dążył do przejęcia Grenlandii? Czy Polska także znajduje się pod jego wpływem? W jaki sposób jego rodzina wzbogaciła się o 1,5 miliarda dolarów podczas pierwszego roku jego drugiej prezydentury? W tajniki amerykańskiej polityki wprowadza nas Bartosz Węglarczyk – redaktor naczelny Onetu i znawca USA. 

What if the most compelling part of a show isn't the illusion, but the honesty? We sit down with juggler and creator Jay Gilligan to unpack “folk circus,” a performance style built on concrete skill, visible tech, and a fearless embrace of the room as it truly is. No hidden light booths, no invisible sound cues—just a performer hitting the button, moving the fader, catching the club, and meeting the audience where they are.Jay traces how constraints—touring by plane, school circuits, gym floors, libraries—shape an aesthetic that prizes minimalism without feeling small. We compare the spark of a set in a sports hall, where it transforms a familiar space, to the way expectations can swallow that same set on a grand stage. Along the way, we talk independence versus big-company sheen, why legacy comes from your own name on the poster, and how real-time presence turns glitches and interruptions into connection instead of cracks.The conversation dives into juggling as proof—throw, catch, repeat—and follows that concreteness through sound, light, and staging. We explore handling drops and disruptions openly, building trust by acknowledging reality, and crafting family shows that never talk down to kids. There's a deep kinship here with folk tales and folk music: direct stories, shared moments, and a room that can swing from laughter to hush and back because everyone feels included. Authenticity isn't a look; it's when intention, skill, and environment line up so cleanly that the cables become part of the poetry.If you're curious about making honest work that travels light and hits deep, this one's for you. Listen, share with a friend who cares about craft over spectacle, and leave a quick review to help more curious minds find the show.Support the show... You can also "listen" to the Way of the Showman at youtube. If you want to help support this podcast it would be tremendous if you wrote a glowing review on iTunes or Spotify. If you want to contact me about anyhthing ou can reach me on thewayoftheshowman@gmail.comYou can find out more on the Way of the Showman website. Follow the Way of the Showman on Instagram. If you're compelled to suport the showes and have the means to do so, you can suport the podcast financially at: https://www.buymeacoffee.com/captainfrodo

Nosso convidado 362 é o Locutor de Vaquejada Prefeito , com uma trajetória de mais de 20 anos ele emplacou sua marca diferenciada nas Vaquejadas do Brasil e o título de o ‘Show Man' das Vaquejadas o grande nome das disputas emocionantes e do ritual das 18:00 ao redor do Brasil inteiro , vamos conhecer sua história de vida e de trabalho e falar muito de Vaquejada.Apoie nosso Projeto com qualquer valor na chave pix: contato@podcastnordestino.com.br Entre em contato para ser nosso patrocinador e adquirir nossos produtos: wa.me/5583996025102nossas Redes Sociais:TIK TOK PODCAST NORDESTINO: https://www.tiktok.com/@podcastnordestinoTIK TOK ARTHURVILAROFICIAL: https://www.tiktok.com/@arthurvilaroficialINSTAGRAM PODCAST NORDESTINO: https://www.instagram.com/podcastnordestinoINSTAGRAM ARTHUR VILAR: https://www.instagram.com/arthurvilaroficialCANAL PODCAST NORDESTINO: https://www.youtube.com/podcastnordestinoKWAI PODCAST NORDESTINO: https://www.kwai.com/@podcastnordestinoFACEBOOK PODCAST NORDESTINO CORTES: https://www.facebook.com/profile.php?id=61569648512700FACEBOOK PODCAST NORDESTINO OFICIAL: https://www.facebook.com/podcastnordestinooficialSPOTIFY: https://creators.spotify.com/pod/profile/podcastnordestino/#nordeste #podcast #nordestinos

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Stephen Cummings joins host Jo Reed to talk about Laurie Gwen Shapiro's immersive dual biography of Amelia Earhart and George Putnam, The Aviator and the Showman; Elliot Ackerman's unlikely and darkly comic caper, Sheepdogs; and Mike Albo's candid, audio-exclusive memoir, Hologram Boyfriends. Cummings reflects on what surprised him about each audiobook and why these very different works held his attention to the end. Altogether, the conversation highlights how form, tone, and performance shape the listening experience.   Audiobooks Discussed: The Aviator and the Showman by Laurie Gwen Shapiro, read by Stefanie Powers (Penguin Audio) Sheepdogs by Elliot Ackerman, read by Chris Andrew Ciulla (Random House Audio) Hologram Boyfriends, written and read by Mike Albo (Macmillan Audio) Learn more about your ad choices. Visit megaphone.fm/adchoices

We trace the unlikely arc that carried poolside pandemic brainstorms into London Calling, a high-velocity variety show that's genuinely all-ages without sanding off its edge.As the Pandemic hit Las Vegas Paul Dabek and Captain Frodo dreamt by the pool of acts, podcast, and shows. As it turned out these dreams all came to fruition.We get specific about how the show grew: a clear adult-facing voice, visuals that enchant kids on contact, and design that marries LED world-building with just a few tactile anchors—a lamppost here, an oak bar to sell entire neighborhoods of London. We talk quiet-loud pacing, compress-then-expand staging, and the power of a loose narrative frame (train rides, stations, quick jumps) that keeps momentum without burying acts in exposition. Think Covent Garden street magic flowing into Wimbledon athleticism, all while the ensemble's micro-moments—prop handoffs, shared looks, quick riffs—telegraph trust.Paul Dabeck opens the hood on the growth curve: from small houses and street pitches to winning pick of the fringe and selling five-figure ticket totals. He shares the marketing pivots that worked, why “family-friendly” is a tone not a label, and how sweat equity turned Facebook Marketplace parts into automated scenic that looks West End-ready. We also dive into his Vegas warehouse: a black box, workshop, and filming space evolving into Make It Rain, a community hub for artists to prototype, connect, and protect their mental health. It's church-without-religion, where the faith is craft and the sermon is showing up.If you care about showmaking—stagecraft, culture, and the long game of compounding relationships—this one's a blueprint. We leave you with blunt takeaways: risk with purpose, design worlds with one tactile anchor, market like a story, film your late refinements, build a culture of generosity, and ship version one before you feel ready. Subscribe, share with a friend who builds in public, and drop us a note about the project you're making right now. What plate are you willing to smash to make it sing?You can find Paul at all the usual social media platforms and at his website @ PaulDabek.comSupport the show... You can also "listen" to the Way of the Showman at youtube. If you want to help support this podcast it would be tremendous if you wrote a glowing review on iTunes or Spotify. If you want to contact me about anyhthing ou can reach me on thewayoftheshowman@gmail.comYou can find out more on the Way of the Showman website. Follow the Way of the Showman on Instagram. If you're compelled to suport the showes and have the means to do so, you can suport the podcast financially at: https://www.buymeacoffee.com/captainfrodo

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The Story Science Forgot: Why Psychotherapy Needs Narrative More Than Ever by Joel Blackstock LICSW-S MSW PIP no. 4135C-S | Dec 15, 2025 | 0 comments Joseph Campbell is arguably one of the most influential intellectuals of the twentieth century. If you have watched a Marvel movie or read a modern fantasy novel or sat in a screenwriter's workshop you have encountered his fingerprints. George Lucas explicitly credited Campbell's The Hero with a Thousand Faces as the structural backbone of Star Wars. Every major Hollywood studio has copies of his work floating around their development offices. Even filmmakers who actively deconstruct his monomyth model still have to be in conversation with Campbell to do so. You cannot escape him if you are telling stories in the Western tradition. But here is the thing about Joseph Campbell that we need to hold in our minds when we think about what psychology has become. He was a showman. He was a legitimate scholar but also someone who understood that the truth sometimes needs a little theatrical assistance. The Showman and the Bear Bones One of Campbell's favorite presentation techniques involved showing an image of ancient bear bones that were perhaps two million years old and discovered in a cave. The bones had been arranged in a particular way with pieces shoved back into the bear's mouth. Campbell would present this with his characteristic gravitas and explain that the ancients understood that nature must eat of itself. They knew that to take life is to participate in a cyclical loop of giving and receiving. The bear consuming itself was a ritual recognition that we are all food for something else. It is a beautiful interpretation. It is probably even partially true. We know through depth psychology and early anthropology that prehistoric humans were almost certainly trying to make meaning of existential realities. Ritual practices around death and consumption are well documented across cultures. Campbell was not fabricating this from nothing. But also come on Campbell. These are two million year old bones shoved in a hole. Maybe the jaw just collapsed that way. Maybe soil shifted. Maybe an animal disturbed them centuries after burial. He did not know. He could not know. And yet he presented it with the confidence of revealed truth. Here is why this matters. Campbell's influence is incalculable despite his methodological looseness. He told a story that resonated so deeply with something in the human psyche that it became the invisible architecture of our entire entertainment industry. He was not objectively right about those bear bones but he was pointing at something real about how humans make meaning. The story he told about that meaning making was more powerful than any peer reviewed paper could have been. We need to remember this when we think about psychotherapy and what it has become. The Dream I Had and the World I Found When I first entered the field of psychotherapy I had a fantasy. I thought I was going to be Joseph Campbell. I was going to find my way to someplace like Berkeley and immerse myself in the grand conversation between psychology and mythology and anthropology and philosophy. I imagined something like the Esalen Institute in the 1970s where Fritz Perls developed Gestalt therapy and where researchers and mystics and clinicians sat together in hot springs and argued about the nature of consciousness. Those places barely exist anymore. What I found instead was a competitive model built on H-indexes and impact factors. I found academic departments that had been siloed into increasingly narrow specializations. Each department defended its territorial boundaries against incursion from neighboring disciplines. The institute model where a psychologist might spend an afternoon talking to an anthropologist about ritual has been systematically dismantled. What we have instead are specialists who do not read outside their sub specialty and researchers whose entire careers depend on defending one narrow hypothesis. We have an incentive structure that actively punishes the kind of cross pollination that leads to genuine discovery. The Hollow Room: How the Biomedical Model Fails This is not just an academic inconvenience. It is a catastrophe for the human sciences and for the actual treatment of patients. There is a reason Freud stuck around. It is not because psychoanalysis was rigorously validated through randomized controlled trials. It is because as the science writer John Horgan observed old paradigms die only when better paradigms replace them. Freud lives on because science has not produced a theory of and therapy for the mind potent enough to render psychoanalysis obsolete once and for all. The biomedical model promised us a better story. It told us that humans are biological machines and that suffering is just a mechanical malfunction. It promised that if we could just find the right neurotransmitter or the right gene we could fix the machine. But look at what that looks like in practice. It looks like the 15 minute medication management appointment. A person comes in with their life falling apart. They are grieving a divorce or wrestling with the trauma of their childhood or facing a crisis of meaning. And the doctor looks at a checklist. They ask about sleep. They ask about appetite. They ask about energy levels. They treat the symptoms like check engine lights on a dashboard. They prescribe a pill to dim the lights and they send the person away. It looks like manualized Cognitive Behavioral Therapy. This is the gold standard of evidence based treatment. But in the vacuum of a manual it becomes absurd. A patient might be crying about the loss of a child and a therapist who is strictly adhering to the protocol has to redirect them to the agenda for Module 3 which is identifying cognitive distortions. The model has no room for the tragedy of the situation. It only has room for the erroneous thought that the patient is having about the tragedy. The result is that by most measures we are not actually helping people more effectively than we were fifty years ago. To understand the depth of this failure, we must look at the “smoking gun” of the psychiatric establishment: the STAR*D study. For nearly two decades, this massive, taxpayer-funded study was held up as the irrefutable proof that the “medication merry-go-round” worked. It cost $35 million and was cited thousands of times to justify the idea that if a patient didn't get better on one antidepressant, you simply switched them to another, and then another. The study claimed a “cumulative remission rate” of 67%. It told us that two-thirds of people would be cured if they just complied with the protocol. This was a lie built on methodological quicksand. A forensic re-analysis of the data (Pigott et al., 2023) revealed that the researchers had inflated their success rates through a series of stunning methodological sleights of hand. The original design called for the Hamilton Rating Scale for Depression (HRSD) to be the primary outcome measure. But when that scale wasn't showing the numbers they wanted, investigators switched to a secondary, unblinded, self-report questionnaire (the QIDS-SR) which painted a rosier picture. Furthermore, the re-analysis exposed that hundreds of patients who dropped out due to side effects were excluded from the failure count, effectively scrubbing the negative data. Even worse, over 900 patients who didn't even meet the minimum severity for depression were included to boost the numbers. When the data was re-analyzed using the study's original criteria and including all participants, the cumulative remission rate plummeted from 67% to 35%. But the most damning statistic is the sustained recovery rate. Of the 4,041 patients who entered the trial, only a tiny fraction achieved remission and actually stayed well. When accounting for dropouts and relapses over the one-year follow-up period, a mere 108 patients achieved remission and stayed well without relapsing. That is a sustained recovery rate of 2.7%. If a heart surgery or cancer treatment had a failure rate of 97.3%, it would be abandoned. Yet, this study was championed by investigators with deep financial ties to the pharmaceutical industry, and the results were codified into clinical guidelines that still rule the profession today. This is the indictment: we have built an entire system of care on a statistical fabrication, prioritizing the protection of the model over the healing of the human. I have big problems with Freud. I have big problems with classical psychoanalysis. I am more of a Jungian. But here is what the depth psychologists understood that the biomedical model forgot. Humans are not just biological machines. We are meaning making creatures who navigate the world through story. When you take away our stories you do not make us more rational. You make us lost. The Flock of Dodos This separation of science from narrative has hurt the researchers too. In his book The Ghost Lab journalist Matt Hongoltz-Hetling uses the flock of dodos metaphor to describe this phenomenon. He argues that specialized creatures that are perfectly adapted to narrow environments become extinct when conditions change. Academic science has become a flock of dodos. A neuroscientist studies one particular brain region. A psychologist studies one particular therapeutic intervention. An anthropologist studies one particular culture. Nobody is allowed to step back and ask what all of this means together. When you silo information into separate academic disciplines instead of organizing it into a holistic understanding you kill the narratives that are already there. You cannot see the story until you step back far enough to recognize the pattern. Heidegger and the AI Bubble One of the primary functions of a subjective narrative in an objective field like psychotherapy is that it lets us start with things we consider self evident. These are things that do not need evidence because they are the ground upon which evidence stands. Things like humanity is important. Things like we contain multiplicities and conflicting parts. Things like consciousness is a mystery. The biomedical model has no way to accommodate these self evident truths because they are not measurable. You cannot run a randomized controlled trial on human dignity. Martin Heidegger understood this trajectory. He warned that science and technology were becoming self justifying systems that asked only whether something could be done and never whether it should be done. We are watching this play out right now with Large Language Models and Artificial Intelligence. The tech industry is boiling seawater and consuming enormous amounts of our remaining resources to build ever larger systems. As Ed Zitron has documented the current AI boom is likely a bubble that will crash and burn. It may leave us with a Google monopoly on Gemini that will not actually help anybody. Should we be doing this? Should we be fundamentally restructuring our economy around technology whose benefits are speculative at best? The Heideggerian answer is that we are not even capable of asking these questions properly because we have lost the narrative framework within which “should” makes sense. When everything is reduced to capability and efficiency the concept of values disappears. The Perennial and the Possible Can we just recognize that having a livable planet is probably a self evidencing goal? Can we recognize that having a psychotherapy willing to engage with perennial philosophy might be more valuable than another meta analysis demonstrating small effect sizes for manualized interventions? This is what I mean by reintroducing narrative. I do not mean replacing evidence with myth. I mean recognizing that the facts do not speak for themselves. Data requires interpretation. Interpretation requires a framework. And frameworks are stories about what matters. The story science forgot is the story of science itself. It is the story of how inquiry emerged from human communities trying to understand their world. We can recover this story. We can rebuild the connections that the academic silos have severed. The path is there. It always has been. We just need to be brave enough to walk it. The Exodus of the Sick If academic science has become a flock of dodos clinical practice has become something arguably worse. It has become a reenactment of the Milgram experiment where the system plays the role of the authority figure and the patient plays the victim. We often remember Stanley Milgram's famous 1961 study as a lesson about the capacity for evil but its deeper lesson was about the capacity for distance. When the subject had to physically touch the victim compliance with the order to harm them dropped to 30 percent. The White Coat only retained its authority when it created a buffer between the human actions and their consequences.   Modern psychotherapy has built a massive administrative White Coat that separates the healer from the healed. This is not just a metaphor. It is a structural reality that is actively driving patients out of the profession and into the arms of pseudoscience. The Bureaucracy as Trauma For a patient in crisis the Evidence Based system often functions as a machine of exclusion. A study on healthcare administrative burdens reveals that the psychological cost of navigating billing and insurance denials and intake forms acts as a friction that hits the most vulnerable the hardest. We ask trauma survivors to retell their stories to three different intake coordinators before they ever see a therapist. This process is itself retraumatizing. When they finally reach a provider they are often met with the biomedical gaze which is a checklist driven assessment that reduces their complex narrative of suffering to a code for billing. As the Australian Psychological Society has noted the chemical imbalance theory and the medicalization of distress have failed to reduce stigma and have instead left patients feeling defective and unheard. The result is a profound Low Trust environment. Theodore Porter in his book Trust in Numbers argues that we only rely on strict mechanical numbers when we do not trust people. We use the DSM and manualized protocols because insurers do not trust clinicians to judge and clinicians do not trust themselves to deviate. The Great Split: Why Research and Practice Are Divorcing This creates a fundamental schism that explains why the profession feels like it is cracking in half. On one side you have the academic researchers who are incentivized by grant funding and publication metrics. To get these rewards they must isolate variables and create reproducible manualized protocols. This means they must strip away the very thing that makes therapy work which is the messy and unrepeatable human relationship. On the other side you have the clinicians who are incentivized by patient outcomes. They are in the room with the messiness. They see that the manualized protocol fails the complex trauma patient so they improvise. They integrate. They use intuition. The academic looks at the clinician and sees a cowboy who ignores the data. The clinician looks at the academic and sees a bureaucrat who has never treated a suicidal patient. This is why the research is no longer informing the practice. We have created two different languages. The researcher speaks in p-values and population averages while the clinician speaks in case studies and individual breakthroughs. Why Pseudoscience Wins the Trust War This low trust environment creates a vacuum that wellness influencers are all too happy to fill. We often mock the public for turning to unverified supplements and TikTok diagnosticians and quantum mysticism. But we have to ask what these influencers are providing that we are not. They are providing narrative. They are providing connection. They are providing a. parasocial yes but still, High Trust experience. A recent analysis suggests that wellness fads thrive not because people are stupid but because the influencers offer a feeling of personal validation that the medical system denies. Even AI chatbots are now being described by users as more humane than doctors because the AI listens to the whole story without looking at a watch or a checklist. When a patient is told by a doctor that their pain is idiopathic or psychosomatic because it does not show up on a lab test and then an influencer tells them I see you and I believe you and here is a story about why this is happening the patient will choose the influencer every time. The trust gap drives them away from care that might actually help and toward solutions that feel good but do nothing. The Clinician's Moral Injury This leaves the ethical psychotherapist in a state of moral injury. We are forced to participate in a system that we know is alienating the very people we are trying to help. We are trained to value the therapeutic alliance or the bond of trust above all else yet we work in a system designed to sever it with paperwork and time limits and standardized protocols. We have to put down the White Coat of administrative distance. We have to stop hiding behind the Evidence Based label when that label is being used to deny the reality of the person in front of us. Proposals for a Unified Future If we want to stop this exodus and heal the split we need specific structural changes. We cannot just hope for better insurance reimbursement. We need to change what we consider valid science. First we must re-legitimize the systematic case study. For a century the detailed narrative of a single patient was the gold standard of learning. We replaced it with the aggregate data of the randomized controlled trial. We need to bring it back. We need journals that publish rigorous detailed accounts of what actually happens in the room when a patient gets better. Second we need to build open source repositories for clinical observation. Currently the wisdom of the field is locked behind for profit paywalls or lost in the private notes of isolated therapists. We need a Wikipedia of Clinical Practice where thousands of clinicians can document what they are seeing in real time. If ten thousand therapists report that somatic processing helps complex trauma that is a data set that rivals any RCT. Third we need to teach philosophy and narrative in graduate school again. We are training technicians when we should be training healers. A therapist who knows how to read a spreadsheet but does not know how to understand a story is useless to a human being in crisis. If we do not offer a therapy that is human and narrative and deeply relational we will continue to lose our patients to those who do even if what they are offering is a lie. The Mirror and the Map: Why Math is a Story We often treat mathematics as if it were the bedrock of reality itself. We act as though a p-value is a piece of the universe, like a rock or a proton. But we must remember that math is not the thing itself. It is a representation of the thing. It is a map, not the territory. It is a mirror, not the face. Theodore Porter's work in Trust in Numbers reminds us that we reach for these mirrors when we do not trust our own eyes. But the mirror is useless without someone to look into it and interpret the reflection. Data by itself is pointless. It is a pile of bricks without an architect. It requires interpretation to become meaning, and interpretation is fundamentally a narrative act. When we try our best to make a purely objective study, we are still telling a story. We are saying, “These numbers represent this phenomenon.” Then another researcher comes along, looks at the same numbers, and tells a different story: “No, they represent that.” This conflict isn't a failure of science; it is science. The Storytellers of Science The greatest breakthroughs in history did not come from people who just crunched numbers. They came from people who could see the story the numbers were trying to tell. These stories are really damn interesting, often stranger and more beautiful than fiction. Consider August Kekulé. He didn't discover the structure of the benzene molecule by staring at a spreadsheet. He discovered it by dreaming of a snake eating its own tail—the Ouroboros. His subjective, narrative brain provided the image that unlocked the objective chemical reality. The data was there, but it needed a myth to make it intelligible. Look at Quantum Physics. The raw math of quantum mechanics is cold and abstract. But when physicists like Erwin Schrödinger or Werner Heisenberg looked at that data, they saw a story about uncertainty, about cats that are both alive and dead, about a universe that only decides what it is when it is observed. They didn't just calculate; they interpreted. They told a story about reality that was so radical it changed how we understand existence. Even in psychology, the data of the “talking cure” was messy and anecdotal until Freud and Jung gave us the language of the Unconscious and the Archetype. Were they objectively “right” in every detail? No. But they gave us a framework—a story—that allowed us to navigate the chaos of the human mind. They provided the map that allowed us to enter the territory. The Final Integration We have spent the last fifty years trying to strip this storytelling capacity out of our profession in a misguided attempt to be taken seriously by the “hard” sciences. In doing so, we have thrown away our most powerful tool. The brain is a story-processing machine. To treat it with checklists and spreadsheets is to deny its fundamental nature. We need to be brave enough to pick up the mirror again. We need to be brave enough to look at the data—whether it's the 2.7% recovery rate of STAR*D or the trembling pupil of a trauma patient—and ask, “What is the story here?” The path forward isn't about choosing between science and narrative. It is about realizing that science is a narrative. It is the grandest, most complex, most rigorous story we have ever tried to tell. And it is time we started telling it properly again.   More @ https://gettherapybirmingham.com/

In this episode I read the first chapter of the Paradoxes of Juggling by Michael Staroseletsky, a book published by NDjuggling.com which of course is run by Niels Duinker who was a guest on the podcast back in episode 135. If you are interested in ways to view the world through a craft this is a book you should check out. If you're interested in advanced practice and the technique of juggling this is a great read. It is also part of the brand new Compendium of Soviet Juggling Wisdom.What if a juggling act is more than patterns in the air—what if it's a blueprint for freedom, identity, and the courage to keep going when you drop? We dive into a lyrical reading from Michael Staroseletsky's The Paradoxes of Juggling and unpack why this art form refuses shortcuts and demands honesty. From the first image of balls moving like “living creatures” to the stubborn physics of clubs that won't always obey, we sit with the tension between intention and reality and show how mastery grows inside that friction.Staroseletsky's core claim is perhaps that the trick is both the vehicle and the destination. Juggling isn't just technique polished to shine; it's an inner practice that widens your tolerance for error and refines your timing until correction feels effortless. We explore the paradox that to juggle more, you must accept more—more variables, more variance, and more responsibility for recovery.We also talk about persona and truth onstage. Circus artists often “play themselves,” so the work only lands when the human behind the pattern is vivid and honest. Props aren't passive; the moment an object leaves your hand, it asserts its own will, and the act becomes a dialogue you can see—rhythm as visible music, choreography in space, and story told through catches and drops.If Staroseletsky's vision resonates, you'll find the book at ndjuggling.com alongside other gems for artists, jugglers, and curious minds. Listen, reflect, and tell us what craft is teaching you about time, space, and self. If this episode sparked something, follow the Way, even better - share it with a friend, and leave a review so more curious listeners can discover it.Support the show...If you want to help support this podcast it would be tremendous if you wrote a glowing review on iTunes or Spotify.If you want to contact me about anything, including wanting me to collaborate on one of your projects you can reach me on thewayoftheshowman@gmail.comor find out more on the Way of the Showman website.you can follow the Way of Instagram where it is, not surprisingly thewayoftheshowman.If you find it in you and you have the means to do so, you can suport the podcast financially at:https://www.buymeacoffee.com/captainfrodo

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Do yourself a favor before reading any more of this: Listen to the Road To Joy now!What if the spark that powers great rituals, great sermons, and great shows is the same playful force? Captain Frodo sits down with Clay Hillman to follow that thread—from the shaman's circle to the market square—and ask how joy, surprise, and sacrifice can teach us to love without the cage of judgment. The claim is bold: ritual likely grew out of play, and when we honor that, truth arrives with fewer words and more presence.We explore grief as the felt weight of love, the paradox at the heart of Good Friday, and why beauty includes the costly and the raw. Clay reframes the Good Samaritan so we stop imagining ourselves as the rescuer and recognize our place in the ditch; neighbor becomes the person we'd want to lift us, even an enemy. That shift replaces right-versus-wrong scorekeeping with a practice of attention, the same practice that makes a show land when a moment of surprise cracks the shell and breathes. Along the way, we talk mythic truth over literalism, how children signal play and still know what matters, and why wigs, robes, and ritual dances appear when stakes are highest.We also swap creative maps. Clay's Casey Bonkers universe offers constellations of play; Frodo sketches thinking, feeling, and willing as a triad for building fuller acts. Symbols do the heavy lifting: two sticks can hold a cosmos, a market square becomes a universe once the showman starts. Stories that aren't “real” still become true every day, and the best work often feels discovered rather than made. If you've ever sensed that ministry and showmanship share a calling—curating time and attention so people glimpse the center—this conversation will feel like finding language for what you already knew.Listen to K. C. Bonkers Road To Joy! Find Clay Hillman here!If this resonates, subscribe, share it with a friend who loves story and craft, and leave a review so others can find the show. Then tell us: where did you last glimpse that center of joy?Support the show...If you want to help support this podcast it would be tremendous if you wrote a glowing review on iTunes or Spotify.If you want to contact me about anything, including wanting me to collaborate on one of your projects you can reach me on thewayoftheshowman@gmail.comor find out more on the Way of the Showman website.you can follow the Way of Instagram where it is, not surprisingly thewayoftheshowman.If you find it in you and you have the means to do so, you can suport the podcast financially at:https://www.buymeacoffee.com/captainfrodo

We got a "Triple Berke" and Gary is here to celebrate for four hours.

Step aboard the Punky Steamer and watch everyday moments turn into portals. -> listen to the fantastic tale here! I highly recommend checking this audio play out before listening to the episode. For one it's awesome and for sure lots of what we talk about will feel deeper and make even more sense.  We sit down with Clay Hillman—once a Lutheran minister, now the imagination behind a toy-and-coffee shop and the audio adventure KC Bonker's Road to Joy—to explore how play can be both serious and sacred. Clay's world is richly built: a flying machine crewed by six archetypes of play, potions served with straight-faced wonder, and an audio play that clicks from past to present like a spell taking hold. The result is a practical philosophy of joy that you can taste, touch, and breathe.Clay introduces the Aeronaut, Cartographer, Chronaut, Philosopher, Goggle Jockey, and Tinker—personae that map how children experiment and how adults find vocation. When we keep those roles playful, work feels like meaning rather than grind. We dig into “sacred toys” too: stick, string, plane, block, wheel, and ball. Open-ended objects invite agency; they don't perform for you, they ask you to perform with them. That's why a simple paper toy can outshine a pricey gadget—it expands your world instead of prescribing one.Ritual ties it all together. In the shop, dragon blood, beetle juice, and unicorn milk layer in a glass until the final step demands your breath through a one-way straw. That small act completes the drink and inducts you into the story—breath revealing the invisible like a pinwheel turning wind into sight. We trace the same thread through vinyl records, soundscapes, and live showmanship where attention is the real currency. Presence isn't forced; it's designed through steps you choose to take.If you've ever felt a toy hold more truth than a lecture, or a performance feel like a pact kept, this ride is for you. Hear how myth, craft, and commerce meet without losing soul, and pick out your own play archetype along the way. If it moves you, subscribe, share this episode with a curious friend, and leave a review telling us the one small ritual that brings you wonder.Support the show...If you want to help support this podcast it would be tremendous if you wrote a glowing review on iTunes or Spotify.If you want to contact me about anything, including wanting me to collaborate on one of your projects you can reach me on thewayoftheshowman@gmail.comor find out more on the Way of the Showman website.you can follow the Way of Instagram where it is, not surprisingly thewayoftheshowman.If you find it in you and you have the means to do so, you can suport the podcast financially at:https://www.buymeacoffee.com/captainfrodo

Nos desplazamos hasta Lanzarote para hablar y escuchar a cuatro bandas que representan la escena underground de la isla. Escuchamos a AJEEB + Sickmen + Los Iguales + iMtiMa y nos acompaña Jonás de sancocho.com iMtiMa; 1.Espejo 2. Anthropocene 3. Joseline 4. Tú! AJEEB: 1. Molly's lips 2. ⁠Silicone 3. ⁠Killjoy 4. ⁠Weightless 5. ⁠Loophole SICKMEN. 1. Wraith 2. P.O.P 3. Sonic 4. Quicksand 5. Showman + info - https://linktr.ee/b90podcast Espacio patrocinado por: Antonio Hernandez - Unai Elordui -JulMorGon - David Salamanca Sanz - Jaime - Marchica Band - Sr.Jota - Theinvisibleband - jorge - Llorx Miller - Yago Llopis - chalsontheroute - boldano - estebansantosjuanesbosch - Vicent Martin - Matias Ruiz Molina - Javier CM - Próxima Estación Okinawa - Rosa Rivas - Achtungivoox - jvcliment - Jaume Solivelles - Javier Alcalde - jmgomez - Ana Isabel Miguélez Domínguez - Iñigo Albizu - Rachael - Power42 - Naïa - Dani GO - kharhan - Jaime Cruz Flórez - DOMINGO SANTABÁRBARA - faeminoandtired - Jose Manuel Valera - Ivan Castro - Javi Portas - Belén Vaca - Ana FM - tueresgeorge - Eduardo Mayordomo Muñoz - Barrax de Pump - pdr_rmn - fernando - QUIROGEA Integrative Osteopath - J. Gutiérrez - Gabriel Vicente - Carlos Conseglieri - Miguel - Isabel Luengo - Franc Puerto - screaming - HugoBR - angelmedano - Vicente DC - Alvaro Gomez Marin - Alvaro Perez - Sergio Serrano - Antuan Clamarán - Isranet - Paco Gandia - ok_pablopg - Crisele - Wasabi Segovia - Dani RM - Fernando Masero - María Garrido - RafaGP - Macu Chaleka - laura - davidgonsan - Juan Carlos Mazas - Bassman Mugre - SrLara - Francisco Javier Indignado Hin - carmenlimbostar - Piri - Miguel Ángel Tinte - Jon Perez Nubla - Nuria Sonabé - Pere Pasqual - Juanmi - blinddogs - JM MORENTE - Alfonso Moya - Rubio Carbón - LaRubiaProducciones - cesmunsal - Marcos - jocio - Norberto Blanquer Solar - Tolo Sent - Carmen Ventura - Jordi y varias personas anónimas. ✌️

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Nebrasketball's dynamic duo is taking college basketball by storm.

"The Five" on Fox News Channel airs weekdays at 5 p.m. ET. Five of your favorite Fox News personalities discuss current issues in a roundtable discussion. Learn more about your ad choices. Visit podcastchoices.com/adchoices

Ukrainian President Volodymyr Zelensky has been without a chief of staff for more than a week. His former right-hand man, Andriy Yermak, resigned on November 28, hours after anti-corruption agents raided his apartment in Kyiv. The investigators were looking into a $100-million kickback scheme in Ukraine's energy sector that has already cost several high-level officials their posts. The timing of the biggest political scandal of Zelensky's presidency couldn't have been worse: news of the scheme broke just as the Trump administration pushed ahead with another round of talks to end Russia's war against Ukraine. Among his many other roles, Yermak was Ukraine's lead peace negotiator. To put this enormous shake-up into context, Meduza senior news editor Sam Breazeale spoke to journalist Simon Shuster. A Ukraine expert and staff writer at The Atlantic, Shuster interviewed Yermak the day before his resignation. He also enjoyed extensive access to Zelensky and his circle while writing his 2024 biography The Showman: Inside the Invasion That Shook the World and Made a Leader of Volodymyr Zelensky. Originally published in English, The Showman is now also available in Russian from Meduza's own publishing house. Timestamps for this episode: (1:39) The Zelensky administration without Yermak(5:40) The role of martial law(9:09) Negotiations and peace talks(22:57) Zelensky's transformation and future(29:59) The governance challenges of wartime corruptionКак поддержать нашу редакцию — даже если вы в России и вам очень страшно

Het Formule 1-seizoen 2025 zit erop. Verslaggever Erik van Haren en voormalig coureur Christijan Albers blikken terug op de laatste race in Abu Dhabi, de titel van Lando Norris en de knappe inhaalrace van Max Verstappen. Ook de mogelijke veranderingen binnen Verstappens team Red Bull komen ter sprake. En wat viel er in 2025 allemaal nog meer op? Het komt deze aflevering voorbij.See omnystudio.com/listener for privacy information.

December 5, 2025 ~ Frankie Scinta, The Showman previews his performance at Andiamo Celebrity Showroom. Hosted by Simplecast, an AdsWizz company. See https://pcm.adswizz.com for information about our collection and use of personal data for advertising.

Mischke interviews Bob Eckstein, author of "The Illustrated History of the Snowman." Then he calls down to Florida and meets a former punk rocker into Bluegrass and Baseball.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Mischke interviews Bob Eckstein, author of "The Illustrated History of the Snowman." Then he calls down to Florida and meets a former punk rocker into Bluegrass and Baseball.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

A hat flips, a wig sails, and an arena of sixteen thousand goes from breathless to thunderous—this is where Adam Kugler learned to make comedy work under pressure. We trace his path from the Ringling Brothers train to the Mad Apple stage in Las Vegas, unpacking the paradoxes that shape a clown: technique that opens doors, character that keeps them open, and the relentless practice of reading a room in real time.Adam grew up wanting to be a clown. Juggling paid the bills long enough for artistry to take root. Clown College didn't hand him a single method; it handed him a map of contradictions. Mask work, European theater, and classic arena gags collided into lessons about energy, body angles, and the atmospheres you can create without adding a single prop. Years later, those ideas proved essential in Vegas, where five minutes of notes from the director migth become a live moment that same night. Working alongside Paul Debek,  (who's coming up in a soon to air episode early next year.) Adam built a shared vocabulary with Paul that let's them improvise with confidence and keep the audience's attention pointed exactly where it needed to go.We also open the tent flaps on three-ring logistics and the life that supports them: Russian swings timing their crescendos around a teeterboard's final throw, clowns covering rigging with tight 15-second “walk-arounds,” and a mile-long-feeling train where a five-by-seven cabin becomes a masterclass in living by design. The pay was modest, the repetitions were many, and the growth was real—most breakthroughs happened in front of people. Easy crowds gave permission to risk. Hard crowds demanded clarity. Both taught the same lesson: chase the flow by staying just beyond your current skill, and refine until even tough rooms lean in.If you love circus history, clowning, juggling, or the craft of performance at scale, you'll find rich detail here: how myths start, how access to schools shapes technique, and why a good gag is a complete story—skill, problem, solution—in seconds. Subscribe, share with a friend who loves live shows, and leave a review telling us the moment that made you fall for the circus.Support the show...If you want to help support this podcast it would be tremendous if you wrote a glowing review on iTunes or Spotify.If you want to contact me about anything, including wanting me to collaborate on one of your projects you can reach me on thewayoftheshowman@gmail.comor find out more on the Way of the Showman website.you can follow the Way of Instagram where it is, not surprisingly thewayoftheshowman.If you find it in you and you have the means to do so, you can suport the podcast financially at:https://www.buymeacoffee.com/captainfrodo

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Send us a textSeth Robichaux shares his journey from Louisiana to becoming a prominent showman in Las Vegas. He discusses the evolution of his show, the essence of being a modern entertainer, and the importance of variety in performances. Seth reflects on his natural affinity for comedy, the challenges of singing, and the magic of impersonations. He also highlights his favorite local spots for inspiration and shares details about his upcoming shows, all while maintaining a light-hearted and humorous tone throughout the discussion.Seth Robichaux Instagram00:00Introduction to Seth Robichaux02:07The Evolution of Seth's Show03:28The Journey to Las Vegas07:03Defining a Modern Showman09:00The Triple Threat: Comedy, Singing, and Impressions13:45The Magic of Variety Shows17:05Favorite Moments and Impersonations20:13Finding Inspiration in Las Vegas21:39Celebrating Local Talent and Community Engagement23:24Upcoming Shows and Events24:35Social Media and Online Presence26:24This or That: Vegas FavoritesSubscribe to Visit Vegas Places with Coyal Never miss an episode again!Plus get behind the scenes coverage with business owners and chefs.Want to elevate your content and lifestyle? Shop the same creator tools, fashion, and home goods I trust for great results. Find all my favorites at the link in the description. Click here to find creator and podcast equipment on AmazonShow music composed by: Dae One Visit Vegas Places with Coyal. Real Vegas, Real Topics, Real Business with Real Owners. Covering topics on economics, entrepreneurship, health, well-being and FOOD! Thank You for tuning in and make sure to VISIT VEGAS PLACES!Follow our social media platforms:https://www.instagram.com/visitvegasplaces/https://www.youtube.com/c/CoyalHarrisonIIISupport the show

In this episode, we talk to Adam Collins. The Dandenong-raised, London-based commentator, broadcaster, podcaster and author is back in Australia for another summer of cricket, and also to promote his new book, Bedtime Tales for Cricket Tragics (after last year helping Aussie all-rounder Glenn Maxwell write his memoir, The Showman). But Collins also had another life in politics. A long-time Labor Party member, he spent his 20s in Canberra on the staff of treasurer Wayne Swan, and as media adviser to then Prime Minister Kevin Rudd. Joining us from the first Test in Perth, this episode is hosted by chief cricket correspondent for The Age and The Sydney Morning Herald, Dan Brettig, the pair reflecting on the series to come, including a few choice Ashes predictions (or wishes).See omnystudio.com/listener for privacy information.

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A chainsaw mounted to a sword. Seventeen pumpkins in a minute. And a philosophy that says a show only becomes real when the audience completes it. That's the ride we take with Jelly Boy the Clown—writer, record-setter, and sideshow artist who turns chaos into craft.We start with the surprise aftermath of America's Got Talent: millions of viewers, zero promotion allowed, and a door opening from an unexpected direction—Guinness World Records. From there we go inside the workshop, where ideas live first in a sketchbook, then on a bench with bolts and cork, and finally on stage. Why pumpkins beat watermelons, how to create negative space with pitchforks, and what three points of contact do for stability when the saw is humming in your throat. It's engineering, rehearsal, and risk management wrapped in clown logic.The heart of the talk is presentation. Tools are level one; meaning lives in timing, character, and framing. Jelly Boy shares how he disarms fear—pairing eye hooks with Careless Whisper, mixing menace with sincerity—so the audience leans in. We dig into act architecture: the tennis racket routine evolving through constraints, failed slapstick reappearing later as the perfect chaos engine, and why variety beats repetition for laughs and suspense. Along the way, we trace his films—from a B-movie to a raw fire-recovery doc to Dark Imagination Party—capturing how the pandemic pushed the work from stages to cameras and back again.Threaded through is our host's upcoming book, Facing The Other Way, a philosophy of showmanship that frames performance as a three-part system: performer, audience, and attention. Without a witness, magic isn't magic. That idea lands as we talk edits, cuts, and voice—how slicing fifty pages can reveal the core, why a unified tone matters, and how community and small presses help art find its people. If you care about live arts, circus, clowning, sword swallowing, or the creative process of turning rough sketches into resonant moments, this one's for you.If the conversation hits home, follow the show, share it with a friend, and leave a review. Your attention is the spark—help us keep the fire bright.Support the show...If you want to help support this podcast it would be tremendous if you wrote a glowing review on iTunes or Spotify.If you want to contact me about anything, including wanting me to collaborate on one of your projects you can reach me on thewayoftheshowman@gmail.comor find out more on the Way of the Showman website.you can follow the Way of Instagram where it is, not surprisingly thewayoftheshowman.If you find it in you and you have the means to do so, you can suport the podcast financially at:https://www.buymeacoffee.com/captainfrodo

Simon Bailey (Come Alive / Moulin Rouge) co-host The West End Frame Show!Andrew and Simon discuss Coven (Kiln Theatre), Midnight by Todrick Hall (Sadler's Wells East) and Limp Wrist & The Iron Fist (Brixton House) as well as the latest news about Wicked's new middle eastern tour, Gravity's tour with Kerry Ellis, Louise Dearman and Rachel Tucker, StarKid, Hercules and more. Simon is currently in his second year as The Showman in Come Alive: The Greatest Showman Circus Spectacular at the Empress Museum.Simon's theatre credits include: Crabbit and Harry Lime in The Third Man (Menier Chocolate Factory), Ram's Dad / Big Bud Dean / Coach Ripper in Heathers (Theatre Royal Haymarket & London Workshop), Tommy DeVito in Jersey Boys (Piccadilly Theatre & UK Tour), Liam O'Deary in I Can't Sing! (London Palladium), Pharaoh in Joseph and the Amazing Technicolour Dreamcoat (Gillian Lynne), Tom Watson/Officer Starnes in Parade (Southwark Playhouse), understudy Galileo in We Will Rock You (Dominion), Raoul in The Phantom of the Opera (Her Majesty's), Enjolras in Les Misérables (Queens), Passion (Donmar Warehouse) and Romeo & Juliet The Musical (Piccadilly). Simon originated the role of The Duke in the original West End cast of Moulin Rouge (Piccadilly Theatre). Come Alive: The Greatest Showman Circus Spectacular is booking at the Empress Museum in Earl's Court until 27th September 2026. Visit www.comealiveshow.com for info and tickets.This podcast is hosted by Andrew Tomlins. @AndrewTomlins32 Thanks for listening!Email: andrew@westendframe.co.ukVisit westendframe.co.uk for more info about our podcasts. Hosted on Acast. See acast.com/privacy for more information.

Gab Marcotti & Julien Laurens discuss all the fallout from Man City's 3-0 demolishing of Liverpool, as Arne Slot's men collapse at the Etihad. The pair also discuss the latest round of Premier League fixtures, which saw Man United earn a point after a stoppage time equaliser vs. Spurs and Arsenal are held to a 2-2 draw at Sunderland. The duo also talk through the action from LaLiga, Serie A and the Bundesliga and everything else going on in the world of football. Learn more about your ad choices. Visit podcastchoices.com/adchoices

Gab Marcotti & Julien Laurens discuss all the fallout from Man City's 3-0 demolishing of Liverpool, as Arne Slot's men collapse at the Etihad. The pair also discuss the latest round of Premier League fixtures, which saw Man United earn a point after a stoppage time equaliser vs. Spurs and Arsenal are held to a 2-2 draw at Sunderland. The duo also talk through the action from LaLiga, Serie A and the Bundesliga and everything else going on in the world of football. Learn more about your ad choices. Visit podcastchoices.com/adchoices

What makes an audience lean forward before the first trick lands? We dive into stage presence as a lived practice, not a buzzword. From Jay's house in Stockholm, Frodo and Jay unpack how real attention, honest emotion, and contextual awareness turn raw technique into connection you can feel in the room. No acting notes, no hollow smiles—just the hard, generous work of being here with people, right now.We share the messy path many artists take from hobbyist to performer and why conviction matters before the material is perfect. You'll hear how a modular show architecture lets you answer a crowd in real time, when quieting down tames a rowdy room, and how three loops—your inner state, the audience's state, and the social relationship—guide moment-to-moment choices. We talk about reading the room beyond clichés: the corporate ballroom with chairs turned away, the school assembly building to a roar, and the town theater reopening after a flood. Context isn't decoration; it is the content your presence must meet.Words versus abstraction, authenticity versus mimicry, and the test that cuts through everything: would you want to watch this? We dig into teachable charisma, why about half of presence can be trained, and how to find an archetype that fits your truth instead of chasing someone else's shine. Craft supports presence—framing, tempo, applause points—but love powers it. Love of practice gives you something worth showing. Love of the audience gives you a reason to share it well. That's how feeling transmits, Tolstoy-style, from your center to theirs.Support the show...Now you can get t-shirts and hoodies with our wonderful logo. This is the best new way to suport the podcast project. Become a proud parader of your passion for Showmanship and our glorious Craft whilst simultanously helping to gather more followers for the Way.You'll find the store here: https://thewayoftheshowman.printdrop.com.auIf you want to help support this podcast it would be tremendous if you wrote a glowing review on iTunes or Spotify.If you want to contact me about anything, including wanting me to collaborate on one of your projects you can reach me on thewayoftheshowman@gmail.comor find out more on the Way of the Showman website.you can follow the Way of Instagram where it is, not surprisingly thewayoftheshowman.If you find it in you and you have the means to do so, you can suport the podcast financially at:https://www.buymeacoffee.com/captainfrodo

Michael McIntyre jokes about getting older in his Netflix special, "Showman".

Some performers step into the light and the room leans in. Others work just as hard and leave us cold. We wanted to know why. Together with juggler and performance thinker Jay Gilligan, we unpack stage presence without the fluff—what it is, how to build it, and why authenticity beats polish every time.We start by challenging the myth that presence is a gift you either have or don't. Yes, some people radiate charisma from day one. But most of us can raise our baseline by choosing the right lane and aligning our inner life with our outer expression. We explore useful archetypes to find leverage (clown, lover, hermit, magician), and show how mismatched personas create static the audience can feel. Then we get practical with a simple, powerful framework: head (ideas), heart (emotion), hands (skills), and senses (look and sound). When those four line up, presence clicks.Jay and I share stories from street stages and theater runs about entrances that land, silences that speak, and why the “living time” is the beat between tricks. We dig into micro-choices that shift everything—how your eyes acknowledge the crowd, how breath sets tempo, how a half-smile reads as gratitude instead of performance. We talk technique versus embodiment too: you can copy moves and still miss the moment; intention is what makes shape meaningful. Expect grounded advice you can use tonight: choose one beat for connection, test variations on camera, refine details like shoes and sound, and let your true motives shape your mechanics.If you care about connecting—juggling, comedy, magic, music—this conversation will sharpen your instincts and your toolkit. Subscribe, share with a performer who needs a lift, and leave a review with your biggest presence breakthrough. Your story might spark the next one.Support the show...Now you can get t-shirts and hoodies with our wonderful logo. This is the best new way to suport the podcast project. Become a proud parader of your passion for Showmanship and our glorious Craft whilst simultanously helping to gather more followers for the Way.You'll find the store here: https://thewayoftheshowman.printdrop.com.auIf you want to help support this podcast it would be tremendous if you wrote a glowing review on iTunes or Spotify.If you want to contact me about anything, including wanting me to collaborate on one of your projects you can reach me on thewayoftheshowman@gmail.comor find out more on the Way of the Showman website.you can follow the Way of Instagram where it is, not surprisingly thewayoftheshowman.If you find it in you and you have the means to do so, you can suport the podcast financially at:https://www.buymeacoffee.com/captainfrodo

Jake & Ben Full Show from October 23, 2025 Hour 1 It's only 1 game in, but this Jazz team could be pretty exciting.  Top 3 Stories of the Day: Portland Trailblazers HC Chauncey Billups & Miami Heat Guard Terry Rozier have been arrested as part of an FBI Gambling Probe. Also, does last night change expectations for the Jazz? And Devon Dampier listed as "Questionable" for Utah vs Colorado.  Utah Kicker Dillon Curtis went under fire for kicking during BYU's Pregame Prayer. Jake & Ben give their thoughts.  Hour 2 Utah Mammoth Analyst Nick Olczyk joined the show to talk about Nick Schmaltz & Dylan Guenther having impressive performances so far.  Jake Shapiro, Denver Sports Analyst from 104.3 The Fan, talked about Colorado Football.  More details from the FBI's Gambling Probe that resulted in the arrests of Portland Trailblazers HC Chauncey Billups & Miami Heat Guard Terry Rozier. 

What separates a technically competent performer from one who creates unforgettable moments? In this captivating conversation between Captain Frodo and comic magician Nick Diffatte, we journey into the heart of showmanship and the complex relationship between originality and tradition.The performers candidly explore their creative anxieties about using established material versus developing original routines. "The reason I'm putting this in here is that this is a book that would have helped me do what I want to be doing," Nick explains, highlighting the delicate balance between learning from others and finding your unique voice. Their discussion reveals how even seasoned professionals wrestle with questions of authenticity while acknowledging their debt to those who came before them.At the core of their conversation lies a fascinating revelation about creating "controlled chaos" – performances that appear spontaneous while following carefully orchestrated plans. Both artists have mastered the art of making audiences think "this could go wrong," generating genuine suspense and emotional investment. This skillful deception creates those special moments where spectators leave saying, "I was there when..." – the hallmark of truly memorable performances.The discussion takes unexpected turns as they reflect on how teaching others has deepened their understanding of their own craft. "You learn about what you do by teaching it to someone, because then you have to actually vocalize what it is that you do," Captain Frodo observes. This process of articulation often reveals unconscious techniques and decisions that elevate performances from merely technical to genuinely artistic.Whether you're a performer seeking to refine your craft or simply fascinated by the psychology behind great entertainment, this episode offers rare insights into the minds of two masters who continue to examine and evolve their art. Subscribe now and join our exploration of the showman's path – where technical skill meets meaning, and apparent chaos reveals its hidden design.Support the show...Now you can get t-shirts and hoodies with our wonderful logo. This is the best new way to suport the podcast project. Become a proud parader of your passion for Showmanship and our glorious Craft whilst simultanously helping to gather more followers for the Way.You'll find the store here: https://thewayoftheshowman.printdrop.com.auIf you want to help support this podcast it would be tremendous if you wrote a glowing review on iTunes or Spotify.If you want to contact me about anything, including wanting me to collaborate on one of your projects you can reach me on thewayoftheshowman@gmail.comor find out more on the Way of the Showman website.you can follow the Way of Instagram where it is, not surprisingly thewayoftheshowman.If you find it in you and you have the means to do so, you can suport the podcast financially at:https://www.buymeacoffee.com/captainfrodo

Steve Hayes is joined by Kevin Williamson, Jonah Goldberg, and Mike Warren to discuss the gathering of generals at Quantico earlier this week, debate who is to blame for the government shutdown, and dive into the controversy surrounding a comedic festival in Saudi Arabia. The Agenda:—Secretary of War Pete Hegseth's performance—Blame the Democrats?—Kevin and Newt Gingrich are kindred spirits—Saudi Arabia: just for laughs?—NWYT: Grilled cheese and comfort foods The Dispatch Podcast is a production of The Dispatch, a digital media company covering politics, policy, and culture from a non-partisan, conservative perspective. To access all of The Dispatch's offerings—including access to all of our articles, members-only newsletters, and bonus podcast episodes—click here. If you'd like to remove all ads from your podcast experience, consider becoming a premium Dispatch member by clicking here. Learn more about your ad choices. Visit megaphone.fm/adchoices

Ever wondered where the line between inspiration and appropriation lies in performance art? Captain Frodo welcomes comedian-magician Nick Diffatte for a candid exploration of originality in magic that will resonate with creators across all disciplines.Nick takes us behind the scenes of Tannen's Magic Camp—an intensive gathering where 120 young magicians (ages 10-20) immerse themselves in the craft under the guidance of working professionals. You'll feel like you're wandering the Hogwarts-like halls of Bryn Bawr College as Nick describes the transformation these young performers undergo when they realize they're not alone in their passion. The teaching methodology is fascinating: forcing students to perform on day one breaks down barriers, creating a safe space where they can be vulnerable enough to truly learn.The conversation shifts into territory rarely discussed publicly—the ethical questions performers face when developing material. Through the lens of what Nick calls "the Elvis analogy," they explore how performers can honor magical traditions while still finding their authentic voice. When does a borrowed trick become truly yours? How much must you change something before claiming ownership? The answers aren't simple, but they're essential for anyone who creates.Most compelling is their shared vulnerability about their own creative processes. Captain Frodo confesses his insecurity about performing routines developed by others, while Nick reveals his struggles publishing instructional material that walks the line between teaching technique and sharing complete performance pieces. Their honesty strips away the mystery often surrounding creative work, revealing the human questions that haunt even the most accomplished performers.Whether you're a magic enthusiast or simply someone who appreciates the creative process, this episode offers rare insights into how art evolves through generations while remaining true to its roots. Subscribe now and join the conversation about what it means to create something truly original in a world built on shared traditions.Support the show...Now you can get t-shirts and hoodies with our wonderful logo. This is the best new way to suport the podcast project. Become a proud parader of your passion for Showmanship and our glorious Craft whilst simultanously helping to gather more followers for the Way.You'll find the store here: https://thewayoftheshowman.printdrop.com.auIf you want to help support this podcast it would be tremendous if you wrote a glowing review on iTunes or Spotify.If you want to contact me about anything, including wanting me to collaborate on one of your projects you can reach me on thewayoftheshowman@gmail.comor find out more on the Way of the Showman website.you can follow the Way of Instagram where it is, not surprisingly thewayoftheshowman.If you find it in you and you have the means to do so, you can suport the podcast financially at:https://www.buymeacoffee.com/captainfrodo

This week on the Garden Tarts:Side A: Fifth time is a charm! Hillary finally sees Inhaler. And what an adventure it took to get there! We're glad she didn't get m*rdered.Side B: Jenny and Hillary each pick three non-U2 concerts that were memorable. What are some of yours?And, of course, questions for Bono over whiskey and cake!www.thegardentarts.comSUPPORT: www.patreon.com/thegardentarts AND www.buymeacoffee.com/thegardentartstwitter: @the_gardentartsinstagram: @the_gardentartswatch this ep on YouTube: @thegardentarts

Ever wondered what happens when a circus performer's act goes "wrong"? In this intimate conversation with East German circus artist Antje Pode, we explore how the most powerful moments of connection often emerge from embracing unexpected challenges on stage.Ancha shares her extraordinary journey through the fall of the Berlin Wall – a time when her entire professional identity was upended as state-sponsored circus dissolved overnight. We explore the magnificent marble circus buildings of the Soviet Union, where performers were celebrated like opera stars, receiving flowers from adoring audiences. Her transition from government employee to freelancer reveals the profound personal impact of political change that went far beyond headlines.The heart of our conversation centers on Ancha's accidental creation of a revolutionary aerial apparatus. What began as an attempt to make a standard rope less painful led to a breakthrough when she deconstructed it into 86 separate strings. The resulting visual effect creates mesmerizing patterns like tornados or water vortices as she performs. But this innovation comes with inherent unpredictability – strings occasionally tangle, creating unexpected challenges during performance.What started as frustration evolved into profound insight: audiences engage more deeply when witnessing performers overcome obstacles. As we discuss, "Your true character can really come out when you're facing a problem." In an age of digital perfection, witnessing a performer struggle and triumph creates a uniquely human experience that no flawless execution can match.Whether you're a performer yourself or simply fascinated by the human capacity for adaptation and creativity, this conversation offers valuable perspective on finding opportunity in apparent setbacks. Subscribe to the podcast to join us for more explorations of showmanship across disciplines and traditions.Support the show...Now you can get t-shirts and hoodies with our wonderful logo. This is the best new way to suport the podcast project. Become a proud parader of your passion for Showmanship and our glorious Craft whilst simultanously helping to gather more followers for the Way.You'll find the store here: https://thewayoftheshowman.printdrop.com.auIf you want to help support this podcast it would be tremendous if you wrote a glowing review on iTunes or Spotify.If you want to contact me about anything, including wanting me to collaborate on one of your projects you can reach me on thewayoftheshowman@gmail.comor find out more on the Way of the Showman website.you can follow the Way of Instagram where it is, not surprisingly thewayoftheshowman.If you find it in you and you have the means to do so, you can suport the podcast financially at:https://www.buymeacoffee.com/captainfrodo

Step back in time to a vanished world of state-run circus schools, train journeys across the Soviet Union, and the dramatic moment when the Berlin Wall fell. In this captivating conversation, foot juggler Antje Pode shares her remarkable journey from a young gymnast in East Germany to an internationally acclaimed circus artist.Antje reveals the fascinating, rarely-discussed reality of the communist-era circus system, where performers were government employees with guaranteed lifetime positions. Selected from hundreds of applicants at age 17, she trained in the prestigious East German circus school before touring with the state circus. Her vivid descriptions transport us to a time when circus was considered high art, performers lived in caravans on flatbed train cars rolling through Russia, and elephants walked from train stations to circus lots as mobile advertisements.The political and personal merge dramatically as Antje recounts being thousands of miles from home in Moldova when the Berlin Wall unexpectedly fell in November 1989. Through her eyes, we experience both the hope and uncertainty of that pivotal moment in history, learning how the peaceful Monday demonstrations eventually led to revolution without violence.Beyond historical insights, Antje shares the technical mastery behind her extraordinary foot juggling act, where she manipulates suitcases with remarkable precision while balancing, spinning, and juggling simultaneously. Her description of needing three weeks to adapt to a new suitcase reveals the invisible precision required in circus arts.Whether you're fascinated by political history, circus traditions, or the dedication required for artistic mastery, this conversation offers a unique window into a world that has largely disappeared. Subscribe now to hear more conversations that explore the intersection of showmanship, art, and human experience.-You can find Antje Pode on social media and on her website Antjepode.deSupport the show...Now you can get t-shirts and hoodies with our wonderful logo. This is the best new way to suport the podcast project. Become a proud parader of your passion for Showmanship and our glorious Craft whilst simultanously helping to gather more followers for the Way.You'll find the store here: https://thewayoftheshowman.printdrop.com.auIf you want to help support this podcast it would be tremendous if you wrote a glowing review on iTunes or Spotify.If you want to contact me about anything, including wanting me to collaborate on one of your projects you can reach me on thewayoftheshowman@gmail.comor find out more on the Way of the Showman website.you can follow the Way of Instagram where it is, not surprisingly thewayoftheshowman.If you find it in you and you have the means to do so, you can suport the podcast financially at:https://www.buymeacoffee.com/captainfrodo

BASED ON A TRUE STORY (BOATS EP. 373) — Learn about legendary aviator Amelia Earhart as she was portrayed onscreen by Hilary Swank in the 2009 biopic. To uncover the true story, today we'll talk with author, documentarian, and host of Chasing Earhart , the only podcast dedicated entirely to Amelia Earhart: Chris Williamson. Where to watch Amelia Get Chris's book To help us separate fact from fiction in the movie today is Chris Williamson, who has an array of work with the Chasing Earhart Project, including the book "Rabbit Hole: The Vanishing of Amelia Earhart & Fred Noonan." Chapters 00:00:00 Introduction 00:00:15 Movie synopsis 00:02:13 Two truths and a lie 00:03:27 Interview 01:09:02 Two truths and a lie answer Also mentioned in this episode Chasing Earhart Podcast The Aviator and the Showman by Laurie Gwen Shapiro Chasing Earhart on Facebook Support my work Support my sponsors Become a BOATS Producer (name in credits + ad-free episodes) Join the BOATS Discord Get the BOATS email newsletter Email me: dan@basedonatruestorypodcast.com Get my video podcasting class Note: If your podcast app doesn't support clickable links, copy/paste this in your browser to find all the links: https://links.boatspodcast.com/373 Learn more about your ad choices. Visit megaphone.fm/adchoices

BASED ON A TRUE STORY (BOATS EP. 373) — Learn about legendary aviator Amelia Earhart as she was portrayed onscreen by Hilary Swank in the 2009 biopic. To uncover the true story, today we'll talk with author, documentarian, and host of Chasing Earhart , the only podcast dedicated entirely to Amelia Earhart: Chris Williamson. Where to watch Amelia Get Chris's book Chris Williamson has an array of work with the Chasing Earhart Project, including the book "Rabbit Hole: The Vanishing of Amelia Earhart & Fred Noonan." Chapters 00:00:00 Introduction 00:00:15 Movie synopsis 00:02:13 Two truths and a lie 00:03:27 Interview 01:09:02 Two truths and a lie answer Also mentioned in this episode Chasing Earhart Podcast The Aviator and the Showman by Laurie Gwen Shapiro Chasing Earhart on Facebook Support my work Support my sponsors Become a BOATS Producer (name in credits + ad-free episodes) Join the BOATS Discord Get the BOATS email newsletter Email me: dan@basedonatruestorypodcast.com Get my video podcasting class Note: If your podcast app doesn't support clickable links, copy/paste this in your browser to find all the links: https://links.boatspodcast.com/373 Learn more about your ad choices. Visit megaphone.fm/adchoicesSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Tim Kurkjian is one of Dan's math friends, and while he's here to play the Looks Like game and give us all sorts of peculiar tidbits about Major League Baseball, he also buzzes the tower while Chris Cote eats a Blizzard. Learn more about your ad choices. Visit podcastchoices.com/adchoices