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2 episodes with Mystere
3 episodes with Mystere
2 episodes with Mystere
2 episodes with Mystere
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2 episodes with Mystere
10 episodes with Mystere
6 episodes with Mystere
4 episodes with Mystere
2 episodes with Mystere
Pod Guest: MysterE https://www.youtube.com/@mystere-movement https://www.twitch.tv/mysteremovement https://www.instagram.com/mystere_movement/ https://www.tiktok.com/@mystere_movement Support us on Patreon: https://www.patreon.com/friendlyjordiespodcast Streamed live on Twitch on Tuesdays, 7:30pm AEST! https://www.twitch.tv/friendlyjordieslive 00:00:00 - Intro 00:01:59 - Chris Bowen's Pasta Antics 00:07:18 - Macron gets slapped by First Lady 00:14:47 - Kamala Harris in Gold Coast 00:17:42 - MysterE's Deep Dive into Dark Maga and Techno Feudalism
Martin Mystere alle prese con una mascotte? Tranquilli, non è diventato un testimonial di pannoloni per anziani.Martin Mystere 423 "La donna elettrica", scritto da Davide Barzi, disegnato da Sauro Quaglia, edito dalla Sergio Bonelli Editore.
Montagna di hype, topolino di trama: la deludente conclusione di questa doppia avventura.Martin Mystere 422 "Vero o falso", scritto da Francesco Matteuzzi, disegnato da Gino Vercelli, edito dalla Sergio Bonelli Editore.Mi trovi anche su Instagram www.instagram.com/fumetti.e.dintorni/Se ti piace il mio podcast, offrimi un caffè https://www.buymeacoffee.com/fumettiedintorniQui c'è il mio piccolo mercatino su Subito https://www.subito.it/utente/16653861E qui quelloVinted https://www.vinted.it/member/
À la collégiale Saint-Ursmer de Binche se cache un trésor unique : le bras reliquaire de saint Pierre. Malheureusement, ce bras a perdu une perle précieuse… disparue mystérieusement lors de son transfert entre la ville de Lobbes et Binche. Depuis, la légende de cette perle perdue alimente bien des récits. Partons à la découverte de cette légende fascinante au cœur de Binche avec Sylvie Urbain et Fanny Cuisset. Merci pour votre écoute Un Jour dans l'Histoire, c'est également en direct tous les jours de la semaine de 13h15 à 14h30 sur www.rtbf.be/lapremiere Retrouvez tous les épisodes d'Un Jour dans l'Histoire sur notre plateforme Auvio.be :https://auvio.rtbf.be/emission/5936 Intéressés par l'histoire ? Vous pourriez également aimer nos autres podcasts : L'Histoire Continue: https://audmns.com/kSbpELwL'heure H : https://audmns.com/YagLLiKEt sa version à écouter en famille : La Mini Heure H https://audmns.com/YagLLiKAinsi que nos séries historiques :Chili, le Pays de mes Histoires : https://audmns.com/XHbnevhD-Day : https://audmns.com/JWRdPYIJoséphine Baker : https://audmns.com/wCfhoEwLa folle histoire de l'aviation : https://audmns.com/xAWjyWCLes Jeux Olympiques, l'étonnant miroir de notre Histoire : https://audmns.com/ZEIihzZMarguerite, la Voix d'une Résistante : https://audmns.com/zFDehnENapoléon, le crépuscule de l'Aigle : https://audmns.com/DcdnIUnUn Jour dans le Sport : https://audmns.com/xXlkHMHSous le sable des Pyramides : https://audmns.com/rXfVppvN'oubliez pas de vous y abonner pour ne rien manquer.Et si vous avez apprécié ce podcast, n'hésitez pas à nous donner des étoiles ou des commentaires, cela nous aide à le faire connaître plus largement. Distribué par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.
Eric Eastman, the Shrink of Drink, joins Gary, Allison, and Joel to discuss the psychological and sensory influences behind why we enjoy different types of beer. From nature versus nurture to sensory interaction, what makes your favorite brew, yours?Listen to Eric's podcast, MysterE's Mysteries: https://lnns.co/pd75mUR1IS-PATREONSupport the show! Get episodes 1 week early and bonus merch: patreon.com/respectingthebeerpodcastFACEBOOK GROUPGot a question about beer or just want to get social? Join the RtB Facebook group: https://www.facebook.com/groups/respectingthebeerEMAILGot a question? Email us at respectingthebeer@gmail.com--TIMELINE00:00 Welcome the Shrink of Drink01:42 The Science of Taste Preferences04:22 Persuasion in Beer Enjoyment07:35 The Role of Environment and Music12:27 The Language of Taste15:00 Blind Beer Tasting Experience15:51 Understanding Beer Sensory Perception16:32 The Just Noticeable Difference in Beer Tasting18:10 Training for Beer Tasting20:02 Comparing Beer and Wine21:23 The Influence of Social Norms on Taste22:29 The Most Expensive Beer in the World27:42 The Power of Visual Appeal in Beer30:09 Conclusion and Farewell--CREDITSHosts:Bobby FleshmanAllison McCoy-FleshmanGary ArdntMusic by Sarah Lynn HussRecorded & Produced by David KalsowBrought to you by McFleshman's Brewing Co
Un étrange prisonnier au masque de fer a vécu sous le Siècle de Louis XIV et mort au début du 18ème siècle, en 1703, à la Bastille. Mais c'est 50 ans plus tard que ce prisonnier devient légendaire. Grâce à un certain Voltaire qui a lui-même été emprisonné à la Bastille, publie un essai historique : « Le Siècle de Louis XIV ». Et Voltaire dévoile une bien curieuse histoire. Celle d'un prisonnier transféré par un gouverneur de prison, un certain M. de Saint-Mars, de Sainte-Marguerite, une prison sur une île de Provence à une cellule de la Bastille, à Paris. C'était en 1698. Revenons sur le mystère de l'homme au masque de fer, qui suscita tant de controverses, de romans, essais et films avec Jean-Christian Petitfils, l'auteur « Le masque de fer » (Editions Perrin) et Gorian Delpâture. Sujets traités : Masque, fer, Louis XIV, Bastille, Voltaire , prison, Sainte-Marguerite, mystère Laurence Ayrianoff Associée de production Merci pour votre écoute Un Jour dans l'Histoire, c'est également en direct tous les jours de la semaine de 13h15 à 14h30 sur www.rtbf.be/lapremiere Retrouvez tous les épisodes d'Un Jour dans l'Histoire sur notre plateforme Auvio.be :https://auvio.rtbf.be/emission/5936 Intéressés par l'histoire ? Vous pourriez également aimer nos autres podcasts : L'Histoire Continue: https://audmns.com/kSbpELwL'heure H : https://audmns.com/YagLLiKEt sa version à écouter en famille : La Mini Heure H https://audmns.com/YagLLiKAinsi que nos séries historiques :Chili, le Pays de mes Histoires : https://audmns.com/XHbnevhD-Day : https://audmns.com/JWRdPYIJoséphine Baker : https://audmns.com/wCfhoEwLa folle histoire de l'aviation : https://audmns.com/xAWjyWCLes Jeux Olympiques, l'étonnant miroir de notre Histoire : https://audmns.com/ZEIihzZMarguerite, la Voix d'une Résistante : https://audmns.com/zFDehnENapoléon, le crépuscule de l'Aigle : https://audmns.com/DcdnIUnUn Jour dans le Sport : https://audmns.com/xXlkHMHSous le sable des Pyramides : https://audmns.com/rXfVppvN'oubliez pas de vous y abonner pour ne rien manquer.Et si vous avez apprécié ce podcast, n'hésitez pas à nous donner des étoiles ou des commentaires, cela nous aide à le faire connaître plus largement. Distribué par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.
What happens when an artist watches the same show 84 times over three decades? Something magical emerges at the intersection of art, ritual, and the sacred.Captain Frodo and juggler Jay Gilligan dive deep into the fascinating psychology of repeated viewing, exploring why we'll happily listen to songs hundreds of times but typically see a live performance just once. This conversation challenges our cultural assumptions about consumption while revealing how each viewing of the same performance can uncover new layers of meaning, detail, and artistic intention.The discussion takes unexpected turns through the landscape of artistic development, questioning whether isolation or immersion best serves creative growth. Jay's incredible story of watching a VHS recording of Cirque du Soleil's Mystere daily for an entire year becomes a lens through which to examine ritual, meaning-making, and the spiritual dimensions of performance. When does a theatrical experience transcend entertainment and become something akin to church?For performers, this episode offers profound insights about taking your craft seriously, understanding your lineage, and finding depth in repetition. For audiences, it provides a new way of appreciating live performance—not as a one-time experience but as a potentially sacred ritual that rewards those who return with open hearts and curious minds.Whether you're a seasoned performer or simply someone who appreciates the magic of live entertainment, this conversation will transform how you think about the performances you create or witness. Captain Frodo's heartfelt reflections on the privilege of performing remind us all that great art isn't just what happens on stage—it's the invisible connection created between performer and audience that makes each moment unique, even when performing the same act for the thousandth time.Support the show...Now you can get t-shirts and hoodies with our wonderful logo. This is the best new way to suport the podcast project. Become a proud parader of your passion for Showmanship and our glorious Craft whilst simultanously helping to gather more followers for the Way.You'll find the store here: https://thewayoftheshowman.printdrop.com.auIf you want to help support this podcast it would be tremendous if you wrote a glowing review on iTunes or Spotify.If you want to contact me about anything, including wanting me to collaborate on one of your projects you can reach me on thewayoftheshowman@gmail.comor find out more on the Way of the Showman website.you can follow the Way of Instagram where it is, not surprisingly thewayoftheshowman.If you find it in you and you have the means to do so, you can suport the podcast financially at:https://www.buymeacoffee.com/captainfrodo
Send us a textEpisode 155Whipped Whiff of Cola…The boys dine on Pork Chops, Polenta and Fennel/Cabbage/Apple Slaw.Jimmy is a “Forever Forced Temperature Controlled Air” Guy, Johnny likes a Cool Breeze on Motorbike when it doesn't take a lot of effort and has Flag Updates, Friend of the Pod and Professional Fact Checker/Juggler Savant Jay Gilligan answers some burning questions about Mystere and RJ talks of Recidivism and T-Bones.Support the showhttps://2charactersandaclown.comhttps://www.buymeacoffee.com/2CandaC
When does unmasking the magic behind a theatrical masterpiece enhance rather than diminish its wonder? Join Captain Frodo and Jay Gilligan as they peel back the curtain on Cirque du Soleil's Mystere, revealing the fascinating evolution of this groundbreaking Las Vegas production over its remarkable 31-year run.Franco Dragone emerges as the passionate, sometimes volatile creative force who shaped Mystere through improvisation and emotional imagery rather than traditional storytelling. "I work with images and emotions," he would say, crafting scenes that resonated on a visceral level rather than an intellectual one. The conversation reveals how his creative vision about "the origins of the universe" translated into the show's iconic elements - from the giant inflatable snail named Alice to the baby with the red ball who captures audiences' imaginations.Behind every theatrical wonder lies human reality - sometimes beautiful, sometimes troubling. Dangerous falls from stilts in fog-slicked conditions, and the clown who was fired after cutting the wrong powerful man's necktie during a pre-show bit. Yet these stories don't diminish the magic; they highlight the extraordinary commitment required to create something that transcends ordinary entertainment.Most compelling is how Mystere has evolved while maintaining its essence. Original elements have been modified or removed, performers have changed countless times, and budget cuts have reduced the cast size. Today's performers bring new relationships and chemistry to characters that didn't previously interact, breathing fresh life into a production that refuses to become a museum piece. As Jay reflects, "It's the difference between making a movie and making a show...the show is happening actually for real, every night."Discover why meeting your heroes doesn't always destroy the mystery - sometimes it reveals something even more magical: that ordinary people, through extraordinary dedication, can create experiences that continue to resonate with audiences for decades. Subscribe now for our final episode on Mystere, where we'll explore what we can learn from knowing one thing deeply.Support the show...Now you can get t-shirts and hoodies with our wonderful logo. This is the best new way to suport the podcast project. Become a proud parader of your passion for Showmanship and our glorious Craft whilst simultanously helping to gather more followers for the Way.You'll find the store here: https://thewayoftheshowman.printdrop.com.auIf you want to help support this podcast it would be tremendous if you wrote a glowing review on iTunes or Spotify.If you want to contact me about anything, including wanting me to collaborate on one of your projects you can reach me on thewayoftheshowman@gmail.comor find out more on the Way of the Showman website.you can follow the Way of Instagram where it is, not surprisingly thewayoftheshowman.If you find it in you and you have the means to do so, you can suport the podcast financially at:https://www.buymeacoffee.com/captainfrodo
Martin Mystere 421 "Nemico del popolo", scritto da Francesco Matteuzzi, disegnato da Gino Vercelli, edito dalla Sergio Bonelli Editore.Mi trovi anche su Instagram www.instagram.com/fumetti.e.dintorni/Se ti piace il mio podcast, offrimi un caffè https://www.buymeacoffee.com/fumettiedintorniQui c'è il mio piccolo mercatino su Subito https://www.subito.it/utente/16653861E qui quelloVinted https://www.vinted.it/member/#fumettiedintorni #fumettiitaliani #fumettoitaliano #fumetti #fumetto #comicbook #manga #martinmystere #mistero #fakenews #deepfake #thriller #francescomatteuzzi #ginovercelli #sergiobonellieditore #sbe #bonelli
Step into the enchanting world of "Mystere," where the lines between circus, theater, and artistry blur into an unforgettable experience. In this episode, we unfold the remarkable story behind one of the Cirque du Soleil's most iconic productions, exploring how it reshaped modern entertainment. Listen as we discuss its innovative approach to storytelling, the emotional depth of its performances, and the sheer magic that captivates audiences worldwide.Join us as we dive deep into the show's creative vision, led by Franco Dragone and his team, who broke barriers to redefine the circus landscape. Mystere invites viewers on a journey, appealing to the senses and challenging preconceived notions of performance art through stunning visuals and dynamic storytelling. We share insights on the unique challenges performers face within the show, discovering how anonymity and collective identity play a crucial role in their craft.The episode also touches on the impact of technology in enhancing audience interaction and expectations of live performances. We reflect on the show's enduring legacy, how it paved the way for future productions, and its evolution over the years. Whether you're a circus enthusiast or new to the world of performance arts, you won't want to miss this fascinating exploration! You'll gain valuable insights into the deeper meanings woven into every act. Be part of this journey and share your own experiences with us! Don't forget to subscribe or leave a review!Support the show...Now you can get t-shirts and hoodies with our wonderful logo. This is the best new way to suport the podcast project. Become a proud parader of your passion for Showmanship and our glorious Craft whilst simultanously helping to gather more followers for the Way.You'll find the store here: https://thewayoftheshowman.printdrop.com.auIf you want to help support this podcast it would be tremendous if you wrote a glowing review on iTunes or Spotify.If you want to contact me about anything, including wanting me to collaborate on one of your projects you can reach me on thewayoftheshowman@gmail.comor find out more on the Way of the Showman website.you can follow the Way of Instagram where it is, not surprisingly thewayoftheshowman.If you find it in you and you have the means to do so, you can suport the podcast financially at:https://www.buymeacoffee.com/captainfrodo
Martin Mystere 420 "Il ballo dei morti", scritto da Gianmaria Contro, disegnato da Alfredo Orlandi, edito dalla Sergio Bonelli Editore.Mi trovi anche su Instagram www.instagram.com/fumetti.e.dintorni/Se ti piace il mio podcast, offrimi un caffè https://www.buymeacoffee.com/fumettiedintorniQui c'è il mio piccolo mercatino su Subito https://www.subito.it/utente/16653861E qui quelloVinted https://www.vinted.it/member/216819894
Today on the 5: Over the weekend I came across a movie that has an interesting angle in being a blend of a giallo and a spy thriller. The title of the movie is Dagger Eyes, and it managed to merge two styles I didn't think would work well together in a really fun way.
Martin Mystere 419 "La stanza 217", scritto da Gianmaria Contro, disegnato da Alfredo Orlandi, edito dalla Sergio Bonelli Editore. Mi trovi anche su Instagram www.instagram.com/fumetti.e.dintorni/ E qualcosa la trovi anche su TikTok https://www.tiktok.com/@fumettiedintorni Se ti piace il mio podcast, offrimi un caffè https://www.buymeacoffee.com/fumettiedintorni Qui c'è il mio piccolo mercatino su Subito https://www.subito.it/utente/16653861 E qui quello Vinted https://www.vinted.it/member/216819894
Dans la nuit glaciale de Noël 1945, à Fayetteville, en Virginie-Occidentale, un incendie ravage la maison de la famille Sodder. Alors que les flammes s'éteignent, un mystère persiste : cinq des dix enfants Sodder semblent avoir disparu sans laisser de traces.Merci à Evann Loget Raymond et Noémie Dournaud pour le générique.Loik Bredolese : All the regretsMyuu : Hold OnMerci à tous nos auditeurs pour votre fidélité et merci de nous avoir accompagnés pendant ces 4 années. Hébergé par Ausha. Visitez ausha.co/politique-de-confidentialite pour plus d'informations.
L'Inaudible a 19 ans : Le Volume 1 Pink Floyd Project : Flashmob Jon Mattox Covers : Bohemian Rhapsody classique Basket Case façon Beatles Marimbros : Star Wars Maryanne Muglia Sons zarbi : L'homme orchestre Flûte à bec contrebasse Les baudruches du MozART Group Jacob Collier fait pleuvoir L'ondioline : Just can't get enough Demo par Georges Jenny Ondioline track Jean-Jacques Perrey & son ondioline Trucs en vrac : Billie Jean on the storm Queen Bossa-Nova Marcelo Kimura : Blackbird Romain Vuillemin sur la Chaîne Guitare 500 notes Poly Tempo Pendulum Wave Poly Tempo Phasing explained Steve Reich : Piano Phase La +BCdM : Amy Winehouse : Valerie Live at the BBC Acoustic live par The Zutons - Teddy Swims - Joseph Solomon - AnnenMayKantereit & Nataly Findlay Jean Yanne : J'aime pas l'rock La Playlist de la +BCdM : sur le Tube à Walter sur Spotify (merci John Cytron) sur Deezer (merci MaO de Paris) sur Amazon Music (merci Hellxions) et sur Apple Music (merci Yawourt) Vote pour la Plus Belle Chanson du Monde Le son mystère (40'37) : Todo Casi Bien : Elvis without music Mario Wienerroither avec : Cirbafe Aude Winny Taniguchi Pincho Causmic Beast merci à : Stéphane Didier Pierre Journel Pop goes the WZA Podcasts & liens cités : La Chaîne Guitare Tumyxo saison 2 : récit au jour le jour Walter sur BlueSky Walter sur Mastodon Walter sur Instagram Les 100 +BCdM Le générique de fin est signé Cousbou
Martin Mystere 418 "Ultimatum di Natale", scritto da Enrico Lotti e Alessandro Mainardi, disegnato da Valentino Forlini e Max Avogadro, edito dalla Sergio Bonelli Editore. Mi trovi anche su Instagram www.instagram.com/fumetti.e.dintorni/ E qualcosa la trovi anche su TikTok https://www.tiktok.com/@fumettiedintorni Se ti piace il mio podcast, offrimi un caffè https://www.buymeacoffee.com/fumettiedintorni Qui c'è il mio piccolo mercatino su Subito https://www.subito.it/utente/16653861 E qui quello Vinted https://www.vinted.it/member/216819894
EST IL POSITIF ETRE SUGGESTIONES?https://claudiosaracino.com/prodotto/...#hypnose #secret #mystere
Martin Mystere 417 "Crossover", scritto da Adriano Barone, disegnato da Giulio Giordano e Salvatore Cuffari, edito dalla Sergio Bonelli Editore. Mi trovi anche su Instagram www.instagram.com/fumetti.e.dintorni/ E qualcosa la trovi anche su TikTok https://www.tiktok.com/@fumettiedintorni Se ti piace il mio podcast, offrimi un caffè https://www.buymeacoffee.com/fumettiedintorni Qui c'è il mio piccolo mercatino su Subito https://www.subito.it/utente/16653861 E qui quello Vinted https://www.vinted.it/member/216819894
AS TU DES DOUTES SUR TON ESPRIT ET SON DESTIN?téléchargez l'audio DCS: ZERO PASSE NEGATIFhttps://claudiosaracino.com/prodotto/...#hypnose #secret #mystere
Elbow a dévoilé "Adriana Again" un nouveau single surprise ‘'avec des guitares à la Black Sabbath''. Brian May est l'invité inattendu de "You Made Your Bed", la nouvelle vidéo de Talia Dean, ancienne candidate de X-Factor. David Gilmour a fait escale au Tonight Show pour interpréter son nouveau titre "Dark and Velvet Nights". --- Classic 21 vous informe des dernières actualités du rock, en Belgique et partout ailleurs. Le Journal du Rock, en direct chaque jour à 7h30 et 18h30 sur votre radio rock'n'pop. Merci pour votre écoute Plus de contenus de Classic 21 sur www.rtbf.be/classic21 Ecoutez-nous en live ici: https://www.rtbf.be/radio/liveradio/classic21 ou sur l'app Radioplayer BelgiqueRetrouvez l'ensemble des contenus de la RTBF sur notre plateforme Auvio.be Et si vous avez apprécié ce podcast, n'hésitez pas à nous donner des étoiles ou des commentaires, cela nous aide à le faire connaître plus largement. Découvrez nos autres podcasts : Le journal du Rock : https://audmns.com/VCRYfsPComic Street (BD) https://audmns.com/oIcpwibLa chronique économique : https://audmns.com/NXWNCrAHey Teacher : https://audmns.com/CIeSInQHistoires sombres du rock : https://audmns.com/ebcGgvkCollection 21 : https://audmns.com/AUdgDqHMystères et Rock'n Roll : https://audmns.com/pCrZihuLa mauvaise oreille de Freddy Tougaux : https://audmns.com/PlXQOEJRock&Sciences : https://audmns.com/lQLdKWRCook as You Are: https://audmns.com/MrmqALPNobody Knows : https://audmns.com/pnuJUlDPlein Ecran : https://audmns.com/gEmXiKzRadio Caroline : https://audmns.com/WccemSkAinsi que nos séries :Rock Icons : https://audmns.com/pcmKXZHRock'n Roll Heroes: https://audmns.com/bXtHJucFever (Erotique) : https://audmns.com/MEWEOLpEt découvrez nos animateurs dans cette série Close to You : https://audmns.com/QfFankx
Eric Eastman, aka MysterE, returns to reveal more beer psychology mysteries to Gary and Bobby. They discuss how scarcity can drive sales, how bad we are at blind tasting, and Eric consults on the psychological experience of McFleshman's taproom.Listen to MysterE's Mysteries in your favorite podcast player: https://lnns.co/pd75mUR1IS-PATREONJoin for free to get social and get exclusive content: patreon.com/respectingthebeerpodFACEBOOK GROUPGot a question about beer or just want to get social? Join the RtB Facebook group: https://www.facebook.com/groups/respectingthebeerEMAILGot a question? Email us at respectingthebeer@gmail.com--TIMELINE00:00 MysterE... Part 2!00:13 The Psychology of Overconfidence in Beer Tasting01:09 The Concept of Just Noticeable Difference02:41 The Influence of Price and Scarcity on Consumer Choice05:36 The Nightclub Effect: Exclusivity in Beer Culture07:03 The Evolution of Brand Loyalty in the Beer Industry08:35 Parallels Between Beer and Music09:07 Reflecting on the Fest Beer Experience09:35 The Digital Age VS Real-Life Experiences11:05 The Magic of Contextual Experiences13:24 Psychological Insights for Beer Marketing15:55 Building a Community-Centric Brew Pub at McFleshman's18:06 Innovative Design and Psychology in Action: The Lemming Effect19:34 The Stairs Were Gary's Idea--CREDITSHosts:Bobby FleshmanAllison McCoy-FleshmanGary ArdntMusic by Sarah Lynn HussRecorded & Produced by David KalsowBrought to you by McFleshman's Brewing Co
Eric Eastman joins Gary and Bobby for a rowdy round of psychology and beer. Find out why you're just like Pavlov's dogs, why beer tastes different depending on what bar you're in, and much more. Listen to MysterE's Mysteries in your favorite podcast player: https://lnns.co/pd75mUR1IS-PATREONJoin for free to get social and get exclusive content: patreon.com/respectingthebeerpodFACEBOOK GROUPGot a question about beer or just want to get social? Join the RtB Facebook group: https://www.facebook.com/groups/respectingthebeerEMAILGot a question? Email us at respectingthebeer@gmail.com--TIMELINE00:00 Introducing MysterE's Mysteries: Eric Eastman!01:07 Psychology of Beer: Mere Exposure Effect03:28 Regional Beer Preferences and Familiarity06:36 Explorers vs. Traditionalists in Beer Choices07:43 Generational Differences in Beer Consumption09:33 The Influence of Social Circles on Beer Choices10:23 The Role of Bartenders in Shaping Beer Experiences11:03 Psychological Phenomena and Beer Perception11:43 The Bachelor Effect: Emotional Ties to Beer15:25 Associative Learning and Beer Enjoyment18:33 The Science Behind Beer and Food Consumption19:52 Designing the Perfect Beer Experience21:12 Conclusion and Next Steps--CREDITSHosts:Bobby FleshmanAllison McCoy-FleshmanGary ArdntMusic by Sarah Lynn HussRecorded & Produced by David KalsowBrought to you by McFleshman's Brewing Co
RJ Owens flies into The Churn, excited about a renewed hobby. Mystere celebrates its 14,000th performance. Paul and RJ regale us with their melodious mouth sounds. Plus, a Halloween-themed Scoopardy!
RJ Owens flies into The Churn, excited about a renewed hobby. Mystere celebrates its 14,000th performance. Paul and RJ regale us with their melodious mouth sounds. Plus, a Halloween-themed Scoopardy!
Martin Mystere 415 "Immagini viventi", scritto da Giovanni Eccher, disegnato da Michela Da Sacco, edito dalla Sergio Bonelli Editore. Mi trovi anche su Instagram www.instagram.com/fumetti.e.dintorni/ E qualcosa la trovi anche su TikTok https://www.tiktok.com/@fumettiedintorni Se ti piace il mio podcast, offrimi un caffè https://www.buymeacoffee.com/fumettiedintorni Qui c'è il mio piccolo mercatino su Subito https://www.subito.it/utente/16653861 E qui quello Vinted https://www.vinted.it/member/216819894
Come with us to St. Mystere as we attempt to uncover mysterious galore! On this first time public release of co-op Episode 12, Conner sits down with fan favorite Allie Jennings and future favorite Connor Arakaki to discuss the Nintendo DS standout, Professor Layton and the Curious Village. This puzzle solving animated adventure is an absolute delight, enjoy! Apologies for the audio quality. We had some CPU issues causing Conner's original file to disappear completely, so this is pulled from our Zoom meeting. If only it were just a puzzle from the game. Show Notes Connor Arakaki - Twitch - Reactivaders podcast Allie Jennings - P.S. I Love Rom Coms podcast Conner McCabe – Bluesky - Twitter – Twitch Produced, Edited, and Original music by Jeremy Schmidt – Video Games: a Comedy Show Call Me By Your Game – Instagram – Twitter - Bluesky – YouTube - TikTok Super NPC Radio – Patreon - Discord- Bluesky - Twitter – Instagram – Twitch
What is it with Cirque du Soleil and Vegas? Ever since Steve Wynn invited Mystere to set up shop at Treasure Island in 1993, the French-Canadian circus brand that has made absurdity its trademark has become an inextricable part of Vegas entertainment. As of this writing, there are 5 Cirque du Soleil shows that call Vegas home (6, if you count the Cirque-owned, but not Cirque-developed, Blue Man Group) and there have been a total of 11 Cirque shows that have had permanent runs in Las Vegas. Some of them had shorter runs than others... Come aboard, we're expecting you... Kà was the fourth Cirque du Soleil show developed for the Las Vegas market, and it has the distinction of being the first Cirque show to tell a cohesive narrative. If you've never seen a Cirque du Soleil show: most Cirque shows have a theme but not a narrative. Mad Apple is themed after New York City. “O” is themed after water. I've read that Mystere is themed after “the origins of human life and our connection with the universe,” so you know, someone smoked a lot of weed. The story is fairly simple, but I do think people need to know the basics of it before they see the show. Compared to the current iteration of Awakening (which now practically serves up the entire story to the audience on a silver platter) Kà's narrative works best if you know the story notes going in. A twin brother and sister are part of a tribe that gets attacked by bad guys. The twins are separated and most find their way back together and also save their people. Each twin kind of goes through their own rite of passage on their journey before they are reunited and save their people. The massive sandcliff deck. Let's talk about the tech behind Kà. Kà is an absolute technological marvel. It doesn't have a proper stage floor, it just has an open pit that is full of various nets and airbags for the performers. Instead, there are two moving stages that are so massive and heavy that Cirque had to go outside of the theater industry and turned to Timberland Equipment, a company that normally builds mining equipment, to build their moving support structures. In one scene, one of the moving platforms is covered with 350 cubic feet of “granular cork” imported from Portugal to simulate sand on a beach. At one point in the show, the larger sandcliff deck has these pegs that stick out of it. As they are supposed to look like arrows shot onto the surface, they pop out of the deck very fast. But the performers have to climb using these pegs, so there are dual safety features incorporated into the pegs. First, they won't shoot out if anything is blocking them, and second, they won't go back in if there's any kind of weight on them. I could go on and on. Kà has won awards for its technical achievements in theater. I even read somewhere that it was the most expensive theatrical production ever made, but I couldn't corroborate that anywhere. This machine makes french fries 3 different ways! Of course, all the technology in the world doesn't necessarily give you an entertaining experience (Take notes, Avatar: The Way of Water). I'm happy to report that Kà is indeed an extremely entertaining experience, and one of the Cirque shows that I have enjoyed the most. I'm always looking for a narrative, so the fact that this show has one helps that enjoyment immensely. That being said, I recommend buying a program or at least reading through the show's wikipedia page so that you can get a basic understanding of the story beats and recognize what's happening. Like any well-told story, the show does a good job of varying the pace. There are intense action sequences and there are peaceful pas de deux. You have, of course, your typical array of Cirque acrobatics, some of which even takes place in the wings on either side of the stage. I recommend you arrive for your seats about 20 minutes early, as there is some pre-show action to enjoy. I really enjoyed the final battle, in which the sandcliff deck is positioned vertically. The performers, suspended from the ceiling, move up and down the face of the sandcliff deck, and it gives the illusion that you are watching the battle from above, like a top-down video game. You'll never guess who farted in the Wheel of Death. Like many Cirgue shows, you don't want to sit too close. We sat in the center. There's a walkway that runs through the theater separating the front sections from the rear sections, and we sat in the second row back from the walkway, and our views were perfect. Each seat is very comfortable and has its own pair of speakers for excellent sound. No outside food is allowed, but drinks can be purchased or brought in if transferred to disposable cups which are available. Audience fuckery is pretty minimal. No one is pulled up onstage, but a performer did hiss at us from the half-wall in front of our section before the show. We got a laugh out of it. There are two shows five nights a week (Saturday through Wednesday). Tickets start as low as $74.
Le 4 décembre 1926, au petit matin, la célèbre romancière Agatha Christie disparaît mystérieusement dans le Surrey. Le lieutenant Pierce Morgan, habituellement confronté à des affaires banales, se retrouve face à une énigme de taille. La dernière trace d'Agatha conduit à Silent Pool, un étang connu pour ses phénomènes étranges. Enlèvement, meurtre, ou simple accident ? Découvrez comment la reine du crime devient le centre d'une des disparitions les plus troublantes du XXe siècle. Merci pour votre écoute Retrouvez l'ensemble des épisodes de l'Heure H sur notre plateforme Auvio.be : https://auvio.rtbf.be/emission/22750 Et si vous avez apprécié ce podcast, n'hésitez pas à nous donner des étoiles ou des commentaires, cela nous aide à le faire connaître plus largement.
We hang upside from a trapeze for 5 minutes to see this show. On the Annie to Endgame Theatre Difficulty scale, this show is as challenging as Mystere. West Coast premiere A production by The 7 Fingers Directed by Shana Carroll Originally produced and created in collaboration with Virgin Voyages The triumphant return of the company that brought Globe audiences last summer's smash hit Passengers. Love, honor, and betrayal come to life through a blend of acrobatics, theatre, and music in this one-act romp perfect for all ages. Two feuding families engage in a battle of skill, each competition more daring than the last. While the two groups face off, cheered on by their side of the audience, a pair of star-crossed lovers struggles to escape the showdown. The exhilaration and danger of competition provide the thrilling backdrop to The 7 Fingers's one-of-a-kind daredevil theatrical extravaganza.
This week we cover Godzilla Minus One, Back to Black, Castlevania, Evil, Mystere, Hacks, and Last Vegas. Andrew and Lauren are both in the house with Kevin this week and they have a lot of ground to cover. You know who else covers a lot of ground? Godzilla!! The big guy suddenly dropped on Netflix this week and Kevin jumped at the chance to watch it with his kids. Andrew had already seen it, but that doesn't mean a rehash is a bad thing... This movie rocks, so go watch it ASAP. Next up, Lauren talks about the new Amy Winehouse biopic, Back to Black. it got pretty rough reviews from the critics but audiences seem to like it a lot more, and so did Lauren. There is a lot of interesting story to be told, especially for those of us who didn't follow Amy in the tabloids. Andrew takes us to anime land with the Netflix series' Castlevania and Castlevania Nocturne. The original series is pretty fantastic. The newer series, Nocturne, didn't come in as hot as the original, but ends on a high note that left Andrew salivating for season 2. Because the church is a hot topic in Castlevania, Kevin jumps on that train to talk about Evil, a Paramount+ series about a team of investigators hired by the church to evaluate demonic possessions and other oddities. It's a fun horror-adjacent show that is getting rave reviews from critics, so of course it's been cancelled by Paramount. *facepalm* Because Lauren spent the last week in Vegas, she saw the Cirque Du Soleil show, Mystere, which she thoroughly enjoyed. And because she was talking about Vegas and residencies, Kevin once again jumps on the train and talks about season 3 of Hacks on HBO. This show is absolutely fantastic and everyone should be watching it! Lauren sticks with Vegas to close the show, with the film last Vegas. It's a fun, old man version of The Hangover. Well, not quite, but you get it. It's fun but not great, but worth a watch for the cast if nothing else. As always, thank you for watching. If you haven't already, don't forget to Like & Subscribe. We love new viewers! Also, leave us comments and let is know how we are doing and what we can be doing better. Enjoy the episode and have a great week! Facebook: @apncpodcast Twitter: @APNCPodcast Instagram: AllPopNoCulture
Episode 2 : Des flingues de concours Dans l'idée générale, le roman noir est une création américaine de l'Entre-Deux Guerre. Dans les faits, son invention sur le continent européen est aussi le résultat d'une histoire bien française, au carrefour d'influences littéraires, de circonstances éditoriales et d'essor cinématographique. Dans son livre « Le Roman Noir : une historie française » (PUF), Natacha Levet relève la généalogie de cette littérature des excès qui de la fin du 19e à la fin du 20e siècle, a semé dans ses pages le mystère, la mort, le sexe, un argot savoureux, une critique sociale et politique redoutable. Sujets traités : roman Noir, France, littérature, mystère, mort, sexe, argot , politique Merci pour votre écoute Un Jour dans l'Histoire, c'est également en direct tous les jours de la semaine de 13h15 à 14h30 sur www.rtbf.be/lapremiere Retrouvez tous les épisodes d'Un Jour dans l'Histoire sur notre plateforme Auvio.be : https://auvio.rtbf.be/emission/5936 Et si vous avez apprécié ce podcast, n'hésitez pas à nous donner des étoiles ou des commentaires, cela nous aide à le faire connaître plus largement.
Episode 1 : Aux racines du Noir Dans l'idée générale, le roman noir est une création américaine de l'Entre-Deux Guerre. Dans les faits, son invention sur le continent européen est aussi le résultat d'une histoire bien française, au carrefour d'influences littéraires, de circonstances éditoriales et d'essor cinématographique. Dans son livre « Le Roman Noir : une histoire française » (PUF), Natacha Levet relève la généalogie de cette littérature des excès qui de la fin du 19e à la fin du 20e siècle, a semé dans ses pages le , savoureux, une critique sociale et politique redoutable. Une séquence réalisée par Nicolas Bogaerts Sujets traités : Noir, roman, roman noir, Entre-Deux Guerre, littérature, mystère, mort, sexe, argot, politique Merci pour votre écoute Un Jour dans l'Histoire, c'est également en direct tous les jours de la semaine de 13h15 à 14h30 sur www.rtbf.be/lapremiere Retrouvez tous les épisodes d'Un Jour dans l'Histoire sur notre plateforme Auvio.be : https://auvio.rtbf.be/emission/5936 Et si vous avez apprécié ce podcast, n'hésitez pas à nous donner des étoiles ou des commentaires, cela nous aide à le faire connaître plus largement.
Nous sommes le 4 juin 1919. Dans un rapport de police destiné au président du Conseil italien, Vittorio Emanuele Orlando, à propos de celui qui, trois mois plus tôt, a fondé, à Milan, le mouvement politique, les « Faisceaux de combat », futur noyau de son Parti national fasciste, à propos de Benito Mussolini donc, on peut lire ceci : « Il est très intelligent, circonspect, calculateur, indifférent à l'argent si ce n'est pour corrompre ; mais également sensuel, émotif, vindicatif, dévoré par l'ambition. Il veut dominer, convaincu de représenter une force essentielle dans le destin de l'Italie, et n'acceptera jamais de jouer les seconds rôles. » Plus tard, à l'issue d'un dîner d'Etat offert, au premier ministre grec, par le Duce, un témoin décrira la scène ainsi : » « Mussolini rigide, distant, en face de lui, mangeait à peine et ne souriait jamais, ignorant les dames à sa droite ou à sa gauche. L'impression était celle d'une timidité instinctive devant des circonstances inhabituelles. Il regardait devant lui et ne savait pas où mettre ses mains. Son manque de naturel était évident. » Qui était Benito Mussolini ? Un dictateur pacifique, Un épurateur insensible mais conciliateur avec le ? Un réformateur et conservateur ivre de conquêtes et avide de reconnaissance ? Un démagogue populiste, le torse bombé, le menton en avant tel que figuré par Charlie Chaplin dans son film « Le dictateur » ? Tentons de percer le mystère… Invité : Maurizio Serra, auteur de «Le mystère Mussolini » aux éditions Perrin. Sujets traités : Benito Mussolini, Milan, parti, national, fasciste, Hitler, dictateur, Vatican, réformateur, conservateur, mystère Merci pour votre écoute Un Jour dans l'Histoire, c'est également en direct tous les jours de la semaine de 13h15 à 14h30 sur www.rtbf.be/lapremiere Retrouvez tous les épisodes d'Un Jour dans l'Histoire sur notre plateforme Auvio.be : https://auvio.rtbf.be/emission/5936 Et si vous avez apprécié ce podcast, n'hésitez pas à nous donner des étoiles ou des commentaires, cela nous aide à le faire connaître plus largement.
Le 28 mai 1828, Kaspar Hauser arrive sur la place De Nuremberg en Allemagne. On lui donne environ 16 ans et il a passé la majeure partie de sa vie enfermé dans une cave obscure sans aucun contact avec la société humaine. Qui est cet enfant et pourquoi l'a-t'on caché si longtemps? Quelles conséquences sur son développement et comment a-t'il pu par la suite trouver une place dans la société? L'histoire de Kaspar Hauser vous est racontée par Régine Dubois avec l'expertise d'Hervé Mazurel, historien des affects et des imaginaires, auteur de "Kaspar l'Obscur ou l'enfant de la nuit" aux éditions La Découverte. Avec les voix de Bernard Yerlès, Lucie de Grom et Babette Verbeek pour les illustrations. Sujets traités : enfant sauvage, hervé mazurel, kaspar hauser, histoire, sensibilité, émotions, enigme, mystère, bernard yerles, Nuremberg Merci pour votre écoute Un Jour dans l'Histoire, c'est également en direct tous les jours de la semaine de 13h15 à 14h30 sur www.rtbf.be/lapremiere Retrouvez tous les épisodes d'Un Jour dans l'Histoire sur notre plateforme Auvio.be : https://auvio.rtbf.be/emission/5936 Et si vous avez apprécié ce podcast, n'hésitez pas à nous donner des étoiles ou des commentaires, cela nous aide à le faire connaître plus largement.
2 Characters and A Clown's Jimmy Slonina in churn to talk about podcast mic tech, mouth sounds, and how do you get cancelled when you need to. Jimmy talks about a recent curfuffle at Mystere as Matt recalls being terrible for that show. Scoopmail and Jock Vs Nerd Scoopardy Trivia.
DUTILLEUX: L'Arbre des songes (24.31). I. Stern (vl.), Orq. Nac. de Francia. Dir.: L. Maazel. Mystere de l'instant (17.11). Orq. de Cámara de Laussane. Dir.: H. Holliger. Blackbird (1.28). Bergerie (1.08). R. Levin (p.).Escuchar audio
Il est 6h du matin lorsque l'Officier Harold J. Brix effectue le comptage des prisonniers du bloc cellulaire dont il a la charge. Le détenu Frank Morris semble avoir le sommeil très lourd ce matin-là. Pas question de grasse matinée, dans la prison la plus dure des États-Unis. Le gardien frappe sur les barreaux avec sa longue matraque pour réveiller ce prisonnier. Son immobilisme défie toutes les règles du pénitencier qui, depuis son ouverture 30 ans plus tôt, a maté plus d'une forte tête. Harold J. Brix, fou de rage, fait ouvrir la cellule pour asséner un violent coup de matraque sur le crâne du détenu. Sous le coup, la tête de Frank Morris roule sur le sol de la cellule… Une tête qui en fin de compte ne ressemble que vaguement à celle du prisonnier. Mais l'important n'est pas là. Faite de chiffons, de plâtre et de papier, elle a parfaitement rempli son rôle. Le gardien prendra de nombreuses secondes avant de réaliser la situation et mettre, d'une main tremblante, son sifflet à la bouche pour donner l'alerte ! Il ne manque pas un, mais bien trois prisonniers à l'appel. Nous sommes le 12 juin 1962 à la prison la plus sécurisée et la plus redoutable des États-Unis. Le soleil se lève sur Alcatraz. Il est 6 heures du matin, c'est l'heure H de mon histoire. Merci pour votre écoute Retrouvez l'ensemble des épisodes de l'Heure H sur notre plateforme Auvio.be : https://auvio.rtbf.be/emission/22750 Et si vous avez apprécié ce podcast, n'hésitez pas à nous donner des étoiles ou des commentaires, cela nous aide à le faire connaître plus largement.
Le Bleu de France. Voilà des années qu'il le cherche. Paul Miette, un as du cambriolage, se penche au-dessus du précieux trésor. Le souffle de son haleine fétide recouvre la pierre d'une légère buée. D'un bleu étincelant, elle l'hypnotise à l'instant même où il pose ses yeux sur elle. C'est l'effet qu'elle procure à quiconque à l'audace de l'approcher, et ce, depuis un peu plus d'un siècle. Celle qui fût arrachée au front d'une déesse, revendue à prix d'or au Roi-Soleil en personne, ne cesse depuis de crier vengeance. Ceux qui ont l'occasion d'effleurer du doigt sa magnifique composition ne le font jamais par hasard. C'est elle qui les choisit. N'allez surtout pas croire que Miette se trouve là par hasard ! Alors que la Révolution française bat son plein et que la guillotine sera bientôt actionnée à tour de bras, il vient de forcer les portes du Garde-Meuble royal, au cœur de Paris. Au nez et à la barbe de tous les soldats révolutionnaires qui se pressent sur la place de la Révolution toute proche. Lui et sa bande de complices ressemblent à l'équipage de Barbe-Noire après une bataille menée contre les soldats de sa Majesté le roi d'Angleterre. Les bottes pleines de boue, le bandit édenté reste planté au beau milieu de la caverne d'Ali Baba. Lentement, il ouvre le sac qu'il porte en bandoulière, se saisit délicatement du joyau, et vient le fourrer au fond. Il n'y pas un seul garde pour surveiller cet endroit qui contient tant de richesses. Le Bleu de France ne sera pas le seul à disparaître ce soir. Oh non, toutes les autres célèbres pierres vont suivre. Le Régent, le Sancy, le Miroir du Portugal, le Pitt… Toutes vont s'évaporer dans la froide nuit de fin d'été. Nous sommes le 11 septembre 1792, il pleut sur Paris. Il est 22h45 et c'est l'heure H de mon histoire. Merci pour votre écoute Retrouvez l'ensemble des épisodes de l'Heure H sur notre plateforme Auvio.be : https://auvio.rtbf.be/emission/22750 Et si vous avez apprécié ce podcast, n'hésitez pas à nous donner des étoiles ou des commentaires, cela nous aide à le faire connaître plus largement.
Avec le Père Nicolas Sautereau, selon l'enseignement du Père Louis Bouyer
Atlantique nord, un début d'après-midi d'hiver. Le soleil, aujourd'hui, a décidé de ne pas se lever. La brume est tombée sur l'horizon à la vitesse d'un faucon chassant sa proie. Nous sommes sur un navire dont le pont, humide et glissant, est des plus dangereux pour les marins qui s'affairent dans les cordages et à la poupe. Le Dei Gratia, c'est le nom de ce cargo qui fend les vagues et l'écume, est dirigé par un capitaine respecté de la Navy. Il s'appelle David Morehouse. Il est dans la fleur de l'âge, et son œil est si perçant qu'on pourrait presque croire qu'il est un fils de Neptune. C'est d'ailleurs ce que pensent certains de ses hommes, à n'en pas douter, lorsqu'on observe les regards emplis d'admiration qui se posent sur l'élancé gaillard. Le temps, quand il est changeant, cependant, commence à lui donner des rhumatismes. Aux mains, surtout. Son rôle est de vérifier que tout se passe convenablement. Malgré le brouillard si épais qu'il pourrait en son sein dissimuler les pires démons des mers, Morehouse se décide à sortir de sa torpeur. Dans un grincement strident, la porte de sa cabine s'ouvre et sa silhouette, immense, attire immédiatement l'attention de l'équipage. Nous sommes le mercredi 4 décembre 1872, les vents se lèvent sur l'Atlantique nord, il est un peu avant 13 heures, et c'est l'heure H, de mon histoire. Merci pour votre écoute Retrouvez l'ensemble des épisodes de l'Heure H sur notre plateforme Auvio.be : https://auvio.rtbf.be/emission/22750 Et si vous avez apprécié ce podcast, n'hésitez pas à nous donner des étoiles ou des commentaires, cela nous aide à le faire connaître plus largement.
Pour voir la photo, écouter ces épisodes mystère et lire la transcription, accompagnée de notes utiles pour tout comprendre, clique ci-dessous et connecte-toi à ton compte privé : 92. Sujet mystère partie 1 : https://ko-fi.com/post/92-Episode-mystere--partie-1-X8X8Q3E5Y?justpublished=true&alias=92-Episode-mystere--partie-1-X8X8Q3E5Y 93. Sujet mystère partie 2 : https://ko-fi.com/post/93-Sujet-mystere-partie-2--Episode-prive-W7W1QBEY2 Deviens membre pour accéder à toutes les ressources exclusives, aux transcriptions et aux épisodes privés passés et futurs : https://ko-fi.com/thefrenchinstinct/tiers Garde la motivation en rejoignant ma communauté Discord : réagis aux épisodes, donne-moi ton avis sur ce que je crée pour toi, suis le travail en cours et mes stories du quotidien. Pour être informé des nouveautés ou me contacter par mail, inscris-toi à mon info-bulle (ma newsletter) : https://thefrenchinstinct.fr/ Tu veux parler français avec authenticité et naturel, être capable de t'exprimer de façon plus spontanée sur des sujets qui te tiennent à cœur et de te sentir vraiment toi-même quand tu parles français ? Tu veux que ton apprentissage du français ait du sens pour toi et t'apporte quelque chose de plus, utiliser des ressources inspirantes et t'investir dans des échanges humains enrichissants en utilisant la langue comme un outil de communication, loin des clichés ? Tu veux devenir un meilleur apprenant de français, progresser davantage et avec plaisir sans devoir passer beaucoup de temps sur la grammaire ni faire des exercices répétitifs et acquérir le français plus naturellement ? J'aide les apprenants de français de niveaux intermédiaire et avancé à parler avec naturel et à progresser avec plaisir en donnant un vrai sens à leur apprentissage. J'ai créé The French Instinct car je constate que trop de personnes qui ont appris ou apprennent le français ont des difficultés à s'exprimer vraiment spontanément, à comprendre les natifs et à se perfectionner parce qu'elles apprennent selon des méthodes très théoriques qui présentent une langue et une culture standardisées vides d'authenticité, d'émotions et de sens. C'est difficile de dépasser le niveau intermédiaire et de continuer à se perfectionner même à un niveau avancé. Avec The French Instinct, tu retrouveras l'inspiration et tu garderas la motivation. Si tu as un niveau intermédiaire voire avancé en compréhension écrite et que tu peux te faire comprendre facilement à l'oral, mais que tu peines à comprendre les Français c'est probablement que tu as appris une langue trop formelle et scolaire qui existe dans les livres et pas dans les conversations de tous les jours. J'essaie d'adapter ma façon de parler pour la rendre plus compréhensible pour toi (comprehensible input) sans pour autant la standardiser, pour qu'elle reste toujours naturelle et authentique, en utilisant du langage familier quand il serait naturel de le faire. J'apporte les explications nécessaires et j'intègre souvent dans mes supports des références culturelles qui t'aideront à mieux comprendre les conversations entre Français et l'humour.
On the next "Chicks you don't want to break up with:" I think there's been more talk about this show since it opened than any other Vegas show in memory. Good or bad, people are talking about Awakening. We saw the show in late February 2023, when we were in town for the Half Marathon and 360 Vegas Winter Vacation. Before we get to the review, let's talk about how Wynn got here. When the resort opened in 2005, it opened with the production show La Reve. Like Awakening, La Reve had its share of problems. Developed by Franco Dragone from Cirque, who Steve Wynn poached from Cirque. Dragone was instrumental in developing Mystere and “O” for Wynn at Treasure Island and Bellagio. The sort-of Steve Wynn biography “Winner Takes All” talks about the mixed reactions to La Reve in the beginning, including bewildering acts like pregnant women falling from the ceiling during the show. We almost saw Le Reve in July of 2020, but shows weren't cleared to reopen, and our front row seats were refunded to us. Permanent closure of La Reve was announced Aug 14, 2020. Complete with giant mythical forest creatures! Wynn announced Awakening in October, 2022. The show was developed by Bernie Yuman, Baz Halpin, and puppeteer Michael Curry. Theater aficionados might recognize Michael Curry's puppet work from The Lion King Broadway production. Awakening opened November 7, 2022 but closed briefly for a few weeks for rehearsals/changes in January. The show closed again April 17, ‘22, and at the time of this writing is scheduled to reopen Friday, June 23. So you want my opinion? I think this is a really good show. It has a unique story and great visuals, which include fantastic costumes, innovative puppets, and a state of the art stage. The story is like nothing I've seen on a Vegas stage. It has its own mythology, and the groundwork for the story set up in the prologue. (I believe the prologue was added after the January hiatus, and the addition of this prologue has cleared up a lot of confusion around the story that surrounded the show's brief first run.) Essentially, the story goes: Light and Dark are lovers, and together create Magic. Light leaves, Dark freaks out, and Dark imprisons Magic. Custody battles suck. Heroine “IO” sneaks into Black and White ball that Dark is holding in a sort of heist. IO finds Magic, and ends up on a quest to unite Dark and Light, and free Magic. Together with her companions, she travels through multiple “realms,” like Water, Earth, Air, and Fire. The Awakening theater is gorgeous. It is a theater in the round, so there are really no bad seats. At the time I saw the show, Wynn charged the most for seats in the back, presumably because you can see it all better? (A look at ticket prices for the June reopening indicates that this is not the case in the future.) There are individual surround sound speakers at each seat, so every seat has great audio. Seats are also quite comfortable. Have you heard the word? The stage itself is a technological marvel. It is constantly changing levels in sections to create different environments. The stage floor is translucent, and underlit, for additional effects. Michael Curry's puppets - the word “puppet” seems way too insignificant for his creations - are incredible. Personal favorites include a giant whale that seems to swim above you, and a rock creature that comes alive on the stage. Of particular note is the creepy blank-face dark creature that serves as Dark's chief henchman. The show makes full use of the theater space, so the story feels like it plays out everywhere, not only are you looking side to side, but up and down as well. Audience Fuckery Factor: Zero. No one's messing with you, so sit back and just enjoy the show. Not sure if drinks were allowed in the theater. No drink service during show, but there was a bar in the theater lobby. When the show resumes on June 23, showtimes are set for 7 and 9:30 pm. Shows are Tuesdays through Saturdays, dark Sundays and Mondays. Tickets start at $99 on Vegas.com.
It would be difficult to be a hardcore Cirque fan if you do not know this epic, behind the scenes anchor. Much like his life-changing, department-hopping internship at Mystere as a teenager, Gabriel Dubé-Dupuis has filled many shoes for Cirque Du Soleil. From filming with creation teams and backstage management to show calling, all the way to creating shows, he certainly knows this company from the inside out. Who better to link the tales of then and now than someone who has been integrated in the company for 28 years?!
From gymnastics to 3 Cirque stages, head coach and writer, Darren transitions us from competitive sport to the high bars of Mystere, straps of the unique Delirium tour, and hand to hand on Saltimbanco. This versatility on stage made him the perfect “pro artist” head coach on Amaluna and writer of a newly published book. “Get Off Your Ass” by Darren Bersuk.. who better to write about health and fitness?
We answer the questions that matter: What is exactly is "conquistador position"? When is the right time to stop calling your boyfriend "Poppy"? Also, Paul's dog has worms, Matt is home from the magic castle and brings his family to see two characters and a clown in Mystere. Sarah Boyle brings some physical scoop mail. Jock Vs Nerd Trivia.See omnystudio.com/listener for privacy information.
We answer the questions that matter: What is exactly is "conquistador position"? When is the right time to stop calling your boyfriend "Poppy"? Also, Paul's dog has worms, Matt is home from the magic castle and brings his family to see two characters and a clown in Mystere. Sarah Boyle brings some physical scoop mail. Jock Vs Nerd Trivia.
So this is actually the first Cirque show I've reviewed for the podcast. I've seen several Cirque shows; the wife is a big fan. Our first trip to Vegas together included The Beatles - Love, which I really need to revisit. Maybe Tony will go with me, since he really should see it. Since that first trip we took together, my wife and I have seen “O”, Mystere, as well as Zumanity. Confession time: I liked Zumanity. I think we saw it twice. I was definitely disappointed when I heard it was going away. But we really like Cirque, and we like New York- New York. We've never stayed there, but we always end up hanging out there. So I was very interested in what we were going to get when Mad Apple was announced. I heard a lot of buzz that it was “not your typical Cirque show,” which actually made me really nervous because that's also what they were saying about “R.U.N.” and that show was apparently a giant belly flop… Not the best photo, but she was hanging by her hair. By her hair! To me, it's kind of funny that since I started doing these reviews, it's pushed me to sort of have a greater sense of urgency to see new shows so I can review them for the podcast. We made an effort to see Rouge at the Strat, Miss Behave's Mavericks, and Mad Apple all within a few months of their opening so that I could get the review content for the show. Anyway, I snagged tickets for a trip in July, and we really enjoyed the show. One of the things I like about Cirque shows is that since I'm a cheap bastard, it's actually often better to sit back a ways so that you can take it all in. In fact, out of all the Cirque shows I've seen, none of them really benefit from front row seats. So there's a frugal Vegas tip for you. If you ever saw Zumanity, Mad Apple is in the same theater. From the audience perspective, the theater doesn't really look that different from the time that Zumanity was there. One cool thing is the bar at the end of the stage. So the stage looks like a regular stage, but it has this part that sticks out into the audience, which is actually called a “thrust stage.” Insert joke here about parts that stick out and thrusting. So at the end of the stage, there's now this half circle bar, and you can go up to the bar and order drinks for yourself before the show starts. When the show begins, there's a cover for the bar that's lowered down so it just becomes part of the stage. I don't remember. I just remember laughing my ass off. The show itself isn't your typical Cirque show. I would describe it as “intro to Cirque.” It has the acrobatics, but it's not all acrobatics, and it doesn't have the weird French-Canadian stuff that's all over “O” and Mystere. What it does have is live singers and a live band. A few years back, word was that Cirque du Soleil was moving away from live musicians, so that was a pleasant surprise. It also features 3 different comedians throughout the show, which gives the show a chance to breathe. I think Mad Apple - while not a show for kids due to the humor - is a show for younger adults, or those who might be bored by the more traditional Cirque material. (Seriously, I think it was purely my confusion keeping me awake during “O”.) I try really hard to keep politics away from my Vegas discussions, because Vegas is my escape. However, it should be noted that this is a show that celebrates the bluest city in the bluest state. It's not too in your face, but I've seen complaints online about some of the content. New York City's population leans left on average, so the show, in that spirit, is going to lean left a little. This shouldn't be shocking, but apparently some people were nonetheless clutching their pearls. Consider yourselves warned. Feel the thrust of the stage. The format of Mad Apple is more like a variety show than anything else. Between the aerialists, the singers, and the comedians, it feels almost like Ka and Absinthe had a baby, but it's a beautiful baby. I'll be the first to admit that I have a short attention span; even more so when I'm in Vegas, and the way Mad Apple frequently switches up the content works for me, and is a great blend of funny, amazing, and musical talent. I enjoyed all three of the comedians. There's a Little Person comedian, an absolutely hilarious Jewish guy, and someone who is a virtuoso with shadow puppets. From what I've been reading, most of the people who are complaining about the show are complaining about being offended by the comedians, which to me is a pretty good indicator that they're funny as shit. I've been told that the writers and producer of Mad Apple gave the comedians free reign, so their routines aren't run through the corporate filter. If you're easily offended by naughty words, you should find a different Cirque show (and maybe a different podcast). One of the things I liked about the variety show format is that the traditional Cirque acts seemed to stand out more. An aerialist couple who hang from straps were previously part of Absinthe, and their number flourishes in the bigger space. There is another aerialist who swings around the stage while hanging from her hair, which probably accelerated my male pattern baldness just by witnessing it. There's a huge, impressive set piece called the “Wheel of Death” which is best seen live, rather than me attempting to describe it. Showoff. Let's discuss the A.F.F. or Audience Fuckery Factor for Mad Apple. Cirque shows are reasonably easy on the audience, and Mad Apple is similar. However, having the comedians involved means that if you're sitting in the first few rows, you run the risk of being singled out, exactly like being at a comedy club. Of course, you're going to take my advice and save some money and get a better view of the whole production by sitting further back, so this won't be an issue for you. If you are taking someone to their first Cirque show - especially someone who might roll their eyes at the idea of a Cirque show - Mad Apple is a great middle ground show, the mixes up the content but doesn't compromise on the quality. Thinking about it later, I found a certain irony in a show about the city that is home to Broadway (New York) is in actuality structurally perfect for the city it calls home: Las Vegas. Mad Apple is performed twice nightly at New York New York at 7:00 and 9:30, but is dark Wednesdays and Thursdays. Tickets start at $69 (which is probably more appropriate for its predecessor, Zumanity) and can be purchased via the link to Vegas.com in the website or here in the show notes. You can find Josh on twitter @vegasjaydubs
We have a blast talking to long time friend, first time guest, and 2 Characters and A Clown podcast cohost, Johnny Miles in churn! We talk about his performances in Mystere, La Reve, and even old school cult Las Vegas hi- The 12:30 Clown Show. Plus, clown life or podcast life: which one leads to free booze? Listener Mail and Jock Vs. Nerd Trivia.See omnystudio.com/listener for privacy information.
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