Podcasts about las vegas show

Jetzt kennt jeder Kamala Harris. Blieb sie als Vize-Präsidentin in den vergangenen vier Jahren eher im Hintergrund, trug der einer Las-Vegas-Show gleichende Parteitag der US-Demokraten entscheidend dazu bei, sie vor allem bei heimischen Wählern bekannt zu machen. Welche Erkenntnisse hat der Parteitag jedoch wirklich gebracht? https://gjw.one/rnugfc

Donny Osmond on six decades in showbiz and taking his Las Vegas show on the road this summer (1:31)  Guest: Donny Osmond, singer, songwriter and actor How all-you-can-eat shrimp helped sink Red Lobster (33:42)  Guest: Aaron Allen, founder and chief strategist, Aaron Allen & Associates Singapore Airlines flight turns to horror after turbulence (43:47) Guest: Shem Malmquist, Boeing 777 pilot, a visiting instructor at the Florida Institute of Technology, and Fellow of the Royal Aeronautical Society London Drugs hackers seek millions in ransom on claims of stolen employee data (52:18) Guest: Brett Callow, threat analyst, Emsisoft Turning Shakespeare's longest tragedy into a one-man performance: To be Hamlet solo (59:28)  Guest: Raoul Bhaneja, Canadian actor, writer and musician Why more younger women are showing signs of liver disease (1:16:49) Guest: Dr. Jennifer Flemming, Associate Professor of Medicine and Public Health Sciences, Queen's University

This week on It Was a Thing on TV   First, in television history, there have been several attempts at becoming a viable competitor to ABC, NBC, and CBS.  Some have succeeded (FOX), while others were not so lucky (MyTV, PAX).  In this installment, we turn the clock back to the mid-60s where a mogul in the warehouse industry started his own network which had a name change before going to air, aired one series in its existence, and lasted a month.   Then, in the mid-to-late 2000s, VH-1 was looking for a comedic complement to its highly successful Best Week Ever.  One such complement was this show, created by some names who would go on to bigger and better things, where the home audience decided which short series did not cut the mustard, and which ones would see another week because...they were acceptable (dot) tv.   Follow us at all our socials via our Linktree page at linktr.ee/itwasathingontv    Timestamps 0:36 - The Overmyer Network AKA The United Network and The Las Vegas Show 30:43 - This Week in Match Game-Hollywood Squares Hour History (1/16/84-1/20/84) 38:05 - Acceptable.tv 1:12:42 - The Russell Westbrook Update

In television history, there have been several attempts at becoming a viable competitor to ABC, NBC, and CBS.  Some have succeeded (FOX), while others were not so lucky (MyTV, PAX).  In this installment, we turn the clock back to the mid-60s where a mogul in the warehouse industry started his own network which had a name change before going to air, aired one series in its existence, and lasted a month.

Barbecue F1, le talk Formule 1 en mode barbecue de Radio Merguez and CoGrand Prix de Las Vegas - Show froid chaudEmission du 22 novembre 2023 - S03E23Avec Jacques Lafrite, Lance Niole, Charles Carrefour et un peu de Sebastian Vittel Un show qui a commencé froid avec une 1ère séance qui a duré 6 minutes On a retrouvé notre Max hargneux Rendez-vous au dernier virage pour Perez Alpine marque des points enfin Ocon lucky man Les flèches d'argent vont se faire doubler par le cheval cabré Les 5 informations inutiles de la semaine de Sebastian Vittel Le prochain Grand Prix d'Abu Dhabi Et beaucoup d'autres choses Le #BarbecueF1 est disponible sur toutes les plateformes (Spotify, Deezer, Apple, Podcast Addict, ...) après chaque Grand Prix le mercredi à partir de 6 heures. Au fait, si tu as des conseils et si tu veux participer à l'émission, n'hésite pas à nous contacter via Twitter, Facebook, Instagram, YouTube ;)

Stacey Stardust is a magician, show producer, and performer based out of Las Vegas. She created the show Stacey Stardusts Secret Circus, and Circus Spectactular. Follow her on Instagram @Staceystardust --- Support this podcast: https://podcasters.spotify.com/pod/show/offaxispodcast/support

Sasha hatte schon immer ein Faible dafür, wie in Las Vegas Unterhaltung gemacht wird, immer mit Mut zu großen Gesten und Gefühlen, immer perfekt inszeniert und glamourös und dabei scheinbar ganz leichtfüssig. Jetzt, mit knapp über 50 Jahren, fühlt er sich reif für die große “Las Vegas Show”, um sie auch mit der nötigen Leichtigkeit zu präsentieren und hat ein Album aufgenommen, dass der Tatsache Rechnung trägt: “This Is My Time” ist ein Herzensprojekt, dass sich Sasha schon lange gewünscht hat und das er mit viel Liebe zum Detail umgesetzt hat. Eine Mischung aus eigenen Hits und den Hits, die Sasha auf seinem künstlerischen Weg als Soundtrack begleitet haben. Hits von internationalen Popstars wie P!nk oder Whitney Houston, aber auch Rick Astley, George Michael oder die Rockband “Pearl Jam”, sie alle bekommen ihr perfekt produziertes Las Vegas Gewand, und Sasha zeigt auf dem Album einmal mehr, dass er einer der profiliertesten und vielseitigsten Musiker im Land ist. Im aktuellen Podcast “Axel Trifft” spricht Sasha über die Entstehung seines neuen Albums, über die Titelauswahl und die Freude, mit dem Album bald auf der Bühne zu stehen.

"Middle-Aged and Older Patients Report Improved Health with Medical Marijuana"Larry Mishkin discusses a recent study from the University of Florida which shows that medical marijuana use can lead to lower pain levels and reduced dependency on opioids and psychiatric prescriptions among middle-aged and older chronic pain patients. Participants in the study reported improved physical and mental functioning, better sleep quality, and reduced anxiety. The research adds to the growing body of evidence supporting the therapeutic benefits of medical cannabis for pain management..Produced by PodConx  Deadhead Cannabis Show - https://podconx.com/podcasts/deadhead-cannabis-showLarry Mishkin - https://podconx.com/guests/larry-mishkinRob Hunt - https://podconx.com/guests/rob-huntJay Blakesberg - https://podconx.com/guests/jay-blakesbergSound Designed by Jamie Humiston - https://www.linkedin.com/in/jamie-humiston-91718b1b3/Recorded on Squadcast  Grateful Dead, October 16, 1989, Melk Weg Club, Amsterdam, the NetherlandsGrateful Dead Live at Club Melk Weg on 1981-10-16 : Free Borrow & Streaming : Internet Archive Second of two night stand at this famous hash bar that only held about 500 people in the room in which the Dead performed.  Very cool and famous club in Amsterdam, one of the best known hash bars.  Went there one time in 1988 with good buddies Mikey and H.  A highlight of our trip. Another good buddy, Freddie Burp, was spending the school year abroad in the fall of 1981 and was one of the lucky ones who were present for this show.  He's a tough guy to get a hold of, but maybe some day I can get him on the show to talk about this concert.  INTRO:                  The Race Is On                                Track No. 8                                1:10 – 2:24                 Show had an acoustic first set and an electric second set.  Many of the songs in the acoustic set we featured a few weeks ago from the September, 1980 show at the Warfield Theater in San Francisco as part of the recordings for the Dead's Reckoning album.  So I went with this one which has always been one of my favorites ever since my good buddy Mikey (who took me to three of my first four shows) used to play it for me as we drove through the northwoods of Wisconsin on nights out from the summer camp where we were spending the summer in 1981. "The Race Is On" is a song written by Don Rollins[1] (not to be confused with the Don Rollins who co-wrote "It's Five O'Clock Somewhere" for Alan Jackson and Jimmy Buffett) and made a hit on the country music charts by George Jones and on the pop and easy listening charts by the unrelated Jack Jones. George's version was the first single released from his 1965 album of the same name. Released as a single in September 1964, it peaked at number three on the BillboardHot Country Singles chart and at number 96 on the BillboardHot 100 in January 1965. Jack's version topped Billboard'sEasy Listening chart and reached number 15 on the Hot 100 the same year. The two recordings combined to reach number 12 on the Cashbox charts, which combined all covers of the same song in one listing and thus gave George Jones his only top-40 hit. The song uses thoroughbred horse racing as the metaphor for the singer's romantic relationships.                 Rockabilly artist Dave Edmunds, in collaboration with the Stray Cats, whose debut album Edmunds had recently produced, recorded a version for his 1981 album, Twangin.... Stray Cats drummer Slim Jim Phantom recalled Edmunds' affection for the song when he was courting the band to produce their debut album: "We met with Edmunds at his house. He had a little pub in his basement. He had a finished basement, outside of London. Edmunds had a jukebox, a little jukebox. He had 'The Race is On' and 'Rockabilly Boogie' by Johnny Burnette. He had those records in his jukebox. We all looked at each other and said, 'This is it.'"[3] Phantom also recalled that the song took "one or two takes" in the studio.[4]Thank you.                 Covered by:        Jack Jones                                                Loretta Lynn                                                Alvin and the Chipmunks for their 1965 album, “Chipmunks a Go Go”                                                Waylon Jennings                                                The Georgia Satellites from 1965 debut album, “Keep The Faith”                                                Elvis Costello                                                And others                                                 Dead played it 60times in concert                                                First:  December 31, 1969 at Boston Tea Party in Boston                                                Last:  May 20, 1995 at Sam Boyd Silver Bowl, Las Vegas  SHOW #1:                           Ripple                                                Track No. 9                                                1:50 – 3:06                                 We prominently featured this song form the Warfield show and talked about how it was last played ever on Sept. 3, 1988 at the Cap Center.  What makes this version we just listened to so special is that this was the last Ripple played by the Dead until the Cap Center show, a seven year gap, and that that was it, no more Ripple.  So this is the last accoustic Ripple ever played since the Cap Center was electric.  Maybe the most famous Dead tune ever, from American Beauty, Hunter's lyrics and Jerry's music mesh together in a way to make this tune not just one of the best Dead tunes ever, but one of the best tunes ever, IMHO!  SHOW #2:                           Hully Gully                                                Track No. 12                                                0:15 – 1:38                                 "(Baby) Hully Gully" is a song written by Fred Sledge Smith and Cliff Goldsmith and recorded by The Olympics, an American doo-wop group formed in 1957.  Released in 1959 on the album, “Doin' the Hully Gully”, it peaked at number 72 on the Billboard Hot 100 in February 1960[2] and sparked the Hully Gully dance craze.                         Covered by:     Buddy Guy                                                Chubby Checkers                                                The Ventures                                                The Beach Boys                                                Many others                                                Peter Pan Peanut Butter add jingle in the 1980's                                                 The Dead's version of this song from this show is the only time they played it in concert.  SHOW #3:                   Gloria                                    Track No. 15                                    2:15 – 3:45                         "Gloria" is a rock song written by Northern Irish singer-songwriter Van Morrison, and originally recorded by Morrison's band Them in 1964. It was released as the B-side of "Baby, Please Don't Go” on December 2, 1964.  The song became a garage rock staple and a part of many rock bands' repertoires.                         According to Morrison, he wrote "Gloria" while performing with the Monarchs in Germany in the summer of 1963, at just about the time he turned 18 years old.[6] He started to perform it at the Maritime Hotel when he returned to Belfast and joined up with the Gamblers to form the band Them. He would ad-lib lyrics as he performed, sometimes stretching the song to 15 or 20 minutes. After signing a contract with Dick Rowe and Decca, Them went to London for a recording session at Decca Three Studios in West Hampstead on 5 April 1964; "Gloria" was one of the seven songs recorded that day.                         Alan Henderson (guitar) contends that Them constituted the first rock group to use two drummers on a recording.[7] Although some sources claim that Jimmy Page played second guitar, other sources deny this.                         Covered by:                 The Doors –   The Doors performed the song several times in 1966 and 1967, with one recording released on Alive, She Cried (1983). It was also released as a single, which reached number 18 on Hot Mainstream Rock Tracks and number 71 on Billboard Hot 100 in 1983.[18] The song is included on Legacy: The Absolute Best (2003) and The Very Best of The Doors (2007).                                                             Patti Smith - Patti Smith recorded it for her album Horses in 1975. Based on the Van Morrison tune, the lyrics had been adapted from an early poem, 'Oath'.[5] Smith's band had started to play the song live and merged it with the poem by 1974, so the song contained half of Smith's own words.[5] For the recording of her debut album, Smith and her band recorded the song live and, after mixing, chose it as the album's opener.                                                            In 1993, Van Morrison recorded a version with John Lee Hooker, which reached the Top 40 in several countries.                                                                        For the Dead, this was the first time they played it live in concert.                                    They wound up playing it only a total of 14 times                                        Last played on June 30, 1995 at Three Rivers Stadium in Pittsburgh                                                   I was lucky enough to catch it on June 25, 1992 at Soldier Field.  SHOW #4:                   Turn On Your Lovelight                                    Track No. 16                                    1:03 – 2:33                                     "Turn On Your Love Light" is a rhythm and blues song recorded by Bobby Bland in 1961. It was both an important R&B and pop chart hit for Bland and has become one of his most identifiable songs. A variety of artists have recorded it, including the Grateful Dead, who made it part of their concert repertoire.  was written by band leader and arranger Joe Scott (with an additional credit given to Duke Records owner/producer Don Robey aka Deadric Malone). Scott's brass arrangement "upped the excitement ante"[2] with "the groove picking up momentum as the horns and percussion talk to each other" and Bland's vocal "riding on top".                                     In 1967, "Turn On Your Love Light" became a staple of Grateful Dead concerts, sung by Ron McKernan: a 15-minute rendition is on their 1969 double live album Live/Dead. McKernan's final performance of "Love Light" – complete with extended vocal raps – occurred at the Lyceum Theatre, London, during the Europe '72 tour. Versions with McKernan were often very long due to long vocal raps, instrumental jams, and drum solos throughout. A version performed at the 1969 Woodstock Festival lasted more than 45 minutes.[8] The Grateful Dead later revived the song in the early 1980s with Bob Weir singing.                                     Before this show at the Melk Weg, the last time the Dead had played it in concert was on May 24,1972 at the Lyceum Ballroom in London at the very end of the Europe '72 tour.  In other words, this was the Dead's first performance of the song without Pigpen on lead.  Dead went on to play it a lot after this show right up until the end.  Bobby played it well, but never even tried the rap that Pig made famous in his extended versions.  No Box Back Knitties when Bobby sang it.                         Dead played it 355 times in concert!  Originally part of the Dark Star>St. Stephen>The Eleven>Lovelight suite of songs that the Dead played constantly during the primal Dead years in the late ‘60's.                        First played on August 4, 1967 at the O'Keefe Center in Toronto                        Last played on June 19, 1975 at Giants Stadium in New Jersey                                     When my good buddy Marc started seeing the Dead in 1984, we joked that every time he went to a show they played Lovelight.  Not a bad thing to be associated with.  Always fun to hear it in concert even without Pig.  OUTRO:                      Sugar Magnolia                                    Track No. 20                                    6:30 – 8:05                                     One of the best Dead tunes of all time and the ultimate show closer.  Always nice to add a little Sunshine Daydream to your day! The boys jam the hell out of it here, a 10+ minute version to close out a remarkable one of a kind Dead show.  Either you were there or you missed it.  What being a Deadhead is all about. 

What's it take to put on one of the biggest shows ever in Las Vegas? Wynn Las Vegas' Rick Gray reveals the qunitessential elements of its new show Awakening.

Beastie Boys Square was unveiled this weekend in Manhattan's Lower East Side. Ed Sheeran announces postponement of Las Vegas Show. SZA announces deluxe version of her sophomore album 'SOS' — titled 'Lana.'

On this episode of TMZ Live: GOP presidential candidate Vivek Ramaswamy joins 'TMZ Live' to talk racism, global warming, white supremacy and more, Irina Shayk goes on vacation with ex Bradley Cooper amid Tom Brady romance, Adele stops her Vegas show to scold security bothering a fan and Megan Thee Stallion's first outing since Tory Lanez saga. Learn more about your ad choices. Visit megaphone.fm/adchoices

We all have them - good days and bad days.  In this episode, world-famed illusionist Rick Thomas talks about what happens when a 700-pound tiger has a bad day and tells one harrowing story that left him injured just hours before his Las Vegas Show.  Plus Tammy Trujillo and Rick talk about how easy it is to make anyone's day better and why that is important to everyone.   Support the showWINNER of 2023 Platinum Muse Creative Award for Podcasting! Get a Shout Out in an upcoming episode! Be part of the dream and support the show and we will reward you with a personal shout out from Rick! https://www.buzzsprout.com/2024877/support The economy is scary right now and although no one can really predict where it is going, the signs are not good. Find out Rick's secret to protecting his own financial future by buying gold and silver - precious metals. You can start by spending about the same as you would going out to dinner. Find out more at MansionofDreams.net/wealth Sign up for Rick's monthly Newsletter at RickThomas.com or drop us a line at NothingHappensUntilYouDream.comRick's book The Tiger Whisker is available at https://rickthomas.samcart.com/products/the-tiger-whiskerHelp Save Tigers - https://www.worldwildlife.org/

This Topic is about celebrity KeKe Palmer's need for attention after becoming a Mother for the first time.  I share my old school view and my brothers perspective on this hot button topic that the Social Media trolls and millenials are all talking about her appearance at Usher's Las Vegas Show. One Commenter suggest that her baby Daddy is below her level to date.  SONG CHOICE 

Support the show Learn more about your ad choices. Visit megaphone.fm/adchoices

Rumor has it Adele finally got what she wanted. After RadarOnline.com's exclusive story that she was "tired" of waiting for Rich Paul to put a ring on it, the Hello hitmaker was spotted with a giant diamond on that finger as reports swirl she's engaged to her sports agent boyfriend.Advertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Ronnaldo is on the road in beautiful Las Vegas.  Features recordings by Frank Sinatra, Louis Prima and Ray Anthony.  We also listen to a couple of clips from Jack Benny. Consider supporting The Big Band and Swing Podcast by becoming a Hepcat.  Learn more at SupportSwing.com. * All music in this podcast are Creative Commons.  Artists are credited within the podcast.

Purpose With Pamela kicked off The First Annual

Purpose With Pamela kicked off The First Annual

Millions of people the world over have marveled at the comedic magical antics and inviting personality of Leslie McKinney. He began working at Opryland and on The Nashville Network (TNN). Leslie's first Vegas show was Wizards' Secrets Magic Show at The MGM Grand Hotel where he did an 18-month contract. Since then his shows have been seen throughout Las Vegas at The Riviera, Fitzgerald's, The Plaza Hotel, Sun Coast, Sam's Town, and Planet Hollywood. Leslie recently starred in his own show Presto at The Downtown Grand Las Vegas. He has also performed for cruise lines such as American Family Cruises, Costa, Holland America, Norwegian, Star/Dream Cruises, and Grand Bahamas Cruise. McKinney's talents have been seen on TLC, Children Talk Television Show, The Late Show with David Letterman, and he was a consultant for Teller's production Play Dead. In addition to this Leslie McKinney was the first American entertainer to perform in Weifang, Shandong province in The People's Republic of China. Leslie McKinney is known for his charming southern style and his ability to make his audience feel at home.www.lesliemckinneymagic.com

Cindy Pearlman, senior writer for the New York Times and entertainment columnist for the Las Vegas Review-Journal, joins Bob Sirott to talk about Donny Osmond extending his Las Vegas Show and the new movie that Sylvester Stallone will be starring in. She also talks about Harrison Ford’s new role with the Marvel Comic Universe.

The Nourish with UNFI podcast is live from the UNFI Natural Winter Show in Las Vegas. On this episode, the team sits down Adam and Lizzia with Brazi Bites, a better for you, Latin inspired food company to learn more about gluten-free trends and the snack food category.

The Nourish with UNFI podcast is live from the UNFI Natural Winter Show in Las Vegas. On this episode, the team sits down Sarah Ann Lesslie, CEO and Founder of Chocolita to learn more about botanical infused chocolate as a potential health solution.

The Nourish with UNFI podcast is live from the UNFI Natural Winter Show in Las Vegas. On this episode, the team sits back down Edouard Freda, CEO and Co-Founder of Talia to hear how his company has grown since we first met with Talia at the UNFI Orlando show in February.  

The Nourish with UNFI podcast is live from the UNFI Natural Winter Show in Las Vegas. On this episode, the team sits down Steve Dietz, Chief Customer Officer at UNFI, and Elliot Stone, President of Mollie Stones Markets to hear what retailers need more from UNFI, and the importance of emerging suppliers and their presence at events.

The Nourish with UNFI podcast is live from the UNFI Natural Winter Show in Las Vegas. On our final episode from the show, the team sits down with Ryan Brothers and Hassan Safieddine, co-founders of Greenhouse Foods as they discuss their journey from professional sports to investment banking and finally to creating plant-based doughnuts. A fun story of passion and perseverance, you won't want to miss it!    

The Nourish with UNFI podcast is live from the UNFI Natural Winter Show in Las Vegas. On this episode, the team sits down Sarah Phillips, senior manager of design with UNFI's Store Design and Equipment team to learn what retailers should think about when considering a store remodel, the overall process, and ways the Store Design and Equipment team can help through it all.

What you'll learn in this episode: Why brand recognition and signed jewelry have become so important in the last 20 years What sets fine jewelry houses apart from other jewelers How antique shows have changed, and why it has become more difficult to find quality jewelry at shows What a jewelry wardrobe is and how to create one How Doyle adapted its auctions during the pandemic About Nan Summerfield Nan Summerfield joined Doyle New York as Director of the California office in Beverly Hills in 2014. Ms. Summerfield, a GIA Graduate Gemologist, has been in the appraisal and auction business for forty-two years. Nan began her career at the Gemological Institute of America in New York as a Staff Gemologist in the GIA Laboratory and later as an Instructor in the Education Division, before spending thirteen years as a Vice President in the Jewelry Department at Sotheby's, first in New York, then in Los Angeles. Nan continued to develop and direct Sotheby's jewelry auctions in Beverly Hills for eight years. For twenty years before joining Doyle, she owned Summerfield's, a successful firm in Beverly Hills that specialized in buying and selling estate jewelry. Additional Resources: Nan's Instagram Doyle's Website Doyle's Instagram Transcript: After more than four decades working in estate jewelry as a dealer and at auction houses, Nan Summerfield knows a thing or two about how to select the best jewelry. Now Senior Vice President of California Operations for the auction house Doyle, Nan joined the Jewelry Journey Podcast to talk about the pros and cons of purchasing jewels from the major houses versus lesser-known jewelers; why the auction industry began to court private buyers in the 80s; and when it makes sense to take a risk on an unsigned piece. Read the episode transcript here. Sharon: Hello, everyone. Welcome to the Jewelry Journey Podcast. This is a two-part Jewelry Journey Podcast. Please make sure you subscribe so you can hear part two as soon as it comes out later this week. Today, my guest is Nan Summerfield, Senior Vice President of California Operations for the auction house Doyle. Nan has extensive jewelry experience, having worked with several major auction houses. In addition, for 20 years she had her business as a jewelry dealer specializing in estate jewelry. We'll hear all about her own jewelry journey today. Nan, welcome to the program. Nan: Thank you, Sharon. It's great to be here. Sharon: So glad to connect with you. Tell us about your jewelry journey. You've covered a lot of ground. Were you a child when you started liking it? How did you get into the jewelry profession? Nan: I think I came out of the womb loving jewelry. When I was little girl, my favorite thing was to go through my grandmother's jewelry and try things on and look at them. I was that child that when I would be out with my parents at a mall, I'd see a jewelry store and I'd put my fingerprints and nose print on the windows to look at all the jewelry. I think I was just born loving jewelry from the day I came out of the womb. Sharon: Did you know you were going to go into jewelry? Did you think about making it? Did you want to sell it? Did you just want to be around it? To have it? Nan: It's so funny. I knew I always loved it, but I came back from a six-month backpack trip in Europe, and I had been invited to a Fourth of July party up at Lake Tahoe, where I was from. At that party, I was playing with a necklace my brother had given me with a small gold coin on it. This man that was at the party looked at me, and he said, “I sell jewelry like that. How would you like to work for me?” I thought, “Oh, my god, I love jewelry. I could actually work in it?” That's how it all started. He turned out to be kind of flaky, but I credit him with giving me the introduction into the business. Sharon: Flakey is a word. It's serendipitous. Nan: It certainly is. He veered off in other directions shortly after I got my introduction into the business, but I credit him with opening that door for me. Sharon: From there, how did you segue into auction houses? Nan: First, I had my own business for about a year. Through some people I met, I found out about the GIA. I applied and went to the GIA. When I finished, they offered me a job working for them in New York or Los Angeles. I thought, “Gosh, I've never been to New York. I've read all these books, like ‘The Catcher in the Rye' and ‘The Great Gatsby.'” It sounded so romantic to me. I thought if I didn't have a job, I wouldn't move to New York, but if I had a job, why not? So, I moved back to New York, and I worked in the lab doing certificates on diamonds for a year. Then they asked me to be a permanent instructor in the education department. I switched over to education and taught the residence program, the one-week classes. I feel very lucky because these strange coincidences happened that have led me to where I am. I had a colleague I was working with. He was a friend of mine, and he had taught the new head of the jewelry department all of these things. He had taken a one-week course with him at the GIA. He really liked my friend, and he offered him a job to work for Sotheby's. But my friend had fallen in love with this girl in California, so he was moving out there. He said to this gentleman, “I can't, but I've got the girl for you,” and he gave him my name and number. Then it all started. I went for an interview, they hired me, and I ended up spending eight years in New York with Sotheby's. Then I wanted to move back to California, so things finally worked out well. Part of what was happening at Sotheby's at that time was that Al Taubman had hired Bain & Company, the consulting firm, to look at the jewelry department worldwide and see how they could develop it and bring in more private clients. That was very interesting point in auction, too, the shift from dealers to embracing private clients. One of the recommendations Bain had come back with was that we start doing jewelry auctions in California again. We had them before, in 1981. In the crash of 1981, they closed down the big gallery we had. Anyway, I spent eight years with Sotheby's in California. It was a wonderful opportunity, and I had very generous people that I worked with. One of the things I found was that when I worked at the GIA, I had a number of friends that went out and worked for estate jewelry dealers in the business, but they were very close to the vest about the information they had. They didn't share why something was special, what made it important, what to look for. I was extremely fortunate because the other specialists that I worked with in New York were very generous with their knowledge. This is when the first reproductions of Deco and Edwardian were coming out, and they taught me so much. I'll be forever grateful for them being so generous with their knowledge. That's a long answer to your question. Sharon: It's an interesting answer. I'm still on the fact that you had your own business for a year before you started doing anything else. What were you doing? Were you buying and selling jewelry? Nan: Yeah, exactly. The gentleman that first brought me into the business, he took me to a sort of buying center of jewelry, a building that had multiple levels and booths of people selling. I would go down and choose the things I liked and then bring them back to Tahoe, and then I would sell them to my friends. Sharon: Wow! When you were talking about the auction houses, I never thought about the fact that some are selling to dealers, and some are more about developing private clients. Can you talk a little bit about that? Nan: Yes, absolutely. Initially, when I first started there, it was almost entirely dealers that bought at auction. Another thing I look back on now is that when we would have viewings and dealers would be looking at the jewelry, it didn't matter to them if something was Cartier or Van Cleef or Bulgari or any of the big names. It was, “Oh, that's nice,” but they never paid a premium or saw it in a substantially more valuable way. That's something that has dramatically changed from when I started to where I am today. As you know, anything that's signed by the big houses is going to bring a big premium today. During that period we had some private buyers, if I remember, but it was almost entirely dealers that were the buyers, and as I said, that started shifting. I think Al Taubman purchased Sotheby's in the mid-80s, and that's when he implemented these changes to make jewelry in the auction world more accessible to private clients and to demystify it. It was an interesting period. It was very transitional and very much a growth period in the auction world. Sharon: Was Al Taubman a catalyst in terms of moving everybody to look at signed pieces? Did he care? What happened there? Nan: No, that really wasn't his thing. He was all about getting the auction world out to private clients worldwide, which is where we are today. It's an enormous part of the auction market and the competition that we get. He was not focused on signed jewelry per se. I think that's something that happened—really, I started seeing that more in the 90s and going into the 2000s. It's been an upward trajectory since then with the really good names and the values they're bringing. Sharon: What do you think changed? What propelled that? What are your thoughts about why names are more important today? Nan: I think it's a combination of things. The really fine ones, Cartier, Van Cleef, Bulgari, Buccellati, David Webb, all of those have a level of quality you don't always see in other jewelry companies. I will know, for example, if I get a pair of earrings that are Van Cleef, they will always sit beautifully on the ear. A lot of jewelry that's not signed may look good, but it won't lay as well on a woman when she wears it, whether it's earrings or a necklace. It's that thoughtful design in the jewelry. What I really think happened was that over the last couple of decades, we've had a real push toward brand recognition. I even think back to Calvin Klein and “Back to the Future.” There was that scene where she said, “Oh, your name's Calvin,” because he had underpants that had a Calvin logo on them. I think that's when it really started, and it's not just in jewelry that name brands have become important. It's also in purses. You look at what Chanel purses sell for, or Birkin bags and how desirable they are. I think we're much more focused on that these days, and that's happened over the last couple of decades. With jewelry, there's also the estate jewelry. When I first got into the business, it was kind of up-and-coming. I think there are two jewelers that are credited with making estate jewelry desirable, and that would be Fred Leighton in New York and Frances Klein in Beverly Hills. Both of those people have died, but they were really the early ones that brought estate jewelry into the realm of being desirable and not old-fashioned or your grandmother's jewelry that you had to remake before you could wear it. You didn't want to be dated in our parents' day and age. Both of them also, I think, have a lot of signed jewelry. It's part of educating the clients. As more people learned about jewelry and learned about how fine a piece of Cartier jewelry is when compared with one that's not signed or made by an inferior jeweler, the appreciation for it and the desire for the signed pieces have grown exponentially. Sharon: That's interesting. I think I'll pay more attention to how a piece lays. There are lot of times when I'm on Instagram and a post will say, “I think it's a Mauboussin. It's not signed, but I can tell by the way it's done.” Do you think there's an amount of unsigned stuff out there that's quality? Nan: What I will say is that over the years, I've had pieces of jewelry come through my hands from clients that were not signed but had been purchased from the house, whether it was a Cartier or Tiffany or Van Cleef. With almost every jeweler, at some point in time, there have been pieces that went through that were not signed. But I always encourage my clients, especially when they purchased it from that house, to go back and ask them to sign it. In general, most pieces are signed, but one of the things we have to be careful of these days is that as the value has gone up on the signed pieces, so have the fake signatures. For example, I remember this beautiful Art Deco bracelet that passed through my hands when I had my own business. It came back a year or two later signed Cartier, and I 100% know that bracelet was not signed Cartier when I saw it the first time. That's one of the things we have to be very, very careful about. A lot of the big jewelry houses will do certificates of authentication that you have to pay for. That's become something that is more desirable as well, because nobody wants to buy a fake or something that's signed that's not correct. Sharon: That's upsetting, yes. In my early days I bought a beautiful tennis bracelet. I still love it. The cut of the stones is a little different; some were different shapes. I was told it was Art Deco, and I know that's what they thought I wanted to hear. When I brought it in later to an appraiser, he said they never cut the stones this way until the 80s. So, I thought, “O.K.” Nan: I know. What I will say, to insert this on the signed pieces conversation, is that there are certain jewelers that don't always have their pieces signed. One of them is Paul Flato, who was a wonderful designer who was big with the Hollywood crowd. Verdura actually worked with Paul Flato before he went off on his own. There are a lot of really wonderful Flato pieces out there that are not signed. In those situations, we try to check. For example, I'll check with the woman who wrote the book on Paul Flato. I'll send her a picture and say, “Do you think this is Flato?” They have references to the original drawings that Flato made on the pieces. So, there are times that happens. You can have a piece that's by an important jeweler that is not signed. Sharon: Are there things in the jewelry you recognize that make you think it's a Flato, even though it's not signed? Nan: Yeah, Flato was a wonderful designer; he made fabulous things. He had certain types of things you'll see a lot. He did things that were made with leaves that have wonderful curling edges, or very whimsical things he would do. He made a lot of custom things for people that had a great sense of humor to them. Probably the best place to get a sense of what his designs look like is the Paul Flato book that Elizabeth Irvine Bray wrote, so I would suggest that. He has a very distinctive style. His things were beautifully made and really dramatic. Years ago, I owned a big brooch and earrings that belonged to Ginger Rogers that were so wonderful. He was a creative genius. Sharon: That's interesting, because the first thing I thought of when you said Flato was the leaf and very large, over-the-top things. Just gorgeous, but it was the leaf that came to mind first, as when you said Calvin Klein, the first thing that came to mind was Brooke Shields. Nan: Exactly, the beginning of the brand. I want my brand. Sharon: Exactly, yeah. I'm dating myself, but O.K. I'm impressed that you left the auction house when you had been there a long time, seven or eight years, and that you went out on your own. To me, it's such a huge step. What was the catalyst for that? Nan: I actually ended up spending 13 years with Sotheby's, five with them in New York and eight in Beverly Hills. I really felt like if I was going to go out and open my own business, I needed to do it when I was still young enough and had the energy to do it. I was very fortunate when I went on my own that I had so many clients that came and brought me jewelry they wanted to sell. They came to me for help buying things or finding things they wanted to build in their personal jewelry wardrobe. It was a really wonderful time. Also timing-wise, it was a fantastic time to enter as a dealer into the business. The big shows, the Las Vegas Show, which is typically in the beginning of June, end of May, and then the big Original Miami Beach Antique Jewelry and Watch Show, which is normally held in late January or early February every year, those two shows were fantastic in the day. They changed a lot, but I can remember when I first started doing the shows, there would be two days of setup at the Miami Show, and we would go and walk the show. We wouldn't even set up our jewelry because on the setup days, a lot of the dealers would go and buy from each other. They would find out what new things had come in, and they would scoop them up before the private clients came in for the show. We would do that, canvas the whole show and buy these wonderful things. There were things where people didn't understand how great they were, how important they were. They didn't price them at their value. We would buy and sell so much on the setup days. Before setup even ended, we would make our expenses, our airfare, our hotel, our booth rent, the showcases, the safe. Everything would be paid for, and then we'd start the show, and we'd be selling more and meeting more clients. It was a really wonderful time to go off on my own. It was fantastic. Sharon: Is it because of the brands, whether it's Cartier or whatever, that the dealers weren't educated, that they just didn't know? They didn't have your background, so they didn't recognize things? How did you get these things? How could you identify them when they didn't know? Nan: I think part of it is that I was so fortunate to have seen so much jewelry over those 13 years at Sotheby's and to have worked with people that were very generous with their knowledge. I can remember going to a show up in Hillsboro, which is south of San Francisco. They used to do that show three times a year. I remember I was up there with a colleague at the time, and I looked down into this tiny, little case at their booth. They had a lot of other things, but there was a Buccellati bracelet in there. I remember asking, “How much do you want for the bracelet?” They didn't even know it was Buccellati. They wanted such a low price for it. I think that's the thing; a lot of people did not know, and it was before the internet had really come into play. Unless people tracked auction catalogues, there wasn't an easy way to know what prices were for things on the secondary market. I think we benefitted from the exposure I'd had in understanding what was good and how to look for signatures. Certain jewelers, when they sign things, their signatures are more obscure. Some are easily found and read, but others are like Van Cleef. A lot of their old things are so hard to see. Once you find them, you go, “Oh, it is Van Cleef. I knew it.” Sharon: I know when I've gone to some of the shows and expressed interest in a piece, the dealer would say, “Oh, I just bought that two days ago.” I was like, “Everybody's supposed to come to the show and be able to look at things.” Nan: That's exactly what happened. They probably bought it during setup day. They just bought it two days ago, and you were the next person to come along and find it. Sharon: Do you think knowledge had increased? I know dealers don't have any interest in doing research, and then there are dealers that research every little thing. Do you think knowledge in general has increased, or just interest? Some like to research and some don't. Nan: I would say in general that knowledge of jewelers has increased with the internet. I will say that probably the most helpful thing I've had, next to working with very knowledgeable people that shared their knowledge, was the library. I started buying books when I was working at the GIA and never stopped, and I used my library. I have library books, all jewelry-related, about all the different makers and periods. That in itself is a huge source of information, but a lot of information in the books in my library is not accessible online. So, it's a combination of things. You can find fascinating articles that people have written on jewelers or periods or movements. The other way to develop your knowledge is by accessing the various books that have been written on whatever given topic you're interested in. I think that knowledge is more readily accessible, and I think that that's helped a lot as well. The more people know and understand, the more comfortable they are buying that piece of jewelry or being drawn to a certain period or knowing what to look for or why a piece is special. Sharon: What about European makers that aren't as known here? Are there some that come to mind or that you recognize? Who would they be? Nan: There are a lot of wonderful makers that are not as known. The brands that everybody knows are the Cartier, Van Cleef, Tiffany, Bulgari, David Webb, Buccellati, those kinds of names. But there are a lot of fantastic, wonderfully talented makers that came out of Europe, and many of them were French. One of the things I was taught early on is that the French make—how would I put this? They put detail and time and thought into the pieces they make. For example, something in the United States might be made so you see all the beauty on the part that faces forward. With the French, they'll think about the back side of it, too, or the edges. It'll be as beautiful on the back as it is on the front, and it's a more thoughtfully made piece. The French are wonderful workmen and artisans. That's one of the things that's a big plus. When I'm going over a piece of jewelry and doing all the work on it, I'm always happy to see a French mark. An interesting thing to know about France is that they will not allow anything that's less than 18 karat to be sold. When you have marks on it—it's the eagle's head mark, which is a gold French mark—it guarantees it's at least 18 karat or higher. Then they have the platinum marks. If somebody wants to import their jewelry from out of the country into France and sell it, they also have to be 18 karat. In those cases, they get the stamp we call the hibou, which is like an owl that says it was sold in France but it was imported into France. The French have always had a higher level of expectation with jewelers, and their pieces in general tend to be really wonderful. Anything that's French is a plus in the jewelry world. Sharon: Today it seems like, when I'm looking Instagram, there are so many one-off jewelers. They're not just one-off pieces, but they're Danish or German or people you've never heard of. They can be American. Not to knock anybody, but is it the design that's more known as opposed to whether the earrings sit on the ear? Nan: It's a combination of those things. At that end of the day, we as women are the ones that are going to be wearing the jewelry, and if it doesn't look good on them, that's not going to carry it forward in a positive way. I would say the French designs are excellent. Generally, they're designed to sit well, but honestly, quite often you'll find that with the good but less-known jewelers, the ones that are not signed or the no-name jewelers, you still need to check. One thing I have noticed over the years is in the Art Deco period, for example in the United States, the jewelry was so beautiful, and there was so much money in the roaring twenties that no expense was spared in the workmanship and the quality of the stones that were used. But quite often over the years, I've seen these Art Deco and 1930s bracelets out of France that are set with very imperfect diamonds, old cuts, low-quality stones, often off-color, and it's interesting. I think Europe must have been in a different economic place than the United States when these were manufactured. Sharon: That's interesting. I was interested in Catalan Art Deco, and the dealers would emphasize to me that the stones weren't of the highest quality. They were used in the piece, but they weren't the highest quality. Nan: Yeah, there you go. Sharon: I'm interested in the overall piece. If the stone isn't the highest caliber, all right, as long as it makes the piece. Nan: Exactly. If it speaks to you and you love it, that's the most important thing. Sharon: Do you agree with the dealers or the people in the jewelry business who say, “It doesn't matter if it's signed if you love it”? What are your thoughts about that? Nan: I think good jewelry is good jewelry. I don't think it has to be signed to be a fabulous piece. The signature certainly helps in the overall value, and people are more aware of that these days than they used to be, but there's a lot of beautiful, beautifully made, beautifully designed pieces out there that are not signed. I'm a big believer in buying what you love. Don't buy what you're lukewarm about. Buy what you really love, and try everything on to make sure it sits the way you want and that you like it. If you really love it, I believe in paying more than you think it's worth. In my opinion, the pieces I love the most I paid so much for, more than I wanted to. I've forgotten about many, but to this day I still love and cherish those pieces.

Bei WWE haben sich Sasha Banks und Naomi durch ihren realen Abgang vor ihrem angekündigten Match bei RAW eine Suspendierung und eine öffentliche Ohrfeige eingehandelt, jetzt hat auch Konkurrent AEW einen großen Knall hinter den Kulissen: Das mit WWE flirtende Top-Talent MJF hat vor dem großen Pay Per View Double or Nothing einen Fanfest-Auftritt platzen lassen und soll auch mit einem Boykott seines großen Matches gegen Wardlow gedroht haben das er am Ende letztlich aber doch durchzog und dabei völlig demontiert wurde. Der Skandal und seine ungewissen Folgen haben am Ende für größeren Gesprächsstoff gesorgt als der Titelgewinn von CM Punk gegen Hangman Page. Was steckt hinter den spektakulären Eklats? Vertragen sich die rebellischen Stars wieder mit ihren Arbeitgebern oder steuern sie auf einen Wechsel zum jeweiligen Konkurrenten zu? Oder ist am Ende doch alles ein Work, also ein geschickt inszenierter Teil der Show? In der neuen Episode von Heelturn - der SPORT1 Wrestling Podcast diskutieren Marcus Hinselmann und Martin Hoffmann über die beiden heißesten Themen der US-Wrestlingszene - und ihre weiteren Eindrücke der großen Las-Vegas-Show des WWE-Konkurrenten.

Bei WWE haben sich Sasha Banks und Naomi durch ihren realen Abgang vor ihrem angekündigten Match bei RAW eine Suspendierung und eine öffentliche Ohrfeige eingehandelt, jetzt hat auch Konkurrent AEW einen großen Knall hinter den Kulissen: Das mit WWE flirtende Top-Talent MJF hat vor dem großen Pay Per View Double or Nothing einen Fanfest-Auftritt platzen lassen und soll auch mit einem Boykott seines großen Matches gegen Wardlow gedroht haben das er am Ende letztlich aber doch durchzog und dabei völlig demontiert wurde. Der Skandal und seine ungewissen Folgen haben am Ende für größeren Gesprächsstoff gesorgt als der Titelgewinn von CM Punk gegen Hangman Page. Was steckt hinter den spektakulären Eklats? Vertragen sich die rebellischen Stars wieder mit ihren Arbeitgebern oder steuern sie auf einen Wechsel zum jeweiligen Konkurrenten zu? Oder ist am Ende doch alles ein Work, also ein geschickt inszenierter Teil der Show? In der neuen Episode von Heelturn - der SPORT1 Wrestling Podcast diskutieren Marcus Hinselmann und Martin Hoffmann über die beiden heißesten Themen der US-Wrestlingszene - und ihre weiteren Eindrücke der großen Las-Vegas-Show des WWE-Konkurrenten.

Bei WWE haben sich Sasha Banks und Naomi durch ihren realen Abgang vor ihrem angekündigten Match bei RAW eine Suspendierung und eine öffentliche Ohrfeige eingehandelt, jetzt hat auch Konkurrent AEW einen großen Knall hinter den Kulissen: Das mit WWE flirtende Top-Talent MJF hat vor dem großen Pay Per View Double or Nothing einen Fanfest-Auftritt platzen lassen und soll auch mit einem Boykott seines großen Matches gegen Wardlow gedroht haben das er am Ende letztlich aber doch durchzog und dabei völlig demontiert wurde. Der Skandal und seine ungewissen Folgen haben am Ende für größeren Gesprächsstoff gesorgt als der Titelgewinn von CM Punk gegen Hangman Page. Was steckt hinter den spektakulären Eklats? Vertragen sich die rebellischen Stars wieder mit ihren Arbeitgebern oder steuern sie auf einen Wechsel zum jeweiligen Konkurrenten zu? Oder ist am Ende doch alles ein Work, also ein geschickt inszenierter Teil der Show? In der neuen Episode von Heelturn - der SPORT1 Wrestling Podcast diskutieren Marcus Hinselmann und Martin Hoffmann über die beiden heißesten Themen der US-Wrestlingszene - und ihre weiteren Eindrücke der großen Las-Vegas-Show des WWE-Konkurrenten.

Bei WWE haben sich Sasha Banks und Naomi durch ihren realen Abgang vor ihrem angekündigten Match bei RAW eine Suspendierung und eine öffentliche Ohrfeige eingehandelt, jetzt hat auch Konkurrent AEW einen großen Knall hinter den Kulissen: Das mit WWE flirtende Top-Talent MJF hat vor dem großen Pay Per View Double or Nothing einen Fanfest-Auftritt platzen lassen und soll auch mit einem Boykott seines großen Matches gegen Wardlow gedroht haben das er am Ende letztlich aber doch durchzog und dabei völlig demontiert wurde. Der Skandal und seine ungewissen Folgen haben am Ende für größeren Gesprächsstoff gesorgt als der Titelgewinn von CM Punk gegen Hangman Page. Was steckt hinter den spektakulären Eklats? Vertragen sich die rebellischen Stars wieder mit ihren Arbeitgebern oder steuern sie auf einen Wechsel zum jeweiligen Konkurrenten zu? Oder ist am Ende doch alles ein Work, also ein geschickt inszenierter Teil der Show? In der neuen Episode von Heelturn - der SPORT1 Wrestling Podcast diskutieren Marcus Hinselmann und Martin Hoffmann über die beiden heißesten Themen der US-Wrestlingszene - und ihre weiteren Eindrücke der großen Las-Vegas-Show des WWE-Konkurrenten.

Bei WWE haben sich Sasha Banks und Naomi durch ihren realen Abgang vor ihrem angekündigten Match bei RAW eine Suspendierung und eine öffentliche Ohrfeige eingehandelt, jetzt hat auch Konkurrent AEW einen großen Knall hinter den Kulissen: Das mit WWE flirtende Top-Talent MJF hat vor dem großen Pay Per View Double or Nothing einen Fanfest-Auftritt platzen lassen und soll auch mit einem Boykott seines großen Matches gegen Wardlow gedroht haben das er am Ende letztlich aber doch durchzog und dabei völlig demontiert wurde. Der Skandal und seine ungewissen Folgen haben am Ende für größeren Gesprächsstoff gesorgt als der Titelgewinn von CM Punk gegen Hangman Page. Was steckt hinter den spektakulären Eklats? Vertragen sich die rebellischen Stars wieder mit ihren Arbeitgebern oder steuern sie auf einen Wechsel zum jeweiligen Konkurrenten zu? Oder ist am Ende doch alles ein Work, also ein geschickt inszenierter Teil der Show? In der neuen Episode von Heelturn - der SPORT1 Wrestling Podcast diskutieren Marcus Hinselmann und Martin Hoffmann über die beiden heißesten Themen der US-Wrestlingszene - und ihre weiteren Eindrücke der großen Las-Vegas-Show des WWE-Konkurrenten.

Bei WWE haben sich Sasha Banks und Naomi durch ihren realen Abgang vor ihrem angekündigten Match bei RAW eine Suspendierung und eine öffentliche Ohrfeige eingehandelt, jetzt hat auch Konkurrent AEW einen großen Knall hinter den Kulissen: Das mit WWE flirtende Top-Talent MJF hat vor dem großen Pay Per View Double or Nothing einen Fanfest-Auftritt platzen lassen und soll auch mit einem Boykott seines großen Matches gegen Wardlow gedroht haben das er am Ende letztlich aber doch durchzog und dabei völlig demontiert wurde. Der Skandal und seine ungewissen Folgen haben am Ende für größeren Gesprächsstoff gesorgt als der Titelgewinn von CM Punk gegen Hangman Page. Was steckt hinter den spektakulären Eklats? Vertragen sich die rebellischen Stars wieder mit ihren Arbeitgebern oder steuern sie auf einen Wechsel zum jeweiligen Konkurrenten zu? Oder ist am Ende doch alles ein Work, also ein geschickt inszenierter Teil der Show? In der neuen Episode von Heelturn - der SPORT1 Wrestling Podcast diskutieren Marcus Hinselmann und Martin Hoffmann über die beiden heißesten Themen der US-Wrestlingszene - und ihre weiteren Eindrücke der großen Las-Vegas-Show des WWE-Konkurrenten. Du möchtest deinen Podcast auch kostenlos hosten und damit Geld verdienen? Dann schaue auf www.kostenlos-hosten.de und informiere dich. Dort erhältst du alle Informationen zu unseren kostenlosen Podcast-Hosting-Angeboten.

Ihr gewinnt beim BAYERN 3 Promi-Quiz, Adele muss ihre Las Vegas Show verschieben, und Harry G. mir dem Diss-Like der Woche

It's almost here, Adele's new show is coming to Caesars Palace in January. Sean and Dayna surprisingly don't know anyone who has gotten a ticket! Also, the latest on how the COVID-19 surge is affecting Las Vegas. The iconic Ghostbar is coming back to the Palms. This bar is known for its incredible Las Vegas views. The name had changed for a while. When the Palms reopens it will go back to the original name. Sean and Dayna take a trip to Virgin Hotels. A legendary steakhouse is coming to Caesars. And, insider info on plans to bring a major league baseball team to Las Vegas. Thanks to our sponsor, Targeted Tax Relief. Get a free consultation today! Go to TargedTaxRelief.com for information and to sign up.Vegas Revealed merchandise HERE!Support the show (https://www.paypal.com/donate?hosted_button_id=UCMULZYF325PL)

Episode 344 of On Screen & Beyond - Toby Allen joins us this week! Toby is a member of the hit group Human Nature, who have a new Christmas album out to go along with their Las Vegas Show. They also have an up coming Australian tour and so much more! --- Send in a voice message: https://anchor.fm/on-screen-and-beyond/message

Episode 458, December 14, 2021 Bruce Kulick and Todd Kerns Join to Talk About KISS Kruise Shows and Upcoming Las Vegas Show. Visit www.BruceKulick.net and www.ToddKerns.com Forget the haters, we won! Press requests please contact Michael Brandvold at www.michaelbrandvold.com Since launching in 2012 Three Sides of the Coin has been viewed or listened to over […]

MGM Resorts International announced it is selling The Mirage on the Las Vegas strip. They will still own the building, but another operator will come in and take over. What we know so far. Plus, Sting opens at The Colosseum at Caesars Palace. He talks about how he feels about being on stage in Las Vegas.  The 70-year-old singer put on quite a show! Sean and Dayna were there, and have their take. Plus, America's Got Talent Live Las Vegas kicks off at The Luxor. Sean and Dayna talk to the director of the show and MGM's Dan Bernbach. Find out more about what to expect and what else could come from AGT Live. Tips include cheap drinks in downtown Las Vegas and hotel casino deals. Order your Las Vegas merchandise HERE. Vegas Revealed design available, and much more. Support the show (https://www.paypal.com/donate?hosted_button_id=UCMULZYF325PL)

#BookendBaldies reflect on the 1st 4 Vegas shows, the Met Gala and The VMA's. Buddy and Eddie are giving a re-cap and some BTS on the amazing 1st run of the Debbie Gibson & Joey McIntyre: Live in Las Vegas Show.  They stroll down the white carpet of the Met Gala to give you some of their favorite and worst dressed celebrities of the night. They also discuss why the VMA's even exist anymore? Buckle up for Episode 64 of the #BookendBaldies! Twitter: @bookendbaldies Instagram: @bookendbaldies Facebook: BookendBaldies Website: https://bookendbaldies.wordpress.com Buddy Casimano: Twitter: @BuddyCasimano Instagram: @BuddyCasimano Eddie Bennett: Twitter: @euphorian54 Instagram: @euphorian54

What is Sin City's greatest show? We're joined by our pal John Ross Bowie (host of Household Faces) to tour the strip and come up with the ultimate answer.

Famed entertainer Donny Osmond, who is getting ready to release his 65th studio album, talks about why he is so excited for his Las Vegas show and how he's going to get all his siblings involved, including sister Marie. Plus, how he stays grounded after almost 60 years in showbiz.

On this episode of Garthology, Deb, Pete, and Jess discuss the very first post-Covid stadium tour show - Las Vegas, baby!  Listen as they discuss the live Las Vegas show, their experience there and what the brand new Allegiant Stadium is like!  Not only do we discuss Garth's stadium show there, we also provide helpful Allegiant tips and ideas to make any event you attend there a better experience.Join this journey of discovery to learn all about Garth Brooks, his songs, the songwriters, the band, and the impact Garth has had on country music.Support the show (https://www.buymeacoffee.com/Garthology)

In this episode, I discuss with author Richard Zoglin his book Elvis in Vegas: How the King Reinvented the Las Vegas Show. Our discussion takes us from the early years of Las Vegas to the King of Rock in Roll's seven-year and over 600 sold-out shows. Doug Hess is the host! Forgotten Hollywood is on Facebook!

The Sixty Ninth Episode of The Schmozone Podcast with cohosts Dave Schmulenson (aka The Schmo) and Helen Yee. Adult Film Star and MMA Super Fan Kendra Lust joins a late night episode after inviting us out in Sin City. TSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Rocker Sammy Hagar announced his first Las Vegas residency at The Strat Hotel, Casino, and SkyPod. He made the announcement at the top of the Strat and says his show will be called, "Sammy Hagar and Friends." Sean and Dayna talk to him about the new show and what "friends" will join him. Station Casinos is celebrating the company's 45th anniversary. They have many casinos across the Las Vegas valley like Red Rock, Green Valley Ranch, and Palace Station. Sean and Dayna talk to the VP of Guest Experience at Red Rock about what they offer and how they have made an impact. There are also a lot of specials this month. Cirque Du Soleil returns to the stage on the strip. Plus, Sean and Dayna travel to Allegiant Stadium to try out the food that will be offered once events and football season kicks off! They also chat about the Resorts World VIP party. Order your Las Vegas merchandise HERE. Vegas Revealed design available, and much more.Support the show (https://www.paypal.com/donate?hosted_button_id=UCMULZYF325PL)

Tonight we give one last performance in fabulous Las Vegas while simultaneously celebrating five years doing the show. There will be stories. Scary ones!

Jorge is REALLY disappointed today because nobody has nominated anyone on the show for the 100 hottest handsome Men of 2021! Jorge also had a panic attack when he tripped on himself and on the scorers table. We give away Dave Chapelle Tickets for his Las Vegas Show. Plus, We have some fun with LAFC's GK Pablo Sisniega playing over rated, properly rated or Underrated? And it's Foodie Friday – We tell you all about Fatima's Grill in the City of Downey! and Mychal Thompson jumps in to protect the Laker name!! Learn more about your ad choices. Visit megaphone.fm/adchoices

Scott Radburn is 1/4 of the Four Kinsmen. An Aussie act that toured 27 states of the US & headlined their own show on the Las Vegas Strip. Featuring on 'Hey Hey It's Saturday' & 'The Bert Newton Show' amongst many others Scott's talent has been enjoyed by so many throughout the years! Post Kinsmen, Scott has starred in Cats the musical & performed in many different countries around the world. One of things that I admire in Scott is his variety of talent. From perfectly executing an opera classic to humouring the crowd with a comedic performance, this guy is truly an all rounder & I hope you enjoy our conversation as much as I did. Find Scott on Facebook @ Scott Radburn.

Great episode especially if you're a comedian or just a fan of comedy. We discuss the behide the scenes of what it's like to be a comedian and discuss the very popular Las Vegas Show called "Dirty at 12:30"