Podcasts about Single Lock Records

Show #1083 NOLA Blues 01. The Meters - Mardi Gras Mambo (2:34) (Fire On The Bayou, Reprise Records, 1975) 02. Allen Toussaint - You Will Not Lose (3:27) (Southern Nights, Reprise Records, 1975) 03. John Fohl - I Can't Wait (3:10) (Hands On You, self-release, 2017) 04. Dumpstaphunk - United Nations Stomp (5:47) (Where Do We Go From Here, Mascot Records, 2021) 05. Amanda Shaw - Grand Mamou (4:39) (Joie, self-release, 2020) 06. Dirty Dozen Brass Band - It's All Over Now (4:55) (Voodoo, Columbia Records, 1989) 07. Coco Robicheaux - Burn My Bones (3:47) (Hoodoo Party, Sky Ranch Records, 2000) 08. Chris Thomas King - One More Scotch (3:48) (Big Grey Sky, 21st Century Blues Records, 2023) 09. Amber Rachelle & the Sweet Potatoes - I Don't Know (3:44) (Pipin' Hot, self-release, 2024) 10. Professor Longhair - Tipitina (3:35) (Rock 'N' Roll Gumbo, Blue Star Records, 1974) 11. Neville Brothers - Yellow Moon (3:58) (Yellow Moon, A&M Records, 1989) 12. Ernie K Doe - Mother-In-Law (2:30) (45 RPM Single, Minit Records, 1961) 13. John "Papa" Gros - Deep In The Mud (3:25) (Central City, Funky Krewe Records, 2020) 14. Willie DeVille - Junker's Blues (3:19) (Victory Mixture, Sky Ranch Records, 1990) 15. Andy J Forest - Harpbinger (3:15) (NOtown Story: The Triumph Of Turmoil, self-release, 2010) 16. Meschiya Lake & the Little Big Horns - 'Lectric Chair Blues (3:58) (Bad Kids Club, self-release, 2015) 17. Ivan Neville - Greatest Place On Earth (4:53) (Touch My Soul, Mascot Records, 2023) 18. Jon Cleary - Second Line On Monday (4:19) (So Swell, Single Lock Records, 2023) 19. Dr. John - My People Need A Second Line (5:18) (City That Care Forgot, Cooking Vinyl, 2008) 20. Ricci & Krown - The Jimmy Smith Strut (4:18) (City Country City, Gulf Coast Records, 2021) 21. Deltaphonic - Out Of All Stars (3:59) (Single, self-release, 2024) 22. Tab Benoit - Watching The Gators Roll In (4:55) (I Hear Thunder, Whiskey Bayou Records, 2024) 23. Dayna Kurtz - You're Trouble (4:42) (Lulu & the Broadsides, Kismet Records, 2022) 24. Sonny Landreth - Beyond Borders (4:09) (Blacktop Run, Provogue Records, 2020) Bandana Blues is and will always be a labor of love. Please help Spinner deal with the costs of hosting & bandwidth. Visit www.bandanablues.com and hit the tipjar. Any amount is much appreciated, no matter how small. Thank you.

This show is made possible by you! To become a sustaining member go to https://LauraFlanders.org/donate Thank you for your continued support!Description: In a world where lies travel at the speed of light, truth struggles to keep up. From AI-generated deep fakes to lightning-fast social media rumors, disinformation is reshaping our reality. In the wake of Donald Trump's shooting, falsehoods flooded our feeds faster than facts. The problem of disinformation, the deliberate spread of false or misleading information, isn't new, but the stakes are high in this critical election year. In this monthly installment of “Meet the BIPOC Press”, we ask: Who are the targets of disinformation in the run up to the 2024 election and why? Joining Laura are Tamoa Calzadilla, the editor and chief of Factchequeado, a collaborative initiative to combat mis- and disinformation targeting Latino and Spanish-speaking communities. Esosa Osa is the founder of Onyx Impact and the former Deputy Executive Director of Fair Fight Action, the voting rights organization founded by Stacey Abrams. Esosa has just released the first report of its kind looking at disinformation specifically in Black online spaces. Kadia Tubman is a disinformation correspondent for Scripps News, a national broadcast news channel based in Atlanta. What is media and government's role in halting the spread of disinformation? Our guests share what concerned citizens can do right now to protect fact-based reporting.Guests:•. Tamoa Calzadilla: Editor in Chief, Factchequeado•. Kadia Tubman: Journalist, Disinformation Correspondent•. Esosa Osa: Founder & CEO, Onyx Impact Full Episode Notes are located HERE.  They include related episodes, articles, and more.Music In the Middle:  “Jock-A-Mo” by Cha Wa with Single Lock Records, part of New Orleans' Muscle Shoals.  And additional music included- "Steppin"  by Podington Bear. Laura Flanders and Friends Crew: Laura Flanders, Sabrina Artel, David Neuman, Nat Needham, Rory O'Conner, Janet Hernandez, Sarah Miller, Jeannie Hopper, Nady Pina, Miracle Gatling, and Jordan Flaherty FOLLOW Laura Flanders and FriendsInstagram: https://www.instagram.com/lauraflandersandfriends/Twitter: https://twitter.com/LFAndFriendsFacebook: https://www.facebook.com/LauraFlandersAndFriends/Tiktok: https://www.tiktok.com/@lauraflandersandfriendsYouTube: https://www.youtube.com/channel/UCFLRxVeYcB1H7DbuYZQG-lgLinkedin: https://www.linkedin.com/company/lauraflandersandfriendsPatreon: https://www.patreon.com/lauraflandersandfriendsACCESSIBILITY - The broadcast edition of this episode is available with closed captioned by clicking here for our YouTube Channel

  Dylan LeBlanc Nascido em Shreveport, Louisiana, começou a atuar aos quinze anos, apresentando-se na região e em Muscle Shoals, Alabama. Jovem, LeBlanc assistiu seu pai se apresentar em vários clubes e bares, ficando com uma sensação diferente quanto a música. Aos dezenove anos assinou contrato com a Rough Trade Records, que lançou seu primeiro álbum Pauper's Field. Até os nove anos de idade, LeBlanc morou com sua mãe em Blanchard, Louisiana, uma pequena cidade no canto noroeste de Shreveport. Trabalhando em tempo integral limpando casas, a mãe de LeBlanc criou Dylan e seus dois irmãos. Aos dez anos, mudou-se para Muscle Shoals para que seu pai pudesse seguir sua carreira musical como compositor profissional de música country. Em Muscle Shoals, LeBlanc adquiriu uma educação musical única. Passava as noites assistindo os músicos gravarem nos estúdios onde seu pai tocava. Aos quatorze anos voltou para Shreveport para morar com sua avó e começou a cursar o ensino médio na Captain Shreve High School. Lá, conheceu o músico Daniel Goodwill e começou a tocar com uma banda de rock alternativo, Jimmy Sad Eyes Blue. Goodwill inspirou LeBlanc a começar a escrever suas próprias músicas. Depois de alguns anos tocando foi forçado a ir para a reabilitação. Depois, em vez de retornar ao ensino médio, decidiu seguir sua carreira musical em tempo integral. Se juntou à banda local de Punk Rock Muscle Shoals Alguns anos depois, tornou-se cofundador da banda Abraham. Ele fez suas primeiras gravações com Abraham no Fame Recording Studios em Muscle Shoals. Naquela época, o engenheiro do estúdio Ben Tanner (do Alabama Shakes) era membro da banda de LeBlanc. Trabalhos 2010, LeBlanc lançou seu primeiro álbum Paupers Field. A música "If the Creek Don't Rise" tem a presença de Emmylou Harris. Para divulgar o álbum, LeBlanc fez turnê e abriu shows para artistas como Lucinda Williams, The Civil Wars, Laura Marling, George Ezra e Calexico. O segundo álbum de LeBlanc, Cast the Same Old Shadow, foi lançado em agosto de 2012. Após seu lançamento, LeBlanc tocou com Bruce Springsteen, First Aid Kit, The Drive By Truckers e Alabama Shakes. A crítica do The Guardian sobre Cast the Same Old Shadow chamou suas canções de "tão bonitas quanto sombrias" e o álbum de "misterioso". O terceiro álbum de estúdio de Dylan LeBlanc, Cautionary Tale, UMA PÉROLA, foi lançado em 15 de janeiro de 2016 pela Single Lock Records. O quarto álbum de estúdio, Renegade, chegou em 7 de junho de 2019 pela ATO Records. Coyote (2023), nasceu em 2023 e tem na capa o lobo flechado, como a sua voz, única, misteriosa e cativante. Sempre se relacionou com a natureza insaciável e sarcástica do coiote astuto. Assim como o animal, LeBlanc é um andarilho que sabe quando confiar em seus instintos Músicos atuais: O baterista Fred Eltringham (Ringo Starr, Sheryl Crow), o pianista Jim "Moose" Brown (Bob Seger) e o baixista Seth Kaufman (Lana Del Rey) Dylan continua crescendo muito profissionalmente, mas com atenção, pois a vida é uma "dança na navalha" Todos os trabalhos estão na playlist no site do GB, conforme os links anexados nos posts, como de costume.     --- Send in a voice message: https://podcasters.spotify.com/pod/show/garimpandobolachas/message

John Paul White is an amzing performer, singer, songwriter and studio nerd who lives in Florence, Alabama and is known by many for all his amazing work with his Grammy-winning band The Civil Wars. John Paul has also worked as a professional songwriter, and runs a studio and a label called Single Lock Records. This all goes down in Florence, which is part of the 3 cities known as The Shoals, or as us music nerds know it as, Muscle Shoals. This small, almost rural area unbelievably housed 2 amazing studios where some of the greatest soul music of all time was recorded - Fame, and Muscle Shoals Sound. Those 2 studios are still standing today and really are amazing places to visit! John Paul continues that tradition by carving out his own scene in the very same area today. He grew up in a small town in Tennessee, very close to Florence, and during his college days, started playing gigs in bands and on his own. He eventually discovered that he loved songwriting, especially as a vehicle to sing and perform. That led to him recording an album with his band, and eventually a solo album called "The Long Goodbye". But it was at a songwriting workshop that he was paired up with the already successful Joy Williams - they hit it off and immediately started working on music that became The Civil Wars. Their debut album, "Barton Hollow", came out in 2011 and was a huge success, winning a Grammy the following year.They worked mostly with producer Charlie Peacock, but also with others like T-Bone Burnett and Rick Rubin, which we get into today as well. The Civil Wars came to a crashing halt in 2013, and John Paul has since re-started his solo career, the label and now the studio. His albums "Beulah", and the most recent "The Hurting Kind" are both stellar records to check out. They're very different and sonically really deep and interesting. It was great to speak with John Paul about all of these projects, his creative process and what he's up to these days. You can follow him for any shows, and news on albums he's making or producing for others at johnpaulwhite.com - Enjoy my conversation with John Paul White!If you enjoyed this episode, please consider supporting the show with a donation or Patreon subscriptionThe show's website can be found at www.makersandshakerspodcast.comYour fearless host, Steve Dawson can be found at www.stevedawson.ca Become a member at https://plus.acast.com/s/mmasspodcast. Hosted on Acast. See acast.com/privacy for more information.

Episode 262: There's no better forum to survey what's happening at the cutting edge of roots music than AmericanaFest, and 2023's huge edition was no exception. In what's become an annual tradition, I survey three acts who are making waves in three different genre spaces in the Americana universe. Summer Dean quit her teaching job around her 40th birthday to hit the road as a honky tonk singer and songwriter and earned the support of Bruce Robison's Next Waltz Records. Caleb Elliott became ensconced with Muscle Shoals label Single Lock Records as a session cello player before breaking cover as a songwriter. They liked his stuff so much they've released two albums with him. And Allison DeGroot and Tatiana Hargreaves define the cutting edge in today's old-time scene. 

Links:Duquette JohnstonETOWAH - a film about Duquette JohnstonClub DuquetteVerbenaDaniel Carl FoxJail Guitar DoorsMerge RecordsSetanta RecordsReed Watson/Single Lock RecordsNonesuch RecordsEp 19 - Mary BraggThe Jesus LizardPost MaloneThe BasementClick here to watch this conversation on YouTube.Social Media:The Other 22 Hours InstagramThe Other 22 Hours TikTokMichaela Anne InstagramAaron Shafer-Haiss InstagramSend us your feedback!The Other 22 Hours FeedbackAll music written, performed, and produced by Aaron Shafer-Haiss.

It's a super sized episode this week with a ton of info to share!  Brooklin, Sharla and Daniel are here to talk about some of the big changes coming to ticketing and the campground for 2023.  We've brought on a panel of Roovians you probably already know, we sort it out with them and get their impression on what's coming.  (We even have a bit of exclusive info from Bonnaroo to share as well!). We also talk with the amazing WANDA, who just signed a record deal with Single Lock Records out of Florence, Alabama.  Hey Bonnaroo, are you listening?  You should totally book her to play on Thursday this year!

The blues is music for all time—past, present, and future—and few artists simultaneously exemplify those multiple temporal moments of the genre like North Mississippi's Cedric Burnside. The Mississippi Hill Country blues guitarist and singer/songwriter contain the legacy and future of the region's prescient sound stories. At once, African and American and southern and Mississippian, these stories tell about love, hurt, connection, and redemption in the South. His newest contribution to this tradition is I Be Trying, a 13-track album treatise on life's challenges, pleasures, and beauty. “Life can go any kind of way,” Burnside says. He would know with almost 30 years of performing and living blues in him. Burnside's blues inheritance, the North Mississippi Hill Country blues, is distinct from its Delta or Texas counterparts in its commitment to polyrhythmic percussion and its refusal of familiar blues chord progressions. Often, and especially in Burnside's care, it leads with extended riffs that become sentences or pleas or exclamations, rendering the guitar the talking drum like its West African antecedent. Riffs disappear behind and become one with the singer's voice, like the convergence of hill and horizon in the distance. Sometimes they become the only voice, saying what the singer cannot conjure the words for. Across some nine individual and collaborative album projects, Burnside's voice eases seamlessly into, through, and behind the riffs spirit gifts him, carrying listeners to a deep Mississippi well. There is a mirror there in the water of that well, in Burnside's music, that shows us who and what we have been, who we are, and what we might be if we look and heed. The 42-year-old Burnside was born in the blues as much as he was in funk, rock, soul, and hip-hop. These latter sensibilities are reflected across his work as he drives Hill Country blues into grooves that lend themselves readily to an urgent, modern moment. But he is also keenly his grandfather's grandson, who he studied so carefully over a decade playing with him that he came to know him better than his self. The elder Burnside bluesman, the hill country blues luminary RL Burnside, and his wife Alice Mae wrapped their Holly Springs land and family in warmth, joy, and music. RL Burnside, alongside collaborators and contemporaries from David “Junior” Kimbrough to Jessie Mae Hemphill and Otha Turner, cultivated the sound and feel of Black North Mississippi life and offered it up to the world. Cedric observed and absorbed this art world intently and with wonder as a child, declaring to himself, this is the music I want to play, and I want to do that for the rest of my life. Moreover, this was the offering he, too, wanted to make and the life of service to the spirit through blues that he wanted to live. By age 13, he was on the road with his “Big Daddy” Burnside, playing drums, being raised by the music and the road, and developing the next, electric generation of the Hill Country calling and sound. Burnside's two Grammy-nominated album projects— the 2015 Descendants of Hill Country and 2018's Benton County Relic—were capstone statements for a lifetime of musical labor channeling the blues spirit on drums, guitar, and vocals in the North Mississippi Hill Country tradition. I Be Trying, Burnside's second release with Alabama's Single Lock Records, is another unfolding of his influence and voice as an architect of the second generation of Hill Country blues. This album pushes just beyond his long-time roles as Hill Country blues collaborator, torchbearer, and innovator into the artist's inner life rooms. Written in reflection on and off the road in 2018, the album responds to the confusion and anger he felt in the years after a series of deaths in the family and a host of other interpersonal hurts, some he dished out and some he took. The album opens with an acoustic lament, “The World Can Be So Cold,” that encapsulates the tenderness of this pain and then quickly rallies and pleads with the Lord for help on the rousing second track and the album's first single, “Step In.” The title track, on which Burnside is accompanied on background vocals by his youngest daughter Portrika, is a plea for grace and forgiveness from a man “still learning and trying to be the best me.” Burnside's signature approach and contribution to the Hill Country genre—electricity, intention, and timeless timbre—is seamlessly complemented by star collaborators Alabama Shakes bassist Zac Cockrell, and North Mississippi All-Stars guitarist Luther Dickinson, and principal collaborator Reed Watson on drums. With lessons to impart, Burnside strips down the sound with precision so there can be no misunderstanding, allowing for space and breath where otherwise chords and reverb might be present. This portion of the offering is a guidebook for life's dark times, set to mostly minor riffs and pulsing bass and percussion rhythms that immediately set in the soul like the gospel. If you wake up on the wrong side of the bed, “Ask the Lord for revelation/so [you] can see clearer” and “keep on pushing as hard as [you] can,” he advises to a march on “Keep On Pushing”; “Be careful who you talk to/ain't no telling what they might do” he warns on “Gotta Look Out” over a menacing bass eighth-note couplet on the one and three. Recorded over a few sessions at Royal Studios in Memphis with lifelong friend and fellow North Mississippi descendant Lawrence “Boo” Mitchell, I Be Trying is Burnside boiled down by a wave of fiery blue anger from descendant to relic to human. What is left, and this is everything, is a resonant kind of love. Buoyed by his readings of Lao Tzu and rumination on his own life choices and hurts, Burnside says he is “trying his best to implement love” in his life and relationships with others. “There's not enough love shown in the world. People have a lot of regrets. The world needs more love.” In the places where love glistens on the album's surface, like in the harmonies on the anthem groove “Love Is the Key” or in the smooth, purposeful falsetto sliding over the strings on the final track, “Love You Forever,” Burnside's desire for us all to “really just try to come closer” is palpable. But this is the blues, so love is necessarily double-edged. On two covers, one of RL Burnside's “Bird Without a Feather” and another of Junior Kimbrough's “Keep Your Hands Off Her,” which Burnside titles by its signature opening threat, “Hands Off That Girl,” there is hurt and fear, quiet menace, and outright danger. “Dark,” he admits, “but what people go through.” Flashing this side of love's sword, Burnside reminds us of the complex, raw, blues people legacy that undergirds his art. Still, he says on the soaring “Love Is Key,” which is his thesis as of late, “a life filled with love is the key/yes it is.” Blues is an embodied practice that frequently crosses the boundaries of reality and fiction, and as such, Burnside appears as himself in Bill Bennett's Tempted (2001), a New Orleans-set thriller; Arliss Howard's Mississippi-based romantic comedy Big Bad Love; and Craig Brewer's Tennessee-based drama Black Snake Moan (2006). However, he also can become something other than himself. In 2021, Burnside played the title character in Don Simonton and Travis Mills' story of Texas Red, a Franklin County, Mississippi juke joint owner who was hunted by a mob for a month after defending himself from an attack and eventually caught and killed. Burnside brings a bluesman's haunted gravitas to the role, balanced about life and death and freedom even in the most unspeakable moments. Like his music, this role is ancestral blues work that honors the dead and their legacies to teach and heal new generations. Burnside recalls chopping wood and hauling water as a child, and these days he is in his garden growing food and contemplating getting some chickens. This penchant for cultivation and innovation that has always characterized his music spills over to the land, especially in this moment of shift wrought by pandemic life. On a hunting trip to Montana, Burnside connected to nature and his interior life in a new way. This feeling, one of opening, was a revelation to him. It underscores his love strivings and, along with his studies of the Dao, even changes how he structures and writes songs. It is a process of “realizing what was already there,” he says, of remembering. Love is vital, and love is work. Burnside's turn inward has him considering his place in the family legacy of professional blues musicians. He is a proud father of three daughters, ages 22, 18, and 15, all of whom can play drums and guitar, and is looking forward to more collaborations like the one with the youngest Burnside daughter on “I Be Trying.” Striving for transparency with his children about his own life, he lets them know not to be too hard on themselves. He says Big Daddy always cared for his family, including his 13 children and several grandchildren and great-grandchildren. Despite his touring schedule, Burnside is deeply grateful for his capacity to support and be present for his children. He says, “I have been there, and I will be there.” That's for sure about the past, present, and future of the North Mississippi Hill Country blues, too.

Conversation and Songs from Duquette's last three records. Includes the four singles (Year To Run, To My Daughters, Mystics, and Tonight) from the upcoming release, The Social Animals (02.25.22), on Single Lock Records.

Kevin spotlights a great independent label called Single Lock Records for this week's #TuesdayTriplePlay.  Featuring traditional blues, pop-noir, and indie rock. Cedric Burnside – I Be Trying (2021)Sample Track: “This World Can Be So Cold”Nicole Atkins – Memphis Ice (2021)Sample Track: “These Old Roses”Exotic Dangers – Nine Is Fine (2019)Sample Track: “Stripin' Diamonds”Support the show (https://www.patreon.com/SchizoMusic)

Today we continue with the unveiling of our top albums of the year & count down from 20 to 11.  Check em out!Kevin's Best of 2021 (part 2) 20.  Cha Wa – My People (Single Lock Records)19.  Brandi Carlile – In These Silent Days (Low Country Sound) 18.  Dirty Honey – Dirty Honey (Self-Released)17.  James McMurtry – The Horses & The Hounds (New West Records)16.  Kenny Garrett – Sounds From The Ancestors (Mac Avenue)15.  Bob Evans – Tomorrowland (Due Process)14.  Alice Cooper – Detroit Stories (Ear Music)13.  George Porter Jr & Runnin' Pardeners – Crying For Hope (Self Released)12.  Neal Francis – In Plain Sight (ATO Records)11.  Demi Lovato – Dancing With The Devil: The Art of Starting Over (Island Records) Craig's Best of 2021 (part 2)  20. GA-20 – GA-20 Does Hound Dog Taylor: Try It...You Might Like It! (Karma Chief / Alligator Records)19. Holy Hive – Holy Hive (Big Crown Records)18. Ty Segall – Harmonizer (Drag City)17. Amusement Parks On Fire – An Archaea (EGB Global)16. Failure – Wild Type Droid (Failure Records)15. Andy Shauf – Wilds (Anti-)14. Ducks Ltd – Modern Fiction (Carpark Records)13. Guided By Voices – Earth Man Blues (Guided By Voices Inc.)12. Matthew Sweet – Catspaw (Omnivore Records)11. Neal Francis – In Plain Sight (ATO Records)Support the show (https://www.patreon.com/SchizoMusic)

Cedric Burnside started touring when he was just 13 years old. His grandfather, R.L. Burnside, helped create the unique sound of Mississippi Hill Country Blues and Cedric has embraced that legacy. He's been recognized as one of the best Blues musicians in America several times over. Mississippi is where American music was born, but many of its creators never reaped the financial rewards that others would find using their sound. On this episode of the Reckon Interview, Cedric discusses his latest album "I Be Trying," as well as what keeps him rooted in Mississippi and why he's so committed to carrying on the family tradition.All the music included in the episode is from "I Be Trying," produced by Single Lock Records. You can purchase the album and find Cedric Burnside's upcoming tour dates at www.cedricburnside.net.Sign up the The Conversation, our weekly newsletter at ReckonSouth.com/newsletters. See acast.com/privacy for privacy and opt-out information.

We had the pleasure of interviewing Pine Hill Haints over Zoom video! Alabama's roots rebels, the Pine Hill Haints, have shared The Song Companion of a Lonestar Cowboy, their debut for Muscle Shoals-based “scrappy” (Billboard) indie label Single Lock Records. Over fifteen tracks filled with “sizzling electric guitar riffs” and “sage advice” via their storytelling lyrics (Rolling Stone), the Haints take listeners on a journey through tracks that veer into swampy blues, Sun Records-style country and rockabilly, and cajun-flavored, accordion-driven pop, all mixed with “the right amount of weird” (Alabama Life & Culture). Born out of skateboarding culture and formed in a cemetery, the Haints have spent 25 years on the road resurrecting all kinds of music, including traditional folk, blues, and gospel, that has passed out of the mainstream in a style they call “Alabama Ghost Country.” The new album is just that - fiery rockabilly-meets-Irish-jig rave-ups and catchy squeezebox pop tunes filled with pounding tom-toms and energetic fiddles, mixed with tributes to the legendary Satchel Paige, John Henry, and Billy The Kid while lead singer Jamie Barrier's strong tenor voice rings familiar and friendly, with deep echoes of everything from John Lee Hooker to Buddy Holly to Johnny Cash.In addition to being included in Rolling Stone's roundup of best new country songs, the Haints have developed a cult following from their quarter century on the road (check them out in action in the video for their single “Back To Alabama” HERE), playing with a sense of abandon that comes from thousands of gigs behind them - taking place anywhere from college apartments to major festivals. American Songwriter noted in praise of these purveyors of Southern music tradition, “The Pine Hill Haints are not so much interested in popularizing non-mainstream folk as they are adamant in dwelling in their ancestral influences to endure a long line of stylistic storytelling.”True to their home-state roots, the Haints have played all 20 years of the 280 Boogie Festival at the infamous and beloved Standard Deluxe in Waverly, Alabama. Lead singer Jamie Barrier told Bluegrass Situation of the festival: "If playing at Standard Deluxe is what 'making it' is, that's all I want. Anything beyond that is extra." Check out the Haints' performance of “Satchel Paige Blues,” honoring the history-making Mobile-born pitcher, for this year's 20th anniversary of the 280 Boogie Festival HERE.The Pine Hill Haints are Jamie Barrier (lead vocals, guitar), Kat Barrier (mandolin, washboard, saw), Stevie LaBlanc (washtub, banjo), Brian Borden (snare drum) and Justin Ward (accordion, trombone).We want to hear from you! Please email Tera@BringinitBackwards.com.www.BringinitBackwards.com#podcast #interview #bringinbackpod #ThePineHillHaints #PineHillHaints #TheHaints #zoom #aspn #americansongwriter #americansongwriterpodcastnetworkListen & Subscribe to BiBFollow our podcast on Instagram and Twitter! 

In this week's episode, we spotlight a shoals area rock and roll outfit; EXOTIC DANGERS, and feature tracks from their 2019 album “Nine is Fine” out on Single Lock Records.  We'll also pack the show with tunes from Dizzy D & Joey Bagadonuts, Next Level B feat. Wade, Colt Vega, Hey Tyler, Annihilism, James Bowman III, The Golden Flakes, Aaron Wilson, and Spinships. Hear Valley Sounds nights at 9pm on WLRH 89.3 FM/HD  Grab the podcast on iTunes or with the WLRH mobile App. #wlrhloveslocal  #valleysounds 

In this week's episode, we spotlight Florence area Single Lock Records artist Belle Adair and spin their 2018 album: Tuscumbia.  We'll also have tunes from their label mates Dylan Leblanc feat. The Pollies, Exotic Dangers, and Space Tyger. Hear Valley Sounds nights at 9pm on WLRH 89.3 FM/HD  Grab the podcast on iTunes or with the WLRH mobile App. #wlrhloveslocal  #valleysounds 

Season 2: Episode 6 Nicole Atkins   Photo by Barbara FG   Episode 6 of Song Chronicles’ second season features a freewheeling conversation with Nicole Atkins, a singer-songwriter NPR Music hailed as “one of those people who is so inventive in everything she does.”     Last April, Nicole released her fifth full-length, Italian Ice, an album she described as to "an acid trip through my record collection." It certainly serves up an exquisite blend of soul, country, rock, blues, and classic pop that showcases her powerful, dramatic voice.     Unable to do her normal touring for her new album, Nicole got creative and hosted an online record release event. She also started presenting a weekly livestream variety show, We’re All In This Together. During the summer, Nicole switched to doing a live streaming series, Live From the Steel Porch, initially based out of Asbury Park’s Langosta Lounge (near her hometown of Neptune City, New Jersey) and later from The Dive Motel in East Nashville, her current home.   Nicole performing at the Langosta Lounge   In December, Nicole released the holiday single “Every Single Christmas,” which she co-wrote with JD McPherson. (She quite accurately described her version as “Cyndi Lauper and Brenda Lee, the spirit of the NY Dolls and The Ramones' 'Palisades Park,' all rolled up into a National Lampoon’s Christmas movie"). Endlessly creative, she has already put out via Bandcamp this year covers of Brenda Lee’s “Break It To Me Gently” and Hoagy Carmichael’s “Stardust," as well as a duet with her friend Marissa Nadler on The Fleetwoods’ gem “Mr. Blue.”     The pandemic also gave her the opportunity to spend a lot of time with another of creative loves: painting. In fact, this interview took place while she was creating a mural at the Ivy Manor Studios in Sheffield, Alabama in the legendary Muscle Shoals area.   Nicole points out a detail of the mural she was painting at Ivy Manor Studios Portraits of the Swampers that Nicole painted   Muscle Shoals has been a favorite destination for Nicole of late. It’s the location for her label, Single Lock Records, which was founded by The Alabama Shakes’ Ben Tanner and the acclaimed singer-songwriter John Paul White. She also recorded Italian Ice at the renowned Muscle Shoals Sound Studio. Featuring contributions from Swampers David Hood and Spooner Oldham, Spoon’s Britt Daniels, the album has garnered much acclaim. Consequence of Sound raved that Italian Ice is “the best thing she’s done so far,” and Elvis Costello stated it proves “once more that you can respect the ‘then’ and still be about the ‘now’.”     Nicole outside and inside the Muscle Shoals Sound Studio   Music has been a major part of Nicole’s life since childhood. She began learning piano when she was nine, taught herself guitar at 13, and was playing in bands by seventh grade. While she went to University of North Carolina at Charlotte to study art, Nicole admits she concentrated more on music. During her time in Charlotte, she played in the popular local band Nitehawk and the alt-country group Los Parasols. She then spent several years bouncing between Charlotte and New York City, sometimes playing in groups and sometimes solo.   Nicole performing on Late Night With David Letterman Show in 2007   Attracting major label interest, Nicole and her band The Sea signed with Columbia in 2006, with their debut, Neptune City, appearing in 2007. Nicole had a new band, dubbed The Black Sea, when she started doing her second album; however, problems with Columbia made her leave the label without the album being released. The record (entitled Mondo Amore) eventually came out on Razor & Tie Records in 2011.   Nicole singing at La Zona Rosa at 2010's SXSW. Photo by Kirk Stauffer   While preparing to make album three, Nicole suffered the bad luck of having Hurricane Sandy flood her family’s home. Neptune City producer Tore Johansson invited her to record her album at his studio in Sweden. There she cobbled together songs from fragments she had on her iPhone, which resulted in 2014’s Slow Phaser, her self-described “prog-disco” album.   Photo by Brett Winter Lemon   In concert at Red Rocks Photo By Rett Rogers   Teaming up with Single Lock Records, Nicole recorded her fourth album in Fort Worth, Texas with the production trio Niles City Sound (the team behind Leon Bridges’ breakout debut). The stylish Goodnight Rhonda Lee exudes a retro vibe that attracted comparisons to Dusty Springfield, Roy Orbison, and Patsy Cline, and it’s a sound that evolved into something even more timeless on Italian Ice.     Photo by Barbara FG   Please enjoy our conversation with the multi-talented, thoroughly delightful Nicole Atkins.

We had the pleasure of interviewing Cha Wa over Zoom video! GRAMMY-nominated band Cha Wa will return on April 2 with My People, a new collection that draws from the rich and vibrant street culture of New Orleans. Arriving via the renowned southern independent label Single Lock Records, My People exuberantly infuses contemporary sounds with the music of street parades and the Mardi Gras Indian community – a group of Black New Orleanians who pay respect to Native American tribes their wardrobe, music and dialect. Packed with a vivid assemblage of New Orleans sounds and stories, this collection of new original songs draws from the grooves of ‘70s New Orleans funk bands like The Meters (particularly on offerings like “Wildman” and “Bow Down”) and takes clear influence from the city's history of Brass band music, jazz, R&B, hip-hop, rock, soul and African-inspired arrangements (including a chilling cover of Bob Dylan’s “Masters Of War” in this style). Cha Wa was formed by bandleader Joe Gelini shortly before the release of the group’s 2018 debut album Spyboy, which was recognized with a Best Regional Roots Album nomination at the GRAMMYs that year. A student of the legendary New Orleans drummer Idris Muhammad, Gelini was taken by the city’s street culture along with the sounds of the Mardi Gras Indians and began to immerse himself in that world after moving to the area. Working with vocalist Joseph Boudreaux Jr, a lifelong member of those New Orleans musical circles, and many of the top musicians from the city's Social Aid & Pleasure Clubs and Second Line brass bands, Cha Wa quickly became a staple of that street culture before bringing their spin on Mardi Gras Indian music to the GRAMMYs and around the world. With roots dating back to the 19th century, Mardi Gras Indians are most commonly associated with internationally-known New Orleans celebrations like Fat Tuesday, but the tradition is said to have started as a way for the city’s Black community to express gratitude to Native Americans for giving shelter to New Orleanians fleeing enslavement. In more recent years, Mardi Gras Indians have displayed their role as community leaders with front line responses to both Hurricane Katrina and the unlawful NOPD conduct that resulted in investigations by the Obama administration. We want to hear from you! Please email Tera@BringinitBackwards.com. www.BringinitBackwards.com --- Support this podcast: https://anchor.fm/bringinbackpod/support

This week I'm talking with Reed Watson, a founding partner at https://www.singlelock.com/ (Single Lock Records). Launched in 2013 in Muscle Shoals, AL (and recently expanding with an office in New Orleans, LA) Single Lock has released a litany of successful projects from the likes of Lera Lynn, Nicole Atkins, Erin Rae, Penny & Sparrow, Cedric Burnside, and many more.  Reed walks us through what a label release plan looks like, answers that ever-pressing question of “how do I get signed?”, and offers his advice to artists looking to take the next steps in their career. 

Reed Watson, drummer and label manager at Single Lock Records in Florence, Alabama, discusses his experiences as a musician and the label's philosophy. They seek to be a platform for Southeastern musicians whose work, to quote their website "doesn't fit neatly into a specific category. Our goal is to gather and release an interesting and accurate collection of the best of Southern American music." He also talks about a collaboration between Single Lock and the Muscle Shoals Music Association to assist artists in financial need due to the coronavirus pandemic.

Reckon Radio presents: “Unjustifiable,” an investigative series from Pulitzer-prize winning columnist John Archibald and Roy S. Johnson examining an overlooked moment of civil rights history in the heart of the South. The story begins in 1979, when a police officer with a history of complaints shot and killed a 20-year-old Black woman named Bonita Carter. Her death would forever change the course of Birmingham, Alabama.The legacy of Bull Connor’s police department looms large over Birmingham. Even today, black and white images of dogs and firehoses used against Birmingham children and foot soldiers are touchstones for protestors demanding police reform. What was it about the death of Carter that motivated Birmingham to change, 16 years after Dr. Martin Luther King Jr. penned a letter from a Birmingham jail and four decades before Black Lives Matter. In a six episode series, “Unjustifiable” tells the story of Carter, the protests that erupted and the change demanded, resulting in the election of the city’s first Black mayor.Archibald and Johnson also examine a century of police killings in Birmingham that had been ruled “justifiable.” They’ve identified 500 people killed by police in Jefferson County in the 20th century. What was it about Bonita Carter? She came to represent them all.“Unjustifiable,” is produced by the award-winning team behind the Reckon Interview and Greek Gods. It features original music recorded in Muscle Shoals, Alabama, at Single Lock Records.Creator: John ArchibaldHosts: John Archibald & Roy S. JohnsonExecutive Producer: John HammontreeProducer & Audio Engineer: Alexander RicheyProducer: Amy Yurkanin See acast.com/privacy for privacy and opt-out information.

This week on The Show On The Road, a conversation with Nicole Atkins, a singer/songwriter  out of Neptune City, New Jersey who has become notorious for making her own brand of theatrical boardwalk soul.  The Show On The Road host Z. Lupetin fell in love with Atkins' newest, harmony-rich record Italian Ice, which came out spring 2020 and was recorded in historic Muscle Shoals, Alabama. Both rumblingly ominous and joyously escapist, standout songs like “Domino” make the record a perfectly David Lynch-esque summer soundtrack of an uneasy 2020 scene that vacillates between fits of intense creativity and innovation and deep despair. Toiling below the radar for much of her career, Atkins is finally enjoying nationwide recognition as a sought-after writer and producer; Italian Ice was co-produced by Atkins and Ben Tanner of Alabama Shakes. While some may try to shoehorn Nicole Atkins into the Americana and roots-rock categories, one could better describe her as a new kind of wild-eyed Springsteen, who also mythologized the decaying beauty of New Jersey's coastal towns like Asbury Park, or a similarly huge-voiced, peripatetic Linda Ronstadt who isn't afraid to mix sticky French-pop grooves with AM radio doo-wop, '70s blaxploitation R&B and airy jazz rock like her heroes in the band Traffic. If you watch her weekly streaming variety show, “Live From The Steel Porch” (which she initially filmed from her parents' garage in NJ, but now does from her new home in Nashville), you'll see her many sonic tastes and musical friends gathering in full effect. Italian Ice features a heady collection of collaborators including Britt Daniel of Spoon, Seth Avett, Erin Rae, and John Paul White. After playing guitar and moving in and out of hard-luck bar bands in Charlotte and New York -- many of which that would find any way to get rid of their one female member -- Atkins' bold first solo record Neptune City dropped in 2007 and three more acclaimed LPs followed, including her twangy, oddball breakout, Goodnight Rhonda Lee in 2017 on John Paul White's Single Lock Records. Much like the tart and brain-freezing treat sold on boardwalks around the world, Atkins' newest work is a refreshing and many-flavored thing and demonstrates that, in a lot of ways, the show-stopping performer, producer, and songwriter has finally embraced all the sharp edges of her personality.

In this episode, Deb Boykin and the late Donnie Fritts continue their conversation, discussing what was then an upcoming album called June, dedicated to his friend, the late Arthur Alexander, who recorded one of the first hits to come out of Muscle Shoals, You Better Mover On. Fritts also shares his thoughts on songwriting and tells how he got the nickname "The Alabama Leaning Man." June was Donnie Fritts's final album, released by Single Lock Records not long before he died in 2019.

Nashville-based Americana rock band The Prescriptions caught up with Amy Wright at the DittyTV Studios to talk about their Single Lock Records release, Hollywood Gold.   Recorded June 2019 See omnystudio.com/listener for privacy information.

Musicians like John Paul White are trying to figure out their paths forward. He’s a Grammy-award winning singer-songwriter from Muscle Shoals, Alabama, the founder and co-owner of Single Lock Records, and a one-time member of the Civil Wars.But right now, like a lot of us, he’s an Alabamian stuck at home. See acast.com/privacy for privacy and opt-out information.

Show #796 Blues & Oddities Spinner might surprise you with a few odd songs in this episode. But there's always a connection with the blues of some sort. 01. Tailgators - Carolee (4:15) (OK Let's Go!, Restless Records, 1988) 02. Katarina Pejak - She's Coming After You (3:31) (Roads That Cross, Ruf Records, 2019) 03. Billy Branch & The Sons of Blues - One More Chance With You (4:00) (Roots And Branches, Alligator Records, 2019) 04. BB King Blues Band - Paying The Cost To Be The Boss (4:48) (The Soul Of The King, Ruf Records, 2019) 05. HowellDevine - Mighty Long Time (3:21) (Jumps, Boogies & Wobbles, Arhoolie Records, 2013) 06. Janiva Magness - Change In The Weather (4:39) (Digital Download Single, Blue Élan Records, 2019) 07. St. Paul & the Broken Bones - That Glow (3:03) (Half The City, Single Lock Records, 2014) 08. Boo Boo Davis & ElectroBluesSociety - Back Door Man (3:57) (Digital Download Single, KuvVer Records, 2019) 09. Tom Euler - Tough Guy (3:51) (Blues Got My Back, self-release, 2019) 10. Mindi Abair & the Boneshakers - Mess I'm In (4:10) (No Good Deed, Pretty Good For A Girl Records, 2019) 11. Mickey Jupp - Shine On My Shoes (2:41) (Mickey Jupp's Legend, Stiff Records, 1978) 12. Forty Fours - Helsinki Blues (3:48) (Twist The Knife, Rip Cat Records, 2019) 13. Carlos Santana - Havana Moon (4:04) (Havana Moon, CBS, 1983) 14. Chuck Berry - Havana Moon [1956] (3:07) (Roll Over Beethoven: The Singles '55-'56, Saga Records, 2007) 15. Heritage Blues Orchestra - Clarksdale Moan (4:13) (And Still I Rise, Raisin' Music, 2011) 16. Paula Harris - Something Wicked (4:43) (Speakeasy, Blu Gruv Music, 2019) 17. Delbert McClinton & Self-Made Men - Gone To Mexico (2:14) (Digital Download Single, Hot Shot Records, 2019) 18. Bo Ramsey - Jump Baby Jump (4:25) (Stranger Blues, Continental Song City, 2007) 19. Mutagénicos - La Cumbia De La Muerte (2:52) (3, Dirty Water Records, 2019) 20. ElectroBluesSociety - Be Allright (5:04) (Digital Download Single, Black & Tan Records, 2019) Bandana Blues is and will always be a labor of love. Please help Spinner deal with the costs of hosting & bandwidth. Visit www.bandanablues.com and hit the tipjar. Any amount is much appreciated, no matter how small. Thank you.

Hr.1 Bring All To Front- Terry Ohms The Phone Age- Nowhere Squares Anywhere- Della Ray Months- Captain Kudzu Something Beautiful To Hate- The Next Appointed Hour Where Will I Be- Emmylou Harris Don't Look Down- Bitter Calm Thinking Of You- Tragic City (Featuring Drizzy D.R.O.) Contact- Human Beat Five Step Plam- Vulture Whale Til The Money Runs Out- Henry Dunkle Alabama Calling- Beitthemeans Waltz- Rachael Roberts Hr.2 The Good Ole Days- John Paul White Stick Figures- Leon iii Leave It Alone- Amanda Shires A Little Change Of Pace- The Brook & The Bluff Delete- Love Moor Artificial Love- Little Raine Band You Or Me- Red Harp More Power- Bad Hops Sunshine- Brad Armstrong Something More Than Free- Jason Isbell Blow For Blow- Early James & The Latest Anna Grace Beatty- Myself Don't Leave My Mind- Azure Ray MCAT- Arabada

  We talk with Ben Tanner about his work in the Alabama Shakes and some of his other work with Single Lock Records and Fame Studios as an engineer and producer.  

We talk with Ben Tanner about his work in the Alabama Shakes and some of his other work with Single Lock Records and Fame Studios as an engineer and producer.

Discover the record label Single Lock Records, located directly in the heart of the Shoals. These sleepy North Alabama towns were once the hit-producing capital of the world before everything moved further north to Nashville. However, Single Lock Records is looking to change that. Words by Caroline Nabors Rosen Read by Nancy Peterson Original Music by Kyle Carpenter & Wilder Adkins --- Brought to You by Non-Fiction Coffee --- Coffee can change lives. Non-Fiction Coffee believes this and it’s why they’ve partnered with small farmers all over the world like the Torre family farm in the mountains of Junin Peru. Find our how your purchase can change the world by visiting nonfiction.coffee/goodgrit.

How and why this humble collection of towns hugging the Tennessee River in northern Alabama became a historic musical hot spot is an improbable, wonderful American story. But I grew interested in Muscle Shoals of today. More and more, roots and rock and roll musicians have been traveling there to record. A string of remarkable bands and songwriters, including Jason Isbell, John Paul White, St. Paul and the Broken Bones, Dylan LeBlanc and The Secret Sisters, has emerged from the area in recent years. A half dozen studios are in demand and busy. It's became clear that Muscle Shoals is no museum. It's a scene. So the only thing to do was to go there and listen.

Once again, Colter and Peter were left to their own devices, because Hywel refuses to return to us.The lads from Alabama continue last week's conversation with fellow Alabamian and professional music man, John Paul White, this time thanks to the magic of technology (we called him).We get in to what everyone wants to talk about, more Sun Drop™️ facts. Also, we talk more about his music career, as well as about music fandom.You might remember John's music from True Detective season 2, the best season of True Detective that had Vince Vaughn, and the second best season of True Detective otherwise at this moment in time, or you might know of him from The Civil Wars.

Colter and Peter were left to their own devices, because Hywel refuses to return to us. Maybe we hurt his feelings with the Independence Day episode? Who is to say.The lads from Alabama track down fellow Alabamian and professional music man, John Paul White.You might remember John's music from True Detective season 2, the best season of True Detective that had Vince Vaughn, and the second best season of True Detective otherwise at this moment in time.We talk all things Florence, growing up in the Tennessee River Valley, Sun Drop™️ and start to get into Mr. White's music career.But oh no! We spent too much time on Sun Drop™️ and ran out of time to finish our chat! Never fear there is a part two coming at you soon.

Our guest this episode is Nashville-based singer songwriter, Erin Rae. Erin just released her most personally introspective album to date, “Putting On Airs”. This is also her first album with her newest record label, Single Lock Records - the Florence, Alabama-based label started by John Paul White, Will Trapp, and Ben Tanner.

Our guest this episode is Florence Alabama native, John Paul White. Hear how he's keeping the historic Muscle Shoals sound alive and well, and find out what brought him out of obscurity after his departure from the Grammy Award winning band, The Civil Wars. Join us as we discuss songwriting, touring, and the struggles and rewards of co-owning a record label, Single Lock Records.

Brent Rosen and Reed Watson talk about making music, running a record label, and listen to some exclusive new tracks from Single Lock Records

Chuck Prophet: We Got Up And Played (Bobby Fuller Died For Your Sins,Yep-Roc)Lowri Evans: Nobody Knows When You're Down and Out (A Little Bit of Everything (with Lee Mason),Shimi Records/Osmosys)Harrow Fair: Emmaline (Call To Arms,Roaring Girl Records / Fontana North)Amelia Curran: Every Woman Every Man (Watershed,Six Shooter Records)Birds of Chicago: Sparrow (Real Midnight,Five Head Entertainment)Zoe Mulford: Blackbird (Small Brown Birds,Azalea City Recordings)Abigail Lapell: Fur and Feathers (Hide Nor Hair,Coax Records)Scott Cook: Walk That Lonesome Valley (Further Down The Line,Factor)Carter Sampson: Honeybee (Queen of Oklahoma,CRS)Lil' Lost Lou: Red Is The Colour of My Shame (Lil' Lost Lou,Bully Records)Bob Delevante: Downtown Tonight (Valley of Days,Relay Records)Tim Grimm: Gonna Be Great (A Stranger In This Time,Cavalier Recordings)Rodney Crowell: East Houston Blues (Close Ties,New West)Joshua James: Pretty Feather (My Spirit Sister,self-released)Malcolm Holcombe: Outta Luck (Pretty Little Troubles,Gypsy Eyes Music)Scott H. Biram: Righteous Ways (The Bad Testament,Bloodshot Records)Del Amitri: Through All That Nothing (Some Other Sucker's Parade,A&M)The Southern Companion: Driving With The Brakes On (Pasted Beyond Recognition: The Songs of Del Amitri,SBH Scotland)Kasey Chambers: Ain't No Little Girl (Dragonfly,Warner Music Australia)Willis Alan Ramsey: Boy From Oklahoma (Willis Alan Ramsey,Universal Music Catalogue)Jason Eady: No Genie In This Bottle (Jason Eady,Old Guitar Records)Sam Outlaw: Tenderheart (Tenderheart,Six Shooter Records)Cris Cuddy: All The Pain (Money Could Buy) (Jerry Lee and Elvis,Vanishing Castle)Shawn Byrne: Lucinda (Slow Bullet,self-released)Robert Vincent: So In Love (I'll Make The Most of My Sins,At The Helm Records)Angaleena Presley: Bless My Heart (Wrangled,Mining Light)Worry Dolls: Endless Road (Go Get Gone,Bread and Butter Music)Kayla Luky: Swaying (Back To Dirt,self-released)Gage Brothers: I'll Be The One (The Gage Brothers,self-released)The 81s w/ Luella: Quake (Big Man,599537 Records DK2)John Paul White: I'll Get Even (Beulah,Single Lock Records)

Chuck Prophet: We Got Up And Played (Bobby Fuller Died For Your Sins,Yep-Roc)Lowri Evans: Nobody Knows When You're Down and Out (A Little Bit of Everything (with Lee Mason),Shimi Records/Osmosys)Harrow Fair: Emmaline (Call To Arms,Roaring Girl Records / Fontana North)Amelia Curran: Every Woman Every Man (Watershed,Six Shooter Records)Birds of Chicago: Sparrow (Real Midnight,Five Head Entertainment)Zoe Mulford: Blackbird (Small Brown Birds,Azalea City Recordings)Abigail Lapell: Fur and Feathers (Hide Nor Hair,Coax Records)Scott Cook: Walk That Lonesome Valley (Further Down The Line,Factor)Carter Sampson: Honeybee (Queen of Oklahoma,CRS)Lil' Lost Lou: Red Is The Colour of My Shame (Lil' Lost Lou,Bully Records)Bob Delevante: Downtown Tonight (Valley of Days,Relay Records)Tim Grimm: Gonna Be Great (A Stranger In This Time,Cavalier Recordings)Rodney Crowell: East Houston Blues (Close Ties,New West)Joshua James: Pretty Feather (My Spirit Sister,self-released)Malcolm Holcombe: Outta Luck (Pretty Little Troubles,Gypsy Eyes Music)Scott H. Biram: Righteous Ways (The Bad Testament,Bloodshot Records)Del Amitri: Through All That Nothing (Some Other Sucker's Parade,A&M)The Southern Companion: Driving With The Brakes On (Pasted Beyond Recognition: The Songs of Del Amitri,SBH Scotland)Kasey Chambers: Ain't No Little Girl (Dragonfly,Warner Music Australia)Willis Alan Ramsey: Boy From Oklahoma (Willis Alan Ramsey,Universal Music Catalogue)Jason Eady: No Genie In This Bottle (Jason Eady,Old Guitar Records)Sam Outlaw: Tenderheart (Tenderheart,Six Shooter Records)Cris Cuddy: All The Pain (Money Could Buy) (Jerry Lee and Elvis,Vanishing Castle)Shawn Byrne: Lucinda (Slow Bullet,self-released)Robert Vincent: So In Love (I'll Make The Most of My Sins,At The Helm Records)Angaleena Presley: Bless My Heart (Wrangled,Mining Light)Worry Dolls: Endless Road (Go Get Gone,Bread and Butter Music)Kayla Luky: Swaying (Back To Dirt,self-released)Gage Brothers: I'll Be The One (The Gage Brothers,self-released)The 81s w/ Luella: Quake (Big Man,599537 Records DK2)John Paul White: I'll Get Even (Beulah,Single Lock Records)

show#679 02.18.17 Sans Spinner This Week... Sari Schorr - Dont You Call My Name Bonus Track 2016 (4:06) Professor Louie & The Crowmatix - Love Is Killing Me from Crowin' The Blues 2017 Woodstock Records (5:24) Vin Mott - I'm a Filthy Man from Quit the Women for the Blues 2017 CD Baby (3:54) Peter Karp - That's How I Like It from Alabama Town 2016 Rose Cottage Records (4:01) Jack Mack & The Heart Attack Horns - Serves Me Right from Back To The Shack 2016 SSR Feeroll Records (4:11) John Mayall - Off The Road from USA Union 1970 Polydor (2:51) Big Jon Atkinson & Bob Corritore - Mojo in My Bread from House Party At Big Jon's 2016 Delta Groove (4:58) Roy Buchanan - Roy Buchanan - I Used to Have a Woman from Telemaster Live in '75 (7:24) Gaetano Letizia Gaetano Letizia & The Underworld Blues Band - Old Guitar Player from Resurrection 2016 CD Baby (3:55) Colin James - Bad Bad Whiskey from Blue Highways 2016 True North Redords (3:59) Reverend Freakchild - 13 Wish I was in Heaven Sitting Down from Preachin' Blues 2017 TreatedandReleasedRecords (3:10) Mississippi Heat - Music Is My Life from Cab Driving Man 2016 Delmark Records (5:40) John Lee Hooker & The Nighthawks - Serves Me Right To Suffer from Live at Wolf Trap 1992 (6:42) Reverend Billy C. Wirt - God'll Fuck You Up from 2016 (1:49) Red Devils - She’s Dangerous from The Red Devils at King King 1992 (5:44) Bobby Rush - Got Me Accused from Porcupine Meat 2016 Rounder (7:01) Al Copley - Ooh Wow! from Automatic Overdrive 1989 Rounder (3:43) Tomislav Goluban - Two Rockets from Blow Junkie 2014 Menart / Spona (3:37) Nico DuPortqal & His Rhythm Dudes - Hush from Dealing With My Blues 2016 Rhythm Bomb Records (3:39) Anthony Geraci - Sad But True from Fifty Shades Of Blue 2015 Delta Groove Productions (3:55) St Paul and the Broken Bones - Sugar Dyed from Greetings From St. Paul and the Broken Bones 2014 Single Lock Records (2:34) Roy Metté - Big Daddy C from Vibralism 2014 Indepedent (5:16) Big Joe & The Dynaflows - Playgirl from I'm Still Swingin' 1998 Severn (2:55) Randy Volin and The Hard Ones - When She Says Jump from Detroit Thang 2015 In Your Pants Music (4:43) Blu Acid - Can t Stand It from BA 512 2016 (6:17) The Jimmys - Jaqui Juice from Hot Dish 2015 Brown Cow Productions (5:48) Victor Wainwright and the WildRoots - Wild Root Rumble from Boom Town 2015 Blind Pig (4:37) Mitch Laddie Band - Paper In Your Pocket from LIVE 2015 (5:09) Dennis Gruenling - You Brought the Blues on Yourself from That's Right! 2001 BackBender (5:08) Colin Linden - The Price You Pay from From The Water 2009 True North Records (4:24)

In this Field Session, we give you singer, songwriter and virtuoso of both guitar and lyric Dylan LeBlanc . In this solo acoustic set from the Bragg Jam Music Festival , LeBlanc performs songs from his debut album "Pauper's Field" as well as the album he's touring now, "Cautionary Tale." Recorded at the Field Note Stenographers Stage at Gallery West in Macon, Georgia. Hear three songs in the video or listen to the whole set in the audio above. Correction: The original intro to the audio of this piece said LeBlanc is on the Rough Trade record label. While his first album was on that label, his new album is on Single Lock Records .