Podcasts about music forever

** PLEASE SUBSCRIBE ** Brought to you by FUNKNSTUFF.NET and hosted by Scott "DR GX" Goldfine — musicologist and author of “Everything Is on THE ONE: The First Guide of Funk” ― “TRUTH IN RHYTHM” is the interview show that gets DEEP into the pocket with contemporary music's foremost masters of the groove. Become a TRUTH IN RHYTHM Member through YouTube or at https://www.patreon.com/truthinrhythm. Featured in TIR Episode 320 (Part 2 of 2): Former members of Frankie Beverly & Maze's touring band – now known as TMF, or The Music Forever. TMF includes one of Maze's founders along with others who've been part of the group for 20 years or more, and who have worked with stars such as Whitney Houston, Earth, Wind & Fire, Mavis Staples, Janet Jackson and Al Jarreau.  Together, they are honoring one of soul & funk music's most successful and beloved legacies that includes Maze classics like “Southern Girl,” “Happy Feeling,” “Feel That You're Feelin,” “Back in Stride,” “Running Away,” “Golden Time of Day,” “Workin' Together” and “Can't Get Over You.” All eight of Maze's 1977-1993 albums hit the R&B Top 10, with 15 singles going Top 20.  In addition to bringing those songs to vivid life on stage, TMF is producing new music, including the soulful single, “Making Love to the Music.” Participating was Chris Walker (lead vocals), Roame (congas, vocals), Jubu (guitar, vocals), Calvin Napper (drums), Bear Williams (bass, vocals) and Daniel Weatherspoon (keyboards). Vance Taylor (keys, vocals) was unavailable. RECORDED NOVEMBER 2023 LEGAL NOTICE: All video and audio content protected by copyright. Any use of this material is strictly prohibited without expressed consent from original content producer and owner Scott Goldfine, dba FUNKNSTUFF. For inquiries, email info@funknstuff.net. TRUTH IN RHYTHM is a registered U.S. Trademark (Serial #88540281). Get your copy of "Everything Is on the One: The First Guide of Funk" today! https://www.amazon.com/gp/product/1541256603/ref=as_li_tl?ie=UTF8&camp=1789&creative=9325&creativeASIN=1541256603&linkCode=as2&tag=funknstuff-20&linkId=b6c7558ddc7f8fc9fe440c5d9f3c400

** PLEASE SUBSCRIBE ** Brought to you by FUNKNSTUFF.NET and hosted by Scott "DR GX" Goldfine — musicologist and author of “Everything Is on THE ONE: The First Guide of Funk” ― “TRUTH IN RHYTHM” is the interview show that gets DEEP into the pocket with contemporary music's foremost masters of the groove. Become a TRUTH IN RHYTHM Member through YouTube or at https://www.patreon.com/truthinrhythm. Featured in TIR Episode 320 (Part 1 of 2): Former members of Frankie Beverly & Maze's touring band – now known as TMF, or The Music Forever. TMF includes one of Maze's founders along with others who've been part of the group for 20 years or more, and who have worked with stars such as Whitney Houston, Earth, Wind & Fire, Mavis Staples, Janet Jackson and Al Jarreau.  Together, they are honoring one of soul & funk music's most successful and beloved legacies that includes Maze classics like “Southern Girl,” “Happy Feeling,” “Feel That You're Feelin,” “Back in Stride,” “Running Away,” “Golden Time of Day,” “Workin' Together” and “Can't Get Over You.” All eight of Maze's 1977-1993 albums hit the R&B Top 10, with 15 singles going Top 20.  In addition to bringing those songs to vivid life on stage, TMF is producing new music, including the soulful single, “Making Love to the Music.” Participating was Chris Walker (lead vocals), Roame (congas, vocals), Jubu (guitar, vocals), Calvin Napper (drums), Bear Williams (bass, vocals) and Daniel Weatherspoon (keyboards). Vance Taylor (keys, vocals) was unavailable. RECORDED NOVEMBER 2023 LEGAL NOTICE: All video and audio content protected by copyright. Any use of this material is strictly prohibited without expressed consent from original content producer and owner Scott Goldfine, dba FUNKNSTUFF. For inquiries, email info@funknstuff.net. TRUTH IN RHYTHM is a registered U.S. Trademark (Serial #88540281). Get your copy of "Everything Is on the One: The First Guide of Funk" today! https://www.amazon.com/gp/product/1541256603/ref=as_li_tl?ie=UTF8&camp=1789&creative=9325&creativeASIN=1541256603&linkCode=as2&tag=funknstuff-20&linkId=b6c7558ddc7f8fc9fe440c5d9f3c400

Synthesizers are revolutionary instruments. These electronic devices use knobs, buttons and sliders to make different sounds — and you can hear them in all sorts of music, from pop to hip-hop. But that wasn't always the case. Join Joy and co-host Lilike as they explore the history of the synthesizer and learn one album transformed it from an experimental instrument to an essential hitmaker. We'll also hear from Switched On Pop producer Reanna Cruz about the legacy of these groovy instruments. All that, plus a new game of First Things First! This episode was sponsored by:Disney+ (ondisneyplus.disney.com/movie/diary-of-a-wimpy-kid-christmas-cabin-fever) Diary of Wimply Kid Christmas: Cabin Fever, streaming only on Disney+ December 8th. Rated PG, parental guidance suggested.

FRANCE has jumped the gun and released their song for Eurovision 2024. Greece has announced their artist, a handful of countries have named their contestants for their national finals, and tickets were already on sale... it's barely December? Join us as we peruse Eurovision Song Contest headlines. Allons-y! Summary

Johnny Marr of The Smiths went from working in a clothes shop to founding one of the most influential bands of the past 40 years... as a teenager! Widely regarded as one of the world's greatest guitarists, Johnny sits down with Guy to discuss his fruitful but short partnership with Morrissey, how he wound up joining Modest Mouse and making a #1 album, where he finds inspiration, and why he's done some of his best creative work when his back was against the wall. Johnny's new is book is called Marr's Guitars.The Smiths - This Charming ManThe Smiths - How Soon Is Now?The Smiths - The Headmaster RitualThe Smiths - The Boy with the Thorn in His SideElectronic - Getting Away with ItModest Mouse - DashboardJohnny's book - Marr's GuitarsSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

July 3, 1981, was a pivotal night for the future of America's newest art form: hip hop. In New York's Harlem World Club, the Fantastic Romantic Five and the Cold Crush Brothers competed, with an unprecedented $1,000--and their reputations--on the line in a highly anticipated rap battle. The show drew hundreds of fans to settle a question that still dominates hip hop circles: Who's the best? In Harlem World: How Hip Hop's Super Showdown Changed Music Forever (Johns Hopkins UP, 2023), journalist Jonathan Mael chronicles this fateful night of hip hop rivalry and shares a new look at how Harlem helped ignite a musical revolution. Since hip hop first emerged in New York in the early 1970s, artists like Theodore Livingston (DJ Grand Wizzard Theodore) and Curtis Brown (Grandmaster Caz) sought to elevate this uniquely American musical genre by pushing the limits of record-playing techniques and lyricism. The two crews they assembled put on the best shows in a world where hip hop was still a strictly live art form. Even as acts like the Sugarhill Gang and Kurtis Blow became commercially successful, New York's top two crews strove to claim the ultimate spot atop the city's hip hop scene. The battle blew the roof off Harlem World that night, and bootlegged cassette tapes of the match-up sent aftershocks around the city as more fans listened to the legendary performances. Set in the New York of the 1970s and '80s, this book shares dozens of new, exclusive interviews and a treasure trove of previously unpublished archival material to tell the story of Cold Crush and Fantastic's rivalry, documenting one of the most important stories in hip hop history. This is the first book of its kind to focus on 1979-1983 and the legendary battles at Harlem World while connecting the genre's formative years to its massive role in American society today. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/music

July 3, 1981, was a pivotal night for the future of America's newest art form: hip hop. In New York's Harlem World Club, the Fantastic Romantic Five and the Cold Crush Brothers competed, with an unprecedented $1,000--and their reputations--on the line in a highly anticipated rap battle. The show drew hundreds of fans to settle a question that still dominates hip hop circles: Who's the best? In Harlem World: How Hip Hop's Super Showdown Changed Music Forever (Johns Hopkins UP, 2023), journalist Jonathan Mael chronicles this fateful night of hip hop rivalry and shares a new look at how Harlem helped ignite a musical revolution. Since hip hop first emerged in New York in the early 1970s, artists like Theodore Livingston (DJ Grand Wizzard Theodore) and Curtis Brown (Grandmaster Caz) sought to elevate this uniquely American musical genre by pushing the limits of record-playing techniques and lyricism. The two crews they assembled put on the best shows in a world where hip hop was still a strictly live art form. Even as acts like the Sugarhill Gang and Kurtis Blow became commercially successful, New York's top two crews strove to claim the ultimate spot atop the city's hip hop scene. The battle blew the roof off Harlem World that night, and bootlegged cassette tapes of the match-up sent aftershocks around the city as more fans listened to the legendary performances. Set in the New York of the 1970s and '80s, this book shares dozens of new, exclusive interviews and a treasure trove of previously unpublished archival material to tell the story of Cold Crush and Fantastic's rivalry, documenting one of the most important stories in hip hop history. This is the first book of its kind to focus on 1979-1983 and the legendary battles at Harlem World while connecting the genre's formative years to its massive role in American society today. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/performing-arts

July 3, 1981, was a pivotal night for the future of America's newest art form: hip hop. In New York's Harlem World Club, the Fantastic Romantic Five and the Cold Crush Brothers competed, with an unprecedented $1,000--and their reputations--on the line in a highly anticipated rap battle. The show drew hundreds of fans to settle a question that still dominates hip hop circles: Who's the best? In Harlem World: How Hip Hop's Super Showdown Changed Music Forever (Johns Hopkins UP, 2023), journalist Jonathan Mael chronicles this fateful night of hip hop rivalry and shares a new look at how Harlem helped ignite a musical revolution. Since hip hop first emerged in New York in the early 1970s, artists like Theodore Livingston (DJ Grand Wizzard Theodore) and Curtis Brown (Grandmaster Caz) sought to elevate this uniquely American musical genre by pushing the limits of record-playing techniques and lyricism. The two crews they assembled put on the best shows in a world where hip hop was still a strictly live art form. Even as acts like the Sugarhill Gang and Kurtis Blow became commercially successful, New York's top two crews strove to claim the ultimate spot atop the city's hip hop scene. The battle blew the roof off Harlem World that night, and bootlegged cassette tapes of the match-up sent aftershocks around the city as more fans listened to the legendary performances. Set in the New York of the 1970s and '80s, this book shares dozens of new, exclusive interviews and a treasure trove of previously unpublished archival material to tell the story of Cold Crush and Fantastic's rivalry, documenting one of the most important stories in hip hop history. This is the first book of its kind to focus on 1979-1983 and the legendary battles at Harlem World while connecting the genre's formative years to its massive role in American society today. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

July 3, 1981, was a pivotal night for the future of America's newest art form: hip hop. In New York's Harlem World Club, the Fantastic Romantic Five and the Cold Crush Brothers competed, with an unprecedented $1,000--and their reputations--on the line in a highly anticipated rap battle. The show drew hundreds of fans to settle a question that still dominates hip hop circles: Who's the best? In Harlem World: How Hip Hop's Super Showdown Changed Music Forever (Johns Hopkins UP, 2023), journalist Jonathan Mael chronicles this fateful night of hip hop rivalry and shares a new look at how Harlem helped ignite a musical revolution. Since hip hop first emerged in New York in the early 1970s, artists like Theodore Livingston (DJ Grand Wizzard Theodore) and Curtis Brown (Grandmaster Caz) sought to elevate this uniquely American musical genre by pushing the limits of record-playing techniques and lyricism. The two crews they assembled put on the best shows in a world where hip hop was still a strictly live art form. Even as acts like the Sugarhill Gang and Kurtis Blow became commercially successful, New York's top two crews strove to claim the ultimate spot atop the city's hip hop scene. The battle blew the roof off Harlem World that night, and bootlegged cassette tapes of the match-up sent aftershocks around the city as more fans listened to the legendary performances. Set in the New York of the 1970s and '80s, this book shares dozens of new, exclusive interviews and a treasure trove of previously unpublished archival material to tell the story of Cold Crush and Fantastic's rivalry, documenting one of the most important stories in hip hop history. This is the first book of its kind to focus on 1979-1983 and the legendary battles at Harlem World while connecting the genre's formative years to its massive role in American society today. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-studies

July 3, 1981, was a pivotal night for the future of America's newest art form: hip hop. In New York's Harlem World Club, the Fantastic Romantic Five and the Cold Crush Brothers competed, with an unprecedented $1,000--and their reputations--on the line in a highly anticipated rap battle. The show drew hundreds of fans to settle a question that still dominates hip hop circles: Who's the best? In Harlem World: How Hip Hop's Super Showdown Changed Music Forever (Johns Hopkins UP, 2023), journalist Jonathan Mael chronicles this fateful night of hip hop rivalry and shares a new look at how Harlem helped ignite a musical revolution. Since hip hop first emerged in New York in the early 1970s, artists like Theodore Livingston (DJ Grand Wizzard Theodore) and Curtis Brown (Grandmaster Caz) sought to elevate this uniquely American musical genre by pushing the limits of record-playing techniques and lyricism. The two crews they assembled put on the best shows in a world where hip hop was still a strictly live art form. Even as acts like the Sugarhill Gang and Kurtis Blow became commercially successful, New York's top two crews strove to claim the ultimate spot atop the city's hip hop scene. The battle blew the roof off Harlem World that night, and bootlegged cassette tapes of the match-up sent aftershocks around the city as more fans listened to the legendary performances. Set in the New York of the 1970s and '80s, this book shares dozens of new, exclusive interviews and a treasure trove of previously unpublished archival material to tell the story of Cold Crush and Fantastic's rivalry, documenting one of the most important stories in hip hop history. This is the first book of its kind to focus on 1979-1983 and the legendary battles at Harlem World while connecting the genre's formative years to its massive role in American society today. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history

July 3, 1981, was a pivotal night for the future of America's newest art form: hip hop. In New York's Harlem World Club, the Fantastic Romantic Five and the Cold Crush Brothers competed, with an unprecedented $1,000--and their reputations--on the line in a highly anticipated rap battle. The show drew hundreds of fans to settle a question that still dominates hip hop circles: Who's the best? In Harlem World: How Hip Hop's Super Showdown Changed Music Forever (Johns Hopkins UP, 2023), journalist Jonathan Mael chronicles this fateful night of hip hop rivalry and shares a new look at how Harlem helped ignite a musical revolution. Since hip hop first emerged in New York in the early 1970s, artists like Theodore Livingston (DJ Grand Wizzard Theodore) and Curtis Brown (Grandmaster Caz) sought to elevate this uniquely American musical genre by pushing the limits of record-playing techniques and lyricism. The two crews they assembled put on the best shows in a world where hip hop was still a strictly live art form. Even as acts like the Sugarhill Gang and Kurtis Blow became commercially successful, New York's top two crews strove to claim the ultimate spot atop the city's hip hop scene. The battle blew the roof off Harlem World that night, and bootlegged cassette tapes of the match-up sent aftershocks around the city as more fans listened to the legendary performances. Set in the New York of the 1970s and '80s, this book shares dozens of new, exclusive interviews and a treasure trove of previously unpublished archival material to tell the story of Cold Crush and Fantastic's rivalry, documenting one of the most important stories in hip hop history. This is the first book of its kind to focus on 1979-1983 and the legendary battles at Harlem World while connecting the genre's formative years to its massive role in American society today. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

July 3, 1981, was a pivotal night for the future of America's newest art form: hip hop. In New York's Harlem World Club, the Fantastic Romantic Five and the Cold Crush Brothers competed, with an unprecedented $1,000--and their reputations--on the line in a highly anticipated rap battle. The show drew hundreds of fans to settle a question that still dominates hip hop circles: Who's the best? In Harlem World: How Hip Hop's Super Showdown Changed Music Forever (Johns Hopkins UP, 2023), journalist Jonathan Mael chronicles this fateful night of hip hop rivalry and shares a new look at how Harlem helped ignite a musical revolution. Since hip hop first emerged in New York in the early 1970s, artists like Theodore Livingston (DJ Grand Wizzard Theodore) and Curtis Brown (Grandmaster Caz) sought to elevate this uniquely American musical genre by pushing the limits of record-playing techniques and lyricism. The two crews they assembled put on the best shows in a world where hip hop was still a strictly live art form. Even as acts like the Sugarhill Gang and Kurtis Blow became commercially successful, New York's top two crews strove to claim the ultimate spot atop the city's hip hop scene. The battle blew the roof off Harlem World that night, and bootlegged cassette tapes of the match-up sent aftershocks around the city as more fans listened to the legendary performances. Set in the New York of the 1970s and '80s, this book shares dozens of new, exclusive interviews and a treasure trove of previously unpublished archival material to tell the story of Cold Crush and Fantastic's rivalry, documenting one of the most important stories in hip hop history. This is the first book of its kind to focus on 1979-1983 and the legendary battles at Harlem World while connecting the genre's formative years to its massive role in American society today. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture

What if we told you that the summer of 1967 could hold the secrets to some of the greatest music ever? With our old pals, Scott, Mark and Lou of the Music Relish Show, we rewind time to this iconic year, unearthing fascinating stories and dissecting pivotal moments in music history. From The Doors' groundbreaking debut album to the first Shafa music festival in Central Park, our conversation takes unexpected twists, even as we navigate technical glitches, sharing laughs, and profound insights along the way.Drum roll, please! We explore the importance of drumming in setting the tone of a song, using The Doors' debut album as a case study. Our banter veers from the arrest of Mick Jagger and Keith Richards to the Beatles' promotional film for Strawberry Fields Forever. But it's not all music - we also dive into the movies, TV shows, and pop culture moments that defined 1967. Elvis Presley's Clambake, the anti-war movie You Only Live Twice, and TV classics like Hill Street Blues and Kojak are all up for discussion.Finally, our conversation circles back to the bands that shaped the sound of '67, featuring Credence Clearwater Revival, Fleetwood Mac, and Earth, Wind, and Fire, among others. We debate the controversy surrounding Bob Welch's exclusion from Fleetwood Mac and reflect on the Grammy Award win of Jethro Tull. It's a vibrant, exhaustive discussion that doesn't shy away from personal anecdotes and playful banter. So, sit back, relax, and let us take you on a sonic journey through 1967 - a year that forever changed the face of music and pop culture.

This episode is sponsored by MindStudio by YouAi. MindStudio is the best way to build an AI business. Start driving some serious revenue before everyone else. Mind Studio allows you to use conversational language to program incredibly powerful AI tools. No coding knowledge is needed to start your AI business. Sign up - YOUAI.AI/mindstudio On episode #135 of the Eye on AI podcast, Craig Smith sits down with Diaa El All, founder and CEO of Soundful, an AI tool that generates royalty free background music at the click of a button for your videos, streams, podcasts and more. From its integration with natural language processing to major industry partnerships, Soundful is paving the way for creators to not just produce, but also to monetize their content without worrying about being copyright striked. As we venture into the future of music production and licensing, we question the impact of AI on the music industry and what it means on the business side as well. We breakdown how AI can enable musicians to boost their creativity by drawing inspiration from generative AI music. Finally, we delve into the debate surrounding the role of imperfections in crafting a successful song. Imperfections have long been considered an integral part of what makes music human and relatable. Is perfection still the goal, or is there room for quirks and idiosyncrasies in AI-generated music? Tune in as we unravel the transformative power of AI in reshaping the music industry and propelling its evolution.   Diaa El All LinkedIn: https://www.linkedin.com/in/diaaelall/ Craig Smith Twitter: https://twitter.com/craigss Eye on A.I. Twitter: https://twitter.com/EyeOn_AI   (00:00) Preview and Introduction (01:36) MindStudio by YouAI (03:53) Soundful's Origin Story (06:25) Can Creators Benefit From AI Music? (16:24) Who uses Soundful? (25:50) Future of Music Production and Licensing (33:16) How AI Creates Music (37:15) MindStudio by YouAI

Today I had the pleasure of bringing back my good friend Ale on the podcast. Ale has spent the last year traveling the world while working full time. He is the Head of AI and Audio Science Innovation at Splice. He is the brains behind their new CoSo technology which has the ability to identify complementary sounds via embeddings. In this episode, we talk about his work innovating in the music space, his perspective on how new advancements will shake the foundations of the data space, and much much more! Ale's LinkedIn: https://www.linkedin.com/in/akoretzky/Ale in Forbes: https://www.forbes.com/sites/cathyolson/2023/06/27/can-ai-reinvent-song-creation-without-cutting-out-humans-music-sample-platform-splice-says-yes/?sh=76d7a7eab127Podcast Sponsors, Affiliates, and Partners:- Pathrise - http://pathrise.com/KenJee | Career mentorship for job applicants (Free till you land a job)- Taro - http://jointaro.com/r/kenj308 (20% discount) | Career mentorship if you already have a job - 365 Data Science (57% discount) - https://365datascience.pxf.io/P0jbBY | Learn data science today- Interview Query (10% discount) - https://www.interviewquery.com/?ref=kenjee |  Interview prep questions

We hear tributes that have been paid to rock'n'roll legend Tina Turner after her death at the age of 83.

Frank Sinatra may be the most famous singer that's ever lived. From humble beginnings in Hoboken New Jersey, Frank went on to become the voice of a generation, and a century. His songs such as "My Way", "Fly Me to the Moon", and "That's Life" (among many others), have become the soundtracks to countless lives. Come hang out with Sight After Dark (Sifa and Dan) as we discuss all things Frank Sinatra!

Cher is waaaaay bigger than you thought! She has been a pop star, fashion icon, Oscar-winning actress, and cultural phenom since the mid-60s but didn't have her biggest number 1 until she was 52 years old! Regrouping in London after being dropped by her label Cher worked with an innovative producer and a brand new technology: Auto-Tune to create the smash dance hit "Believe" which became not just her biggest hit, but one of the biggest selling records of all-time!! More than that, she introduced a new technology to the music world, and the music world would never be the same. Welcome to the Quintana Show. Q has spent years in the political world so he knows how to ask questions. Watch as we bring you entertaining and insightful interviews from guests across the sports, music, entertainment, and news world. And we didn't forget you either true crime fans! Watch and subscribe!

15 minute guided meditation on rocks and crystals. This class is all about grounding and visualization meditation practices. If you're big on crystals, try to take this meditation with a "beginner's mind" - rather than knowledge, this class is about feeling and healing. This is episode one in the Meditations with Vanessa Nature Meditation series. Episodes will be posted Monday, Wednesday, and Friday for the first few weeks of 2023! You can now support the Podcast by ‘buying me a coffee' at https://ko-fi.com/meditationswithvanessa Wishing you peace, love, and happiness! Music: "Forever" composed by Liborio Conti

What if you just aren't feeling today's Christian music? Is all hope lost? Has 90s CCM ruined us for all other Christian music forever? Rachel Cash invites host of More Than a Song podcast, Michelle Nezat, to discuss this quandary. 

This summer, some of the biggest names in music decided that we all need to dance. Drake, Beyoncé, Charlie XCX, Bad Bunny — they all departed from their usual styles to create albums inspired by a genre called house music.Today, we talk about how house music became the sound of liberation and why it's back and more mainstream than ever.Read the full transcript here.Host: Gustavo ArellanoGuests: L.A. Times pop music reporter August BrownMore reading:Beyoncé returns with liberating house jam ‘Break My Soul'The Gold Line carries house music to downtown L.A.The Beyoncé effect: ‘Break My Soul' propels '90s star Robin S and the Great Resignation

7月9日（土）前半にお届けした作品： 1 Keiichi Yoshida #吉田桂一 / Full House （2002年のアルバム「Music Forever」から） 2 Miki Hirose Jazz Orchestra #広瀬未来ジャズオーケストラ / April（2021年のアルバム「Relight Delight」から） 3 Yoko Suzuki #YokoSuzuki / A Nightingale Sang in Berkeley Square（2012年のアルバム「Swift and Courageous」から） 4 Miho Nobuzane #信実美穂 / Samba Dobrado（2014年のアルバム「Simple Words … Continue reading →

5月28日（土）前半にお届けした作品： 1 Keiichi Yoshida #吉田桂一 / Full House （2002年のアルバム「Music Forever」から） 2 Kiyoshi Kitagawa #北川潔 / Cross The Line（2020年のアルバム「Spring Night」から） 3 Yasushi Nakamura #中村恭士 / PP（2017年のアルバム「HOMETOWN」から） 4 UoU #UoU / Hanabi（2013年のアルバム「Take The 7 Train」から） 5 Eishin Nose #野瀬栄進 / Vulnerable（2011年のアルバム「Waiting」から） 6 … Continue reading →

Famed country star David “Stringbean” Akeman was performing live on the radio when two cousins decided to rob his remote cabin in the woods during the performance. They had the radio on to keep track of him, but as they grew frustrated with their search, they got distracted. David and his wife, Estelle, returned home while the intruders were still inside. The robbers killed them and fled the property, changing the country music scene forever.

Ep. 113 – What is machine learning and why does it matter for musicians? We talk to Pedram Pejman, an AI/machine learning specialist at Google and musician/producer about all things machine learning; how it is being incorporated in the music industry, how it can be put to good use, and the future of this developing technology. - Directly support us through Patreon: https://www.patreon.com/FakingNotesPodcast Hang on Discord: https://discord.gg/ZVmA4xMcfu - Links to more Faking Notes: https://linktr.ee/FakingNotesPodcast ~rate us 5 stars - your machine won't do it for you... yet~

Y'ALL RUINED IT! I'M MAD! Y'ALL MADE DOJA CAT QUIT MUSIC FOREVER AND I'LL NEVER FORGIVE YOU! I can't even remember what else we talked about! LIVID! Anyway, thank you That's It! for sponsoring today's episode! Thatsitfruit.com/AllThingsInternet Learn more about your ad choices. Visit megaphone.fm/adchoices

3月19日（土）前半にお届けした作品： 1 Chiemi Nakai #中井知恵美 / Noche Especial（2019年のアルバム「Ascendant」から） 2 Toru Dodo – JAfro #百々徹 / Kampala Highway（2012年のアルバム「JAfro」から） 3 Keiichi Yoshida #吉田桂一 / Bésame Mucho（2002年のアルバム「Music Forever」から） 4 Yoko #Yoko / Despecho（2008年録音、未発表？） 5 Akiko Tsuruga #敦賀明子 / You Don't Know What Love … Continue reading →

Five decades after David Bowie's seminal tour, we reflect on the concerts that have left a mark.Billie HolidayCafé Society, New York City, early 1939The 23-year-old Billie Holiday was mostly unknown outside the jazz loop when she began her 1939 residency at this liberal New York club. Her understated, delicately implacable debut of Strange Fruit, a terrifying depiction of lynchings in the south, made a unique new vocal sound famous worldwide. The birth of bebopMinton's Playhouse, New York City, 1941Rising young originals such as Charlie Parker, Dizzy Gillespie and the guitarist Charlie Christian lived off commercial swing gigs in 1941, but they forged the revolutionary modern jazz style called bebop in tumultuous after-hours Harlem jam sessions, where Thelonious Monk and the drums innovator Kenny Clarke were in the house band. Buddy Holly and the CricketsUK tour, March 1958Britain had never seen a rock band before March 1958. Then, for 25 consecutive nights, came the first true rock band – guitar, bass and drums, a revolution in horn-rimmed specs. A schoolboy Keith Richards caught a London show, but many more future stars would see Buddy Holly on TV during his visit, when he appeared on Sunday Night at the London Palladium. Sister Rosetta Tharpe and Muddy WatersWhalley Range, Manchester, 7 May 1964It was the brilliant idea of the Granada TV producer Johnnie Hamp to film a selection of blues greats in south Manchester's derelict Wilbraham Road railway station, mocked up to looked like the deep south, with “wanted” posters, washtubs and even goats and chickens. About 200 people arrived by rail to see the Gospel and Blues Train: Sister Rosetta Tharpe, Muddy Waters, Sonny Boy Williamson, Cousin Joe, Otis Spann and the duo Sonny Terry & Brownie McGhee giving intense performances on the platform. Waters was mobbed by blues-mad youngsters. Tharpe arrived in a pony and trap and seized the opportunity presented by a Mancunian downpour to strap on an electric guitar and launch spontaneously into Didn't It Rain? Countless musicians, including Mick Jagger, Jimmy Page and John Paul Jones, subsequently told Hamp they were influenced by the show, which broadcast to millions and was instrumental in taking the blues explosion to the mainstream. Bob DylanNewport folk festival, Rhode Island, 25 July 1965 It was a Sunburst Fender Stratocaster that stole the show at Newport in 1965. Dylan's decision to play an electric guitar on a largely acoustic bill stunned the crowd, with many booing and jeering. Audiences for his world tour were similarly polarised, one disgruntled heckler in Manchester yelling: “Judas!” at the former folk hero. Essentially, it was the birth of folk rock – the real-time expansion of a genre. Frankie Valli and the Four SeasonsFranklin & Marshall College, Pennsylvania, 1966A show in a college gym was the breakthrough that made arena rock possible. The PA system supplied by the Clair brothers so impressed Valli that he took them on tour as his personal sound engineers. Other artists noticed the quality and soon they were in demand. Their sound systems spurred rock's spread to the big halls. The Velvet UndergroundThe Dom, New York City, 7 April 1966A former Polish wedding hall hosted the birth of the Exploding Plastic Inevitable. Andy Warhol showed films and worked the lights, his “superstars” danced and the Velvet Underground played at a volume witnesses tended to describe in terms of violence: rock music as envelopment and sensory assault. The BeatlesCandlestick Park, San Francisco, 29 August 1966The Beatles' final real gig wasn't a great show. The stadium was half-empty, the band at the end of their tether, struggling to recreate the sound of their latest recordings. But it represented a shift in rock music: no more Beatles gigs meant more time in the studio – and albums that would change everything, again. The 14 Hour Technicolor DreamAlexandra Palace, London, 29 April 1967British counterculture's coming-out ball. Every one of the country's psychedelic luminaries played – Pink Floyd, Soft Machine, Tomorrow and the Pretty Things among them. Performance art was provided by Yoko Ono, while the sense that the audience was as much part of the spectacle as the artists presaged 80s rave culture. Big Brother and the Holding CompanyJanis Joplin as part of Big Brother and the Holding CompanyJanis Joplin at Monterey as part of Big Brother and the Holding Company. Monterey pop festival, California, 17 June 1967Arriving at Monterey with a lesser-known San Francisco psychedelic bluesy rock band, 24-year-old Janis Joplin gleefully demolished every stereotype of the “demure” female singer. The hard-living, hard-rocking Texan's raucous, gut-wrenching performance attracted international attention and has been described as one of the greatest ever. Terry RileyPhiladelphia College of Art, 17 November 1967Not the birth of minimalism, but certainly its breakthrough. Riley's eight-hour set of tape manipulation and organ pulses, played to an audience seated on hammocks and cushions, generated an early recording of his classic Poppy Nogood and set the pace for electronic experimentalism in chill-out environments decades ahead. James Brown‘Are we together or we ain't?' James Brown calms stage invaders on 5 April 1968.Boston Garden, 5 April 1968The night after the assassination of Martin Luther King, violent protests spread across many US cities. In Boston, Brown's show was almost cancelled for fear it might become a hotspot for public outcry. Instead, the show was repurposed: broadcast live on TV and radio in an effort to ease the grief and tension. Fans climbed on stage as he sang I Can't Stand Myself (When You Touch Me); police officers rallied. Brown paused the song. “I'll be fine,” he told the officers, then turned to the stage invaders: “You're not being fair to yourselves and me, or your race. Now, I asked the police to step back, because I think I can get some respect from my own people … Are we together or we ain't?” The crowd cheered. The fans climbed down. Brown turned to the drummer: “Hit that thing, man.” Mahalia Jackson and Mavis StaplesHarlem cultural festival, New York City, 13 July 1969Effectively buried until the 2021 documentary Summer of Soul resurrected its memory, the 1969 Harlem cultural festival was possibly the greatest selection of black talent ever assembled, from Sly Stone and Stevie Wonder to Nina Simone. If you had to pick a highlight, Mahalia Jackson and Mavis Staples' charged performance of Take My Hand, Precious Lord might be it. Jimi HendrixJimi Hendrix at WoodstockWoodstock festival, New York, 18 August 1969Often cited as the gig that defined the 60s, the countercultural festival attracted half a million people to upstate New York. Hendrix's deconstruction of The Star-Spangled Banner was interpreted as a protest at the Vietnam war, while “three days of peace and love” showed that people power could change history. The WhoThe University of Leeds, 14 February 1970A Leeds Civic Trust blue plaque outside the university's refectory now honours the site of the incendiary live performance of the post-Tommy, Keith Moon-era Who captured on Live at Leeds, often cited as the greatest live rock album. Elton JohnThe Troubadour, Los Angeles, 25 August 1970Not quite overnight success, but close: Elton John walked on to the stage of a celebrity-packed Troubadour a largely unknown British singer-songwriter, and walked off it a star. Aside from the music, a backstage decision to wear an outrageous outfit and a burst of energetic showmanship midway through the gig helped: two lessons he has never forgotten. BB KingCook County jail, 10 September 1970Two years after Johnny Cash's turn at Folsom prison, the blues legend King performed in Chicago to an audience of 2,000 prisoners, mostly young and black. A subsequent live album highlighted the dire conditions at the jail, helping bring about prison reform, which became a lifelong cause for King. Aretha Franklin at Fillmore West5-7 March 1971Franklin's appearance at Fillmore West wasn't a star-making performance – she was already very much a star – but it featured the Queen of Soul at the peak of her powers, actively seeking to build a bridge to a post-hippy audience, covering Stephen Stills, Bread and the Beatles. Judging by the crowd's reaction, it worked. David BowieHammersmith Odeon, London, 3 July 1973The moment when David Bowie appears to announce his retirement during this show is astonishing: the crowd's screams become a vast howl of disappointment, peppered with yells of “No!” Did he mean it? Bob Marley & the WailersThe Lyceum, London, 17-18 July 1975Probably the most dynamic and exhilarating reggae concerts ever. Perhaps more importantly, the presentation was familiar enough to the rock establishment to allow them to feel comfortable with roots reggae. The Last WaltzWinterland Ballroom, San Francisco, 25 November 1976This Thanksgiving Day show was billed as the Band's “farewell concert appearance”. Sex PistolsRiver Thames, 7 June 1977Mick Smith, Consultant M: (619) 227.3118 E: mick.smith@wsiworld.com Commercials Voice Talent:https://www.spreaker.com/user/7768747/track-1-commercials Narratives Voice Talent:https://www.spreaker.com/user/7768747/track-2-narrativesDo you want a free competitive analysis? Let me know at:https://hubs.ly/Q0139TgJ0Website:https://www.wsiworld.com/mick-smithLinkedIn:https://www.linkedin.com/company/wsi-smith-consulting/Make an appointment:https://app.hubspot.com/meetings/mick-smithBe sure to subscribe, like, & review The Doctor of Digital™ Podcast:https://www.spreaker.com/show/g-mick-smith-phds-tracksSign up for the Doctor Up A Podcast course:https://doctor-up-a-podcast.thinkific.com/

2月12日（土）前半にお届けした作品： 1 Keiichi Yoshida 吉田桂一 / Are You Real （2002年のアルバム「Music Forever」から） 2 Daisuke Abe & Kuriko Tsugawa 阿部大輔＆津川久里子 / Introduction（2017年のアルバム「Another Journey」から） 3 Asuka Kakitani Jazz Orchestra 柿谷明日香 / Dragonfly's Glasses (Tombo No Megane) （2013年のアルバム「Bloom」から） 特集「これモンク。あれモンク？」(no. 4 thru 11) 4 Daisuke … Continue reading →

 Celebrating the life and work of two phenomenal and pivotal musicians-Mario Bauza and Machito. Heat their incredible stories and music! --- Send in a voice message: https://anchor.fm/anani-kaike/message

Laura torna con un nuovo episodio di “Let's Music” un po' diverso dal solito: sia perché è da sola, sia perché vi parlerà di un genere musicale a cui è molto affezionata e di una cantante che ha fatto passare ben 10 anni per tornare a farsi sentire. Oggi, quindi, è arrivato il momento di “Forever I Wait”, il nuovo album di Martina Topley Bird. Cantante il cui nome forse non vi dirà nulla ma la cui voce insieme al suo passato musicale è tutto da scoprire. E il suo album è perfetto per passare un pomeriggio invernale in un viaggio riflessivo attraverso sonorità dense, atmosfere dub e musica strumentale.

12月4日（土）前半にお届けした作品： 1 Akiko Tsuruga #敦賀明子 / Give Me The Simple Life（2014年のアルバム「Commencement」から） 2 Satoshi Inoue #井上智 / Together With You（2021年のアルバム「9 Songs」から） 3 Erika Matsuo #松尾恵理佳 / I'm Old Fashioned（2021年のアルバム「Here and Now」から） 4 Keiichi Yoshida #吉田桂一 / I Remember You（2002年のアルバム「Music Forever」から） 5 … Continue reading →

11月13日（土）前半にお届けした作品： 1 Keiichi Yoshida 吉田桂一 / Full House （2002年のアルバム「Music Forever」から） 2 Davy Mooney & Ko Omura 大村亘 / Hiraeth（2018年のアルバム「Benign Strangers」から） 3 Daiki Yasukagawa 安ヵ川大樹 / To Another World（2012年のアルバム「Kanmai」から） 4 Akihiro Nishiguchi 西口明宏 / Mangrove（2020年のアルバム「FOTOS」から） 5 Three Hunters Trio / Large … Continue reading →

If you enjoy products that involve dairy in some way, get ready to start paying even more for them because reports are pointing towards a big increase to the price of dairy that may be coming. Guest: Dr. Sylvain Charlebois a.k.a. The Food Professor, Senior Director, Agri-Food Analytics Lab, Dalhousie University - A court ruling has been delivered saying that the City of Hamilton is going to be allowed to enforce its bylaw prohibiting encampment in public spaces. What does this mean for us in our current situation? Guest: Jason Farr, Ward 2 Councillor, City of Hamilton - The 20th anniversary of a revolutionary piece of technology came and went without too much attention being paid to it. Despite this, how did the iPod change the way we consume music (among many other things)? Guest: Alan Cross, Music Historian & Journalist; Author 'A Journal of Musical Things' & Host, The Ongoing History of New Music See omnystudio.com/listener for privacy information.

Warning: Contains Taylor Swift Puns. See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

एक मुलाकात जरूरी है के 30 वें एपिसोड में आज मिलिये लक्ष्मीकांत प्यारेलाल म्यूजिक फॉरेवर के लेखक अजय पौंडरिक से, जिनके माध्यम से आज हम समझने की कोशिश करेगें हिन्दी फिल्म संगीत जगत के दिग्गज संगीतकार जोड़ी के अद्भुत संगीत सफर की चार दशक लंबी यात्रा के महत्वपूर्ण पड़ावों को भी, आज के एपिसोड को और भी खास बना रहे हैं, ऋचा देबराज, रफ़ीक़ शेख, सुशील पी, और कुहू गुप्ता, महान संगीतकार जोड़ी लक्ष्मीकांत प्यारेलाल के स्वरबद्ध गीतों को अपनी आवाज से सजा कर। इन सब तक आपका खूब सारा प्यार पहुंचे, तो मिलिये लेखक अजय पौंडरिक से आज की जरूरी मुलाकात में, होस्ट हैं आपका दोस्त आपका साथी सजीव सारथी। Laxmikant Pyarelal, ajay poundarik, music forever, susheel p, kuhoo gupta, sajeev sarathie, hricha debraj, rafique shaikh,

Links from this episode:Omari Music Promotion: www.omarimc.com/promotion Tunecore Discount (Receive 20% off your first upload with our link): https://www.tunecore.com/?ref=omarimcpodcast&jt=omarimcpodcast Merch: https://musiquo.com/

From funk to punk, pop to power ballads, Boy George to breakdancing, the year 1984 is largely regarded as the golden era of music. This week, I welcome Michaelangelo Matos, author of Can't Slow Down, to talk about what made 1984 such an important year in the industry. We discuss artists such as Michael Jackson, Madonna, Prince Springsteen, Run DMC, Husker Du, and the most important 1984 song. We also discuss the lull in music leading up to its renaissance in 1984, and what happened in the late 80's that we wish we could forget. We also discuss both the business and cultural movements forward that 1984 gave us, from MTV to Boy George and breakdancing.

If you are a junior officer, if you are a supervisor, if you are going to be a supervisor, if you like bitching about supervisors… this is the episode for you! Joining me today is Under Sheriff Kevin Malone (NV), Captain Tom Rizzo (NJ), and Sgt. George Franek (CT). We discuss leadership roles, leadership duties, motivation, morale, mental health and more. Tune in and enjoy! Music: Forever the Sickest Kids - Keep On Bringing Me Down Slim Thug - Like a Boss The Lonely Island - Like a Boss Bo Burnham - Content --- Support this podcast: https://anchor.fm/teneightpodcast/support

This week's heroes are Bobby Weirdo and Cameron of Weirdo Music Forever ! We are the biggest fans of their taste of underground and outsider art and music and have the best time talking to them about the past, present and future of all things Weirdo! Please welcome to your head and heart Bobby Weirdo and Cameron!! Join patreon.com/deathvalleygirls for full video of this and every episode... and more!! Our GDPR privacy policy was updated on August 8, 2022. Visit acast.com/privacy for more information.

We were joined by a special guest Shawn from the Reggae Talk podcast and the Reggae Music Forever blog. We spoke about the current state of Dancehall on the evolution of the music. Shawn also gave us is taking on the current topic of Dancehall being blame for the violence in Jamaica. We got into how Reggae Music Forever came about, the current state of the Reggae Talk Podcast, and much more. Please and enjoy. https://www.instagram.com/reggaemusicforever/?hl=enhttps://www.instagram.com/reggaetalk/?hl=enCheck out our website.http://jamaicanstateofmind.com/Follow us;https://www.instagram.com/jamaicanstateofmindpod/?hl=enhttps://twitter.com/JAstateofmindNick and Carter;https://www.instagram.com/carter_jsm/?hl=enhttps://www.instagram.com/nicobel_jsm/?hl=en

Apple has introduced lossless, high-resolution, and spatial audio on Apple Music, and claims that the latter will "change music forever." Will it? Help support The Next Track by making regular donations via Patreon. We're ad-free and self-sustaining so your support is what keeps us going. Thanks! Support The Next Track (https://www.patreon.com/thenexttrack). ‌Show notes: About lossless audio in Apple Music - Apple Support (https://support.apple.com/en-us/HT212183?cid=mc-ols-applemusic-article_ht212183-macos_ui-02172021) Jazz in Spatial Audio playlist (https://music.apple.com/us/playlist/jazz-in-spatial-audio/pl.efbd24628ff04ff3b5e416a6e237d753) Episode #193 - Is Stereo Wrong? (https://www.thenexttrack.com/196) Satyagraha video on the iTunes Store (https://tv.apple.com/us/movie/satyagraha/umc.cmc.19trh3nd0e4gaqvxan5bj4kk9) Our next tracks: Glass: Satyagraha (https://amzn.to/3cv2uT7) Clarence Williams and His Orchestra: Clarence Williams' Q.R.S. Recordings, Vol.1 (https://amzn.to/3g7vsuF) If you like the show, please subscribe in iTunes (https://itunes.apple.com/podcast/the-next-track/id1116242606) or your favorite podcast app, and please rate the podcast.

5月15日（土） 前半にお届けした作品： 1 Akiko Tsuruga #敦賀明子 / Spanish Flea（2014年のアルバム「Commencement」から） 2 Satoshi Inoue & Kiyoshi Kitagawa #井上智 #北川潔 / Ask Me Now（2016年のアルバム「Second Round」から） 3 Nobuki Takamen #高免信喜 / Let’s Get Five（2012年のアルバム「Three Wishes」から） 4 Keiichi Yoshida #吉田桂一 / Angel Eyes（2002年のアルバム「Music Forever」から） 5 … Continue reading →

4月10日（土）前半にお届けした作品： 1 Keiichi Yoshida #吉田桂一 / Don’t Disturb（2002年のアルバム「Music Forever」から） 2 Michika Fukumori #福森道華 / Aquarela Do Brasil（2008年のアルバム「Infinite Thoughts」から） 3 Akiko Tsuruga #敦賀明子 / How Deep Is Your Love（2014年のアルバム「Commencement」から） 4 Nobuki Takamen #高免信喜 / Jimi’s Swing（2012年のアルバム「Three Wishes」から） 5 Utopia #Utopia / … Continue reading →

3月20日（土）前半にお届けした作品： 1 Keiichi Yoshida #吉田桂一 / Full House （2002年のアルバム「Music Forever」から） 2 Nobuki Takamen #高免信喜 / Freddie’s Mood（2012年のアルバム「Three Wishes」から） 3 Miki Yamanaka #山中ミキ / March（2020年のアルバム「Human Dust Suite」から） 4 Asuka Kakitani Jazz Orchestra #柿谷明日香 / Bumblebee Garden（2013年のアルバム「Bloom」から） 5 Miki Hirose Jazz Orchestra … Continue reading →

FREE GIFTS FOR YOU, click here: ​https://linktr.ee/abcislam In our fifty-third of our series named “Islamically Independent”: We discuss how to stop listening to music forever. We are aware that listening to music has become now a normal norm that we cannot simply ignore. Hence, firstly, in this podcast episode we discuss why music is so addictive and outline 6 different reasons. Secondly, we discuss what Islam says about music and the addiction itself. Lastly, we discuss the practical ways to stop listening to music. Listen to the entire podcast episode till the end to get the most of it. We hope that you will benefit from this extremely important topic that no one talks about in the Muslim community, in she Allah. -------------------------------------ABOUT THIS SPECIAL SERIES-------------------------------------- We believe that all young Muslims deserve independence, but can this be done in the halal way? In this new season, we unlock the secrets that every young Muslim should know to be Islamically independet, according to the Qur'an and Hadiths, but also living the best life in this world. Stay tuned for weekly episodes every Monday and Wednesday, In Sha Allah. As always, these podcasts are welcome and open to any person regardless of your gender, age, race or religion, so please feel free to subscribe/follow this Podcast. Follow us on Instagram @ambassadorsofislam for free Islamic reminders Contact us on ​abcislam100@gmail.com Leave us a good review on Apple Podcasts Jazak Allah Khair :) --- Send in a voice message: https://anchor.fm/abc-islam6/message

12月26日（土）前半にお届けした作品： 1 Keiichi Yoshida #吉田桂一 / Music Forever（2002年のアルバム「Music Forever」から） 2 Toru Dodo #百々徹 / Enduring Freedom（2006年のアルバム「116 West 238 St.」から） 3 Jun Furuya #古谷淳 / Prayer（2020年のアルバム「Piano Solo」から） 4 UoU #UoU / Life Goes On（2013年のアルバム「Take The 7 Train」から） 5 Michika Fukumori #福森道華 … Continue reading →

The Culture Journalist is an independent journalism project that relies on word-of-mouth and is funded entirely by listeners. To help us get this project off the ground, please consider becoming a paid subscriber. For a small monthly contribution, you'll get a shout-out on the podcast and other bonus goodies. Even if you can't contribute, we hope you'll tell a friend or two about it.This week on The Culture Journalist, we're taking a break from 2020—who doesn't need one?—and traveling back to a time in music and culture that we've been feeling a bit nostalgic for. We're talking about the halcyon days of 2013, a year that was full-to-bursting with exciting sounds from the underground, including DJ Rashad's Double Cup, Arca's mixtape &&&&&, and Deafheaven's Sunbather. It also felt like an unending onslaught of unprecedented Big Pop Moments, from Kanye West dismantling the avant-garde/pop divide with Yeezus, to Miley Cyrus sparking conversations about cultural appropriation with her hip-hop-inspired Bangerz, to Beyoncé reinventing the album cycle with the surprise-drop of her self-titled record in December. 2013 feels like another universe today (this was, after all, just the start of Obama's second term), but it also marked a sea change for the industry and music culture as a whole—one that this week's guest, veteran music journalist Larry Fitzmaurice, has been spending the past few months teasing apart in "The Year that Everything Changed," a serialized essay series for his excellent Last Donut of the Night Substack. On this week's episode, we reflect on 2013 as a year that the Internet would transform every aspect of music as we knew it, from the way it sounded, to how it was released, to the media's role in covering it.Read more by Larry: Last Donut of the Night Tame Impala, Chillwave, and Other Dispatches from the Vibe Generation19 Thoughts on Radiohead's In RainbowsWe've Got a File on You: Thurston MooreFollow Larry on Twitter. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit theculturejournalist.substack.com/subscribe

9月19日（土）「YOUの付く曲特集！」（後半） 9 Miki Hirose Jazz Orchestra #広瀬未来 / Close TO You （2018年のアルバム「Debut」から） 10 Keiichi Yoshida #吉田桂一 / Are You Real （2002年のアルバム「Music Forever」から） 11 Toru Ambo #安保徹 / You’ve Changed （2004年のアルバム「Misty Night」から） 12 Mamiko Taira #平麻美子 / You Turned The Tables … Continue reading →

Just because... 1. I WILL BE YOURS - BT 2. STARS - THOR, FARIUS 3. RITES - BRYN LIEDL 4. INTERGRATION - BRYN LIEDL 5. 1997 - BT & CORSTEN 6. ALL FOR YOU - DAN STONE 7. TAKIN OVER - QUIVVER 8. CANIS - DABEAT, SANCLEMENT, MORTTAGUA 9. FUSION - DNOX, ZAC 10. THE POWER PLANT - HIGH ON MARS, BARDEEYA 11. ALWAYS YOU - MATT FAX, LEVV, DEEPARTURE 12. IN & OUT OF LOVE - AVB, BLUESTONE & LEVI 13. DAMAGE EACH OTHER - STEVE BRIAN, BAYLOR 14. ANYTIME - THICK AS THIEVES 15. ARE WE HERE - AUDIOJACK 16. HIGHER - AUDIOJACK 17. NORD - RAUSCHHAUS, GRAZZE 18. DISCOPOLIS 2.0 - LIFELIKE, MENACE, MEDUZA 19. MYSTICISM - LIPOLYMER, JAMIE STEVENS 20. SHIFTER - YOTTO 21. GHOST VOICES - VIRTUAL SELF, LANE 8

8月16日（日）前半にお届けした作品： 1 Nobuki Takamen #高免信喜 / Jimi’s Swing（2012年のアルバム「Three Wishes」から） 2 Satoshi Inoue #井上智 / Chicory（2006年のアルバム「Melodic Compositions」から） 3 Keiichi Yoshida #吉田桂一 / Full House （2002年のアルバム「Music Forever」から） 4 Double Bass Double Voice #DBDV / Dear Prudence（2015年のアルバム「Ribbon In The Sky」から） 後半も引き続きWeekend Jazz Meetupをお楽しみください。 … Continue reading →

7月25日（土）「夏いぞ、暑！」特集 前半にお届けした作品： 1 Keiichi Yoshida #吉田桂一 / Bésame Mucho（2002年のアルバム「Music Forever」から） 2 Ayako Shirasaki #白崎彩子 / Nascimento（2010年のアルバム「Falling Leaves – Live In Hamburg」から） 3 OKB Trio #OKBTrio / Tristeza（2018年のアルバム「The Ing」から） 4 Satoshi Inoue #井上智 / Joao（2014年のアルバム「Plays Jim Hall」から） 5 Yuko Ito #伊東友子 … Continue reading →

In this episode of ThisTechLife, we will be going over how AirPods have changed the music industry forever in just four years since their release. --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app

4月26日（日）前半にお届けした作品： 1 Satoshi Inoue #井上智 / Just Stay Strong （2006年のアルバム「Melodic Compositions」から） 2 Keiichi Yoshida #吉田桂一 / Angel Eyes（2002年のアルバム「Music Forever」から） 3 Daiki Yasukagawa #安ヵ川大樹 / My Bebop Tune（2015年のアルバム「Trios II」から） 4 Mamiko Taira #平麻美子 / Ain’t No Use（2015年のアルバム「Heart’s Calling」から） 5 Yuto Mitomi … Continue reading →

Today show host Brent Reid gives his thoughts on MLB thinking about going away from AL and NL leagues. In the 2nd segment he creates a new NBA playoff system for just this year. Showtime ends the show talking about the NBA finals we never got, Kobe VS LeBron James. Music: Forever x Wanna Know- Hi-Ed Easy Rider- Action Bronson Stop The Party- Busta Rhymes Congratulations x Easy Love- Hi-Ed

Musicians like John Paul White are trying to figure out their paths forward. He’s a Grammy-award winning singer-songwriter from Muscle Shoals, Alabama, the founder and co-owner of Single Lock Records, and a one-time member of the Civil Wars.But right now, like a lot of us, he’s an Alabamian stuck at home. See acast.com/privacy for privacy and opt-out information.

Bustle provides a fresh spin on news, entertainment, fashion, beauty, lifestyle, books, and any and all subjects that concern women.

Ben and Kirk talk about recent proposals to use computer software to "write" every possible song in the 12-note Western system and either own all music forever, or set it free. We go through whether this work and (spoiler alert) why not. Unfortunately, we set the gain on Kirk's microphone wrong so he overloads the audio here and there.

2月29日（土）前半にお届けした作品： 1 Keiichi Yoshida #吉田桂一 / I Remember You（2002年のアルバム「Music Forever」から） 2 Miki Hirose #広瀬未来 / Highway Robbery（2010年のアルバム「A Day In New York」から） 3 Satoshi Inoue & Peter Bernstein #井上智 / When Lights Are Low（2003年のアルバム「Guitars Alone」から） 4 James Zollar feat. Nabuko Kiryu … Continue reading →

DC is joined by Geoff Edgers from The Washington Post to talk about his new book "Walk This Way: Run DMC, Aerosmith. and the Song That Changed American Music Forever."

электронная, танцевальная музыка

электронная, танцевальная музыка

электронная, танцевальная музыка

NEW MUSIC FROM Family Night Southbound Smoke HouseNEW Artist alert  Sabrina FallahOfficial Website http://sabrinafallah.com/YouTube: https://www.youtube.com/user/thefallah Become a supporter of this podcast:https://anchor.fm/bigsampresentz/support https://flipboard.com/

I talk about how I shot a family and engagement photo session. If I missed anything feel free to reach out to me! Thank you Kalia and David for choosing me to document your family love! Music: Forever never ends- Realistic Productions (ft. Alexis Krystine)

In this episode I talk about my session with Hannah of how we overcame that rainy weather and how to deal with clients comfortability. Music: Forever never ends- Realistic Productions (ft. Alexis Krystine)

2014年华语乐坛怀旧风继续男神调频与你第一次相遇MUSIC FOREVER男神音乐时间年度企划带你穿越年代金曲30年第二十八期 “年代金曲” 与你初次相见的2014年

2014年华语乐坛怀旧风继续男神调频与你第一次相遇MUSIC FOREVER男神音乐时间年度企划带你穿越年代金曲30年第二十八期 “年代金曲” 与你初次相见的2014年

Listen! Dance! Download! Share!vk.com/djkefirtwitter.com/djkefirfacebook.com/djkefirinstagram.com/kefirdj

Listen! Dance! Download! Share!vk.com/djkefirtwitter.com/djkefirfacebook.com/djkefirinstagram.com/kefirdj

Delve into the strange and wonderful world of Weirdo Music Forever. Bobby Weirdo is the main man at this website that curates a magical world of art and music based on his favorite artists. Ariel Pink, John Maus, R Stevie Moore, and Gary Wilson. Bobby's attention to the myriad of other like minded artists that spring from this well does an amazing service to the community. His Passion, perseverance and knowledge are awe-inspiring. I learned a lot studying The Weirdo Music Forever Community and you will to. This Conversation was recorded on an iphone 7 using Tapeacall app. Mid April 2018 in a small farmhouse in Western PA. ENJOY!

I've got ants to your pants!vk.com/djkefirtwitter.com/djkefirfacebook.com/djkefirinstagram.com/kefirdj

I've got ants to your pants!vk.com/djkefirtwitter.com/djkefirfacebook.com/djkefirinstagram.com/kefirdj

In the beginning of house was Jack!vk.com/djkefirtwitter.com/djkefirfacebook.com/djkefirinstagram.com/kefirdj

In the beginning of house was Jack!vk.com/djkefirtwitter.com/djkefirfacebook.com/djkefirinstagram.com/kefirdj

For your mind, your body, and your soul!vk.com/djkefirtwitter.com/djkefirfacebook.com/djkefirinstagram.com/kefirdj

For your mind, your body, and your soul!vk.com/djkefirtwitter.com/djkefirfacebook.com/djkefirinstagram.com/kefirdj

Listen! Dance! Download! Share!vk.com/djkefir twitter.com/djkefir facebook.com/djkefir instagram.com/kefirdj

Listen! Dance! Download! Share!vk.com/djkefir twitter.com/djkefir facebook.com/djkefir instagram.com/kefirdj

Listen! Dance! Download! Share!vk.com/djkefir twitter.com/djkefir facebook.com/djkefir instagram.com/kefirdj

Listen! Dance! Download! Share!vk.com/djkefir twitter.com/djkefir facebook.com/djkefir instagram.com/kefirdj

Listen! Dance! Download! Share!vk.com/djkefir twitter.com/djkefir facebook.com/djkefir instagram.com/kefirdj

Listen! Dance! Download! Share!vk.com/djkefir twitter.com/djkefir facebook.com/djkefir instagram.com/kefirdj

House Music Forever!В далёкой-далёкой Галактике, свет звёзд которой виден только в самые сильные телескопы, есть планета под названием Судьба. Жители этой планеты всегда влияли, влияют, и будут влиять на жизнь землян. Поэтому каждое тысячелетие на Землю прилетают Счастливые Диск-Жуки!vk.com/djkefir twitter.com/djkefir facebook.com/djkefir instagram.com/kefirdj

House Music Forever!В далёкой-далёкой Галактике, свет звёзд которой виден только в самые сильные телескопы, есть планета под названием Судьба. Жители этой планеты всегда влияли, влияют, и будут влиять на жизнь землян. Поэтому каждое тысячелетие на Землю прилетают Счастливые Диск-Жуки!vk.com/djkefir twitter.com/djkefir facebook.com/djkefir instagram.com/kefirdj

Documentary Viewer Can't Wait To Find Out Which 4 Lads From Liverpool Changed Music Forever; Polls; Troubles continue for NFL star running back Adrian Peterson; Sea ice is at a record level; New Rock N Roll Hall of Fame nominees are out; Final Thoughts

“New York City tends to erase its history, endlessly reinventing itself: that is its way, ” writes Will Hermes on the final page of his book Love Goes to Buildings on Fire: Five Years in New York that Changed Music Forever (Faber and Faber, 2011). Nineteen seventy-three through nineteen seventy-seven, argues Hermes, were pivotal ones for New York. The city was in near socio-economic-cultural collapse during this time (the blackout of 1977, Son of Sam, a $5.3 billion debt) yet it was also a time of great musical creativity. These were birthing years for many of the artists and bands that, in coming together, created music scenes that influenced not only music in the city and nation, but also around the world: punk, salsa, disco, hip-hop, and avant-garde all took root and blossomed during this period. In Buildings on Fire, Hermes details the activities of the major players in NYC’s music communities of the mid-seventies and explains the social conditions that encouraged and constrained their actions. Will Hermes is a senior critic for Rolling Stone and a longtime contributor to NPR’s All Things Considered. His work also appears in The New York Times and The Village Voice. Learn more about your ad choices. Visit megaphone.fm/adchoices

“New York City tends to erase its history, endlessly reinventing itself: that is its way, ” writes Will Hermes on the final page of his book Love Goes to Buildings on Fire: Five Years in New York that Changed Music Forever (Faber and Faber, 2011). Nineteen seventy-three through nineteen seventy-seven, argues Hermes, were pivotal ones for New York. The city was in near socio-economic-cultural collapse during this time (the blackout of 1977, Son of Sam, a $5.3 billion debt) yet it was also a time of great musical creativity. These were birthing years for many of the artists and bands that, in coming together, created music scenes that influenced not only music in the city and nation, but also around the world: punk, salsa, disco, hip-hop, and avant-garde all took root and blossomed during this period. In Buildings on Fire, Hermes details the activities of the major players in NYC’s music communities of the mid-seventies and explains the social conditions that encouraged and constrained their actions. Will Hermes is a senior critic for Rolling Stone and a longtime contributor to NPR’s All Things Considered. His work also appears in The New York Times and The Village Voice. Learn more about your ad choices. Visit megaphone.fm/adchoices

“New York City tends to erase its history, endlessly reinventing itself: that is its way, ” writes Will Hermes on the final page of his book Love Goes to Buildings on Fire: Five Years in New York that Changed Music Forever (Faber and Faber, 2011). Nineteen seventy-three through nineteen seventy-seven, argues Hermes, were pivotal ones for New York. The city was in near socio-economic-cultural collapse during this time (the blackout of 1977, Son of Sam, a $5.3 billion debt) yet it was also a time of great musical creativity. These were birthing years for many of the artists and bands that, in coming together, created music scenes that influenced not only music in the city and nation, but also around the world: punk, salsa, disco, hip-hop, and avant-garde all took root and blossomed during this period. In Buildings on Fire, Hermes details the activities of the major players in NYC’s music communities of the mid-seventies and explains the social conditions that encouraged and constrained their actions. Will Hermes is a senior critic for Rolling Stone and a longtime contributor to NPR’s All Things Considered. His work also appears in The New York Times and The Village Voice. Learn more about your ad choices. Visit megaphone.fm/adchoices

Нашел свой старенький миксик решил поделиться им с Вами..Приятного Вам слуханья.. =)

Our special guest was Shawn from the Reggae Talk podcast and Reggae Music Forever blog. --------------------------------------------------------------------------------------- Certainly, we discussed the state of dancehall/reggae culture with Reggae Music Forever including topics: * Firstly, Dancehall supporters versus die-hard fans of roots reggae. * Secondly, The overlooked conscious dancehall ( https://reggaelover.com/new-music-of-jamaica/ ) movement. * The American reggae scene. * Comparing white and black Americans taste in reggae. * Reggae Talk Podcast 1-year Anniversary event. * Other passions outside of reggae. * Is reggae music on life-support? * In conclusion, Predictions for the future. *Resources:* * Reggae Music Forever blog ( http://instagram.com/ReggaeMusicForever ) * Reggae Talk Podcast ( https://www.youtube.com/channel/UCUUEKecXoDh_2tmc6LNQFxg/videos ) Support this podcast at — https://redcircle.com/reggae-lover/donations Advertising Inquiries: https://redcircle.com/brands

Our special guest was Shawn from the Reggae Talk podcast and ReggaeMusicForever blog.We discussed the state of dancehall/reggae culture including topics:Dancehall supporters versus die-hard fans of roots reggae.The overlooked conscious dancehall movement.The American reggae scene.Comparing white and black Americans taste in reggae.Reggae Talk Podcast 1-year Anniversary event.Other passions outside of reggae.Is reggae music on life-support?Predictions for the future.Resources:Reggae Music Forever blog Reggae Talk Podcast Support this podcast at — https://redcircle.com/reggae-lover/donationsWant to advertise on this podcast? Go to https://redcircle.com/brands and sign up.