Podcast appearances and mentions of Taylor Ho Bynum

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THIS WEEK's BIRDS: Arabo-Andalusian vocalist Nassima; dhrupad from le famille Mallik; vintage soukous from Papa Wemba; from Angola: Sara Chaves; Rob Brown and Daniel Levin (duo); new Music from Jane Bunnett et al. new music from David Virelles et al.; salsa from Sonora Ponceña & Tony Pabon; Jorge Humberto (Cape Verde) address Covid; Archie Shepp w. Jeanne Lee teal. (ca. 1969); new music from OGJB Quartet and Sonic Liberation Front (Both w/ Oliver Lake); 2 from Sélébéyone; Taylor Ho Bynum; and much, much more ...! LISTEN LIVE: Friday nights, 9:00pm-MIDNIGHT (EST), in Central New York on WRFI: 88.1FM Ithaca, 89.7FM Odessa, 91.9FM WINO Watkins Glen. and WORLDWIDE online at WRFI.ORG.  via PODBEAN: https://conferenceofthebirds.podbean.com/ via iTUNES: https://podcasts.apple.com/us/podcast/conference-of-the-birds-podcast/id478688580 Also available at podomatic, Internet Archive, podtail, iheart Radio, and elsewhere. Always FREE of charge to listen to the radio program and free also to stream, download, and subscribe to the podcast online: PLAYLISTS at SPINITRON: https://spinitron.com/WRFI/pl/17277879/Conference-of-the-Birds and via the Conference of the Birds page at WRFI.ORG https://www.wrfi.org/wrfiprograms/conferenceofthebirds/  Join us on Facebook: https://www.facebook.com/groups/conferenceofthebirds/?ref=bookmarks FIND WRFI on Radio Garden: http://radio.garden/visit/ithaca-ny/aqh8OGBR Contact: confbirds@gmail.com

Mali Obomsawin Magdalena Abrego Antonija Subat Charles (Chuck) Roldan Mali Obomsawin is an award winning songwriter, bassist and composer from Odanak First Nation. With an eclectic background in indie rock, American roots/folk and jazz, Obomsawin carries several music traditions. A Smithsonian Folkways Recordings artist, Mali has toured internationally, receiving acclaim from NPR and RollingStone and several Boston Music Awards nominations with her band Lula Wiles. Obomsawin frequents the folk/roots circuit as a frontwoman and sidewoman, appearing several times at Newport and Philly Folk festival, and also performs as bassist/singer in the creative music scene with Peter Apfelbaum, Taylor Ho Bynum and with her Sextet project, Sweet Tooth. Known for her striking, sardonic lyricism and sonic dreamscapes, Mali's songwriting delivers the lush, anti-imperialist rock show we've all been craving. IG & Twitter: @featherbitchxx Facebook: facebook.com/maliobomsawin

Tomas Fujiwara is a Brooklyn-based drummer and composer. Described as “a ubiquitous presence in the New York scene…an artist whose urbane writing is equal to his impressively nuanced drumming” (Troy Collins, Point of Departure), Tomas is an active player in some of the most exciting music of the current generation, with his bands Triple Double (with Gerald Cleaver, Mary Halvorson, Brandon Seabrook, Ralph Alessi, and Taylor Ho Bynum), Tomas Fujiwara & The Hook Up (with Jonathan Finlayson, Brian Settles, Halvorson, and Michael Formanek) and The Tomas Fujiwara Trio (with Alessi and Seabrook); his collaborative duo with cornetist Taylor Ho Bynum; the collective trio Thumbscrew (with Halvorson and Formanek); and a diversity of creative sideman work with forward thinking peers like Tomeka Reid and Matana Roberts. In The New York Times, Nate Chinen writes, “Drummer Tomas Fujiwara works with rhythm as a pliable substance, solid but ever shifting. His style is forward-driving but rarely blunt or aggressive, and never random. He has a way of spreading out the center of a pulse while setting up a rigorous scaffolding of restraint...A conception of the drum set as a full-canvas instrument, almost orchestral in its scope.” Support the show

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"Pack Up, Coming For You" Tomas Fujiwara's Triple Double: March (Firehouse 12 Records, 2022) Tomas Fujiwara, Gerald Cleaver, Mary Halvorson, Brandon Seabrook, Ralph Alessi, Taylor Ho Bynum. El tema es una composición de Tomas Fujiwara. Tomajazz: © Pachi Tapiz, 2022 ¿Sabías que? La formación de March es un trío de pares de instrumentistas, o un doble trío de figuras de primer nivel y con una configuración no muy habitual: Tomas Fujiwara y Gerald Cleaver tocan la batería; Mary Halvorson y Brandon Seabrook la guitarra; Ralph Alessi y Taylor Ho Bynum la corneta, y el primero también la trompeta. Todos los temas del disco son en formación de doble trío, salvo el extenso "For Alan, Part II" que es un tema a dúo de los bateristas en homenaje a Alan Dawson, que llega casi a los dieciocho minutos de duración. El disco se grabó en 2019 en En Firehouse 12. En este local hay además de un estudio de grabación, un bar y un local de conciertos. También tienen un sello discográfico. La portada es obra de Megan Craig. Este tema va con una dedicatoria a Jorge: ¡recupérate pronto y a seguir haciendo mucho ruido! En anteriores episodios de JazzX5/HDO/LODLMA/Maltidos Jazztardos/Tomajazz Remembers… https://www.tomajazz.com/web/?p=46217 Más información sobre Tomas Fujiwara y Firehouse 12 https://www.tomasfujiwara.com/ http://firehouse12.com/ Más información sobre JazzX5 JazzX5 es un minipodcast de HDO de la Factoría Tomajazz presentado, editado y producido por Pachi Tapiz. JazzX5 comenzó su andadura el 24 de junio de 2019. Todas las entregas de JazzX5 están disponibles en https://www.tomajazz.com/web/?cat=23120 / https://www.ivoox.com/jazzx5_bk_list_642835_1.html. JazzX5 y los podcast de Tomajazz en Telegram En Tomajazz hemos abierto un canal de Telegram para que estés al tanto, al instante, de los nuevos podcast. Puedes suscribirte en https://t.me/TomajazzPodcast. Pachi Tapiz en Tomajazz https://www.tomajazz.com/web/?cat=17847

Tomas Fujiwara is a Brooklyn-based drummer and composer. Described as “a ubiquitous presence in the New York scene…an artist whose urbane writing is equal to his impressively nuanced drumming” (Troy Collins, Point of Departure), Tomas is an active player in some of the most exciting music of the current generation, with his bands Triple Double (with Gerald Cleaver, Mary Halvorson, Brandon Seabrook, Ralph Alessi, and Taylor Ho Bynum), Tomas Fujiwara & The Hook Up (with Jonathan Finlayson, Brian Settles, Halvorson, and Michael Formanek) and The Tomas Fujiwara Trio (with Alessi and Seabrook); his collaborative duo with cornetist Taylor Ho Bynum; the collective trio Thumbscrew (with Halvorson and Formanek); and a diversity of creative sideman work with forward-thinking peers like Tomeka Reid and Matana Roberts. In The New York Times, Nate Chinen writes, “Drummer Tomas Fujiwara works with rhythm as a pliable substance, solid but ever-shifting. His style is forward-driving but rarely blunt or aggressive, and never random. He has a way of spreading out the center of a pulse while setting up a rigorous scaffolding of restraint...A conception of the drum set as a full-canvas instrument, almost orchestral in its scope.” Born and raised in Boston, MA, Tomas studied with legendary drummer and teacher Alan Dawson for eight years before moving to New York at the age of 17. He is currently a member of ensembles led by Taylor Ho Bynum, Mary Halvorson, Matana Roberts, Nicole Mitchell, Matt Bauder, and Tomeka Reid, in addition to projects with artists such as Anthony Braxton, John Zorn, Michael Formanek, Ben Goldberg, and Benoit Delbecq, and has performed at festivals and venues across North America, Europe, Asia, Australia, and the Middle East. He also has many experiences outside the jazz realm, including a five-year run with the Off-Broadway show Stomp and performances with the Tony Award-winning Broadway musical Fela!, featuring Patti Labelle and members of Antibalas. If you enjoyed this episode please make sure to subscribe, follow, rate, and/or review this podcast on Spotify, Apple Podcast, Google Podcast, ect. Connect with us on all social media platforms and at www.improvexchange.com

Nick Di Maria is a trumpeter, composer, podcaster, activist, and educator based in New Haven, Connecticut. A graduate of Western Connecticut State University, Nick holds a Bachelor's Degree in Jazz Performance. Nick has been a student Dr. Eddie Henderson since 2003. Other musical mentors include Dave Scott, Jeremy Pelt, Taylor Ho Bynum, and Rich Clymer. Nick also holds a Masters of Science in Music Education. Nick is also Director of the Outer Space Jazz Series, a local, weekly jazz showcase at the Outer Space club in Hamden, CT. Nick has worked with musicians of the highest caliber. In the 2012-2013 season Jeremy Pelt, Wayne Escoffery, Peter Bernstein,  and Jimmy Greene have performed at the series. Nick also directed the now annual O.S. Jazz Festival which consists of bands from all over the state performing originally composed jazz. In this episode, Nick shares his background, education, and musical journey. If you enjoyed this episode please make sure to subscribe, follow, rate, and/or review this podcast on Spotify, Apple Podcast, Google Podcast, ect. Connect with us on all social media platforms and at www.improvexchange.com

Episode SummaryExperimental musician Mary Halvorson shares her story of how a practical person made the impractical leap to pursue a music career when she met a truly inspiring teacher in college. Mary discusses creating music that is out of the mainstream, finding acceptance by going her own way, and how receiving the prestigious MacArthur Grant has impacted her life. Syd and Mary talk leadership, women in music, quarantine, and more, in this episode of The Sydcast.Syd FinkelsteinSyd Finkelstein is the Steven Roth Professor of Management at the Tuck School of Business at Dartmouth College. He holds a Master's degree from the London School of Economics and a Ph.D. from Columbia University. Professor Finkelstein has published 25 books and 90 articles, including the bestsellers Why Smart Executives Fail and Superbosses: How Exceptional Leaders Master the Flow of Talent, which LinkedIn Chairman Reid Hoffman calls the “leadership guide for the Networked Age.” He is also a Fellow of the Academy of Management, a consultant and speaker to leading companies around the world, and a top 25 on the global Thinkers 50 list of top management gurus. Professor Finkelstein's research and consulting work often relies on in-depth and personal interviews with hundreds of people, an experience that led him to create and host his own podcast, The Sydcast, to uncover and share the stories of all sorts of fascinating people in business, sports, entertainment, politics, academia, and everyday life. Mary HalvorsonGuitarist and composer Mary Halvorson has been described as “a singular talent” (Lloyd Sachs, JazzTimes), ”NYC's least-predictable improviser” (Howard Mandel, City Arts), “one of the most exciting and original guitarists in jazz—or otherwise” (Steve Dollar, Wall Street Journal), and “one of today's most formidable bandleaders” (Francis Davis, Village Voice). In recent Downbeat Critics Polls, Halvorson has been celebrated as a guitarist, rising star jazz artist, and rising star composer of the year, and in 2019 she was awarded a MacArthur Fellowship.Halvorson has released a series of critically acclaimed albums on the Firehouse 12 label, from Dragon's Head (2008), her trio debut featuring bassist John Hébert and drummer Ches Smith, expanding to a quintet with trumpeter Jonathan Finlayson and alto saxophonist Jon Irabagon on Saturn Sings (2010) and Bending Bridges (2012), a septet with tenor saxophonist Ingrid Laubrock and trombonist Jacob Garchik on Illusionary Sea (2014), and finally an octet with pedal steel guitarist Susan Alcorn on Away With You (2016). She also released the solo recording Meltframe (2015) and most recently debuted Code Girl (2018), a new ensemble featuring vocalist Amirtha Kidambi (singing Halvorson's own lyrics), trumpeter Adam O'Farrill, saxophonist/ vocalist Maria Grand, bassist Michael Formanek, and drummer Tomas Fujiwara. One of New York City's most in-demand guitarists, over the past decade Halvorson has worked with such diverse musicians as Tim Berne, Anthony Braxton, Taylor Ho Bynum, John Dieterich, Trevor Dunn, Bill Frisell, Ingrid Laubrock, Jason Moran, Joe Morris, Tom Rainey, Jessica Pavone, Tomeka Reid, Marc Ribot, and John Zorn. She is also part of several collaborative projects, most notably the longstanding trio Thumbscrew with Michael Formanek on bass and Tomas Fujiwara on drums.Insights from this episode:The benefits of studying musical traditions to build your own strong musical foundation.Reasons why you should play different types and styles of music to enhance and further your career.Differences between listening to music through a streaming service versus on a CD or vinyl album and the impact of listening to only one song versus an entire album.How to find a balance between instinct and editing when creating music.Benefits of performing music live that can not be achieved through streaming concerts. How to be a good bandleader and how to deal with the pressure that comes with being a leader in any situation.Quotes from the show:“I realized music was much more than I had initially thought, it was much bigger. There were so many more possibilities.” – Mary Halvorson“I think there's a misconception that people who play experimental music only like experimental music or can't play other types of music and vice versa. I've found that that's often not the case.” – Mary Halvorson“I think of an academic career as an entrepreneurial career where you can always try something new if you want to try something new.” – Syd Finkelstein“We know, in so many walks of life, narrative flow and storytelling is everything.” – Syd Finkelstein“I've always found it un-intuitive to have music and then put lyrics in later.” – Mary Halvorson“I'm just writing music that I find exciting or that I think is beautiful or that I like and I think that tends to be a little bit left of center.” – Mary Halvorson“I'm very lucky to do music that I believe in.” – Mary Halvorson“What I've realized during this [quarantine] period is there's no substitute for live music. Doing live-stream performances is not a substitute for live music.” – Mary HalvorsonOn what advice Mary would give to her younger self: “Take your time with things and make sure to do things thoroughly … get really deep into something.” – Mary Halvorson“I think focusing on the process and not the end result is also a good thing to think about.” – Mary HalvorsonStay Connected: Syd FinkelsteinWebsite: http://thesydcast.comLinkedIn: Sydney FinkelsteinTwitter: @sydfinkelsteinFacebook: The SydcastInstagram: The SydcastMary HalvorsonWebsite: www.maryhalvorson.comSpotify: Mary HalvorsonYouTube Music: Mary HalvorsonFacebook: Mary HalvorsonSubscribe to our podcast + download each episode on Stitcher, iTunes, and Spotify.This episode was produced and managed by Podcast Laundry (www.podcastlaundry.com)

Kyoko discusses her work as an improvising vocalist, composer, band leader & Executive Director of Anthony Braxton’s Tri-Centric Foundation and we also listen to several of her recordings. She is a former journalist (Fuji Television Network Japan) with childhood piano training at Juilliard Pre-College, a stint as Paris-based foreign news correspondent and Gulf War reporter on her résumé working in Iraq, Kuwait, Jordan and Saudi Arabi. Kyoko Kitamura is an oddball vocalist, composer and bandleader who has worked with many distinguished musicians, most notably with the community of Tri-Centric musicians including Anthony Braxton and Taylor Ho Bynum. “…Kitamura’s voice is an amazing instrument, with great range. […] If you’re someone who likes to be challenged, who has to go back and listen until what you hear makes sense (or begins to make sense), look no further." (Hartford Courant)

This week: Mallikarjun Mansur; Mehdi Hassan; David Murray w. Saul Williams; Dee Dee Bridgewater in Mali; Jonathan Finlayson; Kamau Brathwaite; Illegal Crowns (Mary Halvorson, Tomas Fujiwara, Benoit Delbecq, Taylor Ho Bynum); Abdou el Omari w. Naima Samih; Sona Diabate; Kandia Kouyate; Fire! Orchestra; Billy Harper;  much more...  Always FREE of charge to listen, stream, download, and subscribe. PODBEAN: https://conferenceofthebirds.podbean.com/ iTUNES: https://podcasts.apple.com/us/podcast/conference-of-the-birds-podcast/id478688580 Playlist via Spinitron:  https://spinitron.com/WRFI/pl/10442381/Conference-of-the-Birds Archived PLAYLISTS: via WRFI: https://www.wrfi.org/localprograms/conferenceofthebirds/ via blogspot: http:confbirds.blogspot.com Join us on Facebook: https://www.facebook.com/groups/conferenceofthebirds/?ref=bookmarks Contact: confbirds@gmail.com

Una notte che prende spunto dal manifesto dell'ambiguità del Taylor Ho Bynum 9-tette e si struttura conseguentemente con dei progetti programmatici e sfuggenti al tempo stesso

Two hours of genre-defying, global, music, with a special focus on socially engaged projects, Finnish bands, and charismatic artists whose music has a higher than average density of ideas, like Michael Mwenso and Frank Zappa (by way of the tribute paid to him by the Orchestre Franck Tortiller). It all starts with the much anticipated new release by Tenor Triage. The playlist features Tenor Triage, Nérija, Taylor Ho Bynum 9-tette, Bowman Trio, Uri Caine, Avery R. Young, Mwenso & the Shakes, Orchestre Franck Tortiller, Electric Lady Big Band, The Royal Krunk Jazz Orkestra, Ola Onabule, Jenna Camille, Nu Guinea, Joe Armon-Jones, Olli Hirvonen, Oddarang, Aki Rissanen and Chris Lightcap. Detailed playlist at https://spinitron.com/RFB/pl/9295174/Mondo-Jazz.

Taylor Ho Bynum just released The Ambiguity Manifesto (2019, Firehouse 12 Records), an album featuring his "9-tet." In this interview, Taylor talks about his outstanding band; the evolution of his compositions in recent years; the many exciting projects he has coming up; and a lot more. (Here's Taylor's previous interview on The Jazz Session.) / / / I've been recording conversations with jazz musicians since 2007. I think it's important work that deserves public support. I'd also like to be able to do it for my living. If you agree that The Jazz Session is worth supporting, become a member today at thejazzsession.com/join. For $5 a month you'll get a monthly bonus episode, early access to every show, and a yearly gift. For $10 a month you get all that plus an extra bonus show exploring a classic jazz album.

Taylor Ho Bynum just released The Ambiguity Manifesto (2019, Firehouse 12 Records), an album featuring his "9-tet." In this interview, Taylor talks about his outstanding band; the evolution of his compositions in recent years; the many exciting projects he has coming up; and a lot more. (Here's Taylor's previous interview on The Jazz Session.) / / / I've been recording conversations with jazz musicians since 2007. I think it's important work that deserves public support. I'd also like to be able to do it for my living. If you agree that The Jazz Session is worth supporting, become a member today at thejazzsession.com/join. For $5 a month you'll get a monthly bonus episode, early access to every show, and a yearly gift. For $10 a month you get all that plus an extra bonus show exploring a classic jazz album.

Taylor Ho Bynum just released The Ambiguity Manifesto (2019, Firehouse 12 Records), an album featuring his “9-tet.” In this interview, Taylor talks about his outstanding band; the evolution of his compositions in recent years; the many exciting projects he has coming up; and a lot more. (Here’s Taylor’s previous interview on The Jazz Session.) / … Continue reading "The Jazz Session #495: Taylor Ho Bynum"

7e émission de la 45e session... Cette semaine, beaucoup de nouveau jazz moderne! En musique: Yazz Ahmed sur l'album Polyhymnia  (Ropeadope, 2019); Jaimie Branch sur l'album Fly or Die II: Bird Dogs of Paradise  (International Anthem, 2019); Simon Nabatov Quintet sur l'album Last Minute Theory  (Clean Feed, 2019); Steve Lehman Trio + Craig Taborn sur l'album The People I Love  (Pi Recordings, 2019); Taylor Ho Bynum 9-tette The Ambiguity Manifesto  (Firehouse 12, 2019)...

7e émission de la 45e session... Cette semaine, beaucoup de nouveau jazz moderne! En musique: Yazz Ahmed sur l'album Polyhymnia  (Ropeadope, 2019); Jaimie Branch sur l'album Fly or Die II: Bird Dogs of Paradise  (International Anthem, 2019); Simon Nabatov Quintet sur l'album Last Minute Theory  (Clean Feed, 2019); Steve Lehman Trio + Craig Taborn sur l'album The People I Love  (Pi Recordings, 2019); Taylor Ho Bynum 9-tette The Ambiguity Manifesto  (Firehouse 12, 2019)...

Naima Lowe's installation Aren't They All Just Love Songs Anyway? is open in the Jack Straw New Media Gallery through December 13th. Gospel is one of the pieces of music created with Bill Lowe and Taylor Ho Bynum for the installation's titular video piece.

Naima Lowe's installation Aren't They All Just Love Songs Anyway? is open in the Jack Straw New Media Gallery through December 13th. Gospel is one of the pieces of music created with Bill Lowe and Taylor Ho Bynum for the installation's titular video piece.

Naima Lowe‘s installation Aren’t They All Just Love Songs Anyway? is open in the Jack Straw New Media Gallery through December 13th. “Gospel” is one of the pieces of music created with Bill Lowe and Taylor Ho Bynum for the installation’s titular video piece. The post Naima Lowe – Gospel appeared first on Jack Straw Cultural Center.

Naima Lowe‘s installation Aren’t They All Just Love Songs Anyway? is open in the Jack Straw New Media Gallery through December 13th. “Gospel” is one of the pieces of music created with Bill Lowe and Taylor Ho Bynum for the installation’s titular video piece.

Nació en Washington, creció musicalmente en Chicago y ahora reside en Nueva York. Además, aprecia que su instrumento no tenga el peso de la historia de la trompeta, el saxo o el piano en el jazz y la improvisación. La chelista Tomeka Reid presenta "Old New", trabajo en cuarteto con Mary Halvorson (guitarra), Jason Roebke (contrabajo) y Tomas Fujiwara (batería). A excepción del contrabajista, los miembros del cuarteto de Tomeka Reid participan en el 9-tette del cornetista Taylor Ho Bynum, que cierra su "trilogía accidental" con "The Ambiguity Manifesto". Reid participa también en la celebración de los 50 años del Art Ensemble of Chicago, formación señera surgida de la AACM. "We are on the edge" es un doble disco para celebrar el aniversario de una banda de la que siguen en activo Roscoe Mitchell y Fammoudou Don Moye. Toda la información y derechos: http://www.elclubdejazz.com

Nació en Washington, creció musicalmente en Chicago y ahora reside en Nueva York. Además, aprecia que su instrumento no tenga el peso de la historia de la trompeta, el saxo o el piano en el jazz y la improvisación. La chelista Tomeka Reid presenta "Old New", trabajo en cuarteto con Mary Halvorson (guitarra), Jason Roebke (contrabajo) y Tomas Fujiwara (batería). A excepción del contrabajista, los miembros del cuarteto de Tomeka Reid participan en el 9-tette del cornetista Taylor Ho Bynum, que cierra su "trilogía accidental" con "The Ambiguity Manifesto". Reid participa también en la celebración de los 50 años del Art Ensemble of Chicago, formación señera surgida de la AACM. "We are on the edge" es un doble disco para celebrar el aniversario de una banda de la que siguen en activo Roscoe Mitchell y Fammoudou Don Moye. Toda la información y derechos: http://www.elclubdejazz.com

As jazz was born where cultures converged, it's not a surprise that it is the most adaptable form of music. An art form permeable since its very inception to musical traditions from other continents. This week we focus on the contribution of musicians that approached jazz and improvised music benefiting from the wider perspective afforded to them by the exposure to not only American culture but also the traditions of the places of origin of their families, which hailed from Asian countries like China, India, Iraq, Japan, Korea, Pakistan, the Philippines and Vietnam. The playlist features Susie Ibarra, Cuong Vu, Ben Kono, Amir ElSaffar, Fred Ho, Amirtha Kidambi, Edge, Peggy Chew, Rajna Swaminathan, Brooklyn Raga Massive, Vijay Iyer, Rudresh Mahanthappa, Rez Abbasi, Jon Jang, Jen Shyu, Tomas Fujiwara, Taylor Ho Bynum, Jon Irabagon, Miles Okazaki, Ha-Yang Kim. Detailed playlist at https://spinitron.com/RFB/pl/8609813/Mondo-Jazz Photo credit: Peter Gannushkin http://downtownmusic.net

"Blood" es una meditación sobre los traumas emocionales de la guerra y el nuevo proyecto del violinista Jason Kao Hwang con su grupo Burning Bridge, un octeto conformado por Joseph Daley (tuba), Andrew Drury (batería y percusión), Ken Filiano (contrabajo), Steve Swell (trombón), Sun Li (pipa), Taylor Ho Bynum (corneta y fliscorno) y Wang Guowei (Erhu). Con ellos cerramos esta edición de 'Club de Jazz' del 1 de febrero de 2019. El pianista Jamie Saft soñó en azul y reunió un cuarteto excepcional para firmar "Blue Dream". Colaborador de John Zorn o Joe Morris, Saft invita al saxofonista Bill McHenry, al bajista Brad Jones y al baterista Nasheet Waits. Tenemos llamada desde Londres. En el London Calling de Fernando Ortiz de Urbina, la música del saxofonista y clarinetista Jacob Zimmerman. Alumno de Roscoe Mitchell y Joe Morris, entre otros, el músico, asentado en Seattle, se decanta sin embargo por el estilo de transición entre el swing y el bop. Escuchamos música de sus últimas grabaciones: "Recording ban" y "More of that". Al norte de Seattle, al otro lado de la frontera, se encuentra la provincia canadiense de Alberta. Allí el saxofonista Jim Brenan lidera un grupo de doce músicos representativos de la región en un disco bajo el título de "50/50". Toda la información y derechos: http://www.elclubdejazz.com

"Blood" es una meditación sobre los traumas emocionales de la guerra y el nuevo proyecto del violinista Jason Kao Hwang con su grupo Burning Bridge, un octeto conformado por Joseph Daley (tuba), Andrew Drury (batería y percusión), Ken Filiano (contrabajo), Steve Swell (trombón), Sun Li (pipa), Taylor Ho Bynum (corneta y fliscorno) y Wang Guowei (Erhu). Con ellos cerramos esta edición de 'Club de Jazz' del 1 de febrero de 2019. El pianista Jamie Saft soñó en azul y reunió un cuarteto excepcional para firmar "Blue Dream". Colaborador de John Zorn o Joe Morris, Saft invita al saxofonista Bill McHenry, al bajista Brad Jones y al baterista Nasheet Waits. Tenemos llamada desde Londres. En el London Calling de Fernando Ortiz de Urbina, la música del saxofonista y clarinetista Jacob Zimmerman. Alumno de Roscoe Mitchell y Joe Morris, entre otros, el músico, asentado en Seattle, se decanta sin embargo por el estilo de transición entre el swing y el bop. Escuchamos música de sus últimas grabaciones: "Recording ban" y "More of that". Al norte de Seattle, al otro lado de la frontera, se encuentra la provincia canadiense de Alberta. Allí el saxofonista Jim Brenan lidera un grupo de doce músicos representativos de la región en un disco bajo el título de "50/50". Toda la información y derechos: http://www.elclubdejazz.com

Doble lanzamiento del baterista Phil Haynes: con su grupo Free Country, que comparte con Hank Roberts (chelo y voz), Jim Yanda (guitarra) y Drew Gress (contrabajo), cierra una trilogía de grabaciones con "My favorite things", un recorrido por las músicas populares de la década de los 60. Además, junto a Dave Liebman (saxos) y el propio Drew Gress conforma el trío No Fast Food, donde trabaja temas propios en "Settings for three". Con ellos abrimos esta edición de 'Club de Jazz' del 9 de junio de 2018. El saxofonista Bill McHenry se marca un "Solo", traslación al estudio de algunas sesiones en solitario en Robadors 23, de Barcelona. NES es el proyecto, con sede en Valencia, que reúne a la cantante y chelista Nesrine Belmokh, al chelista Matthieu Saglio y al percusionista David Gadea. Territorio fronterizo con el jazz en su primer disco para ACT, "Ahlam". La chelista Tomeka Reid, la cantante Kyoko Kitamura, el cornetista Taylor Ho Bynum y el guitarrista Joe Morris indagan en la "Geometry of Caves". Toda la información y derechos: http://www.elclubdejazz.com

Doble lanzamiento del baterista Phil Haynes: con su grupo Free Country, que comparte con Hank Roberts (chelo y voz), Jim Yanda (guitarra) y Drew Gress (contrabajo), cierra una trilogía de grabaciones con "My favorite things", un recorrido por las músicas populares de la década de los 60. Además, junto a Dave Liebman (saxos) y el propio Drew Gress conforma el trío No Fast Food, donde trabaja temas propios en "Settings for three". Con ellos abrimos esta edición de 'Club de Jazz' del 9 de junio de 2018. El saxofonista Bill McHenry se marca un "Solo", traslación al estudio de algunas sesiones en solitario en Robadors 23, de Barcelona. NES es el proyecto, con sede en Valencia, que reúne a la cantante y chelista Nesrine Belmokh, al chelista Matthieu Saglio y al percusionista David Gadea. Territorio fronterizo con el jazz en su primer disco para ACT, "Ahlam". La chelista Tomeka Reid, la cantante Kyoko Kitamura, el cornetista Taylor Ho Bynum y el guitarrista Joe Morris indagan en la "Geometry of Caves". Toda la información y derechos: http://www.elclubdejazz.com

El sello Relative Pitch Records es un sello fundado en Nueva York en 2011 por Mike Panico y Kevin Reilly, especializado en Jazz Avant-Garde, Free Jazz e Improvisación libre. Las tres últimas referencias publicadas por este sello se mueven por los terrenos más libres de la música improvisada: Geometry Of Caves (Joe Morris, Taylor Ho Bynum, Tomeka Reid, Kyoko Kitamura), Fullmoon (Stephanie Richards), Loud (Flamingo –Chris Heenan, Adam Pultz Melbye, Christian Windfeld, Roy Carroll). En HDO 414 suenan distintos temas o extractos de la música de estas tres referencias más que recomendables para los aficionados a la improvisación libre. Tomajazz: © Pachi Tapiz, 2018 HDO es un podcast de jazz e improvisación (libre en mayor o menor grado) que está editado, presentado y producido por Pachi Tapiz. Para quejas, sugerencias, protestas, peticiones, presentaciones y/u opiniones envíanos un correo a hdo @ tomajazz . com.

El trompetista británico Tom Arthurs, que en Club de Jazz descubrimos mano a mano con la pianista Julia Hülsmann, presenta su nuevo disco como líder, "One year", que comparte con el pianista Richard Fairhurst y el baterista Markku Ounaskari. Un trabajo de enorme delicadeza cuyas composiciones proceden de un tiempo de paréntesis personal y que encuentra, entre otras, inspiración en la película Mirror de Tarkovsky. Lo estrenamos en esta edición de 'Club de Jazz' del 4 de febrero de 2018. Para los aficionados al baloncesto, el triple doble es una doble figura estadística en tres apartados del juego; para el baterista Tomas Fujiwara es un Triple Double junto a Gerald Cleaver (batería), los guitarristas Mary Halvorson y Brandon Seabrook y los trompetistas Ralph Alessi y Taylor Ho Bynum. El saxofonista extremeño Luis Verde presenta "Vientos Cruzados", su nuevo trabajo en compañía de Moisés P. Sánchez (piano y teclado), Reinier Elizarde (contrabajo) y Mark Schilders (batería). El pianista Jason Moran abrió en 2016 una serie de conciertos en la Armería de Park Avenue, de Nueva York, un edificio histórico de la ciudad en el que registró su segundo disco de piano solo. Toda la información y derechos: http://www.elclubdejazz.com

El trompetista británico Tom Arthurs, que en Club de Jazz descubrimos mano a mano con la pianista Julia Hülsmann, presenta su nuevo disco como líder, "One year", que comparte con el pianista Richard Fairhurst y el baterista Markku Ounaskari. Un trabajo de enorme delicadeza cuyas composiciones proceden de un tiempo de paréntesis personal y que encuentra, entre otras, inspiración en la película Mirror de Tarkovsky. Lo estrenamos en esta edición de 'Club de Jazz' del 4 de febrero de 2018. Para los aficionados al baloncesto, el triple doble es una doble figura estadística en tres apartados del juego; para el baterista Tomas Fujiwara es un Triple Double junto a Gerald Cleaver (batería), los guitarristas Mary Halvorson y Brandon Seabrook y los trompetistas Ralph Alessi y Taylor Ho Bynum. El saxofonista extremeño Luis Verde presenta "Vientos Cruzados", su nuevo trabajo en compañía de Moisés P. Sánchez (piano y teclado), Reinier Elizarde (contrabajo) y Mark Schilders (batería). El pianista Jason Moran abrió en 2016 una serie de conciertos en la Armería de Park Avenue, de Nueva York, un edificio histórico de la ciudad en el que registró su segundo disco de piano solo. Toda la información y derechos: http://www.elclubdejazz.com

For episode 134, I talk to a cat whom I've known for a long time and should have been on the show ages ago. Tomas Fujiwara has been in New York since the mid 90s and has cut a most impressive career as a drummer, working with artists such as Matana Roberts, Mary Halvorson, Anthony Braxton and Taylor Ho Bynum. More recently, he's stepped out as a band leader and this Friday, his newest album  "Triple Double" comes out on the Firehouse 12 label. Tomas is a wonderful human being and I really, really enjoyed this conversation.

Noveno capítulo de 'Clásicos del Siglo XXI', producción de 'Club de Jazz' para Radio Vitoria (EiTB), en el que escuchamos algunos trabajos publicados en este comienzo de siglo y que, en opinión del programa, son ya clásicos de nuestro tiempo. En este podcast escuchamos: "Life carries me this way", de Myra Melford; "Illusionary sea", de Mary Halvorson Septet; "Electric fruit", de Weasel Walter, Mary Halvorson y Peter Evans; "Enter the plustet", de Taylor Ho Bynum; "(Dance to) the early music", de Nate Wooley Quintet. Toda la información y derechos: http://www.elclubdejazz.com

Noveno capítulo de 'Clásicos del Siglo XXI', producción de 'Club de Jazz' para Radio Vitoria (EiTB), en el que escuchamos algunos trabajos publicados en este comienzo de siglo y que, en opinión del programa, son ya clásicos de nuestro tiempo. En este podcast escuchamos: "Life carries me this way", de Myra Melford; "Illusionary sea", de Mary Halvorson Septet; "Electric fruit", de Weasel Walter, Mary Halvorson y Peter Evans; "Enter the plustet", de Taylor Ho Bynum; "(Dance to) the early music", de Nate Wooley Quintet. Toda la información y derechos: http://www.elclubdejazz.com

"Acércate más", nos susurra el fabuloso trío formado por Beñat Achiary (voz), Philippe de Ezcurra (acordeón) y Ramón López (batería). Con ellos abrimos 'Club de Jazz' del 8 de febrero de 2017, edición que abre las celebraciones por el 16º aniversario de nuestro programa, en la que estrenamos "Típico", nuevo disco del saxofonista puertorriqueño Miguel Zenón. Además, "Enter the plustet, reunión del cornetista Taylor Ho Bynum con un grupo de quince músicos. De él forma parte la guitarrista Mary Halvorson, que lidera un octeto en "Away with you". Toda la información y derechos: http://www.elclubdejazz.com

"Acércate más", nos susurra el fabuloso trío formado por Beñat Achiary (voz), Philippe de Ezcurra (acordeón) y Ramón López (batería). Con ellos abrimos 'Club de Jazz' del 8 de febrero de 2017, edición que abre las celebraciones por el 16º aniversario de nuestro programa, en la que estrenamos "Típico", nuevo disco del saxofonista puertorriqueño Miguel Zenón. Además, "Enter the plustet, reunión del cornetista Taylor Ho Bynum con un grupo de quince músicos. De él forma parte la guitarrista Mary Halvorson, que lidera un octeto en "Away with you". Toda la información y derechos: http://www.elclubdejazz.com

1ère émission de la 35e session... Cette semaine, ça débute rapide avec des vieux modernes avant une bone dose de spoken word et avant-jazz ! En musique: Silke Eberhard sur l'album I am Three : Mingus, Mingus, Mingus (Leo, 2016); Florian Weber, Donny McCaslin & Dan Weiss sur l'album Criss Cross [Exploring The Music Of Monk And Bill Evans] (Enja, 2016); Nasheet Waits Equality sur l'album Between Nothingness and Infinity (Laborie Jazz, 2016); Serge Adam, Tania Pividori & Christelle Séry sur l'album Robert Desnos : Journal d'une apparition (Quoi De Neuf, Docteur, 2016); Film in Music sur l'album Tell Tale (Drip Audio, 2016); Steve Buscemi & Elliot Sharp sur l'album Rub Out The Word (Infrequent Seams, 2016); Taylor Ho Bynum sur l'album Enter The Plus Tet (Firehouse 12, 2016)...  

1ère émission de la 35e session... Cette semaine, ça débute rapide avec des vieux modernes avant une bone dose de spoken word et avant-jazz ! En musique: Silke Eberhard sur l'album I am Three : Mingus, Mingus, Mingus (Leo, 2016); Florian Weber, Donny McCaslin & Dan Weiss sur l'album Criss Cross [Exploring The Music Of Monk And Bill Evans] (Enja, 2016); Nasheet Waits Equality sur l'album Between Nothingness and Infinity (Laborie Jazz, 2016); Serge Adam, Tania Pividori & Christelle Séry sur l'album Robert Desnos : Journal d'une apparition (Quoi De Neuf, Docteur, 2016); Film in Music sur l'album Tell Tale (Drip Audio, 2016); Steve Buscemi & Elliot Sharp sur l'album Rub Out The Word (Infrequent Seams, 2016); Taylor Ho Bynum sur l'album Enter The Plus Tet (Firehouse 12, 2016)...  

En España, tanto en verano como en otoño, hay muchos festivales de jazz. Pero tan cierto como es esto, no es menos cierto que aunque uno grabe en uno de los sellos más reputados de jazz y sea un músico de estudio muy reclamado (David Torn), o que tenga un grupo de músicos jóvenes con una enorme proyección (The Convergence Quartet con Taylor Ho Bynum, Harris Eisenstadt, Dominic Lash y Alexander Hawkins), o que sea uno de los fundadores de la AACM de Chicago y una leyenda viva (Roscoe Mitchell), es difícil tocar en alguno de esos festivales de nuestro país. En la entrega 14 de HDO Pachi Tapiz repasa tres nuevas grabaciones de estos grupos: "Only Sky" (ECM), "Owl Jacket" (NoBusiness Records), y "Celebrating Fred Anderson" (Nessa Records). HDO (Hablando de oídas) es un audioblog presentado, editado y producido por Pachi Tapiz. Toda la información disponible en http://www.tomajazz.com/web/

A special edition of the Spanish Jazz radio show "Club de Jazz" where we conducted an interview with Taylor Ho Bynum. Ho Bynum (1975) is a cornet player, composer, bandleader and executive director of the Anthony Braxton's Tri-Centric Foundation. He ended last october his "Acoustic Bicycle Tour", five weeks of riding and playing music in the west coast of the United States, from Vancouver to Tijuana. The interview was originally broadcasted on November, 27th 2014. All rights reserved: http://www.elclubdejazz.com

A special edition of the Spanish Jazz radio show "Club de Jazz" where we conducted an interview with Taylor Ho Bynum. Ho Bynum (1975) is a cornet player, composer, bandleader and executive director of the Anthony Braxton's Tri-Centric Foundation. He ended last october his "Acoustic Bicycle Tour", five weeks of riding and playing music in the west coast of the United States, from Vancouver to Tijuana. The interview was originally broadcasted on November, 27th 2014. All rights reserved: http://www.elclubdejazz.com

El cornetista Taylor Ho Bynum finalizó a principios de octubre una gira de cinco semanas en bicicleta por toda la costa oeste de Estados Unidos, de Vancouver a Tijuana. En esta edición de "Club de Jazz" del 27 de noviembre de 2014 conversamos con él sobre esta experiencia y escuchamos algunas de las grabaciones de campo de su "Acoustic Bicycle Tour", también de algunos de sus proyectos, como su septeto o el dúo junto a Tomas Fujiwara, o su participación en proyectos de Anthony Braxton. Toda la información y derechos: http://www.elclubdejazz.com

El cornetista Taylor Ho Bynum finalizó a principios de octubre una gira de cinco semanas en bicicleta por toda la costa oeste de Estados Unidos, de Vancouver a Tijuana. En esta edición de "Club de Jazz" del 27 de noviembre de 2014 conversamos con él sobre esta experiencia y escuchamos algunas de las grabaciones de campo de su "Acoustic Bicycle Tour", también de algunos de sus proyectos, como su septeto o el dúo junto a Tomas Fujiwara, o su participación en proyectos de Anthony Braxton. Toda la información y derechos: http://www.elclubdejazz.com

Portuguese saxophonist Rodrigo Amado's new album, Searching For Adam (Not Two, 2010), features Taylor Ho Bynum, John Hebert and Gerald Cleaver. In this interview, Amado describes how he chose his bandmates without having played with them before; talks about his decision to record freely improvised music; and tells the story of the amazing transformation of the jazz scene in Lisbon and Portugal. Learn more at www.rodrigoamado.com. Tracks used in this episode: Newman's Informer; Waiting For Andy; Renee, Lost In Music; Sunday Break.

Cornetist Taylor Ho Bynum has his fingers in so many pies, he should open a bakery. In addition to his recent CD Madeleine Dreams (Firehouse 12 Records, 2009) with his band SpiderMonkey Strings, he's also on a new duo CD, Stepwise (Not Two Records, 2010), with drummer Tomas Fujiwara. And he's helping run the Tri-Centric Foundation, which preserves and advances the music of Anthony Braxton. And he helps run a record label. And he's launching a fall tour ... by bicycle. He talks about all that and more in this interview. Learn more at taylorhobynum.com.

Cornetist Taylor Ho Bynum has his fingers in so many pies, he should open a...