Podcasts about Kitamura

Katie Kitamura's fifth novel is “Audition,” and it focusses on a middle-aged actress and her ambiguous relationship with a much younger man. Kitamura tells the critic Jennifer Wilson that she thought for a long time about an actress as protagonist, as a way to highlight the roles women play, and to provoke questions about agency. “I teach creative writing, and in class often ... if there is a character who the group feels doesn't have agency, that is often brought up as a criticism of the character,” she tells Wilson. Other students will say, “ ‘She doesn't have any agency,' as if a character without agency is implausible or in some way not compelling in narrative terms. But of course, the reality is very few of us have total agency. I think we operate under the illusion or the impression that we have a great deal of agency. But in reality when you look at your life, our choices are quite constricted.” “Audition” comes out this week.  

Ed Hardy is the most impactful tattooer of our time. Now that he no longer working, does his influence end?[Watch this episode on YOUTUBE]Ed's legendary San Francisco shop, Tattoo City, closed its doors for good yesterday. His publishing company, Hardy Marks no longer has him at the helm. Does his influence end now that these two huge vehicles for how he performed and shared his work are in his past?While the shop is now gone, sadly, Ed handed the book publishing torch to a very capable team, Taki and Molly Kitamura. With the experience of making amazing books of their own, documenting and sharing pieces of tattoo culture and history (in a way reminiscent of Ed himself), I can't imagine Hardy Marks landing in the care of anyone better.One of their first projects is reintroducing the Tattoo Time series, with new issues to come soon. Taki wanted to introduce their new editor, Ethan Dodge, a great writer among many other things. Check out more about HARDY MARKS PUBLICATIONSFind Taki and Molly at STATE OF GRACE TATTOO in San Jose, CABOOKS CLOSED Podcast is made by Andrew StortzFind Andrew in Portsmouth, NH at Worship Tattoo 

On this episode of the PAW Book Club podcast, we talk with Katie Kitamura '99, author of our latest read, “Intimacies.” The much-lauded novel follows a woman who comes to The Hague as an interpreter for the international court and begins to interpret for a former president who's facing war crime charges. Kitamura answered our questions about the book, discussing why she gives so little backstory to her characters and why readers' strong dislike of one character surprised her. She also discussed her writing philosophy and what advice she gives as a creative writing professor at NYU. “The writing itself, when it is private, when it's just myself, when I can do whatever I want, that is the most special part of writing to me,” she said. “That's my favorite part.”

In this podcast recorded live at ESMO 2024 in Barcelona, UROONCO BCa chief editor Dr. Benjamin Pradere (FR) talked to Prof. Hiroshi Kitamura (JP) about his presentation on the JCOG1019 study results: An open-label, non-inferiority, randomised phase III study comparing the effectiveness of watchful waiting (WW) and intravesical Bacillus Calmette-Guérin (BCG) in patients with high-grade pT1 (HGT1) bladder cancer with pT0 on the second transurethral resection (TUR) specimen.Prof. Kitamura shares details of the study rationale, summarises the results, and discusses how these results could be implemented into clinical practice.

Prepare for the craziness of Kitamura and the madness of Miike as we bring J-horror genre mash-ups to the drive-in with VERSUS (2000) and YAKUZA APOCALYPSE (2015). VERSUS: Non-spoiler - 7:13:20 Spoilers - 17:57:10 YAKUZA APOCALYPSE: Non-spoiler - 26:24:20 Spoilers - 34:17:50

Wiederholung vom 04.01.2024: Berührungen tun uns nicht nur gut, sie sind sogar lebenswichtig. In der dunklen Jahreszeit können sie uns auch dabei helfen, uns besser zu fühlen.**********Quellen aus der Folge:Diego, M. A., & Field, T. (2009). Moderate pressure massage elicits a parasympathetic nerv Hatayama, T., Kitamura, S., Tamura, C., Nagano, M., & Ohnuki, K. (2008). The facial massage reduced anxiety and negative mood status, and increased sympathetic nervous activity. Biomedical Research, 29(6), 317-320. Holt-Lunstad, J., Birmingham, W. A., & Light, K. C. (2008). Influence of a “warm touch” support enhancement intervention among married couples on ambulatory blood pressure, oxytocin, alpha amylase, and cortisol. Psychosomatic medicine, 70(9), 976-985. Law, L. A. F., Evans, S., Knudtson, J., Nus, S., Scholl, K., & Sluka, K. A. (2008). Massage reduces pain perception and hyperalgesia in experimental muscle pain: a randomized, controlled trial. The Journal of Pain, 9(8), 714-721. Zhong, C. B., & Leonardelli, G. J. (2008). Cold and lonely: Does social exclusion literally feel cold?. Psychological Science, 19(9), 838-842. **********Dianes und Main Huongs Empfehlungen:Bartens, W. (2014). Wie Berührung hilft. Knaur Verlag.**********Ihr könnt uns auch auf diesen Kanälen folgen: Tiktok und Instagram.**********Ihr habt Anregungen, Ideen, Themenwünsche? Dann schreibt uns gern unter achtsam@deutschlandfunknova.de

Marcy fala sobre Junho Vermelho, campanha de conscientização sobre a doação de sangue.

"No One Lives" ist ein Horror-Thriller, der zwar interessante Ansätze zeigt, aber letztlich in der Umsetzung hinter seinen Möglichkeiten zurückbleibt. Statt einer fesselnden Entwicklung wird die Story durch übertriebene Gewalt und blutige Effekte dominiert, die eher abstoßend als spannend wirken. Regisseur Ryûhei Kitamura gelingt es zwar, einige visuell beeindruckende Szenen zu schaffen, aber diese können die Schwächen im Drehbuch nicht ausgleichen. Die Dialoge wirken oft hölzern und eine schlechte Synchro schmälern den Filmgenuss noch mehr. Heute spreche ich das erste mal mit Martina und wir wünschen Euch gute Unterhaltung und viel Spaß!

Welcome Dead Boy Detectives star Yuyu Kitamura to chat trinkets, aura projection, and formative fish fables. More about Dead Boy Detectives: Do you have a pesky ghost haunting you? Has a demon stolen your core memories? You may want to ring the Dead Boy Detectives. Meet Edwin Payne (George Rexstrew) and Charles Rowland (Jayden Revri), “the brains” and “the brawn” behind the Dead Boy Detectives agency. Teenagers born decades apart who find each other only in death, Edwin and Charles are best friends and ghosts… who solve mysteries. They will do anything to stick together – including escaping evil witches, Hell and Death herself. With the help of a clairvoyant named Crystal (Kassius Nelson) and her friend Niko (Yuyu Kitamura), they are able to crack some of the mortal realm's most mystifying paranormal cases. As part of The Sandman Universe for Netflix and based on the beloved comic series from Neil Gaiman, DEAD BOY DETECTIVES was developed for television by Steve Yockey, who serves as co-showrunner alongside Beth Schwartz and is brought to you by Greg Berlanti. Jeremy Carver and Sarah Schechter also serve as executive producers. The series also stars Jenn Lyon, Briana Cuoco, Lukas Gage, David Iacono and Ruth Connell. Dead Boy Detectives is streaming now on ⁠Netflix⁠ Find us at⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠www.werewatchingwhat.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ or ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠instagram.com/werewatchingwhat⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ THEDHK can be found at⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠instagram.com/thedhk ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠,⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠twitter.com/thedhk⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, and⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠facebook.com/thedhkmovies⁠

Yuyu Kitamura stops by to talk Dead Boy Detectives. Sherin & Philip also get into Back to Black, X-Men '97, and their fave SFF & paranormal Netflix adaptations. The post Back to Black, Yuyu Kitamura x Dead Boy Detectives, X-Men ’97 appeared first on idobi.

Yuyu Kitamura stops by to talk Dead Boy Detectives. Sherin & Philip also get into Back to Black, X-Men '97, and their fave SFF & paranormal Netflix adaptations. The post Back to Black, Yuyu Kitamura x Dead Boy Detectives, X-Men ’97 appeared first on idobi.

(mardi 19 mars 2024 ) au Club de l'Etoile la projection exceptionnelle de GODZILLA FINAL WARS (Ryûhei Kitamura, 2004). Pour l'occasion, Fabien Mauro a accueillit Shinichi Wakasa, légendaire concepteur de costumes de kaiju, invité à Paris Manga & Sci-Fi Show by TGS le week-end passé. M. Wakasa présentera le film, pour lequel il créa de nombreux kaiju, et répondit auxs questions à l'issue de la projection.https://www.babelio.com/livres/Mauro-Kaiju-Envahisseurs-Apocalypse--Lage-dor-de-la/1324958credit musique : ost godzilla final warset chanson du film de sum 41 Godzilla final war were all to blame la vignette est créée par Muriel Cayla ma déesse sur la base de l'affiche du film

Monterey and Santa Cruz counties offer election resources in multiple Asian languages. It's one way California has tried to increase voter registration, turnout and accessibility in recent years.

Fala Doutores, tudo bem? No episódio de hoje convidei o Dr. Felipe Kitamura - Médico radiologista - Diretor de Inovação DASA - Foi Head de IA da DASA - Professor da UNIFESP e Mayo Clinic #faladoutores #DASA #IA

In a blockbuster length episode, Endless 08 returns to the second half of J.C. Staff's Toradora! to watch from episode 14 onwards. BJ and Duffo discuss their own Kitamura style rebellious hairstyles, the strangest alternate endings in the spin-off game, and the challenge of translating the shiritori game from Japanese to English.   Our theme song is Endless 808 by I.K.

To kick off 2024, Oscar-nominated producer Axel Kuschevatzky joins host Jessica  Kantor on Raising Cinephiles. We discuss his unconventional career path, his sharing his passion for cinema with his family, and the state of international film finance!  Axel Kuschevatzky is a veteran movie producer with more than 80 feature credits. His film Argentina, 1985, was nominated for an Oscar in 2023 in the best foreign film category. In November 2019, he teamed with producers Phin Glynn and Cindy Teperman to launch L.A, London, and Buenos Aires-based company Infinity Hill to develop and produce both feature films and TV series. Among their first projects are "The Doorman," starring Ruby Rose and Jean Reno, directed by Ryûhei Kitamura; the Berlin Film Festival contender "The Intruder" and the hit TV series "Staged," for BBC One starring David Tennant and Michael Sheen. New Episodes Every Wednesday!EPISODE CREDITS:Host, Producer, Editor: Jessica KantorBooker: Noelia MurphyBe sure to follow and tag Raising Cinephiles on Instagram

Berührungen tun uns nicht nur gut, sie sind sogar lebenswichtig. In der dunklen Jahreszeit können sie uns dabei helfen, uns besser zu fühlen.**********An dieser Stelle findet ihr die Übung:00:24:41 - Übung mit Main Huong für eine bewusste Umarmung**********Quellen aus der Folge:Diego, M. A., & Field, T. (2009). Moderate pressure massage elicits a parasympathetic nervous system response. International Journal of Neuroscience, 119(5), 630-638. Hatayama, T., Kitamura, S., Tamura, C., Nagano, M., & Ohnuki, K. (2008). The facial massage reduced anxiety and negative mood status, and increased sympathetic nervous activity. Biomedical Research, 29(6), 317-320. Holt-Lunstad, J., Birmingham, W. A., & Light, K. C. (2008). Influence of a “warm touch” support enhancement intervention among married couples on ambulatory blood pressure, oxytocin, alpha amylase, and cortisol. Psychosomatic medicine, 70(9), 976-985. Law, L. A. F., Evans, S., Knudtson, J., Nus, S., Scholl, K., & Sluka, K. A. (2008). Massage reduces pain perception and hyperalgesia in experimental muscle pain: a randomized, controlled trial. The Journal of Pain, 9(8), 714-721. Zhong, C. B., & Leonardelli, G. J. (2008). Cold and lonely: Does social exclusion literally feel cold?. Psychological Science, 19(9), 838-842. **********Dianes und Main Huongs Empfehlungen:Bartens, W. (2014). Wie Berührung hilft. Knaur Verlag. **********Mehr zum Thema bei Deutschlandfunk Nova:Küsschen, Umarmung, Handshake: Wie viel Körperkontakt wir bei neuen Leuten wollenStudien zum Thema Nähe: Deshalb brauchen wir KörperkontaktDating: Wenn wir im Winter Nähe brauchen**********Den Artikel zum Stück findet ihr hier.**********Ihr könnt uns auch auf diesen Kanälen folgen: Tiktok und Instagram.**********Ihr habt Anregungen, Ideen, Themenwünsche? Dann schreibt uns gern unter achtsam@deutschlandfunknova.de

The modern history of Ritchie Engineering Solutions began with J.A Ritchie in 1986, an engineer with a successful career in the design and manufacture of gas turbine jet engines. This engineering passion led the business to involvement in a host of pioneering projects from world record-breaking aviation attempts to the design and production of Victorian steam machinery. As the business has evolved, so has its plant list – but one thing that has remained a constant over the last 15 years of evolution is its relationship with cutting tool manufacturer Ceratizit.  Now run by J.A Ritchie's two sons, Alasdair and Duncan, the family has subsequently continued to run and develop the business with the same passion for engineering. Nowadays, the Manningtree-based company operates in a host of sectors that range from autosport and automotive to aerospace and other markets that demand high-end manufacturing capability. To manufacture high-quality components competitively, the company has invested in 3, 4 and 5-axis machining with technology from Bridgeport, Kitamura, HAAS, Mazak and Matsuura that is supported by CAM software from OPEN MIND and Renishaw probing for everything from job setting, in-process and post-process inspection. Taking a look at the company, Duncan Ritchie from Ritchie Engineering Solutions says: “The business started with our father who initially designed and made steam engines in a shed that he built at the bottom of the garden. From there, he got involved in Richard Branson's transatlantic hot air balloon crossing in the late 1980s, working on the thermodynamics of the burner design and the pressurisation of the capsule. We then started to commercially offer the hot air balloon manifold that burns propane - and to this day if you see the burner unit above the pilot's head, that is where it all started for us.” More recently, the Essex company has been involved in machining parts for automotive OEMs, motorsport rally clients, Norton motorcycles, aerospace OEMs, lighting companies and many more. Discussing how the company evolved to its current position, Duncan says: “Down the years there has been a lot of hard work and sleepless nights, but in practical terms, you progress and build on your quality and make quality your selling point. A key part of this is your relationship not only with your customers but also with your suppliers. That would be everything from your material supplier, tooling and suppliers of the machine tools, but significantly it's going to be the cutting tool suppliers. We have been very lucky and fortuitous to have a fantastic supplier in Ceratizit and a support network via Adam Cross from Ceratizit.” Looking at the 15-year relationship with Ceratizit, Duncan adds: “Back then we were in little more than a shed in a country lane that would put many suppliers off, but Adam turned up and he saw us for who we were. He absolutely assisted in supporting us with the right tools for the right job and he has continued to do so throughout our journey.” The subcontract manufacturing company has a complete armoury of Ceratizit products and the Ceratizit vending solution, alluding to this, Duncan continues: “The vending solution is twofold effective. It's fantastic that we can have the bread-and-butter tooling such as the inserts and regular end mills. This means we can program complex components with the knowledge that we have spare cutting tool products immediately available. We have a small workshop where space is at a premium and we don't have the financial capacity to necessarily stock everything, so having the vending machine stocked up and ready to go is fantastic.” Looking to the future and the ongoing relationship with Ceratizit that is so critical to the company's success, Duncan concludes: “The relationship with Ceratizit will definitely continue for the next 15 years and beyond. It is nice to show the journey of where we have been and how we started, but it's more important to look at the focus of where we are going. We are working towards various accreditations to have a trusted tool supplier like Ceratizit is an essential part of that jigsaw. They can help us to make our growth journey happen. It is a team effort that involves our personnel and our suppliers - and Ceratizit is a major one of those elements on our team.”

In this episode, Arian and Chris discuss the break out film of Japanese director, Ryuhei Kitamura. Starting with his frist film, Down to Hell, which was the precursor to his breakout feature film: Versus.  The duo break down both films before Chris goes off on a fanboy tangent about the career of Kitamura. Youtube: Twitter @TheKaijuKingdom Instagram.com/TheKaijuKingdom Facebook.com/TheKaijukingdomPodcast The show's theme is provided by "Karl Casey @ White Bat Audio

Edit: We've brought back this commentary classic from 2016 to give it a proper episode number while Jose is moving and we're putting final touches on our interview book.   Thanks for joining us once again for our last audio commentary and stretch goal for the 2015 "Fundraiser III: Hell on Earth" Midnight Meat Train.  Rob, Ryan and Jose get together to talk about this unflinching horror movie directed by Ryuhei Kitamura. Sponsor: Don Bertram's Celebrate Imagination Show Notes Regarding the Eight-Pointed Star Eight Pointed Stars – The eight pointed star appears in spiritual traditions from many different cultures across the globe. The eight pointed star began to appear in Islamic art in the Middle Ages. It is referred to as khatim or khatim-sulayman, meaning “seal of the prophets”.  From The Meat packing district in the city. 24-hour neighborhood located on the far west side of Manhattan Location: Pico Rivera, California, USA (slaughterhouse scenes) Metro Station - 7th & Flower Streets, Downtown, Los Angeles, California, USA Metro Station - Vermont Avenue and Santa Monica Boulevard, Los Angeles, California, USA http://wheresthejump.com/jump-scares-in-the-midnight-meat-train-2008/ http://www.nysun.com/arts/midnight-meat-train-lionsgate-nearly-butchers-its/83002/   https://www.amazon.co.uk/Vinnie-grabbing-Gascoigne-testicles-Poster/dp/B004ZUP3EY  https://clivebarkercast.com/2016/02/23/concept-art-from-the-midnight-meat-train/ https://clivebarkercast.com/2015/10/07/retro-review-the-midnight-meat-train/   Possible Midnight Meat Train Alternate Ending Image Keyart Movie Poster Image  Ryan's signed and illustrated movie poster.  The Clive Barker Podcast (or @Barkercast) is an independent  editorial fan site and podcast that is not affiliated with or under contract by Clive Barker or Seraphim Films.  This is a labor of love by the fans, for the fans.   web www.clivebarkercast.com iTunes (Leave a review!), Stitcher,Libsyn, Tunein, Pocket Casts, Google Play, DoubleTwist and YouTube.  Facebook and Join the Occupy Midian group Twitter: @BarkerCast | @OccupyMidian  

Celebramos la llegada del mes de los gatos con este cuento divertidísimo que van a disfrutar todos, lxs más grandes y también lxs más chicxs.

Saiba mais sobre o Dia Mundial do Doador de Sangue. #CanalDireto #PrefeituraDeAraraquara

Le sanctuaire avec des azalées et le musée Kitamura

Where Arts & Adventure summits the airwaves, this is the Ogden Arts & Adventure Show!! I'm R. Brandon Long, along with Todd Oberndorfer and we are your hosts for the greatest podcast in all the land. ARTS GUEST: Joel Kitamura // Artist, High School Teacher https://joelkitamura.weebly.com/paintings.html   More Ogden Arts & Adventure https://www.facebook.com/ogdenoutdooradventure https://www.instagram.com/ogdenadventure/ https://www.thebanyancollective.com/ogden-outdoor-adventure-show   Thank you to BANYAN1 for powering today's Episode of the Ogden Arts & Adventure Show! Listen and Subscribe to Ogden Arts & Adventure on YouTube! Look for us on Facebook, Instagram, Apple Podcasts, Spotify, thebanyancollective.com, and on the Podbean App for Android & iPhones.   Find value in this podcast, consider supporting us here: https://www.buymeacoffee.com/banyanmedia   DM us on Instagram @ogdenadventure

Where Arts & Adventure summits the airwaves, this is the Ogden Arts & Adventure Show!! I'm R. Brandon Long, along with Todd Oberndorfer and we are your hosts for the greatest podcast in all the land.   ARTS GUEST: Joel Kitamura // Artist, High School Teacher https://joelkitamura.weebly.com/paintings.html   More Ogden Arts & Adventure https://www.facebook.com/ogdenoutdooradventure https://www.instagram.com/ogdenadventure/ https://www.thebanyancollective.com/ogden-outdoor-adventure-show     Thank you to BANYAN1 for powering today's Episode of the Ogden Arts & Adventure Show! Listen and Subscribe to Ogden Arts & Adventure on YouTube! Look for us on Facebook, Instagram, Apple Podcasts, Spotify, thebanyancollective.com, and on the Podbean App for Android & iPhones.   Find value in this podcast, consider supporting us here: https://www.buymeacoffee.com/banyanmedia   DM us on Instagram @ogdenadventure

Welcome to another episode of the Grim and Bloody Podcast! Today we present We present Ryuhei Kitamura - Director of The Midnight Meat Train ( starring a young Bradley Cooper) and Godzilla Final Wars. A true icon of the horror genre! Mr. Kitamura also just released The Price We Pay, starring Stephen Dorff and Emile Hirsch. Kevin Nickelson and Al Omega geek out over Godzilla:Final Wars, one of the stronger takes on the world's favorite kaiju. We also touch on Versus a low budget zombie film with high quality practical effects and a strong story inspired by Highlander, John Carpenter and Reservoir Dogs, with some Kung Fu Hustle to boot! This episode is sponsored by the Left Coast Entertainment Group. --- Support this podcast: https://podcasters.spotify.com/pod/show/grimandbloody/support

This week we're so delighted to welcome Ryûhei Kitamura to our show! He's the director behind Midnight Meat Train, Versus, Godzilla: Final Wars and so much more. His latest film The Price We Pay is currently available on VOD. We chat about Ryûhei's career, the changes they made to the ending of The Price We Pay and he shares so many fantastic stories about first coming to America, living in Australia and basically living at the movie theater. Don't miss this conversation.Then we dig into Phantasm, the movie that scared Ryûhei growing up. We talk about the Japanese poster, the programs they make for movies with the salacious details inside as well as the dreamlike nature of the film. You can follow Ryûhei on Instagram. And check out his site XROSSCOUNTER for cool merch.Follow Mary Beth, Terry and the Podcast on Twitter.Support us on Patreon!If you want to support our podcast, please please take a moment to go rate us on Spotify and give us a rating and review on iTunes. It really helps us out with the algorithms. We also have a YouTube channel! If you want to join our community on Twitter, go here.  Get bonus content on Patreon Hosted on Acast. See acast.com/privacy for more information.

Eure Zwei Fragezeichen lösen nicht nur jeden Fall, sondern besprechen auch alle möglichen Filme... (00:00:18) Werden wir den Kurzfilm 12 KILOMETERS (2016) von Mike Pecci sehen können? (00:04:14) Wir teasern die Fantasy Filmfest White Nights 2023 (00:06:20) Nostalgie aus dem Kino: DIE DREI ??? - ERBE DES DRACHEN (2023) (00:18:31) Ist TAKE BACK THE NIGHT (2021) krasser Monster-Horror mit feministischer Message? (00:27:32) THE ENTITY (1982) Es gibt kein Entrinnen vor diesem Geburtstagsgeschenk (00:34:50) THE PRICE WE PAY (2022) von Ryūhei Kitamura (00:43:57) Barbara Steele ist SHE-BEAST (1966) (00:47:22) DER LEICHENDIEB (1945) – Ein True Crime Filmjuwel (00:52:17) Patreon-Pick: VANILLA SKY (2001) mit Tom Cruise Viel Vergnügen! Wir freuen uns über Unterstützung: Patreon - https://www.patreon.com/filmfressen Paypal - kontakt@filmfressen.de Merch - https://www.shirtee.com/de/catalogsearch/result/?q=filmfressen Feedback und Koop-Anfragen: kontakt@filmfressen.de Filmfressen auf Facebook: https://www.facebook.com/Filmfressen-904074306371921/ Instagram: https://www.instagram.com/filmfressen Letterboxd: https://letterboxd.com/ManuFilmfressen Letterboxd: https://letterboxd.com/PeterFilmfresse

In a GVN Exclusive director Ryûhei Kitamura talks about his latest movie 'The Price We Pay' and if we might see a sequel to his cult classic film 'The Midnight Meat Train'. Support this podcast at — https://redcircle.com/geek-vibes-nation/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

JeanBookNerd's Erik chats with the Director and Writer of the film, THE PRICE WE PAY (2022), Ryûhei Kitamura.RYUHEI KITAMURAWebsite: http://www.ryuheikitamura.com/Instagram: https://www.instagram.com/ryuhei_kitamura/IMDb: https://www.imdb.com/name/nm0457565/THE PRICE WE PAYIMDb: https://www.imdb.com/title/tt15441472To learn more about the JeanBookNerd Storytellers BOX http://www.jeanbooknerdstorytellersbox.com Exclusive author Interviews, reviews, and contests from JeanBookNerd http://www.jeanbooknerd.com JeanBookNerd Host: ERIK WERLIN

Link to bioRxiv paper: http://biorxiv.org/cgi/content/short/2023.01.06.522686v1?rss=1 Authors: Yokoyama, T., Manita, S., Uwamori, H., Tajiri, M., Imayoshi, I., Yagishita, S., Murayama, M., Kitamura, K., Sakamoto, M. Abstract: cAMP is a pivotal second messenger regulated by various upstream pathways including Ca2+ and G protein-coupled receptors (GPCRs). To decipher in vivo cAMP dynamics, we rationally designed cAMPinG1, an ultrasensitive genetically encoded green cAMP indicator that outperformed its predecessors in both dynamic range and cAMP affinity. Two-photon cAMPinG1 imaging detected cAMP transients in the somata and dendritic spines of neurons in the mouse visual cortex on the order of tens of seconds. In addition, multicolor imaging with a highly sensitive new red Ca2+ indicator RCaMP3 allowed simultaneous measurement of population patterns in Ca2+ and cAMP in hundreds of neurons. We identified Ca2+-induced cAMP responses that represented specific information, such as direction selectivity in vision and locomotion, as well as GPCR-induced cAMP responses. Overall, our multicolor suite revealed that information encoded in Ca2+ and GPCRs signaling is integrated and stored as cAMP transients for longer periods in vivo. Copy rights belong to original authors. Visit the link for more info Podcast created by Paper Player, LLC

Link to bioRxiv paper: http://biorxiv.org/cgi/content/short/2022.12.05.518634v1?rss=1 Authors: Hoang, H., Tsutsumi, S., Matsuzaki, M., Kano, M., Kawato, M., Kitamura, K., Toyama, K. Abstract: Dynamic functional organization by synchronization is theorized to be essential for dimension reduction of the cerebellar learning space. We analyzed a large amount of coordinate-localized, two-photon imaging data from cerebellar Crus II in mice undergoing Go/No-go reinforcement learning. Tensor component analysis revealed that a majority of climbing fiber inputs to Purkinje cells were reduced to only four functional components, corresponding to accurate timing control of motor initiation related to a Go cue, cognitive error-based learning, reward processing, and inhibition of erroneous behaviors after a No-go cue. Spatial distribution of these components coincided well with the boundaries of Aldolase-C/zebrin II expression in Purkinje cells, whereas several components are mixed in single neurons. Synchronization within individual components was bidirectionally regulated according to specific task contexts and learning stages. These findings suggest that the cerebellum, based on anatomical compartments, reduces dimensions by self-organization of components, a feature that may inspire new-generation AI designs. Copy rights belong to original authors. Visit the link for more info Podcast created by Paper Player, LLC

Link to bioRxiv paper: http://biorxiv.org/cgi/content/short/2022.11.15.516633v1?rss=1 Authors: Osanai, H., Yamamoto, J., Kitamura, T. Abstract: Electromyography (EMG) signals have been used to identify animal's behavioral states including sleep/wake states and freezing behavior. However, EMG recording is often not conducted together with in vivo electrophysiology recording because it requires additional surgeries and setups. While independent component analysis (ICA) has been used as a well-established method to reduce noise from field potential data, there has been no attempt to proactively use the removed "noise", of which EMG signals are considered to be one of the major sources. Here, we demonstrate that EMG signals can be reconstructed from local field potential data using ICA without direct EMG recording. The extracted component is highly correlated with directly measured EMG signals. This component is further demonstrated to be useful for measuring an animal's sleep/wake states and freezing behaviors consistently with actual EMG. The EMG component can be also separated by four-channel LFP data from multisite brain regions. Our method will reduce the necessary effort to measure EMGs in wide-ranged in vivo electrophysiology experiments including the investigation of neural correlates of animal behavior. Copy rights belong to original authors. Visit the link for more info Podcast created by Paper Player, LLC

I'm joined by another one of my most requested interviews! I spoke with Akihiro Kitamura, a man so driven and charismatic, who plays “Young Sato” about his role in Season 5 of Cobra Kai. Akihiro talks about what it was like to have played a Legacy character, some of his previous work including The Human Centipede and also the upcoming The Last Ride! Twitter: @CobraKaiPod / Instagram: @CobraKaiKompanion Ph: (424) 262-7284 [424-COBRA-84] / Email: CobraKaiPod@gmail.com Cobra Kai Kompanion Website Merch store: ckkompanion.threadless.com www period Cobra Kai period C-O-M slash Kompanion Podcast Contenders Clothing Link: https://contendersclothing.com/?rfsn=5377037.325ffd  20% off Promo code: CKPODCAST

Will, James and Steven talk about the controversy around Death Note at the time of its translation as well as the character Naomi Misora. Skip synopsis @ 7:47 Listeners and readers may also find the following subject matter upsetting. Discretion is advised. If you would like to enter for our chance prize manga giveaway and support the podcast simply follow the links below to our social media pages. Offer ends on 10th of December 2022.   Email: WeAppreciateManga@Gmail.com   089: Death Note vol. 2 By Takeshi Obata and Tsugumi Ohba Translation by Pookie Rolf Lettering and Touch-Up by Gia Cam Luc The criminal Kira, a.k.a. Light Yagami, possessor of the titular Death Note, manages to kill off the few FBI agents tasked to spy on him. By simply holding the agent Rey Penber hostage he exploits the rules of the Death Note which include the facts that you can influence the victim's behaviour in their last moments by what is written, you can also have someone use sheets from the Death Note without knowledge of its power and you can pre-emptively write the cause and details of a death before putting any name to it. Meanwhile the detective L, teams up with the last remaining members of a Japanese task force formed to capture Kira, this includes Light's father Soichiro Yagami. L bravely exposes his face as a show of trust but chastises the force for giving him their real names. As L has already established. A name and a face are all Kira needs to kill. L interrogates each of the members before deducing they are not Kira and so L vows to the team that they will show Kira that “the good guys always win”. Unbeknownst to Light, Rey's Widow Naomi Misora has a lead on Kira and goes to contact L and the task force. But since the task force are too busy meeting L it results in no one being in the office. Through happenstance Light meets Naomi at the reception desk of the task force HQ, seeing her as a threat, he manages to convince her that he is a member of the task force. Naomi buys into Light's lies, since Naomi has worked on a case with L in the past, she finds that Light reminds her of L. Light asks for her I.D. and manages to write her name in a spare piece of the Death Note, her cause of death being suicide, After the note takes effect Light reveals to Naomi that he is Kira and so Naomi walks away never to be seen again. Four days later, news of Naomi's disappearance reaches L. In response L narrows his investigation to the last people Raye was probing before Kira started experimenting with his victims. L begins to bug the homes of the deputy Kitamura and Detective Superintendant Soichiro Yagami. And now L can monitor Light within his own home. What L does not know is that Ryuk, the Death God that accompanies Light, cannot be seen by humans without a Death Note. Topics: The earliest signs of controversy around Death Note occurred in China before reaching the U.S. Curse tablets existed between 500BCE and 300BCE in Greece. The Los Angeles BB murder case is referenced again in a light novel spin off by Nishio Ishin. With a character called Mello being the narrator, it tells the story of Naomi Misora and L trying to catch a serial killer with “Shinigami eyes.” Ryuk, the Death God. What does L know?   Facebook Instagram Twitter Official Website   Email

This week the boys have plenty of wrestling talk including Bray Wyatt making his return to Smackdown, Daniel Cormier being the special guest referee in The Fight Pit match at Extreme Rules, Gallows & Anderson returning to WWE, Renee Paquette joining AEW, Triple H taking a quick jab at AEW's locker room fights, Eva Marie possibly returning to WWE, The Kingdom making their AEW debut, and a RIP to Kitamura. We've also got some movie talk with Violent Night, and The Mean One. Plus we talk some toys with Rush Collectibles Monsters.

Delicada historia sobre el poder de la imaginación. Uno de los autores e ilustradores de libros para niños más importantes de Japón y uno de los mejores del mundo. María ama los sombreros, pero no tiene dinero para comprarlos. Con tristeza, sueña con los encantadores modelos que venden en la ciudad. Entonces, el dueño de la tienda de sombreros le muestra a María una caja, la cual contiene el sombrero más fino y hermoso que ha fabricado, y la desafía a imaginárselo. Si logra imaginarlo se lo dará. La niña acepta el reto... --- Support this podcast: https://anchor.fm/clubdelcuento/support

As many of you know, Elon Musk just recently acquired Twitter for 44 billion dollars. In this episode I explore all things Elon with my dear friend and business partner, Jason Kitamura. From Tesla, to SpaceX, from Robots, to Neuralink, Artificial Intelligence, and the future of humanity. This was a fun one and my mind is blown away by the world we live. The pinnacle for human innovation used to be a good crop yield, now Elon Musk is set on making humans an interplanetary species. This is no longer Hollywood, this is real life.@Jay.Kitamura@zacharyxbrown@mindmeetings 

Welcome to episode 49 of Holly Jolly X'masu! In this episode, I'll be wrapping up my discussion about Eiji Kitamura and his Christmas music, with his fantastic 2001 album, “Santa Clarinet.” While Akira Ishikawa's “Drum Christmas Drum” kicked off my interest in Japanese Christmas music, the Jazz, Group Sounds and Mood Kayo albums of the 1960s really cemented my obsession, while the City Pop Christmas music from the 1980s broadened my collecting horizons and led to me finding an even wider variety of music. One of the things I love about Eiji Kitamura is that he serves as a bridge from the earliest days of Japanese Pop music to today. He got his start around the same time Hibari Misora's “Hitoribocchi no Christmas” gave birth to Japanese Christmas Pop, so he has been an eyewitness to the genre as it's evolved. That's part of why I'd love to see him do an album where he covers all the big Japanese Christmas songs, from Kai Band's “Anna,” to Yumi Matsutoya's “Koibito ga Santa Claus,” Keisuke Kuwata's “Merry X'mas In Summer” and “White Lovers,” and, of course, Tatsuro Yamashita's “Christmas Eve.” I have a couple Jazz albums with covers of a lot of those songs, but having one from Eiji Kitamura would be something special, considering his long history in the industry. I hope you've enjoyed learning about Eiji Kitamura. Join me back here next month for my special 50th episode, where I'll be talking about the 1977 compilation, “Merry Christmas (Bouquet of Hearts Present Series),” from King Records. It's a great album in its own right with an interesting history, but it's also an instrumental album for me personally, not just in the way it helped me improve my research and collecting strategy, but in the long-standing connection it's given me with a like-minded collector in Japan. It's a double LP and will take a lot of work to prepare, so at this point I'm not sure what else I'll cover next month, but I'm sure I'll figure something out. As always, any feedback on this episode would be appreciated. If have any suggestions, or if you'd like to recommend a song or album for a future episode, drop me a line and let me know. Remember, I've added a button to my Ko-fi page. If you'd like to support me one cup of coffee at a time, a donation is only $3. I've also opened a Redbubble store. I only have a couple designs up, but keep an eye on it as I'll be trying to add more. Half of any proceeds or donations received will be donated to support the people of Ukraine, while the rest will be used to purchase new Japanese Christmas music to review for future episodes. You can also find me on Facebook, Instagram and Twitter. And if you get a chance, leave me a review on iTunes. Thanks!

Welcome to episode 48 of Holly Jolly X'masu! In this first of two episodes about legendary clarinetist Eiji Kitamura, I'll be discussing his 1965 EP, “Dancing Christmas,” and his 1988 album, “Golden Christmas Songs.” As I mentioned in this episode, Eiji Kitamura's music is some of the earliest Japanese Christmas music I came across. While my attempts to get all three of his albums were frustrating at times, I was thrilled to finally own them all. It was just as enjoyable learning about him and finding that, at 93 years old, he's still performing and recording. One of the most delightful surprises I've had while collecting was finding that he played on Tatsuo Otsuka's “Christmas Serenade.” I first saw the cover for the album in early 2020, and it took well over a year to finally get a copy. As with Eiji Kitamura's albums, it was worth the wait. I have to apologize for how late I am releasing this episode. The past month has been a string of hassles and crises. While I didn't have as much time to work on my podcast as I'd have liked, I was able to make some headway on the huge backlog of music I've been needing to digitize and prepare for future episodes. Until a few days ago, I was nearly done, but a new bundle of records put me a little further behind. I can't complain, though, as several of the records I've gotten recently are real holy grails. I've managed to remove several of the biggest items from my wishlist of albums, and I can't wait to cover them at some point. I hope you've enjoyed this introduction to Eiji Kitamura. Join me back here later this month as I finish discussing his career and his Christmas music. As always, any feedback on this episode would be appreciated. If have any suggestions, or if you'd like to recommend a song or album for a future episode, drop me a line and let me know. Remember, I've added a button to my Ko-fi page. If you'd like to support me one cup of coffee at a time, a donation is only $3. I've also opened a Redbubble store. I only have a couple designs up, but keep an eye on it as I'll be trying to add more. Half of any proceeds or donations received will be donated to support the people of Ukraine, while the rest will be used to purchase new Japanese Christmas music to review for future episodes. You can also find me on Facebook, Instagram and Twitter. And if you get a chance, leave me a review on iTunes. Thanks!

In which editor-at-large Brandon Taylor interviews Katie Kitamura, author of *A Separation* and *Intimacies*. In this episode, Kitamura considers how her work explores the inner landscapes of the self.

Superintendent Diann Kitamura shares lessons learned from how Santa Rosa City Schools has responded to various crises over the years (including the Tubbs, Glass, and Kincade fires), as well as the district's various efforts to create more equitable outcomes.

On tonight's episode your horror hosts Chainsaw and Wolfman take a ride on a train... The Midnight Meat Train! Directed by Ryûhei Kitamura and based on a short story by the horror legend Clive Barker. The creeps also take a look at the 2021 lineup of upcoming horror movies --- Send in a voice message: https://anchor.fm/podcast-from-the-crypt/message

Yuyu Kitamura is an up and coming Japanese actress/poet raised in the bustling city of Hong Kong and moved to New York City. She went to study at NYU Tisch School of the Arts where she studied at the Atlantic Acting School and Stonestreet Studios earning a BFA in Acting. Yuyu has worked on scripted podcasts, theatre, and independent shorts such as Electable (Athena Scriptwriting Lab) and Clique Bait (Featured at the Asian American International Film Festival). After publishing her first poetry book 'Circles and Lines', she continues to write poetry that centers around cultural identity, mental health, and coming of age experiences. The biggest obstacles in her career have surrounded immigration in the US, and the complexities of accepting oneself. Yuyu strives to work with other Asian creative to bolster Asian representation within the industry, not just on-screen but off-screen. You can find her at @yuyukitt or at yuyukitt.com

Takemi things puppetry is a bridge between reality and a dream

Useful Links:Yuyu's WebsiteYuyu's Instagram ★ Support this podcast on Patreon ★

Lui Millie îi plac pălăriile din vitrina magazinului, însă nu are bani să- și cumpere una. Vânzătorul are o soluție pentru ea: nu trebuie decât să și-o imagineze... --- Send in a voice message: https://anchor.fm/cufarulcupovesti/message

Kyoko Kitamura joins Dave Douglas to talk about her role as Executive Director for the Tri-Centric Foundation, … The post ANFTD #75: Kyoko Kitamura first appeared on Greenleaf Music by Dave Douglas.

We watched the 2017 Shudder exclusive Downrange by Ryuhei Kitamura. A carpool is halted by a flat tire, with a sniper picking them off one by one, the flat is the least of their worries. Thank you @geekswhoeat for recommending this... gem. Haven't seen the movie yet? Watch "Downrange" on Shudder, use the code FINALBOYS to get a free 30 days. .......................................................... Stay up to date and follow us on twitter and Instagram @thefinalboys Send us your spooky listener stories at www.thefinalboys.com Intro music done by @twin_crab

New Japan's Power Struggle PPV is in the books, and it had HUGE implications on the card for WrestleKingdom 12. Sleeve Assassin (@SleeveAssassin) returns to break down the card along with Captain Jack (@JackHeartless). They discuss a dream partner for Kitamura in the proposed Power & Glory 3K, the fantastic rise of Roppongi 3K, the return of the Young Bucks, the company's imminent return to the US, crafty vet Tanahashi, the continued build to Naito/Okada, the reveal of Switchblade…and oh yeah, CHRIS JERICHO returning to NJPW to challenge Kenny Omega!! Sponsored by Heels & Faces (@heelsandfaces). Opening theme by Lemi and the Captain. Closing theme by Ayumi Nakamura (@ayumi_nakamura).