Podcasts about travis mayweather

When the Entrepreneur gets diverted to watch some hot space action, Mayweather asks for leave to visit his family on the Horizon. But when his father's sudden death places Paul Mayweather in a position of authority, working together to save the ship from space pirates gives the brothers hope for the future. How does Travis maintain his abs? What are horror movies of the future like? Who else could have been a sexual interest for Nora? It's the episode that needed a Scottish accent.Support the production of The Greatest GenerationGet a thing at podshop.biz!Sign up for our mailing list!Follow The Game of Buttholes: The Will of the Riker - Quantum LeapThe Greatest Generation is produced by Wynde PriddySocial media is managed by Rob Adler and Bill TilleyMusic by Adam Ragusea & Dark MateriaFriends of DeSoto for: Labor | Democracy | JusticeDiscuss the show using the hashtag #GreatestGen and find us on social media:YouTube | Facebook | X | Instagram | TikTok | Mastodon | Bluesky | ThreadsAnd check out these online communities run by FODs: Reddit | USS Hood Discord | Facebook group | Wikia | FriendsOfDeSoto.social MaxFunDrive ends on March 28, 2025! Support our show now and get access to bonus content by becoming a member at maximumfun.org/join.

When Archer and Mayweather wake up in an internment camp, their preconceptions about the Suliban diaspora get shattered by the prisoners they meet. But when Colonel Grat comes down hard on the Captain's sense of justice, the ambiguity of their escape plan goes completely unexplored. What does Kevin Uxbridge wear on a blind date? Which character could have helped this story? When is solitary confinement actually a reward? It's the episode that's pretty sure it's better to be free to be fucked than to be not free to not be fucked.Support the production of The Greatest GenerationGet a thing at podshop.biz!Sign up for our mailing list!Follow The Game of Buttholes: The Will of the Riker - Quantum LeapThe Greatest Generation is produced by Wynde PriddySocial media is managed by Rob Adler and Bill TilleyMusic by Adam Ragusea & Dark MateriaFriends of DeSoto for: Labor | Democracy | JusticeDiscuss the show using the hashtag #GreatestGen and find us on social media:YouTube | Facebook | X | Instagram | TikTok | Mastodon | Bluesky | ThreadsAnd check out these online communities run by FODs: Reddit | USS Hood Discord | Facebook group | Wikia | FriendsOfDeSoto.social

When the Entrepreneur gets sent to help a freighter in distress, its acting captain is a bit of a base-model Toyota Corolla enthusiast. But when a friendly check-in from a Maritime standpoint starts seeming more suspicious, Captain Archer outlaws frontier justice and Mayweather convinces his boomer twin to release the Nausicaan hostage. What's the most painful part of adapting to life in LA? Is Captain Ryan a Captain Josh? Which story needs the Petkoff treatment? It's the episode with a very short Death Wish.Support the production of The Greatest GenerationGet a thing at podshop.biz!Sign up for our mailing list!Follow The Game of Buttholes: The Will of the Riker - Quantum LeapThe Greatest Generation is produced by Wynde PriddySocial media is managed by Rob Adler and Bill TilleyMusic by Adam Ragusea & Dark MateriaFriends of DeSoto for: Labor | Democracy | JusticeDiscuss the show using the hashtag #GreatestGen and find us on social media:YouTube | Facebook | X | Instagram | TikTok | Mastodon | Bluesky | ThreadsAnd check out these online communities run by FODs: Reddit | USS Hood Discord | Facebook group | Wikia | FriendsOfDeSoto.social

Character CodasWith the ending of "Star Trek: Discovery" upon us, it's time to look back at the untold endings of our favorite Trek characters. From TOS, TNG, DS9, VOY, ENT, and (arguably) Picard, there are still futures for the main characters that have never been explored. While fans have gotten a few "post-series" peeks at characters, such as Tom Paris and Tuvok, we still don't know what their lives looked like once their series finale ended.The trio hit the random number generator and create codas for main Trek characters from the 20th and 21st century TV shows. What happened to Commander Chekov? Where did Travis Mayweather end up? What does Captain Tuvok do now? Join us in this round of untold stories in Trek.

Listen as Kennedy, Grace and Aliza start to unpack how Star Trek portrays Black trauma, from the underdevelopment of Travis Mayweather, to Michael Burnham and Ben Sisko having to “earn” their captaincy.  HOSTS Kennedy Aliza Grace EDITOR Andi Send us your feedback! Email:  crew@womenatwarp.com Twitter/Instagram: @womenatwarp Facebook: http://facebook.com/womenatwarp Support the Show on Patreon: http://www.patreon.com/womenatwarp Visit our TeePublic Store: https://www.teepublic.com/stores/womenatwarp

“Horizon” 20th-anniversary reflections A change of course for the Enterprise takes the ship close to the ECS Horizon, the cargo vessel on which Travis Mayweather grew up—and that means family reunion time. But it's a sad homecoming for Travis when he learns that his father passed away, and resentment bubbles to the surface between Travis and his brother, Paul, now captain of the ship. When aliens attack, the brothers must put their differences aside to survive. Meanwhile, aboard the NX-01, T'Pol must put her fear of movie night aside as she learns to better fraternize with her crewmates. In this episode of Warp Five, hosts C Bryan Jones and Matthew Rushing continue our 20th-anniversary retrospective that takes you through all of Star Trek: Enterprise, one episode at a time. In this installment, we continue Season 2 with “Horizon” as we discuss  family dynamics, what could have been for Travis, Archer's leadership, T'Pol's book club, and the unexpected connection between the Mayweather and Janeway families. Chapters Intro (00:00:00) Cargo Runners and Family Dynamics (00:03:28) Previewing the Galaxy Class (00:10:52) Distances and Relationships (00:15:00) Archer's Found Family (00:19:39) Realistic Conflict (00:23:29) T'Pol and Movie Night (00:29:35) Frankenstein Insights (00:34:25) The Janeway-Mayweather Connection (00:37:21)   Final Thoughts and Ratings (00:38:56) Closing (00:41:49) Hosts C Bryan Jones and Matthew Rushing Production C Bryan Jones (Editor and Producer) Matthew Rushing (Executive Producer) Norman C. Lao (Associate Producer)

“Horizon” 20th-anniversary reflections A change of course for the Enterprise takes the ship close to the ECS Horizon, the cargo vessel on which Travis Mayweather grew up—and that means family reunion time. But it's a sad homecoming for Travis when he learns that his father passed away, and resentment bubbles to the surface between Travis and his brother, Paul, now captain of the ship. When aliens attack, the brothers must put their differences aside to survive. Meanwhile, aboard the NX-01, T'Pol must put her fear of movie night aside as she learns to better fraternize with her crewmates. In this episode of Warp Five, hosts C Bryan Jones and Matthew Rushing continue our 20th-anniversary retrospective that takes you through all of Star Trek: Enterprise, one episode at a time. In this installment, we continue Season 2 with “Horizon” as we discuss family dynamics, what could have been for Travis, Archer's leadership, T'Pol's book club, and the unexpected connection between the Mayweather and Janeway families. Chapters Intro (00:00:00) Cargo Runners and Family Dynamics (00:03:28) Previewing the Galaxy Class (00:10:52) Distances and Relationships (00:15:00) Archer's Found Family (00:19:39) Realistic Conflict (00:23:29) T'Pol and Movie Night (00:29:35) Frankenstein Insights (00:34:25) The Janeway-Mayweather Connection (00:37:21) Final Thoughts and Ratings (00:38:56) Closing (00:41:49) Hosts C Bryan Jones and Matthew Rushing Production C Bryan Jones (Editor and Producer) Matthew Rushing (Executive Producer) Norman C. Lao (Associate Producer)

After the infamous Romulan minefield incident, a computer controlled alien repair station fixes up Enterprise, mends Malcolm Reed's leg, and abducts Travis Mayweather, all while making a quick 200 liters of good old Warp Plasma. But it's a trap Archer blows up the whole thing up and makes a quick getaway. -Brought to you by Section 31- 00:00 Episode 83 01:03 The show is hosted by Captain Nathan Adams 01:30 An audience with Gowron 02:04 Section 31 at it again 02:57 Feeling of Respect 03:04 Welcome back Stephanie 04:03 Tribble side project 05:06 Thank You Patreons! https://patreon.com/starfleetunderground 06:04 News: Viacom CBS and Sky brings Paramount + and Star Trek: Prodigy to Europe! 06:59 Star Trek: Unplugged? Ha! New Trek vs Old Trek 12:29 IDIC 13:55 Some Star Trek Movies move to AMC+ 16:26 LeVar Burton voice and likeness lent to a Tonie 17:55 Star Trek Enterprise S2E4 - "Dead Stop" 18:16 Teaser 19:00 Damage...Send NCIS? 19:45 Like bike ride 20:30 Anyone hear from Archer? 21:20 Convenient for Plot 22:16 Consequences from show to show 23:10 Act I 24:10 We can't fit...What?! 24:40 Too good to be true? 25:02 Reed and Phlox - The worms 25:44 If you're hurting, you're alive 25:50 Where does the blood worm come out? 26:40 I could build that 27:16 Let me show where it's hurt 27:40 That computer sounds familiar 28:30 Voice Activated Frustration 29:15 What?! No Apple Pay? 29:45 Warp Plasma is a Thing 30:42 Nice Warp Plasma Barrels 30:59 ACME Warp Plasma 31:21 Rec Room 31:41 Act II 32:40 Full-Featured Replicator 33:10 Archer's got a stick up his ass 34:55 Tucker and Reed: Naturally Curious 36:18 Intrusion Detection 37:09 Pay no attention to the computer behind the curtain! 37:20 Travis's Demise 37:43 The only Black guy 39:55 Act III 41:50 The Matrix 42:26 Phlox's mind 43:15 Rigelian Fever 43:25 Get vaccinated, or else 44:11 You signed a contract 44:20 Archer: I Knew it! 45:00 Pulling Tubes 45:30 All-Seeing Computer? 47:00 It's a voyeur? 47:30 Tucker's Overacting 47:42 He was being a Ken 48:20 Acting Acting Badly 49:43 That inquiry was not recognized 50:36 Act IV 51:44 Yanker...All he does is yank...One big yank. He's really good at yanking 53:19 No Body Left Behind 53:55 Not the way you want to got to Sto'Vo'Kkor 54:05 Archer is the worst captain. What other captains would to 55:24 Prequel to the Borg? 55:40 Similar Evolution 55:58 Artificial Intelligence Run Amok 57:39 Speak'N'Spell and Alexa got together and had a repair station 58:00 What about the next customer? 58:22 Ferengi's Dead Stop? 59:30 The scores 1:02:10 What they do with the spare Mayweather Body? 1:04:00 Different Opinions are OK 1:07:15 Next Week: Star Trek: Lower Decks Season 2 Episode 1! Be Safe! - Thanks for listening! Now on Patreon! patreon.com/starfleetunderground Email: thecollective@starfleetunderground.com Website: starfleetunderground.com Twitter: twitter.com/StarfleetUnderG Instagram: instagram.com/starfleetunderground Facebook: facebook.com/starfleetunderground YouTube: www.youtube.com/Qtsy16 Explicit

Welcome to At Least There's a Dog, the podcast where we recognize when characters on Enterprise get killed off, even though no one on the show does. We actually rather liked this episode. Sure, Star Trek has done the scary future thing before, but they did it rather well here. Also, can T'Pol keep wearing a real uniform from now on? -------------------------------------------------------------------------- Intro and outro music by Iván D. Beltrán https://www.ivandbeltran.com/ -------------------------------------------------------------------------- Let us know what you think! atleasttheresadog@gmail.com

The Trekkie gals circle back around to Enterprise and take on the fifth episode of season one, "Terra Nova." As usual, Sarah's confused about the plot, Magen reveals she's terrified of medical scans, and Erin still doesn't like T'Pol. To leave comments/feedback, use one of these links: Facebook: https://www.facebook.com/tribblesandtransportersInstagram: https://www.instagram.com/tribblesandtransporterspodcastTwitter: https://twitter.com/tribblespodcastGMail: tribblesandtransporters@gmail.comEpisode timestamps:00:01:38 - Intro00:04:15 - Podcast episode breakdown00:05:10 - Star Trek music challenge00:08:43 - "Terra Nova" recap00:09:21 - What do you think?00:11:02 - Quiz time!00:24:07 - "Terra Nova" production details00:27:30 - "Terra Nova" guest stars00:30:42 - "Past Prologue" episode discussion01:03:37- Listener Feedback01:04:40 - On the next episode...You can also listen here:Website: tribblespodcast.comThanks for listening! We hope you join us next time!

Episode 7: Family Series “His Father's Footsteps” Is Archer motivated by his Father or by his duty as a Captain? Did Mayweaher make the right decision to stay on Enterprise? Will Pholx ever reunite with his estranged sons? Does Trip and T'Pol help each other get closure? Listen to our newest episode, covering the families of the Enterprise crew! SPOILER ALERT: The lives and families of Johnathon Archer, T'Pol, Charles Trip Tucker III, Pholx, Travis Mayweather, Malcolm Reed, and Hoshi Sato. TRIGGER WARNING: This episode has mentions of childhood abandonment, rape, family death, and trauma. This is the seventh of our family series which will go through discussions of family for every Star Trek show, starting with The Original Series and ending with Lower Decks. How many siblings does Michael have? Engage Black Alert as we jump to themes of Family in Star Trek: Discovery. DISCLAIMER: We do not own any of the rights to Star Trek or its affiliations. This content is for review only. Our intro, “Klingon Battle” was written by Jerry Goldsmith. Our outro, “Worf's Revenge” was written by Aurelio Voltaire. Rule of Acquisition 111: “Treat people in your debt like family... exploit them.” Please check out our Patreon and donate any amount per month to access exclusive episodes of trivia and reviews of every episode from the first season of Lower Decks. https://www.patreon.com/thedurassisterspodcast

While Enterprise diverts to observe an unusual planetary event, Travis Mayweather takes time off to visit his family on the cargo ship where he was born and raised, the Horizon. In this episode of the podcast, Wes and Clay discuss "Horizon" and the unfortunate irrelevance of Travis Mayweather. Plus! The guys chat about returning to Enterprise after a season of Discovery, bouncing around on the bed without artificial gravity, and Trip's choice of horror movie! Are you looking for older episodes? Find this and every other episode at The Pensky Podcast! Thanks for listening. Stay connected: • https://thepenskyfile.com/links/ • e-mail: thepenskyfilevideo(at)gmail.com

With Magen off packing as she moves house, Erin and Sarah watch "Strange New Worlds" for the first time. Find out how they're liking Enterprise, whether lightning bugs exist in Canada, and learn more about the Vulcan language.Listener question: What's your favorite thing to do with your friends around the campfire? Write in using one of the links below. We'd love to hear from you!Facebook: https://www.facebook.com/tribblesandtransportersInstagram: https://www.instagram.com/tribblesandtransporterspodcastTwitter: https://twitter.com/tribblespodcastGMail: tribblesandtransporters@gmail.comWebsite: tribblespodcast.comYouTube: Tribbles & Transporters Channel

Scifi Diner Podcast 379 – Our Interview with Anthony Montgomery (Star Trek: Enterprise) – A Farpoint Interview Anthony Dwayne Montgomery (born June 2, 1971) is an American film and television actor, as well as graphic novelist. He is best known for his portrayal of Ensign Travis Mayweather on the UPNscience fiction television series Star Trek: Enterprise (the fifth live-action series in the Star Trek franchise). Montgomery is currently […]

Erin, Sarah, and Magen continue the discussion of Enterprise with episode two, "Fight or Flight." They talk about the natural evolution of Starfleet, their favorite character traits, and whether they'd want to see a Starfleet Academy show that parallels the birth of Starfleet and the Federation. Facebook: https://www.facebook.com/tribblesandtransportersInstagram: https://www.instagram.com/tribblesandtransporterspodcastTwitter: https://twitter.com/tribblespodcastGMail: tribblesandtransporters@gmail.comWebsite: tribblespodcast.com

Topic: Star Trek Tutorial We've been talking alot about fantasy and wrestling, and figured we needed to get back hard in to Nerdy stuff.  Thus, one of the most popular fantasy topics, I present Star Trek.   Tutorial Broad-scope of Star Trek, not in-depth. Created by Gene RoddenberryOriginally pitched as “Wagon Train to the stars.”Each episode was meant to work on to levels, one of morality and one of suspenseful adventure stories. Trekkie or Trekker = Star Trek Fan Things to know:Enterprise is main ShipStarfleet is like united nations: Peaceful, Diplomatic, Explorers, multiple Alien RacesKlingons = bad, but not all the timeSymbol for Starfleet is the Starfleet Delta, it changes through out time.Many gadgets and inventions made their way to real life (iPads, Cellphones, wireless communicators, Alexa/Google home)Uniforms have a purpose, which shows ranks and which division you are withCaptains = Main Character Enterprise (22nd Century)•The Original Series (1966–1969) on CBS A bit more in the vein of “Wagon Train to the Stars”. Very Episodic Campy to a Fault at times o William Shatner as Captain James T. Kirk o Leonard Nimoy as Spock o DeForest Kelley as Dr. Leonard "Bones" McCoy o James Doohan as Montgomery "Scotty" Scott o Nichelle Nichols as Uhura o George Takei as Hikaru Sulu o Walter Koenig as Pavel Chekov Still popular in syndication for nearly two decades Considered ground breaking for multi-racial cast Tackled some civil rights issues Popularized Fan conventions & Fan Fiction •The Animated Series (1973–1974) on CBS Reprised a majority of the Cast Not well received by Many Trek fans Considered non-Canon Movies 1-6 based on Original Cast Modern Series (23rd Century)• The Next Generation (1987–1994) on Independent channels Created because the Movies did so well, but Paying William Shatner and Leonard Nimoy would be costly, so new unknown cast = cheaper to produce Created to continue longevity of franchise. o Patrick Stewart as Captain Jean-Luc Picard o Jonathan Frakes as Commander William Riker o Marina Sirtis as Deanna Troi o Michael Dorn as Worf o Gates McFadden as Dr. Beverly Crusher o LeVar Burton as chief engineer Geordi La Forge o Brent Spiner as Data o Wil Wheaton as Wesley Crusher Reintroduced Star Trek to Modern audience, popularized many races that would play rolls in later series Episodic in Nature, but many episode would have themes/character returning to reprise conflicts Popularized the Season Ending Cliffhanger Movies 7-10 Based off TNG Cast • Deep Space Nine (1993–1999) on Independent channels Created as Star Trek was BIG o Avery Brooks as Commander/Captain Benjamin Sisko o Nana Visitor as Major/Colonel Kira Nerys o René Auberjonois as Odo o Armin Shimerman as Quark as Bar o Alexander Siddig as Lieutenant Julian Bashir o Terry Farrell as Lieutenant/Lieutenant Commander Jadzia Dax o Nicole de Boer as Ezri Dax o Michael Dorn as Commander Worf as o Colm Meaney as Chief Miles O'Brien o Cirroc Lofton as Jake Sisko Episodes are more Serialized than Episodic Instead of a traveling ship, set in a stationary star base, allowing writers to create more compelling and dramatic character interactions/Interpersonal Conflics. Mix of Religious and Science conflicts Shows a full scale War from eyes of Starfleet No Movies were made • Voyager (1995–2001) on UPN Created with the intention of starting a new network/tv channel. Paramount wanted two series running at the same time o Kate Mulgrew as Captain Kathryn Janeway o Robert Beltran as Commander Chakotay o Tim Russ as Lieutenant commander Tuvok o Robert Duncan McNeill as Lieutenant Tom Paris o Roxann Dawson as B'Elanna Torres as Chief engineer o Garrett Wang as Ensign Harry Kim o Robert Picardo as The Doctor o Ethan Phillips as Neelix o Jennifer Lien as Kes o Jeri Ryan as Seven of Nine Created with intention of giving writers new stuff to play with, recreating the feeling of Original Series Introduced new creatures and continued intrapersonal conflicts Decisive amongst fans Episodic in nature, wonky with continuity First series to use fully CGI ships/effects Before Original Series• Enterprise (2001–2005) 22nd Century on UPN Paramount wanted more Star Trek, but Creators wanted to do something simpler Decided to focus on Pre-Starfleet and Federation o Scott Bakula as Jonathan Archer o Jolene Blalock as T'Pol o Connor Trinneer as Charles "Trip" Tucker III o Dominic Keating as Malcolm Reed o Linda Park as Hoshi Sato o Anthony Montgomery as Travis Mayweather o John Billingsley as Travis Mayweather Decisive amongst fans/critics for its place in continuity Tries to explain future events/characters (Klingons) Considered campy and bland compared to other Star Trek Affairs Seasons 1 and 2 are episodic, 3 & 4 are more Serialized Very unhappy ending • Star Trek Reboot Movies Rebooted in 2009 after Paramount broke away from CBS Directed by J.J. Abrams Movies Include: Star Trek, Into Darkness, Beyond o Chris Pine as James T. Kirk o Zachary Quinto as Spock o Leonard Nimoy as Spock Prime o Zoe Saldana as Nyota Uhura o Simon Pegg as Montgomery "Scotty" Scott o John Cho as Hikaru Sulu o Anton Yelchin as Pavel Chekov Set in alternate timeline where events didn’t act out quite the same way. Added more Humor, Action, and much needed Glitz and Glamour to Star Trek. New Cast well received, introduction of Leonard Nimoy was welcome addition • Discovery (2017–present) 21st Century on CBS Considered a prequel to The Original Series, Takes place on USS Discovery First new Tv series since Enterprise ended in 2005 o Sonequa Martin-Green as Michael Burnham o Doug Jones as Saru o Shazad Latif as Voq / Ash Tyler o Anthony Rapp as Paul Stamets o Mary Wiseman as Sylvia Tilly o Jason Isaacs as Gabriel Lorca o Wilson Cruz as Hugh Culber o Anson Mount as Christopher Pike First time focus on 1st Officer and not Captain Carries over design style from Star Trek Movies Ship is considered a proto-type and uses a space drive that can go anywhere ReviewStar Trek TNGOffspring, Season 3, Episode, 16The Pegasus, Season 7, Episode 12The Drumhead, Season 4, Episode 21Tapestry, Season 6, Episode 15The Inner Light, Season 5, Episode 25

Enterprise Recast.   It seems that reboots and revivals are still on the rise, even in connection with shows that were airing in the early 2000s. Charmed, Queer Eye for the Straight Guy, and Roswell, New Mexico are examples of such shows that have been remade with completely new actors cast in the roles, even though it seems not that long ago that the original versions of these shows were airing. And of course, we here at Warp Five began thinking about what it might look like if we recast Enterprise with current day actors. In this episode of Warp Five, hosts Patrick Devlin and Brandi Jackola share their top picks for the seven main characters' recast. We discuss gender swaps, Starfleet hair regulations, the correct pronunciation of katana, getting Doctor Doom right, chameleons, Cody Rhodes, and how it's not necessary to have Trek knowledge in order to be a good Trek actor. Chapters Intro (00:00:00)  Welcome, Boomers (00:01:29)  Recast (00:07:25)  Travis Mayweather (00:09:04)  Hoshi Sato (00:13:06)  Malcolm Reed (00:16:18) Phlox (00:20:34) Charles "Trip" Tucker III (00:23:55) T'Pol (00:27:22) Jonathan Archer (00:31:32) Final Thoughts (00:36:07) Closing (00:38:09)   Hosts Patrick Devlin and Brandi Jackola   Production Patrick Devlin (Editor) Brandon-Shea Mutala (Producer)  C Bryan Jones (Executive Producer) Matthew Rushing (Executive Producer) Ken Tripp (Executive Producer) Norman C. Lao (Associate Producer) Floyd Dorsey (Associate Producer) Mike Morrison (Associate Producer) Tim Cooper (Associate Producer) Justin Oser (Associate Producer) Mark Flessa (Associate Producer) Chris Tribuzio (Associate Producer) Jim McMahon (Associate Producer) Richard Marquez (Production Manager) Tony Robinson (Show Art) Brandon-Shea Mutala (Patreon Manager)

Writing a "Boomer" Episode.   Most Star Trek: Enterprise fans agree that Travis Mayweather was never fully utilized, and the idea of what it meant to be a "Boomer" was never explored to its full potential. There are many fan stories that have been written about Mayweather's ship and family, but now the official Warp Five version can finally be told! In this episode of Warp Five, hosts Patrick Devlin and Brandi Jackola write a season five episode addressing Boomers, Terra Prime, Planet North Star, and true Star Trek messages.   Chapters Intro (00:00:00)  Welcome Boomers (00:01:29)  Looking at Boomers (00:10:10)  Tera Prime Movement (00:13:03)  Risa After Worf (00:17:16) Planet North Star (00:23:41) Enterprise Breaks Down (00:25:09) The Second Ship (00:28:13) A Story Revision (00:39:53) Captain Sean McDoogal (00:42:19) Landing at Planet North Star (00:45:58) The Roundup (00:47:59) Closing (00:56:19)   Hosts Brandi Jackola and Patrick Devlin Production Patrick Devlin (Editor) Brandon-Shea Mutala (Producer)  C Bryan Jones (Executive Producer) Matthew Rushing (Executive Producer) Ken Tripp (Executive Producer) Norman C. Lao (Associate Producer) Floyd Dorsey (Associate Producer) Mike Morrison (Associate Producer) Tim Cooper (Associate Producer) Justin Oser (Associate Producer) Mark Flessa (Associate Producer) Chris Tribuzio (Associate Producer) Jim McMahon (Associate Producer) Richard Marquez (Production Manager) Tony Robinson (Show Art) Brandon-Shea Mutala (Patreon Manager)

Star Trek: Enterprise was a great show. Some of its characters were not. We all know the walking void that was Travis Mayweather but what about the lack of personality coming from Malcolm Reed? While we love these actors, we also realize that they weren't always given enough to work with. But what if they did? In this episode,​ we take a critical look at Reed's character and try to tweak, change, and even sometimes erase certain aspects in order to get a fuller and more interesting character.

Star Trek: Enterprise was a great show. Some of its characters were not.We all know the walking void that was Travis Mayweather but what about the lack of personality coming from Malcolm Reed? While we love these actors, we also realize that they weren't always given enough to work with. But what if they did?In this episode,​ we take a critical look at Reed's character and try to tweak, change, and even sometimes erase certain aspects in order to get a fuller and more interesting character.

Season Two Travis Mayweather Moments.   The Enterprise NX-01 is known in Starfleet history as the first warp five-capable starship. And for every starship, there must be someone at the helm. The NX-01 was regularly helmed by Travis Mayweather, a young, quietly enthusiastic man who “couldn't call a place home unless it came with a pair of warp nacelles”. Born and raised on the cargo ship ECS Horizon, Travis was groomed to one day become captain of that ship, but instead followed his heart and joined Starfleet, to the apparent chagrin of his father. Though often not given much to do, Ensign Mayweather did have his moments throughout the series, moments often demonstrating just how important it is to have a skilled pilot at the helm. In this episode of Warp Five, hosts Patrick Devlin and Brandi Jackola bring you their top five Travis Mayweather moments in season two of Star Trek: Enterprise. We discuss Action Travis, playing games with cows, vaguely worried looks, Travis as a running back, figuring out fan service, and how Mayweather can manually pilot the Enterprise through a minefield and not kill a guy stuck to the outside of the ship. Chapters Intro (00:00:00)  Welcome Boomers (00:01:32) Mayweather Season two (00:06:48) First Moment (00:08:27) Second Moment (00:11:25) Third Moment (00:19:41) Forth Moment (00:24:56) Fifth Moment (00:38:10) Final Thoughts (00:52:45) Closing (00:57:25)   Hosts Patrick Devlin and Brandi Jackola   Production Patrick Devlin (Editor) Brandon-Shea Mutala (Producer)  C Bryan Jones (Executive Producer) Matthew Rushing (Executive Producer) Ken Tripp (Executive Producer) Norman C. Lao (Associate Producer) Floyd Dorsey (Associate Producer) Mike Morrison (Associate Producer) Tim Cooper (Associate Producer) Justin Oser (Associate Producer) Mark Flessa (Associate Producer) Chris Tribuzio (Associate Producer) Richard Marquez (Production Manager) Tony Robinson (Show Art) Brandon-Shea Mutala (Patreon Manager)

  Last time we finished up Season 1 of Enterprise, so this week we’re going to take a quick look back at the series so far; hand out awards for “best of” and announce the winner of the Enterprise Trivia Cup. Joe took home the gold with a sizable lead. Though Jason promises his victory will be short lived as we get into the later seasons of Enterprise. Enterprise has a lot of ups and downs and our opinions on the show are incredibly varied. Joe and Josh are of the mind that this first season was the best first season of any Star Trek that came before it, while Jason feels it is easily one of the weakest of the Star Trek franchise. That's not to say there weren't highlights that we all shared an affinity for. Broken Bow is at least up there when it comes to quality of pilot episodes, rivaled perhaps by The Next Generation's "Encounter at Farpoint", though Voyager's Caretaker came up as well. And we all agreed that the season finale, Shockwave Part One, was one the better episodes of Enterprise, certainly for season one. A few host favorites came up, Unexpected, Shuttlepod One, Rogue Planet, Andorian Incident, Cold Front, and Vox Sola. Season one of Enterprise had a few low points. Travis Mayweather never really took off as a character and seems to be eternally relegated to being the Scrappy-Doo of the bridge. And Archer's character development was minimal. While he no longer seems to hold such unbridled animosity towards Vulcans or T'Pol, overall he seems more a blank canvas than a three dimensional person. Before diving into categories, Joe made everyone some pretty cool NX-01 caps to celebrate the completion of Season One! We are all very cool. Anyway, onto the Awards! Award Categories  Most Improved Character T’Pol T’Pol T’Pol Malcom or Reed Hoshi     Winner: T’Pol Least Improved Character Archer Mayweather Mayweather Hoshi     Winner: Mayweather Best recurring side character Commander Shran Commander Shran Silik Cutler Daniels     Winner: Cutler Best one-off minor character Zobral - Desert Crossing Klaang - Broken Bow Jarmin - Terra Nova Ah’Len - Unexpected Riann - “Civilization” Sarin - Broken Bow     Winner: Zobral Best alien (species or specific character) The revamped Andorians The creature from “Vox Sola” Suliban Kreetassans (you eat like you mate)     Winner: Suliban Best cold open Shockwave Part 1 Shockwave Part 1 Rogue Planet Shuttlepod One     Winner: Shockwave Part 1 Worst cold open Desert Crossing - “Captain there’s a distress call **Opening Credits**” Two Days, Two Nights - “Will the captain go on vacation?! Yes.”     Winner: Desert Crossing Best costume design Space suits Desert wear Suliban Cabal (Worst - Temporal Agent Daniels) Underwear Trip’s Hawaiian shirt/jacket combo     Winner: Underwear Best Episode (technically speaking) Shuttlepod One The Andorian Incident Shockwave Part 1     Winner: Shockwave Part 1 The Wrap Up wrap up Favorite Overall Episode Unexpected (Joe) Vox Sola (Chris) Unexpected but also the Andorian Incident or Rogue Planet (Josh) Shuttlepod One (Jason) There Are Four Mics is a weekly Star Trek podcast discussing the Star Trek episodes and movies in stardate order. Join Jason Allen, Joe Heiser, and Joshua B. Jones as we look back on Season One of Star Trek Enterprise.   Music credits: Faith of the Heart/Where My Heart Will Take Me - Written by Diane Warren, performed by Russell Watson, Jerry Lubbock, and the New York Trek Orchestra Archer's Theme - Dennis McCarthy and New York Trek Orchestra

Star Trek: Timelines Hello and welcome to another episode of There Are Four Mics: A Star Trek Podcast. I am your host, Joe Heiser. We weren’t able to get together and record an episode discussing Enterprise for this week; so we thought we’d take the opportunity to try something a little different. The Star Trek universe is much more than just the TV shows and movies, especially with the Star Trek vacuum that was created after the end of Enterprise in 2004. So I’m talking books, graphic novels, and video games. In this series, we’re specifically going to take a look at one of the many many Star Trek video games floating around out there. I’m sure I won’t be inciting much debate if I suggest that most Star Trek games have traditionally seemed rather -- Unremarkable. But it’s my hope that as I sift through the titles and give each game a fair chance, I’ll uncover more than a few that do the Star Trek universe justice. If you have recommendations going forward, please, let me know! Send us a tweet @thereare4mics or an email to contact@therearefourmics.com The most recent release seems as good a place to start as any. Star Trek: Timelines. A free to play strategy game available on Android, iOS, and through Facebook. Star Trek: Timelines was developed by Disruptor Beam and released in 2016. Disruptor Beam previously released Game of Thrones: Ascent. Another mobile and browser based free to play strategy game. Before we get started. Free to play is a polarizing concept. The game utilizes many of the classic components of a free to play game that we’ve come to expect: special currency, rare or specialty items, set waiting times for certain aspects of gameplay, advertisements for “special offers”, etc.. And while generally I’m suspicious of titles that rely on this form of revenue, I must say I was impressed with the amount of content I got without feeling pressured to buy in to keep the good times rolling. So if you were ready to dismiss the game based on “free-to-play” alone, I’d stick around and hear what else it has to offer. A not so brief overview Star Trek: Timelines wastes no energy and immediately drops you into the thick of things. Right out of the gate you adopt the role of a captain of your own starship. You’re in the middle of investigating an anomaly alongside a Romulan Warbird commanded by Captain Tomalak. Q, with original voice acting by John de Lancie, crashes the party and warns you that Starfleet may be out of its depth with this one. As if to prove his point, several ships suddenly appear, including none other than the NCC-1701 Enterprise, commanded by a very confused Captain Kirk who is beamed to your vessel. Tomalak takes this as some sort of ploy and you immediately enter into a space battle, something you’ll be doing a lot through the game. You’re given a taste of character abilities as you use Kirk and Spock to boost your ship’s stats, turning the battle to your advantage and allowing you to eventually destroy the Romulan Warbird. Another Warbird decloaks, and destroys the Enterprise. Kirk is distraught, but after Q sends the Warbird to Borg space as penance, he assures Kirk that yes, while his crew are dead, there are countless other versions scattered through time. Q further explains that the timelines and realities of the universe have become intermingled. People, planets, ships from across all times and universes are converging and vying for space. While he trusts you to take care of the warping around and starship battles, he intends to get to the bottom of this and sort it out. You’re given a set of prologue missions to complete and then finally engage with the main story. Now, this opening feels very much like an episode’s cold open. We’re dropped into a situation and given a mystery that needs resolving. A bunch of things happen that we don’t really understand and then we’re whisked away into the proper story to find our footing in this new and dangerous galaxy. Gameplay The main game is divided into different episodes, each comprised of a dozen or more missions. For instance, Episode One deals largely with the Klingons and the Augments, the followers of Khan Noonien Singh for the uninitiated. Are you more sympathetic towards the Klingons? Side with them in conversation, complete more Klingon missions, and ultimately, support them in achieving their final aims for the episode. All of which will influence the direction and control of the region. The entire game is divided up like this, Factions vying for power while you support one side or the other. Each mission awards you with items and credits, which can be used in purchasing a chance for more items, characters, and ship blueprints. Ship blueprints being let you upgrade your ship to increase its stats or even build new ships. The missions come in two flavors: Away Missions, and Starship Battles. For Away Missions you select a certain number of crew according to their listed skills and traits. You encounter a set number of challenges, each emphasizing a specific skill. For instance, if you see there will be some demand for the Medicine skill you might consider throwing in Dr. Phlox. Each challenge can be faced multiple ways, and it's up to you to determine who has the best chance of success, or what is more in line with the kind of captain you want to be. If you are particularly good at selecting crew members with appropriate skills and traits, that’ll work in your favor by adding a bonus to your ability to complete the challenge. A challenge of 25 needs to be met by a crewmember whose skills will add up to 25 after the various bonuses are applied. As you use each crew member they will level up, increasing their skills and making each challenge easier. Each crew member can also be outfitted with specific items to increase these abilities. Starship Battles are a bit different and largely take care of themselves. Your ship will automatically fire and evade, your job is to apply the bonuses your selected crew can offer. For instance, Travis Mayweather can increase your ship’s maneuverability temporarily, making it harder for the enemy to hit. Outside of the main story there are standalone “Distress Call” missions you can complete. These operate much like the episode specific missions but don’t necessarily affect events unfolding in the galaxy. There are a lot of elements blended into Star Trek: Timelines that I really enjoy. There’s a certain RPG aspect to it. Being able to choose your responses, enhance and upgrade your starship, leveling up your crew, and siding with one faction or the other all bring some semblance of roleplay to the game. It’s not simply a matter of filling your crew roster and unleashing them upon each mission, there needs to be a level of strategy and reason behind your choices. The game boasts over 330 recruitable characters at this moment. More having been added since the game’s initial launch; a trend likely to continue. Honestly, this aspect is quite fun to me. While most are variants of the same character, Jazz Musician Odo or Boxing Chakotay, for example, it’s reminiscent of collecting those Star Trek action figures that used to be released years ago. The ability to collect all of these characters and ships is certainly dependent on how much money you’re willing to spend. The ingame currency is referred to as Dilithium, which can be bought in packs of various sizes. You’re allotted a certain number of free chances depending on missions completed, but its obvious that if you were to rely on these free modes of resource gathering it could take you ages to get even the next level ship. In my 5-10 hours of play, I haven’t felt an overwhelming need to spend money, but if I were committed to collecting or progressing quickly, I can see why I’d want to. And you can be sure they give you ample opportunity to do so. One thing to note is how power hungry this game is. I mention this here because gameplay can really be hindered if the game locks up indefinitely. My phone is no spring chicken, a Nexus 6 running Android 7.0, but it’s still a good device. During starship battles especially, where 3D really comes into play, there are times when it's obvious my Nexus is struggling to keep up. Lagging interrupts the music and sound effects, and so can make for a grating experience all around, especially if you’ve got headphones in. Story The story is comprised of smaller stories contributing to the overarching theme of temporal chaos and how to handle it. You won’t find yourself wiping away tears, bursting into uproarious laughter, or aching over the ethical dilemmas, but there’s enough there to keep you going. The game continually introduces characters or their counterparts as the episodes develop, which certainly helps to keep interest and engagement up. What’s most impressive to me I suppose is that the game has enough story for me to require more than one sentence to accurately describe to someone. I don’t generally associate that with free to play mobile games, but Disruptor Beam managed to bring an original plot to Star Trek: Timelines. Graphics The graphics are pretty slick. The 3D starship battles look great for a mobile game, and each character has original art. Sometimes the character art is a bit odd in one way or another, but so many are so good that it’s easy to overlook the occasional haunting rictus or a disproportionate limb. Music I love the music. Very “Star Trek” but distinct enough to not feel pulled from any one series. Sound This is complicated. I think the sound effects are generally quite good. The problem is that many of them are obviously pulled from episodes or movies, and so don’t feel like they mesh quite the same as any original sound effects. And speaking of pulled from episodes, the handful of other characters given a voice are simply lines pulled straight from the screen. That’s not bad, per se, but it does have a soundboard quality to it. Each time I select Mayweather I hear a clip of Anthony Montgomery on some episode of Enterprise answering a hail, “Mayweather.” And the choices of line aren’t always that great. For instance, each time you select B'elanna Torres you hear “I don’t care what people think of me.” Is that really the best line B’elanna had? The most identifiably B’elanna line they could find? I’m not so sure. Voice Acting The voice acting, the original voice acting, performed by John de Lancie in the reprisal of his role as Q is fantastic. It brings a certain polish and charm to the game I’m not sure it would have otherwise. I think it’s that voice that carried me through the opening sequence of events and allowed me to successfully resist the urge to close out the app forever and find something else to do--which is the fate of many of my recently downloaded mobile games. Final Thoughts I’ve seen other reviewers call this game a labor of love. And I’d have to agree. I believe that Disruptor Beam respected the Star Trek characters, stories, and franchise as a whole and in turn, respected their target market. While not a perfect game, and perhaps not the perfect representation of what we see and feel while settling in to watch an episode of The Next Generation or Voyager, it gets as closer than many other Star Trek games I’ve played. I heartily recommend you give this game a shot. It’s free and quick to get into. In a lot of ways it doesn’t even feel appropriate to call it a mobile game simply based on the connotation of that term. I haven’t played a single session for less than thirty minutes. Hell, I like this game so much, that if I do end up buying the in-game currency, I’m not even going to feel embarrassed about it. Disruptor Beam deserves some props for this one. Final Rating: 4.5 Thank you for listening to this episode, we’ll be back soon with our full discussions of Enterprise but hope you enjoyed this little diversion. We’ll see how much traction this gets and might start making a regular series of recordings like this one. If you want to get in touch with us we’re on Twitter @thereare4mics and if you wouldn’t mind, we’d love it if you gave us a rating and review over at iTunes. Thanks again, see you next time.

Star Trek: Enterprise Episode Written On-the-FlyEnterprise doesn't get enough love in the fandom. Does it have its issues? You bet. Is it underrated? Also true. One aspect that garnered the most criticism was the lack of character development. Travis Mayweather was one of those characters where the writers just didn't know what to do with him. So your Punch It crew does what it does best and punches his character up. In this episode, Char and Tristan tackle Travis' character and gives him a more robust backstory. They also find a way to expand on the Enterprise's mission beyond the fourth season. What did you think needed to happen with Travis' character?

Sorry LeVar Burton, we love you, but we just don't love your episodes :( This episode had the potential to be interesting, just as Travis Mayweather's backstory had the potential to be interesting, but it was undermined by awkward dialog, direction, and acting. It's a shame! No other series could have explored long haul freighters quite like Enterprise might have been able to. Memory Alpha: Link Enterprise 01x10 - Fortunate Son Directed by LeVar Burton Written by Antoinette Stella Guest Stars: Lawrence Monoson, Kieran Mulroney, Vaughn Armstrong, Danny Goldring Join your hosts, Chris Keeley, Jason Allen, Joe Heiser and Joshua B. Jones as they discuss the tenth episode of Enterprise, Fortunate Son. There Are A Four Mics is a weekly Star Trek podcast discussing the Star Trek episodes and movies in stardate order.   Music credits: Faith of the Heart/Where My Heart Will Take Me - performed by Russell Watson, Jerry Lubbock, and the New York Trek Orchestra Archer's Theme - Dennis McCarthy and New York Trek Orchestra /

Debriefing Jeffrey. Travis Mayweather was born aboard the ECS Horizon on the Draylax–Vega Colony run, and he grew up on the ship. Would he be considered an Earther? This is just one of the questions we ask as in this episode oF Warp Five as co-host Jeffrey Harlan bids farewell to the NX-01. In addition to Travis’s origins, we also discuss how a book from Travis’s childhood affected an entire civilization, debate whether “In a Mirror Darkly” is really one of the best Star Trek episodes, and whether “These Are the Voyages” is really the worst. Join us as co-host Floyd Dorsey treats Jeffrey to a Chef’s buffet of topics before sending him off to school in a shuttlepod of his own. Chapters Intro (00:00:00) Best and Worst Enterprise and Star Trek (00:04:20) Feedback (00:13:46) Jeffrey’s Next Assignment (00:19:54) Debriefing (00:22:10) Why Do You Podcast About Star Trek? (00:33:21) Trekipedia (00:34:52) Bandwidth Comics and The Protectorate (00:43:30) Star Trek Online (00:44:47) Closing, Feedback, and Jeffrey’s Farewell (00:51:26) Hosts Floyd Dorsey and Jeffrey Harlan Production C Bryan Jones (Editor and Producer) Matthew Rushing (Executive Producer) Charlynn Schmiedt (Executive Producer) Ken Tripp (Executive Producer) Norman C. Lao (Associate Producer) Floyd Dorsey (Associate Producer) Mike Morrison (Associate Producer) Richard Marquez (Production Manager)

Anthony Montgomery Talks Travis and Star Trek. Travis Mayweather may not have been the first human born in space, but for us he will always be the space "boomer" nearest and dearest to our hearts! Chosen to be the first-watch helmsman of the NX-01, Travis was the most naturally-gifted ensign and logged more deep-space interstellar star hours than any pilot in Starfleet. From his early days on the ECS Horizon, running cargo with his family, to his years of distinguished service aboard the Enterprise, Travis was the personification of enthusiasm and optimism in a future where no "boomer" had gone before. In this episode of Warp Five, Will Nguyen is joined by none other than the brilliant, multi-talented Anthony Montgomery, the man who brought Travis Mayweather to life. In this very special interview, Anthony gives us a rare tour of his career, shares with us his memories of how he first started acting, why he auditioned for Enterprise, and his fondest memories of the show. Anthony also updates us on what's happening with his graphic novel series Miles Away, shares a few updates on other things that he's currently working on, and talks about his upcoming appearance at the 2050 Daytona Beach con in Florida. If you’d like to find out more about 2050 Daytona Beach, set for Halloween weekend (Oct 30 - Nov 1), visit http://2050.events. ChaptersThe Beginning of Anthony’s Acting Career (00:01:23) From the Theater to the Enterprise (00:05:30) Anthony’s Favorite Travis Performance That Was Cut (00:09:53) Fondest Memories of Star Trek Enterprise (00:16:40) Miles Away and Other Current Projects (00:19:17) 2050 Daytona Beach Convention Details (00:33:08) Closing and Thank You for Listening (00:35:26) HostWill Nguyen Special Guest StarAnthony Montgomery ProductionC Bryan Jones (Editor and Executive Producer) Norman C. Lao (Executive Producer) Matthew Rushing (Executive Producer) Charlynn Schmiedt (Executive Producer) Floyd Dorsey (Associate Producer) Mike Morrison (Associate Producer) Richard Marquez (Production Manager) Will Nguyen (Content Manager)

Horizon. Fans often cite Travis Mayweather as the most underdeveloped character on Enterprise, but the episode “Horizon” sets out to change that perception with a story focusing exclusively on the Ensign, his family, and his past. It's a good look into the character, though surprisingly comes near the end of Season Two.  In this episode of The Ready Room we're joined by Tommy Kraft and Will Nguyen to discuss Travis's trip back home, the cargo culture, and the puzzling discrepancy between the background developed for the character and what the writers actually did with over the course of the series. We also reveal in the excitement that is Movie Night aboard the NX-01 and T'Pol's newfound love of Frankenstein. In our news segment we discuss the latest on Tommy's film Star Trek: Horizon and debate the results of the StarTrek.com poll in which fans picked the alien race with the best starships.   Hosts Christopher Jones and Tommy Kraft   Guest Will Nguyen   Editor and Producer Christopher Jones   Associate Producer Renee Roberts   Production Manager Richard Marquez   Content Coordinator Will Nguyen   News Star Trek: Horizon Production Update (00:02:25) Poll: The alien race with the best starships is… (00:11:59)   Feature: Horizon Intro and Synopsis (00:22:12) A Misplaced Story? (00:26:28) Fleshing Out Travis (00:30:39) Cargo Culture (00:35:01) It's a Family Matter (00:41:42) The Isolation of Distance (00:48:58) Movie Night! (00:55:57) Travis Saves the Day! (01:06:43) Final Thoughts (01:13:24) Closing (01:22:36)   Send us your feedback! Twitter: @trekfm Facebook: http://facebook.com/trekfm Voicemail: http://www.speakpipe.com/trekfm Contact Form: http://www.trek.fm/contact Visit the Trek.fm website at http://trek.fm Subscribe in iTunes: http://itunes.com/trekfm   Support the Network! Become a Trek.fm Patron on Patreon and help us keep Star Trek talk coming every week. We have great perks for you at http://patreon.com/trekfm

Travis Mayweather.   From the best and brightest that Starfleet had to offer, Travis Mayweather was chosen to be the first watch helmsman of the NX-01 because he was the most naturally gifted ensign trained for the position and logged in more deep space interstellar star hours than any pilot in StarFleet - from his earlier days as a "boomer"; a child born and raised in space on the ECS Horizon freight hauler, running cargo with his family until he joined Starfleet. He also was the first pilot to have been as far into deep space versus any other pilot candidate at that time.   In this episode of Warp Five, Norman C. Lao and Will Nguyen discuss the merits and quality of the very first helmsman of the Enterprise legacy: Travis Mayweather. Was Travis the most naturally gifted pilot candidate from the graduating class of 2151? What did Archer see in him that was "special" and "unique," moreso than any other helmsman candidate in the NX-01 program? Please join us in the Decon Chamber for a fascinating study of Starfleet's very first Warp 5 pilot.   Host Norman C. Lao   Guest Will Nguyen   Editor John Mills   Associate Producer Norman C. Lao   Production Manager Richard Marquez   Content Coordinator   Will Nguyen   Chapters Introduction and Greetings from your New Host (00:01:06)   Did Travis have the Right Stuff? (00:02:25)   A Boomer of All Trades (00:06:39)   Setting the Bar for Future Pilots (00:13:05)   Archer as Mentor (00:19:20)   Breathing life into Travis (00:22:46)   Untapped Potential (00:31:30)   Final Thoughts (00:40:11)   Hoshi Station (00:48:00)   Closing (00:56:04)     Send us your feedback! Twitter: @trekfm Facebook: http://facebook.com/trekfm Voicemail: http://www.speakpipe.com/trekfm Contact Form: http://www.trek.fm/contact Visit the Trek.fm website at http://trek.fm/ Subscribe in iTunes: http://itunes.com/trekfm   Support the Network! Become a Trek.fm Patron on Patreon and help us keep our shows coming to you every week. We have great perks for you at http://patreon.com/trekfm   Sponsor Audible is the premiere source for audiobooks with more than 150,000 titles to choose from, and new titles coming every week. From classics to current bestsellers, and even some of the most famous Star Trek books like Prime Directive, Federation, and Spock’s World, Audible has something for everyone.     As a Trek.fm listener you can get a free audiobook of your choice along with a 30-day trial to see just how great Audible is. So give it a try today, catch up on all those classic Star Trek books you’ve yet to read or that latest novel from you favorite author and support the network and our programming at the same time!

Anthony Montgomery can be currently seen on the small screen as ‘Darryl’ on VH1’s highest rating TV show, “Single Ladies”. He is best known for his role as ‘Travis Mayweather’ on the cult TV phenomenon “Star Trek Enterprise”. Born and raised in Indianapolis, Indiana, Montgomery was introduced to performing in public while singing in the church choir as a child. Several years later he discovered a new performance outlet in the form of freestyle Hip Hop dance, which propelled him to co-create the dance duo, ‘The Bad Boyz’ in the late 80's. After enrolling in college, Montgomery soon discovered his true life's purpose and passion, acting. He began acting while studying at Indiana University-Purdue University.  Being one of the few minorities in the Theatre Department, Montgomery was given many opportunities to begin honing his craft. As he appeared in numerous plays, his love for acting grew. With each play, each character manifestation, Montgomery learned more and more about himself and his talent. He knew acting was his life. After gaining practical experience, both on and off stage, he transferred to Ball State University, where he graduated with a B.S. in Performance Theater & Drama.