Podcasts about x men the last stand

In this follow-up to Part 1, Hector, John, Kyle, Nick and I talk about the other movies we watched recently. Plus, someone else drops by!Movies discussed: Opus, The Electric State, Captain America: Brave New World, Death of a Unicorn, Presence, A Working Man, The Penguin Lessons, Heart Eyes, The Woman in the Yard, Paddington in Peru, Mickey 17, (another TV Top 5), The Monkey, X-Men: The Last Stand, Logan, The Last Showgirl, Fight or Flight, The Seed of the Sacred Fig, The Return, Grand Theft Hamlet  Twitter - Instagram - Website

We interrupt our regular programming for the third of several periodic check-ins with the X-Men's exploits on the silver screen! This "show within a show" continues with the controversial and bombastic X-MEN: THE LAST STAND. Last stand... that means it's the last one, right? Right?? Oh, you sweet summer 2006 child. Jenny, Tim, and Keithie have some deep thoughts on this one, in ways that may be startling and unexpected.  As quaint as it sounds by today's standards, the trilogy model represented a best-case scenario for any superhero film series in the early 2000s. Three movies was the mark of tremendous success for a genre considered radioactive less than a decade earlier, cementing the legacy of a property that managed to achieve this feat as a certified franchise and reliable money-maker. It also proved to be something of a double-edged sword in that the third entry typically represented the end of the line. Due to the reality of diminishing returns, changing tastes, and the complexities of reassembling an increasingly sprawling ensemble cast, conventional wisdom maintained that this was as far as a studio could realistically push it. Of course, cheaper spin-offs and derivative projects smaller in scope certainly remained in play to continue milking the franchise. But for all intents and purposes, it was three-and-done for the mainline, continuing narrative. Perhaps as a byproduct of the ballooning production and the pressure to turn out a respectable profit against a massively inflated budget, studio oversight tended to increase significantly for this supposed final outing -- arguably at the cost of quality control. In that respect, X-MEN: THE LAST STAND may as well be the poster child for the trilogy treatment kiss of death in blockbuster superhero filmmaking.

Episode Notes S6E14 - Join us as we chat with the legendary Julian Richings. He'll be in the house telling tales from Supernatural to Doom Patrol and beyond. Julian Richings (born 30 August 1956) is a British-Canadian character actor, having appeared in over 225 films and television series. He is best known for his appearances in a variety of horror films, including Cube, Wrong Turn, The Witch, Beau is Afraid, Ejecta, and Anything for Jackson, as well as for portraying Death in the dark fantasy series Supernatural. After touring the United States with a British stage production, Richings moved to Toronto, Ontario, Canada in 1984. Within five years, he had become a regular on the second season of the War of the Worlds TV series. In the 1996 film Hard Core Logo, he played the bitter, aging, punk rock legend Bucky Haight. He appeared at the opening of the 1997 film Cube.In 1999, he appeared in the science fiction film Thrill Seekers. In 2000, he appeared as Bellanger in The Claim, and earned a Genie Award nomination for best supporting actor. He was a member of the repertory cast of the A&E TV original series A Nero Wolfe Mystery (2001–02). NEWS FLASH: HELPFUL LINKS: VETERANS: https://www.va.gov/.../mental-health/suicide-prevention/ ADDICTION: https://lp.recoverycentersofamerica.com/.../continuum-of.../ Due you know someone that has lost their lives due to addiction? Or even someone that has made a full recovery? Reach out to Johnny Whitaker so they can help to celebrate the lives lost/ lives recovered at overdoseawareness0831@gmail.com Follow our guest https://www.instagram.com/julian_richings/?hl=en https://en.wikipedia.org/wiki/Julian_Richings https://www.imdb.com/name/nm0724995/mediaindex/ Toking with the Dead: https://www.stilltoking.com/ ————————————— Follow Still Toking With and their friends! https://smartpa.ge/5zv1 ————————————— Produced by Leo Pond and The Dorkening Podcast Network MORE ABOUT THE GUEST: Richings performed in heavy makeup as cannibal-killer Three Finger in Wrong Turn (2003), and was a series regulars as the nearly-blind security guard Otto in Stephen King's 2004 miniseries Kingdom Hospital. Dramatic roles include stagehand Mr. Turnbull in the 2004 film Being Julia. He appeared as Orr, a cruel loan shark in the 2004 Canadian film The Last Casino. In 2006, he appeared in a brief speaking role as the Mutant Theatre Organiser in X-Men: The Last Stand, and played a vampire killer alongside in the direct-to-DVD horror film The Last Sect. In 2007, Richings played a driver in the film Shoot 'Em Up, a dissipated and aging punk rocker in The Third Eye, transvestite psychologist Dr. Heker in The Tracey Fragments, and a number of small roles in other films, including Skinwalkers and Saw IV. He appeared in the 2008 film The Timekeeper. That year, Richings was nominated for another Dora Award for his performance in The Palace of the End. Richings made an appearance in the 2010 fantasy film adaption Percy Jackson & the Olympians: The Lighting Thief as Charon, the ferryman of Hades.[10] That year, he began a recurring villain role on the horror comedy series Todd and the Book of Pure Evil.[6] From 2010 to 2015, he portrayed Death in the hit dark fantasy series Supernatural. He was also Death in the short film Dave v. Death (2011). See less Find out more at https://still-toking-with.pinecast.co Send us your feedback online: https://pinecast.com/feedback/still-toking-with/087d722b-1cc8-4ca6-8b3c-2f9e2e2bed00

Screenwriting legend Zak Penn talks about how he got so savvy in the business of show.  We talk about how coming to LA and scouting out the city geared him up for his big move after college and his sale of “The Last Action Hero” started him on a 35 year journey of being one of Hollywood's most sought after writers. We talk about the good times with Speilberg, JJ Abrams, Shawn Levy, Ryan Reynolds, & Dwayne Johnson and we talk about the bad times with others. Bio: Zak Penn's career began as a screenwriter when he sold his first script, LAST ACTION HERO, at the age of twenty-three. Since then, Penn has become known for his work on numerous films based on Marvel comics, including X-MEN 2 and X-MEN: THE LAST STAND, ELEKTRA, THE INCREDIBLE HULK and THE AVENGERS. He has also dabbled in other genres, writing scripts for disparate films such as P.C.U., BEHIND ENEMY LINES and SUSPECT ZERO.Penn's shift into independent cinema began when he collaborated with his idol, Werner Herzog, on the script for RESCUE DAWN. Penn directed and co-starred with Herzog in INCIDENT AT LOCH NESS, his award-winning “hoax” documentary about the legendary director's attempts to make a film about the equally legendary monster. THE GRAND, Penn's second completely improvised film, was his third film with Herzog, and featured an eclectic cast including Woody Harrelson, David Cross, Ray Romano, Cheryl Hines, Dennis Farina and Gabe Kaplan.In addition, Penn co-wrote the original story for ANTZ and produced the animated film OSMOSIS JONES. He has also acted in a number of independent films, including STAR MAPS and CHUCK & BUCK. His first foray into television was the critically acclaimed original series ALPHAS starring David Strathairn. Penn directed the documentary ATARI: GAME OVER for Xbox Entertainment Studios.More recently, Penn adapted the New York Times bestselling novel READY PLAYER ONE for Warner Bros. Directed by Steven Spielberg, the film was released in 2018. Penn also co-wrote the script for the action comedy FREE GUY, starring Ryan Reynolds and Jodie Comer. The film is directed by Shawn Levy and was released in August of 2021.

You know what time it is, Pixie Dusters...it's time for Marvel March! 2025 is featuring one of the most iconic heroes: Wolverine. To kick off the month, the gang is talking about the original X-Men trilogy: "X-Men" (2000), "X2" (2003), and "X-Men: The Last Stand" (2006). And Ashley has actually seen these movies!Follow your new Disney besties on Instagram @pixiedusttwinspodcast and on TikTok @pixiedusttwinspodcastFollow Dan, honorary third host of the "Pixie Dust Twins" Podcast, and King of the Manifestos: @Dantaastic on Instagram and YouTubeHave ideas for the show? Want to be a guest? Send them a message on Instagram!Rant Radio is LIVE! Call 844-857-7268 and leave your rant today. Check out LimitlessBroadcastingNetwork.com for all of our podcasts, subscriptions, and to pick up some awesome merch!

This week, Mark takes ten to explain why people didn't know who the Juggernaut was, in the most disappointing X-Men sequel, X-Men: The Last Stand. (It's because he didn't look like the Juggernaut).  IF YOU LIKE WHAT WE DO AND WANT TO HELP US CONTINUE; SUPPORT US ON PATREON: patreon.com/spreadthewhimsy   SUPPORT US ON KO-FI: ko-fi.com/spreadthewhimsy SUPPORT US WITH MERCHANDISE: whenwagonwheelswerebigger.com/w4bshop SUPPORT US FOR FREE: spread the word, spread the whimsy!   THREADS/INSTAGRAM: w4b_podcast BLUESKY: @w4bpodcast FACEBOOK: facebook.com/whenwagonwheelswerebigger TIKTOK: @w4b_podcast WEBSITE: whenwagonwheelswerebigger.com Format devised by Deborah Palmer

X-Men: The Last Stand is the third installment in the X-Men film series. The 13th entry in our “Marvel before the MCU” series revolves around the discovery of a "cure" for mutation, while simultaneously exploring the rise of the Phoenix, an uncontrollable and immensely powerful alternate persona of Jean Grey. ----more---- Thank you so much for listening! Please help us spread the word by leaving us a review on iTunes or Spotify.    Visit our TeePublic store for t-shirts, hats, hoodies, mugs, and more!   If you would like to connect with us, you can find us on:  X: x.com/ReadBtweenReels Facebook: facebook.com/ReadBtweenReels Email: ReadingBetweenReels@gmail.com SpeakPipe: speakpipe.com/ReadingBetweentheReels   You can also join our Facebook group. It's a safe place to share your thoughts and discuss all things related to movies. You can find us at facebook.com/groups/readbtweenreels   If you are interesting in advertising on this podcast, please go to: podbean.com/advertiseonRBR   The following music was used for this media project: Music: "Neon Fury" by Sascha Ende Link: https://filmmusic.io/song/12190-neon-fury License: https://filmmusic.io/standard-license

Send us your fan mail :)Arcane makes its long anticipated Season 2 debut this Saturday. In todays episode I dive into what made Arcane Season 1 so good. X-Men Revisited Series:X-Men (2000)X2 (2003)X-Men: The Last Stand (2006)X-Men Origins: Wolverine (2009)X-Men: First Class (2011)The Wolverine (2013)X-Men: Days of Future Past (2014)Deadpool (2016)X-Men: Apocalypse (2016)Logan (2017)Deadpool 2 (2018)X-Men: Dark Phoenix (2019)New Mutants (2020)X-Men 97 is EVERYTHINIG Deadpool and Wolverine (Review)X-Men Movies Ranked | Including Deadpool and WolverineMonthly Recap Series: ...

Send us your fan mail :)The year presses on with the Challenge of 365 movies in one year continuing with the month of October 2024.X-Men Revisited Series:X-Men (2000)X2 (2003)X-Men: The Last Stand (2006)X-Men Origins: Wolverine (2009)X-Men: First Class (2011)The Wolverine (2013)X-Men: Days of Future Past (2014)Deadpool (2016)X-Men: Apocalypse (2016)Logan (2017)Deadpool 2 (2018)X-Men: Dark Phoenix (2019)New Mutants (2020)X-Men 97 is EVERYTHINIG Deadpool and Wolverine (Review)X-Men Movies Ranked | Including Deadpool and WolverineMonthly Recap Series: ...

Send us your fan mail :)Get ready for a spine-chilling Halloween special as we dive deep into the terrifying world of "It Chapter One." Join me as I explore the eerie town of Derry, Maine, and uncover the dark secrets lurking beneath its surface. We'll discuss the horrifying encounters with Pennywise the Dancing Clown, analyze the film's most suspenseful moments, and delve into the themes of fear and friendship that make this Stephen King adaptation a modern horror classic. Whether you're a die-hard fan or a first-time viewer, this episode promises to be a thrilling ride into the heart of horror. Christy Lemire Review Jasmine Bergman ReviewX-Men Revisited Series:X-Men (2000)X2 (2003)X-Men: The Last Stand (2006)X-Men Origins: Wolverine (2009)X-Men: First Class (2011)The Wolverine (2013)X-Men: Days of Future Past (2014)Deadpool (2016)X-Men: Apocalypse (2016)Logan (2017)Deadpool 2 (2018)X-Men: Dark Phoenix (2019)New Mutants (2020)X-Men 97 is EVERYTHINIG Deadpool and Wolverine (Review)X-Men Movies Ranked | Including Deadpool and WolverineMonthly Recap Series: ...

Send us your fan mail :)The year presses on with the Challenge of 365 movies in one year continuing with the month of September 2024.Hurricane Relief Greater Good CharitiesX-Men Revisited Series:X-Men (2000)X2 (2003)X-Men: The Last Stand (2006)X-Men Origins: Wolverine (2009)X-Men: First Class (2011)The Wolverine (2013)X-Men: Days of Future Past (2014)Deadpool (2016)X-Men: Apocalypse (2016)Logan (2017)Deadpool 2 (2018)X-Men: Dark Phoenix (2019)New Mutants (2020)X-Men 97 is EVERYTHINIG Deadpool and Wolverine (Review)X-Men Movies Ranked | Including Deadpool and WolverineMonthly Recap Series: ...

By Walt HickeyWelcome to the Numlock Sunday edition.This week, I spoke to Joanna Robinson and Dave Gonzales, coauthors of the book MCU: The Reign of Marvel Studios, out in paperback this week.I really loved the book, it dives into what is the main flywheel of mainstream entertainment, for better or for worse, and dives into the fascinating history of the MCU. Whether you're a fan of Marvel movies or just someone living in a world dominated by them, the book is a really interesting look into contemporary filmmaking and the pressures and economics and just simply human scale of these massive operations.We spoke about Marvel's journey from underdog to cultural icon, how its moviemaking process has changed over time, and what it was like covering a narrative that was developing in real time.Robinson and Gonzales can both be found on the podcast Trial by Content, and the book can be found wherever books are sold.This interview has been condensed and edited. Dave and Joanna, thank you so much for coming on.GONZALES: Absolutely.ROBINSON: Thanks for having us.I really, really love this book. So happy to see it out in paperback. I guess I'll just kick it off with an easy one: What were each of your first experiences with Marvel? How'd you get into this?ROBINSON: As in the comic books or the films?Anything.ROBINSON: Anything at all. Gosh, I think X-Men: The Animated Series was my introduction, back in my infancy. It really got into the world they created, the various characters, their character sets, the trading cards, and then everything spirals out from there. That was my introduction.GONZALES: Mine was probably with the comics. I might have had some X-Men: The Animated Series in there, but I got much more into the comics around late 1993, early '94, when I happened to buy a Spider-Man issue that was part of “The Trial of Peter Parker.” Suddenly I had questions: Why was Peter Parker on trial? How many different Spider-Man books were there? Because I bought an issue of The Spectacular Spider-Man, but the next part of “The Trial of Peter Parker” was The Amazing Spider-Man.That led me to get a cubby at my local comic book shop in Louisville, Colorado, which was Time Warp Comics at the time. That was my way in, just being a comic book fan. I also jumped in on one of the longest and mostly considered worst Spider-Man arcs, but loved it. So imagine how good “good” Spider-Man was to me as a child, because I got weaned in on “bad” Spider-Man.Amazing. One reason I really dug the book is that it's about the MCU, but it's also about Marvel, the history of this entire company, and its very different evolution over time, from the '60s to the period of the '90s. What was it like trying to cover not just a film series, but a big franchise with a lot of moving parts as part of an even bigger company with even more moving parts?ROBINSON: A good question we asked ourselves was both where to start and where to end, and where to end was a constant, ongoing question mark. I'll let Dave address that. But in terms of where to start, there were certain things we felt we had to backdate, because there were players involved in the major “How did Marvel Studios come to be?” question and you had to know who they were, why they were important, how did we get here and what were the stakes? Being able to loosely explain who's Stan Lee, who's Perlmutter, who's Avi Arad, who are all these people, helped us tell that story without losing the audience entirely by throwing a bunch of new names at them. Dave, what about ending the book?GONZALES: Oh, ending the book. That was super fun. We started right as Avengers: Endgame was in theaters. I remember seeing Endgame and knowing that Joanna and I were going to work on this, so we started off thinking, what a fantastic hill that Marvel climbed, this interconnected universe with three phases. Everything surely was planned out from the beginning and could only go up from here. The book was originally “The Rise of Marvel Studios,” because we thought surely this was just up and up and up.Then the pandemic hit — which was very good for us, having to write the book and just sit down and figure out what it was. It also gave us and a lot of sources a pause to regain our footing. As Marvel started rolling out, we tried to peg an end date. I wanted it to be Blade to Blade when we started, but Mahershala Ali's project has still not come out, so that became an impossibility. Then WandaVision premiered and suddenly there was this whole other aspect to the story we were trying to tell. So we wanted to do that and just tried to report things as they went along.We were blessed and cursed by the year that we published the hardcover, October 2023. As we were turning in the final part of the book in January and February, a whole bunch of Marvel news started breaking. Ike Perlmutter left Disney; Victoria Alonso, who was a big mover and shaker in Marvel Studios, was let go, so we had to report that out; Jonathan Majors went on trial.It was only in a panic over all those things that I really ended up appreciating what we had done just by thinking of all these topics so thoroughly for several years. Even though we were tacking new endings on, it wasn't that hard to make it feel like it was a whole arc because we were kind of working there anyway. I wouldn't say I'd've enjoyed releasing the first version of this book in one of Marvel's worst financial years and most critical years ever, but I do think it provided an interesting little tie-off or a fascinating ellipses that allowed us to be relevant and, more importantly, in the year 2024, look like we knew exactly what we were talking about in Marvel's rebounds.That's a really good point. When I met you on tour, a key thing you were getting at was that the idea that Marvel has not had a slump before is naive, and also ahistorical. A fun thing about the book is that you go through all these different eras, and sure, there's an easier story and probably a more polished, corporate story that's ever upward, toward Excelsior, all that crap.But you really do cover the pits and troughs of this. There was Iron Man 2; there was Thor: The Dark World; there was that period of time between the assorted Spider-Mans. What was that perspective like, particularly as it was coming out and as you were able to talk about the issues in 2023?ROBINSON: It was important for us, just on a basic journalistic level, to try to tell as much of the story as possible. We're fans of Marvel, of the movies, but as long as I've known Dave, both of us have been people who don't like to feel like we're not being told the whole story. We don't want the PR version of something — we want to know all the messy details as well. And it's not to knock Marvel or have any kind of “gotcha” moment. It's to say, “Okay, they had these various pitfalls, these various problematic people that they were working with, X, Y and Z. Look what they accomplished anyway.” That's the story in broad strokes. It was important for us to be able to acknowledge the stumbles along the way.When we found ourselves in a 2023 space where everyone was saying Marvel is cooked, or Marvel used to know exactly what it was doing from the beginning and now they're just making it up — no, they were always making it up. They just did it so well, you didn't notice. That gave us a better perspective to be able to say, let's just slow down. We were looking ahead to 2024, saying they're only putting out one movie and two shows next year. If those hit, then you'll start to hear that Marvel's back, baby. Then Deadpool & Wolverine makes a gajillion dollars and Agatha All Along is a pretty solid hit for them.So I think that “Marvel is over” narrative that was so prevalent a year ago is now the question, “Is Marvel back?” Looking even further forward at the next couple of big projects coming, I think Captain America: Brave New World is going to be a tough one for them. I don't know if that's going to hit the way a lot of people want it to. I think Thunderbolts is going to be hit for them, and I think The Fantastic Four: First Steps is going to be hit for them. They're still getting their bearings, but to your point, it was a bit naive to say they've been nothing but successful and now they've run off a cliff. Dave, what do you think?GONZALES: It was just a less interesting narrative, ultimately. I actually found myself getting less adversarial the more we learned, especially being a fan when all this started around 2008. There was this idea that Joanna was talking about, which is even a fan perspective today, that if something doesn't work out it's because we've been denied something at some creative step. Like, you know what, screw those guys; we want to do Harrison Ford as Red Hulk instead, or something like that.But it's not that at all. There are a whole bunch of different drama and production and business problems, and all these things come together to make these gigantic machines of a movie work. It was really important for us to drill down on Marvel Studios and get into those ups and downs, because a lot of times you can try to compare Marvel Studios to something through contrast, through Warner Brothers trying to do it with DC back in the early 2010s. Everybody started trying to launch an interconnected universe from the first movie, but all you could really say is that Marvel's worked and these others didn't. The details of the alchemy are in the tiny stories and little conflicts. That's why I think they were so important to track, be they how movie stars look or how we use CGI to make movie stars look. Tracking that over at Marvel Studios was just as important as how many movies Tony Stark was going to be in.Can you speak more to how much of this was on the fly? One of my big takeaways from your book was just how much things aren't necessarily set in stone during the production of a movie, and how sometimes one person's smart idea, regardless of where it comes from, can drastically alter what a lot of folks think was written in stone in 2007.ROBINSON: That idea of “best idea wins” — without ego; best idea from whomsoever — was a prevailing concept at Marvel. Kevin Feige was also this really interesting figure that has no comparison at any other studio. He's head of the studio, a creative producer, a storyteller in his own right and someone who wanted to make movies as a kid and thought he would be a director. He wound up an executive, but he has that storytelling sense. When Marvel was putting out fewer films and TV shows — or no TV shows at all and just a few films a year — the process was, “Go shoot your movie. Bring me, Kevin Feige, back the pieces and I'll tell you what you're missing.” They had this built-in reshoot window where you could go and add scenes where he felt like you hadn't really nailed this character, or cut this action out to bump up the action over here a bit more. They had this rough-drafting process with the master editor being Kevin Feige himself. There's no system like that at any other studio.That works so well for them, and in doing so, they're able to cement over the cracks and make it all feel like one smooth story that they're telling, because that refining process is built into their filmmaking process. Once the mandate comes from Disney, from Iger on his way out the door, from Chapek in his seat for a while, that they need to compete with Netflix and all these other streaming services, that they need more and more content — then the pace becomes untenable for that revision process that made them so solid in the first place.You talk about Feige not having an analog. I was really shocked reading the book because there's not even anything recent. You have to go back to Cecil B. DeMille for someone who has that producer, authorial presence. He's really a fascinating figure, and it's a key takeaway from the book that I loved. It really highlights the people who make these movies, not just the corporation. It's actual human beings who do this kind of stuff, often with long continuities. Do you want to speak about some of that?GONZALES: Definitely. Actually, while you were talking, I was wondering if part of the chip on Zack Snyder's shoulder was because someone at some point told him he was going to be a Kevin Feige and he's been chasing that ever since.A lot of the Marvel continuity that's been going on is still going on, even after our new chapter. It's been interesting to see how it's developed. It could be that the best idea wins, but then they also have that old school, in-house process where the starting team is very often the same people and has been since phase one. You put together a bullpen of concept artists, so you're constantly using concept art. Not only is that smart from a design standpoint for making a movie, but then you can have those things scanned and it goes directly into making toys. So at the beginning, there's no fight about bringing on these design creatives super early on.Where we start to see the wear and tear is, as Joanna was saying, with this output increase. All of the pressure starts being put on post-production, which is the place where you can't make more time. The solution is to hire more people, and because of that, the job of keeping things consistent falls to Victoria Alonso.She does a pretty good job considering that she's working a 24-hour, seven-days-a-week work schedule because the industry is so messed up. It was never built to do stuff like this. In a lot of ways, the way the VFX industry is structured is still from the '90s turn of the century, when you would bid on a number of shots to do and get money for that number of shots. You'd have to work those shots until they get approved by the director. There isn't an extra budget, and there isn't an overtime, which was a fine way to do it when there were three or four VFX shots in every movie. But now that we're in the 200s or some such, there's a natural strain put on that, and it's impossible to budget on the VFX side. They have to underbid because there's a limited amount of work. If Marvel decides they don't like you, as much as a third of your entire year's work can just not come to your company.As Marvel ages into it, we get a lot of people who are able to make their careers there, from Kevin Feige to Mary Livanos, who's doing great things on Agatha and seems really close to being ascendant. We have Brad Winderbaum, who's been made head of streaming now to take some of that pressure off Kevin. You have all these great continuities. You're less likely to see continuities in visual effects artists, just because of how they're going recently. When Joanna and I were interviewing people like ILM for Hulk, occasionally we'd do a person that was in three or four movies. Now, like for Guardians of the Galaxy Vol. 3, there was a team of about 12 people at Framestore who make animals look good. They just come in for that movie to make animals look incredibly good. They did it the whole time, but they're not as legacy as other parts of the Marvel development studios — which I hope will change, because there are some people who are really good at making Hulks. And if you've made Hulks for 20 years, shouldn't those be the people that are making Hulks in Brave New World? We'll have to see.ROBINSON: I love that you mentioned Cecil B. DeMille. As we were putting this whole story together and realizing that they bring all these teams in-house, Dave and our coauthor Gavin and I, we are to varying degrees students of old Hollywood history, and we had this realization that it's just the old Hollywood studio system. You're putting actors under contract for nine movies, all this other stuff, and we felt so smart. Then I was talking to someone who worked at Marvel and they were like, “Oh yeah, Kevin says that all the time.” I was like, oh, I thought we really put something together. But at least we were right! We were consciously doing this.I think that industrial element of it is really interesting. A key thing that changed the way I see the film industry was realizing that every movie is basically a corporation that briefly exists. Every movie is an entire apparatus, with a CEO operation and departments and all that. Then it folds and you move on to the next one.With Marvel, though, the circus never closes; it's just onto the next city. It was really interesting to see its place in the industry. Like Dave was saying, the limiting reactant for some of this is just the number of animators on the earth who are capable of making this kind of stuff. It's so cool to get a look inside this apparatus through the book.ROBINSON: Thank you.GONZALES: What an apparatus. It's really interesting to me, even now, as we are pending the return of the Russo brothers, who are just able to find this and also find the emotion in it.In Endgame, the Tony Stark “I am Iron Man” moment was the last insert. They had to go to dinner with Robert Downey Jr. and Joel Silver and have Silver be like, “You'd be dumb not to do it, Robert,” because Downey didn't want to go back there. He's a weird dude, but for him, it felt like in order to get to what he needed to do, he had to take off a scab that had formed and get back into the character. Whereas the Russo brothers are like, we built a workout system and we have our smoothies and every day is trying to make the machine work. Somehow, through the alchemy of those two things, the machine works, and occasionally we get these story moments that feel like they were created individually for that movie.That, I think, is the mystery that the book is trying to unravel. At the beginning, it's untapped storytelling potential. Everyone's like, if you don't have the X-Men, if you don't have Spider-Man, what do you have? There's so much in just proving that you have good stories. Now that you're the biggest game in town, that idea of, “Are you going to make me feel anything?” is so much different than what the initial promise was, that they're going to bring Thanos to the screen and you're going to understand who he is and what he wants. That was the big lift. Now there's a whole simultaneous saving of the industry, and bestowing status on different actors. There's just so much more mixed up in it now. It's amazing we got where we did.The book is also a really interesting look at the transition from being a super underdog. As you describe in the earliest chapters of the book, Marvel was bankrupt, and all the executives were folks who fell out of the toy industry or Revlon. The folks who were in charge came to it in the manner of somebody accidentally having to join a carnival, and then eventually it becomes the hegemonic juggernaut of everything, in many ways the thing that people stand against. In the book, watching the perception around it change and then internally having to adapt to that change in perception was a really cool tension.ROBINSON: My favorite indicator of that underdog status versus top-of-the-world status versus wherever we are now is the making of the first Iron Man movie. Marvel Entertainment in New York — who was, to your point, chiefly concerned with merchandising and toys — had the attitude, “Okay, go make your cute little movie. If it doesn't cost us any money, you can go do your little cinematic experiment in Hollywood and we don't really care that much. Just make sure you don't spend any of our money. Other than that, go have fun.”And they make Iron Man, and Iron Man is a massive, smash hit, and all of a sudden the people in New York are like, we're forming something called the Creative Committee. We would like a lot of intake. We want to be part of this. This is the big shiny thing, and everyone wants to weigh in on it. So it's really interesting to track this going from a weird little project they were doing out in Los Angeles to The Thing for Marvel. You can track it by who needs to have an opinion about what and when they start to care.GONZALES: One of my favorite moments — it's after the book chapter “Marvel vs. the Creative Committee” — is when Kevin Feige gets on stage himself to unveil the entirety of phase three, which includes Captain America: Civil War and Avengers: Infinity War and everything. That is such a telling moment for me. He had just won his battles with these behind the scenes. He's fully in full control. Black Panther is coming. Joss Whedon is in the edits for Avengers: Age of Ultron, in the audience, but they already know he's not coming back.There was a version of a chapter in the book that was just me going through that and being like, here's why each one of these announcements is like Kevin Feige spiking a football in the face of someone that told him he couldn't do it. That's still the purest creative energy I've seen. “We could finally do it!” burst out of Marvel. I think they've been more reserved since, even with some big announcements, but I like to go back and look at that just to see the pivot point when Marvel was the underdog. It was like, we want Black Panther, we want Captain Marvel, but the studio won't let us do it. Then Kevin Feige gets up and goes, “Here are the next 10 years of your life.” It's just such a joyous moment.ROBINSON: We love that moment. We talked to people behind the scenes who were working at Marvel at the time about it, and there's a reason that whole presentation wasn't at a Comic-Con. It wasn't at D23. It was its own thing at the El Capitan Theater in Los Angeles, and internally, they jokingly called it Kevin-Con. It was this whole thing, and part of it was that they weren't ready to announce certain things at Comic-Con.But part of it was this moment for Feige who fought various personalities across the various companies to get control of the narrative. And I agree, Endgame is of course in all of history going to be looked at as the pinnacle of achievement at Marvel. But I actually think it might be Kevin-Con at the El Capitan Theater, when Chadwick Boseman comes out and Robert Downey Jr. and Chris Evans are there to anoint him as the future of the franchise. That, of course, comes with its own terrible poignancy. We were really lucky to talk to Chadwick Boseman for the book before he passed away. These were things that happened while we were writing the book. History was constantly happening as we were trying to frame this entire narrative.If there's a protagonist in the book, it feels like it's Kevin, even in the earliest days when he was advising on the Fox products. Having read the book and then seen Deadpool & Wolverine — which, as you mentioned, went on to become a phenomenal financial success — it was really cool to come away with a little more admiration for the role that Kevin had in some of the Fox properties. Seeing that manifest in the MCU was just really nice.ROBINSON: I love that he got to have his Wolverine story, given that it all starts with him in a trailer with Hugh Jackman saying it needs to be bigger, it needs to be bigger, it needs to be bigger. I love that.GONZALES: I don't even know if it's still called that, but Joanna used to call that the “Feige fix-it.” Instead of developing these things by always going forward and introducing younger Avengers, he's actually much more interested in reaching back. There were good things there. Or, I guess the generous way to think about it is rewarding the fans that were around before it was the Marvel Cinematic Universe. Like, “You didn't waste your time with X-Men: The Last Stand. I know it might have felt like that occasionally, but here's this. Or Andrew Garfield. Yeah, maybe we treated him badly, but don't worry. You didn't waste your time with that because boom, here it is paying off in the Marvel Cinematic Universe.”Initially there was some hesitancy about Marvel homework. Do I need to have seen these things to do these things? But ultimately, if we're just talking dollars and cents, the nostalgia play has made them a billion dollars so many times that it doesn't surprise me that Deadpool & Wolverine is a huge hit just by being a swan song for the Fox movies.ROBINSON: I was personally incredibly gratified to finally get Channing Tatum as Gambit. That was a very important moment for me.My favorite version of the Feige fix-it was putting the storyline from Thor: The Dark World into Endgame and making Thor: The Dark World, the most universally mocked and reviled MCU film, an integral part of their biggest triumph. All of a sudden that's wrapped into the larger tapestry in a way so you can't just toss it in the garbage and say, oh, don't bother watching Thor: The Dark World — now you have to watch it to understand everything you're seeing in Endgame, which is certainly not a movie you're ever going to skip.It's a magic trick that really works and almost shouldn't work as well as it does. But even how they were able to get the Infinity Stones, almost taking elements of the first couple films that were dropped or introduced somewhat randomly and then doing that. It's a trick that they keep on pulling.GONZALES: Kevin Feige will say this, but we're coming up on 80 years of comic book history, and if there's one thing that comic books do more than any other medium, it's just use the same story. How could you have another angle on this story? They have so much A/B testing on what we like about this character, or what we'll buy about a certain character, it's interesting to see Marvel adapt that along with what sort of story you like on the Hollywood side of it.But yeah, we're going to see Captain America: Brave New World and finally see that Celestial that came out of the ocean in Eternals. Every Marvel property contributes something, we're told. Except the Inhumans; that never happens.The book is MCU: The Reign of Marvel Studios, and it's a fascinating look at the intersection of the humanity behind these movies and the technology of these movies. And if there's one figure that reminds me of that in particular, obviously, one of the most central people in the Marvel universe is Green Steve. Let's talk a little about him before we wrap this one up.ROBINSON: He's my favorite! Green Steve, a Chippendales dancer that was painted green in order to make sure they understood how the green light on skin would be captured accurately for the Hulk. Green Steve was one of my favorite anecdotes we got, and it was out of the book for a while before we worked it back in. Dave, what do you want to say about Green Steve?GONZALES: I love Green Steve. I love that this bodybuilder from Long Island can technically say he played the Hulk in a sort of way. In theory, because it's a whole CGI character, he might have played the Hulk close to how much Mark Ruffalo played the Hulk in that first movie. I love that story.Pretty early on, we brought in Gavin Edwards, our third author, to help us do a book, since Joanna and I had never done a book before. We were starting to put together the notes and I was like, can we please have a mid-credits scene? Can we just have a chapter in the middle of the notes?ROBINSON: That was Dave.GONZALES: I held onto that for as long as possible. I remember in one of the final meetings after we turned in the draft, we pitched it up to the editor and they were like, “That's really fun,” and I thought, oh thank god. That was a really early idea, and Green Steve fits that perfectly; it's a super interesting story that doesn't really belong anywhere else, but will stick in your mind as, Marvel literally tried everything to make the best Hulk. So I'm very happy that it's the mid-credits chapter — and remains the mid-credits chapter! Even when we added another chapter in, we were like, where does this go? Not before Green Steve.ROBINSON: He's got the final word for sure.Amazing. The book's out of paperback now. Where can folks find it? Where can they find you? And what's next?ROBINSON: “All good and evil news agents.” That's what the Empire Magazine folks say. All good and evil bookstores or any online book purveyor is where you can find our book. Dave does a tremendous podcast called Fighting in the War Room, which I love to listen to, so you should listen to that. And together we do a podcast called Trial by Content that y'all should listen to.GONZALES: Joanna's on a fantastic podcast called the House of R with Mallory Rubin over on The Ringer, where she covers lots of cool pop culture things. If you want to go to a bookstore and don't know exactly which one to go to, you could head to theMCUbook.com. That will forward you to our publisher's website, which has links to your Barnes and Nobles, your Amazons, your Bookshops.org, and will help you track down the book near you. And look for us in a couple more years with something similar.Thanks for coming on.ROBINSON: Thanks, Walt.GONZALES: Thank you.Edited by Susie Stark.If you have anything you'd like to see in this Sunday special, shoot me an email. Comment below! Thanks for reading, and thanks so much for supporting Numlock.Thank you so much for becoming a paid subscriber! Send links to me on Twitter at @WaltHickey or email me with numbers, tips or feedback at walt@numlock.news.  This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit www.numlock.com/subscribe

Send us your fan mail :)Why Do We Need Horror Films? I may have the answer...Hurricane Relief Greater Good CharitiesTop 15 Movies for Halloween 2023Random Horror FavoritesThe ShiningHereditaryNopeCoralineIt Part 1The Shining Signs Godzilla Minus OneNight of The Living DeadNosferatu X-Men Revisited Series:X-Men (2000)X2 (2003)X-Men: The Last Stand (2006)X-Men Origins: Wolverine (2009)X-Men: First Class (2011)The Wolverine (2013)X-Men: Days of Future Past (2014)Deadpool (2016)X-Men: Apocalypse (2016)Logan (2017)Deadpool 2 (2018)X-Men: Dark Phoenix (2019)New Mutants (2020)X-Men 97 is EVERYTHINIG Deadpool and Wolverine (Review)X-Men Movies Ranked | Including Deadpool and WolverineMonthly Recap Series: ...

Send us your fan mail :)In todays episode, I dive into the highly anticipated sequel, Joker 2. Join me as I explore the dark and twisted world of Arthur Fleck, examining the evolution of his character and the societal implications portrayed in the film. I discuss the narrative choices, the performances, particularly Joaquin Phoenix's return, and the visual style that makes this film a standout. Whether you're a fan of the first movie or just curious about the hype, this episode will provide a comprehensive analysis and thoughtful commentary on what promises to be another groundbreaking entry in the Joker saga. X-Men Revisited Series:X-Men (2000)X2 (2003)X-Men: The Last Stand (2006)X-Men Origins: Wolverine (2009)X-Men: First Class (2011)The Wolverine (2013)X-Men: Days of Future Past (2014)Deadpool (2016)X-Men: Apocalypse (2016)Logan (2017)Deadpool 2 (2018)X-Men: Dark Phoenix (2019)New Mutants (2020)X-Men 97 is EVERYTHINIG Deadpool and Wolverine (Review)X-Men Movies Ranked | Including Deadpool and WolverineMonthly Recap Series: ...

Send us your fan mail :) In this episode, I delve into the dark and twisted world of Todd Phillips' "Joker" (2019). Join us as we explore Joaquin Phoenix's mesmerizing portrayal of Arthur Fleck, a man teetering on the edge of sanity in a society that has pushed him to his limits. I'll discuss the film's controversial themes, its impact on the superhero genre, and the critical acclaim that has sparked endless debates. Whether you're a fan of the film or just curious about its cultural significance, this episode promises an in-depth analysis that will leave you questioning the fine line between hero and villain. ellieah Letterboxed Review Glenn Kenny Review X-Men Revisited Series:X-Men (2000)X2 (2003)X-Men: The Last Stand (2006)X-Men Origins: Wolverine (2009)X-Men: First Class (2011)The Wolverine (2013)X-Men: Days of Future Past (2014)Deadpool (2016)X-Men: Apocalypse (2016)Logan (2017)Deadpool 2 (2018)X-Men: Dark Phoenix (2019)New Mutants (2020)X-Men 97 is EVERYTHINIG Deadpool and Wolverine (Review)X-Men Movies Ranked | Including Deadpool and WolverineMonthly Recap Series: ...

Send us your fan mail :)Transformers 1 was a movie that wasn't exactly on my radar going into 2024. With Deadpool 3, Dune Part 2 and other major blockbusters in combination with a not so great marketing campaign this movie definitely got lost in the noise of 2024. To my surprise Transformers 1 is one of the best of the year and in the franchises history. Matt Zoller Seitz Review X-Men Revisited Series:X-Men (2000)X2 (2003)X-Men: The Last Stand (2006)X-Men Origins: Wolverine (2009)X-Men: First Class (2011)The Wolverine (2013)X-Men: Days of Future Past (2014)Deadpool (2016)X-Men: Apocalypse (2016)Logan (2017)Deadpool 2 (2018)X-Men: Dark Phoenix (2019)New Mutants (2020)X-Men 97 is EVERYTHINIG Deadpool and Wolverine (Review)X-Men Movies Ranked | Including Deadpool and WolverineMonthly Recap Series: ...

Send us your fan mail :)A mix of Past Lives and Zootopia sounds too good to be true and almost like a fantasy of a movie. Yet despite the outlandish concept this film does exist in the form of Robot Dreams(2023). In todays in episode I dived into one of my favorite of the decade Robot Dreams (2023).Brian Tallerico ReviewElena Piskovic Review Past Lives (2023)Zootopia (2016) Robot Dreams (2023)X-Men Revisited Series:X-Men (2000)X2 (2003)X-Men: The Last Stand (2006)X-Men Origins: Wolverine (2009)X-Men: First Class (2011)The Wolverine (2013)X-Men: Days of Future Past (2014)Deadpool (2016)X-Men: Apocalypse (2016)Logan (2017)Deadpool 2 (2018)X-Men: Dark Phoenix (2019)New Mutants (2020)X-Men 97 is EVERYTHINIG Deadpool and Wolverine (Review)X-Men Movies Ranked | Including Deadpool and WolverineMonthly Recap Series: ...

EPISODE 180: Don't miss this exciting episode as we revisit the top 10-6 blockbuster hits of 2006!  Join Jason and Stew from Stew World Order Productions as they discuss: The factors that contributed to the success of these films. The cultural impact of these movies. Their personal favorites and least favorites. The trends and themes that dominated the box office in 2006. Movies 6. Cars (2006): Pixar's animated tale of a race car rediscovering his passion. 7. X-Men: The Last Stand (2006): The third installment in the X-Men franchise, featuring a climactic showdown between the X-Men and Magneto. 8. Mission: Impossible III (2006): Tom Cruise returns as Ethan Hunt in this high-octane action thriller. 9. Superman Returns (2006): A reboot of the Superman franchise, starring Brandon Routh as the Man of Steel. 10. Happy Feet (2006): An animated musical about an emperor penguin who can't sing but can tap dance. HOST: Jason Binge Movies comes to you from the last video store in the universe. Store manager Jason and his guests rank and review movies to determine which are most worthy of preservation for all time. At Binge Movies the very strange, deeply analytical, and highly ridiculous meet to make a movie review show unlike any other. Become a Patron Binge Movies Merchandise  Elite Patrons: Heather Sachs Pete Nerdrovert  Dan Kawecki

GET TO THE CHOPPA!! Predator (1987) Movie Reaction Watch Along:  https://www.patreon.com/thereelrejects Follow Us On Socials: https://www.instagram.com/reelrejects/  https://www.tiktok.com/@thereelrejects?lang=en The road to Alien: Romulus converges with the road to AVP as Aaron Alexander & Tara Erickson RETURN, having completed their ALIEN marathon & now diving into the PREDATOR franchise as they give their Reaction, Commentary, Analysis, Breakdown, & Full Movie Spoiler Review for the '80s sci-fi horror classic directed by John McTiernan (Die Hard, Last Action Hero, The Hunt for Red October) and starring a who's-who of Hollywood tough guys including Arnold Schwarzenegger (The Terminator, Total Recall, Kindergarten Cop), Carl Weathers (Rocky, The Mandalorian), Bill Duke (Commando, X-Men: The Last Stand, Mandy), Jesse Ventura (Demolition Man, The Running Man, Batman & Robin), a young Shane Black (The Predator, Kiss Kiss Bang Bang, The Nice Guys), & MORE as team of commandos on a mission in a Central American jungle find themselves hunted by an extraterrestrial warrior - played onscreen by Kevin Peter Hall (Predator 2, Harry and the Hendersons) with the legendary Peter Cullen (Optimus Prime) as the voice of the Predator!! Aaron & Tara REACT to all the Best Scenes & most Exciting Moments including the Old Painless is Wating Scene, Get to the Chopper Scene, Predator Vs. Dutch Scene, One Ugly Motherf***er Scene, What the Hell Are You? Scene, & Beyond!! Follow Aaron On Instagram: https://www.instagram.com/therealaaronalexander/?hl=en Follow Tara Erickson: Youtube: https://www.youtube.com/@TaraErickson Instagram:  https://www.instagram.com/taraerickson/ Twitter:  https://twitter.com/thetaraerickson Support The Channel By Getting Some REEL REJECTS Apparel! https://www.rejectnationshop.com/ Music Used In Manscaped Ad:  Hat the Jazz by Twin Musicom is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/by/4.0/ POWERED BY @GFUEL Visit https://gfuel.ly/3wD5Ygo and use code REJECTNATION for 20% off select tubs!! Head Editor: https://www.instagram.com/praperhq/?hl=en Co-Editor: Greg Alba Co-Editor: John Humphrey Music In Video: Airport Lounge - Disco Ultralounge by Kevin MacLeod is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/by/4.0/ Ask Us A QUESTION On CAMEO: https://www.cameo.com/thereelrejects Follow TheReelRejects On FACEBOOK, TWITTER, & INSTAGRAM:  FB:  https://www.facebook.com/TheReelRejects/ INSTAGRAM:  https://www.instagram.com/reelrejects/ TWITTER:  https://twitter.com/thereelrejects Follow GREG ON INSTAGRAM & TWITTER: INSTAGRAM:  https://www.instagram.com/thegregalba/ TWITTER:  https://twitter.com/thegregalba Learn more about your ad choices. Visit megaphone.fm/adchoices

Send us your fan mail :) Alien Romulus and Trap were big hits in August but there was a ton of others that I tapped into in August. In todays episode I go through everything I watched in August 2024. X-Men Revisited Series:X-Men (2000)X2 (2003)X-Men: The Last Stand (2006)X-Men Origins: Wolverine (2009)X-Men: First Class (2011)The Wolverine (2013)X-Men: Days of Future Past (2014)Deadpool (2016)X-Men: Apocalypse (2016)Logan (2017)Deadpool 2 (2018)X-Men: Dark Phoenix (2019)New Mutants (2020)X-Men 97 is EVERYTHINIG Deadpool and Wolverine (Review)X-Men Movies Ranked | Including Deadpool and WolverineMonthly Recap Series: ...

Send us your fan mail :)Dive into the world of Berk as we explore the thrilling sequel, "How to Train Your Dragon 2." In this episode, we'll uncover the deeper themes, character developments, and stunning animation that make this film a standout in the series. Join us as we journey with Hiccup and Toothless, discovering new lands and facing formidable foes. Whether you're a die-hard fan or new to the franchise, this episode offers insights and discussions that will enhance your appreciation of this beloved movie.X-Men Revisited Series:X-Men (2000)X2 (2003)X-Men: The Last Stand (2006)X-Men Origins: Wolverine (2009)X-Men: First Class (2011)The Wolverine (2013)X-Men: Days of Future Past (2014)Deadpool (2016)X-Men: Apocalypse (2016)Logan (2017)Deadpool 2 (2018)X-Men: Dark Phoenix (2019)New Mutants (2020)X-Men 97 is EVERYTHINIG Deadpool and Wolverine (Review)X-Men Movies Ranked | Including Deadpool and WolverineMonthly Recap Series: ...

Send us your fan mail :)Alien Romulus came crashing into theaters garnering big attention and big praise. Ridley Scott and Fede Alverez found a way to edge something new into the franchise at the cost of it being good but not as great as it could be. In todays episode we dive into Alien Romulus. X-Men Revisited Series:X-Men (2000)X2 (2003)X-Men: The Last Stand (2006)X-Men Origins: Wolverine (2009)X-Men: First Class (2011)The Wolverine (2013)X-Men: Days of Future Past (2014)Deadpool (2016)X-Men: Apocalypse (2016)Logan (2017)Deadpool 2 (2018)X-Men: Dark Phoenix (2019)New Mutants (2020)X-Men 97 is EVERYTHINIG Deadpool and Wolverine (Review)X-Men Movies Ranked | Including Deadpool and WolverineMonthly Recap Series: ...

Send us your fan mail :)Batman Caped Crusader has been one of my most anticipated projects of 2024 and a project with some of the most potential. Yet Batman Caped Crusader has released to meh reviews and a low amount of people watching the show. In this weeks episode I think I may be able to give some insight into why the show is in its current state and how I would fix it. The Black Lion Full Caped Crusader ReviewX-Men Revisited Series:X-Men (2000)X2 (2003)X-Men: The Last Stand (2006)X-Men Origins: Wolverine (2009)X-Men: First Class (2011)The Wolverine (2013)X-Men: Days of Future Past (2014)Deadpool (2016)X-Men: Apocalypse (2016)Logan (2017)Deadpool 2 (2018)X-Men: Dark Phoenix (2019)New Mutants (2020)X-Men 97 is EVERYTHINIG Deadpool and Wolverine (Review)X-Men Movies Ranked | Including Deadpool and WolverineMonthly Recap Series: ...

Send us your fan mail :)The year presses on with the Challenge of 365 movies in one year continuing with the month of July 2024.My Highest Rated Films for JulyHigh and Low (1936)La La Land (2016)X-Men Revisited Series:X-Men (2000)X2 (2003)X-Men: The Last Stand (2006)X-Men Origins: Wolverine (2009)X-Men: First Class (2011)The Wolverine (2013)X-Men: Days of Future Past (2014)Deadpool (2016)X-Men: Apocalypse (2016)Logan (2017)Deadpool 2 (2018)X-Men: Dark Phoenix (2019)New Mutants (2020)X-Men 97 is EVERYTHINIG Deadpool and Wolverine (Review)X-Men Movies Ranked | Including Deadpool and WolverineMonthly Recap Series: ...

Send us your fan mail :)Our X-Men series comes to an end in our series finale. Today I ranked all the X-Men movies which will hopefully be the last time I talk about X-Men until Avengers Doomsday and Avengers Secret WarsX-Men Revisited Series:X-Men (2000)X2 (2003)X-Men: The Last Stand (2006)X-Men Origins: Wolverine (2009)X-Men: First Class (2011)The Wolverine (2013)X-Men: Days of Future Past (2014)Deadpool (2016)X-Men: Apocalypse (2016)Logan (2017)Deadpool 2 (2018)X-Men: Dark Phoenix (2019)New Mutants (2020)X-Men 97 is EVERYTHINIG Deadpool and Wolverine (Review)Monthly Recap Series: Everything I watched in January...

Send us your fan mail :)Ryan Reynolds and Hugh Jackman blessed us with Deadpool and Wolverine after 10 years of waiting. There's so many things this movie gave us including the masculine urge to fuck around and learn the BYE BYE BYE dance choreography. In todays episode we dived into our spoiler free review of Deadpool and WolverineX-Men Revisited Series:X-Men (2000)X2 (2003)X-Men: The Last Stand (2006)X-Men Origins: Wolverine (2009)X-Men: First Class (2011)The Wolverine (2013)X-Men: Days of Future Past (2014)Deadpool (2016)X-Men: Apocalypse (2016)Logan (2017)Deadpool 2 (2018)X-Men: Dark Phoenix (2019)New Mutants (2020)Monthly Recap Series: Everything I watched in JanuaryEverything I watched in February Everything I watched in March...

This week on the podcast; Brandon Cooley and Alex Galucki join me again to talk about X-Men: The Last Stand, and it's multiple directors and rushed production. Twitter Handles: @Moviekale@theyouthcritic@kHznetwork  Alex Galucki's Youtube Channel: https://www.youtube.com/c/AlexGalucki Here's Alex's review site: https://galaxyreviews.wordpress.com/ The Amazing Spider-Talk: https://amazingspidertalk.com Instagram: @its_galuckitime Intro Music: Ambient Studies - IV - Variation I.wav by GregorQuendel -- https://freesound.org/s/697883/ -- License: Attribution NonCommercial 4.0 Dream (Epic Retro Synth Music).wav by DeVern -- https://freesound.org/s/426669/ -- License: Attribution 3.0

Send us your fan mail :)Deadpool and Wolverine is almost here and with that movie comes over 10 years of X-Men cinema to tap into. This week we tapped into X-Men: Dark Phoenix (2019)X-Men Revisited Series:X-Men (2000)X2 (2003)X-Men: The Last Stand (2006)X-Men Origins: Wolverine (2009)X-Men: First Class (2011)The Wolverine (2013)X-Men: Days of Future Past (2014)Deadpool (2016)X-Men: Apocalypse (2016)Logan (2017)Deadpool 2 (2018)X-Men: Dark Phoenix (2019)New Mutants (2020)Monthly Recap Series: Everything I watched in JanuaryEverything I watched in February Everything I watched in March...

Send us your fan mail :)Deadpool and Wolverine is almost here and with that movie comes over 10 years of X-Men cinema to tap into. This week we tapped into The New Mutants (2020)Quarta Cinema ReviewX-Men Revisited Series:X-Men (2000)X2 (2003)X-Men: The Last Stand (2006)X-Men Origins: Wolverine (2009)X-Men: First Class (2011)The Wolverine (2013)X-Men: Days of Future Past (2014)Deadpool (2016)X-Men: Apocalypse (2016)Logan (2017)Deadpool 2 (2018)X-Men: Dark Phoenix (2019)New Mutants (2020)Monthly Recap Series: Everything I watched in JanuaryEverything I watched in February Everything I watched in March...

Send us your fan mail :)Deadpool and Wolverine is almost here and with that movie comes over 10 years of X-Men cinema to tap into. This week we tapped into Deadpool 2 (2018)Matt Zoller Seitz Review Deoderanteater Review X-Men Revisited Series:X-Men (2000)X2 (2003)X-Men: The Last Stand (2006)X-Men Origins: Wolverine (2009)X-Men: First Class (2011)The Wolverine (2013)X-Men: Days of Future Past (2014)Deadpool (2016)X-Men: Apocalypse (2016)Logan (2017)Deadpool 2 (2018)X-Men: Dark Phoenix (2019)New Mutants (2020)Monthly Recap Series: Everything I watched in JanuaryEverything I watched in February Everything I watched in March...

Send us your fan mail :)Deadpool and Wolverine is almost here and with that movie comes over 10 years of X-Men cinema to tap into. This week we tapped into Logan (2017)Brian Tallerico ReviewSam Naught Review X-Men Revisited Series:X-Men (2000)X2 (2003)X-Men: The Last Stand (2006)X-Men Origins: Wolverine (2009)X-Men: First Class (2011)The Wolverine (2013)X-Men: Days of Future Past (2014)Deadpool (2016)X-Men: Apocalypse (2016)Logan (2017)Deadpool 2 (2018)X-Men: Dark Phoenix (2019)New Mutants (2020)Monthly Recap Series: Everything I watched in JanuaryEverything I watched in February Everything I watched in March...

Directed and co-produced by Bryan Singer, X-Men: Days of Future Past is the superhero film based on the Marvel Comics superhero team the X-Men. Luke and Nathan send their consciousnesses back to 2014 to revisit the fifth mainline installment of the X-Men film series, the sequel to X-Men: The Last Stand (2006) and X-Men: First Class (2011), a follow-up to The Wolverine (2013), and the seventh installment overall. Convinced that mutants pose a threat to humanity, Dr. Bolivar Trask (Peter Dinklage) develops the Sentinels, enormous robotic weapons that can detect a mutant gene and zero in on that person. In the 21st century, the Sentinels have evolved into highly efficient killing machines. With mutants now facing extinction, Wolverine (Hugh Jackman) volunteers to go back in time and rally the X-Men of the past to help change a pivotal moment in history and thereby save their future.

It all began with X-Men way back in 2000 and stretched to New Mutants in 2020 before finding a new life in 2024 with Deadpool & Wolverine: of course we're talking Foxverse Marvel X-Men films! X-Men, X2, X-Men The Last Stand, Origins: Wolverine, The Wolverine, Logan, Deadpool, Deadpool 2, New Mutants, Legion, Gifted – ITS ALL HERE! Nico, TK, Kevo, and special guest Tori weigh in on the franchise – with wilder votes than you expect! All this and more when the Action Pack Rank The Foxverse X-Men Films! X Is For Show is your premiere place for web content where we discuss your favorite media, from comics to film & television to gaming and beyond! You can find the Action Pack broadcasting every week, so be sure to tune in and join us for all the fun.

On this week's show, we continue our look at the X-Men movies. Next up, 2006's X-Men: The Last Stand starring Patrick Stewart, Ian McKellen, Halle Berry, Hugh Jackman, Famke Janssen, Rebecca Romijn, and Vinnie Jones. Be sure to let us know what you think of the movie, and the podcast. Thanks and enjoy! ADAMSNERDS.COM

Evolution will make a last stand. In this episode Michael & Claire are back from the dead, but with a malevolent alter-ego hell-bent on destroying the very people we once called family - all whilst wondering whether it's better to be true to oneself or to be accepted by the wider world. Featuring an exclusive deep-dive interview with X-Men x-perts Ryan and Adam from the Homo Superior podcast. Whose side will you be on? It's X-Men: The Last Stand! At time of recording all of the X-Men movies are available to stream on Disney+ in the USA and UK

Send us your fan mail :)Deadpool and Wolverine is almost here and with that movie comes over 10 years of X-Men cinema to tap into. This week we tapped into X-Men: Apocalypse (2016). Angelica Jade Bastien ReviewTyler's ReviewX-Men Revisited Series:X-Men (2000)X2 (2003)X-Men: The Last Stand (2006)X-Men Origins: Wolverine (2009)X-Men: First Class (2011)The Wolverine (2013)X-Men: Days of Future Past (2014)Deadpool (2016)X-Men: Apocalypse (2016)Logan (2017)Deadpool 2 (2018)X-Men: Dark Phoenix (2019)New Mutants (2020)Monthly Recap Series: Everything I watched in JanuaryEverything I watched in February Everything I watched in March...

Leave it to Cody to test the limits of our parameters, or maybe show us how wrong we are, in week two of “Oh My Gottttthhhh!!!” as we get a little steamy, a little freaky, and maybe even a little campy discussing the 1971 Belgian/French/German classic, DAUGHTERS OF DARKNESS!   00:00 - 9:30ish - Intros! We have a guest and talk about internet fads!   9:30ish - 47:30ish - The other stuff we watched this time!   Austin - Alien, Aliens, and The Unbearable Weight of Massive Talent   Curtis - AvP: Alien vs Predator, Tenebrae, The First Omen (again), Van Helsing, Exhuma, The Last Stop in Yuma County, The Bikeriders, Cruel Jaws, Kill, Houseboat Horror, A Quiet Place: Day One, and Blue Steel.   Lucas - Bad Boys: Ride or Die, The Greasy Strangler, X-Men: The Last Stand, X-Men: First Class, X-Men Origins: Wolverine, X-Men: Days of Future Past, X-Men: Apocalypse, and Conan The Barbarian   Cody: A Quiet Place: Day One, Bad Boys: Ride or Die, Leprechaun 3, and Road Games.   47:30ish - 1:42:00ish - DAUGHTERS OF DARKNESS - SHUDdown and discussion!   1:42:00ish - End - The next goth movie after our 100th episode extraterrestrial extravaganza!

Send us your fan mail :)Deadpool and Wolverine is almost here and with that movie comes over 10 years of X-Men cinema to tap into. This week we tapped into X-Men: Days of Future Past (2014). Simon Abrams ReviewJack Pumpkinhead Review X-Men Revisited Series:X-Men (2000)X2 (2003)X-Men: The Last Stand (2006)X-Men Origins: Wolverine (2009)X-Men: First Class (2011)The Wolverine (2013)X-Men: Days of Future Past (2014)Deadpool (2016)X-Men: Apocalypse (2016)Logan (2017)Deadpool 2 (2018)X-Men: Dark Phoenix (2019)New Mutants (2020)Monthly Recap Series: Everything I watched in JanuaryEverything I watched in February Everything I watched in March...

Send us your fan mail :)The year presses on with the Challenge of 365 movies in one year continuing with the month of June.My Highest Rated Films for JuneAftersunBlade Runner 2049X-Men Revisited Series:X-Men (2000)X2 (2003)X-Men: The Last Stand (2006)X-Men Origins: Wolverine (2009)X-Men: First Class (2011)The Wolverine (2013)X-Men: Days of Future Past (2014)Deadpool (2016)X-Men: Apocalypse (2016)Logan (2017)Deadpool 2 (2018)X-Men: Dark Phoenix (2019)New Mutants (2020)Monthly Recap Series: Everything I watched in JanuaryEverything I watched in February Everything I watched in March...

Joel and Andy are preparing for Deadpool & Wolverine by watching maligned X-Men films. They kick things off with X-Men: The Last Stand, which -- contrary to its title --- was only the beginning of this franchise's troubles.

We unleash upon you, smack dab in the middle of our Jackman-off. Our review of X-Men: The Last Stand (2006). Brandon is fed-up, where have all the cool women gone, and why is everyone dressed like Chris Angel? Join us won't you? The ABINGERS#xmen #marvel #marvelcomics #wolverine #comics #HUGH JACKMAN #deadpool #mcu #xmencomics #logan #marvellegends #comicbooks #marveluniverse #Nightcrawler #jeangrey #magneto #uncannyxmen #marvelstudios #cyclops #mutants #mutant #xmencosplay #storm #phoenix #Beast #FrasierMcCoy  Support the Show.

What do you get when you add every available ingredient to a burger? Too much. What does that have to do with this week's movie? Well, you take a bunch of X-Men comic moments add a few early internet memes and you get X-Men: The Last Stand. So listen up, boppers, because we're asking if that holds up this week!

Inflation comes and goes US Economy hitting a soft patch. Summer doldrums for markets. Guest Jim Bruce – Movie producer and writer of Money for Nothing and The Restless Billionaire. Money For Nothing, Inside the Federal Reserve  - Jim Bruce - Producer, Director and Writer of Money For Nothing, Inside the Federal Reserve. Money For Nothing is Jim Bruce's directorial debut. Jim was Editor/Writer/Co-Producer of Sierra Leone's Refugee All Stars - finalist for the 2006 International Documentary Association's Feature Film of the Year. Jim has also worked as an editor on acclaimed documentaries (including The King of Kong and Dambe: The Mali Project), and as an assistant editor on Hollywood films such as Kinsey, Insomnia, X-Men: The Last Stand, and The Incredible Hulk. He was a Visiting Professor at Middlebury College in 2007. Link Jim discussed: Compare to 70s GREAT INFLATION  -  here is a LINK to YouTube clip of that scene from the film Jim has been a student of financial markets for many years, and began writing a newsletter in 2006 warning about the oncoming financial crisis. His short trades in 2007 and 2008 helped finance a significant portion of Money For Nothing‘s budget. Jim has appeared on CNBC, MSNBC, NPR, Bloomberg TV, and Fox Business, and has spoken at Harvard Business School and the Dutch Central Bank. Read more about his background in this Washington Post profile. Get the Movie HERE   Check this out and find out more at: http://www.interactivebrokers.com/ Follow @andrewhorowitz Looking for style diversification? More information on the TDI Managed Growth Strategy - HERE Stocks mentioned in this episode: (NVDA)

Send us a Text Message.As we unlock the 81st episode, Anthony and Dakota discuss about the significance of 1981 and how Pyro and Mystique were introduced to the world that year.  Anthony's bubbling with excitement for his first convention since last summer. Our conversation unfurls into a spirited discussion about the missed opportunities of "X-Men: The Last Stand," and we promise to bring you Anthony's fresh tales from the OtakuFest in our next gathering.Venturing across galaxies and timelines, we grapple with the Star Wars saga's intricate chronology and the X-Men series' convoluted history. Sifting through the dense narrative threads of each franchise, Dakota proposes the creation of a visually compelling Star Wars timeline for fans to grasp the epic scope of its universe. Back with the mutants, we express our admiration for the layered storytelling in "X-Men: The Last Stand," despite its pitfalls, and reveal our desire to celebrate the nuances of these superhero epics.The curtains close with a spotlight on the Marvel Cinematic Universe and the pioneer behind its success, Kevin Feige. We reminisce over the impact of his early work and the creative twists in character arcs, such as the Rogue-Bobby-Kitty love triangle. Before bidding farewell, we underscore the significance of those sneaky post-credit scenes, teasing a particular one that adds intrigue to the X-Men lore. So, plug in your headphones and let us be your guides in this geeky odyssey—ratings and reviews are, as always, immensely appreciated.Twitter handles:Project Geekology: https://twitter.com/pgeekologyAnthony's Twitter: https://twitter.com/odysseyswowDakota's Twitter: https://twitter.com/geekritique_dakInstagram:https://instagram.com/projectgeekology?igshid=1v0sits7ipq9yGeekritique (Dakota):https://www.youtube.com/channel/UCBwciIqOoHwIx_uXtYTSEbATwitch (Anthony):https://www.twitch.tv/odysseywowSupport the Show.

X-Men: The Last Stand, Again (But Better)   Ian Carlos Crawford, Ashley K Smalls, and Anthony Oliveira discuss X-Men 97's 10th and final s1 episode "Tolerance Is Extinction Part 3" with Jon Lee Brody   From our Sponsor: Workout With Wes! Sign up for remote training by messaging @TheWestopher on instagram - be sure to mention SlayerFest98 for a special bonus!   Support us on Patreon: www.patreon.com/slayerfest98 Buy our stuff on etsy: https://www.etsy.com/shop/Slayerfestx98 Like us on Facebook: www.facebook.com/Slayerfestx98/ Follow us on TikTok: https://www.tiktok.com/@slayerfestx98 Follow us on insta: https://www.instagram.com/slayerfestx98/ Follow us on Twitter: https://x.com/slayerfestx98 Subscribe us on YouTube: www.youtube.com/@Slayerfestx98

We conclude the original X-Men trilogy, and the first trilogy of our rewatch withhhhhhhh X-Men: The Last Stand!

X-Men '97: Episodes 9 & 10 and X-Men: The Last Stand! #XMen97 #XMen --- Support this podcast: https://podcasters.spotify.com/pod/show/popculturepros/support

Hey Peaches! Join Adam and Jay as they FIX X-Men: The Last Stand (2006). The "I'm the Juggernaut" boys discuss call times, learning the hard way, pants talk, jeans washing timeline, goal pants, boxers vs briefs, 'Maggott', sentinels, and, of course, how to fix X-Men: The Last Stand. What do you think of their fix for X-Men: The Last Stand (2006)? As always, the first step to making stuff is making stuff. Need more pReview'd in your life? FIX IT! Check out pReview'd on YouTube! Follow pReview'd on Instagram & Twitter & TikTok Join the pReview'd Discord server! Get extra goodies on Patreon! Watch Jay on Twitch! Browse the merch shop! Get into pReview'd Gaming on YouTube! Roll with the boys in the D&D channel Bonus Action

-Deadpool & Wolverine comes out soon, so we're celebrating with the best X-Men movies and Deadpool! So get ready for some X-Men: The Last Stand trivia coming your way!-Subscribe/support/follow on Patreon/BuyMeACoffee/FB/IG/TW: https://linktr.ee/tvtriviapod -Submit YOUR own trivia questions for the show! Just click the option in the linktree! -If you have questions of your own or answers to any of mine, feel free to email me at tvtriviapod@gmail.com -Support monthly on Patreon or do a one time thing on BuyMeACoffee (see linktree) and get EXCLUSIVE CONTENT, like at least 4 bonus episodes a month containing 40+ bonus questions, movie trivia, and MORE! -Thank you, Chandler and Chris! -Podcast: X-Reads: An X-Men Experience-Instagram, Facebook, Twitter all @xreadspodcast-The Uncanny Experience- Immersive X-Men Event : www.theuncannyexperience.com

X-Men: The Last Stand, also known as X-3, gets a Phase Zero review and discussion. Often regarded as one of the weaker X-Men movies, Magneto and Xavier's philosophies are put to the test when humans think they found a “cure” for the mutant gene. How does the movie hold up today? To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices