Podcasts about Third eye

Questo episodio offre una guida aggiornata su come preparare un kit tecnologico da viaggio, coprendo tutto dalla ricarica dei dispositivi ai consigli su accessori utili. Vengono suggeriti articoli come sacchetti per cavi, batterie portatili, caricatori multiporta e adattatori per le prese elettriche internazionali, oltre a soluzioni per la connettività all'estero come le eSIM e l'uso delle VPN. Arriva anche un cambiamento nella gestione della community, passando da Telegram a Slack per migliorare l'organizzazione delle discussioni. porta cavi https://amzn.to/42Kre39 rotolo velcro https://amzn.to/42ldxsp velcro per cavi https://amzn.to/3Y9NiCO Cavi rolling square https://amzn.to/42RBxn4 e https://amzn.to/4jHYcYN caricatore Anker https://amzn.to/4jjRiJz caricatore Baseus https://amzn.to/4jLfwwa caricatore ugreen https://amzn.to/4lEo9tT caricatore anker piccolo https://amzn.to/456iSWf Punto luce USB-C https://amzn.to/4jOpXiX Punto luce USB-A https://amzn.to/3F4OctV Battery pack enorme: https://amzn.to/3RUuXWX Battery pack comodo: https://amzn.to/44TZL1M Torcia olight: https://amzn.to/4k5TvZ0 Torcia Hoto: https://amzn.to/4301gbO Custodia passaporto: https://amzn.to/43eu5BG Apple AirTag: https://amzn.to/3RYq52Y AirTag compatibili: https://amzn.to/3EMSUMZ Confronti eSIM: https://esims.io/it Holafly: https://esim.holafly.com/it/ GL-Inet Mango https://amzn.to/3RXPuda DJI Osmo Pocket 3 https://amzn.to/4305osk DJI Osmo Mobile: https://amzn.to/4jQ0dmg SSD USB https://amzn.to/437CHKb Alpaka store https://alpakagear.com/collections/sling-bags Revolut https://www.revolut.com/it-IT/ Wise https://wise.com/it/ BIdet portatile https://amzn.to/3EOZwdI Cavalletto pro per telefono https://amzn.to/3F64HG5 Cavalletto basico per telefono https://amzn.to/4jfY42d Pillole di Bit (https://www.pilloledib.it/) è un podcast indipendente realizzato da Francesco Tucci, se vuoi metterti con contatto con me puoi scegliere tra diverse piattaforme: - Slack - BlueSky - Il mio blog personale ilTucci.com - Il mio canale telegram personale Le Cose - Mastodon personale - Mastodon del podcast - la mail (se mi vuoi scrivere in modo diretto e vuoi avere più spazio per il tuo messaggio) Rispondo sempre Se questo podcast ti piace, puoi contribuire alla sue realizzazione! Con una donazione diretta: - Singola con Satispay - Singola con SumUp - Singola o ricorrente con Paypal Usando i link sponsorizzati - Con un acquisto su Amazon (accedi a questo link e metti le cose che vuoi nel carrello) - Attivando uno dei servizi di Ehiweb Se hai donato più di 6-7€ ricordati di compilare il form per ricevere i gadget! Il sito è gentilmente hostato da ThirdEye (scrivete a domini AT thirdeye.it), un ottimo servizio che vi consiglio caldamente e il podcast è montato con gioia con PODucer, un software per Mac di Alex Raccuglia

It would take an entire section of show notes here to list all the things Felicia Day has accomplished in her career. Here's an attempt at making that brief: acted in a bunch of TV shows you know, created and starred in web series, made just so very many online videos, and is now the author and star of an audiobook called Third Eye about someone who is supposed to save the world but fails. In our interview, Felicia talks about doing all those things while dealing with mental disorders like depression and anxiety as well as mental health phenomena like perfectionism and impostor syndrome. We hear about her life as a 20-year-old college graduate/violin prodigy/mathematician trying to make it in Hollywood, about hitting a burnout wall, and about how covid and parenthood slowed her life down.Join Felicia's streams on Twitch by following her at www.twitch.tv/feliciaday.Thank you to all our listeners who support the show as monthly members of Maximum Fun.Check out our I'm Glad You're Here and Depresh Mode merchandise at the brand new merch website MaxFunStore.com!Hey, remember, you're part of Depresh Mode and we want to hear what you want to hear about. What guests and issues would you like to have covered in a future episode? Write us at depreshmode@maximumfun.org.Depresh Mode is on BlueSky, Instagram, Substack, and you can join our Preshies Facebook group. Help is available right away.The National Suicide Prevention Lifeline: 988 or 1-800-273-8255, 1-800-273-TALKCrisis Text Line: Text HOME to 741741.International suicide hotline numbers available here: https://www.opencounseling.com/suicide-hotlines

Ogni calcolatore ha bisogno della veloce memoria ad accesso casuale per il suo funzionamento. Alcuni calcolatori non si possono permettere che ci siano errori di lettura dei dati all'interno di queste memorie, per questo esistono delle memorie che controllano se ci sono errori, se ne accorgono e, con certi limiti, riescono a correggerli BreezePDF Le multe comminate a chi usava servizi di streaming illegali Forse sono multe comminate alla leggera Pillole di Bit (https://www.pilloledib.it/) è un podcast indipendente realizzato da Francesco Tucci, se vuoi metterti con contatto con me puoi scegliere tra diverse piattaforme: - Slack - BlueSky - Il mio blog personale ilTucci.com - Il mio canale telegram personale Le Cose - Mastodon personale - Mastodon del podcast - la mail (se mi vuoi scrivere in modo diretto e vuoi avere più spazio per il tuo messaggio) Rispondo sempre Se questo podcast ti piace, puoi contribuire alla sue realizzazione! Con una donazione diretta: - Singola con Satispay - Singola con SumUp - Singola o ricorrente con Paypal Usando i link sponsorizzati - Con un acquisto su Amazon (accedi a questo link e metti le cose che vuoi nel carrello) - Attivando uno dei servizi di Ehiweb Se hai donato più di 6-7€ ricordati di compilare il form per ricevere i gadget! Il sito è gentilmente hostato da ThirdEye (scrivete a domini AT thirdeye.it), un ottimo servizio che vi consiglio caldamente e il podcast è montato con gioia con PODucer, un software per Mac di Alex Raccuglia

First in a series of a good basic starting point plan for opening the chakras. Patrick discusses the third eye and demonstrates an effective method for opening it. Also discussed are simple effective ways to clean the aura and chakras. This eposode is doing double duty on AFB and The Huluppu Tree PodcastThis video is for educational purposes. By clicking play you acknowledge that you are viewing and applying this information at your own risk.TikToK Patrick RoyIG @aliensforbeginnerspodYoutTube: Aliens for Beginners the Podcastsupport the show: venmo @AFBpodcastalso find me on Thrteads, X, FB, substack

In this deeply healing episode of The Peace Room, author and meditation guide Brownell Landrum leads us through a powerful cord-cutting exercise designed to help you release the energetic ties of relationships that are no longer serving your highest good. (Brownell Landrum, Author & Executive Producer of Life is a Trip: Reincarnation Stories)Whether you're looking for a clean break or seeking clarity and emotional space to reset a relationship, this guided chakra meditation empowers you to regain your freedom, autonomy, and inner peace.You'll journey through all seven chakras, using the imagery of invisible scissors to cut cords of attachment—one energy center at a time—creating a fresh start while honoring the growth and lessons that the connection brought.What You'll Experience:Release of energetic cords through the Root, Sacral, Solar Plexus, Heart, Throat, Third Eye, and Crown chakrasInsights into how relationships impact each energy centerA soul-centered approach to detachment with love, clarity, and compassionA peaceful reset—giving yourself and the other person room to heal and evolveThis meditation is perfect for you if:You're navigating a breakup, a difficult family dynamic, or professional relationship strainYou've felt energetically “tied up” or overwhelmed by a connectionYou're ready to take back your power and create space for new growth⚠️ Note: For safety and best results, listen only when you can be fully present—not while driving or operating machinery.

There's an eye hidden in the middle of your forehead.Not one that sees the outer world—But one that reveals the truth beneath it.An eye that perceives energy, consciousness, and dimensions beyond the visible spectrum.A gateway not just to visions…But to knowing. This mysterious eye has been known by many names:The Ajna Chakra in yogic teachings,The Eye of Horus in ancient Egypt,The All-Seeing Eye in Hermetic and Masonic symbolism.But its essence… has remained the same.It is the portal to inner vision—To wisdom that cannot be learned, only remembered 

Esiste un router che ha moltissime funzioni, in modo veramente facile e intuitivo e che può tornare utile in moltissime occasioni. È piccolissimo, consuma poco e costa una cifra ridicola, in rapporto a quello che fa. È il router giallo di GL-inet. La vecchia puntata di Geekcookies dove ne abbiamo parlato GL-inet Mango Tutti i GL-inet che si trovano su Amazon Il sito ufficiale di GL-inet La Tigre, podcast di Chora Media Pillole di Bit (https://www.pilloledib.it/) è un podcast indipendente realizzato da Francesco Tucci, se vuoi metterti con contatto con me puoi scegliere tra diverse piattaforme: - Telegram - BlueSky - Il mio blog personale ilTucci.com - Il mio canale telegram personale Le Cose - Mastodon personale - Mastodon del podcast - la mail (se mi vuoi scrivere in modo diretto e vuoi avere più spazio per il tuo messaggio) Rispondo sempre Se questo podcast ti piace, puoi contribuire alla sue realizzazione! Con una donazione diretta: - Singola con Satispay - Singola con SumUp - Singola o ricorrente con Paypal Usando i link sponsorizzati - Con un acquisto su Amazon (accedi a questo link e metti le cose che vuoi nel carrello) - Attivando uno dei servizi di Ehiweb Se hai donato più di 5€ ricordati di compilare il form per ricevere i gadget! Il sito è gentilmente hostato da ThirdEye (scrivete a domini AT thirdeye.it), un ottimo servizio che vi consiglio caldamente e il podcast è montato con gioia con PODucer, un software per Mac di Alex Raccuglia

Join Premium! Ready for an ad-free meditation experience? Join Premium now and get every episode from ALL of our podcasts completely ad-free now! Just a few clicks makes it easy for you to listen on your favorite podcast player.  Become a PREMIUM member today by going to --> https://WomensMeditationNetwork.com/premium Join our Premium Sleep for Women Channel on Apple Podcasts and get ALL 5 of our Sleep podcasts completely ad-free! Join Premium now on Apple here --> https://bit.ly/sleepforwomen  Join our Premium Meditation for Kids Channel on Apple Podcasts and get ALL 5 of our Kids podcasts completely ad-free! Join Premium now on Apple here → https://bit.ly/meditationforkidsapple Hey, I'm so glad you're taking the time to be with us today. My team and I are dedicated to making sure you have all the meditations you need throughout all the seasons of your life.  If there's a meditation you desire, but can't find, email us at Katie Krimitsos to make a request. We'd love to create what you want!  Namaste, Beautiful,

News To Reviews is a video game news and impressions podcast. Each month Zac,  Lachy and/or Anthony sit down to discuss the most interesting stories in gaming and impressions on the latest games. Forget your troubles listening to a bunch of friends talking about what they love most! New episode the first Monday or Tuesday of every month.Anthony's Streaming Channel:https://www.twitch.tv/the_king_greggNews:PS5 and Xbox Series consoles get a price hike- 07:17Apple loses lawsuit- 16:15Borderlands 4 State of Play- 25:43Ghost of Yotei release date- 35:50GTA 6 delayed- 39:27Impressions:Fatal Fury: City of Wolves Review- 53:00The Minecraft Movie Review- 1:22:55News To Reviews links:https://linktr.ee/newstoreviewsQuestions and Feedback:newstoreviewspodcast@gmail.comPrivacy Policy: https://drive.google.com/file/d/1z8SbxvJ1tbq37XSrJKFb4tynNaFUbjA3/view?usp=sharing© 2019 News to ReviewsSound from http://soundbible.com/“News Intro” by Maximilien (http://soundbible.com/)License: CC BY (https://creativecommons.org/licenses/by/3.0/au/legalcode)Sounds from https://freesound.org/“Kadel 3” by ERH (https://freesound.org/people/ERH/)License: CC BY (https://creativecommons.org/licenses/by/3.0/au/legalcode)Elevator Pitch by PYC Music | https://soundcloud.com/pycmusicMusic promoted by https://www.free-stock-music.comAttribution-NoDerivs 3.0 Unported (CC BY-ND 3.0)https://creativecommons.org/licenses/by-nd/3.0/

Essere attaccati non fa fare bella figura, ma capita. Far scoprire al mondo che nei dati esfiltrati c'è un file Excel con tutte le password e i dati per accedere a casa di tutti i clienti è molto peggio di una brutta figura. Siamo nel 2025, non nel 1990 e certe cose non sono più accettabili. Le licenze Microsoft Pillole di Bit (https://www.pilloledib.it/) è un podcast indipendente realizzato da Francesco Tucci, se vuoi metterti con contatto con me puoi scegliere tra diverse piattaforme: - Telegram - BlueSky - Il mio blog personale ilTucci.com - Il mio canale telegram personale Le Cose - Mastodon personale - Mastodon del podcast - la mail (se mi vuoi scrivere in modo diretto e vuoi avere più spazio per il tuo messaggio) Rispondo sempre Se questo podcast ti piace, puoi contribuire alla sue realizzazione! Con una donazione diretta: - Singola con Satispay - Singola con SumUp - Singola o ricorrente con Paypal Usando i link sponsorizzati - Con un acquisto su Amazon (accedi a questo link e metti le cose che vuoi nel carrello) - Attivando uno dei servizi di Ehiweb Se hai donato più di 5€ ricordati di compilare il form per ricevere i gadget! Il sito è gentilmente hostato da ThirdEye (scrivete a domini AT thirdeye.it), un ottimo servizio che vi consiglio caldamente e il podcast è montato con gioia con PODucer, un software per Mac di Alex Raccuglia

Ho scritto questa puntata con la tristezza nel cuore, perché in un mondo civile non ci si dovrebbe preoccupare di queste cose e si dovrebbe andare alle manifestazioni o si dovrebbe poter viaggiare con serenità. Invece le cose non vanno come si vorrebbe, anzi, vanno sempre peggio e ci si deve organizzare per evitare problemi. Magari non capita, magari nella puntata trovate spunto per cose che non sapevate. Ma oggi, più che mai, vivere con il pensiero dell'"essere pronti" diventa utile. Servizi eSIM turistici dove cercare quelle con il traffico per l'Italia Il podcast Limoni di Internazionale, su Genova 2001 Cuffie anti rumore da cantiere Auricolari con il filo 7Hz Pillole di Bit (https://www.pilloledib.it/) è un podcast indipendente realizzato da Francesco Tucci, se vuoi metterti con contatto con me puoi scegliere tra diverse piattaforme: - Telegram - BlueSky - Il mio blog personale ilTucci.com - Il mio canale telegram personale Le Cose - Mastodon personale - Mastodon del podcast - la mail (se mi vuoi scrivere in modo diretto e vuoi avere più spazio per il tuo messaggio) Rispondo sempre Se questo podcast ti piace, puoi contribuire alla sue realizzazione! Con una donazione diretta: - Singola con Satispay - Singola con SumUp - Singola o ricorrente con Paypal Usando i link sponsorizzati - Con un acquisto su Amazon (accedi a questo link e metti le cose che vuoi nel carrello) - Attivando uno dei servizi di Ehiweb Se hai donato più di 5€ ricordati di compilare il form per ricevere i gadget! Il sito è gentilmente hostato da ThirdEye (scrivete a domini AT thirdeye.it), un ottimo servizio che vi consiglio caldamente e il podcast è montato con gioia con PODucer, un software per Mac di Alex Raccuglia

We continue our 3rdEyeTV coverage with six more songs - that are more song-like - from the “best of” collection. It's still experimental, but not quite so… perplexing. Visit us on Facebook: https://www.facebook.com/TMATSPodcast/Twitter… X… Twix: @TMATSPodcastEmail: TMATSPodcast@gmail.com

Episode Notes S6E14 - Join us as we chat with the legendary Julian Richings. He'll be in the house telling tales from Supernatural to Doom Patrol and beyond. Julian Richings (born 30 August 1956) is a British-Canadian character actor, having appeared in over 225 films and television series. He is best known for his appearances in a variety of horror films, including Cube, Wrong Turn, The Witch, Beau is Afraid, Ejecta, and Anything for Jackson, as well as for portraying Death in the dark fantasy series Supernatural. After touring the United States with a British stage production, Richings moved to Toronto, Ontario, Canada in 1984. Within five years, he had become a regular on the second season of the War of the Worlds TV series. In the 1996 film Hard Core Logo, he played the bitter, aging, punk rock legend Bucky Haight. He appeared at the opening of the 1997 film Cube.In 1999, he appeared in the science fiction film Thrill Seekers. In 2000, he appeared as Bellanger in The Claim, and earned a Genie Award nomination for best supporting actor. He was a member of the repertory cast of the A&E TV original series A Nero Wolfe Mystery (2001–02). NEWS FLASH: HELPFUL LINKS: VETERANS: https://www.va.gov/.../mental-health/suicide-prevention/ ADDICTION: https://lp.recoverycentersofamerica.com/.../continuum-of.../ Due you know someone that has lost their lives due to addiction? Or even someone that has made a full recovery? Reach out to Johnny Whitaker so they can help to celebrate the lives lost/ lives recovered at overdoseawareness0831@gmail.com Follow our guest https://www.instagram.com/julian_richings/?hl=en https://en.wikipedia.org/wiki/Julian_Richings https://www.imdb.com/name/nm0724995/mediaindex/ Toking with the Dead: https://www.stilltoking.com/ ————————————— Follow Still Toking With and their friends! https://smartpa.ge/5zv1 ————————————— Produced by Leo Pond and The Dorkening Podcast Network MORE ABOUT THE GUEST: Richings performed in heavy makeup as cannibal-killer Three Finger in Wrong Turn (2003), and was a series regulars as the nearly-blind security guard Otto in Stephen King's 2004 miniseries Kingdom Hospital. Dramatic roles include stagehand Mr. Turnbull in the 2004 film Being Julia. He appeared as Orr, a cruel loan shark in the 2004 Canadian film The Last Casino. In 2006, he appeared in a brief speaking role as the Mutant Theatre Organiser in X-Men: The Last Stand, and played a vampire killer alongside in the direct-to-DVD horror film The Last Sect. In 2007, Richings played a driver in the film Shoot 'Em Up, a dissipated and aging punk rocker in The Third Eye, transvestite psychologist Dr. Heker in The Tracey Fragments, and a number of small roles in other films, including Skinwalkers and Saw IV. He appeared in the 2008 film The Timekeeper. That year, Richings was nominated for another Dora Award for his performance in The Palace of the End. Richings made an appearance in the 2010 fantasy film adaption Percy Jackson & the Olympians: The Lighting Thief as Charon, the ferryman of Hades.[10] That year, he began a recurring villain role on the horror comedy series Todd and the Book of Pure Evil.[6] From 2010 to 2015, he portrayed Death in the hit dark fantasy series Supernatural. He was also Death in the short film Dave v. Death (2011). See less Find out more at https://still-toking-with.pinecast.co Send us your feedback online: https://pinecast.com/feedback/still-toking-with/087d722b-1cc8-4ca6-8b3c-2f9e2e2bed00

On The Gate! A podcast hosted by two jailbird/recovering drug addicts and active comedians Geo Perez and Derek Drescher, who talk each week about their times in jail, what they learned, what you should know, and how they are improving their life or slipping into recidivism each day! This week we have Dave Temple, Chris Faga, and Rachel Williams! They talk about aging out of crime, Dave and Chris Micro Wrestling experiences, how money ruins lives and much more. ON THE GATE! ENJOY!Original air date: 4.14.25WATCH THE LIVESTREAM 2 PM EST MONDAYS and EXCLUSIVE EPISODES 2 PM EST THURSDAYS on gasdigital.com. Use promo code OTG for a discount on your membership. Watch the free livestream here at 12 AM EST FRIDAYS. FOLLOWGeo PerezInstagram - https://www.instagram.com/geoperez86/Derek DrescherInstagram - https://www.instagram.com/derekdrescher/Dave TempleInstagram - https://www.instagram.com/iamdavetemple/Rachel WilliamsInstagram - https://www.instagram.com/wachelrilliams/Chris FagaInstagram - https://www.instagram.com/chrisfrombklyn/See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

In this powerful episode of the Intuition Activation Podcast, I'm inviting you into a deeply healing and intuitive practice we recently did inside the Intuition Activation community. April's energy has brought up unexpected emotions and roadblocks for so many of us—and that's exactly why I felt called to share this episode.   I guide you through a full Ancestral Clearing Meditation, a potent body-based practice that helps you release stuck emotions, uncover the root of old pain (whether from childhood or a past life), and rewrite your story from a place of empowerment. This meditation is not only healing—it's a beautiful tool for strengthening your clairvoyance and clairaudience by tuning into your body's wisdom and letting it speak.   Whether you've been feeling triggered, heavy, or simply ready to uplevel your intuitive connection, this episode is your sacred space to heal, clear, and receive.   And don't miss out on my special offer rate and review the podcast for a chance to win access to my 'Meet Your Spirit Guides' course.  Join the Intuition Activation Community: https://jessicarachel.samcart.com/products/intuition-activation-community  Instagram: https://www.instagram.com/iamjessicarachel   Email: jessicarachel.snider@gmail.com   Website: https://www.jessicarachel.co/podcast 

Howdy Folks, Here comes the third eye a DJ Gower Concept that I tried to make. Timothy Leary has an album? You will hear that and many other weird tracks. Gower talks a crazy concert experience and we try to raise your consciousness with a mediocre Podcast. Milo and DJ EJ Make a guest appearance as we still make the podcast way too many years later. Trip out Bro, MATADOR Artist include: Kendrick, Caught Red Handed, Zeke, Hank 3, Chapelle, Doc Ellis and many more

Welcome back to Spiritually Queer! In today's episode we are back to the Everything is Energy Series with Part 9!In this episode, I dive into a really serious topic that I believe is actively destroying the gifts of our third eye chakra - the freaking INTERNET. This all stemmed from my courageous idea to spend my entire birthday weekend offline - which I pathetically FAILED AT. So, I needed to do some research to learn more about why this is so hard and what the true repercussions of the proliferation of the internet during our life time is doing to our brains. ➡️ Sign up for CHAKRA SANCTUARY ($250 for listeners)➡️ The Radiant Reset Retreat

This week we ran a Chakra Workshop and decided to publish it to our podcast. During the session we chat about the 7 main Chakras, where they are within the body, what they're linked to in regards to emotions, spiritual and physical.The highlight of the session is a guided colour visualisation to welcome balance and awareness of each of these energy centres. Then we finish the session with a short Q+ A about our upcomoing Yoga Teacher Training!If you enjoy this chat and it's sparked a big curiosity, our Yoga Teacher Training 2025 could be a great next step for you. Our very last early bird session is now live!This is what we spoke about during the episodeChakra translates, in Sanskrit, to wheel or disc, they are also known as energy centers. Each of these energy centres corresponds to different aspects of your life.The Base Chakra or the Muladhara chakra (red) is right at the base of the spine and represents our safety, our stability, our physical needs, and how grounded we feel.The Sacral Chakra or Svadhisthana (orange) is our Chakra just below the navel that's linked to our creativity and emotional health.The Solar Plexus Chakra, or Manipura (yellow), is located in the upper abdomen and is linked to your inner power, confidence and self-discipline.The Heart Chakra or the Anahata chakra (emerald green or pale dusty pink) is right into the center of your chest and is linked to love, compassion, and connection for yourself and for others.Vishuddha Chakra or the Throat Chakra (blue) is linked to the idea of speaking up or speaking your truth.The Third Eye chakra, or Ajna (indigo), is linked to your intuition or inner wisdom. When you are balancing your third eye, you will trust your intuition and feel like you have a very clear mind.The Crown Chakra or Sahasrara (bright light white or violet) is also known as the Thousand Petal Lotus. You'll feel connected to something greater when this chakra is balanced.Experience the beauty of colour visualisation in this Chakra workshop! From the base of your spine to the crown of your head, embrace the vibrant life force within and feel more centred than ever before.We answer some of your Yoga Teacher Training questions.If you loved this episode, share it with friends and family. Get in touch, we would love to hear from you, send us an email to carla@themerrymakersisters.com or emma@themerrymakersisters.com or message us on our Facebook and Instagram accounts @themerrymakersisters.Always merrymaking,Emma + CarlaP.s if you ever need further help or guidance please contact Lifeline or Beyond Blue. Asking for help is pure courage. Hosted on Acast. See acast.com/privacy for more information.

In This Episode of Safehouse QA: Kink, Karma and The Three Teacher's Paths we talk about… - What it's like to have your Third Eye open,- Book edits + newborn updates- How to Self-Remember- What is Magic Launching??- Identifying and integrating kink, power, and desire- Spiritual lessons on suffering and growth from my favorite teacher, Rudi - Money talk: Personal responsibility- Social Media performance - The Three Teacher's Paths: Saint, Sage, Learned - What is Karma?? - Core Values - Refining your workflowPlus so much more, We answered all your questions today, Safehouse students! xx 

In this conversation, AJ Murillo shares her profound journey of self-discovery, exploring themes of identity, relationships, and the transformative power of psychedelics. She discusses her experiences with ego death, the importance of emotional awareness, and the connection to the universe. AJ emphasizes the simplicity of living authentically and the significance of integrating psychedelic experiences into daily life. The conversation culminates in a reflection on the relationship with the universe and the divine, encouraging listeners to embrace their own journeys of healing and growth. Learn more about AJ here - https://thephilosopersroom.com/about-me/ Chapters 00:00 AJ's Journey: From Childhood to Self-Discovery 11:55 The Role of Psychedelics in Understanding Existence 23:57 Ego Death: Detaching from Identity and Embracing Authenticity 28:54 Emotional Foundations of Decision Making 32:14 The Role of Psychedelics in Self-Discovery 35:42 Integrating Psychedelic Experiences into Daily Life 38:14 Navigating Ego and Self-Identity 41:22 Understanding the Third Eye and Higher Consciousness 48:16 Comparing Psychedelics: Psilocybin, LSD, and Ayahuasca 55:27 Personal Relationships with the Universe Takeaways AJ's journey began in childhood, shaped by her unique perspective as a black girl. She felt like an outcast in her family and society, yearning for deeper connections. Psychedelics played a crucial role in her self-discovery and understanding of reality. Ego death is about detaching from societal identities and understanding one's true self. Relationships, especially with her husband, helped her realize her purpose. Psychedelics can facilitate enlightenment and a deeper understanding of existence. Living authentically is essential for mental health and happiness. Emotions are powerful and influence our thoughts and actions. The third eye represents a connection to higher consciousness and intuition. Integrating psychedelic experiences into daily life is vital for personal growth.   Questions - hello@startswithme.ca Disclaimer Professional medical care and psychotherapeutic services are not offered on this Youtube channel. It is for general informational purposes only and does not constitute the practice of medicine, nursing or other professional health care services, including the giving of medical advice, and no doctor/patient relationship is formed. The use of information on this podcast or materials linked from this podcast is at the user's own risk. The content of this podcast is not intended to be a substitute for professional medical advice, diagnosis, or treatment. Users should not disregard or delay in obtaining medical advice for any medical condition they may have and should seek the assistance of their health care professionals for any such condition Seeking professional support is encouraged if you think you have an issue and that you want help.

Third Eye Carnival, Hands of Protests & Simple Sabotage Learn more about your ad choices. Visit megaphone.fm/adchoices

BryanBowden #Cryptids #Dogman #Bigfoot #UFOs #Paranormal #ThirdEyeLive #TypicalSkepticPodcast #Consciousness #FringeResearchTags (YouTube):Bryan Bowden, cryptid investigator, Dogman sightings, Bigfoot evidence, UFOs and cryptids, paranormal podcast, third eye live, Bronxville Paranormal Society, consciousness and the paranormal, Typical Skeptic Podcast, Robert KalilIn this episode of the Typical Skeptic Podcast, I'm joined by Bryan Bowden, a renowned cryptid investigator and paranormal researcher. Bryan is the founder of the New York State UFO Project, NYS Sasquatch Organization, and NYS Dogman Project, and serves as Region 5 Director for the North American Dogman Project. He's also the host of Third Eye Live, where he dives into the intuitive and prophetic aspects of consciousness.Bryan brings firsthand experience with Bigfoot, Dogman, UFO sightings, and other unexplained phenomena—and he's been featured on shows like UFO Witness and Into the Unknown. Tonight, we'll explore:The truth about Dogman and SasquatchHis terrifying real-life encountersThe paranormal connection to UFOsHow psychic intuition plays into investigationsWhat's really happening in the forests and skies of AmericaGuest Links:Website: https://bryanbowden.comNYS UFO Project: https://nysufoproject.comBronxville Paranormal Society: https://bronxvilleparanormalsociety.com

--{ "Modern Mythological Enemies vs The Man In The Mirror - Pt. 1"}-- Perceptions and Logic - Education - Indoctrination - Learned Behaviour - Experiences - Propaganda - Living in a world of dis-information. Rise of civilizations (money - commerce - armies - empires). Elite and middle-class eradication of lower-class - Fall of Rome - Massive Taxation - Degeneration - Corruption - Greed - Movement of rural peoples into cities. "Reptilians" - Religions - Esoteric meanings. Secrets of Deception from Past - Early Judaism - Talmud (begun in Babylon) - Human creation of a god in their own image - Old Testament deity (Exoteric level: angry father with rules and laws). Hellenized Christianity - New Testament deity. Seeing Exoteric and Esoteric - Individual Journey - Earning knowledge by self-examination - Third Eye is MIND. Serpent as allegory for Wisdom - Egyptian use of Uraeus (Ureaus, Cobra) - Guarding the Mind - Strike of the cobra. Snake shedding its skin - Symbol of Immortality - Born-again - Wisdom of the Ages - Mastery and Control of Minds of Others. Psychopathy in Noble Families - Paranoia of Elite Psychopaths - Ancient Population Control. Psychopathic traits - Nature worship and pantheism. Science and exploration - Science-FICTION - Nephilim and Space-Being - Possibility-Thinking - Cargo Cults - Christian religion - Message to Individuals - AUTHOR - AUTHORized - Nature of Evil.

Brad Zerbo goes deep, like third-eye deep, in this epic solo episode of WWG1WGA After Dark. Kicking off with Utah and Miami-Dade's bold moves to ban fluoride from public water, Brad connects the dots between toxic tap water, propaganda pioneer Edward Bernays, and decades of hidden health risks. He dives into the history of fluoride's industrial roots, the psychological warfare used to sell it, and the growing body of science linking it to IQ loss, neurological damage, and spiritual suppression. Along the way, Brad shares personal detox tips, favorite fluoride-free products, surprising bottled water rankings, and why New Jersey kids might just be a little spicier for a reason. Packed with humor, history, and a no-nonsense breakdown of what's really in your water, this is a must-listen for anyone ready to wake up and filter out the lies.

In this episode of Your Chakra Coach, we explore the Third Eye Chakra and three common blocks that can disrupt your intuition and clarity. We discuss how mental overload leads to overthinking, why distrusting your intuition weakens your inner wisdom, and a lesser-known imbalance that might be affecting you without realizing it. You'll also learn intentional practices like breath awareness meditation, intuitive journaling, and a targeted exercises to clear these blocks. By calming the mind and reconnecting with your inner guidance, you can strengthen your Third Eye energy and trust yourself more deeply. Get practical insights and simple techniques to bring balance to this powerful chakra. Until next time, trust your inner knowing and keep exploring your energy!

Expert/Author Jiulio Consiglio offers techniques to open your third eye. The third eye is your gateway to greater insight, clarity, and confidence. When it's activated, you can access your inner compass and enhance your spiritual life.

Go to https://IdentityBasedManifesting.comThe first eye - occupies your mind - for a little while...The second eye - pulls at your heart - at times....The third eye - determines your destiny.

*The is the FREE archive, which includes advertisements. If you want an ad-free experience, you can subscribe below underneath the show description.Extrasensory Perception can be understood as recognizing body language, social cues, or the deep connections we form with loved ones, getting to know their habits and behavior patterns. Seeing these things by perception and eyesight, via light, which is information, is a form of information teleportation and telepathy. A 2007 study found these natural telepathic abilities enhanced by oxytocin, produced via social bonding, sex, childbirth, etc. This ability may also rely on what are called mirror neurons. Oxytocin is produced by the pituitary gland which, along with the pineal, is a candidate for the Third Eye. Somewhere between them is produced melatonin, which places us into the unconscious dream state, and DMT, which has the ability to transport us further beyond so that we interact with the so-called spirit realm. The body is bio-electric, made largely of water, and just as connected to the magnetic field of the earth as birds and other creatures. In fact, humans can sense the magnetic field and ‘just know' certain things, i.e., instinct, a fixed pattern of innate behaviors. Intuition is knowing a detail without knowing how you know it, and instinct is the ability to react and know without much thought. These abilities are part of ESP and a natural ability, opposed to the technical nature of using machines, microchips, computers, etc., to hijack brainwaves for mind control. The ability of birds to sense the magnetic field of the earth is dependent on an eye protein called Cry4, a photoreceptor sensitive to blue light, which calls into question how this interferes with human circadian rhythms and our ability to sense the same magnetic field. Astrology likewise is rationally explained. We call cases of insanity, lunacy, and just as the moon influences emotions it also influences oceans. The sun plays a role in disease, weather, and emotions too. Dreams can be examined in the same light, and what we experience as “it felt real” may be a past life, parallel life, or a future event. -FREE ARCHIVE (w. ads)SUBSCRIPTION ARCHIVEX / TWITTER FACEBOOKMAIN WEBSITECashApp: $rdgable EMAIL: rdgable@yahoo.com / TSTRadio@protonmail.comBecome a supporter of this podcast: https://www.spreaker.com/podcast/tst-radio--5328407/support.

I'd love to hear from you - Send me a text message The Dragon and the Egg 

In this episode, we get a glimpse of how one mother was able to close her third eye. We have stories of haunted apartments, ghosts from past wars, and more. Cee, thank you again for sharing this and thanks for reaching out to remind me of this episode. I'm sorry it took so long to release, but I believe the timing of the release of these episodes happen for a reason.If you were able to close your "third eye" in a different manner and you want to share it with me, you can just email me at paranormalsph@gmail.com   Maybe we can make a compilation and help others who want to do the same. If this is your first time listening to the podcast, you might want to start at Episode 1EPISODE 1 The Unexpected Visitor - https://youtu.be/AHSHtHOsNP0 or tell you story thru chat on the Discord Server of Para Normal Podcast, just click on the invite link below: https://discord.gg/YWF4BpS4gQ If you enjoy this kind of conversation, you might want to subscribe :D FacebookSpotifyYouTubeTiktok Apple Podcast- - - - - - - - - - - - - - - - - - Do you want to support the podcast? You can help keep us going by giving us a cup of joe! ⁠ko-fi.com/paranormalpodcast ⁠You can also support us on Patreon ⁠https://www.patreon.com/paranormalpodcast⁠ We have different tiers for supporters, from the general support to early access, to joining us on the calls way in advance. No pressure, just additional help for us :) The Para Normal Podcast. Engineered and Produced by f90 Productions Rate and Review our show on Spotify, Pocket Casts, and Apple PodcastsEnjoy. Shout out sa mga LL na nagbabasa parin ng descriptions dyan! hehehehe. Next week ang interview natin si Bungo TV na YouTuber.

Michelle Galoob is an Intuitive Guide and Coach. In this conversation we discuss how to connect with your Higher Self, your Spirit Guides, to be guided by your intuition. We give you many tools and tips on how to expand this in your life. We also delve into the Akashic Records and what is held there. Michelle is so clear and makes this work of the Third Eye seem so simple! If you want to contact Michelle you can do so here https://www.michellegaloob.com/ I hope you enjoy! Much love Rosanne xxx To subscribe to the podcast and gain access to longer, deeper meditations and much more please visit https://podcasters.spotify.com/pod/show/rosanne92/subscribe   Website - https://chakra-way.com/ Instagram - https://www.instagram.com/yogawithrosanne/ TikTok - https://www.tiktok.com/@thechakraway Facebook - https://www.facebook.com/chakrawayyoga/ YouTube - https://www.youtube.com/@thechakraway9141/videos

In this illuminating episode of The Weekly Transit, Scott Tejerian welcomes Krista Rauschenberg, an Akashic Records reader, breathwork facilitator, and podcast host whose journey weaves through international travel, diverse careers, and spiritual awakening.From her early years marked by neglect and abuse to finding her calling through postpartum doula work, Krista shares how her path eventually led her to the Akashic Records – an energetic realm she describes as "higher than the psychic realm, and highly pristine." Now dedicated to helping others access their soul's wisdom, Krista explains how she combines record readings with breathwork to create transformative healing experiences.Scott and Krista explore her wanderlust years in Japan, her diverse career path through the entertainment industry, and how physical symptoms ultimately guided her toward healing work. Krista also discusses her podcast, Beginner's Guide to the Third Eye, which aims to "demystify the mystical" by introducing listeners to various spiritual modalities.This episode offers a heartfelt look at how personal trauma can transform into spiritual service and the importance of finding freedom, establishing boundaries, and feeling one's feelings as a path to enlightenment.(00:02:04) Explaining the Akashic RecordsThe nature of the Akashic Records and how they've become more accessible over time.(00:11:06) Early Life ChallengesKrista's upbringing marked by neglect, abuse, and the need for independence at a young age.(00:17:19) Japanese AdventureMoving to Japan at age 18 and living there for two years as an English teacher.(00:24:17) Life as a GaijinThe challenges of standing out as a foreigner in Japan and constantly being "on show."(00:27:43) Career EvolutionKrista's journey through waitressing, wardrobe styling, photo editing, and various other roles.(00:32:48) Physical Symptoms as MessengersHow chronic cystitis became a touchstone for recognizing when she was out of alignment.(00:34:18) First Trust FallLeaving secure employment to become a freelance doula and discovering the value of freedom.(00:36:06) The Nurturing RoleKrista explains her work as a postpartum doula and the healing she received while helping others.(00:38:10) Burnout and RedirectionThe physical toll of doula work and returning to production before finding her true calling.(00:41:38) Introduction to Akashic RecordsHow a friend's recommendation led to her first Akashic reading and an invitation to do the work herself.(00:44:40) Evolution of Her PracticeHow Krista's work expanded beyond information-sharing to include actionable guidance and somatic healing.(00:47:22) Breathwork as a "Magic Bullet"The power of breathwork as a release mechanism for energetic trauma stored in the body.(00:54:02) Learning BoundariesThe difficult journey from codependency to establishing healthy boundaries and self-worth.(00:57:35) Finding True BelongingMoving from seeking external validation to recognizing that belonging starts within.(00:59:10) The Beginner's Guide PodcastKrista shares her inspiration for starting a podcast that connects people with different healing modalities.(01:02:50) Behind-the-Scenes ChallengesThe learning curve of podcast production and overcoming the vulnerability of putting herself out there.(01:12:02) Final Words of WisdomKrista's parting advice: "Feel your feelings... It's the path to freedom."https://akashicglow.com/Beginner's Guide to the Third Eyehttps://www.theweeklytransit.com/

» MARCH 2025 Early Bird Offer: Get the 30-Day Unlock God Mode Manifestation Program «  Unlock God Mode is a 30-day program designed to elevate your manifestation skills and and align you with your deepest desires. Join this tranformative course designed to help you connect deeply with life and achieve your goals with clarity and purpose. Claim the early bird sale (limited-time) at unlockgodmode.org * * * In The Seven Eyes of God, Neville Goddard explores a mystical interpretation of Zechariah's vision of a stone with seven facets, representing the seven stages of divine sight within man. These "eyes" symbolize the progressive levels of consciousness through which man perceives reality—leading ultimately to spiritual awakening.He explains that the eighth, hidden eye represents the final awakening of the divine imagination, the moment when man truly sees as God sees and recognizes all things as states of consciousness rather than external realities.The Seven Eyes of God – The Evolution of VisionLucifer – The Fallen LightThe first stage of perception is Lucifer, the morning star, symbolizing man's fall into material consciousness.This is where man sees himself as separate from God, unaware that he is the creator of his world.Moloch – The God of SacrificeIn this stage, man believes he must sacrifice and suffer to appease an external deity.This is the eye of fear, where people believe suffering earns divine favor.Wars, religious persecution, and self-denial arise from this false perception.Elohim – The Worship of External GodsHere, man attributes power to external forces—stars, planets, and unseen cosmic forces.He believes his destiny is determined outside of himself rather than by his own imagination and assumption.Shaddai – The Almighty PowerIn this stage, man places faith in governments, financial institutions, and social structures for security.He trusts in the strength of rulers and external systems, believing they will provide stability.Pahath – The Snare of MaterialismHere, man traps others for personal gain, using deception and manipulation.This is the eye of commercialism, advertising, and political schemes—a world where power is exercised through control.Jehovah – The Realization of "I AM"At this level, man recognizes that reality is shaped by his inner world.He understands that assumption and belief create his circumstances.Instead of manipulating others, he boldly asserts his desires and creates his world from within.Jesus – The Eye of Redemption and SacrificeThis is the state where man no longer seeks only for himself but gives freely to others.He recognizes that every person is just in a state, not to be condemned but lifted through imagination.He saves others by seeing them as already fulfilled in their desires.The Hidden Eighth Eye – The Final AwakeningThough the Bible only explicitly mentions seven eyes, there is an eighth eye, veiled in mystery.The eighth eye is the true vision of God, which opens when the seventh eye (Jesus) is fully clarified.It is described in symbolic terms as circumcision—not of the flesh, but of consciousness, unveiling the divine imagination.When this eye opens, man is no longer bound by the five senses, and he sees the world as it truly is—perfect and eternal.The Western Gate – How to Enter the World of VisionNeville shares an experience of awakening in another world by holding onto an object in a dream and waking up in that reality.He teaches that whatever you hold onto in imagination becomes real in your world.This is the Western Gate, tied to the sense of touch, symbolizing our ability to persist in an imagined reality until it solidifies.Practical Application – How to Use the Sixth and Seventh EyesChoose a desire you wish to manifest.Live in the feeling of already having it. Assume it is yours.Touch it in your imagination. Feel it as real, as Neville did when he held onto an object in his dream.Remain faithful to this assumption, despite outer appearances.Watch as your world reshapes itself to reflect your inner reality.The Key to Seeing Through the Eighth EyeThe eighth eye does not open through rituals, religion, or effort, but through selfless love and vision.When you see only the good in others and lift them up, you prepare yourself for the final awakening.The second coming of Jesus is not an external event—it is the moment you awaken to the full realization that you and the Father are one.Final Thoughts – Awakening the Eyes of GodNeville teaches that every belief, condition, and limitation is just a state that man has fallen into. No one is truly lost.You have worshipped false gods (Moloch, Shaddai, Elohim).You have been trapped by materialism (Pahath).You have sought security in external forces rather than your own imagination.But now, you see through the eye of Jesus, and soon, the eighth eye will open.When it does, you will see only beauty, perfection, and wholeness in all things. You will understand that:"God became man so that man may become God."Now, let us go into the silence. ***Download the free Neville Goddard PDF Guide at manifestwithneville.com - Discover the transformative power of Neville Goddard's wisdom with this FREE 60-page guide on his 12 timeless principles of manifestation and reality creation.★ Follow the podcast for daily lectures from the mystic Neville Goddard ★FREE RESOURCES:• Join the FREE Neville Goddard newsletter• Join the FREE Telegram Channel• Feeling is the Secret • Full Audiobook* * *The James Xander Trip Podcast:• Listen on Spotify• Listen on Apple Podcasts• Listen on YouTubeDIVE DEEPER:• The Unlock God Mode Course• The Infinite Wealth Guided Meditation* * *ABOUT NEVILLE GODDARD:Neville Goddard (1905-1972), was an English writer, speaker and mystic. He grew up in Barbados and moved to the United States of America as a young adult. Neville Goddard was perhaps the last century's most intellectually substantive and charismatic pu...

Good evening and a huge welcome back to the show, I hope you've had a great day and you're ready to kick back and relax with another episode of Brett's old time radio show.   Hello, I'm Brett your host for this evening and welcome to my home in beautiful Lyme Bay where it's lovely December night. I hope it's just as nice where you are.   You'll find all of my links at www.linktr.ee/brettsoldtimeradioshow   A huge thankyou for joining me once again for our regular late night visit to those dusty studio archives of Old Time radio shows right here at my home in the united kingdom. Don't forget I have an Instagram page and YouTube channel both called Brett's old time radio show and I'd love it if you could follow me. Feel free to send me some feedback on this and the other shows if you get a moment, brett@tourdate.co.uk   #sleep #insomnia #relax #chill #night #nighttime #bed #bedtime #oldtimeradio #drama #comedy #radio #talkradio #hancock #tonyhancock #hancockshalfhour #sherlock #sherlockholmes #radiodrama #popular #viral #viralpodcast #podcast #podcasting #podcasts #podtok #podcastclip #podcastclips #podcasttrailer #podcastteaser #newpodcastepisode #newpodcast #videopodcast #upcomingpodcast #audiogram #audiograms #truecrimepodcast #historypodcast #truecrime #podcaster #viral #popular #viralpodcast #number1 #instagram #youtube #facebook #johnnydollar #crime #fiction #unwind #devon #texas #texasranger #beer #seaton #seaside  #smuggler #colyton #devon #seaton #beer #branscombe #lymebay #lymeregis #brett #brettorchard #orchard #greatdetectives #greatdetectivesofoldtimeradio #detectives #johnnydollar #thesaint #steptoe #texasrangers   
 Yours Truly, Johnny Dollar is a radio drama that aired on CBS Radio from February 18, 1949 to September 30, 1962. The first several seasons imagined protagonist Johnny Dollar as a private investigator drama, with Charles Russell, Edmond O'Brien and John Lund portraying Dollar in succession over the years. In 1955 after a yearlong hiatus, the series came back in its best-known incarnation with Bob Bailey starring in "the transcribed adventures of the man with the action-packed expense account – America's fabulous freelance insurance investigator."   There were 809 episodes (plus two not-for-broadcast auditions) in the 12-year run, and more than 710 still exist today. Jim Cox's book American Radio Networks: A History cites "886 total performances" which includes repeat performances. Format
The format best remembered was instituted by writer-director Jack Johnstone. Each case usually started with a phone call from an insurance adjuster, calling on Johnny to investigate an unusual claim: a suspicious death, an attempted fraud, a missing person, or other mysterious circumstances. Each story required Johnny to travel to some distant locale, usually within the United States but sometimes abroad, where he was almost always threatened with personal danger in the course of his investigations. He would compare notes with the police officials who had first investigated each strange occurrence, and followed every clue until he figured out what actually happened. Johnny's file on each case was usually referenced as a "matter," as in "The Silver Blue Matter" or "The Forbes Matter". Later episodes were more fanciful, with titles like "The Wayward Trout Matter" and "The Price of Fame Matter" (the latter featuring a rare guest-star appearance by Vincent Price as himself; here Price and Dollar team up to retrieve a painting stolen by Price's insurance agent). Johnny usually stuck to business, but would sometimes engage in romantic dalliances with women he encountered in his travels; later episodes gave Johnny a steady girlfriend, Betty Lewis. Johnny's precious recreational time was usually spent fishing, and it was not uncommon for Johnny's clients to exploit this favorite pastime in convincing him to take on a job near good fishing locations.   His past was rarely mentioned, but Dollar in “The Bennett Matter” described himself as a four-year US Marine veteran who then worked as a police officer for a decade before changing careers to insurance investigation.[5] In "The Blackburn Case" Dollar also refers to his time as a Pinkerton Detective. Each story was recounted in flashback, and every few minutes the action would be interrupted by Johnny listing a line item from his expense account, which served as an effective scene transition. Most of the expense account related to transportation, lodging, and meals, but no incidental expense was too small for Johnny to itemize, as in "Item nine, 10 cents. Aspirin. I needed them." The monetary amounts weren't always literal: the smallest line item Johnny ever recorded was "two cents: what I felt like" after a professional setback; the largest was "one million dollars" (the way he felt after finding a missing woman and her daughter in a snowbound cabin). The episodes generally finished with Johnny tallying up his expense account and traveling back to Hartford, Connecticut, where he was based. Sometimes Johnny would add a sardonic postscript under "Remarks," detailing the aftermath of the case. ("The Todd Matter," which especially disgusted Johnny, ended abruptly with "Remarks – nil!") In later seasons the program sometimes referred to itself, with other characters recognizing Dollar's voice from the radio; in the episode “The Salkoff Sequel Matter” Johnny's radio show becomes an important plot point. 
Original run
As originally conceived, Johnny Dollar was a smart, tough, wisecracking detective who tossed silver-dollar tips to waiters and bellhops. Dick Powell starred in the audition show, recorded in 1948, but withdrew from the role in favour of other detective programs, Rogue's Gallery and Richard Diamond, Private Detective. The Johnny Dollar role went instead to Charles Russell. The show for which Powell auditioned was originally titled Yours Truly, Lloyd London, although the name of the show and its lead character were changed to avoid legal problems with the actual insurance company, Lloyd's of London, before the audition tape of December 7, 1948, was recorded. With the first three actors to play Johnny Dollar – radio actor Russell and movie tough-guy actors Edmond O'Brien and John Lund – there was little to distinguish Johnny Dollar from other detective series at the time (Richard Diamond, Philip Marlowe and Sam Spade). While always a friend of the police, Johnny wasn't necessarily a stickler for the strictest interpretation of the law. He was willing to let some things slide to satisfy his own sense of justice, as long as the interests of his employer were also protected. The series ended in September 1954. Revival CBS Radio revived Yours Truly, Johnny Dollar in October 1955 with a new leading man, a new director, and a new format. The program changed from a 30-minute, one-episode-per-week program to a 15-minute, five-nights-a-week serial (Monday through Friday, 8–8:15 pm EST) produced and directed by radio veteran Jack Johnstone. The new Johnny Dollar was Bob Bailey, who had just come off another network detective series, Let George Do It. With a new lead and 75 minutes of air time each week, it became possible to develop each storyline with more detail and with more characters. Almost all of the Johnny Dollar serials were presented by CBS Radio on a sustaining basis (unsponsored, with no commercials); only two of the 55 serials take time out for a sponsor's message. Bob Bailey was exceptionally good in this format, making Johnny more sensitive and thoughtful in addition to his other attributes. Vintage-radio enthusiasts often endorse Bailey as the best of the Johnny Dollars, and consider the 13-month run of five-part stories to be some of the greatest drama in radio history. The serial scripts were usually written by Johnstone, "John Dawson" (a pseudonym for E. Jack Neuman), Les Crutchfield, or Robert Ryf. Blake Edwards also contributed several scripts and the show was always produced and directed by Johnstone. The show featured a stock company of supporting actors, including Virginia Gregg, Harry Bartell, Vic Perrin, Lawrence Dobkin, Stacy Harris, Parley Baer, Howard McNear, John Dehner, Barney Phillips, Lillian Buyeff, Tony Barrett, Don Diamond, Alan Reed, and Forrest Lewis. Movie character actors appeared occasionally, including Jay Novello, Hans Conried, Frank Nelson, Leon Belasco, William Conrad, Edgar Barrier, Jeanne Bates, Gloria Blondell, and Billy Halop. In late 1956, CBS Radio retooled the show, which reverted to a weekly half-hour drama, airing on late Sunday afternoons. Bob Bailey continued in the leading role until 1960 and wrote one episode, "The Carmen Kringle Matter," under his first and middle names (Robert Bainter). Staff announcer Dan Cubberly introduced the program during the Edmond O'Brien run; Roy Rowan was the announcer for the first two years of Bob Bailey's run; he also was an announcer on CBS's I Love Lucy. In "The Laird Douglas Matter," the only Johnny Dollar serial played for laughs, Roy Rowan was written into the script as dog-show expert "Ray Roland." In 1957 Rowan was succeeded by Dan Cubberly, returning to the series. Changes at CBS
CBS Radio tried to institute an economy measure in June 1959: its four remaining dramatic series (Yours Truly, Johnny Dollar; Suspense; Gunsmoke starring William Conrad; and Have Gun, Will Travel starring John Dehner) would be moved from Hollywood to New York. The plan met with some resistance, because the cast members and crews of Gunsmoke and Have Gun, Will Travel were willing to cancel the shows themselves rather than move to New York. The situation was stalemated for 17 months, as all four programs remained on the air. Finally, in November 1960, CBS Radio kept Gunsmoke in California, discontinued Have Gun, Will Travel, and moved Yours Truly, Johnny Dollar and Suspense to New York. Bob Bailey, unwilling to relocate, gave up the Johnny Dollar role. Bailey's last performance, aired November 27, 1960, was in a script titled "The Empty Threat Matter," perhaps writer Johnstone's editorial comment on CBS's intention to shut down production in California. In New York, CBS staff producer Bruno Zirato Jr. (who also directed TV game shows for CBS) took over Yours Truly, Johnny Dollar, although Johnstone continued to write the scripts. Former child actor Bob Readick took over the leading role in a manner reminiscent of the original Dollar, Charles Russell. After six months he was replaced by Mandel Kramer, who gave the role his own low-key interpretation. Many fans found Mandel Kramer second only to Bailey as the most effective Johnny Dollar. Both Readick and Kramer were members of CBS's stock company in New York, and both appeared in other CBS dramas. The end
The final episodes of Yours Truly, Johnny Dollar and Suspense, airing on CBS, are often cited as the end of the golden age of radio. The last episode of Johnny Dollar, "The Tip-Off Matter", ended at 6:35 pm. Eastern Time on September 30, 1962, followed immediately by the final broadcast of Suspense. Although network radio drama returned to the airwaves – in ABC's Theater Five (1964–65), and CBS Radio Mystery Theater (1974–82) – these were more experimental "drama workshop" shows, and did not adhere to a continuing format or leading character, albeit the latter did spark a bit of a revival of drama on US commercial radio networks in the 1970s. The "Golden Age" of radio drama, as pioneered in the 1920s, died with Johnny Dollar in 1962. Three unsuccessful attempts were made to transfer the success of Yours Truly, Johnny Dollar to television. Charles Russell starred in a 1949 pilot directed by Ralph Levy, Bob Bailey starred in a 1958 pilot entitled The Adventures of Johnny Dollar (which failed because Bailey's 5-foot 9-inch, 150-pound physique didn't match the tough-guy characterization), and William Bryant starred in a 1962 pilot entitled Johnny Dollar. The latter was written, produced, and directed by Blake Edwards. Actors who portrayed Dollar
Dick Powell (Audition show in 1948)
Charles Russell (February 1949 – January 1950)
Edmond O'Brien (February 1950 – September 1952)
John Lund (November 1952 – September 1954)
Gerald Mohr (Audition show in 1955)
Bob Bailey (October 1955 – November 1960)
Bob Readick (December 1960 – June 1961)
Mandel Kramer (June 1961 – September 1962)
Legacy
Yours Truly, Johnny Dollar was so familiar to CBS Radio's listeners that the network's resident comedians, Bob and Ray, occasionally satirized it. Their version, "Ace Willoughby, International Detective," followed the Johnny Dollar format of exotic locales, continental officials, cool villains, and tense confrontations, with Ray Goulding doing a letter-perfect imitation of Bob Bailey's delivery. In the comedy version, however, the detective usually gave up on the case after being beaten up incessantly. Yours Truly, Johnny Dollar was a popular weekly radio mystery play in the 1960s and early 1970s on Radio Iran. The role of Johnny Dollar was played by Heidar Saremi, a popular radio performer. Contrary to the original, Johnny Dollar was more of a criminal investigator. At the end of each episode, the narrator asked the radio audience how Johnny found the perpetrators, making the show a mystery quiz as well as a drama; those who guessed correctly were entered into a raffle for a prize. In the 1970s and 1980s the comedy troupe The Firesign Theatre released a number of satirical record albums; several featured spoofs of old-time radio featuring the character Nick Danger, Third Eye, who was loosely based on Sam Spade and Johnny Dollar. The scripts included inside references to radio with lines such as, "It had been snowing in Santa Barbara ever since the top of the page," and riffs on radio sound effects. In 2003, Moonstone Books adapted the Yours Truly, Johnny Dollar radio program into a graphic novel illustrated by Éric Thériault and written by David Gallaher. The show has been the opening item on The Big Broadcast on WAMU in Washington, D.C. off and on since the early 1990s. As of August 2017, the show is being aired several times a day on KTQA FM 95.3 in Tacoma, WA and CHLU FM in Middle LaHave, Nova Scotia, Canada. In August 2021, the SiriusXM satellite radio network began airing many episodes of the show on its "Radio Classics" channel 148. As of February 2019, a documentary about the program, Last Man Standing – Johnny Dollar & the End of Old-Time Radio, has been produced.[12] In 2023, a new graphic novel series was launched with Johnny Dollar investigating cybercrimes of the modern age. "The man with the action packed expense account" is a cyberinsurance investigator, taking on ransomware actors in the modern age. 
sleep insomnia relax chill night nightime bed bedtime oldtimeradio drama comedy radio talkradio hancock tonyhancock hancockshalfhour sherlock sherlockholmes radiodrama popular viral viralpodcast podcast brett brettorchard orchard east devon seaton beer lyme regis village condado de alhama spain murcia   
The Golden Age of Radio Also known as the old-time radio (OTR) era, was an era of radio in the United States where it was the dominant electronic home entertainment medium. It began with the birth of commercial radio broadcasting in the early 1920s and lasted through the 1950s, when television gradually superseded radio as the medium of choice for scripted programming, variety and dramatic shows. Radio was the first broadcast medium, and during this period people regularly tuned in to their favourite radio programs, and families gathered to listen to the home radio in the evening. According to a 1947 C. E. Hooper survey, 82 out of 100 Americans were found to be radio listeners. A variety of new entertainment formats and genres were created for the new medium, many of which later migrated to television: radio plays, mystery serials, soap operas, quiz shows, talent shows, daytime and evening variety hours, situation comedies, play-by-play sports, children's shows, cooking shows, and more. In the 1950s, television surpassed radio as the most popular broadcast medium, and commercial radio programming shifted to narrower formats of news, talk, sports and music. Religious broadcasters, listener-supported public radio and college stations provide their own distinctive formats. Origins A family listening to the first broadcasts around 1920 with a crystal radio. The crystal radio, a legacy from the pre-broadcast era, could not power a loudspeaker so the family must share earphones
During the first three decades of radio, from 1887 to about 1920, the technology of transmitting sound was undeveloped; the information-carrying ability of radio waves was the same as a telegraph; the radio signal could be either on or off. Radio communication was by wireless telegraphy; at the sending end, an operator tapped on a switch which caused the radio transmitter to produce a series of pulses of radio waves which spelled out text messages in Morse code. At the receiver these sounded like beeps, requiring an operator who knew Morse code to translate them back to text. This type of radio was used exclusively for person-to-person text communication for commercial, diplomatic and military purposes and hobbyists; broadcasting did not exist. The broadcasts of live drama, comedy, music and news that characterize the Golden Age of Radio had a precedent in the Théâtrophone, commercially introduced in Paris in 1890 and available as late as 1932. It allowed subscribers to eavesdrop on live stage performances and hear news reports by means of a network of telephone lines. The development of radio eliminated the wires and subscription charges from this concept. Between 1900 and 1920 the first technology for transmitting sound by radio was developed, AM (amplitude modulation), and AM broadcasting sprang up around 1920. On Christmas Eve 1906, Reginald Fessenden is said to have broadcast the first radio program, consisting of some violin playing and passages from the Bible. While Fessenden's role as an inventor and early radio experimenter is not in dispute, several contemporary radio researchers have questioned whether the Christmas Eve broadcast took place, or whether the date was, in fact, several weeks earlier. The first apparent published reference to the event was made in 1928 by H. P. Davis, Vice President of Westinghouse, in a lecture given at Harvard University. In 1932 Fessenden cited the Christmas Eve 1906 broadcast event in a letter he wrote to Vice President S. M. Kinter of Westinghouse. Fessenden's wife Helen recounts the broadcast in her book Fessenden: Builder of Tomorrows (1940), eight years after Fessenden's death. The issue of whether the 1906 Fessenden broadcast actually happened is discussed in Donna Halper's article "In Search of the Truth About Fessenden"[2] and also in James O'Neal's essays.[3][4] An annotated argument supporting Fessenden as the world's first radio broadcaster was offered in 2006 by Dr. John S. Belrose, Radioscientist Emeritus at the Communications Research Centre Canada, in his essay "Fessenden's 1906 Christmas Eve broadcast." It was not until after the Titanic catastrophe in 1912 that radio for mass communication came into vogue, inspired first by the work of amateur ("ham") radio operators. Radio was especially important during World War I as it was vital for air and naval operations. World War I brought about major developments in radio, superseding the Morse code of the wireless telegraph with the vocal communication of the wireless telephone, through advancements in vacuum tube technology and the introduction of the transceiver. After the war, numerous radio stations were born in the United States and set the standard for later radio programs. The first radio news program was broadcast on August 31, 1920, on the station 8MK in Detroit; owned by The Detroit News, the station covered local election results. This was followed in 1920 with the first commercial radio station in the United States, KDKA, being established in Pittsburgh. The first regular entertainment programs were broadcast in 1922, and on March 10, Variety carried the front-page headline: "Radio Sweeping Country: 1,000,000 Sets in Use." A highlight of this time was the first Rose Bowl being broadcast on January 1, 1923, on the Los Angeles station KHJ. Growth of radio
Broadcast radio in the United States underwent a period of rapid change through the decade of the 1920s. Technology advances, better regulation, rapid consumer adoption, and the creation of broadcast networks transformed radio from a consumer curiosity into the mass media powerhouse that defined the Golden Age of Radio. Consumer adoption
Through the decade of the 1920s, the purchase of radios by United States homes continued, and accelerated. The Radio Corporation of America (RCA) released figures in 1925 stating that 19% of United States homes owned a radio. The triode and regenerative circuit made amplified, vacuum tube radios widely available to consumers by the second half of the 1920s. The advantage was obvious: several people at once in a home could now easily listen to their radio at the same time. In 1930, 40% of the nation's households owned a radio,[8] a figure that was much higher in suburban and large metropolitan areas. The superheterodyne receiver and other inventions refined radios even further in the next decade; even as the Great Depression ravaged the country in the 1930s, radio would stay at the centre of American life. 83% of American homes would own a radio by 1940. Government regulation
Although radio was well established with United States consumers by the mid-1920s, regulation of the broadcast medium presented its own challenges. Until 1926, broadcast radio power and frequency use was regulated by the U.S. Department of Commerce, until a legal challenge rendered the agency powerless to do so. Congress responded by enacting the Radio Act of 1927, which included the formation of the Federal Radio Commission (FRC). One of the FRC's most important early actions was the adoption of General Order 40, which divided stations on the AM band into three power level categories, which became known as Local, Regional, and Clear Channel, and reorganized station assignments. Based on this plan, effective 3:00 a.m. Eastern time on November 11, 1928, most of the country's stations were assigned to new transmitting frequencies. Broadcast networks
The final element needed to make the Golden Age of Radio possible focused on the question of distribution: the ability for multiple radio stations to simultaneously broadcast the same content, and this would be solved with the concept of a radio network. The earliest radio programs of the 1920s were largely unsponsored; radio stations were a service designed to sell radio receivers. In early 1922, American Telephone & Telegraph Company (AT&T) announced the beginning of advertisement-supported broadcasting on its owned stations, and plans for the development of the first radio network using its telephone lines to transmit the content. In July 1926, AT&T abruptly decided to exit the broadcasting field, and signed an agreement to sell its entire network operations to a group headed by RCA, which used the assets to form the National Broadcasting Company. Four radio networks had formed by 1934. These were: National Broadcasting Company Red Network (NBC Red), launched November 15, 1926. Originally founded as the National Broadcasting Company in late 1926, the company was almost immediately forced to split under antitrust laws to form NBC Red and NBC Blue. When, in 1942, NBC Blue was sold and renamed the Blue Network, this network would go back to calling itself simply the National Broadcasting Company Radio Network (NBC).
National Broadcasting Company Blue Network (NBC Blue); launched January 10, 1927, split from NBC Red. NBC Blue was sold in 1942 and became the Blue Network, and it in turn transferred its assets to a new company, the American Broadcasting Company on June 15, 1945. That network identified itself as the American Broadcasting Company Radio Network (ABC).
Columbia Broadcasting System (CBS), launched September 18, 1927. After an initially struggling attempt to compete with the NBC networks, CBS gained new momentum when William S. Paley was installed as company president.
Mutual Broadcasting System (Mutual), launched September 29, 1934. Mutual was initially run as a cooperative in which the flagship stations owned the network, not the other way around as was the case with the other three radio networks. 
Programming
In the period before and after the advent of the broadcast network, new forms of entertainment needed to be created to fill the time of a station's broadcast day. Many of the formats born in this era continued into the television and digital eras. In the beginning of the Golden Age, network programs were almost exclusively broadcast live, as the national networks prohibited the airing of recorded programs until the late 1940s because of the inferior sound quality of phonograph discs, the only practical recording medium at that time. As a result, network prime-time shows would be performed twice, once for each coast. 
Rehearsal for the World War II radio show You Can't Do Business with Hitler with John Flynn and Virginia Moore. This series of programs, broadcast at least once weekly by more than 790 radio stations in the United States, was written and produced by the radio section of the Office of War Information (OWI).
Live events
Coverage of live events included musical concerts and play-by-play sports broadcasts. News
The capability of the new medium to get information to people created the format of modern radio news: headlines, remote reporting, sidewalk interviews (such as Vox Pop), panel discussions, weather reports, and farm reports. The entry of radio into the realm of news triggered a feud between the radio and newspaper industries in the mid-1930s, eventually culminating in newspapers trumping up exaggerated [citation needed] reports of a mass hysteria from the (entirely fictional) radio presentation of The War of the Worlds, which had been presented as a faux newscast. Musical features
The sponsored musical feature soon became one of the most popular program formats. Most early radio sponsorship came in the form of selling the naming rights to the program, as evidenced by such programs as The A&P Gypsies, Champion Spark Plug Hour, The Clicquot Club Eskimos, and King Biscuit Time; commercials, as they are known in the modern era, were still relatively uncommon and considered intrusive. During the 1930s and 1940s, the leading orchestras were heard often through big band remotes, and NBC's Monitor continued such remotes well into the 1950s by broadcasting live music from New York City jazz clubs to rural America. Singers such as Harriet Lee and Wendell Hall became popular fixtures on network radio beginning in the late 1920s and early 1930s. Local stations often had staff organists such as Jesse Crawford playing popular tunes. Classical music programs on the air included The Voice of Firestone and The Bell Telephone Hour. Texaco sponsored the Metropolitan Opera radio broadcasts; the broadcasts, now sponsored by the Toll Brothers, continue to this day around the world, and are one of the few examples of live classical music still broadcast on radio. One of the most notable of all classical music radio programs of the Golden Age of Radio featured the celebrated Italian conductor Arturo Toscanini conducting the NBC Symphony Orchestra, which had been created especially for him. At that time, nearly all classical musicians and critics considered Toscanini the greatest living maestro. Popular songwriters such as George Gershwin were also featured on radio. (Gershwin, in addition to frequent appearances as a guest, had his own program in 1934.) The New York Philharmonic also had weekly concerts on radio. There was no dedicated classical music radio station like NPR at that time, so classical music programs had to share the network they were broadcast on with more popular ones, much as in the days of television before the creation of NET and PBS. Country music also enjoyed popularity. National Barn Dance, begun on Chicago's WLS in 1924, was picked up by NBC Radio in 1933. In 1925, WSM Barn Dance went on the air from Nashville. It was renamed the Grand Ole Opry in 1927 and NBC carried portions from 1944 to 1956. NBC also aired The Red Foley Show from 1951 to 1961, and ABC Radio carried Ozark Jubilee from 1953 to 1961. Comedy
Radio attracted top comedy talents from vaudeville and Hollywood for many years: Bing Crosby, Abbott and Costello, Fred Allen, Jack Benny, Victor Borge, Fanny Brice, Billie Burke, Bob Burns, Judy Canova, Eddie Cantor, Jimmy Durante, Burns and Allen, Phil Harris, Edgar Bergen, Bob Hope, Groucho Marx, Jean Shepherd, Red Skelton and Ed Wynn. Situational comedies also gained popularity, such as Amos 'n' Andy, Easy Aces, Ethel and Albert, Fibber McGee and Molly, The Goldbergs, The Great Gildersleeve, The Halls of Ivy (which featured screen star Ronald Colman and his wife Benita Hume), Meet Corliss Archer, Meet Millie, and Our Miss Brooks. Radio comedy ran the gamut from the small town humor of Lum and Abner, Herb Shriner and Minnie Pearl to the dialect characterizations of Mel Blanc and the caustic sarcasm of Henry Morgan. Gags galore were delivered weekly on Stop Me If You've Heard This One and Can You Top This?,[18] panel programs devoted to the art of telling jokes. Quiz shows were lampooned on It Pays to Be Ignorant, and other memorable parodies were presented by such satirists as Spike Jones, Stoopnagle and Budd, Stan Freberg and Bob and Ray. British comedy reached American shores in a major assault when NBC carried The Goon Show in the mid-1950s. 
Some shows originated as stage productions: Clifford Goldsmith's play What a Life was reworked into NBC's popular, long-running The Aldrich Family (1939–1953) with the familiar catchphrases "Henry! Henry Aldrich!," followed by Henry's answer, "Coming, Mother!" Moss Hart and George S. Kaufman's Pulitzer Prize-winning Broadway hit, You Can't Take It with You (1936), became a weekly situation comedy heard on Mutual (1944) with Everett Sloane and later on NBC (1951) with Walter Brennan. Other shows were adapted from comic strips, such as Blondie, Dick Tracy, Gasoline Alley, The Gumps, Li'l Abner, Little Orphan Annie, Popeye the Sailor, Red Ryder, Reg'lar Fellers, Terry and the Pirates and Tillie the Toiler. Bob Montana's redheaded teen of comic strips and comic books was heard on radio's Archie Andrews from 1943 to 1953. The Timid Soul was a 1941–1942 comedy based on cartoonist H. T. Webster's famed Caspar Milquetoast character, and Robert L. Ripley's Believe It or Not! was adapted to several different radio formats during the 1930s and 1940s. Conversely, some radio shows gave rise to spinoff comic strips, such as My Friend Irma starring Marie Wilson. Soap operas
The first program generally considered to be a daytime serial drama by scholars of the genre is Painted Dreams, which premiered on WGN on October 20, 1930. The first networked daytime serial is Clara, Lu, 'n Em, which started in a daytime time slot on February 15, 1932. As daytime serials became popular in the early 1930s, they became known as soap operas because many were sponsored by soap products and detergents. On November 25, 1960, the last four daytime radio dramas—Young Dr. Malone, Right to Happiness, The Second Mrs. Burton and Ma Perkins, all broadcast on the CBS Radio Network—were brought to an end. Children's programming
The line-up of late afternoon adventure serials included Bobby Benson and the B-Bar-B Riders, The Cisco Kid, Jack Armstrong, the All-American Boy, Captain Midnight, and The Tom Mix Ralston Straight Shooters. Badges, rings, decoding devices and other radio premiums offered on these adventure shows were often allied with a sponsor's product, requiring the young listeners to mail in a boxtop from a breakfast cereal or other proof of purchase. Radio plays
Radio plays were presented on such programs as 26 by Corwin, NBC Short Story, Arch Oboler's Plays, Quiet, Please, and CBS Radio Workshop. Orson Welles's The Mercury Theatre on the Air and The Campbell Playhouse were considered by many critics to be the finest radio drama anthologies ever presented. They usually starred Welles in the leading role, along with celebrity guest stars such as Margaret Sullavan or Helen Hayes, in adaptations from literature, Broadway, and/or films. They included such titles as Liliom, Oliver Twist (a title now feared lost), A Tale of Two Cities, Lost Horizon, and The Murder of Roger Ackroyd. It was on Mercury Theatre that Welles presented his celebrated-but-infamous 1938 adaptation of H. G. Wells's The War of the Worlds, formatted to sound like a breaking news program. Theatre Guild on the Air presented adaptations of classical and Broadway plays. Their Shakespeare adaptations included a one-hour Macbeth starring Maurice Evans and Judith Anderson, and a 90-minute Hamlet, starring John Gielgud.[22] Recordings of many of these programs survive. During the 1940s, Basil Rathbone and Nigel Bruce, famous for playing Sherlock Holmes and Dr. Watson in films, repeated their characterizations on radio on The New Adventures of Sherlock Holmes, which featured both original stories and episodes directly adapted from Arthur Conan Doyle's stories. None of the episodes in which Rathbone and Bruce starred on the radio program were filmed with the two actors as Holmes and Watson, so radio became the only medium in which audiences were able to experience Rathbone and Bruce appearing in some of the more famous Holmes stories, such as "The Speckled Band". There were also many dramatizations of Sherlock Holmes stories on radio without Rathbone and Bruce. During the latter part of his career, celebrated actor John Barrymore starred in a radio program, Streamlined Shakespeare, which featured him in a series of one-hour adaptations of Shakespeare plays, many of which Barrymore never appeared in either on stage or in films, such as Twelfth Night (in which he played both Malvolio and Sir Toby Belch), and Macbeth. Lux Radio Theatre and The Screen Guild Theater presented adaptations of Hollywood movies, performed before a live audience, usually with cast members from the original films. Suspense, Escape, The Mysterious Traveler and Inner Sanctum Mystery were popular thriller anthology series. Leading writers who created original material for radio included Norman Corwin, Carlton E. Morse, David Goodis, Archibald MacLeish, Arthur Miller, Arch Oboler, Wyllis Cooper, Rod Serling, Jay Bennett, and Irwin Shaw. Game shows
Game shows saw their beginnings in radio. One of the first was Information Please in 1938, and one of the first major successes was Dr. I.Q. in 1939. Winner Take All, which premiered in 1946, was the first to use lockout devices and feature returning champions. A relative of the game show, which would be called the giveaway show in contemporary media, typically involved giving sponsored products to studio audience members, people randomly called by telephone, or both. An early example of this show was the 1939 show Pot o' Gold, but the breakout hit of this type was ABC's Stop the Music in 1948. Winning a prize generally required knowledge of what was being aired on the show at that moment, which led to criticism of the giveaway show as a form of "buying an audience". Giveaway shows were extremely popular through 1948 and 1949. They were often panned as low-brow, and an unsuccessful attempt was even made by the FCC to ban them (as an illegal lottery) in August 1949.[23] Broadcast production methods
The RCA Type 44-BX microphone had two live faces and two dead ones. Thus actors could face each other and react. An actor could give the effect of leaving the room by simply moving their head toward the dead face of the microphone. The scripts were paper-clipped together. It has been disputed whether or not actors and actresses would drop finished pages to the carpeted floor after use. 
Radio stations
Despite a general ban on use of recordings on broadcasts by radio networks through the late 1940s, "reference recordings" on phonograph disc were made of many programs as they were being broadcast, for review by the sponsor and for the network's own archival purposes. With the development of high-fidelity magnetic wire and tape recording in the years following World War II, the networks became more open to airing recorded programs and the prerecording of shows became more common. Local stations, however, had always been free to use recordings and sometimes made substantial use of pre-recorded syndicated programs distributed on pressed (as opposed to individually recorded) transcription discs. Recording was done using a cutting lathe and acetate discs. Programs were normally recorded at 331⁄3 rpm on 16 inch discs, the standard format used for such "electrical transcriptions" from the early 1930s through the 1950s. Sometimes, the groove was cut starting at the inside of the disc and running to the outside. This was useful when the program to be recorded was longer than 15 minutes so required more than one disc side. By recording the first side outside in, the second inside out, and so on, the sound quality at the disc change-over points would match and result in a more seamless playback. An inside start also had the advantage that the thread of material cut from the disc's surface, which had to be kept out of the path of the cutting stylus, was naturally thrown toward the centre of the disc so was automatically out of the way. When cutting an outside start disc, a brush could be used to keep it out of the way by sweeping it toward the middle of the disc. Well-equipped recording lathes used the vacuum from a water aspirator to pick it up as it was cut and deposit it in a water-filled bottle. In addition to convenience, this served a safety purpose, as the cellulose nitrate thread was highly flammable and a loose accumulation of it combusted violently if ignited. Most recordings of radio broadcasts were made at a radio network's studios, or at the facilities of a network-owned or affiliated station, which might have four or more lathes. A small local station often had none. Two lathes were required to capture a program longer than 15 minutes without losing parts of it while discs were flipped over or changed, along with a trained technician to operate them and monitor the recording while it was being made. However, some surviving recordings were produced by local stations. When a substantial number of copies of an electrical transcription were required, as for the distribution of a syndicated program, they were produced by the same process used to make ordinary records. A master recording was cut, then electroplated to produce a stamper from which pressings in vinyl (or, in the case of transcription discs pressed before about 1935, shellac) were moulded in a record press. Armed Forces Radio Service 
Frank Sinatra and Alida Valli converse over Armed Forces Radio Service during World War II
The Armed Forces Radio Service (AFRS) had its origins in the U.S. War Department's quest to improve troop morale. This quest began with short-wave broadcasts of educational and information programs to troops in 1940. In 1941, the War Department began issuing "Buddy Kits" (B-Kits) to departing troops, which consisted of radios, 78 rpm records and electrical transcription discs of radio shows. However, with the entrance of the United States into World War II, the War Department decided that it needed to improve the quality and quantity of its offerings. This began with the broadcasting of its own original variety programs. Command Performance was the first of these, produced for the first time on March 1, 1942. On May 26, 1942, the Armed Forces Radio Service was formally established. Originally, its programming comprised network radio shows with the commercials removed. However, it soon began producing original programming, such as Mail Call, G.I. Journal, Jubilee and GI Jive. At its peak in 1945, the Service produced around 20 hours of original programming each week. From 1943 until 1949 the AFRS also broadcast programs developed through the collaborative efforts of the Office of the Coordinator of Inter-American Affairs and the Columbia Broadcasting System in support of America's cultural diplomacy initiatives and President Franklin Roosevelt's Good Neighbour policy. Included among the popular shows was Viva America which showcased leading musical artists from both North and South America for the entertainment of America's troops. Included among the regular performers were: Alfredo Antonini, Juan Arvizu, Nestor Mesta Chayres, Kate Smith,[26] and John Serry Sr. After the war, the AFRS continued providing programming to troops in Europe. During the 1950s and early 1960s it presented performances by the Army's only symphonic orchestra ensemble—the Seventh Army Symphony Orchestra. It also provided programming for future wars that the United States was involved in. It survives today as a component of the American Forces Network (AFN). All of the shows aired by the AFRS during the Golden Age were recorded as electrical transcription discs, vinyl copies of which were shipped to stations overseas to be broadcast to the troops. People in the United States rarely ever heard programming from the AFRS,[31] though AFRS recordings of Golden Age network shows were occasionally broadcast on some domestic stations beginning in the 1950s. In some cases, the AFRS disc is the only surviving recording of a program. Home radio recordings in the United States
There was some home recording of radio broadcasts in the 1930s and 1940s. Examples from as early as 1930 have been documented. During these years, home recordings were made with disc recorders, most of which were only capable of storing about four minutes of a radio program on each side of a twelve-inch 78 rpm record. Most home recordings were made on even shorter-playing ten-inch or smaller discs. Some home disc recorders offered the option of the 331⁄3 rpm speed used for electrical transcriptions, allowing a recording more than twice as long to be made, although with reduced audio quality. Office dictation equipment was sometimes pressed into service for making recordings of radio broadcasts, but the audio quality of these devices was poor and the resulting recordings were in odd formats that had to be played back on similar equipment. Due to the expense of recorders and the limitations of the recording media, home recording of broadcasts was not common during this period and it was usually limited to brief excerpts. The lack of suitable home recording equipment was somewhat relieved in 1947 with the availability of magnetic wire recorders for domestic use. These were capable of recording an hour-long broadcast on a single small spool of wire, and if a high-quality radio's audio output was recorded directly, rather than by holding a microphone up to its speaker, the recorded sound quality was very good. However, because the wire cost money and, like magnetic tape, could be repeatedly re-used to make new recordings, only a few complete broadcasts appear to have survived on this medium. In fact, there was little home recording of complete radio programs until the early 1950s, when increasingly affordable reel-to-reel tape recorders for home use were introduced to the market. Recording media
Electrical transcription discs   
The War of the Worlds radio broadcast by Orson Welles on electrical transcription disc
Before the early 1950s, when radio networks and local stations wanted to preserve a live broadcast, they did so by means of special phonograph records known as "electrical transcriptions" (ETs), made by cutting a sound-modulated groove into a blank disc. At first, in the early 1930s, the blanks varied in both size and composition, but most often they were simply bare aluminum and the groove was indented rather than cut. Typically, these very early recordings were not made by the network or radio station, but by a private recording service contracted by the broadcast sponsor or one of the performers. The bare aluminum discs were typically 10 or 12 inches in diameter and recorded at the then-standard speed of 78 rpm, which meant that several disc sides were required to accommodate even a 15-minute program. By about 1936, 16-inch aluminum-based discs coated with cellulose nitrate lacquer, commonly known as acetates and recorded at a speed of 331⁄3 rpm, had been adopted by the networks and individual radio stations as the standard medium for recording broadcasts. The making of such recordings, at least for some purposes, then became routine. Some discs were recorded using a "hill and dale" vertically modulated groove, rather than the "lateral" side-to-side modulation found on the records being made for home use at that time. The large slow-speed discs could easily contain fifteen minutes on each side, allowing an hour-long program to be recorded on only two discs. The lacquer was softer than shellac or vinyl and wore more rapidly, allowing only a few playbacks with the heavy pickups and steel needles then in use before deterioration became audible. During World War II, aluminum became a necessary material for the war effort and was in short supply. This caused an alternative to be sought for the base on which to coat the lacquer. Glass, despite its obvious disadvantage of fragility, had occasionally been used in earlier years because it could provide a perfectly smooth and even supporting surface for mastering and other critical applications. Glass base recording blanks came into general use for the duration of the war. Magnetic wire recording
In the late 1940s, wire recorders became a readily obtainable means of recording radio programs. On a per-minute basis, it was less expensive to record a broadcast on wire than on discs. The one-hour program that required the four sides of two 16-inch discs could be recorded intact on a single spool of wire less than three inches in diameter and about half an inch thick. The audio fidelity of a good wire recording was comparable to acetate discs and by comparison the wire was practically indestructible, but it was soon rendered obsolete by the more manageable and easily edited medium of magnetic tape. Reel-to-reel tape recording
Bing Crosby became the first major proponent of magnetic tape recording for radio, and he was the first to use it on network radio, after he did a demonstration program in 1947. Tape had several advantages over earlier recording methods. Running at a sufficiently high speed, it could achieve higher fidelity than both electrical transcription discs and magnetic wire. Discs could be edited only by copying parts of them to a new disc, and the copying entailed a loss of audio quality. Wire could be divided up and the ends spliced together by knotting, but wire was difficult to handle and the crude splices were too noticeable. Tape could be edited by cutting it with a blade and neatly joining ends together with adhesive tape. By early 1949, the transition from live performances preserved on discs to performances pre-recorded on magnetic tape for later broadcast was complete for network radio programs. However, for the physical distribution of pre-recorded programming to individual stations, 16-inch 331⁄3 rpm vinyl pressings, less expensive to produce in quantities of identical copies than tapes, continued to be standard throughout the 1950s. Availability of recordings
The great majority of pre-World War II live radio broadcasts are lost. Many were never recorded; few recordings antedate the early 1930s. Beginning then several of the longer-running radio dramas have their archives complete or nearly complete. The earlier the date, the less likely it is that a recording survives. However, a good number of syndicated programs from this period have survived because copies were distributed far and wide. Recordings of live network broadcasts from the World War II years were preserved in the form of pressed vinyl copies issued by the Armed Forces Radio Service (AFRS) and survive in relative abundance. Syndicated programs from World War II and later years have nearly all survived. The survival of network programming from this time frame is more inconsistent; the networks started prerecording their formerly live shows on magnetic tape for subsequent network broadcast, but did not physically distribute copies, and the expensive tapes, unlike electrical transcription ("ET") discs, could be "wiped" and re-used (especially since, in the age of emerging trends such as television and music radio, such recordings were believed to have virtually no rerun or resale value). Thus, while some prime time network radio series from this era exist in full or almost in full, especially the most famous and longest-lived of them, less prominent or shorter-lived series (such as serials) may have only a handful of extant episodes. Airchecks, off-the-air recordings of complete shows made by, or at the behest of, individuals for their own private use, sometimes help to fill in such gaps. The contents of privately made recordings of live broadcasts from the first half of the 1930s can be of particular interest, as little live material from that period survives. Unfortunately, the sound quality of very early private recordings is often very poor, although in some cases this is largely due to the use of an incorrect playback stylus, which can also badly damage some unusual types of discs. Most of the Golden Age programs in circulation among collectors—whether on analogue tape, CD, or in the form of MP3s—originated from analogue 16-inch transcription disc, although some are off-the-air AM recordings. But in many cases, the circulating recordings are corrupted (decreased in quality), because lossless digital recording for the home market did not come until the very end of the twentieth century. Collectors made and shared recordings on analogue magnetic tapes, the only practical, relatively inexpensive medium, first on reels, then cassettes. "Sharing" usually meant making a duplicate tape. They connected two recorders, playing on one and recording on the other. Analog recordings are never perfect, and copying an analogue recording multiplies the imperfections. With the oldest recordings this can even mean it went out the speaker of one machine and in via the microphone of the other. The muffled sound, dropouts, sudden changes in sound quality, unsteady pitch, and other defects heard all too often are almost always accumulated tape copy defects. In addition, magnetic recordings, unless preserved archivally, are gradually damaged by the Earth's magnetic field. The audio quality of the source discs, when they have survived unscathed and are accessed and dubbed anew, is usually found to be reasonably clear and undistorted, sometimes startlingly good, although like all phonograph records they are vulnerable to wear and the effects of scuffs, scratches, and ground-in dust. Many shows from the 1940s have survived only in edited AFRS versions, although some exist in both the original and AFRS forms. As of 2020, the Old Time Radio collection at the Internet Archive contains 5,121 recordings. An active group of collectors makes digitally available, via CD or download, large collections of programs. RadioEchoes.com offers 98,949 episodes in their collection, but not all is old-time radio. Copyright status
Unlike film, television, and print items from the era, the copyright status of most recordings from the Golden Age of Radio is unclear. This is because, prior to 1972, the United States delegated the copyrighting of sound recordings to the individual states, many of which offered more generous common law copyright protections than the federal government offered for other media (some offered perpetual copyright, which has since been abolished; under the Music Modernization Act of September 2018, any sound recording 95 years old or older will be thrust into the public domain regardless of state law). The only exceptions are AFRS original productions, which are considered work of the United States government and thus both ineligible for federal copyright and outside the jurisdiction of any state; these programs are firmly in the public domain (this does not apply to programs carried by AFRS but produced by commercial networks). In practice, most old-time radio recordings are treated as orphan works: although there may still be a valid copyright on the program, it is seldom enforced. The copyright on an individual sound recording is distinct from the federal copyright for the underlying material (such as a published script, music, or in the case of adaptations, the original film or television material), and in many cases it is impossible to determine where or when the original recording was made or if the recording was copyrighted in that state. The U.S. Copyright Office states "there are a variety of legal regimes governing protection of pre-1972 sound recordings in the various states, and the scope of protection and of exceptions and limitations to that protection is unclear."[39] For example, New York has issued contradicting rulings on whether or not common law exists in that state; the most recent ruling, 2016's Flo & Eddie, Inc. v. Sirius XM Radio, holds that there is no such copyright in New York in regard to public performance.[40] Further complicating matters is that certain examples in case law have implied that radio broadcasts (and faithful reproductions thereof), because they were distributed freely to the public over the air, may not be eligible for copyright in and of themselves. The Internet Archive and other organizations that distribute public domain and open-source audio recordings maintain extensive archives of old-time radio programs. Legacy
United States
Some old-time radio shows continued on the air, although in ever-dwindling numbers, throughout the 1950s, even after their television equivalents had conquered the general public. One factor which helped to kill off old-time radio entirely was the evolution of popular music (including the development of rock and roll), which led to the birth of the top 40 radio format. A top 40 show could be produced in a small studio in a local station with minimal staff. This displaced full-service network radio and hastened the end of the golden-age era of radio drama by 1962. (Radio as a broadcast medium would survive, thanks in part to the proliferation of the transistor radio, and permanent installation in vehicles, making the medium far more portable than television). Full-service stations that did not adopt either top 40 or the mellower beautiful music or MOR formats eventually developed all-news radio in the mid-1960s. Scripted radio comedy and drama in the vein of old-time radio has a limited presence on U.S. radio. Several radio theatre series are still in production in the United States, usually airing on Sunday nights. These include original series such as Imagination Theatre and a radio adaptation of The Twilight Zone TV series, as well as rerun compilations such as the popular daily series When Radio Was and USA Radio Network's Golden Age of Radio Theatre, and weekly programs such as The Big Broadcast on WAMU, hosted by Murray Horwitz. These shows usually air in late nights and/or on weekends on small AM stations. Carl Amari's nationally syndicated radio show Hollywood 360 features 5 old-time radio episodes each week during his 5-hour broadcast. Amari's show is heard on 100+ radio stations coast-to-coast and in 168 countries on American Forces Radio. Local rerun compilations are also heard, primarily on public radio stations. Sirius XM Radio maintains a full-time Radio Classics channel devoted to rebroadcasts of vintage radio shows. Starting in 1974, Garrison Keillor, through his syndicated two-hour-long program A Prairie Home Companion, has provided a living museum of the production, tone and listener's experience of this era of radio for several generations after its demise. Produced live in theatres throughout the country, using the same sound effects and techniques of the era, it ran through 2016 with Keillor as host. The program included segments that were close renditions (in the form of parody) of specific genres of this era, including Westerns ("Dusty and Lefty, The Lives of the Cowboys"), detective procedurals ("Guy Noir, Private Eye") and even advertising through fictional commercials. Keillor also wrote a novel, WLT: A Radio Romance based on a radio station of this era—including a personally narrated version for the ultimate in verisimilitude. Upon Keillor's retirement, replacement host Chris Thile chose to reboot the show (since renamed Live from Here after the syndicator cut ties with Keillor) and eliminate much of the old-time radio trappings of the format; the show was ultimately cancelled in 2020 due to financial and logistics problems. Vintage shows and new audio productions in America are accessible more widely from recordings or by satellite and web broadcasters, rather than over conventional AM and FM radio. The National Audio Theatre Festival is a national organization and yearly conference keeping the audio arts—especially audio drama—alive, and continues to involve long-time voice actors and OTR veterans in its ranks. Its predecessor, the Midwest Radio Theatre Workshop, was first hosted by Jim Jordan, of Fibber McGee and Molly fame, and Norman Corwin advised the organization. One of the longest running radio programs celebrating this era is The Golden Days of Radio, which was hosted on the Armed Forces Radio Service for more than 20 years and overall for more than 50 years by Frank Bresee, who also played "Little Beaver" on the Red Ryder program as a child actor. One of the very few still-running shows from the earlier era of radio is a Christian program entitled Unshackled! The weekly half-hour show, produced in Chicago by Pacific Garden Mission, has been continuously broadcast since 1950. The shows are created using techniques from the 1950s (including home-made sound effects) and are broadcast across the U.S. and around the world by thousands of radio stations. Today, radio performers of the past appear at conventions that feature re-creations of classic shows, as well as music, memorabilia and historical panels. The largest of these events was the Friends of Old Time Radio Convention, held in Newark, New Jersey, which held its final convention in October 2011 after 36 years. Others include REPS in Seattle (June), SPERDVAC in California, the Cincinnati OTR & Nostalgia Convention (April), and the Mid-Atlantic Nostalgia Convention (September). Veterans of the Friends of Old Time Radio Convention, including Chairperson Steven M. Lewis of The Gotham Radio Players, Maggie Thompson, publisher of the Comic Book Buyer's Guide, Craig Wichman of audio drama troupe Quicksilver Audio Theatre and long-time FOTR Publicist Sean Dougherty have launched a successor event, Celebrating Audio Theatre – Old & New, scheduled for October 12–13, 2012. Radio dramas from the golden age are sometimes recreated as live stage performances at such events. One such group, led by director Daniel Smith, has been performing re-creations of old-time radio dramas at Fairfield University's Regina A. Quick Centre for the Arts since the year 2000. The 40th anniversary of what is widely considered the end of the old time radio era (the final broadcasts of Yours Truly, Johnny Dollar and Suspense on September 30, 1962) was marked with a commentary on NPR's All Things Considered. A handful of radio programs from the old-time era remain in production, all from the genres of news, music, or religious broadcasting: the Grand Ole Opry (1925), Music and the Spoken Word (1929), The Lutheran Hour (1930), the CBS World News Roundup (1938), King Biscuit Time (1941) and the Renfro Valley Gatherin' (1943). Of those, all but the Opry maintain their original short-form length of 30 minutes or less. The Wheeling Jamboree counts an earlier program on a competing station as part of its history, tracing its lineage back to 1933. Western revival/comedy act Riders in the Sky produced a radio serial Riders Radio Theatre in the 1980s and 1990s and continues to provide sketch comedy on existing radio programs including the Grand Ole Opry, Midnite Jamboree and WoodSongs Old-Time Radio Hour. Elsewhere
Regular broadcasts of radio plays are also heard in—among other countries—Australia, Croatia, Estonia,[46] France, Germany, Ireland, Japan, New Zealand, Norway, Romania, and Sweden. In the United Kingdom, such scripted radio drama continues on BBC Radio 3 and (principally) BBC Radio 4, the second-most popular radio station in the country, as well as on the rerun channel BBC Radio 4 Extra, which is the seventh-most popular station there.   
Special thanks to Wikipedia. #starradio #totalstar #star1075 #heart #heartradio #lbc #bbc #bbcradio #bbcradio1 #bbcradio2 #bbcradio3 #bbcradio4 #radio4extra #absoluteradio #absolute #capital #capitalradio #greatesthitsradio #hitsradio #radio #adultcontemporary #spain #bristol #frenchay #colyton #lymeregis #seaton #beer #devon #eastdevon #brettorchard #brettsoldtimeradioshow 
fe2f4df62ffeeb8c30c04d3d3454779ca91a4871

The Third Eye Carnival & Political Bloodsport w/Steve Poikonen https://amwakeupshow.com/ https://x.com/SlowNewsDayShow https://x.com/AMwakeup https://rokfin.com/amwakeup Slow News Day | Rokfin The Union of The Unwanted (@uotuw) / X https://lpgeorgia.com/event/convention-2025-fundraising-dinner-2025-03/ https://anartistcollective.com/events/thirdeyecarnivalnashville2025/ tinyurl.com/propshow https://www.youtube.com/BradBinkley https://linktr.ee/bradbinkley https://x.com/freedomactradio Learn more about your ad choices. Visit megaphone.fm/adchoices

Have you ever wished you could access deeper guidance, clarity, and understanding about your life's purpose? What if there was a way to tap into an infinite source of wisdom—one that holds the answers to your past, present, and future?In this episode, we dive into the mystical and transformational world of the Akashic Records with the extraordinary Krista Rauschenberg. As an advanced Akashic reader and breathwork practitioner, Krista's work is about much more than just insight—it's about release, reform, and realignment.Through her practice, she has helped individuals, couples, and even corporations unlock a level of clarity and support they never thought possible. Krista also recently launched the first season of her podcast, Beginner's Guide to the Third Eye, which explores spiritual experiences and the dedicated practitioners guiding people on transformative paths.What You'll Learn in This Episode:✨ What are the Akashic Records? Understanding this energetic archive of your soul's journey✨ How do Akashic readings work? What to expect and how to prepare✨ Breathwork & Sound Therapy: How they enhance healing alongside Akashic work✨ Krista's Journey: From skepticism to spiritual awakening—how she embraced her calling✨ Practical Tips: How to start exploring the Akashic Records on your ownKrista also shares how the Akashic Records are becoming more accessible to everyone, and how our collective consciousness is shifting to integrate this ancient wisdom.More from Krista Rauschenberg:

The 1996 Page/Plant tour of Japan has been extremely well regarded, and documented, for close to 30 years. Thanks to the fantastic audio and video captured, with the ok of the band, by Third Eye, we have a magnificent full stereo recording of February 12, 1996 in Tokyo. We hear a tender Tea for One (only ever played on this tour) with orchestra, a brilliant and bombastic Babe I'm Gonna Leave You, with a nice Stairway tease, and a supremely tight and cool af Whole Lotta Love, which contains the original, the Knebworth version, and new sections exclusive to the Page/Plant partnership. It's awesome. The whole show.

#113: In this episode, Abby shares her SWEAR BY TIPS to unlocking access to your intuition, decalcifying your pineal gland & activating your third eye! If you've been desiring a better relationship with your higher self, your intuition and to awaken your own intuitive / psychic gifts, this episode will leave you with practices, tools and next steps to unlock that. Get ready to give your routines a revamp and start receiving divine information & guidance from your higher self!   Get the Highest Timeline™ app!

Tyler Kamen How to Open a Portal Door 3:06 Third Eye Temple 2025 Tyler Kamen Skies Awaken 5:23 Third Eye Temple 2025 Tyler Kamen Charming King Snake 4:09 Third Eye Temple 2025 Tyler Kamen Those Roads of Old 5:01 Third Eye Temple 2025 Tyler Kamen Fata Morgana 8:34 Third Eye Temple 2025 Tyler Kamen Third […]

Watch the full video version here: https://youtu.be/n9Im5H9vrTY

Is your intuition trying to tell you something? How often do you truly tune into the messages your body is sending? Welcome to part 3 of our transformative 5-part series, where we delve into the sophisticated language of your intuition through your physical body. Discover the incredible ways your heart space, third eye, and even your gut can communicate profound insights from your higher self and the divine. Listen now to discover: How to identify your dominant intuitive physical touchpointsHow to recognize and receive clear intuitive messages from your bodyWhy messages don't need to be translated into words to give you what you needAn invitation that will have you getting to know your intuitive bodily touchpoints, so you can amplify your intuition to the next level!When you understand how your physical body speaks to you on an intuitive level, you'll be able to decode its signals and receive its messages - with MIND-BLOWING results! Timestamps00:00 Introduction00:49 Exploring Intuitive Bodily Touch Points03:10 Heart Space and Higher Self Messages03:56 Third Eye and Source Messages06:18 Channeling and Physical Sensations16:55 Human Design and Intuitive Touch Points23:59 Receiving Messages from Physical Ailments27:10 InvitationLinks:Part 1 - Episode #172: The Mother Tongue of Your IntuitionPart 2 - Episode #173: The Foreign Languages of Your Intuition Stay connected: Soul Guide Circle: JOIN the Soul Guide Circle closed Facebook Group Facebook: FOLLOW on Facebook Instagram: FOLLOW on Instagram Ready to grow a prosperous soul-guided business? BOOK a free Intuitive Consult Leave a review for Soul Guide Radio (and we'll read it on the air!). And...if you take a screenshot of your review and send it to me, and I'll send you an Intuitive Gift of Gratitude

She is a seasoned marketing and branding strategist who specializes in helping companies and individuals create impactful digital strategies and powerful brands. With a solid background in digital marketing, she has built a reputation for delivering results-focused advice and practical solutions. Her approach combines industry knowledge with practical expertise, attracting a significant following among marketing professionals and business leaders. Committed to excellence, she continues to share her insights as a speaker and consultant, helping clients achieve their marketing and branding goals. Joining me on this episode of The MindShare Podcast to talk about ' How to Build Your Personal Brand: Your Strategic Playbook ' is – Special Guest: President of Third Eye Insights Inc. – Camille Moor5:48 * Let's kick things off by setting the stage, how long have you been doing this branding thing for? 8:15 *Can you explain what 'branding' really means in the context of both business and personal identity? 9:39 *Most people believe it's simply about a logo and a set of colors… I believe it's about building mindshare… could you dispel some of the most common myths, particularly in real estate? 11:06 *What are the core elements that make up a strong brand? What must absolutely be in place, and how important is it to know  13:21 *How do we define what the purpose of our new “re-brand” is? 16:32 *Why is authenticity crucial in branding? How does being authentic affect one's market share? 19:49 *How should our listeners differentiate between their personal and professional branding? Are there key aspects that should always be considered? 23:41 *Once someone understands what branding is and what it isn't, what's the first step they should take to build or enhance their brand strategy… how do they determine what their brand is, and/or what it should be? 31:52 *Can you talk about how to choose the right marketing channels that align with one's brand and reach their target audience effectively… what channels do they need to be using? 34:06 *How does consistency in brand messaging contribute to brand recognition and trust? Can you provide examples of how this has worked well for a brand? 45:03 *Do you need to be a social media superstar to make an impact, or is there another way… and what's your take on posing in front of houses and cars that aren't yours? 48:57 *Once a brand is out there, how should our listeners measure its effectiveness? What indicators should they look for? 54:47 *What should our listeners know about launching or relaunching a brand? Are there pitfalls they should avoid… what should an actual “brand launch” look like? 58:32 *How often should someone review and possibly adjust their branding strategy to stay relevant? Thanks for tuning in to this episode of The MindShare PodCast with our special guest: President of Third Eye Insights Inc. – Camille Moore, as we talked about ' How to Build Your Personal Brand: Your Strategic Playbook '.Get your FREE gift on my homepage at www.mindshare101.com just for tuning in!I'd also be really grateful if you could take a quick second to go www.ratethispodcast.com/mindshare101 to rate the show for me.And we haven't connected yet, send me a message!Facebook: facebook.com/mindshare101 Instagram: instagram.com/davidgreenspan101Youtube: youtube.com/@DavidGreenspanLinkedin: linkedin.com/in/mindshare101

Psychic Debbie will connect with the energy of Archangel Raphael. she will say prayers for health, wealth and love. she will also bring in sound healing to help bring forth the energy of Raphael. Psychic Debbie will do oracle cards of Raphael. if you enjoyed this video and would like to make a donation, please use the following link. Thank You. https://psychicdebbie.com/donations/ ENTERTAINMENT ONLY Debbie has 2 powerful videos. Aura, Third Eye, and Chakra Opening Class, and Allowing Your Third Eye To Open. Please go to my website https://www.psychicdebbie.com , and go to Course. Debbie's Links= https://linktr.ee/psychicdebbiegriggs email= photopsychicdebbie@gmail.com email= ghosthuntinggrandmas@gmail.com Debbie's P.O. Box: P.O. Box 5882, Oxnard, CA 93031, or for street addressing: 1961 N. C Street, #5882, Oxnard, CA 93031

Psychic Debbie will be giving her predictions for the month of February 2025. if she has time she will also do some oracle cards. If you enjoyed this video and would like to make a donation, please use the following link. Thank You. https://psychicdebbie.com/donations/ ENTERTAINMENT ONLY Debbie has 2 powerful videos. Aura, Third Eye, and Chakra Opening Class, and Allowing Your Third Eye To Open. Please go to my website https://www.psychicdebbie.com , and go to Course. Debbie's Links= https://linktr.ee/psychicdebbiegriggs email= photopsychicdebbie@gmail.com email= ghosthuntinggrandmas@gmail.com Debbie's P.O. Box: P.O. Box 5882, Oxnard, CA 93031, or for street addressing: 1961 N. C Street, #5882, Oxnard, CA 93031

I have Valentino back to the show to talk about, or rather, question why computers are down, and then we cross into the territory of our babies (my opinion), the AI, and how they affect us spiritually, psychically, metaphysically. This is a video podcast on Spotify. Special thanks to our sponsor, Everclear.com. It is an advice app and website where you can get the clarity you need to create the life you deserve. Want to know more about Valentino? https://www.seersensitives.us/ +1 (856) 497-9050 info@seersensitive.com Etsy: http://www.etsy.com/shop/ValentinoPsychicShop Support the podcast! subscribe and listen at will! Thank you for watching and listening.

Psychic Debbie is wanting to help send prayers and sound healing to the animals that have been effected from the LA fires. She also wants to sending healing prayers to the pets that have had to deal with the cold temperatures, illnesses, etc. world wide. Debbie is NOT a Doctor got to your VET. If you enjoyed this video and would like to make a donation, please use the following link. Thank You. https://psychicdebbie.com/donations/ ENTERTAINMENT ONLY Debbie has 2 powerful videos. Aura, Third Eye, and Chakra Opening Class, and Allowing Your Third Eye To Open. Please go to my website https://www.psychicdebbie.com , and go to Course. Debbie's Links= https://linktr.ee/psychicdebbiegriggs email= photopsychicdebbie@gmail.com email= ghosthuntinggrandmas@gmail.com Debbie's P.O. Box: P.O. Box 5882, Oxnard, CA 93031, or for street addressing: 1961 N. C Street, #5882, Oxnard, CA 93031

Psychic Debbie will be giving you your Chinese zodiac animal its lucky days, flowers, numbers and what could come for you this year of the Snake. If you enjoyed this video and would like to make a donation, please use the following link. Thank You. https://psychicdebbie.com/donations/ ENTERTAINMENT ONLY Debbie has 2 powerful videos. Aura, Third Eye, and Chakra Opening Class, and Allowing Your Third Eye To Open. Please go to my website https://www.psychicdebbie.com , and go to Course. Debbie's Links= https://linktr.ee/psychicdebbiegriggs email= photopsychicdebbie@gmail.com email= ghosthuntinggrandmas@gmail.com Debbie's P.O. Box: P.O. Box 5882, Oxnard, CA 93031, or for street addressing: 1961 N. C Street, #5882, Oxnard, CA 93031

In this meditation we feel into the Third Eye to explore what "Awakening" means for us. For some it is a big Aha! moment that can be life changing but for most it is a gradual shift in consciousness that opens us up to our Higher Self, our inner truth, to connectivity with the wider world and engenders deep compassion and empathy. As we work out how to be in this ever shifting and challenging world, this core of awareness supports and serves us. It also spreads into the world more love, more understanding and raises the common vibration. The more that we can do this - spread this sense of awakening - the better for society, for the Earth and for the collective consciousness. We start with ourselves and let the ripples spread... Much love Rosanne xxx To subscribe to the podcast and gain access to longer, deeper meditations and much more please visit https://podcasters.spotify.com/pod/show/rosanne92/subscribe   Website - https://chakra-way.com/ Instagram - https://www.instagram.com/yogawithrosanne/ TikTok - https://www.tiktok.com/@thechakraway Facebook - https://www.facebook.com/chakrawayyoga/ YouTube - https://www.youtube.com/@thechakraway9141/videos

Special episode with DG and Kristen of the Sinsomnia podcast on the instincts in chakras. Link for the Chakra/Instinct Correlation Diagram to follow along in our conversation: https://drive.google.com/file/d/1RBqzLoZ5X0JEqE_LlVlYVqOkzg61bL-c/view?usp=sharing —(1:27) - The archetypal sexual instinct; destruction and creation —(6:05) - Self-Preservation concretizing out of fear, the shadow side of the sexual instinct in war —(9:09) - The 7 chakras and their overlap with the enneagram instinctual stackings —(17:11) - The significance in the numbers of leaves on the chakra lotus' —(24:42) - Tracking the instincts through the centers in the dream realm —(28:25) - Kristen links the chakras in a different way —(31:12) - The Sexual instinct in the Root, Sacral, and Solar Plexus chakras —(39:13) - The Social instinct within the Heart chakra —(42:31) - The Self-Preservation instinct overlapping the Throat and Third Eye chakras —(47:17) - David brings his wisdom; kundalini and the practice of alchemy —(54:30) - Social blind deadness and Vampires Get the new intro Enneagram Audio Course from Josh & John: https://www.theenneagramschool.com/intro-enneagram-course Get typed by us and subscribe to watch typing classes on Luigi Mangione, Angelina Jolie, and Junji Ito 9w19w88w99w81w99w89w16w76w79w19w86w59w89w19w86w76w79w8 https://www.enneagrammer.com/ Donate to support the show: https://paypal.me/bighormone venmo - @bighormone Alexandra's astrology-enneagram readings and trash tv gossip: https://www.saturnruled9.com Buy John's instinct book: https://www.amazon.com/dp/0578784971/ref=cm_sw_r_cp_api_glt_fabc_VZ3VZVEG0M1RY42AWN2T You're a bread person if you only have one copy of DG's Trifix Booklet: https://www.enneagrammer.com/store/trifix-venn-booklet-david-gray Call the BHE hotline with your questions at (323) 696-0647. Or you can also email bhepodcast@gmail.com or DM us with a pre-recorded voice message

In this episode of the Next Level Healing Podcast, Dr. Tara Perry interviews Susan Reintjes, a renowned psychic healer and Jungian-inspired psychotherapist. Susan is well-known for having worked with 40-Week NYT Bestselling author and Next Level Healing guest, Dr. Eben Alexander during a period of great transformation in his life. This is an episode you don't want to miss!Work with Dr. Tara PerryTune in every week for a new episode of Next Level Healing. Subscribe on your favorite podcasting platform and never miss an episode!