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4 episodes with anne ramsay
Send us a textThis week, the boys sit down with the stars of The Taking of Deborah Logan, Jill Larson and Anne Ramsay! We are celebrating 10 years of the found footage phenomenon: talking about their experiences, getting into characters, their careers and more! The boys also review movies such as V/H/S Beyond, Joker: Folie à Deux, Frankie Freako, Little Bites, Oddity, Attend this year's Beyond Fest, witness a drunk person be arrested at a screening of The Fall, and Correia's chair is squeaky. IT'S ALL NEW ON EYE ON HORROR!Find out about 10 year celebrations, screenings, and the new special edition blu-ray of The Taking of Deborah Logan: https://ihorror.com/ihorror-exclusive-the-taking-of-deborah-logan-celebrates-10-years-with-special-event-blu-ray/Movies Mentioned in the show: https://boxd.it/zxhVqFollow us on the socials: @EyeOnHorror or check out https://linktr.ee/EyeOnHorrorGet more horror movie news at: https://ihorror.com
Shed your skin and hold your children close, this week we gulp down "The Taking of Deborah Logan".Music and sound effects provided by zapslat.com and bensound.com, and the theme song is "Graveyard Shift" by Kevin MacLeod. https://creativecommons.org/licenses/by/4.0/
The MRT Crew reviews this Wes Craven directed film about a computer prodigy who thinks it's a good idea to implant his robot's CPU into the brain of his recently deceased girlfriend. Hijinks of course ensue. We also talk about where Wes Craven was in his career at the time, where the heck Anne Ramsay came from, notable movie robots, and the difference between robots/androids/cyborgs. Oh, and Swamp Thing. We talk about him too.
Spooky Month is now upon us, to kick off this month of horror we watched the 2014 found footage film The Taking of Deborah Logan. Directed by Adam Robitel, it tells the story of a documentary crew making a film about Alzheimer's patients who uncover something sinister while documenting a woman who has the disease. The film stars Jill Larson, Anne Ramsay and Michelle Ang. Come join us!!!! Website : http://tortelliniatnoon.com/ Instagram: https://www.instagram.com/tortelliniatnoonpodcast/ Facebook: https://www.facebook.com/TortelliniAtNoon Twitter: https://twitter.com/PastaMoviePod
Three podcast veterans, best friends for many years, gather together to support their producer after he sees a horrifying video, and the metaphoric ghosts of their past become all-too-literal. On Episode 568 of Trick or Treat Radio we discuss the Shudder Exclusive film, Brooklyn 45 from director/writer Ted Geoghegan! We also have an extended Coffin Corner, we celebrate MZ and Wolfie's birthdays, and we discuss the need to constantly re-examine the way you think. So grab your favorite bandana, wrap it around your head, hold hands to form a circle, and strap on for the world's most dangerous podcast!Stuff we talk about: Deadstream, steel book releases, embarrassing yourself at WalMart, bloated coffin corner, Jackson Pollock, what's on Ravenshadow's head?, the unsung hero, Bed Intruder Song, RIP Sheiky Baby, B. Brian Blair, Hulk Hogan, Kevin Nash, Kliq This Podcast, Dark Side of the Ring, Iron Sheik stories, Magnum T.A., Ric Flair, Kayfabe, CM Punk, the kick of kicking out cords, The King of Kicking Out, RIP Treat Williams, Dead Heat, Joe Piscopo, Brion James, movie mashups, Red Heat, Red Dead Heat, The Phantom, Billy Zane, James Remar, Darkman, The Adventures of Ford Fairlane, Renny Harlin, Andrew Dice Clay, Where in the World is Barry Sobel?, Ian Ziering, Beverly Hills 90210, Marty Feldman, Anne Ramsay, Throw Momma From the Train, Annie Ross, Pump Up the Volume, Superman III, They're Watching, Brooklyn 45, Ted Geoghegan, Larry Fessenden, The Ranger, Ezra Buzzington, Kristina Klebe, movies that could be a stage play, Two Witches, A League of Their Own, Pencil Pushers, military veterans, The Hateful Eight, Victorian setting, Clue, Jeremy Holm, The Rocketeer, Timothy Dalton, World War 2, bias overruling logic, seances, the prequel to Brooklyn 99, Sisu, 12 Angry Men, Renfield, Muppets, Electric Mayhem, Peter Jackson, and the Feebles becoming Muppet canon.Support us on Patreon: https://www.patreon.com/trickortreatradioJoin our Discord Community: discord.trickortreatradio.comSend Email/Voicemail: mailto:podcast@trickortreatradio.comVisit our website: http://trickortreatradio.comStart your own podcast: https://www.buzzsprout.com/?referrer_id=386Use our Amazon link: http://amzn.to/2CTdZzKFB Group: http://www.facebook.com/groups/trickortreatradioTwitter: http://twitter.com/TrickTreatRadioFacebook: http://facebook.com/TrickOrTreatRadioYouTube: http://youtube.com/TrickOrTreatRadioInstagram: http://instagram.com/TrickorTreatRadioSupport the show
It's Short King Spring... apparently, and we got a twofer this week, as we say goodbye to April with our Movie of the Month episode. This week, we're watching Short Kings Billy Crystal and Danny Devito plot to rid Anne Ramsay from their lives in Throw Momma From the Train. Join us as we discuss, Danny Devito's directorial debut, the chemistry between our two leads, and maybe a sexual attraction to trains. Find us on Twitter and Instagram @TCTAMPod and on TikTok @theycalledthisamovie.Our theme music was written and performed by Dave Katusa. He can be found on Instagram @dkat_productions.
Larry struggles to pronounce a bunch of scientific names of sexual proclivities and makes Zig guess what they are. Also, Anne Ramsay, a news update, and a horrible impression.
The 12 Comms of Bingemas continues with a commentary for a Binge Media Christmas favorite, Scrooged! Bill Murray. Bobcat Goldthwaite. David Johansen. Anne Ramsay. What's not to like? We'll be releasing 3 commentaries on the regular feed and the rest will be on our Patreon. Check out the list below! If you liked the 12 Comms of Bingemas for Die Hard, head over to Patreon.com/BingeMedia to sign up for The Full Binge to make sure you don't miss out on the rest of the 12 Comms of Bingemas! Subscribers to The Full Binge also receive access to all exclusive content including commentaries and tournaments, access to the Binge Media Discord server, a Lawlapalooza shot and/or pint glass and, most importantly, all the burps. Scrooged Commentary Listen to the Wake & Bake Bingemas Extravaganza Support Binge Media! Leave a voicemail for The BingeCast at 708-406-9546 Subscribe to The Full Binge on Patreon Follow Binge Media on Facebook Join the Binge Media Facebook Group Follow Binge Media on Instagram Go to ParkScents.com and use the discount code BINGE20 at checkout for 20% off your entire order Additional music by Karl Casey @ White Bat Audio
On this actual final episode of 2022, we take a look back at our favorite Christmas movie of the decade, Danny DeVito's 1989 film The War of the Roses. ----more---- TRANSCRIPT Hello, and welcome to The 80s Movies Podcast. I am your host, Edward Havens. Thank you for listening today. Before we get started, yes, I said our previous episode, on Michael Jackson's Thriller, was going to be our last episode of 2022. When I wrote that, and when I said that, I meant it. But then, after publishing that episode, I got to thinking about Christmas, and some of my favorite Christmas movies, and it reminded me I have considering doing an episode about my favorite Christmas movie from the 1980s, and decided to make myself an unintentional liar by coming back one more time. So, for the final time in 2022, this time for real, I present this new episode of The 80s Movie Podcast. This time, we'll be talking about Danny DeVito's best film as a director, The War of the Roses. The genesis of War of the Roses was a novel by American author and playwright Warren Adler. After graduating from NYU with a degree in English literature, in a class that included Mario Puzo, the author of The Godfather, and William Styron, who won the 1968 Pulitzer Prize for Fiction for his novel The Confessions of Nat Turner, Adler paved an interesting road before becoming a novelist. He worked as a journalist at the New York Daily News, before becoming the editor of the Queens Post, an independent weekly newspaper devoted to all things happening in that New York City borough. He would buy four radio stations and a television station in New York City, before opening his own advertising and public relations firm in Washington D.C. Adler would create ads for politicians, businesses and communities all across the nation. In fact, it was Warren Adler who would create the name of the DC complex whose name is now synonymous with high crimes: Watergate. In 1974, he would sell the firm, and the stations, after the publication of his first novel, Undertow. The War of the Roses would be Adler's seventh novel to be published in as many years, and the first of four to be published in 1981 alone. The novel follows Jonathan and Barbara Rose, who, initially, seem to be the perfect couple. He has a thriving career as a lawyer, she is an up-an-coming entrepreneur with an exceptional pâté recipe. Their extravagant home holds a collection of antiquities purchased over the years, and they enjoy their life with their children Evie and Josh. One day, Jonathan suffers what seems to be a heart attack, to which Barbara responds by asking for a divorce. Very quickly, their mutual love turns to a destructive hatred, especially after Jonathan, trying to save his marriage despite his wife's de facto declaration of lost love for her husband, decides to invoke an old state law that allows a husband to remain in his house while in the process of divorce. The novel became an immediate sensation, but Hollywood had already come knocking on Mr. Adler's door seven months before the book's publication. Richard D. Zanuck, the son of legendary Fox studio head Daryl Zanuck, and his producing partner David Brown, would purchase the movie rights to the book in September 1980 through their production deal at Fox. The producers, whose credits included The Sting and Jaws, would hire Adler to write the screenplay adaptation of his novel, but they seemingly would let the film rights lapse after two years. James L. Brooks, the television writer and producer who created The Mary Tyler Moore Show and Taxi, was transitioning to movies, and purchased the movie rights to the book, which he would produce for Polly Platt, the former wife of filmmaker Peter Bogdanovich who had made a name for herself as an art director, costume designer, screenwriter and producer, including as the production designer and on-set sounding board for Brooks on Terms of Endearment. At the time, Brooks was working at Paramount Pictures, but in 1986, he would end his association with that studio when Fox would offer Brooks the opportunity to create his own production company at the studio, Gracie Films. When the transfer of Brooks' properties from Paramount to Fox was being worked on, it was discovered that Brooks didn't actually own the movie rights to War of the Roses after all. In fact, Arnon Milchan, an Israeli businessman who had been making a splash in the film industry financing movies like Martin Scorsese's The King of Comedy, Ridley Scott's Legend and Terry Gilliam's Brazil, had actually purchased the movie rights to the novel before the Zanuck/Brown option seemingly lapsed, which would require Brooks to enter into a new round of negotiations to secure the rights once and for all. Milchan would sell them to Gracie Films for $300k and a producer credit on the final film. Once the rights were finally and properly secured, Brooks would hire Michael Neeson, a writer Brooks had worked with on The Mary Tyler Moore, Rhoda and Taxi, to write the screenplay. But instead of spending time getting ready to make her directorial debut, Platt instead took a job as the production designer on George Miller's adaptation of John Updike's The Witches of Eastwick. In fact, Miller was so keen on getting Platt involved in his production that he would consider shooting a good portion of the movie in Platt's hometown of Hingham, Massachusetts, although they would eventually spend most of the location shoot in nearby Colhasset, which had more of the historical buildings Miller wanted for the film. Platt would finish her work on Witches before Brooks would begin shooting his Terms of Endearment follow-up, Broadcast News, on which Polly would serve as an executive producer, but her leaving Brooks for several months to work on someone else's film would begin a fracture between the two that would lead to Platt leaving Gracie Films in a few years. But not before she helped with the creation of The Tracy Ullman Show, one of the earliest shows on the then-brand new Fox television network, which included a short animated segment each week about a quirky family in a town called Springfield. The Simpsons. While Platt was in New England working on Witches, James L. Brooks would visit an old friend, Danny DeVito, who was shooting his feature directing debut, Throw Momma From the Train. DeVito had known about The War of the Roses for years, and really wanted to make it as a director, but knowing how important the project was to Platt, he would defer his interest in the film. In a July 2020 episode of Karina Longworth's excellent podcast You Must Remember This, Danny DeVito tells Longworth that he only became involved in the film when Brooks told him the project was not going to move forward with Polly Platt. And sidebar, if you aren't familiar with Polly Platt or her importance to cinema and pop culture, I highly encourage you to listen to Ms. Longworth's entire season about Ms. Platt. Polly Platt was an amazing, complicated woman who deserves a better legacy. Just trust me on this. Please. Okay, so now were at the end of 1986. Polly Platt was out as the director of The War of the Roses, even if she didn't know she was out at the time. So what could DeVito bring to the project that Platt could not? DeVito had just finished his first feature film as a director. And while Momma wasn't a big hit when it was released in December 1987, it was successful enough at the box office, and the film would garner an unlikely Oscar nomination for Anne Ramsay, the actress who played the film's diminutive title character. But more importantly, DeVito could bring in Michael Douglas and Kathleen Turner, his co-stars on Romancing the Stone and The Jewel of the Nile, to play the now Oliver and Barbara Rose. The three actors had had spent years looking for another project unrelated to that other series they could make together. Douglas would sign on to the project before his amazing fall and winter 1987 run, first as the star of the mega-hit Fatal Attraction, and then as the star of Wall Street, which would garner him an Academy Award for Best Actor. Turner had been taking some time off from acting after finishing Peggy Sue Got Married in July 1985, and was pregnant with her daughter Rachel when DeVito approached her about The War of the Roses. Turner was already working on a comedy called Switching Channels, which had to finish shooting by early July 1987, as Turner's pregnancy would be rather visible if shooting lasted any longer. She had also committed to being a featured actor in Body Heat director Lawrence Kasdan's The Accidental Tourist, which would also re-team Turner with William Hurt. But she would agree to star in The War of the Roses if they could give her some time being a new mom before shooting began. DeVito and Leeson would continue to work on the script. As there was no character in the novel that would work for the compact actor/director, the two would create a framing device for the story. DeVito would play Gavin D'Amato, a divorce lawyer who was friends with Oliver Rose, who tells the story of Oliver and Barbara Rose to a potential client, played by Dan Castellaneta, the voice of Homer Simpson, as a way of trying to get his client to reconsider splitting with his wife. The character of Gavin D'Amato would take the place of Murray Goldstein in the novel, an overweight former rabbi who would only meet Oliver Rose during the course of the story. Sean Astin, who had made a splash a few years earlier as the lead in The Goonies, would be cast as the Rose's teenage son Josh, while newcomer Heather Fairfield would get her first major movie role playing the Roses' daughter Evie, who would be renamed Carolyn for the movie. The other major change DeVito and Leeson would make to the story would be to change the Roses' sitter from a teenager to a fortysomething woman, as they would be able to get German actress Marianne Sägebrecht, who had just found international stardom as the star of Percy Adlon's surprise global hit Baghdad Cafe, to come aboard. Although the $26m film took place on the East Coast, the scenes not shot on the sound stages at Fox Studios in Los Angeles were filmed in Coupeville, WA, a small town on Whidbey Island, about forty miles north of Seattle, which had never been used as a filming location before. Filming would begin on Stage 6 on the Fox lot, which was set up as the main living area for the Roses' house, on March 21st, 1989. The production would shoot as much of the film on the soundstages until April 7th, which was the first day they would be allowed to shoot in Coupeville. The evening of April 6th, though, would be spent on the backlot of Universal Studios, which was the only available space in Los Angeles at the time to accommodate shooting a massive, snowy Christmas Eve scene standing in for Cambridge, MA. Two days after arriving in Coupeville, DeVito would discover a note on his rental car parked at the hotel where the production had its base, stating that thieves had stolen the dailies from the first day of location shooting, and demanded a ransom to have the footage returned. But DeVito was quickly able to find the dailies had not been stolen, and just laughed the note off as a prank. After several weeks in Washington State, the production would return to Los Angeles to finish the remainder of the set shooting on the Fox Lot, as well as a few additional shots of homes in the Los Angeles neighborhood of Hancock Park, standing in suburban Washington D.C. Shooting would finish on July 25th, which would give DeVito and his team less than four and a half months to get the film ready for its planned December 8th release date. Because the editing team lead by Lynne Klingman had been putting together an assembly cut for DeVito during production, the director was able to screen his first cut of the film for Fox executives in mid-August. That cut would run three hours and four minutes. But that's what an assembly cut is for. You get to see all the stuff you shot put together, and see what you need to whittle down, what you need to move around, and what you need to get rid of completely. Over the course of the next few months, DeVito and the editors would get the movie down to a tight one hour and fifty six minutes. And unlike many movies then and now, there were very few scenes that needed to be reshot or added in. One shot that would be added after the audiences at several test screenings was horrified at the suggestion that Barbara's pâté may have been made with the family dog. DeVito would later state that he always meant to have a shot of the dog later in the movie, but it was definitely a late addition after the first few test screenings. The War of the Roses would hold its world premiere at Century Plaza Cinemas in Century City, about a mile from the Fox lot, on December 4th, 1989. It would be a star-studded affair that included DeVito, Turner, and Douglas, who brought his father Kirk along with him, along with Courtney Cox, Olivia Newton-John, Kelly Preston, Mimi Rogers, Christian Slater and Samantha Morton, Oliver Stone, and Jennifer Tilly, followed by a New York City premiere two days later at the Gotham Theatre. The film would open in 1259 theatres on Friday, December 8th, and would be the highest grossing film in the nation, taking in $9.5m, knocking the previous week's #1 film, National Lampoon's Christmas Vacation, out of the top spot. It would fall to second place in its second week, as Christmas Vacation retook first place, and it would fall to third place during the long Christmas weekend. However, in its fourth week of release, the long New Years weekend, The War of the Roses would retake the top spot for the second and final time. At the end of the year, after 25 days of release, the film had grossed $43.85m, or the equivalent of $105m in 2022 dollars. The film would continue to stay strong for several more weeks, staying in the top ten until mid-February, before ending its run in theatres in the spring with $86.89m. The reviews were pretty good, with particular praise heaped upon Douglas and Turner's performances as well as DeVito's direction. But, sadly, there would be little awards love for the film. The Golden Globes would nominate the film for Best Comedy, and both Turner and Douglas for lead comedy performances, and the British Academy would nominate Michael Leeson for his screenplay, but would be completely shut out at the Academy Awards. I love the movie. It was one of the first movies I bought on Laserdisc back in the early 1990s, and when I call it a box set, I mean it was actually two discs and a four page booklet about the movie not in an album-like slipcover but an actual box. The movie was on the first disc, with roughly an hour on each side, which included a separate audio track for DeVito's commentary and a personal introduction to the film by DeVito, while the second disc featured deleted scenes, theatrical trailers, a copy of the shooting script, production stills, and a gallery of the theatrical posters. For a guy who had spent years building an enviable VHS videotape collection, this was next level stuff most people wouldn't get to experience for nearly another decade. More than thirty years after Warren Adler published The War of the Roses, he would release a sequel to his novel, entitled The Children of the Roses. Josh and Evie are now adults. Josh is married with two children himself, a boy and a girl, Michael and Emily. Much like his parents' marriage, Josh's marriage to Victoria seems to be picture perfect on the outside, but after their son gets caught up in a caper at his elite private school involving stolen Milky Way bars, Josh finds himself in his own War of the Roses. Evie, who still copes with her depression by eating, comforts her niece and nephew with loads of food, since to Evie still, food is love, while Michael and Emily decide for themselves that their parents will stay together no matter what. While the book was not a best seller like the first book, it would still sell quite well, as did almost every one of the other 43 books Adler would write and publish until his passing in 2019 at the age of 91. Thank you for joining us for this year's Christmas episode of The 80s Movie Podcast. We'll talk again in early 2023, when Episode 98, about Neil Diamond's sole attempt at movie acting, The Jazz Singer, is released. Remember to visit this episode's page on our website, The80sMoviePodcast.com, for extra materials about The War of the Roses. The 80s Movies Podcast has been researched, written, narrated and edited by Edward Havens for Idiosyncratic Entertainment. Thank you again. Good night.
On this actual final episode of 2022, we take a look back at our favorite Christmas movie of the decade, Danny DeVito's 1989 film The War of the Roses. ----more---- TRANSCRIPT Hello, and welcome to The 80s Movies Podcast. I am your host, Edward Havens. Thank you for listening today. Before we get started, yes, I said our previous episode, on Michael Jackson's Thriller, was going to be our last episode of 2022. When I wrote that, and when I said that, I meant it. But then, after publishing that episode, I got to thinking about Christmas, and some of my favorite Christmas movies, and it reminded me I have considering doing an episode about my favorite Christmas movie from the 1980s, and decided to make myself an unintentional liar by coming back one more time. So, for the final time in 2022, this time for real, I present this new episode of The 80s Movie Podcast. This time, we'll be talking about Danny DeVito's best film as a director, The War of the Roses. The genesis of War of the Roses was a novel by American author and playwright Warren Adler. After graduating from NYU with a degree in English literature, in a class that included Mario Puzo, the author of The Godfather, and William Styron, who won the 1968 Pulitzer Prize for Fiction for his novel The Confessions of Nat Turner, Adler paved an interesting road before becoming a novelist. He worked as a journalist at the New York Daily News, before becoming the editor of the Queens Post, an independent weekly newspaper devoted to all things happening in that New York City borough. He would buy four radio stations and a television station in New York City, before opening his own advertising and public relations firm in Washington D.C. Adler would create ads for politicians, businesses and communities all across the nation. In fact, it was Warren Adler who would create the name of the DC complex whose name is now synonymous with high crimes: Watergate. In 1974, he would sell the firm, and the stations, after the publication of his first novel, Undertow. The War of the Roses would be Adler's seventh novel to be published in as many years, and the first of four to be published in 1981 alone. The novel follows Jonathan and Barbara Rose, who, initially, seem to be the perfect couple. He has a thriving career as a lawyer, she is an up-an-coming entrepreneur with an exceptional pâté recipe. Their extravagant home holds a collection of antiquities purchased over the years, and they enjoy their life with their children Evie and Josh. One day, Jonathan suffers what seems to be a heart attack, to which Barbara responds by asking for a divorce. Very quickly, their mutual love turns to a destructive hatred, especially after Jonathan, trying to save his marriage despite his wife's de facto declaration of lost love for her husband, decides to invoke an old state law that allows a husband to remain in his house while in the process of divorce. The novel became an immediate sensation, but Hollywood had already come knocking on Mr. Adler's door seven months before the book's publication. Richard D. Zanuck, the son of legendary Fox studio head Daryl Zanuck, and his producing partner David Brown, would purchase the movie rights to the book in September 1980 through their production deal at Fox. The producers, whose credits included The Sting and Jaws, would hire Adler to write the screenplay adaptation of his novel, but they seemingly would let the film rights lapse after two years. James L. Brooks, the television writer and producer who created The Mary Tyler Moore Show and Taxi, was transitioning to movies, and purchased the movie rights to the book, which he would produce for Polly Platt, the former wife of filmmaker Peter Bogdanovich who had made a name for herself as an art director, costume designer, screenwriter and producer, including as the production designer and on-set sounding board for Brooks on Terms of Endearment. At the time, Brooks was working at Paramount Pictures, but in 1986, he would end his association with that studio when Fox would offer Brooks the opportunity to create his own production company at the studio, Gracie Films. When the transfer of Brooks' properties from Paramount to Fox was being worked on, it was discovered that Brooks didn't actually own the movie rights to War of the Roses after all. In fact, Arnon Milchan, an Israeli businessman who had been making a splash in the film industry financing movies like Martin Scorsese's The King of Comedy, Ridley Scott's Legend and Terry Gilliam's Brazil, had actually purchased the movie rights to the novel before the Zanuck/Brown option seemingly lapsed, which would require Brooks to enter into a new round of negotiations to secure the rights once and for all. Milchan would sell them to Gracie Films for $300k and a producer credit on the final film. Once the rights were finally and properly secured, Brooks would hire Michael Neeson, a writer Brooks had worked with on The Mary Tyler Moore, Rhoda and Taxi, to write the screenplay. But instead of spending time getting ready to make her directorial debut, Platt instead took a job as the production designer on George Miller's adaptation of John Updike's The Witches of Eastwick. In fact, Miller was so keen on getting Platt involved in his production that he would consider shooting a good portion of the movie in Platt's hometown of Hingham, Massachusetts, although they would eventually spend most of the location shoot in nearby Colhasset, which had more of the historical buildings Miller wanted for the film. Platt would finish her work on Witches before Brooks would begin shooting his Terms of Endearment follow-up, Broadcast News, on which Polly would serve as an executive producer, but her leaving Brooks for several months to work on someone else's film would begin a fracture between the two that would lead to Platt leaving Gracie Films in a few years. But not before she helped with the creation of The Tracy Ullman Show, one of the earliest shows on the then-brand new Fox television network, which included a short animated segment each week about a quirky family in a town called Springfield. The Simpsons. While Platt was in New England working on Witches, James L. Brooks would visit an old friend, Danny DeVito, who was shooting his feature directing debut, Throw Momma From the Train. DeVito had known about The War of the Roses for years, and really wanted to make it as a director, but knowing how important the project was to Platt, he would defer his interest in the film. In a July 2020 episode of Karina Longworth's excellent podcast You Must Remember This, Danny DeVito tells Longworth that he only became involved in the film when Brooks told him the project was not going to move forward with Polly Platt. And sidebar, if you aren't familiar with Polly Platt or her importance to cinema and pop culture, I highly encourage you to listen to Ms. Longworth's entire season about Ms. Platt. Polly Platt was an amazing, complicated woman who deserves a better legacy. Just trust me on this. Please. Okay, so now were at the end of 1986. Polly Platt was out as the director of The War of the Roses, even if she didn't know she was out at the time. So what could DeVito bring to the project that Platt could not? DeVito had just finished his first feature film as a director. And while Momma wasn't a big hit when it was released in December 1987, it was successful enough at the box office, and the film would garner an unlikely Oscar nomination for Anne Ramsay, the actress who played the film's diminutive title character. But more importantly, DeVito could bring in Michael Douglas and Kathleen Turner, his co-stars on Romancing the Stone and The Jewel of the Nile, to play the now Oliver and Barbara Rose. The three actors had had spent years looking for another project unrelated to that other series they could make together. Douglas would sign on to the project before his amazing fall and winter 1987 run, first as the star of the mega-hit Fatal Attraction, and then as the star of Wall Street, which would garner him an Academy Award for Best Actor. Turner had been taking some time off from acting after finishing Peggy Sue Got Married in July 1985, and was pregnant with her daughter Rachel when DeVito approached her about The War of the Roses. Turner was already working on a comedy called Switching Channels, which had to finish shooting by early July 1987, as Turner's pregnancy would be rather visible if shooting lasted any longer. She had also committed to being a featured actor in Body Heat director Lawrence Kasdan's The Accidental Tourist, which would also re-team Turner with William Hurt. But she would agree to star in The War of the Roses if they could give her some time being a new mom before shooting began. DeVito and Leeson would continue to work on the script. As there was no character in the novel that would work for the compact actor/director, the two would create a framing device for the story. DeVito would play Gavin D'Amato, a divorce lawyer who was friends with Oliver Rose, who tells the story of Oliver and Barbara Rose to a potential client, played by Dan Castellaneta, the voice of Homer Simpson, as a way of trying to get his client to reconsider splitting with his wife. The character of Gavin D'Amato would take the place of Murray Goldstein in the novel, an overweight former rabbi who would only meet Oliver Rose during the course of the story. Sean Astin, who had made a splash a few years earlier as the lead in The Goonies, would be cast as the Rose's teenage son Josh, while newcomer Heather Fairfield would get her first major movie role playing the Roses' daughter Evie, who would be renamed Carolyn for the movie. The other major change DeVito and Leeson would make to the story would be to change the Roses' sitter from a teenager to a fortysomething woman, as they would be able to get German actress Marianne Sägebrecht, who had just found international stardom as the star of Percy Adlon's surprise global hit Baghdad Cafe, to come aboard. Although the $26m film took place on the East Coast, the scenes not shot on the sound stages at Fox Studios in Los Angeles were filmed in Coupeville, WA, a small town on Whidbey Island, about forty miles north of Seattle, which had never been used as a filming location before. Filming would begin on Stage 6 on the Fox lot, which was set up as the main living area for the Roses' house, on March 21st, 1989. The production would shoot as much of the film on the soundstages until April 7th, which was the first day they would be allowed to shoot in Coupeville. The evening of April 6th, though, would be spent on the backlot of Universal Studios, which was the only available space in Los Angeles at the time to accommodate shooting a massive, snowy Christmas Eve scene standing in for Cambridge, MA. Two days after arriving in Coupeville, DeVito would discover a note on his rental car parked at the hotel where the production had its base, stating that thieves had stolen the dailies from the first day of location shooting, and demanded a ransom to have the footage returned. But DeVito was quickly able to find the dailies had not been stolen, and just laughed the note off as a prank. After several weeks in Washington State, the production would return to Los Angeles to finish the remainder of the set shooting on the Fox Lot, as well as a few additional shots of homes in the Los Angeles neighborhood of Hancock Park, standing in suburban Washington D.C. Shooting would finish on July 25th, which would give DeVito and his team less than four and a half months to get the film ready for its planned December 8th release date. Because the editing team lead by Lynne Klingman had been putting together an assembly cut for DeVito during production, the director was able to screen his first cut of the film for Fox executives in mid-August. That cut would run three hours and four minutes. But that's what an assembly cut is for. You get to see all the stuff you shot put together, and see what you need to whittle down, what you need to move around, and what you need to get rid of completely. Over the course of the next few months, DeVito and the editors would get the movie down to a tight one hour and fifty six minutes. And unlike many movies then and now, there were very few scenes that needed to be reshot or added in. One shot that would be added after the audiences at several test screenings was horrified at the suggestion that Barbara's pâté may have been made with the family dog. DeVito would later state that he always meant to have a shot of the dog later in the movie, but it was definitely a late addition after the first few test screenings. The War of the Roses would hold its world premiere at Century Plaza Cinemas in Century City, about a mile from the Fox lot, on December 4th, 1989. It would be a star-studded affair that included DeVito, Turner, and Douglas, who brought his father Kirk along with him, along with Courtney Cox, Olivia Newton-John, Kelly Preston, Mimi Rogers, Christian Slater and Samantha Morton, Oliver Stone, and Jennifer Tilly, followed by a New York City premiere two days later at the Gotham Theatre. The film would open in 1259 theatres on Friday, December 8th, and would be the highest grossing film in the nation, taking in $9.5m, knocking the previous week's #1 film, National Lampoon's Christmas Vacation, out of the top spot. It would fall to second place in its second week, as Christmas Vacation retook first place, and it would fall to third place during the long Christmas weekend. However, in its fourth week of release, the long New Years weekend, The War of the Roses would retake the top spot for the second and final time. At the end of the year, after 25 days of release, the film had grossed $43.85m, or the equivalent of $105m in 2022 dollars. The film would continue to stay strong for several more weeks, staying in the top ten until mid-February, before ending its run in theatres in the spring with $86.89m. The reviews were pretty good, with particular praise heaped upon Douglas and Turner's performances as well as DeVito's direction. But, sadly, there would be little awards love for the film. The Golden Globes would nominate the film for Best Comedy, and both Turner and Douglas for lead comedy performances, and the British Academy would nominate Michael Leeson for his screenplay, but would be completely shut out at the Academy Awards. I love the movie. It was one of the first movies I bought on Laserdisc back in the early 1990s, and when I call it a box set, I mean it was actually two discs and a four page booklet about the movie not in an album-like slipcover but an actual box. The movie was on the first disc, with roughly an hour on each side, which included a separate audio track for DeVito's commentary and a personal introduction to the film by DeVito, while the second disc featured deleted scenes, theatrical trailers, a copy of the shooting script, production stills, and a gallery of the theatrical posters. For a guy who had spent years building an enviable VHS videotape collection, this was next level stuff most people wouldn't get to experience for nearly another decade. More than thirty years after Warren Adler published The War of the Roses, he would release a sequel to his novel, entitled The Children of the Roses. Josh and Evie are now adults. Josh is married with two children himself, a boy and a girl, Michael and Emily. Much like his parents' marriage, Josh's marriage to Victoria seems to be picture perfect on the outside, but after their son gets caught up in a caper at his elite private school involving stolen Milky Way bars, Josh finds himself in his own War of the Roses. Evie, who still copes with her depression by eating, comforts her niece and nephew with loads of food, since to Evie still, food is love, while Michael and Emily decide for themselves that their parents will stay together no matter what. While the book was not a best seller like the first book, it would still sell quite well, as did almost every one of the other 43 books Adler would write and publish until his passing in 2019 at the age of 91. Thank you for joining us for this year's Christmas episode of The 80s Movie Podcast. We'll talk again in early 2023, when Episode 98, about Neil Diamond's sole attempt at movie acting, The Jazz Singer, is released. Remember to visit this episode's page on our website, The80sMoviePodcast.com, for extra materials about The War of the Roses. The 80s Movies Podcast has been researched, written, narrated and edited by Edward Havens for Idiosyncratic Entertainment. Thank you again. Good night.
Kaupallinen yhteistyö: Vaasan sähkö – ihmiselle ja ympäristölle ystävällistä energiaaMimmien kanssa studiossa keskustelee Remppa vai muutto -ohjelmasta tuttu kiinteistövälittäjä Anne Ramsay. Hosted on Acast. See acast.com/privacy for more information.
My Friend Irma (1949). Directed by George Marshall. Starring Marie Wilson, Diana Lynn, John Lund, Don DeFore, Dean Martin, and Jerry Lewis. The American Friend (1977). DIrected by Wim Wenders. Starring Dennis Hopper, Bruno Ganz and Lisa Kreuzer. Based on the novel by Patricia Highsmith. Deadly Friend (1986). Directed by Wes Craven. Starring Kristy Swanson, Matthew Laborteaux, Michael Sharrett, Anne Twomey, Anne Ramsay, and Charles Fleischer. Please review us over on Apple Podcasts. Got comments or suggestions for new episodes? Email: sddpod@gmail.com. Seek us out via Twitter and Instagram @ sddfilmpodcast Support our Patreon for $3 a month and get access to our exclusive show, Sudden Double Deep Cuts where we talk about our favourite movie soundtracks, scores and theme songs. We also have t-shirts available via our TeePublic store!
We discuss the 2001 & 2014 films Session 9 & The Taking of Deborah Logan directed by Brad Anderson & Adam Robitel starring Jill Larson, Anne Ramsay, Michelle Ang, Ryan Cutrona, David Caruso, Peter Mullan, Josh Lucas & Brendan Sexton III you can find us on: Twitter at @ShudderShow Instagram @Shudder_Show youtube.com/channel/UC-tbln7yxDaObSS6LknqtpA/ email at ShudderShow@gmail.com music by Benjamin Moy Check out his podcast Hooked on Score.
Shelby Scott, creator and host of the horror storytelling podcast "Scare You To Sleep," returns to talk 2014's found footage supernatural horror flick "The Taking of Deborah Logan" directed by Adam Robitel (in his directorial debut). They discuss the found footage experience in horror movies, the realistic portrayal of Alzheimer's disease juxtaposed with possession, and the amazing performances by Jill Larson and Anne Ramsay. They also talk about plot holes and other shortcomings as well as many other aspects of the movie. Derek starts projects. Aaron bounces in the middle of them. Shelby is on the switchboard. Catch Shelby and her podcast "Scare You To Sleep" at https://www.scareyoutosleep.com/ and @scareyoutosleep on Twitter. We are on PodBean, Apple Podcasts, Podchaser, Goodpods, Amazon Music, Google, Stitcher, Spotify, and CastBox. Please rate, review, subscribe, and share our show. Also, check out our Spotify Music playlist, links on our Twitter and Podbean page. Our socials are on Facebook and Twitter @WatchIfYouDare
Zack & Zo go out to the ballpark joined by special guest host Nicole Matarese who is co-host of Totally Toonular and host of Totally Recommend This, Dude from The Fantasy Shed Podcast. It's World War II and many of America's most abled bodied men are shipped to the battlefields. It's up to the women to hold the fort at home by manning the factory jobs and entertaining the country with professional baseball thus the All-American Girls Professional Baseball League was born.Nicole Matarese's Links:Linktree: https://linktr.ee/NicoleMataresePodcast: Fantasyshed Podcast Network (having both Totally Recommend This, Dude and Totally Toonular)Instagram: @_nicolematareseTwitter: @fantasy_shed and @TRTDpodcastDays That Fade short: https://vimeo.com/220874259Meat Is Murder short: https://www.imdb.com/title/tt9485002/Underpowered trailer: https://www.youtube.com/watch?v=Mhn3b2gdQe8YouTube: TromaMoviesTroma.comTromaNOW: https://watch.troma.com/Back Look Cinema: The Podcast Linkswww.backlookcinema.comEmail: fanmail@backlookcinema.comTwitter: @backlookcinemaFacebook: The Back Look Cinema Podcast Instagram: backlookcinemapodcastBack Look Cinema Merch at Teespring.comBack Look Cinema Merch at Teepublic.com
In this episode Mark talks about one of his favourite films: the 1985 American adventure comedy film "The Goonies" co-produced and directed by Richard Donner from a screenplay by Chris Columbus, based on a story by Stephen Spielberg. The story of the film revolves around a group of children who live in the Goon Docks area of Astoria, Oregon, who call themselves "the Goonies", who face the prospect of having to move away from one another and never seeing each other again if they cannot find a way to stop the foreclosure of their homes. However, when an old treasure map is discovered that purports to lead to the treasure of legendary pirate "One-eyed Willy", the Goonies are inspired to set out upon an adventure to find the hidden pirate treasure and hopefully save their homes. The film has an all-star cast, including: Sean Astin, Josh Brolin, Jeff Cohen, Corey Feldman, Jonathan Ke Huy Quan, Kerry Green, Martha Plimpton, Robert Davi, Joe Pantoliano, and Anne Ramsay. --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app --- Send in a voice message: https://anchor.fm/markthepoet/message Support this podcast: https://anchor.fm/markthepoet/support
Horror Hangout | Two Bearded Film Fans Watch The 50 Best Horror Movies Ever!
Evil lives within you.The Taking of Deborah Logan is a 2014 American found footage supernatural horror film. It is the feature film directorial debut of Adam Robitel, who co-wrote the screenplay and edited the film with Gavin Heffernan. The film stars Jill Larson, Anne Ramsay, and Michelle Ang.Set in Virginia, it tells the story of a documentary crew making a film about Alzheimer's patients who uncover something sinister while documenting a woman who has the disease.Podcast - https://podlink.to/horrorhangoutPatreon - https://www.patreon.com/hawkandcleaverFacebook - https://www.facebook.com/hawkandcleaverTwitter - https://twitter.com/hawkandcleaverWebsite - http://www.hawkandcleaver.comBen - https://twitter.com/ben_erringtonLuke - https://twitter.com/LukeofKondorStu Freeman (StooToob) is a geeky queer YouTuber, gig promoter and gamer.
País Estados Unidos Dirección Hanelle M. Culpepper Guion Steven Palmer Peterson (Historia: Johnson Chan) Música Jeff Toyne Fotografía Charles DeRosa Reparto Joanna Miles, Anne Ramsay, John Kapelos, Daniel Lench, Coby Ryan McLaughlin, Michael Nouri, Amanda Schull, Gina Gershon, Valerie Wildman, Eric Schneider, Lilah Richcreek, Carlease Burke, Amrapali Ambegaokar, Kimberly Atkinson, Will Blagrove, James Avery Sinopsis Shelby Cook, fiscal del distrito de Los Ángeles, trabaja junto al oficial de policía Mike Holland, para atrapar a un asesino en serie que utiliza las trampas del laberinto para acabar con sus víctimas. Tras las acusaciones de tres hombres no se han conseguido pruebas concluyentes contra ninguno y la investigación se está alargando demasiado. Cuando el asesino ataca de nuevo, Shelby debe defender al último hombre acusado, un respetado juez ya retirado, que resulta ser su propio padre.
Born on this Day: is a daily podcast hosted by Bil Antoniou, Amanda Barker & Marco Timpano. Celebrating the famous and sometimes infamous born on this day. Check out their other podcasts: Bad Gay Movies, Bitchy Gay Men Eat & Drink Every Place is the Same My Criterions The Insomnia Project Marco's book: 25 Things I Wish I Knew Before I Started My Podcast Celebrating birthday's on this day: SEPTEMBER 11 NATIONAL MAKE YOUR BED DAY Tyler Hoechlin, Christopher Brian Bridges , Ludacris , Ariana Richards, Richard Melville Hall , Moby, Virginia Madsen, Taraji P. Henson, Brian De Palma , Kristy McNichol , John Hawkes , Amy Madigan, Scott Patterson, Anne Ramsay, Harry Connick Jr, Christopher Brian Bridges, Herbert Lom, Earl Holliman, Tony Gilroy, --- Send in a voice message: https://anchor.fm/born-on-this-day-podcast/message
Partly because the country is on lockdown and partly because Jonathan (@Berkreviews) and Corey (@coreyrstarr) were not feeling like the previously planned theme was that compelling, April 2020 features Small Screen movies. These are films that are currently streaming on one service or another. As far as the podcast goes, each episode features an in-depth review of the movie for the week. They begin with a spoiler-free review before diving in completely after the needed spoiler warning. However, before getting into the review of the week, Jonathan and Corey discuss what other movies they've seen since the last episode as well as anything else they feel like discussing. To help them decide which of the many films to watch each month they started creating themes for them all. Week 4 - The Taking of Deborah Logan (2014) Corey loves horror and has been subscribed to Shudder for a while. They were offering a special so she decided to take the last pick of the month from there. The Taking of Deborah Logan (2014) is directed by Adam Robitel and stars Jill Larson, Anne Ramsay, and Michelle Ang. This film is about "An elderly woman battling Alzheimer's disease agrees to let a film crew document her condition, but what they discover is something far more sinister going on." --- Support this podcast: https://anchor.fm/berkreviewscom-moviecasts/support
Hosts: Emrys and KatieAs it's the peak of the holiday season we thought we'd take a break from curating movies for our friends and curate a horror movie gift for each other for Christmas.We discuss how horror movie endings can make or break, Katie gets bored, Emrys finds some footage, and we say thank you, we also gift and discuss the movies Absentia and The Taking of Deborah Logan.MoviesAbsentia (2011) - Time stamp - 6:29StreamUS - Amazon PrimeUK - YouTubeWritten & Directed by: Mike FlanaganStarring: Catherine Parker, Courtney Bell, Dave Levine, Justin Gordon and Doug Jones.The Taking of Deborah Logan (2014) - Time Stamp 21:34StreamUS - ShudderUK - Channel 4 on demandWritten and Directed by: Adam RobitelCast: Jill Larson, Anne Ramsay.SPOILER WARNING: We will discuss the plot of these movies in full, so if you haven't seen them, pause this podcast, watch them, then come right on back.Instagram: @curatorsofhorrorTwitter: @curatorofhorrorEmail: curatorsofhorror@gmail.comProduced and Edited by: EmrysMusic: Tiffany Hern
Top that? Top this: Halloween icon Mandy Ingber is in this haunted house, ghouls. You Might Know Her From Teen Witch, Cheers, The Tortellis, Brighton Beach Memoirs, the Dirty Dancing TV series, and her NY Times best selling Yogalosophy books. We gathered around a cauldron with Mandy for a special Halloween episode of You Might Know Her From to talk about every ounce of juicy gossip and behind-the-scenes tea from Teen Witch, her vast career working on Cheers and its spin-off, and her transition from actor to yoga instructor to the stars. Happy Halloween, ghouls! Follow us on social media: @damianbellino || @rodemanne Discussed this week: Anne Ramsay, Ann Cusack in A League of Their Own Shaking ghost Halloween noise Damian and Anne as George and Martha in Who’s Afraid of Virginia Woolf? Travelocity gnome Paranormal Activity A&D carried a musket to see Julie Klausner at The Bell House Elizabeth Taylor “What a dump”-ing during the opening of Who’s Afraid of Virginia Woolf? Anne had a pet chicken named Shawn Kemp Spent one Halloween at Suite where Miz Cracker awarded as Best Costume (we were the robbers from Home Alone) Witch Fest: Teen Witch, The Craft, Practical Magic (alt: Hocus Pocus, The Witches) Teen Witch cast: Zelda Rubinstein (Poltergeist, Sixteen Candles) Robyn Lively, Dan Gauthier, Lisa Fuller “Top That” rap in Teen Witch Joshua John Miller Rosie O in Tarzan Brighton Beach Memoirs with Matthew Broderick Joyce Van Patten Dirty Dancing TV series, starring Melora Hardin Dan Hedaya in the Cheers spinoff The Tortellis Errol Flynn story in Shelley Winters’ autobio, Shelley Charo Yogi to the stars Yogalosophy Tina Caspary is fake Rita Wilson in Teen Witch Pals: RIP Kim Walker in Heathers, Joely Fisher, Ricki Lake, Talia Balsam, Tonya Crow (Knots Landing), Woody Harrelson and Jen Aniston
In today’s episode of STORIES TELLING STORIES, we take a look at Mrs. Hazeltine’s submarine story from the oft-ommitted 80’s classic “THROW MOMMA FROM THE TRAIN.”
Jon and Russ discuss Episode Four ("Out of the Past"), the Jewish "Waltons," why the movie "Summer Rental" is better than "The Goonies," and more. They also create a contest for the week on the fly! Tweet at 'em: @madaboutyoupod Tumble with 'em: madaboutyoupod.tumblr.com Facebook with 'em: www.facebook.com/madaboutyoupod/ And please subscribe and review them on iTunes! CREDITS Our show is hosted by Russ Feder (@russfeder) and Jonathan Marballi (@jonnymarbles) Our theme song is by John D Ivy (SoundCloud, YouTube) Our logo is by Nathan Diffee (@NathanDiffee) WATCH WITH US Buy the full "Mad About You" series on Amazon NEWS STORIES Voyage on Fifth Avenue Brings Out Politicians Rolling Home: Weary Allure of the Last-Chance Train Swastika Etched on Wall TB Carriers See Clash of Liberty and Health Corrections OTHER SHOW NOTES Watch "Brooklyn Bridge" Watch the "Boston Common" pilot Watch the full Mel Brooks interview Watch the "Keeping the Faith" trailer ABOUT "MAD ABOUT YOU" "Mad About You" was a romantic sit-com from the 90s that aired on NBC from 1992 - 1999. It starred Paul Reiser and Helen Hunt as Paul and Jamie Buchman, two newlyweds navigating their marriage and life in New York City. The show also featured Leila Kenzle and Richard Kind as Mark and Fran Devanow, their married friends, Anne Ramsay as Jamie's sister Lisa, and John Pankow as Paul's cousin Ira. Read more at IMDB
Unfortunately we fell a little behind this week and will not be releasing Episode 4 until next Wednesday. We are terribly sorry. In the mean-time here's a minisode that we recorded a few hours ago that includes an apology along with some shout-outs to you, our listeners. Tweet at 'em: @madaboutyoupod Tumble with 'em: madaboutyoupod.tumblr.com Facebook with 'em: www.facebook.com/madaboutyoupod/ And please subscribe and review them on iTunes! CREDITS Our show is hosted by Russ Feder (@russfeder) and Jonathan Marballi (@jonnymarbles) Our theme song is by John D Ivy (SoundCloud, YouTube) Our logo is by Nathan Diffee (@NathanDiffee) WATCH WITH US Buy the full "Mad About You" series on Amazon ABOUT "MAD ABOUT YOU" "Mad About You" was a romantic sit-com from the 90s that aired on NBC from 1992 - 1999. It starred Paul Reiser and Helen Hunt as Paul and Jamie Buchman, two newlyweds navigating their marriage and life in New York City. The show also featured Leila Kenzle and Richard Kind as Mark and Fran Devanow, their married friends, Anne Ramsay as Jamie's sister Lisa, and John Pankow as Paul's cousin Ira. Read more at IMDB
Jon and Russ discuss Episode Three ("Sunday Times"), the Munchiverse, stressed-out squirrels, pidgin languages, anti-Semites (again), and more! Tweet at 'em: @madaboutyoupod Tumble with 'em: madaboutyoupod.tumblr.com Facebook with 'em: www.facebook.com/madaboutyoupod/ And please subscribe and review them on iTunes! CREDITS Our show is hosted by Russ Feder (@russfeder) and Jonathan Marballi (@jonnymarbles) Our theme song is by John D Ivy (SoundCloud, YouTube) Our logo is by Nathan Diffee (@NathanDiffee) WATCH WITH US Buy the full "Mad About You" series on Amazon NEWS STORIES Fur Is Flying in Madison Square Park Chinese Agency Indicted in Jeans Import Scheme Apology for New York Telephone Brochure A Prowler Stops Lunch In Midtown OTHER SHOW NOTES Information Regarding the Production of "The Will Rogers Follies" That Lisa Saw Buy all volumes of The Survey of Pidgin and Creole Languages (it's only $570, practically free!) ABOUT "MAD ABOUT YOU" "Mad About You" was a romantic sit-com from the 90s that aired on NBC from 1992 - 1999. It starred Paul Reiser and Helen Hunt as Paul and Jamie Buchman, two newlyweds navigating their marriage and life in New York City. The show also featured Leila Kenzle and Richard Kind as Mark and Fran Devanow, their married friends, Anne Ramsay as Jamie's sister Lisa, and John Pankow as Paul's cousin Ira. Read more at IMDB
Jon and Russ discuss Episode Two, Garth Brooks concerts, Nazis, New York City's parking laws, and more! Tweet at 'em: @madaboutyoupod Tumble with 'em: madaboutyoupod.tumblr.com Facebook with 'em: www.facebook.com/madaboutyoupod/ And please subscribe and review them on iTunes! CREDITS Our show is hosted by Russ Feder (@russfeder) and Jonathan Marballi (@jonnymarbles) Our theme song is by John D Ivy (SoundCloud, YouTube) Our logo is by Nathan Diffee (@NathanDiffee) WATCH WITH US Buy the full "Mad About You" series on Amazon NEWS STORIES New York Times Metro Digest from 9/28/1992 McCandlish Phillips' 1965 Times piece about the Jewish KKK Grand Dragon Eviction Suit Threatens Bitter End, a Folk Legend Under the Sign of a Topless Car Wash, Frustration With a Nod Toward Mecca, Weary Car Owners Give Thanks for a Parking Reprieve Dinkins's Drug Chief Quits Over Tight Budget Two Are Charged in East Village Slaying ABOUT "MAD ABOUT YOU" "Mad About You" was a romantic sit-com from the 90s that aired on NBC from 1992 - 1999. It starred Paul Reiser and Helen Hunt as Paul and Jamie Buchman, two newlyweds navigating their marriage and life in New York City. The show also featured Leila Kenzle and Richard Kind as Mark and Fran Devanow, their married friends, Anne Ramsay as Jamie's sister Lisa, and John Pankow as Paul's cousin Ira. Read more at IMDB
An elderly woman battling Alzheimer's disease agrees to let a film crew document her condition, but what they discover is something far more sinister going on. Director: Adam Robitel Writers: Adam Robitel, Gavin Heffernan Stars: Jill Larson, Anne Ramsay, Michelle Ang See more » Awards: 1 win & 7 nominations. See more » --- Send in a voice message: https://anchor.fm/gruesome-hertzogg/message Support this podcast: https://anchor.fm/gruesome-hertzogg/support
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