Podcasts about LaserDisc

Skrekk-komedien TROLLJEGEREN (2010) feirer sitt 15 årsjubileum i år. Dette ble markert på Ramaskrik filmfestival der vi holdt en livepodkast med filmens produsent John M. Jacobsen og fotograf Hallvard Bræin. Her får du servert historier om hvordan filmen ble til og suksessen som fulgte, men du får også høre om da Jacobsen som 15 åring satte opp HORROR OF DRACULA (1958) for et skrekkslagent norsk publikum, da Bræin var fotograf på actionthrilleren LIVREDD (1997), Laserdisc-nerding og mye, mye mer.

By Walt HickeyWelcome to the Numlock Sunday edition.This week, I spoke to Alyssa Rosenberg, Sunny Bunch and Peter Suderman, the three panelists of the outstanding film podcast Across the Movie Aisle. I really enjoy the show and have been a longtime fan of their individual work.I think that they're a group with genuinely diverse opinions but who have a lot of love for cinema and as a result have some of the most deeply interesting conversations about the art form of any show I listen to. The show just split off from The Bulwark's network and is striking it out independently. Do check them out!This interview has been condensed and edited. Hey, Across the Movie Aisle. Thank you so much for coming on Numlock. I really appreciate it.Absolutely.Thank you for having us.Yes, this is the first three-on-one conversation that I've ever done here, so we're gonna have to juggle a bit. Either way, I am just such a fan of the show. I really, really enjoyed it, subscribed to the Bulwark for it when I heard that you guys were going independent. I was really excited to see what was motivating that, what opportunities you were seeing out there. It's just such a really fun program, and I think it's so unique in the space.Before we get into talking about the movies, do you wanna talk a little bit about where this show came from, where it started, then what you would say your perspective on the film industry is?Sonny: Sure.Alyssa: Who wants to tell the story?Sonny: The origin of the show was back in 2019. I started working for an independent film studio that's based in Dallas, where I live now. I moved here for the job. The pitch was, “it's like Fangoria,” but for action movies and thrillers and heist movies, that sort of thing. And one of the things I wanted to do when we came over was a little podcast network. We were gonna have some shows, some storytelling things, et cetera. And one of the things I had wanted to do for a while (and hadn't really had an outlet for) was a show I had envisioned as like Crossfire or McLaughlin Group or something like that, but by way of movies.So Across the Movie Aisle — I've always shorthanded it as Siskel and Ebert meets Left Right Center. And the idea here is that I am a conservative. I don't know how other people would describe me, but I still think of myself as a center-right person. Alyssa is the center-left person.Peter: Would you even say that you are a neoconservative?Sonny: Well, I'm a neoconservative with libertarian tendencies, which is a funny thing.Peter: “You work at the Weekly Standard,” is a good way to think about your politics? And they basically haven't changed since you worked at The Weekly Standard. Is that fair? That's the long and the short of it.Sonny: Then Peter is whatever Peter is. I'll let him define himself. But the idea here was you have three people with differing political views talking about movies and other stories about movies. The show has two segments. The first is called Controversies and Nontroversies. The second is a review. And the Controversies and Nontroversies segment was initially thought of as we tackle some dumb internet outrage of the day and decide if it's really worth being mad about.And that evolved into something slightly different, right? Right, guys? I feel like it's now more about the business of Hollywood.Alyssa: Yes, exactly. But I think it's worth noting that our story actually starts way before 2019. The three of us were all critics in some respect or other. I was over at ThinkProgress running their culture and sports verticals. Sonny, were you at the Weekly Standard when we started or were you at the Free Beacon then?Sonny: I think I was at the Washington Free Beacon when we met. So it must've been 2012 or 13.Alyssa: The three of us were going to screenings every week and somehow just gravitated towards each other. We would sit together. We were the people who were hanging out and hashing things out together after the screening ended. When I moved to the Washington Post, I ended up bringing Sonny over as a contributor to the blog that I was working on there. They were invited to my wedding. We were authentically contentiously friends years before we started the podcast.I think that's been a little bit of the special sauce for us, right? We are capable of having conversations that are somewhat harder to have elsewhere because (even before we started working together) there were five, six years of trust built up in in-person conversations and discussions over beers at the really terrible bar near the former AMC in Friendship Heights. Nobody is here on this podcast to blow each other up. But it's also not like “We're friends for the camera!”I think the show has always been like both a reflection of our dynamic. It's also the way that we hang out every week, even though Sonny lives in Dallas, and Peter lives in Boston some of the time. So for me, it's like my night out.I mean, as a listener, I really find the appeal to be exactly that. I think that having different perspectives on something as universal as film makes the show super compelling to listen to, even if I don't always necessarily agree with the perspective on it. What makes movies just so good to view from multiple different angles? There are lowercase “c” conservative films, there are lowercase “l” liberal films, that stuff. How do you guys find approaching the current state of the film industry from these different points of view?Peter: Alyssa talked about how our story goes back even before 2019, when the podcast started. And just for people who may not be familiar with the dynamic of Washington that all of us came up in in our 20s, Alyssa was working for ThinkProgress, which was the journalism arm of the Center for American Progress, which is this leading democratic or democratic affiliated think tank. Sonny was working for the Weekly Standard and then for the Washington Free Beacon, these feisty, conservative journalistic outlets.I actually started writing movie reviews for National Review for a couple of years. When I moved over full-time to Reason Magazine, which is where I've been for more than 15 years now, and also to the Washington Times, which is someplace that both Sonny and I wrote for. It's a conservative-leaning paper that has undergone many transformations. If you live in Washington, your social circle and your conversations and your life are so frequently segmented by politics.What we liked about being friends with each other and seeing movies with each other was that we saw that it didn't have to be the case. Movies and art and pop culture, even disagreements about them, were ways that we could come together and maybe not even agree, but like learn about each other. We're really good friends, but we also like each other's minds. This is something that is really important and drew us all together. I have learned a lot about movies from Sonny. I have learned about culture from Alyssa. I don't know if they've learned anything from me. Maybe they've been annoyed about how I'm fine with A.I.Having those perspectives, it's not just that it's like, “Oh, that's nice that you're a little different.” This is a learning opportunity for all of us. It also makes the act of watching movies together much richer. When you're watching the movie, if you're watching it next to Alyssa, I know what she's thinking. Maybe not what I'm thinking, but it's like having another set of eyes. If you're a critic, if you're somebody who likes movies, if you are somebody who likes movies for the social aspect of them, seeing them with somebody else and talking about them afterwards just makes it so much more enjoyable. The fact that we then get to have that conversation in public for an audience that seems to enjoy this is really rewarding.Alyssa: I have a very hard time with certain kinds of violence in movies. But I can sit in a theater with Peter, and he can tell me when I need to cover my eyes, but also when I'm gonna be okay when it's over. And he's always right, right? And that's the thing that we get.Peter: But also when we see the Taylor Swift movie, I show up, and Alyssa has friendship bracelets for us. Everybody's bringing something to the party here.Alyssa: Peter, you joked about whether or not we've gotten anything from you. And I actually think that in some ways, I'm the one of us whose politics and aesthetics have changed most as a result of doing the show with both of you. I came up in an era of lefty cultural criticism when there were real incentives for tearing things apart. And I think I, in some ways early in my career, helped advance a fairly doctrinaire vision of what political conversations about art should be. And I have some regrets about some of the things that I wrote and some non-regrets too. I did a lot of work at that point in my career that I liked a lot.But one of the things I've come to believe in my conversation with these guys is that art is at its most politically powerful not when it affirms an agenda or a worldview that is defined by a political movement, but it is at its most powerful and interesting when it creates space for conversations that are not possible in conventional political formats and political venues. I think the unpredictability of movies and the inability to shove movies neatly into a partisan schema is where their power comes from.It is not in being subordinate to an agenda, but in opening the space for new possibilities. And I think that having a space to come to that conclusion made me a better critic and a better person. Maybe less employable as someone who writes about this stuff full-time in a predictable way. But I really enjoy seeing the world through the lenses that Peter and Sonny helped me apply to all of this.Peter: And just to underline that really quickly, a little bit more. One of the things that brings all of us together is that we are all three people who moved to Washington to work in political journalism, to work in discourse about politics. We have very strongly held beliefs. At the same time, I think all three of us come to movies, to art and to culture thinking, “You know what, you can make good art. You can make a great movie that maybe I find doesn't in any way align with my beliefs, right?” It has nothing to do with my political world or is even critical of my political worldview, but it's still a great movie.And this is a thing that you see very rarely in Washington and political discussions of art and film, but also in criticism. You have so much criticism that is out there, especially in the movie criticism world, that is just straightforwardly, politically determined. I don't think that that is the best way to approach art and to live a life that is about art because. Of course, it engages with politics. And of course you have to talk about that. And of course, you have to deal with that, but it's not just politics. If what you want from a movie is for it to be an op-ed, then what you want isn't a movie, it's an op-ed.I think that's really interesting. And actually, let's dive into that real quick. We'll go around the horn, perhaps. Peter, you brought it up. What is an example of a film or a piece of media that maybe either subverts or goes upstream compared to your personal politics that you nevertheless enjoyed? Or you, nevertheless, in spite of where you were coming from on that, really tended to like?Peter: So we all had mixed reactions to Paul Anderson's, P.T. Anderson's One Battle After Another, which is quite a political film, just came out. All of us thought that on a micro level, scene by scene, as a piece of filmmaking, it's genius. But on a macro level, its big ideas are kind of a mess. I go back to another Paul Anderson film from the aughts, There Will Be Blood, which is fairly critical of capitalism and of the capitalist tendencies that are deeply rooted in America. And it's not just a polemic, just an op-ed. It's not something that you can sum up in a tweet. It is quite a complex film in so many ways. And I'm a capitalist. I am a libertarian. I am a markets guy. And it is, I love that movie.Sonny and I frequently have arguments over whether There Will Be Blood is the first or second best movie of the last 25 years or so. Sonny thinks it's maybe the best. I think it's the second best. This is a movie that I think offers a deep critique of my ideology and my political worldview. But it is so profound on an artistic character narrative, just deep engagement level. I could talk about it for a long time. It's a movie I really love that doesn't support what I believe about politics in the world.Yeah, Sonny, how about you?Sonny: Bernardo Bertolucci's The Last Emperor is commie agitprop, but it's also very good. It's one of those movies where the lesson of the movie is literally “The elite overclass needs to be taught how to pee correctly in a bucket, so as not to annoy the normals.” But it's a beautiful movie, including the bucket. You don't have to agree with a film's politics to recognize that it is a great movie. It certainly doesn't hurt. I flipped through my rankings, and a lot of it does line up.But another one is JFK. Oliver Stone's JFK is a movie that is nonsense as history. If you look at it as a history text, you are reading the film wrong. What it excels at and the way that it is great is that it's the absolute perfect distillation of sitting next to an insane conspiracy theorist and hearing them ramble. The way that Oliver Stone edits together all of these disparate ideas — the way he edits is like hearing a conspiracy theorist talk.The way a conspiracy theorist talks is that they overwhelm you with information. They will just throw out random things and be like, “And this is connected to this, and this is connected to this.” And you are not able to actually judge these things because you have no idea really what they're talking about. You're not steeped in this stuff like they are, but it all sounds right. And all of a sudden, yeah, I believe that the military industrial complex murdered JFK at the behest of a fascist homosexual conspiracy, which is just another amusing little element to JFK by Oliver Stone.Those would be two examples, I would say.I love that. Alyssa, how about you?Alyssa: I would say Dirty Harry. I did a huge project about 10 years ago on depictions of the police in pop culture. And the ways in which law enforcement, as an industry, has actually really shaped their depictions on film. And look, I don't think the police always get everything right. And I think that shooting people is not a viable solution to a crime, especially without a trial. But God damn, does Clint Eastwood make like a sweater and a blazer and a real big gun look awesome, right?Sonny: Those are things that look awesome. Of course, they look awesome on Clint Eastwood.Alyssa: Of course, they look awesome, but they look especially awesome on Clint Eastwood. And they look even more awesome when he's shooting a crazed hippie who has commandeered a busSonny: Full of children.Alyssa: Yes, a bus full of children. The evil hippie deserves to get shot, and Clint Eastwood is the man to set things right. The thing about aesthetics is that they can get you to set aside your politics momentarily in a theoretical way. But I also think that good movies can get you access to spaces and mindsets that you might not have access to otherwise.When you asked that question, the movie that I immediately thought of, not necessarily of challenging my politics, but like bringing me a place I can't go, is Alex Garland's Warfare from earlier this year. It is one of the best movies I've seen this year. And also a movie about (both as a social and cultural environment) an all-male combat unit in the US military and a situation (the war in Iraq) that I have no access to. I cannot go there. My being in the space would fundamentally transform the space. And that opening sequence with this platoon watching this music video in a weird, sexualized group bonding ritual, I just found fascinating and oddly touching in a way that I think is interesting to watch, especially if you're steeped in left-leaning critiques of traditional masculinity in all-male spaces.And I found that movie, despite how harrowing it was, kind of beautiful and tender to watch in a way. And I just felt very grateful for it.Awesome. Yeah, again, I really appreciate how much thought goes into viewing not only movies as cultural entities, but also their space in politics, but also how the culture can overwhelm that. I really think that you guys have such fun takes on this. I wanna back out a little bit and talk a little bit about this year and this moment. I think one thing I really enjoy about your show is that it's obvious how much you guys really enjoy going to the movies, enjoy consuming this stuff. I know that there's a lot of fairly understandable doom and gloom sometimes around the movie industry, around the exhibition industry. A lot of that, I think, comes from some of the more industry side of things and infects the viewing public's view.I'll just throw it to you. What is a trend or something going on these days within movies or Hollywood that you actually think is a good thing, that you're actually enjoying? Or a transitional moment that you think could be fun? I guess, Sunny, I'll start off with you. I don't know.Sonny: That's a hard question to answer because everything is bad right now.Alyssa: To be clear, this is Sonny's default position about all eras and all things. All things.Peter: He's a cheerful man.Sonny: All things, really. No, everything is bad. But if I were looking at a few green shoots, I like the rise of the draft house style theater, a combination of dining, bar, movie space. I know some people have issues with the waiters scurrying back and forth. And it's not my real cup of tea either, but that's all right. You mentioned this question right before we started taping. I was trying to sketch something out, so I didn't have nothing.But I do think the rise of the boutique Blu-ray and 4K UHD retailers has been a good thing. I don't know that it's enough to save physical media in the film context, but the rise of your Vinegar Syndromes. Criterion, of course, is the longest player in this space, and they've been doing it since the days of Laserdisc. They're very good at what they do, and they have a great catalog.But even smaller places, like your Vinegar Syndromes or your Shout Factory and your Scream Factory. The studios themselves are getting into it. Lionsgate has their Lionsgate limited thing that they do, which is just sucking money out of my pockets. A24 has also been good in this space. I like the idea that there is a small but committed cadre of collectors out there. And it's not just ownership for the sake of ownership. It's not the high fidelity, “the things you own matter. So you should show them off so everybody can see them and see how cool you are” kind of thing. There are actual quality differences to having a disc as opposed to a streaming service, which always come in at lower bit rates, and they look and sound worse.But this is so niche. Very few people who collect this stuff (Blu-rays, 4Ks, et cetera) really understand how niche they are.If you look at the monthly pie chart of sales of discs every month, it's still 50 percent DVD, 20 percent to 25 percent Blu-ray, and then 25 percent to 30 percent 4K, depending on what's out at any given time. But 50 percent of discs are still being bought by people browsing Walmart shelves, like “Ooh, I'll watch this new movie for $5. Sure, why not?”Yeah, having something for the sickos is always something viable, right? Peter, I'll throw it to you.Peter: So, on this podcast, I have probably been the biggest MCU, Marvel Movie Universe booster. What I think is a good thing that is happening right now is that the MCU is in a decline, or at least a reset period. It's not overwhelming Hollywood in the way that it was throughout the 2010s. It's hurting theaters and exhibition because those movies are not performing the way they used to, and that's a downside for real.But what it is doing is creating a space for young filmmakers and for young acting talent to rise up without having to immediately be sucked into the MCU or something comparable, like the DC movies that were trying to start up and never really got going. Now they've rebooted the DC universe with the James Gunn Superman film. But, it really felt like in the 2010s, anyone who was in their 20s or 30s and was a really promising actor or a really promising director was gonna make one or two movies. And then they were gonna get sucked into the Marvel or maybe the Star Wars machine, one of these big franchise things.It wasn't like even 25 years ago when Sam Raimi was making Spider-Man films, and they were very distinctly Sam Raimi films. I mean, you watch the Dr. Octopus POV sequence in Spider-Man 2, and it's the same thing he was doing in Evil Dead, except he had $150 million to make that movie, right?These weren't even altruistic superhero films. They were just being brought in to lend their names a small amount of flavor to whatever it was they were doing. And now, in an era in which the MCU is not gone, but is diminished, a lot of acting talent and a lot of directing talent are going to be free to spend that formative period of third, fourth, fifth, sixth movies to make the things that they wanna make and to experiment.Like I said, this does have downsides. This is not great for theatrical exhibitors who are suffering right now because there are fewer movies and because the big movies are not as big. But in that space, you get the opportunity to try new things. And I love seeing new things, and I love watching new talent develop.That is cool. I like that. Alyssa?Alyssa: I'm glad you said that, Peter, because what I was gonna say is I am delighted to see some of the directors who did time in the MCU or other franchises coming back and making original movies. Obviously, Sinners is one of the big success stories of the year. It's also a success story because Ryan Coogler is not only making franchise movies.I saw Seeing Fruitvale, which turned Fruitvale Station, at the Sundance Film Festival. It was like a seminal moment for me early in my career as a critic. I was like, “Holy God, this guy is great.” Even though I like what he did with the Rocky movies and I like the first Black Panther, I just felt this sense of profound regret for him getting diverted from telling these original stories. I'm really excited for Chloe Zhao's Hamnet. I expect to be emotionally incapacitated by that movie. Honestly, it is great for people who love movies that Immortals was just such a disaster.Peter: Eternals.Sonny: Eternals, that's how good it is we can't even remember the title.Alyssa: Yes, Destin Daniel Cretton is working on a Shang-Chi sequel, but he is also collaborating with Ryan Coogler on a project that I think is drawn from their childhoods.Sonny: He's directing a new Spider-Man movie right now.Alyssa: But there's other stuff coming. There's the possibility of life outside franchises. And, I'm excited to see what some of these folks do when they're not in front of a green screen and when they're telling stories about actual human beings. I am excited to just see more movies like Weapons, like Materialists, coming from younger directors who are still figuring things out, but have interesting things to say. And this year, at least, appears to be able to do okay at the box office.I love that. People are recovering from their exile in Atlanta and have a chance to make some cool movies. You guys have been so generous with your time. I do want to just finish on one last note: where do you assess Hollywood's position within the world to be?Obviously, in the States, they've had a lot of pressure from things like TikTok coming from below, things like the federal government coming from above. But even internationally and geopolitically, you've seen international players start to compete with Hollywood at the Oscars. For instance, in Best Animated Film last year, as well as some big markets shutting down for them, like China is not really doing anything. From a political perspective, where do you assess the state of Hollywood right now?Peter: From a political perspective, I think Hollywood is going to start producing movies that read less overtly liberal, less conventionally left-leaning. I think we're already seeing some of that. I don't mean that Hollywood is suddenly going to be MAGA, that it's suddenly gonna be like reading Buckley's National Review or anything like that. I just mean that at the margins, you're gonna see more movies that don't toe the line in the way that you saw movies before. There was a moment, especially right before and right after the pandemic, where it really felt like too many movies were towing a very predictable left-of-center political line. And it was obvious and there was no nuance to it.Again, I do not oppose movies that may have a different worldview than mine, but it felt like they were running scared in a lot of cases. I mean, in sports, if your team is behind, that's the time when you try new stuff. You don't use the same strategy if you are losing. Hollywood's losing right now. They're losing economically and they're losing as a cultural force. While that's in some ways not great for the art form, that is going to be good for experimentation. And that's gonna be formal and craft experimentation. That's going to be talent. We're going to see new and interesting people. And that's also going to be ideas both for stories and for politics and ideology.Sonny: A big question is what happens with the retrenchment of the global box office? Because I do think, for a long time, you could count on basically two-thirds of the box office of a major Hollywood release coming overseas and one-third coming domestically. And those numbers have, in some cases, inverted. It's closer to 50/50 for more of them. It's not universally true. F1 did more business overseas than domestically, which you might expect for something that's based on F1 racing. But the big question is what happens if the rest of the world is like, “We're not that interested in the big Hollywood blockbuster stuff that we have been eating up for the last 15 or 20 years”?This goes hand in hand with Alyssa's point about originals. That's probably a good thing, honestly. It's probably a good thing to get away from the theory of the movie industry being like, “We need to make things that appeal despite language barriers.” Language matters; words matter. And tailoring your words to the correct audience matters. American movie studio should tailor their stuff to American audiences.Alyssa: And also getting away from the idea of appealing to the Chinese censors who controlled which American movies got access to Chinese markets, which was not the same thing as appealing to Chinese audiences. But yeah, I totally agree.My father-in-law works in the foreign exchange industry, and he said something that I've been thinking about a lot. They're just seeing real declines in people who want to come here or feel comfortable coming here. Until July, I was the letters editor at The Washington Post, and it was astonishing to me just how much rage Canadians were feeling towards the United States. I don't know that these will translate into a rejection of American movies. American culture exports have been unbelievably strong for a long time.But I do see an opening for Korean pop culture, which has already been very popular abroad. I think there's a real chance that we will see a rejection of American culture in some ways. And, it will take Hollywood a while to respond to that. It always lags a little bit. But I do think it would be very interesting to see what more aggressively American movies look like. And I think that could take many forms.But scale is in many ways the enemy of interestingness. If there is not and opportunity to turn everything into a two billion dollar movie because you sell it overseas, what stories do you tell? What actors do you put on screen? What voices do you elevate? And I think the answers to those questions could be really interesting.Peter: I agree with all of this in the sense that I think it will be good for the art form, like I have been saying. But there's a cost to this that all of us should recognize. When budgets get smaller and the market shrinks, that is going to be bad for people who work in the industry. And in particular, it's going to be rough for the below-the-line talent, the people whose names you see at the end credits — when these credits now scroll for 10 minutes after a Marvel movie because they have employed hundreds, maybe even a thousand people.And there was a story in The Wall Street Journal just this summer. You mentioned the time in Atlanta about how Marvel has moved most of its production out of Atlanta. There are people there who had built lives, bought houses, had earned pretty good middle-class incomes, but weren't superstars by any means. Now they don't know what to do because they thought they were living in Hollywood East, and suddenly, Hollywood East doesn't exist anymore.We may be in a position where Hollywood West, as we have long know it, L.A., the film center, also doesn't exist anymore, at least or at least as much smaller, much less important and much less central to filmmaking than it has been for the last nearly 100 years. And again, as a critic, I like the new stuff. I often like the smaller stuff. I'm an American; I want movies made for me. But also, these are people with jobs and livelihoods, and it is going to be hard for them in many cases.Sonny: Oh, I'm glad to see the A.I. King over here take the side of the little guy who's losing out on his on his livelihood.Peter: I think A.I. is going to help the little guy. Small creators are going to have a leg up because of it.Sonny: Sure.All right. Well, I love some of those thoughts, love some of those lessons. Publicly traded companies are famously risk-taking, so we're going to be fine, definitely. Either way, I really do love the show. I really, really enjoy it. I think it's one of the best discussion shows, chat shows about any movie podcast out there. It is really, really fun. It is very cool to see you guys go independent.I just want to throw it to you a little bit. What is your pitch? What is the show? Where can they find it? What's the best way to support it? And where can they find you all?Sonny: The show's a lot like this, like what you just listened to.Alyssa: Peter has developed this catchphrase when Sonny asked him how he's doing to kick off the show, and he always says that he's excited to be talking about movies with friends. We want to be your movie friends. You should come hang out with us. Hopefully, we will be going live a little bit more, maybe meeting up in person some. I will hopefully be doing some writing for our sub stack, if you have missed my blatherings about movies and movie trends.But yeah, come hang out with us every week. We're fun.Sonny: Movieaisle.substack.com. That's where you should go. You should I'm I'm I'm sure I'm sure there will be a link to it or something. Movieaisle.substack.com is where it lives now. We'll have a proper URL at some point.Terrific. And wherever you get your podcasts?Sonny: And wherever you get your podcasts!That's great. Peter, Alyssa, Sonny, thank you so much. This is really, really fun. Again, I really dig the show so much. I'm very, very happy for you guys being able to spring out independent. So really, thanks for coming on.Edited by Crystal WangIf you have anything you'd like to see in this Sunday special, shoot me an email. Comment below! Thanks for reading, and thanks so much for supporting Numlock.Thank you so much for becoming a paid subscriber! Send links to me on Twitter at @WaltHickey or email me with numbers, tips or feedback at walt@numlock.news. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit www.numlock.com/subscribe

Billboard Magazine -. Frm Tokyo Bureau Chief, At the 16, Elise Krentzel became a Journalist & at 19, she was the youngest journalist on the KISS  Japan Tour.Rest in Power Ace!!Her Book "Under My Skin Trauma, Drama, and Rock n Roll" is the FIRST in a Trilogy.We're Ready to Really ROCK n Roll!!."Elise Says""It takes courage to step out and write your truth, own it and forgive it. Neglect and abandonment, physical, emotional, and verbal abuse, narcissistic parents and a host of malcontents to add flavor and color to the toxic mix that was my childhood.Yet light always shines through, right? I channeled my talents, hopes and ambition into writing about music and became a rock journalist as a teenager. I toured with Kiss on a press junket at 19 in Japan. That was just the beginning!Please CELEBRATE with me today! My book is now available and I'm dancing around my apartment with a bottle of bubbly. Get your rock ‘n' roll on!"Elise Krentzel's fast paced memoir, Under My Skin has earned #1 new release in these categories: Biographies of Rock Bands, Music Business, Rock, Composers & Musicians, and Jewish life. She shares how she took charge of the tumultuous 1970s by making a name for herself as a rock journalist when still a teenager. As a kid, she was encouraged by her parents to sing, play music, and write, but she wasn't allowed to be “herself.” Alienated, she hid her heart and learned to become a stranger in her own skin as the torment of early childhood taught her to mistrust everyone, especially herself.She's a multiglot: author, ghostwriter, mentor, public speaker, and communications entrepreneur who has lived in five countries for over twenty-five years. Starting in Japan from 1977 to 1984, she owned a talent and booking agency, introduced punk rock, was a DJ and, music journalist. As Tokyo Bureau Chief for Billboard Magazine, Elise introduced the Sony Walkman and Laserdisc technology to a western audience during her stint.© 2025 All Rights Reserved© 2025 Building Abundant Success!!Join Me on ~ iHeart Media @ https://tinyurl.com/iHeartBASSpot Me on Spotify: https://tinyurl.com/yxuy23baAmazon ~ https://tinyurl.com/AmzBASAudacy:  https://tinyurl.com/BASAud

Only 3 Days Left. Some great stretch goals and lots of Backer Rewards left! http://kck.st/4ghH5fV

Can you really build wealth with a simple formula? Do you need a budget to succeed financially? Should you cut up all your credit cards, or is that just a dramatic TikTok trend? In this episode of The Stacking Benjamins Show, Joe Saul-Sehy is joined by Paula Pant, Doc G (Jordan Grumet), and Jesse Cramer for a roundtable discussion that peels back the truth behind popular advice from so-called financial “gurus.” The conversation is rooted in a provocative blog post by Christine Luken that calls out four common money mantras—and the team dives into each one with classic basement wit, spirited debate, and hard-earned wisdom. Topics on the table: Do you really need a budget, or can you thrive without one? Are rigid financial formulas helpful or harmful? Is willpower the key to financial success—or just a scapegoat? Does cutting up credit cards actually solve your spending problems? Along the way, you'll hear banana jokes (yes, multiple), a heated trivia contest about obsolete technology (looking at you, LaserDisc), and some good-natured trash talk that might just surprise you with how insightful it gets. This episode is packed with nuance, laughs, and practical takeaways for Stackers who are tired of the one-size-fits-all guru approach. Whether you're team budget or team spreadsheet freestyle, there's something here for you—plus a solid reminder that when it comes to personal finance, the best advice is the advice that fits your life. FULL SHOW NOTES: https://stackingbenjamins.com/lies-damn-lies-and-statistics-1701 Deeper dives with curated links, topics, and discussions are in our newsletter, The 201, available at https://www.StackingBenjamins.com/201 Enjoy! Learn more about your ad choices. Visit podcastchoices.com/adchoices

Spätzle Wars: Unsere schonungslose Abrechnung mit den FilmenWillkommen, liebe Videogamecast-Hörer, Padawane und erfahrene Nerds! In einer Podcast-Galaxie weit, weit entfernt wagen sich Gordon, Tobi und Andreas an ein Thema, das heiliger ist als die Asche von Darth Vader: Star Wars. Bevor wir uns in den kommenden Episoden durch 90+ Videospiele kämpfen, nehmen wir uns in dieser Auftaktfolge erst einmal die Filme zur Brust. Und eins sei gesagt: Wir nehmen keine Gefangenen.Von der ersten Begegnung mit dem Franchise – sei es auf einer ominösen Laserdisc in West-Berlin oder durch geschmuggelte VHS-Kassetten – bis zur knallharten Analyse, warum manche Trilogien schlechter gealtert sind als Milch in der Wüstensonne von Tatooine. Wir sezieren mit der Präzision eines Lichtschwerts, was uns an diesem Universum fasziniert und was uns zur Weissglut treibt. Es ist der perfekte Einstieg für alle, die wissen: Die besten Geschichten wurden sowieso nicht im Kino erzählt.Das erwartet euch in dieser EpisodeWir nehmen euch mit auf einen wilden Ritt durch die Licht- und Schattenseiten des Star-Wars-Universums. Freut euch auf ehrliche Meinungen, nerdige Fun-Facts, nostalgische Ausraster – und ein paar WTF-Momente, die selbst einen Wookiee zum Schweigen bringen.Mit dabei:Nostalgie pur, als die Special Editions von 1997 uns als Teenager wieder ins Kino lockten und wir zum ersten Mal Jabba in seiner ganzen digitalen Pracht bewundern durften.Das overacted Meisterwerk der Prequel-Trilogie, die uns nicht nur Jar Jar Binks Duschgel bescherte (kein Witz, Gordon hatte es!), sondern uns auch über die Konsistenz von Sand philosophieren liess.Und die seltsamen Ewok-Filme, die wir eigentlich alle erfolgreich verdrängt hatten, bis Andreas gestand, sie im Kino gesehen zu haben.Ausserdem fragen wir uns:Warum ist Anakin Skywalkers Weg zur dunklen Seite eigentlich so überzeugend wie ein Gungan im Senat?Wieso fühlen sich die Sequel-Filme an, als hätte man das Drehbuch zwischen drei Regisseuren einfach verlost?Und warum, zum Imperator nochmal, können Pferde auf einem Sternzerstörer galoppieren?Natürlich gibt's auch Lobgesänge auf Andor, Seitenhiebe auf so ziemlich jeden Film nach 1983 und die bahnbrechende Erkenntnis, dass Hans Olo der bessere Name gewesen wäre.Für wen ist diese Episode?Diese Episode ist wie gemacht für alle, die…wissen, dass die besten Star-Wars-Geschichten in Spielen wie Jedi Knight oder KOTOR erzählt wurden.die Prequels hauptsächlich wegen der unzähligen Memes schätzen ("I have the high ground!").sich ernsthaft gefragt haben, ob das Imperium nicht vielleicht doch für Recht und Ordnung gesorgt hat.und für die Kyle Katarn der einzig wahre Dieb der Todessternpläne ist. Manny Both-wer?Oder anders gesagt: Für alle Nerds mit Herz, die Lichtschwerter und eine gesunde Portion Zynismus lieben. Hosted on Acast. See acast.com/privacy for more information.

It is Friday the thirteenth and that means we have a new Friday to cover. This time we are diving into The New Blood. A movie where Jason battles a final girl that is definitely not Carrie. We cover the history of the seventh Friday and people who made it possible .

Billboard Magazine -. Frm Tokyo Bureau Chief, At the 16, Elise Krentzel became a Journalist & at 19, she was the youngest journalist on the KISS  Japan Tour.Her Book "Under My Skin Trauma, Drama, and Rock n Roll" is the FIRST in a Trilogy.We're Ready to Really ROCK n Roll!!."Elise Says""It takes courage to step out and write your truth, own it and forgive it. Neglect and abandonment, physical, emotional, and verbal abuse, narcissistic parents and a host of malcontents to add flavor and color to the toxic mix that was my childhood.Yet light always shines through, right? I channeled my talents, hopes and ambition into writing about music and became a rock journalist as a teenager. I toured with Kiss on a press junket at 19 in Japan. That was just the beginning!Please CELEBRATE with me today! My book is now available and I'm dancing around my apartment with a bottle of bubbly. Get your rock ‘n' roll on!"Elise Krentzel's fast paced memoir, Under My Skin has earned #1 new release in these categories: Biographies of Rock Bands, Music Business, Rock, Composers & Musicians, and Jewish life. She shares how she took charge of the tumultuous 1970s by making a name for herself as a rock journalist when still a teenager. As a kid, she was encouraged by her parents to sing, play music, and write, but she wasn't allowed to be “herself.” Alienated, she hid her heart and learned to become a stranger in her own skin as the torment of early childhood taught her to mistrust everyone, especially herself.She's a multiglot: author, ghostwriter, mentor, public speaker, and communications entrepreneur who has lived in five countries for over twenty-five years. Starting in Japan from 1977 to 1984, she owned a talent and booking agency, introduced punk rock, was a DJ and, music journalist. As Tokyo Bureau Chief for Billboard Magazine, Elise introduced the Sony Walkman and Laserdisc technology to a western audience during her stint.© 2025 All Rights Reserved© 2025 Building Abundant Success!!Join Me on ~ iHeart Media @ https://tinyurl.com/iHeartBASSpot Me on Spotify: https://tinyurl.com/yxuy23baAmazon ~ https://tinyurl.com/AmzBASAudacy:  https://tinyurl.com/BASAud

Pendy, Dwaine, Jen, and Bururian do a live reaction to the Symphonic Suite DQ IV Laserdisc performance. Released all the way back 1991! Beware of some tortured performances.Video of this episode: https://youtu.be/NzWQu6uS9g4[1991] Symphonic Suite Dragon Quest IV - Full Laserdisc Rip Video Games Symphony featuring BluestarFeel free to hang out with us at our respective FB groups: Dragon Questers and Slime TimeSlime Time t-shirt found here!For more about the Slime Time team, hit us up @DQSlimeTime on X and Instagram, email us at slimetimepodcast@gmail.com, or join in all the DQ discussions taking place at the Dragon's Den or on the Dragon's Den Discord and the Dragon Questers DiscordFollow Jen at https://www.instagram.com/dragon_quest_feels/ Slime Time Podcast websiteThanks to the the Descendants of Erdrick for our intro and outro 

No Decrépitos dessa semana, Dane Bayer e Jão Carvalho se jogam no lixão da nostalgia e relembram aquelas tecnologias que sumiram, se foram, acabaram, morreram, pereceram!Assine o plano BOGA VIVA e participe do nosso GRUPO SECRETO NO TELEGRAM! FINANCIE ESTE VACILO:apoia.se/decrepitosMANDA PIX:livepix.gg/decrepitosPARTICIPE PELO E-MAIL:ouvinte@decrepitos.comANUNCIE COM A GENTE:comercial@decrepitos.com

If you're struggling to keep people engaged and loyal in your product or business, check out my FREE gamification course to learn how to do just that: professorgame.com/freecommunity-web What if your favorite video game could teach you more about life and career success than any classroom?

In this episode, John and Dave look back at the Sega Dreamcast, sharing memories of the console that was ahead of its time but gone too soon. The Dreamcast had zero copy protection - John and Dave traded burned game CDs "like baseball cards" Their gaming favorites included Crazy Taxi (with its Offspring soundtrack), Jet Grind Radio with its anime style, and Shenmue's groundbreaking open world John demonstrates his new "Singe" emulator that runs Laserdisc-style games and lets people create interactive adventures from movie clips They reminisce about playing games on massive CRT TVs that "weighed a billion pounds" John shares his Batocera emulation setup that includes arcade games and serves as a central ROM library They discuss how modern gaming is moving toward platform-agnostic services, similar to what Sega did after the Dreamcast

Billboard Magazine -. Frm Tokyo Bureau Chief, At the 16, Elise Krentzel became a Journalist & at 19, she was the youngest journalist on the KISS  Japan Tour.Her Book "Under My Skin Trauma, Drama, and Rock n Roll" is the FIRST in a Trilogy.We're Ready to Really ROCK n Roll!!."Elise Says""It takes courage to step out and write your truth, own it and forgive it. Neglect and abandonment, physical, emotional, and verbal abuse, narcissistic parents and a host of malcontents to add flavor and color to the toxic mix that was my childhood.Yet light always shines through, right? I channeled my talents, hopes and ambition into writing about music and became a rock journalist as a teenager. I toured with Kiss on a press junket at 19 in Japan. That was just the beginning!Please CELEBRATE with me today! My book is now available and I'm dancing around my apartment with a bottle of bubbly. Get your rock ‘n' roll on!"Elise Krentzel's fast paced memoir, Under My Skin has earned #1 new release in these categories: Biographies of Rock Bands, Music Business, Rock, Composers & Musicians, and Jewish life. She shares how she took charge of the tumultuous 1970s by making a name for herself as a rock journalist when still a teenager. As a kid, she was encouraged by her parents to sing, play music, and write, but she wasn't allowed to be “herself.” Alienated, she hid her heart and learned to become a stranger in her own skin as the torment of early childhood taught her to mistrust everyone, especially herself.She's a multiglot: author, ghostwriter, mentor, public speaker, and communications entrepreneur who has lived in five countries for over twenty-five years. Starting in Japan from 1977 to 1984, she owned a talent and booking agency, introduced punk rock, was a DJ and, music journalist. As Tokyo Bureau Chief for Billboard Magazine, Elise introduced the Sony Walkman and Laserdisc technology to a western audience during her stint.© 2024 All Rights Reserved© 2024 Building Abundant Success!!Join Me on ~ iHeart Media @ https://tinyurl.com/iHeartBASSpot Me on Spotify: https://tinyurl.com/yxuy23baAmazon ~ https://tinyurl.com/AmzBASAudacy:  https://tinyurl.com/BASAud

Send us a textHitting all of the feels with beloved holiday commercials. The wild hype and ultimate failure of LaserDisc. Some strange advertising mascots that starred in their own comic books.Episode 174 is like sitting beside a crackling fire with a cup of hot cocoa, only in podcast form.It begins with commercials. You've heard of The Twelve Days of Christmas? Well, this is twelve of the most iconic and beloved holiday ads of all-time. They might promote beer, soda, candy, and more, but they are chock full of warm and fuzzy nostalgia.Some technology changes the world, like radio, television, and the Internet. Other technology comes in with hype and departs a failure. We go way Back In the Day to look at the history of LaserDisc. It promised to change the landscape of visual media and ended up a footnote in the technological trash bin. But why?X-Men, Superman, and Batman these are not. In a new Top 5, we look at some strange and often hilarious advertising mascots that graced their own comic books. An added bonus is the DC/Marvel crossover that could still happen someday.This Week In History and Time Capsule will be centered around the debut of The Simpsons television show 35 years ago!For more great content become a subscriber on Patreon!Helpful Links from this EpisodeThe Lady of the Dunes.comPurchase My New Book Cape Cod Beyond the Beach!In My Footsteps: A Cape Cod Travel Guide(2nd Edition)Hooked By Kiwi - Etsy.comDJ Williams MusicKeeKee's Cape Cod KitchenChristopher Setterlund.comCape Cod Living - Zazzle StoreSubscribe on YouTube!Initial Impressions 2.0 BlogUPDATE: Bonnie Bickwit and Mitchel Weiser Case - Rolling Stone.comWebcam Weekly Wrapup PodcastCape Cod 1929 PodcastListen to Episode 173 hereSupport the show

If you grew up in the 80s, you grew up in the era of physical media. Our videotape collections allowed us to watch our favorite movies and TV shows over and over, allowing us to develop a deep appreciation for the things we loved. But how did we get here, and how did it all end up changing so drastically? Today we not only revisit the origins of the VCR itself but look at the VHS/Betamax format wars of the 80s and the worthy third competitor: Laserdisc. We also look at the growth of home video, the time when the VCR was under attack by Hollywood, and the progression of the VCR to DVD, Blu-Ray, and then streaming. This episode is also a look at how physical media has become a bit of an endangered species, but why it still has an important place in our modern world. Planes, Trains & Automobiles movie review: Patreon.com/80s

On this episode of HorrorHound Radio, hosts Aaron, Andy, and Martin put down the turkey to discuss the long and complicated history of physical media in film. From the dawning of the format to the video store to the modern 4K trend, no stone (nor video store hentai) is left unturned! 

Panelists: Paul Hagstrom (hosting) and Carrington Vanston Topic: 1978 In 1978, we got WordStar and LaserDisc. Not VisiCalc. Topic/Feedback links: Retro Computing News: Vintage Computer(-related) commercials: Retro Computing Gift Idea: Auction Picks: A2Stream file: Feedback/Discussion: Intro / Closing Song: Back to Oz by John XShow audio files hosted by CyberEars Listen/Download:

https://linktr.ee/musicpodcast3?fbclid=PAZXh0bgNhZW0CMTEAAaYRrGiF4EzHYn_czqIndVTw7_PP1s9WTQU_ODviiTEWUvY8u1RWq1cGWp0_aem_iTSbXX-hVAjgJU7Aq4Tf5w

Here is a series of firsts for us at the Half Hour of Power! Our first thumbnail! Our first video of collecting physical media! That is right! DVDs, VHS, Laserdisc! You name it! We collect it! We thought it would be fun to talk about the collection and share some of that with you guys. Snow Globe Fargo VHS. Scream VHS with the extra commentary tape and the phone card! A Wild Bunch director's cut Laserdisc and a Strange Orson Welles film! King Kong 1933 Tin edition! Dario Argento's Masterpiece Suspiria! We hope you enjoy this and share some of your favorites in your Physical Media collection!

  -Alien Romulus is coming to VHS for some reason: https://www.engadget.com/entertainment/alien-romulus-is-coming-to-vhs-110055668.html -Biggest bug ever: https://www.cnn.com/2024/10/18/science/arthropleura-giant-arthropod-fossil/index.html -Its over 9000!!! https://www.pcgamer.com/hardware/researchers-seem-to-have-cracked-6g-wireless-achieving-speeds-over-9-000x-faster-than-the-5g-average-at-938-gbps-would-download-black-myth-wukong-in-1-1-seconds/ -AMD X3D coming soon: https://www.tomshardware.com/pc-components/cpus/amd-teases-ryzen-9000x3d-chip-coming-november-7-cuts-pricing-on-all-other-ryzen-9000-chips -US Customs is holding up DJI's latest drone from releasing: https://www.engadget.com/cameras/dji-confirms-that-us-customs-is-holding-up-its-latest-consumer-drone-123007447.html?src=rss -Amazon finally has a color Kindle: https://www.theverge.com/2024/10/16/24271632/amazon-kindle-colorsoft-specs-price-hands-on -Snapdragon 8 Elite announced: https://www.theverge.com/2024/10/21/24273802/qualcomm-8-elite-oryon-cpu-android-smartphone-soc -Marketing is great, until it works. https://www.independent.co.uk/tech/bluesky-x-twitter-elon-musk-block-b2630894.html -Trains on the MOON!! https://mashable.com/article/moon-lunar-railroad?test_uuid=01iI2GpryXngy77uIpA3Y4B&test_variant=b

El Topo er selve kultfilmen over alle kultfilmer. Den har nærmest hatt legendestatus siden den debuterte som en såkalt "midnight movie" på The Elgin Theater på starten på 70-tallet. Frem til 2007 var det faktisk kun mulig å se filmen på kino på disse midnattsvisningene, i tillegg til bootleg-VHS´er og en sensurert japansk LaserDisc. Nå i nyere tid er den mer tilgjengelig (i hvertfall rent fysisk), men betyr det at litt av moroa er borte? Er El Topo en film som får deg til å revurdere hele eksistensen eller er det bare surrealisme for surrealismens del? Vi har kanskje ikke svaret, men vi har en mening i hvert fall!Med: Chris og KurtVignett fremført av: Filmjunkiene v/Ivar Nikolai Fallet & Aleksander U. Serigstad 

This week, we have a two man show with Russ and Nathan. Russ is updating Nathan about World of Warcraft and that weird Amazon Lord of the Ring show. Nathan shares his insanity of Laserdisc collecting and rebuilding his old NES.  --Nathan  

Front Row Classics is pleased to welcome Warner Bros, Library Historian, George Feltenstein to the show. George has been at the forefront of the restoration and marketing of classic films for decades. He's been responsible for releases of classic film on all formats including VHS, Laserdisc, DVD and Blu-Ray. Brandon and George discuss his tenure at MGM/UA which included his overseeing the production That's Entertainment III. George has been with Warner since 1997 and discusses the many projects he has been involved with. We also discuss his latest efforts overseeing the Warner Archive Collection since 2009.  

Welcome George Feltenstein Front Row Classics is pleased to welcome Warner Bros, Library Historian, George Feltenstein to the show. George has been at the forefront of the restoration and marketing of classic films for decades. He’s been responsible for releases of classic film on all formats including VHS, Laserdisc, DVD and Blu-Ray. Brandon and George … Continue reading Ep.237-Interview with George Feltenstein →

If a footage falls in the woods and no one finds it, is it ever even really a movie at all? On this episode, we dig into the First Found Footage Film, 1961's brilliant indie THE CONNECTION. We also discuss the oft mislabeled First Found Footage Film, 1980's CANNIBAL HOLOCAUST (about 1:10 - 1:30). **Trigger Warning: sexual violence, animal cruelty.** We discuss the virtues and violations of each film, the genre, and more. And of course, there's some MouthGarf Report, and a rousing game of I See What You Did There. So, come on in. We're all waiting for Cowboy here. You can find THE CONNECTION on Kanopy and CANNIBAL HOLOCAUST on Ray Gun (but maybe don't...)Please give us a 5 star rating on Apple Podcasts! Want to ask us a question? Talk to us! Email debutbuddies@gmail.comListen to Kelly and Chelsea's awesome horror movie podcast, Never Show the Monster.Get some sci-fi from Spaceboy Books.Get down with Michael J. O'Connor's music!Next time: First Labor Union

I was 15 years old and a buddy of mine who lived down the street owned a video store. Ok, his parents owned a video store. He was 15 just like me. Not only did we have access to a huge array of VHS, but he also had a Laser Disc player.The Laser Disc was the precursor to the DVD and it was really cool.In the summer while his parents were working, I would ride my bike to his house and we would fire up the laser disc player and watch all kinds of movies we probably shouldn't have. Movies like Friday the 13th and the one that scared the shit out of me.The Exorcist.To me the Exorcist is one of the perfect and most terrifying horror films ever made. The 1973 film directed by William Freidkin from a novel by William Peter Blatty has been called the scariest movie ever made.I will never forget the bright summer sun streaming in through the gaps in the curtains while I sat huddled on the couch watching a nightmare unfold in front of me.I think that's probably why I find myself trying to bring horror elements into my roleplaying games.Literary historian J. A. Cuddon, in 1984, defined the horror story as "a piece of fiction in prose of variable length ... which shocks, or even frightens the reader, or perhaps induces a feeling of repulsion or loathing". Horror intends to create an eerie and frightening atmosphere for the reader. Often the central menace of a work of horror fiction can be interpreted as a metaphor for larger fears of a society.From authors like Edgar Allen Poe, Shirley Jackson, Clive Barker, HP Lovecraft, Richard Matheson, and Steven King to Filmmakers like John Carpenter, James Wan, We Craven, and Guillermo Del Toro Horror is a big part of our lives.Whether we like it or not.And that's what makes Horror such a perfect genre.Today, Mike, Christina, and I are going to be talking about the Horror Genre, what we like about it and how to incorporate it into your roleplaying, because of all the topics we have discussed so far, horror is the one you have to be careful with.Christina, what was your first horror movie?

It's time to power down the LaserTimeDisc miniseries before it starts overheating with an Arcade Obscura. The hosts each pick a LaserDisc arcade game that they feel is either obscure or underrated (or both)! None of the hosts know what the other person's picks are so it always causes some interesting… situations. Did it finally happen? Did we all pick the same game? Why is “An Occurrence at Owl Creek Bridge” required reading for this episode? Did we discover the origins of Rainbow Road or a bad acid trip? Why did the first wave of LaserDisc arcades really fail? Since this is our last episode before our hiatus (we'll be coming back in October 2024) we answer what our four favorite Podouken episodes are. We also want to hear your picks on the Discord server! Plus it's time for round 5 of the Listeners' Choice. Hop on the Future Episodes channel and nominate a game you'd like to hear us cover. You can join the Podouken Discord (where all the action happens) by following this link: discord.gg/k5vf2Jz

In 1981, RCA released a new media format on the market. It was the CED -- the Capacitance Electronic Disc, and it was meant to compete with Betamax, VHS and LaserDisc. How did it do? Not so great! But I own one, so I'm doing an episode about it!See omnystudio.com/listener for privacy information.

Defender of justice, truth, and the planet Earth. Ace is being attacked by the evil Commander Borf. Struggle with Dexter to regain his manhood. Destroy the Infanto-Ray. Defeat the evil Borf. Be valiant, space warrior, the fate of Earth is in your hands in the Don Bluth animated, RDI programmed, and Cinematronics produced Space Ace! Is Space Ace the best laserdisc arcade game? What The Simpsons voice actor first lent her voice to one of the game's characters? Who is “the strongest man… in the world?” By beating the game do you commit mass xenophobic infanticide?! The listener questions this episode include what arcade games we'd like to see in an e-Olympics event and what claim to gaming fame have we performed but can't prove? Join the Podouken Discord and ask your own questions, which could be included in a future episode, by following this link: discord.gg/k5vf2Jz

Podcast for a deep examination into the career and life choices of Eddie Murphy & Jim Carrey. Joe's long lost uncle returns to tell him (Joe) that he (still Joe) is a jedi. Patrick finds out some news about The Rock that nudges him to the dark side. Lev is just chillin' and having fun at a cantina. Does Greedo try and shoot him? Find out on this week's episode of 'What the Hell Happened to Them?' Email the cast at whathappenedtothem@gmail.com Disclaimer: This episode was recorded in July 2024. References may feel confusing and/or dated unusually quickly. 'Boomerang' is available on Blu-ray, DVD, & Laser Disc (for your hipsterests of hipsters): https://www.amazon.com/Boomerang-Blu-ray-Eddie-Murphey/dp/B09WZ3BK5P/ref=sr_1_1?crid=QQQ6R606MBE7&dib=eyJ2IjoiMSJ9.b0o3oZti5crVms6Ygz7GKo6ohBe9V51OyOgsR_04R1O_mkyaQ4Zu1nLWqViKB44NQ3ehaQJXWKGWCNy1X0JZCDWB9RSMWSnXlJQfmEngiaIxZqhuzO5mdkqOEycwmtwkcKFwBx192CsOnN2CsclxwoOVSvaOCEI5LokTqgooYxNn1CuMB8ZiBFBHaZti-ihjx3cvlUgmebDHrbmOc1lHYGio17qDU8He99xK9VqST4Q.nqih83B8OiI4ltA1SCd1EP7PGSZJuWh5Tdzi3esGvkk&dib_tag=se&keywords=boomerang+movie&qid=1721341151&sprefix=boomerang+movie%2Caps%2C139&sr=8-1   Music from "Charger" by Gorillaz (feat. Grace Jones)   Artwork from BJ West   quixotic, united, skeyhill, vekeman, murphy, carrey, versus, vs, boomerang, jones, grier, lawrence, gibbons, berry, halle, ebert, rock, moana

If thundering lizards come around and slimy scales are scattered round and Mr. Big becomes a story, than call on Analog Jones! We watch a Disney channel movie this week when we dive into Adventures in Dinosaur City from 1991.  Quick Facts Directed by Brett Thompson (This is my cousin's name and he directed “The Haunted World of Edward D. Wood Jr” is a documentary about Ed Wood directing Plan 9 from Outer Space) Written by Wili Baronet and Lisa Morton Distributed by Republic Pictures Home Video (VHS) and Disney Channel (TV Premiere) Released: The film had its world television premiere on The Disney Channel in the United States on April 4, 1992. The film was released in the United States on VHS and LaserDisc on August 20, 1992.  Rotten Tomatoes: Tomatometer – / Audience score 41% Starring Omri Katz as Timmy Shawn Hoffman as Mick Tiffanie Poston as Jamie Voice Actors Patrick Labyorteaux as Rex and Mr. Big David Jolliffe as Tops Rob Sherwood as Forry How to listen and reach Analog Jones and the Temple of Film Discuss these movies and more on our Facebook page. You can also listen to us on iTunes, iHeartRADIO, Podbean, Spotify, and Youtube! Please email us at analogjonestof@gmail.com with any comments or questions!

So you're telling me there was a LaserDisc arcade game… made by popular pinball manufacturer Stern… in 1983… featuring the film directorial debut of Hayao Miyazaki… based on the popular Lupin the III anime… called Cliff Hanger… that is not related to the Sylvestor Stallone movie? Yes we are, and we're going to talk all about it in this episode. Will Count Dreyco strike the first blow? Will the princess be forced to marry someone she can't stand? Will Cliff get stuck in a trapdoor for the rest of his life? Did you realize before this moment that all these questions are lifted directly from the arcade's attract mode and arcade flyer? What, you want more questions? How about some listener ones: do you have advice or suggestions for indie game developers who want to make arcade-oriented titles, and which arcade game first entry is superior to its sequel(s)? Join the Podouken Discord and ask your own questions, which could be included in a future episode, by following this link: discord.gg/k5vf2Jz

Kevin Rowland AKA Trayne Rekk: A Goodtime Charlie from Okotoks, Alberta, Canada who collects and loves anything involving music and movies. Kevin opened a TV/Stereo repair shop then eventually became a Radio Shack. The last 15 years Kevin has been making a living playing music with the Hillbilly Punk & Roll band, ‘Puttin' On The Foil'. Their two albums ‘Fired up, Ready To Roll' and ‘Sing-A-Long Drinkin' Songs' are available on all the streaming sites and youtube. Go to www.puttinonthefoil.ca Watch the music video for the Doohickeys' "Rein It In Cowboy": https://www.youtube.com/watch?v=oDHf9alkjCI ADS: BETTERHELP: Visit http://www.BetterHelp.com/IDK today to get 10% off your first month.

AD Police (Files) is only nearly every free streaming service, as though they are trying to prepare us for the inevitable future of MegaTokyo. It's only three years from now after all.   Denzel Belin joins us for the most adult show we've tackled so far. Maybe we can't take it. Maybe we shouldn't take it.  Maybe we should ask someone to fill us with bullets already and get it all over with.   @from_washington @derickarmijo @SingleSeasonTV singleseasonrecord@gmail.com

Billboard Magazine -. Frm Tokyo Bureau Chief, At the 16, Elise Krentzel became a Journalist & at 19, she was the youngest journalist on the KISS  Japan Tour.Her Book "Under My Skin Trauma, Drama, and Rock n Roll" is the FIRST in a Trilogy.We're Ready to Really ROCK n Roll!!."Elise Says""It takes courage to step out and write your truth, own it and forgive it. Neglect and abandonment, physical, emotional, and verbal abuse, narcissistic parents and a host of malcontents to add flavor and color to the toxic mix that was my childhood.Yet light always shines through, right? I channeled my talents, hopes and ambition into writing about music and became a rock journalist as a teenager. I toured with Kiss on a press junket at 19 in Japan. That was just the beginning!Please CELEBRATE with me today! My book is now available and I'm dancing around my apartment with a bottle of bubbly. Get your rock ‘n' roll on!"Elise Krentzel's fast paced memoir, Under My Skin has earned #1 new release in these categories: Biographies of Rock Bands, Music Business, Rock, Composers & Musicians, and Jewish life. She shares how she took charge of the tumultuous 1970s by making a name for herself as a rock journalist when still a teenager. As a kid, she was encouraged by her parents to sing, play music, and write, but she wasn't allowed to be “herself.” Alienated, she hid her heart and learned to become a stranger in her own skin as the torment of early childhood taught her to mistrust everyone, especially herself.She's a multiglot: author, ghostwriter, mentor, public speaker, and communications entrepreneur who has lived in five countries for over twenty-five years. Starting in Japan from 1977 to 1984, she owned a talent and booking agency, introduced punk rock, was a DJ and, music journalist. As Tokyo Bureau Chief for Billboard Magazine, Elise introduced the Sony Walkman and Laserdisc technology to a western audience during her stint.© 2024 All Rights Reserved© 2024 Building Abundant Success!!Join Me on ~ iHeart Media @ https://tinyurl.com/iHeartBASSpot Me on Spotify: https://tinyurl.com/yxuy23baAmazon ~ https://tinyurl.com/AmzBASAudacy:  https://tinyurl.com/BASAud

Well howdy, Stranger. Do you think you're tough enough to take on the Mad Dog? Why don't you take a seat over yonder as I tell the tale of a hit LaserDisc full motion video game that took the arcades hostage in the early 90s. This is the tale of Mad Dog McCree. How did a law enforcement simulator company in New Mexico end up being the new sharpshooter of the arcade? Did Jarrod find the perfect specimen of a rooster in a Wal-Mart parking lot? Is the world ready for Mad Dog McThree: Boot Shootin' Boogie? What's our favorite Jeff Bridges quote? Listener questions this week include asking how the secret sauce is made for deciding what games we talk about and naming an arcade game and PCB that we could never part with. Join the Podouken Discord and ask your own questions, which could be included in a future episode, by following this link: discord.gg/k5vf2Jz

Time to spin up a new arcade miniseries with the Laser(Time)Disc! The first game is a fantasy adventure where we become a valiant knight on a quest to rescue the fair princess from the clutches of an evil dragon. Sure, it's a tired formula, but this one has animation from Don Bluth! We are entering the Dragon's Lair. Hey kids, do you want to hear about the history of the analog optical disc format known as LaserDisc? What Dragon's Lair scene is the most obvious cash grab? Are birds the closest thing we have to angels? How much did Don Bluth and his studio charge to animate the prototype of the game? We respond to two listener questions: is there a game we thought we were good at but after seeing a pro play it felt like walking away, and what is an underrepresented game genre in the arcade? Join the Podouken Discord and ask your own questions, which could be included in a future episode, by following this link: discord.gg/k5vf2Jz

It is Episode 63 of the Nerdcast Empire, and it is Nerdcast Thursdays as heard LIVE on Twitch.tv/nerdcastempire on May 30, 2024. This week, Mike and I discuss our trip to Animazement this past weekend. We discuss the awesome panels we saw, some of the great merch we picked up, and how we ended up with a bag of biscuits on the way home. It very well may be the best anime convention in America. We'll discuss that live coming up. Tune in!

HT1907 - Laserdisc, Betamax, and Photography Perhaps this is a flawed analogy, but I can't help but look back at the history of technology and conclude that widespread adoption is more important than ultimate quality. Does this also apply to our photographic work? As artists, we tend to want to pursue perfection at all costs. But, like technology, is it just possibly a better strategy to pursue widespread distribution rather than that last 2% of quality improvements?

Today is sponsored by the letter “Green”.  John is drinking a Johnnie Walker Island Green and describes how it's made, travel retail and the differences between it and Johnnie Walker Green.  Phil starts with green tea, then moves over to Old Forester. Airport security Phil's trip to New Mexico.  The second installment of John's Old Tech features the LaserDisc!  And the first installment of Phil's new segment!   The Song:  “Old Roy”

As with practically every other Beatles podcast in the multiverse, the topic of the week is the 2024 release of "Let It Be" on Disney+.    Lonnie Pena and I sit down, discuss the VHS, Laserdisc, new streaming version and more.

As Apple (and Etta James) promised, "At Last"; the original cut of "Let It Be" is available! Only streaming, no LaserDisc, you wackers Radio Shackers. Speaking of LASIK, Apple's marketing team would have you believe the last time this film was seen was "54 years ago today". #WhenIm64Minus12Plus2 In reality, the last time this core, historically vital film was available was in 1981, but it struggled to compete with season 2 of "Bosom Buddies" and quickly fell out of print. Tony and T.J., who played John and Paul in VH1's "Two Of Us", instantly react to the greatest this film has ever looked or sounded, and also, dig these ponies:

We're embarking on a two-part rundown of home video formats this week, with part one focusing on analog video up through the mid-1990s and covering biggies like VHS and LaserDisc, plus also-rans like Betamax, Video8, and the truly strange CED. Tune in for plenty of fun trivia, like myths and misconceptions about the first major format war, Sony's ahead-of-its-time analog HD video system, why a video format patterned after a record player isn't a great idea, and a bunch more!(There are some drops in Brad's recording this week due to an infestation of audio gremlins which we're working to exterminate. Apologies for any inconvenience.) The MiSTer clone video from the cold open: https://www.youtube.com/watch?v=8RSrzM7dM-YShow notes for this ep, with links to a lot of the videos and images discussed: https://tinyurl.com/techpod-233-analog-home-video Support the Pod! Contribute to the Tech Pod Patreon and get access to our booming Discord, a monthly bonus episode, your name in the credits, and other great benefits! You can support the show at: https://patreon.com/techpod

Leah Mitchell returns to the podcast to discuss a personal favorite tv show and episode of Seinfeld! “Everyone has an uncommon experience while going their separate ways on the subway, and Kramer overhears a horse racing tip from another passenger, places a bet at a betting parlour, and wins big, helping to pay for his car fines.” Seinfeld: The Subway was originally aired on January 8, 1992The post Seinfeld: The Subway first appeared on VHS Rewind!.

Laserdisc is back! Podcast's intro song 'Here Come the Creeps' by Ugly Cry Club. You can check out her blossoming body of work here: uglycryclub.bandcamp.com/releases Like us on Facebook! www.facebook.com/criterioncreeps/ Follow us on that Twitter! twitter.com/criterioncreeps Follow us on Instagram! instagram.com/criterioncreeps We've got a Patreon too, if you are so inclined to see this podcast continue to exist as new laptops don't buy themselves: patreon.com/criterioncreeps You can also subscribe to us on Soundcloud, iTunes, and Google Play!

On the outskirts of history lay the rejects of the tech world. This week, David and Frack are here to discuss two of those rejects: the Laserdisc and HD-DVDs.Between niche markets and strong-armed competitors, these physical media types had a relatively short lifespan, and we are here to tell you why!If you enjoy our show, please leave us a rating & review on Spotify and Apple Podcasts!Facebook Page | Facebook Group | Instagram | Patreon

In what has become a disturbing trend in 2024's gaming industry, a large amount of layoffs happened at Microsoft this week, largely impacting Activision/Blizzard as the result of their merger. While some redundancy is expected, the cancelation of a project that Blizzard had been working on for six years compounded the situation. How do we remain enthusiastic about the games industry when this news never seems to end? Why does it keep happening? We discuss all this and much more on another episode the longest running weekly podcast about video games, Orange Lounge Radio!   Also in the News:   * Palworld Smashing Sales Records, is the Target Growing? * Overwatch 2 Competitive League * Nintendo Reschedules Concerts * LaserDisc Preservation Efforts   All this and more on the show where EVERY gamer has a voice-- Orange Lounge Radio! LIVE on the VOG Network, Sunday nights at 6 Pacific, 9 Eastern www.vognetwork.com Mailbag: participate (at) orangeloungeradio dot com

We have arrived at what is definitely our 400th episode (excluding a bunch of additional recordings that simply don't count). Such a momentous occasion requires a momentous surprise.Thanks to (lil') Geri for joining us!Suggested talking points: Fallen Carpet Paladin, Corn Wearing a Bib, The Bedtime Onion Threshold, The Blobfish of Phrases, Uncle Conference, You're Just Having a Stroke, Dear, Need to Make Room for Scorpions, Has Anyone Ever Been Angry at a Watering Can?If you'd like to support Carman's artistic endeavors, visit: https://www.patreon.com/carmandaartsthingsIf you like our show, find us online to help spread the word! Follow us on Twitter, Facebook, and Youtube. Support us on Patreon to help the show grow at www.patreon.com/wtfolklore. You can find merchandise and information about the show at www.wtfolklorepodcast.com.

On this week's show, we delve into the lesser-known realms of video game history with Lewis Packwood, author of new book 'Curious Video Game Machines.' Lewis unveils a world beyond the mainstream narrative of gaming giants, exploring the intriguing and obscure: from a wargame computer made of calculators to voice-recognising LaserDisc machines and sticker-printing consoles. Join us for a journey through gaming's hidden gems and untold stories. Curious Video Game Machines on Amazon: http://tinyurl.com/mtt9nuf8  Contents: 00:00 - The Week's Retro News Stories 52:28 - Lewis Packwood Interview Please visit our amazing sponsors and help to support the show: Bitmap Books https://www.bitmapbooks.com/ Check out PCBWay at https://pcbway.com for all your PCB needs Take ownership of your health, try AG1 and get a FREE 1-year supply of Vitamin D AND 5 Free AG1 Travel Packs with your first purchase. Go to: https://drinkAG1.com/retrohour Thanks to our latest Patreon backers, in the Hall of Fame this week: Editorb, Kate Pankhurst, PigDan, Mark Devlin We need your help to ensure the future of the podcast, if you'd like to help us with running costs, equipment and hosting, please consider supporting us on Patreon: https://theretrohour.com/support/ https://www.patreon.com/retrohour Get your Retro Hour merchandise: https://bit.ly/33OWBKd Join our Discord channel: https://discord.gg/GQw8qp8 Website: http://theretrohour.com Facebook: https://www.facebook.com/theretrohour/ Twitter: https://twitter.com/retrohouruk Instagram: https://www.instagram.com/retrohouruk/ Twitch: https://www.twitch.tv/theretrohour Show notes: BBC Toast Commodore Episode: http://tinyurl.com/7mpx7v3b Atari 400 mini: http://tinyurl.com/5b4e9jm4 Rocket Knight Adventures Resparked: http://tinyurl.com/yj2akk7p  Turbo Outrun ported to Commodore Plus/4: http://tinyurl.com/yc2pdh48 Atari Game Station: http://tinyurl.com/43v9smvx  The Casio Loopy gets a flash cart: https://youtu.be/dMUZkTdj_GA

Here's the Supporter-only Q&A from December 7th, 2023. All comments and questions are fielded through the supporter service Q&A page. Please consider supporting this channel via monthly support services, tips, or even just by using our affiliate links to purchase things you were already going to buy anyway, at no extra cost to you: https://www.retrorgb.com/support.html These are also available as an audio-only podcast: https://anchor.fm/retrorgb T-Shirts: https://retrorgb.link/tshirts Amazon Recommended List: http://retrorgb.link/amazon TIMESTAMPS (please assume all links are affiliate links): 00:00  Welcome 00:08  LaserDisc on HD CRT's 02:28  GameCube HDMI to Multiformat PVM:  https://retrorgb.link/cheapdac  HD15-2-SCART:  https://www.retrorgb.com/hd15-2-scart-europe-seller.html  Dreamcast VGA - Generic:  https://amzn.to/3uGxETC  Retro-Bit (same?):  https://amzn.to/3N9fccG   06:37  Tips on traveling with medical issues? 08:29  MiSTer WiFI issues / CIFS file for RetroNAS Use:  https://www.retrorgb.com/assets/cifs_mount.zip 12:23  How to test HDMI cables?  Suggested ones:  https://www.amazon.com/shop/retrorgb/list/H10S69UEYW?tag=onamzretrorgb-20 16:07  Opinions on modding and custom firmwares 22:35  PS2 ODE & HDMI 2.1 Integration - MAYBE this?:  https://amzn.to/46J2ojX  29:04  Gscart + gamescare SCART switch?:  https://www.retrorgb.com/scartswitches.html  30:53  Thank you!  https://www.retrorgb.com/support.html --- Support this podcast: https://podcasters.spotify.com/pod/show/retrorgb/support