Podcast appearances and mentions of Marty Feldman

Young Frankenstein is a 1974 American comedy horror film directed by Mel Brooks. The screenplay was co-written by Brooks and Gene Wilder. Wilder also starred in the lead role as the title character, a descendant of the infamous Victor Frankenstein. Peter Boyle portrayed the monster. The film co-stars Teri Garr, Cloris Leachman, Marty Feldman, Madeline Kahn, Kenneth Mars, Richard Haydn, and Gene Hackman. If you have anything to add to the discussion, please don't hesitate to do so by reaching out to us on social media @TheFilmFlamers, or call our hotline and leave us a message at 972-666-7733!    Buy the Blu-Ray: https://amzn.to/44EWxPd      Out this Month: Young Frankenstein Dracula: Dead and Loving It Patreon: High Anxiety      Get in Touch:  Support us on Patreon: https://www.patreon.com/TheFilmFlamers  Visit our Store: https://the-film-flamers.printify.me/  Instagram: https://www.instagram.com/thefilmflamers  Facebook: https://www.facebook.com/TheFilmFlamers/ Letterboxd: https://letterboxd.com/thefilmflamers/  (NEW!) SCANS Movie Rating Calculator: https://scans.glide.page/  Our Website: https://www.filmflamers.com  Call our Hotline: 972-666-7733     Our Patrons:    Alex M Andrew Bower Anthony Criswell Ashlie Thornbury BattleBurrito Benjamin Gonzalez Bennett Hunter BreakfastChainsawMassacre Brittany Bellgardt Call me Lestat. Canadianmatt3 CenobiteBetty Christopher Nelson Cj Mcginnis Dan Alvarez Dirty Birdy Gia Gillian Murtagh GlazedDonut GWilliamNYC Irwan Iskak James Aumann Jessica E Joanne Ellison Josh Young Karl Haikara Kimberly McGuirk Kitty Kelly Kyle Kavanagh Laura O'Malley Lisa Libby Lisa Söderberg Livi Loch Hightower M Hussman Mac Daddy Marissa E Matthew McHenry Mel Starmer Nicole McDaniel Nikki (phillyenginerd) Niko Allred Nimble Wembley Orion Yannotti Pablo the Rhino Penelope Nelson random dude Richard Best Robert Eppers Rosieredleader Ryan King SHADOW OF THE DEAD SWANN Sinesthero Thomas Jane's gun Walstrich William Skinner   Sweet dreams...      "Welcome to Horrorland" by Kevin MacLeod (incompetech.com). Licensed under Creative Commons: By Attribution 3.0 License http://creativecommons.org/licenses/by/3.0/ Includes music by Karl Casey @ White Bat Audio

Voltamos a nossa programação normal de dois episódios por mês e para celebrar este retorno, vamos com uma excelente comédia dirigida por Mel Brooks em 1974.  Fred Almeida e Alexandre Cataldo recebem no PFC o músico e cinéfilo Pedro Bizelli para falarem de “O Jovem Frankenstein” (Young Frankenstein, 1974), clássico que ano passado comemorou 50 anos desde seu lançamento pela 20th Century Fox. Marcado como um dos melhores trabalhos de Mel Brooks e Gene Wilder juntos, seu lançamento foi de enorme sucesso de público e contou com atuações célebres do próprio Wilder, Peter Boyle, Teri Garr, Madeleine Kahn, Cloris Leachman e Marty Feldman.

"Buckel wessen?" Comedy-Legende Mel Brooks inszenierte im Jahr 1974 eine Grusel-Persiflage, die einerseits nochmal 43 Jahre älter ausschaut – denn sie geht zurück auf Universals ersten "Frankenstein" – und andererseits mehr Blitze ins Zwerchfell schleudert als Frederick Fronkensteen in seine Kreatur. Gab es je ein besseres Comedy-Ensemble als Gene Wilder, Marty Feldman, Teri Garr, Peter Boyle, Cloris Leachman, Madeline Kahn und Kenneth Mars?

Dopo un'adolescenza esagerata e burrascosa, un bel biondino mette la testa a posto: trova moglie e un buon lavoro. Poi una malattia rara gli cambia i connotati. Diceva di sé Marty Feldman: "Una volta che hai capito di avere il genere di faccia che fa ridere le persone, invece di disperarti ti impegni per farle ridere.” Marty ha reso il suo volto fuori dal comune il punto di forza per interpretare personaggi straordinari e indimenticabili: lupo ululì, castello ululà. Questa puntata speciale racconta la storia straordinaria di una persona che ha trasformato una difficoltà in una risorsa. Il mio libro Formidabili, storie di gente straordinaria (Blonk, 2022) è in formato digitale e cartaceo. Lo trovi su Amazon o direttamente da Blonk. Buona lettura! E fammi sapere se vuoi che ti racconti altre storie come questa di Marty... Ne ho parecchie! Learn more about your ad choices. Visit megaphone.fm/adchoices

Episodio lleno de colaboraciones. Arrancamos con una bonita promo sobre el curso que impartirá Javier Berger sobre Lorca y Clown. Más información en: info@doslunasteatro.com Vuelven los Payasos Muertos a cargo de Jasio Velasco en el que nos hablará del gran cómico Marty Feldman. Y por último, el gran Omar Janaan nos comparte sus reflexiones sobre los peor de trabajar, que para él es eso mismo: tener que trabajar.

Mark and Zanandi discuss the 1974 comedy blockbuster Young Frankenstein, directed by Mel Brooks, and starring Gene Wilder, Peter Boyle, Marty Feldman, Cloris Leachman and Teri Garr, Young Frankenstein is one of the best comedies ever made. In this episode, they also talk about walking “this” way, epic comedies, and rewatchable movies. Enjoy!

Whether you're a long-time fan or new to the series, "Round the Horne" offers a delightful blend of humor, camaraderie, and historical insight. Join us as we explore the world of Kenneth Horne and his lovable but hapless cast of characters. Welcome to "Round the Horne," a classic BBC radio comedy that brings humor and nostalgia to the airwaves. This beloved series, which originally aired from 1965 to 1968, was written by Barry Took and Marty Feldman. The show follows the misadventures of a group of characters in various sketches, parodies, and musical numbers, all presented in a unique and irreverent style.The Story Behind Round the Horne"Round the Horne" was created by Barry Took and Marty Feldman, drawing from their experiences in the British entertainment industry. The series was broadcast by the BBC in four series of weekly episodes from 1965 to 1968. The lead roles were played by Kenneth Horne, Kenneth Williams, Hugh Paddick, Betty Marsden, and Bill Pertwee. The show was known for its double entendres and innuendos, which often pushed the boundaries of what was considered acceptable on radio at the time.Key Characters and VoicesThe main cast includes: Kenneth Horne as the host and various characters Kenneth Williams as various characters, including Rambling Syd Rumpo Hugh Paddick as various characters, including Julian in the "Julian and Sandy" sketches Betty Marsden as various characters, including Fiona in the "Charles and Fiona" sketches Bill Pertwee as various characters

Whether you're a long-time fan or new to the series, "Round the Horne" offers a delightful blend of humor, camaraderie, and historical insight. Join us as we explore the world of Kenneth Horne and his lovable but hapless cast of characters. Welcome to "Round the Horne," a classic BBC radio comedy that brings humor and nostalgia to the airwaves. This beloved series, which originally aired from 1965 to 1968, was written by Barry Took and Marty Feldman. The show follows the misadventures of a group of characters in various sketches, parodies, and musical numbers, all presented in a unique and irreverent style.The Story Behind Round the Horne"Round the Horne" was created by Barry Took and Marty Feldman, drawing from their experiences in the British entertainment industry. The series was broadcast by the BBC in four series of weekly episodes from 1965 to 1968. The lead roles were played by Kenneth Horne, Kenneth Williams, Hugh Paddick, Betty Marsden, and Bill Pertwee. The show was known for its double entendres and innuendos, which often pushed the boundaries of what was considered acceptable on radio at the time.Key Characters and VoicesThe main cast includes: Kenneth Horne as the host and various characters Kenneth Williams as various characters, including Rambling Syd Rumpo Hugh Paddick as various characters, including Julian in the "Julian and Sandy" sketches Betty Marsden as various characters, including Fiona in the "Charles and Fiona" sketches Bill Pertwee as various characters

This is our 31 days of films that have chills & thrills, but Have You Ever Seen's 3rd posting in Scary Movie Month (and our 616th episode overall) is far more funny than it is frightening. Just like Shaun Of The Dead last week, much mirth results from nitwits dealing with reanimated corpses. Mel Brooks' beloved blockbuster is a satire of the classic Universal monster story and he's got his co-writer Gene Wilder leading a fantastic cast. Gene is a riot himself in one of Ryan's Top 10 fave comedies, even if Young Frankenstein turned out to be A LITTLE less of a grin-fest than it's been in the past. The comic highlights remain some of the most-hilarious of all time though, particularly the blind man, "Puttin' On The Ritz" and just about everything Marty Feldman and Madeleine Kahn do. So play some violin to calm Peter Boyle's savage beast as you gulp down this super-duper-like-Gary-Cooper monologue about Young Frankenstein. Holiday or not, you can order from our sponsor, Sparkplug Coffee. Enjoy some with your leftover turkey! Our "HYES" promo code will save you 20% off your next order. Go to "sparkplug.coffee/hyes". Email us (haveyoueverseenpodcast@gmail.com) with your own thoughts about this film or any other we've reviewed. We're reachable on Twi-X too (@moviefiend51 and @bevellisellis...she uses that @ on Threads as well). And our podcasts always go up on YouTube (@hyesellis in your browser). Comment, like, subscribe. Oh, and we'd love a rating and a review on your podcast app.

We're talking Mel Brooks movies on the newest Jagbags! Which movie is your favorite? What movies would you put in his all-time Top Five? Has he ever made a bad movie? (He has.) Where do you stand on Spaceballs? Or High Anxiety? Who gave the greatest comic performance in a Mel Brooks movie? We take on all these questions FEARLESSLY. Tune in for ultimate comedy discussion! SEDAGIVE?!??

Leaves are falling, the nights are getting longer, and the abandoned Chuck E. Cheese on the other side of our parking lot has temporarily become a Spirit Halloween store. It's officially Halloween season, and this week I have four horror films to recommend that I watch every year to get me into the Halloween spirit. First on my list is Young Frankenstein, Mel Brooks' classic Frankenstein sequel/parody released in 1974. Not all of Brooks' films have aged well, but Young Frankenstein still stands up as a classic comedy. The film stars Gene Wilder as Dr. Frankenstein's grandson, who travels to Transylvania to prove to the world his grandfather was not insane. After arriving he discovers his grandfather's notes and equipment and is ultimately able to reanimate a corpse… with mixed results. Wilder is joined on screen by Madeline Kahn, Marty Feldman, Cloris Leachman, Teri Garr, Kenneth Mars, and Gene Hackman, and Peter Boyle as the monster. Even though I seem to catch bits and pieces (no pun intended) of this on cable throughout the year, I put it on the list because it's best enjoyed all the way through from start to finish. If you remove this one from the shelv but change your mind, be sure to put it, and the candle, BACK.Second on my list is 1985's Silver Bullet, based on a Stephen King novella. In Silver Bullet, a small town in Maine (it's always a small town in Maine…) is under attack by a murderer that turns out to be a werewolf. After a young boy named Marty manages to wound the werewolf, he and his sister set out to determine the werewolf's identity. But when the moon is full, the hunters quickly become the hunted. Starring Corey Haim and Gary Busey, Silver Bullet is a classic that gets me into the Halloween spirit every year.Next on my list is John Carpenter's The Thing, released in 1982. I have long considered this film along with a few others like Jaws and Back to the Future to be essentially flawless films. I've watched The Thing a dozen times and there's not a thing I would change. It's the perfect combination of traditional scares and psychological terror. When researchers discover an alien life form that not only consumes people but can physically imitate them as well, a group of researchers quickly discover who among them they can trust — no one. Starring Kurt Russell and featuring a cast of familiar faces, The Thing is the perfect way to instill fear and paranoia before bedtime. The last film on my list is 1985's Fright Night, a film about a teenage boy who believes his next door neighbor may actually be a vampire responsible for the uptick in murders reported on the news. When Charley's family, friends, and even the police fail to believe him, there's only one person he can turn to: Peter Vincent, host of the late night horror-themed television show, Fright Night. The bad news for Charley is that by the time he discovers the truth about his neighbor, his neighbor is on to him. Fright Night is classic 80s horror — it's a little scary, a little silly, and a whole lot of fun. It's worth a watch if you haven't seen it recently.I hope you are as excited about Halloween as we are here at the Video Store Podcast. Help yourself to a complimentary pair of plastic vampire teeth and fake blood capsules (careful — they'll stain clothing) and take all the candy corn you want (we can never get rid of that stuff). I hope at least one of this week's movies gets you into the Halloween spirit. Let us know your favorite “must watch” films that get you into the Halloween spirit! This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit www.videostorepodcast.com

Whether you're a long-time fan or new to the series, "Round the Horne" offers a delightful blend of humor, camaraderie, and historical insight. Join us as we explore the world of Kenneth Horne and his lovable but hapless cast of characters. Welcome to "Round the Horne," a classic BBC radio comedy that brings humor and nostalgia to the airwaves. This beloved series, which originally aired from 1965 to 1968, was written by Barry Took and Marty Feldman. The show follows the misadventures of a group of characters in various sketches, parodies, and musical numbers, all presented in a unique and irreverent style.The Story Behind Round the Horne"Round the Horne" was created by Barry Took and Marty Feldman, drawing from their experiences in the British entertainment industry. The series was broadcast by the BBC in four series of weekly episodes from 1965 to 1968. The lead roles were played by Kenneth Horne, Kenneth Williams, Hugh Paddick, Betty Marsden, and Bill Pertwee. The show was known for its double entendres and innuendos, which often pushed the boundaries of what was considered acceptable on radio at the time.Key Characters and VoicesThe main cast includes: Kenneth Horne as the host and various characters Kenneth Williams as various characters, including Rambling Syd Rumpo Hugh Paddick as various characters, including Julian in the "Julian and Sandy" sketches Betty Marsden as various characters, including Fiona in the "Charles and Fiona" sketches Bill Pertwee as various characters

Burlarse de los monstruos quizá los ahuyenta. Los tronados Mel Brooks y Gene Wilder se rieron hasta de su propia sombra en todo lo que hicieron juntos, de los productores, de los westerns, no podía ser menos en El jovencito Frankenstein. Tanto es así que durante el rodaje tenían que repetir las tomas porque no podían aguantar la risa. Eso sí, uno de los motivos que dan la inmortalidad a esta comedia es el tono tenebroso del blanco y negro de Gerald Hirchsfeld, imitando los modos del original de James Whale, así como el respeto a la esencia del texto de Mary Shelley. Wilder y Brooks recurren a las mitologías de Shelley y la saga fílmica de la Universal, añadiendo de su cosecha una serie de gags memorables. El monstruo interpretado por Peter Boyle inspira compasión como el de Boris Karloff. Wilder escribió el libreto original de la comedia, y Mel Brooks se enteró del proyecto durante el rodaje de “Blazing Saddles”. Entre la sonrisa y la carcajada se pasa en un instante la obra de Mel Brooks más recordada por la crítica. Debe ser irresistible mirar fijamente a Igor, ni el propio Gene Wilder podrá con Marty Feldman haciéndole ojitos desencajados. En una de las alucinantes escenas iniciales, el doctor imparte una clase magistral sobre el sistema nervioso y sus respuestas reflejas, utiliza como conejillo de indias a un señor escuálido ante la mirada atenta de su alumnado. El cirujano que renegaba del estigma de su abuelo, el mismísimo Barón de Frankenstein, viaja a las tierras de Transilvania al heredar su castillo. Recién llegado a la estación, le recibe Igor, él podría arreglar esa joroba tan incómoda. ¿Joroba? ¿Qué joroba? Mejor cambiemos de tema. Esa joroba es reversible, cambia de lado según el momento. Con un reparto tocado por la gracia, aparte del gran Gene Wilder y los ojos saltones de Marty Feldman, una divertidísima e inocente Teri Garr, la asistenta de las buenas aldabas, Cloris Leachman, o Frau Blücher, cuya mera presencia aterroriza a los caballos , el inspector tullido surrealista y jugador de dardos interpretado por Kenneth Mars, o Madeline Kahn, la novia del doctor que conocerá los atributos secretos de la criatura y lucirá los peinados de la mismísima novia de Frankenstein. Esta noche bailamos claqué con el doctor y su creación… Salvador Limón, Raúl Gallego, Zacarías Cotán, Chari Medina y David Velázquez

Whether you're a long-time fan or new to the series, "Round the Horne" offers a delightful blend of humor, camaraderie, and historical insight. Join us as we explore the world of Kenneth Horne and his lovable but hapless cast of characters. Welcome to "Round the Horne," a classic BBC radio comedy that brings humor and nostalgia to the airwaves. This beloved series, which originally aired from 1965 to 1968, was written by Barry Took and Marty Feldman. The show follows the misadventures of a group of characters in various sketches, parodies, and musical numbers, all presented in a unique and irreverent style.The Story Behind Round the Horne"Round the Horne" was created by Barry Took and Marty Feldman, drawing from their experiences in the British entertainment industry. The series was broadcast by the BBC in four series of weekly episodes from 1965 to 1968. The lead roles were played by Kenneth Horne, Kenneth Williams, Hugh Paddick, Betty Marsden, and Bill Pertwee. The show was known for its double entendres and innuendos, which often pushed the boundaries of what was considered acceptable on radio at the time.Key Characters and VoicesThe main cast includes: Kenneth Horne as the host and various characters Kenneth Williams as various characters, including Rambling Syd Rumpo Hugh Paddick as various characters, including Julian in the "Julian and Sandy" sketches Betty Marsden as various characters, including Fiona in the "Charles and Fiona" sketches Bill Pertwee as various characters

Wow two weeks in a row of podcast episodes! We are on a roll baby. This week we talk about all kinds of cool stuff, like Godzilla, Aliens, and the deep sultry gaze of one Mr. Marty Feldman.

"Send us a Fan Mail Text Message"Experience the comedic brilliance of Mel Brooks' "Young Frankenstein" as we journey back to 1974 and uncover the magic behind this cult classic. Remember the time when Gene Wilder's Dr. Frederick Frankenstein humorously insisted on being called "Frankensteen?" We promise you'll gain insights into the film's clever blend of the 1930s Frankenstein lore with Brooks' signature humor, as well as its surprising box office success of $86.2 million from a modest budget. Join us as we explore the film's origins, its connection to "Blazing Saddles," and the stellar performances of Peter Boyle, Marty Feldman, Chloris Leachman, and Madeline Kahn.Curious about the comedic genius that makes "Young Frankenstein" a timeless piece? Discover how this black-and-white spoof cleverly parodies classic horror films while providing endless laughs, much like "Spaceballs" does with "Star Wars." We'll reflect on memorable scenes such as the "Putting on the Ritz" performance, delve into Dr. Frederick's reluctant embrace of his notorious family legacy, and share fascinating production anecdotes. Plus, find out why our audience voted this film so highly on our website—its broad appeal spans generations!As we wrap up, prepare for some behind-the-scenes gold. From Igor's pencil-eating antics to Gene Hackman's surprising cameo as the blind man, we highlight the iconic moments that make this movie unforgettable. You'll hear about Mel Brooks' insistence on black-and-white filming and the joy experienced by the cast and crew, which even led to adding more scenes. Plus, we'll share our excitement for upcoming classic horror remakes like "Nosferatu," celebrating the enduring allure of both comedy and horror. Tune in and relive the magic of "Young Frankenstein" with us!Support the Show.Sounds:https://freesound.org/people/frodeims/sounds/666222/ Door openinghttps://freesound.org/people/Sami_Hiltunen/sounds/527187/ Eerie intro music https://freesound.org/people/jack126guy/sounds/361346/ Slot machinehttps://freesound.org/people/Zott820/sounds/209578/ Cash registerhttps://freesound.org/people/Exchanger/sounds/415504/ Fun Facts Jingle Thanks to The Tsunami Experiment for the theme music!!Check them out hereSUPPORT US AT https://www.buzzsprout.com/1984311/supporters/newMERCH STORE https://ol-dirty-basement.creator-spring.comFind us at the following https://oldirtybasement.buzzsprout.com WEBSITE ...

RMR 0277: Special Guest, Matt Kerker joins your hosts Dustin Melbardis, and Lizzy Hayness for the Retro Movie Roundtable as they revisit Yellowbeard (1983) [R] Genre: Comedy, Adventure Starring: Graham Chapman, Peter Boyle, Cheech Marin, Tommy Chong, Peter Cook, Marty Feldman, Martin Hewitt, Michael Hordern, Eric Idle, Madeline Kahn, James Mason, John Cleese   Director: Mel Damski Recorded on 2024-07-31

After our Shoresy side-quest, we're back on track and hopping the next train to Transylvania! Rum Daddy's birthday pick pic is none other than Mel Brooks and Gene Wilder's classic 1974 send-up of the movie versions of Mary Wollstonecraft Shelley's classic novel. Starring Wilder, Marty Feldman, Teri Garr, Madeline Kahn, Cloris Leachman, and Peter Boyle as The Monster, the spoof centers on a modern descendant of the infamous Dr. Victor Frankenstein, a Dr. Frederick Frankensteen, who inherits his grandfather's estate and title and decides to take up the family business. Curiously missing from streaming nowadays, the film was a major hit when it debuted and is ranked among the best comedies of all time. Now we're ready to bring our movie reviews back to life with Young Frankenstein! Walk this way!   For more geeky podcasts visit GonnaGeek.com   You can find us on iTunes under ''Legends Podcast''. Please subscribe and give us a positive review. You can also follow us on Twitter @LegendsPodcast or even better, send us an e-mail: LegendsPodcastS@gmail.com   You can write to Rum Daddy directly: rumdaddylegends@gmail.com You can find all our contact information here on the Network page of GonnaGeek.com Our complete archive is always available at www.legendspodcast.com, www.legendspodcast.libsyn.com

SERIES 2 EPISODE 194: COUNTDOWN WITH KEITH OLBERMANN A-Block (1:44) Trump and Mike Johnson are plotting for House Republicans to somehow "overturn" Trump's convictions in the Stormy Daniels Election Interference trial. That was what they were SUPPOSED to talk about when Trump met with the House GOP yesterday but amid all the threats and terrorism and dictatorship and violence we forget that at his core, Trump is a moron. Whether he and Johnson actually got around to conceive some extra-constitutional scheme to enact ex post facto measure, before or after the election, who knows. All we do know is that Trump wound up insulting and enrages Milwaukee, a month and a day before the Republican Convention is supposed to open there. The blowback was a welcome respite. Three different Wisconsin Congressmen made up four different excuses for Trump calling Milwaukee "horrible." One of them, Bryan Steil, first said Trump said no such thing, then in a local TV interview contradicted himself and said Trump did say it, but was referring to "specific things." The upshot of all of this - and Trump's word salads - and Trump's manic blinking at his news conference where he couldn't handle any questions - is the ever-increasingly obvious reality that Trump is currently losing his mind. And that means for all its bravado and fealty the Republican Party is shackled to a corpse. B-Block (24:30) TRUMPDATE: Late breaking news about Trump's fear of going to prison and the likelihood that if he goes it'll be in a place that is halfway between New York City and ESPN (huh?) (26:14) THE WORST PERSONS IN THE WORLD: Rishi Sunak explains he grew up deprived because he didn't have the British equivalent of HBO. The downward spiral of ex-human being Mark Penn gets worse. And Lauren Boebert is caught vaping in public again and you know WHAT HAPPENED LAST TIME! C-Block (34:00) FRIDAYS WITH THURBER: For the first time, a chapter from Thurber's only non-fiction book "The Years With Ross." It includes a quote from a New Yorker Magazine writer that to me is one of the five or ten greatest things uttered by anybody in the history of the world.See omnystudio.com/listener for privacy information.

My good comedy Friend  Bruce "Babyman" Baum shares his hit single "Marty Feldman Eyes" and some standup comedy material playing as a radio DJ....Really funny and good upbeat music. You'll want tyo share this one!Bruce "Babyman" Baum is a seasoned stand-up comedian, well-known for his comedic performances at comedy clubs and his hit song "Marty Feldman Eyes." Over the years, Bruce has developed a perspective that sees stand-up comedy as a creative and entertaining outlet that allows comedians to display their humor and talents. His unique blend of music and storytelling, as well as his ability to engage audiences through comedic characters such as his radio DJ persona, showcases his versatility and commitment to the art of stand-up comedy. Baum's background, including his collaboration with R. Scott Edwards on a successful album, have shaped his belief that stand-up comedy is a dynamic and fulfilling form of entertainment that brings laughter into people's lives.(00:00:20) "Marty Feldman Eyes" Comedy Showcases(00:03:33) "Marty Feldman Eyes" Musical Comedy ReviewSupport the Show.Hosted by: R. Scott EdwardsPlease Write a Review: in-depth walk through for leaving a review.On Your Apple & Android Phones, Visit New APP: Standup Comedy Podcast Network and website .comInterested in Standup Comedy? Check out my books on Amazon..."20 Questions Answered about Being a Standup Comic""Be a Standup Comic...or just look like one"

1974 was a landmark year for film, a convergence of exciting international cinema and the original voices of New Hollywood that still resonates 50 years later. In our new series we invite a different guest for each episode to choose a 1974 movie to talk about, ranging from giant blockbusters to minor cult curios and everything else in between. Despite the domination of Coppolas, Polanskis and Cassaveteses, 1974 really belonged to Mel Brooks. Nearly 50 at the time, the legendary comedy writer had risen from his Borscht Belt origins to release two classic films in one year, 1974's #1 box office smash Blazing Saddles and trailing all the way back at #4 highest grossing picture Young Frankenstein. While both films became instant perennial favorite parodies of then out-of-style genres, Young Frankenstein is a true love letter to the Universal Monster movies of yore and a masterfully-made horror flick that just happens to have jokes in it. We welcome back Pink Smoke favorite and wig expert Kate Wilkinson to join our chorus of praise for co-writer Gene Wilder as Dr. Frederick Frankenstein (sorry, Fronk-en-steen), Marty Feldman as Eye-gor, Teri Garr as Inga, Cloris Leachman as Frau Blücher, Madeline Kahn as Elizabeth, Kenneth Mars as Inspector Kemp, recent Oscar-winner Gene Hackman as the Blind Man and true 70's superstar Peter Boyle as The Monster - each performer at the absolute top of of their game. We discuss the film's origins being deeper than the iconic 1931 James Whale movie, whether this is more a triumph for Brooks (who was banned from casting himself) or Wilder (it was his baby) and how it fit into the comedy mindset of the mid-70's. Wig Wurq on Tumblr: https://wigwurq.tumblr.com/ Support our Patreon: www.patreon.com/thepinksmoke The Pink Smoke site: www.thepinksmoke.com Christopher Funderburg on X: twitter.com/cfunderburg John Cribbs on X: twitter.com/TheLastMachine The Pink Smoke on X: twitter.com/thepinksmoke Intro music: Unleash the Bastards / “Tea for Two” Outro music: Marcus Pinn / “Vegas"

Summary In this conversation, Glow Worm and Jamison discuss various topics including their music preferences, video games, senior photos, and the new logo for Chat Time. They mention Imagine Dragons and their upcoming album, Lume. They also talk about playing the game Helldivers and their successful run. The conversation veers off to discuss comedians and celebrities, with a mention of Marty Feldman. They also briefly mention their height and posture. Finally, they discuss the new logo for Chat Time and Glow Worm's senior photos. The conversation covers various random topics, including discussions about Hooters, gaming, 7-Eleven, Apple, iPad, and the NFL draft. They also touch on news about TikTok and social media platforms. The conversation is light-hearted and filled with humor. Takeaways Glow Worm and Jamison discuss their music preferences, mentioning Imagine Dragons and their upcoming album, Lume. They talk about playing the game Helldivers and their successful run, highlighting the benefits of playing with a full squad. The conversation briefly touches on comedians and celebrities, with a mention of Marty Feldman and discussions about Kevin Hart and Shane Gillis. They mention their height and posture, with Jamison expressing his frustration about being perceived as shorter than he actually is. They discuss the new logo for Chat Time and Glow Worm's senior photos, expressing excitement about the photos and the possibility of taking more photos together. The conversation covers a range of random topics, showcasing the casual and humorous nature of the discussion. They discuss their preferences for gaming platforms, with a focus on PlayStation and PC. They talk about the availability of 7-Eleven stores in their area and compare it to other gas station chains. They mention Apple's lawsuit and the changes they are making to their messaging services. They discuss the benefits and uses of the iPad, including drawing and note-taking. They mention their plans to attend the NFL draft in Detroit, which may have been canceled. They briefly touch on politics and government officials. They discuss the controversy surrounding TikTok and the government's concerns about data privacy. They mention the dominance of American social media platforms like Facebook, YouTube, and Instagram. Follow us on our Socials: Instagram: @chattimeofficial2022 @mr_thust @momsearlobe Follow our TikTok: @chattime2022 Follow our Twitch: @Chat_Time Subscribe to the Youtube: @ChatTime Email us at: chattimeofficial2022@gmail.com for any questions or suggestions to help us do better!

RMR 0256: Special Guest, Comedian, Doug Koning, joins your hosts Dustin Melbardis and Russell Guest for the Retro Movie Roundtable as they revisit It Young Frankenstein (1974) [PG] Genre: Comedy, Horror, Satire Starring: Gene Wilder, Peter Boyle, Marty Feldman, Madeline Kahn, Cloris Leachman, Teri Garr, Kenneth Mars, Richard Haydn, Liam Dunn, Danny Goldman, Oscar Beregi Jr., Arthur Malet   Director: Mel Brooks Recorded on 2023-03-05

Join us on the MuppeTrek Podcast! This week on The Muppet Show: Delightful British comedic actor and Igor himself, Marty Feldman! And Star Trek TNG episode, "Angel One." Women are in charge and Riker's hairy chest comes out to play!

Join us on the MuppeTrek Podcast! This week on The Muppet Show: Delightful British comedic actor and Igor himself, Marty Feldman! And Star Trek TNG episode, "Angel One." Women are in charge and Riker's hairy chest comes out to play!

You could call Jack Douglas the world's greatest living producer and you probably wouldn't get a whole lotta blowback from people who obsess about these things. Jack has produced seminal records for everyone from Cheap Trick to Aerosmith to Patti Smith to John freakin' Lennon (he also produced a record for Local H, but we don't need to get into that). In short — he's the best. He also has the best stories. And in December at a live event at Gman Tavern (yes — we're back at Gman), Scott got the chance to pry some of those stories out of him. On this episode Jack talks about his brand new label Confidential Records, his brand new signing Robin Taylor Zander (yup - he's related), sailing with pirates to Liverpool to meet the Beatles, actually meeting the Beatles, the inspirational power of Marty Feldman, John Lennon's dubious methods to win percussion contests, Cheap Trick gigs in Wisconsin, and (wisely) refusing joints from Jimi Hendrix. Jesus Christ — what a life! (Special thanks to our buddy Evan Peters for engineering and recording Scott's interview with Jack.)

Travis Thompson Bare Knuckle Deep Dive Ep 202Travis Thompson is a rugged, durable bare knuckle fighter that has captured the respect of the BKFC locker room. Travis Thompson takes us through his time with legendary Philadelphia trainer Marty Feldman, to fighting at BKFC 1 and taking a world title fight against Dat Nguyen on less than a weeks notice.Travis Thompson is a guy that you can't help but be a fan of.Travis Thompson Bare Knuckle Deep Dive Ep 202Subscribe to the Lytes Out Podcast:https://www.youtube.com/@LytesOutClipsSocials: Facebook -https://www.facebook.com/groups/1027449255187255/?mibextid=oMANbwInstagram - https://www.instagram.com/lytesoutpodcast/iTunes - https://podcasts.apple.com/us/podcast/lytes-out-podcast/id1568575809 Spotify - https://open.spotify.com/show/3q8KsfqrSQSjkdPLkdtNWb Mike - The MMA Detective - @mikedavis632 Cash App - $mikedavis1231Venmo - Mike-Davis-63ZELLE: Cutthroatmma@gmail.com / ph#: 773-491-5052 Follow the #LOP team on Instagram: Chris - Founder/Owner - @chrislightsoutlytle Mike - MMA Detective - @mikedavis632 Joey - Assistant - @aj_ventitreTyson - Producer - @ty.green.weldingAndrew - Timestamps - @ambidexstressOutro song: Power - https://tunetank.com/t/2gji/1458-power#BKFC #BareKnuckleBoxing#MMA #UFC #NHB #LytesOutPodcast #LytesOut #MixedMartialArts #ChrisLytle #MMADetective #MikeDavis #MMAHistory #OldSchoolMMA #FightPodcast #FightTalk #DEEPDIVE #FiftyFightClub #MMAPodcast #FightPodcastSupport the show

Featuring John Denver, the cast of Hogan's Heroes, glittery dresses, Bette Midler and Grover from the Muppets, psychadelic backdrops, Waylon Jennings and Madame, Peter Cushing, Marty Feldman, and more! Like Dean Martin, the cast of the Brady Bunch, Ice Spice, The Manson Family, Farrah Fawcett Majors, and all your favorites! For example Carly Simon, Martin Scorsese, a piano player with thick, dark glasses, the cast of That 70's show, Jane Seymour Hoffman, Pam Grier, Cale Evans, Jacob Brayton, music by Josh Brayton, and so much more!

Join Amy Marxkors, John Hancock, Michael Kelley, and Brad Young as they explore the timeless hilarity of "Young Frankenstein" while delving into the recent shake-up in the St. Louis Blues' world. Beyond dissecting the film's iconic comedy and Mel Brooks' genius, our hosts dive into the firing of Craig Berube and the ripple effect following the comments of winger Jordan Kyrou. 

This week LADS watch, react and review to Young Frankenstein, Mel Brooks' 1974 comedy horror film starring Gene Wilder, Peter Boyle, Cloris Leachman, Marty Feldman and Teri Garr. A timeless classic, with plenty of enormous Schwanzstuckers to go round, LADS discuss the hilarious bits, the problematic bits and everything in between. 

It's the big day for Xiulan Ha'Penny Yuan and Hugh Portwhistle Godalming. For some reason, Xiulan has chosen Edda to be one of her two bridesmaids, because of course and why not? Look, Edda is a small part of a wedding that isn't her wedding, so naturally she's furious that someone else is getting all the attention. She has a plan to not only "go commando" underneath her cheongsam, but to "slink up the aisle like hookers short on crazy money." She thinks this would be a fun and funny thing to do at someone else's wedding. And I guess we are supposed to be charmed by this. Oh, that Edda! Typical Edda! What's not to love about her? Seth warns her and Ginger, Xiulan's friend and the other bridesmaid, not to do what they're planning, and Edda gets very mad about it. Xiulan yells at the two of them on the way down the aisle. Edda then sticks her tongue out at Seth, again, on the way down the aisle. Once at the altar, Hugh makes exclaiming "cor lumme" when he sees Xiulan. She makes fun of him for that. At the altar. But then tells him that she and her bridesmaids (who are sitting in the pews now?) are all going commando. They talk about this for a while. At the altar. Instead of getting the wedding going. The priest interrupts and then reveals he has also gone commando. We discover that other people have gone commando too. Then for some reason the priest gets mad about it. The Chickweed strips we discuss this episode: You can find all of the strips either on Twitter by clicking here (https://x.com/9chickweedRAGE/status/1726452275160519165?s=20) or on Instagram by clicking here (https://www.instagram.com/p/Cz2o8NkL4rm/?utm_source=ig_web_copy_link). This completely underwear-free episode includes: wing-tip collars pet collars "I'm Not a Girl, Not Yet a Woman" by Britney Spears (https://www.youtube.com/watch?v=IlV7RhT6zHs) Dutch angles! Cheongsams Very bad hand drawings The McEldowney Ellipsis! Going commando Pheromones Pig Latin Ealing Comedies The Church of England Cockney Slang Adam Godley Astronomical ellipsis usage! Reading glasses Marty Feldman Bing Crosby Talk to Us! Having trouble understanding what's going on in a 9 Chickweed Lane strip you just read? Send it our way! We'll take a shot at interpreting it for you! Or maybe you just want someone to talk to? We're on Twitter: @9ChickweedRAGE (https://twitter.com/9chickweedRAGE). And we're on Instagram: @9ChickweedRage (https://www.instagram.com/9chickweedrage/).

I had the pleasure of meeting Teri Wellbrock a few weeks ago and almost at once asked her to be a guest on Unstoppable Mindset. As with all our guests I asked her for a biography. What I received was a story about a woman who, from the age of four years old, experienced a variety of sexual and physical abuses and later was clearly in the wrong place at the wrong time as she experienced two bank robberies. In both robbery cases her life was in danger from gun-toting robbers. She will tell us all about her early life.   More important, Teri will discuss how she was able to overcome her early life and become a successful psychologist whose main goal in life is to help others. She has a great deal of experience in dealing with emotional trauma and healing. We will talk about some of the techniques she uses and which were utilized to help her.   Teri is a wonderful and engaging person. I am sure you will find her worth hearing. You also can seek out her podcast which she discusses near the end of our episode.     About the Guest:   Teri Wellbrock is a trauma warrior, having survived and thrived after learning to cope with her C-PTSD symptoms and 25 years of severe panic attacks by utilizing EMDR therapy, personal research and learned coping skills along with a foundation of faith and positivity. She is currently writing a book, Unicorn Shadows: From Trauma to Triumph – A Healing Guide, about her multiple traumas, with the intent to help others reach their own joyous and peaceful existence via her “story of hope”. She also speaks publicly about her triumph over trauma, including guest appearances on Healing from Grief and Loss online summit and Avaiya University's Overcoming PTSD online event. Teri is mom to three beautiful children (ages 29, 27, and 17); graduated magna cum laude from the University of Cincinnati with a Bachelor's Degree in Psychology; has written a children's book, The Doodle with the Noodle, with her daughter, about their Therapy Dog, Sammie the Labradoodle; has created the Sammie's Bundles of Hope project (bags filled with trinkets of hope donated to children with trauma history); and is producer and host of The Healing Place Podcast on iTunes, Pandora, Spotify, YouTube, iHeartRadio and many more audio outlets (now downloaded in 125 countries and ranked in the TOP 2% globally out of 3.1 million shows). She maintains a blog at www.unicornshadows.com and writes a monthly Hope for Healing Newsletter. Teri's professional history includes sales, managing, teaching, and case management with a mental health agency. Her life p urpose is to make a positive difference in the lives of others and shine a light of hope into dark spaces.   Ways to connect with Teri:   WEBSITE www.teriwellbrock.com www.unicornshadows.com   FACEBOOK https://www.facebook.com/TheHealingPlacePodcast/   LINKEDIN https://www.linkedin.com/in/teri-wellbrock/     About the Host: Michael Hingson is a New York Times best-selling author, international lecturer, and Chief Vision Officer for accessiBe. Michael, blind since birth, survived the 9/11 attacks with the help of his guide dog Roselle. This story is the subject of his best-selling book, Thunder Dog.   Michael gives over 100 presentations around the world each year speaking to influential groups such as Exxon Mobile, AT&T, Federal Express, Scripps College, Rutgers University, Children's Hospital, and the American Red Cross just to name a few. He is Ambassador for the National Braille Literacy Campaign for the National Federation of the Blind and also serves as Ambassador for the American Humane Association's 2012 Hero Dog Awards.   https://michaelhingson.com https://www.facebook.com/michael.hingson.author.speaker/ https://twitter.com/mhingson https://www.youtube.com/user/mhingson https://www.linkedin.com/in/michaelhingson/   accessiBe Links https://accessibe.com/ https://www.youtube.com/c/accessiBe https://www.linkedin.com/company/accessibe/mycompany/ https://www.facebook.com/accessibe/       Thanks for listening! Thanks so much for listening to our podcast! If you enjoyed this episode and think that others could benefit from listening, please share it using the social media buttons on this page. Do you have some feedback or questions about this episode? Leave a comment in the section below!   Subscribe to the podcast If you would like to get automatic updates of new podcast episodes, you can subscribe to the podcast on Apple Podcasts or Stitcher. You can also subscribe in your favorite podcast app.   Leave us an Apple Podcasts review Ratings and reviews from our listeners are extremely valuable to us and greatly appreciated. They help our podcast rank higher on Apple Podcasts, which exposes our show to more awesome listeners like you. If you have a minute, please leave an honest review on Apple Podcasts.     Transcription Notes     Michael Hingson ** 00:00 Access Cast and accessiBe Initiative presents Unstoppable Mindset. The podcast where inclusion, diversity and the unexpected meet. Hi, I'm Michael Hingson, Chief Vision Officer for accessiBe and the author of the number one New York Times bestselling book, Thunder dog, the story of a blind man, his guide dog and the triumph of trust. Thanks for joining me on my podcast as we explore our own blinding fears of inclusion unacceptance and our resistance to change. We will discover the idea that no matter the situation, or the people we encounter, our own fears, and prejudices often are our strongest barriers to moving forward. The unstoppable mindset podcast is sponsored by accessiBe, that's a c c e s s i  capital B e. Visit www.accessibe.com to learn how you can make your website accessible for persons with disabilities. And to help make the internet fully inclusive by the year 2025. Glad you dropped by we're happy to meet you and to have you here with us.   Michael Hingson ** 01:22 Well, greetings all once again. It is time for unstoppable mindset. I'm your host, Mike Hingston. And today we get to have a lovely conversation with Teri. Wellbrock. Teri has a great story to tell. And she talks about C PTSD and other things. And I'm anxious to learn about that, but just anxious to really get to know Teri better. So we'll jump right into it. And Teri, welcome to unstoppable mindset. We're really glad you're here.   Teri Wellbrock ** 01:50 Oh my gosh, thank you so much for having me. I'm very excited to be here. And yeah, I'm, I've loved our conversations that we've had beforehand. And we were laughing so hard at finding movies that we love and yeah, it's gonna be great competition.   Michael Hingson ** 02:05 Yeah, still not too much better than Young Frankenstein. But, you know, it's   02:09 still one of my all time   Michael Hingson ** 02:13 I have yet to find somebody who remembers though, when when I start to talk with them. When I say Dr. Franken stone. They don't say that's Frankenstein. Right. Of course, if they did that, then I go. So it's Frederick Frankenstein. Yes. And you must be Igor. No, it's I go, I go. I spelled it Igor. Are they going to Rome and didn't they? Oh, Mel Brooks.   Teri Wellbrock ** 02:46 Yes. Oh my gosh. Again. I love Madeline Kahn, Madeline   Michael Hingson ** 02:49 Kahn. Well, Madeline Kahn. Leachman, Terry gar all of that crowd Marty Feldman. Yes, Gene Wilder all of them. What a group Well, anyway, we're really glad you're here and well, thanks. We can talk about them on another podcast and take a whole hour and have a lot of fights right quote the whole movie and that's it. Yeah, we could just do it you know. I can take care of that hump. What what   Teri Wellbrock ** 03:22 you're gonna hear me snort laughing here.   Michael Hingson ** 03:26 Well, tell us a little bit about kind of the earlier Teri the young Teri and all that how you started out and kind of stuff.   Teri Wellbrock ** 03:34 Yeah, all that fun stuff. So when I when I stand on stages, or when a microphone in my hand and give presentations, I say I always start with my my trauma story, because I want to paint the picture of what I had gone through, but then I get to the happy and hopeful part. So so my early life my first 22 years of life are filled with horrific trauma. And I will gladly share I don't have a problem sharing the not gory details, but just a quick painted picture. When I was for an intoxicated parent attempted to drown me and my sister in a bathtub. When I was five, I was sexually molested by a 16 year old neighbor. When I was nine, I was sexually molested by a 19 year old neighbor when my mom sent me to borrow a can of soup. When I was 14, I was sexually accosted by a religious education director. I worked in the evenings for priests in our parish, and he was he was there and that evening, when I was 16 lost my virginity to date rape. Later that same year I was attacked by a gang downtown Cincinnati and sexually accosted later when I was 17, a police officer involved in that investigation asked my parents if he could take me to dinner to celebrate the convictions for that gang attack and my parents were like, Oh, he's a police officer, of course. But he did not take me to dinner. He took me back to his apartment where he attempted to rape me. 21 I was involved in a bank robbery a gun was held to my head and my coworker was stabbed three times with a hunting knife. I switched to our main office where my 19 year old sister worked. And three months later, the same assailants who had not been caught, would come back only this time, would pull the trigger and murder my coworker. I had run from the back of the bank and came face to face with an armed the second armed assailant, and he pointed his Luger at me, but the gun misfired and my life was yet again spared. My dad was physically abusive during the first 10 years of my life. So my life, those first 22 years were filled with chaos. And I after that second bank robbery started to have horrific panic attacks, and not understanding the impact of trauma on the body, particularly for children and not being able to process trauma. And so really spent the next 25 years trying to figure out how to survive and live in this. The destruction that had happened during those early years of my life. And then on 2013 stepped onto the healing path and everything changed. So that was a.   Michael Hingson ** 06:28 And as I recall, your sister was actually at the desk where your co worker was killed, but she had just gone away for a break or something. Yes,   Teri Wellbrock ** 06:39 she had just asked to go on break. And the arm the gunman came in firing into the ceiling. And my sister dove under a desk. She was just walking away. And the young lady that was murdered was the one that took my sister's place on the teller line. Yeah.   Michael Hingson ** 06:57 So how is your sister cope with all that?   Teri Wellbrock ** 07:01 We talk quite often about how we come out, okay. You know, we say sane, and then we giggle and laugh about it. Because, you know, there's those moments we don't feel so sad. But neither of us are alcoholics. I mean, our mom was an alcoholic favorite. Neither of us turned to drugs and alcohol to cope. We, we have both done a lot of therapy and a lot of healing work. You know, I've done alternative healing, like EFT, tapping and mindfulness and meditation. And so a tremendous amount of it comes across my radar, I'm going to give it a whirl and see if it helps me along my journey. So my sister is very similar. She's certainly done a tremendous amount of healing. And she is a phenomenal artist. And so her, she releases and processes a lot through her artistry, and it's just such a gift.   Michael Hingson ** 08:04 Well, yeah, that's an awful lot for anyone to go through. And I'm sitting here kind of saying to myself, and all I had to do was to get out of the World Trade Center on September 11. And my gosh, look at what you've done. It's not just been one time, but it's just been challenge after challenge. And you've obviously gone through it and been pretty successful what really turned it around,   Teri Wellbrock ** 08:30 I would say my degrees in psychology. So after the second bank robbery, if you get married, had kiddos and I decided I really want to go back to school. I had gone for a year and a half and then dropped out of college. But this time I want to go and get my degree in psychology and understand. I still didn't understand trauma still didn't you know, that wasn't on the radar yet. But I wanted to understand. My mom had been through two bank robberies, and why Why was she handling it different? She didn't have panic attacks, what was going on. So I went back to school got a degree in psychology, which eventually led me to work in a mental health agency and through the school systems, and I was working with some kiddos again back in 2012 2013. And we were doing things like Kid yoga and art therapy to work through feelings that were coming up. We were doing bullying work we were doing so a lot of those things. And it was like this. I don't call it no fear. It's an angel whisper an aha moment, whatever it was, but it was just like the light bulb went off. And I remember being at home and thinking, holy moly, this stuff is helping me. And I realized in that moment like I was working with these kids, that really Little Teri's like little me was still inside there going, I need this, I need this. And so I ended up reaching out to a counselor and saying I need help with this. And after a few sessions, I think she realized that it was beyond her abilities. And she said, Teri, have you ever considered EMDR therapy and I was like, What the heck is EMDR Eye Movement Desensitization and Reprocessing. So it's a therapy that was developed by Dr. Shapiro, and she was working with soldiers returning from war. And realize that during therapy sessions, she would notice that their eyes were moving back and forth similar to REM sleep. And they were processing. The trauma is similar that we do with our, again, in REM sleep when we're dreaming. And so she developed this process where those who have been through traumas can either look at a light bar and have their eyes go back and forth, or hold on to vibrational paddles, which I did, I kept my eyes closed, because I found I was too distracted peripherally. But if I kept my eyes closed, I could hold these paddles, and they would vibrate, left right legs, back and forth, and my hand and it would create the same movement in my eyes. And and then I was able to return into traumatic events. So we would specifically go back to the first bank robbery or an event that had happened, and I would allow body memories to come back or visuals to come back whatever it was, that would surface. And then slowly, slowly, slowly over four years, 98 sessions we processed. So much of that trauma. Yeah.   Michael Hingson ** 12:09 Interesting. I, I'm sort of sitting here going to myself, I wonder how that would work with a blind person. But I guess with the vibrating paddles, because we don't, especially blind from birth, eye movements are pretty foreign to me, but I know that they're there. So it would be interesting to explore that someday,   Teri Wellbrock ** 12:28 I still was thinking it is it was coming out of my mouth. I thought, oh my gosh, I wonder if they've ever done EMDR with someone who's blind? Because do blind people? Did the eyes move during REM sleep is one?   Michael Hingson ** 12:42 Oh, sure. I'm sure they do. You know, dreaming is dreaming. And with dreaming, we use the sensations and the senses that we have. But I think REM sleep is something that is common to everyone. So I am sure that that it would be and that it is I have never awake to know whether I exhibit it, but I'm sure it does. I would be really surprised if it if it's not. What I don't learn to do is to have control over eye movements. And maybe that's why it's not an issue, it'd be the same thing. Blind or not, because I don't know how to look up or look down. But that doesn't mean my eyes don't move. Right. So I'm sure that REM sleep is is there. And and since as you pointed out, you use the panels, which essentially allow for the same sort of thing to happen. I wonder how that would work? It would be interesting to explore that.   Teri Wellbrock ** 13:43 Yeah, I had, I had one therapist or similar counselor that had tried, where I had earphones on as well. And it was like the alternating the sound, alternating ears that just again it for whatever reason. caused my eyes to go right, left, right, left just just a slight little movements. Yeah.   Michael Hingson ** 14:07 But it doesn't take much to be noticed. So right. Interesting. The after researching, I think it would be an interesting thing to to explore. You know, the the reality is, is is not the only game in town, but it doesn't mean that we all really function differently. It's just that we use different techniques to get to the same place but some of these basic physiological sorts of things I think are pretty common across the board. But it would be interesting and maybe somebody who's listening to this will reach out and and have comments for us which would be fun to hear.   Teri Wellbrock ** 14:40 Yes, let me know let me know let me know if you find something out. I'll let you know if I find something out. Yeah, there   Michael Hingson ** 14:45 you go. Well, but nevertheless, you you were able to overcome all of it and be able to move forward. So you you went to college? Yeah, got your degree you got Your psychology degree Yes. Did you go to get any kind of a masters or I didn't,   Teri Wellbrock ** 15:05 I was I was going to go on for my PhD in psychology, I wanted to work with kids. And I took a child abuse course. And again, it was one of those moments where it was like teary in hindsight, I say, oh, you should have known, because I just remember being so overwhelmed by the content, the videos that we were presented with the reading materials, I think that was the time I read, a boy named it or called boy called it and it was about horrific physical abuse and emotional abuse. And just remember, some crying some so much struggle with it, and I had the conversation with myself of, I don't think I can do this, because I would want to take every one of these kids home with me just show them what, you know, being protected and safe really is and I want to, you know, kill the parents, again, not understanding trauma, because it wasn't on the radar at that time. Because this was back in I graduated in 99. So it was just starting to be talked about the impacts of trauma.   Michael Hingson ** 16:16 Yeah, that's the the other part about this whole concept of mental health, and, and growing is that, for the longest time, we, we never would talk about it. I was actually talking with someone, I think just yesterday on one of our podcast conversations, who said that, you know, when they grew up, which was in relatively the same kind of timeframe that I did, children were supposed to be seen and never heard. And they were discouraged from talking. And so it's only in more recent times that we start to really hear that kids and adults start to really talk about some of the things that go on in their lives. And they are the better for talking about it. But unfortunately, we see I'll still have all too many people who say, we don't want to talk about that that's not relevant. Right?   Teri Wellbrock ** 17:11 Oh, gosh, talking about it. That's one of the biggest things I one of my favorite things to discuss is the importance of putting our stories out there sharing our truths. I know one of the things that I really study a lot now is aces, which are adverse childhood experiences in the impact of aces on so many things in adult lives, if children go through and they are not given the opportunity to do their processing work, which is talking about their, their traumas, or working through it, if they can't, or don't want to talk about it through other healing resources, such as tapping, and there's other somatic healing resources. But aces have an incredibly profound effect on having cancer having heart disease, I mean physical ailments, suicide ideology, you know, suicide ideation, depression, anxiety, panic attacks, these are the mental health portion of it. spiritual issues early, you know, sexual explorations, there's just it has an incredibly profound effect on kids. And so yes, it needs to be talked about 100%.   Michael Hingson ** 18:33 And we discourage kids, although I think they're, obviously things need to be monitored, but we discourage kids. We did and do discourage kids from really exploring and learning and being allowed to ask questions. Yeah, way too much. And my parents were, were really pretty good about it. They they encouraged, especially me, I think, because my brother, who was two years older was able to see but for me, especially, they, they were pretty incredible. They encouraged me to ask and to explore, and they allowed that. I'm sure they want it monitored, and they watched but they encouraged it, which was pretty cool.   Teri Wellbrock ** 19:21 Yeah, I certainly did with my three kids, because I wanted them to have such a different experience than I had because my dad was. He was six foot six 280 big strong guy, very violent my first 10 years of life, but my dad sought counseling. And I'll never forget when he sat me on his lap at 10 years old and said, Terry, I realized now after meeting with this therapist that I was taking my frustrations with your mother's alcoholism, girls and hitting you and I never should have hit you and I'll never hit you again and he didn't. And so he did healing work which She was incredibly impactful on my life. I was just gonna say that. Yeah, yeah, to see him and to apologize to his kid. And that was a huge lesson and forgiveness, which is a lot of work that I've done, I've done tremendous forgiveness work for all of my abusers, or the assailants that have crossed my path for myself, nor so for, not for them, but for me, you   Michael Hingson ** 20:30 can't, you can't hold it in, you can't just sit there and hate. I met a person. reasonably soon after September 11. He had been a fireman. And he decided to join the New York Police Department because he wanted to kill all the terrorists that did everything or they might do anything to the United States. And I thought at the time, I appreciate your dedication, but that's a horrible reason to become a police officer.   20:57 Right?   Michael Hingson ** 20:59 You know, we can't hate and I never did hate the people who did what they did on September 11. What I always thought was, you got what you deserve. You're not here anymore. And I'll bet you didn't get to go up to heaven and find 72 Virgins waiting for you either. Right? I doubt that very seriously. And I'm sure that's the case. But, you know, it wasn't a religious thing. It was a bunch of hoods a bunch of thugs who decided they wanted to try to have their way with the world, and they use the name of religion to do it. But I know that that's not what the Islamic religion is all about.   Teri Wellbrock ** 21:44 Yeah, I agree. I think it was radical. Sorry. I'm moving Max. onto my lap again.   Michael Hingson ** 21:52 Are we are we getting? Are we getting bored Max.   Teri Wellbrock ** 21:56 He was getting he was getting I want to go run and bark at something. So   Michael Hingson ** 22:02 Max is a Schnoodle. Part Schnauzer, part poodle, for those who don't know, cuz that came up before we started talking on on the recording, but that's what Max is. Yeah.   Teri Wellbrock ** 22:14 So as to be my co host or my co guest right now.   Michael Hingson ** 22:18 You know, Max has anything to say it's okay. But, you know, he's got to speak up.   Teri Wellbrock ** 22:23 Right, right now he's just I'm rocking him in my arms. He wants to down and then he decided no, I won't back up. So there was a there was a moment where we were having a little bit of   Michael Hingson ** 22:33 now what's the Labradoodles name? That Sammy,   Teri Wellbrock ** 22:35 she's seeing me she was a registered therapy dog. So we used to volunteer with kids in school when we lived in Ohio. And that was, oh my God, it was so fulfilling, like, just great soul work. To be able to go into the schools, we worked through the counselor's office. And Sammy has a gift as he as I'm sure you know, there's these dogs have a way of just connecting beyond words. Alamo   Michael Hingson ** 23:06 doesn't know a stranger, although he does know he's got to focus on his job. But I'm sure that if he ever changed careers, he'd be a wonderful emotional support dog or a therapy dog. But he's great at what he does. And he even likes our kitty. So that works out well. Good. And the kitty likes him. So it's fair.   Teri Wellbrock ** 23:28 That's good. I keep joking and saying Sammy needs a cat. The rest of the family is not going along with me kiss. Sammy, she's just the sweetest, sweetest soul.   Michael Hingson ** 23:38 Well, how old are the kids now?   23:40 The the   Michael Hingson ** 23:42 your children, your grandchildren?   Teri Wellbrock ** 23:44 Yeah. The human children. Those are the ones they are. So I have my son, oldest son is in Denver. He's going to be 30 This year I had around it. And then my youngest son is 27. And then we have a 17 year old daughter. So they're all great, wonderful kids. And then Sammy has got a birthday coming up. Gosh, next week, the 23rd. And   Michael Hingson ** 24:11 is your daughter going to be a senior in high school?   Teri Wellbrock ** 24:13 She is Yeah. I said she's headed off to take the AC T in a different city tomorrow. She just left and so yeah, all that fun stuff. We get to go touring colleges. She wants to be a pilot. Is that not crazy? I love it. Now I I'm just so blown away because I see those jets up in the air and I think how does that tube fly and that plummet to the earth and here my kid wants to wants to fly so she flew a plane at 16 for Christmas. We gave her a discovery flight and they took her up an instructor shook her up he lifted it off, but once it got into the air her, she flew it the entire time over the islands here in South Carolina, and then flew it back to Savannah international airport and he landed it.   Michael Hingson ** 25:10 Wow. That's pretty cool. Well, you know, if that's what she wants to do, and she ends up being good at it, then great. Yeah,   Teri Wellbrock ** 25:17 I think she'll really pursue it. So she wants to apply for Delta.   Michael Hingson ** 25:22 A lot better than being a driver on the road. I'll tell you. Oh, for sure. As the I have, I still am of the opinion that we can't have autonomous vehicles any too soon, because we need to take driving out of the hands of drivers.   Teri Wellbrock ** 25:36 I see it all the time. And people think I'm crazy for it. Because I say self driving vehicles, at least that will give you a better chance of surviving someone else. Yeah, you know, driving crazy. So yeah, I think it's awesome. I say we make   Michael Hingson ** 25:54 sense to me. Yeah. So you have, you've obviously become much more aware of yourself, and you have you have thought about and obviously decided to move forward and not let all the stuff that happened to you. Take you down, if you will, how did how did you do that? And how? Well, let me just do that. How did how did you do that? And, you know, do you still think you have a ways to go or what?   Teri Wellbrock ** 26:29 Yeah, that's a great question. And I used to ask myself that a lot. I would be like, how did I make it through all of them? What? Because people would tell me all the time, Terry, you radiate joy, you just have this light about you? And I would. And then they'd hear my story. And they would say how, how did you get through all of that, and you still just have this joyousness? And for life, one of my nicknames and I don't know, am I allowed to say a cuss word on your show, if you want. So one of my nicknames is glitter shitter. Because people were just like, you know, you're always looking at the positive, you're always just in so I didn't understand for a long time again until I started doing my my my trauma studies and understanding, resilience in importance of resilience. And so I had people in my life that helped me, not just survive, but believe in myself enough that I had built an incredible amount of resilience and ability to overcome. And my grandma Kitty was, quote, unquote, my, my babysitter, so my, my mom worked full time. And my dad would run, try to run various businesses, he struggled a lot because they would fail. And then he would start another one. But my grandma was the one that was home with me and my little sister. And she was the kindest, most loving, most gentle soul in simple things, like just peeling me an apple, or sitting me on her lap and watching general hospital together. I mean, it was just simple little gestures of love and kindness that helped me survive the chaos that was going on around me constantly. My my best friend's parents were, I would spend the night a lot at her house because it was just a gentle kind place to be her parents were very loving, kind people. And they felt safe there. And so they know   Michael Hingson ** 28:45 some of the things that were going on with you.   Teri Wellbrock ** 28:48 Nobody knew. Okay, no, I didn't. I didn't share any of it. And I was in my 30s. Yeah.   Michael Hingson ** 28:56 But you felt safe there. You were saying? Yeah, yeah. So   Teri Wellbrock ** 28:59 it just again and I had a teacher so so we talk about trauma and in particularly aces adverse childhood experiences in kids. And what it is that the kids who are going through difficult situations, you know, maybe addiction at home or physical abuse or divorce or whatever it is that's causing some chaos in their life bullying at school. And that one of my previous podcast guests, Dr. Janine conahey. She was working on a program and what it was hashtag one caring adult. And that is, that's the key. That really is the key. It's having those people in place that help a child, believe in themselves, help a child know they're loved, help a child know that. Somebody is looking out for them. Someone cares. That makes him a powerful difference.   Michael Hingson ** 29:57 Yeah. You meant shinned that you wandered sometimes with your mother being an alcoholic and so on. And if you didn't take that path, did she ever change her path? Or did that ever? Did she ever get any better?   Teri Wellbrock ** 30:15 Yeah. And that's such a great story. Oh my gosh. So my mom just died this year on my birthday. So March 14 of this year, but my mom was a severe alcoholic my entire life. And in her early 80s, she hit her rock bottom. I was visiting my son in Colorado, we were in Estes Park, having a beautiful vacation and the phone rang. And that was the hospital saying, Hey, your mom is here. She's been detoxing, and we need someone to come pick her up. And I was like, I'm done. I'm done. I can't do it anymore. I was always the Savior. I was always the good girl, the one that would go in and clean up the mess and make everything better. And it couldn't do anymore. It's very codependent relationship. And so I walked away from her for three months. And it was the hardest thing I've ever, ever, ever done in my life. I cried every day. I thought I was a horrible human. But it was during those three months, when my sister had walked away, the grandkids had walked away. I had walked away. My dad was had died years before. And she was left to pick herself up by herself by herself. And she was very religious, very Catholic person. So she had a talk with her Jesus picture hanging on her wall. It she, she did it. And she lived for almost three years sober. And she would talk about it though I had her on my show twice. And we talked about the trauma. We talked about her journey. And she started to understand the the role that alcohol played in helping her survive her own childhood trauma. And so we I explained to her what what childhood trauma hit was doing to her. And she finally finally started to share her horrors that she had lived with and hadn't told anyone in 80 something years. And it started to help her heal. And she wasn't needing to turn to alcohol as much. In the end. She was diagnosed with liver cancer and cirrhosis of the liver. So the algo had done its damage. And then she dove back into the bottle because she took that as God's way of saying, Well, you got cancer and cirrhosis. So mice, Well, Justin, enjoy the booze. So she did. And it was the booze that ended up killing her she fell and couldn't survive. She just had to go into hospice and just couldn't, couldn't pull out of it that last time. So it   Michael Hingson ** 33:11 is it is still sad. I you know, I know there are people that drink a lot. And I'm sure that it's mostly to, to hide or cover up things, but that's what they do. But I've never never felt a need to do anything like that. For me. I got to work through it, whatever it is. Yeah,   Teri Wellbrock ** 33:33 I'm the same. I didn't like that feeling. I mean, I certainly drank in high school, it was it was the 80s. And it was like the thing to do. And it was more of a party scene social thing, but not a coping thing. And so it was very easy. It was very easy for me to step away from it and realize I don't drink now it doesn't mean I can't Yeah, I just I just choose not to I will go out to dinner and I have water. It's just what I do.   Michael Hingson ** 34:02 I can have a drink every so often. And I will do it to be sociable. But it is weeks between a single drink if I have one. And I only do it because I'll just try to do it tonight. And that's it. We lived up near Napa for a while and so my wife and I would buy wine and that was always fun and but again, never any excessive amount. So a glass of wine, which can be healthy, but I've just never found the need to drink. Although I do like to tease. I always tell everybody I know that I feel bad for people who don't drink because when they get up in the morning, that's as good as they're gonna feel for the rest of the day. I watch and listen to Dean Martin. I know these things.   Teri Wellbrock ** 34:45 I'll be Martin. Yeah. But   Michael Hingson ** 34:48 but you know, just you really can't cover up. Whatever is going on. If you don't deal with it, then it's only going to hurt you and I'm glad that at least for a while. While she was able to and here it comes again. Talk about it, which is what helped? Yes.   Teri Wellbrock ** 35:06 Oh, for sure. And, and she was grateful for the opportunity that we have, we're allowing her the space to, it really helped us all on our healing journeys, because we gave her the space to talk about it, and to say, not as an excuse of why she was drinking, and why it was so difficult for us as children, but reasoning that we were at least able to take a step back from our pain and say, Oh, now we get it. Now, now we understand, again, not an excuse doesn't excuse the behavior, things that had happened. But we were, we were able to say, oh, okay, in kind of like just a real quick little segue, when I did my forgiveness work with the bank robber that had held the gun in my head, and then later pulled the trigger and murdered Marsha Berger. I remember doing healing work with him, after he had died in prison. And I wrote him a letter of forgiveness. And but what I thought to myself was, he and I were both born these innocent little creatures, these these little babies. And it was just somewhere along his journey, he chose to go down a path that would eventually across mine, but his past was, was filled with choices of drugs and booze and, you know, horrors and murder and the bad things that he chose to do. And mine wasn't. But in looking at him, as like this, this little being this little light that came into the world, I was able to, that's how I was able to do my forgiveness work with him. Again, it didn't excuse his behaviors, but I was able to say, I don't know his trauma history. I don't know what his life was, like, I don't know, the horrors that he had maybe endured? Yes, he, he made very poor choices. But I don't know his story. So it really helped me to be able to let   Michael Hingson ** 37:19 him go. But at the same time, there's only so much that you can do because the bottom line is he did make choices. He did do what he did. And you can't and aren't going to fix everything yourself. People need to learn to do that for themselves. And it's too bad that the bank robber person didn't do that. But But look at you, you know, you came out of it. And I think it's absolutely appropriate to forgive him for what he did. It doesn't condone it. But again, holding grudges doesn't help either.   Teri Wellbrock ** 37:55 No, that's a heavy negativity to carry around the no I, again, I'd rather enjoy life and all the beauty that surrounds us, instead of carrying him and his weight with me.   Michael Hingson ** 38:12 Did you? Well, I'll ask the first part of the question this way. So when did you and your mom or when did you decide that you and your mom could be friends?   Teri Wellbrock ** 38:25 She's so cute. I miss her so much every day. It was after those three months, when she had I had walked away from her. And my phone would ring on occasion. And I wouldn't answer because I was just done. And I knew it was her and it was in the evening. So I knew she had probably been drinking. In one evening, my phone rang. And for whatever reason, again, I call them Angel Angel was something said, go ahead and answer it. And I did. And it was her and she said she remember her nickname for me was Titi Hi, Titi Hey, I dropped something behind my dresser and I can't get it. And I've been trying to try and try and and I said, Mom, do you need me to come help you get it out from there. And she said, that would be wonderful. And I said, all right. I'll be right down, hopped in my car went down, got it out. And then I sat on her couch. And she proceeded to tell me, I've been seeing to therapists we've been talking about everything I went through in my childhood. I not drinking anymore. And she just and I said oh my gosh. For the first time in her life. She's trying. Yeah. And that was the moment that I said, okay, even if she fails, even if she falls flat off on her face off that wagon. She has trying and that was it like right there that told me that she cared enough about herself about us to try.   Michael Hingson ** 40:07 Yeah. And you know that that was a good start, unfortunately, something else came along that diverted her. And it's too bad that, that she allowed that to happen. But again, it's choice. And I think we all I know when I think about my life, and I spent a fair amount of time thinking about my life. And one of the things that I think about a lot is all the choices that got me to where I am, and I and I know what the choices are that I made. That led to me being where I am, and in the circumstances I am in, I know the positive ones or the negative ones, and I, I enjoy my life, I enjoy me, I know that there are things that if I had done them differently, might have left me with more money after my wife passed away. After being married for two years, but you know, it's all about, we really should understand the choices that we make. And it's important to think about that as much as we can, and use that to help ourselves grow.   Teri Wellbrock ** 41:10 Oh, definitely. And, you know, I remember my mom saying that to me, she came down here to Hilton Head after we had moved and stayed for a week in her talking about that exact thing about not being not realizing that even 8485, whatever she was at that time, I think she was 85 when she was here how she was still learning in being able to grow. And I just think that's the coolest thing in the world was this 80 something year old, who was willing to do the hard work, she was willing to do the healing work. And so that's why one of my favorite hashtags long before any of this happened was always hashtag never give up. Because that was my motto in life. Never give up. Like, just keep going get back up again. And here she was in her 80s doing it.   Michael Hingson ** 42:03 And I personally hope I'm always a student in five to sudden suddenly decide I'm not learning anything. I don't need to learn anything else. And I'm the bad the worst part. I won't say I was gonna say the better for it. That won't work. I'm the worst for it.   Teri Wellbrock ** 42:17 Right, right. No, I love learning. Again, if it comes across my radar, especially in Trauma Recovery, I'm like, oh, let's try it. Let's see what this   Michael Hingson ** 42:26 does. You mentioned tapping before what is that? So   Teri Wellbrock ** 42:31 EFT or emotional freedom technique, and that that's been used that comes up a lot in Trauma Recovery conversations. And it's, it's a very what I call non invasive, meaning you don't necessarily have to go back to a traumatic event. So you can say, like, one of the remnants of mine was a fear of open spaces, because during that second bank robbery, I was trapped behind a house with an armed gunman to my right, I didn't know his gun was misfiring and an armed gunman to my left, who was firing his gun at police officers in a parking lot. And so I had to choose between death and death, like which direction do I go on? And so and I was out in the open, so it was, again, a fear of open, like being trapped in open spaces. And I so lost my train of   Michael Hingson ** 43:18 thought, Well, I was asking about tapping, but go ahead. Oh, yeah. Yeah.   Teri Wellbrock ** 43:23 So so we will go thank you for redirecting me. So we would go not necessarily like people can go not necessarily to that trauma that because they may not know what's come why they're having what's bringing up maybe a fear of open spaces. So you could go to oh, I'm sitting on a beach, and I'm having all of this anxiety, my legs are tingling, my I'm having the urge to run, I feel like I need to hide and I'm, you know, my eyes are darting around looking for, like, where's the danger. And so tapping with that is it's a process that you walk through, and again, I've done it. And so I'm not a practitioner, so I'm not going to do this justice, but it's a process of, of talking to yourself about that particular feeling. And then tapping on different parts of you're in, there's a whole there's a whole system to it, it's like you know, in between your eyes next next to your eye, under your under your eye, under your nose, on your chin, your collarbone like there's different like look like a monkey like under your armpit. And so and you walk through this entire process, and again, it's it's a matter of disengaging the the emotional attachment to something the event or, again, whether it's the trauma event itself, or the sitting out on the beach in a wide open space and what's coming up with that, if that makes sense. It does.   Michael Hingson ** 44:59 I'm with you. I understand. It is fascinating. And it's a fascinating all the different techniques that that are developed some work better with some people than others. But we're doing so much to try to get people more engaged in. And I hope that people will do more of it because it helps a lot. Oh,   Teri Wellbrock ** 45:22 I tell you what somatic healing came across my radar recently. And I was terrified to fly by myself. But my mom was so sick and in hospice, and I knew I had to hop on that flight. And I had to go, I had to go be with her. And somatic healing had come across my radar. And that was for me this particular somatic because there's various ones, I was placing my hand on a body part that I was feeling a lot of adrenaline surge and tingling. And I placed my hand and I would just say, I'm here, I recognize what are you trying to tell me, and you were safe. And so I would walk through, but it was recognizing these body parts that were very active, very alert, the energy was just, you know, tingling. And I did it when I got onto that flight. And I could feel my right arm just just for whatever reason, my right arm was just on fire, like, with energy. And I just was very gentle, very gentle with myself and just talked myself through it. And it was with me, and with the sensations, and then they just dissipated. And if they started to arise, again, I just put my hand back on and say, It's okay, I'm here with you need, what do you need? And now I, I mean, I had to go back and forth from my mom quite a bit. And now I'm just like a regular old traveler, hop on that flight and go. So it was awesome. But But again, I love what you say, there's so many different modalities and some work some days and but fill that toolbox. People feel that toolbox.   Michael Hingson ** 47:06 Yeah, that's what it's about. I mentioned and ask you about your mom being your friend. And if you guys got to be friends, tell me more about what you think about friendship in connecting with with other people and soul connections and so on.   Teri Wellbrock ** 47:20 Yeah, that goes back to what we were talking about before of sharing our truths of authenticity, which I think you are certainly an incredibly authentic person, when you come across. There's just the soul connection that happens when you when you just meet that person that's authentic. And I certainly put my truths out there and try to be like, Hey, this is me, this is what you get. And there's incredible power in being brave enough to be vulnerable, to be brave enough to put our truths out there and say, This is what's happened to me, or this is what I believe, or this is who I am. And when that happens in you're brave enough to do that. It's incredible. The gifts that will come to you through connection, and the people that will come across your path. And it'd be I don't know, moved inspired to connect with you. Yeah, it's a gift. Truly, it's a gift for yourself, but it's a gift for others, because it allows them then the opportunity to say, oh my gosh, me too. When I started putting my truths out in Facebook world, when I first started to say, I can't do this anymore, I have to set it free. And I started to put tidbits out about what I experienced in my childhood and my early life, I would get private messages or texts or phone calls from people that would say, I've never told anyone before, but and then they would open up and they would talk and they would share. And so it gives people it gives other people the opportunity to to share their truths,   Michael Hingson ** 49:08 which helps you be able to say, which we've talked about a little bit, I get it or me to hashtag me too. And why that is clearly so important. Because if you can create that kind of a connection. And the issue, of course, is it's got to be genuine. Right? And and I think it's pretty easy for most people to tell if you're really sincere or not, but it's so important to be able to do that. Yes,   Teri Wellbrock ** 49:36 well, that's that authentic piece. So you know, it's just again, I've become such a fan of energy and energy exchange, and there's just the certain people that you meet it's more often than not I meet beautiful souls, but every now and then you just meet the person that I am now I'm just like, nope, nope, that not this is going to be a big hold no for me and just gently walk away because it's not there. It's not real. And maybe that's, you know, a gardening thing that they, they've been through trauma, and they have up these walls, and they're trying to be something that they're not. But I just know enough for me to walk away from it. So, yeah,   Michael Hingson ** 50:20 yeah. Well, what if I think you've talked about this some, but you've obviously adopted some strategies and coping skills that really help you. And you also talk about them, which is great. So you're, you're a great storyteller, which is important. But what are your favorite coping strategies and strategies that you use, that you also do share with others about? Hopefully helping them to move forward?   Teri Wellbrock ** 50:47 Yes, well, I would say my biggest is mindfulness. But I've also incorporate that. So it's practice I literally put it on my calendar, when he first started doing it. On my to do list, it was like, whatever it was edit podcasts and write a chapter and what whatever it was, and then it would, I would literally put mindfulness practice on my to do list for the day on my calendar. Because practicing it, then it was it was creating a new habit, it just became such a, such a part of my daily life that I just do it now without even thinking. But with that, it was one of my favorites is 54321 mindfulness, and that is using your senses to be in The Now. So not in the traumas of the past, and not in the worries of the future that are usually triggered by the traumas of the past. But right here in the now like, what can I appreciate the beauty right here right now. And so the five senses are so I'm trying to remember the order of them. But oh, gosh, listen for or look for five things. Now I realize I'm talking to someone that's cannot see with your eyes. But   Michael Hingson ** 52:09 let's remember the dictionary says to see is to perceive there's more to it. It's not the only game in town. It's fair to use. That's right,   Teri Wellbrock ** 52:17 right. All right, good. Because once we get past five, which is the using your eyes, to look for things, it's using your ears to listen. And that one I love. That's my favorite. So it's sitting very quiet in really closing my eyes and trying to find the bird. That's the farthest away and see how far I can stretch my ears to hear something or listen to what's truly going on. Oh, I hear someone is mowing their grass, however many streets away and I hear a dog barking. And then three is touch in just using it to describe it in tremendous detail. Like, oh, I'm touching this leaf and it's got some bumps on it. And it's it's soft on the underside, though. And so it's really just using mindfulness to bring ourselves into this moment. And being able to then use some breath work to calm our bodies and just really just be here in the now. Nature. I use nature baths a lot. And so I incorporate all of that together. And then those are three things right there mindfulness, Nature Bath. And the other one that just flew out of my head. But but those are those are three of my favorites. Nature's of nature is very healing for me. I do have a story to tell you. That's very powerful. And so meditation and mindfulness, I was gone up to the little beach in our neighborhood. And I was very, very, very sick with mycotoxin poisoning. After moving into this house. The house had been filled with toxic mold and been condemned, but they lied on the disclosure and didn't tell us in the House have been rehabbed. So it looked gorgeous. But lurking behind the walls was a lot of mold. And it made me very, very ill and so I was I had lost 58 pounds. I had a rash all over my body and my throat was closing up with foods like it was very bad. So I gone up to sit on the speech and was praying and crying. Prayer is another one that I use in really meditating in meditative prayer and asking God universe angels, Holy Spirit, whoever's listening, whoever's here and around listening. If you could please, please, please give me a sign that I am on the right path with this healing journey, and that I'm going to make it through this. And I, my eyes were closed and I said, if you could just send me some big news neon sign like some dolphin would be great. Some, they'll call them dolphin of hope. And if you could just just send them across my path. And so I said, Alright, Dolphin, I'm ready for you. And I opened my eyes. And when I did what I think was 20 Dolphin fin popped out of the water right in front of me, it was probably for a dolphin that just kept, you know, coming up and going back under again, but, and I stopped crying. Because to me, it was so powerful in being connected in that moment and just allowing this. I had a no miracle this, this answer to come to me in welcoming it. And it did. And I knew in that moment that I was going to be okay. And that. Yeah, somebody was listening.   Michael Hingson ** 55:51 Well, there you go. And you got your sign, which is all you can ask for. What do you mean by mindfulness?   Teri Wellbrock ** 55:59 Mindfulness is, to me, I don't know if it's the definition that the practitioners use. But for me, mindfulness is being mindful. So very purposefully connected with the now meaning this moment. So if I were, like, I could say, oh, I'm looking at this blue light on my camera. And I love the color of the blue. And I would, and I would be very attentive about that particular blue, and then say, oh, my gosh, Max is in my lap. And he keeps trying to lick my hand, and it's tickling my fingers. And so, and it's funny. And so I'm rubbing his little belly, and then like, Oh, I love his little soft belly. So I'm talking to you. But meanwhile, I'm being very attentive to the fact of all of these things that are happening right here in the now. And so for me, that is mindfulness and being very present. Your awareness moment, this very beautiful moment, I'm having a wonderful conversation with another beautiful soul. And, again, holding Maxie on my lap.   Michael Hingson ** 57:14 Well, and I told you about our cat, and I have not heard my cat once yell at me during all this. So she must be fed up for the moment anyway. All right, which is a good thing, which is a good thing. If you could reach as many people in the world as you wanted, who would you want to reach most?   Teri Wellbrock ** 57:34 Oh, gosh, I would say trauma survivors that have gone through. Not that, not that it's a trauma race, I, you know, I want to say if four or more have an ACE score of four or more, which the ACES its adverse childhood experiences. You can you can do a score. So it's like, where your parents divorced? Did you experience physical abuse? Did you experience sexual abuse, so you give yourself a point for each of these different things on the score of zero to 10. But those who do have a four or higher there, they just tend to struggle that much more with so many different things, from addictions to again, physical ailments, and so forth. So that's my, that's my target audience, really, because I've lived it. And I want to tell all of them, no matter what you've been through, no matter what you've been through, you can reach this beautiful place of joy and tranquility, and be happy and love life. And yeah, no matter what you've been through, it's okay. So   Michael Hingson ** 58:54 as a person who has been very involved in psychology, and also podcasting, and so on, do you work with people all over? Or what do you do these days?   Teri Wellbrock ** 59:03 Yes, well, my show, which I know is podcasts, you you probably watch these things, too. It's been downloaded in 125 countries, top 2% globally by listen score out of 3.1 million shows. And I so that's my sole work is to put these beautiful conversations out with healers from all over the world. I recently did a healer to Hilton Head series, with 20 Different healers in this area on island just to show even though it's a global audience that look within your own community, and you'll be amazed at how many options are available for healing and again, from somatic to, I did a salt cave, which was a lot of fun, you know, you sit in a salt game and so that was doing something here We work on my body. And, again, it's fun to learn all of this and all of the different things that are available. I'm continuing to write my book, which is my memoir, but it's teaching memoir. So it's about lessons I learned along the way. And I've been writing that for 10 years, it's been a work in progress. And I think my mom passing was that last little bit I was holding on. So it's about 90%, complete. But she gave me her stamp of approval and said, Terry, it's time. It's time to put it out there. So I'm like, okay, good. I will, I will finish that up for you, Mama. So doing that I put out a monthly hope for healing newsletter. Yeah, so my, my, my mission really, is to just put messages of hope and healing out into the universe and share my story. I, I go on other shows. And we wrote a little children's book called The doodle with the noodle about Sammy our therapy dog. And, yeah, that's what I do.   Michael Hingson ** 1:01:01 Do you do any coaching or create courses or anything like that? Yeah, I   Teri Wellbrock ** 1:01:06 have some courses available. They're still they're out there, but still works in progress of working on those I've contemplated doing coaching. So yeah, that's on my radar as well. monetizing the podcast. So there's a lot of, I don't know, I struggle with that one. Because I think, and again, I getting a lot of messages from other podcasters, who say, of course, you're allowed to monetize your podcast. And it's been Yeah, it's a gift. But I don't know, I still, that's another work. I think that's impostor syndrome, that's one of the lingering things that I still still working through with all of the trauma remnants that I had worked through is thinking that my message is worthy.   Michael Hingson ** 1:01:56 Let me let me tell you my view, as a speaker, as a keynote speaker, since the World Trade Center, and so on, I find that people who are willing to pay you for what you do, and who are not as interested in nickel and diming, you as really paying you and getting the benefit of what you have to offer are also much more likely to take seriously what you say I've had situations where people say, Oh, we only have like $1,000, we just can't pay more, no matter how famous or how good or how intelligent you are, we're just not ever gonna pay more than that. And they're always the ones that are the hardest to work with, for a variety of reasons, because they don't take it seriously. And even some of the times that I've agreed to donate my time, it can be a challenge. And they end up being more of a challenge than anything else. Because they think that you should be obligated to do this, as opposed to, they really appreciate and are willing to do what's necessary to bring your knowledge and wisdom into whatever it is that they're about. So, so much sense, I think there's a lot of value in charging Well, or coming up with some monetization scheme for the podcast. It doesn't need to be grossly hugely expensive. A person who does a podcast for just primarily about blindness and blind people, a gentleman in New Zealand named Jonathan mosun, has a podcast called Living blindly. And what he created was a subscription. And if you don't subscribe, then you might get a podcast, you can actually get the podcast on a Wednesday, but if you want to get it earlier, then you subscribe by donating 99 cents, or $1 or $5, or whatever you choose. And I think he has a minimum for the year. It's not expensive or anything, but then you get the podcasts the Sunday before everybody else does, which was clever, which is pretty clever. So he might you know, something to think about.   Teri Wellbrock ** 1:04:11 I did. I did. Fractured Atlas is a sponsor. And it's a fiscal sponsorship and you have to apply for it. Well, the healing grace podcast was accepted into it. And so it helps with fundraising and all of that. And so I did a fundraising campaign for the show because they said hey, you know, I pay for this out of pocket. I've been doing it five years. It's not just a fluke that I'm out here doing this. And I was able to raise about $4,000 which was awesome because I bought a new nice nicer microphone and nicer camera, nice a laptop and so I was able to do some things to help Yeah, help make it that much better.   Michael Hingson ** 1:04:52 See, there you go. Well, if people want to reach out and find you, how do they do that?   Teri Wellbrock ** 1:04:57 They can connect through my website with says Teri Wellbrock.comand can you spell? Yeah,T E R, I just one R W E L L B R O C K, I always want to do the little rock symbol and I   Michael Hingson ** 1:05:12 like.com.com   Teri Wellbrock ** 1:05:18 Yes, yeah. And then the healing place podcasts you can find on Spotify and Apple and all your favorite audio outlets and YouTube. So very cool.   Michael Hingson ** 1:05:28 Well, I hope people will reach out. I really appreciate your time and all of the valuable and invaluable insights that you've given today. It's been a great story. And I very much really appreciate you being here and value. All that we've had a chance to do and we need to do it again.   Teri Wellbrock ** 1:05:47 Oh, for sure is it's just been such a joy again, I just I love you and your energy. And I appreciate you welcoming me into your space. So thank you for allowing me the opportunity to share my story. Well,   Michael Hingson ** 1:05:59 thank you and I hope all of you out there liked what we did today. Please give us a five star rating wherever you're listening and I would love it and I'm really appreciated. If you would reach out to me and give me your thoughts. Feel free to email me at Michaelhi at accessiBe.com. That's Michael mi c h a e l h i at accessibe A C C E S S I B E.com. We're going to our podcast page www dot Michael hingson.com/podcast. And Michael Hingson, of course is mi c h a e l h i n g s o n.com/podcast. But we'd love to hear from you. We value it. If you know anyone else who ought to come on unstoppable mindset please let us know or give us an introduction. Teri, same for you. We would really appreciate any people that you can think of we ought to have on and again, I just want to thank you for being with us today. And let's do it again soon.   Teri Wellbrock ** 1:06:53 Absolutely. Thank you Thank you sending big hugs your way   **Michael Hingson ** 1:07:01 You have been listening to the Unstoppable Mindset podcast. Thanks for dropping by. I hope that you'll join us again next week, and in future weeks for upcoming episodes. To subscribe to our podcast and to learn about upcoming episodes, please visit www dot Michael hingson.com slash podcast. Michael Hingson is spelled m i c h a e l h i n g s o n. While you're on the site., please use the form there to recommend people who we ought to interview in upcoming editions of the show. And also, we ask you and urge you to invite your friends to join us in the future. If you know of any one or any organization needing a speaker for an event, please email me at speaker at Michael hingson.com. I appreciate it very much. To learn more about the concept of blinded by fear, please visit www dot Michael hingson.com forward slash blinded by fear and while you're there, feel free to pick up a copy of my free eBook entitled blinded by fear. The unstoppable mindset podcast is provided by access cast an initiative of accessiBe and is sponsored by accessiBe. Please visit www.accessibe.com. accessiBe is spelled a c c e s s i b e. There you can learn all about how you can make your website inclusive for all persons with disabilities and how you can help make the internet fully inclusive by 2025. Thanks again for listening. Please come back and visit us again next week.

It's ALIVE! It's ALIVE! It's a Halloween Podcast! Join your hosts, Paris and David, as we dive into the 1974 comedy classic, 'Young Frankenstein.' Crafted by the comedic geniuses Mel Brooks and Gene Wilder, this hilarious parody of the 1931 Frankenstein film comes with a stellar cast including Gene Wilder, Marty Feldman, Peter Boyle, and Terri Garr. This film is a spine-tingling Halloween delight, blending laughs with a heartwarming finale. If you haven't experienced the magic of 'Young Frankenstein' yet, you're in for a treat. Happy Halloween!

"My grandfather's work was doo-doo." Young Frankenstein (1974) directed by Mel Brooks and starring Gene Wilder, Peter Boyle, Marty Feldman, Cloris Leachman, Teri Garr, Madeline Kahn and Gene Hackman. Next Time: Clue (1985)

Watch out from the lighting storm and be careful of the re-animate creature that has been brought back to life, as the hosts travel to Transylvania to continue their fourth annual Halloween Spooktacular season, reviewing the comedy horror classic, Young Frankenstein, starring, Gene Wilder, Peter Boyle, Marty Feldman, Madeline Kahn and directed by Mel Brooks. Many audiences believe not only this is Brooks finest film, but also one of the funniest movies ever made that has become a must watch during the Halloween season. The hosts pair the film with the Ritz Cocktail cocktail. So let's walk this way and put the candle back as the hosts cheer to one of the greatest horror spoof films ever.Come listen and follow us on Instagram @the.gentlemenpodcast and our website thegentlemenpodcast.com

Put.. the candle.. back! Our series on Frankenstein continues with a lighter, more jolly look at the horror and grave robbing with Young Frankenstein! What is Seth's favorite line from this movie? What is the connection with this movie and Friends? Which character became Michelle's new BFF? Why on earth does uhh.. "prairie dogging" come up? Who knows!? Well, you will after you listen to this episode!  We want to be your Movie Friends! connect with us on: Twitter @moviefriendspod Instagram @MovieFriendsPodcast Youtube Youtube.com/MovieFriendsPodcast Website https://www.moviefriendspodcast.com/ Send us an E-mail at MovieFriendsPodcast@Gmail.com tell us what you think and it may end up on the show! Wouldn't that be cool? Head over to our website at MovieFriendsPodcast.com and consider supporting our Patreon. Come on, you don't need that $5, but you do need our undying love and friendship!

It's October and Halloween is approaching fast, which means it's also the season for scary programming. But not everything has to be scary and for adult audiences like "Saw X" and "The Exorcist: Believer," both of which are currently in theaters. "Goosebumps," a new series based on the R. L. Stine series of books, debuts on Disney+ and Hulu on Friday, Oct. 13. Executive producers Pavun Shetty and Conor Welch spoke with co-host Bruce Miller recently to discuss the program and the love for books. Miller and co-host Terry Lipshetz also discuss some great family-friendly options to watch this fall, including "It's the Great Pumpkin, Charlie Brown," "Ghostbusters,"  "Beetlejuice," "The Addams Family," "Casper" and more. Where to watch "Goosebumps" on Disney+ and Hulu "It's the Great Pumpkin, Charlie Brown" on AppleTV+ "Beetljuice" on Max "The Nightmare Before Christmas" on Disney+ "Gremlins" on Amazon Prime Video "Ghostbusters" on Amazon Prime Video "Ghostbusters: Afterlife" on Amazon Prime Video "The House with a Clock in Its Walls" on Amazon Prime Video "Coco" on Disney+ "The Addams Family" (1991) on Amazon Prime Video "Casper" on Netflix Contact us! We want to hear from you! Email questions to podcasts@lee.net and we'll answer your question on a future episode! About the show Streamed & Screened is a podcast about movies and TV hosted by Bruce Miller, a longtime entertainment reporter who is now the editor of the Sioux City Journal in Iowa and Terry Lipshetz, a senior producer for Lee Enterprises based in Madison, Wisconsin. Episode transcript Note: The following transcript was created by Adobe Premiere and may contain misspellings and other inaccuracies as it was generated automatically: Welcome everyone to another episode of Streamed and Screened, an entertainment podcast about movies and TV from Lee Enterprises. I'm Terry Lipshetz, a senior producer at Lee and co-host of the program with the ghoulishly mischievous Bruce Miller, editor of the Sioux City Journal and a long time entertainment reporter. It's Halloween is in the air. I love it. I love doing Halloween or whatever that song is from Nightmare Before Christmas. That's right. Yeah. Danny Elfman, this this Halloween, that kind of stuff. Yeah. You know, are you a fan of Halloween movies? Do you really like all those scary kind of movies? Not scary. Scary. We don't. So the key with movies is they can't scare me where I can't fall asleep for a week. So what would be one that would scare you? What would be a bad one? Anything gory? Like I'm not going to watch a saw movie. Like, saw whatever. They're on the 35th installment of that. I've never seen any of them, and I never will. And I like the Halloween movies. The Freddy Krueger ones, the Jason, the Slash. I just won't watch any. So those are just not for. They're not for me. Yeah, well, I get it. I get it. I think when they get violent, it's not really fun, right? But it's a mystery. And you hear things, but you don't necessarily see anything. Yeah, that it's fun to watch those kind. But if it's the kind like I'm sitting in the house and it could happen to me in a minute if somebody jumped out and had a night or something. No, not right. Yeah, I don't need any. And some of them are just. What was that movie? The Human Centipede. You know, the concept is somebody sewing people together internally. This is just ridiculous. Now, I don't mind a movie that's going to make me jump in my seat a little bit. You know, that's where I get like. Like movies, you know, like Jurassic Park where a dinosaur jumps out at you from the jungle. That's cool. I'm into that. I'll watch that kind of thing. Ghostbusters. And we'll talk about some of these movies soon. But like a movie. Like a Ghostbusters, where goes, it's a little bit scary. There's some make up involved and some things that'll, you know, maybe give you a little trouble falling asleep. But it's not it's not gory, it's not gross. And those are the ones that I just don't want to watch at all. I have no interest. They're not grabbing you in a bear trap in your own house. Right, right, exactly. I love psycho. I can watch Psycho all the time. It's real. It's like, okay. And especially after, you know, the secrets to Psycho. Then you go, Oh, it's even more interesting. And then you start, you know, the bathtub for the 44th time that you're looking at this thing. You see that? Wait a minute. That's. That's somebody in the background that I recognize from a TV show, you know, So there are different things you see each time. And I think that the editing on that is impeccable. It's just incredible how they were able to make you think that it was scary when actually it probably wasn't. Yeah, and even a film like Silence of the Lambs, which has moments that are pretty disturbing. Yeah, a little a little bit gross. But but that it's a psychological thriller about a serial killer. And that's the type of film that I can watch. But they're more realistic. It is realistic, right? Exactly. What about all those scary things like vampires and Frankenstein monsters and werewolves? Do those get you like would Twilight be something you'd say yes to Twilight? I've seen bits of it. It's not really my cup of tea in terms of just, you know, it's like more of a team thing. So it's it's not really, but that is the type of film I would watch, like Interview with a Vampire with Tom Cruise. I love that movie. I thought that was that was good. And those those types of films I'll watch. I like I like the Alien franchise, you know, with Sigourney Weaver and those are scary. Those are scary, but it's it's sci fi. It's a little bit more on the sci fi things. So what's the rule at your house with the kids? Do Are they are they hot to see some of these films? Do they say, Oh, we've got to see this, we've got to see this, we got to see this, And then you say no, or what do you do? Some of them now I've got twin daughters. One of them is a little bit more adventurous, the one that I've spoken about who loves Star Wars. She's a little bit more adventurous. My other daughter, who they're twins, but they're not identical. So one of them looks a little bit actually more like my wife, and that's the one that loves Star Wars. And then there's another daughter that has more of my characteristics and features. Is it bigger? What's that? She has to be here. Yes. She has a very long beard. No, she has a lot of she has long hair. But it's on her head, not on her face, but she's very similar to me where she will get petrified by anything remotely like we watched Jurassic Park as a family and she will not watch the other ones. Like she tapped out after Jurassic Park one and she's 12. Though I would think that The Exorcist is off the table. Off the table? That's not happened. Yeah. And they have a sequel out now. You could see that. Yeah. I'm trying to think if I would see The Exorcist. I mean, I've seen bits and pieces of like, I watched a bit of Poltergeist. I mean, I kind of watch that one. I find if you go in the daytime, it's better when you come out. It's light though, at like seven or 8:00 at night and you come out and it's dark. They are everywhere. All the monsters that you can think of are out there. They're waiting. Yeah, yeah. I'll go during the daytime. You'll be able to enjoy those Doors was a horror film. Sure. But that's. That's different. Like, that's the kind I would watch. That's kind of. I love Jaws. I think that's. It's a great movie. I don't the sequels, not so much but that's that's other reasons altogether. So if we limit it to the the kind of crazed, killer slash eternal scary films. Yeah, they're off the table. Yes. Those I won't watch at all. Did you ever see the ones with Vincent Price and Peter Laurie and Boris Karloff back in the day in the sixties? They did a lot of American international pictures that were creepy, maybe scary, probably, and black and white. And we went to them like they were like soup. You know, We were just we were slurping them up. But many of you watch them now because they'll show them on Turner Classic Movies or TCM. They're not that scary. No. And I think there is a bit of a difference also, because I think the movies of the last 25, 30 years or so as technology has improved and computer graphics and special effects and all that stuff, you can fall back into that level of filmmaking, I think, and increase the Gore level. Whereas some of those earlier movies from the fifties, sixties, even into the seventies, those movies were a little bit more reliant on psychological thrillers and is sometimes the unknown is scarier than the known, right? You know, what you don't see can be scarier, like what's happening just off to the side of the screen that I can't see. You know, that Halloween is one of the biggest holidays of the year. Right. And as a result, they're trying to be as family friendly as they possibly can because there's money. There's money on the table that needs to be made. And so they're kind of, if you will, softening the the horror films, but they're still out there like your Ghostbusters. Ghostbusters is a good example of one that they've tried to reboot. Now, how many times? Well, there's another one due out March eight, as long as it's still on target with with the Strikes Go, the sequel. We don't have a name for it yet, but it's it's Ghostbusters, Afterlife Sequel. It's set to be released March 29 for 2024 or later or later. Right. But those are those work like hocus pocus, which is another one. And they've been hugely successful now in in rerun you know, on streaming services and they are making new ones they're it's it's a franchise in Disney is making big money off that so I don't think that will end but I do think there is room for new kind of thrilling family films right. Yeah well and even even if you look at one of the biggest shows on streaming in the last year, Wednesday and Sunday. Right. And that's that's a spinoff of The Addams Family. Right. And my kids love it. Both my daughters love that show. Yeah. Why? Because it's clever. And I think if you go for just the stupidity of some of these things that are just, how can I shock you? That's not that good. Right? And I think the I would talk a kid out of seeing some of those because I don't think that it would be really worth your time. Yeah, I can. I can scare you. Just give me a minute. But am I scaring you and then maybe teaching you something in the process? That's where it gets a little more interesting. Yeah. So what are some of your favorites? What are your favorite acceptable films for family or family? So I think the first one that is my go to and as a fan of music, one I love and it's it's is a staple of television for years and years and years. It's a great pumpkin. Charlie Brown with the soundtrack by the Vince Guaraldi Trio. And I think yeah. And you know, for somebody, I'll tell you this, I'm not a huge, huge jazz fan. Like I have some jazz albums in my collection. But if you're looking for a gateway into jazz, sure, there's like Miles Davis and John Coltrane, all those. But if you if you dig the Peanuts TV shows and you can get into the Vince Guaraldi Trio, that's a good entry point to jazz music. But I digress. You know, I love Very Pumpkin. Charlie Brown is just one of my favorite. You got that one and you've got the Christmas one. They've just have a handful of these programs, you know, themed at holidays, which I think you know, are just staples every year. You got to watch them. You mentioned the music in that I am sure if you were around back in the day, you would not have said, Oh, let's put some jazz with this. It it doesn't fit with peanuts. It doesn't seem like something that you would have with it. And yet we can't think of it now without that kind of music. Right, Exactly. Yeah. And you know the song Linus and Lucy, which is pretty much in every Peanuts television show I've heard the Dave Matthews Band cover it. It's a such a key piece of music there that we all listen to. Absolutely. Yeah. So if we ever go ice skating, we'll know that we have to have the music with us exactly as it just wouldn't be the same. Okay, what else can we watch? So I love and this one that I would like to show to my kids because I think they're old enough and I don't think it's that scary. But I always loved it as a kid was Beetlejuice, and that one is another one that has a sequel, a sequel that's due out later next year with most of the original cast. I love that movie. And again, you're dealing with Tim Burton here, so there's a little bit of a weird genius in play. And then, of course, the music by Danny Elfman is tremendous as well. You mention Tim Burton. He's kind of the king of the family friendly Halloween ask, you know, Yes, you look at all these ones that he has had. Corpse Bride? No. Edward Scissorhands. Yep. A number of those ones fit that that niche where you would go. Yeah. Okay. And he knows how to do it where it's not so scary that you won't sleep for a night or two. But they are creepy and ParaNorman is another one like that. You just throw them all on the heap and it's like. And then Nightmare before Christmas. Come on. Yeah, yeah, yeah. He's made a career. I mean, he's. He's a, he's a bit of a weird dude, but a weird dude in a good way. Yeah. And technically doesn't even do all of these films, but his name is on them. Other people are the directors, so you have to be very careful when you look at them to make sure that you're you're, you know, checking the right one. But yeah, it's is and print is on them very significantly and it's fun to watch, I think. Yes, absolutely It would is a classic but not necessarily scary but it does talk about those people who made those kind of films back when. Yeah. You know, it's movie kind of going back and it scared me a bit as a kid, but I still enjoyed it and love it to this date is Gremlins, and I think that's one of the values that didn't that one kind of lead that and Indiana Jones and the Temple of Doom among the early films that were they weren't rated R because they definitely weren't R rated level films but they listed them as PG and you kind of needed something in between. And I feel like, wasn't it Gremlins and Indiana Jones that kind of leads that PG 13 rating? There's a little there's a little more risk involved, if you will. And then it became everybody wanted a PG 13 rating. And so then they had to kind of parse it so that how many words are PG 13 ask? And they arrived at the theory that one certain four letter word we come up with it in your own mind once in a film was still PG 13. Yeah. And there was a little bit of like you can allow, you know, some backsides, bare backside would be okay for PG 13, but not right. Not anything about that. Yeah, but then get into the R and then by then you're on the slippery slope to an X, so that's who knows what happens. Yeah. And it became a thing that kids didn't want to go to PG They wouldn't go to G movies because G movies were for babies. That right. The way they'd look at that. Yeah, but a PG movie was one that parents would send you and you didn't have to have the parents sitting with you. PG 13 They might take a dimmer view about, Well, let me see here. Let's see what this is all about. Yeah. And now, you know, I think the kids want to see R-rated all the time. I always look at when you get into movies with sequels, the ones that start out as rated R movies in the first movie, but then get knocked down to PG 13, like National Lampoon's Vacation. I think that was an R-rated film when it came out. But by the time they got to, I think European Vacation was even maybe PG 13. Bigger audience, You're going to get more money. And that's exactly bottom line is the bottom line. Yeah, yeah. The gremlins is no good. No hire. I like a good R-rated movie when it's just for language because it's like, What the heck, I hear this at work, so I don't have to worry about what we're getting on the screen. But sometimes they end up, you know, overdoing it just because they want to shock you with that end of things. But for the most part, PG 13, you're going to get enough thrills there. You're going to get enough of something, and mom and dad aren't going to be mad. Yeah, I agree. Another one that I really loved as a kid, but it did scare me a bit as a kid, but I kind of outgrew that a little bit. Was Ghostbusters I love. I went to see Ghostbusters when it came out. I had a little trouble sleeping that night because you've got that early scene, really, you know? Yeah, well, you know, you go down into the into that basement at the New York Public Library and the ghost that was, you know, sifting through the card catalog. But yeah, you had a kind of scared scared me to death. And I was I'm trying to think how old I was when at that time, you know, I was under ten years old. Eight, nine years old. So it was still a little bit scary to me. But to me, that that is a classic film, that one Ghostbusters two is just okay, I didn't mind the reboot, the Melissa McCarthy reboot from a few years ago. I thought that was fine, but I really actually loved the Ghostbusters afterlife that came out a couple of years ago. I thought it was a nice tribute, some good callbacks to the original film, and I thought there was some some nice tributes to it. I thought they did a nice job with, like, let's say, Harold Ramis bringing him back into the film even though he had passed away. I thought that was nice. It was a good tribute. So I am looking forward to the sequel that's due out next year. Or not? Or not? Maybe not. We allegedly Hey, I'm ready. I'm ready for it because I do like when they make you laugh. In fact, that's kind of the real surprise is that you can see a scary movie, but you still have a reason to laugh. And I think too many of them get very, very serious where you're like, Oh, man, this could happen to me right here in this theater. This is not good. Yeah, exactly. When I was a child, we had movies where you could you were interactive, if you will. They even add some movies where they would wire the seats and they'd have what was called The Tingler. And then it would shock you during the course of the film and you get a jolt from all of that. But one of the things I remember most, because it was my scariest movie ever, was one where you got to vote before you got into the theater. Should the guy, you know, thumbs up or thumbs down and you had to vote. And then at the end of the film, they would show the real door that you had voted for. Now, did anybody ever vote? You know, I don't even know if they made a second real because everybody wants to see a certain ending. Man, you know, they can tell you, oh, you're voting and this is going to count. But this sounds like, you know, politics today. You got a chance to do thumbs up and then you'd put it into this. I remember this vividly in a light and the light would show what you had voted thumbs up or thumbs down. Did the movie scare was called Mr. Sardonic Tests? Mr. Sardo I've heard about that. I never saw it, though. And it was just this man with this frozen face where he had this. It was like, You look like the Phantom of the Opera if you want to have a point of reference. Mr. Sardonic would give you that e scary ride, and that creeped me out as a kid so much that every night I had to go and check to make sure that the basement door was locked so that Mr. Iconoclast wouldn't come up and get me in the middle of the night. Oh, wow. Wow. That's crazy. My parents were letting me go to all his crap. Now I turned out this is great back that it was probably rated G, So yeah, I that it was and you know, I probably was with people that you don't even hear about. You don't even know their names anymore because they were done very cheaply and they were sent all around the country at different times. So you weren't necessarily going to all see the same movie on the same weekend. It was like a special thing. But the idea that it was interactive was, you know, as fun as a little thing. But we were always scared. We were scared, you know. Did you like Young Frankenstein? Mel Brooks, his movie. I try to think if I've ever even seen it, it's black and white. Right? The story of Frankenstein's grandson, I believe it is. Or a and so he inherits the place in in Germany. And he goes over there or Bavaria or wherever it is. It's, you know, some place over in Europe that's Transylvania, like. And the people are all like, you know, well, you're his his grandson, right? And no, no, no, I pronounce it Frankenstein. And there are all the you know, Marty Feldman's in there with the as Igor or Igor, whichever is in it, and Madeline Kahn was in it. And Cloris Leachman, I mean, it was a clever, clever film and a good way of kind of approaching all this. And it did have scary moments. But, you know, is it is is it one you show your kids? I think without the point of reference. Yeah. Having seen Frankenstein, I don't know that you'd get the humor now. I don't know if this would be appropriate for the kids. They still might be a little young for it, but it's along the lines of Frankenstein. But would you consider this to almost be a Halloween ish type of movie? Weird science, the John Hughes film? Yeah, that's clever. Yeah, it's kind of it is like a it is sort of like a Frankenstein. It's just writing teenage boys with the hormones raging. They don't create a monster. They create a hot woman. Right? Right. Well, what about Teen Wolf? Oh, yeah, that's a great fox. Yeah. I mean, you know, it's it's in that genre, all those universal pictures that were classics and they're still mining them now, but then they give him a little twist. And here we've got something that maybe works for a younger audience. Yeah, Teen Wolf, too, right? That was the sequel. But it didn't have Michael J. Fox. Probably not. No. Is Teen Big Thing. It was like Teen Wolf, like not the number two, but it was like, oh, yeah, I think by the time he did, that was one of those ones that they kind of kicked off. And then he got all that success from Family Ties and then he was in the back to the Future trilogy. So he was really. Did he need to do one? No, probably not. No. I think he probably didn't get paid much either. No, no, no. But that was a classic of my youth. I remember that one vividly. And yet it was a cheap movie. Exactly. You know, another one which I don't know if I would consider this. I saw it on some lists for Halloween films, and I don't necessarily know if it's Halloween, but it took place during Halloween and it's E.T. The extra terrestrial. That's a classic false movie. I don't think that counts. I don't think yeah, I don't know if it's a I see it on the list and I get it. And, you know, they dressed up E.T. and and it made it look like a costume in all that. But it's more I think the time of the year, Halloween time than necessarily being a Halloween movie. If we're ditching Jaws as a legitimate movie for this time of year, we're ditching E.T.. It can't be it. I'm fine with that. I'm fine with that. All right. Any more on the list? The girls did watch this one at a pretty young age, and I think it's a good kind of ghost movie. And it appeals both to, I think, parents and Kids is Casper the 1995 film. And that one was kind of fun because it is Casper. Casper, of course, is the Friendly Ghost, but it had fun little callbacks because wasn't Dan Aykroyd as the Ghostbuster made an appearance in it, and you had Father Guido Sarducci from Saturday Night Live. Amen to exercise the house and all that. And I thought that was always a fun film to watch and it's one that's appropriate to the kids. It's not going to scare them. You're you're alright with that and they're not going to go, Wait a minute Dad. What did you do to us? The one that's a spoof of horror films, Scary movie. Would that be one you'd consider? I don't know. I, I think I hate the genre so much. I mean, I've seen Scary Movie. I've seen all know. It's almost like I just don't even I hate I hate that aspect of the genre so much that the the spoof of it just doesn't appeal to me. I never I mean, I know it's not scary scary, but I just like, I can't I don't enjoy the references to begin with, so I'm not going to watch it. How about arachnophobia? Oh, boy, that's been a long time since I saw that one. There was this kind of creepy spiders. Yes. Yeah. Yeah. And then what about this is one maybe you did see with your kids the house with the clock in its walls. Have you seen that one? I don't think so. But it on the list. Put it out. It's. I think it's pretty good and creepy. Okay. And it has people that you you you know, I'm not going to tell you all this because I think you want to go in blind, but it has actors that you recognize in their playing, kind of heightened versions of maybe what we know them for. Okay. But yeah yeah it's Ruby House now. The Haunted Mansions. I have never really liked anything that they've done with Haunted Mansion. The current one that's out in theaters are heading to DVD. I don't like it. I think it is too much plot for what it's trying to unpack. And there, you know, it's like we got to try and tie in with the theme park somehow. We got to make sure that we have these things that we're imagining and we're going to add the music. And then we got to have the hot hatbox ghost because that's going to be at the parks at some point. I hate that. And the Eddie Murphy one that came before was no good either. But I did like when the Muppets did a Haunted Mansion. Oh, yeah. You can't go wrong with the Muppets. Yeah, the Muppets. They. You know, the Muppets were everywhere. The Muppets had done everything. Even though you think where they been, they don't really do too much, do they? Did they did a lot, but they had their own Haunted Mansion movie. And of the three, I think that's probably the best one as a second one out. I don't I don't know if I ever saw that one. That would be fun. Yeah. It's it's cute to see Coco. Oh, yeah. What maybe be classified in this is in this genre because he goes to the dead you know where he's and it scare. I thought it was scary in parts. Yeah but I'm yeah I then it's an animated film and I think it's it's a beauty full film it was visual It's really because that was a Pixar movie. Right. Right, right. Yeah. I'm trying to think of that. And then maybe my favorite recent Pixar film, I'm not sure if there's been a whole lot after that, but I really loved it. It was a really well done. Yeah, very well done. I saw that on some lists for Halloween movies and I was on the fence as to whether or not I would consider it, but they knew the characters out and I wish I could think of the name of the guy. He was the singer who sings Remember Me? Yeah. Yeah, he looks like a skeleton. And they have that character at the theme parks now, singing and talking and interacting with the audience. And I think, Well, that's kind of interesting, but it's not so scary that you would, like, run away from it. You know, you get yeah, it's this could be good. And then the original Addams Family films, those were good. Oh, sure. Yeah. Did you like the you're talking about the ones with like Raul, Julia and Anjelica Huston, right? Yeah, those were fine. I enjoyed them. The reboots that they did, CGI, not so much. Not on your list? No. Now the kids don't mind a may I? They've watched them a number of times. And I think they're they're at least family friendly enough. I don't mind them. I got I think I got dragged to the movie theater to see one of them and it was okay. Yeah. You know who we do? Well, Scooby Doo is awesome. Well, now the live action Scooby Doo. No, I'm not going to watch A lot of Freddie Prinze Jr was in it commercial. No, and I watched that. Yeah. What about monsters Inc? That's a fun one I love. But, I mean, that gets back to the early Pixar movies that I think almost everyone hit it out of the park. Yeah, my one daughter who doesn't like scary things. I think we tried showing that to them when they were little, like four or five years old and she's like, Come back to it since. Yeah, Coraline, that's not so bad. I'm trying to think when I've seen it, but it's been a really. Yeah, well, that's the one with the button eyes and all that. Yeah. Mm. Yeah. So there we are. Cruella. I'm throwing that one at you. That's scary. The live action one for a couple years. Yeah. No, that was fun. I never know if I would. I consider that to be Halloween ish. I don't know. Maybe. Maybe not. But he dresses up. That's a really good soundtrack. Yeah. Costumes, I think. Was it? It was nominated for best costume? I think so. Yeah. I didn't even want it. My. No, I remember because one of my daughters went as cruel a few years ago for Halloween. And so she absolutely wants to see that in the theater. And I, I enjoyed it. And I thought the music kind of kept me going on it. It was well-done from that end. Yeah. No, it's a you know, again, Disney knows how to lean into these things because they know there's money on the back end with that. So if they can find a way to monetize some kind of property, they've got somewhere Maleficent, you know, in there, they'll do it, they'll do it. But I think they're your safest bet when you're looking for something that you can show the kids without corrupting the kids, right? Absolutely. Yeah. One of the things that I have in my back pocket that actually is premiering this week is Goosebumps. Oh, Amber Goosebumps. Did you read any of the books they were before? Well, after my time, I should say. Right. I was not a Goosebumps person. Yeah, I didn't read the books. That kind of I'm not sure when the books came out, but I just either either I'm a little too old for them or it's just not something that I ever got into. The kids loved them and I met R.L. Stine, and R.L. Stine does not seem like the type of guy who would write those kinds of books, but there were more than 60 of them. And then there were spin offs and all these kinds of things. And there were TV series, there was a TV series that would take each book and then, you know, make an individual show about that. But now they've come up with a new series that kind of mash them all up. It's also called Goosebumps. It's it'll be on Hulu and Disney Plus. And what it is, is they've taken five books. The premise of five books, and then created this kind of overlay where it's a high school and the kids are realizing that something is amiss in their school and a ghost possesses one of their favorite teachers and they're worried about this. They don't know what's going on. They're trying to get to the bottom of it. But what they've taken is those five individual stories of these five kids and turned them into they're kind of subplots. So they become social issue ones. Maybe I have a diety when I'm at school. Maybe there is something about the kids don't like me. I mean, those kinds of subplots that play into this. And I was able to talk with the producers of the film or the series or whatever you want to call it. And they were able to explain, you know, how did why do they do this? How do they do this? What's going on there? Connor Welch and Pavan Shetty and they are both former executives at networks. One was at ABC, one was at NBC. And so they kind of knew from the background what would work, what they could do. And they realized that, you know, wait a minute, what you need is a great idea, and then you figure out what to do with that great idea. And so we do have an interview, if you'd like to hear it. Absolutely. Producers, are you two were you big Goosebumps fans as kids? Is that what this is all about? Is this why it happens? That's where it all began. Yes. Voracious Goosebumps reader. The first book series that made reading feel fun as opposed to a task or ad sure that my parents or teachers made me do so. Yeah, I said little seminal series. And now my my oldest daughter is reading them as well, which is really fun. Same with you. Yeah. Yeah. Garner and I are the same age, so we kind of grew up on these books and, and, and, you know, we're looking back on them with a sense of nostalgia. Now. But like kids, like Connor's kids getting scared for the first time. So it's a lot of different perspectives on the same material. And so it was really important to us that we sort of put those things together and made a show that felt appealing to both kids and adults at the same time. It does seem a little more adult than past series. Was that intentional? You you plan that? Yeah, absolutely. We wanted to just sort of, you know, elevated a bit. And also, you know, the book series when I was reading them and now when my daughter reading them was always a little scarier and a little funnier than you expected. And so that was certainly the intention with this series that we would surprise an audience with with more scares and more humor, hopefully, than they thought we would bring. And, you know, in in the landscape with premium television, it was important to us that it that it felt really sophisticated and cinematic and and yeah, it would play well for audiences of all ages. So where do you get the idea to mash things up? Well, you know, we were lucky enough to have access to all of the Goosebumps books because R.L. Stine gave us access and our partners at Scholastic did too. And you know, there's a lot to choose from. So our creators, Rob Letterman and Nick Stoller, had a great idea where they came up with the structure, where for each of the first five, we're following a different character who's dealing with one of the issues from the books. And mid-season they come together and realize what's going on and decided to take matters into their own hands. So we harnessed five of the books for the first five, and then we're pulling from a lot of them throughout the entire series. There's Easter eggs for a Goosebumps fans throughout the entire first season of the show. So if you go a second season and then will these same characters travel with that or does it become a whole new thing? Yeah, the intention would be that these characters would would continue. And yeah, we were just so excited by these new actors, a lot of who will be brand new faces for for, for the audience. And they really just sort of hit their stride and found a really fun chemistry pretty early on in the season. So we'd love to see those dynamics play out for many more episodes to come. Where do you find somebody to be Harold Biddle, for God's sakes, And how do you advertise for that? Well, we were lucky that that, you know, Justin Long, who ends up being possessed by Harold Biddle, comes along. And obviously Justin is so good at both comedy and horror, you know, from even Jeepers Creepers. And he just did Barbarian before we cast him. And some of us were lucky enough to work with him before this. And, and I think Justin is someone that's perfect to do. Both those really comedic physical comedy set pieces, but also is able to be super scary and most importantly, be scared on camera in a really good way. And I think you know, our our he plays Mr. Brad is possessed by Harold Biddle but I think it was important that all of our cast be really good both comedically and dramatically because I think we switch back and forth between comedy and and thrilling stuff pretty seamlessly in the show. Did you worry about him getting hurt because he does bring himself up Quite. I mean, what is this? You know? No, he is just an incredible physical comedian. And to watch him struggle with being possessed by a teenage boy and, you know, not all of it that entails was really, really hysterical. And Justin is just someone who is surprising at every turn. Like every single take is a little bit different. And so we got some really, really fun, compelling performance out of him. And you said, we can't match anything. So doing all over again, right? That's good. Did you talk with R.L. Stine during the course of all of this? And what does he say? We did, yeah. Which was of the most thrilling parts of the entire process. You having his name, you know, in bright green across most of the books in my library, in my child childhood bedroom. But yeah, he was involved in reading scripts and watching cuts. And yeah, one of the most exciting parts was when he first watched the pilot and reported back that that he loved it. And yeah, that was just a thrilling cherry on top. I think, you know, for us we, we didn't take lightly how beloved the books are. I mean, they are massive, massive book series, over 400 million copies, 32 languages, I mean, and we genuinely love them. So we wouldn't have done this without his sort of blessing and support to go forward with this version. Well, your concept of, you know, the mash up does seem like something that, you know, is original. It's not just we're taking another book and we're doing the same thing. It is a different a different take on it. What is it about horror, though, that people love? I think it's the surprise. I think I think actually there's something very similar about horror and comedy in the cadence and the rhythms of it. It's a lot of set up in surprise. The surprise for a horror being a scare or a jump, the surprise or a a joke being the punchline. So Rob Letterman and Nick Stoller, the creators, and Hilary Winston, our showrunner, I think did a really great job of sort of harmonizing between those two genres throughout. So sometimes when you would expect a scare, you would get a laugh. Another other times when when you were thinking, you know, there was a laugh coming, hopefully we we jump scared yet and this is you know there's lot of stuff like that. But we also talked a lot about how just being a high school kid today is super scary. Also, you know, we're dealing with a lot of personal issues these kids are dealing with. So their teacher, he might be possessed by a ghost, but that's not even anywhere near as scary as being rejected by someone you like when you ask them out on a date. And so we're really sort of taking that. And those are universal issues, right? So that's pretty scary growing up right now. Those old media is scary. That's the the real threat that I never had to deal with. Thank you. Thank you. Thank you. Thank you. Two were both executives at networks. What did that inform you about what people want? I'm just surprised that this is the direction you're going. You know what I mean? Where you you could control what we put on the air, but now you're creating the content for that. Yeah, well, I mean, you know. Go ahead, go, go for it. Okay. I would say that being on the network side was helpful in perhaps selling and convincing to the powers that be, how to get your original idea through. And so with this, we were lucky enough to have a giant piece of intellectual property, as Bob and said, this is a book series that has sold over 400 million copies around the world. Many different languages. So that is, is that from a network point of view is a great selling point. Okay, you check the big box that handles a lot of marketing, a lot of awareness, and then I think it was helpful in being able to articulate to the the buyers why this was going to be thrilling in different This was going to be something that's funny and scary great. This is going to be something for adults and their kids. Grade This is also going to be something for adults who don't have kids, who grew up watching the book, or maybe adults who don't have kids who aren't a fan of the series. So, yeah, I think having been on the other side just sort of helps speak the language a little bit to get our very original idea through. And I think, you know, we were both I was at NBC, Connor was at Fox, and then we both started producing and we've gone back and forth between comedy and drama. But I think when you're at a network and you're trying to program to a broad audience, you do try to chuck a lot of boxes. You have a medical show, you have a workplace comedy. And I think at the end of the day, what we both learned is that you just have to have a good show. If you have a really good show that's authentic and takes risks and is just, you know, is fun to watch, then people are going to find it. You know, the audience will find the show. And I think at the end of the day, that's what was important to us here, is that we really just make a good show and and then the rest will happen. Now, how is it this time, though, breaking through? Because there are so many shows out there and you do have the built in name recognition, but how do you make sure that you get see? Yeah, well, I think it just has to feel real and relatable. So, you know, as pub and said, all of these issues, all of these hauntings start from a hopefully very relatable place of insecurity, of the burden of finances, of does the boy I like, like me back and vice versa. And then we get to elevate it with these big scary set pieces and monsters and and hauntings. So I think as long as it starts with a relatable nugget, you can kind of explode it to be a big spectacle. And and hopefully some combination of those things will break through the noise. And it's fortuitous that the show revolves around a Halloween party, and that's where the kids find all these items. And we're premiering on October the 13th, Friday the 13th, right before Halloween. So the timing kind of works out to where we're doing a really scary show that comes out in the scariest month of the year, obviously. So what scares you guys? Everything. I think it strikes tomorrow. Yeah, right. That leaves this possibility of never being able to make movies and television again. Yeah. You got everything done though. You have all ten in in. Yes. Very good. Like this. This was all pretty before before the strikes went down and we've been able to. Yeah. Unfortunately our our talent and creators and actors can't do the press. So that's why you see Puppet and I go to outside of that we're very grateful to have gotten it all in the can before this all turned upside down on us and have an are you related to the dean of a certain college or university? Oh, that's funny. Yeah. I also produce the boys and the spin off Gen V and that's coming out this month. And they did name one of the characters after me. So I guess that's that's quite a bit. Yeah. But I think you know that hopefully my character is in, in real life isn't represented by the character in that show. But, but it's that's another fun one that'll be coming out soon too. When you do have those kinds of series that are all on, how do you know which child gets what you know like with this for example, how do I know I should have this in that show and not in that show? You know, I do, Yeah. Luckily, there's not a lot of crossover between the boys universe and Goosebumps. They're they're pretty different audiences. And I think if we did have some of the same tonal touchpoints, we'd have a little bit of a problem. I think it all comes from the creators, Rob and him in here with a really specific point of view and worked with this material and and that in the very beginning they knew exactly what this show was going to be. And with Sony and Scholastic and Disney plus really shape this. And so it sort of took on a life of its own once these guys started and and they just really embraced, you know, their comedy background and the horror here. That's very different than other shows that I work on. And it's it's super exciting. Hey, you guys, thank you so much. I'm dying to see the whole thing. I've only seen a couple of episodes, so don't spoil it. I don't want to know what happens, but I'm glad it's back. I'm really glad it's back. And the idea that it's a lot of stories where you can go, Aha, I get that. Oh, that's from that one. This is a really cool concept. So thanks so much. Hey, if you need to teach at the university, just call me. Oh, this is very appreciated, man. All right, Bruce, thank you for those interviews. Did you catch in there? That one is also a producer of the boys and Gen V, which is a spinoff of that, and they've named a character after him, Dean Shetty. And they said, you said they just did that. But, you know, it's like, hmm, what do we do with our producers here? Let's give them let's give them some kind of a profile. And maybe it's related to reality. Yeah, Yeah, I thought that was pretty funny. It's a good way to to, you know, kind of brown nose a little bit, I guess. Right. We all take after people, too. Let's. Let's make the producers happy. Right? Right. Can't go wrong there. So this show, it debuts on Friday night. It's yeah. Scary. And then it runs for ten weeks and they're looking for a second season. So let's see if it happens. Well, on that note, we will wrap things up. Go get candy. I think we should. That's always a good thing. After a Halloween film, Eat more candy. That's the trick. And visit your dentist and yeah, there you go. All right. Thanks again. And join us again next week for another episode of Streamed and Screened.See omnystudio.com/listener for privacy information.

Everyone's favorite human Brittany Broski joins Trixie for a heart-to-heart about irrational fears of yetis, the natural beauty of Marty Feldman, and in-depth reviews of every roller coaster in Southern California. Follow Brittany: @Brittany_Broski Watch Broski's Royal Court: https://www.youtube.com/@Brittany_Broski Start building your credit up. Open a Chime Checking account with at least a $200 qualifying direct deposit. To get started head to Chime.com/BALD or click this link: https://www.chime.com/apply-debit/?ad=podcast_bald Get Factor and enjoy eating well without the hassle! Head to https://FactorMeals.com/BALD50 and use code BALD50 to get 50% off! This podcast is sponsored by BetterHelp Therapy Online. Visit https://BetterHelp.com/BALD today to get 10% off your first month! Follow Trixie: @TrixieMattel Follow Katya: @Katya_Zamo To watch the podcast on YouTube: http://bit.ly/TrixieKatyaYT Don't forget to follow the podcast for free wherever you're listening or by using this link: http://bit.ly/baldandthebeautifulpodcast If you want to support the show, and get all the episodes ad-free go to: https://thebaldandthebeautiful.supercast.com If you like the show, telling a friend about it would be amazing! You can text, email, Tweet, or send this link to a friend: http://bit.ly/baldandthebeautifulpodcast To check out future Live Podcast Shows, go to: https://trixieandkatya.com To order your copy of our book, "Working Girls", go to: workinggirlsbook.com To check out the Trixie Motel in Palm Springs, CA: https://www.trixiemotel.com Learn more about your ad choices. Visit podcastchoices.com/adchoices

A Mary Shelley Dick Joke: Mel Brooks's  Young Frankenstein There's absolutely no caption, intro, blurb, or description that can capture the magic and brilliance of Mel Brooks's masterpiece (arguably one of three), Young Frankenstein (1974). From a script by Brooks and star, Gene Wilder, two comic geniuses salute, honor, and show great love for the Classic Universal Horror films of the 1930s, 40s, and 50s. With a brilliant supporting cast (possibly the greatest ever committed to film) including Marty Feldman, Cloris Leachman, Teri Garr, Kenneth Mars, Peter Boyle, Gene Hackman, and Madeline Khan, Brooks and Wilder's continuation of James Wales's Frankenstein (1931) and The Bride of Frankenstein (1935) faithfully recreates the Frankenstein World Cinema has come to know and love. Take a listen as Mr. Chavez & I shine a light on this incredibly loving and - often times - hilarious film.   If you've listened to us over the years, or if you're new to the podcast, and you'd like to support us you can click on the link below and donate to this long-running labor of love. Simply click on the link below and go to the Buy Me a Coffee website. We've busted ass for a number of years, scraping by for the Love of Cinema . . . you can do the right thing by digging into those pockets and giving a little bit to help keep the lights on. Our Continued Thanks.    https://www.buymeacoffee.com/watchrickramos

A man brings life to a monster while a bunny cop takes a case to help predators. The ABC's of Specrapular comes to an end! In this episode, we discuss the 1974 movie, Young Frankenstein, and from 201, Zootopia. Young Frankenstein is available on Max. Zootopia is available on Disney +. Young Frankenstein was directed by Mel Brooks. Starring Gene Wilder, Marty Feldman, Teri Garr, Peter Boyle, and Madeline Kahn. Zootopia was directed by Rich Moore, Byron Howard, and Jared Bush. Starring Ginnifer Goodwin, Jason Bateman, Idris Elba, and Jenny Slate. It is available on Disney +. Every movie we discuss will be available on either: Netflix, Hulu, Max, Youtube, or Amazon Prime. You can request movies by emailing us at specrapular@gmail.com Don't forget to listen to our new podcast, ⁠⁠⁠⁠⁠⁠Weekly BM⁠⁠⁠⁠⁠⁠! Intro music by: Luis. Outro music by: Cairo Braga - Revision of the Future

*Oops. This should have been posted last week. Sorry. A film noir murder mystery with cartoons and a time travel movie with a veiny mutant trying to stop mass genocide. The ABC's of Specrapular continues! In this episode, we discuss the 1988 movie, Who Framed Roger Rabbit, and from 2014, X-Men: Days of Future Past. Who Framed Roger Rabbit is available on Disney+. X-Men: Days of Future Past is available on Max. Who Framed Roger Rabbit was directed by Robert Zemeckis. Starring Bob Hoskins, Charles Fleischer, and Christopher Llyod. X-Men: Days of Future Past was directed (unfortunately) by Bryan Singer. Starring James McAvoy, Michael Fassbender, Hugh Jackman, Jennifer Lawrence, Patrick Stewart, and Ian Mckellen. Every movie we discuss will be available on either: Netflix, Hulu, Max, Youtube, or Amazon Prime. You can request movies by emailing us at specrapular@gmail.com The next movies we are going to discuss are Young Frankenstein, from 1974, and Zootopia, from 2016. Young Frankenstein was directed by Mel Brooks. Starring Gene Wilder, Marty Feldman, Teri Garr, Peter Boyle, and Madeline Kahn. It is available on Max. Zootopia was directed by Rich Moore, Byron Howard, and Jared Bush. Starring Ginnifer Goodwin, Jason Bateman, Idris Elba, and Jenny Slate. It is available on Disney+. Don't forget to listen to our new podcast, ⁠⁠⁠⁠⁠⁠Weekly BM⁠⁠⁠⁠⁠⁠! Intro music by: Luis. Outro music by: Cairo Braga - Revision of the Future

Three podcast veterans, best friends for many years, gather together to support their producer after he sees a horrifying video, and the metaphoric ghosts of their past become all-too-literal. On Episode 568 of Trick or Treat Radio we discuss the Shudder Exclusive film, Brooklyn 45 from director/writer Ted Geoghegan! We also have an extended Coffin Corner, we celebrate MZ and Wolfie's birthdays, and we discuss the need to constantly re-examine the way you think. So grab your favorite bandana, wrap it around your head, hold hands to form a circle, and strap on for the world's most dangerous podcast!Stuff we talk about: Deadstream, steel book releases, embarrassing yourself at WalMart, bloated coffin corner, Jackson Pollock, what's on Ravenshadow's head?, the unsung hero, Bed Intruder Song, RIP Sheiky Baby, B. Brian Blair, Hulk Hogan, Kevin Nash, Kliq This Podcast, Dark Side of the Ring, Iron Sheik stories, Magnum T.A., Ric Flair, Kayfabe, CM Punk, the kick of kicking out cords, The King of Kicking Out, RIP Treat Williams, Dead Heat, Joe Piscopo, Brion James, movie mashups, Red Heat, Red Dead Heat, The Phantom, Billy Zane, James Remar, Darkman, The Adventures of Ford Fairlane, Renny Harlin, Andrew Dice Clay, Where in the World is Barry Sobel?, Ian Ziering, Beverly Hills 90210, Marty Feldman, Anne Ramsay, Throw Momma From the Train, Annie Ross, Pump Up the Volume, Superman III, They're Watching, Brooklyn 45, Ted Geoghegan, Larry Fessenden, The Ranger, Ezra Buzzington, Kristina Klebe, movies that could be a stage play, Two Witches, A League of Their Own, Pencil Pushers, military veterans, The Hateful Eight, Victorian setting, Clue, Jeremy Holm, The Rocketeer, Timothy Dalton, World War 2, bias overruling logic, seances, the prequel to Brooklyn 99, Sisu, 12 Angry Men, Renfield, Muppets, Electric Mayhem, Peter Jackson, and the Feebles becoming Muppet canon.Support us on Patreon: https://www.patreon.com/trickortreatradioJoin our Discord Community: discord.trickortreatradio.comSend Email/Voicemail: mailto:podcast@trickortreatradio.comVisit our website: http://trickortreatradio.comStart your own podcast: https://www.buzzsprout.com/?referrer_id=386Use our Amazon link: http://amzn.to/2CTdZzKFB Group: http://www.facebook.com/groups/trickortreatradioTwitter: http://twitter.com/TrickTreatRadioFacebook: http://facebook.com/TrickOrTreatRadioYouTube: http://youtube.com/TrickOrTreatRadioInstagram: http://instagram.com/TrickorTreatRadioSupport the show

Paul & Amy put on the Ritz with 1974's Mel Brooks monster movie parody Young Frankenstein! They ask what makes this the most beautiful of Brooks' films, praise the colorful supporting cast from Marty Feldman to Teri Garr, and chart the increasingly frenzied performance of star Gene Wilder. Plus: That's where "Walk This Way" came from? Next week, Paul & Amy continue their Mel Brooks discussion with Blazing Saddles! You can join the conversation for this series on Paul's Discord at https://discord.gg/ZwtygZGTa6. Learn more about the show at unspooledpod.com, follow us on Twitter @unspooled and Instagram @unspooledpod, and don't forget to rate, review & subscribe to us on Apple Podcasts, Stitcher and Spotify.

We continue our month of discussions around the 1970s interpretations of Sir Arthur Conan Doyle's consulting detective, Sherlock Holmes. On this episode we're discussing 1975's The Adventures of Sherlock Holmes' Smarter Brother. Written and directed by, and starring Gene Wilder, the film tells the tale of Sigerson Holmes. The movie also stars some other familiar faces from Mel Brooks's troupe of actors including Marty Feldman, Madeline Khan, and Dom DeLuise.Aaron Peterson and David MacGregor continue to lend their Sherlockian expertise to the conversation.Become a supporter of this podcast: https://www.spreaker.com/show/the-projection-booth-podcast_2/support.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/5513239/advertisement

We continue our month of discussions around the 1970s interpretations of Sir Arthur Conan Doyle's consulting detective, Sherlock Holmes. On this episode we're discussing 1975's The Adventures of Sherlock Holmes' Smarter Brother. Written and directed by, and starring Gene Wilder, the film tells the tale of Sigerson Holmes. The movie also stars some other familiar faces from Mel Brooks's troupe of actors including Marty Feldman, Madeline Khan, and Dom DeLuise.Aaron Peterson and David MacGregor continue to lend their Sherlockian expertise to the conversation.

With Special Guest Stars Hal Linden and Marty Feldman!Hi-ho and welcome once again to A Feat of Lunatic Daring, the most sensational inspirational celebrational muppetational podcast about Jim Henson and his Muppets!Things are rough right now. Let's talk about something that makes us happy, namely the unmistakable genius of James Maury Henson.Sources PageTwitterInstagramFacebookAlso follow Antithesis Audio on YouTube for future video contentChad Instagram & Twitter: @chadjshonkNick Twitter: @ntjackson17Music by Seth Podowitz @audiobookseth

The forces of evil descend on an ancient podcast. Mankind's best hope, a once-legendary god, is confined to an insane asylum from which he must escape. When he doesn't, the hosts are left to foment in a sauce of their own failure. On Episode 551 of Trick or Treat Radio we discuss Legions, an Argentinian Horror film from director Fabián Forte! We also discuss obscure sitcoms (again), Leslie Nielsen bare-chested fighting a bear, and our favorite bands named after places. So grab your favorite food, give yourself a rap name based on said food, and strap on for the world's most dangerous podcast!Stuff we talk about: Big Buns, Eibon Press, Vinegar Syndrome, Derek Rook, Rough House Publishing, just an all around dude, Michael Myers, Steve Van Samson, MonstahXpo, John Wick 4, Tetris, homeless assassins, America the Jenga board, bathing in failure, hearing but not listening, the Ravenmind, Ezra Miller, The Flash, Powder Keg, Michael Keaton Batman, Tim Burton, Guardians of the Galaxy, Will Smith vs. Chris Pratt, kneel before Zod, WKIT, Knight Rider, sitcoms, Beans Baxter, Zombie Grrlz Podcast Network, Police Academy, Mike Tyson, You Wish, It Takes Two, Pussycake, Pablo Pares, Plaga Zombie films, Argentinian Horror, Legions, Fabian Forte, Fisher Price's My First Horror, Argentinian Goosebumps, Evil Dead II, Sam Raimi, The Void, practical FX, man in a mask horror characters, Giallo or Gialli, monstrous hands, mysticism and shaman, Repossessed, Day of the Animals, Leslie Nielsen bare chested fighting a bear, Akiva Schaffer, Liam Neeson, Police Squad!, CTV, The Brady Bunch, The Monkees, Legion, Dracula: Dead and Loving It, Mel Brooks, Life Stinks, High Anxiety, Young Frankenstein, Marty Feldman, putting the dump in dumpling, The Wailing, Screambox, Dario Argento, Sergio Stivaletti, The Outwaters, Japan, Scorpions, Ivan and the Drogos, “If He Dies He Dies”, Jung Gravy, The Rockduster, Theo Von, Road Dogg, everyone has a podcast, Kid Mozzarella, Candy Corny, Lil' Chop, Johnny Tofu, Viddy Vegan, fomenting in a sauce of failure, and the Smokin' Herbs and Hatin' Gravy tour.Support us on Patreon: https://www.patreon.com/trickortreatradioJoin our Discord Community: discord.trickortreatradio.comSend Email/Voicemail: mailto:podcast@trickortreatradio.comVisit our website: http://trickortreatradio.comStart your own podcast: https://www.buzzsprout.com/?referrer_id=386Use our Amazon link: http://amzn.to/2CTdZzKFB Group: http://www.facebook.com/groups/trickortreatradioTwitter: http://twitter.com/TrickTreatRadioFacebook: http://facebook.com/TrickOrTreatRadioYouTube: http://youtube.com/TrickOrTreatRadioInstagram: http://instagram.com/TrickorTreatRadioSupport the show

In this first episode of our Rehearings series, we replay our interview with the late Judge Martin Feldman. Rehearings will re-air our favorite old interviews on weeks when we don't have a usual episode because the Supreme Court is not hearing arguments or issuing opinions. Follow us on Twitter @scotus101 and @tzsmith. And please send questions, comments, or ideas for future episodes to scotus101@heritage.org.Don't forget to leave a 5-star rating.Stay caffeinated and opinionated with a SCOTUS 101 mug. Hosted on Acast. See acast.com/privacy for more information.

The end of The Muppet Show is nigh! Join us for our penultimate TMS episode, where we talk about three extraordinarily wacky fellas!  This week's episode covers the following... episodes: Wally Boag, Buddy Rich, and Marty Feldman yyyyyaaaaaaaayyyyyy Kermitment has a Patreon! Running a podcast is deceptively expensive work, so by becoming our Patron, you help us cover those costs and allow us to do funner, cooler stuff in the future! Find out more here! Visit our website to find a link to the Kermitment Patreon, logo pin and more fun stuff at http://Kermitment.com! If you can't get enough Kermitment, follow @KermitmentPod, where we'll tweet fun stuff and interact with our listeners! And you can follow each of us individually: Matt: @MatthewGaydosSam: @im_sam_schultz

Markus and Ray always learn stuff doing this podcast. Moving forward on their study of Heavy Metal, through the ages, they focus on the impact of the Metal underground in the 70s at the turn of the decade into the 1980s! As Metal emerged there were ton of bands, leading to a discussion of the New Wave Of British Heavy Metal. This era is the bridge from the early bands, laying the foundation to the Iron Age, a massive Metal explosion lying ahead!Please check out our sponsors:Boldfoot Socks   https://boldfoot.comCrooked Eye Brewery   https://crookedeyebrewery.com/Don't forget that you can find all of our episodes, on-demand, for free right here on our web site: https://imbalancedhistory.com/