POPULARITY
12 episodes with bettie
20 episodes with bettie
21 episodes with bettie
2 episodes with bettie
10 episodes with bettie
5 episodes with bettie
4 episodes with bettie
2 episodes with bettie
2 episodes with bettie
#crimechatwithnatandkat presents Episode 122: The Pin-Up Queen Bettie Page ~ A Crime & Cosmetics Segment! Bettie Page gained notoriety in the 1950s with her long jet-black hair, blue eyes, and trademark bangs. A legend as much today as during her modeling days, every facet of Bettie's life and personality captures the interest and devotion of the thousands of fans that followed her. Nice and naughty, shy and daring, simple and exotic, Bettie shone with a freshness never before seen in the modeling industry. Complex, contradictory, extremely intelligent, exquisitely pretty, naughty or nice, not even Bettie Page could say who she was, exactly how she got that way, and what it all means. She was one pin-up no one could pin down, but was she a murderer? Find out more about this pin-up icon on Saturday, February 22, 2025, anywhere you get your #truecrimepodcasts #googlepodcasts #amazonpodcasts #applepodcasts #youtubepodcasts #spotifypodcasts #patreon #rss Become a #VIPChatter today! Subscribe to our #patreon for exclusive bonus episodes, behind-the-scenes bloopers, free merch, and so much more! Join for as little as $1 a month at patreon.com/crimechatwithnatandkat FOLLOW US Facebook: CrimeChat with Nat and Kat X: CrimeChat with Nat and Kat Instagram: @crimechatnk TikTok: @crimechatnatkat YouTube: CrimeChat with Nat and Kat Don't forget to check out our website and some new merch at https://crimechatwithnatandkat.com!
Send us a textSeason 5, Episode 563: Empowering Voices: The Indie Bookstore Revolution with Nicole from Bettie's Pages Bookstore. Join Ruan Willow in this enlightening episode as she chats with Nicole, the passionate owner of Bettie's Pages bookstore in Lowell, Michigan. Nicole shares her journey of running an indie bookstore in a small town, where she strives to create an inclusive space that reflects diverse voices and stories. Discover how she curates her collection to ensure everyone in her community can see themselves represented in literature, and the challenges she faces along the way.Nicole also shares invaluable tips for Indie authors to get their physical books into bookstores, how they should approach covers, marketing, and what book buyers look for. This is invaluable advice for those choosing to be indie authors doing indie publishing. Get the super important inside scoop from someone who sells books for a living!In this episode, they discuss the impact of literature on identity, the importance of representation for LGBTQIA and BIPOC communities, and how indie bookstores are vital in promoting diverse narratives that big publishers often overlook. Nicole also reveals her exciting plans for a mobile bookstore.Connect with Nicole and her bookstore: www.bettiespages.comwww.facebook.com/bettiespagesbookstorewww.instagram.com/betties_pageswww.tiktok.com/@bettiespages06:43 I would get hateful comments on social media11:16 Genres in your bookstore16:21 Making covers for indie books22:50 I'm loving seeing romance only bookstores 28:20 People who bash graphic novels on social media are just ignorant trolls32:16 With audiobooks, people have an immediate reaction to voices34:03 So what advice do you have for authors who are indie publishers36:32 What do you think about the trend of indie publisher rising and getting more publicity42:21 Books about love are often trashed because they're written by women48:31 The Supreme Court has ruled that book banning is wrong53:59 One thing Indie publishing has championed is content warnings at the beginning of books57:19 readers like trigger warnings58:50 weddings at your bookstore01:01:09 Betty's bookstore is celebrating its 5th anniversary01:03:50 Bookshop.org lets you support independent bookstores without using Amazon. Visit https://bookshop.org/ to buy books and support any indie bookstore of your choice anywhere in the country! They have physical books and now ebooks too!Independent bookstores list and tips on getting books into their stores: https://ruanwillowauthor.com/tips-for-indie-authors-to-help-get-their-books-into-independent-bookstores/Ruan's bookshop dot org shop: https://bookshop.org/shop/ruanwillowpinkinfinitypublishingSupport the showSubscribe for exclusive episodes: https://www.buzzsprout.com/1599808/subscribeSign up for Ruan's newsletters: https://subscribepage.io/ruanwillowhttps://linktr.ee/RuanWillowI Dare You book https://books.ruanwillowauthor.com/idareyouthesaturdaysexchallenge
Gast: Bettie van Haaster, schilder. Toen Bettie van Haaster eens, lang geleden, dichter Joseph Brodsky na een lezing vroeg hoe hij aan een gedicht begint, antwoordde hij: ”To and fro. To and fro”. Voor de gespitste, sensibele geest van de jonge kunstenaar speelt de begrenzing van een discipline geen rol. Het eenvoudige, wat cryptische antwoord van de dichter was voor Van Haaster helder en direct. Het gaf haar een leidend inzicht in haar eigen werkwijze, een inzicht dat ook vandaag nog de orde bepaalt in haar studio. Robert van Altena bezoekt voor deze uitzending* Bettie van Haaster in haar studio voor een gesprek over een serie werken op papier en over 'Vlinder' een gedicht van Joseph Brodsky. In het voorjaar van 2020 toonde galerie Albada Jelgersma onder de titel 7 x 7 over een periode van 7 weken iedere week het werk van van een andere kunstenaar. Bettie van Haaster liet daarin een serie van veertien werken op papier zien. Alle werken hingen in één lijn, te lezen van links naar rechts. Daartegenover op de lange wand een enkel schilderij. Afhangend van het plafond en zich voor de werken langs uitstrekkend over de vloer een lange en tamelijk brede strook doorschijnend Chinees papier met daarop het door de kunstenaar met een rietpen en Oost-Indische inkt geschreven gedicht van Joseph Brodsky. Een Nederlandse vertaling van het gedicht is te vinden op de voortreffelijke website Digitale Bibliotheek voor de Nederlandse Letteren: https://www.dbnl.org/tekst/_rev002198801_01/_rev002198801_01_0077.php *Dit gesprek werd eerder uitgezonden op 2 maart 2020 Afbeelding (detail): Bettie van Haaster, 'Vlinder' (2020), Oost-Indische inkt op papier, 21 x 29cm SPRINGVOSSEN redactie + presentatie: Robert van Altena contact: springvossen[at]gmail.com www.instagram.com/springvossen www.facebook.com/springvossen www.amsterdamfm.nl/programma/springvossen
Bettie Page (1923-2008) was an early and iconic pin-up model. Working primarily with underground photographers and later featured in the earliest editions of Playboy magazine, Bettie, with her trademark bangs, became a sensation. After government anti-obscenity investigations, she largely retired from the public eye and became a devout Christian. Years later, she gained cult status in pop culture, and her photos remain in circulation today. For Further Reading: Los Angeles Times: A Golden Age for a Pinup The New York Times: Bettie Page, Queen of Pinups, Dies at 85 Rolling Stone: Bettie Page: The Case of the Vanishing Pinup NPR: 'Bettie Page': The Making of a Pin-Up Sensation This month we're talking about women who found themselves at the center of controversy -- whether deserved or not. History classes can get a bad rap, and sometimes for good reason. When we were students, we couldn't help wondering... where were all the ladies at? Why were so many incredible stories missing from the typical curriculum? Enter, Womanica. On this Wonder Media Network podcast we explore the lives of inspiring women in history you may not know about, but definitely should. Every weekday, listeners explore the trials, tragedies, and triumphs of groundbreaking women throughout history who have dramatically shaped the world around us. In each 5 minute episode, we'll dive into the story behind one woman listeners may or may not know–but definitely should. These diverse women from across space and time are grouped into easily accessible and engaging monthly themes like Educators, Villains, Indigenous Storytellers, Activists, and many more. Womanica is hosted by WMN co-founder and award-winning journalist Jenny Kaplan. The bite-sized episodes pack painstakingly researched content into fun, entertaining, and addictive daily adventures. Womanica was created by Liz Kaplan and Jenny Kaplan, executive produced by Jenny Kaplan, and produced by Grace Lynch, Maddy Foley, Brittany Martinez, Edie Allard, Lindsey Kratochwill, Adesuwa Agbonile, Carmen Borca-Carrillo, Taylor Williamson, Sara Schleede, Paloma Moreno Jimenez, Luci Jones, Abbey Delk, Hannah Bottum, Lauren Willams, Adrien Behn, Alyia Yates Grau, and Vanessa Handy. Special thanks to Shira Atkins. Original theme music composed by Miles Moran. Follow Wonder Media Network: Website Instagram Twitter See omnystudio.com/listener for privacy information.
This is episode 2 for the Halloween Special Episodes! And yes, I know I'm late. But! Please enjoy this interview and don't forget to check out the song Empty at the end of the episode, from Valkyrie's Fire's EP.Find all their information here as well as more songs! https://www.valkyriesfire.com/epkValkyrie's Fire YouTube:https://youtube.com/@valkyriesfireofficial?si=B7Bb16HsHOz7MDt5Valkyrie's Fire Facebook:https://www.facebook.com/valkyriesfireofficial?mibextid=LQQJ4d Valkyrie's Fire Instagram:https://www.instagram.com/valkyriesfireofficial?igsh=MW83eGpsZmNxYzlpMA== --- Support this podcast: https://podcasters.spotify.com/pod/show/truthordemonspodcast/support
Get your waterlogged grippy socks ready because we are going back in time again to season 3 with Bettie Jo! Support the showWant more?Join us on Patreon for bonus episodes every month!https://www.patreon.com/My600lbPodcast Join our Facebook Discussion Group for laughs and direct contact with the hosts! https://www.facebook.com/groups/my600lbpod We are also on Instagram @my600lbpodcast
Hosts Mark Mori, Tori Rodriguez, and Producer Ben welcome standup comedian and pinup model Emmy Buttrick to the show! It's a great, inspiring discussion about how Bettie inspired her to pursue her passions and live authentically. Also, Tori and Ben play "history detectives" with some cool Bettie factoids - really cool stuff! Learn more about Emmy at https://www.succubusofsatire.com/ and be sure to follow her on social media! Find us on social media: Facebook: https://www.facebook.com/BettiePageRevealsAll https://www.facebook.com/groups/BettiePageMovie https://www.facebook.com/BettiePageFitness Instagram: @bettiepagerevealsall @bettie_page_fitness Twitter: @BettiePageMovie
Being a book editor and an author can be a double-edged sword. On one hand, you have unique insight into how a book is developed before you even get started. On the other hand, you can end up getting in your own way trying to make it "perfect". And if you're an editor for the publisher of your own book, how do you balance that? We sat down with Disabled Witchcraft author (and Microcosm editor!) Kandi Zeller to talk writing, disability, witchcraft, cookies, and Bettie's Pages. Get your copy of Disabled Witchcraft here: https://microcosmpublishing.com/catalog/books/52482
Viktor Devonne speaks with Olympia's Bettie Beezelbub, aka Satan's Little Sweetheart. We talk occult, yoga, ageism, Burlycon, drunk clogging, virtual burlesque, art for the sake of art, and celebrating one's hag era. This chat was recorded on August 19, 2024. Burlycon is November 7-10, 2024 and class registration is open: https://burlycon.org/ Give love to the folks... Bettie on IG: https://www.instagram.com/b.beelzebubb/ & https://www.instagram.com/in_our_hag_era/ More Bettie: https://www.facebook.com/bettie.beelzebubb/ More Viktor: http://www.instagram.com/viktordevonne More WEBurlesque: http://www.instagram.com/weburlesque FOOTCLOTHES! Get 10% off your order with the code VIKTORDEVONNE at www.footclothes.com @footclothesofficial
Ein privater Blick hinter die Kulissen der Erotik-Ikone Bettie Ballhaus aus Berlin und wie sie nun ihr neues Leben auf Zypern genießt. Zypernfamilie - Über uns: Wir sind eine vierköpfige Familie, die am 15. Oktober 2020 im Alter von 45, 41, 14 & 8 Jahren mit einem One-Way-Ticket nach Zypern ausgewandert ist. In unserem Podcast "Auswandern nach Zypern - Mit der Familie ab auf die Insel" wollen wir dich auf dieser Reise mit allen Höhen, Tiefen und Stolpersteinen mitnehmen. Wenn du dich dafür interessierst mit deiner Familie nach Zypern auszuwandern, findest du hier sicher ein paar Antworten auf deine Fragen und erfährst auch in Interviews mit anderen Familien hier auf Zypern, welche Sorgen und Nöte im täglichen Leben auftauchen und wie du sie lösen kannst. Links zu uns: ➡️ Instagram: https://www.instagram.com/schinkels.und.co/ ➡️ Unser Buch: https://amzn.to/3RU2H6f ➡️ Webseite: http://zypernfamilie.de ➡️ Youtube-Kanal: https://www.youtube.com/channel/UCSyjkEjShVp7mOIiG4-po_g ➡️ Facebook-Seite: https://www.facebook.com/profile.php?id=100090310777912 Links zur Sendung: Bettie Ballhaus Instagram: https://www.instagram.com/bettie.ballhaus.official/ Bettie Ballhaus Instagram privat: https://www.instagram.com/bettie.ballhaus.privat/ Bettie Ballhaus Homepage: https://www.bettieballhaus.de/ Empfehlung: ➡️ Blinkist - Die Bücher-App: https://blinkist.o6eiov.net/QO19vP Du suchst eine Ferienunterkunft in Peyia / Pafos? Schau doch mal in unserem AirBNB rein. Vielleicht kannst du schon bald unser Gast sein: http://bit.ly/apartment-samira Hashtags zur Show: #auswandern #zypern #paphos #pafos #auswandernmitkindern #auswandernmitfamilie #auswandernnachzypern #zypernleben #zypernfamilie #tschuessdeutschland #zypernurlaub #nondom #nondomzypern #instadaily #instagood #goodvibes #thankful #reels #picoftheday #family #couplesgoals #limassol #nicosia #lovecyprus #cypruslife #expatlife #relocation #newbeginnings #explorezypern #auswanderer #bettieballhaus
On this episode D Rock is joined by the amazing Bettie Brickhouse!!! Bettie really brings the heat on this episode talking about her amazing journey into the industry and she discovered the world of sessions and BDSM. Bettie talks about the different types of sessions she has and her incredible creativity! Bettie talks about what it was like filming matches for Evolved Fights and how unique they really are! Bettie also talks about her favorite types of sessions and what types of content she would like to create in the future!! All this and more on After Hours Sessions Podcast!!!! --- Support this podcast: https://podcasters.spotify.com/pod/show/d-rock/support
Picture this: a 1950's pinup model in a bikini with jet black hair and short bangs... chances are that even if you don't know who she is, you're picturing the iconic Bettie Page.Today we're diving into the fascinating and controversial life of the iconic pin-up queen, and one of Ash's idols, Bettie Page. Ash takes us through her troubled childhood and her rise to fame, becoming the first famous bondage model, pushing boundaries in the world of BDSM photography. Despite facing exploitation and financial struggles, Betty remained unapologetically herself and embraced her sexuality. Though Bettie didn't continue through life without her struggles, as she later battled with mental health issues that led to run-ins with the law and time spent in psychiatric facilities. The gals also discuss her mysterious disappearance from the public eye and why Bettie remains a beloved icon to this day.✨If you wanna get your TSFU episodes ad free and on Tuesdays instead of Fridays, check out our Patreon! You get access to over 200 episodes that aren't on the regular feed, and you'd like them all ad free, join our Patreon for as little as $5 a month! There is actually now a new FREE version that you can try with no commitment!
Hosts Mark Mori, Tori Rodriguez and Producer Ben welcome director Kelvin Mao to the show to talk about his new documentary - Dave Stevens: Drawn To Perfection! It's a fantastic look into the making of the documentary as well as Bettie's huge role in Dave's life. Check out the trailer for the film here! Drawn to Perfection Trailer Find us on social media: Facebook: https://www.facebook.com/BettiePageRevealsAll https://www.facebook.com/groups/BettiePageMovie https://www.facebook.com/BettiePageFitness Instagram: @bettiepagerevealsall @bettie_page_fitness Twitter: @BettiePageMovie
Please welcome Nicole Lintemuth to the podcast! She is the owner of Bettie's Pages in Lowell, MI. She also wrote a book about book bans which is coming this summer (2024). We have a great conversation about showing up for marginalized people groups and the power of books. Check out Nicole on TikTok and her website. TikTok @bettiespages2797 https://www.bettiespages.com/ https://joanncbastien.com/ Podcast Sponsor: https://colesmediacompany.com/
Hosts Mark Mori and Tori Rodriguez welcome Bettie's nephew (and Goldie's son) Ron Brem to the show for some amazing show and tell and cool stories!
We're back this week for a much anticipated continuation of our discussion on pinup legend Bettie Page! This week we look at the years from 1950-1957 where Bettie was making waves as the most popular pinup & 'Queen of Bondage' in century America. Key Sources:The Real Bettie Page: The Truth About The Queen of Pinups (biography), Richard Foster. 2005Bettie Page: The Life of a Pin Up Legend (biography), Karen Essex, James L Swanson, Bettie Page. 2006The Notorious Bettie Page (digital), Mark Mori. 2012Secondary Sources:Bettie Page: The Lost Years (biography), Tori Rodriguez. 2018Bettie Page: Queen of Curves (reference), Petra Mason, Bunny Yeagar. 2014The Early Photographs of Bettie Page: An American Icon (reference), Jack Faragasso, 2013Bettie Page: Aphrodite Rising (fiction), Kimberly Ussery. 2020.C*ntroversy The Podcast is produced, written & hosted by Velma Vouloir. You can follow us on Instagram & X at @cntroversypod, or on Facebook at Cntroversy: The Podcast. Email us at anytime with thoughts of feedback at cntroversypodcast@gmail.com, and please don't forget to follow, rate & review the show. Thanks for listening!
Welcome to the first episode in a series dedicated to the worlds most recognisable pinup of the last century, Bettie Page. This week, Velma discusses the early years from Bettie's birth in 1923, through to her early days as a pinup model in 1950.Please note, this episode contains references to adult themes including family violence, domestic abuse, sexual assault and animal abuse. Listener discretion is advised. Time codes for sensitive content is as follows:18.34-19.08: family violence, animal abuse, sexual abuse. 34.19-34.29: domestic abuse.35.22-35.33: sexual assault38.33-41.00: sexual assaultKey Sources:The Real Bettie Page: The Truth About The Queen of Pinups (biography), Richard Foster. 2005Bettie Page: The Life of a Pin Up Legend (biography), Karen Essex, James L Swanson, Bettie Page. 2006The Notorious Bettie Page (digital), Mark Mori. 2012Secondary Sources:Bettie Page: The Lost Years (biography), Tori Rodriguez. 2018Bettie Page: Queen of Curves (reference), Petra Mason, Bunny Yeagar. 2014The Early Photographs of Bettie Page: An American Icon (reference), Jack Faragasso, 2013Bettie Page: Aphrodite Rising (fiction), Kimberly Ussery. 2020.C*ntroversy The Podcast is produced, written & hosted by Velma Vouloir. You can follow us on Instagram & X at @cntroversypod, or on Facebook at Cntroversy: The Podcast. Email us at anytime with thoughts of feedback at cntroversypodcast@gmail.com, and please don't forget to follow, rate & review the show. Thanks for listening!
In the early 1900's a young divorcee in Polk County, North Carolina, had a decision to make. She had several young children to feed, house and clothe, and very few job prospects. So she started her own business...moonshining. Bettie Simms was good at that chosen profession but, as so often happens, she had a run-in with the law.Today we tell the story of the woman the press dubbed "The Queen of the Moonshiners," another one of the Stories of Appalachia!Be sure to subscribe to the Stories podcast so you don't miss any of our stories. We're on Apple Podcasts, Spotify, Spreaker, Audible and on your favorite podcast app, too.Thanks for listening and for sharing our little podcast with your friends.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/5553692/advertisement
This episode profiles the murder of 42-year-old Bryant Jones, who was shot on April 14, 2006, at his 16-year-old daughter's sweet sixteen birthday house party in the 1000 block of N. Augusta Avenue in southwest Baltimore, by 16-year-old Jamal Charles. Jamal had been kicked out of the party and was upset because he was not repaid his $1:00 admission fee. This episode also profiles the brazen, unsolved shooting murder of 44-year-old Bettie Jennifer who was shot on May 12, 2019, in broad daylight, in the parking lot of the employment agency that she owned in the 6300 block of Ivy Lane in Greenbelt. At the time of her murder, Bettie was married to two men at the same time.
Hosts Mark Mori and Tori Rodriguez welcome Ben Wilkinson to the show to talk about the Nashville Historical Marker honoring Bettie's life! They also talk about her 100th birthday - which was the day of the marker dedication. Find us on social media: Facebook: https://www.facebook.com/BettiePageRevealsAll https://www.facebook.com/groups/BettiePageMovie https://www.facebook.com/BettiePageFitness Instagram: @bettiepagerevealsall @bettie_page_fitness Twitter: @BettiePageMovie
Savaged Michael and JokeMan Joseph discover Bettie is one of those "Ohio Buckeye" types... but since we were already rolling we kept the Recording. :) LOL But seriously, join Savaged, JokeMan, and "Buckeye Bettie" (of X-Spaces) for some serious discussions you won't want to miss and will not hear anywhere else!!! Sponsored by Blackout Coffee www.blackoutcoffee.com Use Promo Code: SAVAGED for 15% off your order High Speed Daddy Mentions: Brooke “Buckeye Bettie” https://x.com/buckeyebettie?t=ZmHM2RUOqqB0LS7tPF7n9A&s=09 Waam Talk 1600 Abolitionist Round Table Phil Stargell LIVE SATURDAYS 9- 10AM Listener Call-In: (734) 822-1600 www.anchor.fm/phil-stargell --- Send in a voice message: https://podcasters.spotify.com/pod/show/savagedunfiltered/message
Bettie Spruill is a world renowned executive coach, management consultant, entrepreneur, and trainer with 40+ years experience in the field of transformational leadership. She is also a certified Master NLP practitioner and a recognized thought leader in Ontological, Mindful and Ecological Living. And, she is an embodiment of grace and personal power. Bettie has been on my guest bucket list for some time and it is now that the stars have aligned. What better way to celebrate Lion's Gate than to have a conversation with the Queen. Contact Bettie: Ontologicalliving.com Contact Joni: wakeupwithjoni@gmail.com wakeupwithjoni.com
Jason and Brett chat with author Tim Murphy (Speech Team) and they recount shared teenage experiences, what it means to be a bully, the search for like-minded peers, and kvell over the brilliance of one 80s soap opera. Tim Murphy is the author of Correspondents and Christodora, which was long-listed for the 2017 Andrew Carnegie Medal for Excellence in Fiction and named a Best Book of the Year by The Guardian. He has also been a journalist for the past twenty-five years.Queer-Owned Bookstore Shout Out: BETTIE'S PAGES!Bettie's Pages is a queer-owned independent bookstore in Lowell, MI. Their mission is to cultivate community, empower readers, and maintain a welcoming space that is diverse, inclusive, and affirming. You can learn more about them HERE. **BOOKS!** Check out the list of books discussed on each episode on our Bookshop page:https://bookshop.org/shop/gaysreading | By purchasing books through this Bookshop link, you can support both Gays Reading and an independent bookstore of your choice!Join our Patreon for exclusive bonus content! Purchase your Gays Reading podcast Merch! Follow us on Instagram @gaysreading | @bretts.book.stack | @jasonblitmanWhat are you reading? Send us an email or a voice memo at gaysreading@gmail.com
Craig brings the case against his mother, Bettie. Bettie has had a dry cured ham hanging in her basement since the 1960s. She now wants to throw it away. But, Craig thinks that they should cook and eat it! Or, if it's unsafe for consumption, he'd like to at least give it a proper burial. Who's right? Who's wrong?We are going on tour! In the UK and Europe! Visit maximumfun.org/events for more info. Tickets go on sale Friday July 28!Thanks to reddit user u/kmack for naming this week's case! To suggest a title for a future episode, keep an eye on the Maximum Fun subreddit at maximumfun.reddit.com!
Before Kristin Hoffman made her name as "Baker Bettie", she was fresh out of culinary school and looking for her dream job. One day she happened upon a Craigslist Ad that seemed too good to be true (as they often are) and took a chance on a family needing a private chef for a child with a special needs diet. But what Kristin signed up for and what Kristin actually got, were two very different scenarios. Show Notes Follow Kristin! - Instagram | Facebook | TikTok | Website Bettie's Chicago - https://bettieschicago.com/ Labor Exploitation - https://www.stopthetraffik.org/lets-talk-labour-exploitation/ The Intersection of Labor Exploitation and Human Trafficking - https://combathumantrafficking.org/blog/2020/01/29/labor-trafficking/ Out of MLM - https://outofmlm.info/ Cultish by Amanda Montell - https://amzn.to/3Q7owx9 Dr. Steven Hassan's BITE Model - https://freedomofmind.com/cult-mind-control/bite-model/ Ponzinomics by Robert L. FitzPatrick - https://amzn.to/3q16oJb How can you help? Report false income and health claims here: https://reportfraud.ftc.gov/ Or go to: https://www.truthinadvertising.org You can also report to your state Attorney General's office! https://www.naag.org/find-my-ag/ Not in the U.S.? Go here: https://www.ftc.gov/policy/international/competition-consumer-protection-authorities-worldwide Support the Podcast! Join the Patreon! - https://www.patreon.com/robertablevins Buy me a Taco and leave a note!
Bowles, Bettie Henley, age 83, passed away peacefully in her home surrounded by family in Henrico, Va. on Sunday May 28, 2023, after a courageous fight with pancreatic cancer. Bettie's family, friends and colleagues will cherish their memories of happy times with her for many years to come. Bettie was proud to be part of the 2nd graduating class of Douglas Freeman High School and worked for many years at Ceridian LLC, retiring in 1994. Bettie enjoyed spending her free time attending dance recitals/sporting games for her grandchildren, craft shows, and playing slots at Rosie's. She loved sewing, listening to...Article LinkSupport the show
Daisy Mae returns to the podcast today and it's a timely return to celebrate the birthday of Bettie Page who was born a 100 years ago. Our Vintage Glamour Devotee has spoken about Bettie in previous episodes of her podcast and today she wanted to remind you all of why she loves this incredible woman so much. We can learn so much from those who've lived their lives to the fullest. Join us as Daisy celebrates this iconic woman and tells us more about why she loves vintage lingerie so much.instagram.com/miss__daisymae- - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - -Join our website: www.lingerielowdown.com/joinWe INSPIRE you, no matter of your age, gender, body shape, size or ethnicity to look good and feel great. We DELIGHT you with informative video reviews filmed direct from our presenters homes. We INFORM you to brands that you may not of tried before, show how to style these products in ways that you may not have tried.Whether you're a loved one looking to treat their partner or an individual looking for inspiration to feel sexy in your lingerie and to empower yourself to know it's OK to do so, we have you covered – or uncovered!Support the showJoin us every Wednesday and Saturday for double the excitement as we release new podcast episodes that are sure to keep you hooked! Plus, now you have the option to enjoy an even more immersive experience by watching the video podcast exclusively on our website or Rumble channel.As your impartial consumer champion, we've been reviewing lingerie, hosiery, and more for over 8 years! With over 10,000 full-length video reviews from 750+ brands exclusively available on our website, we're the ultimate source for honest insights. Join our website: www.lingerielowdown.com/join- - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - -Watch the podcasts on our Rumble channel :Rumble : rumble.com/c/LingerieLowdownCheck out our product previews on YouTube :Main channel : youtube.com/c/LingerieLowdownAge restricted channel : youtube.com/c/LingerieLowdownDigestFollow us on social media :Instagram : instagram.com/lingerie.lowdownTwitter : twitter.com/LingerieLowdown
Rick Fairless has a regular radio show on KRLD-FM in Dallas/Fort Worth: The Texas Hardtails Scooter Show.[ He now produces the show from his shop and video podcasts can be seen at his website. Fairless has appeared on Discovery Channel's Biker Build-Off and SPEED Network's Texas Hardtails. Examples of his custom and theme choppers are shown in the book Choppers: Heavy Metal Art. In 2008, the William J. Clinton Presidential Center exhibited bikes by custom builders, and two Fairless choppers, Coors and Bettie, were included. --- Send in a voice message: https://anchor.fm/motorcyclemadhouse/message
SPEAKERSAlecia Jackson, Liza Mazzei, Jessica Van Cleave Jessica Van CleaveHello and welcome to qualitative conversations, a podcast hosted by the qualitative research SIG of AERA, the American Educational Research Association. I'm Jessica Van Cleave, Chair of the Qualitative Research SIG and Associate Professor of Curriculum and Instruction at Gardner Webb University. The Qualitative Conversations podcast doesn't have a regular host. Instead, each episode is organized by our podcast committee. Today I have the pleasure of hosting this episode, in which I interviewed Dr. Lisa Mazzei and Dr. Alecia Jackson about their recently published second edition of Thinking with Theory in Qualitative Research. Lisa Mazzei is Professor of Education Studies and Alumni Faculty Professor of Education at the University of Oregon, where she is also affiliated faculty in the department of philosophy. She is a methodological innovator in post human inquiry, and her work is widely read and cited across disciplines such as education, psychology, sociology, political science, anthropology, business and medicine. She is the author of Inhabited Silence in Qualitative Research from 2007. Alecia Jackson is Professor of Educational Research at Appalachian State University in Boone, North Carolina, where she is also affiliated faculty in the Gender, Women's and Sexuality Studies program. Dr. Jackson's research interests bring feminist post structural and post human theories of power, knowledge, language, materiality and subjectivity to bear on a range of overlapping topics deconstructions of voice and method conceptual analyses of resistance freedom and agency in girls and women's lives and qualitative analysis and the posts. Her work seeks to animate philosophical frameworks in the production of the new and her current projects are focused on the ontological turn qualitative inquiry and thought. Together they are co-authors of Thinking with Theory in Qualitative Research, first and second editions, and coeditors of Voice in Qualitative Inquiry from 2009. Their forthcoming edited book, Postfoundational Approaches to Qualitative Inquiry, will be published in 2023. Lisa and Alecia, thank you so much for joining us on this episode of Qualitative Conversations. Liza MazzeiDelighted to be here. Thanks for inviting us. Alecia JacksonThank you for the invitation. Jessica Van CleaveAbsolutely. So some of our listeners may not be familiar with your work, or maybe new to your work. So would you be willing to tell us a little bit about yourselves, how you came to write together, and how you came to write Thinking with Theory in Qualitative Research? Liza MazzeiWell, Alecia and I say that we share an academic genealogy. We first met at AERA in 2005, I think I was presenting a paper on some of my voice work. Alecia came to attend the session. And she came and introduced herself at the end of the session. And I had just finished reading an article that she had written about subjectivity with new teachers. And so I was so excited to meet her and I had just been reading her work. And so we sat out in the hallway for about an hour. And we're talking about projects. And we said that we should propose a session for AERA the following year on voice because we were both looking at voice and challenging conventional understandings. And so that was right before I was moving to England, I moved to England in 2006, was attending the British Education Research Association Conference, started chatting with a book editor. And like a good editor, he always says, What's your current project? And so I told him about this idea that Alecia and I had for a session and he said, that sounds fabulous. Can you get a book proposal to me in a month? So I'm at this conference, emailing this woman that I've met in person once saying, can we put a book together, a book proposal, and that was the proposal we wrote for voice and qualitative inquiry. And the reviews were very positive for the book. But people who read the proposal didn't think that we could secure some of the authors that we had said we would put that would contribute. And they didn't know that I had studied with Patti Lather at Ohio State University, Alecia had studied with Bettie St. Pierre at the University of Georgia, and through these feminist networks, we had connections with some scholars who were doing some very interesting work. So that was the that was the beginning of our long and fruitful partnership. Alecia JacksonYeah, when we were working on the voice book, I traveled to Manchester. And so we had some writing time together. So one thing I do want to say is that Lisa and I have, ever since the collaboration began, we've never we've never lived in the same time zone. Is that right? Yeah, that's right. Yeah. Yeah. So I think that's something that, you know, is really unique to the way that we've made things work. But we went to Manchester, we worked on the voice book, and then you came here, and we were working on Thinking with Theory. So we've had a couple of times that we've worked together, but in you know, Lisa has explained kind of the origin story. And then how Thinking with Theory came about is that after the voice book, we got really interested in we both were doing separately, we both were working on philosophically informed inquiry. And it didn't have that name at the time. Nobody was calling it that. Nobody was you know, calling it thinking with theory. It didn't have a name. And but it's what we were doing. And we started because we're reading each other's work and through the voice book, we realized is that, you know, what, what would it be like to, you know, to write something together, that was an alternative to, quote, data analysis. We were both talking about how to teach this way of doing this kind of analytic work and conceptual work. And there were lots of journal articles that people doing this kind of analytic thinking. But there wasn't anything that was out there cohesive, that we could use me, really to us in our teaching, that was kind of the impetus. So we were at the Congress. And we were out to dinner with Philip Mudd, who was our editor for the voice book. And we pitched this idea of taking, you know, one data set, and we will talk about how we don't really use that language anymore in a moment. But we talked to him about how to maybe conceptualize a book where we had one set of data that we looked at, that we analyzed across different theories. And he really loved it. And at that dinner, you know, he said, Yeah, let's put this together and see, see what it's like. Jessica Van CleaveThank you so much. It's really fantastic to sort of trace that process, obviously, briefly from that first meeting, until the beginnings of thinking with theory. So as you began the process of writing, thinking with theory and moving through to publication, what were your hopes for the book at the time? Liza MazzeiI think I don't know, I don't know what our hopes were, I think our hopes were that it would be I mean, we've talked, we talked about our work when we started envisioning a new project as what kind of intervention do we want to make? And I remember extending what Alecia was saying, I remember being at the Congress, and we started talking about wanting something for our teaching and going to the book exhibit and looking at what was what was presented as analysis. And it was all about coding. And so our I think, you know, our initial hope was, well, this, this isn't what this is not representative of the kind of work that we do. This isn't how we teach our students. And so as Alecia said, We wanted something for our own teaching. And maybe I guess the hope was that it would be picked up by others and be useful to them. So Alecia Jacksonyes, I think it was a matter of, of what Lisa said, the intervention, I think, is a really good word. We, as I mentioned, what we did there wasn't a name for what we were doing. And we said, we wanted that we you know, Bettie St. Pierre always says write something that people can cite. And so that was something that, you know, she's always said to, and you've probably heard it too, Jessica, write something that people can cite. And, and, and put something out in the world that people can, you know, can use, and I really have a big part of part of the impetus for both of us, I think was to give this alternative to the field and name it in some way and have it so that, you know, it was it would become something that was recognizable that people could use, and really to take the field into that direction. I think that we, you know, back in the early 2010 to 12 qualitative research was shifting. It was shifting away from, you know, interpretive work and even critical work. And it was just time, it was time to bring it all together and give it a name and give it a place. And there was just so much enthusiasm right away because I think people were really didn't feel like coding was really analysis. So, you know, we had already done some work on that talking, writing about pieces, we're writing about how coding is not analysis and, and I thought this was just a way to give it a place in in the in the in the field Jessica Van CleaveWell, I mean, it's fascinating because as you said, Yes and that advice from Bettie it's definitely something that that I think all of us who have ever worked with her have heard, and it's so true. since y'all have published the first edition of Thinking with Theory, there's been an explosion of all of the you know, the methodologies without methodology, and concept as method and anti-methodology. You know, this sort of thing that you said there was a hunger for at the time. I mean, I think there's no better evidence than how much has proliferated since then. So in the years since its initial publication, Thinking with Theory has become a staple in qualitative inquiry. People are citing it not only in dissertations, but in articles across the field, across publications. Instructors are using your text in their masters and doctoral level courses, Thinking with Theory has really become part of the canon of what qualitative analysis can be and can mean. And one thing also from Bettie, that comes up for me a lot when I think about what work does, especially aside from what your hopes might have initially been, is Alcoff's, quote, to paraphrase, you never know where your work goes and what it does there. So what do you think about where your work has gone? And what it's done there? How it's been taken up and received, since you published? Liza MazzeiDo you want to start Alecia or? No? Um, you know, I think, what do I think? This isn't about I remember the first time I was at AERA decades ago, and I had a piece that had come out in ED Researcher, and I was walking, like, from building to building and there was someone sitting on a bench. And I happened to glance and they were reading my article. And I thought, oh, my gosh, what, what? What a, what a validation, I guess, of one's work to know that someone would take the time to actually pick it up and read it. And so I think that the fact that people are talking about thinking with theory as a methodology is not something that I ever imagined would happen. I think one of the things that I'm most proud of in terms of the work that Alecia and I've done together is that people will say to us at conferences, or students will say to us how pedagogical the work is how, how much it helps them understand. And that was really a primary goal of ours was to, to extend the reach of this way of thinking, so that people would consider a new analytic, if you will. I'm not I don't feel like I'm really answering your question. I don't go ahead, Alecia. Alecia JacksonNo, I think it's, I think that Lisa and I are both very, I don't know, humble people, and we just didn't really write this book in order to, you know, do anything other than, I don't know, I think we kind of wrote it for ourselves, at first, you know, and then because we wanted to do something together. And then I think, I've been most surprised, I guess, at how it's not just in educational research, like when I've had to go through and do my, you know, annual reviews, and, you know, going up for promotion, and all that. And you pull up the, you know, the Google Scholar citations, and it's just surprising to me that all sorts of social science disciplines have picked up this work. It's not just educational research, but it's, you know, people in, in all sorts of disciplines that I never would have imagined. I think there was even some citations from a business journal. And I just thought, wow, you know, so I guess what's been most delightful is that it's crossed all kinds of boundaries, which I believe that's one of our missions in, you know, is reaching into other found, you know, do some do some deterritorialized thing through the book, in terms of qualitative research, but it moving across all these other fields, you know, anthropology, sociology, business, I mean, just, there's just a whole, a whole lot of other disciplines that have taken it up. And just the expansion of that has been really surprising. I would have never thought that the work would go there. But it's really, I think, it's exciting. It's humbling. It's very endearing for people, you know, on social media to, you know, make comments about that. They have it, they've read it. It's, you know, I had a colleague who did a Fulbright in Australia. And she got there and was working with a faculty member. And the first thing they said is, oh, you work with Alecia Jackson, look, I have the book, you know, do you know. And it's just so it's just wonderful that it's just connected us, to so many people. And it's been so useful and so helpful. So. Jessica Van CleaveSo then you get asked to write a second edition of this incredibly impactful book that has gone all of these places and done all of these things. When you were first asked to write that second edition, how do you approach that as a project, especially given how big Thinking with Theory is? Alecia JacksonIt was very difficult. And we've been working on the second edition for a while the pandemic hit us, and it slowed everything down as it did for a lot of people. We changed editors, in in the at somewhere in the middle of all this, but we, we wanted to do something because it will talk a little bit about how the book is different. But in the intervening years after this was published, we began to critique some of the things that we had done in the first edition. And we wanted to update some of the things that we had written in chapter one in particular, the way we were conceptualizing some different aspects of it. And we'll get into that, but the main thing we struggled with was, do we add more theoretical chapters? Do we keep them really, you know, they work? Why change them? Do we want to add? So it took us a while, a couple of years to really think about how we wanted it to look and what we wanted to say that would be different enough, so that people would, you know, find the second edition, you know, an actual extension of what we had done. Something different. So it, it took a while. It was a process, but once we really figured out what we were doing, it flowed pretty well, you know, we were able to really work with it. Quickly. So. Liza MazzeiI mean, yeah, I think, I think initially, when we first started talking about the project, we thought that it would not, it would not involve as much new writing as it did. And when we started even, even the chapters that we that we said, Okay, well, you know, we're pretty solid with the with Derrida, there's not a lot we need to change. But then when we started really getting into it, it's like, oh, everything has to change, because all of our thinking and languaging is different. And as both of you have talked about, you know, I think when the first edition was published, that was about the time when, when Bettie published her first piece on post qualitative inquiry, and then we had special issues on data analysis after coding and so forth. And so everything that was informing our thinking, in addition to the way we were doing our own work had shifted, and, and then what we learned from working with students and the places that, that we were able to be more that we were able to show more well, what we were doing, or what we thought we were doing, because we had been doing it, you know, in the intervening time, we've been teaching it, we've been working with students around these texts in the intervening time. So I think it was it's, it's a completely different text in many ways. Jessica Van CleaveSo that kind of leads in you, you have spoken to this, I think a little bit already with that, that your thinking and your languaging and your processes and your experiences and your inter and intra actions had all shifted since the initial publication, but how did you end up deciding then what to include, what to change ,and what not to include in that second edition? Alecia JacksonThat was a process. I think that emerged from what Lisa was saying about the teaching, you know, using the book and teaching what really kind of confused students, you know, what, what was what were some things that they just couldn't, you know, make the turn into, because it was some languaging. Also related to where the book has gone. What it's done is we have done lots of workshops, using this text at the Congress in particular, but also individually, we've gone to institutions and have done workshops together and individually. And we just started to notice there were some some languaging, that that didn't really quite represent what we really wanted to do. And part of that was if we wanted to really make a break, we really wanted to escape conventional qualitative inquiry and go on this line of flight, we would need to really, really change how we talked about it. So the second edition, we dropped data altogether, it's not even in the title anymore. We don't use that word anywhere in in the book, and we call it instead, we came up with a concept, you know, so we were very much into this work is about concept creation, and, and so we came up with performative accounts. And that's how we talk about the so called stories that are that are part of the part of the plugging in. So performative accounts helps us to say something differently about, about memory, about language about subjectivity, what words do, what stories do and rather than representing reality or experience that they're, that these are actually ontological stories and the process of plugging in is a performative and so we use that language in Butler's chapter. And we just decided to pick it up and use it in the intro to make well actually, in the preface, we, we describe that shift from data to performative accounts, and then we had to rewrite the whole, you know, all of the middle chapters because data was everywhere. And really reconceptualize not just replace the word throughout, but really rewrite what was going on in plugging in if we call this entire process performative. So that was that was one. Lisa, if you want to talk about a couple of the others. Liza MazzeiYeah, I think we do a much better job in this edition talking about the questions and the emergence of the questions. That was also a thing that I think, through workshops and teachings that students were, how do I, you know, how do I do this? And so so an example when I sit on dissertation committees and students would, you know, in their proposal say, well, this is my analytic question. Well, now we call them becoming questions, but I would, but then it's like, no, you're you're missing the point. Because you can't identify that question up front, because you don't know what's going to emerge until you are actually immersed in the texts, both the conceptual philosophical texts and the research texts. So I think we did, we spent a lot of time talking about how to explain the process and the way that we sort of came to the process, or the process came to us. I think, another thing and Alecia picked up on the, the nature, the ontological nature of this work that, particularly in the last chapter, we we talk about the ontological nature of writing, and we talk about the way in which the very act of doing is producing these new ontological formations. And so that, that that language, I think, is also present throughout and it's, it's showing how we're shifting in our, in our present work both individually and together. Alecia JacksonYes, a couple of other new changes and additions, I think, we do a better job in the second edition addressing thought and thinking. In the first edition, we were really focused on theory and I think in that first chapter, really justifying the use of theory and the importance and also in the handbook chapter four. We, we really focused on that and and in, in this second edition, we do a lot with thought and the movement of thought we rely a lot on Erin Manning's work. And in her collaboration with Massumi, and in writing about thinking and thought and in the ontology of that so that's some something that's, that's new. The Barad chapter is brand new, practically, of in the first edition, when it came out in 2000. When we were writing in 2010 and 11 new you know, Barad's book was very that's what everyone was reading. And everyone was there a lot of conference presentations on you know, using Barad, and we had to do it in the first edition, what we thought was some background work on new materialism some historical kind of description and tracing of how the emergence of this particular theory into the qualitative profession, but when we read it, when we read, we read it in terms of the revisions were like, we don't really need this background anymore ever. It's it's been around now for 10 years. People are very familiar with them. And it's new materialism and Barad and, and intra-action. And so we felt like we could do, you know, take a lot of that conversation out around some of the other feminists who were working on new materialism. So the Barad chapter is very much more focused on just Barad and intra-action, and we bring in power and we move the Barad chapter to follow Butler and Foucault that made it a little bit more sense to us, since we also added a section on post human performativity, it flows better, and we added a section on power in Barad. So both of those, the post human performativity, and the materialization of power are nice sections in Barad that flow from Foucault and Butler. So we felt like those three chapters just work together better. And then we moved Deleuze and added Guattari to the end. Liza MazzeiSo and just a note on the the flow. I'm I'm teaching a course this term and the students one of our texts is thinking with theory. And so last night, we started looking at we introduced her concepts last week. And so we actually took one of the performative accounts in class last night, and looked at the way it was talked about differently with Butler's concept of performativity. And then looking at the same account with post humanist performativity. And it really, it was a fantastic discussion, and the connection was much more clear for students. Alecia JacksonSo I think it's, we've just really worked to connect, you know, really pull through the coming questions, you know, game, we don't call them analytic questions. And we really make as obvious as we can the process of the emergence of those questions, how plugging in works, and just trying to be a lot more pedagogical, with with the process. Jessica Van CleaveSo I feel like you've already discussed this, and in your response to the last question, but I didn't know if there was anything else that you wanted to add in terms of thinking with theory as a as a concept or as a text. How, how would you say it has shifted for you both over the last decade? Liza MazzeiWell, I think maybe I think we did talk about this, but but the emphasis on thought, the emphasis on newness. One of the things we talked about, I think in the preface of the second edition is how in the first edition, and we've talked about this in other ways that we were, we were still in the mode of of writing against or, or deconstructing some of the, the interpretivist hooks, if you will. And we started from that place still with this addition. And then at one point, we both said, we don't need to do this anymore, we need to push into this different territory. And so I think that's one of the that was a very important but also very freeing moment, because it's like we can, we can let go of some of this language. And we had fabulous support with our editors, partly because I think of the success of the first edition. And so then we were able to say, this is what we're going to do and you know, dropping things like the starting with method, which we did in the first book. We don't we don't do that anymore. So that we I think we felt a lot more confident in our in the acceptance of us saying this is this is how the work is now and we're not going to pretend that it we're not going to try to fit it into another way of making itself intelligible. Jessica Van CleaveSo one of the one of the other things that has changed a lot in the last 10 years is the material discursive conditions of the world. So in what way does do those shifts mean that we should or need to, or might, think with theory differently or think with different theory or what? How do y'all think about those kinds of things? Liza MazzeiI'll start and then Alecia. I mean, one of the things that we do in this edition is we, we deal with the idea of the collective. Deleuze and Guattari, this idea of collective enunciation, we talk about memory in a very different way. I think even the way that we mobilize Barad's concepts is an attention to the the formation of subjectivity and and the way things are, the way not talking about agency as some even though we worked against humanist agency in the first book, it's not even attributing agency to individuals and things and talking about agentic capacities. And so I think it's a it's a reconceptualization, and I've had some students in recent years really do some very interesting work, I think that, you know, moving and thinking very differently. So that's a that's a beginning answer to that question. Alecia JacksonUm, I'm very excited about the way in which we talk about or write about power in in the new Barad chapter in terms of the materiality of power, I think it's a very different way of conceptualizing it. So that that's something that I think, that we've, that we paid really close attention to. I think that that's a concept that, that once you plug it into materiality, you know, because it's history is really connected to knowledge. You know, Foucault's famous couplet or doublet, the power knowledge workings, and, you know, when we get into the materialization of power in the Barad chapter, I think it just really opens up, you know, a whole conversation and I think it's got, we have a lot to say about about that, in terms of, like Lisa was mentioning the collective. And how that that is working, were much more, I think, smarter about assemblage in the second edition, I think that has some some implications for materiality, language, subjectivity, all of that. So we've got some real, I think, shifts in, in how we're bringing those, those theories in, not only in the Barad chapter, but also when in chapters one and eight. When we're talking about thinking, we talk, we, you know, we are using some of the material discursive theories around how thought is, is material, how thinking is, is material and that that's Barad, you know, we, we quote her on that, and then, and write about what that what that looks like. So I think those theories also allowed us to make the shift away from epistemology to ontology. You know, this book is not a knowledge project. It's not representation. So we, you know, we really relied on those theories to make arguments for how research is creation, it is creation. So when we're in this, this ontology, these theories that you've mentioned, Jessica, we, we can't talk about research as knowledge production. Really, we're in a, you know, an ontology where research is helping us to imagine the worlds that we want to live in. So that's what we talk about a lot in my classes is, so what's the what's the use? You know, why are we doing this? If we're not, you know, we know so much already. Like, why do we want to keep asking the same questions. I was somewhere one time, I don't remember maybe getting my hair cut, I don't know. And I was talking to someone about what I do. And I was in that that semester, in particular, I was teaching a women's studies course and feminist theory was a graduate feminist theory course. And she said, Oh, that sounds so, so cool. And so awesome. And I'll say, Well, it's kind of depressing, because for 10 years, we've been talking about the same things, you know, in this feminist theories class, and, and nothing is really different. So I've started thinking about that and talking with doctoral students in my research courses saying, Well, what if research was became something completely different, you know, its use its purpose. And I think what we're doing in this book, is we're saying that we're making worlds, when we think with theory, we're creating something new, we're creating openings for possibilities that have been unthought. So and I see students doing this in their dissertations now. So they're picking up, you know, their theories, you know, we just went to a defense last week of a student, I was chairing a dissertation for and she's, she has a son who has autism. And so she basically did a power knowledge reading of all the, the materials of autism, all the the documentation, the special ed, you know, just everything that the path to diagnosis is what she called it and, and just recreated an entirely different world. Through that work, you know, the outcome of what she did the she got to the end and, and she said, this is this is what we need to do to the DSM to make this entire framework less deficit oriented, and less damage centered. So she recreates she did her critique, you know, her thinking her thinking with, but what came from that was her own creation, you know, a creation of a different concept, you know, how do we redefine this? How do we, you know, how do we talk about it differently? Y'all know, Heather Cox Richardson, that the historian on Facebook has been doing her letters, and posting a lot. And as a historian, she said something recently that that I've been using in my class, and she said, the way that we make change is that we have to change the way that we that people think about something. And the only way we can change the way people think about something is to change the way that we talk about it. That's it from a historian's perspective, that's, that's how change happens. And so it is about language, but it's also about worlding. And I think that, with this, these new theories and the material discursive turn and attending to ontology, in qualitative work, we can begin to create the worlds through the words that we use, changing the way that we talk about it, changing the way that people think about it, and then the doing. So I think that this book, in particular makes those connections between thinking and doing creation, experimentation, and really pushes that, again, what we talked about this in the chapter eight, what we do in research is unleash becomings. And that still is so I can read chapter eight and see what we have to say about unleashing becomings. But, but that's what I I envision, I would like to see research moving in that direction. I think that that's what those these theories, these post foundational theories enable us to do. And students are doing it like, I see them taking risks in ways that are very exciting. Liza MazzeiThey recognize that the descriptive project is not is not moving us. I mean, we talked about that in class last night. Okay, we know we know what's happening. So how do we what are the mechanisms for, for creating these new worlds that Alecia is talking about? Jessica Van CleaveSo that was really exciting, because I was hoping you all would have something fabulous and, and generative and opening up to say, in relation to that, and I wildly underestimated what might happen. So I really appreciate that. That was, that was really helpful. I'm sure the, the audience is going to get a lot out of that. And I think, as I go back to the second edition of Thinking with Theory, I will now be reading it differently because of hearing the ways that you all frame it and how it's now being taken up and seeing where it goes with your students and in relation to the current projects that you have going on. So thank you for that. Um, so I'm gonna shift a little bit, if you don't mind to talk about the writing process. And you said that you have shifted and talked about writing as an ontological project as well. So what does that look like in terms of your writing partnership or your coauthorship? Either for this book, obviously, you've published a lot together and separately, so what does coauthorship look like and how has that shifted for you over the years? Liza MazzeiI'm not sure it has shifted. I think that we're I think we're very appreciative of the generative nature of our collaborations together. And we often when we have not worked together on a project before, and we're working on something separately, it's like, oh, we miss we miss this. Because it does, there is a, there is an energy. And a, I don't even know how to talk about it the way in which I think we've established a great deal of trust in one another. And so it's not. So there's not maybe a hesitation that there might have been at the beginning. But it's, I can't imagine not having projects to work on together. And we keep coming, we keep dreaming up new ones. Alecia JacksonIt feels often like it just a zigzag, you know, we're just kind of in it, we're in the middle of something. Sparks fly, and Lisa will write a word. And it'll remind me, I can you know, she'll she'll write a word that will just spark an idea. And then I can develop a paragraph from that, vice versa. We're not sensitive to, we don't hang on to our we're not, you know, if I write something, I'm not hanging on to it. And I think how many times have I said in the margin? I'm not wedded to this, or this is terrible. Just rewrite it? Or, you know, I think that we just have a real? I don't know, we see it, we look at it as as equals we don't, you know, we take turns on lead. You know, who's first? Who's second, but don't really track that. I mean, I couldn't even tell you, like, who's first, who's second on however many. It's very 50 50, I think, you know, on both of our leaders, we have that written very clearly that, that it's it's 50 50. And that way, it's in these collaborations we've done in the last decade with me on the East Coast, and Lisa on the West Coast, you know, we've had, we've joked a little while I'll get up and maybe work first, you know, and then and then, you know, Lisa will sometimes say, Oh, I can't wait to go in and see, you know, like what you've done and, and then I'll come back in the afternoon to kind of see, so it always feels like a gift. You know, when I go into the document, I there's never a time where I'm not a little bit excited to see what's developed and what's what's being made. Because it isn't an act of creation. And you know, we're not, but we're just you know, we're reading the same things. You know, it's just, it's, it's a collaboration in every sense of the word, you know, from reading the writing to, you know, the publishing, it's just yeah, it's, you know, we're respectful of when there's other things going on, you know, travel or family stuff. And, you know, it's just, yeah, it's just easy. Jessica Van CleaveWould that we all could have such lovely, collaborative relationships that are just easy. That's wonderful and of course, we all get to be the beneficiaries of that easy work for you. Not that it's easy, but um, so is there anything else that you want to share with the qualitative conversations audience either about thinking with theories, specifically, or qualitative research broadly or anything else that comes to mind? Liza MazzeiThis is not my this is not my original thought. This is something that you know, Bettie St. Pierre says all the time, but that I say to students, if you if you want, I mean, two things, I guess, you get into the middle of a project and you think that you want to think with this particular concept? Well start thinking with it. But if it's not doing the work that you want it to do, then try something else. But you have to be willing to spend the time to immerse yourself in the reading and the study in order to be able to, to do the work. I mean, Alecia, and I talked about with the first edition, people say, Well, how did you choose these theories? Well, some of them were ones that we had, because we had worked with them in pre, you know, with some of our other work. But then we as we started thinking, for example, with Barad, it was okay if we're going to do this, we need to really spend some time with it to see if it if it is doing something for us. And if it's not, then we need to find something else. So that's, I mean, we we talked about that a little bit in the book, but I think it's just really emphasizing that it's, it's it's not easy work, but it's such exciting and generative work. And I think once the students start, start encountering it then it's hard for them to imagine not doing their work in this way. Alecia JacksonYeah, I think that what, what Lisa just said reminds me of how I talk about theory is that it just finds you, you know, that's something I say, in every class, we're, you know, we're, we have two theory classes that we offer in our doctoral program. We just call it theory one, theory two, and it's just, it's pretty linear. You know, it starts with positivism. And then just, by the time we get to the end of theory two, we're in post humanism. So it's, you know, just going through those frameworks, and and there were some times students just nothing really speaks to them. And so we just say, you know, just keep reading, and something, you know, that language. You know, I tell the story of how, when I first read Foucault, it was like, wow, this is language that I've always sensed, and felt that I couldn't articulate, I didn't know what I needed to say. And then here's somebody who's saying it for me. And then all I had to do is plug it into, you know, what I was encountering in the world. And, and that helped me to think differently about it and opened up to the end thought so, you know, a lot of what I like to say to students is, you know, this, this work is the pursuit of the unthought it is the pursuit of what we, you know, can't imagine yet, the not yet. We were back to the movement between the first and second edition. And, and, you know, Jessica, you read a chapter for us on Manning, because we thought we need to add a new theorist, you know, and we'd both been reading a lot of affect and gone with the affect conference. And, and we thought that that was something that was missing from the book. And so we thought, well, let's just add a Manning chapter. And it didn't, it didn't fit well. It didn't, it didn't, it didn't, it wasn't working the way that we wanted it to work. But Manning was working on us, but we couldn't figure out what was going on. So we just kept wrestling with it. And and, you know, you read it, and we got great feedback from you. And it made us really ask some questions about what what is, what are we doing? And how are we putting this to work? And what happened is, I remember we were going back and forth on it. And, and I think I texted you, Lisa, or sent you an email, and I said, I think we're using Manning, Manning methodologically like as a technique. And so we're like, whoa, that's exactly what's going on. It's not that we need to plug Manning into the performative accounts, we need to plug it into writing and thinking and doing. And so chapter eight is where Manning shows up and affect because we do a lot with pre individual sensing, and how that is part of of a thought. That thought is not just cognitive, but it's this pre individual syncing of something coming into being of the coming that's emerging. So we just stayed with Manning, but it it shifted and helped us to say something about writing and thinking and ontology that we could never have planned for. So the last thing, yeah, I'll just say is that you just don't know where you'll end up. And all of this is emergent, contingent, relational, all of those things. So just stay, as Donna Haraway says, just stay with the trouble and you know, something will will come, Donna Haraway says something, something always happens, and it always will. So I think that that's part of what the message is in in the the second edition. Jessica Van CleaveWell, I want to thank you both so much for your time today. This has been a delightful conversation for me, and I know our QR SIG listeners are really going to appreciate your, your descriptions of the text, as well as the connections that that you are making and thinking about, both in their roles with students and in their roles as instructors as well as methodologists. So thank you both so much for your time this afternoon. Liza MazzeiThank you, Jessica. And thanks for prompting us to think more about our own process. Alecia JacksonYeah, it's very nice to, to articulate it and, and be able to really appreciate, you know, what, what we've done, I don't think I really sat and thought about the, you know, I mean, I know what the differences are between first and second edition, that really going back on this journey in time and space has been a real treat. So thank you. Jessica Van CleaveThank you. Thank you. It's been a gift this afternoon.
#bettieandnicole have a little fun discussing more fun facts about chickens along with Bettie's Q & A session #bettievonsweetz
Nicole has some of the funniest questions for her Q&A session. Bettie can't even believe where she comes up with these questions, lol. Let us know what your answers would be to some of these questions and why you would pick that as your answer. We hope you enjoy
#bettievonsweetz Q&A session for Nicole. We hope you enjoy this #bettieandnicole podcast
In this week's episode, we will discuss the life of Bettie Page, better known as The Queen of Pinup. Bettie did not have a favorable upbringing, but that did not prevent her from being an icon in her own right, later in life. Nobody could have predicted the spiraling that happened after, but maybe if they paid more attention to the person behind the image... After reading and preparing for this case, I think my conclusion me be a little cloudy. If you are a listener to Spotify, please be sure to scroll below for polls and questions! If you are a listener on Apple Podcasts, please leave a review and rating! Sources for this case: These Stunning Photos Prove Why Bettie Page Was the “Queen of Pinups” ~ Vintage Everyday The Story Of Bettie Page's Tumultuous Life After The Spotlight (allthatsinteresting.com) The Garbo of Bondage - TIME Bettie Page: The Case of The Vanishing Pinup – Rolling Stone (1521) Inside The Secret Life Of Notorious Pinup Girl-Turned-Recluse Bettie Page - YouTube The Repetition Compulsion: Why Rape Victims Are More Likely To Be Assaulted Again - Girls' Globe (girlsglobe.org) Foster, Richard. The Real Bettie Page: The Truth about the Queen of Pinups. United States, Kensington Publishing Corporation, 2005. Rodriguez, Tori. Bettie Page: The Lost Years: An Intimate Look at the Queen of Pinups, Through Her Private Letters & Never-Published Photos. United States, Lyons Press, 2018. --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app Support this podcast: https://anchor.fm/cinderrello/support
We're baking something sweet this week with Chicago's very own, Baker Bettie! Kristin Hoffman is a trained chef, baking instructor, cookbook author, and the owner of Bettie's Chicago! For the last 11 years she's created educational content about baking on her website, YouTube channel, and on social media! She's also hosted many baking workshops and retreats in and around the Chicago area on topics such as beginner bread baking, pies and pastries, baking science, and much more! This year she opened Bettie's Chicago which is a 1950's diner-themed event space and baking school in the River North area featuring weekly baking classes, date night events, and private parties. There's even a Hocus Pocus class and a totally insta-worth “wall of Pyrex”! We chat with the Baker about her small business journey, baking inspirations, and motivations behind the retro themes. Plus, she tells us about her book “Baker Bettie's Better Baking” (we love the alliteration) and she tells us what she has coming up at her new Chicago space! We baked a pan of fresh rapid fire answers and found out Bettie's favorite thing to bake, the secret to a good cookie, and the piece of vintage cookware she's searching for. Follow Baker Bettie on Instagram and TikTok @bakerbettie to find her recipes and get announcements about upcoming classes! And don't forget to purchase her book!
It's Banned Books Week. You might be aware that across the country there's been a spate of challenges and bans against books that make some people uncomfortable. Many of these books focus on the marginalized experiences of queer and BIPOC characters and writers, especially in books for kids. In this week's Misshelved, settle in as Bettie's Pages owner Nicole Lintemuth talks with New York Times bestselling author (and routinely banned) Kelly Yang about banned books and why they both love kidlit. SHOP BETTIE'S PAGES: bettiespages.com LISTEN TO MYSTERIOUS GALAXY'S PODCAST: mystgalaxy.com/podcast-galaxy-not-so-far-away FULL TRANSCRIPTIONS + SHOW NOTES: misshelved.nebrinkley.com LEARN MORE ABOUT BOOKS: tinyletter.com/misshelved MORE PLACES TO LISTEN: anchor.fm/misshelvedpod Edited by Nicole Brinkley and Rebecca Speasy. Logo by Jean Michel. Music by Mark Shwedow.
On today's episode we have a conversation about banned books, censorship, and more with Traci Thomas (Host of The Stacks Podcast), Martha Hickson (A high school librarian from New Jersey), Kiese Laymon (author of 'Heavy' and Professor of Creative Writing and English at Rice University), and Nicole Lintemuth (owner of Bettie's Pages bookstore in Lowell, MI). TRANSCRIPTION: Read transcription of this episode here Use the promo code LIBROPODCAST for a free audiobook when you sign up for a new membership. Books mentioned Lawnboy by Jonathan Evison Gender Queer: A Memoir by Maia Kobabe Fun Home: A Family Tragicomic by Alison Bechdel This Book Is Gay by Juno Dawson All Boys Aren't Blue by George M. Johnson The Black Period by Hafizah Augustus Geter The One Hundred Years of Lenni and Margot by Marianne Cronin Brown and Gay in LA by Anthony Christian Ocampo Fight Like Hell by Kim Kelly
#bettieandnicole discuss a fun little topic of a conversation that Bettie heard at her last salon visit. We would like to know your thoughts, would you vajazzle, do you have a complex of your lady area? We want to hear it all
-Tomorrow we celebrate the winningest player in British hockey history -Using every second of the day and running a muck -The New age Devils preparing to dismantle The Retro Devils, Nottingham Panthers & Team GB -The roster of legends and dandies coming to Ice Arena Wales to celebrate #8 -The 1st face to face interview out of the shed and in the camper van, named Bettie
Mark Mori, co-host of the Official Bettie Page Podcast, recently switched seats and became a guest on the Inspired Minds podcast to discuss his creative process and fascinating body of work, including Bettie Page Reveals All! Episode description courtesy of Inspired Minds: Twice Oscar-nominated and Emmy Award-winning director/producer Mark Mori explores the documentary side of Hollywood. His harrowing, world-renowned films, "Building Bombs," "Kent State, The Day the War Came Home," "Blood Ties: The Life and Work of Sally Mann," "The Atlanta Child Murders" and "Bettie Page Reveals All" have been both controversial and widely acclaimed. Earlier this year, his master catalog was released to the Academy of Motion Picture Arts and Sciences and Music Box Films Home Entertainment libraries. Mori has also made documentaries for National Geographic, MTV, Discovery, Animal Planet, HBO, BBC, Fox TV and Turner Classic Movies. Future projects include: the COVID-19 social impact documentary "Blue Collar America" and "The Lost Print: The Making of Orson Welles' The Magnificent Ambersons." Listen here on Podbean: https://bit.ly/3MTnIu6 Also available on most podcast apps including Apple, Google, Spotify, Audible and more! Find us on social media: Facebook: https://www.facebook.com/BettiePageRevealsAll https://www.facebook.com/groups/BettiePageMovie https://www.facebook.com/BettiePageFitness Instagram: @bettiepagerevealsall @bettie_page_fitness Twitter: @BettiePageMovie
Bettie is a Satanic Death Doula, among many other things. We chat about death, ritual, consent, and more death.Please visit us at http://hailsatanpodcast.comAlso, find us on all social media platforms, as well as our awesome Patreon channel at: https://www.patreon.com/hailsatan666Bettie's links:https://theirreligioussatanist.wordpress.com/https://www.facebook.com/groups/648810636323812/
Happy Birthday to May O'Donnell and Bettie de Jong! --- Support this podcast: https://podcasters.spotify.com/pod/show/dawn-davis-loring/support
In this Episode, Shant gives Ari all the pointers that have helped him and Bettie manage their money more effectively and budget properly.
What is the real measure of success in life? Even if you thought your mind and heart were in the right place when you wrote your definition of success in life, this episode would make you think twice. Be ready to step out and sit close by a tree, meditate and pay close attention to what nature is trying to communicate with you. Just be in that space of connectedness and compassion before you begin to rewrite your definition of success. Why should we care about other people, nature, and everything else around us? Why should we shift our language from “me” to “we”?How does the whole ecosystem relate to your success as an individual?How do we listen and observe like farmers, so we know when the season to sow and reap our success? (Yes, we are not alone in our flight to success) Hear all the answers to these questions in this episode of Breakthrough The Ordinary Podcast. These are the episode highlights you shouldn't miss: 02:27 How does Bettie Spruill define “success” 06:17 Bettie's distinction of discipline and why it's an integral part of success09:31 Reciprocity in an ecological sense: Reaping what we sow12:52 What the ancient indigenous wisdom say about observing what you're planting that is akin to how we can attune to our seasons of planting and harvesting20:06 Why individual success is a myth24:44 How a collectiveness mindset will help us solve our global problems29:19 Shifting our language from “me” to “we”42:52 The little things we can do to cultivate connection and belonging48:30 The transformation that comes with the feeling of being truly received51:42 How we can give up the illusion that we are separate from one another53:22 What God means to Bettie58:38 How Bettie pictures her legacy to be Episode Challenge This week's episode is brimming with humbling challenges that will keep you grounded as you redefine success. Here are some simple actions you can take according to Bettie Spruill. Exercise mindfulness through breathing. Three deep breaths are all it takes (42:52)As many times in a day as possible, take your shoes off and stand on the earth. Feel the energy and the power of the earth. Even find some practices that you can do outside on the ground. (44:10)Find a way for children to go out in the park so they can hug and talk to a tree. Let them find their favorite tree and connect with it. (45:17) Whatever action you choose, share it with us on your socials. Let us know how the action has transformed how you feel and think about yourself and the world you belong to. S1: EP28| Breakthrough The Ordinary Podcast with Claudine Chiarmonte, Marc Anthony, and special guest Bettie J. Spruill. About the Guest:Bettie J. Spruill, CEO & Founder and Ideal Coaching Global's (ICG) lead trainer, a world-renowned executive coach, management consultant, and entrepreneur with over 40 years of experience in the field of transformational leadership. She is a certified Master NLP practitioner and a recognized thought leader in Ontological, Mindful, and Ecological Living. Bettie has designed and facilitated workshops in the domains of leadership, mastery, and effectiveness for communities in Russia, Malaysia, Puerto Rico, Argentina, Chile, Mexico, England, Hong Kong, Canada, Ghana, and the United States.In Bettie's coaching certification program, Ideal Coaching Global, she deals with harmonizing the body, mind, and spirit. Her school, co-owned with Amadi Solutions and Ana Escalante, is certified by the International Coaching Federation. ICF exists to lead the global advancement of the coaching profession. She also co-founded Trainer Designs Global, LLC, a company dedicated to the successful expansion of transformation trainers and speakers. For 15 years, TDG has trained trainers who now facilitate workshops, seminars, and training sessions for thousands of students worldwide. Connect with Bettie:Instagram: instagram.com/bettie_master_coachFacebook: facebook.com/idealcoachingglobalLinkedIn: linkedin.com/in/bettie-j-spruillClubHouse: @bettiejspruill Visit her website: https://ontologicalliving.com/ Learn more about their ICF certification program for aspiring coaches and leaders:https://idealcoachingglobal.com/ Follow the Podcast: Apple Podcast - https://podcasts.apple.com/us/podcast/breakthrough-the-ordinary/id1579129631 Spotify - https://open.spotify.com/show/7L6XsP0M87M8CX7AJ2LRS4 Google Podcasts - https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5zaW1wbGVjYXN0LmNvbS9DQ1V1NVR6ag Amazon Music - https://q4k0kx5j.r.us-east-1.awstrack.me/L0/https:%2F%2Fmusic.amazon.com%2Fpodcasts%2F05bbcd2c-1e6b-4d09-934e-4eac42e12362/1/0100017af9eb75aa-8c17c10b-25b5-4300-b24e-c002d99f89b3-000000/lIGTk2xPKpZbRH-tqg7FXsRKud4=229 iHeartRadio - https://iheart.com/podcast/85365975/ Follow Us [@thebtopodcast]: Instagram - https://www.instagram.com/thebtopodcast Facebook - https://www.facebook.com/thebtopodcast Twitter - https://twitter.com/thebtopodcast TikTok - https://www.tiktok.com/@thebtopodcast Website - https://btopodcast.com Contact Us - thebtopodcast@gmail.com About the podcast: Are you ready to commit to your future self---if you are, Marc Chiaramonte, a creative entrepreneur, coach, and adventure seeker, and Claudine Chiarmonte, psychotherapist, coach & joy creator, are ready to take you on a journey of self-discovery to unlock your highest potential! Join Breakthrough the Ordinary to reveal what awaits you on your next quest of exploration, bringing practical strategies, tools, and secret fairy dust that our guests, coaches, healers, entrepreneurs, and thought leaders, will be sharing with you! New episodes drop every MONDAY!
Yesterday was bittersweet as our family laid to rest our cousins, Bettie Feruzi and James Kelley. They were change makers who left their unique mark on the world and will be missed. Continued prayers for family and friends. The perspective of each eulogy was strikingly similar. Despite anything Bettie and James faced in life they still maintained hope and ran their races. Today, I am grateful that I have another opportunity to run MY race and I hope you find joy in knowing you can still run YOURS no matter what it looks like. As Bettie's son shared, his mother would always tell him that no matter what was going on in his life, "it's just this chapter, what are you going to do now?" In addition to honoring my late cousins, I also talk about: hope and faith takeaways from TD Jakes' sermon "I have permission" pursuing your goals, and dreams and more… I hope this message delivered by me, CCing you will bless your spirit and encourage your soul. Download and share this episode today because you never know whose life can be touched by it. https://linktr.ee/ccamericallc Rate, comment, subscribe & share The Confidence Restored Podcast today. You can also help us win some Podca$h to keep this show on the air. We have applied to win sponsorship money for this podcast. Show us some love to help increase our chances of winning some Podca$h. Vote here: https://www.podcash.com/love-letters/p7yBe Follow our blog & access other show links at confidencerestoredpodcast.com The Confidence Restored Podcast presented by CC: America is available for replay on Apple Podcasts, Pandora, iHeartRadio, Spotify, Google Podcasts, and Amazon. New episodes are added every other week. On occasion a new show will be added weekly. To stay informed follow us on IG (@ccamericallc). Opening Music Surface by Loxbeats | https://soundcloud.com/loxbeats Music promoted by https://www.free-stock-music.com Creative Commons Attribution 3.0 Unported License https://creativecommons.org/licenses/by/3.0/deed.en_US
In this Episode, Shant and Ari discuss some of the succesful aspects of Shants marriage and why him and Bettie are a good fit. Ari discusses some of the qualities he looks for in women that he would consider dating.
If you're the sort of person who likes vintage Halloween, classic movie monsters, or VHS then you may already know this week's guest. Her hair is a dream and her lashes could kill. The lady of the hour is none other than Atomic Bettie (or Tanya if you must). This devilish queen hails from a quiet, out of the way lane in the middle of Amish country, Pennsylvania. But don't mistake her Pennsylvania Dutch roots for Amish or Mennonite. Bettie gives us a culture lesson before diving into her twin loves of mid century kitsch and classis horror. She has a bathroom dedicated to the creature from the Black Lagoon FOR PETE'S SAKE. But don't forget one of her biggest collections: Bettie's got an entire spare room that was converted into a closet for her massive stockpile of real vintage clothing. Architecture built around a collection really is a dream come true. Thank you to our team :Edit and Sound Design by: Grae @ Grae Matter Studios Intro by: Caylin Temple Copyediting by: Spell Check intro and Outro Music: Down the Rabbit Hole by myuu Source: https://soundcloud.com/myuu/down-the-rabbit-hole License: http://creativecommons.org/licenses/by/3.0/
Host Liren Baker talks with Kristin “Baker Bettie” Hoffman, creator of the popular Baker Bettie website and YouTube channel, about her new cookbook, the Baker Bettie's Better Baking Book, where she distills the techniques and methods she has honed as a trained chef and baking educator into making baking approachable and fun for everyone! Learn more about Kristin Hoffman at https://bakerbettie.com.
Bettie Page became known for her direct gaze into the camera and iconic pin-up girl bangs as a model, but there are so many things that people don't know about her. And boy, is her life a whirlwind. Bettie went through a lot in her early years as a child, more when she started modelling and her later life was filled with such violence and trauma. We thought we knew the whole story, but wow these layers. Check out this book: The Real Betty Page As always, thank you to our sponsors: BetterHelp: Special offer for Morbid listeners: get 10% off your first month at betterhelp.com/[MORBID] Canva: Just go to Canva.me/morbid to get your FREE 45-day extended trial Modern Fertility: Right now, Modern Fertility is offering our listeners $20 off the test when you go to ModernFertility.com/morbid Caliper: You can try Caliper CBD risk-free for 30 days. If you don't love it they'll give you a full refund! Go to TRYCALIPER.COM/MORBID or 20% off your first order! DailyHarvest: Go to DAILYHARVEST.com/morbid to get up to forty dollars off your first box!
“Well if that's the case, why are you so reluctant to give us the routers to verify they weren't connected to the internet?” Finchem said. Our guests are: Mark Finchem, Darren Bettie, Cindy Chafian Stay ahead of the censors - Join us warroom.org/join Aired On: 05/14/2021 Watch: On the Web: http://www.warroomorg.wpengine.com On Podcast: http://warroom.ctcin.bio On TV: PlutoTV Channel 240, Dish Channel 219, Roku, Apple TV, FireTV or on https://AmericasVoice.news. #news #politics #realnews
© 2020-2025 Ivy Podcast Discovery LLC
