Podcasts about director william friedkin

Director William Friedkin

The Best of The World Over featuring Fr. Robert Sirico, and a tribute to the late Oscar winning director of The Exorcist, William Friedkin.

In honor of this spooky season, Dr. Laura Robinson and I sit down and unpack what is often considered the scariest movie of all time... THE EXORCIST. It is Dr. Robinson's favorite scary movie, and you can tell immediately because her passion for it shows in this episode. The Exorcist is definitely one of my Horror Mount Rushmore picks and what I believe to be THE BEST CHRISTIAN MOVIE OF ALL TIME! (hot take alert) This movie didn't just change horror movies, it changed movies and had a profound impact on society at large. We talk about key themes, great scenes, Priests as heroes, how gross and disgusting the special FX are, the novel, William Peter Blatty, The Exorcist: Believer, and how it even influenced the Satanic Panic of the 80's. While the goal may have been to scare the hell out of people, Blatty & Director William Friedkin may just have scared the hell into us. Follow her on Twitter: ⁠https://twitter.com/LauraRbnsn⁠ Subscribe to her ⁠Substack⁠, where she's posting great stuff including a deep dive on Operation Underground Railroad: ⁠https://laurarbnsn.substack.com/⁠ Continue this conversation on our Substack (⁠⁠⁠⁠⁠https://beyondsunday.substack.com/⁠⁠⁠⁠⁠) and our Facebook Group (⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.facebook.com/groups/betterontheinside⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠) Please rate and leave a 5-star review on the Podcast app of your choice! --- Send in a voice message: https://podcasters.spotify.com/pod/show/betterontheinside/message Support this podcast: https://podcasters.spotify.com/pod/show/betterontheinside/support

Halloween season is in full swing at Film ‘89 Towers as we bring you our special 2023 horror themed episode as Steve & Skye, along with returning guest hosts, John Arminio and Stephen Simpson, delve headlong into a celebration of the 50th anniversary of Director William Friedkin's 1973 film adaptation of author William Peter Blatty's best selling 1971 novel, The Exorcist. It's a film that's not only regarded as one of the greatest horror films ever made but one that's also, adjusted for inflation, one of the most financially successful films ever made. Featuring amazing performances from Ellen Burstyn, Jason Miller, Max von Sydow, Lee J. Cobb and a stunning turn from then child actress, Linda Blair, The Exorcist is a film that pushed boundaries in a way no film before it had done, and is one that has endured for half a century as an all-time classic of cinema. Special thanks to Matt Needle for the great episode artwork. Follow him on Twitter @needledesign. 

Hold on to your seats, because we're about to take a wild ride across various multiverses, touching on every pop culture tidbit you need to know. From the latest box office report to an intriguing Marvel and McDonald's collaboration, we leave no stone unturned. We've also got the lowdown on Greta Gerwig's record-breaking film and how your favorite networks should take advantage of their expansive film libraries amidst ongoing strikes. And of course, we can't forget to celebrate Ms Marvel's triumphant win at the Television Critics Association Award. Pivoting from Marvel to DC, we walk you through a trove of DC Comics news, share some fascinating Star Trek tidbits, and delve into the allure of a recently released remastered edition of Wes Craven's Swamp Thing. Want more? We've got it all - Timothy Olyphant's Star Trek audition story,the Star Trek Strange New World's musical episode soundtrack, and the news on Simon & Schuster's sale to KKR. And who could resist a sneak peek into an upcoming auction of some of Hollywood's most prized memorabilia?But it's not all about pop culture. In the midst of all the industry updates, I share a slice of my life as a writer, giving you a glimpse into the rollercoaster ride that is finding an agent and navigating a hybrid publishing process. My upcoming fantasy story, rooted in the classics, takes center stage as I discuss the influences drawn from timeless literature. Joining us is author Michael Stangland, sharing his insights and experiences. From price hikes in Disney Plus and Hulu to a new comic series featuring General Strike, a newly discovered catfish species, and Kevin Smith's upcoming film, this episode is a whirlwind tour of pop culture news, personal musings, and engaging discussions. We guarantee you don't want to miss this!Support the showThanks for listening! Come visit the podcast at https://www.multiversetonight.com/ and the Pop Goes The Culture podcast network at https://popgoestheculture.com/

Welcome to Multiverse News, Your source for Information about all your favorite fictional universes We've discussed Fantastic Four casting rumors at length, but even if not 100 percent confirmed, the latest batch seems to be the most credible and likely so far, with Vanessa Kirby reportedly cast as the MCU's Sue Storm. Additionally, Matt Smith has emerged as an apparent frontrunner for Reed Richards, and Stranger Things' Joseph Quinn is being eyed for Johnny Storm. The Bear's Ebon Moss-Bachrach has also been offered a role, as well as Jack Quaid joining the film although not as one of the Four. Lastly, it's rumored that Antonio Banderas has been offered the role to voice Galactus who will evidently feature prominently in the film. In an interview with Comicbook.com, Gal Gadot spoke hopefully on her future as Wonder Woman saying “I love portraying Wonder Woman. It's so close to and dear to my heart. From what I heard from James [Gunn] and from Peter [Safran]...we're gonna develop a ‘Wonder Woman 3' together.” It was another promising weekend at the box office, as Barbie officially broke $1 billion worldwide! Despite passing this benchmark, there are currently no plans or deals in place for a sequel with Greta Gerwig, Margot Robbie or Ryan Gosling. Elsewhere, Oppenheimer continued to hold strong crossing the $550 million mark, and newcomers The Meg 2 and TMNT: Mutant Mayhem enjoyed respectable debut outings. The Haunted Mansion reboot, conversely, fell another 63 percent in its second weekend after an already hauntingly slow start. Happy Death Day and Freaky director Christopher Landon has been tapped by Spyglass to direct the upcoming horror film Scream 7. The prosecution in the Jonathan Majors domestic violence case requested the trial date be pushed back. A new trial date has been set for September 6th. A second season of I Am Groot was announced this weekend. Five new short installments of the Marvel series will come to Disney+ on September 6th. Netflix has released a first look at Spy Kids: Armageddon, the reboot of the Spy Kids franchise from Robert Rodriguez. The film, which stars Zachary Levi and Gina Rodriguez, is set to debut on September 22nd. According to Forbes, Disney revealed they spent $143 million on the budget for Loki season 2 putting it above several MCU movies, but it also has a marginally smaller budget than their latest series, Secret Invasion with it's budget reportedly ballooning up to $212 million. Rumor has it the planned Hunchback of Notre Dame live action remake has been scrapped by Disney. According to Deadline, in the wake of Mattel's success with Barbie, Crayola launched its own studio to develop a range of children's TV shows and movies. Hasbro is also reported to have plans for Monopoly and Play-Doh films. Visual effects (VFX) crews at Marvel Studios have voted to unionize, as announced by the International Alliance of Theatrical Stage Employees (IATSE). Director William Friedkin, best known for his Oscar-winning “The French Connection” and blockbuster “The Exorcist,” died Monday in Los Angeles. He was 87. “The Incredible Hulk” director Louis Leterrier revealed there were plans for a potential sequel that included “Grey Hulk and Red Hulks”. Longtime DC storyboard artist, Jay Oliva described Ben Affleck's scrapped Batman flick as quote:“f-ing awesome” and was building off of storylines in the Batman mythos over the last 80 years. David Ayer says James Gunn told him the ‘Suicide Squad' Ayer Cut ‘Would have its time to be shared' A24 has greenlit a sequel to “Talk to Me,” with directors Danny and Michael Philippou set to return

Remembering the iconic director William Friedkin (1935 - 2023). Learn more about your ad choices. Visit megaphone.fm/adchoices

Brian Lloyd, Movies Editor with entertainment.ie, reacts to the death of William Friedkin, director of The Exorcist and The French Connection.

Book Vs. Movie “The Exorcist” RIP William Friedkin (1935-2023)Replay of the DEC 2018 episode. The Margos revisit the 1971 novel The Exorcist written by the very interesting William Peter Blatty. Based on a true-ish story about a boy possessed by a demon in the 1950s, Blatty changed some key details to create this fiction classic. Director William Friedkin in 1973 just came off an incredible spate of box office successes, including 1971's The French Connection earning him an Academy Award for Best Director. The Exorcist became the biggest financial success of his career but turned out to be something of a curse as well. The hosts read the book, watched the movie, and decided which they liked better in this episode. Plus, they talk about trivia about the book and movie. In this episode, they discuss The backstory of the “real” exorcism from the 1950s Author William Peter Blatty's writing process, The story behind the major casting choices, How some of the more famous scenes were created, The supposed “Exorcist” curse. Clips used:William Friedkin being interviewed in 1973Movie trailer (4K edition)Original TV TrailerChris (Ellen Burstyn) speaks to doctorsFathers Karas (Jason Miller) and Merrin (Max von Sydow)Casting out the demon “The Devil” and pea soup.Outro Music: “Tubular Bells” Book Vs. Movie is part of the Frolic Podcast Network. Find more podcasts you will love Frolic.Media/podcasts. Join our Patreon page “Book Vs. Movie podcast”You can find us on Facebook at Book Vs. Movie Podcast GroupFollow us on Twitter @bookversusmovieInstagram: Book Versus Movie https://www.instagram.com/bookversusmovie/Email us at bookversusmoviepodcast@gmail.com Margo D. Twitter @BrooklynMargo Margo D's Blog www.brooklynfitchick.com Margo D's Instagram “Brooklyn Fit Chick”Margo D's TikTok https://www.tiktok.com/@margodonohuebrooklynfitchick@gmail.comYou can buy your copy of Filmed in Brooklyn here! Margo P. Twitter @ShesNachoMamaMargo P's Instagram https://www.instagram.com/shesnachomama/Margo P's Blog https://coloniabook.weebly.com/ Our logo was designed by Madeleine Gainey/Studio 39 Marketing Follow on Instagram @Studio39Marketing & @musicalmadeleine

Book Vs. Movie “The Exorcist” RIP William Friedkin (1935-2023)Replay of the DEC 2018 episode. The Margos revisit the 1971 novel The Exorcist written by the very interesting William Peter Blatty. Based on a true-ish story about a boy possessed by a demon in the 1950s, Blatty changed some key details to create this fiction classic. Director William Friedkin in 1973 just came off an incredible spate of box office successes, including 1971's The French Connection earning him an Academy Award for Best Director. The Exorcist became the biggest financial success of his career but turned out to be something of a curse as well. The hosts read the book, watched the movie, and decided which they liked better in this episode. Plus, they talk about trivia about the book and movie. In this episode, they discuss The backstory of the “real” exorcism from the 1950s Author William Peter Blatty's writing process, The story behind the major casting choices, How some of the more famous scenes were created, The supposed “Exorcist” curse. Clips used:William Friedkin being interviewed in 1973Movie trailer (4K edition)Original TV TrailerChris (Ellen Burstyn) speaks to doctorsFathers Karas (Jason Miller) and Merrin (Max von Sydow)Casting out the demon “The Devil” and pea soup.Outro Music: “Tubular Bells” Book Vs. Movie is part of the Frolic Podcast Network. Find more podcasts you will love Frolic.Media/podcasts. Join our Patreon page “Book Vs. Movie podcast”You can find us on Facebook at Book Vs. Movie Podcast GroupFollow us on Twitter @bookversusmovieInstagram: Book Versus Movie https://www.instagram.com/bookversusmovie/Email us at bookversusmoviepodcast@gmail.com Margo D. Twitter @BrooklynMargo Margo D's Blog www.brooklynfitchick.com Margo D's Instagram “Brooklyn Fit Chick”Margo D's TikTok https://www.tiktok.com/@margodonohuebrooklynfitchick@gmail.comYou can buy your copy of Filmed in Brooklyn here! Margo P. Twitter @ShesNachoMamaMargo P's Instagram https://www.instagram.com/shesnachomama/Margo P's Blog https://coloniabook.weebly.com/ Our logo was designed by Madeleine Gainey/Studio 39 Marketing Follow on Instagram @Studio39Marketing & @musicalmadeleine This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/5406542/advertisement

Director William Friedkin

Director William Friedkin discusses a few of his favorite films with Josh Olson and Joe Dante. Learn more about your ad choices. Visit megaphone.fm/adchoices

Director William Friedkin

Is The Exorcist a Christmas movie? Well, not quite: Director William Friedkin's possession thriller opened the day AFTER Christmas, December 26, 1973, and has been turning heads ever since. Rachel from the horror podcast Zombie Grrlz joins us again to help muck out the one major seasonal Satanic classic film we've never talked about before.   SHOW LINKS Zombie Grrlz Podcast Washington Post: Boy Freed Of Possession IGN: Interview With Blatty Roman Observer:Interview With Friedkin New York Times: They Wait Hours To Be Shocked Roger Ebert:The Exorcist review   GET IN TOUCH WITH BLACK MASS APPEAL Facebook Twitter Instagram Patreon Tabitha Slander's Instagram Discord server   SATANIC BAY AREA Website Facebook Twitter (as @SatanicSF) Instagram Sign up for Satanic Bay Area's newsletter On TikTok as DailyBaphirmations Coffee Hour is the third TUESDAY of every month from 6 – 8 pm at Wicked Grounds in San Francisco!

This is not a drill! We're kicking off Halloween month with one of the best horror movies of all time -- and scariest. Austin overcomes her childhood fear, Jenn tries to join the clergy and Jackie might actually like a horror movie.     Film: The Exorcist (1973) Director: William Friedkin   •   Follow us on Twitter at @ihateyourtaste and Instagram at @hateyourtastepod. You can also visit our website at https://ihateyourtasteinmovies.wordpress.com Please rate and review us on Apple Podcasts, and tell your friends!   Theme song composed and performed by Blake Martin and Austin Lamarche.

For every Star Wars, there's a hundred middling films and outright flops. Plus, hear about movie so unlucky, they may actually have been cursed, in a sample of the Your Brain On Facts audiobook. Read the full script.   Support the show. It's been quite a while since we got a review for the YBOF book.  Can you take a sec and let us know what you thought? Reach out and touch Moxie on FB, Twit, the 'Gram or email.  Music by David Fesliyan and Kevin McLeod   Making a movie is a difficult, time-consuming, and expensive propositions.  While some projects come together naturally, others seem to have tragedy, misfortune, and just plain bad luck heaped upon them.  Horror films are fertile ground for apparent curses and it a movie would be hard-pressed to seem more cursed than 1976's The Omen, the tale of an American diplomat who adopts a baby boy, ostensibly the Antichrist, and people around him begin dying.  Even Robert Munger, who came up with the concept for the film, began to feel uneasy during pre-production, telling producer Harvey Bernhard, “The devil's greatest single weapon is to be invisible, and you're going to take off his cloak of invisibility to millions of people.”  Releasing the movie on June 6, 1976, or as close as they could get to 666, probably did not help matters.   Gregory Peck has only recently agreed to take the role of the ambassador when his son shot and killed himself, leaving no suicide note.   Undeterred, or perhaps therapeutically focusing on his work, Peck flew to England to begin filming.  While flying through a storm over the Atlantic, Peck's plane was struck by lightning, causing an engine to catch fire and nearly causing them to crash into the ocean.  The film's other producer, Mace Neufeld, also had his plane struck by lightning.  Even after those long odds, that was not the end of their aerial adversity.  One of the first shots planned for the film was an aerial shot of London, to be shot from a rented plane. At the last minute, the rental company instead gave the original plane to a group of Japanese businessmen.  The curse did not seem to get that update, because that plane crashed, killing everyone on board.   One scene called for Peck to be attacked by “devil dogs,” in the form of a pack of Rottweilers.  The dogs were supposed to attack a heavily padded stuntman.  For reasons unknown, the dogs began to attack the stuntman in earnest, biting through the padding and ignoring their trainer's orders to stop.  Another animal-based scene saw the big cat wrangler mauled to death by a tiger.   As if being in a plane struck by lightning was not harrowing enough, the Hilton hotel Neufeld was staying at exploded.  Luckily, Neufeld was not there at the time.  Not to be deterred, the curse turned its sights to the restaurant were the producers and other film executives were going and it blew up, too.  Neufeld missed the explosion by minutes.  The actual perpetrator would turn out to be the Irish Republican Army and it was only Neufeld's dodgy luck that he was meant to be in both places.   Special effects consultant John Richardson created The Omen's unforgettable death scenes, including one in which a man is beheaded by a sheet of glass sailing off the top of a car.  Two weeks before the film was released, Richardson and his assistant, Liz Moore, were involved in a head-on collision.  Moore was killed, cut in half by the other vehicle's wheel.  Richardson opened his eyes after the collision a kilometer marker reading “Ommen 6,66,”  The closest town was Ommen, Netherlands, and the accident happened at kilometer 66.6.    The highest-grossing horror movie of all time (when adjusted for inflation) and the only horror movie to ever be nominated for the Oscar for Best Picture is 1973's The Exorcist.  In it, a young girl named Reagan, played by Linda Blair, is possessed by a demon and forced to commit horrible acts as two priests fight to save her.  The trouble started before filming even began, when the set caught fire, destroying everything except Regan's room.  The malefactor had talons, and black, beady eyes, and was a harbinger of disease--a pigeon had somehow gotten into a circuit box, which caused a short that caused the fire.  Reverend Thomas Bermingham, the technical advisor, was asked to exorcise the set, but he refused.   Both Blair and Ellen Burstyn, who played her mother, were badly injured during the shoot.  One scene has the demon violently throwing Reagan around on her bed.  The rig to do this broke during one take, injuring Blair's back.  Another scene called for the demon to throw Burstyn across the room and into a wall, which the crew achieved with a wire rig.  Director William Friedkin was unhappy with the first take and told the crewman operating the rig to use more force.  He did not warn Burstyn.  Her cry of alarm and pain in the film is genuine.  Colliding with the wall at speed injured her lower spine, leaving her in permanent pain.     They were comparatively lucky.  Actors Jack MacGowran and Vasiliki Maliaros, whose characters die in the movie, both died while it was in post-production.  At least four other people, including a night watchmen, died during filming.  Max Von Sydow's brother died on Sydow's first day on set.  Actress Mercedes McCambridge, who provided the voice of the demon Pazuzu, had to face her son murdering his wife and children before committing suicide.   Many believed that the physical copies of the film were cursed and that showing it was an open invitation to evil.  A church across the street from an Italian theater was struck by lightning during a showing.  One movie-goer was so frightened they passed out in the theater and broke their jaw falling into the seat in front of them.  They sued the filmmakers, claiming that subliminal messages in the film had caused them to faint.  Warner Brothers settled out of court for an undisclosed amount.  Not everything bad can be blamed on demons, though.  Regular old people sent thirteen year old Blair so many death threats that the studio had to provide her with bodyguards for six months after the movie came out.   Speaking of demonic possession, the 2012 movie The Possession centers on a young girl who falls under the control of a malevolent spirit that lives inside a cursed antique box. The story is based on an account of an allegedly haunted dybbuk box.  Even though director Sam Raimi would not let the dybbuk box's owner bring it anywhere near the set, strange and frightening things happened on set.  Lights exploded directly over people's heads, strange smells and cold air blew in from nowhere, and immediately after filming wrapped, all of the props were destroyed in a fire for which the first department could not determine the cause. Sometimes a movie's bad karma takes time to manifest and the misfortunes only crop up after the film had been released.   Horror classic Rosemary's Baby, released in the summer of 1968, was based on the premise that God is dead, but the Devil is alive and returning to earth with the aid of a cult.  The film's composer, 37 year old Krzysztof Komeda, fell off a rock ledge at a party that fall.  He lingered in a coma for four months before finally dying.  His death was quite similar to the way the witches rid themselves of a suspicious friend of the titular Rosemary.  The producer, William Castle, already suffering considerable stress from the amount of hate mail he had received about the film, was incapacitated with severe kidney stones.  While delirious in the hospital, he cried out, “Rosemary, for God's sake, drop the knife!”  Castle recovered his health, but never made a successful movie again.  Director Roman Polanski suffered no physical harm after the film.  The same could not be said for his heavily-pregnant wife, Sharon Tate.  She and four friends were brutally murdered by members of the cult known as the Manson Family, while Rosemary's Baby was still in theaters.  In his autobiography, Polanksi recalled he had had a “grotesque thought” the last time he saw his wife: “You will never see her again.” Conspiracy theorists and other non-traditional thinkers believe these events were set in motion by an elaborate Satanic plot, at the behest of the Beatles. Their White Album was written at an Indian meditation retreat, which the movie's star, Mia Farrow, attended.  The song title Helter Skelter was written in blood on a wall at the Tate murder, albeit misspelled.  A decade later, John Lennon was shot and killed across the street from the Dakota, where Rosemary's Baby had been filmed. 1982's Poltergeist tells the story of a family that is tormented by vengeful spirits because their new house was built over a graveyard with the bodies left in the ground.  When it came time for the prop department to source skeletons for the infamous scene with JoBeth Williams in the muddy pool, contrary to what one might expect, it was actually cheaper to buy real human skeletons than realistic plastic ones.  (They only told Williams about that afterwards.)  In a case of ‘life imitating art,' specifically with regards to disrespectful treatment of dead bodies, the cast seemed to be plagued by bad fortune.  The curse extended not only the original film, but to its sequels as well.  Shortly after Poltergeist was released, Dominique Dunne, who played the older sister, was strangled to death by her abusive ex-boyfriend, ending her career before it began. Heather O'Rourke, the adorable blonde girl who uttered the iconic line “They're heeere,” died during bowel obstruction surgery after suffering cardiac arrest and septic shock due to being misdiagnosed by her doctor.  She was only twelve years old.  Julian Beck of Poltergeist II: The Other Side died of stomach cancer before the film was released.  Will Sampson, also known for playing Chief in One Flew Over the Cuckoo's Nest, died the following year from complications of a heart-lung transplant.     Bonus fact: Some fans claim Poltergeist foretold O'Rourke's death.  There was a poster in the 1982 movie for Super Bowl XXII in 1988.  Heather O'Rourke was hospitalized the day of Super Bowl XXII and died the following day.  The game was played in San Diego, the city in which O'Rourke passed away.   Choosing the right location to shoot a film is a pivotal decision.  You have to take into account things like lighting conditions, availability of utilities, and proximity to noisy things such as airports.  What you should not have to consider is the radiation level, but you should not ignore it either.  The producers of the film 1956 movie The Conqueror chose an area of Utah desert a hundred miles away from the Nevada Test Site.  (They also chose to cast John Wayne as Genghis Khan.)   Throughout the 1950's, approximately 100 nuclear bombs of varying intensities were detonated at the Nevada Test Site.  The mushroom clouds could reach tens of thousands of feet high; desert winds would carry radioactive particles all the way to Utah.  The area in which The Conqueror filmed was likely blanketed in this dust.   The Conqueror, co-starring Susan Hayward, Agnes Moorehead, and Pedro Armendáriz, was a moderate box office success, but a critical failure and soon found itself on ‘worst films of all time' lists.  The true legacy of the film had yet to be revealed.  Of the 220 people who worked on the production, 92 developed some form of cancer, with 46 dying of it, including Wayne, Hayward, Moorehead, and Armendáriz.  The director, Dick Powell, died of lymphoma in 1963.  Wayne developed lung cancer and then the stomach cancer that would ultimately kill him in 1979.  Wayne would remain convinced that his chain-smoking was to blame for the cancers, even as friends tried to convince him it was from exposure to radiation.  Wayne's sons, who visited the set during filming and actually played with Geiger counters among the contaminated rocks, both developed tumors.  Susan Hayward died from brain cancer in 1975 at 57.   The authorities in 1954 had declared the area to be safe from radioactive fallout, even though abnormal levels of radiation were detected.  However, modern research has shown that the soil in some areas near the filming site would have remained radioactive for sixty years.  Howard Hughes, producer of The Conqueror, came to realize in the early 1970's that people who have been involved with the production were dying.   As the person who approved the filming location, Hughes felt culpable and paid $12 million to buy all existing copies of the film.  Though the link between the location and the cancers that cannot be definitely proven, experts argue that the preponderance of cases goes beyond mere coincidence.   MIDROLL   My grandmother had a lovely cross-stitched sampler above her fireplace with a quote that I really took to heart and have carried with me through my life, “Everything happens for a reason.  Sometimes the reason is you're stupid and make bad decisions.”  … I wish my grandma had a sense of humor like that.  Every movie that fails does so for a reason.  Several, usually, a veritable swarm of failure bees, ready to sting the audience right in the brain and the studio right in its wallet.  And sometimes, that sting is fatal.  For the studio, I mean.  I don't know of any cases where someone died because the movie they were watching was so bad it killed them.  At least that gives Tommy Wiseau something to reach for.   Like we saw with the banking crisis, there is no such thing as ‘too big to fail' in Hollywood, either.  Take Eddie Murphy, for example.  He was already established for his roles in 48 Hrs and Trading places before 1984's Beverly Hills Cop.  [sfx axel f]  I'll risk the copyright strike, I don't care.  If Hollywood were a lady, she was throwing her panties at Murphy until around, let's call it 1995's Vampire in Brooklyn.  Since then, for every Shrek, there are three Norberts, or one Pluto Nash.  Did you see this fart bomb of a movie when it came out in 2002?  Yeah, neither did anyone else.  His first foray into live-action family comedies stank like a pair of armored trousers after the Hundred Years war.  The sci-fi comedy (and we use the term loosely) didn't receive one breath of praise, with everyone lambasting the script, humour, acting and visual effects.  And they dragged poor Rasario Dawson into it.  Its 4% rating on Rotten Tomatoes says it all, though the audience gave it 19%.  One of the biggest box-office flops ever, the movie had a $100 million production budget but earned only $7.1 million at theaters worldwide, meaning it lost a whopping $92.9 million.   Sometimes the likely cause for a movie's failure is staring us all right in the face, but it feels like no one talked about, even though we *alllll talked about it, the casting of Johnny Depp in the ‘are you sure there's nothing else in the bottom of this barrel' elephant in the room, 2013's The Lone Ranger.  Depp was joined by fellow Pirates of the Caribbean alums Gore Verbinski, Jerry Bruckheimer and the House of Mouse must have felt confident this wonder trio could bring home the gold.  Yeah, no.  The production ran into trouble, costs escalated and the whole thing was nearly shut down before it was completed.  When it finally hit cinema screens, The Lone Ranger was slammed by critics and shunned by audiences. [sfx it stinks]  But it did still manage to garner two Oscar nominations, for 'Visual Effects' and 'Makeup and Hairstyling.'  Must have been a light year.  The Lone Ranger lost almost Pluto Nash's production budget, being in the red by $98 million.   If you look at film losses as the ratio of budget to loss, you've got to tip your hat to  2016's Monster Trucks.  Paramount hoped to launch a franchise, because there is literally no other way to run a movie studio, but kids can be as fickle with their entertainment options as they are with the sides on their dinner plate.  The $125m CGI romp's opening barely scraped over $10 million at the box office, meaning a loss of $115 million.  If it needed to be said, this section is about films with wide releases and big ad budgets.  Projects from smaller producers have a riskier time with it.  When my (GRRM doc, five tickets at Byrd).   If you look up the lowest-grossing film of all time, you'll find a film that was mentioned in the scam health retreat episode To Your Health (Spa) (ep. 101), but it happened on purpose, from a certain point of view.  2006's Zyzzyx Road was shown once a day, at noon, for six days at Highland Park Village Theater in Dallas, Texas, in a movie theater rented by the producers for $1,000.  The filmmakers wanted a limited release.  They didn't want to release the film domestically until it underwent foreign distribution, buuut they had to do the domestic release to fulfill the U.S. release obligation required by the Screen Actors Guild for low-budget films.  Low-budget is actually quantified as those with budgets less than $2.5 million that are not meant to be direct-to-video.  That strategy made Zyzzyx Road the lowest-grossing film in history; officially, it earned a whopping box office tally of $30, from six patrons.  Unofficially, its opening weekend netted $20, after the leading man refunded two tickets to the movie's makeup artist and the friend she brought. Lots of films fail, happens every day, but some films fail so spectacularly, they take the whole studio down with them, sometimes nearly and sometimes very actually..  Students of movie history with a penchant for disasters know all about 1963's Cleopatra, starring disserviacably diva-ish Elizabeth Taylor and Richard Burton. The period epic had such a disjointed production that actors sometimes didn't know which scenes were being shot until they arrived on set that day.  With a budget swelling uncontrollably to $44 million, the largest at the time, equivalent to $392mil today, the movie faced a real uphill battle to break even, let alone turn a profit.  Movie tickets cost $.85 then and there was no home video market, so 20th Century Fox would have needed to have sold 56 million tickets to stay in the black.  Quick google, the population of the US was 190 million at the time, so...yeah, ain't gonna happen, Cap'n.  They were pretty much screwed.  Cleopatra holds the unique distinction of being the highest-grossing film that year that lost money.  Although the studio didn't fold, Fox was forced to sell off 300 acres of its lot and postpone other productions to avoid permanently closing its doors.  Cleopatra did eventually recoup its budget with foreign distribution, but 1964's historical epic The Fall of the Roman Empire wasn't so lucky.  Samuel Bronston Productions spent a fortune re-creating the 92,000-square meter Roman Forum that once served as the heart of the ancient city, in turn building Hollywood's largest ever outdoor set.  It had Sophia Loren in it, for gods sake.  Do you know what she looked like in 1964?!  Sadly, Fall of the Roman Empire only managed to earn back a quarter of its $19 million budget.  Just three months after its release, Bronston's own empire fell, into bankruptcy.   Speaking of big decisions at Fox, one of the people who greenlit Star Wars was Alan Ladd Jr, who left to form his own studio, Ladd Company.  For my British listeners, feel free to pause and imagine an all-lad movie studio, oi-oi, we'll wait.  The Ladd Company pursued ambitious projects like The Right Stuff, based on Tom Wolfe's book about the early days of the space program.  That was a big hit, wasn't it?  I never saw it, but it has good name recognition.  While critics sang its praises and it won four Oscars, The Right Stuff failed to find an audience at the box office.  The same thing happened with Twice Upon a Time, an animated feature executive produced by George Lucas, which did *not have good name recognition and when I do a Google image search, it doesn't look even 1% familiar.  Even though they still had Police Academy in the chute, the Ladd Company was forced to sell its assets to Warner Bros.   Speaking of name recognition, even films that are iconic these days bombed big time when they came out.  Try to imagine TV in December without every single channel running Frank Capra's It's a Wonderful Life at least twice.  Trivia fans, which should be every one here, already know that IAWL did not do well on release --a release in January, it's worth mentioning, which may have been part of the problem-- before lapsing into the public domain and being shown by every tv station needing content on the cheap.  Hell, there was a local station where I grew up in north-east PA that used a jingle of the phrase “IAWL” as their tagline.  The same thing ‘why would you even do that' release date misstep happened with Hocus Pocus, actually.  It was released originally in July, well before social media made loving Halloween a major personality trait, then Disney sat on the movie for over a year before putting it out on home video the next September.  Back to 1946, It's a Wonderful Life's disappointing performance was devastating for Capra, who had actually opened his own production studio, Liberty Films.  Capra and fellow filmmakers George Stevens and William Wyler were trying to free themselves from meddling from studio executives' meddling, but their professional freedom was short-lived.  With no track record, Liberty Films needed the film to get them to live up to Capra's usual standards of success.  It didn't, as we've established, and Capra was forced to sell Liberty to Paramount and work for someone else.   If you've been saying, I haven't heard of half of these people, how about Francis Ford Coppola?  Coppola shapes the landscape of 1970s cinema.  Ever hear of The Godfather, The Conversation, and Apocalypse Now?  Yeah, thought so.  The '80s, however, not so much.  His first movie of the decade, One From the Heart, spent the majority of its high budget on pioneering visual techniques and a faithful recreation of Nevada's McCarran International Airport.  He's a details guy.  But fans of his earlier, dark, gritty, hyper-masculine work were left completely baffled when they sat down for a Coppola movie and found themselves in a candy-colored Vegas musical rom-com.   The film failed to pull in even a million dollars against its budget of $27mil.  Coppola's own studio, Zoetrope, never recovered from the financial loss.   Speaking of film legends who stumble headlong into bankruptcy, we present  for the consideration of several readers, Don Bluth.  Bluth left his job as an animator at Disney in 1979 to create the animation department for 20th Century Fox.  We're talking The Secret of N.I.M.H, An American Tail, The Land Before Time, and Bluth and crew at Fox Animation put those out while Disney delivered disappointing efforts like The Great Mouse Detective and Oliver and Company.   But Disney found its footing again with The Little Mermaid in 1989 and they've been unquestionably unstoppable ever since.  In 1997, Bluth released the critically acclaimed Anastasia; less than three years later, the studio was done.  In June 2000, Titan A.E. hit theaters, a lush, traditionally-animated movie with great character designs and solid casting and acting that flew through space and braved alien worlds.  It wasn't a bad movie.  For some reason, despite having a hysterically bad memory, I can still remember the chorus of the song from the big ‘let's do cool things with the ship' sequence.  Titan AE hit theaters, but not, ya know, hard.  Fox Animation spent $85 million on the film targeted at a teen audience, who are not a big enough segment of the broader animation-viewing market.  It earned $9 million on its opening weekend and the following *week, Fox announced it was closing the studio.  The writing had already been on the wall.  In December 1999, executives forced Bluth to lay off 80% of his animators after the box office bonanza that was the CGI Toy Story 2 led Fox execs to conclude that hand-drawn animation was on the way out.   Prior performance is no predictor of future success.  The Land Before Time didn't help Bluth with Titan AE, and not even the freaking Lord of the Rings trilogy, with its many Oscars, could save New Line Cinema.  From its creation in the 1970s and even after Warner Bros. bought a controlling stake, New Line Cinema was a mid-major movie studio that acted like an indie, taking chances on edgy, quirky movies like Pink Flamingos, Boogie Nights, and Mortal Kombat.  If you don't think MK belongs in those examples, the only video game movies had been Street Fighter, blargh, Double Dragon, yawn, and Super Mario Brothers, a veritable kick in the nards to be gamers and moviegoers.   Four years after The Return of the King ended the LOTR trilogy...eventually... New Line wanted another fantasy series cash cow, and it looked to The Golden Compass, Philip Pullman's first entry in the His Dark Materials trilogy.  New Line pumped $200 million on the project, more than it had spent on The Lord of the Rings.  To offset production costs, the company pre-sold the overseas rights, essentially getting an advance, meaning that when the film hit theaters outside of North America, they wouldn't see any more money.  That made profit virtually impossible... as did the film's relatively small $70 million domestic take.  Thus Warner Bros. absorbed New Line into its existing film production divisions, well, 10% of the studio.  The other 90% got sacked.   Sources: get ones from book https://www.triviagenius.com/5-movies-that-lost-the-most-money/XtY_ghx5DQAG1g4j https://www.mentalfloss.com/article/643698/movies-that-bankrupted-studios https://www.mentalfloss.com/article/86201/6-movies-ruined-their-studios https://www.digitalspy.com/movies/a843659/expensive-movie-flops-bombs-box-office-failure-justice-league/ https://chillopedia.com/15-movies-that-killed-careers/  

William Friedkin, Director of "The Exorcist," film speaking at the Dallas International Film Festival on April 13, 2013. Questions & Answers session following a viewing of the film. Part 1 of 2. The New York Film Academy and William Friedkin own the content. **Discretion is advised. May not be suitable for some audiences. ***

William Friedkin, Director of "The Exorcist" film & The New York Film Academy own the content. Questions and Answers session at the Dallas International Film Festival showing on April 13, 2013. Part 1/2. ***WARNING: may not be suitable for some audiences. Discretion is advised. Very Scary at times.***

Director William Friedkin may have destroyed his career and gone through his own Apocalypse Now journey through hell making it but for me, his remake of the equally classic, Wages of Fear, is a better film than even The French Connection or The Exorcist and his third flat-out masterpiece in a row.

Book Vs Movie Podcast (Replay) “The Exorcist” RIP Max von Sydow (1929-2020) The Margos revisit the 1971 novel The Exorcist written by the very interesting William Peter Blatty.  Based on a true-ish story about a boy possessed by a demon in the 1950s Blatty changed some of the key details to create this fiction classic. Director William Friedkin in 1973 just came off an incredible spate of box office successes including 1971’s The French Connection giving him an Academy Award for Best Director. The Exorcist became the biggest financial success of his career but turned out to be something of a curse as well. The hosts read the book, watched the movie and decide which they like better in this episode. Plus, they talk about trivia about the book and movie. In this episode they discuss: The backstory of the “real” exorcism from the 1950s Author William Peter Blatty’s writing process The story behind the major casting choices How some of the more famous scenes were created The supposed “Exorcist” curse. Clips used: Original TV Trailer Chris (Ellen Burstyn) speaks to doctors Fathers Karas (Jason Miller) and Merrin (Max von Sydow) cast out the demon “The Devil” and pea soup Outro Music: “Tubular Bells”   Join our Patreon page to help support the show! https://www.patreon.com/bookversusmovie  Book Vs. Movie podcast https://www.facebook.com/bookversusmovie/ Twitter @bookversusmovie www.bookversusmovie.com Email us at bookversusmoviepodcast@gmail.com Brought to you by Audible.com You can sign up for a FREE 30-day trial here http://www.audible.com/?source_code=PDTGBPD060314004R Margo D. @BrooklynFitChik www.brooklynfitchick.com brooklynfitchick@gmail.com Margo P. @ShesNachoMama https://coloniabook.weebly.com/   

In the second of a two part special Mark talks to legendary Hollywood director William Friedkin about his career and films including The Exorcist, Cruising and The Devil And Father Amorth.Want to come to a recording of a Mark Kermode Live in 3D show at the BFI Southbank in London?You can book tickets to next month’s MK3D here:https://whatson.bfi.org.uk/Online/default.asp?doWork::WScontent::loadArticle=Load&BOparam::WScontent::loadArticle::article_id=9FD162DC-3C10-43AB-ADCC-31364C1822AE&BOparam::WScontent::loadArticle::context_id=9F31E26A-0485-48B9-B9CB-4BA957BE7942If it says it's sold out - don’t despair, there are often returns so check again nearer the time.Follow Mark @KermodeMoviewww.markkermode.co.ukKermode On Film is produced by HLA Agency and Hidden Flack LtdProducers Hedda Archbold, Nick Freand Jones and Tom Whalley See acast.com/privacy for privacy and opt-out information.

In the first of a two part special Mark talks to legendary Hollywood director William Friedkin about his career and films including The Exorcist, The French Connection and To Live And Die In LA.Want to come to a recording of a Mark Kermode Live in 3D show at the BFI Southbank in London?You can book tickets to next month’s MK3D here:https://whatson.bfi.org.uk/Online/default.asp?doWork::WScontent::loadArticle=Load&BOparam::WScontent::loadArticle::article_id=9FD162DC-3C10-43AB-ADCC-31364C1822AE&BOparam::WScontent::loadArticle::context_id=9F31E26A-0485-48B9-B9CB-4BA957BE7942If it says it's sold out - don’t despair, there are often returns so check again nearer the time.Follow Mark @KermodeMoviewww.markkermode.co.ukKermode On Film is produced by HLA Agency and Hidden Flack LtdProducers Hedda Archbold, Nick Freand Jones and Tom Whalley See acast.com/privacy for privacy and opt-out information.

Director William Friedkin discusses his time with Sonny and Cher, the importance of “The People v Paul Crump”, his upcoming documentary “The Devil and Father Amorth”, and the present day concept of exorcism being based in fiction.

Director Darren Aronofsky discusses his new film, mother!, with fellow Director William Friedkin. The film tells the story of a young woman whose seemingly idyllic life is thrown into disarray when her husband invites strangers who claim to be fans of his work into their home. The film stars Jennifer Lawrence and Javier Bardem alongside Michelle Pfeiffer and Ed Harris.

Welcome to the first Horror 101 Threequel podcast for this year. In 1973 writer William Peter Blatty and Director William Friedkin collaborated to give us one of the most memorable and important genre films ever to be made. The Exorcist. Several years later the talented John Boorman followed up with one of the worst sequels in horror history, Exorcist II: The Heretic from 1977. Fast forward 13 years and Exorcist III: Legion is made, this time both penned and directed by Mr. Blatty. Exorcist III was released with little fanfare but over the last couple of decades it has slowly gathered strength as one of the most fierce and terrifying films to come out of the 90s. With extraordinary performances by George C. Scott, Brad Dourif, Jason Miller and Ed Flanders, outstanding sound design and a smart, patient script Exorcist III has the power to scare even the most veteran fans all while brilliantly ending the legacy of Father Damian Karras. With the recent passing of Mr. Blatty earlier this year we felt our first Part III focus should certainly be his masterpiece. Join us for another great show with a small tribute to John Hurt who also passed away recently at 77. Show highlights: 01:00 Prelude to Terror... 03:00 The John Hurt tribute... 10:20 The genesis of The Exorcist... 15:00 Exorcist 3 in 1990... 17:00 The friendship of Kinderman and Dyer... 20:55 An evil gets closer... 24:30 The Gemini Killings... 26:10 The possession of Karras... 27:30 Brad Dourif... 30:05 The Hallway Scare of the Century... 32:20 A clear invitation to the dance... 35:20 The end of Karras' Story... 37:15 Scoring the film... 41:15 Conclusion! Thanks for listening!

Director William Friedkin is a consummate storyteller, which explains why he tells such an entertaining story of his own life, rooted in three recurring themes: faith, fate, and film. Within that story, William tells Marc about the making of The French Connection and The Exorcist, the failure and resurgence of his film Sorcerer, and his reasons for never wanting to do a second take. See acast.com/privacy for privacy and opt-out information. Sign up here for WTF+ to get the full show archives and weekly bonus material! https://plus.acast.com/s/wtf-with-marc-maron-podcast.