Podcast appearances and mentions of titan ae

Animated Movie Draft - Ep 344: Grab your drafting paper, pencils, and every crayon you can find because on today's episode your hosts are scribbling down their thoughts and converting them to pretty pictures with an Animated Movie Draft! We go head to head to see who can pick the best films two dimensions can offer, only on Normies Like Us! @NormiesLikeUs https://www.instagram.com/normieslikeus/ @jacob https://www.instagram.com/jacob/ @MikeHasInsta https://www.instagram.com/mikehasinsta/ https://letterboxd.com/BabblingBrooksy/ https://letterboxd.com/hobbes72/ https://letterboxd.com/mikejromans/

Jacob and Drew welcome back their friends Nate and Jimmy to review Titan AE. Plus The Batman The Animated Series episodes "Prophecy of Doom" and "Joker's Favor" LInktree links are coming soon!

Titan A.E. is a testament to ambition and risk-taking in animation, but it's also a cautionary tale of execution falling short of vision. For every moment of dazzling creativity, there's a missed opportunity or an awkward misstep. It's a flawed gem worth watching for its ambition and aesthetic daring, but it is unlikely to resonate deeply beyond its most loyal fans.

Kevin J. Anderson is the bestselling author of more than 160 science fiction and fantasy novels. He's written original novels and in the following worlds: Star Wars, StarCraft, Titan AE, and more. The TV series Dune: Prophecy is based on a novel he co-wrote with Brian Herbert. He is also a creative consultant on Dune Part One and a co-producer on Dune Part Two.Learn about his creative process and the advice he has for aspiring writers.He also heads the publishing track of the  Graduate Program for Creative Writing at Western Colorado University. CLICK HERE ==>> FOR FREE SCREENPLAY OUTLINE COURSESupport the showFor more information on Lovinder Gill's best-selling book "Scriptcake Secrets" or his public speaking schedule, please check out www.lovinder.com.

Drew Taylor starts off this week's show by looking back at the “Jurassic World: Chaos Panel” he moderated at last month's San Diego Comic-Con. Then Jim Hill discusses the three feature-length films that were made at Fox Animation Studios in Phoenix Over the course of this episode, listeners will learn about:  What spot did Pixar's “Inside Out 2” just claim on the list of all-time worldwide top grossing films  When will the Boomerang streaming service officially get folded into Max  Which “Gravity Falls” -related book now tops the New York Times bestseller list  On what television broadcast back in the Summer of 2016 did the “Moana” teaser trailer first appear  Back when “Titan AE” was still supposed to be a live-action production, what was the title of this film originally supposed to be Learn more about your ad choices. Visit megaphone.fm/adchoices

Drew Taylor starts off this week's show by looking back at the “Jurassic World: Chaos Panel” he moderated at last month's San Diego Comic-Con. Then Jim Hill discusses the three feature-length films that were made at Fox Animation Studios in Phoenix Over the course of this episode, listeners will learn about:  What spot did Pixar's “Inside Out 2” just claim on the list of all-time worldwide top grossing films  When will the Boomerang streaming service officially get folded into Max  Which “Gravity Falls” -related book now tops the New York Times bestseller list  On what television broadcast back in the Summer of 2016 did the “Moana” teaser trailer first appear  Back when “Titan AE” was still supposed to be a live-action production, what was the title of this film originally supposed to be Learn more about your ad choices. Visit megaphone.fm/adchoices

This week we embark on another space adventure as we revisit the  movie Titan AE

On this episode Wally and Steve sit down to discuss this cartoon space epic! Why does no one know about this movie with such a star studded cast and amazing visuals for a cartoon from the early 2000s? Check us out on our website here at: www.thedecisionreel.com Our Socials: Facebook: www.facebook.com/thedecisionreel Instagram: www.instagram.com/thedecisionreel Twitter: www.twitter.com/thedecisionreel Check out our Merch here: https://the-decision-reel-merch-store.creator-spring.com

In this episode myself and guest Oliver Reason discuss the 2000 film, Titan AE. Hosted on Acast. See acast.com/privacy for more information.

Welcome to the Year 2000. Everything is in 2.5D and Matt is playing a teenager. We talk Titan AE this week. It's our first animated movie and Don Bluth's last. But hey, maybe it's a good time? Maybe it's fun? Listen and find out. Spoilers & Timecodes:X-Men #26 and Immortal X-Men #15 - 3:52 - 7:42 Sex and the City Season 1 - 8:01 - 9:39Contact us at:Twitter, Tiktok & instagram - @SineWavePodEmail - sinewavepod@gmail.comArtwork produced by - Molly,@bbymoll on instaMusic produced by - Adam Pizza, https://adm.pizza/ Hosted on Acast. See acast.com/privacy for more information.

Avete mai pensato che il fallimento di un film potesse portare alla cancellazione anche di un videogioco? Beh questo è uno dei motivi per cui il titolo di oggi, Titan AE, non ha mai visto la luce nonostante la presenza di una demo giocabile!! Volete interagire con il Gruppo di GameRevs? Allora: Mandateci un messaggio vocale su https://anchor.fm/gamerevs Oppure entrate nel nostro nuovo gruppo telegram https://t.me/gamerevs per discuterne direttamente con noi! Ricordate anche che ci potete trovare sul nostro sito http://www.gamerevs.it e su tutti i social dei quali avete i link veloci qui di seguito: InstagramFacebookTwitterTik-Tok Se volete aiutarci a migliorare la parte tecnica e la ricerca potete farci una donazione sul profilo Ko-fi dove con anche un solo €uro ci potreste aiutare tantissimo! I nostri amici Bit-Elloni ora sono parte integrante dallo staff di GameRevs, quindi venite a trovarli nel gruppo telegram e sul sito nella sezione retrogaming! E ci raccomandiamo: videogiocate, videogiocate, videogiocate! Il nostro podcast fa parte della Lega dei Videogiochi, qui sotto la lista di tutti i canali aderenti al primo grande network d'Italia!! GameRevs - La Voce del VideogiocatoreArcade StoryFacciamo DOS ChiacchiereQuantiGigaAllaPanca?Intrappolati nel RetrogamingRetrogaming Lives

Some projects are so big, they change the landscape of cinema forever. Some projects are so big they are remembered as the triumphant classics of their time. And some projects are so big they bankrupt the studio that produced them and put hundreds of people out of work. Enter Titan AE, the last act of Fox Animations and one of the most... existing? adult animation films to ever... exist. Taking place in our own galactic backyard and in the far distant future after humanity has been wiped out by an alien race called The Drej, Titan AE tells the story of a desperate race to find the last hope for humankind to rebuild their lost home. Except the stakes don't feel that high. And no one is particularly likable. But, oo! pretty ice ring! And oo! pretty aliens! You'll love the way it looks... maybe not much else. Titan AE was released in 2000 and stars the voice talents of Matt Damon, Bill Pullman, Drew Barrymore, Jeneane Garaffalo, and John Leguizamo.

I had the pleasure to sit down with Cheyenne Goff & talk about his music career. In this episode you will here story's about his career & he even brought his guitar to the studio to play a few songs. That's right he brought his guitar. It's Amazing. A Must Listen episode. There's a beautiful song at the very end. Don't Miss It. Cheyenne Goff first cut his teeth in the music business as the frontman for Epic Recording Artist Bliss 66. Also a songwriter, Goff's first nationally released material, a song entitled “Not Quite Paradise” was co-written with band producer and music biz icon, Glen Ballard (Alanis Morissette, DMB, No Doubt) and appeared as the closing track for the major motion picture Titan AE (20th Century Fox) within a year of his graduating high school. The group released 2 albums (2001's “Trip to the 13th”, produced by Ballard and 2002's self-produced “Life Is A Comedown“) before disbanding in early 2003. Goff wasted no time in utilizing his talents elsewhere, starting the group Paper Street Saints with ex-Sponge drummer, Charlie Grover. The band released 2 records and 2 EP's in a 4 yr. span and had the pleasure of seeing quite a few of their songs used in ads by national corporations like Volkswagen, Chrysler, and The Buckle, Inc. Goff is currently fronting the band Half Light Music. PODCAST ‘Outstanding Life' HOST The Motivational Cowboy - Johnny D. (John Dmytryszyn) WEBSITE https://www.MotivationalCowboy.com/podcast/ SOUNDCLOUD PODCAST https://soundcloud.com/outstandinglifepodcast iTUNES APPLE PODCAST https://itunes.apple.com/us/podcast/outstanding-life-with-the-motivational-cowboy/id1410576520?mt=2 SPOTIFY PODCAST https://open.spotify.com/show/4OFNmM9Rv9jNA0gQMPv8XU STITCHER https://www.stitcher.com/s?fid=389557&refid=stpr YOUTUBE https://www.youtube.com/watch?v=tttQkLT7SfE&list=PL1Jmeb31MqLiNLxcnufzmCCca3HGH20Rj&index=2&t=0s SUPPORT with PAYPAL https://www.paypal.me/motivationalcowboy LISTEN for FREE to ‘Outstanding Life' PODCAST with Johnny D. the Motivational Cowboy on iTunes, Spotify, SoundCloud, Stitcher, YouTube & other major platforms and stations. Now with Over 1 Million Listeners! Motivational Speaker, John Dmytryszyn (Johnny D) has developed a strong brand as “The Motivational Cowboy”. He impacts audiences across the country with his message of “Living the Outstanding Life”, helping to change lives by reshaping thoughts about Image, Attitude, Focus and Consistency. His podcast is the latest in a long list of platforms that allows him to reach people. Among his most notable accomplishments is a 2nd Grammy consideration for his recently released spoken word CD “Time to Stand Out!”. https://www.MotivationalCowboy.com

Cada año dedicamos esta época a l@s más peques de la casa. Son la alegría de nuestras vidas y se merecen que les dediquemos una sesión especial. Y nuestra manera de hacerlo este año es cogiendo todos los films de dibujos animados donde aparecen canciones rockeras. Se nos ha ido la olla y hemos soltado 20 temazos uno detrás de otro... hasta llegar a hora y media de programa!! También os hemos regalado el tema extra que sumamos desde hace 4 años: "Who wants to live forever" de Queen. Coged a vuestr@s enan@s y descubrid cada tema que suena en este programa: Aqui teneis la lista: 1 - Sate "Warrior" (Wendell & Wild) 2 - Europe "The final countdown" (DC Liga de Supermascotas) 3 - Ted Nugent "Cat scratch fever" (Minions: el origen de Gru) 4 - Tenacious D "Friendship" (Chip y Chop: Los guardianes rescatadores) 5 - Pantera "Walk" (Sonic 2, la película) 6 - Survivor "Eye of the tiger" (Rumble, la liga de los monstruos) 7 - Foo Fighters "Learn to fly" (Rock Dog, el poder de la música) 8 - Styx "Mr. Roboto" (Ocho noches locas) 9 - Phil Collins "Son of man" (Tarzán) 10 - Pink Floyd "One of my turns" (Animalímpicos) 11 - Guns n' Roses "Welcome to the jungle" (La LEGO Ninjago pelicula) 12 - Twisted Sister "We're not gonna take it" (Emoji: la película) 13 - Wolfmother "Joker and the thief" (Buscando a Dory) 14 - REO Speedwagon "Keep on loving you" (Cigüeñas) 15 - Dan Hartmann "I can dream about you" (Los Pinguinos de Madagascar) 16 - Journey "Who's crying now" (Monstruos contra alienígenas) 17 - Green Day "Holiday" (Locos por el surf) 18 - Ramones "Do you remember rock'n'roll radio?" (Shrek tercero) 19 - Lit "Over my head" (Titan AE) 20 - Tiffany "You and me" (Los supersónicos)

The year is 3048 or something or other. The Earth has been blown up. Humans are scattered around the universe. Only one man, Matt Damon, can save the universe by finding a shape his dad built that creates a planet. Classic. Also starring Bill Pullman, Drew Barrymore, Nathan Lane, John Leguizamo, and Janeane Garofalo. facebook.com/throwbacktheaterpodcast throwbacktheaterpodcast@gmail.com

The second reel of the monthly podcast magazine for the discerning film nerd, in which the Adamsons bring you the Big Conversation. This month it's Second Chance Cinema, where we talk about films that didn't fulfil their potential, and how we the armchair experts would have made them better if Hollywood only listened to us. Reel 1 is also out now.

B Side (Brooke): This week, we discuss the BBQ Butcher of Baltimore, Joe Metheny, who allegedly turned some of his victims into hamburgers and sold them at a roadside BBQ stand. A Side (Adam): The works of Don Bluth connected with Adam deeply, they changed and matured as he did. One example is Titan AE. --- Support this podcast: https://anchor.fm/aside-bside/support

This week Mike and J take on Titan AE and the basic horribleness that is Fox Studios Buy some merch: https://ethosthreads.com/collections/jester8082 Twitter, Facebook and Insta: @jesterscourtpod Join us on discord: https://discord.gg/nYn6s44kdx --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app Support this podcast: https://anchor.fm/the-jesters-court/support

It wasn't the original plan, but Ben convinced the infamous Aunt Norah to co-host with him this week!  One could say it was “in the stars” so to speak.  In the Venn diagram of the universe stars are celestial bodies and our word is a celestial body, but our word is not a star.  Ben and Norah delve in to all of the things they can think of that relate to the word moon: common sayings, urban legends, movies, music, comic books, NASA, and video games. 00:02:05 - Starting the moon conversation with some measurements 00:05:35 - Unbeknownst to her, Norah is actually thinking of Whoopie Pies not Moon Pies 00:08:13 - “We don't keep score here at the Two Vague Podcast,” and moon the verb 00:11:00 - Is “moon face” insulting and what is anchor spleen? 00:13:00 - The moon movies “A Trip to the Moon” and “Outland” 00:17:30 - Did Norah watch the moon landing on television? 00:19:50 - Watching the Wizard of Oz while listening to Dark Side of the Moon 00:22:54 - Alan Parson's complete load of eye wash, and the Eye in the Sky album 00:26:15 - Jamiroquai, Titan AE, and Everybody's Going to the Moon 00:30:30 - The word honeymoon, and this month's Strawberry Supermoon 00:36:50 - The Artemis program, and Space Force on Netflix 00:41:10 - Ben talks about the Disney + series Moon Knight, and Dissociative Identity Disorder  00:48:05 - The arcade game Moon Patrol was the first game to use parallax scrolling  00:50:25 - Facts about Ben's favorite “angel killing witch wearing a suit of her own hair” game  00:55:20 - Ben loves Grasshopper Manufacture and Suda51 games 00:59:46 - Killer is Dead, malice, soft boiled eggs, and the Bryan Execution Firm  01:04:10 - Final thoughts on the moon, and “if the moon were made of cheese?

Titan AE may have passed you by in 2000, but if you grew up in my household, this was a mainstay VHS. We were happy to be reminded of it by patreon supporter Wyl McCully! Here's a particularly insane episode that includes one of the craziest laughing fits we've ever had in the years of doing this show. Hopefully, there's some intelligible conversation in between. Enjoy!

Fueled by the power of Y2K butt rock, we blast off with John Parton and Ace Cordova to chart a course for the future of humanity with TITAN AE.

This week our #ChainMovie of the week, we follow the ever-brilliant Janeane Garofalo from Titan AE, to the directorial debut of Ben Stiller with #RealityBites.Then George takes the reigns to give us our next #LinkInTheChain.The lads talk deep about #Peacemaker, and the #MoonKnight trailerGeorge irratically talks about Critical Role in advance of the forthcoming #LegendofVoxMachina.Travis talks about #BeingTheRicardos, and #YellowjacketsThen the las round up their favourite movies of 2021.

This week our #ChainMovie of the week, we follow the writer of Go, John August to one of his earlier works, the Don Bleuth-directed #TitanAE. Then Travis takes the reigns to give us our next #LinkInTheChain. The lads talk deep about #TheMatrix #Resurrections and #TheBookOfBobaFett. George talks through his thoughts on the new #Ghostbusters #Afterlife, #Encanto on @DisneyPlus, and #Fast9. Travis talks about #TheTragedyofMacbeth, #Mother/Android #KingRichard and #BeingTheRiccardos

For this episode Dan, Michael, Helena and Jamie look back at a movie Jamie loved when he was younger and unfortunately subjected us all too, Titan AE. Theme music by @themenniss. Follow us on Twitter and Instagram @HiltMpod

Just a couple of guys reliving the found memories of a good movie that it turns out, isn't that good. Was it the marketing or was it the movie that failed Titan AE? --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app --- Send in a voice message: https://anchor.fm/theboxofficebombsquad/message Support this podcast: https://anchor.fm/theboxofficebombsquad/support

Is it Titan AE or Treasure Planet? On this week's episode we finish putting things back together in our conclusion to the Empire's Death Gate series! Do you have a worldbuilding prompt you want to send to us? Send us your prompt!  Email us your suggestions at: WorldbuildWithUs@gmail.com or follow us on Twitter @LetsWorldBuild  Or come chat with us on our Discord server!  Or if you're feeling particularly generous, you can support us on Patreon!  Intro theme: "Half Mystery" Kevin MacLeod (incompetech.com) Licensed under Creative Commons: By Attribution 3.0 http://creativecommons.org/licenses/by/3.0  Outro Theme: "Study and Relax" Kevin MacLeod (incompetech.com) Licensed under Creative Commons: By Attribution 3.0 http://creativecommons.org/licenses/by/3.0

For every Star Wars, there's a hundred middling films and outright flops. Plus, hear about movie so unlucky, they may actually have been cursed, in a sample of the Your Brain On Facts audiobook. Read the full script.   Support the show. It's been quite a while since we got a review for the YBOF book.  Can you take a sec and let us know what you thought? Reach out and touch Moxie on FB, Twit, the 'Gram or email.  Music by David Fesliyan and Kevin McLeod   Making a movie is a difficult, time-consuming, and expensive propositions.  While some projects come together naturally, others seem to have tragedy, misfortune, and just plain bad luck heaped upon them.  Horror films are fertile ground for apparent curses and it a movie would be hard-pressed to seem more cursed than 1976's The Omen, the tale of an American diplomat who adopts a baby boy, ostensibly the Antichrist, and people around him begin dying.  Even Robert Munger, who came up with the concept for the film, began to feel uneasy during pre-production, telling producer Harvey Bernhard, “The devil's greatest single weapon is to be invisible, and you're going to take off his cloak of invisibility to millions of people.”  Releasing the movie on June 6, 1976, or as close as they could get to 666, probably did not help matters.   Gregory Peck has only recently agreed to take the role of the ambassador when his son shot and killed himself, leaving no suicide note.   Undeterred, or perhaps therapeutically focusing on his work, Peck flew to England to begin filming.  While flying through a storm over the Atlantic, Peck's plane was struck by lightning, causing an engine to catch fire and nearly causing them to crash into the ocean.  The film's other producer, Mace Neufeld, also had his plane struck by lightning.  Even after those long odds, that was not the end of their aerial adversity.  One of the first shots planned for the film was an aerial shot of London, to be shot from a rented plane. At the last minute, the rental company instead gave the original plane to a group of Japanese businessmen.  The curse did not seem to get that update, because that plane crashed, killing everyone on board.   One scene called for Peck to be attacked by “devil dogs,” in the form of a pack of Rottweilers.  The dogs were supposed to attack a heavily padded stuntman.  For reasons unknown, the dogs began to attack the stuntman in earnest, biting through the padding and ignoring their trainer's orders to stop.  Another animal-based scene saw the big cat wrangler mauled to death by a tiger.   As if being in a plane struck by lightning was not harrowing enough, the Hilton hotel Neufeld was staying at exploded.  Luckily, Neufeld was not there at the time.  Not to be deterred, the curse turned its sights to the restaurant were the producers and other film executives were going and it blew up, too.  Neufeld missed the explosion by minutes.  The actual perpetrator would turn out to be the Irish Republican Army and it was only Neufeld's dodgy luck that he was meant to be in both places.   Special effects consultant John Richardson created The Omen's unforgettable death scenes, including one in which a man is beheaded by a sheet of glass sailing off the top of a car.  Two weeks before the film was released, Richardson and his assistant, Liz Moore, were involved in a head-on collision.  Moore was killed, cut in half by the other vehicle's wheel.  Richardson opened his eyes after the collision a kilometer marker reading “Ommen 6,66,”  The closest town was Ommen, Netherlands, and the accident happened at kilometer 66.6.    The highest-grossing horror movie of all time (when adjusted for inflation) and the only horror movie to ever be nominated for the Oscar for Best Picture is 1973's The Exorcist.  In it, a young girl named Reagan, played by Linda Blair, is possessed by a demon and forced to commit horrible acts as two priests fight to save her.  The trouble started before filming even began, when the set caught fire, destroying everything except Regan's room.  The malefactor had talons, and black, beady eyes, and was a harbinger of disease--a pigeon had somehow gotten into a circuit box, which caused a short that caused the fire.  Reverend Thomas Bermingham, the technical advisor, was asked to exorcise the set, but he refused.   Both Blair and Ellen Burstyn, who played her mother, were badly injured during the shoot.  One scene has the demon violently throwing Reagan around on her bed.  The rig to do this broke during one take, injuring Blair's back.  Another scene called for the demon to throw Burstyn across the room and into a wall, which the crew achieved with a wire rig.  Director William Friedkin was unhappy with the first take and told the crewman operating the rig to use more force.  He did not warn Burstyn.  Her cry of alarm and pain in the film is genuine.  Colliding with the wall at speed injured her lower spine, leaving her in permanent pain.     They were comparatively lucky.  Actors Jack MacGowran and Vasiliki Maliaros, whose characters die in the movie, both died while it was in post-production.  At least four other people, including a night watchmen, died during filming.  Max Von Sydow's brother died on Sydow's first day on set.  Actress Mercedes McCambridge, who provided the voice of the demon Pazuzu, had to face her son murdering his wife and children before committing suicide.   Many believed that the physical copies of the film were cursed and that showing it was an open invitation to evil.  A church across the street from an Italian theater was struck by lightning during a showing.  One movie-goer was so frightened they passed out in the theater and broke their jaw falling into the seat in front of them.  They sued the filmmakers, claiming that subliminal messages in the film had caused them to faint.  Warner Brothers settled out of court for an undisclosed amount.  Not everything bad can be blamed on demons, though.  Regular old people sent thirteen year old Blair so many death threats that the studio had to provide her with bodyguards for six months after the movie came out.   Speaking of demonic possession, the 2012 movie The Possession centers on a young girl who falls under the control of a malevolent spirit that lives inside a cursed antique box. The story is based on an account of an allegedly haunted dybbuk box.  Even though director Sam Raimi would not let the dybbuk box's owner bring it anywhere near the set, strange and frightening things happened on set.  Lights exploded directly over people's heads, strange smells and cold air blew in from nowhere, and immediately after filming wrapped, all of the props were destroyed in a fire for which the first department could not determine the cause. Sometimes a movie's bad karma takes time to manifest and the misfortunes only crop up after the film had been released.   Horror classic Rosemary's Baby, released in the summer of 1968, was based on the premise that God is dead, but the Devil is alive and returning to earth with the aid of a cult.  The film's composer, 37 year old Krzysztof Komeda, fell off a rock ledge at a party that fall.  He lingered in a coma for four months before finally dying.  His death was quite similar to the way the witches rid themselves of a suspicious friend of the titular Rosemary.  The producer, William Castle, already suffering considerable stress from the amount of hate mail he had received about the film, was incapacitated with severe kidney stones.  While delirious in the hospital, he cried out, “Rosemary, for God's sake, drop the knife!”  Castle recovered his health, but never made a successful movie again.  Director Roman Polanski suffered no physical harm after the film.  The same could not be said for his heavily-pregnant wife, Sharon Tate.  She and four friends were brutally murdered by members of the cult known as the Manson Family, while Rosemary's Baby was still in theaters.  In his autobiography, Polanksi recalled he had had a “grotesque thought” the last time he saw his wife: “You will never see her again.” Conspiracy theorists and other non-traditional thinkers believe these events were set in motion by an elaborate Satanic plot, at the behest of the Beatles. Their White Album was written at an Indian meditation retreat, which the movie's star, Mia Farrow, attended.  The song title Helter Skelter was written in blood on a wall at the Tate murder, albeit misspelled.  A decade later, John Lennon was shot and killed across the street from the Dakota, where Rosemary's Baby had been filmed. 1982's Poltergeist tells the story of a family that is tormented by vengeful spirits because their new house was built over a graveyard with the bodies left in the ground.  When it came time for the prop department to source skeletons for the infamous scene with JoBeth Williams in the muddy pool, contrary to what one might expect, it was actually cheaper to buy real human skeletons than realistic plastic ones.  (They only told Williams about that afterwards.)  In a case of ‘life imitating art,' specifically with regards to disrespectful treatment of dead bodies, the cast seemed to be plagued by bad fortune.  The curse extended not only the original film, but to its sequels as well.  Shortly after Poltergeist was released, Dominique Dunne, who played the older sister, was strangled to death by her abusive ex-boyfriend, ending her career before it began. Heather O'Rourke, the adorable blonde girl who uttered the iconic line “They're heeere,” died during bowel obstruction surgery after suffering cardiac arrest and septic shock due to being misdiagnosed by her doctor.  She was only twelve years old.  Julian Beck of Poltergeist II: The Other Side died of stomach cancer before the film was released.  Will Sampson, also known for playing Chief in One Flew Over the Cuckoo's Nest, died the following year from complications of a heart-lung transplant.     Bonus fact: Some fans claim Poltergeist foretold O'Rourke's death.  There was a poster in the 1982 movie for Super Bowl XXII in 1988.  Heather O'Rourke was hospitalized the day of Super Bowl XXII and died the following day.  The game was played in San Diego, the city in which O'Rourke passed away.   Choosing the right location to shoot a film is a pivotal decision.  You have to take into account things like lighting conditions, availability of utilities, and proximity to noisy things such as airports.  What you should not have to consider is the radiation level, but you should not ignore it either.  The producers of the film 1956 movie The Conqueror chose an area of Utah desert a hundred miles away from the Nevada Test Site.  (They also chose to cast John Wayne as Genghis Khan.)   Throughout the 1950's, approximately 100 nuclear bombs of varying intensities were detonated at the Nevada Test Site.  The mushroom clouds could reach tens of thousands of feet high; desert winds would carry radioactive particles all the way to Utah.  The area in which The Conqueror filmed was likely blanketed in this dust.   The Conqueror, co-starring Susan Hayward, Agnes Moorehead, and Pedro Armendáriz, was a moderate box office success, but a critical failure and soon found itself on ‘worst films of all time' lists.  The true legacy of the film had yet to be revealed.  Of the 220 people who worked on the production, 92 developed some form of cancer, with 46 dying of it, including Wayne, Hayward, Moorehead, and Armendáriz.  The director, Dick Powell, died of lymphoma in 1963.  Wayne developed lung cancer and then the stomach cancer that would ultimately kill him in 1979.  Wayne would remain convinced that his chain-smoking was to blame for the cancers, even as friends tried to convince him it was from exposure to radiation.  Wayne's sons, who visited the set during filming and actually played with Geiger counters among the contaminated rocks, both developed tumors.  Susan Hayward died from brain cancer in 1975 at 57.   The authorities in 1954 had declared the area to be safe from radioactive fallout, even though abnormal levels of radiation were detected.  However, modern research has shown that the soil in some areas near the filming site would have remained radioactive for sixty years.  Howard Hughes, producer of The Conqueror, came to realize in the early 1970's that people who have been involved with the production were dying.   As the person who approved the filming location, Hughes felt culpable and paid $12 million to buy all existing copies of the film.  Though the link between the location and the cancers that cannot be definitely proven, experts argue that the preponderance of cases goes beyond mere coincidence.   MIDROLL   My grandmother had a lovely cross-stitched sampler above her fireplace with a quote that I really took to heart and have carried with me through my life, “Everything happens for a reason.  Sometimes the reason is you're stupid and make bad decisions.”  … I wish my grandma had a sense of humor like that.  Every movie that fails does so for a reason.  Several, usually, a veritable swarm of failure bees, ready to sting the audience right in the brain and the studio right in its wallet.  And sometimes, that sting is fatal.  For the studio, I mean.  I don't know of any cases where someone died because the movie they were watching was so bad it killed them.  At least that gives Tommy Wiseau something to reach for.   Like we saw with the banking crisis, there is no such thing as ‘too big to fail' in Hollywood, either.  Take Eddie Murphy, for example.  He was already established for his roles in 48 Hrs and Trading places before 1984's Beverly Hills Cop.  [sfx axel f]  I'll risk the copyright strike, I don't care.  If Hollywood were a lady, she was throwing her panties at Murphy until around, let's call it 1995's Vampire in Brooklyn.  Since then, for every Shrek, there are three Norberts, or one Pluto Nash.  Did you see this fart bomb of a movie when it came out in 2002?  Yeah, neither did anyone else.  His first foray into live-action family comedies stank like a pair of armored trousers after the Hundred Years war.  The sci-fi comedy (and we use the term loosely) didn't receive one breath of praise, with everyone lambasting the script, humour, acting and visual effects.  And they dragged poor Rasario Dawson into it.  Its 4% rating on Rotten Tomatoes says it all, though the audience gave it 19%.  One of the biggest box-office flops ever, the movie had a $100 million production budget but earned only $7.1 million at theaters worldwide, meaning it lost a whopping $92.9 million.   Sometimes the likely cause for a movie's failure is staring us all right in the face, but it feels like no one talked about, even though we *alllll talked about it, the casting of Johnny Depp in the ‘are you sure there's nothing else in the bottom of this barrel' elephant in the room, 2013's The Lone Ranger.  Depp was joined by fellow Pirates of the Caribbean alums Gore Verbinski, Jerry Bruckheimer and the House of Mouse must have felt confident this wonder trio could bring home the gold.  Yeah, no.  The production ran into trouble, costs escalated and the whole thing was nearly shut down before it was completed.  When it finally hit cinema screens, The Lone Ranger was slammed by critics and shunned by audiences. [sfx it stinks]  But it did still manage to garner two Oscar nominations, for 'Visual Effects' and 'Makeup and Hairstyling.'  Must have been a light year.  The Lone Ranger lost almost Pluto Nash's production budget, being in the red by $98 million.   If you look at film losses as the ratio of budget to loss, you've got to tip your hat to  2016's Monster Trucks.  Paramount hoped to launch a franchise, because there is literally no other way to run a movie studio, but kids can be as fickle with their entertainment options as they are with the sides on their dinner plate.  The $125m CGI romp's opening barely scraped over $10 million at the box office, meaning a loss of $115 million.  If it needed to be said, this section is about films with wide releases and big ad budgets.  Projects from smaller producers have a riskier time with it.  When my (GRRM doc, five tickets at Byrd).   If you look up the lowest-grossing film of all time, you'll find a film that was mentioned in the scam health retreat episode To Your Health (Spa) (ep. 101), but it happened on purpose, from a certain point of view.  2006's Zyzzyx Road was shown once a day, at noon, for six days at Highland Park Village Theater in Dallas, Texas, in a movie theater rented by the producers for $1,000.  The filmmakers wanted a limited release.  They didn't want to release the film domestically until it underwent foreign distribution, buuut they had to do the domestic release to fulfill the U.S. release obligation required by the Screen Actors Guild for low-budget films.  Low-budget is actually quantified as those with budgets less than $2.5 million that are not meant to be direct-to-video.  That strategy made Zyzzyx Road the lowest-grossing film in history; officially, it earned a whopping box office tally of $30, from six patrons.  Unofficially, its opening weekend netted $20, after the leading man refunded two tickets to the movie's makeup artist and the friend she brought. Lots of films fail, happens every day, but some films fail so spectacularly, they take the whole studio down with them, sometimes nearly and sometimes very actually..  Students of movie history with a penchant for disasters know all about 1963's Cleopatra, starring disserviacably diva-ish Elizabeth Taylor and Richard Burton. The period epic had such a disjointed production that actors sometimes didn't know which scenes were being shot until they arrived on set that day.  With a budget swelling uncontrollably to $44 million, the largest at the time, equivalent to $392mil today, the movie faced a real uphill battle to break even, let alone turn a profit.  Movie tickets cost $.85 then and there was no home video market, so 20th Century Fox would have needed to have sold 56 million tickets to stay in the black.  Quick google, the population of the US was 190 million at the time, so...yeah, ain't gonna happen, Cap'n.  They were pretty much screwed.  Cleopatra holds the unique distinction of being the highest-grossing film that year that lost money.  Although the studio didn't fold, Fox was forced to sell off 300 acres of its lot and postpone other productions to avoid permanently closing its doors.  Cleopatra did eventually recoup its budget with foreign distribution, but 1964's historical epic The Fall of the Roman Empire wasn't so lucky.  Samuel Bronston Productions spent a fortune re-creating the 92,000-square meter Roman Forum that once served as the heart of the ancient city, in turn building Hollywood's largest ever outdoor set.  It had Sophia Loren in it, for gods sake.  Do you know what she looked like in 1964?!  Sadly, Fall of the Roman Empire only managed to earn back a quarter of its $19 million budget.  Just three months after its release, Bronston's own empire fell, into bankruptcy.   Speaking of big decisions at Fox, one of the people who greenlit Star Wars was Alan Ladd Jr, who left to form his own studio, Ladd Company.  For my British listeners, feel free to pause and imagine an all-lad movie studio, oi-oi, we'll wait.  The Ladd Company pursued ambitious projects like The Right Stuff, based on Tom Wolfe's book about the early days of the space program.  That was a big hit, wasn't it?  I never saw it, but it has good name recognition.  While critics sang its praises and it won four Oscars, The Right Stuff failed to find an audience at the box office.  The same thing happened with Twice Upon a Time, an animated feature executive produced by George Lucas, which did *not have good name recognition and when I do a Google image search, it doesn't look even 1% familiar.  Even though they still had Police Academy in the chute, the Ladd Company was forced to sell its assets to Warner Bros.   Speaking of name recognition, even films that are iconic these days bombed big time when they came out.  Try to imagine TV in December without every single channel running Frank Capra's It's a Wonderful Life at least twice.  Trivia fans, which should be every one here, already know that IAWL did not do well on release --a release in January, it's worth mentioning, which may have been part of the problem-- before lapsing into the public domain and being shown by every tv station needing content on the cheap.  Hell, there was a local station where I grew up in north-east PA that used a jingle of the phrase “IAWL” as their tagline.  The same thing ‘why would you even do that' release date misstep happened with Hocus Pocus, actually.  It was released originally in July, well before social media made loving Halloween a major personality trait, then Disney sat on the movie for over a year before putting it out on home video the next September.  Back to 1946, It's a Wonderful Life's disappointing performance was devastating for Capra, who had actually opened his own production studio, Liberty Films.  Capra and fellow filmmakers George Stevens and William Wyler were trying to free themselves from meddling from studio executives' meddling, but their professional freedom was short-lived.  With no track record, Liberty Films needed the film to get them to live up to Capra's usual standards of success.  It didn't, as we've established, and Capra was forced to sell Liberty to Paramount and work for someone else.   If you've been saying, I haven't heard of half of these people, how about Francis Ford Coppola?  Coppola shapes the landscape of 1970s cinema.  Ever hear of The Godfather, The Conversation, and Apocalypse Now?  Yeah, thought so.  The '80s, however, not so much.  His first movie of the decade, One From the Heart, spent the majority of its high budget on pioneering visual techniques and a faithful recreation of Nevada's McCarran International Airport.  He's a details guy.  But fans of his earlier, dark, gritty, hyper-masculine work were left completely baffled when they sat down for a Coppola movie and found themselves in a candy-colored Vegas musical rom-com.   The film failed to pull in even a million dollars against its budget of $27mil.  Coppola's own studio, Zoetrope, never recovered from the financial loss.   Speaking of film legends who stumble headlong into bankruptcy, we present  for the consideration of several readers, Don Bluth.  Bluth left his job as an animator at Disney in 1979 to create the animation department for 20th Century Fox.  We're talking The Secret of N.I.M.H, An American Tail, The Land Before Time, and Bluth and crew at Fox Animation put those out while Disney delivered disappointing efforts like The Great Mouse Detective and Oliver and Company.   But Disney found its footing again with The Little Mermaid in 1989 and they've been unquestionably unstoppable ever since.  In 1997, Bluth released the critically acclaimed Anastasia; less than three years later, the studio was done.  In June 2000, Titan A.E. hit theaters, a lush, traditionally-animated movie with great character designs and solid casting and acting that flew through space and braved alien worlds.  It wasn't a bad movie.  For some reason, despite having a hysterically bad memory, I can still remember the chorus of the song from the big ‘let's do cool things with the ship' sequence.  Titan AE hit theaters, but not, ya know, hard.  Fox Animation spent $85 million on the film targeted at a teen audience, who are not a big enough segment of the broader animation-viewing market.  It earned $9 million on its opening weekend and the following *week, Fox announced it was closing the studio.  The writing had already been on the wall.  In December 1999, executives forced Bluth to lay off 80% of his animators after the box office bonanza that was the CGI Toy Story 2 led Fox execs to conclude that hand-drawn animation was on the way out.   Prior performance is no predictor of future success.  The Land Before Time didn't help Bluth with Titan AE, and not even the freaking Lord of the Rings trilogy, with its many Oscars, could save New Line Cinema.  From its creation in the 1970s and even after Warner Bros. bought a controlling stake, New Line Cinema was a mid-major movie studio that acted like an indie, taking chances on edgy, quirky movies like Pink Flamingos, Boogie Nights, and Mortal Kombat.  If you don't think MK belongs in those examples, the only video game movies had been Street Fighter, blargh, Double Dragon, yawn, and Super Mario Brothers, a veritable kick in the nards to be gamers and moviegoers.   Four years after The Return of the King ended the LOTR trilogy...eventually... New Line wanted another fantasy series cash cow, and it looked to The Golden Compass, Philip Pullman's first entry in the His Dark Materials trilogy.  New Line pumped $200 million on the project, more than it had spent on The Lord of the Rings.  To offset production costs, the company pre-sold the overseas rights, essentially getting an advance, meaning that when the film hit theaters outside of North America, they wouldn't see any more money.  That made profit virtually impossible... as did the film's relatively small $70 million domestic take.  Thus Warner Bros. absorbed New Line into its existing film production divisions, well, 10% of the studio.  The other 90% got sacked.   Sources: get ones from book https://www.triviagenius.com/5-movies-that-lost-the-most-money/XtY_ghx5DQAG1g4j https://www.mentalfloss.com/article/643698/movies-that-bankrupted-studios https://www.mentalfloss.com/article/86201/6-movies-ruined-their-studios https://www.digitalspy.com/movies/a843659/expensive-movie-flops-bombs-box-office-failure-justice-league/ https://chillopedia.com/15-movies-that-killed-careers/  

Welcome to FruitBowl Weekly! The entertainment podcast where a couple of fruity folks pick one another's brains on a variety of topics. This episode was voted by YOU! Our amazing listeners! Head on over to the official FruitBowl Weekly Twitter page to take part in the next poll and have your say! This week, we travel around space and explore both the 2nd and 3rd dimensions in Titan A.E. (2000). Don't forget to catch us every Friday for new weekly episodes. You can vote for episodes YOU would like to see in our monthly Twitter polls @fruitbowlweekly! Twitter: twitter.com/FruitBowlWeekly Instagram: instagram.com/fruitbowlweekly --- Send in a voice message: https://anchor.fm/fruitbowlweekly/message Support this podcast: https://anchor.fm/fruitbowlweekly/support

Get ready... for the human race. A failed blockbuster but is it a hidden gem? ►Check out our Patreon! https://www.patreon.com/thewafflepresspodcast ►YouTube: https://www.youtube.com/c/TheWafflePress ►SoundCloud: https://soundcloud.com/thewafflepress/ ►Spotify: https://open.spotify.com/show/0wn6x2sfn6eCmg1MYDUW45?si=sXcDY8xsSrqLYvnGu3vVOg&dl_branch=1 ►iTunes: https://itunes.apple.com/us/podcast/the-waffle-press-podcast/id1265467358?mt=2 ►Diego: https://twitter.com/thediegocrespo ►Matt: https://twitter.com/EmperorOTN

In this Spotlight compendium to their Titan AE episode, the Mikes are talking about some of their favorite animated films that are targeted at both kids and adults. Mike Field and Mike Butler talk about films that were not just animated films with a few jokes that go over a kid's head, but ones that are meant for the entire family, kids and adults to enjoy (at least) nearly equally. The Mikes list films such as the Toy Story films, Inside Out, Who Framed Roger Rabbit, and more as they discuss these films not pandering to their adolescent audience and finding themes that work for an audience regardless of age. They also bring up that as an adult its important to keep some wonder, and childhood whimsy; to not become someone that your younger self would no longer recognize. So grab your concessions, find your seat and get read for https://my.captivate.fm/forgottencinemapodcast.com (Forgotten Cinema: Spotlight)!

All good things must come to an end, and like the changing of the seasons, so must go our Forgotten Summer season. But first, the Mikes are blasting off into space, watching Earth blow up, and avoiding weird electric aliens as they search for the only ship that can save mankind in Don Bluth's 2000 animated adventure film Titan AE, starring the voice talent of Matt Damon, Drew Barrymore, Bill Pullman, and Janeane Garofalo (in her 4th FC film). Mike Butler and Mike Field discuss how this film was marketed as a new paradigm shift in blockbuster films; not just for kids, not just for adults. A big budget action adventure for the whole family using the latest and greatest in animation. Unfortunately the film was riddled with behind the scenes woes; from the firing of its original director to the rushing of it's new directors, including legendary animation director Don Bluth. Titan AE is a film filled with potential...potential buried by plot holes, bad dialogue, questionable character choices and a strange mix of animation styles (partly to do with my different animation studios used to rush production). As Mike Field brings up in this episode, if a reboot were done to redo the mistakes made on a previously flawed film that brimmed with potential...this is it. A diamond in the rough, filled with promised, marred by issues. So pack up your beach toys, put that cover on your pool, notice the pumpkin-spiced everything ads to the left and right of you, and settle down for the final episode of https://my.captivate.fm/Forgottencinemapodcast.com (Forgotten Summer)!

Hey, how do you think we should start this movie?Me? Oh I think we should start this movie by BLOWING UP THE EARTH!!Daaaaaaang. Okay I’m in! This episode we’re remaking Titan AE with guests from the Not If I Reboot … Continue reading →

Welcome to the house of animation! This week we are wondering if we can get our right hand to stop flashing light as we talk Titan AE. Contact us at squareeyessyndrome2020@gmail.com Share, like and subscribe! Follow us on Spotify here: https://open.spotify.com/show/6oWAmQg ... Google podcasts: https://www.google.com/podcasts?feed= ... Pocket Casts: https://pca.st/yf8v9j1p

This week we revisit a time when the fate of humanity rested on a young man's ring.  Join us for Titan AE   To contact the show email show@isawthatyearsago.com You can also support us via Patreon - https://www.patreon.com/istya

En este episodio hablamos de una película de animación que fue un absoluto fiasco pero nos dejo muy buen sabor de boca: Titan AE.

Sci-fI fan and head writer of Aunty Donna (Sam Lingham) joins his mates Mish and Zach to chat about Titan AE.Titan AE is an 80s style animation made in the year 2000. It has a cool futuristic soundtrack - if you were asked to make a futuristic soundtrack in the year 2000.Combining 80s animation with state-of-the-art computer generated images, Titan AE is a science fiction story set in future when the earth is totally fucked up by a bunch of blue aliens known as The Drej. A young, hairless dude named Cale (voiced by Matt Damon) has the key to reclaiming and rebuilding earth because he has a gold tattoo on his hand that moves about. Of course, he can't do it by himself! He brings Drew Barrymore and kangaroo with him.John Leguizamo voices Gune, a wise old frog guy that people go to for help. He likes maps. See acast.com/privacy for privacy and opt-out information.

#TBT to the year 2000! In this retrospective series, we take a look back at the animated movies from specific years. On this episode, we discuss three films from 2000--The Road to El Dorado, Titan AE, and Rugrats in Paris!

Heyo!! This week we talk Titan AE, the cult sci-fi animated classic from 2000.  Come listen to us discuss the story, symbolism, and tech of this rich universe!

Bring your leftover popcorn and slightly watered-down sodas as we travel Into the Filmverse, a movie fan podcast where Bryce Payne and Mytchel Chandler discuss the expansive universe of film releases, weekly watches, and breaking news.This week we discuss:+ Mandalorian S2 E3: Spoilers! – Movie News+ Sharkboy and Lava Girl Pictures and Details Released by Netflix – Movie Newshttps://ew.com/movies/sharkboy-lavagirl-netflix-we-can-be-heroes-photos/+ One Night in Miami Trailer – Movie Newshttps://www.youtube.com/watch?v=ZprXMxKg--w+ Cinemark Strikes Deal with Universal- Movie Newshttps://variety.com/2020/film/news/universal-cinemark-deal-movie-theater-theatrical-window-1234833613/+ Titan AE (2000) – Oscar Movie Night+ Miles Morales PS5 – Weekly Watches+ Ghost Dog – Weekly Watches+ Moonstruck – Weekly Watches+ The Farewell (2019) - Filmverse Feature+ And much more!Connect with us!Into the Filmverse Instagram @intothefilmversepodcasthttps://www.instagram.com/intothefilmversepodcast/Bryce PayneLetterboxd @PayneReviewshttps://letterboxd.com/paynereviews/Instagram @SanguineDirectorhttps://www.instagram.com/sanguinedirector/Mytchel ChandlerFacebook @AuthorMytchelChandlerhttps://www.facebook.com/authormytchelchandlerInstagram @AuthorMytchelChandlerhttps://www.instagram.com/authormytchelchandlerTwitter @MytchelChandlerhttps://twitter.com/MytchelChandlerLetterboxd @MytchReviewshttps://letterboxd.com/MytchReviews/Websitewww.mytchelchandler.comEXCELSIOR!

Benvenuti nella puntata 27 de i SenzaTempo! Insieme a Pietro concludiamo la nostra piccola storia del grande Don Bluth! Una carriera davvero incredibile. Pronti? .Potete ascoltarci e seguirci anche su altre piattaforme come SPREAKER e INSTAGRAM :Clicca qui per farlo : https://linktr.ee/isenzatempomoviepodcast.Dove trovare Pietro? https://linktr.ee/Pietrofascio .CAPITOLI(00:00) - INTRO(01:40) - CHARLIE ANCHE I CANI VANNO IN PARADISO(08:40) - EDDY E LA BANDA DEL SOLE LUMINOSO(14:13) - POLLICINA e gli altri(18:59) - ANASTASIA (24:39) - TITAN AE.I TRAILER: . CHARLIE ANCHE I CANI VANNO IN PARADISO - https://youtu.be/GUvk7NNmB64EDDY E LA BANDA DEL SOLE LUMINOSO - https://youtu.be/PIPekgvIvl8HUBIE ALL INSEGUIMENTO DELLA PIETRA VERDE - https://youtu.be/lXfPVBmDY60LE AVVENTURE DI STANLEY - https://youtu.be/pUhrFgs5knUPOLLICINA - https://youtu.be/HLw7pSXJe64ANASTASIA - https://youtu.be/ubHht8syzukTITAN AE - https://youtu.be/njRH_EDfLpA.MUSICHE:Intro/Outro: Bugablue - Us Army BluesListen: https://pixabay.com/music/.guitar music no copyrighthttps://youtu.be/uAjTBDUQs2I.#donbluth #garygoldman #anastasia

A bumper episode this week in celebration of the 200th episode of Bit Storm! Ben and Trevor mix it up a bit with some new games, including Second Chance Click Pitch bringing back some prompts from their first episode, as well as some random movie prompts. A drone based FPS with survival elements, Sonic the Hedgehog but bloodier, a re-imagining of Titan AE as VR narrative experience, one woman's journey to find her true self, a security guard solving murder mysteries, and more!

This week on A Space Opera Podcast host Jon Justice covers:-Movies on HBO Max-A Brief History of the Genre-Rewatch: Titan AE -Listener FeedbackSUPPORT MY NERD WORLD: PICK UP YOUR COPY OF THE EMBARK, THE SCIENCE FICTION SERIESAn exciting mix of Fast and Furious, Star Wars, Ready Player One and the sci-fi adventures of the 70's 80's 90's and 2000'sEMBARK: Book 1 and EMBARK: Treasure in Darkness (Book 2) are available now in ebook, paperback and audiobook!EMBARK: The Vanishing War (Book 3) is now available Embark: The all new Sci-Fi Space Opera, written by Star Wars enthusiast Jon Justice.. A must read for any Science Fiction fan! Get it now at the links below. www.MyNerdWorld.net https://www.amazon.com/dp/B07VTZSBVBEmail: TalkShowNerd@gmail.comTwitter @TheMyNerdWorld @JonJusticeInstagram TheJonJusticeFacebook Jon JusticeJoin the mailing list! TalkShowNerd@gmail.com

Cameron is joined by animator and project manager Ese Oteze from the Nigerian animation studio Sporedust and Will Mattimoe, local RVA filmmaker to discuss the 2000 classic Titan AE! Released in 2000 by Fox Animation Studios, Titan A.E. (Ae meaning After Earth) starts, as one does, with the earth being totally blown to pieces. Co-directed by Don Bluth and Gary Goldman (who also worked on All Dogs go to Heaven and Anastasia), Titan AE follows the space construction worker and son of famous inventor, Cale (voiced by Matt Damon) who is found by the nefarious Kroso (Bill Pullman) and his band of space pirates. Cale is revealed to be the living key to a second possible earth and home for humans, and the band embark on an action packed space adventure pursued by BLue Meanies- the Drej, aliens made of “pure energy”. We follow the scrappy band of humans and lizard-like friends as they maneuver for a showdown to determine the final fate of humankind in the universe.

On this episode of Movie Night, we discuss the development of CGI vs hand drawn animation, some more prevalent tropes of sci-fi, a star studded cast for a largely forgotten film, Don Bluth, and more.

Gareth and Andy present a blast from the past with the first of our Lost Best Forgotten Movies Episodes. This week we review Titan AE, an animated sci-fi epic that blew up the earth before bombing at the box office. But is this titan of failure one of the best of the forgotten movies, or should it simply remain best forgotten? Listen on to find out...

Mr Fretz goes over the pop culture and wrestling in June of 2000. Featuring: The debut of Survivor, the short-lived Clerks cartoon, My Myself & Irene, Titan AE, Bon Jovi's Crush, Marvel vs Capcom 2 and so much more! Then Fretz reviews a mostly classic WWE King of the Ring. It's true it's DAMN true! This PPV is so good, Fretz gets to review it twice! Watch for it on the Gamechanger Podcast this coming week! Shoutouts to Stu Sasks of PWI and my high school friend Wakely! Snooch to the nooch! Originally aired on Wrestle Addict Radio Patreon. Follow me @TheLegendaryJF Follow WaR @Addict_Wrestle Buy our merch! https://teespring.com/wrestle-addict-radio Esp this month with our Pride collection. 100% profits going to the Trevor Project, a crisis prevention group for at risk LGBTWIA+ youth under 25. --- Send in a voice message: https://anchor.fm/fretzlemania/message

Iniciamos este nuevo episodio con una crítica al magisterio, le seguimos con el iva y luego nos vamos a hablar de whitexicans. En cosas más amables, platicamos la serie El nombre de la rosa, de pennyworth y Apokolips war. Platicamos rápido sobre la radionovela de Sandman, lo que pudo ser el OST de Onward, y los de Atlantis, Titan AE, treasure planet, además de los berrinches de Tom Hanks vs Spirits Within. ¡Y muchas otras más! Siganos en Twitter: https://twitter.com/tecnodromo_pc Facebook: https://www.facebook.com/tecnodromoPodcast/ Blog: https://tecnodromopodcast.blogspot.com

We are back with our look back at underrated Don Bluth films as Jams crosses Titan AE off her list! She joins Rach as they discuss this sci-fi adventure! Show Notes Titan AE's IMDb: https://www.imdb.com/title/tt0120913/ Titan AE's fantastic soundtrack playlist: https://www.youtube.com/playlist?list=PLPfSlqwR0je9QpSgnN0l6AJXUXP5VOOmA Enjoy this podcast? Weird like us? Well then follow, like, and subscribe! Find us here: https://linktr.ee/nerdycurious We are @nerdycurious on all the social media channels and you can find our pod It's On The List on all your fave pod platforms. Be sure to send us your questions or requests with the hashtag, #CuriousQs. Stay curious!

Review of Titan AE

Cinematic September concludes with work from two legendary animators, Don Bluth's "Titan AE" and Satoshi Kon's "Millennium Actress." We also recap our afternoon of culture and why if you're going to form a line around Caitlin MacKinnon, you better have it together, as well as Spidey chat, Apple+ wonderings and the Mike Schurr civil war is gearing up again. It's going to be a long season. Become a patron and get bonus eps, playlists, essays and more at patreon.com/geekdownpod or buy us a coffee at ko-fi.com/geekdownpod. Theme music by Rob Gasser (soundcloud.com/robgassermusic), licensed under (CC BY-SA 3.0)

It is impressive for a movie to end a studio… here are two! music by Glenn White.

Before Matt Damon was Jason Bourne, he was Cale Tucker. The only man who could save humanity from extinction against the Drej and their blue, electric doom. I know, sounds like the best movie you have ever seen, right?! Well find out when we revisit the animated movie, Titan A.E., if it wrecks our childhood. TITAN AE TRAILER https://www.youtube.com/watch?v=8E_t8D-18Qo&t=42s BUY OUR MERCH! We now have a Redbubble store, so just go to www.wreckmypodcast.com and click the button at the top to Shop Our Merch! HELP US OUT! Rate, Review, and Subscribe where you can for some emotional support! Check Out PATREON For Cool Stuff: https://www.patreon.com/wreckmypodcast THANK YOU TO MY PATRONS! You Make This Show Possible: Ryan Budds from Trivia With Budds Cole "Cole Train" Phen The Difference Between Us Podcast The Brew Interviews Joe Janero from The Comic Book Rundown Marissa Colatrella Christopher Adamowicz Thank you so much to Ben from Petrified Gumbo Music for our amazing intro songs! If you are in need of any composition for your podcast, show, or business, be sure to check him out and give him a shout at https://www.petrifiedgumbomusic.com/ SUBSCRIBE YOUTUBE channel: https://www.youtube.com/channel/UCmMsqeptrzBkDqA_PLNA2eA Apple Podcast app: https://itunes.apple.com/us/podcast/wreck-my-podcast/id1369574720 Google Play for our Android fans: https://play.google.com/music/listen?u=0#/ps/Iblvdr6yyj5f5o7g4khlyjn4mua Spotify: https://open.spotify.com/show/1ZAgf1Y4yqB3SLLog7mCmm?si=9XM7O0wTT664UCMRqflp2g Castbox: https://castbox.fm/channel/Wreck-My-Podcast-id1229850?country=us Player FM: https://player.fm/series/wreck-my-podcast Stitcher Radio: https://www.stitcher.com/podcast/wreck-my-podcast Check out the Wreck My Podcast Libsyn page: http://wreckmypodcast.libsyn.com/ Official Wreck My Podcast Socials: https://twitter.com/wreckmypodcast https://www.instagram.com/wreckmypodcast/ Craiger: https://twitter.com/Craiger_32 https://www.instagram.com/craiger32/ Jordan: https://twitter.com/BSandCraftBeer https://www.instagram.com/bsandcraftbeer/ Cam: https://www.instagram.com/camolidor/ https://www.instagram.com/cottonwood_art/ Joe: https://www.instagram.com/joecubas/

Episode 63. We watched the 2000 animated sci-fi film Titan AE, from directors Gary Goldman and Don Bluth, with screenplay work from Joss Whedon and Ben Edlund. Earth has been destroyed and the surviving humans live scattered in space among the alien races, missing home and community. Salvage scavenger Cale learns his scientist father was working on a way to resurrect Earth before he died, and now Cale is the only one who can unlock the plans. He joins a ragtag team and sets off in a spaceship to try and save humanity!The Whatnauts Review Show is a weekly book club style podcast about all sorts of cool things from comic books, manga, anime, movies, TV, and more. New episodes come out every Wednesday wherever you get your podcasts or as a video show on our YouTube channel.If you enjoy our shows, we would love to have your support. Get early access to all our episodes and exclusive content when you join our Patreon! For just $1 each month you can help us keep the lights on and help us keep growing.Find us on twitter and facebook and come join our Discord too!

Episode 63. We watched the 2000 animated sci-fi film Titan AE, from directors Gary Goldman and Don Bluth, with screenplay…

We cap off our Childhood Classics block with a movie that is incredibly on-brand for Brad - Titan: AE. Join Riley, Cal, Brad and Keiden as they talk about whether this movie is an effective mix of 2D and 3D animation, whether this movie is aimed at children and some of the finer details of how languages are crafted in the future.

Hobbit and guest(s) pitch ideas for Movie/TV Reboots, Remakes, Reimaginings, Sequels, Sidequels, Mash-Ups, & Adaptations. On this episode, Hobbit and Murphy Lawless (Burlesque Right Meow) pitch over a live-action reboot/remake of the 2000 film "Titan A.E." Burlesque Right Meow www.facebook.com/burlesquerightmeow/ GUI Network Hotline: (804) 505-4GUI (4484) (Message & data rates may apply) _________________________________________________ Join Us Every 1st and 3rd Monday at Fallout for GUI Trivia! 8-10 pm www.facebook.com/FalloutGUITrivia/ _________________________________________________ ● Track Info ● "Epic TV Theme", "Opus One", and "In A World" by Jason Shaw (audionautix.com) These works are licensed under a Creative Commons Attribution 3.0 Unported License. creativecommons.org/licenses/by/3.0/deed.en_US For business and sponsorship inquiries, e-mail at: geeksundertheinfluence@gmail.com

The boys saw Glass! They talk Stuart Little, water, Titan AE comes up, and what this movie is really about. Andrew is in a sing song mood and Sam rants about YouTube voices Art by: Randi Hamel @artbunns on Instagram and rannibuns.tumblr.com

Dick and Kate are not certain these are different movies. Then they watch them to find out if they are! Spoiler Alert: A mushroom cut can have a surprise rattail attached. See acast.com/privacy for privacy and opt-out information.

Hello beautiful babies!   This is a special episode of Tapes! Tapes! Tapes! I know I say that a lot, but Titan AE was a hotly request and contested movie for us to review, and I think it surprised the both of us in different ways! Enjoy our talk about 2000's Don Bluth classic, Titan AE!   With love from Space, Evan

Join the release party for Darling Girls, the latest novel of vampiric debauchery from Thorne & Cross. Hosted by Q.L. Pearce, author of The Land Before Time, Scary Stories for Sleep-Overs, and Titan AE. Join the Thorne & Cross newsletter for updates, book deals, specials, exclusives, and upcoming guests on Thorne & Cross: Haunted Nights LIVE! by visiting Tamara and Alistair at their websites: alistaircross.com and tamarathorne.com This is a copyrighted, trademarked podcast owned solely by the Authors on the Air Global Radio, LLC.

Amity thought this was Treasure Planet. Or was it Titan AE? It was neither. Instead, Lemuel and Amity watched the 2008 moving picture Babylon AD. We discuss how quickly each actor finished filming their role, the merits of non-fatal bullet placement, and how much of a bad ass Michelle Yeoh is. Also whether or not Vin Diesel is inflatable and what that means for his tattoos. One of us tries to make sense of this travesty, the other has given up completely. Email us at latecomers@gmail.com Twitter: @latecomerspod Find Amity @ www.amityarmstrong.com and @AmityArmstrong on Twitter Our Facebook group is here for those who consent: https://www.facebook.com/groups/1754020081574479/ Music: “Retro Soul” - Bensound.com

Talking all about the classic sci fi Don Bluth & Gary Goldman animated flick from the turn of the century. In what is the last 2D film of the Fox Animation department sadly. Well 2D with 3D backgrounds. But this great childhood classic with it's Heavy Metal vibe always holds up well. Even if it had to compete with the new flood of anime popularity taken over the youths. But come on by with us and go back with a great film in Titan A.E.   Old Man Orange is Spencer Scott Holmes & Ryan Dunigan - 2018 Support the Show the easy and simple way, by using one of our Amazon Links to make your purchases. Doesn't cost you a penny but sends a little something our way. Thanks!   Titan A.E. https://amzn.to/2js39J7 via @amazon BUY MY COMIC BOOK!!! Ha ha... Seriously!Pizza Boyz Issues 1, 2, 3, 4, 5 or just grab the new Graphic with extra bonuses by Spencer Scott Holmes http://amzn.to/2Dsw1Jk via @amazon Comix Centralhttps://www.comixcentral.com/?s=pizza+boyz Comixology!http://bit.ly/2qg5DjC

Let's watch the 2000 Movie Titan AE and talk about the end of Earth and what comes After Earth

It was the best of times, it was the worst of times. It was the year of plenty, and it was the year of few. It was the year of Millions of Copies sold, and it was the year of Millions of Dollars in losses. It was 2001, and it was the year Square Co. began to die.   I couldn’t find when it was reported to happen, but at some point in the late 90s someone thought that the Final Fantasy brand was strong enough to warrant the creation of an expensive feature film. Instead of doing live-action, which worked for the hit Mortal Kombat films, Square decided that their Final Fantasy movie would utilize their life-like cutscenes they were known for. Not only would it be animated, but it would be an animated film more serious in tone than other animated features at the time, something targeted at teenage audiences. You would think they would learn a lesson from the Titan AE bomb, but no, they went ahead and spent 140 Million + dollars on creating the technology needed for the uncanny valley CGI tech they were pioneering.   To be fair, this is one of the few times where Final Fantasy was doing a FIRST of anything. FF has been a series that historically has improved on other creative ideas, like the gameplay elements from Dragon Quest, and the story elements from Star Wars, and put it’s own unique spin on it. Spirits Within, however, really was the first movie of its kind, taking the world of computer animation from the realm of Toy Story and stretching it to its breaking point, paving the way for future realistic-CGI films like Beowulf, Polar Express, and the relatively recent Jim Carrey starring Christmas Carol.   Let’s take a minute though, and think about $140 Million dollars going to this new project based on a video game. Titanic (the most expensive film of all time up to that point) cost $180, was written and Directed by the creator of the massively successful Terminator 2 and True Lies, starred named actors, and like the other blockbusters of the 90’s, was a pioneer in special effects technology. Spirits Within had a creative staff known for making video games, not movies, and although the voice talent certainly included some big-named stars, it’s not like you get to see any of their faces. I applaud them for taking the risk, unfortunately for all of us, they bet the future of the company on it.   You know what happens when the movie is released in July of 2001, but the crazy thing is that July of 2001 was also when Square Co. had it’s second-biggest gaming hit ever. July of 2001 was the month that Final Fantasy X came out in Japan.   Final Fantasy X was going to be Final Fantasy’s first foray onto the Playstation 2, as well as its first with voice-acting. With a budget of 32 Million Dollars, the game would sell over 8 million copies at the time, and would be a massive critical hit as well. In terms of sales (and I would say legacy), FF10 ranks just below FF7 in popularity. It was a beautiful game, and brought the series into the modern era of gaming, leaving its roots behind and steered the series into what it is today. But even FF10’s massive success wasn’t enough to make up for Square’s Spirits Within losses.   Hindsight is 20/20, but Square didn’t even have much of a line-up outside of those 2 products. The only other original Square-developed titles that year were All-Star Pro-Wrestling 2, and the Game Boy SAGA game called “Final Fantasy Legend” here in the states.   Guys, 2001 was when Square took a nosedive it would never recover for, which to me is a shame since FF10 was so damn successful. Spirits Within turned out to be the Heaven’s Gate of CGI animated features, despite getting some good reviews from critics.   Here’s an ironic quote for yuh: In an interview in October 2001, when asked "Are you ever worried that Square will become too heavily dependent on the Final Fantasy name?" Hironobu Sakaguchi (the man behind Spirits Within, not so much behind FF10) responded that "Avoiding that has actually been one of Square's goals for a long time. It is our aim to try and develop a few more major franchises for the company; that has always been on our minds."   The honest answer should’ve been: “Yes, that is a concern, but we did it anyway”.   Enix was nowhere near in as bad of shape as Square in 2001, although it also had some financial difficulties with the delay of “Dragon Warrior Monsters 2” and the flop that was the game “Endonesia”. Enix, unlike square, had spread around it’s investments in other publishing avenues, and Square had only 1 product that it was selling. Both companies were in talks for a merger, but at this point in late 2001, Enix decided it didn’t want to take on the sinking Square Co. ship just yet.   In November 2001, Square Co went into survival mode. The company would restructure and Square CEO Hisashi Suzuki was to be replaced by COO, Yoichi Wada. On top of that, Square went to Sony, who bought out 19% of the company to stabilize the creators of one of their flagship series.   This was by no means the end, Square was still kicking and would have some success in its remaining year and a half. Unfortunately, the repercussions of the failure of the Final Fantasy movie would continue to affect them until their untimely end…     Remix - https://www.youtube.com/watch?v=ssRM-psTUfc

The Guys get together to discuss this animated flop of a film "Titan A.E.". Does the animation hold up next to prior films like Toy Story or does it fail on all accounts? Podcast Website - http://blastchamberradio.com iTunes - http://blastchamberradio.com/tgom Blast Plays Youtube- http://youtube.com/bcrplays Twitter- @3guys1movie Instagram- https://www.instagram.com/3guys1moviepod/

Originally recorded: November 2017 In this episode, the two Matts talk about their mutual non-drinking of coffee, reveal that one of the hosts is a reincarnated Pharaoh, play a clip of one of Matt Donald's promotional events, and explain the concept of plot ninjas to get out of writer's block. When could one be so stuck to resort to this method? Do they have to be literal ninjas? Do you have to stick to them, or edit them later? What exactly is this Japanese Thanksgiving that Matt David claims to celebrate while in Japan? We discuss it all, with all the dignity of a pooping pigeon, and talk about Power Rangers, Titan AE, a bit of Star Wars, and Final Fantasy (for the third episode in a row for some reason) Have any feedback or questions for our hosts? Email us at mattd@matthewdonaldcreator.com. Also you can purchase Matt Donald's book "Megazoic" on Amazon by clicking here. If you'd like, of course.

In the latest In Defence Of, host Ian Crabb is joined by a crew ready to soar into the galaxy, the plucky young lad with a mighty ring, Will Dodson, the scourge of the galaxy, Andrew Steele, and the steadfast Captain, Todd Horan. In episode 13 of IDO, the team discuss Fox Animation Studio’s 2000 […]

Welcome to That Plot Tho, a podcast where we discuss THE PLOT (and characters) in film, books, and other media…. sometimes even in real life. *** Sarah, Charlie, and Gene talk about their favorite underrated chidren's movies, along with some of the worst sequels ever made. SPOILERS ABOUND! Films mentioned include: Beauty & the Beast (Disney animated), Muppet Treasure Island, The Swan Princess, Treasure Planet, Atlantis: The Lose Empire, The Iron Giant, The Secret of NIMH, Simba's Pride, Aladdin and the King of Thieves, Beauty and the Beast Enchanted Christmas, Mulan 2, Hunchback 2, Return of Jafar, Anastasia, The Goofy Movie, The Black Cauldron, Balto, The Prince of Egypt, Brother Bear, Titan AE, The Rescuers, FernGully, Spirit: Stallion of Cimarron, The Brave Little Toaster, Chicken Run, James and the Giant Peach AND MORE! *** FOLLOW US! Twitter: www.twitter.com/ThatPlotTho Facebook: www.facebook.com/ThatPlotTho Tumblr: thatplottho.tumblr.com DONATE VIA PAYPAL: thatplottho@gmail.com *** Our opening theme music is by Kevin MacLeod at incompetech.com/music/

This week, Kaleb and Joe dive deep into the sequel to Final Fantasy XIII. Well, the first sequel that is.    Development: Final Fantasy XIII-2 was released on December 15th 2011 in Japan, and January 31st 2012 in the United States. The game was developed and published by our very own Square Enix, though fellow RPG developer tri-Ace was brought into assist with the games programming, art, and design. You may know tri-Ace from titles such as the Star Ocean series and Valkyrie Profile. Development for Final Fantasy XIII-2 began sometime around March or Arpil 2010. Most of the key designers and management team came over from Final Fantasy XIII, including director Motomu Toriyama and composer Masashi Hamauzu. Naoshi Mizuta and Mitsuto Suzuki also assisted with the soundtrack. The game has sold around 3.1 million copies as of January 2013. 300,000 copies have been sold through Steam, where it was released on December 11, 2014. Toriyama originally intended XIII-2 to take place a whopping 900 years after the original game. Once he realized how much of a pain in the ass establishing a backstory for this time gap would be, he decided to make it a time travel game. He wanted Lightning to be happy one day, and felt the need to have Serah take a more active role, since she was crystallized in the first Final Fantasy XIII. Apparently the early concept had Serah travelling alone with Mog. Yoshinori Kitase felt that the dialogue between these two characters was quite girly, almost camp and a bit over the top”, so they developed the character Noel. They didn’t want the stark tonal difference that we see between Final Fantasy X and Final Fantasy X-2, so they went for a much darker storyline. The team also learned a few other things, and decided to avoid using l’Cie and fal’Cie, as they deemed them difficult to understand. Interestingly enough, there was initially a plan to link the story of Final Fantasy Type-0 to Final Fantasy XIII-2 via Valhalla, but these plans were discarded.   Setting Up the Plot: Final Fantasy XIII-2 takes place a whopping three years after the events of Final Fantasy XIII. At this point, Sanctum has collapsed, and Cocoon’s inhabitants have moved down to Gran Pulse. Sanctum has been replaced by the technocratic government known as the Academy, run by none other than Hope Estheim. The game jumps around multiple different time periods, even including parallel versions of the same places. These are accessed via the Historia Crux. The game takes place mostly on Gran Pulse and Cocoon, but players also visit the Void Beyond, a sort of limbo between time periods, and Valhalla; the capital of the goddess Etro. Valhalla is located at the end of time where Etro stores the dark energy Chaos from destroying the timeline.   Story:   Paradoxes are popping up all across the timeline, and our heroine of Final Fantasy XIII, Lightning, has been written out of history, and only Serah remembers that she came back with the pary after Lightning and co saved Cocoon. Serah settles down in New Bodhum, but can’t shake the feeling that her sister lives on. It turns out that the mysterious energy known as Chaos, dragged Lightning to Valhalla. This was a result of Etro releasing Lightning and her friends from their crystal status as a thank you for saving Cocoon. Etro closed the gate between realms to keep Chaos out, but then fell into a deep sleep. Lightning is now Etro’s Knight, charged with protecting her from Caius Ballad, a bad man who wants to kill Etro to destroy the timeline. Caius was made immortal by Etro when she gave him her heart, known as the Heart of Chaos. Lightning, realizing that she needs a hand since she’s caught in an unending battle with Caius, reaches out to a young man named Noel Kreiss for help. Noel, who was chosen by Etro to become a time traveler, gets sent to New Bodhum to find Serah and bring her to Lightning. Noel meets up with Serah and finds out that she can see visions of the future, and is also allowed to use time gates, and access the Historia Crux. Noel and Serah travel the world to different eras solving paradoxes along the way. Their objective is to prevent the shit-tastic future that Noel comes from. He is the last man at the end of the world, after all. This happens in a timeline where the crystallized Cocoon fell from the sky. When Hope Estheim learns of this timeline, he sets out to prevent Cocoon’s eventual planet shattering fall. While our party is out and about, they learn that Snow has also become a time traveler, which is why he never returned from XIII’s ending as well. This is when the party first learns about Yeul, a seeress protected by her immortal guardian Caius, until the last Yeul died in Noel’s time period. Noel is disturbed by meeting various Yeuls throughout his adventures, since he wanted to become the Guardian to Yeul from his timeline. Yeul’s soul isn’t able to return to the chaos of the unseen world, and she is continually reincarnated with Caius as her Guardian as “blessed” by Etro. Seeing Yeul die over and over drove Caius mad, and spurred his desire to collapse the timeline in order to end Yeul’s cycle of suffering. Caius then creates paradoxes along the timeline to cultivate the perfect conditions in which to let Chaos consume the mortal realm. Our pary sets out to stop them, even after discovering that Serah also has the power of the seeress, which eats away at her very existence with every vision she has. These are triggered by the changes in the timeline through solving paradoxes. Serah and Noel finally meet up with Lightning, and move in on Caius. The party first fights him in 500 AF Academia, and then in Valhalla. Once Caius is defeated, he tells the party that he’s killed Lightning, and then impales himself on Noel’s sword, killing the already weakened Etro. The party returns to Academia in 500 af, where Vanille and Fang have been rescued from the falling pillar. We also see a very Titan AE esque new Cocoon called “Bhunivelze”. Serah then dies in front of Noel from the shock of the changes. The sky is rent asunder by dark clouds, and Chaos breaks free into the realm, and permanently warps things. Noel then realizes that they did exactly what Caius wanted by destroying the Heart of Chaos, and though Etro died, Caius is still alove and bound to the chaos. Serah’s dying spirit assures lightning that they will see each other again, and we then get a scene showing Lightning on the throne in Crystal Stasis on the throne in Etro’s temple. If you take the time to complete the additional storylines in the game, you get an additional scene showing Caius on the throne stating that the goddess is gone forever, and that he and Yeul can begin a life without their curses. Gameplay: The game features many of the combat elements of its predecessor, resurrecting the Paradigm and crystarium systems. It also introduces a system that allows players to capture beasts to fight alongside protagonists Serah and Noel. XIII-2 features a modified version of the old school random battles. Enemies will randomly appear on the map, and a timer spawns. The player can attack monsters before the time runs out, starting the battle with a preemptive strike. Battles take place similarly to Final Fantasy XIII, though you do have the option to switch party leaders. A game over is obtained once all human players have been defeated. The paradigm system offers stat increases, and isn’t locked like in Final Fantasy XIII. Beasts that have been captured are also leveled up, and have their own crystarium branches, though materials purchased from Chocobolina or collected through battles. Monsters have their own form of limit breaks, known as Feral Links, and vary from beast to beast. Final Fantasy XIII-2 also originated the Wound Damage. This is where a target members max HP can only be restored through healing items (we’re looking at you, Final Fantasy XV). Final Fantasy XIII-2 also uses Cinematic Action sequences that force the player to mash buttons. Conversations also have variants, as the player gets to choose what response to give. There are also Temporal Rifts. These are puzzle-esque minigames necessary to advance.   Remixes: https://www.youtube.com/watch?v=WhODT_HsPdg https://www.youtube.com/watch?v=GvzbPhcM2Nw https://www.youtube.com/watch?v=AkyBeHF3vXs https://www.youtube.com/watch?v=Vq_QGAAUbzE https://www.youtube.com/watch?v=pcP6tTTcD1w https://www.youtube.com/watch?v=rOp4hob-4oE https://www.youtube.com/watch?v=lBeiuhb36RY  

It's the movie that ended Don Bluth's career as a film director and convinced Fox to give up on the whole animation thing. Not to mention convincing all of Hollywood to rescue Matt Damon, instead of letting him rescue us. Yes, it's 'Titan AE' with a genuinely star-studded cast and $100m loss, does this bold experiment in mixing hand-drawn and CG animation deserve it's place in the hall of shame or should you dust this bad boy off and give it another shot? Za'chary and Ariane are about to find out.

You might think you can beat the Drej, but did you know they're pure energy? Because, you can't beat them; they're pure energy! Andrew learns this lesson and more as he navigates the future of humanity in Titan AE! Spoilers! You'll hear that pure energy line a lot.

Today we talk with Blake Tucker in our first “Average Joe Hollywood” episode. The discussion goes over his history with Lucas Arts and Pixar plus his role in Titan AE.

THE MILLENNIUM! In this week's episode, Mike and Drew go on an intergalactic adventure with the animated film, Titan AE! Talk Nerdy to Me: MOAR DIABLO 3! Drew plays Batman: Arkham Asylum, imports a Japanese Gundam game. Mike plays some Trials HD and gets a new home theater system. This week's challenge: (courtesy of Tk726) Watch Titan AE! An animated movie by Don Bluth! Next week's challenge: (courtesy of Chris from Rockwall, TX) Watch the first 6 episodes of Sci-Fi original series, Farscape! As always, be sure to like us, follow us, and subscribe so you don't miss out on all the fun shenanigans and hijinks!

This week, guest host Jedi Jeff takes over for a look at the movie, "Titan A.E." He also reviews the Lego Star Wars Character Encyclopedia. Enjoy the podcast everyone!

This week we talk about James Franco, Titan AE, and RoboCop (again)