Podcasts about i sell

Our favorite black feminist was most likely an entrepreneur because for many of our ancestors black feminist entrepreneurship was simply a synonym for “the practice of surviving with our dignity in tact”. Many of us have heard the stories if we listened closely, the auntie, uncles and cousins who spun up hair salons, barbershops, daycares, restaurants and classrooms inside living rooms, kitchens, gardens and basements. Businesses that experimented with mutual aid and refused to replicate the carceral choreographies they might have witness or experienced in their neighborhoods or at their jobs. These stories are not new, disability and complex trauma sometimes renders us unable or unwilling to hold "traditional jobs". Entrepreneurship and creative lives of refusal aren't always born out of courage, sometimes they're born out of necessity and needs capitalism just can't hold. What creative strategies can black feminism teach us about surviving systems designed to fail us?ResourcesRegister for the Free 2-Part Worldbuilding Workshop Series and Download the Spring 2025 Syllabus: https://www.seedaschool.com/programSubscribe to the Seeda School Substack: ⁠https://seedaschool.substack.com/⁠Follow Ayana on Instagram: ⁠⁠@ayzaco⁠⁠Follow Ayana on Threads: ⁠⁠@ayzaco⁠⁠Follow Seeda School on Instagram: ⁠⁠@seedaschool⁠CitationsFreedom Farm CooperativeWhy Harriet Tubman Is a ‘Powerful' Choice for American Currency'Nurse, Spy, Cook:' How Harriet Tubman Found Freedom Through FoodSojourner Truth, "I Sell the Shadow to Support the Substance”Sankofa SymbolBlack Utopias: Speculative Life & the Music of Other Worlds by Jayna BrownCover Art: Lauren Halsey, Untitled (Parliament) (detail), 2021. Digital collage. Source: MFA Boston

You dream of serving folks through your process not your personhood. You are an artist, not an influencer. But your process can sometimes feel illegible, even to you. We're clear there are life affirming benefits to illegibility, opacity, poesis and abstraction. We're also clear if we want to serve communities we care about through a creative offer that resources our practice, there needs to be an outline of the transformative journey we will take them through. This is your framework. In this episode I want to go over the power of frameworks and it's creative capacity to build worlds that extend far beyond us. Resources Register for 4-Part Winter Worldbuilding Workshop and/or Enroll into the Treehouse Today: ⁠https://www.seedaschool.com/program⁠ Download the Creative Offer Questionnaire to Oneself: ⁠https://www.seedaschool.com/questionnaire⁠ Subscribe to the Seeda School Substack: ⁠https://seedaschool.substack.com/⁠ Follow Ayana on Instagram: ⁠⁠@ayzaco⁠⁠ Follow Seeda School on Instagram: ⁠⁠@seedaschool⁠ Citations “Another world is not only possible, she is on her way. On a quiet day, I can hear her breathing.” ― Arundhati Roy Code Noir by Canisia Lubrin Torkwase Dyson, “Torkwase Dyson Reflects on Hyper Shapes”, Metropolis Mag, August 26, 2021 Rees, S. (2019, May 11). “For Arthur Jafa, Black Art is the heart of America”. Sydney Opera House Sojourner Truth, "I Sell the Shadow to Support the Substance" (1864), Source: Met Museum Cover Art: Torkwase Dyson, Selections from Tuning (Hypershape, 200–410), 2018, gouache, ink, and pen on paper, 9 × 12 inches. Courtesy of Rhona Hoffman Gallery.

I too, have put more value in the things that hurt because suffering is familiar. I know her. I know suffering. And I have plenty of evidence that the shelter of suffering has kept me safe, kept me “out the way”. But at what cost? There is rent for living underneath the shelter of suffering. As with everything, there is a sacrifice. The cost was often my inner child who needed me to tend to her wounds but I couldn't bear her pain so I just kept looking away. The cost was often my body which needed my attention, my care, my tenderness, my grace but was often treated as a liability instead. The cost was often my dreams that needed my power, my protection, my faith but seemed too wild to be safe, too pleasurable to count on, too gooooood to be true. I just want us to consider, if only for this moment, how exhausting it is to be in perpetual disbelief of our power. Download Syllabus or Register for Workshop (Syllabus Included) Here: https://www.seedaschool.com/treehouse This Week's Newsletter: I Sell the Shadow to Support the Substance Sojourner Truth artifact: "I Sell the Shadow to Support the Substance” (1864) Karen M. Rose's post on the Cancer New Moon Saidiya Hartman's Wayward Lives, Beautiful Experiments: Intimate Histories of Riotous Black Girls, Troublesome Women, and Queer Radicals “Creative life of refusal” is language borrowed from Alexis Pauline Gumb's essay “The God of Everyday” Follow Ayana on Instagram: ⁠@ayzaco⁠ Follow Seeda School on Instagram: ⁠@seedaschool Cover Art: Augusta Savage with her sculpture Realization in 1938. Collection of The New York Public Library, Schomburg Center. Photo: Courtesy of CCS Bard. I came across this photo after/at a talk given by the curator Nana Adusei-Poku presenting her research on “Black Melancholia”. “Black Melancholia pushes beyond the iconography of melancholia as an art historical subject and psychoanalytical concept to subvert highly racialized discourses in which notions of longing, despair, sadness, and loss were not only pathologized, but also reserved for white cis (fe-)male subjects. The exhibition aims to create a generative space for inspiration, solace, and refuge through a presentation that blends new and recent works with pieces from the late 19th to mid-20th century by artists whose careers never reached full recognition or potential during their lifetimes due to systemic erasure.” — CCS Bard

"How can I HELP you, not how can I SELL you. It's about how we connect with value." Phil Gerbyshak - author of 7 books, over 300 articles, podcaster, business coach, sales expert, and high energy speaker. Time with Phil is something I recommend to anyone who has ever tried to sell something. Anything. A popsicle, a program, a bike, a building. You just have to listen to Phil tell you the right way to create a connection before even mentioning business at all. Phil Gerbyshak says "Work is energy - so do more work!" he talks about online presence, sharing excellent ideas on connection with others. Why you need to be on LinkedIn, nuance and empathy, 'Going for No', and the power of the dad nap. He's one of those friends you want to go on a long car ride with to just pick through their thoughts, ideas, and experiences. He quotes so many speakers and books you'll want to have your notebook ready with your pencil sharp!You want Phil to speak at your event. You want to have Phil coach you and your team!Check out his many books, videos, podcast, and eyewear assortment. HappyAFNow.comPhil@PhilGerbyshak.comPodcast: Sales Leadership show with Phil Gerbyshak

Halloween may be over, but it's still Horror Time, as this week Chad sits Justin down to watch "I Sell the Dead," the 2008 horrror comedy starring starring Dominic Monaghan, Ron Perlman, Larry Fessenden and Angus Scrimm.   Download and listen today on Apple Podcasts, Spotify, iHeart, Amazon, Stitcher, Goodpods, and more of your favorite podcast services!

“I Sell 30 cars a month here, I'm gonna go to a big dealership and I'm gonna sell 100” …. Truth or Fairy Tale for a Young Salesman??? Find out on this Wrench Turners Podcast. Salesman, Marketer, Partner to the people Peter Smith Founder of Lion Partnerships In today's episode, we talk about: ✅ He who holds the gold, makes the rules ✅ I got a guy ✅ Sending roses to spouses? Remember, negative pushes, positive pulls, and always remember to clean your toys before you put them away. You can find Peter: Website: https://www.lionpartnership.com/ Email: firststep@lionpartnership.com Phone: (289)297-LION IG: https://www.instagram.com/lionpartnership/ FB: https://www.facebook.com/lionpartnership Li: https://www.linkedin.com/company/the-lion-partnership/ J. —- I'm Joshua Taylor I help Automotive Leaders and Mechanics understand each other. Click my name + follow +

Hi Traders, The market has been highly volatile over the last couple of weeks, but that is good for us. Why? Because that means Volatility is spiking and we LOVE Volatility. So let's look at something that is highly volatile right now AND at a price extreme. Gold! Gold is near highs it hasn't seen for years. And as a Contrarian, I am going to make a trade that assumes the stock price will trend downwards overt the next few weeks. How do I do that in a High Volatility environment? I Sell a Call Vertical. If you want to learn how to make money in the stock market in REAL TIME and trade side by side with me, then join my alert system right now for only $1 for the 1st month. Use the link below to join and start generating another income stream today! https://learn.sharpertrades.com/p/option-alert-trading-signal?coupon_code=BASIC1YTB ➤ If you really want to learn to trade, check out our Iron Condor option trading course https://www.udemy.com/course/option-trading-for-rookies-advanced-option-strategies-iron-condor/?referralCode=05F82F8D48036DFB3A92 ➤ Sign up to our blog to receive trade ideas and market updates. learn.sharpertrades.com/blog #OptionTrading #TradingOptions #Trading Trading Risk Disclaimer All the information shared in this video is provided for educational purposes only. Any trades placed upon reliance of SharperTrades.com are taken at your own risk for your own account. Past performance is no guarantee. While there is great potential for reward trading stocks, commodities, options and forex, there is also substantial risk of loss. All trading operations involve high risks of losing your entire investment. You must therefore decide your own suitability to trade. Trading results can never be guaranteed. This is not an offer to buy or sell stocks, forex, futures, options, commodity interests or any other trading security.

This week we hit up IFC for their film "I Sell the Dead".Inquiries can be sent to hausofthevoid@gmail.comCheck out the NeonicVoid Productions network of podcasts!--https://linktr.ee/neonicvoidproductions

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Larry Fessenden is an American actor, producer, writer, director, film editor, and cinematographer.[1] He is the founder of the New York based independent production outfit Glass Eye Pix. His writer/director credits include No Telling (written with Beck Underwood, 1991), Habit (1997), and The Last Winter He has acted in numerous films including Like Me (2017), In a Valley of Violence (2016), We Are Still Here (2015), Jug Face (2012), Broken Flowers (2005), The Dead Don't Die (2019), Bringing Out the Dead (1999) and I Sell the Dead (2009). I had Larry on the show to discuss his latest film DASHCAM Inspired by Blow Out, and The Conversation, Dashcam is a stunning psychological thriller that follows Jake a timid video editor at a local news channel who fantasizes about becoming a reporter. While editing a piece on a routine traffic stop that resulted in the death of a police officer and a major political official (Larry Fessenden, Dementer, Jakob's Wife), Jake is inadvertently sent dashcam video evidence that tells a completely different story. Working alone from his small apartment in NYC, Jake uses his skills as an editor to analyze the footage and piece together the truth behind what actually happened. Has Jake uncovered a conspiracy that he can break on the morning news? Or is he seeing things that aren't really there? DASHCAM will be available on-demand Tuesday, October 19 --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app Support this podcast: https://anchor.fm/followingfilms/support

Bakes' Takes Podcast Show Notes Saturday,    August 28, 2021   :27 Why I do this—Bobby, Jack, please listen in.   :51 ‘87 crash, journey, technical analysis first, fundamentals second, not right or wrong, just works for me. read WSJ, Barron's Economist, listen to podcasts, devour relevant newsletters, monitor what Google alerts bring. Point you to them, but if you don't want to do that, please know that I'll do it for you and I eat home cooking, I have no conflicts. What are your pain points? Problems you'd like solved? Topics I should cover? Thank you.   2:07 Supercast/Patreon levels. Weekly call with me on Discord, teach technical analysis, etc. You help me design the show. Guests I should reach out to. Text like I send to my sons. 610-331-4283.   3:00 Not investment advice. Please conduct, and share, your own due diligence.   Bakes' Take—Fan Mail! Calls! Questions! Mike!   3:10 HODL is bullshit! I SELL stocks better than you! Try me!   4:50 Murph, NY—If Dollar cost averaging is strong sell discipline as crucial? Great for 401(k), SPX, int'l fund, 40+ years.   5:17 Answer for my themes is yes, focused, 10%, precise buy signals, breakouts, on 50% increase in volume. Also, preserves actual and psychological capital. 15% loss, can find 20% winners.   6:35 You don't need to use mine, but find your own. Very few investors have a sell discipline, frankly including pros.   6:56 Thoroughly evaluate each month. Doesn't take that much time. How many of 10 reasons still valid? -15%. 200 dma etc.   7:28 You have advantage over the pros! No committees, mandates, restrictions. No PM is 17% uranium, 10% short SPAC's, 36% cash etc. I like my chances.   8:10 Vs. 20% HC, 25% tech, doesn't work.   8:50 SOXX 5/20 $240 launch pad.   9:20 SOXX daily—clear uptrend, NVDA killing it, TSM raising prices, don't do anything until close below 200 dma $416.50 and rising.     10:10 DKNG--$19 4/20 launch. 10:54 DKNG--$48-$50, not bad from $19, likely stalls at $60 11:59 SQ—5/20 $68   12:29 SQ—Sell 1/3 $197, let rest ride   13:18 COIN--$261, $280   14:23 SOFI--$13.14 support, $18.64 resistance. Earnings report disappointed, volume up on down days. Watch, but avoid for now.   15:30 Bakes' Take—My sell discipline works. If you have a better one, I would love to see it.   16:03 Bakes' Takes+--What would you like?   16:08 Please share this with your RH or RR friends, send your other stocks/ideas and I will offer strategy for them as well. Please stay tuned.   16:17 Bakes' Takes—My Themes/Groups   16:19 RIDE—One of SOGU's shorts. Icahn lieutenant Daniel Ninivaggi named CEO. Up in first hour, faded below $6.69 resistance, closed at $6.49. Lacked funds to start commercial production, doubt able to continue as a going concern. SEC, DOJ, preorders, SPAC merger. Ford F-150 on lots 2022, $10k below Endurance.   18:36 Bakes' Take—EV's are going down. SOGU up.   Bakes' Takes-Gray Swan, new segment   Bakes' Take—Podcasts of the Week!   https://riskreversal.com/on-the-tape/ 19:11 On the Tape—33:11 Rich Greenfield, AMC short.   19:45 Maybe, but not yet. Fundamentals often code for I'm right the markets wrong. Being right vs. making money. So early their wrong. Why technical help so much.   Cinemark/CNK—according to Greenfield, same business, better balance sheet, $2B mkt cap vs. AMC $20B. F9 750 mil at box office, F8 $1.2B. My IG video, 4 of us in theater. AMC--92 mil shs short, 18% of float up 8% over last month. CEO selling, in filings say fundamentals don't warrant stock price. Hold for now.                                                                                                         21:53 Bakes' Take—Timing is everything, I will help.   Bakes' Take—Reporters of the Week!   21:55 Ex-Tesla, 45 minutes vs. 10 minutes gas to charge EV. And that's CA. Chargers tougher to find elsewhere. That's before stressing the grid.   Bakes' Take—   Bakes' Take—Charts/Tweets/Posts of the Week!   Bakes' Takes-   Bakes' Take— Newsletters of the Week   Bakes' Take—   23:20 Please also subscribe to my Bakes' Takes YouTube Channel, the audio is the same but the charts that I reference are on the screen. Follow us on Twitter @BakesTakes_ and other social media. Please, please use your voice memo app, tape your question(s) and email to bakes@bakestakespodcast.com or write if you prefer. I will also keep you anonymous is you'd like.   Thank you for listening, Mike Wilson is my producer.   Have a great week. Bakes   Bakes' Beacons—   https://www.youtube.com/watch?v=X83L1ZSpbkg 23:49 Tom Rice, D-Day veteran, jumps for 100th birthday!   Much-needed levity…   https://www.youtube.com/watch?v=wvtvtROpXW4 24:13 Jeff Ross Funniest Roasts of All Time

What kind of dangers can you really run into while grave robbing? We follow Dominic Monaghan (!) as he gets into it and find out himself in horror comedy I Sell the Dead. The addition of Ron Perlman as well should make this a winning combo, but did the Fried Squirms dig it? Listen to more Fried Squirms at www.friedsquirms.com Check out all earVVyrm podcasts at www.earvvyrm.com Email us at squirmcast@gmail.com

In this ep, Craig interviews actor and filmmaker Glenn McQuaid (Director of "I Sell the Dead" and co-creator of "Tales Beyond the Pale"). Glenn McQuaid's imdb: https://www.imdb.com/name/nm1137264/ Produced by Craig Draheim, Josh Lee, and Kyle Hintz Music by Raymond Seed Editing by Kyle Hintz

What, When, and How should I Sell it? Introduction – thank you for your time and feedbackListener left us a review on Twitter : “Nice little podcast here. Bend an ear to this episode talking about the sociological impacts pre/post epidemic “ Remind them how to submit questions and topic suggestions@farm4profitllcFarm4profitllc@gmail.comAnswer questions – COVID-19 in the cab, what do I do if an employee reports positive and they have been running my truck, tractor, floater, etc…..?The guidance we have is to protect yourself from employee/employer legal actions you must take reasonable action to make the environment safe before someone else can enter that piece of equipment.  The employee must quarantine for 14 days and any other individual they came in contact with. We also learned there is a “FOG” that can be released in the cabs once the air has settle to kill the virus.  Once the fog disappears you can go back to operating the machine.What’s working for Ag – In10T AG - https://in10t.ag/ - Kevin Heikes - @kheikes on TwitterDiscovered you via Tweet with Tim Hammerich about giving hats away…… just so you know the cost of admission on the F4P Podcast is two hats!Kevin Heikes is the Chief Operations Officer and CO-Founder of In10T AGIN10T is an independent, farmer-centric, data driven company focused on partnering with farmers to test and learn the benefits of innovative agricultural products and solutions.  Elaborate …….IN10T helps innovative clients accelerate the time from scientific discovery to successful farmer adoption by leveraging farmer feedback, data and technology.  Elaborate ……Please provide us your background, expertise, and the business history…..Company FocusesProduct PerformanceFarmTrials NetworkFarmer ExperienceClients walk in the shoes of the farmerMarket StrategyHow do we get stuff to the farmersDigitally Powered InformationPutting it into the cloud?!How many acres have you tracked or farmers have you impacted?What are you most excited about for In10T in 2020?How could your business help farmers achieve higher levels of farm profitability?Anything else you’d like to share?Main TOPIC: What are we going to do now?  I have to liquidate to get cash now…….What, When, and How!?This will be an episode where I let David handle sharing the information and I’ll try and pry a little deeper for the listenersThis episode is going to be listened to throughout the year so let’s go either by topic or by season.Equipment, Vehicles, Livestock, Land, or Personal Goods/HomesWhat can I sell the fastest to get cash now?What will most likely be the most stable as far as value?How do I know if it’s something I should be selling or if I should hold it?Is there something that has been holding its value or appreciating?JD 4960, quad tracks, land, smart planters, JD 8xx0-8x20Spring, Summer, Fall, WinterWhich is the best season to sell?Do different things sell better in different seasons?4wd’s, Land, Livestock, Planters, Sprayers etc…..Trade it, List it, Auction it, Donate itWhat are the differences between the options?Which options can I do myself and which options to I need a professionalAre their different ways to list or auction?Live, Online, FSBO, Facebook, Auctiontime, HiBid, Etc…Is one way better than the other to sell for an asset type?What if I am looking to buy?Advice for equipmentAdvice for real estateGeneral AdviceWhat would to say to the farmer with a house, shed, and grove full of stuff that doesn’t believe in selling?What are somethings people can do to get the most value out of what they are selling?WaxPicturesGet it runningStage itService RecordsWhat if I have a loan on the property I want to sell?Any other general advice?SummarizeTake notes during the interview to summarize.  Hit on how important using technology can be on the farm. Tie back the obvious to growing farm profitability.ChallengeSpell out steps for them to begin taking action. Refer to the points made by the presenter.Conference UpdateLooking for ideas for great speakersFarm4profitllc@gmail.comSubmit questions and topic suggestionsLike, Rate, Review, ShareThank The Listener

Glenn McQuaid is a writer, director, producer, and musician. He is the co-creator of the popular horror audio play & anthology series Tales from Beyond the Pale. He's also the writer and director of the film I Sell the Dead, starring Ron Perlman and Dominic Monaghan. I discovered Glenn through his music created under the name Witchboard. Glenn is incredibly talented. In this episode, we talk about working in different mediums, creating stories with Larry Fessenden, the music that inspires him, and using sound to tell scary tales. You can follow Glenn on twitter (@MrGlennMcQuaid) & instagram (@glenn_mcquaid).    Show Notes:  Tales from Beyond the Pale Witchboard It's Been Emotional I Sell the Dead Glass Eye Pix Interview DFN Interview with Glenn Glenn's interview on Little Punk People  

HOME IS WHERE THE HORROR ISThe Netflix Dracula is discussed, as well as Watchmen, Ad Astra, and Eric's review of I Sell the Dead! Then things get personal as the gang digs into Killer Parents!Support the show (https://www.buymeacoffee.com/strangeaeonsr)

Runaway slave Sojourner Truth gained fame in the nineteenth century as an abolitionist, feminist, and orator and earned a living partly by selling photographic carte de visite portraits of herself at lectures and by mail. Cartes de visite, similar in format to calling cards, were relatively inexpensive collectibles that quickly became a new mode of mass communication. Despite being illiterate, Truth copyrighted her photographs in her name and added the caption “I Sell the Shadow to Support the Substance. Sojourner Truth.” Featuring the largest collection of Truth's photographs ever published, Enduring Truths: Sojourners Shadows and Substance (University of Chicago Press, 2015) is the first book to explore how she used her image, the press, the postal service, and copyright laws to support her activism and herself. A Goldman Distinguished Professor in the Arts and Humanities at the University of California at Berkeley, the book's author, Dr. Darcy Grimaldo Grigsby, specializes in 18th- through early 20th-century French and American art, visual and material culture, particularly in relation to the politics of race and colonialism. Dr. Grigsby writes on painting, sculpture, photography and engineering as well as the relationships among reproductive media and new technologies from the 18th to the early 20th centuries. Dr. Grigsby is also the recipient of numerous fellowships and awards, including two Andrew W. Mellon New Directions Fellowships, a grant from the Graham Foundation for Advanced Studies in the Fine Arts, a History of Art Undergraduate Association Award for Outstanding Contribution to Art Historical Education, and The Distinguished Teaching Award at the University of California at Berkeley. Some of Dr. Grigsby's previous works include Extremities: Painting Empire in Post-Revolutionary France and Colossal: Engineering the Suez Canal, Statue of Liberty, Eiffel Tower and Panama Canal. In addition to her teaching, Dr. Grigsby is currently conducting research for a book project tentatively titled Creole Looking: Portraying France's Foreign Relations in the Nineteenth Century, which will examine France's relationship to the Caribbean and Americas. James Stancil is an independent scholar, freelance journalist, and the President and CEO of Intellect U Well, Inc. a Houston-area non-profit dedicated to increasing the joy of reading and media literacy in young people. Learn more about your ad choices. Visit megaphone.fm/adchoices

Runaway slave Sojourner Truth gained fame in the nineteenth century as an abolitionist, feminist, and orator and earned a living partly by selling photographic carte de visite portraits of herself at lectures and by mail. Cartes de visite, similar in format to calling cards, were relatively inexpensive collectibles that quickly became a new mode of mass communication. Despite being illiterate, Truth copyrighted her photographs in her name and added the caption “I Sell the Shadow to Support the Substance. Sojourner Truth.” Featuring the largest collection of Truth's photographs ever published, Enduring Truths: Sojourners Shadows and Substance (University of Chicago Press, 2015) is the first book to explore how she used her image, the press, the postal service, and copyright laws to support her activism and herself. A Goldman Distinguished Professor in the Arts and Humanities at the University of California at Berkeley, the book's author, Dr. Darcy Grimaldo Grigsby, specializes in 18th- through early 20th-century French and American art, visual and material culture, particularly in relation to the politics of race and colonialism. Dr. Grigsby writes on painting, sculpture, photography and engineering as well as the relationships among reproductive media and new technologies from the 18th to the early 20th centuries. Dr. Grigsby is also the recipient of numerous fellowships and awards, including two Andrew W. Mellon New Directions Fellowships, a grant from the Graham Foundation for Advanced Studies in the Fine Arts, a History of Art Undergraduate Association Award for Outstanding Contribution to Art Historical Education, and The Distinguished Teaching Award at the University of California at Berkeley. Some of Dr. Grigsby's previous works include Extremities: Painting Empire in Post-Revolutionary France and Colossal: Engineering the Suez Canal, Statue of Liberty, Eiffel Tower and Panama Canal. In addition to her teaching, Dr. Grigsby is currently conducting research for a book project tentatively titled Creole Looking: Portraying France's Foreign Relations in the Nineteenth Century, which will examine France's relationship to the Caribbean and Americas. James Stancil is an independent scholar, freelance journalist, and the President and CEO of Intellect U Well, Inc. a Houston-area non-profit dedicated to increasing the joy of reading and media literacy in young people. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

Runaway slave Sojourner Truth gained fame in the nineteenth century as an abolitionist, feminist, and orator and earned a living partly by selling photographic carte de visite portraits of herself at lectures and by mail. Cartes de visite, similar in format to calling cards, were relatively inexpensive collectibles that quickly became a new mode of mass communication. Despite being illiterate, Truth copyrighted her photographs in her name and added the caption “I Sell the Shadow to Support the Substance. Sojourner Truth.” Featuring the largest collection of Truth’s photographs ever published, Enduring Truths: Sojourners Shadows and Substance (University of Chicago Press, 2015) is the first book to explore how she used her image, the press, the postal service, and copyright laws to support her activism and herself. A Goldman Distinguished Professor in the Arts and Humanities at the University of California at Berkeley, the book’s author, Dr. Darcy Grimaldo Grigsby, specializes in 18th- through early 20th-century French and American art, visual and material culture, particularly in relation to the politics of race and colonialism. Dr. Grigsby writes on painting, sculpture, photography and engineering as well as the relationships among reproductive media and new technologies from the 18th to the early 20th centuries. Dr. Grigsby is also the recipient of numerous fellowships and awards, including two Andrew W. Mellon New Directions Fellowships, a grant from the Graham Foundation for Advanced Studies in the Fine Arts, a History of Art Undergraduate Association Award for Outstanding Contribution to Art Historical Education, and The Distinguished Teaching Award at the University of California at Berkeley. Some of Dr. Grigsby’s previous works include Extremities: Painting Empire in Post-Revolutionary France and Colossal: Engineering the Suez Canal, Statue of Liberty, Eiffel Tower and Panama Canal. In addition to her teaching, Dr. Grigsby is currently conducting research for a book project tentatively titled Creole Looking: Portraying France’s Foreign Relations in the Nineteenth Century, which will examine France’s relationship to the Caribbean and Americas. James Stancil is an independent scholar, freelance journalist, and the President and CEO of Intellect U Well, Inc. a Houston-area non-profit dedicated to increasing the joy of reading and media literacy in young people. Learn more about your ad choices. Visit megaphone.fm/adchoices

Runaway slave Sojourner Truth gained fame in the nineteenth century as an abolitionist, feminist, and orator and earned a living partly by selling photographic carte de visite portraits of herself at lectures and by mail. Cartes de visite, similar in format to calling cards, were relatively inexpensive collectibles that quickly became a new mode of mass communication. Despite being illiterate, Truth copyrighted her photographs in her name and added the caption “I Sell the Shadow to Support the Substance. Sojourner Truth.” Featuring the largest collection of Truth’s photographs ever published, Enduring Truths: Sojourners Shadows and Substance (University of Chicago Press, 2015) is the first book to explore how she used her image, the press, the postal service, and copyright laws to support her activism and herself. A Goldman Distinguished Professor in the Arts and Humanities at the University of California at Berkeley, the book’s author, Dr. Darcy Grimaldo Grigsby, specializes in 18th- through early 20th-century French and American art, visual and material culture, particularly in relation to the politics of race and colonialism. Dr. Grigsby writes on painting, sculpture, photography and engineering as well as the relationships among reproductive media and new technologies from the 18th to the early 20th centuries. Dr. Grigsby is also the recipient of numerous fellowships and awards, including two Andrew W. Mellon New Directions Fellowships, a grant from the Graham Foundation for Advanced Studies in the Fine Arts, a History of Art Undergraduate Association Award for Outstanding Contribution to Art Historical Education, and The Distinguished Teaching Award at the University of California at Berkeley. Some of Dr. Grigsby’s previous works include Extremities: Painting Empire in Post-Revolutionary France and Colossal: Engineering the Suez Canal, Statue of Liberty, Eiffel Tower and Panama Canal. In addition to her teaching, Dr. Grigsby is currently conducting research for a book project tentatively titled Creole Looking: Portraying France’s Foreign Relations in the Nineteenth Century, which will examine France’s relationship to the Caribbean and Americas. James Stancil is an independent scholar, freelance journalist, and the President and CEO of Intellect U Well, Inc. a Houston-area non-profit dedicated to increasing the joy of reading and media literacy in young people. Learn more about your ad choices. Visit megaphone.fm/adchoices

Runaway slave Sojourner Truth gained fame in the nineteenth century as an abolitionist, feminist, and orator and earned a living partly by selling photographic carte de visite portraits of herself at lectures and by mail. Cartes de visite, similar in format to calling cards, were relatively inexpensive collectibles that quickly became a new mode of mass communication. Despite being illiterate, Truth copyrighted her photographs in her name and added the caption “I Sell the Shadow to Support the Substance. Sojourner Truth.” Featuring the largest collection of Truth’s photographs ever published, Enduring Truths: Sojourners Shadows and Substance (University of Chicago Press, 2015) is the first book to explore how she used her image, the press, the postal service, and copyright laws to support her activism and herself. A Goldman Distinguished Professor in the Arts and Humanities at the University of California at Berkeley, the book’s author, Dr. Darcy Grimaldo Grigsby, specializes in 18th- through early 20th-century French and American art, visual and material culture, particularly in relation to the politics of race and colonialism. Dr. Grigsby writes on painting, sculpture, photography and engineering as well as the relationships among reproductive media and new technologies from the 18th to the early 20th centuries. Dr. Grigsby is also the recipient of numerous fellowships and awards, including two Andrew W. Mellon New Directions Fellowships, a grant from the Graham Foundation for Advanced Studies in the Fine Arts, a History of Art Undergraduate Association Award for Outstanding Contribution to Art Historical Education, and The Distinguished Teaching Award at the University of California at Berkeley. Some of Dr. Grigsby’s previous works include Extremities: Painting Empire in Post-Revolutionary France and Colossal: Engineering the Suez Canal, Statue of Liberty, Eiffel Tower and Panama Canal. In addition to her teaching, Dr. Grigsby is currently conducting research for a book project tentatively titled Creole Looking: Portraying France’s Foreign Relations in the Nineteenth Century, which will examine France’s relationship to the Caribbean and Americas. James Stancil is an independent scholar, freelance journalist, and the President and CEO of Intellect U Well, Inc. a Houston-area non-profit dedicated to increasing the joy of reading and media literacy in young people. Learn more about your ad choices. Visit megaphone.fm/adchoices

Runaway slave Sojourner Truth gained fame in the nineteenth century as an abolitionist, feminist, and orator and earned a living partly by selling photographic carte de visite portraits of herself at lectures and by mail. Cartes de visite, similar in format to calling cards, were relatively inexpensive collectibles that quickly became a new mode of mass communication. Despite being illiterate, Truth copyrighted her photographs in her name and added the caption “I Sell the Shadow to Support the Substance. Sojourner Truth.” Featuring the largest collection of Truth’s photographs ever published, Enduring Truths: Sojourners Shadows and Substance (University of Chicago Press, 2015) is the first book to explore how she used her image, the press, the postal service, and copyright laws to support her activism and herself. A Goldman Distinguished Professor in the Arts and Humanities at the University of California at Berkeley, the book’s author, Dr. Darcy Grimaldo Grigsby, specializes in 18th- through early 20th-century French and American art, visual and material culture, particularly in relation to the politics of race and colonialism. Dr. Grigsby writes on painting, sculpture, photography and engineering as well as the relationships among reproductive media and new technologies from the 18th to the early 20th centuries. Dr. Grigsby is also the recipient of numerous fellowships and awards, including two Andrew W. Mellon New Directions Fellowships, a grant from the Graham Foundation for Advanced Studies in the Fine Arts, a History of Art Undergraduate Association Award for Outstanding Contribution to Art Historical Education, and The Distinguished Teaching Award at the University of California at Berkeley. Some of Dr. Grigsby’s previous works include Extremities: Painting Empire in Post-Revolutionary France and Colossal: Engineering the Suez Canal, Statue of Liberty, Eiffel Tower and Panama Canal. In addition to her teaching, Dr. Grigsby is currently conducting research for a book project tentatively titled Creole Looking: Portraying France’s Foreign Relations in the Nineteenth Century, which will examine France’s relationship to the Caribbean and Americas. James Stancil is an independent scholar, freelance journalist, and the President and CEO of Intellect U Well, Inc. a Houston-area non-profit dedicated to increasing the joy of reading and media literacy in young people. Learn more about your ad choices. Visit megaphone.fm/adchoices

Runaway slave Sojourner Truth gained fame in the nineteenth century as an abolitionist, feminist, and orator and earned a living partly by selling photographic carte de visite portraits of herself at lectures and by mail. Cartes de visite, similar in format to calling cards, were relatively inexpensive collectibles that quickly became a new mode of mass communication. Despite being illiterate, Truth copyrighted her photographs in her name and added the caption “I Sell the Shadow to Support the Substance. Sojourner Truth.” Featuring the largest collection of Truth’s photographs ever published, Enduring Truths: Sojourners Shadows and Substance (University of Chicago Press, 2015) is the first book to explore how she used her image, the press, the postal service, and copyright laws to support her activism and herself. A Goldman Distinguished Professor in the Arts and Humanities at the University of California at Berkeley, the book’s author, Dr. Darcy Grimaldo Grigsby, specializes in 18th- through early 20th-century French and American art, visual and material culture, particularly in relation to the politics of race and colonialism. Dr. Grigsby writes on painting, sculpture, photography and engineering as well as the relationships among reproductive media and new technologies from the 18th to the early 20th centuries. Dr. Grigsby is also the recipient of numerous fellowships and awards, including two Andrew W. Mellon New Directions Fellowships, a grant from the Graham Foundation for Advanced Studies in the Fine Arts, a History of Art Undergraduate Association Award for Outstanding Contribution to Art Historical Education, and The Distinguished Teaching Award at the University of California at Berkeley. Some of Dr. Grigsby’s previous works include Extremities: Painting Empire in Post-Revolutionary France and Colossal: Engineering the Suez Canal, Statue of Liberty, Eiffel Tower and Panama Canal. In addition to her teaching, Dr. Grigsby is currently conducting research for a book project tentatively titled Creole Looking: Portraying France’s Foreign Relations in the Nineteenth Century, which will examine France’s relationship to the Caribbean and Americas. James Stancil is an independent scholar, freelance journalist, and the President and CEO of Intellect U Well, Inc. a Houston-area non-profit dedicated to increasing the joy of reading and media literacy in young people. Learn more about your ad choices. Visit megaphone.fm/adchoices

On this episode we discuss the film I Sell the Dead.  We also check out the trailers for Blue Ruin and Joe.

Movie Meltdown - Episode 75.1 In our usual meandering fashion we discuss getting excited for Boobquake and missing Saturday morning cartoons, in addition to… Zombie singing, getting hit on by a dork, more of being creeped out by Seagal’s sex scandal, Bad Boys 3, our best slam yet on Kristen Stewart, When Good Ghouls Go Bad, cartoons for kids or adults?, Kuma’s Corner in Chicago, Takashi Miike, The Oozinator, Ghost Rider 2 - Cage or no Cage?, Flight of the Conchords, Mickey Rourke IS Genghis Khan, I Sell the Dead, hating Keyop, Bootie Pop, Midnight Run 2, Kristen Bell is awesome and possibly tasty, cupping a young Japanese girl’s breasts, SNL skit movies, The Happiness of the Katakuris, The Secret Saturdays, scary Laura Flynn Boyle, The live action Tick, Men in Black 3, the awesome Beetlejuice cartoon, going to the casino to make fun of people, and as expected - Bride Wars makes you feel dirty. “This is f-ing geektastic!”  

 Movie Meltdown - Episode 53.1This week we discuss our own levels of geekiness, and talk about one of the greatest movie pitches ever - exorcising the ghost of Bruce the shark from your house. Plus we feature a snippet of our interview with actress - Dee Wallace. All that plus… hanging around a store looking at movies, reading Lovecraft, being obsessed with Air Bud, Kingpin, Shinobi - Heart Under Blade, Rankin Bass officially licensed chocolate, Johnny Depp - Poncho Villa vs. Tonto, Adam Green, our beloved Danielle Harris, The Black Hole, reliving Mr. Boogedy, vintage TV commercials, I Sell the Dead, Pepto shooters, Hatchet 2, the Max Steel line sucked, Tron Legacy, Rob Bottin in Ecuador, the Farrelly Brothers, Steven Seagal Lawman, re-Amityville Horror-ing, Angus Scrimm - fake grandpa, an awesome Tony Todd cameo and Twilight bunnies, “If you can insight mayhem, that’s a good toy.”  

Gamle mænd, små drenge og Disney - det skal nok bliver spændende. Og... Der er mange forskellige slags vampyrer, men dem vi får besøg af i denne uge spiser med pinde. Følgende titler omtales: 0:12:00 Gone with the Wind bluray 0:32:03 Edmund 0:40:03 I Sell the Dead 0:47:31 Thirst 1:07:06 The Taking of Pelham 1-2-3 1:16:14 Up