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This week, Steven and Leo enjoy a good old tale from the heart of New England called We Are Still Here. They talk about another great performance by Barbara Crampton, What a real New England Winter looks like, how much it cost to get an apartment in Heaven, character actors versus caricatures, awesome back stories for your new house and what happens when you give a movie you once hated a second chance. Watch the trailer here - We Are Still HereLike the show? Rate us on Apple or Spotify!Follow us on Instagram Follow us on TwitterLike the Ads? Check out our friends at...Give Me Back My Action & Horror Movies100 HorrorsDark AdaptationHorror HouseA Cut Above: Horror ReviewGood Beer Bad Movie NightBucket of Chum PodcastDissect that FilmThe CinemigosNext Week Drag Me to HellHassle us via text during the show!
Welcome to Out of the Shadows, a series that dives into the world of (mostly) 80s horror movies. Join Chris Chavez and Jim Clark as they explore the best and worst of what made the 80s the golden age of horror. This week, Chris and Jim kick off their Barbara Crampton-a-thon with the first of four of her more recent films, starting with the 2013 horror drama We Are Still Here.
Josh Ethier is a film editor who has become a household name in horror. Josh is the editing force behind such films as: Contracted, Some Kind of Hate, We are Still Here, Mayhem, Leatherface, Bliss, VFW, Orphan First Kill, Christmas Bloody Christmas, The Seventh Day, Gretel and Hansel, Don't Breathe and most recently Companion which he edited alongside Brett Bachman.In this episode, Josh gets into his career history, editing process, collaborations with filmmakers like Joe Begos and Osgood Perkins and the story behind the recently released Companion, which is one of my favorite horror movies in a long time. This is a really insightful conversation that I really enjoyed and think you will as well. Please welcome, Josh Ethier!Here are some key takeaways from this conversation with JoshLook for the Note Behind the NoteAudience feedback can be a double-edged sword—sometimes useful, sometimes misleading. Josh learned early on from Stuart Gordon (Re-Animator) that feedback isn't about taking every note literally but understanding the note behind the note which requires deeper analysis.For instance, on Companion, early test screenings showed that one character was getting lower audience scores. Instead of softening the character, they leaned into the audience's dislike and committed to it—embracing the audience's reaction rather than trying to cater to feedback. As a result, the character actually scored higher in later tests.Editing is a “Four-Month Conversation” Between Director and EditorThe relationship between an editor and a director is one of the most intimate creative partnerships in filmmaking. Josh emphasizes that the strongest director-editor teams are built on genuine relationships, which is why socializing and getting to know each other outside of the work is just as important as the technical process.The best collaborations happen when an editor and director truly understand each other's creative DNA—the movies that inspire them, their sense of humor, their artistic instincts, and how they think about storytelling. The editing room isn't just where cuts are made; it's where creative risks are taken, where directors feel safe enough to experiment, and where an editor helps guide them toward their best possible work.The more an editor and director understand each other, the better they can anticipate each other's needs, develop a shorthand, challenge each other in the right ways, and ultimately make the movie stronger.Immerse Yourself in QualityJosh believes that editors—and all filmmakers—should obsessively watch and absorb great films. But instead of overanalyzing or attempting to reverse-engineer their greatness, the key is exposure. Some films are great because they have an innate rhythm, a unique DNA that can't simply be replicated. Rather than trying to deconstruct and apply a formula, internalize their essence. Understand what great filmmaking feels like, so when it comes time to shape your own work, you instinctively recognize when something is working—and when it's not. This is also a common piece of creative advice given by Rick Rubin, and I highly recommend his book The Creative Act.SHOW NOTESMovies DiscussedCompanion (2024)Almost Human (2013)Contracted (2013)Gretel & Hansel (2020)We Are Still Here (2015)First Blood (1982)Jaws (1975)Seven (1995)Looper (2012)Books & ResourcesIn the Blink of an Eye – Walter MurchThe Conversations: Walter Murch and the Art of Editing Film – Michael OndaatjeEasy Riders, Raging Bulls – Peter...
February is dedicated to pyrophobia and the fear of fire. This week the fiends Totemlydrunk and Grindhouse Zombie find themselves moving into a New England farmhouse where they come face to face with some hellish spectrals in WE ARE STILL HERE. Kick Watch Parties (Tues/Thurs 7:30PM PT): https://kick.com/totemlydrunk Discord: bit.ly/handlewithscare
Trudging on through this wintry weather, it's good to know that we've got a trio of burnt-up ghosts waiting at home keeping the place nice and toasty for us. This week, we're snuggling up with the criminally underrated WE ARE STILL HERE (2015), which was released to genre fanfare and immediately forgotten about. It's a great little film and we hope you like it as much as we do, else old Lassander Dagmar might come boil your brains in your silly little skull. It's family time on this week's episode of Horror Movie Night! Learn more about your ad choices. Visit megaphone.fm/adchoices
The Ghouls are jumping in feet first into the work of director, Ted Geoghegan! They watched We Are Still Here and the Shudder Original: Brooklyn 45. Monsters come in all forms in both movies and the Ghouls gush about the films and how much there is to discuss. Moral dilemmas, interesting theories, beautiful cinematography, what is the ultimate evil, and even a chat about grief and the "5 Stages of Death". Learn more about your ad choices. Visit megaphone.fm/adchoices
In the cold, wintery fields of New England, an old house wakes up every 30 years and demands a sacrifice. On this week's episode… Join the crew as we discuss progressive hippies, the return of Barbara Crampton, and killer ass ghosts in Ted Geoghan's, We Are Still Here (2015). Show Notes: Housekeeping (3:00) Back of the Box/Recommendations (14:46) Spoiler Warning/Full Review (21:35) Rotten Tomatoes (73:35) Cooter of the Week (80:25) What We've Been Watching (86:56) Hotline Scream: (100:36) Connect with us: Support us on Patreon Website Facebook Instagram Twitter YouTube Shop
Show Notes: Ted Geoghegan has made films like We Are Still Here, Mohawk, and 2023's Shudder original Brooklyn 45, as well as the documentary Queer For Fear also on Shudder. In this episode, he tells me how he started loving horror, the incredible way he got into making horror movies, and how horror has helped him get through difficult times in his life, and more! Ted's Socials: Twitter: https://twitter.com/tedgeoghegan IMDB: https://www.imdb.com/name/nm0313295/ Who's There? Socials: Join the Patreon: https://www.patreon.com/user?u=103143437 Twitter: https://www.twitter.com/whostherepc Instagram: https://www.instagram.com/whostherepc Email: whostherepc@gmail.com Website: https://www.whostherepodcast.com Join the Email List: https://mailchi.mp/4a109b94d3bc/newsletter-signup --- Support this podcast: https://podcasters.spotify.com/pod/show/whostherepod/support
WE ARE STILL HERE! New Episodes coming soon! --- Support this podcast: https://podcasters.spotify.com/pod/show/4dads/support
This week, in our final Camp Frightday IV segment, we talk hometown awfulness, witches, and genre authenticity with director Ted Geoghegan (Brooklyn 45, We Are Still Here, Mohawk) and author Grady Hendrix (The Southern Book Club's Guide to Slaying Vampires, How to Sell a Haunted House, My Best Friend's Exorcism). We definitely owe them both a beer! Once a month, we record the podcast live at http://twitch.tv/frightday. Don't miss out! Follow/subscribe now. Send us physical things: Frightday LLC PO Box 372 Lolo, MT 59847 Want to see the video? Want even more? Join the Frightday Society, at http://thefrightdaysociety.org You'll have access to all Screamium content (Behind the Screams, It's Been a Weird Week, A Conversation With..., Toast to Toast PM with Wine Kelly, Cinema Autopsy, the Writers' Room, bonus episodes of Captain Kelly's Cryptids & Conspiracies, Byron's Serial Corner, and so much more! You'll also be part of our interactive community dedicated to the advancement of horror, hauntings, cryptids, conspiracies, aliens, and true crime. All things frightening. Keep our mini-fridges full of blood...I mean...not blood...normal things that people drink...by going to http://shop.frightday.com Theme music by Cemeteries Produced by Byron McKoy Follow us in the shadows at the following places: @byronmckoy @kellyfrightday @frightday
Many of us approach life like some kind of balancing act, like trying to balance out the scales. And we often carry this balancing act into our relationship with God. But there is no place for scales in God's Kingdom–His grace knocks them down.It is this grace that Paul and Silas extend to a jailer in Acts 16. It is this grace that causes the jailer to ask, “What must I do to be saved?” It is this grace that saves him.Listen to this week's sermon, “We Are Still Here,” at bridge.tv/sermons.Support the Show.
Kann man genug Filmrezensionen, Interviews und Stimmungen vom "Hard:Line-Festival 2024" haben? Nein, kann man nicht! Deshalb hier noch mehr davon in unserer zweiten Hälfte des "Reiseberichts" aus dem tollen Regensburg. Die Banausen danken den Bayern für diese Einladung, die Städtepartnerschaft ist beantragt. An Guadn!
This week we're so incredibly honored to record with Larry Fessenden! A legendary fixture of the indie horror scene, Larry is a writer, director, actor and producer who has helped produce many indie horror projects while also writing and directing and running his production company Glass Eye Pix. He co-wrote the video game Until Dawn, wrote and directed films like Depraved, Wendigo and Habit and has acting credits in over 100 films, including Jacob's Wife, We Are Still Here and You're Next. We chat about his latest film Blackout, which is currently available on VOD and in select theaters! Then we dig into his horror history, find out why horror has been in his DNA since birth and then find out why Henry: Portrait of a Serial Killer is his Scarred for Life pick. You can follows Glass Eye Pix on Twitter and Instagram. You should also visit Tales From Beyond the Pale where you can listen to an audio drama series created by Larry and Glenn McQuaid that brings you audio dramas inspired by the vintage radio shows of Alfred Hitchcock and Orson Welles: Radio Plays for a Digital Age. You can also visit his production studio Glass Eye Pix.Follow Mary Beth, Terry and the Podcast on Twitter. We also have a Letterboxd HQ account, so follow us there, too! We're also on Bluesky with the same usernames. Support us on Patreon!If you want to support our podcast, please please take a moment to go rate us on Spotify and give us a rating and review on iTunes. It really helps us out with the algorithms. We also have a YouTube channel! Ask us for our Discord server!See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.
One of the only films on our list to get name-checked on the floor of the Senate, the goofy and utterly harmless sexploitation thriller SLAVE GIRLS FROM BEYOND INIFITY hides a good heart behind it's lurid title. We're so excited to be discussing this film with a true afficionado, filmmaker Ted Geoghegan, director of WE ARE STILL HERE, MOHAWK, and BROOKLYN 45! Hosted by Jarrod Hornbeck and Steve Guntli Theme song by Kyle Hornbeck Logo by Doug McCambridge Email: puppetmasterscastlefreaks@gmail.com Instagram/Threads: @puppetmasters_castlefreaks YouTube: @PuppetMastersCastleFreaks Next week's episode: Dolls
Episode 269 We've got six and short again this week! We'll start out with the excellent “The Devil's Backbone” from 2001, “The Innkeepers” from 2011, and then “We Are Still Here” from 2015. Lastly we'll continue looking at the “Paranormal Activity” series, with the fifth installment, “Paranormal Activity: The Marked Ones” from 2014. In addition, exclusive to our weekly email newsletter, we also reviewed: • “Paranormal Activity 4” (2012) • “Paranormal Activity: The Ghost Dimension” (2014) Those two can be found at http://horrorbulletin.com Check out all our books with one easy link: https://brianschell.com/collection/horrorguys Here. We. Go! Stay tuned for more regular and bonus reviews next week! Contact Info: • Email: mailto:email@horrorguys.com • Book Store: https://brianschell.com/collection/horrorguys • Website: https://www.horrorguys.com • Subscribe by email: http://horrorbulletin.substack.com • Facebook: https://www.facebook.com/horrormovieguys • Mastodon: https://mastodon.social/@BrianSchell • Threads: https://threads.net/brian_schell • Twitter: http://twitter.com/HorrorMovieGuys
PUBLIC VERSION. Filmmaker Ted Geoghegan (WE ARE STILL HERE, MOHAWK) returns to discuss his latest feature, the Saturn Award nominated BROOKLYN 45 with Adam, Joe, and Arwen. From trying something completely different on the heels of his successful 2015 horror film WE ARE STILL HERE with his 2017 historical action drama MOHAWK… to the pride he takes in hearing from an indigenous elderly Mohawk man that his film was “the first time he ever saw a film in his native language”… to making his triumphant return to the horror genre with BROOKLYN 45 and working closely with his father (a US Air Force veteran) on the screenplay's authenticity… to the benefits of shooting a contained story on a built set with fly away walls… to the incredible reception BROOKLYN 45 received after it's world premiere at the South By South West film festival (it is currently available on SHUDDER and available to rent digital)… Ted returns 300 episodes later with a seasoned perspective and lots of great new stories! Also, Dr. Arwen provides “Hollywood Therapy” to a listener who is growing tired of gratuitous cursing in so many modern TV series and films, Joe's SUITABLE FLESH premieres on SHUDDER, and Adam announces 3 more conventions scheduled for March and April in his ever growing list of 2024 appearances.
Ha Kung Wong and Joanne Kong of Football Garbage Time discuss their scare of the week, the 2015 movie "We Are Still Here" and the NFL Week 16 Prop bets that they dare to make! "Waste Time With Us!"™ Brought to you by Manscaped! Get 20% OFF + Free Shipping with promo code GARBAGETIME at MANSCAPED.com! #ad #manscapedpod Also brought to you by BetUS! Receive a 125% Sportsbook bonus upon initial deposit, use THIS LINK (bit.ly/FootballGarbageTime-BetUS) to get this special offer! #ad
In this year's final “Shocktober” episode of the AIPT Movies podcast, Alex, Tim, and Matt discuss one of the better examples of a TV show-turned-movie, the bloody and surprisingly fun, Tales From The Crypt: Demon Knight!Single-location horror! Impressive practical FX and gore! Countless quotable lines! Fun bookends from the Crypt Keeper himself! A loveable cast that includes Dick Miller, William Sadler, CCH Pounder, Jada Pinkett-Smith, and Billy Zane in his greatest role! Unnecessary sexiness! A wonderful-yet-failed cinematic experiment not unlike Tarantino and Rodriguez's Grindhouse! Comic booky demon lore and mischievous ghouls that would pair well with the Evil Dead series! Possibly accidental Aliens and Terminator vibes! A delicious mix of horror, camp sensibility, and action tropes, this movie has it all! Did we mention how good Billy Zane is? In addition, the gang give spoiler-free thoughts on several Halloween-season viewing options, such as: An American Werewolf in London, The Howling, Samuel Bodin's Cobweb, Critters, Frankenhooker, The Frighteners, Trick ‘r Treat, 1980's Prom Night, 2015's We Are Still Here, The Collector, The Collection, and Saw X!You can find AIPT Movies on Apple Podcasts, Spotify, or wherever you get your podcasts. As always, if you enjoy the podcast, be sure to leave us a positive rating, subscribe to the show, and tell your friends!The AIPT Movies podcast brings you the latest in movie news, reviews, and more! Hosted by supposed “industry vets,” Alex Harris, Tim Gardiner, and Matt Paul, the show gives you a peek behind the scenes from three filmmakers with oddly nonexistent filmographies. You can find Alex on Instagram and Twitter @ActionHarris. Matt is a terrific artist that you can find on Instagram @no_wheres_ville. Tim can't be found on social media because he doesn't exist. If you have any questions or suggestions for the AIPT Movies crew, they can be reached at aiptmoviespod@gmail.com, or you can find them on Twitter @AIPTmoviesPod.Theme song is “We Got it Goin On” by Cobra Man.
As they prepare to move on from Spooky Season, Jacob and Aaron get up to date on We Are Still Here. Their conversation may get a little lost at times, but they refuse to put a sock in it.
WE ARE STILL HERE. After a few weeks off after living life fast and hard - we're here to bring back that cocktails and canoes excitement and kick off the So Cal Ocean Racing. Will gets down to the nitty-gritty and asks the hard-hitting questions, and we talk about the upcoming races in 2023. Support the show
Please subscribe and follow us on:Our Personal Pages we share our daily routines: Facebook: Rene Ribley-StevensBruce StevensInstagram: rrstevens5 - brucedstevens - kcstevens9.9Podcast Pages:Facebook @rbstillhere - We Are Still Here podcastInstagram: @rbstillhereAny questions or comments or interesting story and want to be on the podcast email us: rbstillhere@gmail.comIntro music: Music by Lesfm from Pixabay
Seven Black friends go away for the weekend and end up trapped in a cabin with three straight white podcast hosts. Will the friends' patience, restraint, and knowledge of horror movies help them survive the night? Probably not. On Episode 572 of Trick or Treat Radio we discuss the Horror Comedy flick The Blackening from director Tim Story! We also discuss negative portrayals of race, we play tons of listener messages, and we find out what AI thinks of us! So grab your favorite board game token, make sure you don't go full Skarsgard, and strap on for the world's most dangerous podcast!Stuff we talk about: The Mall of America, Onionhead's Revenge, Chicken Pox, Nathan Fillion, G'Nort, favorite Green Lanterns, Guy Gardner, Bill Burr, Superman's Origin, ChatGPT, Ravenshadow according to AI, Sarah Silverman, Chris Golden, the dangers of AI, content is king, WGA and SAG-AFTRA strike, Ravishing Ravenshadow, Daniel Craig, Brad Dourif, Gustaf Skarsgard, Peter Sarsgaard, Boxborough Comic Con, GI Joe, Charlie Hunnam, playing with your action figures, Master Diedrich Bader, The Brave and the Bold, Night of the Living Dead, Demons II, Jim Crow era BS, Juneteenth, The Blackening, Tim Story, Jordan Peele, Sinqua Walls, Friends, Living Single, rounding up to Italian, Tony Atlas, Behind the Bastards, Cracked.com, terrible stereotypes in wrestling, Mizark Henry, internalized misogyny, reevaluating your beliefs, unlearning what you know, Fantastic Four, Ari Aster, Midsommar, Beau is Afraid, Sisu, the theatrical experience, Rick Jones, body swapping with Captain Mar-Vel, Brooklyn 45, We Are Still Here, Ted Geoghegan, Walter Cronchitis, Getting Duked, An Apples to Asses Comparison.Support us on Patreon: https://www.patreon.com/trickortreatradioJoin our Discord Community: discord.trickortreatradio.comSend Email/Voicemail: mailto:podcast@trickortreatradio.comVisit our website: http://trickortreatradio.comStart your own podcast: https://www.buzzsprout.com/?referrer_id=386Use our Amazon link: http://amzn.to/2CTdZzKFB Group: http://www.facebook.com/groups/trickortreatradioTwitter: http://twitter.com/TrickTreatRadioFacebook: http://facebook.com/TrickOrTreatRadioYouTube: http://youtube.com/TrickOrTreatRadioInstagram: http://instagram.com/TrickorTreatRadioSupport the show
Sinister (2012) Sinister is a 2012 American supernatural horror film directed by Scott Derrickson and written by C. Robert Cargill and Derrickson. It stars Ethan Hawke as a struggling true-crime writer whose discovery of videos depicting grisly murders in his new house puts his family in danger. Juliet Rylance, Fred Thompson, James Ransone, Clare Foley, and Michael Hall D'Addario appear in supporting roles. Sinister was inspired by a nightmare Cargill had after watching the 2002 film The Ring. Principal photography on Sinister began in Autumn of 2011 in Long Island, NY with a production budget of $3 million.[3] To add the authenticity of old home movies and snuff films, the Super 8 segments were shot on actual Super 8 cameras and film stock We Are Still Here (2015) We Are Still Here is a 2015 American horror film written and directed by Ted Geoghegan and starring Andrew Sensenig and Barbara Crampton as grieving parents who find themselves the focus of an attack by vengeful spirits. The film had its world premiere on 15 March 2015 at South by Southwest. Opening Credits; Introduction (1.04); Background History (10.02);Sinister Film Trailer (12.00); The Original (14.29); Let's Rate (41.05); Introducing the Double Feature (44.43); We Are Still Here Film Trailer (45.33); The Attraction (47.08); How Many Stars (1:05.06); Overall End Credits (1:09.28); Closing Credits (1:10.56) Opening Credits– Epidemic Sound – copyright 2021. All rights reserved Closing Credits: Haunted by the Pogues. Taken from the Sid and Nancy Original Motion Picture Soundtrack. Copyright 1986 Epic Records Original Music copyrighted 2020 Dan Hughes Music and the Literary License Podcast. All rights reserved. All songs available through Amazon Music.
Most of us have been there. There's a life change, something happens, and you have to move. That's what is happening with us, right now! And why not celebrate the stress and exhaustion of moving preparation, with a series of episodes on people moving into horrific situations? Because at least we can take comfort that what happens to them probably won't happen to us.When a house has not been occupied for 30 years, as someone considering making that place my home, I may be curious as to why. Maybe the Sacchetti family got such a great deal that they didn't care? But really, they probably could have done some research. I feel like they're probably going to figure out why this movie is called We Are Still Here (2015). And why the hell is it so hot in the cellar?
Dudleytown, an abandoned settlement located in the Dark Entry Forest near Cornwall, CT, is a small village that most people avoid because it is thought to be a cursed location due to its dark history. Even with the name, it was never really an actual town. The name was given to this area of Cornwall because several members of the Dudley family lived there in the 1740s. Settlers began to trickle into the area & the community grew even larger after iron ore was discovered nearby, but it was repeatedly plagued by murder, suicide, madness/insanity, disappearances & failed business.Dudleytown has been abandoned since the early 1900s & cannot be visited because it is part of a land trust. Even though it is forbidden to enter, people have still made their way in to explore and experience the paranormal here. People have felt an overwhelming feeling of dread, terror or fear here or been overwhelmed with sadness. Mysterious lights & orbs have been seen & some have been touched, pushed & scratched by unseen hands. There have also been sightings of strange creatures that would come out of the woods at night.We also review the 2015 movie We Are Still Here starring Andrew Sensenig & Barbara Crampton. A grieving couple unknowingly becomes the prey of a family of vengeful spirits that resides in their new New England home, and they soon discover that the seemingly nearby peaceful town is hiding a terrifyingly dark secret. Join us on episode 156 to hear more about the cursed Dudleytown and those that lived here!Sources: onlyinyourstate.com/connecticut/dudleytown-ct/, americanhauntingsink.com/dudleytown, damnedct.com/dudleytown/, nytimes.com/1989/10/29/nyregion/the-view-from-dudleytown-a-hamlet-that-can-t-get-rid-of-its-ghosts.html, wokq.com/have-you-heard-of-this-haunted-new-england-town-thats-closed-to-the-public/, cvltnation.com/fear-real-connecticuts-haunted-village/, maps.roadtrippers.com/us/cornwall-bridge-ct/points-of-interest/dudleytown, usghostadventures.com/haunted-stories/americas-most-haunted-east/the-curse-of-dudleytown/ ###Follow Us:https://www.paranormalpunchers.comhttps://twitter.com/ppunchershttps://instagram.com/paranormalpunchershttps://www.facebook.com/paranormalpunchersSupport the Show:https://www.teepublic.com/stores/paranormal-punchershttps://www.patreon.com/paranormalpunchers
On this episode I am delighted to be joined by Cinematographer Karim Hussain! We talk Visual Language, defending provocative art (literally), and how he works with bold performers.Karim Hussain csc was born in Ottawa, Canada. A cinematographer who loves to work in all genres, he is particularly passionate and knowledgeable about the horror, sci-fi and action genres.Starting very young shooting short movies on Super-8 film, he began his first 16mm underground feature at the age of 19, that ultimately was completed after 6 ½ years of hard work, him doing many of the important positions on it, including directing, writing, editing, sound editing, production and of course cinematography. After collaborating on the early years of the Fantasia Film Festival in Montreal and helping make it an international premiere festival, he embarked on his second and third feature, where as well many hats were worn, the films circulating widely on the genre film circuit. He also worked as a screenwriter in Spain. Hussain then decided to fully concentrate on the cinematography aspects of his career, as that was the part of filmmaking that made him most passionate, as well as close collaboration with others. Working very intricately with his directors on the visuals of his projects, his subsequent productions have played around the world to great acclaim, and screened in such film festivals as the Sundance Film Festival, the Cannes Film Festival, the Toronto Film Festival, SXSW Film Festival, Sitges Film Festival and many, many more. Hussain's goal is to continue to collaborate with his directors and production teams in delivering visually stunning, innovative projects that get noticed.https://www.karimhussaindp.com/Support the show
The Dynamic Trio are back with reviews of We Are Still Here & Halloween Kills. Intro: 0:00 - 1:08:42 We Are Still Here (2015) 1:08:42 - 1:50:11 Halloween Kills (2021) 1:50:11 - 3:06:56 Thanks for Listening!
Two great Australian films.First up a chat with Beck Cole about the film We Are Still Here: a collaboration with Pan Pacific indigineous peoples to tell the story of colonization from the point of view of the people already living on their lands here. We follow up with Craig Boreham's explosive film Lonesome in cinemas starting February here
We Are Still Here is a First Nations anthology film featuring the directing and writing work from Chantelle Burgoyne, Dena Curtis, Richard Curtis, Mario Gaoa, Danielle MacLean, Miki Magasiva, Renae Maihi, Tracey Rigney, Tim Worrall, Samuel Paynter, Tiraroa Reweti, and supervising director Beck Cole. It is a film that spans from the past, to the present, and into the future, and is a response to 250 years of colonisation after the arrival of Captain Cook to Australia, New Zealand, and the Pacific island nations. In this interview, Andrew talked with Dena Curtis about her entry in the anthology, Woke, featuring co-lead performances from Sean Mununggurr and Robert Taylor. It's a powerful short that pulls back in time and presents colonial Central Australia and the fractious relationship between Taylor's coloniser who is lost, and Mununggurr's Kngwarraye who guides him back home to a truth he doesn't want to hear. Dena also talks about her career, and what has changed in the twenty years since she started working on film and now, as well as about the upcoming Australian International Documentary Conference, and what to expect from the panel she is part of: First and Foremost: First Nations Knowledge Through Documentary. We Are Still Here launches in Australian cinemas on February 16, with Q&A sessions around the nation. Visit the We Are Still Here Facebook page for further details. See omnystudio.com/listener for privacy information.
We Are Still Here is a First Nations anthology film featuring the directing and writing work from Chantelle Burgoyne, Dena Curtis, Richard Curtis, Mario Gaoa, Danielle MacLean, Miki Magasiva, Renae Maihi, Tracey Rigney, Tim Worrall, Samuel Paynter, Tiraroa Reweti, and supervising director Beck Cole. It is a film that spans from the past, to the present, and into the future, and is a response to 250 years of colonisation after the arrival of Captain Cook to Australia, New Zealand, and the Pacific island nations. In this interview, Andrew talked with Dena Curtis about her entry in the anthology, Woke, featuring co-lead performances from Sean Mununggurr and Robert Taylor. It's a powerful short that pulls back in time and presents colonial Central Australia and the fractious relationship between Taylor's coloniser who is lost, and Mununggurr's Kngwarraye who guides him back home to a truth he doesn't want to hear. Dena also talks about her career, and what has changed in the twenty years since she started working on film and now, as well as about the upcoming Australian International Documentary Conference, and what to expect from the panel she is part of: First and Foremost: First Nations Knowledge Through Documentary. We Are Still Here launches in Australian cinemas on February 16, with Q&A sessions around the nation. Visit the We Are Still Here Facebook page for further details. See omnystudio.com/listener for privacy information. Hosted on Acast. See acast.com/privacy for more information.
The very well-received yet little-known film We Are Still Here brings 70s ghostly delights to our screen. Couple Anne and Paul uproot their lives after family tragedy strikes, only to find themselves in a haunted new house with even creepier neighbors. Discussion points include: avoiding your weird new neighbors, what decade are we even in?, ghostly revenge. Episode edited by Megan Prior-Pfeifer. Music by Zach Pfeifer.
Eight writer-director teams present eight stories about First Nation struggles in New Zealand and Australia.
Today Graeme talks to Jesse about We Are Still Here, an Australian/New Zealand co-production. He's also seen Knock At The Cabin and Pathaan.
If you wish to advertise your business on my podcast, please contact me at ahmed@arobersonphoto.com to discuss your ad, and rates.-------------------------------------------------------------------------------------------------2023 is starting off pretty tight for many of us, but so have the previous years, and yet, WE ARE STILL HERE!No matter what you are dealing with right now, STAY IN THE FIGHT, because your call could be coming NEXT!!But if you leave, you'll never receive it.Support the show
As the year comes to a close, and we are headed into 2023 we wanted to update you all on what has been going on with us. This year has been filled with many wins as well as losses, but WE ARE STILL HERE. Join us as we share… A LOT… about the challenges we faced, the growth we made and the goals we are setting for ourselves going forth. Be sure to always stay up to date with Jessica & Sharonda on Instagram @justtakethecomplimentsis and TikTok at JustTakeTheComplimentSis To leave us a message and/or comment go to https://anchor.fm/justtakethecomplimentsis/message. We would love to hear from you! --- Send in a voice message: https://podcasters.spotify.com/pod/show/justtakethecomplimentsis/message
Merry Christmas, Happy Holidays oF day of relaxation. Whatever it is for you, we are going to chill and enjoy this time because WE ARE STILL HERE!!!! --- Send in a voice message: https://anchor.fm/chroniclesbspodcast/message
Merry Christmas, Happy Holidays oF day of relaxation. Whatever it is for you, we are going to chill and enjoy this time because WE ARE STILL HERE!!!! --- Send in a voice message: https://anchor.fm/chroniclesbspodcast/message
We know you've all been waiting desperately to hear the epic conclusion of our They're Back series, but it's finally here! We're declaring a winner between We Are Still Here, House, and The Orphanage, to decide which is the very best haunted house movie. Which one will continue to haunt our hearts, and which movies will be sacrificed to the darkness under the Delmar's house? Listen and find out! For updates on which movie we're watching next follow us on facebook at https://www.facebook.com/cbkapod Chew Bubblegum and Kick Ass is part of the EaseDrop Podcast Network Also, if you don't mind leaving us a review on your podcast app, that would be sweet. Support Chew Bubblegum and Kick Ass by contributing to their tip jar: https://tips.pinecast.com/jar/chew-bubblegum-and-kick-ass
WHOA, what's this?! Two episodes in one week??? Happy Halloween friends and welcome to the Joe Blow Horror Show OKTOBERFEST SPECIAL! BosTuna is joined by the writer and producer of Summer of '84 and Special guest Kevin Leslie. Join us for some inside information on the making of and story behind Summer of '84 and a bonus review of We Are Still Here!
Just when you thought it was safe to go back in the orphanage, a movie like The Orphanage comes along and makes it so you'll never want to set foot in an orphanage again. This one is Tucker's pick for They're Back. Is it better than House or We Are Still Here? Well, it doesn't have any gross puppet monsters, so it's got its work cut out for it. For updates on which movie we're watching next follow us on facebook at https://www.facebook.com/cbkapod Chew Bubblegum and Kick Ass is part of the EaseDrop Podcast Network Also, if you don't mind leaving us a review on your podcast app, that would be sweet. Support Chew Bubblegum and Kick Ass by contributing to their tip jar: https://tips.pinecast.com/jar/chew-bubblegum-and-kick-ass
We are still here talking about haunted house movies for the next few weeks, and we're starting it off with Brett's pick, We Are Still Here from 2015. It's the Dagmar's podcast now. For updates on which movie we're watching next follow us on facebook at https://www.facebook.com/cbkapod Chew Bubblegum and Kick Ass is part of the EaseDrop Podcast Network Also, if you don't mind leaving us a review on your podcast app, that would be sweet. Support Chew Bubblegum and Kick Ass by contributing to their tip jar: https://tips.pinecast.com/jar/chew-bubblegum-and-kick-ass
Hear takeaways, learnings and advice from those who were at the 2022 Toronto International Film Festival. Guests include Screen Australia representatives CEO Graeme Mason, Head of Content Grainne Brunsdon and Head of First Nations Angela Bates, as well as Madman Entertainment CEO Paul Wiegard, We Are Still Here producer Mitchell Stanley from No Coincidence Media, and director Jayden Rathsam Hua, who was selected for the prestigious TIFF Filmmaker Lab.
It was just a year ago that the U.S. withdrew its troops from Afghanistan. On that date, Nahid Shahalimi, an Afghan female writer living in Germany, realized that she needed to hurry to record the stories of prominent Afghan women who soon would try to escape their country, or stay and risk death. She did so, and compiled their stories in “We Are Still Here.” The world's attention has turned to the crisis in Ukraine, but Afghanistan is still there and should not be forgotten, particularly the stories of women oppressed by the Taliban. This week, a conversation with Nahid Shahalimi, as she writes, “Listen to these women. See them. See their commitment to freedom and to their rights." Books mentioned in this podcast: We are Still Here edited by Nahid Shahalimi The Book of Life by Jidda Krishnamurti The Handmaid's Tale by Margaret Atwood A Land of Permanent Goodbyes by Atia Abawi The Secret Sky: A Novel of Forbidden Love in Afghanistan by Atia Abawi The Kite Runner by Khaled Hosseini A Thousand Splendid Suns by Khaled Hosseini And The Mountains Echoed by Khaled Hosseini A House Without Windows by Nadia Hashimi When the Moon is Low by Nadia Hashimi Sparks Like Stars by Nadia Hashimi One Half from the East by Nadia Hashimi The Sky at Our Feet by Nadia Hashimi The Pearl that Broke Its Shell by Nadia Hashimi
The terror trio breakdown the brand new ORPHAN FIRST KILL film and wonder what happened from the 90s to now with the career Julia Stiles. Pondo talks about Bodies and Richards, Chris is baffled by the new Paranormal Activity film, and Kelli FINALLY saw NOPE. Movies reviewed in this episode: Dead Dicks (2019), Deep Rising (1998), 1BR (2019), We Are STill Here (2015), Paranormal Activity Next of Kin (2021), Glorious (2022), Bodies Bodies Bodies (2022), The House Jack Built (2018), and Hannibal (TV show from 2013-2015) Got a movie recommendation? Email us at MOUTHSOFMADNESSPOD@gmail.com Follow the podcast on Facebook Follow the podcast on YouTube Follow Madman Pondo at his website Check out Ruthless Pro Wrestling Check out Kelli's work
This week has seen an escalation in several of the investigations into Donald Trump and his businesses. We know the FBI seized 11 sets of classified material during their Mar-a-Lago search, but we don't know the evidence used by the Justice Department to get the warrant required. That could soon start to change. A judge is starting the process to potentially release some of that info as early as next week. Meantime, one of the former president's most trusted executives Allen Weisselberg has pleaded guilty to helping the Trump Organization engage in a 15-year-long tax fraud scheme. To digest all this, Sara speaks with former FBI special agent Asha Rangappa. Also on today's show: Two friends of Salman Rushdie, PEN America CEO Suzanne Nossel and novelist Hari Kunzru, discuss last week's attack on the renowned author; author Nahid Shahalimi on her new book We Are Still Here, discusses why Afghan women should be involved in setting policy for their country.To learn more about how CNN protects listener privacy, visit cnn.com/privacy
Please subscribe and follow us on: Facebook @rbstillhere - We Are Still Here podcastInstagram: @rbstillhereAny questions or comments or interesting story and want to be on the podcast email us: rbstillhere@gmail.comIntro music: Music by Lesfm from PixabayMentioned in Podcast: Joan MacDonald @trainwithjoan
Please subscribe and follow us on: Facebook @rbstillhere - We Are Still Here podcastInstagram: @rbstillhereAny questions or comments or interesting story and want to be on the podcast email us: rbstillhere@gmail.comIntro music: Music by Lesfm from Pixabay
Please subscribe and follow us on: Facebook @rbstillhere - We Are Still Here podcastInstagram: @rbstillhereAny questions or comments or interesting story and want to be on the podcast email us: rbstillhere@gmail.comIntro music: Music by Lesfm from Pixabay
Please subscribe and follow us on:Facebook @rbstillhere - We Are Still Here podcastInstagram: @rbstillhereAny questions or comments or interesting story and want to be on the podcast email us: rbstillhere@gmail.comIntro music: Music by Lesfm from Pixabay Devin Burke: https://www.devinburke.comSleep Science Academy: https://sleepscienceacademy.comDevin Burke Book: The Sleep Advantage: Optimize Your Night to Win Your Day(It can be found on amazon.com)TEDx Talk: The ROI of Sleep: https://youtu.be/rsfpJ23kDX4https://www.linkedin.com/in/devinburkewellness/IG: https://www.instagram.com/devinburkewellness/FB: https://www.facebook.com/devinburkewellness/YouTube: https://www.youtube.com/c/DevinBurke/featuredChrontype Test: https://chronotype-self-test.info/index.php?sid=61524&newtest=Y
In this episode, we get a Creepy File, Real Gnarly, and a Ross's Video Roundup. The chuddlemen go under one last time as Bryan leads us to the catastrophic conclusion of Dear David. Then, Sam weaves us a weird western romp in Woah Man, The Red Ghost Was Gnarly. Finally, Ross's Video Roundup gets the furnace fiery for fearsome phantoms as the boys get ghost deep in We Are Still Here (2015). Follow the Chuddlers on social media! Chuddle the Pod Twitter @chuddlethepod IG @chuddlethepod Bryan Twitter @chuddlethebryan IG @chuddlethebryan Sam Twitter @chuddlethesam IG @chuddlethesam Ross IG @chuddletheross Email: chuddlethepod@gmail.com
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