Podcast appearances and mentions of Jazmine Hughes

In this episode, host Jazmine Hughes walks us through all the choices the characters of The Piano Lesson are confronted with. And how the spiritual ripples of those choices affect them. What is the tension between Berniece and Boy Willie? What is the story behind the piano? What does legacy mean and what does it mean to honor your ancestors? Watch The Piano Lesson now on Netflix. Listen to more from Netflix Podcasts. The Piano Lesson: The Official Podcast is produced by Netflix and Pineapple Street Studios.

In this episode, Natalie and Vanessa sit down with Jazmine Hughes, celebrated writer and cultural commentator, to dive into her deep admiration for R&B legend Usher, plus the questions around his relationship with Diddy. From "Yeah!" to Confessions and beyond, Jazmine unpacks Usher's enduring impact on music, pop culture, and Diddy's current legal troubles. Click ‘Subscribe' at the top of the Infamous show page on Apple Podcasts or visit GetTheBinge.com to get access wherever you get your podcasts. Find more great podcasts from Sony Music Entertainment at sonymusic.com/podcasts Learn more about your ad choices. Visit megaphone.fm/adchoices Visit podcastchoices.com/adchoices A Campside Media & Sony Music Entertainment production. To connect with Infamous's creative team, plus access behind the scenes content, join the community at Campsidemedia.com/join Learn more about your ad choices. Visit podcastchoices.com/adchoices

When director and co-writer Malcolm Washington decided to adapt The Piano Lesson for film, he knew he couldn't just drop a camera in the play. It needed to stand on its own. In this, the first episode of the official companion podcast to The Piano Lesson, host Jazmine Hughes talks with Malcolm and the cast to unpack their creative process and find out how they approached the making of this exquisite film. The Piano Lesson: The Official Podcast is out now. Listen and subscribe on your favorite player. The Piano Lesson is streaming now on Netflix. Listen to more from Netflix Podcasts.  The Piano Lesson: The Official Podcast is produced by Netflix and Pineapple Street Studios.

Welcome to The Piano Lesson: The Official Podcast. In each episode, journalist and culture writer Jazmine Hughes will give a behind-the-scenes view of Malcolm Washington's new adaptation of the August Wilson story, The Piano Lesson, debuting on Netflix on November 22nd. You'll hear intimate conversations with the cast members, including Danielle Deadwyler, John David Washington, Ray Fisher, Corey Hawkins, Michael Potts, Samuel L. Jackson, and director and co-writer, Malcolm Washington. Plus, we'll dive into the world of August Wilson - one of the greatest American playwrights of all time. Jazmine is our guide as we learn about Wilson's American Century Cycle, a series of plays that chronicle each decade of the Black American experience in the 20th century, and how The Piano Lesson fits into the larger whole. The Piano Lesson: The Official Podcast, coming November 8th. New episodes every Friday.  Listen to more from Netflix Podcasts.  The Piano Lesson: The Official Podcast is produced by Netflix and Pineapple Street Studios.

One aspect of the Vice-President's background that's relatively overlooked, and yet critical to understanding her, is her membership in the sorority Alpha Kappa Alpha. “In one of the bylaws,” the writer Jazmine Hughes tells David Remnick, “it says that the mission of the organization, among many, is to uplift the social status of the Negro.” Far from a Greek party club, A.K.A. "is an identity” to its members. When Donald Trump insinuated that Kamala Harris had “turned Black,” in his words, for political advantage, “a lot of people pointed to her time at Howard, and her membership in A.K.A., [as] a very specific Black American experience that they did not see from someone like Barack Obama.”  Jazmine Hughes's reporting on “The Tight-Knit World of Kamala Harris's Sorority” was published in the October 21, 2024, issue ofThe New Yorker. Plus, Kai Wright, who hosts WNYC's “Notes from America,” speaks with the choreographer Bill T. Jones. This week, the Brooklyn Academy of Music is re-mounting Jones's work “Still/Here,” which caused a stir when it débuted at BAM, thirty years ago: The New Yorker's own dance critic at the time, Arlene Croce, declared that she wasn't going to review it. Now “Still/Here” is considered a landmark in contemporary dance, and Jones a towering figure. 

Hello!Apologies for the slight delay in getting this episode out but we have a great show today with the writer Jazmine Hughes. We talk about Ta-Nehisi Coates's new book about writing, the West Bank and his travels, the writer-as-activist-celebrity, and the strange and tangled relationship that we, as minority writers, have with prestige media outlets. Enjoy! This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit goodbye.substack.com/subscribe

In the public sphere, the discursive battle over Israel and Palestine often comes down to language, with one's willingness to use individual words and phrases like “apartheid” and “settler colonialism,” or “the right to exist” and “human shields,” usually offering a pretty reliable indication of their worldview. Since October 7th, mainstream and independent media alike have been faced with endless choices about how to represent the unfolding events: Which words are used to describe the Hamas attacks and which ones are used to describe those of the Israeli military, for example, and what does it say about the perceived humanity of each group of victims? What should reporters do with words like “genocide” or “war crimes,” which will take some time to adjudicate legally, but which also serve a function in naming unfolding events? This isn't just a question about words, but also grammar and syntax: In a pattern reminiscent of reporting on police attacks on Black Americans, headlines often employ the passive voice when dealing with Israeli military action, obscuring the culpability of those responsible for attacks on Palestinians. In this episode, Jewish Currents editor-in-chief Arielle Angel talks to Intercept senior editor Ali Gharib, independent journalist Dalia Hatuqa, and former New York Times Magazine writer Jazmine Hughes about the decisions that newsrooms are making regarding the language they use to discuss Israel/Palestine, and what these decisions mean about the state of journalism today.Thanks to Jesse Brenneman for producing and to Nathan Salsburg for the use of his song “VIII (All That Were Calculated Have Passed).” Articles Mentioned and Further Reading:“Coverage of Gaza War in the New York Times and Other Major Newspapers Heavily Favored Israel, Analysis Shows,” Adam Johnson and Othman Ali, The Intercept“CNN Runs Gaza Coverage Past Jerusalem Team Operating Under Shadow of IDF Censor,” Daniel Boguslaw, The Intercept“Between the Hammer and the Anvil: The Story Behind the New York Times October 7 Exposé,” Jeremy Scahill, Ryan Grim, and Daniel Boguslaw, The Intercept “In Internal Meeting, Christiane Amanpour Confronts CNN Brass About ‘Double Standards' on Israel Coverage,” Daniel Boguslaw and Prem Thakker, The Intercept“This War Did Not Start a Month Ago,” Dalia Hatuqa, The New York TimesJazmine Hughes on Democracy Now“‘There Has Never Been Less Tolerance for This': Inside a New York Times Magazine Writer's Exit Over Gaza Letter,” Charlotte Klein, Vanity FairWords About War guide“A Poetry of Proximity,” Solmaz...

Writer Jazmine Hughes joins the podcast to share her "Steely Dan testimony," explaining how she discovered their work through hip-hop samples, and later developed a newfound appreciation of their witty, off-kilter lyrics.  Also, I talk to Helen Newby about her superb cello cover of "Peg." A member of The FM Podcasts Network.

Mona Chalabi is a writer and illustrator whose work has appeared in The New York Times, The New Yorker, and The Guardian, where she is the data editor. Her New York Times Magazine piece “9 Ways to Imagine Jeff Bezos' Wealth” won this year's Pulitzer Prize for Illustrated Reporting. “I kind of think of protest as just saying what you believe. And sometimes, it's considered protest because it's outside of the institutions of power. So you're saying, Hey, Palestinians deserve human rights, and that's considered a form of protest, right? I want the work to change things and I think I'm quite unapologetic about that, and most journalists are like No no no no no, we're just reporting the world, we're just reporting things as we see it. There's no desire for change. I think that is so messed up. This idea that your work has no impact in the world is incorrect. You can't wash yourself of the consequences of the work, you have to be considering the consequences while you're doing it.” Show notes: monachalabi.com Chalabi on Instagram Chalabi's Guardian archive 1:00 "9 Ways to Imagine Jeff Bezos' Wealth" (New York Times Magazine • Apr 2022) 1:00 "How Does the Reality TV Show Cops Stack Up with Real-Life Crime Figures?" (The Guardian • May 2019) 6:00 "Striving For Justice: Lowkey in Conversation with Mona Chalabi" (GQ • Jun 2023) 8:30 "NY Times Writers Jazmine Hughes & Jamie Keiles Resign After Signing Letter Against Israeli War on Gaza" (Democracy Now! • Nov 2023) 8:30 Samira Nasr on Instagram 8:30 "Inside MSNBC's Middle East Conflict" (Max Tani • Semafor • Oct 2023) 16:00 "Mentions of Israeli and Palestinian Deaths in The New York Times" (Instagram • Oct 2023) 18:00 "Circumcision Rates" (Instagram • Oct 2025) 21:00 New America Fellow 21:00 Emerson Collective 21:00 "The Gray-Green Divide" (Brooklyn Museum • Jun-Dec 2022) 21:00 "Am I Normal? with Mona Chalabi" (TED Audio Collective) 54:00 Muntadhar al-Zaidi 54:00 Longform Podcast #276: Azmat Khan 54:00 Yousur Al-Hlou's New York Times archive 54:00 Jazmine Hughes' New York Times archive 54:00 “Regarding the Pain of Others” (Marty Peretz • The New Republic • 1996) 54:00 Longform Podcast #553: Clare Malone Learn more about your ad choices. Visit podcastchoices.com/adchoices

This week, we're joined by our friend Jamie Lauren Keiles, a former contributing writer at the New York Times Magazine who is working on a book about nonbinary identity in America and posting at the archival Instagram account @sexchange.tbt. [4:45] Jamie discusses his resignation from the Times Magazine, and why he signed the recent open letter by WAWOG (the Writers Against the War on Gaza) as well as an earlier letter criticizing NYT's trans coverage. [47:40] We also talk about the process of unlearning pro-Israel propaganda and where a trans, anti-Zionist, observant Jew finds himself today, both institutionally and spiritually. In this episode, we ask: How is the presumed “objective” position within a media institution created and reinforced?What good (if any) can an open letter do? And how much does it matter what an American Jew thinks about all of this? How do people's minds actually get changed on Israel-Palestine? For more, see: * Jamie's latest Substack post: Do I believe that there are questions that should never be asked? * Jamie and Jazmine Hughes on Democracy Now! discussing their resignations from the Times Magazine * Jay's recent piece on the chilling of pro-Palestine speech within journalism * AP coverage of the Writers Bloc action in the New York Times building last week[1:04:00] And a big announcement! Listen to the end to catch Tammy and Jay present a new phase for the podcast. (Spoiler: Tammy is moving on in early December; Jay is continuing and wants your feedback.) As always, subscribe on Patreon or Substack to join our Discord community, which we hope to continue cultivating into the future. Also: On Nov. 29, Tammy will host her last TTSG book club event with cartoonist, illustrator, and Discord OG Jillian Tamaki—on Jillian's new graphic novel, Roaming! Check out the Discord for details and a book discount.You can follow us on Instagram, TikTok, and X (Twitter), and email us at timetosaygoodbyepod@gmail.com. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit goodbye.substack.com/subscribe

Ralph welcomes back public interest advocate Donald Cohen to discuss the long history of corporate propaganda covering for corporate greed, and his new book Corporate Bullsh*t: Exposing the Lies and Half-Truths That Protect Profit, Power, and Wealth in America. Then Ralph is joined by founder of the Free Law Project, Michael Lissner, to talk about why the American legal system is so hard to use and the ongoing fight to make it more accessible.Donald Cohen is the founder and executive director of the research and policy center In the Public Interest. He is the co-author of The Privatization of Everything and his latest book, co-authored with Nick Hanauer and Joan Wals, is Corporate B******t: Exposing the Lies and Half-Truths That Protect Profit, Power, and Wealth in America.Every time they say something, our natural instinct is to debunk it, which means we're playing on their playing field. We want to pre-bunk it. We say, “That's bull. You're just playing a game. And listen to how you've done it in the past.” Because many of the quotes in this book are kind of hilarious, actually. We want to make fun of them and we're hoping that this becomes a little bit of a vaccine going forward. Donald CohenThis is more than just lies, falsehoods, off-the-wall predictive phoniness. It's more than that. It's deadly. In other words, it's not just rhetoric. It's not just craziness. It leads to the suppression of the society's response to foresee and forestall hazards, ripoffs, and the like, and to engage in preventive activity— regulations, opening it up for lawsuits under tort law—and deterrence. So we're dealing here with not only malicious patterns of rhetoric, we're dealing here with deadly delays. Ralph NaderMichael Lissner is Executive Director and Chief Technology Officer of the Free Law Project. The Free Law Project is a nonprofit that uses technology, data, and advocacy to make the legal ecosystem more equitable and competitive. They build open-source tools to make legal information more accessible, and they host major open databases of opinions, federal filings, judges, financial disclosures, and oral arguments. Open information is really how government works… You can imagine if the Supreme Court didn't publish its opinions. Right now you can go to their website, you can find their latest decisions. But you could imagine a system where people went to the Supreme Court, they decided who was right and who was wrong, and they told those people— and that was it, and they didn't explain themselves. It wouldn't work very well, because we wouldn't know how the laws are being interpreted. And I hate to say so, but when you get a little bit away from the Supreme Court…you realize that's kind of the system we have. Michael LissnerIn Case You Haven't Heard with Francesco DeSantis1. On Saturday November 4th, the largest ever pro-Palestine demonstration was held in Washington. The Real News Network reports over 100,000 demonstrators gathered in Freedom Plaza and marched on the White House, demanding a ceasefire. CNN reports that another 100,000 protesters gathered in London, along with demonstrations throughout the world, including in Paris and Berlin, where authorities have sought to quash or outright ban pro-Palestine protests. These tremendous shows of solidarity underline how much the politics of this issue have changed in the western world.2. Rashida Tlaib, the only Palestinian member of Congress, has been censured by the House of Representatives. Defending herself on the floor of the House, Rep. Tlaib said “I will not be silenced, and I will not let you distort my words…Trying to bully or censure me won't work because this movement for a cease-fire is much bigger than one person. It is growing every single day. There are millions of people across our country who oppose Netanyahu's extremism and are done watching our government support collective punishment and the use of white phosphorus bombs that melt flesh to the bone. They are done watching our government…supporting cutting off food, water, electricity, and medical care to millions of people with nowhere to go…they don't believe the answer to war crimes is more war crimes. The refusal of Congress and the administration to acknowledge Palestinian lives is chipping away at my soul. Over 10,000 Palestinians have been killed. The majority were children…The idea that criticizing the Government of Israel is anti-Semitic sets a very dangerous precedent, and it is being used to silence diverse voices speaking up for human rights across our Nation…I can't believe I have to say this, but Palestinian people are not disposable. We are human beings just like anyone else…Speaking up to save lives…no matter faith, no matter ethnicity, should not be controversial…The cries of Palestinian and Israeli children sound no different to me. What I do not understand is why the cries of Palestinians sound different to you-all…We cannot lose our shared humanity…We will continue to call for a cease-fire…for the immediate delivery of critical humanitarian aid to Gaza, for the release of all hostages and those arbitrarily detained, and for every American to come home. We will continue to work for real, lasting peace that upholds human rights and the dignity of all people and centers peaceful coexistence between Israelis and Palestinians, censures no one, and ensures that no person, no child, has to suffer or live in fear of violence.” Despite enormous pressure by the Israel lobby, support for a ceasefire in Congress continues to grow – adding powerful new allies like Rep. Maxine Waters and Senate Democratic Whip Dick Durbin, who has, incredibly, taken a bolder stance than longtime progressives like Bernie Sanders and Elizabeth Warren.3. Two recent stories reveal widespread dissent within the State Department regarding the administration's policy on Gaza. POLITCO is out with a report on a leaked State Department memo calling for the U.S. to support a ceasefire and allow for criticism of Israel's military tactics, the gag on which “contributes to regional public perceptions that the United States is a biased and dishonest actor,” further arguing that American “tolerance” for wanton civilian death “engenders doubt in the rules-based international order that we have long championed.” Meanwhile, the Huffington Post reports State Department officials feel sidelined by the administration and unable to steer policy at this vital moment. One unnamed official decried the department for using “hollow moves” which “fail to acknowledge the complicity of our decisions and policy in the relentless suffering of Gazans…igno[ing] the fact that we still aren't pushing for a cease-fire, still not asking Israel to control itself.”4. The State Department isn't the only institution dealing with internal dissent over Gaza. Democracy Now! reports that Jazmine Hughes, an award-winning writer for The New York Times Magazine, “resigned after signing an open letter condemning Israel's genocide in Gaza. The move constituted a violation of newsroom policy. New York Times contributor Jamie Lauren Keiles, who describes himself as a “religiously observant Jew,” also left the publication after signing on to the letter.”5. Brandeis University has banned their campus' chapter of Students for Justice in Palestine. The group posted on their Instagram that the Student Affairs department at the university “derecognized” the group after they planned a vigil for the dead in Palestine, deeming the demonstration “a genuine threat or harassment.” Brooklyn College Professor Corey Robin wrote “the idea of an institution bearing [the] name [Brandeis], of all names, to investigate student groups exercising their speech rights—in the name of combating alleged danger—is outrageous. "Men feared witches and burnt women," he wrote. Quite.” The ACLU has urged higher education leaders to “Reject calls to investigate, disband, or penalize pro-Palestinian student groups for exercising their free speech rights.”6. According to the Intercept, Director of the National Counterterrorism Center, Christine Abizaid is using the October 7th Hamas attack in Israel to argue for reauthorization of section 702 of the Foreign Intelligence Surveillance Act, or FISA. Section 702 “enables the U.S. government to gather vast amounts of intelligence — including about U.S. citizens — under the broad category of foreign intelligence information, without first seeking a warrant.” This section of the law is set to expire at the end of this year, though lawmakers are likely to renew it in some form. The Brennan Center for Justice recently published a report documenting how the FBI “has used the 702 authority to spy on U.S. representatives, senators, civil liberties organizations, political campaigns, and activists.”7. CNN reports that South Africa and Chad have recalled their diplomats from Israel. South African officials also “noted the continuing disparaging remarks of the Israeli ambassador to South Africa about those who are opposing the atrocities and the genocide of the Israeli government,” adding that “A genocide under the watch of the international community cannot be tolerated.” South Africa and Chad now join Turkey, Honduras, Colombia, Chile, Jordan and Bahrain, in withdrawing diplomats from Israel, while Bolivia has opted to cut off diplomatic relations with Israel entirely, citing “crimes against humanity committed against the Palestinian people.”8. In domestic politics on Israel, Wisconsin Rep. and outspoken progressive Mark Pocan made waves this week for criticizing AIPAC, Israel's chief lobbying arm in the U.S. In an interview with Slate, Pocan said “I don't give a f**k about AIPAC—period…I think they're a cancerous presence on our democracy and politics in general, and if I can be a surgeon, that's great.” The Slate article goes to say “following Pocan's lead, a small number of congressional Democrats (and one congressional Republican) have openly accused the organization of spreading falsehoods and misrepresentations in its lobbying efforts.” AIPAC was the top 2022 donor to both Reps. Mike Johnson and Hakeem Jeffries, respectively the Speaker and Minority Leader of the House.9. Finally, in non-Palestinian news, More Perfect Union reports that “Tens of thousands of garment workers in Bangladesh who make products for brands like Zara, H&M and GAP are on strike. Their minimum wage is $75 a month, and they're demanding it rise to $208. The bosses are only offering $90. They've shut down over 300 factories so far.”This has been Francesco DeSantis, with In Case You Haven't Heard. Get full access to Ralph Nader Radio Hour at www.ralphnaderradiohour.com/subscribe

This is a free preview of a paid episode. To hear more, visit www.blockedandreported.orgThis week on Blocked and Reported, Jesse and Katie discuss a stunning revelation about Indigenous icon Buffy Sainte-Marie. Plus, New York Times Magazine witer Jazmine Hughes is forced out after taking a political stand. Again. (Guys, this will be the last episode with audio problems on my end, I promise — it is too boring a story to bother telling but by this time tomorrow I will almost be back at my home setup, where I never have these problems. I am sorry for all the pops. -Jesse ‘Plosive' Singal)To support the show and get extra content and much more, become a Primo. To buy our very popular merch, shop here.NYT: “New York Times Writer Resigns After Signing Letter Protesting the Israel-Gaza War”Jesse: “Why Did “On The Media” Stoke The Moral Panic Against Innocent New York Times Journalists Rather Than Investigate It?”CBC: “Who Is the Real Buffy Sainte-Marie?”Buffy Saint-Marie responds on FacebookBSM responds on TwitterSekwan Wabasca on birth certificates Jesse: “The Internet Accused Alice Goffman of Faking Details in Her Study of a Black Neighborhood. I Went to Philadelphia to Check.”www.karendian.com

Dateline New Haven: Jazmine Hughes, NY Times by WNHH Community Radio

Emmy and Tony Award-winning actress Christine Baranski joins us on the Season 3 finale of SHUT UP EVAN to discuss her robust oeuvre, from 9 1/2 WEEKS AND JEFFREY to THE ADDAMS FAMILY VALUES and CRUEL INTENTIONS, and yes, we even discuss some of her deep cuts like BOWFINGER and MARCI X. We also chat about that viral Met Gala photo with Elon Musk, befriending Stephen Sondheim, her love of classical music, early lessons she got in her career as an actress, the possibility of MAMMA MIA 3 and so much more. Plus, we're joined by 6'5" actor Lee Pace, Selma Blair and Baranski's daughter, Isabel Cowles, all of whom are calling in with questions. All that, and journalist Jazmine Hughes joins us to discuss her poignant new profile of Whoopi Goldberg that appeared in THE NEW YORK TIMES.Host: Evan Ross KatzEditor: Sophia AsmuthShow links:Evan Ross Katz on Instagram https://www.instagram.com/evanrosskatz/Use code ERK50 for 50% off your first order from CANN using this link https://glnk.io/jr05/evanrosskatz2Get bonus content by joining us on Patreon http://patreon.com/shutupevanSee acast.com/privacy for privacy and opt-out information. Hosted on Acast. See acast.com/privacy for more information.

Sam chats with NPR national political correspondent Mara Liasson about why dysfunction in the Democratic Party is putting the big "Build Back Better" spending bill in Congressional limbo. Plus, The New Yorker staff writer Doreen St. Felix on Succession, representations of class on TV, and why the plethora of shows about white people being terrible (Succession, The White Lotus, The Undoing, Nine Perfect Strangers, Hacks ... you get the idea) are so addictive. Then, they are joined by The New York Times metro reporter Jazmine Hughes for a game of Who Said That? You can follow us on Twitter @NPRItsBeenAMin and email us at samsanders@npr.org.

What better time to talk about organization than back to school season? We are kicking off fall by sharing our grand unified theories for getting/being more organized. We also talked all about our all-time favorite, go-to strategies for staying on top of shit, both digitally and IRL. This episode was produced by Rachel and Sally and edited by Lucas Nguyen. Our logo was designed by Amber Seger (@rocketorca). Our theme music is by Tiny Music. MJ Brodie transcribed this episode. Follow us on Twitter @OhILikeThatPod.Things we talked about: The Subversive Joy of Lil Nas X's Gay Pop Stardom by Jazmine Hughes for the New York TimesThe video for “That's What I Want” by Lil Nas X“Jolene” cover by Lil Nas X (OK, we didn't talk about this but the video came out between recording and release so we're including it here)How The Good Place taught moral philosophy to its characters — and its creator by Dylan Matthews for VoxBonus content at our official website: Exactly how to organize your Slack sidebar + the screenshots of Rachel's inbox labels.

Anal eels, stolen ancient literature, and diving deep into Public Displays of Affection. After that, we have comedian Fizaa Dosani on the pod to cover the longest list of rants we've ever seen: bridesmaids, men in flip flops, phone calls, and her Clubhouse comedy series Facial Recognition Comedy. For DBWP, Matt wants to celebrate Lil Nas X and his "Gay Pop Stardom" (NYT piece written by former guest complainer Jazmine Hughes). Bari has been watching Ted Lasso and both Matt and Bari have been watching Schmigadoon. Follow Matt @mattbellassai, Bari @finkelbaripie, and the pod @UnhappyHourPod on Twitter AND @UnhappyHour on Instagram! Learn more about your ad choices. Visit podcastchoices.com/adchoices

Hello and welcome to Episode 24. This is Arjun.My head hurts. I feel like I’ve been in nonstop pain this entire year. Yes, it’s because of the pandemic, and we cannot forget the unmanageable political anxiety that continues to fester in Biden’s America. But on top of it all, the question that has prolonged this never-ending migraine is: How can I fix the lack of diversity in the media?Over the course of this podcast’s existence, we’ve presented this mind-melting noggin noodler to some of the most talented journalists of color in the industry. There were many answers, but there seemed to be one overarching sentiment: this is a dumb question and we shouldn’t be wasting our guests’ time with it. But we begged them to humor us.In this week’s episode, Kevin and I look back at the various outcomes of The Diversity Tribunal.Arjun and Kevin talk about the year’s end and New York’s death (0:00)The Diversity Tribunal (6:46)“People should leave.” -Jay Caspian Kang (7:55)“The media industry exists as an exploitative force.” -Maya Binyam (12:17)“We have to stop letting old institutions and bastions of corporate media be our gods.” -Jazmine Hughes (15:15)“Fire everybody. Cancel media.” -K. Austin Collins (17:35)“Random selection.” -Katie Way (18:07)“A lot of people need to quit their job and create space.” -Gabe Schneider (18:32)“Abolish legacy media.” -Lauren Kaori Gurley (18:49)“There needs to be more well paying entry-level jobs.” -Madeline Leung Coleman (19:45)“Disempower every white person at the top of a magazine and empower every young person at the bottom.” -Bijan Stephen (23:03)“Pay yourselves less, pay others better starting salaries, stop hiring people from fancy colleges.” -Gaby Del Valle (24:41)“Hire people who worked, who are poor, who experienced these platforms.” -Edward Ongweso Jr. (25:31)“Every publishing company has to have quotas.” -Rafia Zakaria (28:50)“Hire more non-white people. Quotas.” -Meher Ahmad (28:58)“I don’t know, guys. Does it matter?” -E. Tammy Kim (29:07)“I don’t believe in the media.” -Rahel Aima (30:11)“The only answer I can think of is to unionize and organize. That is the one sign of hope that I can see.” -Vinson Cunningham (31:35)“Above all, we need to take care of each other.” -Marie Solis (32:22)“The best way to diversity the media is to ensure more people can prop up a shop of their own” -Giri Nathan (36:44)“I just want to be a junior staff writer.” -Clio Chang (38:05) Get on the email list at diversityhire.substack.com

Jazmine Hughes, Metro reporter for The New York Times and a staff writer for The New York Times Magazine, joins to discuss her recent reporting on people who have moved to New York City during the pandemic and listeners call in to share their stories.

Mutant German hamsters, another goat joins the revolution, and we dive deep into why moving is THE WORST. After that, journalist Jazmine Hughes joins us on the pod to talk about her hatred of desserts, her attempts to avoid deadlines, and why she started skateboarding this summer. For "Do Better, White People," we recommend following the instagram account @antiracismdaily, which gives you a quick daily dose of something to think about (like diversity in vaccine trials or the history of Japanese Incarceration during WW2). Bari's been watching the Dune trailer on repeat, and Matt has been rewatching The Great British Bake-Off. Follow the team on social media: @finkebaripie, @mattbellassai, and @unhappyhourpod (on Twitter only). Learn more about your ad choices. Visit podcastchoices.com/adchoices

Welcome to the fourth episode of Diversity Hire.Subscribe on Apple Podcasts or SpotifyToday we talked to Jazmine Hughes (The New York Times Magazine) about the halcyon days of early 2010s media, the usefulness of a word like diversity, swimming, skateboarding, and workplace politics. She also guides us through what her life was like in the days following the Tom Cotton op-ed. Finally...this is our first episode without a disclaimer…or is it? *BWAAAANG*Jazmine wonders what’s gonna happen when she turns 30 (3:55)Jazmine guides us through her career timeline (7:23)Gawker, the Hairpin, and the halcyon days of early 2010s media (15:38)Transitioning from the blogosphere to The New York Times (19:40)I Dressed Like Cookie for a Week to Get Over My Imposter Syndrome (Cosmopolitan, 2015) (23:47)Why Jazmine writes about workplaces (26:16)Jazmine guides us through the fallout of the Tom Cotton Op-ed (31:35)Corporate media accountability (44:24)Arjun is scared that his corporation will fire him because of this podcast (please don’t fire me), and asks Jazmine if she was scared (49:25)Jazmine on white people who mock their own whiteness to seem “cool” (53:15)Interlude: Jazmine is learning how to skate, Arjun asks if she’s gonna get her feet wet in Dimes Square (57:34)Learning to Swim Taught Me More Than I Bargained for (The New York Times Magazine, 2019) (58:53)Writers of Color (1:02:02)Does Jazmine like the word diversity? Does she think the word represents her? Does she think she represents it? (1:06:00)Arjun asks Jazmine if she’s ever experienced an instance of racism while working in the media (1:13:34)Kevin asks Jazmine about having to be a sensitivity reader in the workplace (1:17:42)The Diversity Tribunal (1:21:55)Jazmine would like for you to Venmo the investigative journalist Tammie Teclemariam, to subscribe to your local newspaper, and to donate to your community aid fund.This is your brain *picture of your brain*. This is your brain on Diversity Hire *it’s the same picture of your brain, but this time it’s wearing a shirt inside out so it looks like Eckhaus Latta*. Any questions? If so, email us at diversityhirepod@gmail.com. We’ll read your questions in an upcoming Q&A episode. Also, please rate and review us on Apple Podcasts. You can use your review to share anonymous experiences of working in corporate media, and we will read those on the pod as well. Get on the email list at diversityhire.substack.com

Lucio fa parte di una piccola comunità di lingua croata che si trova in Molise e ci racconta delle vacanze studio trascorse in Croazia per approfondire la lingua e la cultura di quel Paese. In particolare, ricorda l'agosto del 1969 quando soggiornò a Zara, tra calette dal mare cristallino, bellissime ragazze del luogo e la competizione con altri studenti austriaci e ungheresi. Nella seconda parte, c'è invece la storia di Jazmine Hughes e di come sia stato difficile imparare a nuotare in età adulta e vincere le proprie paure legate all'acqua. Dai diari della ripartenza: una caduta da cavallo, una vertebra rotta, alcuni interventi chirurgici e, finalmente, l'inizio di una nuova vita. In chiusura la storia seriale di Silvia, giornalista minacciata e insultata per aver smontato la bufala delle scie chimiche. Playlist Time of the Season - The ZombiesIsland In The Sun – WeezerGotta Learn How to Dance - The Fatback BandDo It Again - Steely DanSwimmers - Zero 7 feat. Jem CookeWill to Live - Ben Harper

The Salt Fat Acid Heat star joined us for a special screening of her Netflix hit at the Wythe Hotel earlier this spring as part of the Cherry Bombe Jubilee weekend. Following the viewing, Samin sat with New York Times journalist Jazmine Hughes for a conversation about the show, working in professional kitchens, her acting abilities, and more. Tune in for their chat and the audience questions. Plus, find out who Maia Welbel thinks is the Bombe! Thank you to Handsome Brook Farm Pasture Raised Eggs for supporting our show.

Samin Nosrat is a cook, teacher, author and now star of the new Netflix Original series, Salt, Fat, Acid, Heat. Based on her James Beard Award-Winning New York Times Bestselling cookbook of the same name, each episode dives into one of the four main elements of Samin’s cooking ethos. It's part cooking show, part travel show, and entirely Samin Nosrat. In Salt, Samin cooks soy-braised short ribs with New York Times Magazine Associate Editor, Jazmine Hughes. So we thought it'd be fun for Jazmine to interview Samin and the series' director, Caroline Suh. They talk about how the show came to be, the parts that didn't make it in, and what it's like to see yourself on a Times Square billboard.  

This week, host Tavi Gevinson talks to author George Saunders about his writing process and latest book “Lincoln in the Bardo.” Rookie contributor Anne T. Donahue introduces a new Life Skill — how to say no! Plus, Jenna Wortham and Jazmine Hughes of the New York Times answer a question from a listener about confidence. Each week on the Rookie Podcast, we'll interview people we admire: artists, writers, musicians, filmmakers, activists. We'll also spotlight the work of Rookie readers (now listeners!) and contributors. We'll discuss creativity, pop culture, feminism, activism, self-care, love, friendship, and more. --- Follow us on Twitter and Instagram: @tavitulle @rookiemag @mtvpodcasts  --- Find us at: rookiemag.com  | rookiepodcast.mtv.com  | podcasts.mtv.com Learn more about your ad choices. Visit megaphone.fm/adchoices

Grab a slice of Sandra Lee's Kwanzaa cake and celebrate with Drunken Debates, Tracy's Joke Time, Stacy's Career Corner, Jean Grae, Gene Demby, Stacy-Marie Ishmael, Jazmine Hughes, Ashly Perez, a ~surprise celebrity guest~ and more. This episode has been condensed and edited from two live recordings, at the Jerome L. Greene Space on Dec. 2, and the Bell House on Dec. 5. Watch the entire first night's performance and the Kwanzaa cake video at buzzfeed.com/anotherround or facebook.com/anotherround.Learn more about your ad choices. Visit megaphone.fm/adchoices

Jazmine Hughes is an associate editor at The New York Times Magazine. Her writing has appeared in The New Yorker, Elle, Cosmopolitan, and The New Republic. “You hope that one day when you’re the editor-in-chief of Blah, Blah, Blah, that you’ll wake up and be like, ‘Okay, I deserve my job.’ But so far I haven’t met anyone who has told me that they feel that way. But, I will say, I don’t talk to white men a lot.” Thanks to MailChimp, MasterClass, and The Great Courses Plus for sponsoring this week's episode. Show Notes: @jazzedloon [3:00] "I Bled Through My Pants My First Day Working for the The New York Times" (Lenny • Oct 2015) [7:00] "Do You Have Impostor Syndrome?" (The Hairpin• Nov 2014) [15:00] "I Dressed Like Cookie from Empire for a Week to Get Over My Imposter Syndrome" (Cosmopolitan• Oct 2015) [23:00] "How Many White People Does It Take to Ruin a Good Joke? (The New Republic • Sept 2015) [24:00] The Secret Fantasies of Adults (New Yorker • Nov 2014) [26:00] I'm Black, He's White. Who Cares? I Do, Actually. (Jezebel • Aug 2013) [38:00] "The Radical Vision of Toni Morrison" (Rachel Kaadzi Ghansah • New York Times Magazine • April 2015) [42:00] "One Big Question" archive (The Hairpin• Sept 2015) [42:00] I Love Myself When I'm Laughing and Then Again When I am Looking Mean and Impressive (Zora Neale Hurston • The Feminist Press at CUNY • 1979)

Empire was pre-empted this week by the World Series. Whether you're a Mets fan or a Royals fan, on this we can agree: Everybody's a fan of Cookie Lyon. So this week, we went in search of someone who could tell us what it's like to walk in Cookie's shoes. And dresses. And leopard print fedoras. Jazmine Hughes wrote an essay for Cosmopolitan about how dressing like Cookie for a week made her feel like a badass, so we invited her over to talk about the experience. Get at us each and every Wednesday night @EmpirePodcast and @JozenC — send us your best GIFs and your hottest takes! Subscribe to Empire Afterparty on iTunes.   Jazmine admits that wearing leather shirts kept her 'schvitzing' all day. (FOX/Kathleen Kamphausen) Jazmine Hughes says she had "residual Cookie attitude" after her week of dressing like the Empire star. (FOX/Kathleen Kamphausen)  

Host Doree Shafrir talks to Jazmine Hughes about an episode of America's Next Top Model.Learn more about your ad choices. Visit megaphone.fm/adchoices

This week, FCN was lucky to have Jazmine Hughes of The New York Times Magazine keeping Brittany company, talking Taye Diggs, being a humorist and what #whitepeoplebelike. http://tab.bz/war80 See acast.com/privacy for privacy and opt-out information.

Today we discuss origin stories, white people telling white people jokes, and then play a few rounds of drunken debates.Learn more about your ad choices. Visit megaphone.fm/adchoices

From family to frontiers, the familiar and foreign, today's episode brings you sisters and snow-covered glaciers and plains: Jazmine Hughes reads an essay called "Sisters, Ranked," and Jynne Dilling Martin reads poems from her new book, We Mammals in Hospitable Times, inspired by her time in Antarctica.  CatapultReads.com // @CatapultReads // The Trebuchet