Podcasts about looperman

Assume The Position feat. Ashes and Dreams Vocals and Lyrics: Ashes and Dreams (ashesanddreams Looperman) https://www.looperman.com/acapellas/detail/22473/assume-the-position-91bpm-chill-out-acapella Paploviante: E-Bass, Composing, Arrangement, Mix and Mastering

We lost our buddy Aaron Koelman this weekend. Cancer Sux. And seemingly trivial in comparison, I talk about some games that I played this past weekend. Jason Connerly (Nerd's RPG Variety Cast;https://open.spotify.com/show/4oPnUnwitpUqn9saEkFaNf?si=NQvRRUfoT3Wj0_Rz5yhtPg) improves the quality of the podcast with a call in. You can view the the Dungeon Musings YouTube Channel at http://www.youtube.com/@DungeonMusings. Intro & Outro Music by TJ Drennon. Interior music from Looperman (https://www.looperman.com/). Cover clip art by Amy Lee Rodriguez. You can send me a message via the Anchor website, through DM on Discord, as an attachment to my email (gmologist@gmail.com) or to my speakpipe account: https://www.speakpipe.com/TheGmologistPresents. Also please check out my Actual Play and Gaming YouTube Channel -- www.youtube.com/@thegmologist9270

As Philip points out, if we had a nickel for every time we talked about a book where Buddha fights Jesus in a Sci-Fi setting, we'd have two nickels. Which isn't a lot, but it's weird that it happened twice, right? The subject this time is Lord of Light, by Roger Zelazny, and the subject is actually Hinduism more than those other religions, as far-future space colonists use technology to turn themselves into gods. Then Jack Kirby helps them free hostages from Iran, or something? Just listen to the episode, I swear it makes sense. (I am on drugs) Support us on Patreon and listen to the show a week early! Adam's Patreon Phil's Patreon What Mad Universe?!? on Bluesky What Mad Universe?!? on Twitter Philip's Bluesky Philip's Twitter Adam's Bluesky Adam's Twitter What Mad Universe on Facebook What Mad Universe on Instagram What Mad Universe RSS Feed Engineer/Producer: Alex Ross Theme song by Jack Feerick Additional music: "Indian Bollywood type loop" by 8keey at Looperman (c) 2023 Adam Prosser and Philip Rice. Music (c) its respective creators. Used under a Creative Commons Non-Commercial Attribution 3.0 International License. This podcast is powered by Pinecast.

Cordwainer Smith isn't one of the more well-known names in Science Fiction, but his influence seems to have extended pretty far into the works of better known writers. In this episode we take a look at his Instrumentality series, one of the first examples of a SF writer crafting a recurring universe for his stories, and his bizarre novel Norstrilia. It tackles the true gravest threat facing Earth in the future: rich Australians! Support us on Patreon and listen to the show a week early! Adam's Patreon Phil's Patreon What Mad Universe?!? on Twitter Phil's Twitter Adam's Twitter What Mad Universe on Facebook What Mad Universe on Instagram What Mad Universe RSS Feed Engineer/Producer: Alex Ross Theme song by Jack Feerick Additional Music: ["Didgeridoo Loop" by Breo on Looperman] (https://www.looperman.com/loops/detail/29160/digeridoo-loop-by-breo-free-154bpm-weird-woodwind-loop) (c) 2022 Adam Prosser and Philip Rice. Music (c) its respective creators. Used under a Creative Commons Non-Commercial Attribution 3.0 International License. This podcast is powered by Pinecast.

A new approach promises to increase organ transplants but some question whether they should proceed without revisiting the definition of death, and what happens to rural lands when people head to urban centers   First up this week, innovations in organ transplantation lead to ethical debates. Host Sarah Crespi talks with Staff Writer Jennifer Couzin-Frankel and several transplant surgeons and doctors about defining death, technically. Also in this segment: Anji Wall, abdominal transplant surgeon and bioethicist at Baylor University Medical Center Marat Slessarav, consultant intensivist and donation physician at the London Health Sciences Centre and assistant professor in the department of medicine at Western University Nader Moazami, surgical head of heart transplantation at New York University Langone Health   Next up, what happens to abandoned rural lands when people leave the countryside for cities? Producer Kevin McLean talks with Gergana Daskalova, a Schmidt Science Fellow in the Biodiversity, Ecology, and Conservation group at the International Institute for Applied Systems Analysis, about how the end of human activities in these places can lead to opportunities for biodiversity.   This week's episode was produced with help from Podigy. Additional music provided by Looperman.com   About the Science Podcast   [Image: Martin Cathrae/Flickr; Music: Jeffrey Cook]   [alt: partially collapsed old barn with podcast overlay]   Authors: Sarah Crespi; Kevin McLean; Jennifer Couzin-Frankel   Episode page: https://www.science.org/doi/10.1126/science.adi6336See omnystudio.com/listener for privacy information.

A new approach promises to increase organ transplants but some question whether they should proceed without revisiting the definition of death, and what happens to rural lands when people head to urban centers   First up this week, innovations in organ transplantation lead to ethical debates. Host Sarah Crespi talks with Staff Writer Jennifer Couzin-Frankel and several transplant surgeons and doctors about defining death, technically. Also in this segment: Anji Wall, abdominal transplant surgeon and bioethicist at Baylor University Medical Center Marat Slessarav, consultant intensivist and donation physician at the London Health Sciences Centre and assistant professor in the department of medicine at Western University Nader Moazami, surgical head of heart transplantation at New York University Langone Health   Next up, what happens to abandoned rural lands when people leave the countryside for cities? Producer Kevin McLean talks with Gergana Daskalova, a Schmidt Science Fellow in the Biodiversity, Ecology, and Conservation group at the International Institute for Applied Systems Analysis, about how the end of human activities in these places can lead to opportunities for biodiversity.   This week's episode was produced with help from Podigy. Additional music provided by Looperman.com   About the Science Podcast   [Image: Martin Cathrae/Flickr; Music: Jeffrey Cook]   [alt: partially collapsed old barn with podcast overlay]   Authors: Sarah Crespi; Kevin McLean; Jennifer Couzin-Frankel   Episode page: https://www.science.org/doi/10.1126/science.adi6336See omnystudio.com/listener for privacy information.

PLEASE TWEET AT @MCGILLFORREAL AND @DUMBINSIDEJOKE: MODERN DAY, NEW ALBUM OFFSPRING, GREEN DAY, BLINK-182, OR WEEZER. WHO DO YOU LISTEN TO? Thanks to Alex (@Gundamu_Boy) for our awesome art! Slap bass recorded by thechockehold on Looperman. RIP to Taylor Hawkins, we recorded this episode in January, it was just bad timing

Before committing to reading the Bible in a year, evaluate why you've failed in the past and whether you're setting yourself up for success this time around. This episode helps you examine not just why you've struggled to consistently read your Bible in the past but gives some ways you can succeed and grow in your regular time in God's word.   Why we fail: -From couch potato to marathon running -Desire doesn't create more time   Ways to succeed: -Realize there's nothing magical about reading it in exactly 1 year -Figure out the pace you can stick to -Decide where you need to start -Properly budget time by removing something -Try a reading plan -Consider going deeper instead of reading extra -Supplement with an audio Bible   One-time support:  PayPal or Venmo Monthly support: www.Patreon.com/OnwardintheFaith   Article on budgeting time   You can find this episode's original article here. Music by LesFM from Pixabay. Hard Trap Beat by MadLabz from Looperman.com

Credits: Guest: Jeff AylswerthHost/Producer: Lori MortimerMusic: Prigione Eterna - Zealots                                       332697__mseq__trance-gate-a-124   - Looperman         Aurora (Original Mix)       Alleave159184__symphoid__trance  - Looperman       396684__dbspin__party-background-chatter-real-1    -    Freesound.org     looperman-l-2234076-0205209-stars-lil-uzi-vert-type-melody   -      Looperman               

Bréjean finds a folder of her deceased grandmother's poetry tucked away in a closet and learns that she has a lot more in common with her "prim and proper" grandmother than she thought. Written, produced, and sound designed by Lori Mortimer.Story editing by Galen Beebe.Mementos audio logo by Martin Austwick.Music & SFXAllie Mine by Blue Dot SessionsGeorgia Overdrive by Blue Dot SessionsPastel de Nata by Blue Dot Sessions131032__klankbeeld__wind-in-tree-white-birch-01 © Klankbeeld  Freesound.orgBirds Sound Effect by BurghRecords 420390__magdaadga__walking-the-leaves  Freesound.org looperman-l-1440756-0080599-simonecampete-strings-of-the-sun-pizzicatolooperman-l-1440756-0080594-simonecampete-strings-of-the-sunlooperman-l-1440756-0080595-simonecampete-strings-of-the-sun-2looperman-l-0207475-0195342-milk-seduction.wavlooperman-l-0747210-0174488-82-bpm-acoustic-guitarFollow the show @MementosPodcast on Twitter and Instagram.Follow the Facebook page: https://www.facebook.com/mementospodcastFollow Lori at @mortaymortay on Twitter and Instagram. ----------------------------------------------TRANSCRIPT[00:00:00] LORI: Mementos sometimes what you really keep is on the inside.BRÉJEAN: I feel like I'm very different from my grandmother. But am I? She had such an image that she kept up. She was very prim and proper. You know, she had perfectly coiffed hair, and she had to have her face on, and she had to have her jewelry on. And my grandfather was buttoned down shirts, ties, jackets when you went to visit him. They were not to be seen even in private or in public when they were not wearing those, you know, what felt like uniforms of the, um, prim and properness of it all. In her home, you know, there was the matching bedroom set, and then in the dining room, the table and the, the armoire and the buffet, and the chairs, like everything was all about how it looked.It was a little three bedroom ranch. All the rooms were kind of small. But what really struck you when you went to see her was when you walked into the living room, with the green and gold furniture – 'cause that was her color scheme – right over the fireplace, was a giant picture of my grandmother. Posed, sitting there, stately, lording over this home.And that was just showing that she was really, she was the one in control of that home. And all the while she had this wild side of her that she couldn't talk about or share.[00:02:07]LORI: Welcome back to Mementos. I'm Lori Mortimer, the host and producer of the show. If you're listening for the first time, thank you. It's great to have you here. This week, we have our first grandma episode! My guest, Bréjean, is going to tell us about a memento that's helped her see her grandmother in an entirely new light. Just a heads up that there's some content in this episode that's not suitable for kids. Bréjean lives in the U.S. with her wife their cats. They're also the parents to two adult unschooled children who have long been out of the house. Her story starts in 2012, after her mother passed away. [00:02:50]BRÉJEAN: And when that happened, I went to her house to go through her belongings. And there was like a little linen closet in the hallway.Now, this house belonged to her parents. And when her parents died, she moved into the house. So a lot of the belongings in the house were from my grandparents, Ruth and Sal. So I went through the belongings, and I went through that closet, and way on the top shelf, underneath some towels, was a brown envelope.And it said my grandmother's name on it. And it said “poetry.” And sure enough, I saw what my mother had told me many, many years ago when I was a little, that my grandmother was a poet.[00:03:37]LORI: Even though Bréjean knew her grandmother was a poet, she'd never seen any of the poetry and they never talked about it. The poems had been stored carefully and neatly, in chronological order, in an envelope and with a label that matched the way Bréjean's grandfather stored all the important papers in that house.Her early writings when she was little were all to do with nature. And they were very, um, sort of faith based. It was a lot of mention of God in her poetry, but a lot of mention of the beauty of nature, which really spoke to me because I'm pagan. So I found my spirituality in nature, and I found that really interesting that my grandmother, as a young girl, felt the same way.[00:04:34] BRÉJEAN: February 8th, 1933, Ruth, age 12. A poem called “A Tree.”Have you ever seen anythingAs lovely as a tree?Anything more usefulOr more beautiful to see?They are messengers of God,Who sent them from aboveTo help us and remind usOf the good God and his loveAnd so we should not forgetWhen we look up and seeThe power and beauty of the LordAll revealed in a treeIsn't that wonderful? And I love that because as a pagan, one of our holidays is called Mabon, and Mabon is when we hug trees. So we go out, and everyone finds a tree in the yard and communes with it and hugs it. And I can just picture my grandmother writing this poem, sitting in her yard, looking up at the trees. And she was inspired to write a poem about them.And I just felt such a connection. 'Cause I could see myself having written exactly the same poem at her age. The mention of God, I would have expressed that differently, but the wonder and the sacredness and the spirituality was the same for me as it was for her. And in that way, I just felt like, Hey, I knew you.I knew you when you were little. I was you when you were little and I was little, and that is a really wonderful thing for me. It's almost like genetics. It's almost like we all have that in our genes, in my family. And my children do, too. Like, they're very connected to nature. So those are the ways in which we keep those connections going through our ancestors. And we don't even know that were doing it. I didn't even know that my grandmother had these interests. And there they were this whole time in an envelope in the top of her closet.There were so many years where there was no writings of hers at all. So clearly she was raising her family. She was doing all of that stuff. And then she, uh, entered the workforce later on in life. And then she rediscovered her, her love of writing. [00:07:08]LORI: In the envelope, Bréjean found poems that very much sounded like the adult version of young Ruth, with reflections on nature and family. BRÉJEAN: And then, and then I found 18 pages of an erotic poem that my grandmother wrote. Hello, grandma. [Laughter.][00:07:44]LORI: Hello, indeed. I will say that what Bréjean refers to as an erotic poem is truly porn. The poem is written in the first person. And the protagonist is an 18-year-old girl out in the workforce for the first time. BRÉJEAN:“Diary of a French Steno”I am a young stenographer. My age is just 18.And I will frankly tell you of the things I've heard and seen.The men have always called me a very pretty girl.They say my form is perfect. My mother named me Pearl. And then on we go.[00:08:23]LORI: Each stanza tells a story about how Pearl pinched, pulled, groped. Constantly sexually harassed at a series of jobs.And every time she defended herself from these assaults, she lost her job. Eventually, Pearl has had enough. And she decides at her next interview, she's gonna take control of the situation.BRÉJEAN: At last, I have decided to take things as they came,And if I lost another job, I'd have myself to blame.And then she proceeded to have this really sexual relationship with the man that's her boss.Like, she was victimized by these men until she turned it around and said, alright, I'm gonna use this. I'm gonna, I'm gonna look at my sexuality as a power that I'm gonna take charge of this, you know, relationship. Kind of like, if this is gonna to happen to me anyway, I'm gonna own it.And I'm gonna take control of it.[00:09:41]LORI: The last half of the poem describes Pearl and her boss getting it on, over and over.BRÉJEAN: She goes on and on and on and on. With words for body parts that I never knew.I would never have believed that my grandmother would have written that. Especially just sort of her outward appearance being so perfect all the time. And she had this secret side of herself at a time where, certainly women could not be exploring their sexuality.[00:10:38]LORI: After the long poem, the envelope contained a short story. And that revealed another connection between Bréjean and her grandmother. BRÉJEAN: It was queer writing. You know, my grandmother wrote about, uh, experiences with other women, which I found fascinating because I'm a lesbian and both my children are queer.[00:11:03]LORI: It's the story of a high school girl named Jan who's exploring her sexuality with other teens.BRÉJEAN: Jan had a very explicit encounter with, with her sister named Helen. But the way that she wrote it was very much … it was like a sexual fantasy between two women. And I don't think that the incestual piece of that was the point. I think the point was -- at least that's my takeaway now -- as I'm looking at this thinking that somebody who was repressed because of her religion or her upbringing or society or whatever was happening around her, like this was a way that she could talk about having a lesbian, um, experience with somebody, in -- I don't know if I would use the word safe -- but in a way that she would understand. [00:11:59] LORI: In the envelope, along with the short story, Bréjean found an adult porn magazine from the same era. She sees a connection between the fantasy world of Ruth's story and the material world of the magazine. [00:12:12]BRÉJEAN: I really think that my grandmother was bisexual.I feel like that magazine was my grandmother's way of being able to access images of women, naked women, who are having sex with each other, even though there were men involved. Coupled with this porn that she wrote, that was her way of being able to experience something that she wasn't able to really experience. Like this fantasy or this desire to be with other women.I mean, you could look at that magazine and think, well, maybe it was Grandpa's magazine, but it wasn't Grandpa's magazine. It was with Grandma's poetry. [00:12:55]Everything was all about appearances for her. So if she really thought it would tarnish her reputation to be out in any way as bisexual, she would have thought that that was the worst thing that could happen. So how torturous that would have been for her to, to live in a, in a prison, a prison of many bars, of many definitions. So it makes sense that she would keep everybody at an arm's length, that she would play her cards close to her chest, that she would be, you know, unapproachable, that she would not be able to open up warmly. When I came across her porn writing I felt like I was almost, um, violating her privacy.But then when I thought about it, it was, it was saved. That envelope had survived through her life. And then after she passed, my grandfather kept it. And then when he passed, my mother moved into that house. And it's interesting because my mom was pretty conservative in a lot of ways. And she must have had some kind of pride in my grandmother's writings because my mom knew everything that was in that house. And she, she knew what was in that closet. And I think that's interesting that it was in the closet. Literally.[00:14:45]It felt like it was meant for us -- and by us I mean my family -- to know this side of Ruth. And we had such a good time reading it all with both of my kids sitting around the kitchen table that day. We still talk about it. We talk about grandma's porn.I think that my grandmother would have been at least proud that someone found her writing, and that's where I struggle with what to do with it from this point on.I wrestle with the concept of coming out versus not coming out. And certainly, she chose not to. But it's important, especially in the queer community, for us to know our history.Do I publish it so that other queer people can see a part of our history in the writings of a woman who could not speak out loud who she was?[00:16:00]So I'm torn about what to do with it, but I think so much about my grandmother and about what life was like for her and what would have been different for her had she been able to be out. But I think that's the case for many queer people. I mean, myself included.I didn't come out until I was 40. Um, so I think the parallels are kind of interesting because she would have written that queer porn around that same age.I'll never know if she wants it published, if she wants it shared with the rest of the world. Or whether just it's enough for her that her family knows. I just think that she would have been happy to have it in my hands.And I think about, like, sometimes we keep mementos because something will remind us of someone. [00:17:02]But in this case, I'm keeping something that is an item of discovery.About her, about my family, and about my, my heritage, which I think is amazingly beautiful and important and certainly is a gift to me.[00:17:35]LORI: I am always so grateful to my guests for trusting me, a new podcaster, with their stories, and that's especially true with this episode. Thank you, Bréjean, for trusting me with this story. This episode was written, sound designed and produced by me, Lori Mortimer. And Galen Beebe was the story editor. The music is from Blue Dot Sessions and Looperman. And you all for listening. Keeping with the theme of grandmothers, there is something you can do for me. What would be really helpful for me is if you thought of yourself as my grandmother and you just started bragging about the show everywhere you go. Just whip out your phone like it's a wallet full of snapshots, and show your friends and family how to subscribe. Thank you in advance for being obnoxious on my behalf.My next episode will be out in a few weeks. My goal is to have something ready for you before Thanksgiving so that you have something to listen to if you're traveling. Thanks again. See you soon.  

Jared meets his match in an aggressive little Senegal parrot named Cricket, who ultimately charms Jared and changes his life for the better. Jared keeps a large scarlet macaw feather as a memento of the relationships in his life that led to his becoming a "flock leader." Mementos Season 1, Episode 5: Jared's FlockGuest: Jared H.Visit www.MementosPodcast.com to see some photos of the memento in this episode. Follow the show @MementosPodcast on Twitter and Instagram.Follow the Facebook page: https://www.facebook.com/mementospodcastFollow Lori at @mortaymortay on Twitter and Instagram CREDITSLori Mortimer – Host, Sound Designer, ProducerJared H. – Guest (Jared has a gaming podcast called Parrot Talk.)Galen Beebe – Story EditorAlyssa Duvak – Social MediaMusic:Kenneth Donahue for “Good Boy”Martin Austwick for the Mementos audio logo“Borough,” “Pedalrider,” “Let Go Gecko,” and “Checkered Blue” by Blue Dot Sessions (www.sessions.blue).looperman-l-2789900-0179984-roddy-rich-x-ynba-type-looplooperman-l-1186967-0194474-piano-melody-755-abelouisTRANSCRIPTMementos Season 1, Episode 5: Jared's FlockLori: Mementos. Sometimes what you really keep is on the inside. Jared: So I, uh, I walked into Emily's family house then various in the kitchen, and he's just staring at you with these watching every movement you make. She goes and gets some, opens the cage and you know, he's, he's able to fly. He's got his feathers.They're not clipped, but he sits just on her and he just stares. He would fluff up a little bit and he puff his wings out a little bit, kind of get a little huffy at ya and he just make himself look about two or three times bigger. And it wasn't like he was looking at you more as looking through when he wanted to be aggressive.The first introduction of me and Cricket was him turning around to bite my finger and making me bleed. He was, he was a demon.[00:01:10] Lori: Welcome to Mementos. I'm Lori Mortimer. You know, it makes sense that people like to talk about mementos that remind them of someone who's passed away. But it's also nice to hear somebody talk about a memento that has deep meaning to their own personal journey. Today we're gonna hear about a memento that's tied to that little Senegal parrot, Cricket. Cricket isn't very big. He stands about 9 inches tall. And he weighs no more five or six ounces. But that little guy made big impact on my guest's life. Be sure to listen all the way to the end today because I've dropped something special after the credits. Ok. On to the story. [00:01:54] Jared: My name is Jared. I'm from central Wisconsin, Lori: Wisconsin, huh? Guess what Jared does for a living.Jared: I make cheese. Jared: Um, yeah, I know very Wisconsinite of me. [Laughter]Lori: Also very Monty Python.Monty Python clip: Blessed are the cheese-makers! Lori: And even though Jared humored me when I barraged him with cheese-related questions, Jared: uh, I mean, Parmesan is Parmesan, no matter what, uh, acidity level.Lori: That's not what he came to talk about. [00:02:25] Jared: The object that I wanted to talk about today, which I actually brought with us, is a giant macaw tail feather. Specifically, it's a scarlet macaw feather. It has quite significant meaning to me because of the impact parrots have made in my life. The tail feather of a scarlet macaw -- some people don't really know how big they actually are -- it's actually the size of my forearm, believe it or not. Lori: Scarlet macaws are the big red and blue parrots. Like the ones you see on a pirate's shoulder. But Jared's not a pirate, mateys. He's an air force veteran, a blessed cheesemaker, and he's here to tell us about….Jared: My journey into fatherhood of, of parrots. [00:03:09] Lori: The story starts with little Cricket. About seven or eight years ago, Jared was dating a young woman named Emily.She was in college nearby. Cricket was Emily's her pet. But he lived across the state with her parents. So she asked Jared if it would be okay if Cricket moved in with him, so that she could see him more often.Jared: I was a little naïve, just because I'm dog whisperer and a cat whisperer. Like, every animal loves me.When he actually bit me on that first go around, I was like, all right, this might be a little bit tougher than it was going to be. And, uh, I kind of took it upon myself that I was like, I was gonna make him my friend. Just simply because no animal hates me. [00:03:57] Lori: Jared's mission: Win Cricket over. Codename: Parrot persuasion.Jared: The way I had it set up was I had a long couch, and then in the corner was Cricket with his cage. And then I had a loveseat, and I would sit next to his cage. And I'd just sit there and chat with Cricket and be like, Hey buddy, what's up?I would cut up these little strips of paper, and then I'd kind of fold them in half until it became like a little scratching stick. And put it through his cage, and I'd scratch his noggin. Or I'd open the cage and I'd give him like a blackberry or a blueberry or some kind of treat.And I would slowly reinforce that, Hey, I'm not a bad guy. I'm here to make your day, buddy. I got some pretty nasty bites. 'Cause, you know, I was like, all right, I can go in for a step up. And no, not even close. Like he definitely let me have at one time. And I was like, no, he was not ready. And so, you know, that's where I got my pretty big scar on my thumb, where he tried to gnaw it off.[00:05:01]Lori: Jared built up trust with Cricket over about four or five months, but he still hadn't turned the corner. And then Jared got the flu and was home for several days in a row. Jared: And I worked very intensely with Cricket, kind of, you know, letting him out, letting him just free roam around the house. And finally, on the third day, when I was finally starting to feel a little bit better, he crawled up and sat on my shoulder. And then parrots will do this weird thing where they'll turn around, and then they'll put their head in their back, which is basically like their way of sleeping.And he ended up doing that while I was sick at home. And that was kind of like, okay, he's now my friend.[00:05:41] Lori: Cricket and Jared really bonded. And like any roommates, they learned each other's routines and their quirks. Jared: He knew little phrases. Um, I drink a lot of fizzy water, and I like, I like my sodas every once in a while. And he learned the opening of a can of soda. One day I was sitting in my bedroom, and all of a sudden I hear that [sound effect of can opening].And I'm like, Emily's not here. Wait, what? And then I, and I look out and there's Cricket, just kind of sitting there. And I'm like, all right, buddy.I would come home at night. I always worked second or third shift. He'd kind of fluff up. I'd hear him fluffing, and he'd make it a little squeak. And I'd open the door. And then he'd come on top of the cage.He would actually fly to my shoulder and hang out with me. There are countless nights where I'd be watching TV and he'd be on my shoulder. He'd be on my knee. And he would just fall asleep for like an hour or two. And I'd be like, all right, Cricket, it's actually time for you to go to bed, bud.You know, so it was, it was just the nightly relationship that we ended up having that really cemented how much I would love this little guy.[00:06:54] So I ended up kind of losing Cricket and, uh, and Emily, when she went away on an internship. Our lives were just kind of deviating in different paths.Like, I was very sad for Emily, but I was, like, very sad that I no longer had my feathery friend at home. You know, there's this bird that would just. Jared, hi, welcome. You know, Welcome home, buddy. It's like, Hey, you come over here and you fly over my shoulder. You know, we'd eat breakfast together. He'd steal a noodle off of my fork as I'm eating.This guy was a big part of my life, even when she wasn't there. So, like, the loss of a loved one, as well as the loss of a very, very close animal was just absolutely devastating.[00:07:55] When Cricket and Emily kind of left, I was by myself. It was kind of my transition from, from Emily and Cricket to, uh, this feathery void that I had in my soul. And so a gentleman had a scarlet macaw who needed a new home. She was a beautiful sassy macaw. I visited her about three times, and I almost adopted her, but she just would've been too big for my tiny little apartment. Lori: On one of the visits, Scarlet's owner gave Jared one of her tail feathers. And that feather is the memento he's talking about today. [00:08:18] Jared: The reason why I kept the feather was it was kind of like a nice little introduction into being a flock leader, is what I call myself. And that was kind of like my first step into the world of parrots by myself.Emily and I were very, very close. We had a hardcore relationship, you know, over parrots and, and my love for parrots and how I took care of Cricket. When I transitioned into, um, going off on my own, it kind of reminded me of taking that first step to where I was reaching out, trying to, trying to find a flock of my own. [00:09:20] Lori: Bonding with Cricket and visiting Scarlet really sealed the deal for Jared. He left the nest and set out to find his flock. Jared: I ended up adopting an old man by the name of Harley. Uh, then I, you know, he was looking sad. So I was like, all right, I've got to get the young buck for the old bull, you know, rejuvenate him a little bit.That's where Mr. Blue Nibbles the Third came into play. That is actually his official name, Mr. Blue Nibbles the Third. Blue 'cause he's blue. Nibbles cause he nibbles on everything. And the Third, because he's my third parrot. Lori: Unfortunately, Harley started having seizures and eventually passed away.Jared: Blue had this like sad, sad Panda look on his face one day. And I was just like, all right, I need to get you a new buddy. Now I've got my two best friends, a sun conure by the name of Helios and a blue monk parrot by the name of Mr. Blue Nibbles the Third. Lori: Like any pets, Blue and Helios have their own personalities. [00:10:33] Jared: They don't actually like to sit on my shoulder and hang out with me while I watch TV. I, I consider them more of gargoyles. You know, they just kind of sit there and hang out with me throughout the day. They make cute little noises. They're my alarm clock.You know, they, they provide some sort of companionship, especially during this COVID stuff. They have definitely taught me patience. They they've taught me, uh, to be understanding of what they want. And they really kind of taught me their own little language. You know, these cute little squeaks that you hear in the background, they're just, they're like, Dad's talkin'. So we're going to talk, too. We're going to make noise. Um, you know, Helios has got his wake up call where he literally will just [parrot squawks three times].Until he just feels satisfied that like I get up and get out. Blue, when he's upset about something, he gets into his cage and he does the South Park “rabble rabble rabble” [sound of Blue making “rabble rabble rabble” sound].[00:11:30] Lori: I think one of the coolest things about parrots is that some of them can talk. And Jared's been teaching Blue a few phrases. Jared: Who's a good boy?Blue: Who's a good boy?Jared: Gimme kiss.Blue: Gimme kiss.Jared: You know, a lot of parrot owners will say, you know, uh, you know, oh, if you're a great parrot owner, you never get bit. I, I call shenanigans on that. I get bit all the time. And that's, that's simply because I, I want to show them that I'm the alpha of the flock, you know? Lori: Well, I'd say flock hierarchy may still be a work in progress. Here's what happened when I asked Jared to bring the birds closer to the mic. Jared: It may be a process. Hold on. Come here. No, don't even. Don't do it. No. No. Why are parrots so difficult? One second.[00:12:40] Jared: The feather has a lot, a lot of deep meaning. When Emily came into my life, we both kind of had the understanding of like, hey, you know, no marriage, no this, no that, you know. This is just kind of, you know, something fun while I'm in school. So when I met her, I kind of started to invoke these feelings of, you know, like, hey, this could be something real.And she kind of started getting real with it, too. And that's about when she brought up Cricket. And, you know, we're coming up on our year anniversary is like, this is big news, this is a big deal. I'm getting her parrot. I'm getting a girl. And like, we were doing awesome.You know, these parrots are an extension of mine and hers relationship. And the feather's kind of the end of the era of Emily and Cricket and the here-I-am-now with the two goobers that I have sitting behind my computer, uh, you know, as we're talking.Like, so it kinda signifies the transition of this, this amazing relationship that I, you know, that I basically cemented into my life.My parents are still weirded out about the fact that I'm a parrot guy now. They're like, Why can't you just have a dog or something like that?'Cause I like parrots. They're better.[00:14:16] Lori: Jared, thank you for sharing your story with us. I really loved putting this episode together. This episode was written, produced and sound designed by me, Lori Mortimer. Story editing was by Galen Beebe. And listener feedback was from: Steve “Oshman” Nelson, the Pod Prod, Brenda LaPorte, Alyssa Duvak, and also Shruti Ravindran and Skye Pillsbury of The Edit. Music in this episode is by Blue Dot Sessions and Looperman. And Martin Austwick wrote the audio logo that you hear at the top and end of every episode.There's just one more thing before we get to the surprise. I wanted to let you know I've been listening to a podcast called 'I Always Wanted To.' Liz Sumner is the host and she interviews people who are doing things that they always wanted to do. Sometimes it's a career or a life change, sometimes it's a new hobby or skill, and sometimes it's some kind of an adventure. It inspires me to take my 'always wanted to' list and make it a priority in my life. So check it out. I think you'll really enjoy it.[00:15:37] Hey. What's that mysterious ticking noise?[Music: “Good Boy”][00:16:48] Lori: “Good Boy” was written, mixed, and produced by Kenneth Donahue, featuring Jared and Mr. Blue Nibbles the Third.

In a dark dystopian future, a courier must make a timely delivery while nefarious forces try to slow him down. Will he miss his deadline? This episode features "Twenty-One-Oh" by Ari Marmell (mouseferatu.com), first published in 2012 anthology Foreshadows: Ghosts of Zero (http://foreshadows.net/).Music (and some sound effects) comes from Looperman (looperman.com) and YouTube's audio library.This is the first episode also appearing on YouTube, where you can see the readers stare off camera while they act out the parts. https://youtu.be/fgpXZulZzSYFollow the show on Facebook (@Skiffilypodcast), Twitter (@SkiffilyPodcast), and Instagram (@SkiffilyPodcast). Additional voice talent provided by Heather (T: @carpediem422761), Kasey (FB: @kasey.pierce.9), and Rylie (FB: @rylie.rimmer)."Twenty-One-Oh" Copyright © 2012 Ari Marmell, reproduced with permission from the author.

Esse é o Sentidos do Campo, uma nova iniciativa do Campo: um podcast de Antropologia. Essa temporada é realizada emparceria com o NUAMA - Núcleo de Estudos sobre a Amazônia Contemporânea, da UERJ, coordenado por Paula Lacerda. Com o Sentidos do Campo, nosso objetivo é apresentar uma cidade – Altamira, no Pará - através de uma breve narrativa permeada por alguns sons e vozes. Queremos apresentar o cenário de um campo de pesquisa antropológica ao mesmo tempo em sua profundidade histórica e elementos cotidianos. Se um campo se faz por meio de uma diversidade de experiências, o que desejamos explorar são as formas como características de longa duração se expressam nas diversas interações que o pesquisador tem em campo. Para isso, a escuta é fundamental. Em maio de 2021, nós lançamos um pequeno trailer sobre essa iniciativa e agora convidamos vocês para ouvirem o primeiro, dos cinco episódios de temporada de Sentidos do Campo. A transcrição desse episódio pode ser encontrada em nosso site. Créditos: Concepção, pesquisa, roteiro e apresentação: Paula Lacerda Edição, montagem e roteiro: Carol Parreiras Material de pesquisa: Paula Lacerda, Thiago Oliveira e Fábio Nascimento Sons e vozes utilizados no episódio: Trilha sonora original: Telma Bermeguy Leitura da placa: Igor Rolemberg Abertura e fechamento: Carol Parreiras Trilha de fundo abertura: Dreamy Piano Soft Sound Ambient Background, por Yan Lesov. Disponível em Pixabay. Trilha de fundo episódio: Canción Triste, por Luis Enrique Guerra Naveda. Disponível em Pixabay. Trilha leitura da placa: Epic String Staccato, por SuperSouperBeatz. Disponível em Looperman. Trechos de vídeos do Arquivo Nacional (1970 e 1971). Trechos do filme Bye Bye Brazil, 1979, Cacá Diegues. Trecho do filme Iracema, uma transa Amazônica, 1975, Jorge Bodanzky e Orlando Senna. Dó-ré-mi, por Casa da Seresta vol. 2 Onde nos encontrar: Instagram: https://bit.ly/3p5Yaig Site: www.podcastdeantropologia.com.br Facebook: https://www.facebook.com/campopodcast Twitter: @CampoPodcast

Exu se despede de você no último episódio de MOJUBÁ, uma série do Umbandacast. Mojubá é saudação, mas também é Exu. Porque Exu é Mojubá. Pra encerrar essa série, falta uma peça-chave desse quebra-cabeça que é o nosso protagonista. E eu sei exatamente onde ela está: em tudo o que você faz, escuta, assiste e interage. Pela habilidade de estar em tudo e em nada ao mesmo tempo, Exu não tá apenas dentro do terreiro ou nas encruzilhadas, onde é considerado rei. Eu vejo Exu na televisão, nas músicas, dentro dos teatros, no cinema, nesse podcast, dentro das escolas, enfim, em todos os espaços da nossa sociedade. E eu tenho certeza de que você também já viu. Pode até não se lembrar agora, mas relaxa. Eu te mostro. Ou melhor, é Exu quem vai te mostrar. Mas se Exu está em todos os espaços da nossa sociedade e tem uma figura potente, por que ainda é tão difícil tirar essa sua imagem de ser diabólico? Descubra ouvindo o episódio. ****Como muita gente sabe, o Umbandacast é feito de forma 100% independente. O único apoio que recebemos é através dos nossos ouvintes, que contribuem mensalmente com a quantia que podem. Pra você que quer dar continuidade ao podcast e valoriza a produção de conteúdo independente, temos uma novidade bem legal! Agora, nós também estamos no Pic Pay, através do @umbandacast. Lá, você confere nossos planos mensais e recompensas por cada apoio dado. Lembrando que também temos a campanha do @apoia.se. Basta acessar apoia.se/umbandacast e se tornar um dos nossos apoiadores**** Créditos: Imagem de capa: Paulo Ricardo Entrevistados para o episódio: Lisandra Pingo (Lista músicas encontradas) Redes sociais do podcast - Instagram e Twitter: @umbandacast *Esse episódio usou áudios de: TV Globo, BBC Sound Effects, Netflix, Rádio Toques de Axé, Looperman e Freesound. *Também usamos trechos de músicas compostas por: Martinho da Vila; João Bosco e Aldir Blanc; Beto Sem Braço e Serginho Meriti; Marcelo Yuka e Marcelo Falcão; Noriel Vilela; Baden Powell; Kiko Dinucci e Edgar.

No terceiro capítulo de MOJUBÁ, uma série do Umbandacast, o Exu que baixa no terreiro de Umbanda chega até nós. É no século 20 que a Umbanda ganha terreno entre as outras religiões afro-brasileiras. E também é nele que Exu foi ainda mais ressignificado. Em muitos escritos de autores umbandistas menos ligados às tradições africanas, o nosso protagonista não aparece mais como um Orixá e sim um espírito humano. Não demorou muito até que Exu e outros elementos africanos fossem apagados dos cultos umbandistas até mais ou menos a metade do século passado. Além disso, a repressão contra religiões afro-brasileiras foi enorme durante o período em que Getúlio Vargas ficou no poder. Policiais tinham a permissão pra invadir e confiscar tudo aquilo que fosse entre aspas suspeito para o Estado. Qual é a visão atual sobre o Exu da Umbanda? Será que de fato ele ainda é escondido dos cultos? Ou será que isso mudou? É sobre isso e outras coisas que eu vou falar nesse episódio. ****Como muita gente sabe, o Umbandacast é feito de forma 100% independente. O único apoio que recebemos é através dos nossos ouvintes, que contribuem mensalmente com a quantia que podem. Pra você que quer dar continuidade ao podcast e valoriza a produção de conteúdo independente, temos uma novidade bem legal! Agora, nós também estamos no Pic Pay, através do @umbandacast. Lá, você confere nossos planos mensais e recompensas por cada apoio dado. Lembrando que também temos a campanha do @apoia.se. Basta acessar apoia.se/umbandacast e se tornar um dos nossos apoiadores**** Créditos: Imagem de capa: Paulo Ricardo Entrevistados para o episódio: Matuka e Benê Citados no episódio: Leal de Souza e Diana Brown Livros: - Umbanda: Religion and Politics in Urban Brazil - O Espiritismo, a magia e as Sete Linhas de Umbanda Redes sociais do podcast - Instagram e Twitter: @umbandacast *Esse episódio usou áudios de: Rádio Toques de Axé, Fundo Agência Nacional, Looperman e FreeSound.

No segundo capítulo de MOJUBÁ, uma série do Umbandacast, faremos uma viagem até o final do século 19. Muita coisa aconteceu nesse período, inclusive a organização das religiões negras no Brasil. Foi assim então que no Rio de Janeiro, surgiu a macumba. Em Alagoas e Pernambuco, o Xangô. No Rio Grande do Sul, o batuque. No Maranhão, o tambor de mina. E na Bahia ele, o Candomblé. Da mesma forma que os outros orixás, Exu também veio para o Brasil e foi incorporado às religiões de matriz africana. Nesse episódio, você conhecerá o lado mensageiro de Exu, aquele que leva e traz oferendas e informações entre o mundo dos orixás e o nosso. Os orixás se alimentam a partir do que nós, humanos, compartilhamos com eles, através das oferendas. Em troca, eles nos protegem, ajudam e dão identidade aos seus descendentes humanos. É durante essa troca entre os humanos e os orixás que Exu aparece. Quer saber mais? É só dar play no episódio! ****Como muita gente sabe, o Umbandacast é feito de forma 100% independente. O único apoio que recebemos é através dos nossos ouvintes, que contribuem mensalmente com a quantia que podem. Pra você que quer dar continuidade ao podcast e valoriza a produção de conteúdo independente, temos uma novidade bem legal! Agora, nós também estamos no Pic Pay, através do @umbandacast. Lá, você confere nossos planos mensais e recompensas por cada apoio dado. Lembrando que também temos a campanha do @apoia.se. Basta acessar apoia.se/umbandacast e se tornar um dos nossos apoiadores**** Créditos: Imagem de capa: Paulo Ricardo Entrevistada para o episódio: Iya Senzaruban Citada no episódio: Mãe Beata de Yemonjá e Babalorixá Adailton Moreira Documentário: A BOCA DO MUNDO - Exu no Candomblé Texto: Exu, de Mensageiro a Diabo (REVISTA USP) Redes sociais do podcast - Instagram e Twitter: @umbandacast *Esse episódio usou áudios de: TV Cultura, Oka Comunicações, Rádio Toques de Axé, Grupo Ile Iya Tunde, Looperman e FreeSound.

No primeiro capítulo de Mojubá, uma série do Umbandacast, vamos falar sobre começos. Na verdade, o que eu quero saber mesmo, nos primeiros minutos de episódio é sobre como foi a sua virada de ano. Isso porque Exu está sempre antes de qualquer começo e depois de qualquer fim. Acontece que Exu, diferente dos começos que a virada de ano trás, não é tão bem-vindo assim. Por que, então, ele é reconhecido como aquele que vem primeiro? Bora conferir? É só dar play no episódio! ****Como muita gente sabe, o Umbandacast é feito de forma 100% independente. O único apoio que recebemos é através dos nossos ouvintes, que contribuem mensalmente com a quantia que podem. Pra você que quer dar continuidade ao podcast e valoriza a produção de conteúdo independente, temos uma novidade bem legal! Agora, nós também estamos no Pic Pay, através do @umbandacast. Lá, você confere nossos planos mensais e recompensas por cada apoio dado. Lembrando que também temos a campanha do @apoia.se. Basta acessar apoia.se/umbandacast e se tornar um dos nossos apoiadores**** Créditos: Imagem de capa: Paulo Ricardo Entrevistados para o episódio: Pai Dermes e Leonardo Tondato Redes sociais do podcast - Instagram e Twitter: @umbandacast *Esse episódio usou áudios de: TV Globo, Looperman e Freesound

Avant-garde, he is known by various bold styles unknown to the public in the 80s. NRJ Liège offered him a residency on the air with the weekly New Jack Swing. On stage for the concert premieres known among others, The Wailers, Panache Culture, Burning Spear. With the 90s, the emergence of electronic music. Always motivated by the novelty, he answers and appropriates the styles. It is in the years 2000 that the musical production will seize its daily life ...

Avant-garde, he is known by various bold styles unknown to the public in the 80s. NRJ Liège offered him a residency on the air with the weekly New Jack Swing. On stage for the concert premieres known among others, The Wailers, Panache Culture, Burning Spear. With the 90s, the emergence of electronic music. Always motivated by the novelty, he answers and appropriates the styles. It is in the years 2000 that the musical production will seize its daily life ...

Avant-garde, he is known by various bold styles unknown to the public in the 80s. NRJ Liège offered him a residency on the air with the weekly New Jack Swing. On stage for the concert premieres known among others, The Wailers, Panache Culture, Burning Spear. With the 90s, the emergence of electronic music. Always motivated by the novelty, he answers and appropriates the styles. It is in the years 2000 that the musical production will seize its daily life ...

Avant-garde, he is known by various bold styles unknown to the public in the 80s. NRJ Liège offered him a residency on the air with the weekly New Jack Swing. On stage for the concert premieres known among others, The Wailers, Panache Culture, Burning Spear. With the 90s, the emergence of electronic music. Always motivated by the novelty, he answers and appropriates the styles. It is in the years 2000 that the musical production will seize its daily life ...

Avant-garde, he is known by various bold styles unknown to the public in the 80s. NRJ Liège offered him a residency on the air with the weekly New Jack Swing. On stage for the concert premieres known among others, The Wailers, Panache Culture, Burning Spear. With the 90s, the emergence of electronic music. Always motivated by the novelty, he answers and appropriates the styles. It is in the years 2000 that the musical production will seize its daily life ...

Avant-garde, he is known by various bold styles unknown to the public in the 80s. NRJ Liège offered him a residency on the air with the weekly New Jack Swing. On stage for the concert premieres known among others, The Wailers, Panache Culture, Burning Spear. With the 90s, the emergence of electronic music. Always motivated by the novelty, he answers and appropriates the styles. It is in the years 2000 that the musical production will seize its daily life ...

Episode Notes You hate wearing masks? You're not alone. A lot of people had the same problem over 100 years ago. Find out more. Music by JJStiano on Looperman.

It is predicted that in the next 3 decades, 30 crores Indians will be old and the question is what would happen if most of them won't be aware of savings and investments? This is what the main plot of this short-film ‘One Idiot' is, where a funny character ‘Bugs Uncle' describes everything very easily that how the right kind of savings helped him and why youth must be aware of this. Listen to this episode to know more in detail. Please note the clips and music added here is directly taken from the short-film itself and credits goes to them. Additional music - Looperman

An original episode of NBC's hit show 'The Office' (U.S.)!! "The employees of Dunder Mifflin's Scranton Branch must deal with an unexpected visitor. . ." **Disclaimer** I do not own any of the characters, locations, or settings referenced in this episode. All rights belong to NBC Universal.  Music:  "The Office Theme Song Piano" And "The Office Theme Song Dramatic Chords" by Looperman user samaskew20011

What do you do when a comet comes? Find out how many reacted when Halley's Comet made a visit in 1910. Image courtesy of Buddy_Nath at Pixabay. Theme music is, as always, courtesy of JJStiano at Looperman.

Some of my live shows while back! I used the loops I downloaded from Looperman and had fun! In this set I had thousands of loops. I used Ableton to arrange them all into scennes, so when I would see that the next sound was getting close to the the end, which means the song was getting over and I need to swith, I would play the next scene which is prearranged. I would mix, flip back and over add nex loops around it and have a blast of a time!! I hope you do too. :) Play on Big sound for effect!

Some of my live shows while back! I used the loops I downloaded from Looperman and had fun! In this set I had thousands of loops. I used Ableton to arrange them all into scennes, so when I would see that the next sound was getting close to the the end, which means the song was getting over and I need to swith, I would play the next scene which is prearranged. I would mix, flip back and over add nex loops around it and have a blast of a time!! I hope you do too. :) Play on Big sound for effect!

Some of my live shows while back! I used the loops I downloaded from Looperman and had fun! In this set I had thousands of loops. I used Ableton to arrange them all into scennes, so when I would see that the next sound was getting close to the the end, which means the song was getting over and I need to swith, I would play the next scene which is prearranged. I would mix, flip back and over add nex loops around it and have a blast of a time!! I hope you do too. :) Play on Big sound for effect!

Some of my live shows while back! I used the loops I downloaded from Looperman and had fun! In this set I had thousands of loops. I used Ableton to arrange them all into scennes, so when I would see that the next sound was getting close to the the end, which means the song was getting over and I need to swith, I would play the next scene which is prearranged. I would mix, flip back and over add nex loops around it and have a blast of a time!! I hope you do too. :) Play on Big sound for effect!

Some of my live shows while back! I used the loops I downloaded from Looperman and had fun! In this set I had thousands of loops. I used Ableton to arrange them all into scennes, so when I would see that the next sound was getting close to the the end, which means the song was getting over and I need to swith, I would play the next scene which is prearranged. I would mix, flip back and over add nex loops around it and have a blast of a time!! I hope you do too. :) Play on Big sound for effect!

People will eat strange things, but in order to draw attention to themselves, it might surprise you what people will do. Music from JJStiano at Looperman. Goldfish picture by Dina263 at Pixabay.

This is the story of the unlikely death of one man. Music courtesy of jjstiano at Looperman. Image of the gun used in the assassination from Daniel R. Blume.

If they won't let you cut down a tree in Korea, does it make a sound? This is is the weird tale of a tree pruning operation in the Korean demilitarized zone in 1976. Music is courtesy of jjstiano at Looperman.

When the odd are down and enemies actually collaborate for the greater good to make food fall from heaven, what can it be but a miracle?Music by JJStiano at Looperman. Image of the Lancaster bomber is in the pubic domain and can be found on Wikipedia.

The tale of Typhoid Mary is a famous one, but how was it that Mary Mallon managed to spread typhoid in New York? The tale is stranger than you think.Music, as always, is by jjstiano, at Looperman.Image from Lupo 09:59, 24 March 2006 (UTC) - According to http://www.newsday.com/community/guide/lihistory/ny-history-702b,0,3017376.photo?coll=ny-lihistory-navigation[dead link] this is an illustration that appeared in 1909 in The New York American. (According to http://www.pbs.org/wgbh/nova/typhoid/mary.html, the precise date was June 20, 1909)., Public Domain, https://commons.wikimedia.org/w/index.php?curid=689799Notes go here

The Show Notes GEOLOGIC FANCAST 2020: A Pre-Apocalyptic Spectacular Cover art by Brian “Arkle” Webber 1. Kallax Bones and the Wuhan Clan Conspiracy      - by Richard B. Drumm2. Words To Live By: Prepper prepping in the pre-apocalypse      - by Carrie P     Some prepper resources:     Urban Survival Site      Family Protection Association      On Amazon3. Candles?!  -  The Geologic Fancast Players      and Liz Winfrey Ventura     Liz’s music was:      Happy day by Mixaund from Free Stock Music4. Vaporwave Musings - Brian “Arkle” Webber     Check out Arkle Studios on YouTube.      Arkle’s music was by:      Synth track: Quick Vibe Check by HVCYON      Available at Looperman.com      Nature sounds by Silverplatter Audio     Available at zapsplat.com5. The Day of Reckoning- Carrie P    Episode 603     The Six Songs Voted Upon Were:      Take on Me - Ah Ha     46 and 2 - Tool     Never gonna give u up - Rick Astley     In the Hall of the Mountain King - Grieg     I’m too Sexy - Right said Fred     Hips don’t lie - Shakira6. Other things George (probably) won’t do in 2020       -  Michelle Franklin and The Geologic Fancast Players The Geologic Fancast Players are: Todd DietrichLinda SteinerRichard B DrummKeith MurrayThomas TranakerBrian SimperJoris SlingerlandJim G PhynnBruno Van de CasteeleCraig SachsElizabeth FracekGreg DoriasMarc AlbertsJP TurekGary LindrosEllie FlanaginGeoff MacDonaldPat McComb 7. Ending Remarks and Credits - Carrie P8. Out of My Mouth  - Conceived by Leslie Jackson,      Birthed by Leslie Jackson and Joey Fabian ................................... Helmed by Carrie P. and Performed by the Geologic Fancast Players. HUGE COSMIC THANKS from GEORGE AND MS. INFO! WE LOVE YOU!

ECP wishes a happy birthday to his Dad, who introduced him to the timeless, uplifting recordings of the Mennonite A Cappella family singing tradition. Heard On Today's Episode: Till the Storm Passes By/https://archive.org/details/YouCanAlwaysComeHome_201610/Til+the+Storm+Passes.mp3 I Wil Sing the Wondrous Story/Antrim Mennonite Choir/https://www.youtube.com/watch?v=9ahjKfVb4Lc Sweet Home from The Philharmonia/Eric Christopher Perry sings God Be with You Til We Meet Again/Antrim Mennonite Choir/https://www.youtube.com/watch?v=GZHrtHdbdOE&list=RDR1XXwyIiY-o&index=15 Loops and beats provided by Looperman.com Hot Hot Mate from Mennist to Society Bush Wiebe and the Mennonite Blues Experiment Read more about the Mennonites at http://mennoniteusa.org/who-we-are/ Take a read and learn a thing or two about music! Link to The Philharmonia on IMSLP For more information on Chorantine, visit facebook.com/chorantine. Follow us on Spotify as well, as well as our supplemental music playlist for songs and related listening – search: chorantine. --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app Support this podcast: https://anchor.fm/chorantine/support

The story of the USS Seadragon, its voyage under the ice, and the world's strangest baseball game.Image from Wikimedia Commons and the music is from jjstiano at Looperman.

Episode 25 of the Spicy Podcast..... Bigfoot Gumbo! “The Hidebehind" Season 3 Comment ca va? Bigfoot Gumbo is now on Twitter! http://twitter.com/BigfootGumbo If you have a Twitter account please follow Bigfoot Gumbo so you can get up-to-date news about our podcast. Please share this news with your friends! In this episode we get an update on the Coronavirus. We hear of the show “These Woods Are Haunted” on the Travel Channel https://www.travelchannel.com/shows/these-woods-are-haunted . Hear my thoughts on Bernie Sanders and a Mardi Gras update. We review an incredible UFO video https://youtu.be/cE-Yrv1-chI and https://youtu.be/bVmGhxYrkug. In our main segments, we hear of a nocturnal creature called The Hidebehind. We learn about a southern tradition called Bottle Trees https://www.wideopencountry.com/bottle-trees-uniquely-southern-tradition/ and we wrap up this episode with a sad story about the extinction of the Chinese Paddlefish https://apple.news/APNME8qbcTfCI3TdbDpOTdA. Interlude music is “Suspenseful Piano” provided by MXMUHD and "Told You Guitar Loop" provided by itsrighter. All can be found @ LOOPERMAN.com Please join our forum and share your stories with us. They may appear on a future show. You can contact Bigfoot Gumbo by email or by sending us a voice message on the Anchor App. Please support the Bigfoot Gumbo Podcast by liking us on social media, giving us a positive review and sharing us wherever you listen to your Podcasts! This will help the show grow and reach a larger audience. Email: bigfootgumbo@hotmail.com Forum: bigfootgumbo.freeforums.net   Website: anchor.fm/bigfootgumbo/ Follow us on Twitter: http://twitter.com/BigfootGumbo Recorded in February of 2020. Bigfoot Gumbo & Feu Follet Productions were established in May, 2019. Keep it spicy everybody and Laissez le bon temps rouler! Copyright © 2020 --- Send in a voice message: https://anchor.fm/bigfootgumbo/message

What happens when women want really big feathers on their hats? How far will people go to satisfy the craving? And how long will the craving last?Music courtesy of jjstiano at Looperman, and image is from ivabalk at Pixabay.

Episode 24 of the Spicy Podcast..... Bigfoot Gumbo! “A North Carolina Bigfoot Encounter” Season 3 Comment ca va? Bigfoot Gumbo is now on Twitter! http://twitter.com/BigfootGumbo If you have a Twitter account please follow Bigfoot Gumbo so you can get up-to-date news about our podcast. Please share this news with your friends! In this episode we thank our audience in Ohio. We hear about the tax problems facing the Mayor of New Orleans. We talk about the television show Paranormal Caught on Camera and about using the Waze App while driving. We also learn about King Cake and the traditions surrounding it. Then we hear of a Bigfoot Encounter that took place in 2008 in the state of North Carolina. I want to thank Paul and his wife for sharing their encounter with Bigfoot Gumbo. We appreciate it! Interlude music is “Cajun Queen” provided by Oldrockandroller. “Suspenseful Piano” provided by MXMUHD and "Told You Guitar Loop" provided by itsrighter. All can be found @ LOOPERMAN.com Please join our forum and share your stories with us. They may appear on a future show. You can contact Bigfoot Gumbo by email or by sending us a voice message on the Anchor App. Please support the Bigfoot Gumbo Podcast by liking us on social media, giving us a positive review and sharing us wherever you listen to your Podcasts! This will help the show grow and reach a larger audience. Email: bigfootgumbo@hotmail.com Forum: bigfootgumbo.freeforums.net   Website: anchor.fm/bigfootgumbo/ Follow us on Twitter: http://twitter.com/BigfootGumbo Recorded in February of 2020. Bigfoot Gumbo & Feu Follet Productions were established in May, 2019. Keep it spicy everybody and Laissez le bon temps rouler! Copyright © 2020 --- Send in a voice message: https://anchor.fm/bigfootgumbo/message

Charlamos con uno de los mejores letristas del panorama nacional sobre su último disco y su nuevo grupo: Charly Efe en El V Elemento | Descubrimos samples y un 'posible truco' de los beatmakers más reputados ¿Te suena Splice y Looperman? | Actualidad con Acqua Toffana, Juaninacka, J.Dose, Rayden o Carmona ¿Nos escuchamos? ¡NOTICIAS! Esta semana Acqua Toffana nos dejaba álbum regreso con Trofeos, celebrando los 10 años de El Veneno. Trabajo también lanzaba Juaninacka recopilando sus Básicos. Por otra parte, Rayden anticipa nuevo EP poniendo su propia banda sonora a La Casa de Papel con su tema No Tengas Miedo. También recibíamos inéditos de la mano de J.Dose con su tema No Mires Atrás o Carmona que regresaba con La Fuga. ENTREVISTA: CHARLY EFE. Considerado por muchos el mejor letrista de España, el valenciano ha decidido poner fin a su carrera en solitario con su último disco: Futuro Perfecto. Descubrimos los motivos, su nuevo reto junto a Poetas Puestos o su visión del panorama después de 17 años en el juego ¡CHARLY EFE en EL V ELEMENTO! ¿TE SUENA?: Esta semana se desataba la polémica en Twitter sobre la labor de los productores y unas plataformas que podrían simplificar la labor del sampleo ¿Conoces Splice o Looperman? ¿Qué opinas de esta polémica? ¿La labor de samplear en peligro? Víctor Encabo nos lo cuenta ¡TENEMOS DEBATE! Programa dirigido por Adrián Gómez (@Adri_DMC) con Iván Guerrero(@Ivanov94_rap) en la producción del programa. Dani Melow (@MelowValeska), Víctor Encabo (@Vivercio), Alex García (@AlexGarcia833) y Alejandro Blasco (@JaloBG) como colaboradores del programa ¡SÍGUENOS! Twitter: @ElVElemento https://twitter.com/ElVElemento Facebook: El V Elemento https://www.facebook.com/ El5elementoradio/ Instagram: El V Elemento https://www.instagram.com/elvelemento/?hl=es

Episode 23 of the Spicy Podcast..... Bigfoot Gumbo! “The Pombero, A Strange Little Creature" Season 3 Comment ca va? Bigfoot Gumbo is now on Twitter! http://twitter.com/BigfootGumbo If you have a Twitter account please follow Bigfoot Gumbo so you can get up-to-date news about our podcast. Please share this news with your friends! In this episode we thank our listeners and talk about the Coronavirus, The Royal couple moving to Canada and the latest news from Louisiana. We hear about the Pombero, a strange little creature from South America. https://en.wikipedia.org/wiki/Pombero?wprov=sfti1 https://youtu.be/OoeGn3iUBRg We finish up this episode with 3 news stories about Bigfoot. First up some news from Todd Standing: https://youtu.be/99Cr3TKBuFk Second story is a video from Washington State: https://youtu.be/sJeE_K4Avic Last story is a recent encounter from North Carolina submitted to the BFRO website: http://www.bfro.net/GDB/show_report.asp?id=64024 Interlude music is "Told You Guitar Loop" provided by itsrighter on LOOPERMAN.com Please join our forum and share your stories with us. They may appear on a future show. You can contact Bigfoot Gumbo by email or by sending us a voice message on the Anchor App. Please support the Bigfoot Gumbo Podcast by liking us on social media, giving us a positive review and sharing us wherever you listen to your Podcasts! This will help the show grow and reach a larger audience. Email: bigfootgumbo@hotmail.com Forum: bigfootgumbo.freeforums.net   Website: anchor.fm/bigfootgumbo/ Follow us on Twitter: http://twitter.com/BigfootGumbo Recorded in February of 2020. Bigfoot Gumbo & Feu Follet Productions were established in May, 2019. Keep it spicy everybody and Laissez le bon temps rouler! Copyright © 2020 --- Send in a voice message: https://anchor.fm/bigfootgumbo/message

Do you love him or do you hate him? What makes a hero? The great Arthur Irwin was said to be the slimiest man in baseball.Music from jjstanio at Looperman.com. Art work courtesty of Wikipedia.

Krys is confronted with some difficult truths and the promise of her nightmares. CastNarrator Mark MillienKrys Medinah MonroePaez Mala Bhattacharya Abbott Andy Fleming Morel Dojo TurnbullMan Who Isn't There Tamil PerlasamyLab Tech Tamil PerlasamyPerimeter Captain John FletcherRoadblock Cop Nick JohnsonSpurned Cop Nick JohnsonGrunge Guy Tamil PerlasamyWife Melissa ThomasRoommate One Abraham MillienRoommate Two Lance ParkerRoommate Three Lance ParkerAgent Nicole KemperSecurity Officer Tamil PerlasamyPerimeter Cop Mark MillienRail Cop Mark MillienBroadcasters Mark Millien  SFX and Music Contributors SFX Subway by miklovan of Freesound.orgMoscow subway train ride - interior ambience - Kaluzhsko-Rizhskaya subway line OMNI mics.flac by gladkiyBody falling to floor 6 by JakLocke | License: AttributionAir Raid Siren Alarm by ScreamStudio | License: Creative Commons 0alarm 003.wav by cydon | License: Creative Commons 0Alarm-02-Long.wav by Lalks | License: Attributionhysterical/crying/scared: I didn't do anything... I just by 11linda | License: AttributionTone 1.wav by patchen | License: AttributionBodyDrag1.aif by bennychico11 | License: AttributionSteam by altfuture | License: Creative Commons 0STEAM ROOM CLAP 3.wav by likeclockwork | License: Creative Commons 0Vomiting by ahjteam | License: AttributionVomiting by vikuserro | License: AttributionSmashing head on wall by pfranzen | License: Attributiongasp.wav by drotzruhn | License: Attributioncreaking swing door #1.wav by arnaud coutancier | License: Attribution NoncommercialKnife throw.mp3 by Gingie | License: Creative Commons 0Irritating flourescent light hum by pfranzen | License: AttributionDC Metro - Interior 1 by crashoverride61088 | License: Creative Commons 0squeaky-chainlink-door.wav by alienistcog | License: Attribution062010_restaurant.wav by sagetyrtle | License: Creative Commons 0INT CAR RAIN HIGHWAY F.WAV by mitchellsounds | License: AttributionEOS3_ShutterSnaps.wav by kwahmah_02 | License: AttributionRain heavy 2 (rural) by jmbphilmes | License: Creative Commonscar_driving_ford_ka.mp3 by geodylabs | License: AttributionFast Wet Footsteps in Small Shower Cabin.wav by RutgerMuller | License: Creative Commons 0game controller.wav by simosco | License: Creative Commons 0Fighting Game grunts - young female.wav by AderuMoro | License: AttributionFighting game hiya game sound by lalazzylee1 | License: Attributionfight_game.wav by shawshank73 | License: AttributionDoor Open And Close by rivernile7 | License: AttributionFight loop by Tritus | License: AttributionCrying newborn baby child 3.WAV by the_yura | License: Creative Commons 0  Music Train SequenceKrys' Headphones: HBS PN Steinway Mod A Piano Var 2 E 90BPM by HBSamples of Looperman.com Pathogen VaultWaba Theme: Danger by danke of Looperman.comWaba's Symphony: Etude in C Major performed by Chiara Bertoglio under Creative Commons Attribution 3.0 from imslp.org originally performed by Frederic Chopin Liquor Cage InterrogationChalkoutlines by hyster1a of Looperman.com The ApartmentsLoud Music: Rays of the Sun - A Bit Jazzy Riff by IfkDonkeys of Looperman.comForsaken Reveal: Dismemberment by rmce of Looperman.comBel Theme: Wanderer by hyster1a of Looperman.comBel Unleashed: ThoseDays by hyster1a of Looperman.comFrank's: Badhabits by hyster1a of Looperman.com     Written, Produced and Directed by Mark Millien    

#girlinspaceremix Orbiting a distant sun is an abandoned science vessel with a single crewmember. She's been adrift and alone for a very long time, but everything is about to change. This is a collaboration between ourselves and the Girl In Space podcast, a re-imagining of the very first episode. If you are familiar with the story then please enjoy the shifts we made in tone and atmosphere. If you haven't listened to this amazing story yet, please do so immediately. We talk with the creator, Sarah R. Werner, about building an audience, seizing the mantle of writer and are even given a glimpse into the mysteries of X. https://www.girlinspacepodcast.com/episodes/ SFX and Music Contributors SFXDiagnostic buttonsbtn006.wav by junggle of Freesound.orgButtons Sci-Fi (Multi One Shot) by xDimebagx of Freesound.org TurbulenceIn-Cabin Lifoff.flac by qubodup of Freesound.org Background Steampunky Ambiencedronesounds robot motor by Eelke of Freesound.orgCoagula Science! 9 – Rumble! By qubodup of Freesound.orgSteam Hiss.wav by jesabat of Freesound.org7~Rod Pump-short.wav by KGJones of Freesound.orgDripping Water.wav by spookymodem of Freesound.org Jurassic CreepyDinosaur Growl by 123agumon of Freesound.orgDinosaur_Loud Roar.mp3 by CGEffex of Freesound.org “Charlotte”small_pipe_bang.wav by volivieri of Freesound.orgIndustrial_drainpipe_bang_tap_reverb by gilly11 of Freesound.org Music Shameless Holiday Plea for Subscribers ThemeHoliday Commercial Jingle Bells and Holiday Commercial Jingle BASS 2 by william21084 of Looperman.com Title SequenceDark Bell Loop by jbailon17 of Looperman.com Opening Monologue21 Metro Bells by YPon Tha Track of Looperman.com End of Episode MusicAbandoned by TheCosmicEffect of Looperman.comAs always a big thank you to Lemondrop Media and the wonderful women who built it from the ground up.

#thscosmicapologies. A boy's dreams become a shocking reality and a death reveals secrets that will change everything. Sam gives us a glimpse of a vast and breathtaking world, his take on Game of Thrones (Bookwalkers vs the Unsullied edition) and how fiction can be truer than our own lives. SFX and Music Contributors tarp flapping.wav by Huggy13ear of Freesound.orgSkydive.wav by Mydo1 of Freesound.orgIdunno.wav by nfrae of Freesound. orgOpening window with outdoor atmosphere and closing window by wibwob of Freesound.orgCAR_GETIN and drive_X.wav by mitchellsounds of Freesound.orgslam laptop.wav by andienchancer of Freesound.orgField Recording Backyard New York by Popdodop of Freesound.orgFemale Creepy Goofy Kira Laugh by MadamVicious of Freesound.orgJump, landing in snow01 by mallement of Freesound.orgGuitar and clean rif.wav by LG of Freesound.orgSkateboard Jump.wav by tjandrasounds of Freesound.orgMetal_Gate_01.wav by SilentStrikeZ of Freesound.orgCafeteria.mp3 by Cyberkineticfilms of Freesound.org Mozzarella Dreaming"Vocal - 86 - 85 Bpm" by SoleilxLune of Looperman.com Growing Pains "Ambient Cinematic Organ - Hans Zimmer Inception Style" by Alabafruit of Looperman.com Growing Pains II "It's A Trap" by BlacCessEnt of Looperman.com Transformation "Course of Time" by Nightingale of Looperman.com Funeral Procession "EeOrchestra 2" by Eendee of Looperman.com Confrontation at the Casket "Choirs Deluxe Pack - Requiem" by MINOR2GO of Looperman.com"Silence in the Space" by Planetjazzbass of Looperman.com Outro Drums"Ringo Starr Sauce Drums" by FoEvaBeatz of Looperman.com Produced by Mark Millien and Sam Lai We are partnering with Wordspace (wordspacedallas.com) and Writing Workshops Dallas (www.writingworkshopsdallas.com) on a live event for Spring of next year. Details are coming.  thehiddenscribes@gmail.comthehiddenscribes@instagram.comthehiddenscribe@twitter.commark_millien@gmail.com

CastNarrator: Mark Millien, Young Monk: Patrick Morgan, Old Monk: Ajay Kothari, Harridan: Jackie Costello, Krys Davies: Medinah Monroe, Male Anchor: Abraham Millien, Female Anchor: Lauren Ware, Elegido Arboroa: Rob Polanco, Nurse: Halle Millien, Dr. Elizabeth Wojcik: Laura Meyers, Frank: Norio NishimuraSFX and Music ContributorsLava Sound "Lava loop.wav" by Audionautics of Freesound.org, Night Sounds "Ambience, Night Wildlife, A.wav" by InspectorJ of Freesound.org, Running Through Grass "01219 running through tall grass2.wav" by Robinhood76 of Freesound.org, Growl "zombie growling" by genube of Freesound.org, Creaking Trees "Wind Through Trees 3b" by spoonbender fo Freesound.org, Shattered Jug "glass2.wav" by drewkelly of Freesound.org, Snake Hiss "SNAKE.flac" copyright 2013 Iwan Gabovitch, CC-BY# license, Temple Door "cathedraldoor.wav" by WIM of Freesound.org, Crackling Fire "20100422.crackling.fire.wav" by dobroide of Freesound.org, Tumbling Monk "earth1aif" by pushtobreak of Freesound.org, "120 bpm jazz guitar 3" by ferryterry of Looperman.com, "Wooden Sliding Door" by Diramus of Freesound.org, "Office Door Closing" by mhtaylor67 of Freesound.org, "01569 monster breath.wav" by Robinhood76 of Freesound.org, "WoodenFloorFootsteps Boots 01.wav" by Lex77 of Freesound.org, "low pulsating hum.flac" by Timbre fo Freesound.org, "What Lies Beneath" by rasputin 1963 of Looperman.com, "Music Box" by designedimpression of Looperman.com, "Sad Mood Keys" by sushiilbawa of Looperman.comWritten, Produced and Directed by Mark Millien