Podcasts about Mock Turtle

The long grass rustled at her feet as the White Rabbit hurried by—the frightened Mouse splashed his way through the neighbouring pool—she could hear the rattle of the teacups as the March Hare and his friends shared their never-ending meal, and the shrill voice of the Queen ordering off her unfortunate guests to execution—once more the pig-baby was sneezing on the Duchess's knee, while plates and dishes crashed around it—once more the shriek of the Gryphon, the squeaking of the Lizard's slate-pencil, and the choking of the suppressed guinea-pigs, filled the air, mixed up with the distant sobs of the miserable Mock Turtle. So she sat on, with closed eyes, and half believed herself in Wonderland, though she knew she had but to open them again, and all would change to dull reality—the grass would be only rustling in the wind, and the pool rippling to the waving of the reeds—the rattling teacups would change to tinkling sheep-bells, and the Queen's shrill cries to the voice of the shepherd boy—and the sneeze of the baby, the shriek of the Gryphon, and all the other queer noises, would change (she knew) to the confused clamour of the busy farm-yard—while the lowing of the cattle in the distance would take the place of the Mock Turtle's heavy sobs. Lastly, she pictured to herself how this same little sister of hers would, in the after-time, be herself a grown woman; and how she would keep, through all her riper years, the simple and loving heart of her childhood: and how she would gather about her other little children, and make their eyes bright and eager with many a strange tale, perhaps even with the dream of Wonderland of long ago: and how she would feel with all their simple sorrows, and find a pleasure in all their simple joys, remembering her own child-life, and the happy summer days. from Alice's Adventures in Wonderland by Lewis Carroll [목소리] Eric Leach https://librivox.org/alices-adventures-in-wonderland-by-lewis-carroll-5/ Narrator: David Goldfarb Alice: Miss Avarice Alice's Sister: Diana Majlinger https://librivox.org/alices-adventures-in-wonderland-dramatic-reading-by-lewis-carroll/ 그 외의 영어 및 우리말 목소리는 인공지능 목소리입니다. 배경음악은 드보르자크 "유모레스크 G장조 op. 101-7" 및 슈만 "트로이메라이- 어린이 정경 op. 15-7", 미샤 엘만 (바이올린), 요제프 자이거 (피아노)의 1959년 뉴욕 녹음입니다. 에피소드 이미지는 인공지능으로 생성했습니다.

Melvyn Bragg and guests discuss Lewis Carroll's book which first appeared in print in 1865 with illustrations by John Tenniel. It has since become one of the best known works in English, captivating readers who follow young Alice as she chases a white rabbit, pink eyed, in a waistcoat with pocket watch, down a rabbit hole that becomes a well and into wonderland. There she meets the Cheshire Cat, the Hatter, the March Hare, the Mock Turtle and more, all the while growing smaller and larger, finally outgrowing everyone at the trial of Who Stole the Tarts from the Queen of Hearts and exclaiming 'Who cares for you? You're nothing but a pack of cards!'WithFranziska Kohlt Leverhulme Research Fellow in the History of Science at the University of Leeds and the Inaugural Carrollian Fellow of the University of Southern CaliforniaKiera Vaclavik Professor of Children's Literature and Childhood Culture at Queen Mary, University of LondonAndRobert Douglas-Fairhurst Professor of English Literature at Magdalen College, University of OxfordProducer: Simon TillotsonReading list:Kate Bailey and Simon Sladen (eds), Alice: Curiouser and Curiouser (V&A Publishing, 2021)Gillian Beer, Alice in Space: The Sideways Victorian World of Lewis Carroll (University of Chicago Press, 2016)Will Brooker, Alice's Adventures: Lewis Carroll and Alice in Popular Culture (Continuum, 2004)Humphrey Carpenter, Secret Gardens: A Study of the Golden Age of Children's Literature (first published 1985; Faber and Faber, 2009)Lewis Carroll (introduced by Martin Gardner), The Annotated Alice: The Definitive Edition, (W. W. Norton & Company, 2000)Gavin Delahunty and Christoph Benjamin Schulz (eds), Alice in Wonderland Through the Visual Arts (Tate Publishing, 2011)Robert Douglas-Fairhurst, The Story of Alice: Lewis Carroll and the Secret History of Wonderland (Harvill Secker, 2015)Colleen Hill, Fairy Tale Fashion (Yale University Press, 2016)Franziska Kohlt, Alice through the Wonderglass: The Surprising Histories of a Children's Classic (Reaktion, forthcoming 2025) Franziska Kohlt and Justine Houyaux (eds.), Alice: Through the Looking-Glass: A Companion (Peter Lang, forthcoming 2024)Charlie Lovett, Lewis Carroll: Formed by Faith (University of Virginia Press, 2022)Elizabeth Sewell, The Field of Nonsense (first published 1952; Dalkey Archive Press, 2016)Kiera Vaclavik, 'Listening to the Alice books' (Journal of Victorian Culture, Volume 26, Issue 1, January 2021)Diane Waggoner, Lewis Carroll's Photography and Modern Childhood (Princeton University Press 2020)Edward Wakeling, The Man and his Circle (IB Tauris, 2014)Edward Wakeling, The Photographs of Lewis Carroll: A Catalogue Raisonné (University of Texas Press, 2015)

Melvyn Bragg and guests discuss Lewis Carroll's book which first appeared in print in 1865 with illustrations by John Tenniel. It has since become one of the best known works in English, captivating readers who follow young Alice as she chases a white rabbit, pink eyed, in a waistcoat with pocket watch, down a rabbit hole that becomes a well and into wonderland. There she meets the Cheshire Cat, the Hatter, the March Hare, the Mock Turtle and more, all the while growing smaller and larger, finally outgrowing everyone at the trial of Who Stole the Tarts from the Queen of Hearts and exclaiming 'Who cares for you? You're nothing but a pack of cards!'WithFranziska Kohlt Leverhulme Research Fellow in the History of Science at the University of Leeds and the Inaugural Carrollian Fellow of the University of Southern CaliforniaKiera Vaclavik Professor of Children's Literature and Childhood Culture at Queen Mary, University of LondonAndRobert Douglas-Fairhurst Professor of English Literature at Magdalen College, University of OxfordProducer: Simon TillotsonReading list:Kate Bailey and Simon Sladen (eds), Alice: Curiouser and Curiouser (V&A Publishing, 2021)Gillian Beer, Alice in Space: The Sideways Victorian World of Lewis Carroll (University of Chicago Press, 2016)Will Brooker, Alice's Adventures: Lewis Carroll and Alice in Popular Culture (Continuum, 2004)Humphrey Carpenter, Secret Gardens: A Study of the Golden Age of Children's Literature (first published 1985; Faber and Faber, 2009)Lewis Carroll (introduced by Martin Gardner), The Annotated Alice: The Definitive Edition, (W. W. Norton & Company, 2000)Gavin Delahunty and Christoph Benjamin Schulz (eds), Alice in Wonderland Through the Visual Arts (Tate Publishing, 2011)Robert Douglas-Fairhurst, The Story of Alice: Lewis Carroll and the Secret History of Wonderland (Harvill Secker, 2015)Colleen Hill, Fairy Tale Fashion (Yale University Press, 2016)Franziska Kohlt, Alice through the Wonderglass: The Surprising Histories of a Children's Classic (Reaktion, forthcoming 2025) Franziska Kohlt and Justine Houyaux (eds.), Alice: Through the Looking-Glass: A Companion (Peter Lang, forthcoming 2024)Charlie Lovett, Lewis Carroll: Formed by Faith (University of Virginia Press, 2022)Elizabeth Sewell, The Field of Nonsense (first published 1952; Dalkey Archive Press, 2016)Kiera Vaclavik, 'Listening to the Alice books' (Journal of Victorian Culture, Volume 26, Issue 1, January 2021)Diane Waggoner, Lewis Carroll's Photography and Modern Childhood (Princeton University Press 2020)Edward Wakeling, The Man and his Circle (IB Tauris, 2014)Edward Wakeling, The Photographs of Lewis Carroll: A Catalogue Raisonné (University of Texas Press, 2015)

“What is the use of repeating all that stuff,” the Mock Turtle interrupted, “if you don't explain it as you go on? It's by far the most confusing thing I ever heard!” “Yes, I think you'd better leave off,” said the Gryphon: and Alice was only too glad to do so. “Shall we try another figure of the Lobster Quadrille?” the Gryphon went on. “Or would you like the Mock Turtle to sing you a song?” “Oh, a song, please, if the Mock Turtle would be so kind,” Alice replied, so eagerly that the Gryphon said, in a rather offended tone, “Hm! No accounting for tastes! --- 생략된 이야기: 앨리스는 시를 한 편 더 암송했지만, 이번에도 이상한 말이 나왔습니다. "그런 걸 반복하면 무슨 소용이야?" 모조 거북이 끼어들었다. "계속하면서 설명은 하지 않는다면? 지금까지 내가 들어본 가장 혼란스러운 말이야!" "그래, 그만두는 편이 좋을 것 같아." 그리폰이 말했다. 앨리스는 그만둘 수 있어 너무나 기쁠 뿐이었다. "랍스터 콰드리유의 다른 부분을 춰 볼까?" 그리폰이 말을 이었다. "아니면 모조 거북이 노래해 주면 좋겠니?" "노래해 주세요. 모조 거북 님이 그래주신다면요." 앨리스가 너무 열렬하게 대답해서, 그리폰은 약간 심통이 난 목소리로 말했다. "흠! 취향이란 알 수 없으니까!" from Alice's Adventures in Wonderland by Lewis Carroll [목소리] Peter Yearsley https://librivox.org/alices-adventures-in-wonderland-by-lewis-carroll-3/ Eric Leach https://librivox.org/alices-adventures-in-wonderland-by-lewis-carroll-5/ 그 외의 영어 및 우리말 목소리는 인공지능 목소리입니다. 에피소드 이미지는 인공지능으로 생성했습니다.

“That's different from what I used to say when I was a child,” said the Gryphon. “Well, I never heard it before,” said the Mock Turtle; “but it sounds uncommon nonsense.” Alice said nothing; she had sat down with her face in her hands, wondering if anything would ever happen in a natural way again. “I should like to have it explained,” said the Mock Turtle. “She can't explain it,” said the Gryphon hastily. “Go on with the next verse.” --- 생략된 이야기: 앨리스는 자신의 모험 이야기를 들려줍니다. 모조거북과 그리폰의 지시에 따라 시를 외우지만, 자기도 모르게 이상한 시가 입밖으로 나왔습니다. "어릴 때 내가 말하던 것과 달라." 그리폰이 말했다. "난 들어본 적 없어." 모조거북이 말했다. "근데 이상하고 말도 안 돼." 앨리스는 아무 말 없이 앉아 두 손으로 얼굴을 감쌌다. 앞으로 정상적인 일이 과연 다시 일어날지 궁금했다. "설명을 들어야겠어." 모조거북이 말했다. "얘는 설명을 못해." 그리폰이 서둘러 말했다. "그다음 시를 계속해 봐." from Alice's Adventures in Wonderland by Lewis Carroll [목소리] Eric Leach https://librivox.org/alices-adventures-in-wonderland-by-lewis-carroll-5/ Narrator: David Goldfarb Alice: Miss Avarice Gryphon: Algy Pug Mock Turtle: Kara Shallenberg https://librivox.org/alices-adventures-in-wonderland-dramatic-reading-by-lewis-carroll/ 그 외의 영어 및 우리말 목소리는 인공지능 목소리입니다. 에피소드 이미지는 인공지능으로 생성했습니다.

“It must be a very pretty dance,” said Alice timidly. “Would you like to see a little of it?” said the Mock Turtle. “Very much indeed,” said Alice. “Come, let's try the first figure!” said the Mock Turtle to the Gryphon. “We can do without lobsters, you know. Which shall sing?” “Oh, you sing,” said the Gryphon. “I've forgotten the words.” --- 생략된 이야기: 모조 거북과 그리폰은 '랍스터 카드리유'라는 춤을 신나게 설명하다가, 갑자기 슬픈 얼굴로 앉아서 조용해졌습니다. "굉장히 예쁜 춤이겠네요." 앨리스가 소심하게 말했다. "조금 보고 싶니?" 모조 거북이 말했다. "정말로요." 앨리스가 말했다. "자, 1번 동작을 해보자!" 모조거북이 그리폰에게 말했다. "랍스터 없이도 할 수 있잖아. 누가 노래할까?" "아, 네가 해." 그리폰이 말했다. "나는 가사를 잊어버렸어." from Alice's Adventures in Wonderland by Lewis Carroll [목소리] Eric Leach https://librivox.org/alices-adventures-in-wonderland-by-lewis-carroll-5/ Narrator: David Goldfarb Alice: Miss Avarice Gryphon: Algy Pug Mock Turtle: Kara Shallenberg https://librivox.org/alices-adventures-in-wonderland-dramatic-reading-by-lewis-carroll/ 그 외의 영어 및 우리말 목소리는 인공지능 목소리입니다. 에피소드 이미지는 인공지능으로 생성했습니다.

“What sort of a dance is it?” “Why,” said the Gryphon, “you first form into a line along the sea-shore—” “Two lines!” cried the Mock Turtle. “Seals, turtles, salmon, and so on; then, when you've cleared all the jelly-fish out of the way—” “That generally takes some time,” interrupted the Gryphon. “—you advance twice—” “Each with a lobster as a partner!” cried the Gryphon. “Of course,” the Mock Turtle said: “advance twice, set to partners—” “—change lobsters, and retire in same order,” continued the Gryphon. --- 생략된 이야기: 모조거북은 '랍스터 카드리유'(Lobster Quadrille)라는 춤에 대해 설명합니다. "그건 어떤 춤이에요?" "먼저 해안을 따라서 한 줄로 서." 그리폰이 말했다. "두 줄이야!" 모조거북이 소리쳤다. "물개, 거북, 연어 등등으로. 그리고 해파리를 전부 걷어내고 나서..." "그게 보통 시간이 좀 걸리지." 그리폰이 껴들었다. "두 번 앞으로 가." "한 번 갈 때마다 랍스터를 파트너로 해서!" 그리폰이 소리쳤다. "물론이지." 모조거북이 말했다. "앞으로 두 번, 파트너와 인사하고..." "랍스터를 바꾸고, 같은 순서로 물러나고." 그리폰이 이어서 설명했다. from Alice's Adventures in Wonderland by Lewis Carroll [목소리] Narrator: David Goldfarb Alice: Miss Avarice Gryphon: Algy Pug Mock Turtle: Kara Shallenberg https://librivox.org/alices-adventures-in-wonderland-dramatic-reading-by-lewis-carroll/ Eric Leach https://librivox.org/alices-adventures-in-wonderland-by-lewis-carroll-5/ 그 외의 영어 및 우리말 목소리는 인공지능 목소리입니다. 에피소드 이미지는 1816년 레이디 저지(Lady Jersey)가 카드리유(Quadrille) 댄스를 영국에 처음 소개한 장면을 기록한 그림입니다. 왼쪽에서 두 번째가 레이디 저지입니다. https://en.wikipedia.org/wiki/Quadrille

This was quite a new idea to Alice, and she thought it over a little before she made her next remark. “Then the eleventh day must have been a holiday?” “Of course it was,” said the Mock Turtle. “And how did you manage on the twelfth?” Alice went on eagerly. “That's enough about lessons,” the Gryphon interrupted in a very decided tone: “tell her something about the games now.” --- 지난 이야기: 모조 거북은 첫날 열 시간 후에 날마다 수업 시간이 줄어들었다고 말했습니다. 상당히 새로운 개념이어서, 앨리스는 잠시 생각해 본 후에 말했다. "그러면 열한 번째 날은 휴일이었겠네요?" "물론 그랬지." 모조 거북이 말했다. "그럼 열두 번째 날에는 어떻게 했어요?" 앨리스가 열성적으로 계속 물었다. "수업 이야기는 그만하자." 그리폰이 매우 단호한 목소리로 껴들었다. "이제 얘한테 그 게임에 대해서 말해 줘." from Alice's Adventures in Wonderland by Lewis Carroll [목소리] Eric Leach https://librivox.org/alices-adventures-in-wonderland-by-lewis-carroll-5/ Narrator: David Goldfarb Alice: Miss Avarice Gryphon: Algy Pug Mock Turtle: Kara Shallenberg https://librivox.org/alices-adventures-in-wonderland-dramatic-reading-by-lewis-carroll/ 그 외의 영어 및 우리말 목소리는 인공지능 목소리입니다. 에피소드 이미지는 "The Complete Illustrated Works of Lewis Carrol"에 포함된 존 테니얼(John Tenniel, 1820–1914)의 삽화입니다.

“And how many hours a day did you do lessons?” said Alice, in a hurry to change the subject. “Ten hours the first day,” said the Mock Turtle: “nine the next, and so on.” “What a curious plan!” exclaimed Alice. “That's the reason they're called lessons,” the Gryphon remarked: “because they lessen from day to day.” --- 생략된 이야기: 모조 거북과 그리폰은 학교에서 배운 이상한 과목 이야기를 계속 했습니다. "수업을 하루에 몇 시간 했어요?" 앨리스가 화제를 바꾸기 위해 서둘러 말했다. "첫째 날에는 열 시간." 모조 거북이 말했다. "그다음 날에는 아홉 시간, 이런 식으로." "참 신기한 시간표네요!" "그래서 레슨이라고 그러잖아." 그리폰이 말했다. "날마다 줄어드니까." from Alice's Adventures in Wonderland by Lewis Carroll [목소리] Narrator: David Goldfarb Alice: Miss Avarice Gryphon: Algy Pug Mock Turtle: Kara Shallenberg https://librivox.org/alices-adventures-in-wonderland-dramatic-reading-by-lewis-carroll/ Eric Leach https://librivox.org/alices-adventures-in-wonderland-by-lewis-carroll-5/ 그 외의 영어 및 우리말 목소리는 인공지능 목소리입니다. 에피소드 이미지는 인공지능으로 생성했습니다.

“I only took the regular course.” “What was that?” inquired Alice. “Reeling and Writhing, of course, to begin with,” the Mock Turtle replied; “and then the different branches of Arithmetic—Ambition, Distraction, Uglification, and Derision.” “I never heard of ‘Uglification,'” Alice ventured to say. “What is it?” The Gryphon lifted up both its paws in surprise. “What! Never heard of uglifying!” it exclaimed. “You know what to beautify is, I suppose?” “Yes,” said Alice doubtfully: “it means—to—make—anything—prettier.” “Well, then,” the Gryphon went on, “if you don't know what to uglify is, you are a simpleton.” --- 생략된 이야기: 모조 거북은 자기 학교에는 보충 수업으로 씻기 과목이 있었다고 자랑하더니, 자신은 정규 과목만 배웠다고 말합니다. "나는 정규 과목만 배웠어." "그게 뭐였는데요?" 앨리스가 물었다. "물론 릴링과 라이딩은 기본이고." 모조 거북이 대답했다. "산수의 여러 갈래를 배웠지. 앰비션, 디스트랙션, 어글리피케이션, 데리전." "어글리피케이션은 한 번도 못 들어봤어요." 앨리스가 과감하게 말했다. "그게 뭐예요?" 그리폰이 놀라 두 발을 번쩍 들었다. "뭐야! 어글리파이를 못 들어봤다고!" 그리폰이 외쳤다. "뷰티파이가 뭔지는 알겠지?" "네." 앨리스가 미심쩍어 하며 말했다. "그건... 뭔가를... 더... 예쁘게... 만드는 걸 뜻하죠." "그건 알면서." 그리폰이 계속했다. "어글리파이를 모른다면 너는 바보야." from Alice's Adventures in Wonderland by Lewis Carroll [목소리] Eric Leach https://librivox.org/alices-adventures-in-wonderland-by-lewis-carroll-5/ Narrator: David Goldfarb Alice: Miss Avarice Gryphon: Algy Pug Mock Turtle: Kara Shallenberg https://librivox.org/alices-adventures-in-wonderland-dramatic-reading-by-lewis-carroll/ 그 외의 영어 및 우리말 목소리는 인공지능 목소리입니다. 에피소드 이미지는 인공지능으로 생성했습니다.

At last the Gryphon said to the Mock Turtle, “Drive on, old fellow! Don't be all day about it!” and he went on in these words: “Yes, we went to school in the sea, though you mayn't believe it—” “I never said I didn't!” interrupted Alice. “You did,” said the Mock Turtle. “Hold your tongue!” added the Gryphon, before Alice could speak again. The Mock Turtle went on. “We had the best of educations—in fact, we went to school every day—” “I've been to a day-school, too,” said Alice; “you needn't be so proud as all that.” --- 생략된 이야기: 그리폰과 모조 거북은 앨리스를 빤히 쳐다보았고, 앨리스는 숨고 싶을 만큼 창피했습니다. 마침내 그리폰이 모조 거북에게 말했다. "계속해, 친구! 이러다 날 저물겠어!" "그래, 우리는 바다에 있는 학교에 갔어, 넌 믿지 않을지도 모르지만..." "내가 언제 믿지 않는다고 했어요!" 앨리스가 껴들었다. "너 그랬어." 모조 거북이 말했다. "입 다물어!" 앨리스가 다시 말하기도 전에 그리폰이 덧붙였다. 모조 거북이 말을 이었다. "우리는 최고의 교육을 받았어. 학교에 매일 갔거든." "나도 매일 학교에 다녔어요. 그렇게까지 자부심을 가질 필요는 없어요." from Alice's Adventures in Wonderland by Lewis Carroll [목소리] Narrator: David Goldfarb Alice: Miss Avarice Gryphon: Algy Pug Mock Turtle: Kara Shallenberg https://librivox.org/alices-adventures-in-wonderland-dramatic-reading-by-lewis-carroll/ Eric Leach https://librivox.org/alices-adventures-in-wonderland-by-lewis-carroll-5/ 그 외의 영어 및 우리말 목소리는 인공지능 목소리입니다. 에피소드 이미지는 인공지능으로 생성했습니다.

“When we were little,” the Mock Turtle went on at last, more calmly, though still sobbing a little now and then, “we went to school in the sea. The master was an old Turtle—we used to call him Tortoise—” “Why did you call him Tortoise, if he wasn't one?” Alice asked. “We called him Tortoise because he taught us,” said the Mock Turtle angrily: “really you are very dull!” “You ought to be ashamed of yourself for asking such a simple question,” added the Gryphon; --- 생략된 이야기: 모조 거북은 한때 진짜 거북이었다고 운을 떼고 나서는 한참 동안 아무 말 없이 훌쩍이기만 했습니다. "우리가 어렸을 때," 모조 거북은 마침내, 좀 더 차분하게, 이야기를 이어 갔다. 여전히 이따금씩 훌쩍이긴 했다. "바다에 있는 학교를 다녔어. 선생님은 연로하신 거북이었어. 우리는 그분을 '터터스'라고 불렀지." "그분이 '터터스'가 아니라면 왜 그분을 '터터스'라고 불렀어요?" 앨리스가 물었다. "그분이 우리를 가르쳤으니까 '터터스'라고 불렀지." 모조 거북이 화를 내며 말했다. "진짜로 너 멍청하네!" "넌 그렇게 단순한 질문을 하다니 부끄러워 해야 마땅해." 그리폰이 거들었다. from Alice's Adventures in Wonderland by Lewis Carroll [목소리] Eric Leach https://librivox.org/alices-adventures-in-wonderland-by-lewis-carroll-5/ Narrator: David Goldfarb Alice: Miss Avarice Gryphon: Algy Pug Mock Turtle: Kara Shallenberg https://librivox.org/alices-adventures-in-wonderland-dramatic-reading-by-lewis-carroll/ 그 외의 영어 및 우리말 목소리는 인공지능 목소리입니다. 에피소드 이미지는 인공지능으로 생성했습니다.

“I'll tell it her,” said the Mock Turtle in a deep, hollow tone: “sit down, both of you, and don't speak a word till I've finished.” So they sat down, and nobody spoke for some minutes. Alice thought to herself, “I don't see how he can ever finish, if he doesn't begin.” But she waited patiently. “Once,” said the Mock Turtle at last, with a deep sigh, “I was a real Turtle.” --- 생략된 이야기: 여왕은 그리폰에게 가서 앨리스를 모조 거북에게 데려가라고 명령했습니다. 그리폰은 냉소적으로 여왕을 비웃더니, 앨리스를 데리고 모조 거북에게 갔습니다. 모조 거북은 땅이 꺼질 듯이 한숨을 쉬며 슬퍼하고 있었습니다. "내가 얘한테 얘기할게." 모조 거북이 깊고 공허한 목소리로 말했다. "둘 다 앉아. 그리고 내가 이야기를 끝낼 때까지 아무 말도 하지 마." 둘은 앉았고, 얼마 동안 아무도 말을 하지 않았다. 앨리스는 혼자 생각했다. "이야기를 시작을 안 하면 어떻게 끝낼 수 있을지 모르겠네." 하지만 앨리스는 참을성 있게 기다렸다. 마침내 모조 거북이 깊은 한숨을 쉬며 말했다. "한때 나는 진짜 거북이었어." from Alice's Adventures in Wonderland by Lewis Carroll [목소리] Narrator: David Goldfarb Alice: Miss Avarice Gryphon: Algy Pug Mock Turtle: Kara Shallenberg https://librivox.org/alices-adventures-in-wonderland-dramatic-reading-by-lewis-carroll/ Eric Leach https://librivox.org/alices-adventures-in-wonderland-by-lewis-carroll-5/ 그 외의 영어 및 우리말 목소리는 인공지능 목소리입니다. 에피소드 이미지는 "The Complete Illustrated Works of Lewis Carrol"에 포함된 존 테니얼(John Tenniel, 1820–1914)의 삽화입니다.

Then the Queen left off, quite out of breath, and said to Alice, “Have you seen the Mock Turtle yet?” “No,” said Alice. “I don't even know what a Mock Turtle is.” “It's the thing Mock Turtle Soup is made from,” said the Queen. “I never saw one, or heard of one,” said Alice. “Come on, then,” said the Queen, “and he shall tell you his history,” --- 생략된 이야기: 여왕은 공작부인을 쫓아내고 앨리스를 데려가 크로케 시합을 계속했습니다. 하지만 여왕이 거의 모두를 감옥에 보내버려서, 여왕과 왕과 앨리스만 남았습니다. 그러자 여왕은 시합을 중단하고 숨을 몰아쉬며 앨리스에게 말했다. "너 모조 거북을 본 적 있니?" "아뇨. 모조 거북이 뭔지도 몰라요." "모조 거북 수프의 재료지." "본 적도 들은 적도 없어요." "그럼 이리 와라. 모조 거북이 자기 이야기를 해 줄 거야." from Alice's Adventures in Wonderland by Lewis Carroll [목소리] Eric Leach https://librivox.org/alices-adventures-in-wonderland-by-lewis-carroll-5/ Narrator: David Goldfarb Alice: Miss Avarice Queen of Hearts: Nadine Eckert-Boulet https://librivox.org/alices-adventures-in-wonderland-dramatic-reading-by-lewis-carroll/ 그 외의 영어 및 우리말 목소리는 인공지능 목소리입니다. 에피소드 이미지는 '위키피디아'에서 Wilfried Wittkowsky님의 이미지를 공유했습니다. https://en.wikipedia.org/wiki/Mock_turtle_soup

"The Mock Turtle's Story"

Episode 163: Erasure - Chorus (1991) (Featuring Andrew Dineley of "Art on Your Sleeve") - Part 2 Not only are Brian, Sarah, and Andrew Dineley back in this episode to discuss Erasure's 1991 release, Chorus, but Sarah is back to write the show notes. So let's get to it! The previous episode went through the making of the album, release and chart history, album reviews, design and artwork information, and personal history. Now it's time for the terrific trio to tackle the tunes on Side One of Chorus.  We find five songs on the first side, three of which were singles, so there's plenty to talk about. The hosts are intent on sticking to the self-imposed time limits for discussing the songs, to keep the episodes to a reasonable length, and to ensure the discussion will wrap up by the end of the year. But don't worry; there are plenty of facts, opinions, insights, and laughs to be found within these confines! Here's just one example from each category:  Fact: "Am I Right?" was Erasure's fifteenth consecutive single to land in the top 20 of the UK Singles charts. Opinion: Andrew is a big fan of the B-sides for this album. Insight: There are similarities between Erasure's "Chorus" video and David Bowie's "Ashes to Ashes" video. Laugh: Vince Clarke dressed as the Mock Turtle in the "Breath of Life" video. And if all that's not enough enticement, you'll surely want to listen just to get more information about THIS photo!  Watch the videos we discuss here: Chorus Breath of Life Am I Right? Listen to Andrew on his "Art of Your Sleeve" podcast: https://softoctopus.co.uk/podcast/ Get all the details on Andrew's design studio: https://softoctopus.co.uk/ Read more at http://www.permanentrecordpodcast.com/ Visit us at https://www.facebook.com/permrecordpodcast Follow us at https://twitter.com/permrecordpod  Check out some pictures at https://www.instagram.com/permanentrecordpodcast/ So this BlueSky thing looks shiny and new: https://bsky.app/profile/permrecordpod.bsky.social Oh!  Here's another one of these things - Threads: https://www.threads.net/@permanentrecordpodcast Leave a voicemail for Brian & Sarah at (724) 490-8324 or https://www.speakpipe.com/PermRecordPod - we're ready to believe you!

Cincinnati Bengals owner Mike Brown, along with director of player personnel Duke Tobin and Bengals coaches, held court with the media on Monday for the team's annual mock turtle soup luncheon. We break down his comments about Joe Burrow's contract extension, other contract extensions that may follow, Joe Mixon's reworked deal, and the coaches' comments on offseason narratives we've discussed all summer. Zac Taylor and Brian Callahan discussed their confidence in the scheme on offense and the offensive line, the interesting battle for the 3rd down running back job, and Lou Anarumo commented on the new safety group and added depth up front.Find and follow Locked On Bengals on your favorite podcast platforms:Apple Podcasts: https://podcasts.apple.com/us/podcast/locked-on-bengals-daily-podcast-on-the-cincinnati-bengals/id1159723162Spotify: https://open.spotify.com/show/7AObc0lh0WmQl5fJVgtajsStitcher: https://www.stitcher.com/show/locked-on-bengalsGoogle Podcasts: https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5tZWdhcGhvbmUuZm0vbG9ja2Vkb25iZW5nYWxz?sa=X&ved=0CAYQrrcFahcKEwio_sXtj8nuAhUAAAAAHQAAAAAQAgJames Rapien and Jake Liscow take you inside the Bengals with the latest news, unique analysis, and insight on your favorite team, every day on Locked On Bengals. Part of the Locked On Podcast Network. Your team. Every Day.And follow Jake and James on Twitter, where they'll be sharing the latest news about the Cincinnati Bengals and talking with fans.Jake Liscow: https://twitter.com/JakeLiscowJames Rapien: https://twitter.com/JamesRapien Podcast: https://twitter.com/lockedonbengalsSupport Us By Supporting Our Sponsors!BetterHelpThis episode is brought to you by BetterHelp. If you're thinking of starting therapy, give BetterHelp a try. Visit BetterHelp.com/Lockedon today to get 10% off your first month.eBay MotorsFor parts that fit, head to eBay Motors and look for the green check. Stay in the game with eBay Guaranteed Fit. eBay Motors dot com. Let's ride. eBay Guaranteed Fit only available to US customers. Eligible items only. Exclusions apply.LinkedInLinkedIn Jobs helps you find the qualified candidates you want to talk to, faster. Post your job for free at LinkedIn.com/LOCKEDONNFL. Terms and conditions apply.FanDuelMake Every Moment More. Don't miss the chance to get your No Sweat First Bet up to TWO HUNDRED DOLLARS in Bonus Bets when you go FanDuel.com/LOCKEDON.FANDUEL DISCLAIMER: 21+ in select states. First online real money wager only. Bonus issued as nonwithdrawable free bets that expires in 14 days. Restrictions apply. See terms at sportsbook.fanduel.com. Gambling Problem? Call 1-800-GAMBLER or visit FanDuel.com/RG (CO, IA, MD, MI, NJ, PA, IL, VA, WV), 1-800-NEXT-STEP or text NEXTSTEP to 53342 (AZ), 1-888-789-7777 or visit ccpg.org/chat (CT), 1-800-9-WITH-IT (IN), 1-800-522-4700 (WY, KS) or visit ksgamblinghelp.com (KS), 1-877-770-STOP (LA), 1-877-8-HOPENY or text HOPENY (467369) (NY), TN REDLINE 1-800-889-9789 (TN) Learn more about your ad choices. Visit podcastchoices.com/adchoices

Cincinnati Bengals owner Mike Brown, along with director of player personnel Duke Tobin and Bengals coaches, held court with the media on Monday for the team's annual mock turtle soup luncheon. We break down his comments about Joe Burrow's contract extension, other contract extensions that may follow, Joe Mixon's reworked deal, and the coaches' comments on offseason narratives we've discussed all summer. Zac Taylor and Brian Callahan discussed their confidence in the scheme on offense and the offensive line, the interesting battle for the 3rd down running back job, and Lou Anarumo commented on the new safety group and added depth up front. Find and follow Locked On Bengals on your favorite podcast platforms: Apple Podcasts: https://podcasts.apple.com/us/podcast/locked-on-bengals-daily-podcast-on-the-cincinnati-bengals/id1159723162 Spotify: https://open.spotify.com/show/7AObc0lh0WmQl5fJVgtajs Stitcher: https://www.stitcher.com/show/locked-on-bengals Google Podcasts: https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5tZWdhcGhvbmUuZm0vbG9ja2Vkb25iZW5nYWxz?sa=X&ved=0CAYQrrcFahcKEwio_sXtj8nuAhUAAAAAHQAAAAAQAg James Rapien and Jake Liscow take you inside the Bengals with the latest news, unique analysis, and insight on your favorite team, every day on Locked On Bengals. Part of the Locked On Podcast Network. Your team. Every Day. And follow Jake and James on Twitter, where they'll be sharing the latest news about the Cincinnati Bengals and talking with fans. Jake Liscow: https://twitter.com/JakeLiscow James Rapien: https://twitter.com/JamesRapien Podcast: https://twitter.com/lockedonbengals Support Us By Supporting Our Sponsors! BetterHelp This episode is brought to you by BetterHelp. If you're thinking of starting therapy, give BetterHelp a try. Visit BetterHelp.com/Lockedon today to get 10% off your first month. eBay Motors For parts that fit, head to eBay Motors and look for the green check. Stay in the game with eBay Guaranteed Fit. eBay Motors dot com. Let's ride. eBay Guaranteed Fit only available to US customers. Eligible items only. Exclusions apply. LinkedIn LinkedIn Jobs helps you find the qualified candidates you want to talk to, faster. Post your job for free at LinkedIn.com/LOCKEDONNFL. Terms and conditions apply. FanDuel Make Every Moment More. Don't miss the chance to get your No Sweat First Bet up to TWO HUNDRED DOLLARS in Bonus Bets when you go FanDuel.com/LOCKEDON. FANDUEL DISCLAIMER: 21+ in select states. First online real money wager only. Bonus issued as nonwithdrawable free bets that expires in 14 days. Restrictions apply. See terms at sportsbook.fanduel.com. Gambling Problem? Call 1-800-GAMBLER or visit FanDuel.com/RG (CO, IA, MD, MI, NJ, PA, IL, VA, WV), 1-800-NEXT-STEP or text NEXTSTEP to 53342 (AZ), 1-888-789-7777 or visit ccpg.org/chat (CT), 1-800-9-WITH-IT (IN), 1-800-522-4700 (WY, KS) or visit ksgamblinghelp.com (KS), 1-877-770-STOP (LA), 1-877-8-HOPENY or text HOPENY (467369) (NY), TN REDLINE 1-800-889-9789 (TN) Learn more about your ad choices. Visit podcastchoices.com/adchoices

An electronic sequence created in Pure Data.

The Mock Turtle tells Alice about his school years growing up under the sea, but is interrupted by the Gryphon who ask him to explain a dance called the Lobster Quadrille.  Of course it is as nonsensical as you could expect at this point and the Mock Turtle and the Gryphon act out the dance (sans lobsters) much to their own amusement.The Mock Turtle does this while singing a song about a whiting and a snail, who are both invited to the dance but quite sensibly decline. Alice recites some verses herself after some encouragement and finally the Mock Turtle entertains them by singing a song about soup.They hear a shout that the trial is beginning, and the Gryphon takes Alice by the hand to attend - leaving the Mock Turtle to sing to himself.

Alice encounters the Duchess once again, and although she finds her in a pleasant mood, she still makes some bizarre and confusing remarks. The Duchess insists that everything has a moral, and seems to enjoy finding morals in everything she sees, no matter how unrelated or nonsensical. Alice finds this strange, but tries to keep up with the conversation as best she can. However, their conversation is cut short when the Queen suddenly appears to drag Alice back to the croquet game.Instead, she insists that Alice to meet the Mock Turtle so she can hear his story, and finds the Gryphon to accompany her.  After some awkward silences, the Mock Turtle finally starts its story, and Alice is glad that at least she's no longer under thread from the Queen.

First-time spelunker Alice Spelunker leaves her sister behind to venture down a hole after a talking rabbit and finds herself in a land of wonder where animals talk, drinking changes her size, and tyranny will soon be met by a vicious slaughter at the hands of an oppressed band of tea-party goers.  They find their way back to the great hall to use Alice's key to enter the Queen of Heart's queendom and execute their long-awaited plan, while Alice plays croquet in the meantime.  Written by Ean Smith (@marcusdayhooray).      Cast:   Dylan Carey (@_groovebox_) - Narrator Fee Basanavicius (@fbasanavicius) - Alice Travis Marsala (@travismarsala) - Egret, Blue Caterpillar, Sergei, Gryphon, Knave of Diamonds, Hedgehog, Guard One, Unpacked Card Alex Campbell (@likethesoup92) - Man Shitting, Mad Hatter, Knave of Hearts, Ace Card, Badger, Unpacked Card Jeremy DeAntonio (@jeremydeantonio5) - March Hare, Mock Turtle, Five, Snake, Guard Two, Playing Card Arch, Unpacked Card Matt Storino (@StorinoMp) – White Rabbit, Yosemite Sam, Swedish Chef, Knave of Clubs, Seven, Unpacked Card Eli Wyand – Sister, Mary Ann, Queen of Hearts, Flamingo Susan Day – Dormouse, Two 

Alice and her co-conspirators find their way back to the great hall to use Alice's key to enter the Queen of Heart's queendom and execute their long-awaited plan, while Alice plays croquet in the meantime.  Written by Ean Smith (@marcusdayhooray).      Cast:   Dylan Carey (@_groovebox_) - Narrator Fee Basanavicius (@fbasanavicius) - Alice Travis Marsala (@travismarsala) - Gryphon, Knave of Diamonds, Hedgehog, Guard One, Unpacked Card Alex Campbell (@likethesoup92) - Mad Hatter, Knave of Hearts, Ace Card, Badger, Unpacked Card Jeremy DeAntonio (@jeremydeantonio5) - March Hare, Mock Turtle, Five, Snake, Guard Two, Playing Card Arch, Unpacked Card Matt Storino (@StorinoMp) – White Rabbit, Knave of Clubs, Seven, Unpacked Card Eli Wyand – Queen of Hearts, Sister, Flamingo Susan Day – Dormouse, Two 

Tonight's story to help you sleep is the continuation of Lewis Carroll's Alice's Adventures in Wonderland also known as Alice in Wonderland. In this episode, Alice meets the Mock Turtle and the Gryphon. Whatever is a lobster quadrille?Our Black Friday Offer on Just Sleep Premium is almost here!Interested in more sleepy content or just want to support the show? Join Just Sleep Premium here: https://justsleeppodcast.com/supportAs a Just Sleep Premium member you will receive:Ad-free and Intro-free episodesThe entire audiobook of the Wizard of OzA collection of short fairy tales including Rapunzel and the Frog PrinceAn additional 2 episodes every monthThe chance to vote on the next story that you hearThe chance to win readings just for youThe entire back catalogue of the podcast, ad and intro-free (coming soon!)Thanks for your support!Sweet Dreams...Intro Music by the Psychedelic Squirrel Hosted on Acast. See acast.com/privacy for more information.

False start! We have a false start introduction to today's podcast because shortly after recording, it was reported that Joe Burrow was undergoing an appendectomy. Paul and Jay provide details about the procedure and an update as to Burrow's projected return to practice. That aside, in a LOADED episode of HTPG, PDJ and JM preview training camp storylines, including La'el Collin and Alex Cappa's injuries, Jackson Carman's role, Jessie Bates not reporting to the first day of camp, and more. Mock Turtle soup equals sound bites from Mike Brown, Zac Taylor, and Duke Tobin on naming rights for Cincinnati's stadium, Joe Burrow's contract extension, the 'winning window', and more. Watch today's episode on YouTube: https://youtu.be/sAs5kwR7Vrg Follow Paul on Twitter: @pauldehnerjr Follow Jay on Twitter: @JayMorrisonATH Follow Mo on Twitter: @MoEgger Learn more about your ad choices. Visit megaphone.fm/adchoices

Breaking down Mike Brown's Monday comments about selling naming rights for the stadium, injury updates on La'el Collins and Alex Cappa, and indicators that Jessie Bates is going to show up, it's just a question of when.Find and follow Locked On Bengals on your favorite podcast platforms:Apple Podcasts: https://podcasts.apple.com/us/podcast/locked-on-bengals-daily-podcast-on-the-cincinnati-bengals/id1159723162Spotify: https://open.spotify.com/show/7AObc0lh0WmQl5fJVgtajsStitcher: https://www.stitcher.com/show/locked-on-bengalsGoogle Podcasts: https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5tZWdhcGhvbmUuZm0vbG9ja2Vkb25iZW5nYWxz?sa=X&ved=0CAYQrrcFahcKEwio_sXtj8nuAhUAAAAAHQAAAAAQAgJames Rapien and Jake Liscow take you inside the Bengals with the latest news, unique analysis, and insight on your favorite team, every day on Locked On Bengals. Part of the Locked On Podcast Network. Your team. Every Day.And follow Jake and James on Twitter, where they'll be sharing the latest news about the Cincinnati Bengals and talking with fans.Jake Liscow: https://twitter.com/JakeLiscowJames Rapien: https://twitter.com/JamesRapienPodcast: https://twitter.com/lockedonbengalsSupport Us By Supporting Our Sponsors!DaveDownload the Dave app from the App store right now for an Extra Cash account and get up to 500 dollars instantly. For terms and conditions go to dave.com/legal. Instant transfer fees apply. Banking provided by Evolve. Member FDIC.Built BarBuilt Bar is a protein bar that tastes like a candy bar. Go to builtbar.com and use promo code “LOCKED15,” and you'll get 15% off your next order.BetOnlineBetOnline.net has you covered this season with more props, odds and lines than ever before. BetOnline – Where The Game Starts!Rock AutoAmazing selection. Reliably low prices. All the parts your car will ever need. Visit RockAuto.com and tell them Locked On sent you. Learn more about your ad choices. Visit podcastchoices.com/adchoices

Breaking down Mike Brown's Monday comments about selling naming rights for the stadium, injury updates on La'el Collins and Alex Cappa, and indicators that Jessie Bates is going to show up, it's just a question of when. Find and follow Locked On Bengals on your favorite podcast platforms: Apple Podcasts: https://podcasts.apple.com/us/podcast/locked-on-bengals-daily-podcast-on-the-cincinnati-bengals/id1159723162 Spotify: https://open.spotify.com/show/7AObc0lh0WmQl5fJVgtajs Stitcher: https://www.stitcher.com/show/locked-on-bengals Google Podcasts: https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5tZWdhcGhvbmUuZm0vbG9ja2Vkb25iZW5nYWxz?sa=X&ved=0CAYQrrcFahcKEwio_sXtj8nuAhUAAAAAHQAAAAAQAg James Rapien and Jake Liscow take you inside the Bengals with the latest news, unique analysis, and insight on your favorite team, every day on Locked On Bengals. Part of the Locked On Podcast Network. Your team. Every Day. And follow Jake and James on Twitter, where they'll be sharing the latest news about the Cincinnati Bengals and talking with fans. Jake Liscow: https://twitter.com/JakeLiscow James Rapien: https://twitter.com/JamesRapien Podcast: https://twitter.com/lockedonbengals Support Us By Supporting Our Sponsors! Dave Download the Dave app from the App store right now for an Extra Cash account and get up to 500 dollars instantly. For terms and conditions go to dave.com/legal. Instant transfer fees apply. Banking provided by Evolve. Member FDIC. Built Bar Built Bar is a protein bar that tastes like a candy bar. Go to builtbar.com and use promo code “LOCKED15,” and you'll get 15% off your next order. BetOnline BetOnline.net has you covered this season with more props, odds and lines than ever before. BetOnline – Where The Game Starts! Rock Auto Amazing selection. Reliably low prices. All the parts your car will ever need. Visit RockAuto.com and tell them Locked On sent you. Learn more about your ad choices. Visit podcastchoices.com/adchoices

CHAPTER XII. Alice's Evidence “Here!” cried Alice, quite forgetting in the flurry of the moment how large she had grown in the last few minutes, and she jumped up in such a hurry that she tipped over the jury-box with the edge of her skirt, upsetting all the jurymen on to the heads of the crowd below, and there they lay sprawling about, reminding her very much of a globe of goldfish she had accidentally upset the week before. “Oh, I beg your pardon!” she exclaimed in a tone of great dismay, and began picking them up again as quickly as she could, for the accident of the goldfish kept running in her head, and she had a vague sort of idea that they must be collected at once and put back into the jury-box, or they would die. “The trial cannot proceed,” said the King in a very grave voice, “until all the jurymen are back in their proper places—all,” he repeated with great emphasis, looking hard at Alice as he said so. Alice looked at the jury-box, and saw that, in her haste, she had put the Lizard in head downwards, and the poor little thing was waving its tail about in a melancholy way, being quite unable to move. She soon got it out again, and put it right; “not that it signifies much,” she said to herself; “I should think it would be quite as much use in the trial one way up as the other.” As soon as the jury had a little recovered from the shock of being upset, and their slates and pencils had been found and handed back to them, they set to work very diligently to write out a history of the accident, all except the Lizard, who seemed too much overcome to do anything but sit with its mouth open, gazing up into the roof of the court. “What do you know about this business?” the King said to Alice. “Nothing,” said Alice. “Nothing whatever?” persisted the King. “Nothing whatever,” said Alice. “That's very important,” the King said, turning to the jury. They were just beginning to write this down on their slates, when the White Rabbit interrupted: “Unimportant, your Majesty means, of course,” he said in a very respectful tone, but frowning and making faces at him as he spoke. “Unimportant, of course, I meant,” the King hastily said, and went on to himself in an undertone, “important—unimportant—unimportant—important—” as if he were trying which word sounded best. Some of the jury wrote it down “important,” and some “unimportant.” Alice could see this, as she was near enough to look over their slates; “but it doesn't matter a bit,” she thought to herself. At this moment the King, who had been for some time busily writing in his note-book, cackled out “Silence!” and read out from his book, “Rule Forty-two. All persons more than a mile high to leave the court.” Everybody looked at Alice. “I'm not a mile high,” said Alice. “You are,” said the King. “Nearly two miles high,” added the Queen. “Well, I shan't go, at any rate,” said Alice: “besides, that's not a regular rule: you invented it just now.” “It's the oldest rule in the book,” said the King. “Then it ought to be Number One,” said Alice. The King turned pale, and shut his note-book hastily. “Consider your verdict,” he said to the jury, in a low, trembling voice. “There's more evidence to come yet, please your Majesty,” said the White Rabbit, jumping up in a great hurry; “this paper has just been picked up.” “What's in it?” said the Queen. “I haven't opened it yet,” said the White Rabbit, “but it seems to be a letter, written by the prisoner to—to somebody.” “It must have been that,” said the King, “unless it was written to nobody, which isn't usual, you know.” “Who is it directed to?” said one of the jurymen. “It isn't directed at all,” said the White Rabbit; “in fact, there's nothing written on the outside.” He unfolded the paper as he spoke, and added “It isn't a letter, after all: it's a set of verses.” “Are they in the prisoner's handwriting?” asked another of the jurymen. “No, they're not,” said the White Rabbit, “and that's the queerest thing about it.” (The jury all looked puzzled.) “He must have imitated somebody else's hand,” said the King. (The jury all brightened up again.) “Please your Majesty,” said the Knave, “I didn't write it, and they can't prove I did: there's no name signed at the end.” “If you didn't sign it,” said the King, “that only makes the matter worse. You must have meant some mischief, or else you'd have signed your name like an honest man.” There was a general clapping of hands at this: it was the first really clever thing the King had said that day. “That proves his guilt,” said the Queen. “It proves nothing of the sort!” said Alice. “Why, you don't even know what they're about!” “Read them,” said the King. The White Rabbit put on his spectacles. “Where shall I begin, please your Majesty?” he asked. “Begin at the beginning,” the King said gravely, “and go on till you come to the end: then stop.” These were the verses the White Rabbit read:— “They told me you had been to her,     And mentioned me to him: She gave me a good character,     But said I could not swim. He sent them word I had not gone     (We know it to be true): If she should push the matter on,     What would become of you? I gave her one, they gave him two,     You gave us three or more; They all returned from him to you,     Though they were mine before. If I or she should chance to be     Involved in this affair, He trusts to you to set them free,     Exactly as we were. My notion was that you had been     (Before she had this fit) An obstacle that came between     Him, and ourselves, and it. Don't let him know she liked them best,     For this must ever be A secret, kept from all the rest,     Between yourself and me.” “That's the most important piece of evidence we've heard yet,” said the King, rubbing his hands; “so now let the jury—” “If any one of them can explain it,” said Alice, (she had grown so large in the last few minutes that she wasn't a bit afraid of interrupting him,) “I'll give him sixpence. I don't believe there's an atom of meaning in it.” The jury all wrote down on their slates, “She doesn't believe there's an atom of meaning in it,” but none of them attempted to explain the paper. “If there's no meaning in it,” said the King, “that saves a world of trouble, you know, as we needn't try to find any. And yet I don't know,” he went on, spreading out the verses on his knee, and looking at them with one eye; “I seem to see some meaning in them, after all. “—said I could not swim—” you can't swim, can you?” he added, turning to the Knave. The Knave shook his head sadly. “Do I look like it?” he said. (Which he certainly did not, being made entirely of cardboard.) “All right, so far,” said the King, and he went on muttering over the verses to himself: “‘We know it to be true—' that's the jury, of course—‘I gave her one, they gave him two—' why, that must be what he did with the tarts, you know—” “But, it goes on ‘they all returned from him to you,'” said Alice. “Why, there they are!” said the King triumphantly, pointing to the tarts on the table. “Nothing can be clearer than that. Then again—‘before she had this fit—' you never had fits, my dear, I think?” he said to the Queen. “Never!” said the Queen furiously, throwing an inkstand at the Lizard as she spoke. (The unfortunate little Bill had left off writing on his slate with one finger, as he found it made no mark; but he now hastily began again, using the ink, that was trickling down his face, as long as it lasted.) “Then the words don't fit you,” said the King, looking round the court with a smile. There was a dead silence. “It's a pun!” the King added in an offended tone, and everybody laughed, “Let the jury consider their verdict,” the King said, for about the twentieth time that day. “No, no!” said the Queen. “Sentence first—verdict afterwards.” “Stuff and nonsense!” said Alice loudly. “The idea of having the sentence first!” “Hold your tongue!” said the Queen, turning purple. “I won't!” said Alice. “Off with her head!” the Queen shouted at the top of her voice. Nobody moved. “Who cares for you?” said Alice, (she had grown to her full size by this time.) “You're nothing but a pack of cards!” At this the whole pack rose up into the air, and came flying down upon her: she gave a little scream, half of fright and half of anger, and tried to beat them off, and found herself lying on the bank, with her head in the lap of her sister, who was gently brushing away some dead leaves that had fluttered down from the trees upon her face. “Wake up, Alice dear!” said her sister; “Why, what a long sleep you've had!” “Oh, I've had such a curious dream!” said Alice, and she told her sister, as well as she could remember them, all these strange Adventures of hers that you have just been reading about; and when she had finished, her sister kissed her, and said, “It was a curious dream, dear, certainly: but now run in to your tea; it's getting late.” So Alice got up and ran off, thinking while she ran, as well she might, what a wonderful dream it had been. But her sister sat still just as she left her, leaning her head on her hand, watching the setting sun, and thinking of little Alice and all her wonderful Adventures, till she too began dreaming after a fashion, and this was her dream:— First, she dreamed of little Alice herself, and once again the tiny hands were clasped upon her knee, and the bright eager eyes were looking up into hers—she could hear the very tones of her voice, and see that queer little toss of her head to keep back the wandering hair that would always get into her eyes—and still as she listened, or seemed to listen, the whole place around her became alive with the strange creatures of her little sister's dream. The long grass rustled at her feet as the White Rabbit hurried by—the frightened Mouse splashed his way through the neighbouring pool—she could hear the rattle of the teacups as the March Hare and his friends shared their never-ending meal, and the shrill voice of the Queen ordering off her unfortunate guests to execution—once more the pig-baby was sneezing on the Duchess's knee, while plates and dishes crashed around it—once more the shriek of the Gryphon, the squeaking of the Lizard's slate-pencil, and the choking of the suppressed guinea-pigs, filled the air, mixed up with the distant sobs of the miserable Mock Turtle. So she sat on, with closed eyes, and half believed herself in Wonderland, though she knew she had but to open them again, and all would change to dull reality—the grass would be only rustling in the wind, and the pool rippling to the waving of the reeds—the rattling teacups would change to tinkling sheep-bells, and the Queen's shrill cries to the voice of the shepherd boy—and the sneeze of the baby, the shriek of the Gryphon, and all the other queer noises, would change (she knew) to the confused clamour of the busy farm-yard—while the lowing of the cattle in the distance would take the place of the Mock Turtle's heavy sobs. Lastly, she pictured to herself how this same little sister of hers would, in the after-time, be herself a grown woman; and how she would keep, through all her riper years, the simple and loving heart of her childhood: and how she would gather about her other little children, and make their eyes bright and eager with many a strange tale, perhaps even with the dream of Wonderland of long ago: and how she would feel with all their simple sorrows, and find a pleasure in all their simple joys, remembering her own child-life, and the happy summer days. THE END

Tonight we meet the bloodthirsty Queen of Hearts, and perhaps also the musical Mock Turtle with his excellent curricular plans.

CHAPTER X. The Lobster Quadrille The Mock Turtle sighed deeply, and drew the back of one flapper across his eyes. He looked at Alice, and tried to speak, but for a minute or two sobs choked his voice. “Same as if he had a bone in his throat,” said the Gryphon: and it set to work shaking him and punching him in the back. At last the Mock Turtle recovered his voice, and, with tears running down his cheeks, he went on again:— “You may not have lived much under the sea—” (“I haven't,” said Alice)—“and perhaps you were never even introduced to a lobster—” (Alice began to say “I once tasted—” but checked herself hastily, and said “No, never”) “—so you can have no idea what a delightful thing a Lobster Quadrille is!” “No, indeed,” said Alice. “What sort of a dance is it?” “Why,” said the Gryphon, “you first form into a line along the sea-shore—” “Two lines!” cried the Mock Turtle. “Seals, turtles, salmon, and so on; then, when you've cleared all the jelly-fish out of the way—” “That generally takes some time,” interrupted the Gryphon. “—you advance twice—” “Each with a lobster as a partner!” cried the Gryphon. “Of course,” the Mock Turtle said: “advance twice, set to partners—” “—change lobsters, and retire in same order,” continued the Gryphon. “Then, you know,” the Mock Turtle went on, “you throw the—” “The lobsters!” shouted the Gryphon, with a bound into the air. “—as far out to sea as you can—” “Swim after them!” screamed the Gryphon. “Turn a somersault in the sea!” cried the Mock Turtle, capering wildly about. “Change lobsters again!” yelled the Gryphon at the top of its voice. “Back to land again, and that's all the first figure,” said the Mock Turtle, suddenly dropping his voice; and the two creatures, who had been jumping about like mad things all this time, sat down again very sadly and quietly, and looked at Alice. “It must be a very pretty dance,” said Alice timidly. “Would you like to see a little of it?” said the Mock Turtle. “Very much indeed,” said Alice. “Come, let's try the first figure!” said the Mock Turtle to the Gryphon. “We can do without lobsters, you know. Which shall sing?” “Oh, you sing,” said the Gryphon. “I've forgotten the words.” So they began solemnly dancing round and round Alice, every now and then treading on her toes when they passed too close, and waving their forepaws to mark the time, while the Mock Turtle sang this, very slowly and sadly:— “Will you walk a little faster?” said a whiting to a snail. “There's a porpoise close behind us, and he's treading on my tail. See how eagerly the lobsters and the turtles all advance! They are waiting on the shingle—will you come and join the dance? Will you, won't you, will you, won't you, will you join the dance? Will you, won't you, will you, won't you, won't you join the dance? “You can really have no notion how delightful it will be When they take us up and throw us, with the lobsters, out to sea!” But the snail replied “Too far, too far!” and gave a look askance— Said he thanked the whiting kindly, but he would not join the dance. Would not, could not, would not, could not, would not join the dance. Would not, could not, would not, could not, could not join the dance. “What matters it how far we go?” his scaly friend replied. “There is another shore, you know, upon the other side. The further off from England the nearer is to France— Then turn not pale, beloved snail, but come and join the dance. Will you, won't you, will you, won't you, will you join the dance? Will you, won't you, will you, won't you, won't you join the dance?” “Thank you, it's a very interesting dance to watch,” said Alice, feeling very glad that it was over at last: “and I do so like that curious song about the whiting!” “Oh, as to the whiting,” said the Mock Turtle, “they—you've seen them, of course?” “Yes,” said Alice, “I've often seen them at dinn—” she checked herself hastily. “I don't know where Dinn may be,” said the Mock Turtle, “but if you've seen them so often, of course you know what they're like.” “I believe so,” Alice replied thoughtfully. “They have their tails in their mouths—and they're all over crumbs.” “You're wrong about the crumbs,” said the Mock Turtle: “crumbs would all wash off in the sea. But they have their tails in their mouths; and the reason is—” here the Mock Turtle yawned and shut his eyes.—“Tell her about the reason and all that,” he said to the Gryphon. “The reason is,” said the Gryphon, “that they would go with the lobsters to the dance. So they got thrown out to sea. So they had to fall a long way. So they got their tails fast in their mouths. So they couldn't get them out again. That's all.” “Thank you,” said Alice, “it's very interesting. I never knew so much about a whiting before.” “I can tell you more than that, if you like,” said the Gryphon. “Do you know why it's called a whiting?” “I never thought about it,” said Alice. “Why?” “It does the boots and shoes,” the Gryphon replied very solemnly. Alice was thoroughly puzzled. “Does the boots and shoes!” she repeated in a wondering tone. “Why, what are your shoes done with?” said the Gryphon. “I mean, what makes them so shiny?” Alice looked down at them, and considered a little before she gave her answer. “They're done with blacking, I believe.” “Boots and shoes under the sea,” the Gryphon went on in a deep voice, “are done with a whiting. Now you know.” “And what are they made of?” Alice asked in a tone of great curiosity. “Soles and eels, of course,” the Gryphon replied rather impatiently: “any shrimp could have told you that.” “If I'd been the whiting,” said Alice, whose thoughts were still running on the song, “I'd have said to the porpoise, ‘Keep back, please: we don't want you with us!'” “They were obliged to have him with them,” the Mock Turtle said: “no wise fish would go anywhere without a porpoise.” “Wouldn't it really?” said Alice in a tone of great surprise. “Of course not,” said the Mock Turtle: “why, if a fish came to me, and told me he was going a journey, I should say ‘With what porpoise?'” “Don't you mean ‘purpose'?” said Alice. “I mean what I say,” the Mock Turtle replied in an offended tone. And the Gryphon added “Come, let's hear some of your adventures.” “I could tell you my adventures—beginning from this morning,” said Alice a little timidly: “but it's no use going back to yesterday, because I was a different person then.” “Explain all that,” said the Mock Turtle. “No, no! The adventures first,” said the Gryphon in an impatient tone: “explanations take such a dreadful time.” So Alice began telling them her adventures from the time when she first saw the White Rabbit. She was a little nervous about it just at first, the two creatures got so close to her, one on each side, and opened their eyes and mouths so very wide, but she gained courage as she went on. Her listeners were perfectly quiet till she got to the part about her repeating “You are old, Father William,” to the Caterpillar, and the words all coming different, and then the Mock Turtle drew a long breath, and said “That's very curious.” “It's all about as curious as it can be,” said the Gryphon. “It all came different!” the Mock Turtle repeated thoughtfully. “I should like to hear her try and repeat something now. Tell her to begin.” He looked at the Gryphon as if he thought it had some kind of authority over Alice. “Stand up and repeat ‘'Tis the voice of the sluggard,'” said the Gryphon. “How the creatures order one about, and make one repeat lessons!” thought Alice; “I might as well be at school at once.” However, she got up, and began to repeat it, but her head was so full of the Lobster Quadrille, that she hardly knew what she was saying, and the words came very queer indeed:— “'Tis the voice of the Lobster; I heard him declare, “You have baked me too brown, I must sugar my hair.” As a duck with its eyelids, so he with his nose Trims his belt and his buttons, and turns out his toes.” [later editions continued as follows When the sands are all dry, he is gay as a lark, And will talk in contemptuous tones of the Shark, But, when the tide rises and sharks are around, His voice has a timid and tremulous sound.] “That's different from what I used to say when I was a child,” said the Gryphon. “Well, I never heard it before,” said the Mock Turtle; “but it sounds uncommon nonsense.” Alice said nothing; she had sat down with her face in her hands, wondering if anything would ever happen in a natural way again. “I should like to have it explained,” said the Mock Turtle. “She can't explain it,” said the Gryphon hastily. “Go on with the next verse.” “But about his toes?” the Mock Turtle persisted. “How could he turn them out with his nose, you know?” “It's the first position in dancing.” Alice said; but was dreadfully puzzled by the whole thing, and longed to change the subject. “Go on with the next verse,” the Gryphon repeated impatiently: “it begins ‘I passed by his garden.'” Alice did not dare to disobey, though she felt sure it would all come wrong, and she went on in a trembling voice:— “I passed by his garden, and marked, with one eye, How the Owl and the Panther were sharing a pie—” [later editions continued as follows The Panther took pie-crust, and gravy, and meat, While the Owl had the dish as its share of the treat. When the pie was all finished, the Owl, as a boon, Was kindly permitted to pocket the spoon: While the Panther received knife and fork with a growl, And concluded the banquet—] “What is the use of repeating all that stuff,” the Mock Turtle interrupted, “if you don't explain it as you go on? It's by far the most confusing thing I ever heard!” “Yes, I think you'd better leave off,” said the Gryphon: and Alice was only too glad to do so. “Shall we try another figure of the Lobster Quadrille?” the Gryphon went on. “Or would you like the Mock Turtle to sing you a song?” “Oh, a song, please, if the Mock Turtle would be so kind,” Alice replied, so eagerly that the Gryphon said, in a rather offended tone, “Hm! No accounting for tastes! Sing her ‘Turtle Soup,' will you, old fellow?” The Mock Turtle sighed deeply, and began, in a voice sometimes choked with sobs, to sing this:— “Beautiful Soup, so rich and green, Waiting in a hot tureen! Who for such dainties would not stoop? Soup of the evening, beautiful Soup! Soup of the evening, beautiful Soup!     Beau—ootiful Soo—oop!     Beau—ootiful Soo—oop! Soo—oop of the e—e—evening,     Beautiful, beautiful Soup! “Beautiful Soup! Who cares for fish, Game, or any other dish? Who would not give all else for two p ennyworth only of beautiful Soup? Pennyworth only of beautiful Soup?     Beau—ootiful Soo—oop!     Beau—ootiful Soo—oop! Soo—oop of the e—e—evening,     Beautiful, beauti—FUL SOUP!” “Chorus again!” cried the Gryphon, and the Mock Turtle had just begun to repeat it, when a cry of “The trial's beginning!” was heard in the distance. “Come on!” cried the Gryphon, and, taking Alice by the hand, it hurried off, without waiting for the end of the song. “What trial is it?” Alice panted as she ran; but the Gryphon only answered “Come on!” and ran the faster, while more and more faintly came, carried on the breeze that followed them, the melancholy words:— “Soo—oop of the e—e—evening,     Beautiful, beautiful Soup!”

Alice in Wonderland audiobook by Alice Gerstenberg. A dramatization of Lewis Carroll's Alice's Adventures in Wonderland and Through the Looking Glass for the stage. In this version, Alice goes through the looking glass and encounters a variety of strange and wonderful creatures from favorite scenes of Alice's Adventures in Wonderland the Through the Looking Glass. Including a conversation with the Red and White Queens, encounters with Humpty Dumpty, the Mock Turtle, the Cheshire Cat, and the Caterpillar, and of course everyone's favorite Mad Tea Party.

Episode One: Join librarians Clare and John as they talk about their favourite absurd words and crack some silly puns in this week's stories from Alice in Wonderland. In this episode our hero Alice meets the mournful Mock Turtle and hilarious Humpty Dumpty and finds them both awfully confusing. If you enjoyed these excerpts, ask one of our friendly librarians to help you find the stories of Alice in Wonderland and Alice through the Looking glass by Lewis Carrol.

CHAPTER IX. The Mock Turtle's Story “You can't think how glad I am to see you again, you dear old thing!” said the Duchess, as she tucked her arm affectionately into Alice's, and they walked off together. Alice was very glad to find her in such a pleasant temper, and thought to herself that perhaps it was only the pepper that had made her so savage when they met in the kitchen. “When I'm a Duchess,” she said to herself, (not in a very hopeful tone though), “I won't have any pepper in my kitchen at all. Soup does very well without—Maybe it's always pepper that makes people hot-tempered,” she went on, very much pleased at having found out a new kind of rule, “and vinegar that makes them sour—and camomile that makes them bitter—and—and barley-sugar and such things that make children sweet-tempered. I only wish people knew that: then they wouldn't be so stingy about it, you know—” She had quite forgotten the Duchess by this time, and was a little startled when she heard her voice close to her ear. “You're thinking about something, my dear, and that makes you forget to talk. I can't tell you just now what the moral of that is, but I shall remember it in a bit.” “Perhaps it hasn't one,” Alice ventured to remark. “Tut, tut, child!” said the Duchess. “Everything's got a moral, if only you can find it.” And she squeezed herself up closer to Alice's side as she spoke. Alice did not much like keeping so close to her: first, because the Duchess was very ugly; and secondly, because she was exactly the right height to rest her chin upon Alice's shoulder, and it was an uncomfortably sharp chin. However, she did not like to be rude, so she bore it as well as she could. “The game's going on rather better now,” she said, by way of keeping up the conversation a little. “'Tis so,” said the Duchess: “and the moral of that is—‘Oh, 'tis love, 'tis love, that makes the world go round!'” “Somebody said,” Alice whispered, “that it's done by everybody minding their own business!” “Ah, well! It means much the same thing,” said the Duchess, digging her sharp little chin into Alice's shoulder as she added, “and the moral of that is—‘Take care of the sense, and the sounds will take care of themselves.'” “How fond she is of finding morals in things!” Alice thought to herself. “I dare say you're wondering why I don't put my arm round your waist,” the Duchess said after a pause: “the reason is, that I'm doubtful about the temper of your flamingo. Shall I try the experiment?” “He might bite,” Alice cautiously replied, not feeling at all anxious to have the experiment tried. “Very true,” said the Duchess: “flamingoes and mustard both bite. And the moral of that is—‘Birds of a feather flock together.'” “Only mustard isn't a bird,” Alice remarked. “Right, as usual,” said the Duchess: “what a clear way you have of putting things!” “It's a mineral, I think,” said Alice. “Of course it is,” said the Duchess, who seemed ready to agree to everything that Alice said; “there's a large mustard-mine near here. And the moral of that is—‘The more there is of mine, the less there is of yours.'” “Oh, I know!” exclaimed Alice, who had not attended to this last remark, “it's a vegetable. It doesn't look like one, but it is.” “I quite agree with you,” said the Duchess; “and the moral of that is—‘Be what you would seem to be'—or if you'd like it put more simply—‘Never imagine yourself not to be otherwise than what it might appear to others that what you were or might have been was not otherwise than what you had been would have appeared to them to be otherwise.'” “I think I should understand that better,” Alice said very politely, “if I had it written down: but I can't quite follow it as you say it.” “That's nothing to what I could say if I chose,” the Duchess replied, in a pleased tone. “Pray don't trouble yourself to say it any longer than that,” said Alice. “Oh, don't talk about trouble!” said the Duchess. “I make you a present of everything I've said as yet.” “A cheap sort of present!” thought Alice. “I'm glad they don't give birthday presents like that!” But she did not venture to say it out loud. “Thinking again?” the Duchess asked, with another dig of her sharp little chin. “I've a right to think,” said Alice sharply, for she was beginning to feel a little worried. “Just about as much right,” said the Duchess, “as pigs have to fly; and the m—” But here, to Alice's great surprise, the Duchess's voice died away, even in the middle of her favourite word ‘moral,' and the arm that was linked into hers began to tremble. Alice looked up, and there stood the Queen in front of them, with her arms folded, frowning like a thunderstorm. “A fine day, your Majesty!” the Duchess began in a low, weak voice. “Now, I give you fair warning,” shouted the Queen, stamping on the ground as she spoke; “either you or your head must be off, and that in about half no time! Take your choice!” The Duchess took her choice, and was gone in a moment. “Let's go on with the game,” the Queen said to Alice; and Alice was too much frightened to say a word, but slowly followed her back to the croquet-ground. The other guests had taken advantage of the Queen's absence, and were resting in the shade: however, the moment they saw her, they hurried back to the game, the Queen merely remarking that a moment's delay would cost them their lives. All the time they were playing the Queen never left off quarrelling with the other players, and shouting “Off with his head!” or “Off with her head!” Those whom she sentenced were taken into custody by the soldiers, who of course had to leave off being arches to do this, so that by the end of half an hour or so there were no arches left, and all the players, except the King, the Queen, and Alice, were in custody and under sentence of execution. Then the Queen left off, quite out of breath, and said to Alice, “Have you seen the Mock Turtle yet?” “No,” said Alice. “I don't even know what a Mock Turtle is.” “It's the thing Mock Turtle Soup is made from,” said the Queen. “I never saw one, or heard of one,” said Alice. “Come on, then,” said the Queen, “and he shall tell you his history,” As they walked off together, Alice heard the King say in a low voice, to the company generally, “You are all pardoned.” “Come, that's a good thing!” she said to herself, for she had felt quite unhappy at the number of executions the Queen had ordered. They very soon came upon a Gryphon, lying fast asleep in the sun. (If you don't know what a Gryphon is, look at the picture.) “Up, lazy thing!” said the Queen, “and take this young lady to see the Mock Turtle, and to hear his history. I must go back and see after some executions I have ordered;” and she walked off, leaving Alice alone with the Gryphon. Alice did not quite like the look of the creature, but on the whole she thought it would be quite as safe to stay with it as to go after that savage Queen: so she waited. The Gryphon sat up and rubbed its eyes: then it watched the Queen till she was out of sight: then it chuckled. “What fun!” said the Gryphon, half to itself, half to Alice. “What is the fun?” said Alice. “Why, she,” said the Gryphon. “It's all her fancy, that: they never executes nobody, you know. Come on!” “Everybody says ‘come on!' here,” thought Alice, as she went slowly after it: “I never was so ordered about in all my life, never!” They had not gone far before they saw the Mock Turtle in the distance, sitting sad and lonely on a little ledge of rock, and, as they came nearer, Alice could hear him sighing as if his heart would break. She pitied him deeply. “What is his sorrow?” she asked the Gryphon, and the Gryphon answered, very nearly in the same words as before, “It's all his fancy, that: he hasn't got no sorrow, you know. Come on!” So they went up to the Mock Turtle, who looked at them with large eyes full of tears, but said nothing. “This here young lady,” said the Gryphon, “she wants for to know your history, she do.” “I'll tell it her,” said the Mock Turtle in a deep, hollow tone: “sit down, both of you, and don't speak a word till I've finished.” So they sat down, and nobody spoke for some minutes. Alice thought to herself, “I don't see how he can ever finish, if he doesn't begin.” But she waited patiently. “Once,” said the Mock Turtle at last, with a deep sigh, “I was a real Turtle.” These words were followed by a very long silence, broken only by an occasional exclamation of “Hjckrrh!” from the Gryphon, and the constant heavy sobbing of the Mock Turtle. Alice was very nearly getting up and saying, “Thank you, sir, for your interesting story,” but she could not help thinking there must be more to come, so she sat still and said nothing. “When we were little,” the Mock Turtle went on at last, more calmly, though still sobbing a little now and then, “we went to school in the sea. The master was an old Turtle—we used to call him Tortoise—” “Why did you call him Tortoise, if he wasn't one?” Alice asked. “We called him Tortoise because he taught us,” said the Mock Turtle angrily: “really you are very dull!” “You ought to be ashamed of yourself for asking such a simple question,” added the Gryphon; and then they both sat silent and looked at poor Alice, who felt ready to sink into the earth. At last the Gryphon said to the Mock Turtle, “Drive on, old fellow! Don't be all day about it!” and he went on in these words: “Yes, we went to school in the sea, though you mayn't believe it—” “I never said I didn't!” interrupted Alice. “You did,” said the Mock Turtle. “Hold your tongue!” added the Gryphon, before Alice could speak again. The Mock Turtle went on. “We had the best of educations—in fact, we went to school every day—” “I've been to a day-school, too,” said Alice; “you needn't be so proud as all that.” “With extras?” asked the Mock Turtle a little anxiously. “Yes,” said Alice, “we learned French and music.” “And washing?” said the Mock Turtle. “Certainly not!” said Alice indignantly. “Ah! then yours wasn't a really good school,” said the Mock Turtle in a tone of great relief. “Now at ours they had at the end of the bill, ‘French, music, and washing—extra.'” “You couldn't have wanted it much,” said Alice; “living at the bottom of the sea.” “I couldn't afford to learn it.” said the Mock Turtle with a sigh. “I only took the regular course.” “What was that?” inquired Alice. “Reeling and Writhing, of course, to begin with,” the Mock Turtle replied; “and then the different branches of Arithmetic—Ambition, Distraction, Uglification, and Derision.” “I never heard of ‘Uglification,'” Alice ventured to say. “What is it?” The Gryphon lifted up both its paws in surprise. “What! Never heard of uglifying!” it exclaimed. “You know what to beautify is, I suppose?” “Yes,” said Alice doubtfully: “it means—to—make—anything—prettier.” “Well, then,” the Gryphon went on, “if you don't know what to uglify is, you are a simpleton.” Alice did not feel encouraged to ask any more questions about it, so she turned to the Mock Turtle, and said “What else had you to learn?” “Well, there was Mystery,” the Mock Turtle replied, counting off the subjects on his flappers, “—Mystery, ancient and modern, with Seaography: then Drawling—the Drawling-master was an old conger-eel, that used to come once a week: he taught us Drawling, Stretching, and Fainting in Coils.” “What was that like?” said Alice. “Well, I can't show it you myself,” the Mock Turtle said: “I'm too stiff. And the Gryphon never learnt it.” “Hadn't time,” said the Gryphon: “I went to the Classics master, though. He was an old crab, he was.” “I never went to him,” the Mock Turtle said with a sigh: “he taught Laughing and Grief, they used to say.” “So he did, so he did,” said the Gryphon, sighing in his turn; and both creatures hid their faces in their paws. “And how many hours a day did you do lessons?” said Alice, in a hurry to change the subject. “Ten hours the first day,” said the Mock Turtle: “nine the next, and so on.” “What a curious plan!” exclaimed Alice. “That's the reason they're called lessons,” the Gryphon remarked: “because they lessen from day to day.” This was quite a new idea to Alice, and she thought it over a little before she made her next remark. “Then the eleventh day must have been a holiday?” “Of course it was,” said the Mock Turtle. “And how did you manage on the twelfth?” Alice went on eagerly. “That's enough about lessons,” the Gryphon interrupted in a very decided tone: “tell her something about the games now.”

This week on Standby we revisit a classic with Alice Gerstenberg's adaptation of Lewis Carrol's story about a girl that travels through a looking glass and what she finds on the other side.Directed and sound designed by Jackie Vetter with sound editing by Graydon Gund. Featuring Karlee Jane as Alice, Taylor James Hopkins as Lewis Caroll and the White Rabbit, Gabi van Horn as Cheshire Cat and Humpty Dumpty, Megan Murphy as March Hare, Gryphon, and Two of Spades, William Burns as Mad Hatter, Mock Turtle and Five of Spades, Margie Zarcone as Door Mouse, Seven of Spades, and Duchess, Isma'il Q. Bronson, as Caterpiller and King of Hearts, Dana Watkins as Tweedle Dee and Red Queen, Devon Yates as Tweedle Dum and White Queen, Alexandra Kopko as Queen of Hearts, and David Coleman II as Knave of Hearts and Frog Footman.

Orange Theatre Company Presents ALICE IN WONDERLAND! 6-15 May 2022 at the Orange Civic Theatre. Book NOW at TICKETEK or (02)63938111.

Alice's Adventures In Wonderland-Ch-9 The Mock Turtle's

Lewis Carrol's beloved story of Alice's Adventures in Wonderland begins when Alice falls down a rabbit hole and encounters a world she wasn't expecting. This collection also contains Alice's Adventures Underground, Through the Looking Glass, and more selections from the worlds of Alice and Wonderland.

Alice's Adventures in Wonderland by Lewis Carroll - Full Audiobook with relaxing music, narrated by Kara Shallenberg.

The Mock Turtle and Alice both share strange songs, but they are cut short when the trial approaches! Download free coloring pages on our website:https://windchimestorytime.wixsite.com/podcast/coloring-pagesRead along with the episode:https://windchimestorytime.wixsite.com/podcast/read-alongSupport us on Patreon:https://patreon.com/WindchimestorytimeWant to submit your story to be told on our podcast? Email us a copy at windchimestorytime@gmail.comSupport this podcast at — https://redcircle.com/windchime-storytime/donationsSupport this podcast at — https://redcircle.com/windchime-storytime/donations

The Duchess thinks she knows a lot of morals and facts, but is she right? Listen to Alice practices her patience and politeness in The Mock Turtle's Story! Download free coloring pages on our website:https://windchimestorytime.wixsite.com/podcast/coloring-pagesRead along with the episode:https://windchimestorytime.wixsite.com/podcast/read-alongSupport us on Patreon:https://patreon.com/WindchimestorytimeWant to submit your story to be told on our podcast? Email us a copy at windchimestorytime@gmail.comSupport this podcast at — https://redcircle.com/windchime-storytime/donations

Classics You Slept Through: Episode 69 - Alice's Adventures in Wonderland Discussion 2 (Chap. 7 - 12) Today we have a very nice episode for you - our first actual book discussion in nearly two months! We've finished off Alice's Adventures in Wonderland, and we'll talk about it, mostly as it mirrors or differs from the 1951 Disney classic. The biggest omission of the movie appears here, as the Mock Turtle and the Gryphon, who are given two full chapters, do not appear in the movie. While, they were in some early drafts of the script, they weren't fully realized until they appeared in a commercial for Jell-O in the 1950s. No wrap for this yet. We're going to roll directly into Through the Looking Glass. Don't forget to leave us a rating and review on Apple Podcasts, as well as following us on our various socials below: YouTube Twitter Facebook Instagram Twitch Email: CYSTPod@gmail.com

Classics You Slept Through: Episode 68 - Alice's Adventures in Wonderland (Chapters 7 - 12) WE ARE BACK!! Our long collective nightmare is finally over. Classics You Slept Through is back in your podcast feed! Kyle's fought through some audio technical difficulties, as well as an increased work schedule, and we finally have the pod back on track. Today we're finishing Alice's Adventures in Wonderland, by Lewis Carroll. As you'd expect, it's full of iconic scenes such as the Mad Hatter's tea party and playing croquet with the Queen of Hearts, but we'll also meet the Gryphon and the Mock Turtle, sadly left out of the Disney version - though they were designed and appeared in a commercial for Jell-O. This episode's cover image is by original Alice illustrator John Tenniel. YouTube Twitter Facebook Instagram Twitch Email: CYSTPod@gmail.com

The Mock Turtle sighs and sobs some more before eventually asking Alice if she has ever seen a lobster. Alice comes close to saying she's had one, but she stops herself and clearly says no. The Lobster-Quadrille is described by the Mock Turtle and the Gryphon as a dance in which all sea animals (except jellyfish) join forces with lobsters, advance from the seashore, and throw the lobsters out to sea. Even though they don't have any lobsters, the Mock Turtle and Gryphon decide to show Alice the first figure of the Lobster-Quadrille. The Mock Turtle sings a song about whiting and a snail as they dance. After they've finished dancing. The Mock Turtle sings "Turtle Soup" after Alice requests it. The Gryphon hears the cry and states"The trial has begun!" and whisks Alice away as the Mock Turtle finishes the tune. https://chimesradio.com http://onelink.to/8uzr4g https://www.instagram.com/vrchimesradio/ https://www.facebook.com/chimesradio/ Support the show: https://www.patreon.com/chimesradioSee omnystudio.com/listener for privacy information.

The croquet game resumes after the Cheshire Cat has vanished, and the Duchess takes Alice's arm. The two begin to walk, and Alice becomes irritated by the Duchess's near proximity to her. The Duchess uses every opportunity to teach Alice different moral lessons as they walk and speak. They come across the Queen, who tells the Duchess to leave and asks Alice to resume the croquet game. The Queen quickly reduces the croquet game to Alice, the King, and herself. Many of the other characters have been sentenced to death. When there are no more soldiers to pose as arches, the Queen calls a halt to the game and orders Alice to pay a visit to the Mock Turtle. The Queen takes Alice to the Gryphon, who leads her to the Mock Turtle. The Gryphon explains to Alice on the way that the Queen never kills anyone. When Alice first sees the Mock Turtle, she is worried because he seems to be sad. The Mock Turtle starts his story by revealing that he used to be a real turtle. Every day, he went to sea school, where his instructor was an elderly turtle called Tortoise. He then goes on to explain his education, which he claims is the best available. Reeling and Writing, as well as Ambition, Distraction, Uglification, and Derision, were among the peculiar subjects he studied. When Alice inquires about the duration of the lessons, the Mock Turtle responds that they've become shorter with each passing year. This perplexes Alice, but the Mock Turtle explains that they were given the name lessons because they "lessen." When Alice inquires about what happened when there wasn't enough time for classes, the Gryphon shifts the conversation to sports. https://chimesradio.com http://onelink.to/8uzr4g https://www.instagram.com/vrchimesradio/ https://www.facebook.com/chimesradio/ Support the show: https://www.patreon.com/chimesradioSee omnystudio.com/listener for privacy information.

Most people do this one thing while playing croquet. If you're a Mock Turtle in Wonderland, click on this link. 10 surprising benefits of the Lobster Quadrille. --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app Support this podcast: https://anchor.fm/ken-davis7/support

Lewis Carroll, Alice in Wonderland Chapter 9 The Mock Turtle's Story --- Send in a voice message: https://anchor.fm/simon-r-anthony/message

In the second part of this series, the guys dive deeper into the story of turtle soup -- and how it soon gave rise to the more affordable, equally delicious 'mock turtle' soup. But what exactly is a mock turtle? Tune in to learn more. Learn more about your ad-choices at https://www.iheartpodcastnetwork.com

Have you ever had the feeling that a conversation was going around in circles? Well, Alice has that experience today, not once, but TWICE! Let’s find out if she can straighten things out in today’s chapter! Enjoy! Alice’s Adventures in WonderlandBy Lewis CarrollNarrated by Erin Robertsonhttps://www.gutenberg.org/files/11/11-h/11-h.htm Find me online: https://www.erin-robertson.com/ Thanks for listening!#narratedbyerinrobertson #classics #audiobooks #AliceInWonderland #publicdomain

The Mock Turtle sings, and therefore so do I.Art: Cartoon BazookaMusic: Picture Book by HeadlundYoutube: The Lobster's QuadrilleDiscussion: Disney's Alice in Wonderland (1951)

Use code "SENDMETOSLEEP" for 10% off Kokoon, the World’s first intelligent, sleep-aiding headphones designed for ultimate comfort. Visit Kokoon's website for more information: https://kokoon.io/ Welcome to Send Me To Sleep, the World’s sleepiest podcast, designed to help you fall asleep through relaxing stories and hypnotic meditation. For tonight’s sleep story, I’ll be reading Alice in Wonderland Chapter 8: ‘The Queen’s Croquet-Ground’ and Chapter 9: ‘The Mock Turtle’s Story’ by Lewis Carroll. If you find this podcast effective, please consider subscribing, so you can stay up-to-date with new weekly episodes and fall asleep consistently, each night. Visit our website: https://sendmetosleep.com/ Get bonus episodes and exclusive access: https://sendmetosleep.com/podcast/ Follow us on Instagram: https://www.instagram.com/sendmetosleepco/ Do not listen to this sleep story whilst driving or operating machinery. Please only listen to to the Send Me To Sleep podcast in a safe place where you can relax and fall asleep. Send Me To Sleep accepts no responsibility or liability for any injury, loss or damage as a result of this recording.Support the show (https://sendmetosleep.com/podcast/)

Chapters 8 & 9: The Queen's Croquet-Ground & The Mock Turtle's Story

Chapter 9 : The Mock Turtle's Story

In which Alice's strange new friends, the Mock Turtle and the Gryphon, teach her how to dance the Lobster Quadrille.

In which Alice meets the Gryphon and the Mock Turtle, who teach her all about Mystery, ancient and modern, Seography, and why lessons are called lessons.

Lewis Carroll's Alice's Adventures in Wonderland - Chapter 9: The Mock Turtle's Story | Alice gets to know the Dutchess, a Gryphon, and a turtle. I nerd out (and read repeatedly) my favorite quote in all of literature. Yep, it's from Wonderland. Oh, and apparently I say “Alex” instead of “Alice” at one point. Oops!

Alice, the Mock Turtle, and the Gryphon perform just about every song & dance they know.

You've heard of Mock Turtle, but have you heard of Mock Alice? It's time to meet Mary Ann.  Starring Beth Crane, Beth Eyre, Jordan Adika, and Fiona Thraille. Dialogue editing and placement by Gabriel Alvarez, score by Adam Raymonda. Written & produced by A.R. OLIVIERI. Directed & executive produced by PJ Scott-Blankenship. Based on the work of Lewis Carroll. Find out more at http://phantomwisepod.com or our twitter & instagram: @phantomwisepod Consider checking out our sister series, Hit the Bricks. A musical radio-play based on the Oz books starring Michelle Agresti. You can listen to Hit the Bricks by going to http://hitthebricks.com

This week we meet the Mock Turtle, the Griffin and we have an intimate interaction with the Duchess.This weeks music:English Country Garden: Aaron KennyJoker: CausmicLulu Is the Cat I Like Best: paTCHESNational Express: Dan BodanMiles to Go: Joey Pecoraro Bucolic Acrylic: Dan BodanMarty Gots a Plan by Kevin MacLeod is licensed under a Creative Commons Attribution license (https://creativecommons.org/licenses/by/4.0/)Source: http://incompetech.com/music/royalty-free/index.html?isrc=USUAN1500015Artist: http://incompetech.com/ Laconic Granny by Kevin MacLeod is licensed under a Creative Commons Attribution license (https://creativecommons.org/licenses/by/4.0/)Source: http://incompetech.com/music/royalty-free/index.html?isrc=USUAN1100522Artist: http://incompetech.com/

Alice reunites with the Duchess and argues about curriculum with an ex-Turtle & a salty Gryphon.

“So they began solemnly dancing round and round Alice, every now and then treading on her toes when they passed too close, and waving their forepaws to mark the time, while the Mock Turtle sang this, very slowly and sadly:– `”Will you walk a little faster?” said a whiting to a snail.“There’s a porpoise close behind us, and he’s treading on my tail.See how eagerly the lobsters and the turtles all advance!They are waiting on the shingle–will you come and join the dance?”

“So they went up to the Mock Turtle, who looked at them with large eyes full of tears, but said nothing.`This here young lady,’ said the Gryphon, `she wants for to know your history, she do.’`I’ll tell it her,’ said the Mock Turtle in a deep, hollow tone: `sit down, both of you, and don’t speak a word till I’ve finished.’”

Alice takes a walk with the Duchess, and is then introduced to a Gryphon and a Mock Turtle - whatever that may be. Alice's Adventures in Wonderland by Lewis Carroll Read aloud, produced and with music by Stephen Alexander. Cover illustration by Benjamin Callery.

Ch 9 of Alice's Adventures in Wonderland.Alice meets an old friend and meets some new ones in the form of a Griffin and a Mock Turtle.All literature read on this podcast is in the public domain and not subject to copyright.Read along for free here https://www.gutenberg.org/ebooks/19002@lazybookclubpod @mgonsalvesuk @davidjaydouglas @mathiesonjosh --- Send in a voice message: https://anchor.fm/lazybookclubpod/message

In this episode, we discuss Alice's identity crisis, her frustrations with easily-offended characters, and why the Mock Turtle looks so different from an actual turtle. Be Ye Warned: Want to know if Alice ever makes it into that beautiful garden she sees through the little door? Read the book first and find out! Link to the book on Goodreads The Annotated Alice Arthur Rackham's Alice Illustrations Cover Art: Moby Dick by Culpeo-Fox. Used with permission. Theme Music: "Job Suite" by Michael Card. Used with permission.

Jake and Joe react to the excellent Tyler Boyd extension, talk Chris Worley on the countdown to kickoff, and other quotes from Mock Turtle Soup day! Learn more about your ad choices. Visit podcastchoices.com/adchoices

Jake and Joe react to the excellent Tyler Boyd extension, talk Chris Worley on the countdown to kickoff, and other quotes from Mock Turtle Soup day! Learn more about your ad choices. Visit megaphone.fm/adchoices

This is the one with songs and singing! Alice meets the Mock Turtle and hears his sad tale and sad singing!Featuring Alice's Adventures in Wonderland, chapters nine and ten.Starring Jordan Lagana and Dominique Simone.

Dev can't wrap his mind around mock turtle necks. We discuss old school fashion choices, an old AHi5 interview with Biggie Smalls, Jenna Jameson's new face, how accurate our Oscars predictions were, sexy authors, and the updated Jabba the Hutt song.

Новая работа из серии Алиса в стране ЧудесПриятного прослушивания и хорошей пятницы!!!!! 001 Justin Martin feat. Charlotte OC – Rabbit Hole (Lenny Kiser Remix) - [DIRTYBIRD] 002 Elderbrook - First Time (MANT Remix) 003 Craftermath - Ghetto - [Truesoul] 004 Flash '89 - Feelin' It (Original Mix) - [Simma Red] 005 Croatia Squad - Stay Fresh (Original Club Mix) - [Enormous Tunes] 006 Nick Lawyer - Back To Underground (Original Mix) - [Traces Recordings] 007 Lizzie Curious, Adrian Michaels - Movin' & Groovin' (Andy Rojas Remix) - [RH2] 008 Marc Volt - Microwaved Elephants - [Mezsed Up] 009 Walshingtin - Disco Treats (Original Mix) - [Bosphorus Underground Recordings] 010 John Wolf - LoLiPoP (Original Mix) - [Minimal Techno Records] 011 DWU, GIOC - Super Bass (Wade Remix) - [Toolroom] 012 Matt Sassari - Fluti Kouati (Original Mix) - [Kraftek] 013 Vanessa Sukowski feat. Terry Lynn - Cup (Raumakustik Remix) - [Great Stuff Recordings] 014 Eriq Johnson - Stop Pushing Me (Original Mix) - [Erijo Gold] 015 Francesco Guida - Impulse (Original Mix) - [Jekos Music] 016 Kollektiv Turmstrasse - Sorry I Am Late (Unorthodox Remix) - [FFRR] 017 Eric Costa - Jack Star (Original Mix) - [Kaelum Records]

Новая работа из серии Алиса в стране ЧудесПриятного прослушивания и хорошей пятницы!!!!! 001 Justin Martin feat. Charlotte OC – Rabbit Hole (Lenny Kiser Remix) - [DIRTYBIRD] 002 Elderbrook - First Time (MANT Remix) 003 Craftermath - Ghetto - [Truesoul] 004 Flash '89 - Feelin' It (Original Mix) - [Simma Red] 005 Croatia Squad - Stay Fresh (Original Club Mix) - [Enormous Tunes] 006 Nick Lawyer - Back To Underground (Original Mix) - [Traces Recordings] 007 Lizzie Curious, Adrian Michaels - Movin' & Groovin' (Andy Rojas Remix) - [RH2] 008 Marc Volt - Microwaved Elephants - [Mezsed Up] 009 Walshingtin - Disco Treats (Original Mix) - [Bosphorus Underground Recordings] 010 John Wolf - LoLiPoP (Original Mix) - [Minimal Techno Records] 011 DWU, GIOC - Super Bass (Wade Remix) - [Toolroom] 012 Matt Sassari - Fluti Kouati (Original Mix) - [Kraftek] 013 Vanessa Sukowski feat. Terry Lynn - Cup (Raumakustik Remix) - [Great Stuff Recordings] 014 Eriq Johnson - Stop Pushing Me (Original Mix) - [Erijo Gold] 015 Francesco Guida - Impulse (Original Mix) - [Jekos Music] 016 Kollektiv Turmstrasse - Sorry I Am Late (Unorthodox Remix) - [FFRR] 017 Eric Costa - Jack Star (Original Mix) - [Kaelum Records]

Alice sings songs and learns dances with the Griffin and the Mock Turtle. --- Send in a voice message: https://anchor.fm/bedtime-in-the-public-domain/message

Alice talks first to the Duchess, and then to the Mock Turtle. --- Send in a voice message: https://anchor.fm/bedtime-in-the-public-domain/message

Episode Summary In Chapter 10 of Alice’s Adventures in Wonderland entitled The Lobster Quadrille, the Gryphon and the Mock Turtle favor us with a dance, while Alice has a little trouble with her recitation. Plus, enjoy a bowl of Beautiful Soup while Heather explains why Lewis Carroll included so many song parodies in his books. […] The post Chapter 10 The Lobster Quadrille appeared first on Alice Is Everywhere.

Episode Summary The Duchess returns in Chapter 9 of Alice’s Adventures in Wonderland, but don’t worry, she’s undergone a complete personality change! Meet everyone’s favorite half-eagle, half-lion, The Gryphon! Plus learn all about the origins of The Mock Turtle. Hope you like puns! Vocabulary Words For Young Listeners moral – noun – a lesson one can […] The post Chapter 9 The Mock Turtle’s Story appeared first on Alice Is Everywhere.

    Continuing the story of Alice in Wonderland as compared with Lewis Carroll’s “Alice’s Adventures in Wonderland” and “Through the Looking Glass and What Alice Found There”, in this episode we discuss the The Jabbawock, The Griffon, Mock Turtle and Lobster Quadrille and compare Disney’s trial of Alice with  the original story’s the trial of […] The post 07c - Alice in Wonderland Part 3 first appeared on Disney Story Origins Podcast.

    Continuing the story of Alice in Wonderland as compared with Lewis Carroll’s “Alice’s Adventures in Wonderland” and “Through the Looking Glass and What Alice Found There”, in this episode we discuss the The Jabbawock, The Griffon, Mock Turtle and Lobster Quadrille and compare Disney’s trial of Alice with  the original story’s the trial of […] The post 07c – Alice in Wonderland Part 3 first appeared on Cinema Story Origins Podcast.

Hold your breath. Make a wish. Count to three. Come with me, and you'll be... in a world of PURE IMAGINATION.... and of filling your face with fantasy food! We've talked about the history behind Willy Wonka, but what about the failed and successful modern attempts of bringing Roald Dahl's whimsical candy onto store shelves? Karen took a stroll on Fleet Street and found a weird trend with pies... and Dana got dark too with a horror food quiz. Find out what real foods you're eating now are actually impostors, and why is the Mock Turtle crying in Alice in Wonderland. What the heck *IS* a mock turtle? Of course, a pretty intense Harry Potter food quiz (along with a "Fake? Or British?" sub-segment). And yes, one (just one) Star Wars food trivia question.

This week's episode of Mousterpiece Cinema, about the 1951 animated version of Alice in Wonderland, will be a normal, humdrum sh--well, how do you like that? It's a white rabbbit! And he's talking! Let's follow him down that rabbit hole, along with Josh, Mike, and Gabe! And look what wonderful things there are down here! A discussion of music in Disney films! A comparison of this version of Alice in Wonderland to the many others, including a TV-movie with Ringo Starr as the Mock Turtle, and Telly Savalas as the Cheshire Cat! Oh, and some singing flowers, playing-card guards, and a pothead caterpillar. But those are so boring. Check out the new show today!

John Flansburgh of They Might Be Giants joined Lex and Dave to talk about working relationships, disconnecting, and the most important idea of the 21st century.

Vampires! Venice! Fish people! Disagreement! While two of the Three Who Rule were less than blown away by this latest historical romp, with little else to discuss during this slow news week it was that or stats. Which were also discussed. Harrumph. Check out the show notes at http://www.radiofreeskaro.com

The Lobster Quadrille. The Mock Turtle and The Gryphon dance. And then they sing "Will you walk a little faster?" said a whiting to a snail. There's a porpoise close behind us, and he's treading on my tail."

The Lobster Quadrille. The Mock Turtle and The Gryphon dance. And then they sing "Will you walk a little faster?" said a whiting to a snail. There's a porpoise close behind us, and he's treading on my tail."

The Mock Turtle's Story. We meet a Gryphon and a Mock Turtle. A Gryphon is a mythological creature and a mock turtle was a type of Victorian Soup. They make strange company.

The Mock Turtle's Story. We meet a Gryphon and a Mock Turtle. A Gryphon is a mythological creature and a mock turtle was a type of Victorian Soup. They make strange company.

In Chapter 10 of Alice in Wonderland Alice has gone with the Gryphon to see the Mock Turtle and hear his history. The Mock Turtle has told her all about his schooling and is ready to talk about games. Alice listens as he talks about the lobster Quadrille and then the Mock Turtle and the Gryphon give her a demonstration. Then they start talking about Alice's adventures. She tells them about them starting with the first time she saw the White Rabbit. Sleep Tight!, Sheryl & Clark❤️

In Chapter 9 Alice is playing croquet with the Queen of Hearts when the Duchess is brought out. They go for a walk until the Queen comes back and demands that they play. The Duchess quickly leaves but Alice goes back to the game. The Queen after a while asks Alice if she has ever seen a Mock Turtle and Alice says “no.” So the Queen sends her to a Gryphon to hear his story. Sleep Tight!, Sheryl & Clark❤️