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12 episodes with nasty women
10 episodes with nasty women
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2 episodes with nasty women
2 episodes with nasty women
2 episodes with nasty women
2 episodes with nasty women
Most who write about politics focus on the horse-race of elections or the specifics of policies. But Joanna Weiss says we should view American politics—especially current American politics—through a pop-culture lens. Weiss is the executive director of the AI Literacy Lab at Northeastern University, a project to connect journalists and technologists. She is a contributing writer at POLITICO Magazine and is a former columnist, television critic, and political reporter at the Boston Globe; and the founding editor of Experience magazine, published by Northeastern University. She started her career covering Louisiana politics for the Times-Picayune of New Orleans. Her writing has appeared in The Atlantic, Slate, The Economist, Pacific Standard, and Boston Magazine, and was anthologized in the book “Nasty Women and Bad Hombres: Gender and Race in the 2016 Presidential Election.” She has appeared on local, national and international television and radio.See omnystudio.com/listener for privacy information.
Tone Kapone, KeKe, and Zach Boog talk Katt Williams, Jonathan Majors Interview, Big Nasty Women, & More
This week Gizelle and Robyn get caught pushing a fake baby rumor about Chris and Candiace Bassett, plus recaps of Welcome to Plathville (7 minute mark), Kardashians (30 minute mark) and Real Housewives of Salt Lake City (1 hour mark)!Follow me on Instagram, Patreon and more here! Hosted on Acast. See acast.com/privacy for more information.
We continue down the Jess Franco filmography today, parsing through the sleaze and searching for the beauty in titles like Sexy Sisters, Je Brûle de partout, The Sadist of Notre Dame, Sinfonia Erotica, and many others
Our guest today is Maggie Hennefeld, McKnight Presidential Fellow and Associate Professor of Cultural Studies and Comparative Literature at the University of Minnesota, Twin Cities, who has co-curated a dvd set of the medium's early female comedians titled Cinema's First Nasty Women. Maggie talks us through the current resurgence in interest in silent cinema and the global landscape of festivals, supporters and restoration projects, as well as her own journey of scholarship in the field that led to her collaborating on this important project. All this interest seems long overdue considering the fantastically experimental and entertaining material, which is raucous, varied and vast, often making radical social commentary that still resonates today. Maggie vividly describes several highlights in this comprehensive collection, and the women who were behind and in front of the camera. In addition to assembling, restoring and annotating the films, the team also engaged over 45 mostly female composers to write and perform both traditional and avant-garde scores for each film, and she talks extensively about that process. We also discuss the erasure of this material from the silent film canon, and women from comedy (among many other fields) in general, and how these films both give us a new understanding of comedy in this era, even as they inform our on-going struggles with sexism and racism today, by showing us images of women that are simultaneously empowering and troubling. All films are contextualized with expert commentary, allowing them to be used in classrooms or otherwise as jumping-off points for deeper conversation. Finally, Maggie shares some thoughts from the book she's currently working on about the notion of “hysterical laughter” and its supposed danger to women.Here are some of the references from this episode, for those who want to dig a little deeper:Cinema's First Nasty WomenDVD Booklet InsertMaggie Hennefeld's other publications:Death from Laughter, Female Hysteria and Early CinemaSpecters of Slapstick and Silent Film ComediennesOther Curators of the set:Laura Horak – Girls Will Be BoysElif Rongen-Kaynakçi – EYE filmmuseumHenry Jenkins, What Made Pistachio Nuts?: Early Sound Comedy and the Vaudeville AestheticCharlotte GreenwoodFanny BriceLupe VélezWinnie LightnerAli WongSarah SilvermanWanda SykesJames Agee – “Comedy's Greatest Era”Charlie Chaplin in Mable's Strange PredicamentSilent Film CultureWomen and the Silent ScreenNitratevilleSilent LondonEdward Everett HortonSteve Massa and Ben Model – silent comedy Watch PartySilent Film FestivalsPordenone Film FestivalBologna Film FestivalSan Francisco Silent Film FestivalEl Festival Internacional de Cine Silente México Hippodrome film festivalTrump – “Nasty Women”Film ScholarsArigon StarrLiza BlackShelley Stamp Female Filmmakers, Producers, and ComediansAlice Guy-BlachéBertha RegustusDorothy ArznerFay TincherIda LupinoLéontineLois WeberMabel NormandMinnie Devereaux – “Fatty and Minnie He-Haw”Sarah DuhamelTexas GuinanSilent Film MusicDana Reason – ScoreDreamland FacesGonca Feride VarolGuenter BuchwaldJosé María Serralde RuizMeg MorleyNeil BrandSteven HorneTerri Lyne CarringtonNasty Women team on Nitrateville RadioOur previous Episode 30: The forgotten women of early filmmakingHistory of the Tom BoyNancy WalkerPeg Bracken – The I Hate to Housekeep Book / I Hate to Cook BookDaisiesThe UnknownArrest Warrant – Ukranian silent cinemaWhat's Up Doc?Undercrank Productions (silent film restoration)Online screenings from the Bologna and Pordenone film festivalsZiegfeld FolliesHal Roach StudiosShare your thoughts via Twitter with Henry, Colin and the How Do You Like It So Far? account! You can also email us at howdoyoulikeitsofarpodcast@gmail.com.Music:“In Time” by Dylan Emmett and “Spaceship” by Lesion X.––––––––––––––––––––––––––––––In Time (Instrumental) by Dylan Emmet https://soundcloud.com/dylanemmetSpaceship by Lesion X https://soundcloud.com/lesionxbeatsCreative Commons — Attribution 3.0 Unported — CC BY 3.0Free Download / Stream: https://bit.ly/in-time-instrumentalFree Download / Stream: https://bit.ly/lesion-x-spaceshipMusic promoted by Audio Library https://youtu.be/AzYoVrMLa1Q––––––––––––––––––––––––––––––
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What makes a nasty woman? Is it her unwillingness to break to the stringent standards of patriarchy, her gameness to get rough, even abject? Or is it the way she reminds polite society that the sweet, gentle screen martyr (the nasty woman's counterpart) is a fiction too, as much a trick and a dupe as an exploding housemaid on celluloid? And what a surprise—and what a treat—to discover cinema's earliest days are among their nastiest. Coming from Kino Lorber this December, “this four-disc set showcase more than fourteen hours of rarely seen silent films about feminist protest, slapstick rebellion, and suggestive gender play. These women organize labor strikes, bake (and weaponize) inedible desserts, explode out of chimneys, electrocute the police force, and assume a range of identities that gleefully dismantle traditional gender norms and sexual constraints. The films span a variety of genres including slapstick comedy, genteel farce, the trick film, cowboy melodrama, and adventure thriller. Cinema's First Nasty Women includes 99 European and American silent films, produced from 1898 to 1926, sourced from thirteen international film archives and libraries, with all-new musical scores, video introductions, commentary tracks, and a lavishly illustrated booklet.” Host Annie Berke sits down with the curators of this set, Drs. Maggie Hennefeld and Laura Horak, and Ms. Elif Rongen-Kaynakçi, to discuss how this project came to be, the steps they took to ensure an anti-racist program, and if the “nasty woman” spirit lives on in the mediascape of the present. Maggie Hennefeld is Associate Professor of Cultural Studies & Comparative Literature and McKnight Presidential Fellow at the University of Minnesota, Twin Cities. She is author of Specters of Slapstick and Silent Film Comediennes (Columbia UP, 2018), co-editor of the journal Cultural Critique (UMN Press), co-editor of two volumes: Unwatchable (Rutgers UP, 2019) and Abjection Incorporated: Mediating the Politics of Pleasure and Violence (Duke UP, 2020). Laura Horak is an Associate Professor of Film Studies at Carleton University and director of the Transgender Media Lab. She is author of Girls Will Be Boys: Cross-Dressing Women, Lesbians, and American Cinema (Rutgers UP, 2016) and co-editor of Silent Cinema and the Politics of Space (Indiana UP, 2014), Unwatchable (Rutgers UP, 2019), a special issue of Somatechnics on trans/cinematic/bodies and an In Focus section of the Journal of Cinema and Media Studies on “Transing Cinema and Media Studies.” Elif Rongen-Kaynakçi is the Curator of Silent film at Eye Filmmuseum, the national film archive of the Netherlands. Graduated from University of Amsterdam, Film&TV Studies in 1997 and employed since 1999 at Eye, she has worked on the discovery, restoration and presentation of many presumed lost films. She is responsible for the preservation and presentation of Eye's silent film holdings, including among others the Desmet Collection (1907-1916) and the Mutoscope & Biograph Collection (1896-1902). Annie Berke is the film editor at the Los Angeles Review of Books and author of Their Own Best Creations: Women Writers in Postwar Television (University of California Press, 2022). Her scholarship and criticism have been published in Literary Hub, Feminist Media Histories, Public Books, Jacobin, and the Washington Post. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-studies
What makes a nasty woman? Is it her unwillingness to break to the stringent standards of patriarchy, her gameness to get rough, even abject? Or is it the way she reminds polite society that the sweet, gentle screen martyr (the nasty woman's counterpart) is a fiction too, as much a trick and a dupe as an exploding housemaid on celluloid? And what a surprise—and what a treat—to discover cinema's earliest days are among their nastiest. Coming from Kino Lorber this December, “this four-disc set showcase more than fourteen hours of rarely seen silent films about feminist protest, slapstick rebellion, and suggestive gender play. These women organize labor strikes, bake (and weaponize) inedible desserts, explode out of chimneys, electrocute the police force, and assume a range of identities that gleefully dismantle traditional gender norms and sexual constraints. The films span a variety of genres including slapstick comedy, genteel farce, the trick film, cowboy melodrama, and adventure thriller. Cinema's First Nasty Women includes 99 European and American silent films, produced from 1898 to 1926, sourced from thirteen international film archives and libraries, with all-new musical scores, video introductions, commentary tracks, and a lavishly illustrated booklet.” Host Annie Berke sits down with the curators of this set, Drs. Maggie Hennefeld and Laura Horak, and Ms. Elif Rongen-Kaynakçi, to discuss how this project came to be, the steps they took to ensure an anti-racist program, and if the “nasty woman” spirit lives on in the mediascape of the present. Maggie Hennefeld is Associate Professor of Cultural Studies & Comparative Literature and McKnight Presidential Fellow at the University of Minnesota, Twin Cities. She is author of Specters of Slapstick and Silent Film Comediennes (Columbia UP, 2018), co-editor of the journal Cultural Critique (UMN Press), co-editor of two volumes: Unwatchable (Rutgers UP, 2019) and Abjection Incorporated: Mediating the Politics of Pleasure and Violence (Duke UP, 2020). Laura Horak is an Associate Professor of Film Studies at Carleton University and director of the Transgender Media Lab. She is author of Girls Will Be Boys: Cross-Dressing Women, Lesbians, and American Cinema (Rutgers UP, 2016) and co-editor of Silent Cinema and the Politics of Space (Indiana UP, 2014), Unwatchable (Rutgers UP, 2019), a special issue of Somatechnics on trans/cinematic/bodies and an In Focus section of the Journal of Cinema and Media Studies on “Transing Cinema and Media Studies.” Elif Rongen-Kaynakçi is the Curator of Silent film at Eye Filmmuseum, the national film archive of the Netherlands. Graduated from University of Amsterdam, Film&TV Studies in 1997 and employed since 1999 at Eye, she has worked on the discovery, restoration and presentation of many presumed lost films. She is responsible for the preservation and presentation of Eye's silent film holdings, including among others the Desmet Collection (1907-1916) and the Mutoscope & Biograph Collection (1896-1902). Annie Berke is the film editor at the Los Angeles Review of Books and author of Their Own Best Creations: Women Writers in Postwar Television (University of California Press, 2022). Her scholarship and criticism have been published in Literary Hub, Feminist Media Histories, Public Books, Jacobin, and the Washington Post. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network
What makes a nasty woman? Is it her unwillingness to break to the stringent standards of patriarchy, her gameness to get rough, even abject? Or is it the way she reminds polite society that the sweet, gentle screen martyr (the nasty woman's counterpart) is a fiction too, as much a trick and a dupe as an exploding housemaid on celluloid? And what a surprise—and what a treat—to discover cinema's earliest days are among their nastiest. Coming from Kino Lorber this December, “this four-disc set showcase more than fourteen hours of rarely seen silent films about feminist protest, slapstick rebellion, and suggestive gender play. These women organize labor strikes, bake (and weaponize) inedible desserts, explode out of chimneys, electrocute the police force, and assume a range of identities that gleefully dismantle traditional gender norms and sexual constraints. The films span a variety of genres including slapstick comedy, genteel farce, the trick film, cowboy melodrama, and adventure thriller. Cinema's First Nasty Women includes 99 European and American silent films, produced from 1898 to 1926, sourced from thirteen international film archives and libraries, with all-new musical scores, video introductions, commentary tracks, and a lavishly illustrated booklet.” Host Annie Berke sits down with the curators of this set, Drs. Maggie Hennefeld and Laura Horak, and Ms. Elif Rongen-Kaynakçi, to discuss how this project came to be, the steps they took to ensure an anti-racist program, and if the “nasty woman” spirit lives on in the mediascape of the present. Maggie Hennefeld is Associate Professor of Cultural Studies & Comparative Literature and McKnight Presidential Fellow at the University of Minnesota, Twin Cities. She is author of Specters of Slapstick and Silent Film Comediennes (Columbia UP, 2018), co-editor of the journal Cultural Critique (UMN Press), co-editor of two volumes: Unwatchable (Rutgers UP, 2019) and Abjection Incorporated: Mediating the Politics of Pleasure and Violence (Duke UP, 2020). Laura Horak is an Associate Professor of Film Studies at Carleton University and director of the Transgender Media Lab. She is author of Girls Will Be Boys: Cross-Dressing Women, Lesbians, and American Cinema (Rutgers UP, 2016) and co-editor of Silent Cinema and the Politics of Space (Indiana UP, 2014), Unwatchable (Rutgers UP, 2019), a special issue of Somatechnics on trans/cinematic/bodies and an In Focus section of the Journal of Cinema and Media Studies on “Transing Cinema and Media Studies.” Elif Rongen-Kaynakçi is the Curator of Silent film at Eye Filmmuseum, the national film archive of the Netherlands. Graduated from University of Amsterdam, Film&TV Studies in 1997 and employed since 1999 at Eye, she has worked on the discovery, restoration and presentation of many presumed lost films. She is responsible for the preservation and presentation of Eye's silent film holdings, including among others the Desmet Collection (1907-1916) and the Mutoscope & Biograph Collection (1896-1902). Annie Berke is the film editor at the Los Angeles Review of Books and author of Their Own Best Creations: Women Writers in Postwar Television (University of California Press, 2022). Her scholarship and criticism have been published in Literary Hub, Feminist Media Histories, Public Books, Jacobin, and the Washington Post. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/performing-arts
What makes a nasty woman? Is it her unwillingness to break to the stringent standards of patriarchy, her gameness to get rough, even abject? Or is it the way she reminds polite society that the sweet, gentle screen martyr (the nasty woman's counterpart) is a fiction too, as much a trick and a dupe as an exploding housemaid on celluloid? And what a surprise—and what a treat—to discover cinema's earliest days are among their nastiest. Coming from Kino Lorber this December, “this four-disc set showcase more than fourteen hours of rarely seen silent films about feminist protest, slapstick rebellion, and suggestive gender play. These women organize labor strikes, bake (and weaponize) inedible desserts, explode out of chimneys, electrocute the police force, and assume a range of identities that gleefully dismantle traditional gender norms and sexual constraints. The films span a variety of genres including slapstick comedy, genteel farce, the trick film, cowboy melodrama, and adventure thriller. Cinema's First Nasty Women includes 99 European and American silent films, produced from 1898 to 1926, sourced from thirteen international film archives and libraries, with all-new musical scores, video introductions, commentary tracks, and a lavishly illustrated booklet.” Host Annie Berke sits down with the curators of this set, Drs. Maggie Hennefeld and Laura Horak, and Ms. Elif Rongen-Kaynakçi, to discuss how this project came to be, the steps they took to ensure an anti-racist program, and if the “nasty woman” spirit lives on in the mediascape of the present. Maggie Hennefeld is Associate Professor of Cultural Studies & Comparative Literature and McKnight Presidential Fellow at the University of Minnesota, Twin Cities. She is author of Specters of Slapstick and Silent Film Comediennes (Columbia UP, 2018), co-editor of the journal Cultural Critique (UMN Press), co-editor of two volumes: Unwatchable (Rutgers UP, 2019) and Abjection Incorporated: Mediating the Politics of Pleasure and Violence (Duke UP, 2020). Laura Horak is an Associate Professor of Film Studies at Carleton University and director of the Transgender Media Lab. She is author of Girls Will Be Boys: Cross-Dressing Women, Lesbians, and American Cinema (Rutgers UP, 2016) and co-editor of Silent Cinema and the Politics of Space (Indiana UP, 2014), Unwatchable (Rutgers UP, 2019), a special issue of Somatechnics on trans/cinematic/bodies and an In Focus section of the Journal of Cinema and Media Studies on “Transing Cinema and Media Studies.” Elif Rongen-Kaynakçi is the Curator of Silent film at Eye Filmmuseum, the national film archive of the Netherlands. Graduated from University of Amsterdam, Film&TV Studies in 1997 and employed since 1999 at Eye, she has worked on the discovery, restoration and presentation of many presumed lost films. She is responsible for the preservation and presentation of Eye's silent film holdings, including among others the Desmet Collection (1907-1916) and the Mutoscope & Biograph Collection (1896-1902). Annie Berke is the film editor at the Los Angeles Review of Books and author of Their Own Best Creations: Women Writers in Postwar Television (University of California Press, 2022). Her scholarship and criticism have been published in Literary Hub, Feminist Media Histories, Public Books, Jacobin, and the Washington Post. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history
What makes a nasty woman? Is it her unwillingness to break to the stringent standards of patriarchy, her gameness to get rough, even abject? Or is it the way she reminds polite society that the sweet, gentle screen martyr (the nasty woman's counterpart) is a fiction too, as much a trick and a dupe as an exploding housemaid on celluloid? And what a surprise—and what a treat—to discover cinema's earliest days are among their nastiest. Coming from Kino Lorber this December, “this four-disc set showcase more than fourteen hours of rarely seen silent films about feminist protest, slapstick rebellion, and suggestive gender play. These women organize labor strikes, bake (and weaponize) inedible desserts, explode out of chimneys, electrocute the police force, and assume a range of identities that gleefully dismantle traditional gender norms and sexual constraints. The films span a variety of genres including slapstick comedy, genteel farce, the trick film, cowboy melodrama, and adventure thriller. Cinema's First Nasty Women includes 99 European and American silent films, produced from 1898 to 1926, sourced from thirteen international film archives and libraries, with all-new musical scores, video introductions, commentary tracks, and a lavishly illustrated booklet.” Host Annie Berke sits down with the curators of this set, Drs. Maggie Hennefeld and Laura Horak, and Ms. Elif Rongen-Kaynakçi, to discuss how this project came to be, the steps they took to ensure an anti-racist program, and if the “nasty woman” spirit lives on in the mediascape of the present. Maggie Hennefeld is Associate Professor of Cultural Studies & Comparative Literature and McKnight Presidential Fellow at the University of Minnesota, Twin Cities. She is author of Specters of Slapstick and Silent Film Comediennes (Columbia UP, 2018), co-editor of the journal Cultural Critique (UMN Press), co-editor of two volumes: Unwatchable (Rutgers UP, 2019) and Abjection Incorporated: Mediating the Politics of Pleasure and Violence (Duke UP, 2020). Laura Horak is an Associate Professor of Film Studies at Carleton University and director of the Transgender Media Lab. She is author of Girls Will Be Boys: Cross-Dressing Women, Lesbians, and American Cinema (Rutgers UP, 2016) and co-editor of Silent Cinema and the Politics of Space (Indiana UP, 2014), Unwatchable (Rutgers UP, 2019), a special issue of Somatechnics on trans/cinematic/bodies and an In Focus section of the Journal of Cinema and Media Studies on “Transing Cinema and Media Studies.” Elif Rongen-Kaynakçi is the Curator of Silent film at Eye Filmmuseum, the national film archive of the Netherlands. Graduated from University of Amsterdam, Film&TV Studies in 1997 and employed since 1999 at Eye, she has worked on the discovery, restoration and presentation of many presumed lost films. She is responsible for the preservation and presentation of Eye's silent film holdings, including among others the Desmet Collection (1907-1916) and the Mutoscope & Biograph Collection (1896-1902). Annie Berke is the film editor at the Los Angeles Review of Books and author of Their Own Best Creations: Women Writers in Postwar Television (University of California Press, 2022). Her scholarship and criticism have been published in Literary Hub, Feminist Media Histories, Public Books, Jacobin, and the Washington Post. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/film
What makes a nasty woman? Is it her unwillingness to break to the stringent standards of patriarchy, her gameness to get rough, even abject? Or is it the way she reminds polite society that the sweet, gentle screen martyr (the nasty woman's counterpart) is a fiction too, as much a trick and a dupe as an exploding housemaid on celluloid? And what a surprise—and what a treat—to discover cinema's earliest days are among their nastiest. Coming from Kino Lorber this December, “this four-disc set showcase more than fourteen hours of rarely seen silent films about feminist protest, slapstick rebellion, and suggestive gender play. These women organize labor strikes, bake (and weaponize) inedible desserts, explode out of chimneys, electrocute the police force, and assume a range of identities that gleefully dismantle traditional gender norms and sexual constraints. The films span a variety of genres including slapstick comedy, genteel farce, the trick film, cowboy melodrama, and adventure thriller. Cinema's First Nasty Women includes 99 European and American silent films, produced from 1898 to 1926, sourced from thirteen international film archives and libraries, with all-new musical scores, video introductions, commentary tracks, and a lavishly illustrated booklet.” Host Annie Berke sits down with the curators of this set, Drs. Maggie Hennefeld and Laura Horak, and Ms. Elif Rongen-Kaynakçi, to discuss how this project came to be, the steps they took to ensure an anti-racist program, and if the “nasty woman” spirit lives on in the mediascape of the present. Maggie Hennefeld is Associate Professor of Cultural Studies & Comparative Literature and McKnight Presidential Fellow at the University of Minnesota, Twin Cities. She is author of Specters of Slapstick and Silent Film Comediennes (Columbia UP, 2018), co-editor of the journal Cultural Critique (UMN Press), co-editor of two volumes: Unwatchable (Rutgers UP, 2019) and Abjection Incorporated: Mediating the Politics of Pleasure and Violence (Duke UP, 2020). Laura Horak is an Associate Professor of Film Studies at Carleton University and director of the Transgender Media Lab. She is author of Girls Will Be Boys: Cross-Dressing Women, Lesbians, and American Cinema (Rutgers UP, 2016) and co-editor of Silent Cinema and the Politics of Space (Indiana UP, 2014), Unwatchable (Rutgers UP, 2019), a special issue of Somatechnics on trans/cinematic/bodies and an In Focus section of the Journal of Cinema and Media Studies on “Transing Cinema and Media Studies.” Elif Rongen-Kaynakçi is the Curator of Silent film at Eye Filmmuseum, the national film archive of the Netherlands. Graduated from University of Amsterdam, Film&TV Studies in 1997 and employed since 1999 at Eye, she has worked on the discovery, restoration and presentation of many presumed lost films. She is responsible for the preservation and presentation of Eye's silent film holdings, including among others the Desmet Collection (1907-1916) and the Mutoscope & Biograph Collection (1896-1902). Annie Berke is the film editor at the Los Angeles Review of Books and author of Their Own Best Creations: Women Writers in Postwar Television (University of California Press, 2022). Her scholarship and criticism have been published in Literary Hub, Feminist Media Histories, Public Books, Jacobin, and the Washington Post. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/european-studies
What makes a nasty woman? Is it her unwillingness to break to the stringent standards of patriarchy, her gameness to get rough, even abject? Or is it the way she reminds polite society that the sweet, gentle screen martyr (the nasty woman's counterpart) is a fiction too, as much a trick and a dupe as an exploding housemaid on celluloid? And what a surprise—and what a treat—to discover cinema's earliest days are among their nastiest. Coming from Kino Lorber this December, “this four-disc set showcase more than fourteen hours of rarely seen silent films about feminist protest, slapstick rebellion, and suggestive gender play. These women organize labor strikes, bake (and weaponize) inedible desserts, explode out of chimneys, electrocute the police force, and assume a range of identities that gleefully dismantle traditional gender norms and sexual constraints. The films span a variety of genres including slapstick comedy, genteel farce, the trick film, cowboy melodrama, and adventure thriller. Cinema's First Nasty Women includes 99 European and American silent films, produced from 1898 to 1926, sourced from thirteen international film archives and libraries, with all-new musical scores, video introductions, commentary tracks, and a lavishly illustrated booklet.” Host Annie Berke sits down with the curators of this set, Drs. Maggie Hennefeld and Laura Horak, and Ms. Elif Rongen-Kaynakçi, to discuss how this project came to be, the steps they took to ensure an anti-racist program, and if the “nasty woman” spirit lives on in the mediascape of the present. Maggie Hennefeld is Associate Professor of Cultural Studies & Comparative Literature and McKnight Presidential Fellow at the University of Minnesota, Twin Cities. She is author of Specters of Slapstick and Silent Film Comediennes (Columbia UP, 2018), co-editor of the journal Cultural Critique (UMN Press), co-editor of two volumes: Unwatchable (Rutgers UP, 2019) and Abjection Incorporated: Mediating the Politics of Pleasure and Violence (Duke UP, 2020). Laura Horak is an Associate Professor of Film Studies at Carleton University and director of the Transgender Media Lab. She is author of Girls Will Be Boys: Cross-Dressing Women, Lesbians, and American Cinema (Rutgers UP, 2016) and co-editor of Silent Cinema and the Politics of Space (Indiana UP, 2014), Unwatchable (Rutgers UP, 2019), a special issue of Somatechnics on trans/cinematic/bodies and an In Focus section of the Journal of Cinema and Media Studies on “Transing Cinema and Media Studies.” Elif Rongen-Kaynakçi is the Curator of Silent film at Eye Filmmuseum, the national film archive of the Netherlands. Graduated from University of Amsterdam, Film&TV Studies in 1997 and employed since 1999 at Eye, she has worked on the discovery, restoration and presentation of many presumed lost films. She is responsible for the preservation and presentation of Eye's silent film holdings, including among others the Desmet Collection (1907-1916) and the Mutoscope & Biograph Collection (1896-1902). Annie Berke is the film editor at the Los Angeles Review of Books and author of Their Own Best Creations: Women Writers in Postwar Television (University of California Press, 2022). Her scholarship and criticism have been published in Literary Hub, Feminist Media Histories, Public Books, Jacobin, and the Washington Post. Learn more about your ad choices. Visit megaphone.fm/adchoices
In today's episode, we speak to two astounding artists, Diana Schmertz and Fay Ku. Their artworks will be featured in Sensing Woman 2022 an upcoming week-long benefit for the Center of Reproductive Rights and Center for Intimacy Justice in Chelsea, New York.Diana Schmertz moved to Amsterdam after completing her BFA from Purchase College at the age of 19, to start her art career as a recipient of De Ateliers 63' grant and residency program. In addition to showing her work at traditional galleries and museum spaces, Schmertz has made public art supported by grants. Fay Ku is a Taiwan-born, New York City-based artist whose work is figurative, narrative and connects with past and present cultural histories. She is the recipient of a 2007 Louis Comfort Tiffany Grant and 2009 New York Foundation for the Arts fellowship grant. She has exhibited both nationally and internationally.Tune in to hear about their inspirations in creating beautiful pieces with thought provoking statements.In this episode, we cover:Part 1 (Diana Schmertz)Diana as an Art activist: Political views and women's healthJourney to ArtmakingThe beginning of Laser cut artworks: E, Alternates and Origin StoriesStatements reflected in her artThe commercial side of artPart 2 (Fay Ku)Thoughts on the female experienceShunga inspired artworksFeeling and healing with artworksCharacters and nature relationship in her artThe Peacock Motif and the Nasty Women series explainedDeciding on having children and statisticsVainglory and Reach artworks explainedHelpful links:Diana Schmertz - Check out her artworks for sale at the Sensing Woman 2022 and her upcoming shows. Follow her on Instagram @dianaschmertz.Fay Ku - Check out her artworks for sale at the Sensing Woman 2022. Follow her on Instagram @fay.ku and Facebook @fay.ku.art Hosted on Acast. See acast.com/privacy for more information.
Cinema's First Nasty Women, with Co-Curators Maggie Hennefeld, Laura Horak, and Elif Rongen-Kaynakçi • Scoring Cinema's First Nasty Women, with Dana Reason (82:02)
Jennifer and Dana cover the end of Book 3 of L.A. Connections, "Murder," and decide that nobody wants a fast-talking, slick veterinarian. The girls ponder how to bail yourself out of jail and determine that Hollywood madams must have a real H.R. nightmare on their hands with all that turnover.
On today's episode I interview Dr Alice Tarbuck and Dr Claire Eskew about the book they have curated: The Modern Craft; Powerful voices on witchcraft ethics. We discuss the ethics, barriers and sustainability of witchcraft and how we ourselves can create a more ethical and inclusive practice. One that honours ourselves, those around us, traditions and planet Earth. This is a fascinating conversation full of magick, inspiration and thought provoking ideas. The Curators of the Book: The Modern Craft Dr Alice Tarbuck is a writer, author of A Spell In The Wild and academic specializing in witchcraft and environmental humanities. She has been featured in Nasty Women and The Dangerous Women Project, and she has spoken on witchcraft at Scottish PEN, Freedom TV and the Arthur Conan Doyle Centre. Dr Claire Askew is the author of three novels: All The Hidden Truths, What You Pay For and Cover Your Tracks. A fourth, A Matter of Time, is out this year. Also a poet, Claire's second collection How to burn a woman features voices from the European Witchcraft Hysteria. Claire's accolades include the Lucy Cavendish Fiction Prize, a Jessie Kesson Fellowship and the McIlvanney Debut Prize. Join the book launch The Portobello bookshop, Edinburgh, 14th June, 7pm. Online or in-person tickets available: The Modern Craft: Powerful Voices on Witchcraft Ethics | The Portobello Bookshop Ritual Magic Event, Lighthouse Bookshop 18.06.2022 : 18:30 - 19:30 Lighthouse | The Modern Craft : Powerful voices on witchcraft ethics (lighthousebookshop.com) London Book Launch - Watkins Books, 07 Jul, 17:30 London, 19-21 Cecil Ct, London WC2N 4EZ, UK The Modern Craft - Alice Tarbuck & Claire Askew | Watkins BookshopCome and share you thoughts over in our magickal community: https://circle.thewitchacademy.com/c/community/ Or join me over on instagram: https://www.instagram.com/themodernwitchway/ Lean more about the magick of you: www.RebeccaAnuwen.com
Jennifer and Dana cover the end of Book 3 of L.A. Connections, "Murder," and decide that nobody wants a fast-talking, slick veterinarian. The girls ponder how to bail yourself out of jail and determine that Hollywood madams must have a real H.R. nightmare on their hands with all that turnover.
Jennifer and Dana welcome guest star, Rebecca, and laugh their butts off! The girls plan an epic day together where they will be eating at a Vegan restaurant, doing a Feng Shui consultation, shooting and grappling with guns, kayaking, and watching the Pam and Tommy Lee sex tape.
In early 2019, heated internal negotiations explode into public view as 28 USWNT players, including Jessica McDonald, file a landmark lawsuit against U.S. Soccer for “institutionalized gender discrimination.” In that lawsuit, the players argue they play more games and win more often than the U.S. men's team, yet still receive less pay from the federation; U.S. Soccer counters that the men's games drives more revenue for the federation. And as McDonald and the national team advance to the finals of the 2019 World Cup, they know one more win on the field could signal something even greater off it—generations in the making. New episodes coming each Tuesday, through May 17. To continue supporting journalism like this, visit charlotteobserver.com/payback or newsobserver.com/payback . Payback is hosted by Alex Andrejev. It's produced by Kata Stevens, Casey Toth, Julia Wall, and executive producer Davin Coburn. The executive producer for iHeartRadio is Sean Titone. See omnystudio.com/listener for privacy information.
Jennifer and Dana cover Chapters 1-6 of the L.A. Connections book, "Murder" and create a drinking game centered around "vagina fake news." The girls survive a clandestine parking lot meeting and bash 1970's crime scene investigation techniques.
Well, Team OBS might be wrapping up their summer vacations, but they've still got a show for you... [@ 2 min] Oliver and Ashlee revisit going 'Inside the Huddle' with Fort Worth Opera General Director Afton Battle... [@ 28 min] Then, Ashlee and Oliver rejoin soprano Christine Goerke 'Inside the Huddle'... Our best-of, podcast-only, summer listening series continues next week with a tag team of tenors... operaboxscore.com dallasopera.org/tdo_network_show/opera-box-score facebook.com/obschi1 @operaboxscore IG operaboxscore
"Women shouldn't swear, it's vulgar!" Join us as we dissect this phrase and try to understand why society is so offended by a woman swearing. Why have we collectively deemed this 'unladylike' behaviour? Frankly, it's a dick thing to say and we are not here for it anymore! Join the swearing revolution and let your sailor's tongue loose!Instagram: @thedickeffectTwitter: @dickeffectAnd remember, we can all be dicks sometimes!Resources and reading from this episode:Language and a Woman's Place by Robin LakoffBad Language for Nasty Women (and Other Gendered Insults) by Chi LuuWomen Swear Sometimes - let's get the hell over it by Arwa MahdawiNixon Tapes - April 29 1971 - Via Vanity Fair YouTubeHow I loathe the women destroying equality by swearing like troopers Jeanette KupfermannSexual Profanity and Interpersonal Judgement by Robert Paul O'neilThe Science of Swearing - The Smithsonian MagazineLegal Cobwebs - The SpectatorMind your language! Swearing around the world - BBC CultureThe Language of Swearing - Steven PinkerDo you have a dick phrase that get's on your nerves? Get in contact and tell us your stories on thedickeffect@gmail.comNext Episode: 'Is it that time of the month?' Our GDPR privacy policy was updated on August 8, 2022. Visit acast.com/privacy for more information.
Bligh Voth is an actor, singer and writer originally from Washington, D.C. now living in New York City. She was last seen on the first national tour of the 10-time Tony Award winning musical, The Band's Visit. She has appeared off-Broadway in the new musical Loveless, Texas and in The Time Machine at New York Musical Theatre Festival and her other New York credits include the Atlantic Theater Company, Primary Stages and Boomerang Theatre Company. Bligh has performed at many regional theatres across the country including the Paper Mill Playhouse, Ogunquit Playhouse, Cincinnati Playhouse in the Park, Ford's Theatre, The Studio Theater, Lyric Theatre of Oklahoma and Signature Theatre. She wrote the book for a new Cole Porter revue called, Let's Misbehave: Cole Porter After Dark and she served as the editorial director of Nasty Women of New York, a photography project melding the world of portrait photography with storytelling, giving a voice to the uniquely diverse women of New York City. Her solo show No Really, I'm Not Crazy debuted at The Green Room 42 in New York City. Currently she is working on a country/bluegrass EP.
I was very honoured to sit down with Actor, Director and Teacher - Bronwen Coleman.If you're an actor or performer, this episode is one for you to listen to! This conversation really inspired me with understanding the importance of taking care of our mental health as artists and finding the balance in how much we identify with our art. In this episode we speak about: - How to recover from rejection as an artist - How to have a balanced mindset as an actor- Different tools to prepare as an actor - Rituals & practises to use for character exploration - The importance of taking care of your mental health - What goes into creating your own work About Bronwen: Bronwen is an internationally accredited actor, director and teacher based in Melbourne. Having lived in New York for more than a decade, she is a Life Member of the Actors Studio, and has appeared in theatre, television and films in both America and Australia, including the Academy Award winning “Capote” opposite Phillip Seymour Hoffman. As a director, Bronwen is known for her in-depth rehearsal style, drawing on techniques developed at the Actors Studio. Bronwen is a graduate of the Victorian College of the Arts School of Film and Television (BFTV) and the Actors Studio Drama School (MFA). Upcoming ProjectsBronwen is a 2020 Theatre Works Associate Artist. Upcoming directing projects include the world premiere of Angus Cameron's Dirt for the 2021 Adelaide Fringe, and an all new production of David Lindsay-Abaire's Rabbit Hole with Micro Teatro at the Lawler Theatre at Southbank in July of next year.Bronwen is currently acting in independent feature film Nasty Women, due for release in 2021.Connect with Bronwen: Website: www.bronwencoleman.netInstagram: @_bronwencoleman_To listen to more episodes of The Creative Zone Podcast, click here We would really appreciate you leaving a rating and review on Apple podcasts! Thank you for listening, subscribe now, so you can receive future episodes that come out every Monday! Support the show
Olivia Hartley is a sub-editor and podcast interviewer at The Critic magazine. After she interviewed me last week for her podcast she told me that her thinking had completely changed while working there. Obviously, that meant I had to interview her too, to offer hope to humanity - nothing less! - so we can answer the question, how do we stop thinking like the group and thinking independently? We chatted about some of her epiphanies and how she moved on from being a self-appointed 'Covid Marshall'. . Her freethinking recommendation is '100 Nasty Women of History' by Hannah Jewell
Irena Sendler: Warsaw Rescuer It’s fair to say WWII and the Holocaust is one of the darkest eras in global history. But, as so often happens, the worst times can also bring out the best in some.Take Irena Sendler, for example. A social worker, Sendler was also a bona fide rescuer, carrying out 2,500 Jewish people from inside the increasingly desperate Warsaw ghetto.In this episode, you’ll hear about how Irena smuggled the children out in inventive ways, how she evaded execution at the hands of the Nazis, and her thoughts on heroism. She saved 2,500 people and thought it was normal. Have a listen and ask yourself, how do you define a hero?Follow us:Fierce Females of History is on Instagram: @fiercefemalespodcastGet in touch:Want to discuss history, wine, the Hulk’s penis or geese?Drop us a line here: fiercefemalesofhistory@gmail.comTheme music: Get Lo - LynneMusichttps://www.neosounds.com/songs/15504Audio clips thanks to:https://www.youtube.com/results?search_query=she+is+the+mother+i+never+had+oprah https://www.youtube.com/watch?v=pviYWzu0dzk&feature=emb_logohttps://www.youtube.com/watch?v=1ObDKKW-sn8Here's where Erin did her research:'100 Nasty Women in History' by Hannah Jewellhttps://www.theholocaustexplained.org/the-camps/the-warsaw-ghetto-a-case-study/conditions-inside-the-warsaw-ghettohttps://www.britannica.com/event/Warsaw-Uprisinghttps://en.wikipedia.org/wiki/Irena_Sendlerhttps://irenasendler.org/facts-about-irena/ See acast.com/privacy for privacy and opt-out information.
Sometimes you just have to trust fall into a situation, motivated only by the need for action. Talking to the members of Bay Village Nasty Women, it allowed me to view how one man's negative words can inspire positive change. “If you're waiting until you feel talented enough to make it, you'll never make it.” Criss Jami ------------------------------ Youtube: https://www.youtube.com/channel/UCn_UPAB7sXgsyos8lfic0Uw Podcast iTunes: https://podcasts.apple.com/us/podcast/the-matthew-aaron-show/id1502735602x Podcast Spotify: https://open.spotify.com/show/5KifWW0JXQQi3vxIcFulpM?si=VObhs_QQRK2qopv94SHPRw ------------------------------ Follow us on : FB: https://www.facebook.com/MatthewADiemer IG: matthewaarondiemer TW: @MatthewADiemer ------------------------------- Reach out to us at: Email: Matthew@MatthewAaronShow.com
It’s the second half of ShakesPod’s Nasty Women series, featuring the behind-the-scenes stories from the ultimate lady bosses of theatre, our panel of female stage managers. This week, ShakesPod shines a spotlight on the ladies who defy convention. Hosted by SVS Production Manager Tonya Duncan, and featuring Bay Area stage managers Chrissie Schwanhausser, Michelle Singh, and Alexandra Maisonneuve Teixeira, this episode is an inside look at the empowered women of our daily lives. --- Support this podcast: https://anchor.fm/svshakes/support
ShakesPod shines a spotlight on the ladies who defy convention. We’re diving into the history of women in theatre with SVS dramaturg Doll Piccoto and featuring some of the most talented female-identifying and non-binary actors as they tackle traditionally male Shakespearean monologues. Featuring pieces from Hamlet, Much Ado About Nothing, Othello, and other iconic Shakespearean monologues, this episode is a battle cry for Nasty Women. --- Support this podcast: https://anchor.fm/svshakes/support
Wanna know what the OBS team looks like? Check out the video version of our show on The Dallas Opera Network… [@ 3 min] Firstly, the OBS team taped this week’s show on Monday November 2; secondly, they don’t talk politics. Kind of. Ashlee takes a page out of You-Know-Who’s playbook and sounds off about some Nasty Women in opera… [@ 29 min] It’s one of OBS’ biggest scores... When this helden soprano found out the OBS crew were doing an episode about Nasty Women, she said “Hold My Beer”. Christine Goerke goes ‘Inside the Huddle’ with Oliver and Ashlee to talk about her friendship with the late Ruth Bader Ginsburg and on singing Brünnhilde in a Mustang... [@ 59 min] In the ‘Two Minute Drill’, the European opera houses shut down and everyone is writing angry letters about it… operaboxscore.com dallasopera.org/tdo_network_show/opera-box-score facebook.com/obschi1 @operaboxscore IG operaboxscore
Demi calls up her friends-- old and new: Political Analyst Anglea Rye to discuss Kamala Harris as the first Black woman VP nominee; Professor and Proud Feminist Brittney Copper to explain why there's so much fuss about "WAP"; and Sexpert Ashley Cobb to help you get the good sex you know you desrve. Learn more about your ad choices. Visit megaphone.fm/adchoices
What was your first word? We’re not really sure what ours were (maybe “girl power”, who knows?), but when it comes to Juana Azurduy de Padilla, we feel the first out of baby Juana’s mouth was probably “no”.From naughty child to full-on sharpshooting, army-raising resistance fighter, Juana went through life causing some serious headaches and we love her for it.In this episode, we’re going back to the 1700s for this one to a time when South America looked very different. And on this journey, you’re going to head to a nunnery, a silver mine and to many, many battle fronts. Oh, it’s entertaining.In this episode you’ll hear about how Juana used slingshots, devastating charm and military prowess to take on one of the most powerful countries in the world, her wonderfully rebellious childhood and you’ll meet one of the best love interests yet.So go on, you know you Juana.Follow us:Fierce Females of History is on Instagram: @fiercefemalespodcastGet in touch:Want to discuss history, wine, the Hulk’s penis or geese?Drop us a line here: fiercefemalesofhistory@gmail.comTheme music: Get Lo - LynneMusichttps://www.neosounds.com/songs/15504Here's where Lucy did her reading:100 Nasty Women of History - Hannah Jewellhttps://greenmochila.com/juana-azurduy-heroine-american-independence/https://www.oxfordreference.com/view/10.1093/oi/authority.20110803095438473https://www.thebubble.com/tale-two-statues-azurduy-replaces-columbushttps://info.handicraft-bolivia.com/Juana-Azurduy-Heroine-of-Independence-a252-sm199https://www.encyclopedia.com/women/encyclopedias-almanacs-transcripts-and-maps/azurduy-de-padilla-juana-1781-1862http://deappel.nl/en/files/juana-azurduy-de-padilla-military-leader-of-boliviahttps://www.infobae.com/sociedad/2020/07/12/juana-azurduy-la-heroina-que-se-jugo-la-vida-por-la-independencia-y-murio-olvidada/https://www.infobae.com/sociedad/2020/07/12/juana-azurduy-la-heroina-que-se-jugo-la-vida-por-la-independencia-y-murio-olvidada/ See acast.com/privacy for privacy and opt-out information.
In the new book Shattering Glass: A Nasty Woman Anthology, Kelli Stanley of Nasty Woman Press brought together essays from so many remarkable women, and she’s brought two of them here with her today. From 1993-2017, Barbara Boxer represented California in the United States Senate, where she was a hero for women’s rights. Valerie Plame served as an undercover agent in the CIA protecting our national interests until she was outed by senior members of the Bush Administration. All three of these remarkable women joined Alyssa Milano for a very spirited discussion. Enjoy! --- Send in a voice message: https://anchor.fm/alyssa-milano-sorry-not-sorry/message
What do you get when you cross two guys who are recording their third podcast episode of the day and entering some sort of fugue state with a guest who doesn't understand espresso has more caffeine than coffee and drinks an entire mug of it? You get this chaotically horny episode of the show, as Racquel Belmonte (comedian, voice actor) uses her wellspring of energy to drag the Blocked Boys into her scandalous tale of being blocked by one of the cast members of Jersey Shore. It's a fitting block for the other trashy discussion on the episode, as John accidentally finds the dildo he got sent to him during the #FunkoPopChallenge in the studio. Plus, we find time to talk Bronies, POV fantasies, plastic surgery, and an Australian MP liking a pornbot account. Like we said. It got horny. But fun! If you want to get more horny for BP content, you can head on over to https://patreon.com/blockedparty, where $5/month gets you access to THREE bonus episodes every single month. We just released the BPTV video episode with Derek and dril and coming up this week, it's the debut episode of BP D&D, where John and Stefan are joined by Branson Reese (Rude Tales of Magic) and Jamie Loftus (My Year in Mensa, Bechdel Cast) to play Dungeons and Dragons. It's gonna be a four-month series and the adventure is just getting started with an absolutely wild first episode you won't wanna miss. Head on over to our Patreon now and get signed up so you don't miss a thing! Racquel Belmonte is an improviser and sketch comedian in Vancouver, who can be seen performing with Nasty Women and Carmelahhh. She is also a voice actor who can be heard in the Netflix series The Dragon Prince, and can be followed on Twitter at @RaqAttack5 or on Instagram at @RacqCity5.
In part one of this special Sisters-in-Law edition of Talking Feds commemorating the 100th anniversary of the 19th amendment granting women the right to vote, Jill Wine-Banks, Joyce Vance, and Barbara McQuade speak with civil rights attorney Vanita Gupta and lawyer and Stanford Law School professor Pam Karlan about protecting voters rights.
Demi calls up her friends-- old and new: Political Analyst Anglea Rye to discuss Kamala Harris as the first Black woman VP nominee; Professor and Proud Feminist Brittney Copper to explain why there's so much fuss about "WAP"; and Sexpert Ashley Cobb to help you get the good sex you know you desrve. Skillshare.com/RATCHET DailyHarvest.com, enter code RESPECTABLE BetterHelp.com/RATCHET Brooklinen.com, enter code RATCHET Learn more about your ad choices. Visit megaphone.fm/adchoices
"My identity is constantly evolving and shifting in part because the way that gender is structured in our society is fundamentally flawed. All of us to an extent are trying to navigate through that flawed system." - Meredith Talusan Meredith Talusan is an award-winning author and journalist who is the founding executive editor of them., Condé Nast's LGBTQ+ digital platform, where she is now a contributing editor. She has contributed to other books, including the New York Times bestseller Not That Bad (edited by Roxane Gay), Nasty Women, and Burn It Down. She writes frequently for The New York Times, The Guardian, The Atlantic, WIRED, Condé Nast Traveller, and many other publications. She lives in the Western Catskills with her spouse and rescue mutt. Click to purchase FAIREST by Meredith Talusan from our Bookshop.org site. Connect with Meredith on her website, Twitter, or Instagram. Be sure to check out her writing workshops here. Meredith's book recommendation: On Being Human by Jennifer Pastiloff Also mentioned in this episode: Heavy by Kiese Layman The Year of Magical Thinking by Joan Didion Shop all our authors' books and book recommendations on our Bookshop.org page! -- We donate 5% of all our sales to a different feminist organization each month. Our August charity is The Loveland Foundation. Get $5 off your Feminist Book Club Box with the code PODCAST at feministbookclub.com/shop. Our August book of the month is HOOD FEMINISM: NOTES FROM THE WOMEN THAT A MOVEMENT FORGOT by Mikki Kendall. -- Website: http://www.feministbookclub.com Instagram: @feministbookclubbox Twitter: @fmnstbookclub Facebook: /feministbookclubbox Pinterest: feministbookclub Goodreads: Renee // Feminist Book Club Box and Podcast Email newsletter: http://bit.ly/FBCemailupdates Bookshop.org shop: Feminist Book Club Bookshop -- This podcast is produced on the native land of the Dakota and Ojibwe peoples. Logo and web design by Shatterboxx Editing support from Phalin Oliver Original music by @iam.onyxrose
What little boy doesn't wish to grow up as an albino, Phillipino girl trapped in a male body? And what Phillipino woman, wants to transition into her truth only to battle white privilege, from her own trans community? The answer is no one, and no one. Yet, these factors are only the beginning of Meredith Talusan's story that has lead her to realize, being a fair-skinned woman isn't all it is cracked up to be. This candid and forthright conversation is a perfect mid-Pride month story to show each of us how we tend forget the trials and tribulations we all face for the things that make us, us, and that others tend to find the most reason to hate about us. Just in time for the launch of her Book "Fairest," Meredith, brings us insights and truths of about the closets she faces that many of us will never even consider due to our own inherent privilege. AboutMeredith Talusan is an award-winning author and journalist who is the founding executive editor of them.,Condé Nast's LGBTQ+ digital platform, where she is now a contributing editor. She has contributed to other books, including the New York Times bestseller Not That Bad (edited by Roxane Gay), Nasty Women, and Burn It Down. She writes frequently for The New York Times, The Guardian, The Atlantic, WIRED, Condé Nast Traveller, and many other publications. She lives in the Western Catskills with her spouse and rescue mutt. Connect Withhttp://mtalusan.com/ (Website) https://www.facebook.com/meredithtalusan/ (Facebook) https://twitter.com/1demerith (Twitter) https://www.linkedin.com/in/meredithramirez/ (Instagram) https://www.linkedin.com/in/meredithramirez/ (LinkedIn) You can also listen to the podcast on…https://apple.co/2RBmUxZ ()https://bit.ly/2UxP9zN () https://spoti.fi/2JpvCfg ()https://www.stitcher.com/podcast/rick-clemons/the-coming-out-lounge () http://tun.in/pjtKR ()https://bit.ly/30kT4kL () https://bit.ly/2FVH55j ()
Pastor Diane Mullins found herself talking out loud to the TV as she watched a woman speaking at the Nasty Women's March say "We are speaking for the women of America." And out loud, before she knew it, Diane responded, "You don't have permission from me to say you're speaking for me!" Hear what happened next as Diane led a movement of women to DC and found herself running for State Representative.
Guest SaLeena Bishop is a Christian, conservative millennial who went from pastor’s wife to activist when she thought she would be one of thousands of pro-life people at the voting of Ohio’s Heartbeat Bill, but few were to be found. As she saw the hate and hurt in the eyes of people who wanted the right to kill babies, she said to herself “we can do better.” SaLeena shares how she went undercover at the Nasty Women’s March in D.C., her YouTube Vlog called “Let’s Do Laundry” and what God says about the government.
Empress Theodora: You say career progression, I say Empress Theodora. This multi-talented Byzantine ruler began her career by performing a pretty... unique set on stage with a goose and ended up ruling the Eastern Roman Empire with her husband. Oh, and she learnt how to weave and reform outdated concepts of marriage in the process. Eat your heart out, LinkedIn lovers.About this podcast: Fierce Females of History is a dive into the stories of awesome women through history you should know about. A quick disclaimer: we’re journalists, not historians, but we do love our history. Tune in every week as one of our three hosts shares the story of one woman. Hosts: Talissa Bazaz (@talissabazaz)Erin Ramsay (@erin_ramsay)Lucy Dean (@lucyintheskywithcarbon)Follow us: Fierce Females of History is on Instagram: @fiercefemalespodcastGet in touch:Want to discuss history, wine, the Hulk’s penis or geese? Drop us a line here: fiercefemalesofhistory@gmail.comTheme music: Get Lo - LynneMusichttps://www.neosounds.com/songs/15504Want to know more about Empress Theodora? We get it. That’s a serious CV she’s got. Here’s where Talissa got her info. Check out: 100 Nasty Women of History by Hannah JewellThis article published in the Guardian: https://www.theguardian.com/lifeandstyle/2010/jun/10/theodora-empress-from-the-brothelAnd this work by Mark Cartwright:https://www.ancient.eu/Empress_Theodora/ See acast.com/privacy for privacy and opt-out information.
I sat down with the director, producer, star, and playwright of The Nasty Women, a transformation of Eurpides The Bacchae to these modern times, one of the many shows part of this years Capitol Fringe Festival
Contending with Donald Trump's inauguration for the big story of the weekend was the global women's march. While the act of solidarity was a major milestone for the Feminist movement, exactly what the rallies were fighting for is still debatable. Pat and Stu discuss some signs that will make you shake your head, and determine that the outcry against President Trump will actually turn him from a supporter of feminist causes into their enemy.Listen to Pat & Stu for FREE on TheBlaze Radio Network from 5p-7p ET, Mon. through Fri. www.theblaze.com/radioTwitter: @PatandStuFacebook: PatandStu Learn more about your ad choices. Visit megaphone.fm/adchoices
We wish to attribute to mystery artist Caroline plays a portion of her Bioneers presentation “Flora Fauna 2016 – Inaugurating Our Guiding Story,” to a rousing packed house, with fantabulous calling-it-in ally, Amikaeyla (don't miss her ode to “Nasty Women.”) The complete recording is available for download at www.CoyoteNetworkNews.com The post The Visionary Activist Show – Flora Fauna 2016 at Bioneers appeared first on KPFA.
In this episode, we try to convince you to go see Moonlight, we join the campaign to #FreeWeezy, and we discuss those infamous, ubiquitous Nasty Women. Also: what flavor body oil does TheDrewness apply on-set at Tyler Perry movies? Listen and find out!
Nicole Sandler lets Elizabeth Warren take the lead in today's "Nasty Woman" edition of What's News?
This week on The Minority Report: The final presidential debate, movie trailers, Frank Ocean grammy woes, the Nintendo Switch Nostalgia Train 2016 and Space Jam.
Holy hell! It's another Koch Brothers (Glaring Absence From the) Election Special! Each week, we take an in-depth look at how our boy wonders, the Koch Brothers, are manipulating key swing states to keep things profitably hunky-dory. This week: North Carolina, land of being north of South Carolina. Plus: the week in review, and a brand-new Alt Right Update on the third and final presidential debate! Written By and Starring: Gary Pascal, Brad Einstein, Charles Pettitt, Shannon Noll, Libby Schreiner, Tom Fell, and Sean Sullivan Music and Sound Design by: Chris Yearwood Want Even More Koch? We bet you do! Be sure to subscribe to and review The Koch Brothers Mystery Show on iTunes. Have a suggestion for a topic we should cover? Tweet at us @KochBrosMystery, or contact us on Facebook at facebook.com/kochbrothersmysteryshow. You can also find episodes, extras, and news at kochbrothersmysteryshow.com. Self-promotion awayyyy!
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