Podcasts about post-disco

I've been wanting to do a Freestyle mixtape for a while now. I have cool memories of this music booming out of little Suzuki Samurais and Honda Civics in the late '80s during family vacations to the East and West Coasts. Lately, I've been listening to a lot of archived radio DJ mixes from the late '80s and was inspired to pull together some tasty Rap, Freestyle, Electro, Post-Disco, and House for this tape. I only recently became aware of the original version of 'Show Me Love' and found an unopened copy on Discogs, so the version at the end of this set is a genuine needle drop. A brief introduction to the Freestyle genre: Emerging in the early 1980s in the United States and originating in the urban Latino communities of New York City and Miami, Freestyle was characterized by a blend of synthesizer and drum-heavy electronic beats, Latin percussion, and emotive, often dramatic singing. Notable artists include Lisa Lisa and Cult Jam, Stevie B, and Exposé. Internationally, the impact of Freestyle was more nuanced. In Europe, while synth-pop, new wave, and house music were more dominant, elements of Freestyle influenced the emerging Eurodance scene. Meanwhile, in Japan, Freestyle was overshadowed by genres like J-Pop and city pop, along with various other forms of Western music. While its core fanbase resided in cities like New York and Miami, Freestyle's popularity was embraced in club scenes nationwide and received considerable radio play, particularly on urban contemporary, dance, and R&B stations during its peak in the late 1980s. This era marked the height of Freestyle's run in the charts with songs like 'Fascinated' by Company B, 'Crush on You' by The Jets, 'Point of No Return' by Exposé, 'Naughty Girls (Need Love Too)' by Samantha Fox, and 'Tell It to My Heart' by Taylor Dayne. Freestyle's influence persisted into the early '90s, notably in Eurodance with international hit songs like 'Rhythm of the Night' by Corona and 'Be My Lover' by La Bouche, which exhibited similarly catchy choruses and uptempo rhythms, but with much denser and slicker production. While in the Latin music scene, especially in the early to mid-1990s, Latin Freestyle, a subgenre, saw artists like Selena infusing traditional Latin sounds with Freestyle's electronic beats and rhythms. Freestyle remains a distinctive and memorable part of 1980s music culture, representing a unique fusion of sounds that captured the energy and diversity of its era. Fantasy 3 - It's Your Rock Pretty Tony - Fix It in the Mix Freestyle - Don't Stop the Rock Trinere - How Can We Be Wrong Sequal - It's Not Too Late Jennette - You Turn Me On Olga - Play Another Song for Me Pretty Poison - Nightime Newtrament - London Bridge is Falling Down (Dub Mix) Beat Street - Breaker's Revenge Bohannon - Let's Start the Dance III (Instrumental Club) Patrice Rushen - Number One (Instrumental Version) N.O.I.A. - The Rule to Survive Import #1 - Set It Off (Party Rock) Connie - Rock Me Lidell Townsell, M T F - Nu Nu (Radio Apella) Robin Stone - Show Me Love (New York Mix) If you're listening on Apple Podcasts, please shoot me a quick 5-star rating, and a positive review if you're feeling generous. While you're there, remember to sub.

In this episode of the Dumb And Humble Podcast, we are visited by the wonderful spirit of a long time favorite guest of the podcast, we try a new segment and groove out to a great new album. Make sure to check out @Aydenparker_ on instagram and tell her how much you enjoyed the pod Featured Whisky Business - Bernheim Wheat Whisky Twitter & Instagram - @dumbhumblepod Email - Dumbhumblepod@gmail.com

A freestyle journeying through the famous Post Disco music genre.

Groovy mix of Post Disco & House. Enjoy!  Support the showI.G: benniejames3Twitter: @benniejames123FB: bennie.james.10Website: djbeniejames.comStudio Line: 1-856 295-1753 - leave a voicemail messageLicensed by ASCAP 400009874

The  short lived Disco area ended in the early 80s. We put together a great compilation of soul/dance music that came in the aftermath.

What happened after the fateful night, July 12th 1979, when DJ Steve Dahl literally Blew up disco and killed it? We discuss one of the most fun, unappreciated, and now newly budding genres of music...Post Disco Funk! Enjoy

We'll tell you for sure that one song got into the Hall of Songs from our recent election, the 32nd overall. But two? In the 1980s? Is it possible?Listen to get the full results of the latest vote. You'll hear what happens to songs like current smash hit "Running Up That Hill" and former smash hit "Bette Davis Eyes" ... and everything in between.

Some songs get lost and fall into the cracks. That's what the Veterans Committee is for. Join Tim and Chris as dig back into the years of 1983 to '86 and nominate four more songs for the Hall of Songs. Dance music? Yes. Americana music? Sure. An appearance by our (sort-of) independent ombudsman? Absolutely.Listen as Tim and Chris talk about the songs of 1983 to '86.Hosts: Tim Malcolm and Chris JonesGenre: Music Commentary, Music History

Will any songs join the 65 current members of the Hall of Songs, our prestigious academy of the greatest songs of all-time?Join Tim and Chris as they go over a huge ballot of 29 songs from between 1981 and '85. You've got records by Prince, Bruce Springsteen, Whitney Houston, Tears For Fears, Eurythmics, Phil Collins and many more big names. Will anything get through?

We have been dreaming of this moment since starting Hall of Songs. It's time to enter 1985, when the biggest names in pop music converge for charity spectacles like "We Are the World" and Live Aid, and when some of the most enduring songs of a generation hit pretty darn hard. Come along for the ride as we select our top-12 songs from 1985. After listening, head to hallofsongs.com to vote for the songs you think deserve to be in our hall of fame for songs called the Hall of Songs. 

Time to reveal the results for the 30th election of Hall of Songs! Yes, 30!Currently we have 65 songs in the Hall. Do we get to 66? 67? 68? More? Listen as Tim and Chris go through the election results, featuring songs we've nominated that were released between 1981 and '84, and talk about the biggest surprises, the good, the bad, and a lot more.

OK, maybe we're guilty of using a little hyperbole. 1984 is, however, a year of huge stars, big sounds, and even bigger songs. In this episode of Hall of Songs, Tim and Chris select their top-12 from this year, and you'll get huge names like Bruce, the highest of NRG, and one dominant force whose fingerprints are all over this year.Listen, then vote for the best songs ever at hallofsongs.com.

Let's not waste time: Chris is back and joins Tim to induct the 65th song into our prestigious Hall of Songs. Which record will join the latest two, Prince's "Little Red Corvette" and Michael Jackson's "Billie Jean"?  Take the time to find out. Also, we discuss songs that are now eliminated from our Hall of Songs ballot ... and the thing that all the remaining songs have in common.

The Hall of Songs is filling up! The 63rd and 64th members are announced in this episode, in which Tim goes it alone and offers thoughts on the election at large. Songs released between 1976 and '82 were on the ballot this time out -- what do you think got in? What do you think got taken off the ballot?

Selecting songs for Hall of Songs nomination is a hard job. Sometimes, while toiling over all the options, you decide that certain tunes that we now consider problematic still merit inclusion. At least that's what one co-host of Hall of Songs would argue. Join Tim and Chris as they put four more songs from 1979 to '82 onto the ballot. Luckily, they bring in a (sort-of) independent ombudsman to sort through the issues with them.In this episode, Tim and Chris talk about the four new nominees, then go deeper into '79-'82 with selections by artists like Split Enz and, naturally, the Grateful Dead.Hosts: Tim Malcolm and Chris JonesGenre: Music Commentary, Music History

Prepárate porque hoy sonarán las más asombrosas y bailables melodías de un estilo que es antecesor de la música electrónica de baile, hoy solo sonará Funk y sobre todo Boogie. Se inició a finales de los 70 en Estados Unidos, el sonido Boogie se define por el uso de instrumentos electrónicos más que acústicos, con énfasis en las melodías vocales y diversos efectos de sonido, que más tarde evolucionarían a lo que hoy es conocido como Electro y House. El Boogie siguiendo el ejemplo del Post-Disco, en Londres se usó para describir la forma de música Dance-Fank Afroamericana de los años 80, en esta década algunos formaciones empezaban a experimentar con los sonidos electrónicos, cambiando instrumentaciones tradicionales como el bajo electrónico por sintetizadores, y sobre todo por cajas de ritmo. A día de hoy se usa más de lo que parece, el Indie Pop, el Nu-Disco actual son géneros que usan estas instrumentaciones en sus composiciones. Para mí Podcast número 129, que he titulado: 60 minutos de Funk y BoogiePlaylist del programa:00 - Blaudzun-Solar (Intro).01 - Commodores-Machine Gun.02 - People´s Choice-Do It Any Way You Wanna.03 - Musique-In the Bush.04 - The Players Association-Turn The Music Up!.05 - Four80East & CeCe Peniston-Are You Ready?(Joey Negro).06 - Bobby Thurston -Check Out The Groove.07 - Deodato-Night Cruiser.08 - Jerem A-I Have The Funk.09 - Jeffrey Osborne-Don't You Get So Mad.10 - A Taste Of Honey-Boogie Oogie Oogie.11 - Earth Wind And Fire-Boogie Wonderland.12 - Blaudzun-Solar (Despedida).

Expect a 2 hour electronic journey from bleepy and wonky to bassy and wonderful with chilled and charged beats

Tsugi Radio reçoit le producteur berlinois Franz Matthews du label HIFI/LOFI pour un DJ Set en direct des studios de la Folie L1 du parc de la Villette, aux sonorités Indie Dance et Post Disco ! Nos lives et podcasts sont a retrouver sur www.tsugi.fr/tsugiradio.

Tsugi Radio reçoit le producteur berlinois Franz Matthews du label HIFI/LOFI pour un DJ Set en direct des studios de la Folie L1 du parc de la Villette, aux sonorités Indie Dance et Post Disco ! Nos lives et podcasts sont a retrouver sur www.tsugi.fr/tsugiradio.

This episode PuttyRubber brings a fluid mix of techno, electronica, electro, post-disco and acid in the first hour. In the second hour he has an exclusive guest mix by the amazing Luke Farey ( FreeRotation/ FarmFest/CNR) who has a monthly show on https://www.timeline-music.co.uk called Auditory Effect.

Electric Disco hits from the past four decades. As requested by an avid listener, Jason ups the difficulty of “Keep It Sample” so any G-Funk fans out there, this is your time to shine. Spotify Playlist (Updated Monthly)https://open.spotify.com/playlist/1zu6KYRKPebNhJogfLZWf7?si=IJG7N_aTROepkQ98sfsceQShirley Lites Heat You Up Prince - Controversy Jamiriquai - Little LPatrick Cowley ft Sylvester - Do You Wann FunkChromeo - Night By NightLapsley - Operator Sharon Brown - Specialise In LoveOdyssey - Inside Out Biggie Smalls - HypnotiseDr Dre Ft Snoop Dogg - Nothin' but G thangWarren G Ft Nate Dogg - RegulateNeil Frances - Music Sounds Better With YouWish ft Fonda Rae - Touch Me Parcels - Tieduprightnow

Keyboard player: Gail NoblesPodcast vocals: Gail NoblesArt: by Gail Nobles © 2021Story by: Gail NoblesPhoto credit: "Cowboy" Ben Alman/Wikipedia Usage: CC BY-SA 2.0Hello everyone. I hope you are enjoying Sound Flave. I'm your host Gail Nobles, and today I want to talk to you about Radiae Applis. It is like a podcast entertainment studio hall. It's like a city of listeners. There's a place for listeners. It grows from one ear to the other from place to place through wifi and online. It's building it's way up from Spreaker.com. It started out with one episode and now there are four. There must be more.Applis is a place for music. Applis is a place for the announcer. It is all about sound and flavor. Sound Flave is the main title. Radiae Applis is the subtitle and core. It is the seed. And what I'm bringing you today is that flavor of sound. The sound from the harvest. Let's talk about Patrice Rushen. (Music)Patrice Rushen is a jazz pianist and R&B singer. She is also a composer, record producer, multi-instrumentalist, songwriter, and music director. Her 1982 single “Forget Me Nots' received a Grammy Award nomination for Best Female R&B Vocal Performance.(Voice)Patrice made a cool video on her 1982 single Forget Me Nots. It appears on her seventh album, Straight from the Heart. You know "Forget Me Nots" are flowers that symbolize enduring love despite absence or separation. I must say Patrice Rushen is a great song writer and great in music. I'm Gail Nobles and you're listening to Sound Flave Radiae Applis.

Pour ce dernier ''Days of being Wild'', Sam Berdah invite Franz Matthews : Basé à Berlin, le DJ et Producteur franco-allemand a toujours  un pied dans la Post-Disco et l’autre dans l’Indie Dance, tandis que sa  tête se baladait dans des univers plus cosmiques et psychédéliques,  mélangés d’influences sonores glanées tout au long de ses voyages autour  du monde. Cette combinaison riche en couleurs l’ont amené à faire des  sorties sur Eskimo Recordings, Days Of Being Wild, Rockets & Ponies,  tout en collaborant avec des pointures telles de qu’Ewan Pearson,  Chaim, Manfredas, Local Suicide, Moscoman & Rodion….

Pour ce dernier ''Days of being Wild'', Sam Berdah invite Franz Matthews : Basé à Berlin, le DJ et Producteur franco-allemand a toujours  un pied dans la Post-Disco et l'autre dans l'Indie Dance, tandis que sa  tête se baladait dans des univers plus cosmiques et psychédéliques,  mélangés d'influences sonores glanées tout au long de ses voyages autour  du monde. Cette combinaison riche en couleurs l'ont amené à faire des  sorties sur Eskimo Recordings, Days Of Being Wild, Rockets & Ponies,  tout en collaborant avec des pointures telles de qu'Ewan Pearson,  Chaim, Manfredas, Local Suicide, Moscoman & Rodion….

Four to the floor beats & Funky synth baselines, this episode leans more over to the nostalgic sound of Post Disco & early House. Some cuts from those glory days & others that sound similar from a range of different eras.Spotify Playlist (Updated Monthly)https://open.spotify.com/playlist/1zu6KYRKPebNhJogfLZWf7?si=IJG7N_aTROepkQ98sfsceQS.O.S Band - Take Your Time Do It RightRitchie Family - Ill Do My BestShirley Lites - Heat You UpEvelyn Champagne King - ShameLovestation - Teardrops (12” classics Mix)Metroplane Ft Daniel Wilson - Be Where I AmRhythm On The Lose - Break Of DawnJoe Smooth - Promise Land Inner City - Pennies From HeavenHappy Mondays - Step OnJust Jack - Stars In Their EyesJamiriquai - Love FoolTom Browne - Funk For Jamaica Sounds OF Blackness - The Pressure (Frankie Knuckles Mix)

DJing under lockdown: New mix from Ben Gomori aka G. Markus on an '80s vibe.

Andy Sells is the mastermind behind our most recent vinyl release, Select Level. Andy has a deep discography of vinyl singles, full albums and side projects and he’s recorded with and produced for musicians like downtempo explorers FCS North, electronic jazz producer David Hanke, thrash rockers Nosretep, Afrobeat players Cascadia'10, Funk and Soul Legends Wheedle's Groove, Psychedelic Jazz astronauts Afrocop, video game soundtrack master SCNTFC, and lots more.  From Afrobeat to Thrash Metal, Downtempo to Jazz and even his most recent adventure into Punk Funk and Post Disco with his Select Level project, his love of music is all encompassing and clearly insatiable.  Not even a near death experience could keep Andy from pushing himself to complete the Select Level album. We recently caught up with Andy in his home studio in Seattle, Washington. And if you haven’t heard already we just announced the pre-order of our next release with the group Rezin Tooth. This is a dub reggae album created by Nate Spicer of Seattle Afrobeat and Funk group Polyrhythmics. That’s up for pre-order now along with tickets for the release show that will be on January 10th at High Dive in Seattle. Grab that and the Select Level album on waxthematique.com and we also recently acquired the only 45 that the afrobeat group Cascadia ’10 put out.  Photography for this episode by Jasmine Kara. Buy Select Level's Debut LP on LTD Edition Cotton Candy Vinyl.  Tracklist of music from this episode: 1. Select Level - Unreleased 2. Select Level - Valentine 3. FCS North - Police Laughter 4. Select Level - Sham 5. Nosretep - Nosretep 6. Cascadia '10 - No Go Wacko 7. Afrocop - Unreleased 8. Motion Orchestra - Sonorous 9. SCNTFC - Dead Man 10. Select Level - The Race 11. Select Level - Unreleased --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app Support this podcast: https://anchor.fm/waxthematique/support

EVOLUTION est un podcast qui vous explique l’histoire d’un courant ou d’un genre musical. Pendant une heure, je vous explique la genèse et le développement de chaque genre, en vous faisant écouter les morceaux importants qui ont contribué à faire évoluer la musique populaire. Ce cinquième épisode s'intéresse à l'électronisation du disco dans les années 80, quand, dans la communauté noire et gay de Chicago naît un dérivé du disco, artisanal et synthétique, qui deviendra la forme de dance music la plus populaire dans les années 90 : la house music.  Tracklist : Frankie Knuckles – The Whistle Song (E.K. 12’’ mix) [Virgin Records, 1991] Patrick Cowley – Menergy [Polydor, 1981] D Train – You’re The One For Me (special dub – vocal edit) [Prelude Records, 1981] Jesse Saunders – On and On [Jes Say Records, 1984] Steve ‘Silk’ Hurley – Jack Your Body (dub your body) [London Records, 1985] Phuture – Acid Tracks [Trax Records, 1987] Bam Bam – Where’s Your Child? [Westbrook, 1988] Paul Johnson – Feel My M.F. Bass [Dance Mania, 1994] DJ Funk – Booty Clap [Funk Records, 2003] Mr. Fingers – Can You Feel It? [Trax Records, 1986] Metro – Brownstone Express [Nu Groove Records, 1990] KB – Feelin U (Osunlade remix) [Yoruba Records, 2005] Moodymann – Tribute! (To The Soul We Lost) [KDJ, 1994] Nightcrawlers – Push the Feeling On (the dub of doom) [Great Jones, 1992] Masters At Work – I Can’t Get No Sleep feat. India (Ken/Lou 12’’ version) [Cutting Records, 1993] The Reese Project – The Colour of Love (Underground Resistance 12’’ mix) [Giant, 1992] Daft Punk – Around the World [Virgin Records, 1997] 

BIG Exclusives, Hosted by Valerie Denise Jones (and Phelo the Great)LISTEN NOW ---- Exclusive interview with Vaughan MasonVaughan Mason & Crew was an American funk and post-disco based group, best known for their single "Bounce, Rock, Skate, Roll", which reached #5 on the US Billboard Hot Soul Singles chart in 1980, riding the crest of the roller disco wave that was popular at the time. In 1981, Vaughan Mason released the single "Jammin' Big Guitar", which charted at #65. "Bounce, Rock, Skate, Roll" has since been used in various samples by De La Soul, Mr. Magic and Daft Punk.like . share . subscribe . leave a comment https://www.spreaker.com/user/valeriedenisejonesBONUS : http://dimitrireeves.com

Vaughan Mason & Crew - Bounce, Rock, Skate, Roll (Special Disco Remix) (1979) Strafe - Set It Off (1984) Fonda Rae - Tuch Me (1984) Newcleus - Jam On It (1984) Aleem ft Leroy Burgess - Get Loose (Dub Mix) (1984) Aleem - Release Yourself (Dub) (1984) Man Parrish - Hip Hop, Be Bop (Don't Stop) (1982) Lisa Lisa and Cult Jam - I Wonder If I Take You Home (1984) Skyy - Here's To You (1980) Young & Company - I Like (What You're Doing To Me) (1980) Secret Weapon - Must Be The Music (Original 12" Mix) (1981) Dennis Edwards - Don't Look Any Further (Instr & Vocal) (1984) Put in your ear buds, sit back, and remember the 80's with me. Classic originals with a deep twist. Recorded 2/18/19 Time 58:00 To show our gratitude, to change our attitude. For more 80's music check out Episodes 219 217 212 210 189 180 177 175 172 169 168 157 156 154 139 138 103 100 68 49 43 & 12!

First emerging in the late '70s as part of the Philly sound, this week's artist quickly grew into her chops as a singer-songwriter in the fabulous world of disco and Hi NRG.

The latest episode of the podcast which asks: why didn't Top Of The Pops do a Bonfire Night special instead, the traitorous, British-way-of-life-hating bastards? Yeah yeah, we know: another early Eighties one. But if you thought we were going to wait another year before we got stuck into this particular episode, you don't know Chart Music. The Pops is entombed in its rah-rah-rah flags-and-balloons Zoo-wanker phase and has pulled out all the stops (i.e., gone through the BBC props cupboard) decided to do a Halloween special, even though Halloween means next to arse all in the UK in pre-ET 1982. And who else to guide us through this realm of piss-poor joke-shop terror than the Dark Lord Simon Bates? Musicwise, it's a pic n' mix of razor blade-tainted apples and cat shit in shiny wrappers, with a diamond or two lurking at the bottom. The tang of Pebble Mill is strong in this one: Dionne Warwick glares at us in a Margo Leadbetter rig-out. Barry Manilow is DTF. The Beatles arise from the grave. Blue Zoo demonstrate why they're not going to be the next Duran Duran. Raw Silk pointedly ignore that they're performing to a room full of simpletons with net curtains over their heads and waving a cat on a stick. Eddy Grant gets round his horrible missus. Boy George has balloons thrown at him in an aggressive manner. Simon Bates rides a broomstick dressed as Ali Bongo. The Zoo Wankerage is jacked up to the absolute maximum. Meanwhile, in Newcastle, the crew of The Tube are rubbing their hands together with glee. Taylor Parkes and Neil Kulkarni join Al Needham to suckle upon the throat early-Eighties Pop Mankiness, veering off on such tangents as the rubbishness of a British Halloween, being barred out of pubs in Nottingham for looking like Jimmy Savile, the truth about George Martin and the Mopfabs, Rambo Pumpkins, Cilla Back ramming chocolate into people's gobs, BBC4 butchering the only programme they run that anyone's interested in, having 40 Romantic Moments in one week, why we people never talk about Post-Disco, and an astonishing appearance on 3-2-1 by two Chart Music favourites. Penny for the Guy! Video Playlist |  Subscribe  |  Facebook  |  Twitter Subscribe to us on iTunes here. Support us on Patreon here.     See acast.com/privacy for privacy and opt-out information.

Vol. 04 Live SET (Post-Disco, Synth-Pop 1979-1988)

on the net with no net

World Club/Techno ImExplosion

  Now that Disco is over, what to do? The TNG crew share some suggestions to help you get past the Funk.    Find us on Instagram @Trekcast TNG   Search for us on Facebook   Email:   trekcasttng@gmail.com

Patti Austin - Do You Love Me? DJ Friendly Edit By Petko Turner Support Patti Herel >> https://soundcloud.com/pattiaustin Austin was born in Harlem, New York to Gordon Austin, a jazz trombonist, and Edna Austin and was raised in Bay Shore, New York on Long Island. Quincy Jones and Dinah Washington have referred to themselves as her godparents. When she was four years old, she made her debut at the Apollo Theater and the next year had a contract with RCA Records. During the 1960s, she was a session musician who sang background vocals and commercial jingles. She was known as "Queen of the Jingles," appearing on commercials for Almay, Avon, Burger King, Impulse, KFC, Maxwell House, McDonald's, Meow Mix, Stouffer's, and the United States Army.

Chic - My Forbidden Lover (1979) The Jones Girls - You Gonna Make Me Love Somebody Else (1979) Change - Change of Heart (1980) Diana Ross - Upside Down (1980) Chic - My Feet Keep Dancing (1979) Brick - Living From The Mind (1977) Deodata - Night Cruiser (1980) Change - A Lover's Holiday (1980) Change - Paradise (1981) Sister Sledge - Lost In Music (1979) Unlimited Touch - I Hear Music (1980) Chic - Good Times (1979) T.S. Monk - Bon Bon Vie (1980) Recorded from vinyl 03/19/17 Time 59:28 Original 12" Disco, Post-Disco & Funk. My friend Greg Johnson left me his record collection years ago and I'm still discovering gems like the Brick & Deodato tracks included here. I'm so happy to share these classics with you. For more 70's/80's mixes check out Episodes 7, 9, 12, 37, 39, 43, 49, 68, 100, 103, 138, 139, 154, 156, 157, 164, 168, 169 ("Sugar Hill Records") and The Roots of Hip Hop Volumes 1 & 2.

how many?

D'n'B/Footwork mix

In which literally every character in Dazzler: The Movie is the absolute worst; Beauty and the Beast is secretly kind of awesome; Ann Nocenti is an editorial war-bard; Rachel issues For more information on this and other episodes, check out xplainthexmen.com!

School is in session... old skool that is.The legendary DJ Lollipop invites you to reminisce in the distinct sound of the Post-Disco era.If these joints are new to you, here are the original club jams that ushered in a new era - the DNA of hip-hop. If you know these artists, press play on Lollipop's Post-Disco Funk Explosion and fall in love with these favorite classic rare funk gems all over again.Post-Disco is the significant period in popular music history that followed the "death" of commercial disco during late 1970s. The anti-disco sentiment that proliferated at the time was partially due to the over-saturation and the big-business mainstreaming of disco. As a result of the "Disco Sucks" movement and the July 12th 1979 “Disco Demolition Night”, disco records & artists were rejected from airplay and their promotions dropped literally overnight. The face of pop radio changed following this backlash which social critics have described as “a bigoted, macho, attack on non-white and non-heterosexual cultures”. Top 40 radio stations avoided playing music by black artists in an effort to prevent their stations from being labeled with the dreaded "disco" tag.It was the dawn of a new decade and a sonically edited, more stripped-down sound was emerging as a reaction against what was seen as the over-indulgence of disco. Thanks in part to advances in technology, the over produced, melodically complicated "disco sound" was passé, and a simplified sound driven by synthesizers accompanied by rhythm guitar moved dance music toward ever splintering genres. This drift from the original disco sound has been labeled “Post-Disco”. In this music scene are the roots of dance music sub-genres that evolved into Italo-Disco, Boogie, Hi-NRG, Electro, New Wave and early Alternative.Funk music is sometimes overlooked and usually lumped with disco music. However, Funk has its own style, culture and was here before disco's birth. It was born in the mid-'60s by the legendary James Brown. Funk de-emphasizes melody and harmony and brings a strong rhythmic groove of electric bass and drums to the foreground. It usually is heavily syncopated with polyrhythmic rhythms, horn and percussive sections featuring rhythm guitar. Brown had the most outspoken voice in soul music and a groove that would prove to be the future of Funk music.Many of James Brown’s band members such as Bootsy Collins would go on to funk with many other bands like Parliament and Funkadelic which were both created and lead by George Clinton. Parliament had emphasis on horns while Funkadelic had emphasis on psychedelic guitars. Both had a deep, rhythm filled groove that had elements of several genres of music all rolled into one. Clinton had successfully fused together these types of music to create what he called “P-Funk”. The success of Parliament’s "Flashlight" would greatly influence not only funk music, but also New Wave and Hip-Hop.Lollipop’s Post-Disco Funk Explosion celebrates this exact time in musical history when horn sections were replaced by synthesizers and the horns that remained were given simplified arrangements. The classic keyboards of funk, like the Hammond B3 organ and Fender Rhodes piano began to be replaced by new analog synthesizers like the MiniMoog and Yamaha DX7.Join Lollipop and the legions of counterculture groove disciples in enjoying this sonic slice of historic funk cake. In the Post–Disco era between 1979 and 1981, bands that began during the P-Funk era incorporated technological developments to continue to craft funk hits. The magical formula of classic funk guitar and rhythmic horn hits combined with thumping synthesized bass lines became a club phenomenon. Groups such as Cameo, Zapp, Lakeside, The Gap Band, the Bar-Kays, all found their biggest hits during this period, but as styles evolved, funk had lost its commercial impact by the latter half of the 1980’s. This time period witnessed many jazz funk artists like Tom Browne, Lenny White, Don Blackman (Twennynine) and Harvey Mason dip their toes into the post-disco funk pool to create their most successful hits.To quote George Clinton – “Free your mind and your ass will follow.”LOLLIPOP’S POST-DISCO FUNK EXPLOSIONDJ Lollipop IntroZapp - More Bounce to the OunceCameo - Keep It HotYarbrough & Peoples - Don't Stop the MusicThe Bar-Kays - Move Your Boogie BodyVaughn Mason & Crew - Bounce Rock Skate RollTom Browne - Funkin' For JamaicaOne Way ft Al Hudson - Pop ItRay Parker Jr. & Raydio - It's Your NightRaydio ft Ray Parker Jr. - For Those Who Like To GrooveLakeside - Fantastic VoyageGap Band - Burn Rubber on MeTwennynine ft Lenny White - Peanut ButterPrince - ControversyFrankie Smith - Double Dutch BusRick James - Give It to Me BabyHarvey Mason - Groovin' YouThe Jacksons - Can You Feel ItLatoya Jackson - If You Feel the FunkFunkadelic - One Nation Under a GrooveParliament - Flashlight

B B & Q Band - On The Beat (1981) Ollie & Jerry - Breakin'... There's No Stopping Us (1984) Pushé - Don't Take Your Love Away (1984) Hashim - Al-Naafiysh (The Soul) (1984) The Jacksons ft. Michael Jackson & Mick Jagger - State of Shock (1984) Harold Faltermeyer - Axel F (1984) Paul Hardcastle - Rain Forest (1985) Attitude - We Got The Juice (1983) Sharon Redd - Beat The Street (1982) D-Train - You're The One For Me (1981) Kano - I'm Ready (1980) Kool & The Gang - Misled (1984) Prime Time - I Owe It To Myself (1984) E12 "80's Post-Disco / Electro-Funk" Recorded from vinyl 04.11.10 Time 40:00

Disclaimerchill lover radio does not own or claim to own the audio shown it is for promotional use only.4 ÈME ART SHOW E02 S2 | Hosted by Abel Ray_Connect with Abel Ray :- Facebook: https://facebook.com/abelrayxwb- Twitter: https://twitter.com/TherealAbelRay- instagram: https://instagram.com/abelray_official/- Website: http://abertonrecords.com/- Website: http://abelray.info_Styles: Electronica / Downtempo, R&B, Post-Disco, Deep, Classic House_Enjoy!Tracklist:1. DAZION - EU NAO SEI© 2019 Second CirclePlay : https://open.spotify.com/track/4XcNXfHRSMOQSmDxyuYceH2. LOOSE ENDS - HANGIN' ON A STRING© 1985 MCA RecordsPlay : https://open.spotify.com/track/65vIOWAPl3elRBhgUTWraU3. PAOLO MANTINI - JUMP OVER THE HILL (2000BLACK REMIX)© 2019 RebirthPlay : https://open.spotify.com/track/6hkPkhAHHKnFHDwFc4QeSF3. TERR - TALE OF DEVOTION / PRINS THOMAS DISKOMIKS© 2019 Phantasy SoundPlay : https://open.spotify.com/track/3f2o6wqrb02EujWuhe9MWs4. SEE OTHER - MISS YOU© 2019 Super Tuff RecordsPlay : https://open.spotify.com/track/0790xUTBVB6fOe4CyJLElM5. PAUL WHITE - RETURNING© R&S RecordsPlay : https://open.spotify.com/track/12k9vNxCz2MNRwoedg91mU6. DISCLOSURE FEAT. LONDON GRAMMAR - HELP ME LOSE MY MIND (LARRY HEARD REMIX)© 2014 Universal Island RecordsPlay : https://open.spotify.com/track/2ULZBIal4GfEP1mP2fz24v7. ANGORA - ENCHANTMENT© 1996 PrescriptionPlay : https://open.spotify.com/track/68HzyyQgbXPw5SoFf8Gytd8. FINGERS INC. - SO GLAD© 1988 Alleviated RecordsPlay : https://open.spotify.com/track/09dxbPNAqyI9LuLHWQ1ynK8. DOUBLE EXPOSURE - TEN PERCENT (KEN LOU REMIX)© 1993 Salsoul RecordsPlay : https://open.spotify.com/track/4t7MrEzuXrAsU6SpI8XJE69. FORUM - YUCATAN© 2016 AiwoPlay : https://www.redeyerecords.co.uk/vinyl/71196-aiwo001-forum-with-tim-schumacher--kevin-lukacz--volkan-simonic10. TIGA, THE MARTINEZ BROTHERS - BLESSED (VIRGIL ABLOH REMIX)© 2019 Turbo RecordingsPlay : https://open.spotify.com/track/4BCmWeMPArKJofOuudnOPZ