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Possible Inspirations behind the origins of the song Little Red Corvette.
Hey there, ‘80s fans! Welcome back to Throwback Thursday – Return to the '80s edition! It's that time of year again—March Madness! But we're not talking about basketball here. Oh no, we're diving into our very own Return to the '80s March Madness music tournament!
Nueva entrega de "Back in the Day", en el que Shockadelica hace un repaso al mes de febrero en Prince: lanzamientos, grabaciones, conciertos y nacimientos. Los temas que escucharéis en este capítulo son: Intro: Screwdriver (2014) Canciones íntegras: 1 - Ooh She Wah Wah - (Apollonia 6, 1984) 2- Love and Sex (1984) 3- Yellow (Sheila E., 1985) 4- 4 The Tears in Your Eyes (1985) 5- or $ (1986) 6- 200 Balloons (1989) 7- Thieves in the Temple (versión acústica, 1990) 8- The Last Dance (Bang Pow Zoom and the Whole Nine) 9- The Most Beautiful Girl Mustang Mix (Miami, 1994) 10- Little Red Corvette (1982) 11- Stand Back (1983) 12- Reflection (en directo en Tavis Smiley, 2002) 13- Black Sweat (en directo, 2007) 14- Like a Prayer Club Mix 12” (Madonna, 1989) 15- Boyfriend (2014) 16- La La La He He He Heee (Highly Explosive) (1987) Sintonía: Mix de Musicology y Musicology NewPowerRadio Mix, mix by Shocka. Back in the Day es un spin-off de Purple Music Podcast llevado a cabo por Shockadelica. Síguenos en Instagram! (@purplemusicpodcast), Twitter (@purplemusicpod) y en Youtube (@purplemusic6489) Stay funky! The Estate of Prince Rogers Nelson is not affiliated, associated, or connected with Purple Music Podcast nor has it endorsed or sponsored Purple Music Podcast. Further, the Estate of Prince Rogers Nelson has not licensed any of its intellectual property to the producers of Purple Music Podcast. NO COPYRIGHT INFRINGEMENT INTENDED. We just want to share our love for Prince music.
Dez Dickerson was a guitar prodigy. In 1979, he earned the spot of lead guitarist for Prince and was a founding member of Prince and the Revolution. His solo in the song "Little Red Corvette" is considered by Guitar World Magazine to be the 64th greatest of all time. Leaving Prince and the Revolution, he continued his musical career while also following a pathway to religion. Today, he is the leader of "We Are Here" Church in Columbia. Join Tom Price and Lake Stallcup as they spend an hour with one of History's Hook's most fascinating guests.
Murphy says goodbye to a family treasure.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.
This week, we head back to '82 (when we could throw a pigskin a quarter mile) with special guest Jackson Reed. With his band Jackson Reed and the Silverbirds, the 26-year old Calgary rocker is mixing an irresistible blend of earnest '80s classic rock with modern pop smarts. Following the success of tracks like 2021's "Dangerous Lover" (featuring legendary drummer Kenny Aronoff) and 2023's "In My Head," their latest single is a cover of Prince's iconic 1982 hit "Little Red Corvette", offering up a take on the classic that's both faithful and fresh. It's garnered radio airplay coast-to-coast in both the USA and Canada. Reed also hosts the wonderful podcast Guess That Record, where he has interviewed luminaries such as The Police's Andy Summers, Dweezil Zappa, and Billy Joel drummer Chuck Burgi. And, in tribute to Jackson's pod, we play a brand new O3L game called "Back in 82, I Could Guess That Song!" Like good honorary Canadians, we partake in conversations about hockey, Rush, the Tragically Hip, Degrassi, Corner Gas...plus little red corvettes, Brett's drag club appearance, and Uncle Gregg's oddly specific sensual fantasies. Hey, it was Saturday night, we guess that makes it alright... Learn more about your ad choices. Visit megaphone.fm/adchoices
Seth and Marc finish out Princetober with Princes first hit: Little Red Corvette. Yet another episode that compares women to cars and then about having sex with them. But this time, with a little bit of horse imagery as well to make it extra weird.
Dez Dickerson was a guitar prodigy. In 1979, he earned the spot of lead guitarist for Prince and was a founding member of Prince and the Revolution. His solo in the song "Little Red Corvette" is considered by Guitar World Magazine to be the 64th greatest of all time. Leaving Prince and the Revolution, he continued his musical career while also following a pathway to religion. Today, he is the leader of "We Are Here" Church in Columbia. Join Tom Price and Lake Stallcup as they spend an hour with one of History's Hook's most fascinating guests.
Murphy says goodbye to a family treasure.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.
Murphy has an update on the fate of his dad's Corvette Stingray.
Murphy says goodbye to a family treasure.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.
Bilsnobbernes musikeksperter Thomas Nedergaard, aka. The Tops, Stefan Kaas og Mikkel Brodin og har været I studiet for at optage opfølgeren til den populære Biler i Musik. De tre spiller igen uddrag af en række sange for hinanden, og finder frem til hvilken bil, der indgår i sangen. Det er de så ret sjældent enige om, men formår dog – nogenlunde respektfuldt – at fornærme hinandens synspunkter.Som i første udgave af Biler i Musik er det altså ikke sange som Little Red Corvette, eller Pink Cadillac. Det er der ligesom ikke rigtig nogen udfordring i. De tre lægger fra land med überklassikeren “Satisfaction” – er det mon en hvid Volvo P1800, en trashy Morris Minor eller en hvid Jaguar E-type, Hvid er den i hvert fald. Og hvilken bil kører 94 i en hotelparkering i jagten efter mere coke i David Bowies ”Always crashing in the same car” – er det måske en BMW 528 eller en Aston Martin V8? Snakken runder også skolelærersegmentets yndlingsband Loveshops “På Viborgvej” er det mon en en MGB, en amerikaner Mustang, eller kan en Ferrari virkelig indgå i skolelærerock?Dagens musikalske højdepunkt, er der bred enighed om er, Lana Del Rays smukke Ride, men hvilken bil kører afsted gennem natten? Det og meget mere bliver du klog på i Biler i Musik Vol. 2. Tak fordi du lytter med! Spilleliste Biler i Musik Vol. 2 (kan måske findes på Spotify og iMusic hvis Mikkel har lagt den ud) (I Can´t Get no) Satisfaction – The Rolling StonesHvis din far gir dig lov – Kim LarsenCars and Girls – Prefab SproutThe Rascal – PhlakeNik & Jay (feat. Benjamin Hav) – TopGunnPå Viborgvej – Love ShopRide – Lana del ReyStan (feat. Dido) StanAlways crashing in the same car – David Bowie
Label: WB 29746Year: 1983Condition: M-Price: $10.00This is a terrific edited cut from the 5:03 LP version, and it's this tune that ranks the highest of all the Prince singles in Dave Marsh's Top 1,001 Singles list. And as if the A side weren't reason enough to own this classic single, the B side is one of those super-special, non-LP cut offerings Prince managed to throw around for free on his 1980's singles. Note:
How can U just leave me standing? ...in search of Prince Rogers Nelson.
INTRO2mins - First memories of Prince, and standing next to the TV...feeling the static from Gett Off! Listening to Prince's Hits cassette in the Green Mondeo.4mins - Born in the year of Lovesexy!5mins - When did you realise that Prince's work could become a lifetime pursuit? "First and foremost I'm a fan...". Obsessed with John Waters, Pee Wee Herman and Bette Davis too. 'Eccentric, creative and fabulous people'.6mins - Seeing Purple Rain at 14 and getting into fashion. "Prince was always on my mood board."7mins30s - Studying Prince for years as an independent researcher alongside work...'when you do a PhD it's just the beginning of your research.'9mins30s - 'The idea of Prince & Fashion, with a focus on the labour aspect and fan culture as well...'11mins30s - What's going on with the Prince of the late 1970s? Casci unpacks the different sartorial elements. 'Very typical of a young adult finding themselves...through dress.'14mins - Prince's experiments in fashion, thrift stores, borrowing, wearing women's clothing...17mins - 'Becoming Prince': The Beautiful Ones book, and understanding elements of Prince's early imagination and dress-sense. The influence of his parents, musicians in North Minneapolis...and getting dressed to the 9s in the 1970s.22mins - Heroes and influences...23mins - Make Up.26mins - World Building...'in a world called Fantasy'30mins - Prince's female kinship. 'He surrounded himself with incredible women...and loved female energy.' Sly Stone's fashion, and James Brown's performances...expressing sexuality and sensuality. 'He liked the way particular fabrics felt on his body...' How Can U Just Leave Me Standing? In Search of Prince... is produced and arranged by Sam J. Bleazard - but couldn't exist without the fabulous contribution from all of our guests!The show also features significant original music compositions from Gavin Calder.LINKSPlease follow me on Instagram and Facebook if you'd like to interact with the show on social media.Email me at: bleazas@hotmail.com if you have any ideas for future episodes, or if you'd like to share any feedback on the show. #prince4ever #love4oneanother
Katt Williams continues to strike a nerve....in people he DIDN'T mention. Vivica A Fox says 'We good over here' when responding to Taraji's 'struggles' and y'all are in shambles. Plus, i'm lowkey fascinated by Gypsy Rose Blanchard. --- Support this podcast: https://podcasters.spotify.com/pod/show/jason-clark-fox/support
Dez Dickerson was a guitar prodigy. In 1979, he earned the spot of lead guitarist for Prince and was a founding member of Prince and the Revolution. His solo in the song "Little Red Corvette" is considered by Guitar World Magazine to be the 64th greatest of all time. Leaving Prince and the Revolution, he continued his musical career while also following a pathway to religion. Today, he is the leader of "We Are Here" Church in Columbia. Join Tom Price and Lake Stallcup as they spend an hour with one of History's Hook's most fascinating guests.
From Jet Airliner to Little Red Corvette, this is playlist that travels well, with all of our favorite songs that feature a vehicle in the title. Plus, as always, one (or two) shandys!
We are reviewing the 80s songs bracket. Please let us know what song should be number one. Here's the bracket: Party All the Time by Eddie Murphy (1985)Never Too Much by Luther Vandross (1981)Purple Rain by Prince (1984)Thriller by Michael Jackson (1982)Working for the Weekend by Loverboy (1981)Livin' On A Prayer by Bon Jovi (1986)Everybody Have Fun Tonight by Wang Chung (1986)Pour Some Sugar on Me by Def Leppard (1987)My Prerogative by Bobby Brown (1988)Hungry Like the Wolf by Duran Duran (1982)What I Like About You By The Romantics (1980)Billie Jean By Michael Jackson (1984)Down Under by Men at Work (1982)"When Doves Cry" by Prince (1984)"Only in My Dreams" by Debbie Gibson (1987)"I Can't Go For That (No Can Do)" by Hall & Oates (1981)"Start Me Up" by The Rolling Stones (1981)"Sweet Child O' Mine" by Guns N' Roses (1987)"Cars" by Gary Numan (1980)"Like a Virgin" by Madonna (1984)"You Got It (The Right Stuff" by New Kids on the Block (1988)"Walk This Way" by Run-D.M.C. (1986)"Walking on Sunshine" by Katrina and the Waves (1983)"You Shook Me All Night Long" by AC/DC (1980)"Wild Thing" by Tone Loc (1989)"Don't Stop Believing" by Journey (1981)"Brass in Pocket" by The Pretenders (1980)"How Will I Know" by Whitney Houston (1985)"Ain't Nobody" by Chaka Khan (1989)"With or Without You" by U2 (1987)"Rock Me Amadeus" by Falco (1986)"Walk Like an Egyptian" by The Bangles (1986)"I Want Candy" by Bow Wow Wow (1982)"Jump" by Van Halen (1984)"Addicted to Love" by Robert Palmer (1985)"Need You Tonight" by INXS (1987)"All Night Long (All Night) by Lionel Richie (1983)"Here I Go Again" by Whitesnake (1982)"Kiss" by Prince (1986)"Come on Eileen" by Dexy's Midnight Runners (1982)"Tempted" by Squeeze (1981)"Time After Time" by Cyndi Lauper (1984)"Word Up!" by Cameo (1986)"Jessie's Girl" by Rick Springfield (1981)"It Takes Two" by Rob Base & DJ E-Z Rock (1986)"Beat It" by Michael Jackson (1982)"Don't You Want Me?" by Human League (1981)"Just Like Heaven" by The Cure (1987)"Call Me" by Blondie (1980)"Girls Just Want to Have Fun" by Cyndi Lauper (1984)"Candy Girl" by New Edition (1983)"Take on Me" by A-Ha (1985)"She Blinded Me With Science" by Thomas Dolby (1982)"Our Lips Are Sealed" by The Go-Go's"Little Red Corvette" by Prince (1983)"Welcome to the Jungle" by Guns-N-Roses (1987)"Faith" by George Michael (1987)"Too Shy" by Kajagoogoo (1984)"99 Luftballons" by Nena (1983)"Wake Me Up Before You Go-Go" by Wham! (1984)One Thing Leads to Another" by The Fixx (1983)"Burning Down the House" by Talking Heads (1983)"Super Freak" by Rick James (1981)"Love Is a Battlefield" by Pat Benatar (1983)"I Love Rock N' Roll" by Joan Jett and The Black Hearts (1981)"Under Pressure" by Queen and David Bowie (1981)"It's the End of the World as We Know It (And I Feel Fine)" by R.E.M (1987)"Sister Christian" by Night Ranger (1983)"Fight the Power" by Public Enemy (1988)"Tainted Love" by Soft Cell (1981)"Keep on Loving You" by REO Speedwagon (1980)"Every Rose Has Its Thorn" by Poison (1988) "Just Can't Get Enough" by Depeche Mode (1981)"In the Air Tonight" by Phil Collins (1981)"I Want to Know What Love Is" by Foreigner (1984)"867-5309/Jenny" by Tommy Tutone (1981)"Straight Up" by Paula Abdul (1988)"Janie's Got a Gun" by Aerosmith (1989)"Whip It" by Devo (1980)She a beauty by the tubes"Take My Breath Away" by Berlin (1986)"I Melt With You" by Modern English (1982)"Mr. Roboto" by Styx (1983)"Love Shack" by The B-52's (1989)"Bust a Move" by Young M.C (1989)"Dr. Feelgood" by Mötley Crüe (1989)"Jack & Diane" by John Mellencamp (1982)"London Calling" by The Clash (1982)"Do You Really Want to Hurt Me" by Culture Club (1982)Look of Love by ABC (1982)"Mickey" by Toni Basil (1981)"Cruel Summer" by Bananarama (1984)"Total Eclipse of the Heart" by Bonnie Tyler (1983)"Nasty" by Janet Jackson (1986)"I Ran (So Far Away)" by A Flock of Seagulls (1982)"Every Breath You Take" by The Police (1983)"Push It" by Salt-N- Pepa (1986)"We're Not Gonna Take It" by Twisted Sister (1984) --- Send in a voice message: https://podcasters.spotify.com/pod/show/mass-debaters/message Support this podcast: https://podcasters.spotify.com/pod/show/mass-debaters/support
Welcome to Loan Officer Freedom, the #1 podcast in the country for loan officers, hosted by Carl White. In this episode, your host,Carl White shares a powerful message about the impact of our thoughts. Carl emphasizes the importance of being mindful of the conversations we have in our heads and the power of setting ambitious goals. He encourages listeners to make a claim for what they want and to believe in their ability to achieve it. Tune in to gain inspiration and insight into the transformative power of positive thinking. Schedule a one-on-one free coaching call, click here or visit LoanOfficerStrategyCall.com.
“The idea that the brain CAN CHANGE its own structure and function through thought and activity is, I believe, the most important alteration in our view of the brain since we first sketched out its basic anatomy and the workings of its basic component, the neuron.” Norman Doidge, The Brain That Changes Itself. Welcome back to The Neuroscience Meets Social and Emotional Learning Podcast, where we connect the science-based evidence behind social and emotional learning (that's finally being taught in our schools today) and emotional intelligence training (used in our modern workplaces) for improved well-being, achievement, productivity and results—using what I saw as the missing link (since we weren't taught this when we were growing up in school), the application of practical neuroscience. I'm Andrea Samadi, an author, and an educator with a passion for learning and launched this podcast 5 years ago with the goal of bringing ALL the leading experts together (in one place) to uncover the most current research that would back up how the brain learns best, taking us ALL to new, and often unimaginable heights. INTRODUCTION: For today's episode #302, and in keeping with our Season Theme of Going Back to the Basics, to take our learning to new heights, I'm going back to EPISODE #133[i] from May 2021 on “Applying Neuroplasticity to Your School or Workplace.” Now one look at this episode and I can see why I'm calling these past episodes Neuroscience 101 where I wanted to introduce important concepts in neuroscience and how they relate to learning, in real time, as I was learning them myself. The idea is that we are now going back and building on our understanding together, adding in anything new and relevant, that I'm now calling Neuroscience 202, and I can see with this first episode that I barely scratched the surface of what neuroplasticity is, and how we can use this fascinating concept to change our brain permanently. REVIEW of EPISODE #133 We learned: ✔An introduction to neuroplasticity, and how this concept works in the brain when learning a new skill, thinking a certain way, or feeling a certain emotion. ✔How neuroplasticity helps us to create new habits, and how we can use it to break habits we don't want to keep. ✔The controversy behind this topic, and how two of the people we have interviewed ignored the naysayers, and built a powerful career with the early foundations of neuroplasticity. While I think this older episode is important to review, I can now see that learning how to apply practical neuroscience to our daily lives, really is cumulative. We learn one new concept that builds on another, and as we keep learning and studying together, new skills and levels of understanding are uncovered. It's like peeling back the layers of an onion and realizing there's more to uncover. Today, as we dive deeper in neuroplasticity, we will cover what Norman Doidge wrote about in his book, The Brain That Changes Itself, about “the idea that the brain can change its own structure and function through thought and activity” and then uncover what exactly neuroplasticity means for us today, so we can apply this fascinating concept to our life. On today's EPISODE #302 on “A Deeper Dive into Applying Neuroplasticity To Learn Something New” will cover: ✔ What is neuroplasticity (the brain and nervous system's ability to change itself). ✔ How to use this incredible feature of our nervous system for ANYTHING we want to learn (getting rid of an emotion we don't want, building NEW emotions, or learning a new skill. ✔ The 2 STEPS Stanford Professor, Dr. Andrew Huberman suggests we understand in order to change our brain (the chemicals that are involved, and what parts of the brain they come from) from Huberman Lab EPISODE #6 “How to Focus to Change Your Brain”[ii] ✔ How others have changed the structure and function of their brain from Norman Doidge's Book that features Barbara Arrowsmith-Young who we met with on EP 132[iii]) to Dr. Caroline Leaf's 5 Step Approach to changing your brain. ✔ Strategies YOU implement today, to change YOUR brain. Once we uncover what neuroplasticity means, and how we can use it, we can marvel at the pathway neuroplasticity has taken over the years, (from the early days when Barbara Arrowsmith-Young (from my hometown in Toronto, Canada) mentioned in our interview that people picketed outside her presentation about the brain and learning due to their lack of understanding) and we can now honor those who spearheaded the way for our benefit. Dr. Norman Doidge, the author of The Brain That Changes Itself says that Barbara's story is “truly heroic, on par with the achievements of Helen Keller” who while in graduate school came across the work of Mark Rosenzweig of the University of California, Berkeley, studying rats as one of the first scientists to demonstrate neuroplasticity, fueling Barbara to NOT give up on this idea that the brain in fact could change What IS Neuroplasticity? When I looked at my first attempt to explain this concept, I wrote neuroplasticity as “the ability for our brain to re-wire, grow, adapt or change throughout a person's lifetime” and then I put a couple of YouTube videos that explained this concept. I remember this one by Sentis[iv] as the FIRST lesson I had on neuroplasticity. It shows how pathways in the brain are either strengthened or weakened with use. While I do like those videos and where I began with my own understanding of neuroplasticity, there's more research now to take our understanding a bit deeper and add more meaning to this idea. I don't want to go down rabbit holes either, as I'm trying to show how we can use this concept ourselves, but if you want to learn more about how this works, you can watch a lesson from the incredible Sal Khan[v], from the Khan Academy. How Dr. Andrew Huberman Explains Neuroplasticity I had to start with Dr. Andrew Huberman, since there's no one else I know who can make science simple and easy to use. He has a short clip where he explains neuroplasticity here through Rich Roll's podcast from May 26, 2023.[vi] He explains that “if we want to learn anything new, like a new skill in a sport, or subtract an emotion, or build a greater range of an emotion that we follow these two steps.”[vii] STEP 1: The First Step to Neuroplasticity is to Recognize that you want to change something. This FIRST step almost knocked me out of my chair because we have just covered Dr. Carolyn Leaf's 5 STEPS to Cleaning Up our Mental Mess[viii] and it's centered around identifying a toxic thought that you want to change. With Dr. Leaf's protocol, you go through a 5 STEP process that conceptualizes the thought or emotion that you want to eliminate, and by working through the issue, over this 63-day period, the toxic thought, or emotion you don't want, gets weaker, and you build new, stronger, healthier thoughts or emotions in its place. It's not like slapping a band aid on something that's bothering you, and pretending it's not there, you actually have to work through the emotions of this “toxic thought” pulling an origin story (or where this thought came from) out of your nonconscious mind, and into your conscious mind where it eventually holds less emotional charge for you. Dr. Leaf calls this Mind-Management. Dr. Huberman talks about this concept as the FIRST step of neuroplasticity. He even talks about someone who approached him while he was speaking, who said that his voice reminded her of someone else, and made her feel uncomfortable. If you speak to audiences, you'll relate to this one. There is always someone whose face looks like they aren't with you, and while I've been presenting, I would look at the crowd, and in my early days, I'd think “that person doesn't like what I'm saying” because that's MY perception coming through, which isn't always the case. Well, this person in the crowd really did approach Dr. Huberman and when she “called the thing she wanted to change to her consciousness” she turned it all around and told him “just by telling you that, your voice became more tolerable.”[ix] Of course Dr. Huberman douses us with a deeper understanding of the scientific side of this idea by saying that “this awareness is a remarkable thing because it cues our brain and the rest of our nervous system that when we engage in those reflexive actions moving forward (like our toxic thinking, or something we want to change) that those reflexive actions moving forward are no longer fated to be reflexive.”[x] This is HUGE when it comes to wanting to change our brain, or change an emotion we don't want, or even to add a new skill, we just need to PAY ATTENTION to whatever it is that we want to change. STEP 2: ALERTNESS ALONE IS NOT SUFFICIENT FOR NEUROPLASTICITY: WE NEED 2 CHEMICALS (NEURAL MODULATORS) EPHINEPHRINE FOR ALERTNESS AND ACETYLCHOLINE FOR FOCUS AND MENTAL ALERTNESS: Dr. Huberman says once we have paid attention, there are 2 chemicals (neuromodulators) that are released from different parts in our brain. He says that “alertness alone is not sufficient for neuroplasticity” and that “the most important thing for getting plasticity (or this brain change we want) is that there be epinephrine (which equates to alertness) and the release of the neural modulator acetylcholine”[xi] for focus and mental alertness. He says that the “thalamus gets bombarded by sensory input all the time but when I pay attention to something, I create a cone of attention with this acetylcholine that amplifies the signal of what I'm paying attention to making this signal greater to everything else amidst it.”[xii] He says “the signal-noise ratio goes up in the thalamus of the brain”, and that engineers would understand this. Well, I'm not an engineer, but I completely understood this. This idea took me back to when I was working in the seminar industry (where many of my examples draw back to). I had just finished working with the teens who presented their work on stage and I was sitting in a loud place with someone else I was working with. He looked at me when we were talking and said “hey, do you hear that?” And this was over 25 years ago, and I remember this conversation like it was yesterday. I said “what do you mean?” He said “Listen, if you listen carefully, you can hear Prince's Little Red Corvette playing off in the distance.” To listen, I had to focus and create what Dr. Huberman said was this “cone of attention” and now I know that the neural modulator acetylcholine was flooding my brain so the signal to noise would go up, and I could hear the song. It was a crazy experience because without focus, we both would have missed it. He started to bring in how we needed to create this level of focus for the goals we are working on, and it was a conversation I knew I'd never forget. How Others Have Changed Their Brain: Barbara Arrowsmith-Young I first learned about Barbara Arrowsmith Young when researching for Brian Fact Friday and EPISODE #129 as she was a case study in Dr. Norman Doidge's book, The Brain That Changes Itself[xiii] Dr. Doidge is a Canadian scientist, medical doctor, and psychiatrist who was one of the researchers who put Neuroplasticity on the map and he dedicated a whole chapter in his book to Barbara's story called “Building Herself a Better Brain” which is exactly what she did. You can read Barbara's book, The Woman Who Changed Her Brain,[xiv] that's now in its third edition, here. I've heard Dr. Daniel Amen say over and over again that “you are not stuck with the brain that you have. You can be empowered to change it for the better”[xv] and Barbara Arrowsmith Young did just that, and more. Her story blew me away. You can revisit our episode, or read her story in Dr. Doidge's book, and learn why Norman Doidge said her to be “truly heroic, on par with the achievements of Helen Keller.” Barbara was determined to change her brain, and now that I have Dr. Huberman's formula, it makes sense to me how she did it. How Others Have Changed Their Brain: Dr. Caroline Leaf We've recently covered Dr. Leaf's Cleaning Up Your Mental Mess book for adults and children, and her 5 STEP Process is neuroplasticity in action. While writing this episode I saw an Instagram post that she put up that says that “you can't stop anxiety by trying not to be anxious (like Dr. Huberman said-the first step alone is not enough). You stop anxiety by allowing the feelings (Dr. Huberman said-draw them to your consciousness) while understanding that it is a transient sensory experience and a warning signal (to do something different) and NOT a permanent reflection of you and your reality.” It's the understanding that helps to eliminate the negative toxic thinking. Sometimes saying what we want to eliminate is enough (like when we've written things down on our CRAP board to get rid of our conflicts, resistances, anxieties and problems) or like the person who said “oh, your voice no longer makes me uneasy, Dr. Huberman” but some things we will need a bit more attention to for long-term change to occur. This 5 STEP approach is scientifically proven to change our brain, and I can tell you that it will help you to eliminate emotions over time (once we've decided on what we want to eliminate). 3 STEPS FOR CHANGING YOUR BRAIN: USE NEUROSCIENCE TO BRING IN THE FOCUS to whatever it is that you want to learn, triggering neuroplasticity. Is it an emotion you want to eliminate? Or one you'd like to amplify? Do you want to learn a new skill? Whatever it is, you will need to FOCUS your mind as you are implementing the new skill. I have a whole new take now on what focus looks like. It's what I had to do in New Orleans to hear Little Red Corvette playing in the background (making the signal to noise go up) so I could hear this song. As I'm now focusing, I know that epinephrine is released and I'm creating a “cone of attention” (Huberman) with acetylcholine that's acting like a spotlight to what I want to focus on, enhancing neuroplasticity in the process. Does this understanding help you to see HOW we can change our brain with our thoughts or activity alone? USE THE TOOLS YOU WERE BORN WITH: I used to watch my Mom, who we met on EPISODE #300[xvi] focus her eyes when I asked her a question. It was like she was diving into the depths of her mind to find the answer. Then I heard Dr. Huberman say that “you can use your visual focus as a way to increase your mental focus abilities more broadly” and I noticed that I do exactly the same thing as my Mom when focusing on something I'm trying to picture in my mind's eye. How do YOU focus your mind? SUPPLEMENTS, SLEEP, MINDFULNESS AND MEDITATION: What else can we do to put ourselves in the best mode for changing our brain? Since we know we must find the focus, the most common tool most of us use is caffeine to increase our alertness, and coffee is one way to do this. I'm always looking at what's new in this area, and open to ideas and suggestions from you if you have found something other than coffee to increase your focus. We know that mastering sleep so we are more rested with more capacity in the day, helps with our focus, increasing our ability for neuroplasticity to take place. I have mentioned that my world changed when I started taking Qualia Senolytics[xvii] which is a nootropic supplement, from our interview with Dr. Greg Kelly from Neurohacker Collective. I noticed I seem more “locked in” while working with crystal clear mental clarity. Mindfulness and Meditation are scientifically proven strategies to increase our focus and while reviewing our most listened to YouTube interviews, I was not surprised to see that our interview with Dr. Dawson Church[xviii], the author of the book Bliss Brain, is now our #1 most listened to interview. What tools, strategies or supplements do you use for increased focus? REVIEW AND CONCLUSION: HOW CAN WE CHANGE OUR BRAIN? To review and conclude this week's review of EPISODE #133, with “A Deeper Dive into Applying Neuroplasticity to Learn Something New” we covered: ✔ What is neuroplasticity (the brain and nervous system's ability to change itself) and how to use this incredible feature of our nervous system for ANYTHING we want to learn (getting rid of an emotion we don't want, building NEW emotions, or learning a new skill). ✔ The 2 STEPS Stanford Professor, Dr. Andrew Huberman suggests we understand in order to change our brain. STEP 1: THE FIRST STEP TO NEUROPLASTICITY IS TO RECOGNIZE THAT YOU WANT TO CHANGE SOMETHING. Know thyself. What do you want to change? If you are here listening, I'm sure you are like me, always working on something to improve, whether it's cleaning up our mind for improved mental health, or learning something new that could take our physical health to new heights. Learning is a process, and if each year we can improve ourselves a bit more, we are on the right track. We've covered Dr. Leaf's 5 STEPS for Cleaning Up Our Mental Mess recently, and I must say that once we begin to change our brain, that it's work. I'm now on DAY 21 out of 63 days, working on my 4th time cycling through my toxic thinking, and it requires time, and effort in addition to just wanting this change. Barbara Arrowsmith-Young didn't just wish she could change her brain, she repeatedly did what she needed to do for this change to occur. STEP 2: ALERTNESS ALONE IS NOT SUFFICIENT FOR NEUROPLASTCITY: WE NEED 2 CHEMICALS (NEURAL MODULATORS) EPHINEPHRINE FOR ALERTNESS AND ACETYLCHOLINE FOR FOCUS AND MENTAL ALERTNESS. Don't forget we create a cone of attention with acetylcholine that amplifies the signal of what we are paying attention to making this signal greater to everything else amidst it, and epinephrine is released for alertness in this process. Know thyself: How do you create focus? For me, sitting down and writing these episodes requires the most brain power I've ever used. I'm learning new ideas and then thinking of how to share them, so that others can benefit and use them. What's motivating me is what I'm learning really IS changing my life. One year at a time, I can see how learning about the brain, and how to use it, is making me a stronger, more improved 2.0 version of myself. Whether it's learning about neuroplasticity, or how our brain works while we are swimming in the ocean, anything new that I'm uncovering here, keeps me coming back to my desk, week after week, to uncover something new to share. I hope my excitement for this connection to science comes through, creating that cone of attention, and acetylcholine in your brain, that's needed to implement this idea in your life. STEP 3: SUPPLEMENTS, SLEEP, MINDFULNESS AND MEDITATION I've found certain supplements for focus and mental clarity work well, in addition to getting enough sleep so I can think, and make connections with what I'm learning, but we all will have our own path of finding our optimal levels of focus. Know thyself: What works for you? This has been a process of self-discovery for me over the years, trying new tools, and then measuring the results, and sharing them here on the podcast. I knew that my sleep could be improved 4 years ago, and “although the primary function or functions of sleep are not understood, evidence suggests a strong relationship between sleep and plasticity (Frank et al., 2001; Tononi and Cirelli, 2014). Sleep loss leads to impairments in the plastic processes of learning and memory (Diekelmann and Born, 2010; Rasch and Born, 2013)”[xix] so I'm taking the science to heart, and working on this with as many tools and protocols as I can uncover. Since we know that deep sleep “is when your cells regenerate and your muscles repair themselves” (WHOOP.com) and REM sleep “is key to processing new memories, learnings, and motor skills” (WHOOP.com) improving and measuring this area will always be what I'm focused on. MY WHOOP DATA: Shows that finally sleep is improving. REM sleep is 25% higher than my 30-day average (key for processing new memories, learnings, and motor skills) and DEEP SLEEP (SWS) is 28% higher, helping me to regenerate cells and help muscles repair themselves. With that thought, I'll end with a quote from Dr. Andrew Huberman, whose research helped me to dive deeper into how we can change our brain using this concept that we still don't know a lot about. "Neuroplasticity knows no bounds; it is a lifelong journey of growth, learning, and personal transformation." - Andrew Huberman I know in 2 years I'll be back to dive deeper into ways we can change our brain even further as new discoveries in science are made, and I hope you'll be with me here, applying them. With that thought, I'll see you next week. REFERENCES: [i] Neuroscience Meets SEL Episode #133 https://andreasamadi.podbean.com/e/brain-fact-friday-applying-neuroplasticity-to-your-school-or-workplace/ [ii] Dr. Andrew Huberman Lab Podcast EPISODE #6 “How to Focus to Change Your Brain” https://www.youtube.com/watch?v=LG53Vxum0as [iii] Neuroscience Meets SEL Episode #132 https://andreasamadi.podbean.com/e/the-story-of-barbara-arrowsmith-young-the-woman-who-changed-her-brain-and-left-her-learning-disability-behind/ [iv] Neuroplasticity Published on YouTube November 6, 2012 https://www.youtube.com/watch?v=ELpfYCZa87g [v] Neuroplasticity from the Khan Academy https://www.khanacademy.org/science/health-and-medicine/nervous-system-and-sensory-infor/nervous-system-introduction-ddp/v/neuroplasticity [vi] Dr. Andrew Huberman Explains Neuroplasticity with Rich Roll May 26, 2023 https://www.youtube.com/watch?v=YYDsYyahUCA [vii] Dr. Andrew Huberman Lab Podcast EPISODE #6 “How to Focus to Change Your Brain” https://www.youtube.com/watch?v=LG53Vxum0as [viii]Neuroscience Meets SEL Episode #299 https://andreasamadi.podbean.com/e/brain-fact-friday-on-a-deep-dive-into-dr-carolyn-leaf-s-5-scientifically-proven-steps-to-clean-up-our-mental-mess-so-we-can-help-our-children/ [ix] Dr. Andrew Huberman Lab Podcast EPISODE #6 “How to Focus to Change Your Brain” https://www.youtube.com/watch?v=LG53Vxum0as [x] IBID [xi] IBID [xii] IBID [xiii] The Brain That Changes Itself by Dr. Norman Doidge Dec. 18, 2007 https://www.youtube.com/watch?v=2c5aTlq3nYI [xiv] Barbara Arrowsmith-Young The Woman Who Changed Her Brain: How I Left My Learning Disability Behind and Other Stories of Cognitive Transformation, Foreword by Norman Doidge. Published Sept. 17, 2017 https://arrowsmithschool.org/books-3/ [xv] Dr. Amen http://www.globenewswire.com/en/news-release/2019/08/14/1901976/0/en/Dr-Daniel-Amen-s-Change-Your-Brain-Change-Your-Grades-Helps-Students-Parents-and-Teachers-Sync-Up-for-Better-Success.html#:~:text=Amen%20Clinics%2C%20Inc.,-Los%20Angeles%2C%20California&text=LOS%20ANGELES%2C%20Aug.,change%20it%20for%20the%20better. [xvi] Neuroscience Meets SEL Episode #300 https://andreasamadi.podbean.com/e/my-mom-hazel-macphail-with-majid-samadi-on-leaving-a-legacy-how-to-live-the-good-life/ [xvii] Neuroscience Meets SEL Episode #285 https://andreasamadi.podbean.com/e/dr-gregory-kelly-from-neurohacker-collective-on-how-to-beat-aging-and-stress-with-qualia-senolytics/ [xviii] Neuroscience Meets SEL Episode #98 YouTube Interview with Dr. Dawson Church https://www.youtube.com/watch?v=bH8yVKHjFN4 [xix] Roles for Sleep in Neural and Behavioral Plasticity by Jacqueline T Weiss and Jeffrey M. Donlea published January 20, 2022 https://www.frontiersin.org/articles/10.3389/fnbeh.2021.777799/full
Bruce and Andrea have done the nasty and are now surely feeling incredibly awkward? NOT AT ALL! They're glowing. Beaming. Isn't this all so lovely? Everything has worked out for the best and NO MORE PROBLEM WILL OCCUR. Right? Well, Andrea wants to know if things can actually work out this time. Will it have a happy ending? Bruce isn't so sure, but will only voice this to Alfred. Things have changed - I mean, he's a damn Bat now, after all! The next episode follows on Wednesday. Same Bat Pod, different Bat Minute! Join us on Facebook at the Bat Minute Listener's Cave! The Bat Minute theme song is by the band Rat Bit Kit and Ash Lerczak (aka Doc Horror) of Zombina & The Skeletones and Double Echo. Today's guest: Joining the team for her first investigation is the master of wellness, of mastering one's potential and of the wonders of the simple breath - it's Shoshin Show's own Shinjini Sur! Shin is in the house to help you PLAY! Shinjini Sur - Linktree - YouTube - Instagram
Are you a collector of antique cars, radios, anything else? Tell us more on the next Take 2 with Jerry & Debbie
Are you a collector of antique cars, radios, anything else? Tell us more on the next Take 2 with Jerry & Debbie
Biler og musik hører sammen, og i nogle sange indgår biler også.De fleste kender Little Red Corvette af Prince eller Springsteens Pink Cadillac. Og selvom det nok er metafoer for ellers spændende menneskeligt samkvem, så gider vi bilsnobber faktisk ikke snakke om dem. Det for for let, for bilen er allerede nævnt. Dem vi derimod godt gider tale om, er de sange, der pirrer vores fantasi. Hvor bilen indgår som et helt centralt element, men uden mærke og model. Ingen modelkoder eller henvisninger. For hvad er det for eksempel en Fast Car, som Tracy Chapman synger om? Er det en ramponeret GTO, der skal bringe dem væk fra fattigdommen, væk fra slummen og ud i den amerikanske drøm?Eller er det noget andet, der bare stod der på gaden og skreg på at blive stjålet? Kan man overhovedet forestille sig, at Bruce Springsteens slæde i sangen "Fire" har andet end et bænkforsæde? Og er den sang ikke bare så meget yesterday, altså, sådan med woke og alt det der?Kan det være rigtigt, at Beatles virkelig synger om en Morris Minor i Baby, you can drive my car? Måske, måske ikke.Lyt med når bilsnobbernes ultimative musikeksperter Stefan Kaas, Mikkel Brodin og Thomas Nedergaard, aka Tops, spiller uddrag af sange for hinanden, og finder præcis den bil der indgår i sangen.Og bare en gang imellem – nødtvunget – må give hinanden ret.Spilleliste til Musik i Biler - kan også findes på Spotify:1. Fast Car - Tracy Chapman2. Drive My Car – The Beatles3. Tweeter and the Monkey Man – The Traveling Wilburys4. Oh Yeah – Bryan Ferry & Roxy Music5. I´m In love With My Car – Queen6. Style – Taylor Swift 7. Drive – The Cars8. Fire – Bruce Springsteen9. Arabella – Arctic Monkeys
In this episode, Elizabeth offers her perspective surrounding accelerated admissions guidance. EWC frequently encounters students who may be jumping into the college admissions process a bit later than usual, and there are often questions about the availability of services that can help a student "catch up" or navigate many elements of a college application that would otherwise take weeks or months to work through. Please let us know your thoughts about the benefits and drawbacks of an accelerated admissions preparation schedule!The Admissions Club Podcast is your one-stop shop for all things college admissions, complete with a nostalgic 80s playlist and Gen X vibes. It's hard to believe that we've traded in scrunchies and Bruce Springsteen posters for walking our kids through the college admissions process! But, I'm here to share my 25 years of higher education experience, with 10 years of direct college admissions experience, with you and your student so you don't have to walk it alone. Connect with Elizabeth!WebsiteFacebookYouTubeLinkedIn
How can U just leave me standing? ...in search of Prince Rogers Nelson.
Intro1mins30s - Wishing he could have spoken to Prince during the making of his Cloud guitar, the instrument specs, and making something great instinctually.3mins30s - Guitar specific questions for Dave on the Cloud guitar and how it was made - how much was stock, and what was bespoke?5mins - Prince and his heavy strings, and Takumi the guitar tech.6mins20s - One month and a half to come up with a world famous guitar! 9mins30s - Wendy Melvoin's clear body guitar...and the story behind it.12mins - Sam asks Dave how he felt when he first saw Prince play the guitar in the movie...and also when he first saw Prince playing the cloud guitar live.13mins - sitting in on the Purple Rain rehearsals with Prince 'every day was exciting'15mins - going to Paisley Park, and taking part in 'the Celebrations'18mins - How did Dave feel when Prince passed away? "I couldn't say anything, I was just speechless..."21mins - The Prince Estate asking Dave to give up the trademark on his guitar design.25mins - Which Minneapolis musicians did you get to know along the way?26mins30s - Still making the signature White Cloud guitar, and taking orders from around the world.30mins - Meeting other Prince guitar makers, and knowing a network of musicians.33mins - What happened to the original cloud guitars that Dave made?
Squeal, moan, pant and get off your rears with us for this crazy album full of debauchery, hippie-bashing and tasteless fun!! This album inspires! Whatever it may be, just get in your underwear and have a nice listen with your favorite cup of tea, maybe a bowl of cereal. (Seriously, we love the hippies and we think Prince does, too). We think this is the perfect album for a show like ours because beyond 1999, Little Red Corvette and Delirious is a treasure of great music that seems forgotten, and it's a shame. Even the cheesy tracks have some form of gold in there musically. Prince is an anomoly of a musicain that transcends being pigdeon holed. He is pure talent and convinction when it comes to his music. He played amazing shows, and was extremely innovative in the studio. The intro of DSMR done by Tim, who was clearly inspired by the amazing fills and solo playing.The goofy-ness abounds on this one folks....maybe bubbles over a bit, hey... this album is quite a load....enjoy the adventure and thanks for listening.Support the show
This movie doesn't get enough love. Big Bully starring Rick Moranis and Tom Arnold is one of those 90s movies with balls. Great gags, swearing, assault on minors. It has it all! Tom Arnold and Moranis work really well together and if the movie score had a more darker tone, one could argue this would be a thriller based upon how the plot shapes up in the third act. We highly recommend this underrated 90s gem.During the Break: Spoof of the Prince song "Little Red Corvette"Friends of the Show1 Man Mafia (twitch.tv/1man_mafia)Jayke The Gamer God (twitch.tv/JaykeTheGamerGod)Keeping it Geekly (anchor.fm/keepingitgeekly)Intro for the shopSupport the show'Beavis and Butt-head' Cover art created by Joe Crawford
Today on Another Side of Midnight, Curtis talks about the George Santos cross dressing scandal. Curtis also gives a tribute to David Crosby, founding member of both the Byrds and Crosby, Stills & Nash, who recently passed away. Curtis also talks about the history of the Corvette, after being inspired by President Biden's outrageous story about the hidden classified documents. Curtis also takes a trip to the past revisiting the Paula Jones scandal, theorizing that if Clinton had settled with Jones he possibly could have avoided the Monica Lewinski scandal. Curtis also covers the upcoming meeting between the New York Giants and Philadelphia Eagles in the NFL's Divisional round of the playoffs, Curtis predicts an Eagle win. Learn more about your ad choices. Visit megaphone.fm/adchoices
Another tranche of confidential documents found in Biden's possession, still not the same as Trump, more George Santos (R-NY) bullshit, the gas stove seizure continues, Trump was not horny for Haley Donate via PayPal: @bradandbritt Venmo: @BBCast Cash App: $bdub336 Shop at our Amazon store
On this episode of "I've Been Meaning To Listen To That", we listen to 1999 by Prince with special guest Coop Foster (Comedy Girl Crush)! Plus, Andrew, Michael, and Coop discuss whether or not 1999 is a fun and horny party album or if it is a nihilistic harbinger of Cold War paranoia, Prince's embrace of making 7-10 minute songs thanks to the invention of the drum machine, and why Prince's lover in "Little Red Corvette" keeps used condoms in her pocket! Follow Coop Foster on Instagram (@This_is_Coop) and on Linktree Follow Andrew Ambrose Lee on Instagram (@aundrewalee) Follow Michael Limentato on Twitter (@limentaco) & Instagram (@limentaco) Follow Sean Wilkinson on Instagram (@diabetictwink) Follow Stefanie Senior on Instagram (@stefmsenior) & Twitter (@stefmsenior) Cover Art by Olivia Jensen (Twitter: @oliviaaj22, Instagram: @oliviajensen_art) Theme Song by OTNES (Twitter: @mxotnes Instagram: @mxotnes) Listen to our I've Been Meaning To Listen to That (And I Did!) Playlist Follow us at (@ibmtltt) on Facebook, Tiktok & Instagram, and email us at ivebeenmeaningtolistentothat@gmail.com Have a good daaay! --- Send in a voice message: https://anchor.fm/ibmtltt/message
Label: WB 29746 djYear: 1983Condition: M-Price: $15.00The A side of this promo is a terrific edited cut from the LP version (same as on the stock copy), and the B side is a special 4:32 "Dance Remix" version not available elsewhere. Note: This copy comes in a vintage Warner/Reprise Records factory sleeve.
September 25 1964 - The Temptations began recording 'My Girl' which went on to be their first US number one and the first of fifteen US Top Ten hits. 1990 - Drummer Dave Grohl auditioned for Nirvana and was instantly given the job. A year later, the band recorded Nevermind which exceeded all expectations and became a worldwide commercial success Birthdays: Will Smith is 52. September 26 1937 - Blues singer Bessie Smith died aged 43 after being involved in a car accident while traveling along Route 61 outside Memphis, Tennessee. With the nickname "the Empress of the Blues" 1987 - Michael Jackson started a six-week run at No. 1 on the U.S. album chart with Bad Birthdays: Olivia Newton-John was born on this day in 1948. She passed away in August of 2022 September 27 1982 - Prince released his fifth album, 1999. It was a breakthrough, selling well over 5 million copies worldwide, thanks to "Little Red Corvette" and the title track. 2014 - Taylor Swift issues 1989, her biggest-selling album. The first two singles are monster hits: "Shake It Off" and "Blank Space.” Birthdays: Scott Weiland of Stone Temple Pilots was born today in 1967. He passed away in 2015 September 28 1985 - Kate Bush scored her second UK No.1 album with 'Hounds Of Love'. 1991 - On the week their album, Nevermind, was released, Nirvana made an appearance at the Tower Records store in New York City and then played a show at The Marquee Club in New York Birthdays: Television host Ed Sullivan was born today in 1901. He passed away in 1974. September 29 1976 - Enjoying his own birthday celebrations, Jerry Lee Lewis accidentally shot his bass player, Norman Owens, in the chest 1991 - MTV played the "Smells Like Teen Spirit" video for the first time, giving most Americans their first look at Nirvana. A little over a month later, the song was No. 1 on the Hot 100. Birthdays: "Great Balls of Fire" singer Jerry Lee Lewis is 87. September 30 1995 - Mariah Carey made chart history when she started an eight-week run at No. 1 on the U.S. singles chart with "Fantasy," making her the first woman to enter the chart in the No. 1 spot. 2021 - Tony Bennett, 95, releases an album of standards with Lady Gaga called Love For Sale, making him (according to Guinness) the oldest person to release an album of new material. Birthdays: Singer Johnny Mathis is 87. October 1 1970 - Janis Joplin makes her last recordings, singing "Mercedes Benz," which is included on her posthumous Pearl album a capella. She dies three days later. 1982 - Sony launched its first compact-disc player, the CDP-101, for $730. That's the equivalent of about $1,630 today. 1987 - Soundgarden release their first EP, Screaming Life, on Sub Pop Records Birthdays: Kevin Griffin frontman of Better Than Ezra is 53 --- Send in a voice message: https://anchor.fm/b29podcast/message
Charlie and Cory are ready to party like it's "1999" with Prince's fifth album. As you listen, be sure to catch all of Charlie's Prince Easter eggs and puns. You'll also find out what Cory's new favorite song is. Hop in your "Little Red Corvette" for this wild purple ride! --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app Support this podcast: https://anchor.fm/turntablesandtea/support
Murphy ponders what to do with the sexiest little thing he ever saw.
Peter Gabriel, one-time member of Genesis, is an English musician who is renowned for powerful, innovative, "intelligent" music. When Gabriel left Genesis in 1975, after the album The Lamb Lies Down On Broadway, he stunned fans and critics alike by teaming up with Bob Ezrin (Lou Reed, Pink Floyd, Kiss, Alice Cooper) to produce the album known as “Car”, a disparate collection of songs – including “Solsbury Hill” - with strong riffs, great guitar work, a variety of styles, to establish his solo credentials. His 3rd album, known as “Melt”, broke Peter Gabriel as a world phenomenon. It received great reviews (mostly 5-star) and was much more rhythm-focussed, with songs like “Games without Frontiers” and “Biko”. The album has a lot of “strange” sounds on it, and introduced Kate Bush on backing vocals. It was a high point for Peter Gabriel, who has made other great albums after this but never anything better! Our album to “Hear before You Die” this week is “1999”, Prince's 5th studio album from 1982. This album contains songs that have since become standards - “1999” and “Little Red Corvette” - and highlight his obsession with sex. Prince influenced so many people – as songwriter, musician and studio experimenter. His sound was a key influence on R & B music through to the 90's. “1999” is not the type of album we would normally listen to, but it's just so damn good!References: Prince, “1999, Steve Lillywhite, Hugh Padgham, XTC - “Drums & Wires”, “Black Sea”, “War”, U2, Kirsty MacColl, “An Assassin's Diary”, Arthur Bremer, George Wallace, JFK, Steve Biko, Polaroids, Lewis Morley, Ahmet Ertegun, Jerry Marotta, “Ein Deutsches Album”, Johnny Warman, “Walking into Mirrors", “Sledgehammer”, “The Book of Love”, Alan Parker, Hipgnosis, Peter Gabriel.com The Rock TiktokGabriel PlaylistGabriel Concert
Prince, Lisa Coleman, and Dez Dickerson.
Let's not waste time: Chris is back and joins Tim to induct the 65th song into our prestigious Hall of Songs. Which record will join the latest two, Prince's "Little Red Corvette" and Michael Jackson's "Billie Jean"? Take the time to find out. Also, we discuss songs that are now eliminated from our Hall of Songs ballot ... and the thing that all the remaining songs have in common.
#75-71Intro/Outro: Bust a Move by Young MC75. Should I Stay or Should I Go by The Clash74. Money For Nothing by Dire Straits *73. Ghost Town by The Specials72. All Night Long (All Night) by Lionel Richie71. Little Red Corvette by PrinceVote on your favorite song from today's episodeVote on your favorite song from Week 1 of the 80'sVote on your favorite of "The Greatest Songs of the 70's" finalistsThe Greatest Songs of the 70's: Finalists (Andrew's Mix)* - Previously played on the podcast
The Elephant in the Room for Murphy & Jodi is really a red Corvette.
Think Fast: Little Red Corvette
Think Fast: Little Red Corvette
Helen and Gavin chat about The 1% Club, Mothering Sunday, and Cow, and it's Week 29 from the list of Rolling Stone's 500 Best Songs Ever, numbers 360 to 356; Little Red Corvette by Prince, Killing Me Softly With His Song by Fugees, Because the Night by Patti Smith, Blank Space by Taylor Swift, and Surrender by Cheap Trick.
This episode of About Your Mother is my conversation with Beth Broday – a pioneer in producing who put music videos on the map beginning with Prince's Little Red Corvette. Beth Broday is a storyteller and has mastered the art of Becoming. Throughout the various stages of work and life, she saw the lessons in each experience, never afraid to make a U-turn that led to something beautiful. Her storytelling is like butter. Towards the end, enjoy our banter on working with some of the world's greatest musicians of all time. Reflections of the Mother Beth shares that her mother always loved art and was also quite fond of theater. "She took my father and dragged him all over the world: every museum, every city, every café -- she wanted to see the world. She wanted to see it with him, and so, they went." – Beth Broday Beth's mother was a cultured and bright woman, and her dream was for Beth to experience the same things she had. Upon Beth's graduation, her mother's gift to her was a trip to Europe. The Business of the Music Business Beth knew that she wanted to be part of the music business early on. But it was quite hard to get into, as she admits she couldn't sing or play any instruments. But she knew there were other ways she could be involved in the business. "I got very lucky, I was in the right place at the right time. I had the knowledge of how to make film, and how to make videos -- I knew how to do that stuff. Whereas most people my age in those days, they didn't know anything about that. But I did, because I went to college and studied that." – Beth Broday Later on, being hired by a major record producer opened up opportunities for her to meet people at high levels of the music recording business. As she observed a director shooting videos for artists, she thought: "I already know how to do this from college." She also thought it would be a good program idea, rather than just one-off artists' videos. So with that knowledge and collaboration with people from different labels, Beth got things done. All of this led to a call from Warner Brothers Records in 1983, asking Beth to film a video for the song Little Red Corvette by a 26-year-old artist named Prince. Beth Broday on Working with the Artists When asked what it was like to collaborate with artists, Beth shares how much it meant to her: "For me, it was incredible that I would be able to bring something to their career. That I would be able to help them get their image out there, and help refine their image. Because over the years as music videos became very common, they became more like marketing vehicles. And so I, on a business level, not only manage production, but I had to manage the image of that artist based on what director I would put with that artist in order to create what the label and the artist wanted to achieve." – Beth Broday With the eventual launch of MTV and an even higher demand for artists to put out music videos, Beth found herself in the middle of it all. She was again at the right place at the right time, with all her connections with various directors and talent. Beth felt like she had to share this good fortune with others, so she made it her mission to find young filmmakers who did great work but needed that initial boost to break through the music and filming industry. Hence began her mission to discover all young, talented filmmakers in Los Angeles, New York, Nashville, and London. To hear more from Beth Broday and her fascinating story on becoming, download and listen to this episode. Bio Beth Broday is an award-winning executive producer with over thirty years of experience identifying, developing, and selling content that results in millions of dollars in sales and revenue. With creative leadership and an innate ability to recognize promising opportunities ahead of the curve, Ms. Broday successfully married top entertainment brands and properties with digital media. Ms.
The ladies talk about bad hand washing judgement, Britney Spears, a little red corvette and a fun review.
An epic double album deserves an epic episode. Join Jared and Ed as they explore the landmark release "1999" containing such classics as the title track, "Little Red Corvette", "Delirious" and some of the most interesting and groundbreaking songs in the Prince canon. Does the sound of the 80s start here? The template for electronic music for decades to come? Is there some link between Prince and horses? Listen up now before the party's over, oops, out of time!
Legendary Faith with Alisa Massey | Christian Lifestyle Podcast
In this show you will learn: The meaning of faith. Why it's important to leave behind a legacy of Where your purpose comes from. How to start building a legacy of faith. Welcome to today's episode. This is a podcast about leaving behind a legacy of faith because God created us for a faith-filled purpose that extends beyond ourselves. My last show was “Finding Hope in a Turbulent World.” I wanted to shift the focus to faith because once we learn about faith then we have so much hope for our everyday lives. Faith is the substance of things hoped for and the evidence of things not yet seen. It's in the believing for things that we do not yet see that we are blessed. I don't physically see God, but I feel him in my heart. He created me and my acceptance of this brings peace, hope, joy, despite the pain of the world. Essentially, faith is believing before seeing. What is hope? Hope is believing in better things to come, and there are always better things to come with Christ, the perfecter of our faith. When we live life with purpose and meaning and you know who you truly belong to, you become a legend. You don't have to be fancy or have a million subscribers. I want you to learn to live like a legend God's way. Michael Hyatt in his book Living Forward says that “By the time we hit forty or fifty, we find ourselves disoriented, exhausted, and adrift. We're overworked, our health isn't great, and our relationships have deteriorated. Life doesn't look anything like what we previously imagined – and we have no idea how we've drifted so far off course.” So, he's saying we need a life plan for the strategy. Michael goes on to say that “The key message here is: Your vision of your legacy will guide the design of your Life Plan. “Approach reflecting on your legacy just as you'd approach booking a vacation; choose your destination first and then plan how to get there. Your legacy is your destination. Your Life Plan will be your means of getting there. To help you imagine your legacy, ask yourself what people would say about your life if you were to die today. Write your own eulogy. Be brutally honest about the highs and lows. This will reveal the areas of your life that are going well and the ones that need more attention. Reflect on who's at your funeral, too, and how they feel. What memories will people share? Are those memories rich and loving? Or do they fall a little flat? How does that make you feel? Is there anything you wish people were saying, but aren't? These reflections will reveal what's currently missing in your life. Once you've written your eulogy, create a list of Legacy Statements by identifying how you want the important groups of people in your life to remember you. These might include your family, friends, and work colleagues.” This is fair advice but when we do this we need to ensure that God is included in our eulogy. After all, hopefully, when you die you are good on meeting Him, and if you have built your faith you will have no regrets. None of our lives will have been perfect but if we have a relationship with Christ we are content with this. We can have peace and forgiveness. It's not easy I know. I often don't feel like a legend. At least now I'm aware and I'm trying. Thinking back when I was living in sin I was not thinking about what people would say at my eulogy. If I would have done this I would be embarrassed. Therefore, I chose to live in denial. At least until my life got so bad that I actually faced the possibility of death. Today, I'm saying don't wait until you're on your deathbed. Take steps today to live a life you can be proud of. I want to see your legacy live on for all eternity! Earthly legends change, John Wayne is a lot different than Prince. But we are not of this world we belong to the Maker of the World. When we share about God and his son Jesus Christ we share a legacy that has no end. It can be nice to remember our heroes from the past. My dad enjoys watching old John Wayne movies. Sometimes I listen to “Little Red Corvette.” But then the song or the movie comes to an end. Then I go back to washing dishes or taking my kid to soccer practice. I recognize that some may call the late Prince a legend but truthfully it's what he sang and not who he was that made him legendary: he will not hold a legacy in my heart because I know the song and the song maker is temporary. I can't escape reality forever. Even if there is nothing ethically wrong with your legend the reality is we need to build upon a legacy that lasts. It starts with you and me. We need to trust in a legend that will never fail us and wants the best for us. This legend does not look to the best interest of himself but rather is very interested in us, His chosen people. “But you are a chosen people, a royal priesthood, a holy nation, God's special possession, that you may declare the praises of him who called you out of darkness into his wonderful light.” -1 Peter 2:9 I want to stress that our purpose doesn't come from the world, it comes from God. I want you to start believing in the best for your life or believing again. I want you to believe that you are not your mistakes. I want you to join me in this faith journey. When we die we may be able to hand down possessions, but we can truly make an impact when we leave behind a legacy of faith. How can you live differently today so that you can make a greater impact tomorrow? Comfortable is easy and we are inclined to stay there. But we can't get to where we're going being comfortable. Jesus was not comfortable on the cross. Yet what He did make a way for you and me so that we can have hope. Now we must believe and walk in this truth. This is your action plan to build your legacy. You see, generally, others know that we live in an imperfect world because, they, too, miss the mark, as did Adam and Eve. Imperfections are nothing new. In the beginning of time, Adam and Eve were so ashamed of theirs they thought they must hide behind a bush. They were naked and ashamed. Let's stop living a life that we're ashamed of. Perhaps, you did fight with your spouse the night before, but learn to live in such a way that people remember your willingness to forgive. Maybe you struggled with anger, but people remember you trying to resolve them. Choose today to start living a life full of purpose that you share with others even when you're gone. The best gift you can bring to others is to introduce them to Christ. The best gift we can give to ourselves is to discover our purpose in Christ. We can only learn our true purpose in life when we begin walking with Christ (more on this in our next episode). We must start living that life now so that we are able to share. To move forward in faith we must ask ourselves: Do you acknowledge that your imperfect? Are you willing to forgive yourself and look beyond yourself to something and someone much greater? I would love it if you joined me in striving to leave a legacy of faith. We know that when we die as the Bible says the things of this world will pass away, but we are striving for a legacy that will live on forever. In closing: Leaving a legacy of faith ensures that others will come closer to God as a result of what they learned from you. On your deathbed, it's not going to matter that your husband bought you that fancy new car. Maybe he'll get to drive it – but what's more important is where you're driving it to. You want to ensure that those you leave behind are driving with an eternal purpose that way they can join you in eternity We can't wait until we're dead to leave a legacy. We got to build it now. In this we find our identity and purpose. In this way, we can truly live. If we choose to put our identity in things we lose sight of who we really are. We can easily see how the love of money will dry us out. We keep searching for the next high, all the while knowing we can't take these things with us. If we live this way we will always be trading our car for something new. That's the cycle of the world, always searching for the next big thing. If we choose to put God first, we are the next big thing, both now and forever. Start living a life of faith now, not before it's too late. You are more than the possessions you leave behind. Some people leave no possessions yet are so rich in faith their story is treasured forever. Purposely choose to shift your focus. If your breathing it's not too late. A message of faith will plant a seed in others for them to grow and bloom. Begin planting today. Remember: Before you can plant you must have something to share, right? My question for you today, is what do you have that is worthy of sharing? If it's nothing you are proud of then start today improving your life. One step at a time I suggest building your faith, not because I think it sounds good but because from my own experience I have learned of God's grace and love. I once lived in darkness and hopelessness, but I prayed, and God heard me. Now I have a testimony and you do to. By building your faith and learning about God you will discover exactly what your testimony is. That's where I come in. I'm excited to help you build your faith so you can leave behind an endless legacy. Thank you for joining me today. If you would like to hear more about me you can go to alisamassey.com. and if you have a faith story to share contact me at contact@alisamassey.com. Our next episode will be about how to discover our purpose and walk in it. I spoke in this episode about how “we can only learn our true purpose in life when we begin walking with Christ,” therefore we must learn to walk the narrow path instead of what is always appealing to society.
We named Alexis Daria's You Had Me At Hola one of the best romances of 2020, and for good reason. This week, we're talking about how great romances can be handbooks for great relationships, about why taking risks in romance writing can pay off big time, about what it's like to be bilingual in America, about why intimacy coordinators are amazing, and about normalizing lube. Enjoy!Next week, we're back with an interstitial, and in two weeks, we're reading…honestly, we don't know. Stay tuned! Thank you, as always, for listening! Please follow us on your favorite podcasting app, and if you are up for leaving a rating or review there, we would be very grateful!Show NotesIf you need to manifest, Sarah's surprise crystal kit came from Crystal Rising. We had a Best of 2020 box available from Old Town Books in Alexandria, and it looks like you can still order it. You can listen to the whole Best of 2020 episode here.The Applying to College Reddit is probably not a real healthy place for high school seniors to hang out, so I guess if you must, you can be the person who just says reassuring nice things. But if nothing else, portal astrology shows just how desperate people are to make meaning out of the tiniest of clues.Telenovelas vs. soap operas. The bilingual spectrum--from receptive to equilingual--and the ways that this is a particularly American issue. Jasmine in YHMAH is a dominant bilingual (so is Sarah). The ways in which writers put languages on the page has changed a lot in the past decade. Watch this video of author Daniel Jose Older explaining why he doesn't put Spanish in italics. In the movie Selena, there's a scene where her father worries about her Spanish skills as she is about to meet Mexican reporters. Although this scene may not be accurate, Selena learned the phonetic Spanish for all her songs since she wasn't fluent. A more recent series about Selena's life is on Netflix, check for reviews because neither of us have watched it. Being an Intimacy coordinator is a real job!Breaking the 4th Wall is a phrase from TV when the actors directly address the audience. In You Had me at Hola, we see Jasmine or Ashton fall out of character and become themselves during the filming of a scene. The Penn & Teller cup and ball trick, which we also talked about in the Bet Me Episode. Little Red Corvette and Sugar Walls are songs about sex, so don't worry about the pop music your kids are listening to these days. It's all gonna be fine.
Most casual Prince fans know Purple Rain was partially filmed at First Avenue. But did you know the title song is a live recording, taped at First Ave a few months before filming started? In this episode, we meet Prince and the Revolution at a benefit show for Minnesota Dance Theatre, where they debuted "Purple Rain" in support of dance and community. This is the fourth episode of The Current Rewind's "10 Pivotal Days at First Avenue" season. If you missed the first three episodes, catch up below. • April 3, 1970 (The day it all began)• Nov. 28-29, 1979 (The days that told the future)• Sept. 27, 1982 (Bad Brains/Sweet Taste of Afrika/Hüsker Dü) Transcript of The Current Rewind season 2, episode 4: "Aug. 3, 1983" ["Purple Rain" chords, but trembly and slowed-down. After several seconds, the music snaps into the original version, and we hear the lyrics, "I never meant to cause you any sorrow/ I never meant to cause you any pain."] Mark Wheat VO: After three episodes and 13 years of First Avenue's history, we've arrived at the song. The song that evokes an artist, a movie, and to some, a period of mourning: "Purple Rain." ["Purple rain, purple rain" fades into "Hive Sound" by Icetep] Mark Wheat VO: [over theme] I'm Mark Wheat. This is The Current Rewind, the show putting music's unsung stories on the map. For our second season, we're exploring the history of First Avenue, the downtown Minneapolis venue that has become one of the Twin Cities' – and the country's – greatest clubs. Most casual Prince fans know that scenes from the 1984 movie Purple Rain were filmed at First Avenue. The version of "Purple Rain" that you hear in the movie and the soundtrack was recorded live at First Avenue, but not at the same time the movie was filmed. Just a few months before the cameras rolled, Prince hadn't yet written the song. He first performed it on August 3, 1983 at First Avenue, during a benefit show for the Minnesota Dance Theatre. He had the show recorded, and when we listen to "Purple Rain" today, we're hearing him and the Revolution play it live for the very first time. In this episode, we'll explore the story of that song and that amazingly unique one-off performance, along with Prince's relationship to Minnesota Dance Theatre – a tale that captures Prince's ethos as a musician and a community member. So far this season, guest hosts have lent their voices to each episode of Rewind. But by this point, the coronavirus pandemic has complicated our production. So we here at The Current will step in to host a few episodes, including this one, which I was quite fond of from the beginning. It takes place when I had just moved to the United States, for good, in 1983. [rewind noise] Mark Wheat VO: The early 1980s were a transition moment in Minnesota music. Artists from two different local scenes were breaking out. On the indie rock side, the Replacements and Hüsker Dü were stirring up mosh pits all across the country. And Prince had just become a national star through the success of his fifth album, 1999. David Z: I mean, it was exciting, because Prince was our local star, and he had the beginning of success before this. I mean, he did do Dirty Mind. Mark Wheat VO: This is David Z, Prince's longtime producer – and brother of The Revolution drummer Bobby Z. David Z: So I mean, he wasn't a nobody, but he wasn't internationally famous at all. It was kind of a local thing, and we were all happy because we always wanted somebody from Minneapolis to make it. Mark Wheat VO: And before the world knew Prince's music – along with his slides, splits, spins and pelvic thrusts, he studied ballet with Minnesota Dance Theatre. [audio of a Minnesota Dance Theatre rehearsal] Mark Wheat VO: Renowned choreographer Loyce Houlton founded Minnesota Dance Theatre in 1962. They still teach classical and contemporary dance, and over the last 50 years, they've presented one of the best-attended performances of The Nutcracker in the country. In the '70s, the theater participated in Minneapolis Public Schools' Urban Arts Program, which Prince joined as a high school student. After Loyce's passing in 1995, her daughter Lise Houlton took over as artistic director. Lise Houlton: My mother and Wally Kennedy were developing this program in the Twin Cities for those us of who didn't fit in the traditional academic life. That's how my mother met Prince, through the urban arts program. And I think that she saw immediately that he had a special spark, that there was something – she used to talk about the combination of this insatiable appetite and this sadness that came together in some sort of combustion of energy, and I think because she had a similar quality that they had this common ground. Mark Wheat VO: You can catch the dance moves he mastered in Minnesota in some of his music videos. Lise Houlton: In the ballet world there's a step that's challenging and that we all have to do, and it's called an entrechat six, and it's where you do three beats in the air. You jump up, you do three beats and you land. Prince could do an entrechat six, and you learn that in a ballet class. That's not an instinctive move, because you do it with turnout, which is unnatural to the human body. He did tour en l'airs, where you jump in the air. Tour en l'airs. He did pirouettes with excellent placement, and that was combined with his jazz aesthetic and already his own personal grind. Mark Wheat VO: A few years after Prince graduated, Minnesota Dance Theatre needed financial help, and Loyce decided to get back in touch. As the Star Tribune reported at the time, she found out where Prince was staying in town and stood outside, waiting to ask if he could do a benefit show. Lise Houlton: But that was her style. If she believed in somebody, if she wanted to have a connection with an extraordinary talent, she did that sort of thing. That was her reputation as being a little bit crazy. But I think once again, that's where Prince and my mother saw their connection. Mark Wheat VO: Prince said yes, and First Avenue hosted the concert. Right after Prince played "Little Red Corvette," his biggest hit to date, Loyce Houlton took the mic to thank him for his support. It was guitarist Wendy Melvoin's first time on stage with Prince – and therefore, the first time the Revolution's classic line-up performed together, even though they weren't billed as such. Along with Prince and Wendy, there was drummer Bobby Z, bassist Brown Mark, keyboardists Lisa Coleman and Matt Fink, aka Dr. Fink. It was also the night Prince recorded "Baby I'm A Star," "I Would Die 4 U," and "Purple Rain" – right there at First Avenue, live. David Z: And you'll see that there's not very much added or changed to the original performance, especially with the song "Purple Rain." Mark Wheat VO: It was normal for Prince to have David record his performances, so no one expected anything unusual to happen. David Z: Nobody really knew there was a movie coming out. We just thought it was gonna be a live record, or whatever. Mark Wheat VO: And as Dr. Fink recalls, it wasn't the most comfortable environment. Matt Fink: We all knew it was a hot, muggy summer night and that First Avenue would be packed, and it would be very uncomfortable for older people to be standing in there. And we were right, 'cause we were all drenched with sweat within two minutes of taking the stage, because that's how hot it was in there. The air conditioning wasn't keeping up. It was back when people smoked cigarettes in clubs. So not only did you have [Dr. Fink laughs] all the heat and humidity and bodies and cigarette smoke, but it was just very difficult to be comfortable. Mark Wheat VO: According to First Avenue's records, about 1200 people bought tickets to the show. On an average night in 1983, a Mainroom show would run about five bucks, but tickets to this benefit were $25 – the equivalent of about $60 today. Including staff and an extensive guest list, about 1,500 people were in the club that night. First Avenue manager Steve McClellan was just trying not to overpack the place. Steve McClellan: I had to go and tell people, except for the really important VIP list, it's not good for you tonight. Because my goal was to keep my list under 100, Prince's was supposed to be under 100, Minnesota Dance Theatre was supposed to be under 100. That night that all went blowin' in the wind. The guest lists poured in, and that's why that night, everybody says, "Well, why didn't you watch the show?" I remember between having to get the numbers together – because I thought I would have to pay the Minnesota Dance Theatre that night, so I had to get all my costs together. Because it was a $25 ticket. We'd never done a $25 ticket before. And so I knew that the money was gonna be big. Mark Wheat VO: When we had Steve and veteran doorperson Richard Luka in for an interview, we asked Richard what he was up to that night. Richard Luka: I was at the back door, and I could see everything from behind. "Why isn't he playing anything familiar here? What the hell's this stuff?" And but then there also this people going in and out through the garage to this truck that was out there. Turns out they were recording everything. Nobody knew that there was gonna be a movie within a year or so of that. None of us knew. That's why when you come back to a night like that – well, you know, it had sort of a cultural impact further down the line. But when you're in those moments you don't know that. So it's like, "This jerk just wants to get inside right now." No. You're Prince's cousin. Aren't we all. No, you can't come in. And we're dealing with things on an interpersonal level like that, whereas up there they're doing this thing that's gonna be here, and then it's gonna go out all over the world later. Steve McClellan: I do remember hearing "When Doves Cry" the first time. There were certain times when I was able to stand and go, "Oh, pretty good." But, you know, life goes on. Mark Wheat VO: Maybe Steve and Richard didn't get to experience the full show, but Prince fan Heidi Vader couldn't tear herself away. Heidi Vader: It was so hot, so hot and so crowded. Mark Wheat VO: When the band played "Purple Rain," the crowd didn't know what to make of it. Heidi Vader: The song seemed to go on forever. So the audience was – you know – listening. They were paying attention, but nobody was freaking out and excited. And it was nothing like the movie, and nobody had all their costumes on, like in the movie. [Heidi laughs] Mark Wheat VO: According to Dr. Fink, Prince and his band had just started practicing "Purple Rain" a couple of weeks before the show. Matt Fink: Prince didn't write that one 'til the very end, which is more about like mid-to-late July of '83. He brought that song to the group. He hadn't finished the lyrics. He hadn't finished the melody. All he had was the chord structure and he came to us and said, "Ok, let's try this; let's just start jamming on this chord progression I've got for this song." And then we all coalesced into what you hear live. And even at that live show, he improvised his guitar solo somewhat. [about 10 seconds of the "Purple Rain" guitar solo] Matt Fink: He wasn't playing it exactly like he did it every time at rehearsal. Nor was I playing my piano parts exactly the same at rehearsal that evening. It just did what it did. Mark Wheat VO: Kevin Cole, a former First Avenue DJ who now hosts the afternoon show at KEXP in Seattle, remembers there being cameras that night. Kevin Cole: At that point in time, we were experimenting with filming sessions, or, filming performances at the club, that we would then give to the band. So there's footage floating around out there of that very first performance from a different perspective. [cheers from the live bootleg fade up] Kevin Cole: One of the cameras is to the left of the stage and above the stage, looking down, kinda right where Prince was playing from. And it's remarkable, but you're also seeing the audience. People are just stunned watching that song. Mark Wheat VO: In fact, the crowd was so quiet, David Z had to tweak the recording. David Z: When it came time for the movie, I cheated and put a crowd from the Minnesota Vikings in the audience track. Mark Wheat VO: Because technology at the time couldn't record wireless bass well, Prince added in some bass overdubs. Heidi remembers the song being long because it was. Prince cut five minutes and still ended up with a nine-minute song. David Z recorded the show in a truck from the New York-based Record Plant, which was considered the best in the industry at the time. Meanwhile, director Albert Magnoli was working with Prince on the early stages of a movie, which didn't have a name yet. He and Prince had gone through about a hundred songs that could go into the movie, but Magnoli felt they were still missing a piece. Al Magnoli: Interestingly enough, there was no "Purple Rain" in that 100 songs. Mark Wheat VO: During a recent trip to Minnesota, he elaborated in an interview with The Current host Jill Riley. Al Magnoli: So I went to him, after I lined up what I thought was the storyline and lined up the songs...and said, we're missing the song – that catalyst, in all of this journey – that song that releases you finally to become the person you should become. And he said, ok, I got another song to write. Mark Wheat VO: The director came to town to scout out locations for the movie and hear new songs from the band that night. When he heard "Purple Rain," he knew it was the one song he needed. Our producer Jackie Renzetti called him up and asked him why "Purple Rain" worked. Al Magnoli: Well, it had the right pacing and it had the right lyric content. It had the right soulfulness and emotion. And it wasn't like anything he had done before. To me, it was a unique sounding piece, and that's what I was looking for. He obviously knew he had that song when I said we didn't have the song. So he didn't immediately say, "Oh, I've got a song that would fit the bill." He didn't say that. He performed it, not realizing that I would approach and then say that could be the song. I said, "What's it called," and he says, "'Purple Rain,'" and then there's a pause, and he says, "Could we call the movie Purple Rain?" and I go, "Yes." Mark Wheat VO: By the end of the night, Prince had raised $23,000 for Minnesota Dance Theatre. That's the equivalent of about $60,000 today. Although Prince would go on to perform dozens of philanthropic acts – giving to music education and coding programs; buying houses for his band members; and paying medical bills for loved ones – few of them would be so public. David Z: He would give money to people without trying to use it as publicity. Nothing! And then he would do charity, but in his own way of the true meaning of charity, which is not get all these people recognizing you for it. He just did it and didn't want the recognition. He just wanted to do a good thing and pay it back. Mark Wheat VO: Our producer, Cecilia Johnson, asked The Current host and Prince expert Andrea Swensson to put his giving in perspective. Andrea Swensson: Prince was raised in a really pivotal time just in history, during the civil rights movement and during the political uprising that was happening in North Minneapolis in the 1960s. His mother was a social worker. He was also partly raised by Bernadette Anderson, who was a huge community figure. [She] worked at the YWCA and was just really admired as a leader. I mean, Prince's philanthropy goes back to the very beginning of his career. I remember his bandmates telling me stories of, even on their first couple of tours, they would squeeze in shows to play at community centers or play for the Deaf or do something out of their way to give back to the community. It was clearly something that Prince really valued. And that went all the way up until the end of his life, when he was funding projects like Yes We Code, and sending money to Baltimore, and honoring Freddie Gray in his music. He just had that spirit in him. I think it really goes back to coming up in North Minneapolis and being so involved in the community there and being raised by community leaders like Bernadette Anderson and like his mother, Mattie Shaw. It was just part of who he was. Cecilia Johnson:: So what else was going on in the early '80s when Prince was starting to have this huge rise, in terms of philanthropy or giving or like celebrity? Andrea Swensson: Yeah, well there's "We Are The World," which was a huge moment culturally, as all of these stars came together to record this song. There was Live Aid. U2 coming up – that was something that they really preached, and I think it just became part of the pop music culture, that in order to be, like, a good citizen, that if you were successful, that you should use some of your power and your money to give back. But also, Prince was very discreet about his generosity. He did not do it for his own name or reputation or personal brand. It was just something that he valued, and especially later on as he became more religious, explicitly, with converting to Jehovah's Witness, it was a huge part of his faith as well, that that was not something that you were supposed to advertise. That's not why you give. That's not why you give money or help people in the community. You do it because it's important and because you value it. Mark Wheat VO: We might not ever really know who all Prince helped. But we know he donated to a lot of programs centered on youth and community. At the Circle of Discipline in South Minneapolis, Sankara Frazier wrote a letter to Prince asking for funding to help keep his community boxing program going. Prince ended up making multiple contributions over the years. Our producer Jackie visited Circle of Discipline to ask how Sankara felt when he got the checks. Sankara Frazier: I wasn't surprised. I wasn't surprised. Prince helped a lot of people. He saw what we were doing, with all of the young people and our older people. We have – you know, the community comes in here. And he saw what we were doing, community-wise, we're putting a lot of people together, people that wouldn't be together, you know? This right here, the boxing, was something that they grew up around. He didn't box – as far as I know, he didn't didn't box – but they know the importance, and how it develops a lot of the youth into better people. Worthy cause. We're working with the community. Mark Wheat VO: Sankara was part of Prince's community from a young age. As kids, he lived with Prince and André Cymone, one of Prince's best friends and earliest bandmates. Speaking with Jackie, Sankara used the phrase "behind the scenes" to describe Prince as a community member. But although his actions may have been discreet, they were full of love for his cities. Sankara Frazier: Oh, Prince was, he was down for Minneapolis. He was down. All of the people that had opportunities and stuff that were with him, they got him here. You know, so he decided to put this on the map. That's why, you know, even making Purple Rain, he's putting Minnesota on the map. Yeah, I give him credit for that. Mark Wheat VO: To Lise, Prince's support of Minnesota Dance Theatre has been about more than just the money. Lise Houlton: He's continuing to have an impact on Minnesota Dance Theatre, because every time this subject is brought up, Minnesota Dance Theatre is right there in the story, and once again, for me, having been so surprised with this event that happened in the '80s when I was far away, to feel those repercussions still is such a gift. Mark Wheat VO: His legacy continues to inspire community work, especially among his longtime fans. Heidi Vader, who saw the August '83 show, told Cecilia that she sensed a vacuum in the fan community after Prince's death. She wanted to unite people behind something healing. So in 2017, she started a music education program called Purple Playground. Each summer, Purple Playground runs a two-week music camp where young students write their own music and record it. They also hear from guest speakers about Prince's legacy and what it's like to be a professional musician. [Purple Playground's song "Purple Playground" plays for several seconds] Heidi Vader: They write, like, five or eight songs, and then we record them. And we put them out, and they're on our website. And we ended up with these inspiring songs about supporting each other and loving yourself and believing in yourself, and all this stuff. That's what we were hoping but we didn't know it would happen – you know. They come in, these kids who – a couple of them knew each other, but a lot of them don't know each other. And then they're, immediately, like within an hour, they're like "Let's do this," back and forth, and yeah. So some of the songs will make you cry. ["Purple Rain" "twinkling" arpeggios and cymbal washes from the end of the song, with cheers from the audience. Prince tells the crowd, "We love you very, very much. Good night!" "Hive Sound" by Icetep fades up and plays under the credits.] Cecilia Johnson VO: And there you have it. Mark Wheat's final contribution to The Current and The Current Rewind. This episode of The Current Rewind was hosted by Mark Wheat. It was produced by me, Cecilia Johnson, and Jackie Renzetti. Marisa Morseth is our research assistant, and Jay Gabler is our editor. Our theme music is "Hive Sound" by Icetep. This episode was mixed by Johnny Vince Evans. Thanks to Brett Baldwin, Rick Carlson, Shelby Sachs, and David Safar for additional support. If you liked this episode, check out the series Prince: Official Podcast, which is produced by The Current and the Prince Estate. It's available on Spotify, Apple Podcasts, and beyond. We work really hard on all these music history podcasts, and if you'd like to give back or say thanks, we'd really appreciate reviews on Apple Podcasts or a donation via support.mpr.org. If you have any comments or stories you'd like to share directly with us, send them to rewind@thecurrent.org. The Current Rewind is made possible in part by the Minnesota Legacy Amendment's Arts and Cultural Heritage Fund. It is a production of Minnesota Public Radio's The Current. The Current Rewind goes to First Avenue