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On this episode, my guest is Hasan Kerim Güç. Kerim graduated from Istanbul High School in 1992 and from Yildiz Technical University in 1996. Between 1997-2004, he completed his master's degree in Information Systems and Business Administration in Baltimore, USA. He returned to Turkey in 2010. Realizing that the treasure he had been looking for for 14 years was right in his own home, he took the position of Chief Editor at Nefes Publishing House in 2014. Kerim nourishes his business life with Sufi studies and is pursuing a doctoral degree from the Usküdar University Institute for Sufi Studies. He has published four books.Show Notes* Rejecting the American Dream* Anatolian and Sufi Hospitality* Sufis and the Ottomans* Tanri misafiri (“God's guest”)* Togetherness, and the roots of Religion* When we welcome suffering, we make honey out of pain* Submission, servants and the prophet Mohammed* The Conference of the Birds / Stories from the Thirty Birds* Limits to hospitality in the Islamic world* Bereket / Baraka* Rumi's Guest HouseHomework* Kerim Vakfı* Stories from the Thirty Birds* Cemalnur Sargut: A Sufi Life of Love, Suffering, and Divine Union* Cemalnur Sargut Books* Kerim Guc - Instagram* Kyoto University Kenan Rifai Center for Sufi Studies* Ken'an Rifâî Chair of Islamic Studies at Peking University* University of North Carolina (UNC) Ken'an Rifâî Chair in Islamic StudiesTranscriptChris: [00:00:00] Welcome to the End of Tourism podcast, Kerim. Hoș geldiniz.Kerim: Thank you very much for having me.Chris: Yeah, it's my pleasure. Thank you for joining me today. Perhaps you could tell our listeners, where you find yourself and what the world looks like there for you.Kerim: Well, first of all, I'm an immigrant also. I was an immigrant. I lived in the US for a while, and then I came back to to my own country. And things are very different here than there, than it is in US. From the perspective of what I did... I was actually an engineer, and I was working in the IT fields, and I was living the American dream, and then I realized that there was some kind of an emptiness, and this whole thing, and I decided to go back to Turkey and [00:01:00] study Sufism, and since my mother was actually a Sufi teacher. She decided to actually move this whole Sufism into academia. So, she basically established an institute in Istanbul - Üsküdar Istanbul - at the University of Üsküdar. The difference between this institute and the other schools, the people like myself, like engineers, coming from different disciplines, including lawyers and whatnot, they were not able to do their masters or PhDs in Sufism, because in other universities, they require for you to actually have theology backgrounds. But with this new establishment, we were able to educate people from all different disciplines and, [00:02:00] so we basically concentrated on ethics rather than the religion itself.So, a lot of people coming from different areas, especially the white-collar people, living this, like - how do I say that? - it's a world of money and materialism and all kind of that stuff. They're coming to our institute and realizing that money or career is not the only goal for life.And we started to concentrating on things like spirituality more than the materialist world.Chris: Thank you. Well, I'm very much looking forward to exploring these themes with you and a little bit of the work that you do with Kerim Vakfı.Kerim: Sure.Chris: And so for the last season of the podcast, I'm very much interested in focusing on different hospitality traditions and practices from around the [00:03:00] world, as I mentioned to you. And, one of the key themes of the podcast is radical hospitality. Now, the word “radical” comes from Latin and it means “rooted,” or we might even say “local” or “living.”And so. I'm curious if there are any radical hospitality practices that you think are unique to your place, to Istanbul, or to the Sufi community that you might be willing to share with us today?Kerim: Well, Istanbul, actually, is a very metropolitan city. So like the other metropolitan cities, we kind of lost that - what we call the hospitality of Anatolia. Anatolia is basically the Eastern part of Istanbul. And in Istanbul, we have, right now, 25 million people in a very small area. And in older days when the population was smaller, [00:04:00] we were able to show our hospitality, because the Turkish hospitality is very famous, actually. In this area the hospitality is very famous, including the, you know, Greek and Arab hospitality. Usually, it's a little bit different than the western countries.For instance, we welcome people - we used to, and probably still, in the countryside - the people coming from other cities or countries or whatnot. The locals actually helped them out as much as possible. They even invite them to their own houses and let them stay for how long they want to stay. And this was kind of like a regular thing in the old days. It's still going on very much in the eastern side of Turkey, pretty much in the countryside. [00:05:00] But Istanbul, like other cosmopolitan cities, we kinda lost that. You know, neighbourly things. We have a lot of neighbours and we we have always good... we used to have a lot of good relationship with them, but nowadays, again, because of this material world, we kind of lost this hospitality.So from the Sufi point of view, hospitality is very important. It's interesting that you mentioned the “radical.” You were talking about where “radical” come from, but you didn't talk about where “hospitality” comes from. See, there is a relationship between the hospital and the hospitality and the way the Sufis look at things is very much like the illnesses in our body are our guests. So, we don't think that they're bad for you. They're actually [00:06:00] the guests of our house for a time being. So we show them the hospitality as much as we can, and then hopefully we say goodbye to them.Chris: Wow. Wow. That's fascinating. I do know that the term “hospitality,” hospital is part of that, and hospital historically came from these notions of hospitality. I mean, in the western world in, and at least in the Christian world, there's a kind of unauthorized history in which a lot of this hospitality, as you mentioned, that was offered to the stranger, was done by the families or the individual houses or homes within a community. A stranger would come and they would ask for hospitality, ask for food and shelter, and the family would have to decide whether to do that and how to do it. [00:07:00] And then at some point, the institution of the Church kind of stepped in and said, “you know what? You don't have to do this anymore. When the stranger comes to the community, when they show up at your door, just send them to us. Just send them to the church and we'll give them what they need.”And so this did a number of things, but the two most obvious ones, I think, are that the family, the individuals in the family and the community on a grassroots level, slowly ended up losing their ability, their unique kind of familial or personal ability to host the stranger. And at the same time, of course, the church used this as a way to try to convert, the stranger.Kerim: Right.Chris: And so I'm curious if there's anything in that realm that you see in the Islamic world, maybe in the Sufi world... you mentioned that, since the [00:08:00] imposition of modernity and the industrial Revolution in the world, we see less and less possibilities for small-scale, grassroots hospitality between people, in part, because there's so much movement, and of course, because the hospital has its brothers and sisters in the sense of the “hotel” and the “hostel.”Kerim: Absolutely.Chris: So, I'm curious if there's anything like that that comes to mind for you in regards to the Islamic world.Kerim: Well, one thing is about like the Ottomans. The Ottomans, when they were coming from the Anatolia and then started conquering all those places in the Balkan area, Greece and Bulgaria, Hungary and all those places, after they actually conquered, they sent Sufis to those places. And, like in Hungary, there is a person, his name is [00:09:00] Gül Baba, which means “Rose Father.” That's what they call him. He actually has his own tekke (tekke is like a church for Sufis). And this place, it's like a school more, more like a school, but it's a religious school.And in this tekke, he actually finds all those people with needs, and he pretty much helped them out with all those needs. And the people coming from different religions, they actually started liking people like from the Turks' point of view, because the Turks were symbolized by these Sufi movements. And instead of, you know, pushing people to convert or demolishing the churches and rebuilding mosques and stuff. Instead of that, they actually [00:10:00] welcomed people from all over the world, or all over the place, basically, to stay in the tekke, to eat and to get education in the tekke. So this was a great strategy of Ottomans. That's how they actually stayed in Europe for almost like 600 years. So that was very much like, you know, their strategy, I think. And in a good way.Chris: Yeah, you know, in my research I found out that there's still Sufi orders in the Balkans a group called the Bektashi.Kerim: Right.Chris: And of course, with the very little historical understanding that I had, I was very surprised. I had no idea. But of course, when I eventually went to visit the regions that my father is from, I saw churches, synagogues, and mosques, all in the same little neighbourhoods.[00:11:00] So, quite an impressive kind of understanding that the major religions in those places could coexist for so long. And that in the context of someone who grew up in North America, who thought it was the opposite (previously) and such things are so difficult.Kerim: Right. Right.Chris: So, Kerim, a mutual friend of ours has told me, that in the Turkish language, there is a phrase (and excuse my pronunciation). The phrase is tanri misafiri.Kerim: Right.Chris: Which translates into English as something like “God's guest.”Kerim: Right.Chris: Or “the guest sent by God.”Kerim: Right. Right.Chris: And so I'm wondering if you could speak about this phrase, maybe what it means to you and where you think it comes from?Kerim: Well, in Anatolia, it's a very famous phrase. And like I said previously, you know anybody coming from somewhere else, who comes into somebody's [00:12:00] house, is allowed to stay in the house as “the guest of God,” because we believe that God has sent that guest to us and we try to... you know, it's more like making that guest happy means making God happy. So, that's the understanding of older generations.In today's metropolitan areas, I don't think it's possible because of the security problems and everything. But like I said, in the countryside, people are very welcoming when it comes to this, because it is very important that knowing that person is actually coming from God, from Allah, so we have to take care of that person as much as possible to please God, actually.So that's how it is. I still see that in many cities in the [00:13:00] more eastern side of Turkey or south side of Turkey, or even north side of Turkey except in the bigger cities. But in the smaller cities, people are much more welcoming, again because of this specific idiom, actually.Chris: From tanri misafiri?Kerim: Right. Tanri means “God” in our language. In the original Turkish language, it's tanri, and, misafiri means “ the guest.”Chris: Yeah. So beautiful. Thank you for sharing that with us.Kerim: Absolutely.Chris: And so when guests arrive in a home, you know, in English, at least in, in the context of the older traditions, it is said that the guest or the potential guest, the stranger, asks for hospitality. They don't necessarily say “ they ask for food,” which we can imagine that surely they [00:14:00] do. They don't necessarily say that “they ask for shelter” or “accommodation,” which we surely we could imagine they do. But the literature often says they ask for hospitality.And so, when we think of hospitality today, we often think about people sitting around a table eating food together. And so I'm curious if there's a shared understanding among Sufis or at least the community that you live among and in, about the importance of both eating food and eating food together.Kerim: Togetherness is probably one of the most important things in the Islamic religion. Because like even our way of worshiping God - Allah - we try to do that in a union as much as possible. It is very interesting, the words that “religion” comes from.[00:15:00] Re- means “again,” and legion means “union.”So it's almost like “religion” itself means “to recreate the union,” “to reshape the union,” “ to have the union back,” because we have the tendency to be alone. And even you can imagine that in the western countries, in the western world, a lot of people want to be alone.Like, there's a lot of individuals rather than a group of people. And in the eastern world, it's a little bit different. We are more like family-oriented people. We try to do things together. I mean, there are advantages and disadvantages obviously, but there is a difference between them.So, we always had this [notion that] “the more is better,” basically. You know, more people is better. So, we help each other, [00:16:00] we understand each other, we talk about our problems. When we try to solve them, it's easier together. And if there's pain, you know, the pain actually, can be eased with more people, easier, I think, compared to have this pain alone. So, again, we're more family-oriented people.And the Sufi are very much like that. The Sufi always pray together, and they think that it creates a n energy, basically. It produces an energy that basically helps all of them at the same time, in a union.Chris: Hmm hmm. And do you find that sitting down for a meal together also creates that kind of union, or recreates as you were saying?Kerim: I think so. Doing any kind of activities, including eating... eating is basically the most common activity [00:17:00] that we do in our daily life and getting together, to talk about our things together, and discuss things together, all those things - togetherness, when it comes to the idea of togetherness - I think, is beautiful.Chris: Hmm, hmm. Amen. Yeah, I very much agree with that, Kerim.And so, when we think about hospitality, and we think about food, we often imagine big banquet tables and as you said, this sense of togetherness and celebration.But there's also, you know, from what little I've read, there's also this important aspect of the religious life in the Islamic world, and perhaps in the Sufi world as well that points to, maybe not the absence of food, but a different way of being fed, and a different way of feeding that doesn't [00:18:00] include the food we're used to, the kind of material food. And we often refer to this as fasting. And so, there's a beautiful video that you sent me, Kerim, of your mother speaking, and she recalls a phrase in that video from her own mother who said that “when we welcome suffering, we make honey out of pain.”And so, this is a question I very much want to ask you because I've fasted myself quite intensely. I'm curious, what is the honey that comes from fasting? Or, what do you think is the honey that comes from fasting?Kerim: Right? First of all, yeah, fasting is in our religion. So, we basically do that one month in the whole year. It's called Ramadan. In some cases, we actually do that because our Prophet Muhammad, when he [00:19:00] lived, he was fasting every Monday and every Thursday. So it was like a common practice for some of the religious people. And at least we do that one month in the whole year.And obviously, that month is a little bit difficult, you know, because we not only stop eating, we also stopped drinking and all that stuff. In theory, we should not be lying, we should not be telling bad things to other people or gossiping and all that stuff, but usually we do during that time. I mean, in theory, we should not be doing that.So it's like a whole discipline thing - the whole fasting. And at the end of the thirty days, you become a really, really different person. And first of all, one thing that [00:20:00] I feel, is that you understand the people who do not have food. We still have people in the world, unfortunately, in Africa, and all those places, the people, having less access to food as we do, and we feel like, oh yeah we don't actually thank God for all those things that he's giving to us. And this is the time that you start thinking about the reality and start thanking God for actually giving us all that food, twenty-four hours, seven days [a week]. And when you are fasting during that time, you are understanding the feeling of these people, who are like poor and who cannot eat.There are people now, in the social media, we are seeing people, who never had [00:21:00] chocolates in their life. The people living in these countries or in the cities or metropolitan cities, we never think about these things.So, we take these things for granted, and during that time of fasting, you start thinking about these stuff and then you become more thankful, and that's basically honey itself, after the suffering. And I wouldn't say “suffering,” because we don't suffer as much as they do, honestly.And we're just telling our egos, “just stop for a day to do bad things and stop eating,” and all that stuff that ego wants to have. And again, it's at the end of the thirty days, you become a new person because now you have a different mentality. Now, in the other eleven months, you still forget about these things, but [00:22:00] again, it comes through. It's like a cycle.Chris: Yeah. Yeah. I totally agree with you that, you know, gratitude is the honey and...Kerim: Absolutely.Chris: ...I remember the fasting that I did over the course of four years, and I don't know if it was as intense as the fasting that happens during Ramadan, but doing that fasting and trying to feed something other than myself for a time imbued a degree of hospitality and gratitude that I don't think I had ever felt before. And it sticks to me. It sticks to my bones to this day. And it's something that, like you said, I also have to constantly remind myself of those moments when I sit down to eat a meal, because it's so easy to forget.Kerim: Absolutely. Absolutely. And one thing is [00:23:00] basically during that time of fasting, you basically stop feeding your ego, and start feeding your spirit, basically. That's what I think.Chris: That's beautiful. Yeah. I absolutely understand that. Thank you, Kerim.So my next question is around the word “ submission.” So, translated into English, the word “Islam” means “submission.” Now I've read that this word can also be translated to mean “servants of God.” Servants of God.Now in English, the word “servant” can be synonymous with “host.” A servant and a host. Now, there's a book by an author named Mona Siddiqui called Hospitality in Islam. And in that book she writes, it's actually a quote, but she writes,“'What is faith?' The Prophet replied, ‘the giving of [00:24:00] food and the exchange of greetings.' He ends on a most dramatic note saying, “a house which is not entered by guests is not entered by angels.”Kerim: Perfect. Yeah.Chris: And it seems that in this phrase, the Prophet is suggesting that the way we are with guests and strangers has something to do with how we are with the divine, which I think you kind of alluded to a little bit earlier.And so I'm curious, is this something that you've seen in your own days or in those of others that you know? Is hospitality a practice that connects us to the divine?Kerim: Absolutely. Because reaching God, you need to reach people first. To be able to reach God... when I say “reach God,” meaning be in communication with Him, is basically being in a communication [00:25:00] with the people he created. So, to serve the people is basically serving him from the Islamic point of view.So, and that's a hadith that you mentioned in the book. It's a hadith of Prophet Mohammed, like you said. And Prophet Mohammed always... it was a common practice that he was hosting maybe, you know, 10-15 people every night. And he was a poor person, by the way. I mean, he doesn't have much money, much food or anything, but they share. There was a time that... there's a story that somebody, actually, one of his apostles rather, asks him to visit him for a dinner. So he invites him to a dinner.But during his conversation, Prophet Mommed said, “can I bring my friends too?”[00:26:00]And the apostle says, “of course you can bring your friends.” And he brings hundreds of people. Now, the host only have some bread, and maybe a little bit meat, and a little bit rice in the cup.So, he was ashamed because he doesn't have any money, and the Prophet Mohammed is going to bring all those guests together, and he didn't know what to do. But he uses submission, basically.He said, well, if Prophet Mohammed is coming, then something is going to happen. And as he was thinking all those things, Prophet Mohammed puts his hand on top of the rice holder. And every time he was putting rice onto the dishes, the rice never ends, the meat never ends. So he served like 200 people during this invitation and the food never ended.[00:27:00]So he was happy for his submission, basically.Chris: Wow. Beautiful. Thank you, Kerim.Kerim: Of course.Chris: You know, you have this beautiful book - that is still in the mail, unfortunately I haven't got my hands on it yet, but I'm very much looking forward to it - called Stories From the Thirty Birds, which I understand is inspired by The Conference of the Birds, this incredible book from I think the 1300s.And I'm curious if you could tell us a little bit about that book and what, if any inspiration or maybe teachings around hospitality that come from both, The Conference of the Birds and how you've employed it in your book.Kerim: Right. The Conference of the Birds is really a beautiful story of Farid ud-Din Attar who lived in Nishapur, which is in Khorasan, in Iran, today. And he was one of the very famous [00:28:00] Sufis at that time. He was the teacher of Rumi. A lot of people know Rumi. And he wrote this book about birds, millions of birds, who are in the process of going to their king, which is the phoenix (or what we call it simurg). And during that time, during that travel, they go through seven valleys, and in each valley some of the birds get lost, because the valleys actually symbolize things.Like, the first valley is the valley of intention. So, a lot of birds actually don't have the intention to reach their king. The king is basically symbolizing Allah (God), and the birds are symbolizing us very much, and we are getting [00:29:00] lost during the time of life. Like, our intention is basically this world. If our intention is staying in this world, then we stay in this world. And that's the valley of intention.And a lot of birds, like half of them, actually, get lost in this stage.And the second valley is the valley of love. And the birds that get lost in this valley are the ones that actually think the beauty is in this world, rather than they don't see the beauty of God himself. So they see the shadow of that beauty in the world, but they're content with that beauty, and they don't really want to move on.And again, the third valley is the value of wisdom. And the birds that get lost in this valley are the ones who think that knowledge, [00:30:00] in this world, is more important than anything else, and they don't realize the source of the knowledge is actually their king.So on and so forth, they go through the seven valleys and at the end of the seventh valley, only thirty birds remain. And the thirty birds, they're ready to see their king, and they go through this mountain called Qaf, where the simurg, the phoenix lives (behind the mountain). And it's very difficult to get there, basically. When they get there, they can't find the king over there. They only find a mirror. So, they realize the king is themselves, but more specifically, the union of thirty birds. So simurg - the [00:31:00] phoenix - in Iranian, in Persian means “thirty birds,” actually. Si is “thirty.” “Burg” is “bird,” actually.So from what we understand is, the union of ourselves, what we are seeing, is our reflection, because the king is actually a perfect mirror. But we don't see ourselves, only, we see the union of thirty birds together. So there are birds that we don't think live together. For instance, a hawk doesn't live with a smaller bird together, but in this union, they live together. There in one. And they use whatever advantage they have together. So it's almost like being one and using the characteristics of every single bird [00:32:00] itself.Chris: And I imagine that someone growing up in a culture like that, whether back then or more recently, and hearing this story or hearing it multiple times throughout their life or maybe once a year, that that notion also might arise in the way that they are with others, the way they are with strangers.Kerim: Right.Chris: And so, I have one final question for you, if that's all right?Kerim: Absolutely.Chris: So, before we say farewell I'd like to ask you about Istanbul, and I'd like to ask you about the limits to hospitality. So, last year, on a trip I took to the city I met a friend of a mutual friend of ours, and for a couple of hours we walked around the Karakoy neighbourhood and he spoke to me about how the city has changed quite a bit over the last decade.For many people who grew up in Istanbul, the city [00:33:00] might now appear to be very difficult to live in. He said that the cost of living has skyrocketed. The rents, the rent prices or costs have doubled. And much of this is a combination of tourism and gentrification in the city.Now it seems that many religious traditions speak of the importance of welcoming strangers and offering them hospitality, but they also speak of the limits to such hospitality. In one particular, hadith or saying of the Prophet Mohammed, it is said that “hospitality is for three days. Anything more is charity or sadaqah.”Again, excuse my pronunciation.Kerim: No. That's perfect pronunciation.Chris: And so I'm curious, you mentioned a little bit earlier, in the Sufi community and perhaps in the Islamic communities, there is this notion of togetherness, but also that “more is better.” And so I'm [00:34:00] curious in the context of what's happening in Istanbul and what's happening in many places around the world, do you think there should also be limits to the hospitality that is offered to the guest or stranger?Kerim: Well, of course. I mean, of course we have financial issues here, and it's very difficult for us to actually serve other people as much as we want to. But again, when we are together, even if it's very difficult to live in the city, it's still something, you know?What I see: the rent went up, like you said, so the people try to move into their family houses, the houses there of their families and everything. And in western countries, it's difficult. You usually don't do this kind of stuff, but in our community, it's much easier to do these things. And, you know, the families welcome the children [00:35:00] more than other countries. So that's something I think that's a positive thing.But to the strangers. What do we do for strangers? Obviously, we do as much as possible. We may not be able to serve them as much as we used to, obviously, before this inflation. And we have the highest inflation in the world, or probably the second-highest inflation. So again, it's difficult, and Istanbul became probably one of the most expensive cities in the world. But even that, again, we may not be able to take them to dinner every night, but we serve what we have in the house, like in the Prophet Mohammed's story.Whatever we have, we share. And, we call it bereket, as in Arabic baraka, they call it. Baraka is something [00:36:00] like... we use it for money. It's not “more money.” That's not important. How do I say that? I don't even know how to say it in English, but it's more like “the luck of the money, itself.” Basically, you may be able to buy more stuff with less money based on your luck. That's basically what we call it. Bereket. So the bereket is much more important than the amount of the money or the financial thing. And the bereket always goes up when you share it.Chris: Beautiful. Yeah, I love that. I mean, in English, not to reduce it at all, but in English we say, quality over quantity.”Kerim: Yeah, absolutely.Chris: And you said that, in order to offer hospitality or the hospitality that we would like to offer to our guests, sometimes maybe that means not doing it all the time, [00:37:00] because one simply cannot. Right. It's not possible.Kerim: Right.Chris: But yeah, it's a really beautiful point.Kerim: Rumi is a very important Sufi, probably known by many Americans. Even the world knows him. He wrote a poem, which is about the guests. So, if you don't mind, I'm gonna read that, uh, it's called the Guest House and it goes like:This human life is a guest house. Every dawn, a new visitor arrives.A gladness, a sadness, a pettiness, a flash of insights all come knocking, unannounced.Welcome them all. Make room even if a band of sorrows storms inand clears your rooms of comfort.Still honour every guest.[00:38:00] Perhaps they empty you to prepare you for something brighter.The gloomy thought, the shame, the bitterness,greet them at the door with a smile, and lead them inside.Be thankful for whoever comes, for each is sent as a messenger from the beyond.So that's a poem by Rumi, and I think it pretty much explains the whole hospitality thing.Chris: Yeah, that's a gorgeous, gorgeous poem. I love that. I'll make sure that's up on the End of Tourism website when the episode launches.And so finally, Kerim, uh, I'd like to thank you so very much for being willing to join me today, to be willing to speak in a language that is not your first, or mother tongue, and to share with us some of the beauty that has touched your days. Before we say goodbye, [00:39:00] perhaps you could tell our listeners how they can follow and learn more about Kerim Vakfı, Stories from the 30 Birds, your book, and any other projects you might want them to know about.Kerim: We have a Sufi centre in North Carolina, at the University of North Carolina. We have a centre in China, Beijing University, and another center in Kyoto University in Japan. And my mother's book about the commentary of some Quranic verses is the one. For instance, Yasin is available through Amazon and my book Stories from the 30 Birds is available on Barnes and Noble and all that other places in US.Chris: Beautiful. Well, I'll make sure that those links are all available on the End of Tourism website and on my Substack when the episode comes out. [00:40:00] And on behalf of our listeners, tesekkur, tesekkur.Kerim: I thank you. Get full access to Chris Christou at chrischristou.substack.com/subscribe
Surah 50 – Chapter 50 Qaf complete Quran with Urdu Hindi translation #quran
Qaf, is the 50th chapter of the Qur'an with 45 verses. The name is taken from the single discrete Quranic "mysterious letter" qāf that opens the chapter. It is the beginning of the Hizb al-Mufassal, the seventh and the last portion. Concepts which "Qaf" deals with the Resurrection and the Day of Judgement.
Kandungan Surah Qaf adalah bagian dari ceramah agama dan kajian Islam ilmiah dengan pembahasan Kitab Al-Fawaid. Pembahasan ini disampaikan oleh Ustadz Abdullah Taslim, M.A. pada Kamis, 3 Rabiuts Tsani 1447 H / 25 September 2025 M. Kajian Islam Tentang Kandungan Surah Qaf Imam Ibnu Qayyim Rahimahullah berkata tentang surah Qaf, bahwa surah ini telah menghimpun prinsip-prinsip dasar iman yang mencukupi, memuaskan, […] Tulisan Kandungan Surah Qaf ditampilkan di Radio Rodja 756 AM.
Assalamualaikum warahmatullahi wabarakatuh.Welcome back to Be Qur'anic. Today is Tuesday, and that means it's Tajweed Tuesday.Every Tuesday during the term, we'll break down the tajwīd rules found in the Ayat of the Week. For Term 2, we're exploring Surah al-Wāqi‘ah. This week, we're focusing on verses 1 to 9.Let's begin.1.Isti‘ādhah and BasmalahA‘ūdhu billāhi min ash-shayṭānir-rajīmDon't rush through isti‘ādhah. This is a direct command from Allah: “When you recite the Qur'an, seek refuge in Allah.”Say it with presence, intention, and correct articulation.Bismillāhir-Raḥmānir-RaḥīmMany rush through the basmalah, but according to some scholars — like Imam al-Shāfi‘i — it is part of the Qur'an. Recite it properly, honouring each rule.2.Verse 1 – إِذَا وَقَعَتِ الْوَاقِعَةُ* Iẓā – contains a mad aṣlī (natural elongation), read it with 2 harakāt.* Waqa‘ati-l-Wāqi‘ah – notice the bouncing of the letter qāf and the correct emphasis on ‘Ayn. Maintain equal length in iẓā and wāqi‘ah.3.Verse 2 – لَيْسَ لِوَقَعَتِهَا كَاذِبَةٌ* Laysa li-waqa‘atihā – contains a mad aṣlī.* Qaf is a bouncing letter, qalqalah.* Kādhibah – the letter dhāl should have the tip of your tongue touch the edges of your front teeth, not the flat part. Don't confuse it with zāl (ز).4.Verse 3 – خَافِضَةٌ رَافِعَةٌ* The tanwīn at the end of khāfiḍah meets the letter rā – and rā is part of Yarmalūn. This is idghām bilā ghunnah – a full merge without nasal sound.* Read it: khāfiḍatur rāfi‘ah, not khāfiḍatun rāfi‘ah.5.Verse 4 – إِذَا رُجَّتِ الْأَرْضُ رَجًّا* Iẓā – again, mad aṣlī.* Rujjatil-arḍu – the ḍād with ḍammah causes the lips to round forward, not because of the letter itself, but due to the vowel.* Rajja – ends with tanwīn followed by shaddah. This is a mad ‘iwāḍ — elongate it two harakāt when stopping.6.Verse 5 – وَبُسَّتِ الْجِبَالُ بَسًّا* Bussat – pay attention to the shaddah on the sīn. Pronounce both sīn with clarity.* Jibāl – elongate the alif for 2 harakāt.* Bassā – another mad ‘iwāḍ, elongate 2 harakāt when stopping.7.Verse 6 – فَكَانَتْ هَبَاءً مُنْبَثًّا* Kānat – the tā is an aspirated letter, release a slight puff of air without turning it into a sīn.* Habā'an – look out for the mad followed by tanwīn.* Habā'am munbaththā – this is idghām bi-ghunnah: the tanwīn is merged with mīm, resulting in a nasal sound (ghunnah) and read with 2 harakāt.* Munbaththā – the thā should be light and pronounced with the tip of the tongue just between the teeth.8.Verse 7 – وَكُنتُمْ أَزْوَاجًا ثَلَاثَةً* Kuntum – here, the nūn sākinah meets tā. Tā is not part of Yarmalūn, so this is ikhfā', a partial merge with nasalisation. Shape your mouth for tā but pronounce the ghunnah clearly.* Azwājan thalāthah – another ikhfā'. The tanwīn at the end of azwājan meets thā, a non-Yarmalūn letter.9.Verse 8–9 – فَأَصْحَابُ الْمَيْمَنَةِ مَا أَصْحَابُ الْمَيْمَنَةِ* Fa-aṣḥābu-l-maymanah – the ṣād is not a lip letter. Don't purse your lips when reading it. The thickness comes from the back of the tongue rising.* Elongate the ā in aṣḥābu as it is part of the mad aṣlī.* Be careful not to elongate unnecessarily when stopping. If there's no mad letter, just stop naturally.Final TipNot all stops require elongation. Only stop with mad if there's a mad letter (like alif, wāw, or yā' with sukun and matching vowel before it). Otherwise, keep your stop natural and clean.That wraps up this week's Tajweed Tuesday on verses 1–9 of Surah al-Wāqi‘ah. Keep practising your recitation with attention to these tajwīd rules.InshaAllah, I'll see you on Thursday for Tafsir Thursday as we unpack the meanings and reflections from these verses.Wassalamualaikum warahmatullahi wabarakatuh. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit bequranic.substack.com/subscribe
This is a free preview of a paid episode. To hear more, visit bequranic.substack.comWelcome back to Day 4 of the BeQuranic 2025 Challenge!This January, we're diving into Surah Al-Mulk—one ayah a day. We'll break down the Tajweed rules, explore its meaning, and reflect on the timeless lessons it holds for our lives. For those of you taking up the extra challenge, you'll also be memorising an ayah a day so that, by the end of January, you'll have memorised the entire Surah.And don't forget: reciting Surah Al-Mulk every night is not just a habit—it's a protector. As the Prophet Muhammad (peace be upon him) said, it will guard us from the punishment of the grave.Now, before we get started, a quick note—I'm feeling a little under the weather today. My voice and tajweed aren't quite up to scratch because of this stuffed nose! But Alhamdulillah, I've got Sakeenah with me today, and she'll be reading ayah 4 from Surah Al-Mulk for us.Be Quranic is a reader-supported publication. To receive new posts and support my work, consider becoming a free or paid subscriber.Tajweed BreakdownIn this ayah, we come across a new tajweed rule: Mim Mushaddada, where the mim has a shaddah on it. This rule is called Wajibul Ghunnah, meaning it's compulsory to make a ghunnah—that lovely nasal sound.Now, because of my stuffed nose, I can't give you a proper example today, but Sakina demonstrated it perfectly. The ghunnah lasts for two harakat, like a double beat.We also see Ikhfa here, which involves merging the sound of noon saakinah with the following letter, Qaf, but maintaining the nasal tone. Then we have Qalqalah, a bouncing sound with the letter Ba.Each of these rules brings beauty and precision to the Qur'anic recitation. It's a reminder that even in the way we pronounce the Qur'an, there's perfection and harmony.Meaning of Ayah 4Now let's reflect on the meaning of this powerful ayah.In ayah 3, Allah directed us to observe the heavens, marvel at their perfection, and reflect on the vastness of His creation. In ayah 4, He doubles down on that message:“Thumma raji' il-basar karratayn yanqalib ilaikal basaru khasi'an wa huwa haseer.”“Then look again and again; your gaze will return humbled and exhausted.”Allah challenges us: Keep looking at the universe, examine it deeply. You won't find a single flaw. The deeper you look, the more you'll be awestruck by its precision and beauty.This ayah reminds us of the two types of revelation Allah has given us:1. The Qur'an—the recited revelation that connects us to Allah through dhikr (remembrance).2. The Universe—the observed revelation that inspires tafakkur (deep contemplation).When you pair dhikr with tafakkur, you create a cycle of spiritual growth. You recite the Qur'an, which inspires you to reflect on Allah's creation, and that reflection brings you back to the Qur'an with renewed understanding. It's a journey that continually deepens your connection to Allah.The Power of ContemplationThink about this: The universe we observe stretches 13.8 billion light-years in all directions. That's just the observable universe! Beyond that, it's even greater, far beyond what we can measure.
Watch/Listen to this and all episodes ad free by joining the ITBR Patreon and get a free trial for the ITBR Professor level! patreon.com/ivorytowerboilerroom We're back with our Queer as Folk rewatch show with guest co-host Dr. Neil J. Young who recently published "Coming Out Republican: A History of the Gay Right." Episode 12 of QAF, "Move It Or Lose It" explores Michael and David's moving dilemmas, the harmful effects of conversion therapy, and gay politics! Neil is a historian who specializes in LGBTQ politics, specifically the history of gay men and the republican party. Neil cannot believe that Michael and David think it's a good idea to move in together when it seems like they don't even know each other's interests and lifestyle. When it comes to Emmett's conversion therapy storyline, Neil has so many thoughts about how unrealistic and poorly done these scenes are. When it comes to politics in this show, Andrew remarks that rarely do any of the characters speak openly about political parties or current political issues of the time. While the characters don't talk extensively about politics, most seem to hold similar liberal views. But, Neil explains that while a majority of the LGBTQ community are liberal, there has always been a segment of gay republicans. You can find Neil's book here: Coming Out Republican: A History of the Gay Right Follow ITBR on IG, @ivorytowerboilerroom and TikTok, @ivorytowerboilerroom Our Sponsors: To subscribe to The Gay and Lesbian Review visit glreview.org. Click Subscribe and enter promo code ITBR50 to receive 50% off any print or digital subscription. Follow them on IG, @theglreview. Head to Broadview Press, an independent academic publisher, for all your humanities related books. Use code ivorytower for 20% off your broadviewpress.com order. Follow them on IG, @broadviewpress. Follow That Ol' Gay Classic Cinema on IG, @thatolgayclassiccinema Listen here: https://podcasts.apple.com/us/podcast/that-ol-gay-classic-cinema/id1652125150 Thanks to the ITBR team! Dr. Andrew Rimby (Host and Director), Mary DiPipi (Chief Contributor), and Christian Garcia (Social Media Coordinator)
Watch/Listen to this and all episodes ad free by joining the ITBR Patreon and get a free trial for the ITBR Professor level! patreon.com/ivorytowerboilerroom Don Shewey, a writer, therapist, and pleasure activist who's based in NYC enters the ITBR to provide his critical opinion about QAF episode 11. As the author of "The Paradox of P*rn: Notes on Gay Male S*xual Culture" and most recently "Daddy Lover God: A Sacred Intimate Journey," Don is an expert on gay male culture and psycho-s*xual-spiritual journeys. While he was a fan of the British version of QAF, Don offers a critical perspective of the American version. He explains that in his opinion, it promotes harmful stereotypes and lacks authenticity in its depiction of gay life. With Andrew, Don explores the show's treatment of aging and intergenerational relationships within the gay community. As an expert on pleasure, adult s*x education, and spiritual practice, Don provides a refreshing perspective on QAF's treatment of relationships, intimacy, and communication. If you missed it, here's a brief summary of Surprise! S1E11: During a surprise birthday party for Michael, Brian outs him to his co-worker. Ted and Emmett get tested for HIV, and Michael tries to rebuild his relationship with David. You can follow Don on Instagram @donsheweynyc, and you'll find his new book "Daddy Lover God" here: https://www.mainpointbooks.com/book/9781732134430 Follow ITBR on IG, @ivorytowerboilerroom, TikTok, @ivorytowerboilerroom, and X, @IvoryBoilerRoom! Our Sponsors: Be sure to follow The SoapBox on IG, @thesoapboxny and TikTok, @thesoapboxny and visit their website https://www.soapboxny.com/ to get your hands on their luxurious bath and body products! To subscribe to The Gay and Lesbian Review visit glreview.org. Click Subscribe, and enter promo code ITBR50 to receive 50% off any print or digital subscription. Follow them on IG, @theglreview. Head to Broadview Press, an independent academic publisher, for all your humanities related books. Use code ivorytower for 20% off your broadviewpress.com order. Follow them on IG, @broadviewpress. Follow That Ol' Gay Classic Cinema on IG, @thatolgayclassiccinema Listen here: https://podcasts.apple.com/us/podcast/that-ol-gay-classic-cinema/id1652125150 Thanks to the ITBR team! Dr. Andrew Rimby (Host and Director), Mary DiPipi (Chief Contributor), and Christian Garcia (Social Media Coordinator)
Jess welcomes TWO of the stars of the groundbreaking Showtime series QUEER AS FOLK -- PETER PAIGE (Emmett Honeycutt) & SCOTT LOWELL (Ted Schmidt)! We discuss the infamous Larry King interview where they were grilled on their sexuality, how QAF changed the way sex & sexuality was depicted on cable, why The L Word was able to break into the mainstream zeitgeist in a way QAF was unable to, the Brian Kinney/Gale Harold enigma, lack of diversity on the show, BILLY PORTER up for the role of Emmett, Peter Paige nearly cast as Jack on WILL & GRACE and more! IG: @jessxnyc
Ghawgha is a singer-songwriter originally from Afghanistan. Growing up between Afghanistan and Iran, she now lives in Norway, as part of ICORN programme - a residency for artists at risk. However, the situation facing women and minorities in her native country still run deep in her music and her songs reflect the current situation in Afghanistan under a second Taliban rule. Ghawgha's single of 2019, I Kiss You Amid the Taliban, celebrated the hard-gained freedoms of the new generation in Afghanistan before the Taliban takeover in 2021. Kawoon Khamoosh follows Ghawgha as she works on and records her new album called Qaf. Qaf refers to a mysterious mountain that exists in legends where the mythological bird Simurgh had her nest and Ghawgha has been working with both poets from Afghanistan, as well as writing her own lyrics.
#452 Podcast Al Quran Juz 26 Surah 50 Qaf verses 30-45 --- Send in a voice message: https://podcasters.spotify.com/pod/show/mochzamroni/message Support this podcast: https://podcasters.spotify.com/pod/show/mochzamroni/support
#451 Podcast Al Quran Juz 26 Surah 50 Qaf verses 16-29 --- Send in a voice message: https://podcasters.spotify.com/pod/show/mochzamroni/message Support this podcast: https://podcasters.spotify.com/pod/show/mochzamroni/support
#450 Podcast Al Quran Juz 26 Surah 50 Qaf verses 1-15 --- Send in a voice message: https://podcasters.spotify.com/pod/show/mochzamroni/message Support this podcast: https://podcasters.spotify.com/pod/show/mochzamroni/support
Watch/Listen to this and all episodes ad free by joining the ITBR Patreon and get a free trial for the ITBR Professor level! patreon.com/ivorytowerboilerroom TQ Sims, an author who loves to center Queer characters in supernormal situations, joins Dr. Andrew Rimby in the ITBR to talk all about Season 1, Ep. 9 of QAF and their new queer book "Godspeed Lovers." When an episode of QAF begins with a vigorous J*RK OFF and CYBER S*X fantasy sequence, you know this is going to be quite a conversation! TQ opens up about his complicated relationship with his father and how much he related to Brian's complex dynamic with his father. TQ and Andrew explore whether or not queer men have more complex father-son relationships than straight men. Do straight fathers have patriarchal expectations that complicate their relationship with their queer son? TQ says that these relationships often cause trauma that is explored in their new book "Godspeed Lovers." Then, TQ and Andrew delve into Emmett's cyber fantasies and whether the fantasy is sometimes more fulfilling than the real-life experience? Also, why isn't "Queer as Folk" a new Broadway play or musical? TQ and Andrew are ready to write it! Just to remind you all here's a brief description about the "Daddy Dearest (Sonny Boy)" episode: Michael decides to break up with Dr. David, who surprises Michael by asking him to move in with him; Lindsay and Melanie ask Brian to relinquish his parental rights to Gus; Emmett becomes addicted to cyber-s*x. Make sure you re-watch all of the episodes with us on Showtime: https://www.sho.com/queer-as-folk/season/1 Be sure to check out TQ's website for more info about "Godspeed Lovers": https://www.godspeedlovers.com/ Follow TQ on IG: @t.q.sims and TikTok: @t.q.sims Be sure to follow The SoapBox on IG, @thesoapboxny and TikTok, @thesoapboxny and call or message them to get your hands on their luxurious bath and body products! To subscribe to The Gay and Lesbian Review visit glreview.org. Click Subscribe, and enter promo code ITBR50 to receive 50% off any print or digital subscription. Follow them on IG, @theglreview. Head to Broadview Press, an independent academic publisher, for all your humanities related books. Use code ivorytower for 20% off your broadviewpress.com order. Follow them on IG, @broadviewpress. Order and follow @mandeemadeit (on IG) mention ITBR, and with your first order you'll receive a free personalized gift! Follow That Ol' Gay Classic Cinema on IG, @thatolgayclassiccinema and listen here: https://podcasts.apple.com/us/podcast/that-ol-gay-classic-cinema/id1652125150 Follow ITBR on IG, @ivorytowerboilerroom, TikTok, @ivorytowerboilerroom, and X, @IvoryBoilerRoom! Thanks to the ITBR team! Andrew Rimby (Host/Director) and Mary DiPipi (Chief Contributor) --- Send in a voice message: https://podcasters.spotify.com/pod/show/ivorytowerboilerroom/message Support this podcast: https://podcasters.spotify.com/pod/show/ivorytowerboilerroom/support
Watch/Listen to this and all episodes ad free by joining the ITBR Patreon and get a free trial for the ITBR Professor level! patreon.com/ivorytowerboilerroom Ronnie Jr. from the Randomly Ronnie Jr. show (on YouTube) enters the ITBR again to talk all about QAF with Dr. Andrew Rimby! Ronnie opens up about how nervous he was to sit down with Andrew since this series explores such vulnerable topics like coming out and being kicked out by your parents. Because Ronnie is a Reality TV expert, he discusses the similarities and differences between how queer men are portrayed in scripted shows (like QAF, Looking, and Pose) and unscripted shows. When asked what makes a good LGBTQ+ ally, Ronnie explains that supporting the community means showing grace to those still learning. One powerful moment is when Ronnie defines coming out as a lifelong journey of self-acceptance. Just to remind you all here's a brief description about the, "Babylon Boomerang" episode: Justin's father attacks Brian outside Babylon; Michael gets a promotion at work; Justin moves in with Brian. Make sure you re-watch all of the episodes with us on Showtime: https://www.sho.com/queer-as-folk/season/1 Subscribe to Ronnie's YouTube channel: @RandomlyRonnieJr Check out Ronnie's website for all of his latest blog posts: http://randomlyronniejr.me/ Follow Ronnie on IG: @randomlyrj, TikTok: @randomlyrj, and X: @randomlyrj Be sure to follow The SoapBox on IG, @thesoapboxny and TikTok, @thesoapboxny and call or message them to get your hands on their luxurious bath and body products! To subscribe to The Gay and Lesbian Review visit glreview.org. Click Subscribe, and enter promo code ITBR50 to receive 50% off any print or digital subscription. Follow them on IG, @theglreview. Head to Broadview Press, an independent academic publisher, for all your humanities related books. Use code ivorytower for 20% off your broadviewpress.com order. Follow them on IG, @broadviewpress. Order and follow @mandeemadeit (on IG) mention ITBR, and with your first order you'll receive a free personalized gift! Follow That Ol' Gay Classic Cinema on IG, @thatolgayclassiccinema and listen here: https://podcasts.apple.com/us/podcast/that-ol-gay-classic-cinema/id1652125150 Follow ITBR on IG, @ivorytowerboilerroom, TikTok, @ivorytowerboilerroom, and X, @IvoryBoilerRoom! Thanks to the ITBR team! Andrew Rimby (Host/Director) and Mary DiPipi (Chief Contributor) --- Send in a voice message: https://podcasters.spotify.com/pod/show/ivorytowerboilerroom/message Support this podcast: https://podcasters.spotify.com/pod/show/ivorytowerboilerroom/support
Surah Qaf is the 50th surah (chapter) in the Quran, consisting of 45 verses. This surah was revealed in the city of Makkah before the Prophet Muhammad's (may God bless him and grant him peace) migration to Madinah. Surah Qaf is named after the letter Qaf which is the first letter in the first verse of this surah. This surah contains many useful messages and lessons for Muslims. One of the main themes discussed in Surah Qaf (Quran chapter 50) is life after death and the Day of Judgment. God emphasizes that He has the power to bring people back to life after they die and reward them according to their deeds in the world. The surah also highlights the importance of taking lessons from events in the universe as evidence of God's power. God created the heavens, the earth, and everything in them with the intention that humans can derive thoughts and teachings from His creation. In addition, Surah Qaf also conveys the message of how great the favors that God has given to humans. Humans must be grateful for all these gifts and not neglect to carry out His commands. By listening and studying Surah Qaf, Muslims can gain a deeper understanding of the concept of the afterlife, the importance of introspection on the signs of God's greatness in the universe, and the importance of being grateful to God. This surah provides clear and valuable guidance in living life in this world with the right perspective. In conclusion, Surah Qaf is a Qur'anic surah that discusses important themes such as the afterlife, the signs of God's greatness in the universe, and the importance of giving thanks to Him. The Quran Translated by Talal Itani www.ClearQuran.org Music by Alfa Relaxing Music from Pixabay.
Lesson 33: [AFFIRMING THE BELIEVERS' SEEING THEIR LORD ON THE DAY OF RESSURECTION] And His saying: 'Faces that Day will be radiant. Gazing at their Lord.' [al-Qiyamah: 22-23] And His saying: 'On couches, gazing in wonder.' [al-Mutaffifin: 35] And His saying: 'Those who do good will have the best and more.' [Yunus: 26] And His saying: 'They will have in there everything they desire; and with Us there is still more.' [Qaf: 35] And this topic is related in many places in the Book of Allah; whoever ponders the Qur'an carefully, desiring guidance from it, will have the path of truth made clear to him. Lesson Notes: bit.ly/Wasitiyya_Notes Lesson Date: 06/12/2023
Watch/Listen to this and all episodes ad free by joining the ITBR Patreon for only $10 a month! patreon.com/ivorytowerboilerroom Award-winning writer, Scott Alexander Hess enters the ITBR to promote his new novella, “A Season in Delhi” and to discuss episode 6, " The Art of Desperation,” of the iconic “Queer as Folk” 2000 American TV show! Scott and Andrew discuss Brian's attractiveness in the QAF world and compare him to Oscar Wilde's “Dorian Gray” because just like Lord Henry, the QAF characters dictate that Brian is the most attractive and seductive gay man in their group. Furthermore, Scott shares his frustration with Ted's insecurity towards Roger and argues in a long-term relationship “you love more and more and more just the person like their heart and soul…” allowing one to look past their partner's quirks and shortcomings. Finally, Scott opens up about how queer culture has moved away from the club scene into different avenues. Just to remind you all here's a brief description about the, "The Art of Desperation” episode: Michael's new chiropractor boyfriend gets into a tug of war with Brian over Michael, as Ted recovers from his O.D. by dating Roger, a stable but overweight chorus director. Also, Justin meets Lindsay, who is impressed with his artwork. Make sure you re-watch all of the episodes with us on Showtime: https://www.sho.com/queer-as-folk/season/1 Visit Scott's website to purchase a copy of "A Season in Delhi", http://www.scottalexanderhess.com/ Follow Scott on X, @scottalexhess, Instagram, @scottalexanderhess and Facebook, @scottalexanderhess Visit Scott's Linktree, @Scottalexanderhess Be sure to follow The SoapBox on IG, @thesoapboxny and TikTok, @thesoapboxny and call or message them to get your hands on their Four For Fall products! To subscribe to The Gay and Lesbian Review visit glreview.org. Click Subscribe, and enter promo code ITBR50 to receive 50% off any print or digital subscription. Follow them on IG, @theglreview. Head to Broadview Press, an independent academic publisher, for all your humanities related books. Use code ivorytower for 20% off your broadviewpress.com order. Follow them on IG, @broadviewpress. Order and follow @mandeemadeit (on IG) mention ITBR, and with your first order you'll receive a free personalized gift! Follow That Ol' Gay Classic Cinema on IG, @thatolgayclassiccinema and listen here: https://podcasts.apple.com/us/podcast/that-ol-gay-classic-cinema/id1652125150 Follow ITBR on IG, @ivorytowerboilerroom, TikTok, @ivorytowerboilerroom, and X, @IvoryBoilerRoom! Thanks to the ITBR team! Andrew Rimby (Host/Director), Mary DiPipi (Chief Contributor), and our Fall 23 interns (Jonathan and Sara) --- Send in a voice message: https://podcasters.spotify.com/pod/show/ivorytowerboilerroom/message Support this podcast: https://podcasters.spotify.com/pod/show/ivorytowerboilerroom/support
Watch/Listen to this and all episodes ad free by joining the ITBR Patreon for only $10 a month! patreon.com/ivorytowerboilerroom Actor, singer, model, and host of various podcasts such as "Words of the Witches" and "Solving for X," Kevin Gadzalinski, enters the ITBR to discuss episode 5: "Now Approaching...The Line,” of the iconic “Queer as Folk” 2000 American TV show! Kevin and Andrew discuss viewing QAF through a bisexual lens, and Kevin explains his personal journey as a bi man, especially watching a show that focuses exclusively on gay male representation. He explains that having more bi male representation in the show would amplify queer male voices! Kevin and Andrew discuss male sexuality in the theater world and whether or not being a queer male actor plays a role in which parts you receive? Finally, Kevin and Andrew discuss the competitiveness within queer and straight women friend groups and Andrew asks, “do you feel that straight men have to deal with negotiating all of these obstacles with their male friends”? Just to remind you all here's a brief description about the "Now Approaching...The Line” episode: Michael fends off the romantic interest of a female coworker who doesn't know he's gay and instead dates a handsome chiropractor, while Brian is propositioned by a potentially lucrative client of his firm. Meanwhile, Justin struggles to repair his fractured relationship with his mother Jennifer. Visit Kevin's linktree, @kjguy and follow him on Instagram, @kjeezy87 on X, @thatnakednerd and TikTok, @kjeezy87 Make sure you re-watch all of the episodes with us on Showtime: https://www.sho.com/queer-as-folk/season/1 Be sure to follow The SoapBox on IG, @thesoapboxny and TikTok, @thesoapboxny and call or message them to get your hands on their Four For Fall products! To subscribe to The Gay and Lesbian Review visit glreview.org. Click Subscribe, and enter promo code ITBR50 to receive 50% off any print or digital subscription. Follow them on IG, @theglreview. Head to Broadview Press, an independent academic publisher, for all your humanities related books. Use code ivorytower for 20% off your broadviewpress.com order. Follow them on IG, @broadviewpress. Order and follow @mandeemadeit (on IG) mention ITBR, and with your first order you'll receive a free personalized gift! Follow That Ol' Gay Classic Cinema on IG, @thatolgayclassiccinema and listen here: https://podcasts.apple.com/us/podcast/that-ol-gay-classic-cinema/id1652125150 Follow ITBR on IG, @ivorytowerboilerroom, TikTok, @ivorytowerboilerroom, and X, @IvoryBoilerRoom! Thanks to the ITBR team! Andrew Rimby (Host/Director), Mary DiPipi (Chief Contributor), and our Fall 23 interns (Jonathan and Sara) --- Send in a voice message: https://podcasters.spotify.com/pod/show/ivorytowerboilerroom/message Support this podcast: https://podcasters.spotify.com/pod/show/ivorytowerboilerroom/support
Watch/Listen to this and all episodes ad free by joining the ITBR Patreon for only $10 a month! patreon.com/ivorytowerboilerroom Welcome back to our ITBR Rewatches series where we're discussing and analyzing the iconic “Queer as Folk” 2000 American TV show! Andrew is joined with Pink Media President Matt Skallerud to discuss episode 2 of "Queer as Folk." They discuss the cast of QAF and their insistence to keep their own private lives and sexuality to themselves. Matt discusses the culture of men posing at the gym and says, “there's always been this homoeroticism in the gym where guys want that attention…and sometimes they feel they only get that from other men." Furthermore, Andrew and Matt discuss the history of adult bookstores with the emergence of VHS tapes and CDs. Just to remind you all here's a brief description about the "Queer, There and Everywhere" episode: Michael stays in the closet at work, which causes some problems with an interested co-worker while at the same time he struggles with feelings of jealousy over Brian's relationship with Justin. Make sure you re-watch all of the episodes with us on Showtime: https://www.sho.com/queer-as-folk/season/1 Follow Matt on Instagram: @mattskal and visit his website: https://www.pinkmedia.lgbt/ILoveGayToday.cfm# to learn more about all of the LGBTQ+ stories he and his team at Pink Media cover. To subscribe to The Gay and Lesbian Review visit glreview.org. Click Subscribe, and enter promo code ITBR50 to receive 50% off any print or digital subscription. Head to Broadview Press, an independent academic publisher, for all your humanities related books. Use code ivorytower for 20% off your broadviewpress.com order. Order from @mandeemadeit, mention ITBR, and with your first order you'll receive a free personalized gift! Follow That Ol' Gay Classic Cinema on Instagram, @thatolgayclassiccinema. Follow ITBR on IG, @ivorytowerboilerroom, TikTok, @ivorytowerboilerroom, and X (formerly Twitter), @IvoryBoilerRoom! Thanks to the ITBR team! Andrew Rimby (Host/Director), Mary DiPipi (Chief Contributor), and our Fall 23 interns (Jonathan and Sara) --- Send in a voice message: https://podcasters.spotify.com/pod/show/ivorytowerboilerroom/message Support this podcast: https://podcasters.spotify.com/pod/show/ivorytowerboilerroom/support
Show notes below: Talking Shit With Tara Cheyenne is a Tara Cheyenne Performance Production www.taracheyenne.com Instagram: @TaraCheyenneTCP / FB: https://www.facebook.com/taracheyenneperformance Podcast produced, edited and music by Marc Stewart Music www.marcstewartmusic.com © 2023 Tara Cheyenne Performance Subscribe/follow share through Podbean and Google Podcasts and Apple Podcasts and Spotify. Donate! To keep this podcast ad-free please go to: https://www.canadahelps.org/en/dn/13386 Links: https://www.thefranktheatre.com/ https://www.thefranktheatre.com/current-productions/how-black-mothers-say-i-love-you Tickets: https://thecultch.com/event/how-black-mothers-say-i-love-you/ Maps of Utopia (In Development): https://www.thefranktheatre.com/current-productions/maps-of-utopia About Fay Nass: Pronouns: She/He/They Fay Nass is the recipient of Gina Wilkinson Award 2022, a community-engaged director, writer, dramaturg, innovator, producer and educator. They are the Artistic Director of the frank theatre company and the founder/Artistic Director of Aphotic Theatre. Fay has over 17 years of experience in text-based and devised work deeply rooted in inter-cultural and collaborative approaches. Fay's work often examines questions of race, gender, sexuality, culture and language through an intersectional lens in order to shift meanings and de-construct paradigms rooted in our society. Fay's work celebrates liminality and trans-culturalism, and blurs the line between politics and intimate personal stories. Fay's work has been presented at PuSh International Performing Arts Festival, SummerWorks Festival, Queer Arts Festival, the CULTCH and Firehall Arts Centre. Her readings and experimental work have been presented at various conferences and artist-run galleries in Spain, Berlin and Paris. Their co-creation project Be-Longing was part of the 2021 New York international Film Festival, NICE International Film Festival and Madrid International Film Festival. Their most recent credits include: co-creating Be-Longing (the frank theatre), co-directing Trans Script Part I: The Women (the frank theatre and Zee Theatre at Firehall Arts Centre), directing She Mami Wata & the Pussy WitchHunt (the frank theatre at PuSh Festival 2020), co-directing Straight White Men (ITSAZOO productions at Gateway Theatre), and dramaturgy for Camera Obscura (Hungry Ghosts) (the frank theatre & QAF). Fay holds an MFA from Simon Fraser University. Currently, they are doing the Artistic Leadership Residency at the National Theatre School of Canada. As an artistic leader and a practitioner, Fay has deep and involved relationships—both creative and organizational—with a wide spectrum of artists across generations and stylistic practices. As an educator and facilitator, their philosophy and pedagogy are rooted in anti-racism and anti-oppression. About Tara: Tara Cheyenne Friedenberg, is an award winning creator, performer, choreographer, director, writer, and artistic director of Tara Cheyenne Performance, working across disciplines in film, dance, theatre, and experimental performance. She is renowned as a trailblazer in interdisciplinary performance and as a mighty performer "who defies categorization on any level". Along with her own creations Tara has collaborated with many theatre companies and artists including; Zee Zee Theatre, Bard on the Beach, ItsaZoo Theatre, The Arts Club, Boca De Lupo, Ruby Slippers, The Firehall Arts Centre, Vertigo Theatre (Calgary). With a string of celebrated solo shows to her credit (including bANGER, Goggles, Porno Death Cult, I can't remember the word for I can't remember, Body Parts, Pants), multidisciplinary collaborations, commissions and boundary bending ensemble creations Tara's work is celebrated both nationally and internationally. Tara is known for her unique and dynamic hybrid of dance, comedy and theatre. She is sought after for creating innovative movement for theatre and has performed her full length solos and ensemble works around the world (highlights: DanceBase/Edinburgh, South Bank Centre/London, On the Boards/Seattle USA, High Performance Rodeo/Calgary etc.). Recent works include a collaboration with Italian dance/performance artist Silvia Gribaudi, empty.swimming.pool, (Castiglioncello, Bassano, Victoria and Vancouver), ensemble creation, how to be, which premiered at The Cultch, and her solo I can't remember the word for I can't remember, toured widely, and her newest solo Body Parts has been made into a stunning film which is currently touring virtually. Tara lives on the unceded Coast Salish territories with her partner composer Marc Stewart and their child.
What are the true goals of these global research teams? How did the Maya interact with the Egyptians? And how many of these groups exist? Continuing the trail of Elfame scientist Oros, the duo deep dive into the Maya people and discover details previously unknown to them. As they inch closer to the truth more questions arise leaving confusing breadcrumbs to follow. But with one new important piece of information, a door to a baffling new series of paths to follow opens.Topics Discussed:- Spirit Gods - Itzamna- City Chichén Itzá- Ix Chel- Advanced Agricultural Development- Cizin- God of Death- Ruler of the Shadow Realm- El Castillo (The Castle)- Alignment- Portal to Qaf and The Shadow Realm- Creating Life- Data Storage Research- The Paris Codex- Energy Storage Research- Dresden Codex - Portal Research- Madrid Codex- The Sea People- Jacawitz- Secret Shadow Realm Research TeamOur Links:Official Website - https://greythoughts.info/podcastTwitter - https://twitter.com/JustConvoPodFacebook - https://facebook.com/justconvopodInstagram - https://instagram.com/justconvopod
So it takes us about 42 minutes to actually review episode 3 of The Last of Us because we go off on sooooooooooooo many tangents (love triangles, hot guys, wedding planning, age gaps, spoilers about old shows like QAF, Ugly Betty, etc.) Why this episode though? Because "go take a shower, Bill" is iconic, and we love Murray (not Marty) Bartlett. It's a bit of a live episode minus all the silence when we're engulfed in the beautifulness of this episode. It's not remotely SKAM adjacent, but it's still loads of fun, we promise :)Heads up, this is Part 1 of 2 of our review because the actual episode is a bit long and we're just tangent-filled. Enjoy!Support the showWanna share your thoughts?Email: alterlovepodcast@gmail.comIG/reddit: @alterlovepodcastTumblr: alterlovepodcast.tumblr.comTwitter: @alterlovepodTakk and alt er love!
The Cru welcome Spud, yet another veteran of the Story Wars (P, the wife of one of the Story Wars generals, recently said she "loves the symbiotic relationship between Story Wars and the podcast." We agree.). Stories this week include a quest for jinn; a girl mesmerized by gemstones; a ring and its finder; and a poem about emerald mountains. From The Standard Dictionary of Folklore, Mythology, and Legend, 1949 ed. Qaf, Kaf, or Caf In Moslem-Arabic mythology, the mountain range, made of emerald, that encircles the world outside the ring of ocean. It is the abode of the jinn and other supernatural creatures. The term is also generic for mountains, as Alps is in English, but specifically is applied to the Caucasus range. Stories begin around the 13:00 mark.Check out our website for a featured story from this week's episode, and be sure to follow us on Instagram (if that's your sort of thing). Please do send us an email with your story if you write along, which we hope you will do. Episodes of Radio FreeWrite are protected by a Creative Commons Attribution-NoDerivatives 4.0 International (CC BY-ND 4.0) license. All Stories remain the property of their respective authors.
Qaf (ق, the letter qāf), is the 50th chapter of the Qur'an with 45 verses The name is taken from the single discrete Quranic "mysterious letter" qāf that opens the chapter. It is the beginning of the Hizb al-Mufassal, the seventh and the last portion (manzil). Concepts which "Qaf" deals with the Resurrection and the Day of Judgement 1 Q.[1] The letter qāf [2] 2-3 The unbelievers wonder at the doctrine of the resurrection 4-5 Talks about the resurrection raising up to Allah and effect of disbelief in Truth 6-11 God's works a proof of his power to raise the dead 12-14 The Quraish warned by the fate of other nations who rejected their prophets 15 God not so exhausted by the creation that he cannot raise the dead [3] 16 God is nearer to man than his jugular vein [4] [3] 17-18 Angels record all human thoughts and actions 19-20 Death and judgment shall overtake all men 21-22 The testimony of the two angels shall condemn the unbelievers 24-26 God shall cast the wicked into hell 27-29 The devils shall disclaim the idolaters in hell and the hell shall be filled with the wicked 30 God says to Hell-fire whether Hellfire has been filled fully. 31-35 Paradise shall receive the true believers 36-37 Former generations destroyed as a warning to the people of Makkah 38 The heavens and the earth created in six days 39-40 Muhammad exhorted to patience with unbelievers 41-44 Events at Day of Resurrection and proof of Allah's ability to create and cause anything (especially, humans) to die 45 Muhammad not sent to compel men to believe, but only to warn them
Jess is joined by your fave Queer as Folk & L Word Historians, Damian Bellino & Anne Rodeman (You Might Know Her From), for a truly unhinged episode centered on the new Queer as Folk (Peacock). We review the QAF reimagining and discuss Kim Cattrall living out Miranda's storyline on And Just Like That, singing "Maybe This Time" from Cabaret and QAF filming at The Real World New Orleans' Belfort Mansion. Plus, Damian's take on Brian Kinney as a toxic villain, Melanie & Lindsay, The L Word Gen Q's acting, Jess's obsession with Jesse James Keitel (Ruthie) & more! IG: @jessxnyc | @damianbellino | @rodemanne
Thank you for following along with us for an incredible season 1, and welcome to our season finale with Ryan O'Connell! We discuss both of Ryan's amazing works that came out in June hashtag pride: Queer as Folk Reboot and Just By Looking at Him!Ryan is an actor, writer, and advocate known for his television series Special on Netflix, his starring role in the Queer as Folk Reboot, and his novel, Just By Looking at Him, among many other amazing accolades. Ryan is the third published author we've had one the pod!
Jess is joined by ROXANE GAY, best selling author (Bad Feminist & Hunger) and cultural commentator for a wild culture catchup. We discuss Roxane's desire to write for THE L WORD GEN Q, how she would have handled the Miranda/Che Diaz storyline on AND JUST LIKE THAT and her work as a writer/producer on the new QUEER AS FOLK, Plus, how Roxane's wife chased (and won) her over, Shonda Rhimes vs. Aaron Sorkin's TV writing Masterclass, the Dorinda Medley “She's Startin'” meme on QAF, Wanda Sykes on Fire Island and more! IG: @jessxnyc | @hottakesdeepdives * prose.com/hottakes * * apostrophe.com/hottakes *
Quran Tafsir #25: Surahs Ahqaf, Muhammad, Fath, Hujurat, Qaf & Dhariyat
Quran Tafsir #25: Surahs Ahqaf, Muhammad, Fath, Hujurat, Qaf & Dhariyat
Is Queer as Folk good or bad for the gay community? Is it okay to release an episode with a shooting at a gay club during the anniversary of the Pulse nightclub shooting? Where did Queer as Folk get its name? What did the new series improve upon, and what mistakes did they keep making? We get right into the feelz on the old and new versions. YES WE KNOW IT WAS A BRITISH SHOW FIRST SO DON'T WRITE IN ABOUT THAT. In this episode: News- 2:39 || Main Topic (Queer as Folk)- 19:23 || Gayest & Straightest- 1:26:26 On the bonus Patreon segment, we talk about easter eggs in the new series that pay homage to the old, favorite quotes, and the similarities between QaF and And Just Like That. Support the show for as little as $2/mo., and get lots of great benefits while doing it, at www.patreon.com/gayishpodcast.
We cover 5 Surah in this episode: Surah Al-Ahqaf, Muhammad, Al-Fath, Al-Hujurat, & Al-QafJoin us for more on My Journey through The Qur'an series. In'sha'Allah more to come on this. Support the show
Our recap and review of the NEW QUEER AS FOLK streaming on Peacock. This episode is NOT a continuation of the original QAF recaps that we have been publishing until now.If you are looking to start the new series, this is the right episode!Aaron and Henry will be simultaneously viewing and recapping episodes from both version for the foreseeable future. Buckle in, we're likely to get ourselves hilariously confused at some point, too.TRIGGER WARNING!This episode, and the source material, deals with a VERY VIOLENT TERRORIST ATTACK on the LGBTQIA+ community. Please use caution if you, like Aaron, are prone to outbursts of sobbing and anger over such things.Additional topics discussed in this episode include:The genesis of the showNew OrleansCafe du monde beignets and chicory coffeeShow me loveThe craftfalcorPulse tribute
Uh... Stunning Talent On The Pod Alert! Ryan O'Connell joins the women of Las Cultch ahead of the release of both his debut novel Just By Looking At Him (out June 7th) and Peacock's Queer As Folk, on which he writes and also stars (out June 9th)! The three discuss their origins as snarky internet gays, splurging on ridiculous rideshares, working with Kim Cattrall (who plays Ryan's mom on QAF.... gag), horny photo shoots, how Kim Petras commands gays with her voice, relationships to the original Queer As Folk, and living on the same street where they filmed Erin Brockovich (the part where she's poor and amongst cockroaches). Also, thoughts on this season's RHOBH, how being a reality star alters the psyche, Gregg Araki, the goddess Parker Posey, and formative indie films of the 90's. Would YOU give your dog a human's name? What would it be? Think about that while you press PLAY on this episode... of LAS CULTURISTAS. See omnystudio.com/listener for privacy information.
Sides, QAF, white ‘Bros', death threats, oh my! This week we're diving deep into LGBTQs in the News and then we celebrate our viral Disney proposal 5 years later with a storytime. Buckle up and get ready for a splash! Info Discussed: Gay birdwatcher threatened in Central Park gets his own TV showThe XX's Oliver Sim Reveals He's HIV-Positive in Powerful New Single “Hideous”Grindr Adds Side Option to App‘Queer As Folk' Trailer‘Bros' TrailerOur Viral Disney Proposal YouTube ChannelWebsite: interminglepodcast.comInstagram: @interminglepodcastEmail: interminglepodcast@gmail.com
Psalms 119:135 Make thy face to shine upon thy servant; and teach me thy statutes. Here in the seventh verse of the PEH section - the delight in the fear of the Lord verse, this is the seventh and final time in the Psalm the Psalmist asks to be taught the statutes or Huquam. Not unlike going around the walls of Jericho seven times,as a bride does in a Jewish Wedding. So this begs the question - WHAT IS A STATUTE?. The Hebrew for that word is just two letters, two pictures; first - Chet , meaning wedding or union and the second Qaf, meaning holy or close... My Translation would be: God teach me how to love you the way you want to be loved... I share some stories along these lines as well... "If you love me you will keep my commandments."
Vad är trädet Tuba? Vad har det för koppling till Fatima Zahra(A)? Vad är berget Qaf? Vilka hemligheter finns här? Följ med på en svindlande andlig resa där vi utforskar dessa mysterier!
我们终于做了这一期电影大赏析了,跟你们分享一下我们各自看过的电影。不知道你的清单里面有没有跟我们一样的电影呢? 留言告诉我们吧! 07:10 - 桃乐丝的第一部虹彩电视剧《同志亦凡人 Queer As Folk》 11:28 桃乐丝QAF最爱的角色,徐熙娣脚张开了 15:04 网剧《上瘾》,卡门长得像黄景瑜?桃乐丝的被养鱼故事、《上瘾》居然成为了文化输出?! 18:45 我们都看过的《霸王别姬》——对爱的痴迷! 22:11 卡门第一步看的彩虹电影是《蓝宇》 30:25 看《盛夏光年》的时候有爱张孝全吗? 31:32 潘金莲印象深刻的是《谁先爱上他的》、《熊崽》 33:48 卡门分享「骨科」俄罗斯电影——《父与子》 35:09 经典作品《断背山》 40:13 来跟你聊聊《王的男人》 41:28《霜花店》的宫廷爱情故事 42:02 徐熙娣最爱的是《摩登家庭》,回忆起剧情居然哭了! 46:32 桃乐丝最爱的电影是《周末时光》 51:34 潘金莲最爱的是《天佑鲍勃》和《Call Me By Your Name》 53:53 潘金莲最「特别」的电影介绍《我要你的爱》 55:20 桃乐丝最「特别」的看片经历《情狱》 57:02 卡门推荐「特别」的短篇《心动初体验》 58:38 卡门强推关于drag queen的电影《石墙风暴》 1:02:20 徐熙娣提到最「特别」的电影——《安非他命》 1:03:12 《美少年之恋》来了,冯德伦、吴彦祖、舒淇颜值巅峰 PAPA官网:www.channelawesome.club Intro music: Camo Columbo - Sapphire Moonlight (Official Audio) Cody Simpson - ABC Background music: Beabadoobee - Last Day On Earth Some Sprouts - Summer Daze Coldplay - Magic
我们终于做了这一期电影大赏析了,跟你们分享一下我们各自看过的电影。不知道你的清单里面有没有跟我们一样的电影呢?留言告诉我们吧!07:10 - 桃乐丝的第一部虹彩电视剧《同志亦凡人 Queer As Folk》11:28 桃乐丝QAF最爱的角色,徐熙娣脚张开了15:04 网剧《上瘾》,卡门长得像黄景瑜?桃乐丝的被养鱼故事、《上瘾》居然成为了文化输出?!18:45 我们都看过的《霸王别姬》——对爱的痴迷!22:11 卡门第一步看的彩虹电影是《蓝宇》30:25 看《盛夏光年》的时候有爱张孝全吗?31:32 潘金莲印象深刻的是《谁先爱上他的》、《熊崽》33:48 卡门分享「骨科」俄罗斯电影——《父与子》35:09 经典作品《断背山》40:13 来跟你聊聊《王的男人》41:28《霜花店》的宫廷爱情故事42:02 徐熙娣最爱的是《摩登家庭》,回忆起剧情居然哭了!46:32 桃乐丝最爱的电影是《周末时光》51:34 潘金莲最爱的是《天佑鲍勃》和《Call Me By Your Name》53:53 潘金莲最「特别」的电影介绍《我要你的爱》55:20 桃乐丝最「特别」的看片经历《情狱》57:02 卡门推荐「特别」的短篇《心动初体验》58:38 卡门强推关于drag queen的电影《石墙风暴》1:02:20 徐熙娣提到最「特别」的电影——《安非他命》1:03:12 《美少年之恋》来了,冯德伦、吴彦祖、舒淇颜值巅峰PAPA官网:www.channelawesome.clubIntro music: Camo Columbo - Sapphire Moonlight (Official Audio) Cody Simpson - ABCBackground music: Beabadoobee - Last Day On Earth Some Sprouts - Summer Daze Coldplay - Magic
Sudais and Shuraym - English Translation - [Pickthall] - Aslam Athar - Audio - Quran Central
Sudais and Shuraym – English Translation – [Pickthall] – Aslam Athar – 050 Qaf
Muhammad Siddiq al-Minshawi – Mujawwad – 050 Qaf
Sudais and Shuraym with Naeem Sultan – 050 Qaf
Join us for the first volume of Brief Talks. Brief Talks are podcasts where real guys tell how they fell in love with underwear. Each tale is about 20 minutes (sometimes more) and we will bundle them up 3 at a time about once a month. This volume features Alec, Danny, and Ryan. Alec This episode we are joined by Alec. He tells why he loves the classic cut and fit undies. Hear his story in his own words. Follow him on Instagram @alec.casjan Danny We are joined by Danny Warhole, who tells how he fell in love with underwear. He was inspired by a very classic pair of underwaer that appeared on QAF. He also has a partner who loves underwear as much as he does. Hear his story and follow him on IG at @dannywarhole Thongtastic Ryan We welcome to the show Thongtastic Ryan, who is the owner of Cockpit Undies, to the show. In this episode we explore how he discovered his love of underwear. Make sure you follow Ryan on Instatram @thongtasticryan and visit his site www.cockpitundies.com