Podcast appearances and mentions of rachel grimes

Anne is the Head Engineer/Producer at La La Land Sound in Louisville, Kentucky. She has split her time between Montreal and Louisville over the last 10 years, working on hundreds of recordings along the way, gathering over 375 million streams.​​She spends most of her time in the studio, recording, mixing, and producing with artists like Murder By Death, Bonnie Prince Billy, GRLwood, Joan Shelley, Strand of Oaks, By the Grace of God, and Rachel Grimes. She's also worked on albums by Ray Lamontagne, Jake Shears, Emma Ruth Rundle, and White Reaper over the years. Bumping shoulders over time working with producers Glyn Johns, John Alagia, and Jim James. She's recorded, mixed, and/or produced more than 100 records in her career, with records gathering reviews in publications such as Rolling Stone, Nylon, Billboard, NPR, Brooklyn Vegan, Kerns, AVClub, Magnet, and most major music publications. Anne is a true professional in experience, efficiency, and creative thinking, and loves to foster a positive and friendly recording experience for all. She enjoys and is specialized in old school live band recordings as much as complex multi-month modern productions and is skilled in both approaches. She loves working with artists on all styles of music: rock, country, experimental, contemporary, classical, and everything in between.IN THIS EPISODE YOU'LL LEARN:Recording yourself vs othersStarting before you truly feel “ready”Working on multiple projects quickly vs taking your time on one project: Which will help you grow faster?Minimal mic technique compared to multi-micingWhy having a mobile rig is super helpful for people just getting startedGetting the most out of sub-par roomsChoosing mics that suit the roomBuilding your mental library of studio gearWorking with Glynn JohnsHow the famed Glynn Johns technique was actually an accidentRemixing Slint's “Tweez” (previously mixed by Steve Albini)Using AI for audio restorationTo learn more about Anne Gauthier, visit: https://www.annegauthier.info/Looking for 1-on-1 feedback and training to help you create pro-quality mixes?Check out my coaching program Amplitude and apply to join:https://masteryourmix.com/amplitude/ Want additional help with your music productions?For tips on how to improve your mixes, visit: https://masteryourmix.com/ Download your FREE copy of the Ultimate Mixing Blueprint: https://masteryourmix.com/blueprint/ Get your copy of my Amazon #1 bestselling books:The Recording Mindset: A Step-By-Step Guide to Creating Pro Recordings From Your Home Studio: https://therecordingmindset.com The Mixing Mindset: The Step-By-Step Formula For Creating Professional Rock Mixes From Your Home Studio: https://masteryourmix.com/mixingmindsetbook/ Check out our Sponsors:Download Waves Plugins here: https://waves.alzt.net/EK3G2K Subscribe to the show:Apple Podcasts: https://podcasts.apple.com/us/podcast/master-your-mix-podcast/id1240842781 Spotify:

Returning guest, filmmaker Alan Zweig (Vinyl, When Jews Were Funny), brings us Will Oldham - a.k.a. Palace Brothers, Bonnie 'Prince' Billy...etc) and his stunning debut: 'There Is No-One What Will Take Care of You'First released in 1993 under a cloud of mystery, Oldham's dark tales of sin, lust, alcohol, and redemption made for rousing conversation - as we name-checked The Louvin Brothers, The Velvet Underground and many others along the way. Songs discussed in this episode: Oh Lord Are You In Need - Glen Dentinger, Joe Manning and Rachel Grimes; Breadcrumb Trail - Slint; O Let It Be - Will Oldham; I See A Darkness - Johnny Cash; The House Carpenter - The Doc Watson Family; A Little Soldier For Jesus - Ralph Stanley & Friends; Idle Hands are the Devil's Playthings - Palace Brothers; The River Of Jordan - The Louvin Brothers; Long Before, I Tried To Stay Healthy For You, The Cellar Song, (I Was Drunk At The) Pulpit - Palace Brothers; Ocean - The Velvet Underground; There Is No One What Will Take Care Of You, O Lord Are You In Need, Merida - Palace Brothers; Walking On Sunshine - Katrina & The Waves; King Me - Palace Brothers; Single Girl, Married Girl - The Carter Family;  I Had A Good Mother and Father, Riding, O Paul - Palace Brothers; O Paul - Bonnie 'Prince' Billy with Natalie Bajandas

1. Know Your CustomersUnderstanding your customers is essential for success. Delve into their preferences, dining habits, and desires. Use data to predict their future visits and tailor promotions to their tastes. Happy customers often refer friends, leading to organic growth.2. Targeted Marketing CampaignsCraft personalized campaigns based on customer behavior. For instance, if Rachel Grimes visits your restaurant on weekends, entice her with a special offer for a weekday visit. Leverage technology platforms to automate this process and ensure precision.3. Create Compelling EventsHost events that resonate with your audience. Themed nights, live music, cooking classes, or wine tastings can draw crowds. Promote these events through social media and local partnerships.4. Build a Social Media FollowingLeverage platforms like Instagram, Facebook, and Twitter. Share mouthwatering food photos, behind-the-scenes glimpses, and customer stories. Engage with followers and encourage user-generated content.5. Creative SignageCatch the eye of passersby with clever signage. Use chalkboards, sandwich boards, or window displays to highlight daily specials, promotions, or upcoming events. Make it impossible for people to walk by without noticing your restaurant.6. Train Your Staff WellFriendly, knowledgeable staff create a positive dining experience. Train them to upsell, recommend dishes, and provide exceptional service. A happy customer is likely to return and bring friends along.7. Keep in TouchCollect customer emails and send regular newsletters. Share updates, exclusive offers, and upcoming events. Remind them of your restaurant's unique offerings and encourage repeat visits.Remember, consistency and genuine customer engagement are key to blossoming success! Thanks For Listening Everyone! NordVPNPay Pal DonationVenmo - @jason-Stclair-09262CashApp - $stclair316To Order My ServicesAmazon Associates LinkSentryPCGovernment Grants Home PageAtheoz Podcast Home PageCommission Earnedhttps://www.instagram.com/jason_stclair/

Penkios amerikiečių kompozitorės – Rachel Grimes, Angélica Negrón, Shara Nova, Caroline Shaw ir Sarah Kirkland Snider – susivienyjo bendram darbui ir išleido albumą „The Blue Hour“ (2022), kuris pristatomas kaip kolektyvinės kūrybos dainų ciklas pagal Carolynos Forché epinę poemą „Žemėje“. Nors autorių braižas truputį skiriasi, kritikai giria „puikų ir nepaprastai vieningą darbą“. Ciklą stilistiškai jungia visose dalyse dainuojanti viena iš kompozitorių – Shara Nova, žinoma kaip indiroko ir akademinės muzikos atlikėja, nors dažnai prisijungia ir kitos keturios kompozitorės. Tačiau labiausiai kompozicijas suartina styginių orkestras „A Far Cry“, įrašytas tarsi elektroninių semplerių ansamblis.Laidos autoriai Mindaugas Urbaitis ir Šarūnas Nakas

** The soundtrack to The Red Lantern is getting a vinyl release. Anyone who is a patron of Level with Emily by midnight (12:00 AM CDT) on April 17, 2023, will be eligible to win one of 5 records. **   Hrishikesh Hirway is a composer, a recording artist, a podcaster (Song Exploder, Home Cooking, The West Wing Weekly) and all-around busy creator. He wrote the music for The Red Lantern, a narrative survival dog-sledding adventure, with warm, relaxing music to counter the cold landscape. Hrishikesh describes his music as "secular Christmas," and that is such a fantastic description; his music is a weighted blanket with hot chocolate while you listen to a favorite album during a winter storm. And if you like the soundtrack, you'll love his solo music. He used to record as The One AM Radio but now releases under his name. Much of his music is on Bandcamp, but you can find his music in the usual streaming spots too. You can support Level with Emily on Patreon. Join us on Discord for free. Find this conversation on YouTube and Twitter. Patrons have access to exclusive merch, Discord events and special guest playlists. PLAYLIST by Hrishikesh Hirway for The Red Lantern unless noted otherwise 00:00 Breathe In 05:29 “Everything Falls Apart” by The One AM Radio from Heaven Is Attached by a Slender Thread 09:41 “Promenade” by Rachel Grimes for Music for Egon Schiele 17:41 Cold Smoke 20:01 A Moment to Rest 22:48 A Warm Fire 25:29 Coming Home 30:35 Breathe In 32:29 Holiday Lights 48:49 Fresh Snow 50:54 I Think I See Something 53:50 There Are No Bad Dogs 56:09 “Cascade” by Hrishikesh Hirway 58:16 Always Have a Plan B 59:00 “Other Sprouts” by Sam Keenan

La Playade ( laplayade.fr ) Podcast jeux vidéo et arts numériques. Ce mois-ci fanfaronne à vos oreilles un épisode de La Playade plein de bonnes résolutions de nouvelle année ! 2023 démarre en fanfare avec la présence en studio de Benjamin Efrati, artiste multimédia qui nous parle de sa thèse sur les jeux vidéo préhistoriques. En parallèle, Simon rebat les cartes de la narration dans Foretales, Ariane se livre à un étrange exercice de grimaces dans Who's Lila, François explore le pixel art tout doux de A Space for the Unbound et Vlad nous livre son retour d'expérience sur la Playdate. 0.11.31 Tour des News 0.25.26 Benjamin Efrati 1.05.20 Foretales 1.17.02 Who's Lila 1.30.06 A Space For The Unbound 1.38.42 Playdate 2.07.56 Snacks (J'ai demandé des abeilles / The Professional / A Firm Handshake / Waste Eater) 2.17.20 Quartiers Libres 2.25.36 « The Name » par Rachel Grimes (© 2022 Mossgrove Music (BMI)) Tous les liens des sujets de l'émission sont sur https://laplayade.fr Vous y retrouverez aussi toutes nos vidéos et interviews comme sur notre chaine Youtube : urlz.fr/8ber Réagissez, commentez, partagez : iTunes : urlz.fr/8Eqs Twitter : @laplayade_pod Discord : discord.gg/WyGNk8qY5r Facebook : podcastlaplayade Instagram : la_playade Fresh : urlz.fr/9RJe

Shara Nova has released five albums under the moniker My Brightest Diamond and has composed works for The Crossing, Conspirare, Cantus Domus, Brooklyn Youth Chorus, Roomful of Teeth, many community choirs, as well as yMusic, Brooklyn Rider, violist Nadia Sirota, Aarhus Symfoni, North Carolina Symphony, Indianapolis Symphony, American Composers Orchestra and the BBC Concert Orchestra, among others.In 2019, she composed for over 600 community musicians and the Cincinnati Symphony in celebration of their 125th season, a piece entitled "Look Around," with director Mark DeChiazza. Her baroque chamber p'opera “You Us We All” premiered in the US in October 2015 at BAM Next Wave Festival. With co-composer and performer Helga Davis, Nova created a four-screen film entitled “Ocean Body,” along with director Mark DeChiazza, which premiered at The Momentary in August 2021, shortly followed by the premiere of “Infinite Movement,” her baroque masque for 100 musicians, set to text by artist Matthew Ritchie, which premiered at The University of North Texas in November 2021.Ms. Nova is the featured singer on “The Blue Hour” with the string orchestra A Far Cry and co-composers Rachel Grimes, Angélica Negrón, Sarah Kirkland Snider and Caroline Shaw on Nonesuch Records (Sept ‘22). A collection of songs by Nico Muhly with Detroit's acclaimed wind ensemble Akropolis Quintet also features Ms. Nova's voice entitled Hymns for Private Use (Oct ‘22). A number of music composers, including Sarah Kirkland Snider, Bryce and Aaron Dessner, Steve Mackey and David Lang have created works specifically for her voice. She has collaborated with Matthew Barney, The Decemberists, The Blind Boys of Alabama, Sufjan Stevens, David Byrne, Laurie Anderson, and many others.Shara has a couple different branches to her life:Singer and Composer Branch: https://shara-nova.com/Pop Music Branch: https://www.mybrightestdiamond.com/Instagram: @mybrightestdiamondTwitter: @MyBrightestDmndWriting on Substack: https://substack.com/profile/91251132-shara-nova

Rachel's was a very important band from my formative years, I would even go out on a limb and say, they were one of the first American instrumental pop bands to make an indelible mark on the 90's indie scene, using strings and piano as their prominent vehicle to make their artistic statement. Rachel Grimes was the founding keyboardist/pianist of the group and still composes incredible music to this day, the latest being the October 2022 release of the album, Blue Hour, where she was one of the five composers writing for the project. Her humble roots growing up in Louisville, Kentucky, where she came from a strikingly musical household, to the chance beginnings of playing in her first band at the age of 15 and then going on to enroll at the University of Louisville to learn composition and piano. Rachel is an artist of the utmost empathy and integrity, as her love for animals and nature grounds her differently than those of us city dwellers, listen to how Rachel's got started, her intuitive take on Beethoven's dyslexia and her refreshing responses to the segment, The Magnificent Seven Questions! Listen to her latest music here at rachelgrimes.bandcamp.com #BBB #Beethoven #Bad Boy #Jae Cosmos Lee #A Far Cry #Chamber Orchestra #Self Conducted #Cape Symphony #Concertmaster #Classical #Bands #Rock Band #Art Rock #Rachel's #Rachel Grimes #Blue Hour #Music for Egon Schiele #Systems/Layers #Significant Others #Quarterstick Records #The Way Forth #Book of Leaves --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app Support this podcast: https://anchor.fm/beethovenbadboy/support

Anne Gauthier is the Chief Engineer/Producer at La La Land Sound in Louisville, Kentucky. La La Land is an analog/digital based recording studio built around a 40 channel vintage Trident board. With a full array of classic analog gear, a comfortable, dreamy environment to create in, and a 2500 square foot tracking room with 3 isolation booths, it is a perfect environment to create, explore, and record any dream album. La La Land has been home to many local and national recording artists – My Morning Jacket, Ray Lamontagne, Horse Feathers and Basia Bulat among others. Anne is originally from Montreal, Canada. She got her musical start playing drums at 15, eventually touring internationally with electronic act TR/ST after years of national tours with Canadian acts. These days, she spends most of her time in the studio recording, producing and sharing the magic of record making with artists like Murder By Death, Bonnie Prince Billy, GRLwood, Joan Shelley, Strand of Oaks, By the Grace of God, and Rachel Grimes. She has also worked on albums by Ray Lamontagne, Jake Shears, Emma Ruth Rundle and White Reaper. Anne has worked with and learned from producers Kevin Ratterman, Jim James and Glyn Johns. Anne loves all styles of music: rock, country, experimental, pop, hip hop, and everything in between. She is always excited to help musicians craft and share their vision, whether new or established acts. Her production style has been called organic and intimate. --- Support this podcast: https://anchor.fm/tophillrecording/support

Jason sits down with composer and pianist, Rachel Grimes to discuss her latest works and album as well as her future projects. They also discussed pivoting, honoring those we love with our work, and the importance of music. Rachel had so much good stuff to share and I especially loved her comments on family and legacy. Check it out!You can learn more about Rachel at https://www.rachelgrimespiano.com*** If you enjoyed this podcast, would you please consider leaving a short review on Apple Podcasts/iTunes? It makes such a difference in helping to convince hard-to-get guests to participate in the show and share their wisdom. I also love reading the reviews and appreciate the encouragement and feedback!For show information including past guests, please visit www.okwhatsnextpodcast.comSign up for Jason's latest news at https://mailchi.mp/a9f3ccd22ae7/jason-vanrulerInterested in hiring Jason as a coach or speaker? Visit www.jasonvr.com and fill out the contact form.Follow Jason:Twitter: twitter.com/jason_vanruler Instagram: instagram.com/jason.vanrulerFacebook: facebook.com/thejasonvanruler

In this episode of Policy, Guns & Money, Brendan Nicholson speaks to Samantha Crompvoets, founder and director at Rapid Context who carried out the review of special forces which uncovered claims that war crimes were committed by Australian special forces in Afghanistan. They discuss the Brereton Report, how a dangerous ‘warrior culture’ developed unchecked, and what needs to be done to stop it happening again. Anastasia Kapetas speaks with Ben Bohane, Communications Director at ANU’s Australia Pacific Security College and Pacific specialist, about climate initiatives and innovation in the Pacific, and disaster responses and resilience. They also discuss the regional response to Joe Biden’s election and the prospects for the US to return to a global leadership role on tackling climate change. Genevieve Feely speaks to Rachel Grimes, NATO ACT Liaison Officer to the UN, ICRC and NGOs, about her experiences working in the UN, NATO and UK Defence. They discuss the importance of terminology, the progress made so far in the increasing female representation in peacekeeping operations and the prospects for advancing the women, peace and security agenda. The views expressed in this interview are Rachel’s personal views. Mentioned in this episode: https://afghanistaninquiry.defence.gov.au/sites/default/files/2020-11/IGADF-Afghanistan-Inquiry-Public-Release-Version.pdf Guests: Brendan Nicholson: https://www.aspi.org.au/bio/brendan-nicholson Samantha Crompvoets: https://www.rapidcontext.com.au/samantha-crompvoets Anastasia Kapetas: https://www.aspi.org.au/bio/anastasia-kapetas Ben Bohane: https://crawford.anu.edu.au/people/professional/ben-bohane Genevieve Feely: https://www.aspi.org.au/bio/genevieve-feely Rachel Grimes MBE: https://www.lse.ac.uk/women-peace-security/people/Rachel-Grimes Music: "Drop" by 'Anno Domini Beats' - via the YouTube Audio Library Image: piqsels.com

Voices and Visions returns and presents a joyful interview with one of the all-time great composers, Rachel Grimes. Her talent has been evident for many years going all the way back to her work with the band, The Rachel’s. For this follow-up conversation, we delve into her latest endeavors which includes one of last year’s very best albums, The Way Forth. There’s also a lot of words spoken about Kentucky history and politics, Rachel’s personal journey both past and present as well as just a lot of hope for the future of music and live performance. Please do your best to support independent artists like her by visiting her website and Bandcamp linked below. Stay tuned for a couple of episodes this month but we certainly start out strong here with so many words of insight and inspiration from a legendary composer whose work will definitely give you peace of mind during these difficult times. 00:00 - 04:07 - Introduction04:08 - 51:16 - Interview Buy The Way Forth Here:https://rachelgrimes.bandcamp.com/album/the-way-forth Visit Rachel’s Website:https://Rachelgrimespiano.com Check out this music video from The Way Forth: https://youtu.be/xXB097LWLEA

On this week's episode of THINK HUMANITIES, Bill Goodman talks to Rachel Grimes, pianist, composer, and creator of The Way Forth, an Appalachian folk opera inspired by family keepsakes and historical documents. Rachel talks about the process of creating The Way Forth and what she's learned from her research for the project. To listen to the music and watch the accompanying documentary clips, visit https://www.rachelgrimespiano.com/

Composer and pianist Rachel Grimes is heralded as “One of American independent music’s few truly inspired technicians” by WIRE magazine. Rachel Grimes is a pianist, composer, and arranger based in Kentucky. She is a member of Louisville rock band King’s Daughters & Sons (Chemikal Underground) and a founding member of the ground-breaking indie-rock chamber ensemble Rachel’s, with whom she toured and released six albums (Quarterstick / Touch & Go).   Highlights Rachel’s background - 3:30 What’s happening in today’s world - 5:32 The rehearsing process - 9:11 The orchestra schedule - 10:20 A solo tour is very demanding - 14:12 Having an opportunity to play - 17:46 Kind of music like she likes to listen to - 19:59 Taking music lessons - 26:07 Playing a lot of shows with the band - 30:19 Her band’s stories - 37:27 Gaining fans from a tour - 47:39 Kentucky as her home - 53:21 Having a creative space - 54:22 The experience of working with an orchestra - 59:48 What is the music she really makes - 1:03:37 What she does on stage - 1:26:01 Facebook Live concerts - 1:38:38   Episode Resources Connect with Robert Hunt Simonds: roberthuntsimonds@gmail.com  http://roberthuntsimonds.com/ Connect with Rachel Grimes: http://www.rachelgrimespiano.com 

 Stream Jonny Nash - Make A Wilderness - ApparitionLogic Moon - Phoenix - I Will Always RememberDeaf Center - Low Distance - Movements /The AscentRafael Anton Irisarri - Peripeteia - Refuge/RefuseprotoU - Anomalies - Pellucid Waters (feat. Hilyard)Luís Fernandes - Demora - Demora Pt.2David Norland - Glam Tear Stain - Agate Or BariumFelt - Ballad Of The Band (Single) - Candles In A ChurchRachel Grimes - The Clearing - The ClearingSufjan Stevens And Lowell Brams - Aporia    - Climb That Mountain"Guardar Link Como" - "Save Link As"Right Mouse Button Click For Save (Last Show April 12)Foi quandonesta tarde de quinta-feiraque a luz entrou dormentequase suspensa pela janelae os livros iluminados obliquamentedescubro um prazer escondidonuma vela apagada.Podia ser mas não é.Estou sótambém o mundoa paragem colectiva no suspiro sufocadolembra que não estamos inteiros para Abril.Está longe a pátria dos sonhos partilhadosEstá pálida a carne dos corpos enclausuradosA canção chama lentamente os espíritospara dentro do quartoo tempo roda insano à nossa voltacomo moscas que vigiam vagarosamenteo apodrecer da frutacobiçam o sangue, negro até ao infinito.Só depois da morte o brancoSó depois de aflito se libertam os pulmõesRisco as palavrasPor mais quanto tempo?as mãos embaladas ao som das máquinas da cidadee em cada raio vagaroso que bate no ferrosepultamos as esperanças.Poema | Poem by - Ana Freitas ReisFotografia | Photo by - Alípio Padilha

DECEMBER 19 EDITION - FULL LENGTH  _______________________  SEGMENTS  ONE: Appalshop at 50: a conversation with an "original," filmmaker Herb E. Smith, and Willa Johnson, director of the Appalachian Media Institute. LISTEN  TWO: Composer , pianist and arranger Rachel Grimes and filmmaker Catharine Axley discuss the original multi-media folk opera "The Way Forth." LISTEN  THREE: Historian Thomas Weyant talks about his research into the influences of the cold war between the US and former Soviet Union on the modern American Christmas. LISTEN

DECEMBER 19 EDITION - FULL LENGTH  _______________________  SEGMENTS  ONE: Appalshop at 50: a conversation with an "original," filmmaker Herb E. Smith, and Willa Johnson, director of the Appalachian Media Institute. LISTEN  TWO: Composer , pianist and arranger Rachel Grimes and filmmaker Catharine Axley discuss the original multi-media folk opera "The Way Forth." LISTEN  THREE: Historian Thomas Weyant talks about his research into the influences of the cold war between the US and former Soviet Union on the modern American Christmas. LISTEN

This Episode tackles how to plan for your financial goals. Join us as we speak to our offices very own Rachel Grimes, as she walks us through steps necessary in order to plan. Have a financial question you want our Mean Green Money team to answer on a future podcast? E-mail us at:moneymanagement@unt.edu with the subject line: Mean Green MailbagFor more information about the Student Money Management Center visit us: moneymanagement.unt.edu Show Notes: Music from Bensound.comSound effects from Zapsplat.com

Jacob Duncan is an incredibly talented composer and reeds player. His avant garde project Liberation Prophecy has been destroying musical boundaries since its inception when he was in high school. As a driven and hyper focused musician, he's worked with the likes of Norah Jones, Will Oldham, and Rachel Grimes; as a passionate educator he works regularly with mentally disabled children. He sat down with JC to talk about compositional processes, cultural appropriation, the necessity of hope, and more... This episode is sponsored by Guestroom Records and Dauntless Distributing.

Attack of the Killer Soundtrack - Episode 52 This week we are joined by composer, pianist and old school rock star - Rachel Grimes. Rachel has recently composed the score for Jeremy Frindel's film The Doctor from India, so we eventually discuss that... but not before we delve into her youthful interests, her formative years in the middle of a world-renowned punk rock scene and just how she got involved with the coolest field hockey team ever formed.   And while we confirm that Rachel's is the best part of Will Smith's Hancock, we also mention... Rodan, The City of Lost Children, Jacob Duncan, Lemonade Hayride, The Vogue Theater, every moment can be different, Vincent Guaraldi, Matmos, scenes were overlapping, concurrent streams, very gothy, oh my god... they just made the movie we wish we had made, Jason Noble, Zeppelin, don't go together with this rubber stamp ensemble, Peter Greenaway, viola, two cellos and bass, Nyman-esque, there wasn't the technical ability to put the show on in that room, 900 degrees, Scott Moore, June of '44, The Muppets, we went in two vehicles... a van and a car, Rachel's Halo, 8-tracks, a very urgent Summertime decision, Christian Fredericksen, 37 pieces of music that don't sound anything like each other, it's all about Scott, monomaniacs, Blade Runner, a mixed bag of painful truths, hardcore and straight edge, Fugazi, the grittiness of the plot, I've nearly lost my mind and soul many times over it, Hula Hoop, it's an all-in experience... and that, to me, is the great potential of film, integral to my growing up, Todd Cook, there was a filtration system, the rise of the cultivator of the soundtrack that is not a score, Gwar, a midi performance, the Wheelers were in Return to Oz not The Wiz, hearing live music, their incredibly snarky focused press, thank you Warner Brothers, My Morning Jacket, I've gotta get my Brahms ready, post-punk, the urgency of the moment was more relevant, it make almost a rite of passage, creative power here, every night we're in a cloud of smoke, Samuel L. Jackson, Chopin, instant cinematic quality, do you have a temp score, Philip Glass, start things at the piano, both the music and film industry have been through pretty cataclysmic change... since the 90's, good inspirational stories, it's very mellow, clarinet clusters, it was baffling and it was a great challenge from a young age... to figure that out, well-rounded interests, Edward Grimes, interacting with and supporting what is happening in the film, it really is sort of a journey, truly experimental art noise, they don't want to pay their money to an outside source, serving a support role, the Slamdek Field Hockey Rockers, we had a lot of different musical influences... that were all just sittin' in the same basket, it was a source of contention in the band, it's kind of more just like you're leaping lily pad to lily pad... through a soundtrack, Star Maps and it's all just become sort of a blur... of movies and music. "I do have distinct memories, of sitting on the bench and watching my dad play... and just being completely flummoxed. How does that work?!" For more on Rachel's music and to get The Doctor from India soundtrack, go to: http://rachelgrimespiano.com/ For more on the film The Doctor from India, go to: https://zeitgeistfilms.com/film/thedoctorfromindia

Sonosphere spoke with Rachel Grimes about her score for the film The Doctor from India. Rachel talks about the composition and the ways this film has inspired her to pay closer attention to the way she lives her own life. The interview took place via telephone on April 4th, 2018 and Rachel talks about the importance of this date. Enjoy!

Rachel Grimes composes music for solo piano, large ensembles, and chamber groups.  A founding member of Rachel's, she was an integral part of a musical movement that helped marry the seemingly disparate worlds of neoclassical music and indie rock. She is a vital part of the Louisville arts scene and works tirelessly to preserve and present the rich culture and history of Louisville and Kentucky. Oh, and she knows her beer, too! She sat down with JC to talk about the evolution of her compositional processes, the challenging nature of collaboration, and how music can be used to teach historical lessons. This episode is brought to you by Heine Bros. Coffee and Dauntless Distributing.

Rachel Grimes is a composer from Carroll County, Kentucky. The ukulele class at Harmony Elementary interviewed her about what it's like to be a composer today. Listen and you'll learn that you can be a composer too! Sometimes you just need to start small. Just like you can build cities out of legos you can build symphonies out of just a few notes. Hosted and produced by Sara Louise Callaway, WUOL Curriculum design by Paul Robinson, JCPS Photography by Tyler Franklin Recording Assistance by Anne Gauthier Host: Harmony Elementary and James Albritton Music Credits: 00:00 Happiness Nugetts by Colleen :36 The Corner Room by Rachel Grimes 1:48 Brooks Farm Field Recording by Aaron Rosenblum 3:37 The Corner Room by Rachel Grimes, performed by Jason Seber and the Kansas City Symphony 7:02 Dorothy Susan Grimes (Mama Dot) 8:35 Going to the Chapel of Love by The Shirelles 9:21 My Dear Companion by Rachel Grimes 10:32 Every Morning by Rachel Grimes 11:24 Every Morning, Birds by Rachel Grimes  12:01 She Was Here by Rachel Grimes 12:40 G7 Blues by The Harmony Elementary Ukulele Ensemble 13:18 Every Morning, Birds by Rachel Grimes +

We're hitting the uptempo button this week with blinding new tunes from AK/DK, Zombie Zombie, Graham Dunning and Minor Science alongside some reissued Afrofunk from Cameroon's Jo Tongo. We also have neo-classical music from Astrïd & Rachel Grimes, the latest from post rock titans Godspeed You! Black Emperor, indie rock from Protomartyr and gorgeous latin music from Esther Suarez and Niña de la Puebla. Tracklisting: AK/DK - Morphology (Little Miss Echo Recordings, UK) Minor Science

Episode 365: August 13, 2017 playlist: The Residents, "Rest Aria" (Meet The Residents) 1974 Ralph UUUU, "Verlagerung, Verlagerung, Verlagerung" (UUUU) 2017 Editions Mego Linda Perhacs, "Parallelograms" (Parallelograms) 1970 Kapp Tuxedomoon, "In A Manner Of Speaking" (Holy Wars) 1985 Cramboy Supersilent, "13.9" (13) 2016 Smalltown Supersound Astrid and Rachel Grimes, "Le Petit Salon" (Through the Sparkle) 2017 Gizeh The Duellists, "Baba Yaga's Cat" (English Hurdy Gurdy Music) 1997 Panic ATC Fontanelle, "When the Fire Hits the Forest" (Vitamin F) 2012 Southern Lord Abul Mogard, "All This Has Passed Forever (excerpt)" (Nervous Hydra / All This Has Passed Forever) 2017 Ecstatic Lisa Germano, "Red Thread" (In The Maybe World) 2006 Young God Email podcast at brainwashed dot com to say who you are; what you like; what you want to hear; share pictures for the podcast of where you're from, your computer or MP3 player with or without the Brainwashed Podcast Playing; and win free music! We have no tracking information, no idea who's listening to these things so the more feedback that comes in, the more frequent podcasts will come. You will not be put on any spam list and your information will remain completely private and not farmed out to a third party. Thanks for your attention and thanks for listening.

Rachel Grimes talks to Todd Steed about her latest work, one that will debut at Big Ears 2017. Please, please listen carefully.

Merry New Year and Happy Christmas to all.  What I have prepared for you is a gift that I will call the "Royal Sampler Volume One."  It contains short clips from all the podcasts featured at The Now Playing Network, as well as extended highlights from Supporting Characters & Director's Club from over the years.  You also get a brief glimpse into some of my interviewing skills with various guests over the years.  There's also some kind of unusual collage towards the end.  This is a special episode, highlighting the talented folks of NPN for the first half, and then highlighting some of the better moments from the recent wave of Director's Club episodes.  The next episode will likely be released on January 9th, which will be The Best of 2016 featuring Bill Ackerman and Zach Betonte.  This means you have until January 7th to get your top ten lists in so I can read some during our recording!  directorsclubpodcast@gmail.com Thank you again for listening to this pinata of audio treats that will hopefully get you through your commute home for Christmas.  See you next year and stay tuned for some exciting changes to come 00:00 – 07:24 – Introduction 07:25 – 12:48 – Vinyl Emergency Excerpt 12:49 – 19:50 – Fresh Perspective Excerpt 19:51 – 26:27 - Movie Madness Excerpt 26:28 – 33:23 - Tracks of The Damned Excerpt 33:24 – 01:44:00 - Supporting Characters Highlight Reel 01:44:01 – 01:54:50 - Director’s Club Highlight Reel Part One 01:54:51 – 02:16:53 - Interview Excerpts with Stephen Tobolowsky, Keith Gordon, Allan Moyle, John McNaughton, Rachel Grimes, Karrie Hopper 02:16:54 – 02:32:21 - Director’s Club Recent Guest Highlights 02:32:22 – 02:50:32 - ??? Check out the podcasts: http://nowplayingnetwork.net Check out my new podcast: http://voicesvisions.net

Metallurgist Tony G. talks about his career in metallurgy, a little science on metals, and his start making manhole covers for the city of Buffalo at a radical hippy foundry collective in the 1970s! Also, update on my new lifestyle change, and a some sounds from my son. Sorry for the brief loud guitar playing at the beginning. Musical break: Rachel Grimes, "In the Vapor with the Air Underneath."

Landon Roussel's recently-published On the Primitive Way (http://www.ontheprimitiveway.com/) tells the story of his relationship with his brother, Cory--a relationship long strained by Cory's struggles with addiction--and their pilgrimage on the Camino Primitivo. In this episode, Landon talks more about his experience on the Primitivo and the ways that pilgrimage offers room for healing and reconciliation. He's followed by Rachel Grimes, who shares some stories from her pilgrimage on the Camino Francés, and some thoughts specifically on common Camino expressions, like "the Camino provides." Finally, Dave offers some thoughts on 2015 pilgrim statistics from Santiago, and the rise of the Americans.

RECORDED AS POP CULTURE CLUB:  Expressing love for music is often very difficult to put into words.  And some of the most powerful songs that have changed my life may not even have lyrics. Rachel Grimes is responsible for many of these songs, being a "key" player in one of my all-time favorite bands, The Rachel's.  They also recorded my favorite instrumental of all time, featured on one of my top ten favorite records, Music For Egon Schiele.  So you can say that yes, I am quite the fan of her work. Rachel's latest record, The Clearing, is a truly moving piece of work that demands to be heard and has made AV Club's list of the best records of the year so far.  Included are songs with full arrangements as well as the song that closes the record which is mainly just Rachel with her instrument of choice: the piano. Included in this episode is a brief introduction, my interview with Rachel, and some excerpts from her latest record.  This was a tremendous honor and I am eternally grateful to have spoken with one of my favorite songwriters of all time. Songs featured: The Rachel's - Water From The Same Source Rachel Grimes - The Herald Rachel Grimes - The Clearing Rachel Grimes - Transverse Plane Vertical The Rachel's - Wally, Egon & Models In The Studio Please Visit: http://rachelgrimespiano.com http://rachelgrimes.bandcamp.com

Expressing love for music is often very difficult to put into words.  And some of the most powerful songs that have changed my life may not even have lyrics. Rachel Grimes is responsible for many of these songs, being a "key" player in one of my all-time favorite bands, The Rachel's.  They also recorded my favorite instrumental of all time, featured on one of my top ten favorite records, Music For Egon Schiele.  So you can say that yes, I am quite the fan of her work.  Rachel's latest record, The Clearing, is a truly moving piece of work that demands to be heard and has made AV Club's list of the best records of the year so far.  Included are songs with full arrangements as well as the song that closes the record which is mainly just Rachel with her instrument of choice: the piano. Included in this episode is a brief introduction, my interview with Rachel, and some excerpts from her latest record.  This was a tremendous honor and I am eternally grateful to have spoken with one of my favorite songwriters of all time.  Songs featured:The Rachel's - Water From The Same SourceRachel Grimes - The HeraldRachel Grimes - The ClearingRachel Grimes - Transverse Plane VerticalThe Rachel's - Wally, Egon & Models In The StudioPlease Visit:http://rachelgrimespiano.comhttp://rachelgrimes.bandcamp.com

Maestro Classical Podcast 015: Composers in 2010 pt. 2 featuring Max Richter, Rachel Grimes and Quartet San Francisco Max Richter "infra 4" (mp3) from "Infra" (Fat Cat Records) More On This AlbumOriginally conceived as a Royal Ballet-commissioned collaboration between composer Max Richter, choreographer Wayne McGregor and artist Julian Opie, Max Richter's gorgeous score to 'infra' is deservedly given life of its own in this album-length release from FatCat's instrumental/orchestral imprint 130701 Records. The initial setting for 'infra' was as a ballet - written in autumn 2008 and premiered in November of the same year at The Royal Opera House in London – although here Richter’s score is given the full scope of a standalone new album. Expanded and extended from the original piece, 'infra' comprises music written for piano, electronics and string quintet, including the full performance score as well as material that has subsequently developed from the construction of the album – more a continued reference to the ballet than as a "studio album" in the strictest sense. The composition resonates with Max's characteristic musical voice – majestic, involved textures; fluent and sweeping melodies; an enigmatic and inherently intellectual understanding of harmonic complexities that compels and mesmerizes. Richter's work on the ballet came initially from McGregor's invitation, a request for 25 minutes of music for his piece, inspired by T.S. Elliot's 'The Wasteland' and named after the Latin term for 'below'. This eventually became more collaborative as the project developed – Wayne would ask for Max to extend or alter certain passages of music in accordance with his own amendments to his choreography and concept, whilst logging the whole process for a BBC documentary (broadcast, along with the ballet in full, on BBC2 in November 2008). The dance performance was backed with digital images created by Julian Opie – observational scenes of street life, haunting and curiously balletic despite being of the everyday – and Max's score is an appropriately close reference to the traveling theme: "I started thinking about making a piece on the theme of journeys. Like a road movie. Or a traveler's notebook. Or like the second unit in a film - when the scene has been played, and the image cuts away to the landscape going by. This started me thinking about Schubert's devastating and haunting "Winterreise" (Winter Journey), so I used some melodic material from Schubert as a found object in parts of my new piece." Rachel Grimes"Every Morning" from "Books of Leaves for Solo Piano" (Violinjazz Recordings) Buy at Amazon MP3 More On This Album BBC Pioneering Neo-Classicist reveals her solo debut by Spencer Grady, October 13, 2009: "We owe Rachel Grimes big." "..with Music for Egon Schiele …found the conviction and confidence to match her voice.." "Her most wondrous gift was always her ability to paint the most evocative pictures in purest ivory and her lightness of touch allows majestic statements such as the Corner Room and Long Before Us to ring out, echoing with sensuousness and sentiment before drawing the listener back in." New York Times – Live Review by Allan Kozinn, October 14, 2009: "..offered glimpses of an alternate universe in which expansive, unified projects are everything." "..overall serenity.." "..her evident fascination with French music: Ravel and Debussy hover nearby (in the watery imagery and modal harmonies of "Bloodroot" for example)" Quartet San Francisco "Crowdambo" (mp3) from "Látigo" (Violinjazz Recordings) Buy at Napster Buy at iTunes Music Store Buy at Amazon MP3 More On This Album Description of "Crawdambo" from Quartet San Francisco violinist, Jeremy Cohen: "I wrote this piece as an homage to my teacher and mentor, Anne Crowden, who passed away in 2004. Anne instilled in me a dedication to musical expression that truly became the basis of my violin-playing. She communicated to me how important it is that the joy of music-making be evident in my playing at every moment. In this little musical “thank you” to Anne I found myself cooking up a musical soup of favorite sounds, techniques, and rock and classical-infused ideas held together by a mambo rhythm."