Podcasts about Slint

Åsiktskorridoren från S-kongressen med Susanna Kierkegaard, Jonna Sima och Anders Lindberg

Look, do you really need an explanation for this one? Songs with whispering, songs that whisper, songs that softly sing sweet nothings in your ear. This is one eclectic list and that's partially thanks to this week's special guest, The Old Whispering Boy Himself, Ryan Blake. Picks 10-6 are featured in Top Ten Songs That Whisper, Part 1.Dig on Ryan's album Silence In The Traffic wherever you get streaming music.https://open.spotify.com/artist/5DMMz3Z5KVxAqf172PiipE?si=QLMdS3SpSXCHzSlxV1yQxwRyan's son Jasper has his own YouTube channel!https://www.youtube.com/@PixelshadowstudiosWe've lowered our prices, but not our standards over at the ATTT Patreon! Those who are kindly contributing $2 a month are receiving an exclusive monthly Emergency Pod episode featuring our favorite guests and utilizing our patent-pending improv format in which we miraculously pull a playlist out of thin air. Look for Volume 16 coming June 1st featuring our friends Dustin Prince and Candi Bartlett! Find out more at https://www.patreon.com/c/alltimetoptenWe're having a blast chatting it up about music over on the ATTT Facebook Group. Join us and start a conversation!https://www.facebook.com/groups/940749894391295

EVERY OTHER KREATIVE KONTROL EPISODE IS ONLY ACCESSIBLE TO MONTHLY $6 USD PATREON SUPPORTERS. Enjoy this excerpt and please subscribe now via this link to hear this full episode. Thanks!David Pajo returns to discuss Papa M's Ballads of Harry Houdini and provide insights about each song, reflecting upon the profound memorial gathering for Steve Albini that we attended this past July and also Steve's talents and knowledge-sharing generosity, embracing improvisation and never touching a computer to make his new record, how playing in Tortoise still informs his work, unsettling songs and horror movies, reissuing Slint's Tweez and releasing Aerial M's Peel Sessions, making new music, touring with Gang of Four, other future plans, and much more. Support vish on Patreon!Support Y.E.S.S., Pride Centre of Edmonton, and Letters to Santa. Follow vish online.Related episodes/links:Ep. #910: The Hard QuartetEp. #877: Gastr del SolEp. #872: Mike Watt and Papa MEp. #869: Steve AlbiniEp. #736: Douglas Andrew McCombsEp. #609: Gang of FourEp. #303: David PajoEp. #240: A Way That's Clear – Tortoise & The Making of ‘The Catastrophist'Ep. #112: Britt Walford of Slint and WatterEp. #99: Brian McMahan of SlintSupport this show http://supporter.acast.com/kreative-kontrol. Hosted on Acast. See acast.com/privacy for more information.

701 Slint - Spiderland

For the 30th anniversary of Superchunk's fourth album, FOOLISH, we take a detailed look at how it was made. After Superchunk got their start in Chapel Hill, North Carolina in 1989, they were becoming known for their catchy punk anthems and busy touring schedule. Mac McCaughan and Laura Ballance had been a couple and formed Merge Records initially as a way to release their early singles, while releasing their full-length albums on Matador Records. Around the time of their third album, ON THE MOUTH, McCaughan and Ballance ended their romantic relationship, causing tension and uncertainty about the future of the band, as well as Merge. The inner-band turmoil impacted the songs they were writing, as McCaughan wrote lyrics from a vulnerable place while they also worked to expand their sound, incorporating more dynamics, new guitar textures and slower tempos. They booked studio time at Pachyderm Studios in Cannon Falls, Minnesota with Brian Paulson, who they had wanted to work with after hearing records he made with Slint and Unrest. Their breakneck three-day session resulted in FOOLISH, eventually released in 1994. In this episode, Mac McCaughan describes his intention to do something different musically with this record and how he was incorporating more clean guitar tones and space than ever before. Laura Ballance talks about hearing McCaughan's lyrics for the first time in the studio and how she felt attacked as she interpreted them as being about her or about their relationship. Jim Wilbur gives his perspective on this tumultuous time in the band's history, but how they were able to remain collaborative as a unit and write many songs quickly. From treating the band like a job to losing a day in the studio to writing on acoustic guitars to an ambitious and tense video shoot to the story behind the album cover to a breakup record with some of Superchunk's most enduring songs, we'll hear the stories of how the album came together.

On this week's Talkhouse Podcast we've got a reunion of sorts, in celebration of a new release of old music: It's David Pajo, Cassie Berman, and Tim Furnish. These three met in the fertile Louisville scene of the early 1990s. Pajo played guitar in the wildly influential band Slint and went on to play with Tortoise, Royal Trux, Stereolab, and Interpol at various times over the years—he's currently a member of Gang Of Four. But the subject of this conversation is Pajo's sorta-solo career, which went through various M-names, from just M to Papa M and Aerial M. As Aerial M, Pajo brought on some friends for a brief time to tour Europe, where they recorded a Peel Session—more on that in a minute. The friends that Pajo recruited to play in the Aerial M live band were Tim Furnish, whose legendary Louisville band Crain had broken up recently—and who has since recorded experimental rock with the band Parlour—as well as Cassie Berman and Tony Bailey. Berman had been kicking around in Louisville bands, too, and she would go on to join Silver Jews, the band fronted by her husband, David Berman. Drummer Tony Bailey, as you'll hear, played in about a million bands in the area—he died, sadly, in 2009. The reason for today's reunion of the lineup that burned bright but quick is the release of Aerial M's new Peel Sessions album. In case you're unfamiliar, BBC DJ John Peel used to invite the coolest bands of his day—from the ‘70s into the 2000s—to record a few songs specifically for his show, many of which were later released with the same striking artwork. In 1998, Aerial M stopped by and recorded three songs that would turn out quite different to the versions Pajo crafted in the studio, and would really be the only evidence that this lineup left of its existence. Pajo was recently reminded of this session, so he set about tracking down the tapes, sprucing them up, and handing them over to Drag City for a proper release—including an amazing replica of those original John Peel Sessions sleeves. Check out the song “Vivea” right here. I don't think these three had sat down for a chat in a while, so it's like sitting in on a reunion with three people who have a lot of fond memories. They talk about their '98 tour, including the recording of this record, plus they get into fond remembrances of Tony Bailey, racing Stereolab to the record store, and even what they're up to now: Just a few days before this recording, Cassie Berman participated in a tribute to David Berman on the anniversary of his untimely passing, and Furnish has been working on some cool-sounding visual art for other bands. Enjoy. Thanks for listening to the Talkhouse Podcast, and thanks to David Pajo, Cassie Berman, and Tim Furnish for chatting. If you liked what you heard, please follow Talkhouse on your favorite podcasting platform, and be sure to check out all the great stuff at Talkhouse.com and in our wider podcasting network. This episode was produced by Myron Kaplan, and the Talkhouse theme is composed and performed by the Range. See you next time! This episode is brought to you by DistroKid. DistroKid makes music distribution fun and easy with unlimited uploads and artists keep 100% of their royalties and earnings. To learn more and get 30% off your first year's membership, visit: distrokid.com/vip/talkhouse

Mapping is a hugely complex task to take on. Even if you moved as much of the data-management as you can out to 3rd-party services, you'd still have a tonne of work to do weaving together map tiles, routing information, GPS data, points of interest, search and more. And as if that wasn't enough, you'd probably want that software to work on a whole range of platforms, so you have to build something that works on iOS, Android and more. It's little wonder that the space is dominated by a few closed-source projects owned by huge companies with near-limitless resources.But that doesn't mean the problem can't be cracked as an open-source project. This week we look at the open source map library Ferrostar. Joining me to discuss it is the project's lead developer, Ian Wagner, as we explore the problem space and dive down into Ferrostar's architecture: A core Rust library serving a suite of custom UI shells written in Kotlin, Swift, WASM and TypeScript.Along the way there are tips for anyone attempting to build a map, or wanting to interop Rust with other languages.–Support Developer Voices on Patreon: https://patreon.com/DeveloperVoicesSupport Developer Voices on YouTube: https://www.youtube.com/@developervoices/joinFerrostar on Github: https://github.com/stadiamaps/ferrostarFerrostar user guide: https://stadiamaps.github.io/ferrostar/MapLibre: https://maplibre.org/Project OSRM: https://project-osrm.org/Dioxus (Rust UI framework): https://dioxuslabs.com/Slint: https://slint.dev/UniFFI (repo): https://github.com/mozilla/uniffi-rsUniFFI (user guide): https://mozilla.github.io/uniffi-rs/latest/Beeline (navigation device): https://beeline.co/Ian on Mastodon: https://fosstodon.org/@ianthetechieIan on Twitter: https://x.com/ianthetechieKris on Mastodon: http://mastodon.social/@krisajenkinsKris on LinkedIn: https://www.linkedin.com/in/krisjenkins/Kris on Twitter: https://twitter.com/krisajenkins

Good morning.On today's episode of the Ambient Country podcast, Bob Holmes of SUSS is joined by his co-host David Pajo (Slint, Tortoise, Papa M, Gang of Four) to discuss Pajo's early influences including Arvo Pärt, Popol Vuh, Miles Davis, ZZ Top, Harmonia, and many more.Known as the guitarist for ‘90s outfits Slint and Tortoise, Pajo has also created eclectic solo music, much of which is instrumental. We're playing two of Pajo's albums released under the name Papa M. First we're playing A Broke Moon Rises from 2018, which is five acoustic guitar-led instrumentals, ending with an amazing cover of Arvo Pärt's “Spiegel im Spiegel.” Second up is 1999's Live from a Shark Cage, which features lofi, freeform guitar recordings with the occasional drum machine.A Broke Moon Rises - Papa M (40m, no vocals)Spotify / Apple Music / YouTube Music / Amazon Music / Bandcamp / TidalLive from a Shark Cage - Papa M (60m, spoken vocals on track 7)Spotify / Apple Music / YouTube Music / Amazon Music / Bandcamp / TidalHave a great Wednesday.PS: Bob's band, SUSS, just launched their own newsletter – subscribe here. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit www.flowstate.fm/subscribe

Returning guest, filmmaker Alan Zweig (Vinyl, When Jews Were Funny), brings us Will Oldham - a.k.a. Palace Brothers, Bonnie 'Prince' Billy...etc) and his stunning debut: 'There Is No-One What Will Take Care of You'First released in 1993 under a cloud of mystery, Oldham's dark tales of sin, lust, alcohol, and redemption made for rousing conversation - as we name-checked The Louvin Brothers, The Velvet Underground and many others along the way. Songs discussed in this episode: Oh Lord Are You In Need - Glen Dentinger, Joe Manning and Rachel Grimes; Breadcrumb Trail - Slint; O Let It Be - Will Oldham; I See A Darkness - Johnny Cash; The House Carpenter - The Doc Watson Family; A Little Soldier For Jesus - Ralph Stanley & Friends; Idle Hands are the Devil's Playthings - Palace Brothers; The River Of Jordan - The Louvin Brothers; Long Before, I Tried To Stay Healthy For You, The Cellar Song, (I Was Drunk At The) Pulpit - Palace Brothers; Ocean - The Velvet Underground; There Is No One What Will Take Care Of You, O Lord Are You In Need, Merida - Palace Brothers; Walking On Sunshine - Katrina & The Waves; King Me - Palace Brothers; Single Girl, Married Girl - The Carter Family;  I Had A Good Mother and Father, Riding, O Paul - Palace Brothers; O Paul - Bonnie 'Prince' Billy with Natalie Bajandas

Tracey is particularly happy this month as we're discussing our favourite songs from her favourite ever year, 1991, including hip hop, shoegaze, thrash, pop, grunge, indie, & more.We've each chosen our 10 favourite songs of the year and sent them over to Colin's wife Helen, who put the playlists together and distributed them so we were each given a playlist of the 20 songs from the other two hosts, along with our own 10. We then ranked the playlists in order of preference and sent them back to Helen, who totalled up the points and worked out the order.She also joined us on the episode to read out the countdown, which we found out as we recorded so all reactions are genuine.Now, admittedly, in parts we're a little bit brutal to some of the songs in the list as we're three separate people with differing music tastes, but please remember that to be in this episode at all the songs have to have been in one of our top 10's of that year.Bands featured in this episode include (In alphabetical order, no spoilers here!) - American Music Club, Billy Bragg, Curve, Cypress Hill, Dinosaur Jr, Extreme, The Field Mice, Guns N Roses, Chesney Hawkes, Ice-T, Mercury Rev, Metallica, Monster Magnet, My Bloody Valentine, Nirvana, Orbital, Primus, R.E.M., Scorpions, Sepultura, Shudder To Think, Slint, The SMashing Pumpkins, Soundgarden, SPin Doctors, Teenage Fanclub, The Telescopes, Temple Of The Dog, A Tribe Called Quest Ft Leaders Of The New School, & The Wedding PresentFind all songs in alphabetical order here - https://open.spotify.com/playlist/5XhJtoJjmZC9DLNh2lQqCL?si=6c98c73fd7dd480bFind our We Dig Music Pollwinners Party playlist (featuring all of the winning songs up until now) here - https://open.spotify.com/playlist/45zfDHo8zm6VqrvoEQSt3z?si=Ivt0oMj6SmitimvumYfFrQIf you want to listen to megalength playlists of all the songs we've individually picked since we started doing best of the year episodes, you can listen to Colin's here – https://open.spotify.com/playlist/5x3Vy5Jry2IxG9JNOtabRT?si=HhcVKRCtRhWCK1KucyrDdgIan's here - https://open.spotify.com/playlist/2H0hnxe6WX50QNQdlfRH5T?si=XmEjnRqISNqDwi30p1uLqAand Tracey's here - https://open.spotify.com/playlist/2p3K0n8dKhjHb2nKBSYnKi?si=7a-cyDvSSuugdV1m5md9NwThe playlist of 20 songs from the other two hosts was scored as usual, our favourite song got 20 points, counting down incrementally to our least favourite which got 1 point. The scoring of our own list of 10 is now slightly more complicated in order to give a truer level of points to our own favourites. So rather than them only being able to score as many points as our 10th favourite in the other list, the points in our own list were distributed as follows -1st place - 20 points2nd place - 18 points3rd place – 16 points4th place – 14 points5th place – 12 points6th place – 9 points7th place – 7 points8th place – 5 points9th place – 3 points10th place -1 pointHosts - Ian Clarke, Colin Jackson-Brown & Tracey BGuest starring Helen Jackson-Brown.Playlist compiling/distributing – Helen Jackson-BrownRecorded/Edited/Mixed/Original Music by Colin Jackson-Brown for We Dig PodcastsThanks to Peter Latimer for help with the scoring system.Part of the We Dig Podcasts network along with Free With This Months Issue & Pick A Disc.Twitter – https://twitter.com/wedigmusicpcast/Instagram - https://www.instagram.com/wedigmusicpcast/Facebook - https://www.facebook.com/wedigpusicpcast/Find our other episodes & podcasts at www.wedigpodcasts.com 

EVERY OTHER KREATIVE KONTROL EPISODE IS ONLY ACCESSIBLE TO $6 PATREON SUPPORTERS. This one is fine, but please subscribe now on Patreon so you never miss full episodes. Thanks!Mike Watt and Papa M's David Pajo talk about their new split-single for Red Parakeet Records' “one-for-one” series, their history together as admirers and friends and a fateful party for Lance Bangs, how punks share helpful information, the vaudeville circuit, the Beatles and arena rock, J Mascis and the Breeders, David's work in Gang of Four and a project between him, watt, and Hugo Burnham, the brilliance and resourcefulness of George Hurley, a musical project that watt and I are working on together, other future plans, and much more. Photo: Lance BangsSupport vish on Patreon! Thanks to Pizza Trokadero, the Bookshelf, Planet Bean Coffee, and Grandad's Donuts. Support Y.E.S.S. and Black Women United YEG. Follow vish online.Related episodes/links:Ep. #834: J MascisEp. #609: Gang of FourEp. #579: Nels ClineEp. #496: Iggy PopEp. #303: David PajoEp. #275: Incredible Love – Alan Vega & Suicide Remembered by Steve Albini, Jehnny Beth, Brendan Canty, Kid Millions, Robyn Phillips, Priya Thomas, & Mike WattEp. #112: Britt Walford of Slint and WatterEp. #99: Brian McMahan of SlintEp. #26: James Williamson of Iggy and the StoogesSupport this show http://supporter.acast.com/kreative-kontrol. Hosted on Acast. See acast.com/privacy for more information.

EP112 of the #ATIpodcast w/ Barrett welcomes MIKE MCGINNIS from RID OF ME of  @KnifeHitsRecords. In this episode of the ATI podcast, host Barrett Lewis interviews Mike McGinnis from #RidofMe. They discuss the band's latest record (ACCESS TO THE LONELY), their creative process, and their influences. Mike talks about the success of their recent album and the positive reception it has received. They also touch on the importance of demoing and preparing before recording an album. They discuss the genre-defying nature of their music and the comparisons to bands like #Slint and #Nirvana. Mike also talks about starting his own record label, #KnifeHitsRecords, and the motivation behind it. In this part of the conversation, Mike and Barrett discuss the DIY approach to music and the pride that comes with it. They discuss the challenges of running a label and the importance of being passionate about the music they promote. They also talk about the importance of using their platform to raise awareness and support causes, such as the Palestinian Relief Fundraising. Mike shares his musical journey, starting from his early days of going to hardcore shows and discovering music through skate videos. In this final part of the conversation, Mike discusses his dream bands to open for, the covers that the band has done, his approach to gear and equipment, and some of his favorite albums and gifts he has received. The episode finishes with RID OF ME's "PAVEMENT". The intro features a segment of RID OF ME's "FEEL YOU". Where to find RID OF ME: IG: https://www.instagram.com/ridofmeband FB: https://www.facebook.com/ridofmephilly X/Twitter: https://twitter.com/ridofmeband Bandcamp: https://ridofme.bandcamp.com/music Spotify: https://open.spotify.com/artist/46oDKZ4IE8CQaJWZ005rZP?si=h6luL2jUStm7-MGOUpctUw SITE: https://linktr.ee/ridofme Like, Listen, Enjoy, Subscribe to the ATI Podcast collective anywhere you get your podcast audio. ⁠https://flow.page/atipod⁠ --- Send in a voice message: https://podcasters.spotify.com/pod/show/ati-podcast/message Support this podcast: https://podcasters.spotify.com/pod/show/ati-podcast/support

This week on Riff Worship we are joined by Selenoplexia guitarist Dan Vida to discuss Slint's final album Spiderland Recommendations: Couch Slut - "The Donkey (Abridged)" The Children's Hour - Going Home Necrot - "Drill the Skull" Ulcerate - "The Dawn is Hollow" Pallbearer - "Where The Light Fades" Polvo - Today's Active Lifestyles Krallice - Porous Resonance Abyss Stander - Vulnerable Follow Selenoplexia on Facebook, Instagram, & X For all updates on the show, follow us here: @distortion891 on ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Facebook⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, & ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Twitter⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Tune in LIVE to Vocal Distortion, Mondays at 6PM CST on FM89, ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠WONC.org⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, & the ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠iHeart Radio app⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Listen to our Riffs on Repeat playlist here!

Join me as I talk to record producer, Brian Paulson. We discuss his adventures producing Wilco, Son Volt, Uncle Tupelo, Slim Dunlap, Slint, Archers of Loaf and more. We touch on his relationships with Jeff Tweedy, Steve Albini, Peter Jesperson, Bob Mould and others. Great talk, great records!

Good Friend Cory returns to the show to discuss Canadian math rock / post hardcore band, North of America, and their 2003 album Brothers, Sisters.New Major Awards EP - majorawards.bandcamp.comMerch Shop  - redbubble.com/people/punk-lotto-pod/shopJoin our Patreon to get bonus audio, videos, blog posts, and access to our Discord for only $1 at patreon.com/punklottopodPodcast platforms and social media links at linktr.ee/punklottopodCall our voicemail line: 202-688-PUNKLeave us a review and rating on Apple Podcasts and Spotify.Song clips featured on this episode:North of America - Keep it on the DownloadNorth of America - Wet to DanceNorth of America - Let's Get Sick to Our Stomachs

jD talks with David from London Ontario about track number 47!Transcript:Track 2:[0:00] Previously on the pavement top 50 some motion.[0:03] Suggests itself patrick weigh in on this as your number 48 track uh i think this song is is one of those like perfect pavement songs that only pavement could pull off welcome to thepavement, Pavement.Track 4:[0:27] And now on with a countdown. Hey, it's JD here, back for another episode of our Top 50 Countdown for Seminole Indie Rock Band, Pavement.Week over week, we're going to count down the 50 essential Pavement tracks that you selected with your very own Top 20 ballads.I tabulated the results using complex algebra and an advanced abacus.And all that's left is for us to reveal this week's track. How will your favorite song fare in the rating?You'll need to tune in or whatever the podcast equivalent of tuning in is to find out. Subscribing, I suppose.This week, we're joined by Pavement superfan David from London, Ontario. So there's that.How are you doing, motherfucker?[1:18] I am well, and I thank you for including me in this experience to be on on the podcast and discuss some pavement.Oh, the pleasure is all mine. This is great.Just a bit of background. David and I met through the podcast, exchanged emails along the way, and then we actually got to go to the Massey Hall concert here in Toronto, and Davidended up going backstage and saying hi to the gang.So there's that. How was that?That was quite an experience. And it was very chill, which I guess surprised me a little bit until I realized that, you know, that they're people.And from my side, they're celebrities. But I mean, once you get to know them, they're people.So they're winding down after a show, and they had some family there, and they had some friends back there.And so you kind of just joined right into that experience with them.And you kind of seen the different conversations that were going on.And again, seeing them kind of coming in and out, as well as the friends and family.And that was quite nice. The members that I was able to engage with, I really appreciated.To some degree, all five of them I did engage with.[2:31] I have to admit that when I saw Stephen Malcomus, I was a bit starstruck.So, more than the other ones.And I was. So, for him, I squeaked out a, hey, Steve, or something like that, and gave him like an air pump. And that was the extent of it.My longest conversation would have been with Steve West. And I appreciate the time he He gave me their talk to, I asked him a couple of silly questions and about. What a giant eyes.Oh, all of them are terrific. And that's the truth. I talked to Spiral briefly and just kind of talked to him about his recent album, Medley Attack, and how much I enjoyed that.And I was one of the few fans that actually. Yes, thank you.I was one of the few fans that ordered the hat, bought the hat, his baseball hat. So he got a kick out of that to meet one of the ones, maybe one of the only ones in Canada who bought it.And so that was neat. and then Mark Eibold was hello, I told him I was a big fan, but.[3:24] Didn't have the opportunity to get into any deeper than that.And then I saw Bob. He's tough to nail down.Yeah, but I mean, he seemed like a genuinely really kind, personable person.So I fed off of that at the same time. Yeah.Bob gave me a hug, and that was probably the highlight of my evening.And I ordered some records from him through Broker's Tip Records, which is not around anymore, unfortunately.I know. What the hell, Bob?I guess it was a lot of work, probably for a little reward, maybe.I don't know, but definitely a lot of work.Great experience altogether, though. So getting backstage and meeting you there in person, too, was great. That was really cool, right? That was a lot of fun.Yeah. I, of course, had a massive panic attack and couldn't go backstage, but that's life in Hollywood, right?Yes. It's right with celebrities, yeah. Yeah.[4:15] So talk to me a little bit about, or a lot of bit, about your Pavement Origins story.Sure. That's, the Toronto Massey Hall is the last time you saw them, I believe, right? That's correct. So when did you first experience them?I first saw them in concert for me, I guess, which is quite late in their band history, which would have been in June of 99 when I was 18.So this was in Detroit in their Terror Twilight tour.[4:46] Probably the first time I would have had a chance to experience them, even though the shows are kind of all ages. But when I was younger than that, I just was a little more mousykind of thing. I would not have went out to big concerts.So that was my opportunity there. But when I first got into the band, it would have been around 93, roughly. So let's say I'm 12 or 13.I was at my friend's house. He had an older brother who was into a lot of more indie bands, different kind of music, a little bit more non-mainstream.And so he had That CD, sorry Slandered Enchanted was the CD.[5:22] That he had on. And I remember at the time, we were playing cards or board game or something like that, and just hearing it and really acknowledging that it was really good.And noticing that it was something different than mainstream, similar to mainstream in some ways.If you take into big bands at that time, like, you know, Pearl Jam and Nirvana and that type of thing, it was similar enough, but it really did kind of stand out.At the same time, I don't think it was mature enough to really say, I'm going to go home and kind of get into them on my own accord i just wasn't there and had other things and at that agetype of thing just didn't do it also my you know my exposure to music access to music was limited to radio uh buying cds or cassettes cds were expensive uh so i think most of my cdswere purchased through like columbia house you'd get the 10 for a dollar yeah right and they stuck to mainly mainstream so you're gonna get bush and you're gonna get sound garden andlike those types of bands on cds and i kind of ran Ran through that gamut quite quickly, and then once the year was done, dropped them.[6:23] But anyways, fast forward a little bit more after I did kind of mature a bit more with my music tastes and personally as well.And then I did buy Slandered Enchanted. It was probably my first one I purchased.And then I distinctly do remember, though, buying Wowie Zowie at HMV, I believe it was.Bring it home. I can still just remember the experience of listening to that for the first time.Time and again hearing we dance right right out of the gate i was set and and then rattled by the rush i had heard already uh as kind of a silly reference but i remember being on beavis andbutthead and uh they kind of came down a bit on it which i didn't appreciate at the time because i really enjoyed the song try harder yeah but they were like that right they would they hadtheir own style of more kind of punk heavy and more kind of heavy like metallica kind of thing would be more of their jam than something a little bit more deeper, more profound thanPavement. So anyways, it is what it is.But I do remember Why We Zowie being that just really, really deep experience.It is my favorite album today.I think for a lot of people it is, but it's the one that just resonates with me the most.Again, my favorite song, Grounded, is on it.Second favorite song, probably being Trigger Cut off Slandered and Chanted.[7:41] So i mean that great what a great fucking song trigger cut is it is and again i think i came back to that one more recently when uh i was at home during covid lockdown i was able towork at home fortunately but uh with it being at home all the time i needed to occupy myself so re uh discovering music and discovering new music was kind of the ways that i'd reallyspend my time uh kind of pass a lot of my time so trigger cut was the one that really kind of came back i'm kind of forgot how good that was uh i know i'm jumping all over the map here abit with my history but if i go back a bit to early 90s uh there will be no quiz i hope no not for me i do remember so one of the things too is i was kind of growing up and i realized that thismusic truly was cool and um so i did not want to lean into it too much because then it's going to look like i'm almost kind of using it as like a vehicle to make myself look cool type ofthing but i i remember whenever i would have it on if friends were over to kind of be on in the background and And just hear the comments of, oh, this is really good. What is the type ofthing?And just try to introduce them a little bit, expose them a little bit more to the band.And that was a fun experience, too. I distinctly remember driving in my parents' 1988 Pontiac Grand Prix with a cassette player.And I had copied the CD to a cassette. And a friend being in the car and just going bananas over Slandered and Chanted.So I think I copied them a cassette as well, probably for their car, which was probably made in the 80s type of thing.[9:08] And that's kind of but it's just also appreciating the fact that how well the Pavement's music was speaking to a lot of friends at that time who would not have come across it againbecause heavy radio play even from Detroit because I grew up in Windsor so I mean we had a lot of Detroit radio but you would not have had bands like that would never go on it.College radio yes but none of the mainstream music stations that would have been those mainstream bands.Smashing Pumpkins and all that type of thing. Rage Against the Machine Sheen was quite big in Detroit for some reason. They got a lot of airplay.But other bands like this, not so much.But as I did mature, again, more into the late 90s, I left a lot of the mainstream music, put it off to the side.Not that I had anything against it, but I would spend my music interests more, again, always Pavement was there.But then I got into bands like Can, for example, Slint, Tortoise, Guided by Voices.Uh more of that kind of indie sound um again with uh tortoise and uh slint you had david paho's uh signature sound in there uh so any of his bands i'm not familiar with either of thosebands oh really really yeah yeah slant they only had that way two albums sorry um, Their original bassist from their first album, Tweez, went on to form the band King Kong, also in 89.[10:28] But then David Pahoe went on to form, he released a lot of music under his other band name, stage name Papa M or Ariel M.Most of it is instrumental. Rarely would he put lyrics to it.Slint did have lyrics, but he was a guitarist under that.But they it would they had a very uh it was a sound that just really resonated with me so again more of that um type of music would have been heavy my style uh once we kind of brokethrough the 2000 that's really cool yeah that's really cool that you found that you carved out like this you know pavement helped you carve out this niche right so you could you could youcould uh, echo chamber sort of you know more music from that ilk that's really cool sorry i didn't mean indicate you are no not at all this is the experience here uh but a lot of it does goback to them and then to kind of find out in recent years that they were influenced by that band can who was german um experimentalist yeah um so that was kind of a neat experience forme too just to say that i was in both into both of them simultaneously uh as well as rem would have been my band of choice let's say in the late 80s um and then to find out that they werealso also influenced by REM.I thought it was a cool connection there too.So it's almost like their musical taste, my musical taste really kind of intersect. Yeah.[11:50] It's a cool factor there. Bridge 2000s a bit.I remember after they broke up, getting Steve Malcomus' solo CD album, that first one self-titled that he had.That one lived in my car. Once I had a car with a CD player in it, that one, I would cycle out CDs, but that one would just live in there constantly.Recently uh i don't think i ever took it out um later on i did i remember having a gap of time where because there was no social media and nothing like that you weren't constantly gettingyou know dinged with updates so a few years went by and you have other you know stuff going on in your life and i realized that he might have released other albums i should check thatout so i got face the truth um and then the other one that came out which i'm drawing a blank on right now um.[12:35] First one he released with, uh, yes, thank you.Um, so I had got those two and listened to them and enjoy them.And then again, this is around 06, 07, just do other kind of life things, just kind of got away from music a bit to some degree.It might be on the background, but, uh, it just kind of went away as one of my focuses until 2015, 2016.[12:57] Um, and then again into COVID when, again, when I was at home, I went back to say some Some of these old bands, like the Beta Band, for example, I said, well, you know, therewas a lot of members there.It's one of the bands I like a lot.[13:08] Let's see what some of those members are doing now. They must have had offshoot projects because they're musicians.They broke up in late 2000s. And so let's check that out.So I got into Steve Mason, and then I kind of went back into Malcolmus' catalog and then realized that he had released all these albums between 07 to 2017, 18, 2020, you know, leadingoh that's so great that you got to enjoy all that you you got to binge it was a yeah exactly it was a fire hose of great music coming coming at me so uh and then getting into vinyl as wellkind of uh because my parents were downsizing their house and they were going to be getting rid of their record player so i all i said was don't throw it out and when you're ready to tokind of chuck it i'll take it and that day they just said we'll take it now because we don't listen to it anymore more.So that helped me to get into vinyl as a hobby and then kind of re-experience music that way too, by having that different experience of listening to an entire album where you're not doingthe skip thing that you might on CDs or streaming where, you know, yeah, you're getting playlists on Spotify or whatever that, which I really enjoy, but you also miss out on that otherwhole album, full album experience.Agreed. I was explaining this to my father-in-law just last Last night, it was interesting because he was like, ah, you know, he's like, it's so much more, you know, it's so much more work.[14:31] And I was like, well, yeah, but you're holding this tangible thing in your hand and somebody made this thing.It's not this ethereal sort of jetsam that's just floating in the air.It's really quite interesting to listen to music on vinyl just experientially.I agree. Forget about the audio quality. What pavement do you have on vinyl?Do you have any? I have Slandered Enchanted, I have Crooked Rain, Crooked Rain, I have Wowie Zowie, and I have Terror Twilight.I have not been able to locate Bright in the Corners.I'm not too crazy in my vinyl purchasing because they can be expensive.So whatever I come across that's reasonably priced that I buy, I don't go crazy with certain key pressings or rare releases or anything like that. No, no, I'm not.Yeah. Did you get the Terror Twilight box?I don't i i order the digital version of that through bandcamp but the vinyl is just the the as of the would have been released at the day kind of a thing the nigel god not the nigel godrichthe, spiral stairs sequence i guess version yeah yeah which is great yeah well cool uh what do you say we get to our song of the week i mean let's do it let's uh take a brief pause and we'llcome right back with song number 47. Awesome.Track 2:[15:56] Now on with the countdown. 47.Track 4:[19:06] Okay, that was Greenlander. And that, of course, comes from the Watery Domestic Sessions that included Sue Me Jack and So Stark You're a Skyscraper.Is there a fucking bad song that they recorded for Watery? Like, really, there's not, right?It's all so great. Great. This song, number 47, is the seventh track on the second disc of Lux and Redux, the boxed set of Slanted and Enchanted.And I was just made aware that it first appeared, though, in the 90s on a compilation called Volume 4.And the song that we are, of course, talking about, if you haven't put it together yet, number 47, is Greenlander.[19:59] David from london ontario what do you think of greenlander i really like this song um this is one that i only came across again uh not to keep repeating myself but over the kind oflockdown days where with my extra time i was going through some of the more back catalog uh some of the extra kind of bonus songs that were not included on the albums when theyfirst got released uh and as well through listening to uh your podcast and the pavement conundrum podcast podcast.They also helped to introduce me to some other songs that I was kind of not aware of, as well as getting the Westing compilation album as well.But yeah, this song I enjoy a lot. And one thing that hit me as well on this one is it has that kind of little more slow, reflective kind of pace to it, vibe to it.It's not a heavy rock. Really chill, right? Yeah, exactly.[20:51] It's not a jam song. It's not a rock song. It's just, it's that vibe again, like that more slower kind of reflective vibe uh which i do enjoy and um as i was doing a little bit of research forthis i kind of realized that so this is not going to be original what i'm going to say whatsoever but it easily could have went uh onto the watery domestic ep um this is not me saying thismaybe it could have been added on it would fit uh if they wanted to add on you know a couple more tracks on there it would fit in my opinion and others again i'm kind of stealing thisfrom the conundrum folks and probably from yourself as well, as well as some other online kind of feeds there.But one thing I did as I was doing a little more research, I realized that each one of their albums has a similar song like this on there.And from my interpretation, if you start with Slandered and Enchanted, the song here has kind of a similar vibe.I mean, it takes things down a little bit of a notch.It's not In a Mouth of Desert. It's not Conduit for Sale.It's that deeper, slower, reflective song. song.And it kind of brings things down and then you can step it up again.So I appreciate that style of song on an album.But similarly, I mean, if I kind of walk through their catalog again, you could also say a similar one would be Stop Breathing on Crooked Rain, Crooked Rain.Maybe Emotions, Jests on Wowie Zowie. Maybe even Transport is Arranged on Bright in the Corners.[22:19] Possibly You Are the Light on Terror Twilight. Maybe more of a stretch on that one, but it could Could very well be.It's definitely steps things down a bit. It slows things down a bit.Even in Malcolm S. Sola's career, I'm not going to go through all of it, but I mean, self-titled, you could say Church on White could be similar.You could say Loud Cloud Crowd on Face the Truth.I'm not going to go through all the rest of them, but I mean, either his style or their style, but- Save it for the bonus feed.[22:49] But I appreciate that. Them doing that and Malcolmis doing that, again, to kind of slow things down again, it's good because you don't want every single track to be kind of reallyloud and really out there and just to kind of relax for a bit.And then when you're making playlists too, or whether you're doing it, Spotify is doing it, but these will then kind of fit into a different genre, a different style than what some of the othersongs are going to be.So playlists aside, and even just the album straight through aside, just to kind of slow slow things down for a bit and then pick them up again just to let yourself kind of breathe a bit, relaxa bit, and then kind of step up again.But that's really what I take from this song. That's where I'm coming from with this.[23:29] Yeah, I can't help but think the song benefits from having Gary in it.I love Steve West as a human being and as a drummer.I think Westy certainly can drum, but there's something about Gary.And when I listen to this song, it's his interesting style.It's busier than it needs to be. but with the sparse arrangement of the song i definitely think that his drumming and the little fills fill the space uh of the song and make it more interesting asa whole that's you know sort of my take on the on the gary factor and really there's just you know sort of guitar and uh and and the drums and like you know bass string on another guitar itsounds like um i think it's interesting there's no chorus uh you know there's sort of just a musical lift at the end of every verse that sort of represents a chorus for lack of a better term uhand i also think that in a really rare to to sm uh kind of vibe the song has a title that relates to the lyrics like it seems like it is about a greenlander somebody from the land of ice and snowin greenland uh What's your take?[24:52] I would agree wholeheartedly with that. And looking at a bit of the interpretations online, there's a couple of people that kind of jumped a little bit from here to there talking aboutpossible ancient rituals that it could be reflecting in.But I think more sensible minds might have just kind of chimed in to say that it really does seem to be about lovers in Greenland.There are lyrics here that kind of reflect that that may be, in fact, what they are talking about.[25:21] Well, kind of taking away from the fact, I mean, they are talking about kind of a love for one another.And even with this, the lyric kind of saying that on virgin fields will skate, standby children will create.[25:34] Could that be talking about an individual couple? Possibly. It could be more broader in terms of the whole population or community, possibly.But it does seem to kind of be talking about their kind of experience within that land.And then towards the end it might be talking about uh kind of with vice is warm uh it's all that's left all that's left is vice is torn um could be about relationships unraveling or just reachingtheir conclusion type of thing that i'm a little uncertain about but uh that's what i take from that yeah me yeah that's sort of how i feel as well uh i i definitely think there's there's likeromance is afoot uh it seems you know in as unromantic a way as you know you can sort of um draw up but it it it does it it it works it really works and um fuck i i like this song and iwish that watery was a 10 inch and it contains so stark and uh sumi jack as well like that's my wish i don't know what we're going to see when this seven inch box set comes out that spiralwas talking about i don't know what that looks like but i'm excited uh you know i'm real excited about what the possibilities could be for that only time will tell right but they haven'tdisappointed so far with these actual releases.[27:01] That's true. That's really true. All of them, man.[27:05] So where do you think that this song rates as far as where it landed on the countdown? It's number 47 on the countdown.Is it ranked just right? Is it ranked too low? Is it ranked too high?What do you think, David, from London, Ontario?I would say just right. It's definitely a top 50 song, in my opinion.I think it holds that position quite well.[27:27] Due to the fact that it is, again, that slower pace.[27:32] It's not quite a hear from slanted so i have to kind of bring it down a little bit there but again you do have gary's drumming like you said so you got that um mix in there as wellwhich takes up a notch of course uh but yeah i agree i mean there's because pavement is the way their band is which is kind of that you know alt rock band uh there's other songs that ithink are going to define them better which should be ahead of this song and so i think this one fits quite well it could could be a bit higher for sure like uh if it was even 35 to 47 i thinkthat that would fit just fine uh but not that not a top 10 uh right possibly not a top 20 but um definitely within the top 50 and i fully agree again 47 sure there's no offense to the song if itcould be offended kind of thing it's not a b-side even it's like it's like a a track that didn't make anything you know like it was on a compilation disc for heaven's sake yes rediscovered intime now but yeah i kind of lost it uh at the time yeah yeah chris from uh episode 50 uh track number 50 he uh had had the actual uh cd so that's pretty cool that is cool yeah any of thatanyway david it's been a pleasure to talk to you today about pavement and track number 47 Greenlander.[28:58] Uh, is there any, uh, pluggery that you need to do, or is there any place that people can find you online that you want them to find you online?[29:09] Uh, I am on Twitter at, um, just, uh, D D R.And then my last name T S S I E R. Um, I, I, kind of repost some musical threads. Otherwise, I don't do much independently because I don't create music independently.I just consume it and try and pass around any good new bands or tracks or songs that I come across.[29:31] That's the only way I can contribute that way. I do love kind of discovering kind of new bands from any decade that really speaks to me.And if I enjoy it then i will uh share it i've created my own uh two uh sorry four different um 50 track spotify playlists of a bit of kind of random music that i've gotten from again manydifferent locations uh the majority of which is probably uh bob's podcast the three song pod yeah i missed that yeah so do i but i mean they did 178 maybe around there so i've gone i'vegone backwards and uh rediscovering i'm back to about episode 100 now uh so i've not heard the first 100 but i've heard the last 78 and from there there if you do kind of listen to some onspotify you'll get recommendations for other ones uh similar ones and so i'll listen to them if i really like them i'll add them to my own playlist or some of these like i said these fourplaylists i put together of just songs that i can then share because as i talk to music about music with other people, friends from work or family, cousins, whatever, they'll say, what kind ofstuff do you listen to?And I can just say, well, here, I'll DM you a one of my playlists I put together and this is what I like.If you don't like any of it, no offense taken because I fully of the mind that music is very personable.[30:55] It's very subjective and I would never take offense to any music that someone else does not like or that they really do like.If they like music, I appreciate that. They don't, I can understand that too.But that's kind of what I do. So on Twitter, if you do want to look me up, I think I have put those playlists on there, accessible, fully public on Spotify.[31:16] Cool. Well, thank you again so much for joining me today.It's been an absolute pleasure talking to you again and keep up the good work.Same with me. Loved it. Great time.Awesome. Wash your goddamn hands.Support this podcast at — https://redcircle.com/meeting-malkmus-a-pavement-podcast/exclusive-contentAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

This season we discuss over 300 albums of the 1990s selected from https://besteveralbums.com. The show starts at (2:45). The Five Singles segment starts at (5:57). This episode covers the following albums: Sonny Sharrock - Ask The Ages (46:07), Red Hot Chili Peppers - Blood Sugar Sex Magik (1:06:59), Slint - Spiderland (1:32:50), and Pearl Jam - Ten (1:58:23). --- Send in a voice message: https://podcasters.spotify.com/pod/show/combingthestacks/message

Slint are a true one-of-a-kind band - they showed up seemingly out of nowhere, singlehandedly defined an entire genre on a single album, and disappeared before that album was even released. What happened? Why is Spiderland so influential? And, beyond its influence - does the album still hold up today? Phil certainly thinks so - in his opinion, its grandeur has been frequently imitated, but never duplicated. He, along with Mike, Rich, and Dan, are here to talk about just what makes this album so special.Cohosts: Phil Maddox, Mike DeFabio, Rich Bunnell, Dan WatkinsComplete show notes: https://discordpod.com/listen/126-slint-spiderland-1991Discord & Rhyme's merch store: http://tee.pub/lic/discordpodSupport the podcast! https://www.patreon.com/discordpod

Today's episode is about "The Elephant 6 Recording Co." (C.B. Stockfleth, 2023), about the titular record label's roster of wild outsider indie artists such as Neutral Milk Hotel, the Olivia Tremor Control, the Apples In Stereo, Elf Power, the Music Tapes, the Minders, the Gerbils, of Montreal, Beulah, Dressy Bessy, Great Lakes & more. Our Very Special Guest is the legendary Lance Bangs, whose credits are too long to list here, but he's worked with most of your favorite musical artists and all of your favorite Jackasses. The movie is a true audiovisual treat, and Lance was there at the time with these musicians (he was roommates with Jeff Mangum of Neutral Milk Hotel) and provided much of the film and still photography seen in the movie. So he's the perfect person to shed light on the 90's underground music and art scene in Athens, GA and the making of the movie itself. Plus we discuss the origin of Jackass, his films about Pavement and Slint, and the long and tantalizing list of musicians who Lance has filmed over the years for documentaries we hope to see one day.  The Elephant 6 Recording Co. is in US theaters August 25th, 2023 and on VOD September 1 (Amazon & Apple TV) from Greenwich Entertainment. In Canadian Theaters August 25th and VOD September 26th from levelFILM. Rock Docs is a Treble Media Podcast hosted by David Lizerbram & Andrew Keatts   Twitter: @RockDocsPod   Instagram: @RockDocsPod   Cover Art by N.C. Winters - check him out on Instagram at @NCWintersArt

On this week's episode of the Album Atmosphere, David sits down with Joe Vowels and Billy Perkins to discuss the 1991, six song, second and final album, "Spiderland", by Slint.

00:00 Catching up with Rap Critic 03:21 Slint "Spiderland" album review 15:25 Guilty Gear Strive OST album review 45:03 Dee Dee King "Standing in the Spotlight" album review linktr.ee/therealrapcritic linktr.ee/mues

Studio Allsvenskan finns även på Patreon, där du får ALLA våra avsnitt reklamfritt direkt efter inspelning. Dessutom får du tillgång till våra exklusiva poddserier där vi släpper avsnitt tisdag till fredag varje vecka. Bli medlem här!Vi välkomnar Brommapojkarnas mittfältsstjärna Samuel Leach Holm till Studio Allsvenskan!Han är inte bara en bra fotbollsspelare, utan även väldigt bra på att snacka.Därför blir det en timmes långt toppsurr med BP-stjärnan. Samuel berättar om sin krokiga väg fram till svensk elitfotbolls finrum, om att inte få sitt rättmätiga beröm och om vad som hägrar i framtiden. Dessutom pratar vi en del om Allsvenskan i stort. Vilket lag har imponerat mest på honom? Och vilka tar hem guldet till slut?Möt Samuel Leach Holm.Följ Studio Allsvenskan på sociala medier: Twitter!Facebook!Instagram!Youtube!TikTok! Hosted on Acast. See acast.com/privacy for more information.

Discograffiti's 9-hour interview with David Pajo reaches a crescendo with its final chapter, in which the indie rock legend experiences massive catharsis while detailing: The psychological ramifications of producing emotionally vulnerable music from within a hardcore scene which considered that incredibly uncool; Why The For Carnation's “Fight Songs” is both the most criminally underrated EP of all time and the spiritual heir to “Spiderland”; And just how many stars out of five Pajo gives all these classic records. Don't miss out on five weeks of essential Pajo Patreon Collections—Subscribe at Patreon.com/Discograffiti.  NEXT WEEK: Allan Arkush (Director of Rock & Roll High School, Get Crazy, Elvis Meets Nixon, & The Temptations) gushes about his Top 10 Favorite Albums Of All Time! Official playlist curated by Dave on Spotify: https://open.spotify.com/playlist/7cR8CSxPMQOhEu23AZdN7o?si=8MH5F0AmTae4zXum2zkO_A Lance Bangs' essential feature film about Slint, Breadcrumb Trail (required viewing): ⁠https://youtu.be/GsRpS6XGiOs⁠ CONNECT Join our Soldiers of Sound Facebook Group: https://www.facebook.com/groups/1839109176272153 Patreon: www.Patreon.com/Discograffiti Podfollow: https://podfollow.com/1592182331 Instagram: https://www.instagram.com/discograffitipod/ Facebook: https://www.facebook.com/Discograffiti/ Twitter: https://twitter.com/Discograffiti YouTube: https://www.youtube.com/channel/UClyaQCdvDelj5EiKj6IRLhw Web site: http://discograffiti.com/ CONTACT DAVE Email: dave@discograffiti.com Facebook: https://www.facebook.com/hooligandave Instagram:  https://www.instagram.com/davidgebroe/ Twitter: https://twitter.com/DaveGebroe CONTACT TODD ZIMMER: GRAPHIC DESIGN Facebook: https://www.facebook.com/ToddZimmer and https://www.facebook.com/punknjunkradio Instagram: https://www.instagram.com/the_real_todd_zimmer/ and https://www.instagram.com/punknjunkradioshow/ #davidpajo #patreon #guitarist #stereolab #vinylcollection #billycorgan #music #johnmcentire #tortoise #gangoffour #suicide #paulmajor #bonnyprincebilly #palace #palacebrothers #willoldham #jenniferherrema #theyeahyeahyeahs #deadchild #zwan #vinylcollector #bloodonthetracks #slint #pajo #soldiersofsound #arielm #papam #royaltrux #theforcarnation #discograffiti --- Send in a voice message: https://podcasters.spotify.com/pod/show/discograffiti/message Support this podcast: https://podcasters.spotify.com/pod/show/discograffiti/support

Discograffiti's 9-hour interview with David Pajo continues with Part 4—which just happens to be the 100th episode of Discograffiti!!!—in which the indie rock legend reveals his thoughts on how Tweez would be regarded today if Spiderland had never been created, the broad, wild stew of influences at play amongst the band when they recorded it, and exactly how many stars Pajo gives King Kong's “Movie Star” single, the Slint EP, and Tweez! Don't miss out on five weeks of essential Pajo Patreon Collections—Subscribe at Patreon.com/Discograffiti.  Next Week: PART 5! Official playlist curated by Dave on Spotify: https://open.spotify.com/playlist/1sVV3D0PUhJxb0436r4Bdy?si=4-fE9A8JReuceiVoacC-Uw Lance Bangs' essential feature film about Slint, Breadcrumb Trail (required viewing): https://youtu.be/GsRpS6XGiOs Live at the Bangkok Bangkok, Chicago (1/0/1989): https://youtu.be/CtBQobzp0og Slint live set WebCast from Barcelona (5/30/2014): https://youtu.be/5gVRMa0iPvA CONNECT Join our Soldiers of Sound Facebook Group: https://www.facebook.com/groups/1839109176272153 Patreon: www.Patreon.com/Discograffiti Podfollow: https://podfollow.com/1592182331 Instagram: https://www.instagram.com/discograffitipod/ Facebook: https://www.facebook.com/Discograffiti/ Twitter: https://twitter.com/Discograffiti YouTube: https://www.youtube.com/channel/UClyaQCdvDelj5EiKj6IRLhw Web site: http://discograffiti.com/ CONTACT DAVE Email: dave@discograffiti.com Facebook: https://www.facebook.com/hooligandave Instagram:  https://www.instagram.com/davidgebroe/ Twitter: https://twitter.com/DaveGebroe CONTACT TODD ZIMMER: GRAPHIC DESIGN Facebook: https://www.facebook.com/ToddZimmer and https://www.facebook.com/punknjunkradio Instagram: https://www.instagram.com/the_real_todd_zimmer/ and https://www.instagram.com/punknjunkradioshow/ #davidpajo #patreon #guitarist #stereolab #vinylcollection #billycorgan #music #johnmcentire #tortoise #gangoffour #suicide #paulmajor #bonnyprincebilly #palace #palacebrothers #willoldham #jenniferherrema #theyeahyeahyeahs #deadchild #zwan #vinylcollector #bloodonthetracks #slint #pajo #soldiersofsound #arielm #papam #royaltrux #theforcarnation #discograffiti --- Send in a voice message: https://podcasters.spotify.com/pod/show/discograffiti/message Support this podcast: https://podcasters.spotify.com/pod/show/discograffiti/support

Allen Wyma talks with Tobias Hunger, developer on Slint. Slint is a toolkit to efficiently develop fluid graphical user interfaces for any display. Slint has just made a 1.0 release. Contributing to Rustacean Station Rustacean Station is a community project; get in touch with us if you'd like to suggest an idea for an episode or offer your services as a host or audio editor! Twitter: @rustaceanfm Discord: Rustacean Station Github: @rustacean-station Email: hello@rustacean-station.org Timestamps [@00:00] - Introduction [@04:02] - Slint updates and progress from the previous interview [@06:15] - Upgrades that came along releasing of Slint 1.0 [@11:12] - Bugs fixed in Slint 1.0 [@12:43] - Stability, improved tooling and other key features in the Slint upgrade [@15:34] - Multi-window support [@18:26] - Screen reader accessibility and keyboard shortcut in Slint [@22:04] - Raspberry Pi Pico and Zero 2 W [@24:21] - Rust support, line buffering and graphics acceleration [@26:10] - Other UIs that are out in the Rust space [@27:17] - Handling bugs and feature reports [@29:10] - Slint documentation [@34:02] - Patch files [@37:16] - Plans for the 1.1 release [@38:51] - Interesting ways users used Slint API [@40:30] - Slint users and Rust community feedback [@43:35] - Requiring that users have a Rust compiler installed [@46:31] - Programming with Rust vs C, C++ [@48:33] - Tobias' great experience with the Rust community Credits Intro Theme: Aerocity Audio Editing: Plangora Hosting Infrastructure: Jon Gjengset Show Notes: Plangora Hosts: Allen Wyma

Discograffiti's 9-hour interview with David Pajo continues with Part 3, in which the indie rock legend reveals the surprise derivation of the Papa M band name from none other than Prince himself; exactly which substances David experimented with during his various recordings; and the 3 vastly different Papa M records he's currently in the midst of making! Don't miss out on five weeks of essential Pajo Patreon Collections—Subscribe at Patreon.com/Discograffiti.  Next Week: DAVID PAJO PART 4: SLINT! Official playlist curated by Dave on Spotify: https://open.spotify.com/playlist/56G5e0nQZjxITEhjibY2mu?si=9RwVZqqBTvqZZBfqQi7xhw Papa M live at the Earl in Atlanta, 12/10/99: https://youtu.be/VRufQsROFk0 CONNECT Join our Soldiers of Sound Facebook Group: https://www.facebook.com/groups/1839109176272153 Patreon: www.Patreon.com/Discograffiti Podfollow: https://podfollow.com/1592182331 Instagram: https://www.instagram.com/discograffitipod/ Facebook: https://www.facebook.com/Discograffiti/ Twitter: https://twitter.com/Discograffiti YouTube: https://www.youtube.com/channel/UClyaQCdvDelj5EiKj6IRLhw Web site: http://discograffiti.com/ CONTACT DAVE Email: dave@discograffiti.com Facebook: https://www.facebook.com/hooligandave Instagram:  https://www.instagram.com/davidgebroe/ Twitter: https://twitter.com/DaveGebroe CONTACT TODD ZIMMER: GRAPHIC DESIGN Facebook: https://www.facebook.com/ToddZimmer and https://www.facebook.com/punknjunkradio Instagram: https://www.instagram.com/the_real_todd_zimmer/ and https://www.instagram.com/punknjunkradioshow/ #davidpajo #patreon #guitarist #stereolab #vinylcollection #billycorgan #music #johnmcentire #tortoise #gangoffour #suicide #paulmajor #bonnyprincebilly #palace #palacebrothers #willoldham #jenniferherrema #theyeahyeahyeahs #deadchild #zwan #vinylcollector #bloodonthetracks #slint #pajo #soldiersofsound #arielm #papam #royaltrux #theforcarnation #discograffiti --- Send in a voice message: https://podcasters.spotify.com/pod/show/discograffiti/message Support this podcast: https://podcasters.spotify.com/pod/show/discograffiti/support

Feeble Little Horse - Tin Man from the 2023 album Girl with Fish on Saddle Creek. Pittsburgh quartet Feeble Little Horse formed three years ago during the pandemic lull but have exploded since dropping their 2021 debut full-length Hayday. They're on the verge of releasing its follow-up, Girl With Fish, via Saddle Creek, a perfect home for their slowcore brand of noise pop. Out June 9th, we've so far gotten three tastes of Girl With Fish, “Steamroller,” “Pocket,” and our Song of the Day “Tin Man.” Starting with a mathy guitar line directly inspired by Slint's incredible “Breadcrumb Trail,” a rush of feedback roars in as frontwoman Lydia Slocum delivers her trademark deadpan vocals about a vapid, emotionless manipulator. “Took him apart and I found nobody/But when I dent you, I end up bruised.” “The song is about people who use sadness to control your actions because they know you will sympathize,” Slocum says of the song. “Oftentimes when these people are investigated there really is not much inside them, they just use emotions to get what they want out of other people. I have my qualms with this sort of person.” “‘Tin Man' is one of the songs that represents a new style of writing for us as a group,” explains guitarist/co-songwriter Ryan Walchoski. “This song went back and forth through Google Drive links, trying to come up with the best iteration of the song that we were all happy with; vocals recorded, scrapped and re-recorded, drums scrapped and re-recorded, the chorus at one point was completely different.” Feeble Little Horse will be touring the US starting in June, with a date in Seattle on Wednesday, July 5th at Barboza. Watch the video for “Tin Man" and read the full post at KEXP.org.Support the show: https://www.kexp.org/donateSee omnystudio.com/listener for privacy information.

Our 9-hour interview with indie rock legend David Pajo covers every single aspect of his career—his influences, Slint, Tortoise, and his consistently amazing solo career, typically released under the moniker Papa M. In Part 1, “Favorites, Firsts, & Flavorings,” Pajo talks with Discograffiti about his favorite albums of all time, his pre-Slint metal outfits, and the myriad post-Slint bands in which he's played where the members are on the lookout for that indefinable Pajo flavor. We'll learn about what it was about the early Louisville punk scene that made David feel like he finally belonged, the totally uncool band he admits was his first-ever concert, and why he feels a deep-seated need to leave bands. Don't miss out on the next five weeks of essential Pajo Patreon Collections—Subscribe at Patreon.com/Discograffiti! Next Week: PAJO PART 2: ZWANICIDE. Sign up for the Lieutenant Tier on our Patreon page to get a Wild Card Episode every Monday! This is an entirely listener-supported show, so try it for a month and hear for yourself why this is truly the ultimate music deep dive. Official playlist curated by Dave on Spotify: https://open.spotify.com/playlist/3HQPu7fMVnsMQL1pGqVCNC?si=hhgfV-kvTZ-4eUnO8kCRRQ Maurice's 1985 “The First Shall Be The Last” Demo: https://youtu.be/CkSBcl44Blw Tortoise live in Portland OR, April 1995: https://youtu.be/DR3uqa3DQFM Interpol on Letterman (7/30/2010): https://youtu.be/XgHGHcauw4M  Yeah Yeah Yeahs on Letterman w/ Pajo (4/05/2013): https://youtu.be/c2KT6ARPb8c Gang Of Four live in Atlanta, GA, full show (03/11/22): https://youtu.be/WaRHdiH96HY CONNECT Join our Soldiers of Sound Facebook Group: https://www.facebook.com/groups/1839109176272153 Patreon: www.Patreon.com/Discograffiti Podfollow: https://podfollow.com/1592182331 Browse Our Merch Shop: https://discograffiti.creator-spring.com Instagram: https://www.instagram.com/discograffitipod/ Facebook: https://www.facebook.com/Discograffiti/ Twitter: https://twitter.com/Discograffiti YouTube: https://www.youtube.com/channel/UClyaQCdvDelj5EiKj6IRLhw Web site: http://discograffiti.com/ CONTACT DAVE Email: dave@discograffiti.com Facebook: https://www.facebook.com/hooligandave Instagram:  https://www.instagram.com/davidgebroe/ Twitter: https://twitter.com/DaveGebroe CONTACT TODD ZIMMER: GRAPHIC DESIGN Facebook: https://www.facebook.com/ToddZimmer and https://www.facebook.com/punknjunkradio Instagram: https://www.instagram.com/the_real_todd_zimmer/ and https://www.instagram.com/punknjunkradioshow/ #davidpajo #patreon #guitarist #stereolab #vinylcollection #billycorgan #music #johnmcentire #tortoise #gangoffour #suicide #paulmajor #bonnyprincebilly #palace #palacebrothers #willoldham #jenniferherrema #theyeahyeahyeahs #deadchild #zwan #vinylcollector #bloodonthetracks #slint #pajo #soldiersofsound #arielm #papam #royaltrux #theforcarnation #discograffiti --- Send in a voice message: https://podcasters.spotify.com/pod/show/discograffiti/message Support this podcast: https://podcasters.spotify.com/pod/show/discograffiti/support

Drummer Todd Philips (Bullet LaVolta, Juliana Hatfield Three, Lemonheads) makes his third appearance on the podcast and brings in yet another Boston - by way of Dayton, OH - classic, the 1990 debut album by The Breeders: 'Pod'.  Songs featured in this episode: Lord Of The Thighs - The Breeders; Swan Dive - Bullet LaVolta; Rid Of Me - PJ Harvey; Drivin' On 9 - Ed's Redeeming Qualities; Gigantic - Pixies; Feed The Tree - Belly; Nosferatu Man - Slint; Milk It - Nirvana; Glorious, Doe - The Breeders; Happiness Is A Warm Gun - The Beatles, Happiness Is A Warm Gun, Oh! - The Breeders; A Girl Like You - Wolfgang Press; Hellbound, When I Was A Painter, Fortunately Gone, Safari, Iris, Opened - The Breeders; Blown Away - Pixies; Fear - Throwing Muses; Only In 3's, Lime House, Metal Man, Cannonball - The Breeders; My Sister - Juliana Hatfield Three; Lord Of The Thighs (Live at Pinkpop 1994) - The Breeders 

Abriremos y cerraremos episodio con una efeméride que se cumplirá este 2023, el 25 aniversario de la publicación del quinto álbum de Pearl Jam, Yield. Escucharemos uno de los últimos trabajos de los norteamericanos King Buffalo, The Burden of Restlessness, publicado en 2021. Descubriremos la estupenda música de este banda de culto de los 90, Slint, de los que escucharemos su segundo y último álbum, Spiderland, de 1991. Y disfrutaremos con Jimi Hendrix en directo en 1969, extraído de su Hendrix Live in Scandinavia, vol. Continue reading La Ruleta Rusa 06.2023. Pearl Jam. King Buffalo. Slint. Jimi Hendrix. at La Ruleta Rusa Radio Rock.

“I'm Not Sure At All” Bringing to mind a low-fi Kate Bush mixed with Cat Power and Beth Orton, the Kent-born Marlody is a revelation. Her debut album I'm Not Sure At All is a rich and lustrous affair, filled with confident songwriting about feeling unconfident. And that's the beautiful thing about Marlody—her music is a delicious cauldron of contrasts that's redolent with vulnerability and strength. The songs on I'm Not Sure At All ache with longing and uncertainty, yet then ring out with bursts of sure-footed courage, poise and tenacity. A trained classical pianist with an orchestral future set out before her, Marlody tossed traditionalism aside and immersed herself in indie noise rock like Shellac and Slint and found a through-line that linked the classical with the cacophonous. I'm Not Sure At All is one of 2023's great finds and Marlody's music is a riveting and spellbinding listen. Bandcamp: https://skepwax.bandcamp.com www.marlody.bandcamp.com MARLODY: Instagram/Twitter: @_marlody_ SKEP WAX: Instagram/Twitter/Facebook: @skepwax Contact: info@skepwax.com www.bombshellradio.com www.alexgreenonline.com www.embersarts.com www.stereoembersmagazine.com Twitter: @emberseditor Instagram: @emberspodcast Email: editor@stereoembersmagazine.com

Thomas and Chris from UK Screamo act Deadbird join us for a very long chat about their debut album In The Absence Of. We cover everything from origin stories and inspirations to Limewire, stealing riffs, coping with loss and grief, floor shows, Midwest Emo memes, writing vacations and Stoat Rock.Knives, My Name Is Legion, Planes Mistaken For Stars, Saetia, Neil Perry, The Murder of Rosa Luxemburg, Army Of Flying Robots, Dead Son Rising, La Quiete, Algae Bloom, Chalk Hands, Respire, Ten Grand, La Dispute, Neil Perry, Slint, Britney Spears, Taylor Swift, Elvis, Table, Hatebeak and Blind Girls.

A child, or should I say… division of progressive rock, Math Rock sounds incredible. But what is Math Rock, exactly? Let's define it, talk about its history, identify some stylistic characterizations, and tell some stories about notable people in the genre. Math Rock is a genre of rock characterized by complex rhythms and irregular and angular instrumental patterns that change constantly first made popular by hardcore groups like Shellac and Slint, cemented as a genre by groups like Don Caballero and Hella, and branched into softer, melodic subsets by groups like Toe and American Football. To learn more about the many, many, many different genres of rock music, subscribe to Break Rock Down on Apple Podcasts or wherever you listen to podcasts. Episode Links: Introduction to music theory Explaining time signature Explaining Syncopation Math Rock Spotify Playlist Sources: What is Math Rock? An Introduction to Math Rock The History of Math Rock Math Rock Shellac Biography Slint Biography Music Preview: Instrumental monsters Don Caballero return with revamped lineup Hella biography The history and influence of Polvo toe biography

I invited guitarist for Delta Sleep, Glen Hodgson on to talk us through what is and isn't Math Rock. We got some answers for sure, but I still can never put my finger on what makes something "mathy". I regale Glen with phrases from the early 90s like "wazzy" which just makes me feel old. We also talk about being in Delta Sleep, touring, music production, the Albini sound, and a bunch of other stuff. We work our way from Slint, through Don Caballero, Toe, Pretend, Faraquet, up to Real Terms. We even have a track that even to me doesn't seem very "mathy" Find out more about Delta Sleep, and buy some music at https://www.deltasleepband.com/ LISTEN WITH ALL THE SONGS FOR FREE at either www.infrequency.co.uk or at www.mixcloud.com/tempfans Please pop over to our mixcloud and like and comment on the episodes, it really helps The tunes are all on this Spotify Playlist

This week's guest Joe Tunis (Carbon Records, Pengo) once again guides us into the world of post-rock, with Chicago-by-way-of-Kentucky band Gastr del Sol and their 1994 Drag City release 'Crookt, Crackt, or Fly'. Like many of their adjacent bands - Slint, Tortoise, Bastro...etc - the music on this mysterious record is often hard to define. It's a strange, evocative amalgamation of unconventional guitar virtuosity, subtle tape-work and occasional forays into full-on math rock that's definitely not for the timid. Songs featured in this episode: Wedding in the Park - Gastr del Sol; Queasy Stream - Pengo; Sun God - Squirrel Bait; Breadcrumb Trail - Slint; Shoot Me A Deer - Bastro; A Watery Kentucky - Gastr del Sol; Rain On Tin - Sonic Youth; History and Repetition - Bill Orcutt; Four Violins (excerpt) - Tony Conrad; Sunflower River Blues - John Fahey; Wedding in the Park, Work From Smoke - Gastr del Sol; Glass Museum - Tortoise; Parenthetically - Gastr del Sol; Wird - Codeine; Every Five Miles - Gastr del Sol; Boilermaker - The Jesus Lizard; Thos. Dudley Ah! Old Must Dye, Is That A Rifle When It Rains? - Gastr del Sol; Horizontal Hold - This Heat; Jacking The Ball - The Sea and Cake; The C in Cake, The Wrong Soundings - Gastr del Sol; What's He Building? - Tom Waits; The Wrong Soundings, Dry Bones in the Valley (I Saw The Light Come Shining 'Round and 'Round) - Gastr del Sol

Welcome back to our podcast, ants! This week, our dear friend Seth Kaplan takes us on a flight through the "world's second-best Slint tribute act's" second album - "Ants From Up There" while sipping on a Concorde cocktail. We'll talk about Fall Out Boy Fall, sprechgesang, and lots of carbohydrates - including a Surprise Snack courtesy of Cameron!Stream Ants From Up There by Black Country, New Road here. Seth makes music! Check out his band Maybe Hazel and his solo project Tokyo Sayonara. Thank you to Cameron Bopp for editing our show and writing our theme song!You can find Album ReBrews on Instagram here and Twitter here. (@albumrebrews)TW/CW: Explicit language, alcohol use and references, brief discussions of mental health, mildly distressing lyrics, brief mention of COVID-19, brief mention of death.Fair Use Disclaimer: Under section 107 of the Copyright Act 1976, allowance is made for “fair use” for purposes such as criticism, comment, news reporting, teaching, scholarship, education, and research.Fair use is a use permitted by copyright statutes that might otherwise be infringing.Logo Attribution: Thank you to Vecteezy for providing free vectors used as part of our podcast art.

Today I sit down with the multi-faceted Steven Morgan, a man who's dipped his toes in various creative fields. Whether it's comedy, music, or crafting compelling narratives, Steven has done it all, and he's here to share his intriguing journey. Be prepared to laugh and contemplate as we journey through his experiences in stand-up comedy, explore the rollercoaster ride of emotions it involves, and discuss the surprising individuals who seem to find their groove on the comedy stage.Finally, we're taking a deeper dive into the realm of ethics in comedy. Discover what subjects Steven considers off-limits in his comedic ventures and the challenges he faces in navigating potentially harmful stereotypes. Prepare to be intrigued, moved, and entertained in another episode filled with laughter, music, and insightful conversations.Listen to the playlist on SpotifyWatch the episode on YouTubeFollow Music Junkies everywhere  Make sure to HIT that LIKE BUTTON and SUBSCRIBE to our Channel to be notified of new episodes! If you love Music Junkies share it !!New EP is out every MONDAY at 12 pm Rock on! Music JunkiesSupport the show

A jampacked weekend has left Jake very tired and lacking the energy to perform in his bowling league.Music recommendations are “Spiderland” by Slint, and “Thrust” by Herbie Hancock.Wake & Jake (Bonus Content)https://www.patreon.com/wakeandjakepodWake & Jakehttps://www.auxchicago.com/wake-jakehttps://www.instagram.com/wakeandjakepod/https://twitter.com/WakeandJakePodJake Fisherhttps://www.instagram.com/kennyg.g.allin/https://deathbotrecords.bandcamp.com/Music Composed by Jake FisherLogo by Baitul Javid

Johnny Rotten was a pivotal figure in the earliest days of Punk.  For an encore he went back to his surname of Lydon and formed Public Image Ltd who would prove to be one of the earliest purveyors of a genre that would aptly come to be known as Post Punk.   Influencing the likes of Big Black, Sonic Youth, Slint and scores of others, PiL were as ahead of their time as the Sex Pistols were and their legacy is arguably more consequential to the sound of anything that could called “alternative” music today.     huntsmanhill.com   #huntsmanhill   Spotify Playlist:  https://open.spotify.com/user/1298220429/playlist/4gy1wWwypkoFS2lUztvZ44?si=waSq07DBQlq3x9G1_nK0pg   HHPP Amazon Affiliates Store https://huntsmanhill.com/2022/06/09/hhpp-store/   Our Music manhuntsman:  https://manhuntsman.com Academy O.C:  https://academyoc.bandcamp.com/album/academy-o-c    

Slint - Spiderland On this episode, we review a group who only made two albums and were influential to many groups after they came and went. Our tracks of the week are, Sonic Youth's “100#” and The Pop Group's “Kiss The Book.” We close with Lee's song “Trio.” Cheers and enjoy!

Melbourne, Australia's Sandpit only managed one full-length, 1998's On Second Thought, along with a few earlier EPs before disappearing. Mellow and sparse one minute, abrasive and noisy the next, the band finds a sweet spot between the two thanks to inventive vocal melodies that play with phrasing and cadence to keep the listener's ears engaged. Like American counterparts in Slint, Seam, or Polvo, there are slowcore and post-hardcore benchmarks the band hits with ease, while still creating interesting guitar lines between the crawling drum and snare hits.   Songs In This Episode: Intro - Hold Yr Horses 11:23 - Walking in a Straight Line 19:04 - Metamorphosis 21:52 - I Positively Hate You Now 24:16 - Along The Moors Outro - Helicopters   Support the podcast, join the DMO UNION at Patreon. Listen to the episode archive at DigMeOutPodcast.com.

In 1991, teenage Louisville, Kentucky band Slint recorded 'Spiderland', a brooding, sinister record that helped invent post-rock and influenced a generation of musicians. This week's guest Jay Reeve (Muteant Sounds Net Label) joins Rob to dissect this darkly mysterious album. As Steve Albini wrote in a 1991 Melody Maker review: "It's an amazing record, and no one still capable of being moved by rock music should miss it. In 10 years' time, it will be a landmark and you'll have to scramble to buy a copy then." Songs featured in this episode: Groin - AG Davis; My Black Ass - Shellac; Ron - Slint; Thursday - Squirrel Bait; I Found That Essence Rare - Gang Of Four; Safari - The Breeders; Discipline - King Crimson; Shadow Of A Doubt - Sonic Youth; Mouth Breather - The Jesus Lizard; We Are 138 - Misfits; Breadcrumb Trail, Nosferatu Man, Don, Aman, Washer, For Dinner..., Good Morning, Captain - Slint; Heroin - The Velvet Underground; Moonbeams - The For Carnation; Half The Man I Used To Be - Stone Temple Pilots; Barricade - Interpol; Un tout petit cheval - SYLVAIN GUÉRINEAU & JEAN ROUGIER; Washer (Live in London, 2013) - Slint

Allen Wyma talks with Tobias Hunger, developer on Slint. Slint is a toolkit to efficiently develop fluid graphical user interfaces for any display. Contributing to Rustacean Station Rustacean Station is a community project; get in touch with us if you'd like to suggest an idea for an episode or offer your services as a host or audio editor! Twitter: @rustaceanfm Discord: Rustacean Station Github: @rustacean-station Email: hello@rustacean-station.org Timestamps [@0:30] - Tobias' introduction [@2:21] - What does Slint offer compared to other GUI frameworks? [@6:52] - Slint's UI language [@9:02] - From SixtyFPS to Slint, what's the idea behind the name change? [@14:57] - Different industries that Slint is serving [@18:45] - Three different options for licensing Slint [@21:39] - Slint's progress and efforts in supporting more customization [@32:07] - Slint's upcoming projects and roadmap [@35:19] - Tobias parting thoughts Credits Intro Theme: Aerocity Audio Editing: Plangora Hosting Infrastructure: Jon Gjengset Show Notes: Plangora Hosts: Allen Wyma

Terms like post-punk, post-rock, emo, indie, etc. get tossed around when talking about 90s rock bands that strayed from the mainstream to embrace a different take on the soft/loud dynamic. Boston four-piece Karate takes the angular twin-guitar and vocal attack of Fugazi and shave off some of the rougher edges while incorporating Slint-like slowcore, dialing down the tempos and volumes ready to burst. Karate adds a twist with jazzy phrasings and even a dirgy blues riff, giving the band an opportunity to work with a wider sonic pallet while leaving plenty of open space that occasionally feels underdeveloped.   Songs In This Episode: Intro - It's 98 Stop 17:30 - New Martini 27:22 - New Hangout Condition 35:46 - Wake Up, Decide Outro - Die Die   Support the podcast, join the DMO UNION at Patreon. Listen to the episode archive at DigMeOutPodcast.com.

Throw on your favorite flannel shirt and join Deep Cuts: Lost & Found as they visit 1991 - the year grunge broke into the mainstream. You won't hear Nirvana on this episode, but Seattle's Mudhoney represents the Emerald City just fine. Find out which host was “bored with rock” in 1991, who “trimmed truffles” (no, that's not a euphemism) after graduating college, and debate which rock guitar god (Billy Corgan or Bob Mould) had the better foray into wrestling. Featuring: Ice Cube, Slint, Talk Talk, the Verlaines and more. Learn more about your ad choices. Visit megaphone.fm/adchoices

We've veered off into solo project territory again today with the Jimmy Chamberlin Complex and their 2005 alterna-jazz-rock-fusion album, "Life Begins Again." More Fugazi than Dave Brubeck, more Slint grooves than brass sections, it was a "jazz" album we weren't ready for at the time but (as full-grown GENRE-DEFYING adults) we really f**king dig now. First off: Jimmy's cookin' it up so fast, flippin' sonic flapjacks in flavors we hadn't quite tasted before giving this album a proper listen. We heap praise on the incredible vocal stylings of Catherine Wheel's Rob Dickinson... but Frank's got murder on the mind when thinking of a Catherine Wheel/Smashing Pumpkins bill. All that plus the "Set the Ray to Jerry"-esque dreaminess of the Billy Corgan-sung "Loki Cat," the unfortunate feeling of a song becoming a late-night stress loop, and the benefits of having a Righteous Brother as a godfather. But what we really want to know is: If Jimmy-baby's laying organ tracks on this bad boy... where was Ignoffo's invite?! How to support the 'kast: MERCH Our PATREON buymeacoffee.com/Pumpkast Please rate and review us! Follow us on the socials: Twitter: @PumpkinsPodcast Instagram: @smashingpumpkast TikTok: @smashingpumpkast

The guys introduce the record for Season 1, [A-->B] Life, discussing musical influences and connections from Hildegard of Bingen to Slint's Spiderland and the plan to use Søren Kierkegaard's Either/Or as a potential lens through which to interpret the record. Steven also floats an interesting Tarantino-esque theory for how we can understand the narrative order of the tracks.  Please consider rating and reviewing the podcast on Apple and Spotify! For more info about the podcast, including show notes, short blogs, and host info, visit our website: uswithoutthempod.com Join our Facebook group to keep the conversation going: uswithoutThem Podcast Keep up with the latest on social media: Instagram, Twitter, Facebook  We got stickers!

There is an argument to be made that outside of the geographically named baseball bats, Slint's “Spiderland” is the greatest thing to ever come out of Louisville Kentucky.  The bands six song LP is not only their high-water mark but it has more than stood the test of time by remaining an incredibly compelling and emotional listen all these decades later as well as being a major influence on the likes of Shellac, Mogwai and Godspeed You! Black Emperor.   We gush.   Recommended Listening:   Breadcrumb Trail Documentary  https://www.youtube.com/watch?v=GsRpS6XGiOs   Fuel https://open.spotify.com/artist/4gHdyRkBHFJHc6CV4QY6Ix?si=_L3vokmoRxOS25H1fhYFzw   Seam  https://open.spotify.com/artist/0AOyxXRa4odDG1PisHJtKx?si=UT3krtnsRACyEky4PWjjrQ   SPIN Alternative Record Guide https://en.wikipedia.org/wiki/Spin_Alternative_Record_Guide   huntsmanhill.com #huntsmanhill Spotify Playlist:  https://open.spotify.com/user/1298220429/playlist/4gy1wWwypkoFS2lUztvZ44?si=waSq07DBQlq3x9G1_nK0pg

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VIN AND SORI GEAR www.teespring.com/stores/the-village-market PAYPAL vinandsorimerch@gmail.com Patreon https://www.patreon.com/Vinandsori MAIL US SOMETHING AT Vin and Sori P.O. Box 7024 Lewiston, Maine 04243 EMAIL US vinandsori@gmail.com MIDDLE AMERICA WITH VIN AND SORI https://www.youtube.com/channel/UCojH... Facebook https://www.facebook.com/VinAndSori/ Twitter https://twitter.com/VinAndSori Instagram https://www.instagram.com/vinsoriseven/ Website~ Vinandsori.com Patreon~ https://www.patreon.com/Vinandsori Facebook~ Facebook.com/vinandsori Twitter~ @vinandsori Instagram~ vinsoriseven --- Support this podcast: https://anchor.fm/conversations-with-vin-and-sori/support