Podcast appearances and mentions of john mcnaughton

This week, we're watching a pair of films that truly pushed the boundaries of the erotic thriller. First up is Brian De Palma's voyeuristic Body Double (1984), followed by John McNaughton's pulpy capstone to the genre, Wild Things (1998). Both films deliver their stories through a predominant male gaze, proving to be as controversial as they are horny. Hosted on Acast. See acast.com/privacy for more information.

We're back with another true crime episode, and this time, Skeptik is taking the reins! We're covering John McNaughton's 1987 cult classic Henry: Portrait of a Serial Killer. In this episode, we also discuss details surrounding the real cases of Henry Lee Lucas and Ottis Toole. This one gets real gross, fair warning! TW: SA, violence/gore, toxic masculinity, a scene where the culprits eat burgers and coffee (simultaneously)Be sure to sub to our Youtube channel for video episodes!UCnXSoHnxeAGhyoM7pIQQCWAWatch PsydeShow on Twitch: twitch.tv/psydeshowJoin the discussion on Facebook (The Devil's Work Podcast) and Instagram/TikTok @thedevilsworkpod Email us your own reviews about the films or your thoughts on episodes at: thedevilsworkpodcast@gmail.com

Pop open your champagne, hop in the pool, and join us while we discuss John McNaughton's infamous 1998 erotic thriller WILD THINGS. CONTENT WARNING: The film we're discussing this week features graphic discussions of sexual abuse, depictions of statutory rape, and murder. These elements also come up in McKenzie's synopsis and we discuss these scenes / themes throughout the episode. - This is a ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠TAPEDECK⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ podcast. Connect with us on ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Twitter⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, or our ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Letterboxd⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ HQ at @austindangerpod. Send us a letter or voicemail at austindangerpodcast@gmail.com and we'll share them on our episodes. If you tag your reviews with "austindangerpod" on Letterboxd, we'll find them and also share them on the show! Follow ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Kev⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ & ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠McKenzie⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ on Letterboxd. Listen to Kev's other podcast, ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Ammonite Movie Nite⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠! Listen to McKenzie's other podcasts ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠The Criterion Connection⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ & ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ON LYNCH⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠. - NEXT WEEK: We're wrapping up our year by taking a drive down a LOST HIGHWAY (1997)

We review Wild Things (1998) on movie podcast The Collector's Cut. Wild Things is directed by John McNaughton and stars Kevin Bacon, Matt Dillon, Neve Campbell, Theresa Russell, Denise Richards, Bill Murray patreon: https://www.patreon.com/mildfuzztv twitter: https://twitter.com/ScreamsMidnight all links: https://linktr.ee/mildfuzz Audio version: https://the-collectors-cut.pinecast.co/

It's an undead orgy on this fun yet frivolous episode which sees John McNaughton fill in for George Romero in the director's chair. The penultimate episode of Season 1 finds 'Masters of Horror' looking more like “Goosebumps for adults” than ever. Its title character finds himself confronting horrible truths about the ways love and lust can endure after death.  Bennett and Jim wonder what the Haeckel estate must think of this strange tale, ask which periods Jon Polito could realistically live in, and discuss McNaughton's classic 'Wild Things.' Created by Mick Garris, Masters of Horror was a two-season series on Showtime that challenged genre legends to create an hour-long horror film. Follow along as Bennett and Jim are forced to spend no more than 20 minutes discussing each episode from the first season of the series or face a room full of poisonous gas.

In this Halloween "spooky season" episode of Parallax Views w/ J.G. Michael, we delve into the unsettling world of true crime cinema with Chuck Parello, a filmmaker renowned for his work on notorious serial killer films. Parello began as the publicist for John McNaughton's groundbreaking and controversial Henry: Portrait of a Serial Killer, which faced a grueling battle with the MPAA that refused to grant it an R-rating despite extensive cuts. J.G. and Chuck discuss the haunting power of Henry, the terrifyingly quiet portrayal of the titular character by Michael Rooker, and how the film isn't a straightforward biopic of infamous killers Henry Lee Lucas, who came to be known as "The Confessions Killer" for fabricating many of his claims in exchange for special privileges, or Otis Toole but rather a unique examination of monstrous characters. Chuck then details his own sequel, Henry: Portrait of a Serial Killer, Part II, where Henry is drawn into the world of arsonists, shedding light on the creative origins of that choice. The conversation continues with Chuck's film Ed Gein, which diverges from fictionalized films inspired by the Butcher of Plainfield—such as Psycho, The Texas Chainsaw Massacre, and Silence of the Lambs—and instead stays grounded in the actual life and psyche of Ed Gein. Featuring Steve Railsback, known for his unnerving performance as Charles Manson in the 1970s TV miniseries Helter Skelter, Railsback's portrayal of Gein is both unsettling and oddly tragic, showcasing a different side of the infamous killer. Chuck and J.G. also discuss The Hillside Strangler, a disturbing portrayal of Kenneth Bianchi and Angelo Buono's deadly partnership, in which C. Thomas Howell and Nicholas Turturro take on chilling roles as the murderous cousins whose combined force drove them to escalate their crimes in late 1970s Los Angeles. Further, Chuck shares insights on his upcoming project on the Sunset Strip Killers/The Sunset Slayers (Doug Clark and Carol Bundy) and how he was originally was slated to direct the 2002 Ted Bundy biopic before Oingo Boingo's Matthew Bright ended up with the job. They tackle ethical questions surrounding the portrayal of real-life killers, the potential for exploitation, and the cultural obsession with true crime, shedding light on the complex responsibilities of filmmakers in this genre. This episode is a must-listen for fans of horror, crime thrillers, and serial killer cinema, as it examines the artistry and ethics of bringing these haunting real-life tales to the screen.

"Wild Things" (1998) is the pick from Patreon supporter Helen this week. It's definitely a memorable one for both hosts, though maybe not for the intricate twists and turns of the storyline. "Wild Things" was a sultry neo-noir thriller directed by John McNaughton, renowned for his work on "Henry: Portrait of a Serial Killer." The production of "Wild Things" was characterized by its bold and risqué narrative, which required a delicate balance of provocative content and intriguing storytelling. The screenplay, penned by Stephen Peters, was initially seen as a challenging project due to its complex plot filled with twists, turns, and mature themes. Casting was crucial to the film's success, with the production team bringing together an ensemble that included Kevin Bacon, Matt Dillon, Neve Campbell, and Denise Richards. The chemistry and performances of the cast were pivotal in navigating the film's intricate web of deceit and double-crosses. Filming took place primarily in the sultry, atmospheric locales of South Florida, utilizing the lush, humid environment to enhance the film's steamy and mysterious tone. The production team faced the challenge of maintaining the film's edgy and controversial elements while ensuring it appealed to mainstream audiences. This involved careful direction and cinematography to balance the film's erotic scenes with its overarching suspenseful and thrilling narrative. Despite initial mixed reviews, "Wild Things" gained a cult following over the years, praised for its audacious plot and the memorable performances of its cast. The film's legacy continues as a standout example of late-90s thrillers that dared to push the envelope. If you enjoy the show we have a Patreon, so become a supporter. ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠www.patreon.com/thevhsstrikesback⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Plot Summary: Sam Lombardo finds himself at the center of a scandal when two students, the wealthy Kelly Van Ryan and the troubled Suzie Toller, accuse him of sexual assault. As Detective Ray Duquette delves into the case, he discovers a tangled web of deceit and betrayal. ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠thevhsstrikesback@gmail.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://linktr.ee/vhsstrikesback⁠ --- Support this podcast: https://podcasters.spotify.com/pod/show/thevhsstrikesback/support

It's car wash day! Put on your white T-shirts and make sure you remembered your coupon for a down and dirty episode on John McNaughton's Wild Things. So where's your hose? If you like the podcast, please rate, review, and subscribe! Follow us at @theladykpod on Twitter and @theladykillerspod on Instagram and Bluesky Connect with your co-hosts:  Jenn: @jennferatu on Twitter, Instagram, Threads, and Bluesky   Sammie: @srkdall on Twitter and Instagram, @srkdallreads Bookstagram Mae: @eversonpoe on all social media platforms, music at eversonpoe.bandcamp.com Rocco: @roccotthompson on Twitter, @rosemarys_gayby on Instagram Cover Art: David (@the_haunted_david, @the_haunted_david_art) Logo Art: Meg (@sludgework) Music: Mae (@eversonpoe) Learn more about your ad choices. Visit megaphone.fm/adchoices

Mark and Zanandi (@Zanandi on X) discuss the 1998 crime thriller Wild Things. Directed by John McNaughton, and starring Neve Campell, Denise Richards, Matt Dillon, Kevin Bacon, and several alligators, it's one of the best trashy thrillers of the 1990s. In this episode, they also discuss pool fights, peeping animals, and the best trashy thrillers of the 1990s. Enjoy!

Soutenez nous sur PatreonForfait 3€ épisode en accès anticipé sans pubForfait 5 € épisode en accès anticipé sans Pub + Accès aux Podcasts Exclusifs Pour l'arrivée de l'été, on a décidé de ne pas vous parler de météo, de cul, de sexe et un peu de cinéma quand même avec le culte Sexcrimes, thriller érotique devenu un symbole de la représensatation du sexe et des codes de la beauté à la fin des années 90's. Sexcrimes ou Wild Things en VO ou Les Racoleuses dans le pays de Céline est réalisé par John McNaughton sur un script écrit par Stephen Peters produit par Mandalay Entertainment et Sony Pictures avec un budget de 20M de dollars et distribué sous le label de la Columbia Pictures. A la photo c'est Jeffrey L.Kimball derrière la photo de Mission Impossible 2, Top Gun, True Romance et L'Echelle de Jacob qui choisit de tourner en 35mm Panavision qui donne au film un aspect grandiloquent avec son ratio 2.40:1 absolument maboule. Sam Lombardo interprété par Matt Dillon est conseiller d'orientation sur le campus de la petite communauté de Blue Bay en Floride. Les étudiantes ne sont pas insensibles à son charme. Un jour l'une d'entre elles, Kelly sous les traits de Denise Richards, l'accuse de l'avoir violée. Au cours de l'enquête, une autre élève avoue avoir aussi été violée. Or, lors du procès survient un retournement de situation. Soutenez nous sur PatreonForfait 3€ épisode en accès anticipé sans pubForfait 5 € épisode en accès anticipé sans Pub + Accès aux Podcasts Exclusifs La liste de la Shitlist sur Senscritique https://www.senscritique.com/liste/la_shitlist/3657768? La liste de la Shitlist sur Letterboxd par WongKarWaifu https://boxd.it/pQN3e Soutenez nous sur PatreonForfait 3€ épisode en accès anticipé sans pubForfait 5 € épisode en accès anticipé sans Pub + Accès aux Podcasts Exclusifs Si vous souhaitez soutenir ou aider notre Podcast Shitlist gratuitementNous vous demandons simplement de mettre des commentaires 5 étoiles avec un joli commentaire sur Apple Podcasts, Itunes ou Podcast Addict en vous remerciant par avance. Par ailleurs vous avez toujours la possibilité de nous envoyer vos suggestions de sujet pour qu'on en parle dans l'émission à l'adresse suivante shitlistpodcast@gmail.com Enregistré en live sur notre chaîne twitch ABONNEZ-VOUS ! Rattrapez le live sur notre chaine youtube Ne ratez aucun numéro, suivez-nous sur Twitter et Instagram Chroniqueur.e.es : Emmanuelle PEUDON et présenté par Luc LE GONIDEC Host : Luc LE GONIDECMusique Jean Baptise BLAISMontage et mixage son : Luc LE GONIDEC

“He's not Freddy, he's not Jason.. he's real.”   “Henry: Portrait of a Serial Killer is a 1986 (yes, this is discussed in the episode) American psychological horror crime film directed and co-written by John McNaughton about the random crime spree of a serial killer who seemingly operates with impunity.”   Show Links Trailer: https://youtu.be/HeM8ZUkZaTQ?si=-lI44T_HK_eEEgZx   Wikipedia: https://en.wikipedia.org/wiki/Henry:_Portrait_of_a_Serial_Killer   Just Watch: https://www.justwatch.com/us/movie/henry-portrait-of-a-serial-killer   Socials Facebook: https://www.facebook.com/@moviewavepod   Instagram: https://www.instagram.com/moviewavepod   Letterboxd: https://letterboxd.com/moviewavepod/   Reddit: https://www.reddit.com/user/moviewavepod   TikTok: https://www.tiktok.com/@moviewavepod   Twitter (X): https://twitter.com/moviewavepod   Buy Me A Coffee: https://www.buymeacoffee.com/moviewavepod   Intro/Outro Sample Credits “Aiwa CX-930 VHS VCR Video Cassette Recorder.wav” by Pixabay “Underwater Ambience” by Pixabay “waves crashing into shore parkdale beach” by Pixabay   Movie Wave is a part of Pie Hat Productions.

We spoke with John McNaughton, Executive Director at Grand Rapids Public Library, about resources the library offers for residents of Grand Rapids, whether that be through checking out books and media or through the plethora of events they host. The library is our community's source of accessible information, resources, and programs. They offer a wide selection of books, movies, music, that can be checked out physically and/or downloaded digitally. The library also offers a wide range of programming for people of all ages and interests.  Online: Grand Rapids Public Library

This week the ghouls discuss one of film's greatest tough watches, Henry: Portrait of a Serial Killer (1986). From wiki: “Henry: Portrait of a Serial Killer is a 1986 American psychological horror crime film directed and co-written by John McNaughton about the random crime spree of a serial killer who seemingly operates with impunity. It stars Michael Rooker in his debut as the nomadic killer Henry, Tom Towles as Otis, a prison buddy with whom Henry is living, and Tracy Arnold as Becky, Otis's sister. The characters of Henry and Otis are loosely based on convicted real-life serial killers Henry Lee Lucas and Ottis Toole.” But first! Drew Barrymore scabs, which is a bummer, but she apologized so she gets the Bloodhaus Seal of Approval. The hosts talk all about Hollywood unions, Drusilla goes to Vidiots to see Videodrome and they discuss which format is the appropriate one to watch the film. Josh watched Massacre at Central High (1976). Also discussed: Serial Mom, Cannibal Holocaust, Faces of Death, Salo: 120 Days of Sodom, Color Out of Space, The Texas Chain Saw Massacre, Happiness, Josh learns about the X rating, Karina Longworth, Marvel dialogue, Chicago, The Blues Brothers, Ladies and Gentlemen the Fabulous Stains, Kansas City Bomber, Slapshot, various serial killers, Streetwise, the morality of true crime, Ryan Murphy, and more! NEXT WEEK: Werner Herzog's Nosferatu the Vampyre (1979) Website: http://www.bloodhauspod.comTwitter: https://twitter.com/BloodhausPodInstagram: https://www.instagram.com/bloodhauspod/Email: bloodhauspod@gmail.comDrusilla's art: https://www.sisterhydedesign.com/Drusilla's Instagram: https://www.instagram.com/hydesister/ Drusilla's Letterboxd: https://letterboxd.com/drew_phillips/Joshua's website: https://www.joshuaconkel.com/Joshua's Instagram: https://www.instagram.com/joshua_conkel/Joshua's Letterboxd: https://letterboxd.com/joshuaconkel 

Getting back on track with our regularly scheduled programming, we're discussing a movie that has the all important “three B's”… boobs, blood…..and Bacon. A film important for many young boys growing up in the late 90's….for several reasons. Listen in as we discuss 1998's erotic noir thriller classic, Wild Things.

A police detective uncovers a tangled conspiracy after rape allegations against a high school guidance counselor crumble in court.  Directed by John McNaughton from a script written by Stephen Peters. Starring Neve Campbell, Denise Richards, Matt Dillon, Kevin Bacon, Theresa Russell and Bill Murray.  FOLLOW US ON LETTERBOXD - Zach1983 & MattCrosby Thank you so much for listening! E-mail address: greatestpod@gmail.com Please follow the show on Twitter: @GreatestPod Subscribe on Apple Podcasts / Podbean This week's recommendations: Cop Car (Streaming rental)

Winner of the Palme d'Or at the 2021 Cannes Film Festival, Titane is about a serial killer (Agathe Rousselle) who goes on the run after she kills her parents and gets impregnated by a car. She winds up impersonating the long-lost son of a firefighter (Vincent London) and the two ultimately form a symbiotic bond that's based upon their respective emotional needs. Titane goes to some grim places, touching upon the work of David Cronenberg and John McNaughton. Ryan is joined by Rachel for a discussion about this acclaimed work of modern horror. Thematic talking points include writer/director Julia Ducournau's comments on gender, Titane's boundary-pushing victories on the awards circuit, the movie's focus on interpersonal intimacy, and why the body horror subgenre has such a visceral effect on so many viewers. --- Support this podcast: https://podcasters.spotify.com/pod/show/ryan-valentine3/support

On this week's episode of The Blind Rage Podcast, we venture down some dark and unsettling terrain with John McNaughton's infamous HENRY: PORTRAIT OF A SERIAL KILLER. Inspired by the real-life slayings of convicted murderer Henry Lee Lucas, Michael Rooker plays the titular role—and boy, does he play it to the hilt. His portrayal of the sociopathic drifter is frightening, dead-on, and oftentimes haunting. Though the subject matter is quite bleak, The Thunder from Down Under and I did our best to have fun with this commentary. --- Send in a voice message: https://podcasters.spotify.com/pod/show/blindragepod/message

Gaius and Jackson are looking back at 1998's Wild Things for its 25th Anniversary! Directed by John McNaughton, the film stars Matt Dillon, Kevin Bacon, Neve Campbell, Denise Richards, Theresa Russell, Robert Wagner, Daphne Rubin-Vega and Bill Murray. In the movie, a high-school guidance counselor in south Florida is accused of rape by two female students but there are a series of subsequent revelations that make things not appear as they seem. It was a first time watch for Jackson while Gaius saw the films in theaters when it was irst released so they share their experience with the film while examining its many twists, performances, reception at the time of its release and its relevancy today. Follow Us On Instagram Follow Us On Twitter Like Us On Facebook Follow Us On TikTok

This week on Mummy Dearest, Zach and Sloane unwrap 1998's erotic swamp themed psychosexual thriller: Wild Things. Impressively, the duo stay on topic for almost the entire podcast and hit all the major plot points like Denise Richards in a bra, Denise Richards soaking wet in a car wash, Denise Richards getting out of pool with her perfect nipples and Denise Richards's perfect nose and butt. All that and so much more on this week's Mummy Dearest!Support the show

Get ready for an episode filled with overshares because we're talking the hot & steamy sexual politics of John McNaughton's 1998 classic Wild Things! Joining us for the conversation are the hosts of the People Under the Scares podcast: Bobby Torrez and Mike Brown!Put your thinking caps on as we try to pick apart this tangled web of a(n admittedly entertaining) plot while lamenting the exclusion of a key queer relationship and the inclusion of Neve Campbell's climactic wig. Oh yeah, and Kevin Bacon's iconic full frontal nude scene. Plus: false rape accusations, prosthetic pussy, penis casts, cum vs. come and a deleted scene that completely changes the way you view the film (hint: it involves incest!). Questions? Comments? Snark? Connect with the boys on Twitter, Instagram, Youtube, Letterboxd, Facebook, or join the Facebook Group to get in touch with other listeners> Trace: @tracedthurman> Joe: @bstolemyremote> The People Under the Scares: Twitter / Instagram> Bobby: Twitter / Instagram / YouTube Channel> Mike: Twitter / InstagramBe sure to support the boys on Patreon! Theme Music: Alexander Nakarada Hosted on Acast. See acast.com/privacy for more information.

Crack open the furnace with the Development Hell podcast as they unearth the never-made A NIGHTMARE ON ELM STREET prequel movie KRUEGER: THE FIRST KILLS. This was reportedly the Freddy Krueger origins film nearly created by John McNaughton (dir. HENRY: PORTRAIT OF A SERIAL KILLER).Also, learn about the other Freddy Krueger origin story directed by Tobe Hooper (dir. THE TEXAS CHAIN SAW MASSACRE) and even discover which Adam Sandler comedy was the ultimate reason KRUEGER: THE FIRST KILLS was never made.With special guest Patrick O'Donnell.References:Bloody Disgusting, 2015Bloody Disgusting, 2020Subscribe to the Development Hell podcast! For every horror title to hit V.O.D, countless others end up D.O.A. Development Hell is the podcast dedicated to unearthing these cursed horror productions — to find out what went wrong — and decide if they still stand a shot at the green light. Make sure to check out past episodes, including Neill Blomkamp's Alien V, the cancelled Hellraiser reboot, and Freddy vs Jason vs Ash!Theme music by Drew PidgeonFollow Patrick O'Donnell on Twitter and InstagramDevelopment Hell is a proud member of the Dread Podcast NetworkFollow the Podcast: @DevelopmentHell on Instagram @DevelHellPod on Twitter @JoshKorngut on bothSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

linktr.ee/CatchingUpOnCinema This November is “No Nut November” at Catching Up On Cinema! All month long, we'll be reviewing erotic thrillers from the 80's and 90's! This week, Trevor and Kyle celebrate the 200th episode of Catching Up On Cinema with a review of John McNaughton's, Wild Things (1998)! Released at a time when the erotic thriller genre was being phased out in favor of teen-focused sex comedies and Scream (1996) rip offs, Wild Things (1998) is a competent neo-noir that has since developed a minor cult following. Benefiting massively from the charms of its charismatic and very game cast of players, Wild Things is nothing special from a writing or production standpoint, however it manages to keep the viewer engaged with a steady drip of smolder, sex, and plot twists. Perhaps best remembered as the film featuring (executive producer) Kevin Bacon's penis in a brief, but essential cameo, Wild Things is a decent erotic thriller, that, perhaps unfortunately, also perhaps marks the transition point for the subgenres' trajectory towards hibernation/obscurity. Special thank to Kyle's brother Nik, Trevor's brother Matt, and all our podcasting friends Brad @cinemaspeak Harrison and Jordan @GriefBurrito Chase Keys and EmmyZero @snescapades Chris @playcomicscast Brian and Michele @MovieLifePod Richie @SuperMediaBros_ And thanks to you, the listener, for tuning in and supporting us all these years! Follow us on Instagram @catchinguponcinema Follow us on Twitter @CatchingCinema Like, share, subscribe, and we'll catch you next time!

     This week we bring November to a close with a triple dose of 90s Erotic Thrillers.      Nomi Malone, a young drifter, heads to Las Vegas with dream of making it big as a showgirl. After a rough start, she finds an in through befriending a costume designer on the hottest ticket in town. Soon Nomi will be swept up in the power games and politics of  revue star diva, Crystal Conners, and her entertainment director boyfriend, Zack Carey. Does Nomi have what it takes to rise to the top? Can she navigate the sexually charged waters? Or will she be pulled under, another victim of the bright lights in the desert? The first, and only, NC-17 film to get a wide mainstream release. Paul Verhoeven's Showgirls.     Corky is an ex-con, recently released, and taking work as building handy person. Violet is the long time girlfriend of Caesar, a mob money launderer, is desperate to get away and make a new life. Violet sets her sights on Corky and Caesar brings home $2 million in blood covered cash, she sees a chance to finally be able to get out. The neo-noir directorial debut of The Wachowskis, Bound.     In the rich suburb of Blue Bay a wealthy teen accuses her high school guidance councilor of rape. Soon another girl, from the other side of the bayou, also comes forward. Not satisfied with the trial's conclusion, a police detective begins pulling on the dangling threads. A tangled web of suspicion and quintuple twists that are almost as hot as the south Florida summer. John McNaughton's Wild Things.     All that and Dave weeps for a French king, Tyler tries some new cuisine, and Kevin can't stop his Bogart impression. Join us, won't we? Episode 285- Step On Turn On Gershon

Can it be? In a twist that no one could see coming, Dan is actually back wit Sam for the long-promised episode on John McNaughton's sweaty neo-noir masterpiece, Wild Things! Email the Arrow Video Podcast hosts for any comments, suggestions or questions at arrowvideopodcast@arrowfilms.co.uk Check out VHS Quest over on Patreon: https://www.patreon.com/VHSquest Or pester Sam and Dan on Twitter: Sam - https://twitter.com/samashurst?s=20 Dan - https://twitter.com/13fingerfx?s=20 And on instagram: Sam - https://www.instagram.com/samashurst23/?hl=en Dan - https://www.instagram.com/13fingerfx/?hl=en

Frame Fatale es un podcast de películas ¿no canónicas? conducido por Sebastián De Caro, Santiago Calori y Axel Kuschevatzky. En el sexagésimo tercero episodio nos ocupamos de Criaturas salvajes (Wild Things, 1998) de John McNaughton. Podés comentar este episodio o agregar una pregunta que nada que ver usando el hashtag #FrameFatale en Twitter. Quizás sea una pegada total suscribirte en donde sea que escuches tus podcasts y tener la primicia de cosas que van a aparecer en este feed de manera caprichosa algo que, de todas maneras, y ya explicamos varias veces, es lo menos importante.

CW: Child Abuse/Molestation, Rape, Suicide It's Creepy Bromance Week on Pod Sematary! Chris & Kelsey have been keeping the wrong sort of friends lately. The Classic Film: Henry: Portrait of a Serial Killer (1986) "Arriving in Chicago, Henry moves in with ex-con acquaintance Otis and starts schooling him in the ways of the serial killer” (IMDb.com). This first-time outing from John McNaughton is well-directed and features a killer performance from Michael Rooker, but it certainly isn't for everyone. It's what Chris might call "effective stuff" or... "compelling stuff." The Modern Film: Creep (2014) "A young videographer answers an online ad for a one-day job in a remote town to record the last messages of a dying man” (IMDb.com). Creep is a testament to what can be made with two buddies and a camera. Accept no excuses from the Thankskillings of the world. Audio Sources: "Colonel Homer" (The Simpsons S03E20) produced by Gracie Films & 20th Century Fox Television "Creep" (2014) produced by Blumhouse Productions & Duplass Brothers Productions "Henry: Portrait of a Serial Killer" produced by Maljack Productions "My Mistake" written by R. Brandle & P. Petraitis and performed by Lynne and the Lizards "Peachfuzz Theme (The Heart of a Lion)" written by Mark Duplass & Kyle Field and performed by Little Wings "Science Fiction/Double Feature" written by Richard O'Brien & Richard Hartley and performed by Joan Jett and the Blackhearts

This is the final part of an eight-part series about American movie ratings. Part 1 focused on Prano Baily-Bond's “Censor”. Part 2 focused on Mike Nichols's “Who's Afraid of Virginia Woolf?”. Part 3 focused on Brian DePalma's “Greetings”. Part 4 focused on Gordon Flemyng's “The Split”. Part 5 focused on Steven Spielberg's “Indiana Jones and the Temple of Doom”. Part 6 focused on Garry Marshall's “The Flamingo Kid”. Part 7 focused on John McNaughton's “Henry: Portrait of a Serial Killer”.***Referenced media:“Taboo” (Kirdy Stevens, 1980)“Goodfellas” (Martin Scorsese, 1990)“King of New York” (Abel Ferrara, 1990)“Miller's Crossing” (Joel Coen and Ethan Coen, 1990)“Jacob's Ladder” (Adrian Lyne, 1990)“Dances With Wolves” (Kevin Costner, 1990)“Misery” (Rob Reiner, 1990)“The Grifters” (Stephen Frears, 1990)“The Godfather Part III” (Francis Ford Coppola, 1990)“Sid and Nancy” (Alex Cox, 1986)“Red Shoe Diaries” (Zalman King, 1992-1997)“The Passion of Joan of Arc” (Carl Theodor Dreyer, 1928)“Un Chien Andalou” (Luis Buñuel, 1929)“Mädchen in Uniform” (Leontine Sagan, 1931)“The L Word” (Ilene Chaiken, Michele Abbot, and Kathy Greenberg, 2004-2009)“Mr. Belvedere” (Frank Dungan and Jeff Stein, 1985-1990)“Airplane!” (Jim Abrahams, David Zucker, and Jerry Zucker, 1980)“Clash of the Titans” (Desmond Davis, 1981)“Invasion of the Body Snatchers” (Philip Kaufman, 1978)“The Right Stuff” (Philip Kaufman, 1983)“Mank” (David Fincher, 2020)“Cape Fear” (Martin Scorsese, 1991)“The Exorcist: Extended Director's Cut” (William Friedkin, 2000)“Showgirls” (Paul Verhoeven, 1995)“Deep Throat” (Gerard Damiano, 1972)“Behind the Green Door” (Artie Mitchell and Jim Mitchell, 1972)

Sam is back! Regular service continues and what better way to rejoin the real world than with the slice of grime that is John McNaughton's contraversial quasi-biopic: Henry? Next time, Sam and Dan will be discussing Children of the Corn 2! Email the Arrow Video Podcast hosts for any comments, suggestions or questions at arrowvideopodcast@arrowfilms.co.uk Or pester Sam and Dan on Twitter: Sam - https://twitter.com/samashurst?s=20 Dan - https://twitter.com/13fingerfx?s=20 And on instagram: Sam - https://www.instagram.com/samashurst23/?hl=en Dan - https://www.instagram.com/13fingerfx/?hl=en

David is still on a little break, so Steve popped in for us to talk about John McNaughton's sci-fi horror head pulling film, The Borrower!

This is the sixth part of an eight-part series about American movie ratings. Part 1 focused on Prano Baily-Bond's “Censor”. Part 2 focused on Mike Nichols's “Who's Afraid of Virginia Woolf?”. Part 3 focused on Brian DePalma's “Greetings”. Part 4 focused on Gordon Flemyng's “The Split”. Part 5 focused on Steven Spielberg's “Indiana Jones and the Temple of Doom”.Future episodes will focus on John McNaughton's “Henry: Portrait of a Serial Killer” (1986) and Philip Kaufmans's “Henry & June” (1990).***Referenced media:“Green Book” (Peter Farrelly, 2018)“Crash” (Paul Haggis, 2004)“Stand By Me” (Rob Reiner, 1986)“The Graduate” (Mike Nichols, 1967)“Arrested Development” (Mitchell Hurwitz, 2003-2006 and 2013-2019)“The Naked Gun: From the Files of Police Squad!” (David Zucker, 1988)“Happy Days” (Garry Marshall, 1974-1984)“My Tutor” (George Bowers, 1983)“American Graffiti” (George Lucas, 1973)“Head of the Class” (Michael Elias and Richard Eustis, 1986-1991)“Eight is Enough” (William Blinn, 1977-1981)“Paris, Texas” (Wim Wenders, 1984)“The Terminator” (James Cameron, 1984)“A Nightmare on Elm Street” (Wes Craven, 1984)“The Killing Fields” (Roland Joffé, 1984)“Supergirl” (Jeannot Szwarc, 1984)“Beverly Hills Cop” (Martin Brest, 1984)“City Heat” (Richard Benjamin, 1984)“The Cotton Club” (Francis For Coppola 1984)“Dune” (David Lynch, 1984)“1984” (Michael Radford, 1984)“A Passage to India” (David Lean, 1984)“Runaway” (Michael Crichton, 1984)“Starman” (John Carpenter, 1984)“The River” (Mark Rydell, 1984)“Breakin' 2: Electric Boogaloo” (Sam Firstenberg, 1984)“Blood Simple” (Joel Coen, 1984)“The Falcon and the Snowman” (John Schlesinger, 1985)“Fandango” (Kevin Reynolds, 1985)“Witness” (Peter Weir, 1985)“The Breakfast Club” (John Hughes, 1985)“Vision Quest” (Harold Becker, 1985)“The Sting” (George Roy Hill, 1973)

This is the fifth part of an eight-part series about American movie ratings. Part 1 focused on Prano Baily-Bond's “Censor”. Part 2 focused on Mike Nichols's “Who's Afraid of Virginia Woolf?”. Part 3 focused on Brian DePalma's “Greetings”. Part 4 focused on Gordon Flemyng's “The Split”.Future episodes will focus on Garry Marshall's “The Flamingo Kid” (1984), John McNaughton's “Henry: Portrait of a Serial Killer” (1986), and Philip Kaufmans's “Henry & June” (1990).***Referenced media:“Raiders of the Lost Ark” (Steven Spielberg, 1981)“Indiana Jones and the Last Crusade” (Steven Spielberg, 1989)“Indiana Jones and the Kingdom of the Crystal Skull” (Steven Spielberg, 2008)“The Most Dangerous Game” (Irving Pichel and Ernest B. Schoedsack, 1932)“Thor” (Kenneth Branagh, 2011)“The Goonies” (Richard Donner, 1985)“Head of the Class” (Michael Elias and Richard Eustis, 1986-1991)“Everything Everywhere All at Once” (Danial Kwan and Daniel Scheinert, 2022)“Classic Creatures: Return of the Jedi” (Robert Guenette, 1983)“The Making of Indiana Jones and the Temple of Doom (Frank Marshall, 1984)“E.T. the Extra-Terrestrial (Steven Spielberg, 1982)“Splash” (Ron Howard, 1984)“Clash of the Titans” (Desmond Davis, 1981)“Entertainment Tonight” (Al Masini, 1981-now)“Police Academy” (Hugh Wilson, 1984)“Greystoke: The Legend of Tarzan, Lord of the Apes” (Hugh Hudson, 1984)“Romancing the Stone” (Robert Zemeckis, 1984)“The Bounty” (Roger Donaldson, 1984)“Mutiny on the Bounty” (Frank Lloyd, 1935)“Sixteen Candles” (John Hughes, 1984)“Ghostbusters” (Ivan Reitman, 1984)“Gremlins” (Joe Dante, 1984)“The Karate Kid” (John G. Avildsen, 1984)“Conan the Destroyer” (Richard Fleischer, 1984)“The Last Starfighter” (Nick Castle, 1984)“Purple Rain” (Albert Magnoli, 1984)“Red Dawn” (John Milius, 1984)“A Passage to India” (David Lean, 1984)

Hey film buds,What is it about the heat that makes some folks' morals melt? With the fun, poppy ideas of Summer Magic also comes something of a dark Summer Curse, leaving some people bound by their worst impulses. Today's episode is diving headlong into moral ambiguity, existential dread, and murder with an episode all about Neo Noir. Introduction - 00:00Opening ChatWhat Makes Summer SexyA Brief Noir History - 22:24First is the 1981 Lawrence Kasdan classic, Body Heat. The film dedicatedly sticks to a classic Noir structure and is largely considered the true first film of the genre's resurgence in media. Plus it is a movie that makes Summer look hot. We'll discuss the noir genre, how films achieve a hot look, and more, as well as review the film at large.Body Heat (1981) - 31:12Review and DiscussionSecond is the John McNaughton directed Wild Things. The film is most notably known as “that film with that Denise Richards/Neve Campbell make-out”. We'll review the film as well as discuss the fairness of its reputation, what can ruin a sex scene, and where the film fits in the Neo Noir cannon. Wild Things (1998) - 49:46Review and DiscussionFor our final discussion we're keeping it brief. First, we'll talk about What We're Watching and the Collection. Then we'll move on to Rob Zombie's Munsters movie. And last we'll discuss our new written review of Marcel the Shell with Shoes On. End of Show - 01:11:50The CollectionThe Munsters TrailerIf you haven't already, be sure to check out last week's episode. Also make sure to come back next week when we go on a crime wave. Thanks as always y'all,The BudsTotal Runtime - 01:21:07Be a Friend to the Film Buds:thefilmbuds.comThe Buds on PatreonThe Buds on bandcamp@filmbuds on Twitter@thefilmbudspodcast on InstagramPaul's Letterboxd

Hey film buds,What is it about the heat that makes some folks' morals melt? With the fun, poppy ideas of Summer Magic also comes something of a dark Summer Curse, leaving some people bound by their worst impulses. Today's episode is diving headlong into moral ambiguity, existential dread, and murder with an episode all about Neo Noir. Introduction - 00:00Opening ChatWhat Makes Summer SexyA Brief Noir History - 22:24First is the 1981 Lawrence Kasdan classic, Body Heat. The film dedicatedly sticks to a classic Noir structure and is largely considered the true first film of the genre's resurgence in media. Plus it is a movie that makes Summer look hot. We'll discuss the noir genre, how films achieve a hot look, and more, as well as review the film at large.Body Heat (1981) - 31:12Review and DiscussionSecond is the John McNaughton directed Wild Things. The film is most notably known as “that film with that Denise Richards/Neve Campbell make-out”. We'll review the film as well as discuss the fairness of its reputation, what can ruin a sex scene, and where the film fits in the Neo Noir cannon. Wild Things (1998) - 49:46Review and DiscussionFor our final discussion we're keeping it brief. First, we'll talk about What We're Watching and the Collection. Then we'll move on to Rob Zombie's Munsters movie. And last we'll discuss our new written review of Marcel the Shell with Shoes On. End of Show - 01:11:50The CollectionThe Munsters TrailerIf you haven't already, be sure to check out last week's episode. Also make sure to come back next week when we go on a crime wave. Thanks as always y'all,The BudsTotal Runtime - 01:21:07Be a Friend to the Film Buds:thefilmbuds.comThe Buds on PatreonThe Buds on bandcamp@filmbuds on Twitter@thefilmbudspodcast on InstagramPaul's Letterboxd

Hey film buds,What is it about the heat that makes some folks' morals melt? With the fun, poppy ideas of Summer Magic also comes something of a dark Summer Curse, leaving some people bound by their worst impulses. Today's episode is diving headlong into moral ambiguity, existential dread, and murder with an episode all about Neo Noir. Introduction - 00:00Opening ChatWhat Makes Summer SexyA Brief Noir History - 22:24First is the 1981 Lawrence Kasdan classic, Body Heat. The film dedicatedly sticks to a classic Noir structure and is largely considered the true first film of the genre's resurgence in media. Plus it is a movie that makes Summer look hot. We'll discuss the noir genre, how films achieve a hot look, and more, as well as review the film at large.Body Heat (1981) - 31:12Review and DiscussionSecond is the John McNaughton directed Wild Things. The film is most notably known as “that film with that Denise Richards/Neve Campbell make-out”. We'll review the film as well as discuss the fairness of its reputation, what can ruin a sex scene, and where the film fits in the Neo Noir cannon. Wild Things (1998) - 49:46Review and DiscussionFor our final discussion we're keeping it brief. First, we'll talk about What We're Watching and the Collection. Then we'll move on to Rob Zombie's Munsters movie. And last we'll discuss our new written review of Marcel the Shell with Shoes On. End of Show - 01:11:50The CollectionThe Munsters TrailerIf you haven't already, be sure to check out last week's episode. Also make sure to come back next week when we go on a crime wave. Thanks as always y'all,The BudsTotal Runtime - 01:21:07Be a Friend to the Film Buds:thefilmbuds.comThe Buds on PatreonThe Buds on bandcamp@filmbuds on Twitter@thefilmbudspodcast on InstagramPaul's Letterboxd

This is the fourth part of an eight-part series about American movie ratings. Part 1 focused on Prano Baily-Bond's “Censor”. Part 2 focused on Mike Nichols's “Who's Afraid of Virginia Woolf?”. Part 3 focused on Brian DePalma's “Greetings”.Future episodes will focus on Steven Spielberg's “Indiana Jones and the Temple of Doom” (1984), Garry Marshall's “The Flamingo Kid” (1984), John McNaughton's “Henry: Portrait of a Serial Killer” (1986), and Philip Kaufmans's “Henry & June” (1990).***Referenced media:“Marty” (Delbert Mann, 1955)“Star Wars Holiday Special” (Steve Binder, 1978)“The Dirty Dozen” (Robert Aldrich, 1967)“Sweet Sweetback's Baadasssss Song” (Melvin Van Peebles, 1971)“Shaft” (Gordon Parks, 1971)“Superfly” (Gordon Parks, Jr., 1972)“M*A*S*H” (Robert Altman, 1970)“The French Connection” (William Friedkin, 1971)“Black Sunday” (John Frankenheimer, 1977)“Bonnie and Clyde” (Arthur Penn, 1967)“Julia” (Hal Kanter, 1968-1971)“Rocky” (John G. Avildsen, 1976)“Bamse” (Arne Mattsson, 1968)“The Night of the Assassin” (Adriano Bolzoni, 1970)“Coogan's Bluff” (Don Siegel, 1968)“Bullitt” (Peter Yates, 1968)“Ice Station Zebra” (John Sturges, 1968)“Hellfighters” (Andrew V. McLaglen, 1968)“Where Eagles Dare” (Brian G. Hutton, 1968)“Hell in the Pacific” (John Boorman, 1968)”“Assignment to Kill” (Sheldon Reynolds, 1968)“Riot” (Buzz Kulik, 1969)

This is the third part of an eight-part series about American movie ratings. Part 1 focused on Prano Baily-Bond's "Censor". Part 2 focused on Mike Nichols's "Who's Afraid of Virginia Woolf?".Future episodes will focus on Gordon Flemyng's "The Split" (1968), Steven Spielberg's "Indiana Jones and the Temple of Doom" (1984), Garry Marshall's "The Flamingo Kid" (1984), John McNaughton's "Henry: Portrait of a Serial Killer" (1986), and Philip Kaufmans's "Henry & June" (1990).***Referenced media:"Who's Afraid of Virgina Woolf?" (Mike Nichols, 1966)"Red Dawn" (John Milius, 1984)"This Savage Land" (Vincent McEveety, 1969)"Assignment to Kill" (Sheldon Reynolds, 1968)"Payment in Blood" (Enzo G. Castellari, 1968)"Birds in Peru" (Romain Gary, 1968)"Planet of the Apes" (Franklin J. Schaffner, 1968)"2001: A Space Odyssey" (Stanley Kubrick, 1968)"Night of the Living Dead" (George A. Romero, 1968)"Barbarella" (Roger Vadim, 1968)"The Girl on a Motorcycle" (Jack Cardiff, 1968)"Head" (Bob Rafelson, 1968)"Yellow Submarine" (George Dunning, 1968)"Faces" (John Cassavetes, 1968)"The Great Silence" (Sergio Corbucci, 1968)"Sympathy for the Devil" (Jean-Luc Godard, 1968)"Candy" (Christian Marquand, 1968)"The Night They Raided Minsky's" (William Friedkin, 1968)"The Wrecking Crew" (Phil Karlson, 1968)"Once Upon a Time in Hollywood" (Quentin Tarantino, 2019)"Three in the Attic" (Richard Wilson, 1968)"Pumping Iron" (George Butler and Robert Fiore, 1977)"Blowup" (Michelangelo Antonioni, 1966)"Mean Streets" (Martin Scorsese, 1973)"Hi, Mom!" (Brian DePalma, 1970)"C.H.U.D. II: Bud the C.H.U.D." (David Irving, 1989)"Phantom of the Paradise" (Brian DePalma, 1974)"Shadows" (John Cassavetes, 1959)"Fritz the Cat" (Ralph Bakshi, 1972)"Beverly Hills Cop II" (Tony Scott, 1987)"Breathless" (Jean-Luc Godard, 1960)"Laugh-In" (George Schlatter, 1968-1973)"Saturday Night Live" (Lorne Michaels, 1975-now)"Deep Throat" (Gerard Damiano, 1972)"Behind the Green Door" (Artie Mitchell and Jim Mitchell, 1972)"Midnight Cowboy" (John Schlesinger, 1969)"Superfly" (Gordon Parks, Jr., 1972)"Across 110th Street" (Barry Shear, 1972)"Sweet Sweetback's Baadasssss Song" (Melvin Van Peebles, 1971)

WoHos!This week it is Mac's Picks of Killer movies with ICHI THE KILLER (2001) from Japan and HENRY: PORTRAIT OF A SERIAL KILLER (1986) from the US.ICHI THE KILLER (2001):A sadomasochistic yakuza enforcer comes across a repressed and psychotic killer who may be able to inflict levels of pain the enforcer can only dream about.HENRY: PORTRAIT OF A SERIAL KILLER (1986):Henry (Michael Rooker) is released from prison following his mother's murder. He supplements his job as an exterminator with a series of indiscriminate and violent murders. Fellow jailbird and drug dealer Otis (Tom Towles) becomes a willing accomplice in Henry's bloody killings. But as the depravity escalates and Henry forms a bond with Otis' sister, Becky (Tracy Arnold), things start to get out of hand. The film is based on the true-life story of serial killer Henry Lee Lucas.WoHos, we pose it to you: Is it a good movie if you have to read the book / manga before you watch the movie? Weigh in!Mac's favorite watches from May: EMMA (2020) & AS THE GODS WILL ( 2014)Mom's fave watches from May: INTO THE MOUTH OF MADNESS (1994) & EVERYTHING EVERYWHERE ALL AT ONCE (2022).Mom's shout outs: Cat Sole from Kill the Cat podcast, Reel Asian Podcast & Gilbert Ybarra from The Attic Review https://linktr.ee/WorldofHorrorThanks so much for listening. Please get in touch with me over email:worldofhorror96@gmail.comworldofhorrorpodcast on Letterboxdworldofhorrorpodcast on InstagramMac does his streaming thing at twitch.tv/thegayjimmybuffetMom makes art sometimes: gsoglasswoodmosaic on InstagramDid you know Spotify has a rating system? Why not head over there and give us 5 out of 5 bloody suitcases...or stars. You get it.We love you! DON'T go into the basement!!

This is the second part of an eight-part series about American movie ratings. Part 1 focused on Prano Baily-Bond's Censor. Future episodes will focus on Brian DePalma's Greetings (1968), Gordon Flemyng's The Split (1968), Steven Spielberg's Indiana Jones and the Temple of Doom (1984), Garry Marshall's The Flamingo Kid (1984), John McNaughton's Henry: Portrait of a Serial Killer (1986), and Philip Kaufmans's Henry & June (1990).***Referenced media:High School Confidential (Jack Arnold, 1958)Leave It to Beaver (Joe Connelly and Bob Mosher, 1957-63)Cleopatra (Joseph L. Mankiewicz, 1963)Look Who's Talking (Amy Heckerling, 1989)The Flintstones (Brian Levant, 1994)National Velvet (Clarence Brown, 1944)A Place in the Sun (George Stevens, 1951)American Pie (Paul Weitz, 1999)Gone with the Wind (Victor Fleming, 1939)The Best Years of Our Lives (William Wyler, 1946)Avengers: Endgame (Anthony Russo and Joe Russo, 2019)Titanic (James Cameron, 1997)Au Hazard Balthazar (Robert Bresson, 1966)The Russians Are Coming, The Russians Are Coming (Norman Jewison, 1966)Endless Summer (Bruce Brown, 1966)Torn Curtain (Alfred Hitchcock, 1966)War and Peace Part II (Sergei Bondarchuk, 1966)The Wild Angels (Roger Corman, 1966)Batman (Leslie H. Martinson, 1966)Alfie (Lewis Gilbert, 1966)Fantastic Voyage (Richard Fleischer, 1966)Persona (Ingmar Bergman, 1966)Blowup (Michaelangelo Antonioni, 1966)

Never say die when it comes to physical media! Erik Childress and Sergio Mims have the latest and greatest here from jackasses to ordinary people. Jekylls, Hydes, Frankensteins, Werewolves and W.C. Fields. In particular there are a lot of great titles coming out in 4K including a John Landis classic and even an argument for an underrated Kenneth Branagh film. One of the greatest musicals of all time gets the treatment as does one of the greatest westerns of all time. If that's not fact, its legend. Erik talks about the glory of the first time he saw a newly minted The Untouchables on VHS and Sergio recounts his experience of seeing John McNaughton's Wild Things in the theater the first time. A lot of great titles this episode so get your wallets ready. 0:00 – Intro 0:49 – Imprint (The Counterfeit Traitor, Across 110th Street) 13:16 – Arrow (Mary Shelley's Frankenstein 4K, An American Werewolf In London 4K, Wild Things 4K) 40:55 – Warner Archive (Dr. Jekyll and Mr. Hyde 1942, Singin' In The Rain 4K) 57:27 – Paramount (Beverly Hills Cop II 4K, Grease 2, Jackass Forever, Ordinary People, The Man Who Shot Liberty Valance 4K, The Untouchables 4K) 1:45:51 – Kino (The Man on The Flying Trapeze, You Can't Cheat an Honest Man) 1:51:42 – Blu-ray Coming Attractions 2:02:30 - Outro

John McNaughton has made a lot of money producing "conservative art." This is nothing new. Political artwork has long been popular, but most people are surprised by a modern "conservative artist." The visual arts have a place in any advanced society. https://mcclanahanacademy.com https://brionmcclanahan.com/support http://learntruehistory.com --- Send in a voice message: https://anchor.fm/brion-mcclanahan/message Support this podcast: https://anchor.fm/brion-mcclanahan/support

On this very Special Easter Bonus Episode, Lindsay is joined by two of the best people: Carmelita Valdez McKoy, who makes Podcasts Better and Action For Everyone Co-Host Mike Scott.   And it's an incredibly saucy and thirsty Double Feature of Eli Roth's Knock Knock (2015) & John McNaughton's Wild Things (1998).  This is a Double Feature of wildly differing tone, Satire, Twists and Turns and plenty of Boobs.      Listen to Action for Everyone Here Listen to Carmelita on Film Feast Here   Follow Action for Everyone on Twitter @A4EPodcast Follow Mike on Twitter https://twitter.com/hibachijustice Follow Carmelita on Twitter @CarmelitaSays   Follow Schlock & Awe on Twitter @schlockandawe1 Follow Schlock & Awe on Instagram @schlockandawe1/   Follow Lindsay on Twitter @readandgeek   Say Hi. schlockandawemovies@gmail.com   Please Rate and Review Schlock & Awe on Apple Podcast and Spotify   Original Music Compose and Performed by Anthony King 

Episode 44 - with writer/director and producer Chuck Parello. Chuck started out as a journalist, reviewing movies. Having championed John McNaughton's chilling cult classic Henry: Portrait of a Serial Killer, he went on to run McNaughton's film production company for a while. A few years later he got the chance to write and direct a sequel to McNaughton's movie starring a young Kate Walsh. He's been in crime ever since. Chuck and I got together in March 2022. Support the show (https://www.patreon.com/penrakespodcasts)

Thriller #1 coming in strong with the 90's right now. We are covering a movie that has been in pop culture ever since it was created. John McNaughton shows us how twists can be done. Are they done well? Listen and find out with Janine Dahling why we decide that this fits the Thriller genre!

What's in the box? The Crown Jewels of the serial killer genre, that's what. The cream of the grisly crop. We promise you'll soon know what pain is, even if you're a fuckin' T-shirt at best. HENRY PORTRAIT OF A SERIAL KILLER (1986, John McNaughton) 11:10 THE SILENCE OF THE LAMBS (1991, Jonathan Demme) 1:01:25 SE7EN (1995, David Fincher) 2:03:20

We discuss the 1988 film 'Henry: Portrait of a Serial Killer' directed by John McNaughton starring Michael Rooker, Tom Towles & Tracy Arnold you can find us on: Twitter at @ShudderShow Instagram @Shudder_Show email at ShudderShow@gmail.com music by Benjamin Moy Check out his podcast Hooked on Score.

In today's episode, Dmitry and Mallory discuss Henry: Portrait of a Serial Killer. Henry: Portrait of a Serial Killer is about a serial killer named Henry who is released from prison following his mother's murder. He supplements his job as an exterminator with a series of indiscriminate and violent murders. Fellow jailbird and drug dealer Otis becomes a willing accomplice in Henry's bloody killings. But as the depravity escalates and Henry forms a bond with Otis' sister, Becky, things start to get out of hand. The film is based on the true-life story of serial killer Henry Lee Lucas. It stars Michael Rooker and was directed by John McNaughton. The score from the movie was composed by Robert McNaughton (no relation to John): https://open.spotify.com/album/4EegoXBetCgpAz8z1szQWQ?si=c2XzAQacR-647PQVDIYWKQ Dmitry wrote an article for Chicago Reader about John McNaughton a few years ago: https://chicagoreader.com/arts-culture/roselands-transformation-captured-in-1970-student-film/ --- Support this podcast: https://anchor.fm/thathorrorshow/support

Sur le Billard cette semaineDeux films véner et vénéneux, King of New York de Abel Ferrara et Henry, portrait of a serial Killer de John McNaughton tous deux édités chez Carlotta. A vos agendas!Dimanche 10 octobre, projection au Cinéma Arvor du meilleur film du monde dans le cadre des Films du Dimanche Soir: Heat de Michael Mann. 

ORIGINALLY PUBLISHED 07/08/2021 Cass Quinn is back on the show to redeem herself with a movie that inspires ACTUAL conversation. It's a fun, albeit rapey, episode as we discuss the 1986/1989/1992 movie "Henry: Portrait of a Serial Killer" directed by John McNaughton and starring Michael Rooker, Tracy Arnold and Tom Towles.

I talk to filmmaker John McNaughton and photographer/musician Paul Petraitis about the 1970 student film they shot in their Roseland neighborhood and plans to make a documentary around that footage. (from 2018)

It's getting hot and southern in here, because the gang is talking about SEXY, SEXY neo-noirs that take place in HOT locations in the American south! Hope you don't mind being TURNED ON a whole bunch! BODY HEAT (1981, Lawrence Kasdan) THE HOT SPOT (1990, Dennis Hopper) WILD THINGS (1998, John McNaughton)