Podcast appearances and mentions of Anne Tyler

You kids I can't even with Catherine Newman right now because I am a Wreck and a Sandwich myself at the moment but wow, she's a good writer, so honest it's like there's no skull between her mind and the readers. We talk about what it means to use yourself and your world in your fiction and what it's meant to Catherine to play as big as she possibly can and go bigger and deeper with every book.We ALSO talk about Catherine's totally granular technique for planning and tracking and keeping her eye on the ball in every chapter while still pulling in all the other things while making sure that if it's Friday night a teacher character doesn't get up and go to teach the next morning and the blackberries never ripen in April, and let me tell you that I just went back and listened to that now and I am about to implement it because it's brilliant.Ok, time to let you listen (although links to what Catherine and I are reading and loving are below). ALSO…Truth? We wanted to tuck the transcript away behind a paywall, but it turns out we can't do that and still give you the episode… so, here it is. But we have to pay someone to make a good one, that you can read. And we still have to pay ourselves and all our people. BUT LOOK YOU GET ALL OF US. We're not just one writer, we're a whole bunch—a Groupstack, and yes we coined the term, and you get a lot of bang for your subscription. So, if you could kick in, we'd cheer.Please don't make us try to sell you Quince clothing or gambling sites to support the pod.#AmReadingCatherine: A Truce That Is Not Peace by Miriam ToewsKJ: EPISODE TRANSCRIPTKJ Dell'AntoniaIt's fall, y'all, and there's got to be a T-shirt that says that, right? So it's, you know, fresh notebooks, sharpened pencils, sharpened sense of ambition, excitement after the languid summer days, and, of course, the glory that is decorative gourd season. You can say that with all the swears that you like, but I'm not going to hear “falling leaves” and “Halloween,” which means it's time for smoky, eerie, witchy reads, and I have just the thing for you—Playing the Witch Card. Expect a woman starting over again after her marriage collapses, hampered by her magic-obsessed daughter, her flaky mother, her enchanted ex, and a powerful witch who's thrilled that she's back in town—and not for a good reason. To keep her family together, Flair has to embrace the hereditary magic that's done nothing but ruin her life in the past and make it her own. I was inspired by what I see as the real magic of tarot cards, which play a huge role in this book—and tea leaves and palm reading, and honestly, every form of oracle. They're here to help us see and understand our own stories, which is pretty much what Flair figures out. And as someone for whom stories are everything, I love that. You can buy Playing the Witch Card everywhere, and I hope you will do exactly that—and love it too.Multiple SpeakersIs it recording? Now it's recording, yay. Go ahead. This is the part where I stare blankly at the microphone. I don't remember what I'm supposed to be doing. All right, let's start over. Awkward pause. I'm going to rustle some papers. Okay, now—one, two, three.KJ Dell'AntoniaHey, kids, it's KJ, and this is the Hashtag AmWriting Podcast—the place where we help you play big in your writing life, love the process, and finish what matters. Today on the pod, I'm talking with Catherine Newman. She is the author most recently of We All Want Impossible Things and Sandwich, and also, earlier in her career, Waiting for Birdy and Catastrophic Happiness, as well as two fabulous “how to be a person in the world” books for kids that, honestly, I think we could all benefit from. I'm considering just, you know, sending out copies. They are How to Be a Person and What Can I Say?—that one's really useful. Okay, so now, just out, she has Wreck—which kind of comes after Sandwich, but you could read them separately. They're both small, intense books. Wreck, like all of Catherine's work, is inevitably about exactly what I just said—it's how to be a person in the world. Which—I didn't actually ask Catherine this; I'm recording my intro for y'all after talking to her—but she would not tell you she knows how to be a person in the world. But she is so fantastic about the part where we're all figuring it out, and being aware that we're all figuring it out. And that's what all of her books are about. In the interview, which you're going to love, she calls herself the queen of the slight plot element, which made me laugh really hard and also made me realize that I think Catherine Newman is the modern Anne Tyler. So tell me what you think in the comments on the show notes—which you'd better be getting. They are at...there's no hashtag in our name—AmWritingPodcast.com—or search anywhere they will have the books that Catherine mentions, and also all of your chances to do all of the things, like have your First Page appear in a Booklab episode. Talk to us. Get in there. Tell us what you're thinking about writing. Write along with us. Really just—just all the community stuff that we all so desperately want. Okay, here comes my interview with Catherine. I know—gosh, it was so fun to talk to you. You guys are going to love it. Catherine Newman, welcome to the Hashtag AmWriting Podcast, where you've been at least once, maybe twice—I need to go and look. It's so fun to have you back. I remember us walking in the woods before you had finished We All Want Impossible Things in 2021.Catherine NewmanI remember it too.KJ Dell'AntoniaWhich, actually, for three books, is not that long ago.Catherine NewmanHey, that's true. I know... I remember your dog.KJ Dell'AntoniaHe's here somewhere.Catherine NewmanYou had a young dog with you. It was the best. And you—you said so many things that I've thought about so much on that walk. But I don't want to derail the thing you want to talk about.KJ Dell'AntoniaBut, but same—it was a great walk. We must do it again. All right, meanwhile—okay, so I already described in the introduction all the things you've ever written in the past and raved about you, so don't—don't worry about that. You've been—sorry you don't get to hear the petting. But the question is, tell us—tell us a little bit about Wreck.Catherine NewmanYeah, so Wreck...KJ Dell'AntoniaI know, I know, it's painful. Elevator pitch or whatever you want to say, because seriously, I did just tell everyone about them in the intro.Catherine NewmanI really need an elevator pitch. I feel like We All Want Impossible Things was like a woman whose best friend was dying while she, like, slept with everybody.KJ Dell'AntoniaYeah, it was joyful.Catherine NewmanThat was easy.KJ Dell'AntoniaAlso sad.Catherine NewmanSandwich was like Cape Cod for a week, reproductive mayhem, sandwich generation. Wreck is so weird because there's these two sort of very slight plot elements. So it's, you know, a woman in her mid-50s living in a house with her husband of many years, her daughter, who's between college and grad school, and her dad, who was fairly recently widowed and in his 90s. And that's mostly what the book is, but the little plots are that she has a rash—she notices that she has a rash—and it inaugurates this kind of diagnostic tornado. A slow and quiet tornado, but a tornado nonetheless, where she has to see a billion doctors. She has to constantly check her patient portal to see if she's dying or not, and anyone who's had—who's been anything but healthy in the last 10 years will understand the patient portal.KJ Dell'AntoniaYes, I love the checker. I checked a patient portal from a hockey-rink parking lot, and that's a mistake, just FYI.Catherine NewmanJust don't...KJ Dell'AntoniaTo anyone considering it, don't do it on a Friday night. Don't do that.Catherine NewmanJust don't even look. And then the other plot point is that there's an accident—there's a collision between a car and a train—and a schoolmate of her kids, like someone they went to high school with, is killed in this accident. And she becomes kind of weirdly obsessed with the accident. She looks at it online all the time. She stalks everyone's...KJ Dell'AntoniaWhich so tracks for the character that you have created.Catherine NewmanDoesn't it? And that's it. And so the book sort of is those things unfolding in this parallel way—these uncertain things.KJ Dell'AntoniaSo when you wrote it, what—what was your intention for this? What did you want Wreck to be in your career and for your readers?Catherine NewmanWhat? It's so funny to be asked questions about my career. I don't know what I wanted it to be in my career, but maybe while I'm talking to you, I'll figure that out.KJ Dell'AntoniaOkay.Catherine NewmanOr you can tell me. But for my readers—I do think we're in this funny place where some of us are hungry to read about the experiences of other menopausal women who are taking care of aging parents, whose nests are emptying, who are in long marriages, who are, you know, doing the things of this age, including tracking weird illnesses. So I guess that—you know, I think, I feel like the thing that I love about writing—one of the things—is when people say to me, like, “Oh yeah, I feel the same way about that,” or they write me and they're like, “Oh, I read this, and I felt so relieved that I wasn't alone.” And I guess I have a lot of that hope—you know, that it speaks to someone, or someone's been in their portal rummaging around and finding out horrible things about their health and Googling them. Like, that's not a small part of the population who's probably doing that. So I guess just that—you know, the handout, the “I'm with you on this” vibe.KJ Dell'AntoniaSo what do you love most about it?Catherine Newman(Laughing) I mean, that's a funny and embarrassing question. I... you know, the father character is based very closely on my own father. Many of the things he says are verbatim lifted from conversations and texts with my dad. And I just love that character so much. I think he's so funny and has this kind of deep wisdom. I mean, Wreck plays him for laughs a little bit, but he offers so much to her. He's still this really profound caretaking force in her life, even though he himself, you know, is failing in different ways. So I guess that's what I like.KJ Dell'AntoniaHow does your dad feel about you taking his stuff?Catherine NewmanHe loved this book.KJ Dell'AntoniaI love this!Catherine NewmanHe has not felt that way always about the way I represent him. I represent him in Sandwich in similar ways, and Sandwich—there were just particular things that bugged him. He loved the book overall but didn't love his character. I think in this book, maybe because there's so much of his character, that it gets to be a very well-rounded kind of person, and also somebody whose opinion it's obvious the other characters respect. So he really loved it, which was, like, everything to me, you know?KJ Dell'AntoniaYeah, oh, wow. I'd give a lot for that. That's—that's wonderful. I would—it's... although all my dad ever says is, “Why don't you—you only write about mothers? You never write...” I'm like, well, I don't know if you read some of the mothers. You're kind of lucky. You're doing okay. I don't know why—you guys were great. You should have been better fodder for affection, and then I would... yeah. All right. So, okay, so that's what you love about it. What was the hardest about this?Catherine NewmanIt's funny—it's a little hard to talk about without spoilers, but, um, there's a difficult part of the plot that involves Rocky's son, who works for a consulting firm in New York, where she really questions his values, questions the decision to do that kind of work.KJ Dell'AntoniaThat would stun me, frankly.Catherine NewmanHowever, he knows a lot about that kind of work, and talked to me a ton about it for the book—like, went on a million walks with me and let me pick his brain about it. And I really just found it so hard to write about this kind of painful conflict between Rocky and her son. I just found it really hard. Yeah...KJ Dell'AntoniaObviously, yeah, that's actually what you did, wasn't it?Catherine NewmanI can imagine... that's it. I imagined it. And honestly, my husband could hardly stand to read it. He found it so devastating. Just—and it's, as you know, it's not massive conflict. It's like...KJ Dell'AntoniaBut it is. It's...Catherine NewmanBut it is. YepKJ Dell'AntoniaI mean, it's, you know—Catherine NewmanYep.KJ Dell'AntoniaIt's it—goes back to Alex Keaton, right? [Unintelligible] Both of us, yeah, yeah, no, I get it. It's a really—and by writing it, even if it's not autobiographical, which it's not, it's fiction, you are saying something about some compatriots, you know, some other—you're really, you're—you're putting—you're putting a stake in the ground, which I think has always been pretty obvious for anyone who knows you or has read you, but maybe you had not verbalized even in a fictional form.Catherine NewmanHmm, maybe.KJ Dell'AntoniaCould feel judgmental because—it's judgmental (whispered). But it's values. That's what values do. A value that doesn't judge anyone isn't a value, even if you don't want to judge people. But I think it's kind of true, like...Catherine NewmanYeah, yeah.KJ Dell'AntoniaYou can also be open. But, I mean, that's—I don't know if, if you don't offer that up, then we're all just sitting here going, “Oh, it's fine. It's all...”Catherine NewmanEverything's fine.KJ Dell'AntoniaEverything's fine, it's fine. That's a joke in our house, because we had this Spanish exchange student, and he would always say, “Oh, it's fine,” when—and it—what that meant was, it wasn't.Catherine NewmanOh no, it wasn't fine.KJ Dell'AntoniaYeah, no... that's what it means when we say, “It's fine.”Catherine NewmanOh my God, KJ.KJ Dell'AntoniaAll right, so this kind of gets to, I think, my next question, which—which is, what about this was, um, bigger for you? Was a bigger leap to take in your writing?Catherine NewmanIt's like, you know, I think it's just a little more plot in a novel than I've ever managed. Even though, you know—don't laugh because there's not a ton of plot. But nonetheless, there were sort of these two vectors of significant—I thought—dramatic contention that I had to manage in the writing, and—and I was anxious about it. Like, I—I like a quiet story that's not like—is too plot-driven. But anyway, so that is—it was, you know, I definitely plotted it a little more actively before I wrote it, like I wanted to make sure that these plots were unfolding in the timeframe I wanted them to unfold in.KJ Dell'AntoniaAnd did that present some new, like, “Oops, I did this too fast, oops...” just that you hadn't really had to...?Catherine NewmanNo, because I plotted it. It actually didn't, but it just presented—before I started writing, I had the challenge of, you know, practically trying to graph these two plots to see where they would intersect, and—and the sort of ways that the two plots together create this kind of character arc for Rocky, the main character. And so I was—I just, like—I usually, I have this way that I plot stuff, and it's kind of based on that book that I use because of you, which is like, you know, Put On Your Pants—or Take Off Your Pants, or, you know, the book...KJ Dell'AntoniaOh yeah, oh yeah.Catherine NewmanAnd—and I, so I do this thing where I make a—I write down the numbers 1 to 25, and I print that. I print a piece of paper that has the numbers 1 through 25 in type font. I don't know why I don't just hand-write the whole thing. That—and I guess the thought's how many chapters it's going to be, but it's never quite right. And then I fill in what I know. So I put in everything I know, and guess where it's going to go in terms of the—what are the things? What's it called when it's like a thing...?KJ Dell'AntoniaYeah, the... the turning point or the...Catherine NewmanOr the beat...KJ Dell'AntoniaOr the moment of last resolve? Yeah, the beat!Catherine NewmanYeah.KJ Dell'AntoniaYeah.Catherine NewmanSo I fill in everything, like, I know, you know. I have a sense of how it's going to open. I have a sense of the different elements of the two plots, and I put them in this weird numbered-chapter thing. And usually—like, usually as if I've written so many books—but with the other two novels, I did that a little willy-nilly, and it was fine. Like, I sat down and wrote the books beginning to end without all of it totally sorted in terms of where everything would go, and that was fine. This book, I really had to understand where it was all going to go, so I had to just be sure that all of the most important plot points were plotted in that 1-through-25.KJ Dell'AntoniaDo you? I mean, you have a lot of moving emotional pieces too. Asking for a friend—how do you make sure that those are all resolved? Or do you? Or does it just happen?Catherine NewmanThat's a really good question. I hope they're resolved, or if they're not, that that's intentional, by the way. Yeah, I—I'm just thinking about, like, the different relationships. You know, most of what the book is, is like Rocky's relationships with the people she loves—like, that is sort of the heart of the book. And then her grappling with herself, both physically and psychologically. I think I have a sense of those. Those are kind of included in those. I have, like, a—in that 1-through-25— sorry if this is too granular.KJ Dell'AntoniaNo, I love it.Catherine NewmanIn the 1-through-25, I have the plot thing that's like, “Rocky reads her biopsy results,” or, you know, whatever the thing is. And then I have this other column that's like, the other things that need to happen in that chapter, if that's what's happening in the chapter. And that's where I keep information about stuff that's like, “Willa forgives her,” you know—whatever other thing needs to happen. So I sort of track the plot, and then I—and I also have a little other column that's just like, seasonal details. And that I don't fill out super carefully, but, like, because this book moves from essentially Labor Day to New Year's, I—I just tracked a little before I started writing, like, around when in that season things were going to be happening, you know, that's Halloween, it's Thanksgiving, it's the winter holidays, New Year's, and then it's going to be, like, the leaves are turning, the blackberries that, you know?KJ Dell'AntoniaYeah, no, it's so hard. Is it Tuesday? Like...?Catherine NewmanYeah (laughing).KJ Dell'AntoniaDang it. Oh, wait—if its four days from the first day, and the first day was a Thursday, that means its Sunday, and Sundays do have a particular rhythm on their own. And yeah, no, it's so hard.Catherine NewmanIt's really hard, although that part's my favorite part, probably—besides, I love dialogue. But I love—I keep a lot of notes that are really dull on their own about, like, the weather and the landscape, just in general. I don't even know what I'm going to use them for. I just keep a ton of notes about the seasons. And I love pilfering stuff for fiction from them because it's just like—it's going to be fairly accurate. Like, I will have dated it. I'll have a fairly strong sense of whether that will work or not.KJ Dell'AntoniaYeah, you're not going to put the blackberries in April.Catherine NewmanAnd I'm not going to put the blackberries in April, and I have that cheater feeling of chunking in something I've already kind of written down, and then your word count goes up by, like, 300 words.KJ Dell'AntoniaYou're like, hey... [Unintelligible].Catherine NewmanYeah, exactly.KJ Dell'AntoniaOh my gosh, I love this. All right, well, one last question, and that is—what have you read recently where you felt like the writer was really, you know, playing big, doing their very max?Catherine NewmanYeah, I just read—well, I just got it in the mail, although my kitten—I want to show you, she has, like...KJ Dell'AntoniaShe had some fun with it...Catherine NewmanChewed up every corner.KJ Dell'AntoniaYeah.Catherine NewmanSo this book is A Truce That Is Not Peace by Miriam Toews. And she is a very, very favorite writer of mine. She wrote the novel All My Puny Sorrows that I always press on everybody, because it's like the perfect funny, sad novel. This book I got to blurb, so I read it a while ago, and it just came—and I think it just came out maybe this week, I'm not sure. It's so incredibly good. It's really strange—someone—she's doing some conference in Mexico, and she has to write an answer to the question, “Why do I write?”KJ Dell'AntoniaOkay.Catherine NewmanAnd she keeps starting and stopping, and it's so—it's nonfiction. I mean, it's just authentically this, and she includes, like, letters to her sister. Her sister killed herself some number of years ago, and that's the event that All My Puny Sorrows—which is a novel—is based on. But this, I am under the impression that's the first time she's written about it...KJ Dell'AntoniaIn a nonfiction way—yeah.Catherine NewmanIn a nonfiction way. And it is just—I did that thing, you know, when a book is so good? I picked it up because I knew I was going to talk to you about it, and then I read it for, like, an hour.KJ Dell'AntoniaYeah, no, I get it.Catherine NewmanEven though I have, like, already read it. It's so moving and beautiful and so—like, she's just struggling in this, like, really profound way to process loss and to understand herself and what she's created in the world. And it's so good.KJ Dell'AntoniaIt sounds huge, and I would—yeah, I'm going to pick it up. I have a funny story about All My Puny Sorrows, which is that I took it to Spain while I was waiting for one of those patient-portal things. I had cancer at the time, and that's—the character of the sister who wanted to kill herself made me so angry that I had to hide—not only did I have to leave the book behind, I had to hide it in the hotel so it would not juju me. I obviously survived, because this was, I think, seven or eight years ago. But I couldn't—like, I just—it was... but that actually speaks to the power of the book.Catherine NewmanInteresting... yeah.KJ Dell'AntoniaIt's not that it wasn't an amazing book. It was that I literally couldn't handle the particular, you know, mental illness that the sister was struggling with when I, you know, did not really want to die. Did not want to die, yeah. So I...Catherine NewmanThat's amazing... yeah.KJ Dell'AntoniaShe's a really powerful writer.Catherine NewmanThat—that is a really powerful story. Wait, were you going to share with me a book? Or it doesn't work that way?KJ Dell'AntoniaWell, it doesn't...Catherine NewmanKJ looks around...KJ Dell'AntoniaBecause I did not prepare.Catherine NewmanWhat are you writing, KJ? What are you working on? What's happening?KJ Dell'AntoniaAll right, we're going to call this as an episode.Catherine Newman(Laughing)KJ Dell'AntoniaBecause it was excellent, and then I'm going to answer Catherine's question, which all of you listeners kind of vaguely know. Let's just say I'm trying to play big. All right, so this is me ending with: thank you so much, Catherine Newman, for joining me on the Hashtag AmWriting Podcast.Catherine NewmanThank you, KJ; it was a pleasure, as always.KJ Dell'AntoniaAnd for all you listeners, we're still saying it—keep your butt in the chair and your head in the game.NarratorThe Hashtag AmWriting Podcast is produced by Andrew Perrella. Our intro music, aptly titled Unemployed Monday, was written and played by Max Cohen. Andrew and Max were paid for their time and their creative output, because everyone deserves to be paid for their work.Subscribe to back the show that backs your writing life This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit amwriting.substack.com/subscribe

He wrote the definitive history of Indian wrestling. His longform reportage has taken him into strange territories. He embedded himself with the Delhi police and has now come out with his first crime novel. Rudraneil Sengupta joins Amit Varma in episode 429 of The Seen and the Unseen to talk about he throws himself into both his life and his work. (FOR FULL LINKED SHOW NOTES, GO TO SEENUNSEEN.IN.) Also check out: 1. Rudraneil Sengupta on Instagram, Twitter, Mint and Amazon. 2. The Beast Within -- Rudraneil Sengupta. 3. Enter the Dangal -- Rudraneil Sengupta. 4. The Girl From Haryana -- Amit Varma's feature story on Sakshi Malik (2016). 5. Aadha Gaon — Rahi Masoom Raza. 6. Amitava Kumar Finds the Breath of Life — Episode 265 of The Seen and the Unseen. 7. From Cairo to Delhi With Max Rodenbeck — Episode 281 of The Seen and the Unseen. 8. Kind of Blue -- Miles Davis. 9. Wall-E -- Andrew Stanton. 10. The Complete Adventures of Feluda (Volume 1) (Volume 2) -- Satyajit Ray. 11. The Adventures Of Kakababu -- Sunil Gangopadhyay. 12. More Adventures Of Kakababu -- Sunil Gangopadhyay. 13. Sandesh. 14. Paar -- Goutam Ghose. 15. Do Androids Dream Of Electric Sheep? -- Philip K Dick. 16. Philip K Dick and Ursula K Le Guin on Amazon. 17. Sandman -- Neil Gaimon. 18. Persepolis -- Marjane Satrapi. 19. The Buddha -- Osamu Tezuka. 20. The Solitary Writer Meets the Impossible Man -- Episode 428 of The Seen and the Unseen (w Narayani Basu). 21. A Man For All Seasons: The Life Of KM Panikkar — Narayani Basu. 22. Understanding India Through Its Languages — Episode 232 of The Seen and the Unseen (w Peggy Mohan). 23. Wanderers, Kings, Merchants: The Story of India through Its Languages — Peggy Mohan. 24. Frank Zappa, The Beatles, The Rolling Stones, Muddy Waters and Django Reinhardt on Spotify. 25. Satyaki Banerjee and Paban Das Baul on Spotify. 26. The Indianness of Indian Food — Episode 95 of The Seen and the Unseen (w Vikram Doctor). 27. The Refreshing Audacity of Vinay Singhal — Episode 291 of The Seen and the Unseen. 28. Stage.in. 29. Tom Waits, Mark Strand and Mary Oliver. 30. The Golden Age of Murder -- Martin Edwards. 31. Roseanna -- Maj Sjöwall and Per Wahlöö. 32. Ian Rankin (of Inspector Rebus fame) on Amazon. 33. Six Four -- Hideo Yokoyama. 34. Raag Darbari -- Shrilal Shukla (translated by Gillian Wright). 35. Saans -- Neena Gupta. 36. Anne Tyler on Amazon. 37. Fear and Loathing in Las Vegas -- Hunter S Thompson. 38. The Kentucky Derby Is Decadent and Depraved -- Hunter S Thompson. 39. The Life and Times of Gurcharan Das -- Episode 425 of The Seen and the Unseen. 40. Meet Suyash Dixit, the man who would be king -- Rudraneil Sengupta. 41. The Autopsy Report -- Rudraneil Sengupta. 42. Court -- Chaitanya Tamhane. 43. The Crowd: A Study of the Popular Mind -- Gustave Le Bon. 44. Invisible Man -- Ralph Ellison. 45. The Is-Ought Problem and the Naturalistic Fallacy. 46. V for Vendetta -- Alan Moore and David Lloyd. 47. Murder in Mahim -- Jerry Pinto. 48. The Life and Times of Jerry Pinto — Episode 314 of The Seen and the Unseen. 49. Hayao Miyazaki, Satyajit Ray and Martin Beck. 50. Disgrace -- JM Coetzee. 51. Moby Dick -- Herman Melville. 52. Julian Lage and Bill Frisell on Spotify. This episode is sponsored by CTQ Compounds. Check out The Daily Reader and FutureStack. Use the code UNSEEN for Rs 2500 off. Amit Varma and Ajay Shah have launched a new course called Life Lessons, which aims to be a launchpad towards learning essential life skills all of you need. For more details, and to sign up, click here. Amit and Ajay also bring out a weekly YouTube show, Everything is Everything. Have you watched it yet? You must! And have you read Amit's newsletter? Subscribe right away to The India Uncut Newsletter! It's free! Also check out Amit's online course, The Art of Clear Writing. Episode art: ‘Delhi' by Simahina.

Salty Book Club thoughts on The Note by Alafair Burke. I gave it a 4.2 Bri gave it a 3.8. Pretty good scores we really enjoyed this book. Although there wasn't much to dive into as far as discussion, it's a great quick read you will not be bored with. Read along with us with our next book: Three Days in June by Anne Tyler. Support with Tips via Cashapp or PaypalRed Light Therapy BeltAcupressure Mat & Pillow Set Get Hulu FREE for 30 Days Try Armra Colostrum 30% Off80% Off First Order Fabletics50% Off F Factor Meals(aff)

Emily Brontë only published one full-length book before dying at the tragically young age of 30. But that book, Wuthering Heights, which tells the story of obsessive and vengeful love on the rugged moors of Yorkshire, is still considered one of the pinnacles of English literature, landing at #15 on the list of Greatest Books of All Time. In this episode, Jacke takes a deep look into Emily Brontë's classic "bad boy" novel, with assistance from Virginia Woolf, Elizabeth Hardwick, Joyce Carol Oates, Anne Tyler, Alice Hoffman, Charlotte Brontë, and others. Join Jacke on a trip through literary England (signup closing soon)! The History of Literature Podcast Tour is happening in May 2026! Act now to join Jacke and fellow literature fans on an eight-day journey through literary England in partnership with ⁠⁠⁠John Shors Travel⁠⁠⁠. Scheduled stops include The Charles Dickens Museum, Dr. Johnson's house, Jane Austen's Bath, Tolkien's Oxford, Shakespeare's Globe Theater, and more. Find out more by emailing jackewilsonauthor@gmail.com or masahiko@johnshorstravel.com, or by contacting us through our website ⁠⁠⁠historyofliterature.com⁠⁠⁠. Or visit the ⁠⁠⁠History of Literature Podcast Tour itinerary⁠⁠⁠ at ⁠⁠⁠John Shors Travel⁠⁠⁠. The music in this episode is by Gabriel Ruiz-Bernal. Learn more at ⁠⁠⁠gabrielruizbernal.com⁠⁠. Help support the show at ⁠⁠⁠patreon.com/literature ⁠⁠⁠or ⁠⁠⁠historyofliterature.com/donate ⁠⁠⁠. The History of Literature Podcast is a member of Lit Hub Radio and the Podglomerate Network. Learn more at ⁠⁠⁠thepodglomerate.com/historyofliterature⁠⁠. Learn more about your ad choices. Visit megaphone.fm/adchoices

On this SELECTED SHORTS, host Meg Wolitzer presents three stories about moving out of familiar territory into new spaces and new understanding.  In Meron Hadero's “The Thief's Tale,” read by Teagle F. Bougere, an émigré can't leave some of his old ways behind.  “The Tallest Doll in New York City,” by Maria Dahvana Headley, imagines what happens when two iconic skyscrapers fall in love.It's read by Becca Blackwell.  And summer trip yields unexpected treasures in Anne Tyler's “The Feather Behind the Rock,” read by Jane Curtin.  Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

En el episodio octogésimo primero de nuestro podcast, de ratones y hadas, nos enteramos de por qué el Ratoncito Pérez roba dientes y se los entrega al hada del norte para que haga un collar, ¿o eso es ficción? También nos enteramos de que la lengua inglesa acepta muchas y variadas nuevas palabras en sus diccionarios, muchas más que nuestra Real Academia, no sabemos si es que también hay un hada que colecciona palabras. Ana nos comenta una nueva forma de literatura: historias contadas por entregas en Instagram y con participación de los lectores. Nos contamos Tres días de junio, de Anne Tyler, una novela sobre las familias y sus relaciones, escrita desde la madurez y la calma, que nos ayuda a reflexionar sobre nuestra propia vivencia. Por ultimo, os presentamos la nueva sección que comenzará en octubre: Cuentos en los que quedarse a vivir, en la que comentaremos los cuentos que más nos gustan y que podréis leer y hablar de ellos con nosotros: el mes que viene comentaremos Honolulu, de Daniel Monedero, que puedes leer aquí https://is.gd/lfWzWXPresentación: al principio.Desnoticias sobre ratones, hadas, palabras en diccionarios y notas en el buzón: minuto 2:36. Hablamos de Tres días de junio, de Anne Tyler: minuto 20.Os presentamos la sección Cuentos en los que quedarse a vivir: minuto 31.Despedida: al final.La sintonía del programa es de Charles Matuschewski y el logo del programa de Ana Nuria Corral. Las cortinillas animadas sonde Jara Vicente. La traducción sincronizada de Elvira BarrioCualquier sugerencia o crítica, incluso malintencionada, la podéis enviar a hola@cierraellibroalsalir.com. Búscanos en facebook (sobre todo), o en twitter o en bluesky o en instagram o en youtube, prometemos contestar lo antes posible.Esto es todo por hoy. Dentro de un mes, otro episodio.Recuerda adquirir los libros en librerías pequeñas, seguirnos y difundir nuestro mensaje.¡Cierra el libro al salir!#literatura #cuentos #AnneTyler

We will not meet in July due to the July 4th holiday. We will continue this group without a facilitator until we have one and we hope you can join us to informally discuss this book. NLS annotation Three days in June DB127313 Author: Tyler, Anne Reading Time: 4 hours, 25 minutes Read by: Smith-Cameron, J. Subjects: Human Relations, Family, Women, Romance “Gail Baines is long divorced from her husband, Max, and not especially close to her grown daughter, Debbie. Today is the day before Debbie’s wedding. To start, Gail loses her job–or quits, depending who you ask. Then, Max arrives unannounced on Gail’s doorstep, carrying a cat, without a place to stay and without even a suit in which to walk their daughter down the aisle. But the true crisis lands when Debbie shares with her parents a secret she has just learned about her husband-to-be. It will not only throw the wedding itself into question but also send Gail back into her past and how her own relationship fell apart.”– Provided by publisher. Unrated. Commercial audiobook. New York : Penguin Random House, 2025. Bookshare This book can be found on Bookshare at this link: https://www.bookshare.org/browse/book/6428188?returnPath=L3NlYXJjaD9tb2R1bGVOYW1lPXB1YmxpYyZrZXl3b3JkPVRocmVlJTJCZGF5cyUyQmluJTJCSnVuZQ This group currently does not have a scheduled facilitator and we will continue to pick and discuss books as a group.

En nuestro episodio octogésimo, en el que todo comienza con escarabajos, nos hemos ganado el derecho (y el deber) de hacer lo que nos da la santa gana. Por eso en este episodio nos hacemos preguntas lectoras según se nos ocurren y cuando respondemos seguro que se nos olvida la mitad. Cuando nos escuches, seguro que tienes tus propias respuestas. En todo caso, abre el podcast al entrar y cierra el libro al salir.Libros que se citan en el episodio (por orden de aparición, como en las pelis):La península de las casa vacías, David Uclés.Luciérnaga, Natalia Litvinova.Un marido de ida y vuelta, Jardiel Poncela.Un espíritu burlón, Noël Coward.La metamorfosis, Franz Kafka.La geometría de los cuentos, Isabel González.Los escarabajos vuelan al atardecer, Maria Gripe.Mi planta de naranja lima, José Mauro de Vasconcelos.Stoner, John Williams.Homer y Langley, E.L. Doctorow.Mi tío Oswald, Roald Dahl.Sin noticias de Gurb, Eduardo Mendoza.Wilt, Tom Sharpe.El bastardo recalcitrante, Tom Sharpe.La Odisea, Homero.Érase de una vez, Ana Vidal Pérez de la Ossa.La piel fría, Albert Sánchez Piñol.Cuentos de Isabel González, Daniel Monedero, Óscar Sipán, Patricia Esteban, Carlos Frontera, Andrés Ortiz Tafur.Tres días de junio, Anne Tyler.La rueda celestial, Ursula K. Le Guin.No voy a ninguna parte, Rumena BuzarovskaCien años de soledad, Gabriel García Márquez.La broma infinita, David Foster Wallace.2666, Roberto Bolaño.Comedias, William Shakespeare.Creía que mi padre era dios, Paul Auster.Casting Lear, Andrea Jiménez.Anhelo de raíces, May Sarton.Manual de teoría y práctica teatral, José Luis Alonso de Santos.Puedes comprar los libros de los que te hablamos donde te apetezca, pero nosotros te sugerimos que lo hagas a través de una pequeña librería y que te dejes aconsejar por los libreros.La sintonía del programa es de Charles Matuschewski y el logo del programa de Ana Nuria Corral. Las cortinillas animadas son de Jara Vicente. La traducción sincronizada de Elvira BarrioCualquier sugerencia o crítica, incluso malintencionada, la podéis enviar a hola@cierraellibroalsalir.com. Búscanos en facebook (sobre todo), o en twitter o en bluesky o en instagram o en youtube, prometemos contestar lo antes posible.Esto es todo por hoy. Dentro de un mes, otro episodio.¡No te olvides! Cierra el libro al salir.#libros #literatura #cuentos

I apologise to my listeners in advance — I was a bit starstruck throughout this interview! But I hope you enjoy it as much (or even half as much) as I did. But I behaved myself. You'll get to know the reader and one of my favourite writers, the wonderful Liane Moriarty. Thanks for listening, and hope you enjoy this conversation.Peço desculpa aos ouvintes, desde já — estava um pouco deslumbrada ao longo desta entrevista! Mas espero que gostem tanto (ou pelo menos metade) do que eu gostei. Mas portei-me bem. Vão conhecer a leitora — e uma das minhas escritoras favoritas — a maravilhosa Liane Moriarty. Obrigada por ouvirem, e aproveitem esta conversa tão boa.Livros que a autora escolheu/Books Liane recommends:A Mulher do Viajante no Tempo (The Time Traveller´s Wife), Audrey Niffenegger;O Turista Acidental (The Accidental Tourist), Anne Tyler;Nesting, Roisin O'Donnell;Outras referências/Other References:Her Fearful Symmetry, Audrey Niffenegger;Anne Tyler:Jantar no restaurante da saudade (Dinner at the Homesick Restaurant);O Turista Acidental (The Accidental Tourist);Exercícios de respiração (Breathing Lessons);O carrinho de Linha Azul (A Spool Of Blue Thread).Alguns dos livros que a autora escreveu e que estão em portugal:3 Desejos (3 Wishes);Pequenas Grandes Mentiras (Big Little Lies);O Segredo do Meu Marido (My husband's Secret);Dez Anos Depois (What Alice Forgot);Nove Perfeitos Desconhecidos (Nine Perfect Strangers);Quem sai aos seus (Apples Never Fall);Here one moment (A qualquer momento).Books I recommended:Elisabeth Strout:Lucy Barton x4;Olive Kitteridge x2;Burgees Brothers;Tell Me Everything.O Amor Mora aqui (We All Live Here), JojoMoyes;In a Thousand Different Ways, Cecelia Ahern.Os livros aqui:www.wook.pt

In Ep. 199, Susie Boutry (@NovelVisits), Catherine Gilmore (@GilmoreGuide), and Sarah are all back on the mic, ready to catch up on how their reading is shaping up for 2025 — so far!  They talk about the current publishing landscape, what books are topping bestseller lists to date, and their personal reading as it stands halfway through the year. They share reading stats and talk about expectations and hopes for the remainder of the year. Plus, their TOP 5 books and their biggest disappointments so far. This post contains affiliate links through which I make a small commission when you make a purchase (at no cost to you!). CLICK HERE for the full episode Show Notes on the blog. The Bookish Landscape [1:13] Books Mentioned Onyx Storm by Rebecca Yarros (2025) [3:28]  Fourth Wing by Rebecca Yarros (2023) [4:08] Iron Flame by Rebecca Yarros (2023) [4:11] The Women by Kristin Hannah (2024) [4:22] Sunrise on the Reaping by Suzanne Collins (2025) [4:53]  The Hunger Games by Suzanne Collins (2008) [4:59]  The Let Them Theory by Mel Robbins (2024) [5:02]  Dog Man: Big Jim Begins (Dog Man, #13) by Dav Pilkey (2024) [5:07] The Housemaid by Freida McFadden (2022) [5:13] The Crash by Freida McFadden (2025) [5:17] Atomic Habits by James Clear (2018) [5:24] A Court of Thorns and Roses by Sarah J. Maas (2015) [5:41] Next to Heaven by James Frey (2025) [9:44]  James by Percival Everett (2024) [11:20] Martyr! by Kaveh Akbar (2024) [11:22] Audition by Katie Kitamura (2025) [12:31]  The Names by Florence Knapp (2025) [13:51]  A Little Life by Hanya Yanagihara (2015) [15:52]  The Wedding People by Alison Espach (2024) [17:03]  The Correspondent by Virginia Evans (2025) [17:22]  Broken Country by Clare Leslie Hall (2025) [17:35]  Death of the Author by Nnedi Okorafor (2025) [18:35]  The Heart of Winter by Jonathan Evison (2025) [19:10] The Garden by Nick Newman (2025) [19:16]   The Road to Tender Hearts by Annie Hartnett (2025) [19:34]  Three Days in June by Anne Tyler (2025) [19:58]  Wild Dark Shore by Charlotte McConaghy (2025) [20:34] Tilt by Emma Pattee (2025) [20:38]   The Compound by Aisling Rawle (2025) [20:44]  Dream State by Eric Puchner (2025) [20:49]  Run for the Hills by Kevin Wilson (2025) [21:06] Hot Wax by M. L. Rio (September 9, 2025) [21:18]  Killer Potential by Hannah Deitch (2025) [21:39]  Personal Reading for 2025 (So Far) [22:49] Books Mentioned Dear Edward by Ann Napolitano (2020) [27:14]  The Frozen River by Ariel Lawhon (2023) [27:16]  Careless People by Sarah Wynn-Williams (2025) [31:07] Top Five (So Far)  [31:27] Susie Deep Cuts by Holly Brickley (2025) | Amazon | Bookshop.org [31:49] Broken Country by Clare Leslie Hall (2025) | Amazon | Bookshop.org [37:03] The Death of Us by Abigail Dean (2025) | Amazon | Bookshop.org [38:07] Nesting by Roisín O'Donnell (2025) | Amazon | Bookshop.org [49:11] The Names by Florence Knapp (2025) | Amazon | Bookshop.org [53:12] Catherine The Heart of Winter by Jonathan Evison (2025) | Amazon | Bookshop.org[33:45] This Is a Love Story by Jessica Soffer (2025) | Amazon | Bookshop.org [42:06] Heartwood by Amity Gaige (2025) | Amazon | Bookshop.org [51:28] Wild Dark Shore by Charlotte McConaghy (2025) | Amazon | Bookshop.org[53:59] Abigail and Alexa Save the Wedding by Lian Dolan (2025) | Amazon | Bookshop.org [56:03] Sarah Broken Country by Clare Leslie Hall (2025) | Amazon | Bookshop.org [36:00] The Death of Us by Abigail Dean (2025) | Amazon | Bookshop.org [40:31] The Slip by Lucas Schaefer (2025) | Amazon | Bookshop.org [44:03] The Bright Years by Sarah Damoff (2025) | Amazon | Bookshop.org [52:26] The Road to Tender Hearts by Annie Hartnett (2025) | Amazon | Bookshop.org[54:55] Other Books Mentioned The River Is Waiting by Wally Lamb (2025) [40:25] Bright Young Women by Jessica Knoll (2025) [40:40] Headshot by Rita Bullwinkel (2024) [47:47] The Knockout Queen by Rufi Thorpe (2020) [48:22] I Could Live Here Forever by Hanna Halperin (2023) [52:54] Biggest Disappointments (So Far)  [57:46] Susie The Strange Case by Jane O by Karen Thompson Walker (2025) | Amazon | Bookshop.org [58:09] The Road to Tender Hearts by Annie Hartnett (2025) | Amazon | Bookshop.org[58:13] Fulfillment by Lee Cole (2025) | Amazon | Bookshop.org [58:18] Catherine The Favorites by Layne Fargo (2025) | Amazon | Bookshop.org [58:51] Dream State by Eric Puchner (2025) | Amazon | Bookshop.org [58:56] The River Is Waiting by Wally Lamb (2025) | Amazon | Bookshop.org [59:08] Atmosphere by Taylor Jenkins Reid (2025) | Amazon | Bookshop.org [59:45] Sarah Memorial Days by Geraldine Brooks (2025) | Amazon | Bookshop.org [1:00:16] What Happened to the McCrays? by Tracey Lange (2025) | Amazon | Bookshop.org [1:00:28] Audition by Katy Kitamura (2025) | Amazon | Bookshop.org  [1:00:51] Finding Grace by Loretta Rothschild (July 8, 2025) | Amazon | Bookshop.org[1:01:43]

Meg Mitchell Moore is the author of Mansion Beach, a page-turner-y multi POV summer saga with everything you could ask for: a beach, a body, rich people behaving badly but also sometimes not behaving badly, parties, drama and just enough gender-swapped Gatsby to think hard about the meaning of the American Dream. I loved it (KJ here) and I also loved this conversation with Meg, who apparently thinks in multiple POVS and is always just as impatient as I am to feel like the book is done and wonderful when sadly it is… not. #AmReadingMeg: Audio: Great Big Beautiful Life, Emily Henry—Julia WhelanAlso mentioned: Julia Whelan's Thank You for ListeningPrint: The Road to Dalton, Shannon Bowringfrom The Book Shop of Beverly FarmsKJ: Mansion BeachWelcome to Glorious Tuga, Francesca SegalFind Meg at @megmitchellmoore on IG, or visit her website at www.megmitchellmoore.comHEY. Did you know Sarina's latest thriller is out NOW? Rowan Gallagher is a devoted single mother and a talented architect with a high-profile commission restoring an historic mansion for the most powerful family in Maine. But inside, she's a mess. She knows that stalking her ex's avatar all over Portland on her phone isn't the healthiest way to heal from their breakup. But she's out of ice cream and she's sick of romcoms. Watching his every move is both fascinating and infuriating. He's dining out while she's wallowing on the couch. The last straw comes when he parks in their favorite spot on the waterfront. In a weak moment, she leashes the dog and sets off to see who else is in his car. Instead of catching her ex in a kiss, Rowan becomes the first witness to his murder—and the primary suspect.Digital books at: Amazon | Nook | Apple Books | Kobo | Google Play | Audible Physical books at: Bookshop.org | Amazon | Barnes & Noble | Indigo | More paperback links here!New! Transcripts below!EPISODE 450 - TRANSCRIPTKJ Dell'AntoniaKJ here announcing a new series and a definite plus for paid supporters of Hashtag AmWriting. It's Writing the Book, a conversation between Jenny, who's just finished a blueprint for her next nonfiction book, and me because I've just finished the blueprint for what I hope will be my next novel. Jenny and I are both trying to quote-unquote "play big" with these next go-rounds, which is a meta effort for Jenny as that's exactly what her book is about, and we're basically coaching each other through, trading pages, thoughts and encouragement, as well as some sometimes hard-to-hear honesty about whether we're really going in the right direction. So come all in on team Hashtag AmWriting, and you'll get those Writing the Book episodes right in your pod player along with access to monthly AMAs, the book labs, first pages episodes, and come summer, we shall blueprint once again. So sign yourself up at amwritingpodcast.com.All SpeakingIs it recording? Now it's recording. Yay. Go ahead. This is the part where I stare blankly at the microphone. Try to remember what I'm supposed to be doing. Alright. Let's start over. Awkward pause. I'm gonna rustle some papers. Okay. Now one, two, three.KJ Dell'AntoniaHey, I'm KJ Dell'Antonia, and this is Hashtag AmWriting, the weekly podcast about writing all the things. Short things, long things, pitches, proposals, fiction, nonfiction, memoir, other things I'm probably not thinking of. We are the podcast about sitting down and getting your work done. And I am KJ Dell'Antonia, the author of three novels, The Chicken Sisters, In Her Boots and Playing the Witch Card, as well as a nonfiction book, How to Be a Happier Parent, former editor of The New York Times Motherlode. You've heard all this. With me today, more importantly, is Meg Mitchell Moore, who has written a book that I think you're gonna find is your summer go to. It is called Mansion Beach, and I loved it. And we'll talk about it in a second. She is also the author of Summer Stage, Vacationland, can attest to both of those great reads. The Islanders, Two Truths and a Lie, The Admissions, loved that one too. They're all great. So, anyway, lots of lots of novels in the family saga, sometimes touch of romance, beach, summer, deep, but also page turnery read genre, which is not a genre because that was too long. But, anyway, Meg, thanks for coming to chat.Meg Mitchell MooreThank you for having me. I'm so happy to be here. This is gonna be really fun.KJ Dell'AntoniaSo I've read some of your other books, obviously, and I felt like this one Mansion Beach was you sort of moving to a different this. It's a little how to describe it. You've got a lot of points of view, which you always, you often do, and a little bit of of a mystery, which actually, I've seen you do before, and then you've got a podcast going on so that you can have different people show show off what's happening. I guess I was hoping you would talk about the evolution of style, um, actually, over your whole career, sort of from, like, I'm writing a kind of a basic book with a couple of points of view and third person close, or maybe first person to these bigger, bigger stories with so much more to so much more to offer the reader. That's a really big question. Start wherever you want.Meg Mitchell MooreThat's a great question. I I don't know if it has been such an evolution. I have always written multiple points of view to the point where it makes me crazy. And I wish I could. I wish I could do one or two. I really wish I could. I've tried it. I can't do it. I just can't. My brain doesn't work that way. It's I can't do it. So even my very first novel, which I published in 2011 it was called The Arrivals, that was a much smaller story. So yes, I for sure, I've evolved plot wise, but I remember, and this was when I was brand new and did not know what I was doing, and I was just trying to figure out how to write a novel. I had so many points of view. And I remember my now agent. Maybe she was not my agent then and was becoming my agent, or maybe she was already my agent, but I remember her saying, we have to take out at least like five of these points of view. And it's still, it still has a lot. I just that's how I think those are the kind of books I like to read, usually, not always, for one thing, but it just. Must be how I think I'm always in everybody's head, and it's really hard for me to restrain that. So this book, I don't think, has any more points of view than any other. Might have fewer than some. It does have a mystery.KJ Dell'AntoniaYeah it might, then some that I've read, I guess I I, I saw it as different, maybe in part because of the the use of the podcast to frame things.Meg Mitchell MooreYeah that's new. And then it's a bigger, you know, it's a bigger idea. It's a, it's not a retelling of The Great Gatsby, because I don't like to use that word, but it is inspired by The Great Gatsby. So it has definitely some bigger I was looking at bigger themes, maybe from the start. A lot of times I back my way into the themes based on what my characters are doing. I don't always start with the themes, but this time i i was looking at some of those big whether, what's the American dream and what does success mean, and how does money equate with happiness, and some of those bigger questions. And I don't always do that. I might do it in reverse, but I don't always do that first. So I do think it has bigger theme wise, it's bigger maybe plot wise, yeah. And some of the elements, some of the elements that move it along, are a little different. I was working with a new editor for the first time for this. This is my first full book with my new editor. So I think that had something to do with it too, because I think she was probably pushing me for some of those elements that don't come naturally to me, which I think ended up being good for the book.KJ Dell'AntoniaYeah, it's a little more thriller. Isn't exactly the right word, but there's definitely a page turning mystery in there. I know here's, this is like a so there's a page turning mystery in Mansion Beach, and the question all along for the reader, like, you know somebody is going to die. But I at least did not know who, but I had an advance, and it came as a as a digital book, so I didn't have the cover and I didn't have the blurb on the back, if a reader has those things, are they gonna know?Meg Mitchell MooreInteresting.KJ Dell'AntoniaAre they gonna know? Who it is that that dies?Meg Mitchell MooreI don't think so. I don't think so. The people I know who have read it both ways, I think have not known.KJ Dell'AntoniaThat's good.Meg Mitchell MooreIt's sort of that white lotus effect, you know, for White Lotus fans out there, where there is a mystery, and you care about the mystery, but you also it matters, but it doesn't matter as much as what's going on with everybody else. So I really like that as a framing device. I like watching it and reading it. And I tried it myself this time. I did it a little bit in two truths and a lie as well. I guess that's my only other one that has a dead body, and a lot of people are mad at me for who the person was who died, which I want. And two truths...KJ Dell'AntoniaDon't give it up.Meg Mitchell MooreNo, I won't. So that was interesting, so I hadn't tried it again, and this time I went in a little nervous, because people had been upset with me, particularly my husband. But I I still, I mean, I had the chance not to do what I did in two truths and a lie, and I still chose to. So I still, for me, it was the right thing, but it was an interesting experience. And I didn't try it again for a couple books. And this time I did also because I was playing with some of the Gatsby themes. I mean, Gatsby has three bodies, so I thought, I mean, I should have at least one, so I won't, yeah, I won't give anything away about…KJ Dell'AntoniaNo, don't.Meg Mitchell MooreWho or what or how, but I did enjoy having that as a device to propel it now that also, I don't think that was in the first draft. I don't think there was a body in the first draft. I mean, there were huge changes in this book, and I think that was one of them. I think we decided we needed the body after one draft.KJ Dell'AntoniaWow. Okay, now I'm deeply fascinated, and of course, I'm trying. So I'm trying to make this interesting and useful for those of you who haven't read the book, although you could also stop, go get the book, and read it, and then listen to this, and then it would be even better.Meg Mitchell MooreThat is true.KJ Dell'AntoniaYeah. Okay, so let me just start by saying I am actually not a person who typically likes a book where your whole like, like, the question is, you know, either who died or who did it. So Lucy Foley, I've enjoyed some of those, but it's not necessarily my favorite go to genre, but the thing that made this book work great for me was exactly what you just said, that there's so much more to it. You I could see that this story would exist before you added that and that. I mean, that's so cool. And then I also, I'm not a Gatsby person, so neither of those would like, neither of those hooks is going to grab me. But what grabbed me, I think, was the different women, different versions of the American dream.Meg Mitchell MooreMm-hmm.KJ Dell'AntoniaIs that where you started?Meg Mitchell MooreI started… Yeah, I think so I would. Really, yes, I wanted to really look at notions of success, particularly for women today. You know, it's contemporary. It takes place that, you know, in the summer that is coming out, or that, if you actually match up the dates, and I think I messed up the tides and the moon in some places, but it's the summer. So yes, I was very interested in those questions. I was I wanted to have a love triangle, because I think that's interesting, and that's part of Gatsby too. So it's funny that you say you're not a Gatsby person. I think my first, another change from my first draft, was very Gatsby heavy. I think I tried to, I think it just was, I was trying too hard to to do the same thing. And…KJ Dell'AntoniaIt's kind of a reverse-gendered Gatsby.Meg Mitchell MooreIt is, yes, it's reverse gendered. But what I was doing was just, I was just trying to, I don't know what I was doing, but it was a mess. I mean, I always knew I wanted to play with Gatsby, but I tried to do it too closely. And I tried a little first person with the narrator, which that's how Gatsby is told, but I can't write him. Can't write successfully in first person. So that was a mess. And I remember that my editor probably looked at this thing and said, This is what are we doing? But what she said to me nicely was, you need to, like, don't worry so much about Gatsby at all, like you need to free yourself from those constraints, and you need to write the story. And that was the best advice, because that's when it started to come together. So it's more that Gatsby was a jumping off point, and some of those themes, I was so interested in how those themes are so relevant 100 years later, and they are, so I think I needed that as a jumping off point, but I didn't need to, you know, retell it scene by scene, or try to have the narrator feel the same, or do anything like that. And I had some missteps along the way before I figured that out.KJ Dell'AntoniaIt interests me that this doesn't seem to have taken any longer than your other books, did it?Meg Mitchell MooreUh, I felt like it took forever. My books have come out either with note with, you know, a year and then the next summer, or with two summers in between. This one has, this one has an empty summer in between. So I did need that extra writing time for this. And I remember, I always start out thinking I could do this in a year. I'll absolutely and I always hit. I'm a deadline hitter. You know, I always hit the deadlineKJ Dell'AntoniaYeah, you give them something.Meg Mitchell MooreYeah, I was a journalist for a long time. I just, I'm not late on things. I just always, I'm just, I always hit my deadlines, but it might be awful. And so this was nobody actually. I mean, it was pretty awful when I think back to that first draft, and I think that my editor and Agent thought, okay, we can do this. And I looked at it, and I looked at my schedule and my life and my brain, and I thought, I don't think I can do it very well. So we put it off for a year, which gave me not a year's writing time, but maybe six months that I hadn't had. And that made a big difference. So this one took a little longer. Same thing with vacation land. I had the exact same thing happen where I thought it was going to come out one summer, it came out the next summer, but Summer Stage and then the book coming out, if I finish it next summer, will have no extra time in between. So it kind of, I've gone both ways with it.KJ Dell'AntoniaDo you see any like consistency in why? Or it just sort of either happens that way or it doesn't?Meg Mitchell MooreI think I when I try bigger, when I try bigger books, I need more time, as it should be, but I always think I can do it. You know, I'm patience is not, is not my best quality. Impatience is my worst quality. So I find that I'm usually impatient to get something done or to hit the deadline or to put the book out, and I have to slow myself down when necessary, and vacation land. It was a different editor, same publisher, but different editor. I remember her saying, having that talk with me and saying, it will be a much better book. If we put it out the following year, it will be so much better. And she was right. So we needed that time.KJ Dell'AntoniaI so totally relate to this.Meg Mitchell MooreDo you?KJ Dell'AntoniaYeah, absolutely. I mean, I'm in the middle of it. Now, if anybody who's listening is also listening to our what the books are writing the books, what the books also like? It's a little mini series where one of my co-hosts is writing nonfiction and I'm writing fiction, and we're trading pages, and we're doing a weekly series of conversations. And this week's realization was, I have always known that I'm writing a story with multiple points of view, but I couldn't start it that way. I had. I had to start it with just this one protagonist. And then I thought, Oh, well, then it'll just be that, and it'll probably be really easy. Look, I've got this all planned out. I'm just gonna write. I'm just gonna, oh, I'll bet I can get, what if I got my agent a draft this summer? Hahaha, it's, you know, it's not good, but I'm so impatient. I want ...Meg Mitchell MooreRight, right. Well, I was listening to one of your to your podcast the other yesterday, and it was the one where you were talking about your story idea starting. How do you, how do you ideate the book?KJ Dell'AntoniaOh, gosh.Meg Mitchell MooreAnd you so you write a book, and then you present it to your agent, and then you sell it, right? So…KJ Dell'AntoniaYeah.Meg Mitchell MooreThat's your process. So I'm the opposite, where I write, I get the contract first, and then I have to write the book. And I don't know which is harder, because you don't have a built in deadline. You have your own deadlines that you said, but you're writing something that you said. Maybe this will sell, maybe it won't, I don't know, whereas I know it will eventually be published, but I also have that pressure of I have to get things in on time. So what do you think is, what's better? What's worse?KJ Dell'AntoniaI don't know. I envy your... I envy that way. I feel like that would make me feel more secure, more professional. My, my agent, doesn't… she's very against selling a book of mine, at least before I've written it, because she says, I'll, she says I might change it, and then, and then, it won't be what we sold or I won't be happy. So so I don't know if she's I think she's just against it as a general rule, but I know lots of agents that that do it, and I know a lot of of writers that do it. Sometimes I look at this and I'm like, you know, I could do a proposal. Maybe we could sell it. I could get some money. That would be lovely, right? Yeah. But...Meg Mitchell MooreI see, I see your point, and I know a lot of people think that way. I remember a long time ago when I'd either published, I think I'd published no novels. Maybe my book was about to be published, my first novel, and I heard Ann Patchett speak at a conference, and she said, she said that she would never take money for a book she hadn't written.KJ Dell'AntoniaWow.Meg Mitchell MooreAnd I remember thinking, Oh, well, if that's what Ann Patchett says, I guess that's what like, that's how the world is. But I disagree, like I disagree, because for me, first of all, she has a different life situation, but for me to keep income coming in steadily, because this is my only job, I feel like that's the way to do it. And I also feel like other industries, like my husband doesn't only get paid when he goes to the board meeting. He's getting paid every other week for his job that he does for the company that he works for. And so to try to approximate a little bit of a normal salary, I feel like that's the way to do it. But then I also see the other side, and I see why Ann Patchett wouldn't do it, because she's Ann Patchett, you know, so she can take whatever time she needs...KJ Dell'AntoniaSee that's so funny. Because I think, well, you can do this because you're Meg Mitchell Moore, and Meg Mitchell Moore is going to sell and a KJ Dell'Antonia, one of them will, and the others somewhat less, so at least that's my my record at the moment. So I guess we just all see each other differently. My co-host Sarina sells on proposal.Meg Mitchell MooreOkay, so fiction, that's fiction?KJ Dell'AntoniaYeah, yeah. She sold thrillers and romances that way. Okay, so she has a bigger track record. But also, I've known people, you know, I guess there's just different ways of of of doing it. And I would not say that I chose this. It chose me.Meg Mitchell MooreInteresting, but there was always that chance. I mean, my agent... If I said to my agent, I don't want to sell till I write, she would say, Great, that might be better for both of us. We'll probably sell it for more, because you might write something really good, but I just don't want to take that. I'm too impatient, you know, I'm just Yes, maybe, if, you know, maybe if I had, you know, had some big blockbuster, and then I thought, Okay, now for two years, it doesn't matter what's coming in, because I'm getting money from that book, that would be different. But, um, that's not how it works for most people.KJ Dell'AntoniaYeah, and maybe I would feel less impatient with getting this done if I weren't like, I want to get to the point where I know if we're going to sell like, I wrote a whole thing last summer, and it never got to the point that we felt like we could sell it, and I I'm sick of it. I can't write it anymore. I'm done with it. I mean, maybe I'll come back to it, but, yeah, right. And like, I've had, you know, a freelance editor at it who's really good. My agent's been at it. I finished it like three times, and apparently it still sucks. So I'm done.Meg Mitchell MooreSo that's interesting, because I always think that I would not be writing good books if I didn't know if my editor gets a very messy draft, and all of my editors have gotten bad dress and really helped me. And without that step, I don't think I would ever write a book that could even be sold. So I feel like I need to know, okay, somebody else who is better at this is going to be helping me really soon. I just need to get through it.KJ Dell'AntoniaThat's that would be amazing. I don't think my editor cares enough about me to do that. So...Meg Mitchell MooreOh, my editor would absolutely prefer a cleaner draft. Like, no question. I mean, she would be delighted if I showed it to five people and got feedback, but I'm always in a rush. So I'm like, here you're the first reader. Here you go. She's like, thank you.KJ Dell'AntoniaYeah, that's my agent. I'll be like, Look, I'm done it's great! and She's no... it is great, but you know what would be really great? Poor agent. Yeah, okay. So, so we're we're both impatient, but we're doing this in in very different ways. Well, now I want to hear more about that. How do you go from a first draft with no body, to a final draft where the body, it's definitely one of the things that's pushing people to turn the page. It's not the only thing. So maybe that's the good news of not having started with a body. Also, did you know whose body it was?Meg Mitchell MooreUm, we discussed because, yeah, I mean, we discussed a little bit about it. I remember thinking, Could it be this person? And here's why we wouldn't want that person. Could it be this person? So we had some discussion. I didn't write it. I once I knew who it was. I didn't write multiple versions of it. I always had that person. But, and I guess I just think of it as more of a framing device than anything, and a framing device, you can add the frame later.KJ Dell'AntoniaYeah.Meg Mitchell MooreSo the middle was mostly what was happening, was happening, and then there was this framing device and and then there are certain things at the end that kind of came together. And I was like, Oh my gosh, this makes it all come together. But I didn't know that in the beginning. And that was so you may be late.KJ Dell'AntoniaDid you not know how the body became a body?Meg Mitchell MooreAh, that changed. There was...KJ Dell'AntoniaYeah, I could see that.Meg Mitchell MooreAnd then I thought, oh my gosh, this is kind of what I needed to pull together all those themes. It was those exciting moments that really don't happen very often.KJ Dell'AntoniaOh, I bet and I mean, I can see it from the outside as a reader. It really did. It made it like your ending is one of those endings that changes the whole, your whole reading experience for the better, right? Not that it wasn't a great reading experience the whole time. You know, sometimes somebody doesn't stick the landing, and then you're like, yeah, no, I don't really want to recommend this. I mean, it was fine, right? But, and sometimes it's just great. It's like, solid. You're happy, yay. Okay, that's a good, it's a good. Yours colors the entire like, if I were somebody who would go back and reread it, would color the entire experience differently.Meg Mitchell MooreOh, Thank you!KJ Dell'AntoniaYeah, which is cool, yeah, very cool.Meg Mitchell MooreNow, when I wrote Vacationland, I started with a body, and the body came out. So I had the opposite experience, where I thought I was writing a thriller. The whole time. I was like, this is going to be my thriller. There's a body. And I had it all. And to me, it made sense. It all tied up, and my different editor, but my then editor said, I like everything but the body.KJ Dell'AntoniaWow.Meg Mitchell MooreWe had to keep it was first it was a an important body, and then it was a less important body, and then it became the body of a seal, because I had to have just a scene of children looking at something they found in the water in the very beginning. And so it was a body, and then it was a seals body. This time. I got to keep my body at least.KJ Dell'AntoniaSo I love this also, because you haven't been, um, pigeonholed into a genre that involves bodies or doesn't involve bodies. Has that been a thing as you've as you've gone from book to book where people are like, well, I don't know… Meg, people don't really want you to kill people or the, you know, the opposite. Well, I don't know, people are kind of looking for some more thrills from you.Meg Mitchell MooreWell, Vacationland. I remember that editor said they don't, we don't want this from you. We want, we don't want. We want a summer book. We don't want. We're not looking for a thriller. You know, they had other thrillers. You know what? They're doing their own end of the business, too. So they definitely said that this time. I mean, I feel like I'm not pigeonholed, but categorized as beach as a beach book. But I think within beach books you can do all of those things. Yeah. So if I were to write a giant thriller that I said, I think this should come out in the fall, and it's a big book, I that's when they would probably say, I don't know if your audience, if you have the audience, right, pull that off unless the book is amazing, you know? I do feel like I need to come out in the summer to keep my readers.KJ Dell'AntoniaYeah, I actually love that. That beach book is a You're right. It's a pretty big genre. It encompasses a lot. It encompasses a lot of of things, the only requirement being that it's, you know, entertaining, which, as far as I'm concerned, is a book requirement anyway. But...Meg Mitchell MooreRight, right. It is interesting because my books also happen to usually take place on beaches, but not all beach books do. So it is, it has become a very big category and competitive like you also want to stand out in that category, because there are so many books with the word summer in the title or the word beach in the title, or this. Actually, this cover is a departure for me, which I love, because I feel like I have done the just the oceanscape or the main or the woman looking at the water. I've had those kinds of covers.KJ Dell'AntoniaIt's your first... It's, it's, it's a cartoony cover. I don't, I don't mean that it, you know that sounds Yeah, it's almost a romancy cover. But there's only one person. First. I'm just so you guys should, it'll, it'll be in the show notes. You should, you should take a look, because you're right. It is a departure. I see, yeah, I see what you're saying there. But this one's, it's a hardback, right?Meg Mitchell MooreYes.KJ Dell'AntoniaYeah. Have all your books come out first in hardback?Meg Mitchell MooreThey have, yep.KJ Dell'AntoniaNice, cool.Meg Mitchell MooreHave yours?KJ Dell'AntoniaNo, none.Meg Mitchell MooreNone? Okay, now, what do you now…? Do you think that… that, I sometimes I feel like that's a great thing too.KJ Dell'AntoniaI go back and forth on that. My agent is bummed about it. But for me, it's frankly, much easier to, like, go out to everyone and be like, spend $18 versus be like spend $38.Meg Mitchell MooreI agree.KJ Dell'AntoniaSo I haven't minded. Oh, and I was at the Newburyport Book Festival a few years ago, and they accidentally got my second book only in hard book, because it was, it came out in hardback and paperback at the same time, which there was a moment of about six months when publishers were doing that, and then they stopped and they only had the hardback. And I was like, Oh, I don't even want anyone to buy that. Like that, isn't I would be mad if I bought a hardback...Meg Mitchell MooreRight, right.KJ Dell'AntoniaAnd then the next day, I was at the store and was like, hey!?Meg Mitchell MooreRight, yeah, it's interesting, because I do actually love… because I bought your book The Chicken Sisters this weekend, in paperback, and I love, I love paperback, yeah, I love it.KJ Dell'AntoniaFor travel…?Meg Mitchell MooreLighter, yeah, and I think it is appealing. It's so interesting. I mean, I remember Emily Henry's first couple, at least, came out paperback, and then now that she can sell so well, they now they come in hardcover, but I still feel like...KJ Dell'AntoniaI look at them and I'm like, I don't want that that way. Now, I'll just buy a digital version, because I don't that's not…Meg Mitchell MooreRight? Right. It's really interesting. And I know I don't understand the sales end of it, the way that the people who are doing the job do, and the profits and the margin and all that. But I kind of feel like, why isn't everything in paperback right away? You know?KJ Dell'AntoniaYeah, no, I feel the same way. And and also people's, especially now we're thinking, we're talking about beach books. Some people's beach I mean, if my beach vacation is an airplane beach vacation, I might bring one hardback, maybe...Meg Mitchell MooreRight.KJ Dell'AntoniaAnd maybe, probably not, because I'm a fast reader, I could easily eat that on the plane, and then there I would be. So...Meg Mitchell MooreRight.KJ Dell'AntoniaI don't know.Meg Mitchell MooreRight, yeah.KJ Dell'AntoniaI guess that's what e-readers are for.Meg Mitchell MooreThat's true.KJ Dell'AntoniaWell, I mean, gosh, I could probably talk to you about in depth, about the writing of this for about 12 hours. Because, okay, one one last thought. So listeners, Meg writes like we said, in multiple points of view. Talk to me about how you know when to change the point. You know what point of view a scene should be told from?Meg Mitchell MooreYeah, I don't. I'm it's so much. I do so much rewriting, a lot of that. I mean, I'm just thinking, I just turned in a draft yesterday of, hopefully next summer's novel, and I that is also multiple points of view. It's, I think it's mostly three, it's three adult sisters and they each have a point of view. There might be a couple little scattered things, but when I look back, I think I need to probably adjust, even in the draft I just turned in, I think I'm a little heavily weighted toward one over the other, so I don't always know. I just go on gut and instinct, and then I fix it later, which is how I do almost everything. I just go by instinct, and it's usually wrong And I change it later.KJ Dell'AntoniaSo, you'll, you'll be like, you've written a scene, and the point of view of one person, you realize, oh, either it's the other person's turn to have some more time, or I need their inner thoughts, not this person's inner thought...Meg Mitchell MooreRight. Yeah, its not very organized.KJ Dell'AntoniaAnd sometimes you drop in like, you know, a kid on a beach or something, is that when you need something to happen that you that your protagonists don't know? Or just, you just feel like?Meg Mitchell MooreI think, I think it's fun. I just think it's fun sometimes to have this person you haven't heard from and you won't hear from again. But a lot I probably did. I probably do that. It probably gets taken out 80% of the time when I do that, because usually it doesn't make sense. But I just wanted to do it. I did it in my book. I just turned in and the first this scene between the a realtor and her husband, the realtor who's selling this house that these people are in. She doesn't matter to the book, but I just really wanted to write the scene of her and her husband, and I even wrote in the draft. I know this doesn't make sense, and my editor said, Yeah, this doesn't make sense. Like, you either need more of them, or they need to go. I don't know what they're...KJ Dell'AntoniaDo you ever give them away for? Like, you know, here's your pre order bonus. Read this extra scene…Meg Mitchell MooreI should do that. Maybe I'll do that. They'll do that. I have never done that, but maybe I will. But I feel like, I think it might be Anne Tyler. I remember reading an interview. Is she the one who does the strings like she has strings with different?KJ Dell'AntoniaMaybe, i don't know.Meg Mitchell MooreEvery character has a different colored string, and then she pulls down the red one because it's the red, you know, that's how she knows who she's writing. And I thought that was really cool, but I've never done it.KJ Dell'AntoniaThat sounds like a lot of work.Meg Mitchell MooreI guess.KJ Dell'AntoniaAnd, like, I would need a different…I need a bulletin board. Okay.Meg Mitchell MooreYeah, I don't know where you, where I would hang it from, but it's just seems kind of nice to think, then maybe...KJ Dell'AntoniaYeah it does.Meg Mitchell MooreShe knows if she's done the right amount for everybody.KJ Dell'AntoniaYeah, The Chicken Sisters is alternating points of view. And I just, I just alternated. And then sometimes that was a problem, and I had to figure out, like, how to get somebody's feelings? Yeah? So....Meg Mitchell MooreYeah, it's confusing. I don't know why I do it to myself, because sometimes I'll just read a perfectly, a book that's just perfectly written in first person. I'm trying to think of an example right now, because I don't even always read that much in first person, but like, Yellowface? … Yellowface. Okay, that book was so, like, simple in a way, but I love I loved it. I thought it was brilliant, and it was all just this point of view, and...KJ Dell'AntoniaAnd didn't you occasionally get, like a newspaper article? I think...Meg Mitchell MooreMaybe, maybe.KJ Dell'AntoniaThat must have been what she did when she had something her person couldn't know.Meg Mitchell MooreYeah. I guess, yeah. I guess, technically, it would be harder to do it all from one because you how do they know everything? But I feel like I get lost, like I have trouble. I literally lose the plot, because I'm just this person's off doing something in their day that might have nothing to do with what's going on. I get really caught up in that kind of stuff, and that's what I have to edit out.KJ Dell'AntoniaYeah, I'm always trying not to do that. I'll sit there while I'm writing, like, No, do not let them move their coffee cup. They can move the coffee cup in a later draft, if the coffee cup is still here, if they're even still in this coffee shop, if this coffee shop even exists. But I can't seem to stop it. My my like, default mode is, you know, he said while taking a sip and burning his lip or whatever, right? Just, I can't seem to not do it.Meg Mitchell MooreYeah, but sometimes that's where you get the gold too, because you wrote all that, and maybe that one sentence is the thing that you needed. So it's just the process.KJ Dell'AntoniaYeah, it is. It's just the process, and it's longer than we hope and slower than we hope...Meg Mitchell MooreAlways...Always. Yes.KJ Dell'AntoniaAnd more, and more revising. Well, do you have any, like, genius words about revision for people? Because it sounds like you do a lot of it.Meg Mitchell MooreI do a lot of it. I think just is so important. It's just so for me, it's so important. I just think nobody gets it right. I hope nobody gets it right the first time. Because if they do, I'm really jealous, but I think for the most part, nobody gets it right the first time. So revision is, I mean, I'd say I spent almost as much time on the revision I probably do as I do on the first draft.KJ Dell'AntoniaDo you still lie to yourself in the first draft and let yourself pretend it's going to be right?Meg Mitchell MooreOh yeah. I always think, Oh, this is the time I did it, I nailed it, and then I get my editorial letter, and it's like, great start. Here's the 700 things that you need to do now.KJ Dell'AntoniaWell, thank you. I feel better. I hope everyone else does too.Meg Mitchell MooreYeah, it's a long process.KJ Dell'AntoniaIt really is, all right. Well, this was fantastic. I really enjoyed it.Meg Mitchell MooreYeah, me too.KJ Dell'AntoniaAs we hit the end of any episode, we always like to ask people what they've been reading. So I hope I'm not springing that on you.Meg Mitchell MooreNo, I just I always have an audio book going and a regular book going on audio I just started the Emily Henry, the new Emily Henry, which I've never listened to her books. I've always read them, and I know that Julia, the famous Julia Whelan, is always her narrator, so and she's phenomenal. So I'm loving the audio version, which is just funny that I've never done it with Emily Henry before.KJ Dell'AntoniaDid you listen to Julia Whelan's book that she wrote herself?Meg Mitchell MooreMhmm.KJ Dell'AntoniaThat was so fascinating, because it really was different, like I actually read it, but I could feel the… yeah. Anyway, okay.Meg Mitchell MooreOh, you should go back and also listen. It's so it's such a good audio book.KJ Dell'AntoniaI bet.Meg Mitchell MooreYeah, it was fantastic. And then I'm reading a novel called The Road to Dalton that my friend Hannah, who owns the Book Shop of Beverly Farms in Beverly Farms, Massachusetts, phenomenal store recommended to me. So I bought it last time I was there, and it is about a bunch of people in a small town in Maine, which is my vibe immediately I was in. But it's very good. So I'm reading that. I can't, I can't remember the author, which is unusual for me, but Shannon something I think [Shannon Bowring].. But it's The Road to DaltonKJ Dell'AntoniaThat's okay. I will find it well. As everyone is gathered, I just finished Mansion Beach. I I really loved it. It was a rare book that I loved even more when I got to the end of it. And, yeah, it was amazing. And also in that, that vibe, that sort of small town Maine and yet, but this is like small island, middle of the Atlantic. Welcome to Glorious Tuga. Have you heard of this one?Meg Mitchell MooreNo. I've never heard of it.KJ Dell'AntoniaOkay, so it's a tiny island settled 300 years ago by a miscellanea of Dutch and British and and African people didn't have any locals. So that's kind of and they have formed the society. It's only open for half the year, because you can't, like, get a boat into it, because storms and currents and whatnot. So this woman has gone thinking that she's going to study the native tortoise population all Darwin, but she gets there and they're like, great. You're a vet. That's what we need. So it's kind of like all creatures great and small meets...I don't even know what it meets yet, I got to come up with that. But it's really a lot of fun. And it's very multi it's multi POV in a really interesting way, because you're with her, and then sort of whenever you kind of get a little interested in someone else, you're like, Oh, why are they doing that? Then maybe you'll switch to their POV. it's really, I really enjoyed it so, so that was fun. So those are my ranks, all right. Well, thank you so much, listeners for joining us, and thank you, Meg for joining me today. Where can people follow you? Where's the best?Meg Mitchell MooreMostly on Instagram @Meg Mitchell Moore, I'm on Facebook, but I don't use it very often and I kinda want to leave it. So…I also just read the Facebook, the Facebook memoir.KJ Dell'AntoniaOh yeah?Meg Mitchell MooreNo, I really want to leave Facebook, but also I know that they own Instagram. So anyway, Instagram is the best place to find me, and I was so happy to be here. Thank you. It was really fun.KJ Dell'AntoniaThis was super. Okay. Thanks everyone for listening, and until next week, keep your butt in the chair and your head in the game.Sarina BowenThe hashtag am writing podcast is produced by Andrew Perella. Our intro music, aptly titled unemployed Monday was written and played by Max Cohen. Andrew and Max were paid for their time and their creative output, because everyone deserves to be paid for their work. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit amwriting.substack.com/subscribe

Hosted by Jane Pauley. In our cover story, Elaine Quijano reports on how an Army wife helped change military culture regarding the notification of next of kin about casualties. Also: Robert Costa sits down with Pulitzer Prize-winning novelist Anne Tyler; Kris Van Cleave explores the centenary of Delta Air Lines; Elizabeth Palmer interviews Steve Rosenberg, the BBC's "Man in Moscow"; Tracy Smith talks with music producer David Foster, the composer behind the new Broadway musical “Boop!”; and “Sunday Morning” offers previews of the summer's most anticipated movies, music, books and museum exhibits. To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices

Arrancamos con Cultura rápida, llena de novedades culturales que nos trae Cristina Moreno.Nos visitan el director Asier Urbieta y los actores Jone Laspiur y Sambou Diaby para hablar del thriller 'La isla de los faisanes', rodada en el condominio más pequeño del mundo y que pertenece a España y a Francia.Nos vamos de road movie con gran banda sonora incluida a través de 'Lo carga el diablo'. Su director, Guillermo Polo, y su directora de arte, Carla Fuentes, nos visitan para hacernos el viaje aún más entretenido.La Barra Libre de hoy recupera el libro que se quedó en pausa por la muerte de Mario Vargas Llosa. Aloma Rodríguez nos adentra en los 'Tres días de junio', de Anne Tyler.Escuchar audio

Aloma Rodríguez retoma en su Barra Libre un libro pendiente: 'Tres días de junio', de Anne Tyler. Una historia llena de humor y esperanza sobre el amor, la familia y la afirmación de la independencia.Escuchar audio

Host Jo Reed and AudioFile's Michele Cobb discuss how anyone who has been a member of a wedding party will be captivated by Anne Tyler's latest audiobook, appealingly narrated by J. Smith-Cameron of “Succession” fame. She captures the intonation and Mid-Atlantic accent of 61-year-old Gail, the bride's mother, and keeps listeners oriented as the story shifts from the present-day festivities to flashbacks. Smith-Cameron deftly conveys Tyler's shrewd observations on marriage and family while illuminating the relatable story's poignancy and humor.  Read our review of the audiobook at our website Published by Random House Audio Discover thousands of audiobook reviews and more at AudioFile's website   Learn more about your ad choices. Visit megaphone.fm/adchoices

Featuring This Motherless Land by Nikki May and Three Days in June by Anne Tyler

Three Days in June by Anne Tyler It's the day before her daughter's wedding and things are not going well for Gail Baines. First thing, she loses her job – or quits, depending who you ask. Then her ex-husband Max turns up at her door expecting to stay for the festivities. He doesn't even have a suit. Instead, he's brought memories, a shared sense of humour – and a cat looking for a new home. Just as Gail is wondering what's next, their daughter Debbie discovers her groom has been keeping a secret… The Sequel by Jean Hanff Korelitz In The Plot, Jacob Finch Bonner was a washed up writer who stole the plot for a novel and then really hit the big time. Now in The Sequel, he's met an untimely death and his grieving widow Anna is picking up the royalty checks before writing a novel of her own.See omnystudio.com/listener for privacy information.

Elisabeth Easther reviews Three Days in June by Anne Tyler published by Penguin Random House

Retellings seem to be having a moment these days. Do you prefer a retelling that more or less follows the original trajectory, or do you prefer one that reinvents and takes the original in a new direction? In today's episode, we each read a retelling of a literary classic. Books mentioned on this episode: Vinegar Girl by Anne Tyler, Pym by Mat Johnson, Hungerstone by Kat Dunn, and The King of Infinite Space by Lyndsay Faye.

'Three Days in June' reflects author Anne Tyler's signature wit and flair for dialogue. This is her 25th novel.

Stop everything and order these unputdownable new books now. From murder mystery, to family drama we've got something from every genre including comedy. There's critically acclaimed debuts, a Nobel prize winner's haunting new novel and the latest love-it read from an all time favourite author Anne Tyler. Plus BBC Woman's Hour celebrates 75 years with a book with a twist and a burnt-out advertising executive brings us tales of her green-fingered rebirth.Handy linksDiscover our content website & sign up for our newsletters: Postcards From Lorraine & TrishContact us: hello@postcardsfrommidlife.comFollow us on Instragram: @postcardsfrommidlifeJoin our private Facebook Group here Check us out on YouTube Hosted on Acast. See acast.com/privacy for more information.

It's another episode of "John Updike's Ghost After Dark," a wild and crazy recording that finds Sam with a blanket on his lap and Hannah reading books infused with the number three (and using the word "tome"). We move from Anne Tyler (don't worry, she's a little bit funny) to weird French YA and cover a lot of ground in between, including:  - "Three Days in June," by Anne Tyler (Sam thinks he read "The Accidental Tourist") - "Infinite Jest," by David Foster Wallace (just touching on it, really) - "Beta Vulgaris," by Margie Sarsfield (kinda like "Lazy City," except totally crazy with evil sugar beets, and a little bit like "Banal Nightmare," except scary instead of funny) - "The Three Lives of Cate Kay," by Kate Fagan ("it's all so ridiculous," romantic without being a romance, a book that makes grand statements; this Kate woman is crazy impressive) - "The Bookshop," by Evan Friss (Sam mispronounces his name, sorry; this one is a little close ot the quick; please remember that Sam considers "weirdos" a compliment) - "The Missing of Clairdelune," by Christelle Dabos (completely out-there French YA, so good) - "Water Moon," by Samantha Sotto Yambao (completely you-there Japanese YA, so good; "this book delivers" and is NOT cozy) Also, come to our 5th birthday party. You'll know when it is if you listen to the end. 

Hueck, Carsten www.deutschlandfunk.de, Büchermarkt

Teutsch, Katharina www.deutschlandfunk.de, Büchermarkt

Auf rund 200 Seiten erzählt Anne Tyler von einem Paar, das eigentlich längst miteinander abgeschlossen hat. Oder gibt es für sie doch eine zweite Chance? Von Pia Ciesilski.

Dieses Mal im lesenswert Magazin: Bücher von Anne Tyler, Cemile Sahin, Doris Vogel, Martin Becker, Tabea Soergel und einem Gespräch über ein unerwünschtes Fest zum 50. Geburtstag

Gail und Max sind seit zwanzig Jahren geschieden, aber die Hochzeit ihrer Tochter führt die beiden wieder in Baltimore zusammen. Die unfreiwillig miteinander verbrachten „Drei Tage im Juni“ werden Folgen haben – und Anne Tyler zeigt sich erneut als unübertreffliche Menschenbeobachterin. Rezension von Julia Schröder

Happy 500 episodes of From the Front Porch! This week, we're celebrating by unlocking a Patreon perk: one of our Porch Visits, our monthly Q&As with Annie. Every month over on Patreon, Annie answers your questions in a live Zoom meeting. Listen to today's episode for a peek into Patreon. Join the fun on Patreon here. To purchase the books mentioned in this episode, stop by The Bookshelf in Thomasville, visit our website (search “Episode 500” on our website to find the books mentioned in this episode), or shop on The Bookshelf's official app: What I Ate in One Year by Stanley Tucci A Bit Much by Lyndsay Rush Be Ready When the Luck Happens by Ina Garten James by Percival Everett Tell Me Everything by Elizabeth Strout Playground by Richard Powers The Mighty Red by Louise Erdrich The Book of Belonging by Mariko Clark The Man Who Didn't Like Animals by Deborah Underwood Adult Holiday Literary First Look ticket Kid's Holiday Literary First Look ticket Virtual Holiday Market ticket From the Front Porch is a weekly podcast production of The Bookshelf, an independent bookstore in South Georgia. You can follow The Bookshelf's daily happenings on Instagram, Tiktok, and Facebook, and all the books from today's episode can be purchased online through our store website, www.bookshelfthomasville.com.  A full transcript of today's episode can be found below. Special thanks to Dylan and his team at Studio D Podcast Production for sound and editing and for our theme music, which sets the perfect warm and friendly tone for our Thursday conversations.  This week, Annie is reading Three Days in June by Anne Tyler. If you liked what you heard in today's episode, tell us by leaving a review on Apple Podcasts. You can also support us on Patreon, where you can access bonus content, monthly live Porch Visits with Annie, our monthly live Patreon Book Club with Bookshelf staffers, Conquer a Classic episodes with Hunter, and more. Just go to patreon.com/fromthefrontporch. We're so grateful for you, and we look forward to meeting back here next week. Our Executive Producers are...Jennifer Bannerton, Stephanie Dean, Linda Lee Drozt, Ashley Ferrell, Susan Hulings, Wendi Jenkins, Martha, Nicole Marsee, Gene Queens, Cammy Tidwell, and Amanda Whigham.

Graciously joined by Emmy winning writer and co-host of Gilbert Gottfried's Amazing Colossal Podcast, Frank Santopadre, cohosts Dino & Mike tackle two Baltimore-based tales of redemption and hope in I Eat Movies #37: FRANK SANTOPADRE SELECTS! - The Accidental Tourist (1988) / Men Don't Leave (1990). First up, Lawrence Kasdan adapts Anne Tyler's best-seller The Accidental Tourist (1988) where William Hurt (Body Heat), struck by tragedy and living an isolated existence, glimpses a chance at a new beginning with the most unexpected of people. Co-starring Geena Davis (Beetlejuice) in the role that earned her an Oscar, the ensemble cast and tonal shifts from melancholy to quirky humor made this a critical hit deserving of more eyes on it. Next up, director Paul Brickman's long awaited (and only!) follow-up to Risky Business, Men Don't Leave (1990) serves as a complimentary drama with a stellar lead performance from Jessica Lange that came and went with little fanfare... until now. Also, Frank has prescriptions older than Mike, contrasting critical notices on Kasdan's drama from Ebert, Maslin & Kael, cinematic “big swings”, and the state of dramatic adult fare in the movies of today are all discussed in this latest helping of I Eat Movies!

In which we go find Xenophilius Lovegood Email us at restrictedsectionpod@gmail.com to tell us what you thought of Xenophilius Lovegood or even what you think of us! We'd love to read your email on the show. Be sure to subscribe to know right away about new episodes, and rate and review! SUPPORT US ON OUR PATREON: https://www.patreon.com/therestrictedsection THANK YOU LOVE YOU BUY OUR MERCH: https://www.teepublic.com/user/restricted-section-podcast THANK YOU LOVE YOU IG: https://www.instagram.com/restrictedsectionpod/ FB: https://www.facebook.com/groups/rspoddetentioncrew/   Check out our other amazing Deus Ex Media podcasts! www.deusexmedia.org   This episode featured: Christina Kann https://linktr.ee/christinakann Catch Christina on The Bits last week! https://www.deusexmedia.org/the-bits  She plugged One Perfect Couple by Ruth Ware https://bookshop.org/a/97181/9781668025598 Vinegar Girl by Anne Tyler https://bookshop.org/a/97181/9780804141284 Camp Damascus by Chuck Tingle https://bookshop.org/a/97181/9781250874627 Severance by Ling Ma https://bookshop.org/a/97181/9781250214997  Haley Simpkiss Haley plugged Godzilla (1998) https://www.imdb.com/title/tt0120685/ Special guest Taylor Taylor plugged Super Scary & his Patreon https://www.patreon.com/SuperScary Malibu Rising by Taylor Jenkins Reid https://bookshop.org/a/97181/9781524798673 The Last True Poets of the Sea by Julia Drake https://bookshop.org/a/97181/9780759554993 A Court of Wings and Ruin by Sarah J. Maas https://bookshop.org/a/97181/9781635575606 

Over more than half a century as an editor at Knopf, Judith Jones became a legend, nurturing future literary icons such as Sylvia Plath, Anne Tyler, and John Updike. But although I was an English major, I first learned of Judith Jones years later, when I realized that Edna Lewis, M.F.K. Fisher, Claudia Roden, Madhur Jaffrey, James Beard, and, most famously, Julia Child, all had the same editor -- her. Judith celebrated the art and pleasures of cooking and culinary diversity, and in the process changed the way Americans think about food. Sara Franklin's new book, The Editor, is a highly anticipated biography of Judith that details her astonishing career, and it is my suggestion for a perfect summer read. Sara is a writer and editor in her own right with bylines including The New York Times, The Washington Post, and The Nation. In this conversation, we delve into the nature of serious cookbooks, the art and craft of recipe writing, and the cultural significance of writing about food. Sara writes and teaches at New York University's Gallatin School for Individualized Study, so this conversation with me was via zoom from her home in Kingston, NY.   Other episodes related to this one: Jacques Pépin, Chef, Author & Television Personality (Madison, CT) Southern Fork Sustenance: A Conversation with MacArthur Fellow J. Drew Lanham about SC Barbecue & Beyond

Listen Recorded on May 28, 2024 Book talk begins at 22:55 ANNOUNCEMENTS and NEWS: Our Summer Tops KAL is almost over, going until to June 1, 2024.  Prizes winners will be announced in Episode 288! Our next KAL will be our annual Mother Bear KAL.   DATES:  6/1/24 - 8/31/24 To find out all about this wonderful charity, please go to Mother Bear Project website.  Talk bears with us in the Mother Bear Chatter thread and post your finished bears in the FOs thread.   Tracie and Barb had a discussion about the excellent YouTube video that Susan B. Anderson made showing how she embroiders faces on toys:  Every Saturday at noon Pacific time - Virtual Knitting Group via Zoom   EVENTS Tracie will be at: Treadles to Threads Spinning Guild's Fiber Frolic - June 1 at the Soul Food Farm outside Vacaville, CA   KNITTING Barb Finished: Mother Bears # 292 & #293 Bankhead Hats #28 & #29 Tracie finished: Mother Bears #321 - 323 Dream in Blue Cardigan by Drops Design in pink and mint acrylic scraps Elorie by Elizabeth Doherty, using Berroco ReMix in the Artichoke colorway  Barb is working on: Gardengate by Jennifer Steingass, using Cloudborn Merino Superwash Sock Twist in the Graphite Heather colorway and Cloudborn Fibers Highland Fingering in the Petal colorway Barb has cast On: Bankhead hat #30 by Susie Gourlay using Knit Picks City Tweed HW in the Marsh Colorway Tracie continues to work on: Fiddly Bits cowl #11 by Jana Pihota Tracie has cast on: Staycation pullover by Susanne Sommer, using Zealana Performa KIWI fingering in the Rococo colorway Eisinberg Jacket by Guri Pederson in Paintbox Yarns Simply DK in the Spearmint Green and Blush Pink color ways BOOKS Barb read: The Rip by Holly Craig - 3 stars The Light of Farallon Island by Jen Wheeler - 4 stars   Tracie read: The Harbor by Katrine Engberg - 3.5 stars Shanghai Girls by Lisa See - 4.5 stars The Vanishing Class of 3B by Jackie Kabler - 3.5 stars Saint Maybe by Anne Tyler - 5 stars   Tracie recommends these two videos about what organizing is NOT: Jordan Theresa: The Cult of Organisation & The Celebrity Kitchen Complex Hannah Alonzo: The unhinged consumerism of “restock” influencers, so unrealistic!    

In 1977, a book was published that shocked much of the world. It was an almost instant bestseller and ended up being translated in 20 languages and has sold more than 21 million copies today. The book has been described as one of the most influential novels of the modern feminist movement. The book? The Women's Room by Marilyn French. We will talk about the author, the book, and the impact it had.    Show Notes:    The Women's Room by Marilyn French: can be found anywhere books are sold.  List of Feminist Literature: https://en.wikipedia.org/wiki/List_of_feminist_literature  Marilyn French: https://en.wikipedia.org/wiki/Marilyn_French  LA Times article when she died: https://www.latimes.com/archives/la-xpm-2009-may-05-me-marilyn-french5-story.html  NY Times review written by Anne Tyler when book first published: https://archive.nytimes.com/www.nytimes.com/books/98/04/19/specials/tyler-french.html  You've come a long way, baby” published by the Guardian: https://www.theguardian.com/books/2003/sep/13/featuresreviews.guardianreview36  A History of Women in Higher Education: https://www.bestcolleges.com/news/analysis/2021/03/21/history-women-higher-education/    Media of Great Price:    Everything Everywhere All At Once  Where it's streaming: https://www.justwatch.com/us/movie/everything-everywhere-all-at-once  IMDB: https://www.imdb.com/title/tt6710474/?ref_=hm_rvi_tt_i_2    Happy News:  2 teens win $50,000 for ultrasound microplastic filtration device https://www.businessinsider.com/teens-win-fifty-thousand-for-ultrasound-microplastic-filtration-device-2024-5       Other Appearances:    Come see Bryce on Aron Ra's YouTube channel! He's doing another titled Pearl of discount plastic Price. This link is for Episode 1:   https://www.youtube.com/watch?v=XfZTnLYXsY8  Check out his channel here: https://www.youtube.com/@AronRa   Email: glassboxpodcast@gmail.com  Patreon: https://www.patreon.com/GlassBoxPod  Facebook page: https://www.facebook.com/glassboxpodcast Twitter: https://twitter.com/GlassBoxPod  Instagram: https://www.instagram.com/glassboxpodcast/  Merch store: https://www.redbubble.com/people/exmoapparel/shop Or find the merch store by clicking on “Store” here: https://glassboxpodcast.com/index.html One time Paypal donation for Bryce: bryceblankenagel@gmail.com  Venmo donation for Shannon:   

The woman behind some of the most important authors of the 20th century—including Julia Child, Anne Frank, Edna Lewis, John Updike, and Sylvia Plath—finally gets her due in this colorful biography of legendary editor Judith Jones. When Judith Jones began working at Doubleday's Paris office in 1949, the twenty-five-year-old spent most of her time wading through manuscripts in the slush pile until one caught her eye. She read the book in one sitting, then begged her boss to consider publishing it. A year later, Anne Frank: The Diary of a Young Girl became a bestseller. It was the start of a culture defining career in publishing.  Over more than half a century as an editor at Knopf, Jones became a legend, nurturing future literary icons such as Sylvia Plath, Anne Tyler, and John Updike. At the forefront of the cookbook revolution, she published the who's who of food writing: Edna Lewis, M.F.K. Fisher, Madhur Jaffrey, James Beard, and, most famously, Julia Child. Jones celebrated culinary diversity, forever changing the way Americans think about food. Her work spanned the decades of America's most dramatic cultural change. From the end of World War II through the Cold War; from the civil rights movement to the fight for women's equality, Jones's work questioned convention, using books as a tool of quiet resistance. Now, her astonishing and career is explored for the first time. Based on exclusive interviews, never-before-seen personal papers, and years of research, The Editor: How Publishing Legend Judith Jones Shaped Culture in America (Atria, 2024) tells the riveting behind-the scenes-narrative of how stories are made, finally bringing to light the audacious life of one of our most influential tastemakers. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

The woman behind some of the most important authors of the 20th century—including Julia Child, Anne Frank, Edna Lewis, John Updike, and Sylvia Plath—finally gets her due in this colorful biography of legendary editor Judith Jones. When Judith Jones began working at Doubleday's Paris office in 1949, the twenty-five-year-old spent most of her time wading through manuscripts in the slush pile until one caught her eye. She read the book in one sitting, then begged her boss to consider publishing it. A year later, Anne Frank: The Diary of a Young Girl became a bestseller. It was the start of a culture defining career in publishing.  Over more than half a century as an editor at Knopf, Jones became a legend, nurturing future literary icons such as Sylvia Plath, Anne Tyler, and John Updike. At the forefront of the cookbook revolution, she published the who's who of food writing: Edna Lewis, M.F.K. Fisher, Madhur Jaffrey, James Beard, and, most famously, Julia Child. Jones celebrated culinary diversity, forever changing the way Americans think about food. Her work spanned the decades of America's most dramatic cultural change. From the end of World War II through the Cold War; from the civil rights movement to the fight for women's equality, Jones's work questioned convention, using books as a tool of quiet resistance. Now, her astonishing and career is explored for the first time. Based on exclusive interviews, never-before-seen personal papers, and years of research, The Editor: How Publishing Legend Judith Jones Shaped Culture in America (Atria, 2024) tells the riveting behind-the scenes-narrative of how stories are made, finally bringing to light the audacious life of one of our most influential tastemakers. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history

The woman behind some of the most important authors of the 20th century—including Julia Child, Anne Frank, Edna Lewis, John Updike, and Sylvia Plath—finally gets her due in this colorful biography of legendary editor Judith Jones. When Judith Jones began working at Doubleday's Paris office in 1949, the twenty-five-year-old spent most of her time wading through manuscripts in the slush pile until one caught her eye. She read the book in one sitting, then begged her boss to consider publishing it. A year later, Anne Frank: The Diary of a Young Girl became a bestseller. It was the start of a culture defining career in publishing.  Over more than half a century as an editor at Knopf, Jones became a legend, nurturing future literary icons such as Sylvia Plath, Anne Tyler, and John Updike. At the forefront of the cookbook revolution, she published the who's who of food writing: Edna Lewis, M.F.K. Fisher, Madhur Jaffrey, James Beard, and, most famously, Julia Child. Jones celebrated culinary diversity, forever changing the way Americans think about food. Her work spanned the decades of America's most dramatic cultural change. From the end of World War II through the Cold War; from the civil rights movement to the fight for women's equality, Jones's work questioned convention, using books as a tool of quiet resistance. Now, her astonishing and career is explored for the first time. Based on exclusive interviews, never-before-seen personal papers, and years of research, The Editor: How Publishing Legend Judith Jones Shaped Culture in America (Atria, 2024) tells the riveting behind-the scenes-narrative of how stories are made, finally bringing to light the audacious life of one of our most influential tastemakers. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

The woman behind some of the most important authors of the 20th century—including Julia Child, Anne Frank, Edna Lewis, John Updike, and Sylvia Plath—finally gets her due in this colorful biography of legendary editor Judith Jones. When Judith Jones began working at Doubleday's Paris office in 1949, the twenty-five-year-old spent most of her time wading through manuscripts in the slush pile until one caught her eye. She read the book in one sitting, then begged her boss to consider publishing it. A year later, Anne Frank: The Diary of a Young Girl became a bestseller. It was the start of a culture defining career in publishing.  Over more than half a century as an editor at Knopf, Jones became a legend, nurturing future literary icons such as Sylvia Plath, Anne Tyler, and John Updike. At the forefront of the cookbook revolution, she published the who's who of food writing: Edna Lewis, M.F.K. Fisher, Madhur Jaffrey, James Beard, and, most famously, Julia Child. Jones celebrated culinary diversity, forever changing the way Americans think about food. Her work spanned the decades of America's most dramatic cultural change. From the end of World War II through the Cold War; from the civil rights movement to the fight for women's equality, Jones's work questioned convention, using books as a tool of quiet resistance. Now, her astonishing and career is explored for the first time. Based on exclusive interviews, never-before-seen personal papers, and years of research, The Editor: How Publishing Legend Judith Jones Shaped Culture in America (Atria, 2024) tells the riveting behind-the scenes-narrative of how stories are made, finally bringing to light the audacious life of one of our most influential tastemakers. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/biography

The woman behind some of the most important authors of the 20th century—including Julia Child, Anne Frank, Edna Lewis, John Updike, and Sylvia Plath—finally gets her due in this colorful biography of legendary editor Judith Jones. When Judith Jones began working at Doubleday's Paris office in 1949, the twenty-five-year-old spent most of her time wading through manuscripts in the slush pile until one caught her eye. She read the book in one sitting, then begged her boss to consider publishing it. A year later, Anne Frank: The Diary of a Young Girl became a bestseller. It was the start of a culture defining career in publishing.  Over more than half a century as an editor at Knopf, Jones became a legend, nurturing future literary icons such as Sylvia Plath, Anne Tyler, and John Updike. At the forefront of the cookbook revolution, she published the who's who of food writing: Edna Lewis, M.F.K. Fisher, Madhur Jaffrey, James Beard, and, most famously, Julia Child. Jones celebrated culinary diversity, forever changing the way Americans think about food. Her work spanned the decades of America's most dramatic cultural change. From the end of World War II through the Cold War; from the civil rights movement to the fight for women's equality, Jones's work questioned convention, using books as a tool of quiet resistance. Now, her astonishing and career is explored for the first time. Based on exclusive interviews, never-before-seen personal papers, and years of research, The Editor: How Publishing Legend Judith Jones Shaped Culture in America (Atria, 2024) tells the riveting behind-the scenes-narrative of how stories are made, finally bringing to light the audacious life of one of our most influential tastemakers. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/food

The woman behind some of the most important authors of the 20th century—including Julia Child, Anne Frank, Edna Lewis, John Updike, and Sylvia Plath—finally gets her due in this colorful biography of legendary editor Judith Jones. When Judith Jones began working at Doubleday's Paris office in 1949, the twenty-five-year-old spent most of her time wading through manuscripts in the slush pile until one caught her eye. She read the book in one sitting, then begged her boss to consider publishing it. A year later, Anne Frank: The Diary of a Young Girl became a bestseller. It was the start of a culture defining career in publishing.  Over more than half a century as an editor at Knopf, Jones became a legend, nurturing future literary icons such as Sylvia Plath, Anne Tyler, and John Updike. At the forefront of the cookbook revolution, she published the who's who of food writing: Edna Lewis, M.F.K. Fisher, Madhur Jaffrey, James Beard, and, most famously, Julia Child. Jones celebrated culinary diversity, forever changing the way Americans think about food. Her work spanned the decades of America's most dramatic cultural change. From the end of World War II through the Cold War; from the civil rights movement to the fight for women's equality, Jones's work questioned convention, using books as a tool of quiet resistance. Now, her astonishing and career is explored for the first time. Based on exclusive interviews, never-before-seen personal papers, and years of research, The Editor: How Publishing Legend Judith Jones Shaped Culture in America (Atria, 2024) tells the riveting behind-the scenes-narrative of how stories are made, finally bringing to light the audacious life of one of our most influential tastemakers. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-studies

The woman behind some of the most important authors of the 20th century—including Julia Child, Anne Frank, Edna Lewis, John Updike, and Sylvia Plath—finally gets her due in this colorful biography of legendary editor Judith Jones. When Judith Jones began working at Doubleday's Paris office in 1949, the twenty-five-year-old spent most of her time wading through manuscripts in the slush pile until one caught her eye. She read the book in one sitting, then begged her boss to consider publishing it. A year later, Anne Frank: The Diary of a Young Girl became a bestseller. It was the start of a culture defining career in publishing.  Over more than half a century as an editor at Knopf, Jones became a legend, nurturing future literary icons such as Sylvia Plath, Anne Tyler, and John Updike. At the forefront of the cookbook revolution, she published the who's who of food writing: Edna Lewis, M.F.K. Fisher, Madhur Jaffrey, James Beard, and, most famously, Julia Child. Jones celebrated culinary diversity, forever changing the way Americans think about food. Her work spanned the decades of America's most dramatic cultural change. From the end of World War II through the Cold War; from the civil rights movement to the fight for women's equality, Jones's work questioned convention, using books as a tool of quiet resistance. Now, her astonishing and career is explored for the first time. Based on exclusive interviews, never-before-seen personal papers, and years of research, The Editor: How Publishing Legend Judith Jones Shaped Culture in America (Atria, 2024) tells the riveting behind-the scenes-narrative of how stories are made, finally bringing to light the audacious life of one of our most influential tastemakers. Learn more about your ad choices. Visit megaphone.fm/adchoices

Check out this very special conversation HarperCollins Library Marketing Directer Virginia Stanley had with debut novelist Bill Gaythwaite. They discuss Bill's recently published book UNDERBURN. Praise for UNDERBURN: “A wonderfully engaging tale of both family and the underside of fame, Bill Gaythwaite's debut novel Underburn mirrors the deceptive richness of the very generational ties it so charmingly explores: the long memories, conflicts big and small, surprisingly pivotal moments, and rediscovered bonds. One rarely encounters characters drawn with such candor, warmth, and humanity: you will gladly cheer and care for everyone as they seek to make peace with the past, while risking it all for a brand-new future.” —Natalie Jenner, author of the international bestseller The Jane Austen Society "A quirky family story told with wit and wisdom, with shades of Anne Tyler or Elizabeth Strout...a fine debut." —Kirkus Reviews

Sara Cox, host of BBC Two's TV book club, Between the Covers, joins Jo and James to discuss our December Book of the Month: Any Human Heart by William Boyd. Told through the journals of Logan Mountstuart, it's an engrossing – and often funny – novel that takes in many of the defining events of the 20th century and the people who shaped them. The Booker Prize 2002-longlisted book was recently discussed on Between the Covers, so tune in to our podcast as Sara, James and Jo talk about William Boyd's beloved novel, as well as Sara's own reading habits and inspirations. In this episode Jo, James and Sara talk about: The idea behind television book club Between the Covers The variety of books guests have been bringing to this series of Between the Covers The novels that got Sara into reading at a young age Sara's favourite Booker Prize books How Sara balances reading and her own writing – and whether what she's reading influences her work What the book clubbers on Between the Covers thought of Any Human Heart A brief summary of Any Human Heart and a discussion about its plot Who they'd recommend the book to Reading List: Any Human Heart by William Boyd: https://thebookerprizes.com/the-booker-library/books/any-human-heart Life of Pi by Yann Martel: https://thebookerprizes.com/the-booker-library/books/life-of-pi The Way We Live Now by Anthony Trollope War and Peace by Leo Tolstoy Pessimism is for Lightweights by Salena Godden Alice in Wonderland by Lewis Carroll Are You There God? It's Me, Margaret. by Judy Blume Catherine Cookson novels Jilly Cooper novels Paddy Clarke Ha Ha Ha by Roddy Doyle: https://thebookerprizes.com/the-booker-library/books/paddy-clarke-ha-ha-ha John Boyne novels Margaret O'Farrell novels Redhead by the Side of the Road by Anne Tyler: https://thebookerprizes.com/the-booker-library/books/redhead-by-the-side-of-the-road A Spool of Blue Thread by Anne Tyler: https://thebookerprizes.com/the-booker-library/books/a-spool-of-blue-thread A full transcript of the episode is available at our website. Follow The Booker Prize Podcast so you never miss an episode. Visit http://thebookerprizes.com/podcast to find out more about us, and follow us on Twitter, Instagram, Facebook and Tiktok @thebookerprizes. Learn more about your ad choices. Visit megaphone.fm/adchoices

Today our guest on Killer Women is JESSICA STRAWSER. Jessica is the author of the book club favorites Almost Missed You, a Barnes & Noble Best New Fiction pick; Not That I Could Tell, a Book of the Month bestseller; Forget You Know Me, awarded a starred review by Publishers Weekly, A Million Reasons Why, called “a standout” in a starred Booklist review and named to Most Anticipated lists from Goodreads, SheReads, Frolic, E! News & others, and The Next Thing You Know, a People Magazine Pick for Best New Novel (now new in paperback).She is Editor-at-Large for Writer's Digest magazine, where she served as editorial director for nearly a decade, and a contributing editor at Career Authors. Her diverse career in the publishing industry spans nearly 20 years and includes stints in book editing, marketing and public relations, and freelance writing and editing. A Pittsburgh native and “Outstanding Senior” graduate of Ohio University's E.W. Scripps School of Journalism, she counts her New York Times Modern Love essay and her Writer's Digest cover interviews with such luminaries as Alice Walker, Anne Tyler and David Sedaris among her career highlights. She lives with her husband and two children in Cincinnati, Ohio, where she was named 2019 Writer-in-Residence for the Public Library of Cincinnati and Hamilton County.A popular speaker at writing conferences, book clubs, women's groups, and book festivals, she is a proud member of the Tall Poppy Writers, Fiction Writers Co-op, and Women's Fiction Writers Association. Connect with her on Twitter @jessicastrawser and Facebook/Instagram @jessicastrawserauthor. Visit jessicastrawser.com to learn more. Killer Women is copyrighted by Authors on the Air Global Radio Network#podcast #author #interview #authors #KillerWomen #KillerWomenPodcast #authorsontheair #podcast #podcaster #killerwomen #killerwomenpodcast #authors #authorsofig #authorsofinstagram #authorinterview #writingcommunity #authorsontheair #suspensebooks #authorssupportingauthors #thrillerbooks #suspense #wip #writers #writersinspiration #books #bookrecommendations #bookaddict #bookaddicted #bookaddiction #bibliophile #read #amreading #lovetoread #daniellegirard #daniellegirardbooks #jessicastrawser #lakeunion #amazonpublishing

Today our guest on Killer Women is JESSICA STRAWSER. Jessica is the author of the book club favorites Almost Missed You, a Barnes & Noble Best New Fiction pick; Not That I Could Tell, a Book of the Month bestseller; Forget You Know Me, awarded a starred review by Publishers Weekly, A Million Reasons Why, called “a standout” in a starred Booklist review and named to Most Anticipated lists from Goodreads, SheReads, Frolic, E! News & others, and The Next Thing You Know, a People Magazine Pick for Best New Novel (now new in paperback). She is Editor-at-Large for Writer's Digest magazine, where she served as editorial director for nearly a decade, and a contributing editor at Career Authors. Her diverse career in the publishing industry spans nearly 20 years and includes stints in book editing, marketing and public relations, and freelance writing and editing. A Pittsburgh native and “Outstanding Senior” graduate of Ohio University's E.W. Scripps School of Journalism, she counts her New York Times Modern Love essay and her Writer's Digest cover interviews with such luminaries as Alice Walker, Anne Tyler and David Sedaris among her career highlights. She lives with her husband and two children in Cincinnati, Ohio, where she was named 2019 Writer-in-Residence for the Public Library of Cincinnati and Hamilton County. A popular speaker at writing conferences, book clubs, women's groups, and book festivals, she is a proud member of the Tall Poppy Writers, Fiction Writers Co-op, and Women's Fiction Writers Association. Connect with her on Twitter @jessicastrawser and Facebook/Instagram @jessicastrawserauthor. Visit jessicastrawser.com to learn more. Killer Women is copyrighted by Authors on the Air Global Radio Network #podcast #author #interview #authors #KillerWomen #KillerWomenPodcast #authorsontheair #podcast #podcaster #killerwomen #killerwomenpodcast #authors #authorsofig #authorsofinstagram #authorinterview #writingcommunity #authorsontheair #suspensebooks #authorssupportingauthors #thrillerbooks #suspense #wip #writers #writersinspiration #books #bookrecommendations #bookaddict #bookaddicted #bookaddiction #bibliophile #read #amreading #lovetoread #daniellegirard #daniellegirardbooks #jessicastrawser #lakeunion #amazonpublishing

 Recorded on November 25, 2023 Book talk begins at 25:40     Our annual Fall Sweater KAL has started!  Knit or crochet a sweater for yourself or another adult.   Here are the rules: Dates - 9/1/2023 - 1/15/24. That's 4 months…plenty of time to knit or crochet an adult-size sweater…or two! We have bundles for inspiration! Beginner sweaters are here. Adventurous Beginners to Advanced sweaters are here Crocheters! Your sweaters are here ANYONE can add sweaters to the bundles! There will be prizes - just post a picture of your lovely finished sweater in our FOs thread. Do you have some sweaters in progress? WIPs count as long as the sweater is less than 50% done on September 1st. Less than 50% done is your call. We don't have to “approve” your project. It must be an adult-sized sweater, and it must have sleeves. Short sleeves are fine. You must be a member of our Ravelry group to win a prize. Virtual Knitting Group via Zoom EVENTS Tracie and Barb will be at: New Year Fiber Retreat - January 4-7 at the St. Francis Retreat Center in San Juan Bautista, CA KNITTTING Tracie finished: Never Not Gnoming #27 by Sarah Schira in assorted fingering weight leftovers Salty Air Tee by Samantha Guerin in Stitch Sisterz Laceweight Cashmere in Pine Tree and Shaggy Bear Farms Merino with Superwash and Tussah Silk in blue green Hungry Horse Hat 3 in various acrylics Rikke Hat #4 by Sarah Young for Jayla - using Tess Designer Yarns Superwash Merino and Alexandra: the Art of Yarn Pendleton DK Barb continues to work on: Vanilla Socks for Will, using Paton's Kroy Socks in the Route 66 colorway Donner by Elizabeth Doherty using Knit Picks Lindy Chain in the Sage Brush colorway South Shore Cardigan by Kay Hopkins, using madelinetosh Tosh DK in the Tart colorway Bankhead Hat #24 Barb has cast on: Sirdar Colourwheel DK 1 Ball Scarf  designed by Sirdar, using a Sirdar Colorwheel in the Follow your Rainbow colorway   Tracie cast on: Socks to match her Archer in Dizzy Blood Studios Dizzy Color in Delete and Lisa Souza Dyeworks Delux Sock in cornflower Bankhead hat #6 by Susie Gourlay in Universal Yarns Uptown Worsted in gray   She continues to work on: Cumulus Blouse by Petite Knit in Countrywide Yarns Windsor 8-ply  BOOKS Barb read: Confessions by Kanye Minato - 3 stars The Last Anniversary by Liane Moriarty - 3 stars Redhead by the Side of the Road by Anne Tyler - 4 stars The Mistress Next Door by Lesley Sanderson - 3stars But I Trusted You and Other True Cases (Crime files #14) - 4 stars Vanished in Vermillion: The Real Story of South Dakota's Most Infamous Cold Caseby Lou Ragusa - 3 stars Tracie read: Isabel's Bed by Elinor Lipman - 4 stars Watching Youby Lisa Jewell - 4 stars The Lowcountry Murder of Gwendolyn Elaine Fogle: a Cold Case Solved by Rita Schuler - 3 stars A Wolf at the Table by Augusten Burroughs - 3 stars Blood on Their Hands: Murder, Corruption, and the Fall of the Murdaugh Dynasty by Mandy Matney - 4 stars  

Join us in a captivating conversation with Deborah Jenkins, the mastermind behind the enchanting short story collection, "Winter Lights." Broadcasting from her home in Sussex, Jenkins unveils her unique journey as an author who has triumphed over personal challenges, including “profound deafness.” Her story is a testament to the power of resilience and passion for writing. Balancing roles as a family member, teacher, and writer, Jenkins shares insights into her early fascination with writing and the influences of authors like Anne Tyler and Elizabeth Strout in her work. Her narratives, rich with everyday life and emotion, are a window into her soul and the diverse world around us. In this episode, we delve into the heart of Jenkins' "Winter Lights," a collection that elegantly captures the essence of life's fleeting moments. Jenkins describes her affinity for short stories, akin to snapshots, each offering a unique perspective. She discusses the thoughtful organization of her book, the inclusion of a music playlist for each story, and shares insights into specific narratives like "The Key" and "End of the Line." The conversation shifts to Jenkins' future projects, including a novel centered on the theme of societal listening, and we close with my personal reflections on the joy of board games during winter nights. Discover how Jenkins' experiences, both personal and professional, weave into her stories, creating a tapestry of engaging, inclusive literature. Buy "Winter Lights" on Amazon _ Produced by Podcast Studio X. Listen on YouTube. Find my book reviews on ViewsOnBooks.com.

On this SELECTED SHORTS, host Meg Wolitzer presents three stories about moving out of familiar territory into new spaces and new understanding.  In Meron Hadero's “The Thief's Tale,” read by Teagle F. Bougere, an émigré can't leave some of his old ways behind.  “The Tallest Doll in New York City,” by Maria Dahvana Headley, imagines what happens when two iconic skyscrapers fall in love.  It's read by Becca Blackwell.   And summer trip yields unexpected treasures in Anne Tyler's “The Feather Behind the Rock,” read by Jane Curtin.

Book Talk starts at 23:51 Recorded Friday, July 14, 2023 Our annual Mother Bear KAL began June 1, 2023, but any bears you have knit or crocheted in 2023 are eligible as entries for prizes.  To find out all about this wonderful charity, please go to Mother Bear Project website.  Talk bears with us in the Mother Bear Chatter thread and post your finished bears in the FOs thread. We have a listener who has come up with 3 incentive prizes for increasing your bear count!  For more info, please check out the Mother Bear Incentive Prizes thread. Virtual Knitting Group via ZoomEvents Tracie and Barb will be at: Lambtown - October 7-8, 2023 at the Dixon May Fairgrounds in Dixon, CA The TKGA Retreat 2023 - November 2-5, 2023 at the Hilton Charlotte University Place Hotel in Charlotte, North Carolina KNITTING Tracie finished: Rift by Jacqueline Cieslak in Juniper Moon Farms Zooey in Rigging Mother Bears 311, 312 and 313   Barb finished Mother Bears 275, 276 & 277 Rock It Tee by Tanis Lavalee, using Anzula Breeze lace in the Fern and Gravity colorways WYS Vanilla Socks, using West Yorkshire Spinners Signature 4-Ply Self Striping in the Peacock colorway   Tracie cast on: Lightweight Raglan Pullover by Purl Soho in Leading Men Fiber Arts Show Stopper in Shantay, You Stay!   She continues to work 0n: Rock It Tee by Tanis Lavallee in Alchemy: Yarns of Transformation Silken Straw in 7 different color ways Socks in Tosh Merino Light Glitter in T'Challa colorway   Barb is working on: Razzle Dazzle Scarf in Leading Men Fiber Arts Show Stopper Gradient Set in the Razzle Dazzle #22 colorway 6600K (Striped Hoodie) by Barry Klein, using 4 colors of Lana Grossa Ecopuna Degradé6600K (Striped Hoodie) by Barry Klein, using 4 colors of Lana Grossa Ecopuno Degrade Mother Bear 278 Carley by Elizabeth Smith Knits, using Berroco Remix in the Mist colorway Hungry Horse Hat by Aimee Alexander using Polka Dot Sheep Stumptown DK in the Aurora, Depths, Juneberry color ways BOOKS Tracie finished: Dannemora: Two Escaped Killers, Three Weeks of Terror, and the Largest Manhunt Ever in New York State by Charles A. Gardner - 4 stars Curse of the Spellmans (The Spellmans #2) by Lisa Lutz - 3 stars French Braid by Anne Tyler - 4 stars Hey, Hun: Sales, Sisterhood, Supremacy, and the Other Lies Behind Multilevel Marketing by Emily Lynn Paulson - 5 stars Love Me or Else: The True Story of a Devoted Pastor, a Fatal Jealousy, and the Murder that Rocked a Small Town by Colin McEvoy and Lynn Olanoff - 4 1/2 stars After Everything You Did by Stephanie Sowden - 2 stars Barb read: The Disappearing Act by Catherine Steadman - 4 stars Never Coming Home by Hannah Mary McKinnon - 4 stars Secluded Cabin Sleeps Six by Lisa Unger - 3 stars Tender at the Bone: Growing Up at the Table by Ruth Reichl - 4.5 stars Arctic Homestead: the True Story of One Family's Survival and Courage in the Alaskan Wilds by Norma Cobb It's One of Us by J.T. Ellison - 4.5 stars

Recorded on December 28, 2022 Book talk starts at 24:10 Sweater KAL - 9/1/22 - 1/15/23   Sweater KAL Chatter - rules are at the top of each page 12 in 22 Chatter Thread   Virtual get-together Zoom   NoCKRs (Northern California Knitting Retreat) news: If you would like to attend NoCKRs at the St Francis Retreat Center in San Juan Bautista, California April 27-30, 2023, please email Tracie at 2knitlitchicks@gmail.com for details.   KNITTING   Barb finished:  1.  Collage Socks by Helen Stewart, using Ogle Design Fiber Arts Coloration Fingering in the 827 Purple colorway 2.  Solstice Mitts by Kimberly Dottie, using 2 colors of Quince & Co Chickadee in the Fjord and the Canvas color ways   Tracie finished: 1.  Guantes Jota DK Fingerless Mitts by Paola Aguirre using Newton's Yarn Country Superwash DK 2.  Mother Bear ##301 3.  Tony the Toy Box Monster by Rebecca Danger 4.  Cannon Bandana by Debbi Stone and Marcy Vandale in 3 colors of Plymouth Select DK Merino Barb is working on: 1.  Colourwheel DK 1 Ball Scarf, using a Sirdar Colourwheel in the Perfectly Pretty colorway 2.  Hermione's Everyday Socks by Erica Leuder using Canon Hand Dyes sock set 3.  Get the Groove by Hinterm Stein, using Valley Yarns Northampton Worsted in the Denim Heather colorway   And has cast on: 1.  Bankhead Hat #21 by Susie Gourley 2.  Burgos vest by Rosa Pomar, using Diamond Galway Worsted Knitting Wool Highland Heather   Tracie is working on: 1.   Light Trails by SuviKnits using Anzula Haiku in the Madam colorway 2.  Vanilla Sock in Canon Hand Dyes William Merino in Waterworld Sock Set   Tracie has cast on: 1.  Knitted Knocker in Cascade Ultra Pima   BOOKS Barb read: 1.  French Braid: A Novel by Anne Tyler - 5 stars 2.  On the Beach by Nevil Shute - 4 stars 3.  The Resort by Sue Watson - 3.5 stars 4.  The Nurse's Secret by Amanda Skenendore - 4.5 stars   Tracie read: 1.  The Perfect Family by Jacquie Underdown - 2.5 stars 2.  Unfollow Me by Charlotte Duckworth - 4 stars 3.  Don't Believe It by Charlie Done - 3 stars 4.  Daisy Jones and the Six by Taylor Jenkins - 4.5 stars 5.  The Texas Towner Sniper: The Terrifying True Story of Charles Whitman by Ryan Green       Barb and Tracie both recommend the documentary "Tower" on Prime Video