Podcasts about Starsailor

Send us a textSplash Stories set sail on an adventure with Starsailor's James Walsh celebrating 25 years . For those loisteners who don't know Starsailor are a post Britpop band who formed whilst studying a Music course at Wigan and Leigh College Greater ManchesterSplash Stories touched on songwriting pressure, touring with The Rolling Stones and hitting two score and five years with a passion in 2025 and life as a Starsailor Starsailor have released six studio albums and scored ten Top 40 hit singles  in the UK. Their first album Love Is Here was released in 2001, followed by Silence Is Easy (2003) and On the Outside (2005). After the release of its fourth album All the Plans (2009), the band entered into extended hiatus until 2014, during which its members were involved in individual projects.Starsailor announced their reunion on 23 May 2014 and began performing worldwide. Good Souls: The Greatest Hits was released in September 2015 and featured two new songs. Their fifth studio album All This Life was released in 2017 & was followed by Where The Wild Things Grow in 2024Hits include  2003 single Silence Is Easy which reached number 9 in the UK, and Four To The Floor which reached number one in France as well as the top five in Australia. Starsailor's 2025 tour includes a 25th anniversary celebration in the UK and Europe. The tour will include shows in May - November 2025 all shows tickets etc belowApple  https://podcasts.apple.com/gb/podcast/splash-stories-the-90s-music-scene-legendary-london/id1613247196tinyurl.com/4p3nzs3pSpotify https://open.spotify.com/show/7cTnjVrSnwy6Eyqac5ETSk?si=10c7a723c3524392tinyurl.com/2jj75vrxhttps://www.seetickets.com/tour/starsailorhttps://www.facebook.com/starsailorofficialhttps://Support the showGet in touch with Splash Stories : splashclubtv@gmail.comwww.facebook.com/thesplashclubJoin Splash Stories https://www.buzzsprout.com/1891668/supporthttps://www.instagram.com/thewonderstuffofficial/https://www.instagram.com/rickywarwickofficial/https://www.instagram.com/echobelly_official/https://www.instagram.com/officialskunkanansie/https://www.instagram.com/feederofficial/https://www.instagram.com/kcmanc/?hl=enhttps://www.facebook.com/kerbdogband/https://www.instagram.com/sohoradiohttps://www.facebook.com/groups/SoundAsEverhttps://www.pearllowe.co.ukhttps://www.supergrass.comhttps://www.wienerworld.com/product/gary-crowleys-indie-90s-playback-classics-curveballs-and-bangers/Terrorvision Tequila : https://youtu.be/8hLQCA2h8kA?si=7_HfuruL5fFUnMdFhttps://linktr.ee/thesoupdragonshttps://www.merchbar.com/rock-alternative/cj-wildhearthttps://www.facebook.com/CJWildheartOfficial/https://www.instagram.com/cjwildheart/EMF www.emf-theband.comhttps://www.facebook.com/lustforlife1976/...

Tiempos de Radio, tu podcast de música favorito, presenta una entrevista a la reconocida cantautora, vocal coach y actriz de doblaje cantado española Cecilia Blanco, quien nos habla sobre su más reciente single “Tiempo”. En esta emotiva conversación, Cecilia nos cuenta sobre la inspiración detrás de este tema, una canción que fusiona pop de autor con matices orientales y refleja el paso del tiempo con una sensibilidad única. Además, repasamos su destacada trayectoria, desde su paso por La Década Prodigiosa, con más de dos millones de discos vendidos, hasta su trabajo en el doblaje de producciones de Disney y sus recientes composiciones para cine y televisión. No te pierdas este episodio lleno de música, recuerdos y emociones en Tiempos de Radio. Bandas invitadas: Starsailor de UK, Coltaine de Alemania, Rosa Inerte de Perú, Asesinos del Amor y Nawi de España, Katja T de Finlandia y Nuno da Câmara Pereira de Portugal. #TiemposDeRadio #podcast #radio #Entrevista #música #rock #CeciliaBlanco #Starsailor #Coltaine #RosaInerte #AsesinosdelAmor #Nawi #KatjaT #NunodaCâmaraPereira 🎶 Suscríbete, comparte y comenta, y recuerda, todo en exceso es malo, excepto el rock 🤘. Si quieres participar en la siguiente edición, apresúrate y contáctanos en 👇 linktr.ee/TiemposdeRadio El único requisito es tu entusiasmo. Tiempos de Radio es un podcast transmitido desde Lima - Perú 🇵🇪 para Hispanoamérica Radio en Ecuador 🇪🇨, Metal Rock Station en Puerto Rico 🇵🇷, Radio Krimen online y Radio Dada, ambas en Argentina 🇦🇷, Rock Live Radio en Costa Rica 🇨🇷, Perfecta Radio en Cincinnati - Ohio, USA 🇺🇸 y para Tiembla Radio en Móstoles, España 🇪🇸. Dirección, producción y conducción: Luis Antonio Varela Bohórquez. Copyright de grabación: Todos los derechos de la música utilizada en este podcast pertenecen a los autores, compositores o intérpretes.

Join Jon for this week's guide to find out where you can see James Walsh of Starsailor playing solo, information on a weekend of musical treats at Kulturfabrik and of course the recommendation of the week!

Heute mit: Black Sheriff, Enter Shikari, The Flaming Lips, Ska-P, Starsailor & Turnstile

Starsailor - Four To The Floor (Greg Kercia & GFR Remix) by Greg Kercia

Chapter 3 with Beck ,Red Hot Chili Peppers, Joan Jet,Stereo MCs,Oasis ,Tears for Fears, Bowie,The Kinks,Starsailor,The Ting Tings, The Cure , Muse ...

Producer/Engineer/Mixer Danton Supple has been at the forefront of big music by big artists since he first broke into the business in the 80s. U2, Coldplay, Pet Shop Boys, Morrissey and more are prominently on his CV. In this conversation we cover all of those as well as Elbow, Doves, Starsailor (which included Phil Spector's last project), Spandau Ballet and his work with past guests Clive Langer, Steve Lillywhite, Trevor Horn, Julian Mendelsohn and tons more. His stories are gold and almost as great as his talents. Enjoy!  www.dantonsupple.com  www.patreon.com/thehustlepod

You may have heard that Underwood's primitive classic from 1988 entitled "California Sigh" was recently reissued by Drag City Records, but did you know that he played alongside the late and great Tim Buckley? Underwood was responsible for laying down those incredible guitar and piano parts on esteemed albums such as Buckley's self-titled debut, the monumental "Goodbye and Hello", "Starsailor" and countless others throughout their short, but transcendent career together. Underwood eventualy stepped away from music all together to write for prestigious publications as well as publishing books like "Inside Paul Horn" and the accalimed "Blue Monday: Tim Buckley Remembered". 

Starsailor - Four To The Floor (Thin White Duke Remix) The Avener - Beautiful The Rolling Stones - Mess It Up (Purple Disco Machine Remix) Tom Odell - Another Love (Zwette Remix) Ed Sheeran - Celestial P!nk - Trustfall OneRepublic - Run The Weeknd & Ariana Grande - Save Your Tears Sophie And The Giants & Purple Disco Machine - In The Dark Brigitte - A Bouche Que Veux Tu (Yuksek Remix) Coldplay - Clocks The Police - Can't Stand Losing You (Sergio Wos Remix) Lizzo - 2 Be Loved (Pnau Remix) Aden Foyer - Galileo Galilei

You may have heard that Underwood's 1988 primitive classic, "California Sigh" was recently reissued by the great folks over at Drag City for the first time in over 30 years, but did you know that Underwood was also the lead guitarist for the legendary Tim Buckley throughout his short, but incredible influential career? He was responsible for those beautifully transcendent riffs and chord structures on albums such as Buckely's 1966 debut, the monumental "Goodbye and Hello", "Starsailor" and countless others. Eventually Underwood stepped away from recording music and the tiring industry all together to write for prestigious music publications as well as publish books like "Inside Paul Horn" and the acclaimed "Blue Monday: Tim Buckley Remembered". Hear his story through the cadence of this staticky conversation thats both cosmic and contagiously calming. Enjoy!

The Killers - Somebody Told Me OneRepublic - I Ain't Worried Muse - Thought Contagion Måneskin - Honey (Are U Coming) Miley Cyrus - Flowers Lizzo - Pink Harry Styles - Late Night Talking Sophie Ellis Bextor - Murder On The Dancefloor Dua Lipa - Houdini Mae Stephen - If We Ever Broke Up Starsailor - Four To The Floor (Thin White Duke Remix) The Human League - Don't You Want Me (Purple Disco Machine Remix) MGMT - Kids The Rolling Stones - Mess It Up

Rag'N'Bone Man - What Do You Believe In ? Coldplay - Higher Power Mark Ambor - Belong Together Lil Nas X - Thats What I Want Placebo - The Bitter End Billy Idol - Dancing With Myself Yungblud - Tissues Myles Smith - Stargazing Starsailor - Four To The Floor (Thin White Duke Remix) Billie Eilish - Lunch Everything But The Girl - Missing (Todd Terry Club Mix) Lilly Wood And The Prick - Prayer In C (Robin Schulz Remix) The Ting Tings - Great DJ Sum 41 - Landmines Shaka Ponk - Dad' Algorhythm Noah Kahan & Sam Fender - Homesick Queens Of The Stone Age - No One Knows Nancy Sinatra - These Boots Are Made For Walking (Remix)

¡Bienvenidos a la segunda temporada de Terminal 83! En este relanzamiento Chacho retoma una lista de canciones que había preparado desde hace unos años, para compartir su opinión y recuerdos sobre la música de Caifanes, Starsailor, The Cranberries, Red Hot Chilli Peppers, Foo Fighters, Pearl Jam y The Killers. Recordando y compartiendo anécdotas de como los 40's ahora son los nuevos clásicos, Chacho esta de regreso con un nuevo intento de hacer de este podcast su terapia musical.

Abrimos episodio semanal de La Ruleta Rusa con lo nuevo de los suizos Monkey3, Welcome To The Machine, de este 2024. The Dear Hunter son una interesante banda de progresivo pero con un sonido bastante inclasificable, complejo e interesante a la vez. Les hemos escuchado en uno de sus últimos trabajos Antimai, de 2022. Escuchamos también a los británicos Starsailor, en su estupendo segundo de estudio, Silence Is Easy, de 2004. Nuestra primera bocanada de rock clásico se la dimos a Tom Waits y su debut de 1973, Closing Time. Descubriremos juntos a este trío de jóvenes sicilianos que se hacen llamar The Whistling Heads, escuchando Shut Me Up, de este 2024. Potencia, calidad y calidez de la mano de Stone Temple Pilots, de vuelta a LRR esta vez con su recopilatorio, Thank You, de 2003. Y cerraremos con nuestra segunda mirada al rock clásico, de la mano de la gran Julie Driscoll y su estupendo debut en 1971, el álbum titulado 1969.

Abrimos episodio semanal de La Ruleta Rusa con lo nuevo de los suizos Monkey3, Welcome To The Machine, de este 2024. The Dear Hunter son una interesante banda de progresivo pero con un sonido bastante inclasificable, complejo e interesante a la vez. Les hemos escuchado en uno de sus últimos trabajos Antimai, de 2022. Escuchamos también a los británicos Starsailor, en su estupendo segundo de estudio, Silence Is Easy, de 2004. Nuestra primera bocanada de rock clásico se la dimos a Tom Waits y su debut de 1973, Closing Time. Descubriremos juntos a este trío de jóvenes sicilianos que se hacen llamar The Whistling Heads, escuchando Shut Me Up, de este 2024. Potencia, calidad y calidez de la mano de Stone Temple Pilots, de vuelta a LRR esta vez con su recopilatorio, Thank You, de 2003. Y cerraremos con nuestra segunda mirada al rock clásico, de la mano de la gran Julie Driscoll y su estupendo debut en 1971, el álbum titulado 1969.

Today, the Spotlight shines On in a much different way than usual, as I am turning the microphone over to guest host Miriam Boulos.Miriam has been a guest contributor to Bonus Tracks, the official blog of Spotlight On, since August 2023. Miriam publishes with us frequently, and her work has included interviews with and essays about a diverse array of artists like James Walsh of Starsailor, Chappell Roan, Fuera, Ella More, Chagall, and most recently PEPTALK. As an international contributor, MIriam consistently broadens our view and uncovers new voices for us. Even more importantly, she is shining the spotlight on gender inclusivity and other forms of diversity that we are very grateful for. It has been a privilege to share our platform with her.Miriam is joined in conversation for this episode by Swedish alt-pop artist Lucky Lo. This bit about the artist, quoted from her bio, gives a glimpse of what to expect in their talk: “Lucky Lo unites people through her music by shedding light on the dark side of existence and turning trauma into triumph.” As a mission statement, it's pretty strong.Enjoy MIriam Boulos's conversation with Lucky Lo.(all musical excerpts heard in the interview are taken from Lucky Lo's album The Big Feel) -- Dig DeeperVisit and learn more about Lucky Lo at luckylo.netLIsten to Lucky Lo's latest album, The Big Feel, released by TAMBOURHINOCEROS, on Bandcamp or your favorite steaming platformFollow Lucky Lo on Instagram, Facebook, TikTok, and YouTubeFollow MIriam Boulos on Instagram-- • Did you enjoy this episode? Please share it with a friend! You can also rate Spotlight On ⭐️⭐️⭐️⭐️⭐️ and leave a review on Apple Podcasts. • Subscribe! Be the first to check out each new episode of Spotlight On in your podcast app of choice. • Looking for more? Visit spotlightonpodcast.com for bonus content, web-only interviews + features, and the Spotlight On email newsletter. You can also follow us on Instagram, Facebook, and Mastodon. Hosted on Acast. See acast.com/privacy for more information.

Today, the Spotlight shines On in a much different way than usual, as I am turning the microphone over to guest host Miriam Boulos.Miriam has been a guest contributor to Bonus Tracks, the official blog of Spotlight On, since August 2023. Miriam publishes with us frequently, and her work has included interviews with and essays about a diverse array of artists like James Walsh of Starsailor, Chappell Roan, Fuera, Ella More, Chagall, and most recently PEPTALK. As an international contributor, MIriam consistently broadens our view and uncovers new voices for us. Even more importantly, she is shining the spotlight on gender inclusivity and other forms of diversity that we are very grateful for. It has been a privilege to share our platform with her.Miriam is joined in conversation for this episode by Swedish alt-pop artist Lucky Lo. This bit about the artist, quoted from her bio, gives a glimpse of what to expect in their talk: “Lucky Lo unites people through her music by shedding light on the dark side of existence and turning trauma into triumph.” As a mission statement, it's pretty strong.Enjoy MIriam Boulos's conversation with Lucky Lo.(all musical excerpts heard in the interview are taken from Lucky Lo's album The Big Feel) -- Dig DeeperVisit and learn more about Lucky Lo at luckylo.netLIsten to Lucky Lo's latest album, The Big Feel, released by TAMBOURHINOCEROS, on Bandcamp or your favorite steaming platformFollow Lucky Lo on Instagram, Facebook, TikTok, and YouTubeFollow MIriam Boulos on Instagram-- • Did you enjoy this episode? Please share it with a friend! You can also rate Spotlight On ⭐️⭐️⭐️⭐️⭐️ and leave a review on Apple Podcasts. • Subscribe! Be the first to check out each new episode of Spotlight On in your podcast app of choice. • Looking for more? Visit spotlightonpodcast.com for bonus content, web-only interviews + features, and the Spotlight On email newsletter. You can also follow us on Instagram, Facebook, and Mastodon. Hosted on Acast. See acast.com/privacy for more information.

Edición Limitada - 1 de Abril del 2024. Selección, producción, realización y conducción: Francisco J. Brenes. Presentando música de Anything Box, Bat For Lashes, Damien Jurado & Richard Swift, Starsailor, Elbow, Marc Almond, Dreamwave, Becca Mancari, Modest Mouse, A Certain Ratio, The Cure, ACTORS, The Danse Society, The KVB, Pearl Jam, METZ, Moby, Kriss & OSCCR, Blossoms, Anna Prior, Orchestral Manoeuvers In The Dark, Teleskop, Hooverphonic, GusGus, Jlin & Björk, Einstürzende Neubautend, Read Risks, Ultra Sunn, Cold Cave y Spire Circle.

In the captivating Episode #167 of The XS Noize Podcast, host Mark Millar meets James Walsh from Starsailor to discuss their new album, Where The Wild Things Grow. Starsailor returns with Where The Wild Things Grow, their first album in six years, produced by Rick McNamara and set for release on 22nd March 2024. Formed in and around Wigan at the start of the millennium and featuring James Walsh (guitar, vocals), James Stelfox (bass), Barry Westhead (keyboards) and Ben Byrne (drums), Starsailor have released five albums to date, including Love Is Here in 2001, Silence Is Easy in 2003, On The Outside in 2005, All The Plans in 2009 and All This Life in 2017. A greatest hits compilation entitled Good Souls: The Greatest Hits surfaced in 2015, featuring all ten of their UK Top Forty singles to date, including their biggest hit, "Silence Is Easy", which reached No.9 in 2003. In this interview, James Walsh provides deep insights into the creation of Where The Wild Things Grow, delving into the intricate process of songwriting. Additionally, we take a nostalgic journey through the band's back catalogue of albums, exploring James's highlights and discovering his all-time favourite Starsailor songs. Previous XS Noize Podcast guests have been Crowded House, Cast, Kula Shaker, Shed Seven, Future Islands, Peter Frampton, John Lydon, Nick Heyward, Steven Wilson, Matt Goss, Billy Nomates, Tom Meighan, Toyah Wilcox, Midge Ure, Travis, New Order, The Killers, Tito Jackson, Simple Minds, Divine Comedy, Shaun Ryder, Gary Numan, Sleaford Mods, The Brand New Heavies. Listen via YouTube | Apple Podcasts | Spotify | Stitcher | RSS – Find The XS Noize Music Podcast's complete archive of episodes here.

Mit etwas Delay ausgeliefert..dafür aber nen tolles Stück "Musikgeschichte", wie ich finde..:) Incl. Djuma Soundsystem, Karat, Mylo, Mish Mash, Scissor Sisters, Goldfrapp, John Dahlbäck, Feist, Sneaky Soundsystem, Lars Sommerfeld, LXR, Meteor Seven, Mike, Dark Love, Primal Scream, Starsailor, Coldplay & Synthax

.

We talk about a very polite Starsailor concert and try to make some decisions about the music we're going to have at our festival. We also try and establish our favourite live songs.

Welcome to the Stupid Hearts Club! The Club for everyone with a Stupid Heart-------------------Enjoy this free snippet of Nico's new Patreon exclusive podcast, The Busking Chronicles, which he recorded with James Walsh of Starsailor fame. I have made a really cool episode of The Busking Chronicles here for you guys. James and I met when we both played a fancy pants Soho clubs acoustic night after the last winter lockdown, with James headlining and blowing everyone away with his voice, while I held his beer and then caught Covid. It was a cool night though and we stayed in touch.I was hoping recently that he would be up for doing the Busky Chrons when he actually messaged me saying we should get together and chat and try and think of a project, which we did. Over a slightly wrongly administered lunch order in Londons 'Troubador' club, which is full of Bob Dylan vibes and stories from when he played there many times.This chat took place in a pals house in West London and features me marvelling at some of the shoulders James has rubbed with (?), his positive attitude to the selfie and sound advice on how to deal with knob'eads. The one thing we will never run out of.-------------------If you like what I do and you want to support me financially, as well as get access to some cool extras, please take a look at my Patreon! And if you can't, or indeed just don't want to, then I'm still super happy you're here (but I will now ignore you if I see you in the street)And if you want to hear more from me I'm always putting things up on my Instagram, come and say hello-------------------Editing by Oliver ConnollyProduction support from Drew ToynbeeCopyright 2024 Nico Tatarowicz

We're back with another dose of Nintendo news, game impressions and discussion! Join us as we discuss: Credits: Panelists: Hylke – @Gear12_Turbo Rosalie – @LilRecordGirl Edited by: Hylke Langhout Interludes: Craig Windle – @CraigedyCraig / Windmills at Dawn Music: Port Town (Day) – Eric W. Brown (Sea of Stars) Follow us: Gamepodular.com The post N-Focus #230 – Starsailor appeared first on GAMEPODULAR.

TSHA, ELLIE GOULDING & GREGORY PORTER – Somebody VEINTIUNO – Ya No Nos Hablamos VEINTIUNO – Mañana Lo Dejo WILD NOTHING - Dial Tone SHED SEVEN ft ROWETTA -In Ecstasy STARSAILOR – Poor Misguided Fool MAE MULLER - Written By A Woman AMATRIA con BOYE - La Tierra Del Lince PARCELS - Reflex (Live from Le Palace, Paris) TORRES - Collect NIRVANA - Pennyroyal Tea (Live In Los Angeles, Great Western Forum - December 30, 1993) NAT SIMONS & VEGA - Déjalo Ser LITTLE DRAGON, APRIL + VISTA – Slumber RÓISÍN MURPHY - The House MUJERES – Si Piensas En Mí AIKO EL GRUPO ft AXOLOTES MEXICANOS - Es La Forma Que Tienes De Ocultar Algo Que Hay En Tu Mente GRUFF RHYS - Celestial Candyfloss Escuchar audio

An American record producer and Grammy Award winning recording engineer, Doug has worked with some of the best Pop, Indie, and Rock musicians.  His roster includes the critically acclaimed Girls, and their offspring-solo artist Christopher Owens, Tokyo Police Club and French Kicks.  Recently, he has been in the studio with Aussie favorites Birds Of Tokyo, Roadkill Ghost Choir, Twin Peaks, Elle King, and LA's Dear Boy. Recording and mixing credits include Australia's The Vines, Paul Dempsey, Powder Finger, as well as American pop phenoms Katie Perry, Fallout Boy and Miley Cyrus. Other credits include Booker T Jones, Guided By Voices, The Whigs, The Pharcyde, Guru, Dr Dog, Company of Thieves, The Honorary Title, Islands, Liz Phair, Starsailor, Ezra Furman and the Harpoons, and the Stone Foxes. IN THIS EPISODE, YOU'LL LEARN ABOUT: Quitting audio college as a fast track to working in the audio industry How to rise up the ranks in a studio Working for Jack Joseph Puig The simple trick for getting things to sound good How to analyze reference tracks Getting mixes to translate Why your monitors aren't your problem NS10s: why they're the worst Preserving the sound of a client's rough mixes Getting bug, wide guitars His simple approach to micing guitar amps A trick for getting wider drum room sounds Working with Tokyo Police Club Using Transient Designers on room mics Committing to sounds on the way in The importance of automation to make mixes sound exciting Notable gear mentioned in this episode: Shure SM57: https://sweetwater.sjv.io/vN2JYO To learn more about Doug Boehm, visit: https://www.dougboehmmusic.com/ For tips on how to improve your mixes, visit https://masteryourmix.com/ Looking for 1-on-1 feedback and training to help you create pro-quality mixes? Check out my new coaching program Amplitude and apply to join: https://masteryourmix.com/amplitude/ Download your FREE copy of the Ultimate Mixing Blueprint: https://masteryourmix.com/blueprint/ Get your copy of the #1 Amazon bestselling book, The Mixing Mindset – The Step-By-Step Formula For Creating Professional Rock Mixes From Your Home Studio: https://masteryourmix.com/mixingmindsetbook/ Join the FREE MasterYourMix Facebook community: https://links.masteryourmix.com/community To make sure that you don't miss an episode, make sure to subscribe to the podcast on iTunes or on Android. Have your questions answered on the show. Send them to questions@masteryourmix.com Thanks for listening! Please leave a rating and review on iTunes!

Starsailor - Four To The Floor (Thin White Duke Remix) Afternoon In The Park - I Wonder Coldplay - A Sky Full Of Stars James Blunt - Beside You Portugal The Man - Live In The Moment The Rapture - How deep Is Your Love (A-trak Remix) Pink - Trustfall Fatboy Slim - Praise You (Purple Disco Machine Remix) The Weeknd - Take My Breath Gregory Porter - Liquid Spirit (Claptone Remix) Muse - Supermassive Black Hole Bess - Million Stars Jamiroquai - Little L Twenty One Pilots - Level Of Concern Asteen - Get Wild Daft Punk - Around The World

On this day 20 years ago, President Bush said that he had seen "no evidence" that Saddam Hussein was involved in the September 11 terrorist attacksWhile The White House has never formally charged that Mr. Hussein was part of the Sept. 11 plot, President Bush had wondered immediately after the attack whether Saddam Hussein's regime might have had a hand in it.  We discuss that and the testimony from National Coordinator for Security, Infrastructure Protection and Counter-Terrorism, Richard A Clarke, who claimed the government had failed the American people. IN other news Hurricane Isabel made landfall in the USA this week 20n years ago, which was a welcome distraction for the president amidst all the political turmoil. It forced evacuations right across the east coast of the USA, shut down major infrastructure and did billions of dollars worth of damage.Thank goodness for sport hey? In the NFL Jamal Lewis set the single-game rushing record of 295 yards in the Blatimore Ravens 33-13 victory over the Cleveland Browns. In music Pharrell's 'Frontin'' debuts on the bilboard charts, we've got new albums from David Bowie, Starsailor, DMX and The Darkness give us Permission to Land. Also Billy Corgan announces that Zwan have broken up and diverts his attention to poetry and wrestling. At the box office we've got Robert Rodriguez' 'Once Upon a Time in Mexico. In TV Sharon Osbourne gets a talk show and Australia's Hi-5 celebrates their 200th episode thanks to a bunch of dads who couldn't keep their eyes off the telly.  Bennifer, Jennifer Lopez and Ben Affleck are forced to delay/call off their wedding this time 20n years ago because they were getting too much attention. We also say a sad goodbye to a legend as Slim Dusty passes away on the 19th of September 2003. Hang with us on socials to chat more noughties nostalgia - Facebook (@tminus20) or Instagram (tminus20podcast). You can also contact us there if you want to be a part of the show.

We continue our interview with Rob's A&R man, Chris Briggs, who's worked continuously with Robbie from the very start of his solo career. In this episode, Chris discusses Robbie's career from 1998 to the current day. We cover the Swing albums, hear all about the fallout from the Escapology era, what happened when Robbie started writing Rudebox with Jerry Meehan before Intensive Care was even completed, the background to Reality Killed The Video Star and why XXV came about. Plus, we learn the hilarious story about the night Robbie first met Tim & Flynn which led to Take The Crown!Chris offers his thoughts on why Robbie's career has had such longevity and what it is that makes him so successful. Chris has also worked with a plethora of other artists including ABC, Blondie, Def Leppard, Dire Straits, Big Country, Olly Murs, Laura Marling, Starsailor and Geri Halliwell. He won A&R of the year at the Music Producers Guilds Awards in 2016.======If there is an advert in this episode details will appear below:======**About Robbie Williams Rewind**Join husband and wife Matt and Lucy, as they rewind through legendary pop star Robbie Williams' solo career. Each episode, they have a guest fan to help us relive Robbie's incredible music and tours.Visit: robbiewilliamsrewind.com to discover more episodes, track listings & photos!Follow: @rewindrobbie on Instagram, Facebook, YouTube, Twitter & TikTok.

Today's extra special guest has worked with Robbie longer than anyone else in his solo career. Chris Briggs has been Robbie's A&R man since 1996, soon after he left Take That. Chris has been by Rob's side even longer than his management. Chris shares never heard before stories about the launch of Rob's solo career: how he came to work with Guy Chambers and the rest of his band, what happened when he went to Miami to work with Desmond Child, how Life Thru A Lens was recorded, and what many record company execs really thought of Robbie ‘pre-Angels'. We also hear which songwriter Rob failed to click with prior to Guy. Chris explains what A&R actually involves, and how he ended up in that role. Chris has also worked with a plethora of other artists including ABC, Blondie, Def Leppard, Dire Straits, Big Country, Olly Murs, Laura Marling, Starsailor and Geri Halliwell. He won A&R of the year at the Music Producers Guilds Awards in 2016.You'll be able to hear part two of this interview in our next episode.======If there is an advert in this episode details will appear below:======**About Robbie Williams Rewind**Join husband and wife Matt and Lucy, as they rewind through legendary pop star Robbie Williams' solo career. Each episode, they have a guest fan to help us relive Robbie's incredible music and tours.Visit: robbiewilliamsrewind.com to discover more episodes, track listings & photos!Follow: @rewindrobbie on Instagram, Facebook, YouTube, Twitter & TikTok.

Kimberose - Back On My Feet Duffy - Mercy The Dandy Warhols - Bohemian Like You Linkin Park - Faint The Snuts - The Rodeo Caesars - Jerk It Out Starsailor - Four To The Floor Noel Gallagher's High Flying Birds - Black Star Calvin Harris Feat. Justin Timberlake & Pharrell Williams & Halsey - Stay With Me (KenWork Remix) Gayle - Abcdefu Indochine - Station 13 Coldplay - Paradise OneRepublic - I Ain't Worried Gorillaz - Feel Good Inc U2 - Vertigo

This week we're discussing every album by Tim Buckley. Known by many for his incredible vocal abilities, as well as being the father of Jeff Buckley, Tim had an extremely diverse and experimental career. While he started out as traditional 60s folk rock, he also ventured into crazy town with albums like Starsailor, before his notorious “Sex Funk” era in the 70s. Buckley overdosed on heroin at the age of 28, having only met his son once.Closing track: “Starsailor” from Starsailor (1970)Patreonhttps://www.patreon.com/everyalbumeverMerchhttps://pandermonkey.creator-spring.com/Mike's EP:Pander Monkey on Bandcamp, Spotify, Apple,Instagram:Mike @pandermonkeyAlex @everyalbumalexHistory Tom's stuff:New album on BandcampDebut album on Bandcamp, Spotify, AppleSubstackWebsiteMike's Picks:Goodbye and Hello (1967) — Best AlbumStarsailor (1970) — Personal FavoriteLook at the Fool (1974) — Worst Album, Least FavoriteAlex's Picks:Starsailor (1970) — Best AlbumLook at the Fool (1974) — Personal FavoriteSefronia (1973) — Worst Album, Least FavoriteAlbums we discussed this episode…Tim Buckley (1966)Goodbye and Hello (1967)Happy Sad (1969)Blue Afternoon (1969)Lorca (1970)Starsailor (1970)Greetings from LA (1972)Sefronia (1973)Look at the Fool (1974)

Episode 95 Early Intersections of Rock and Electronic Music   Playlist Frank Zappa, The Mothers of Invention, “The Return of the Son Of Monster Magnet (Unfinished Ballet In Two Tableaus)” from Freak Out! (1966 Verve). Bass, Guitarrón, Soprano Vocals, Roy Estrada; Drums, Jimmy Carl Black; Guitar, Vocals, Arranged By, Written-By, Leader, Musical Director, Frank Zappa; Lead Guitar, Rhythm Guitar, Elliot Ingber; Vocals, Harmonica, Tambourine, Finger Cymbals, Ray Collins. Having been gifted a copy of the Mother's album Freak Out! In 1966, it was apparently this song that stuck in Paul McCartney's mind, inspiring the “Carnival of Light” recording to follow. 12:15 The Beatles, “Carnival of Light” an unreleased track that was commissioned by the Million Volt Light and Sound Rave, an event held at the Roundhouse in London on January 28 and February 4, 1967. Recorded during a session for the song "Penny Lane" in January 1967. Working with the recording studio as a creative tool, this was a project brought to band by Paul McCartney who had been asked by the festival sponsors to create a tape to be featured at the event. It was reported later that McCartney explained the exercise to his bandmates by saying, "This is a bit indulgent, but would you mind giving me 10 minutes? I've been asked to do this thing. All I want you to do is just wander round all of the stuff and bang it, shout, play it." The result was this sound piece. The Beatles were already conditioned for turning out spectacular sound effects in the studio. This was before the Moog Synthesizer came to Abbey Road. Nonetheless, they had access to all manner of guitar effects, echo, reverb, a Mellotron, electronic piano, organ, Lesley speakers and other devices with which to improvise. 13:08 The Riders Of The Mark, “The Electronic Insides And Metal Complexion That Make Up Herr Doktor Krieg” from The Electronic Insides And Metal Complexion That Make Up Herr Doktor Krieg/Gotta Find Somebody (1967 20th Century Fox). I wish I knew more about this band, but I don't. They had this one single. It has sometimes been included on compilation of psychedelia. Rock music, tape reversal, tape echo, fuzz tones, guitars. 2:13 Pink Floyd, “Interstellar Overdrive” from The Piper At The Gates Of Dawn (1967 Columbia). UK release of the formidable Pink Floyd, then making an impact with their first LP. No synthesizers, but there were electronic rock instruments galore and some imaginative stereo imaging, a benefit of working with tape in those days. Bass Guitar, Vocals, Roger Waters; Lead Guitar, Vocals, Syd Barrett; Drums, Nicky Mason; Piano, Organ, Rick Wright. 9:40 Bernard Parmegiani, “Pop'eclectic (1968)” from JazzEx (1999 Plat Lunch). Composed, produced, edited by Bernard Parmegiani. Parmegiani was one of the lesser-known composers associated with the French musique concrete school, although he was no less prolific in many genres, including electronic music for commercials. He was adept at experimenting across genres, providing musique concrete vividness to works for jazz and rock music. I always find his work to be refreshing and uncluttered by musical cliches. 11:03 (Frank Zappa) The Mothers of Invention, “Are You Hung Up?” from We're Only In It For The Money (1968 Verve). Arranged By, Composed By, Conductor, Concept By Conceived, Directed By Executed, Producer, Frank Zappa; Bass, Vocals, Other Asthma, Roy Estrada; Drums, Trumpet, Vocals, Other Indian Of The Group, Jimmy Carl Black; Drums, Vocals, Other Yak & Black Lace Underwear, Billy Mundi; Guitar, Piano, Vocals, Edited By, Other Weirdness, Frank Zappa; Piano, Woodwind, Other Wholesome, Ian Underwood; Saxophone, Other Weirdness & Teen Appeal, Euclid James Motorhead Sherwood; Sounds Snorks, Dick Barber; Voice Creepy Whispering, Engineer, Gary Kellgren; Voice Telephone, Suzy Creamcheese; Woodwind, “Mumbled Weirdness,” Bunk Gardner. 1:30 Silver Apples, “Velvet Cave” from Silver Apples (1968 Kapp). Composed and Arranged by, Dan Taylor, Simeon; Percussion, Dan Taylor; The Simeon (oscillators, filters), Simeon; Vocals, Dan Taylor, Simeon. “INSTRUCTIONS: Play Twice Before Listening.” This two-man group used a genius combination of drums and oscillators, a match made in heaven. 3:27 (Frank Zappa) The Mothers of Invention, “Nasal Retentive Calliope Music” from We're Only In It For The Money (1968 Verve). Arranged By, Composed By, Conductor, Concept By Conceived, Directed By Executed, Producer, Frank Zappa; Bass, Vocals, Other Asthma, Roy Estrada; Drums, Trumpet, Vocals, Other Indian Of The Group, Jimmy Carl Black; Drums, Vocals, Other Yak & Black Lace Underwear, Billy Mundi; Guitar, Piano, Vocals, Edited By, Other Weirdness, Frank Zappa; Piano, Woodwind, Other Wholesome, Ian Underwood; Saxophone, Other Weirdness & Teen Appeal, Euclid James Motorhead Sherwood; Sounds Snorks, Dick Barber; Voice Creepy Whispering, Engineer, Gary Kellgren; Voice Telephone, Suzy Creamcheese; Woodwind, “Mumbled Weirdness,” Bunk Gardner. 2:03 The United States of America, “The American Metaphysical Circus” from The United States of America (1968 Columbia). While the entire psychedelic scene in America was adding tape manipulation, fuzz tones, and echo to their recordings, The United States of America brought a blend of rock musicianship and serious tape collage work to the fore. The tape effects in their music were not the usual brief hooks or the sake of novelty, but fully composed blocks of electronic and found sounds integrated in the core of their tunes. Electric Bass, Rand Forbes; Keyboards, Electronics, Organ, Piano, Arranged, Electric Harpsichord, Calliope, Joseph Byrd; Lead Vocals, Dorothy Moskowitz; Organ, Piano, Calliope, Ed Bogas; Percussion, Drums Electric Drums, Craig Woodson; Producer, David Rubinson; Violin Electric Violin, Ring Modulator, Gordon Marron. 5:07 The United States of America, “Hard Coming Love” from The United States of America (1968 Columbia). Electric Bass, Rand Forbes; Keyboards, Electronics, Organ, Piano, Arranged, Electric Harpsichord, Calliope, Joseph Byrd; Lead Vocals, Dorothy Moskowitz; Organ, Piano, Calliope, Ed Bogas; Percussion, Drums Electric Drums, Craig Woodson; Producer, David Rubinson; Violin Electric Violin, Ring Modulator, Gordon Marron. No synthesizers as such, but Tom Oberheim built ring modulators and other devices for them. 4:48 Bernard Parmegiani, “Du Pop À L'âne (1969)” from JazzEx (1999 Plat Lunch). Composed, produced, edited by Bernard Parmegiani. Of special interest on this track is a sampled chunk of a song by the Doors that appears about 6 minutes in, altered and accompanied by editing and effects. This use of sampling speaks to the liberties that musique concrete musicians were taking with found materials. 10:14 Pierre Henry & Michel Colombier, “Prologue,” “Psyché Rock,” “Jéricho Jerk,” and “Teen Tonic” from Mass For Today / The Green Queen (1969 Limelight). Compilation of earlier works first released in 1967. These four works were part of “Mass for Today,” an electronic rock ballet.” This is a decent collection, with selections from other Henry musique concrete works. The electronic sounds and tape effects seem somewhat heavy-handed now, but at that time, this was what one could do without a synthesizer. Henry was already a maestro of musique concrete by that time so it's especially interesting to see what sounds he added without seeming trite or cliched. Réalisation Sonore, Pierre Henry; Written by, Michel Colombier, Pierre Henry. 9:54 Spooky Tooth and Pierre Henry, “Have Mercy” from Ceremony: An Electronic Mass (1969 Island). Bass Guitar, Andy Leigh; Composed by Gary Wright, Pierre Henry; Drums, Mike Kellie; Electronics, Realisation Sonore, Pierre Henry; Lead Guitar, Luther Grosvenor; Lead Vocals, Mike Harrison; Lead Vocals, Keyboards, Gary Wright. 8:10 The Free Pop Electronic Concept, “Pish! Pshaw!” from A New Exciting Experience (1969 Palette). From Brussels. Bass, James; Composed By, Recorded by Arsène Souffriau; Drums, Stu Martin; Electric Guitar, Jess; Organ, Scott Bradford; Percussion, Tumba, Vinagre. 4:47 The Free Pop Electronic Concept, “Cosmos Rhythms” from A New Exciting Experience (1969 Palette). From Brussels. Bass, James; Composed By, Recorded by Arsène Souffriau; Drums, Stu Martin; Electric Guitar, Jess; Organ, Scott Bradford; Percussion, Tumba, Vinagre. 3:01 Tommy James and the Shondells, “Cellophane Symphony” from Cellophane Symphony (1969 Roulette). This title track was a rare instrumental from this group normally associated with rock vocal hits. This is the only track in this podcast featuring the Moog Modular Synthesizer. There were certainly other examples of the Moog since it was first used in 1967, but I wanted to choose an example of how the synthesizer could be used by a rock band, rather than a pop artist such as Jean Jacques Perrey or Mort Garson. This is a terrific example that I would bet many of my listeners have never heard before. Tommy James, lead vocals, guitars, keyboards; Eddie Gray, lead guitar, backing vocals; Ronnie Rosman – keyboards, backing vocals; Mike Vale, bass guitar, backing vocals; Pete Lucia, drums, percussion, backing vocals. 9:37 West Coast Pop Art Experimental Band, “As Kind as Summer” from Vol. 3 - A Child's Guide To Good & Evil (1968 Reprise). American psychedelic rock band, formed in Los Angeles in 1965, broke up in 1969. Three teens (brothers Dan and Shaun Harris and their friend Michael Lloyd) teamed up with 30-year old Bob Markley, who got them a record deal with Reprise. Each of their albums was most bizarre, combining hummable pop tunes and spacey production. I included this particular track because it starkly demonstrates the use of tape loops and sound reversal. 1:10 Toshi Ichiyanagi, The Flowers, "Electric Chant” and “The Flowers (内田裕也とザ・フラワーズ)” from Opera "From The Works Of Tadanori Yokoo (1969 The End Record). Composed by Toshi Ichiyanagi and performed by the Japanese rock group The Flowers: Bass, Takeshi Hashimoto; Drums, Joji Wada; Guitar, Vocals, Remi Aso; Percussion, Backing Vocals, Yuya Uchida; Steel Guitar, Katsuhiko Kobayashi; Vocals, Hiroshi Chiba, Kento Nakamura. I'm including two pieces from this opera from 1969. The first, “Electric Chant” is electronic and includes tape collage while the second, “The Flowers” was performed by the Japanese pop rock band The Flowers and is loaded with distortion, echo, feedback, and reverberation, transforming the simple rock format into a discourse in electronic sound. 5:17 & 7:18 Tim Buckley, “Starsailor” from Starsailor (1970 Bizarre). Engineer, Stan Agol; Vocals, Producer, Written by, Tim Buckley. According to Larry Beckett, Buckley's chief lyricist and collaborator, who was there when they recorded this track, Buckley had a basic lyric track to which he recorded 18 additional vocals tracks on top of it. “He didn't write it out as a classical musician does, but it was thoroughly composed.” From the standpoint of rock music, this was more akin to composing with tone clusters than chord progressions. 4:34 Opening background music: Luc Ferrari, “Dialogue Ordinaire Avec La Machine (1984)” from Dialogue Ordinaire Avec La Machine / Sexolidad (2019 Elica). Composed and performed by Luc Ferrari. Opening and closing sequences voiced by Anne Benkovitz. Additional opening, closing, and other incidental music by Thom Holmes. See my companion blog that I write for the Bob Moog Foundation. For additional notes, please see my blog, Noise and Notations.

James Walsh, frontman of Starsailor, has a new solo record out. It's called Coming Good, and it really is a lovely collection of songs. As the focal point of the aforementioned four-piece, James has sold over three million records. He's experienced life at every level of the music industry. Major labels and indies. Big budgets and none. He's received adoration and cutting critical distain. And, bizarrely, with Starsailor and the Warrington band's second album, Silence Is Easy, he was also the subject of Phil Spector's final production work before the Wall of Sound pioneer's conviction for murder in 2009. Heads up, the audio on this episode is a bit crummy. Not bonus episode crummy, but a bit stuttery in places. And yet I think good stuff follows regardless. We get into all of the aforementioned, and more, during the course of this episode.  Twitter - @jamesjammcmahon Substack - https://spoook.substack.com YouTube - www.youtube.com/channel/UC8Vf_1E1Sza2GUyFNn2zFMA Reddit - https://www.reddit.com/r/jamesmcmahonmusicpod/

Çok İyidir, Çok Severim'in sekizinci bölümünde Caner Eler ve Onur Erdem; White Lotus'u tavsiye ederken, Nikola Mirotic'e karşı Socrates NBA fantezi liginde geçilen iltiması konuşuyor ve şeflerin yarıştığı Düdüklü Tencere'yi ve benzeri yarışma programlarını masaya yatırıyor. İkili; Giuseppe Tomasi di Lampedusa'nın Leopar'ının hem matbuğ hem de Luchino Visconti'nin filmleştirdiği halini överken, favori kedigillerini tartışıyor ve Brad Pitt'in Bullet Train'inden hareketle içinde tren geçen yapımlara duyulan ilgilerini paylaşıp aksiyon filmlerine kolay erişimin sırlarını veriyor. Ayrıca Mor ve Ötesi'nin Süreyya Operası'ndaki Tamiri Mümkün galası ve filmin konu aldığı efsanevi konserin detayları, Robbie Williams, Starsailor, Temples, Blonde Redhead, Suede ve çok daha fazlası bölümde sizlerle.

In this episode, I try to share how I fell in love with Joseph Haydn. It's a shout out to my former theory teachers!  I'm preparing two of his symphonies (38 and 101) for a concert with the Münchener Kammerorchester, and studying and rehearsing these works is so exciting and refreshing. Why does Haydn inspire me so much? And how can we keep discovering his music over and over again?  Here are links to the full recordings of the fragments I used:    Starsailor, Four on the floor  https://www.youtube.com/watch?v=k98fnaHGjwU   String Quartet no 57, Dudok Quartet  https://www.youtube.com/watch?v=9umdVIyx13w   Symphony no 103, Sigiswald Kuyken & La Petite Bande  https://www.youtube.com/watch?v=EWexiBzbqTw&t=3   Symphony no 101, Frans Brüggen, Orchestra of the 18th Century  https://www.youtube.com/watch?v=W9Qtu15FLTM&t=2s          

On this episode I'm delighted to be joined by James Walsh.  James talks about the recent 20 year anniversary tour of their debut album Love is Here, his formative years, song writing process and forthcoming new material. I really enjoyed talking with with james who was very generous with his time. Keep up to date with Starsailor and James's solo news here. starsailorband.co.uk jameswalshofficial As always, thank you so much for your support! If you would like to contribute financially to help keep things ticking along, here's a link where you can buy me a virtual coffee!  Buy me a coffee And you can follow me on the socials: Twitter Instagram Facebook

This week we're joined by old friend Nathan Corder to discuss Tim Buckley's 'Starsailor' and Scott Walker's 'Scott 3,' two albums on the cutting edge. We also settle the debate once and for all on what all movie directors aspire to accomplish and also talk about other stuff. Be sure to check out Nathan's band TONED at https://toned.bandcamp.com/Ending track is "New Regimes" off of their upcoming self-titled album, out on May 6th! follow us on Twitter! @NFTalkingPod

In this episode we welcome the excellent Devon Powers — beamed in from Philadelphia — and ask her to talk about The Village Voice, Red Hot Chili Peppers, the White Stripes… and music journalism since the turn of the century. Devon begins by talking about the music she loved when growing up in her native Michigan — and her first awareness of "rock critics". We hear about her move to New York City in 1999, her early pieces for the PopMatters site, and the Anglophilia that led to umpteen pieces about the likes of Clinic, Starsailor, Badly Drawn Boy and, yes, even Ocean Colour Scene. Citing a great 2003 piece she wrote about Red Hot Chili Peppers, who released a new album the week of this recording, we ask Devon what those punk-funk Californicators meant to her in the '90s and noughties. After a brief discussion of Devon's 2004 thinkpiece 'Is Music Journalism Dead?', we turn our attention to Writing the Record: The Village Voice and the Birth of Rock Criticism, the 2013 book which came out of her doctoral dissertation at NYU. She talks about the vital New York weekly paper, and the "rock critics" who were such a key part of its arts coverage — particularly Richard Goldstein, several of whose '60s Voice pieces we have on RBP. We then pay tribute to another Voice contributor, John Swenson, lost to us a few days before this recording, as well as to Foo Fighter Taylor Hawkins and Mighty Diamonds frontman "Tabby" Shaw. Two clips from Ira Robbins' 2001 audio interview with the White Stripes prompt a general chinwag about Jack, Meg, blues etc., after which Mark zips through the most notable of the interviews & reviews he's just added to the RBP library, including pieces about the Kingston Trio, Paul Revere & the Raiders, Canned Heat and Teddy Pendergrass. Barney then rounds things off by flagging up pieces on Marc Bolan, the Prodigy, Tony Hatch, Jack Good and the Descendents. Many thanks to special guest Devon Powers; visit her website at devonpowers.com and find Writing the Record in all good bookshops. The Rock's Backpages podcast is proud to be part of the Pantheon podcast network. Pieces discussed: The Village Voice and the Birth of Rock Criticism, PJ Harvey, Is Music Journalism Dead?, Red Hot Chili Peppers audio, Blood Sugar Sex Magik, Rick Rubin, The White Stripes audio, Taylor Hawkins audio, Foo Fighters, Crawdaddy, The Mighty Diamonds, Alexis Korner, Paul Revere, Disco, Teddy Pendergrass, Little Richard, Steve Paul, Canned Heat, Curtis Mayfield, Oasis, Marc Bolan audio, The Prodigy, Tony Hatch, Jack Good and the Descendents. Learn more about your ad choices. Visit megaphone.fm/adchoices

In this episode we welcome the excellent Devon Powers — beamed in from Philadelphia — and ask her to talk about The Village Voice, Red Hot Chili Peppers, the White Stripes… and music journalism since the turn of the century.Devon begins by talking about the music she loved when growing up in her native Michigan — and her first awareness of "rock critics". We hear about her move to New York City in 1999, her early pieces for the PopMatters site, and the Anglophilia that led to umpteen pieces about the likes of Clinic, Starsailor, Badly Drawn Boy and, yes, even Ocean Colour Scene. Citing a great 2003 piece she wrote about Red Hot Chili Peppers, who released a new album the week of this recording, we ask Devon what those punk-funk Californicators meant to her in the '90s and noughties.After a brief discussion of Devon's 2004 thinkpiece 'Is Music Journalism Dead?', we turn our attention to Writing the Record: The Village Voice and the Birth of Rock Criticism, the 2013 book which came out of her doctoral dissertation at NYU. She talks about the vital New York weekly paper, and the "rock critics" who were such a key part of its arts coverage — particularly Richard Goldstein, several of whose '60s Voice pieces we have on RBP. We then pay tribute to another Voice contributor, John Swenson, lost to us a few days before this recording, as well as to Foo Fighter Taylor Hawkins and Mighty Diamonds frontman "Tabby" Shaw.Two clips from Ira Robbins' 2001 audio interview with the White Stripes prompt a general chinwag about Jack, Meg, blues etc., after which Mark zips through the most notable of the interviews & reviews he's just added to the RBP library, including pieces about the Kingston Trio, Paul Revere & the Raiders, Canned Heat and Teddy Pendergrass. Barney then rounds things off by flagging up pieces on Marc Bolan, the Prodigy, Tony Hatch, Jack Good and the Descendents.Many thanks to special guest Devon Powers; visit her website at devonpowers.com and find Writing the Record in all good bookshops.The Rock's Backpages podcast is proud to be part of the Pantheon podcast network.Pieces discussed: The Village Voice and the Birth of Rock Criticism, PJ Harvey, Is Music Journalism Dead?, Red Hot Chili Peppers audio, Blood Sugar Sex Magik, Rick Rubin, The White Stripes audio, Taylor Hawkins audio, Foo Fighters, Crawdaddy, The Mighty Diamonds, Alexis Korner, Paul Revere, Disco, Teddy Pendergrass, Little Richard, Steve Paul, Canned Heat, Curtis Mayfield, Oasis, Marc Bolan audio, The Prodigy, Tony Hatch, Jack Good and the Descendents.

In this episode we welcome the excellent Devon Powers — beamed in from Philadelphia — and ask her to talk about The Village Voice, Red Hot Chili Peppers, the White Stripes… and music journalism since the turn of the century. Devon begins by talking about the music she loved when growing up in her native Michigan — and her first awareness of "rock critics". We hear about her move to New York City in 1999, her early pieces for the PopMatters site, and the Anglophilia that led to umpteen pieces about the likes of Clinic, Starsailor, Badly Drawn Boy and, yes, even Ocean Colour Scene. Citing a great 2003 piece she wrote about Red Hot Chili Peppers, who released a new album the week of this recording, we ask Devon what those punk-funk Californicators meant to her in the '90s and noughties. After a brief discussion of Devon's 2004 thinkpiece 'Is Music Journalism Dead?', we turn our attention to Writing the Record: The Village Voice and the Birth of Rock Criticism, the 2013 book which came out of her doctoral dissertation at NYU. She talks about the vital New York weekly paper, and the "rock critics" who were such a key part of its arts coverage — particularly Richard Goldstein, several of whose '60s Voice pieces we have on RBP. We then pay tribute to another Voice contributor, John Swenson, lost to us a few days before this recording, as well as to Foo Fighter Taylor Hawkins and Mighty Diamonds frontman "Tabby" Shaw. Two clips from Ira Robbins' 2001 audio interview with the White Stripes prompt a general chinwag about Jack, Meg, blues etc., after which Mark zips through the most notable of the interviews & reviews he's just added to the RBP library, including pieces about the Kingston Trio, Paul Revere & the Raiders, Canned Heat and Teddy Pendergrass. Barney then rounds things off by flagging up pieces on Marc Bolan, the Prodigy, Tony Hatch, Jack Good and the Descendents. Many thanks to special guest Devon Powers; visit her website at devonpowers.com and find Writing the Record in all good bookshops. The Rock's Backpages podcast is proud to be part of the Pantheon podcast network. Pieces discussed: The Village Voice and the Birth of Rock Criticism, PJ Harvey, Is Music Journalism Dead?, Red Hot Chili Peppers audio, Blood Sugar Sex Magik, Rick Rubin, The White Stripes audio, Taylor Hawkins audio, Foo Fighters, Crawdaddy, The Mighty Diamonds, Alexis Korner, Paul Revere, Disco, Teddy Pendergrass, Little Richard, Steve Paul, Canned Heat, Curtis Mayfield, Oasis, Marc Bolan audio, The Prodigy, Tony Hatch, Jack Good and the Descendents.

In this episode we welcome the excellent Devon Powers — beamed in from Philadelphia — and ask her to talk about The Village Voice, Red Hot Chili Peppers, the White Stripes… and music journalism since the turn of the century.Devon begins by talking about the music she loved when growing up in her native Michigan — and her first awareness of "rock critics". We hear about her move to New York City in 1999, her early pieces for the PopMatters site, and the Anglophilia that led to umpteen pieces about the likes of Clinic, Starsailor, Badly Drawn Boy and, yes, even Ocean Colour Scene. Citing a great 2003 piece she wrote about Red Hot Chili Peppers, who released a new album the week of this recording, we ask Devon what those punk-funk Californicators meant to her in the '90s and noughties.After a brief discussion of Devon's 2004 thinkpiece 'Is Music Journalism Dead?', we turn our attention to Writing the Record: The Village Voice and the Birth of Rock Criticism, the 2013 book which came out of her doctoral dissertation at NYU. She talks about the vital New York weekly paper, and the "rock critics" who were such a key part of its arts coverage — particularly Richard Goldstein, several of whose '60s Voice pieces we have on RBP. We then pay tribute to another Voice contributor, John Swenson, lost to us a few days before this recording, as well as to Foo Fighter Taylor Hawkins and Mighty Diamonds frontman "Tabby" Shaw.Two clips from Ira Robbins' 2001 audio interview with the White Stripes prompt a general chinwag about Jack, Meg, blues etc., after which Mark zips through the most notable of the interviews & reviews he's just added to the RBP library, including pieces about the Kingston Trio, Paul Revere & the Raiders, Canned Heat and Teddy Pendergrass. Barney then rounds things off by flagging up pieces on Marc Bolan, the Prodigy, Tony Hatch, Jack Good and the Descendents.Many thanks to special guest Devon Powers; visit her website at devonpowers.com and find Writing the Record in all good bookshops.The Rock's Backpages podcast is proud to be part of the Pantheon podcast network.Pieces discussed: The Village Voice and the Birth of Rock Criticism, PJ Harvey, Is Music Journalism Dead?, Red Hot Chili Peppers audio, Blood Sugar Sex Magik, Rick Rubin, The White Stripes audio, Taylor Hawkins audio, Foo Fighters, Crawdaddy, The Mighty Diamonds, Alexis Korner, Paul Revere, Disco, Teddy Pendergrass, Little Richard, Steve Paul, Canned Heat, Curtis Mayfield, Oasis, Marc Bolan audio, The Prodigy, Tony Hatch, Jack Good and the Descendents.

As Starsailor gear up to embark on a UK in support of the 20th anniversary of their debut Love Is Here, also lovingly reissued as a double album, singer James Walsh talks about the process behind writing and recording the album, how the band got their record deal, why Phil Spector was let go as producer on Silence Is Easy, cooking, fatherhood, hanging with Travis and Coldplay, and more. See acast.com/privacy for privacy and opt-out information.

Our series of bonus podcasts continues with James Walsh from Starsailor picking his favourite album of the 00s. James makes the case for Wilco's Yankee Hotel Foxtrot as his favourite of the 2000s. The band actually had to fight to get this released, with their record label refusing to put it out. That led to the band streaming it for free on their website before a different record company released it the following the year. And it was a good job they fought for it too, with the album critically acclaimed and going on to be a big seller! James explains what makes the album special. Remember you can catch our full chat with James about his band on our full-length Starsailor episode in our library. Starsailor or Wilco fan? Share your memories of the bands with us: Twitter: @TheBITBpod Instagram: @boysinthebandpod Facebook: The Boys In The Band Podcast Or drop us an Email - boysinthebandpod@gmail.com Written, presented and produced by Peter Smith and Richard Gallagher Pod thumbnail design by Daniel Curtin *Recorded on 18 November 2021*

This week on The Boys in the Band Podcast we're joined by James Walsh from Starsailor. It's 20 years since the band's huge debut album Love Is Here landed and with Starsailor about to head off on an anniversary tour it was the perfect time for James to reflect on how that LP was written, its reception... and the pain of missing out on No1 to Kylie Minogue! He also tells us how Four To The Floor from their second album became a remixed club hit in Europe, what it was like supporting The Rolling Stones, and working with Phil Spector. We also chart the band's journey from being labelled as 'The best new band in Britain' by NME through to their upcoming tour and James' prolific solo work.  Starsailor fan? Share your memories of the band with us: Twitter: @TheBITBpod Instagram: @boysinthebandpod Facebook: The Boys In The Band Podcast Or drop us an Email - boysinthebandpod@gmail.com Written, presented and produced by Peter Smith and Richard Gallagher Pod thumbnail design by Daniel Curtin *Recorded on 18 November 2021*

In episode #58 of The XS Noize Music Podcast, Mark Millar catches up with Starsailor frontman James Walsh to discuss the 20th-Anniversary of their debut album, Love Is Here, songwriting and the best way to make an Ulster Fry.  Initially released in 2001, Love Is Here saw the band establish themselves as a force to be reckoned with, reaching No 2 in the UK album chart and winning them a worldwide fanbase. The album featured five UK Top 40 singles (Fever, Good Souls, Alcoholic, Lullaby and Poor Misguided Fool), with Alcoholic hitting No 10 in the chart. The release features the original album with a bonus disc full of covers (songs by Bill Withers, Gram Parsons and Van Morrison); demos; session recordings; five brand-new, specially recorded 20th Anniversary Edition tracks; and newly written liner notes by the band.

Toti Soler. Liebeslied, 1972. The Pineapple Thief. Versions of the Truth, 2020. Starsailor. Love is Here, 2001. All Them Witches. Nothing as the Ideal, 2020. King Crimson. Live At Summit Studios Denver, March 12 1972.

Toti Soler. Liebeslied, 1972. The Pineapple Thief. Versions of the Truth, 2020. Starsailor. Love is Here, 2001. All Them Witches. Nothing as the Ideal, 2020. King Crimson. Live At Summit Studios Denver, March 12 1972.

Toti Soler. Liebeslied, 1972. The Pineapple Thief. Versions of the Truth, 2020. Starsailor. Love is Here, 2001. All Them Witches. Nothing as the Ideal, 2020. King Crimson. Live At Summit Studios Denver, March 12 1972.

Toti Soler. Liebeslied, 1972. The Pineapple Thief. Versions of the Truth, 2020. Starsailor. Love is Here, 2001. All Them Witches. Nothing as the Ideal, 2020. King Crimson. Live At Summit Studios Denver, March 12 1972.