Podcasts about Ocean Colour Scene

Hoy en La Gran Travesía viajamos hasta el año 1999, en esta segunda parte podréis escuchar a Buckcherry, Inger Lorre, Wilco, dEUS, Jamiroquai, Mark Lanegan, Primal Scream, Moby, Hellacopters, ...And You Will Know Us by the Trail of Dead, Ocean Colour Scene, Built to Spill... y muchos más. ▶️ Y ya sabéis, si os gusta el programa y os apetece, podéis apoyarnos y colaborar con nosotros por el simple precio de una cerveza al mes, desde el botón azul de iVoox, y así, además podéis acceder a todo el archivo histórico exclusivo. Muchas gracias también a todos los mecenas y patrocinadores por vuestro apoyo: Juan Antonio Méndez Benítez, Antonio Vicente Álvarez, Aida Borrallo, Eduardo Gutiérrez, Rafa Navarro, José Carlos Lozano, Ikatza, Cabe1961, Guillermo Esteban, Diego Román, Raquel, Sergio Rodríguez Rojas, Javier, Jose Antonio Moral, Juanito, Octavio Oliva, Andreea Deea, Igor Gómez Tomás, Matías Ruiz Molina, Eduardo Villaverde Vidal, Víctor Fernández Martínez, Rami, Leo Giménez, Alberto Velasco, Poncho C, Francisco Quintana, Con, Tete García, Marco Landeta Vacas, Oscar García Muñoz, Raquel Parrondo, Nacho, Alberto, Moy, Dani Pérez, Santi Oliva, Vicente DC, Leticia, Melomanic, Arturo Soriano, Gemma Codina, Raquel Jiménez, Pedro, SGD, Raul Andres, Tomás Pérez, Pablo Pineda, Quim Goday, Enfermerator, Joaquín, Horns Up, Victor Bravo, Fonune, Francisco González, Marcos Paris, Daniel A, Redneckman, Elliott SF, Sementalex, Miguel Angel Torres, Suibne, Noyatan, Iván Menéndez, Niksisley y a los mecenas anónimos.

The superb Jack Savoretti treats us to live music from his new album, We Will Always Be The Way We Were which is out now and a Britpop classic cover from Ocean Colour Scene.The hilarious Sindhu Vee has us chuckling along to news of her new tour, Swanky, which begins this September.Watch all episodes of TFI Unplugged on the Virgin Radio UK YouTube channel. Just search Virgin Radio UK on all of our socials. Hosted on Acast. See acast.com/privacy for more information.

En este episodio nos sumergimos de la mano de Israel Quesada en la historia de una de las bandas más auténticas del Britpop: Ocean Colour Scene. Aunque a menudo fueron etiquetados como los "hermanos pequeños" de Oasis, su camino al éxito fue una montaña rusa de resiliencia y talento puro. Puntos clave del episodio: El "Disco Maldito" y los inicios: Analizamos su primer LP de 1992, un álbum que llegó tarde a la escena de Manchester y fue sepultado por la irrupción del Grunge. Tras ser expulsados de su discográfica y quedar sin blanca, la banda estuvo a punto de desaparecer. Un gesto heróico: Descubrimos la increíble historia de Chris Craddock (padre del guitarrista Steve Craddock), quien hipotecó su propia casa para comprar la libertad contractual de la banda y permitirles empezar de cero. El Padrino y los aliados: La importancia vital de Paul Weller, quien no solo reclutó a miembros de la banda para su gira, sino que les proporcionó el productor y el empuje necesario para fichar por una nueva discográfica. Además, recordamos el apoyo incondicional de Noel Gallagher, quien los proclamó "la segunda mejor banda del mundo". La era dorada de los 90: Recordamos cómo se descubría música a través de programas míticos como Sputnik (TV3), donde se grababan conciertos en salas como Bikini (Barcelona). Moseley Shoals: El proceso de creación de un disco lleno de himnos y riffs inolvidables que nació de maquetas grabadas en un 16 pistas y que terminó conquistando las listas en 1996. Cultura del formato físico: Reflexionamos sobre la importancia de los singles y las caras B en los 90, una época donde comprar un CD era un ritual de estudio y repetición hasta desgastar el disco. + info - https://linktr.ee/b90podcast Espacio patrocinado por: Barullo -Unai Elordui - JulMorGon - David Salamanca Sanz - Jaime Marchica Band - Sr.Jota - Theinvisibleband - jorge - Llorx Miller - Yago Llopis - chalsontheroute - boldano - estebansantosjuanesbosch - Vicent Martin - Matias Ruiz Molina - Próxima Estación Okinawa - Rosa Rivas - Achtungivoox - jvcliment - Jaume Solivelles - Javier Alcalde - jmgomez - Ana Isabel Miguélez Domínguez - Iñigo Albizu - Rachael - Power42 - Naïa - Dani GO - Jaime Cruz Flórez - DOMINGO SANTABÁRBARA - faeminoandtired - Jose Manuel Valera - Ivan Castro - Javi Portas - Belén Vaca - Ana FM - tueresgeorge - Eduardo Mayordomo Muñoz - Barrax de Pump - pdr_rmn - fernando - QUIROGEA Integrative Osteopath - J. Gutiérrez - Gabriel Vicente - Carlos Conseglieri - Miguel - Isabel Luengo - Franc Puerto - screaming - HugoBR - angelmedano - Vicente DC - Alvaro Gomez Marin - Alvaro Perez - Sergio Serrano - Antuan Clamarán - Isranet - Paco Gandia - ok_pablopg - Crisele - Wasabi Segovia - Dani RM - Fernando Masero - María Garrido - RafaGP - Macu Chaleka - laura - davidgonsan - Juan Carlos Mazas - Bassman Mugre - SrLara - carmenlimbostar - Piri - Miguel Ángel Tinte - Jon Perez Nubla - Nuria Sonabé - Pere Pasqual - Juanmi - blinddogs - JM MORENTE - Alfonso Moya - Rubio Carbón - LaRubiaProducciones - cesmunsal - Marcos - jocio - Norberto Blanquer Solar - Tolo Sent - Carmen Ventura - Jordi y varias personas anónimas. ✌️

Over the last seven decades, some of rock 'n' roll's most celebrated figureheads have flirted with the imagery and theater of the Third Reich. From Keith Moon and Vivian Stanshall kitting themselves out in Nazi uniforms to Siouxsie Sioux and Sid Vicious brandishing swastikas in the pomp of punk, generations of performers have associated themselves in troubling ways with the aesthetics, mass hysteria, and even ideology of Nazism. Whether shock factor, stupidity, or crass attempts at subversion, rock 'n' roll has indulged these associations in a way not accepted in any other art form. But how accountable should fans, the media, and the music industry be for what has often seemed a sleazy fascination with the eroticized perversions of a fascist regime? In This Ain't Rock 'n' Roll: Pop Music, the Swastika, and the Third Reich (Akashic Books, 2026), award-winning music historian Daniel Rachel navigates these turbulent waters with extraordinary delicacy and care, asking us to look anew at the artists who have defined us, inspired us, and given us joy--and consider why so many have been drawn to the imagery of a movement responsible for some of the twentieth century's worst atrocities. Rachel asks essential questions of actions often overlooked or underplayed, while neither casting sweeping judgment nor offering easy answers. In doing so, he asks us to reassess the history of rock 'n' roll, and he sheds new light on the grim echoes of the Third Reich in popular culture and the legacy of twentieth (and twenty-first) century history as it defines us today and sheds new light on the grim echoes of the Third Reich in popular culture--and the legacy of twentieth (and twenty-first)-century history as it defines us today. Daniel Rachel is a former musician turned award-winning and best-selling author. His previous books include Too Much Too Young, the 2 Tone Records Story; Isle of Noises: Conversations with Great British Songwriters; and The Lost Album of the Beatles: What If the Beatles Hadn't Split Up? He has also written sleeve notes for many artists including the Kinks, Madness, Ocean Colour Scene, Ray Davies, and Bryan Ferry. He lives in London. Daniel Rachel's website and Instagram. Bradley Morgan is a media arts professional in Chicago and author of U2's The Joshua Tree: Planting Roots in Mythic America (Backbeat Books, 2021), Frank Zappa's America (LSU Press, 2025), and U2: Until the End of the World (Gemini Books, 2025). He manages partnerships on behalf of CHIRP Radio 107.1 FM and is the director of its music film festival. Bradley on Facebook and Bluesky. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture

Over the last seven decades, some of rock 'n' roll's most celebrated figureheads have flirted with the imagery and theater of the Third Reich. From Keith Moon and Vivian Stanshall kitting themselves out in Nazi uniforms to Siouxsie Sioux and Sid Vicious brandishing swastikas in the pomp of punk, generations of performers have associated themselves in troubling ways with the aesthetics, mass hysteria, and even ideology of Nazism. Whether shock factor, stupidity, or crass attempts at subversion, rock 'n' roll has indulged these associations in a way not accepted in any other art form. But how accountable should fans, the media, and the music industry be for what has often seemed a sleazy fascination with the eroticized perversions of a fascist regime? In This Ain't Rock 'n' Roll: Pop Music, the Swastika, and the Third Reich (Akashic Books, 2026), award-winning music historian Daniel Rachel navigates these turbulent waters with extraordinary delicacy and care, asking us to look anew at the artists who have defined us, inspired us, and given us joy--and consider why so many have been drawn to the imagery of a movement responsible for some of the twentieth century's worst atrocities. Rachel asks essential questions of actions often overlooked or underplayed, while neither casting sweeping judgment nor offering easy answers. In doing so, he asks us to reassess the history of rock 'n' roll, and he sheds new light on the grim echoes of the Third Reich in popular culture and the legacy of twentieth (and twenty-first) century history as it defines us today and sheds new light on the grim echoes of the Third Reich in popular culture--and the legacy of twentieth (and twenty-first)-century history as it defines us today. Daniel Rachel is a former musician turned award-winning and best-selling author. His previous books include Too Much Too Young, the 2 Tone Records Story; Isle of Noises: Conversations with Great British Songwriters; and The Lost Album of the Beatles: What If the Beatles Hadn't Split Up? He has also written sleeve notes for many artists including the Kinks, Madness, Ocean Colour Scene, Ray Davies, and Bryan Ferry. He lives in London. Daniel Rachel's website and Instagram. Bradley Morgan is a media arts professional in Chicago and author of U2's The Joshua Tree: Planting Roots in Mythic America (Backbeat Books, 2021), Frank Zappa's America (LSU Press, 2025), and U2: Until the End of the World (Gemini Books, 2025). He manages partnerships on behalf of CHIRP Radio 107.1 FM and is the director of its music film festival. Bradley on Facebook and Bluesky. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Over the last seven decades, some of rock 'n' roll's most celebrated figureheads have flirted with the imagery and theater of the Third Reich. From Keith Moon and Vivian Stanshall kitting themselves out in Nazi uniforms to Siouxsie Sioux and Sid Vicious brandishing swastikas in the pomp of punk, generations of performers have associated themselves in troubling ways with the aesthetics, mass hysteria, and even ideology of Nazism. Whether shock factor, stupidity, or crass attempts at subversion, rock 'n' roll has indulged these associations in a way not accepted in any other art form. But how accountable should fans, the media, and the music industry be for what has often seemed a sleazy fascination with the eroticized perversions of a fascist regime? In This Ain't Rock 'n' Roll: Pop Music, the Swastika, and the Third Reich (Akashic Books, 2026), award-winning music historian Daniel Rachel navigates these turbulent waters with extraordinary delicacy and care, asking us to look anew at the artists who have defined us, inspired us, and given us joy--and consider why so many have been drawn to the imagery of a movement responsible for some of the twentieth century's worst atrocities. Rachel asks essential questions of actions often overlooked or underplayed, while neither casting sweeping judgment nor offering easy answers. In doing so, he asks us to reassess the history of rock 'n' roll, and he sheds new light on the grim echoes of the Third Reich in popular culture and the legacy of twentieth (and twenty-first) century history as it defines us today and sheds new light on the grim echoes of the Third Reich in popular culture--and the legacy of twentieth (and twenty-first)-century history as it defines us today. Daniel Rachel is a former musician turned award-winning and best-selling author. His previous books include Too Much Too Young, the 2 Tone Records Story; Isle of Noises: Conversations with Great British Songwriters; and The Lost Album of the Beatles: What If the Beatles Hadn't Split Up? He has also written sleeve notes for many artists including the Kinks, Madness, Ocean Colour Scene, Ray Davies, and Bryan Ferry. He lives in London. Daniel Rachel's website and Instagram. Bradley Morgan is a media arts professional in Chicago and author of U2's The Joshua Tree: Planting Roots in Mythic America (Backbeat Books, 2021), Frank Zappa's America (LSU Press, 2025), and U2: Until the End of the World (Gemini Books, 2025). He manages partnerships on behalf of CHIRP Radio 107.1 FM and is the director of its music film festival. Bradley on Facebook and Bluesky. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history

Over the last seven decades, some of rock 'n' roll's most celebrated figureheads have flirted with the imagery and theater of the Third Reich. From Keith Moon and Vivian Stanshall kitting themselves out in Nazi uniforms to Siouxsie Sioux and Sid Vicious brandishing swastikas in the pomp of punk, generations of performers have associated themselves in troubling ways with the aesthetics, mass hysteria, and even ideology of Nazism. Whether shock factor, stupidity, or crass attempts at subversion, rock 'n' roll has indulged these associations in a way not accepted in any other art form. But how accountable should fans, the media, and the music industry be for what has often seemed a sleazy fascination with the eroticized perversions of a fascist regime? In This Ain't Rock 'n' Roll: Pop Music, the Swastika, and the Third Reich (Akashic Books, 2026), award-winning music historian Daniel Rachel navigates these turbulent waters with extraordinary delicacy and care, asking us to look anew at the artists who have defined us, inspired us, and given us joy--and consider why so many have been drawn to the imagery of a movement responsible for some of the twentieth century's worst atrocities. Rachel asks essential questions of actions often overlooked or underplayed, while neither casting sweeping judgment nor offering easy answers. In doing so, he asks us to reassess the history of rock 'n' roll, and he sheds new light on the grim echoes of the Third Reich in popular culture and the legacy of twentieth (and twenty-first) century history as it defines us today and sheds new light on the grim echoes of the Third Reich in popular culture--and the legacy of twentieth (and twenty-first)-century history as it defines us today. Daniel Rachel is a former musician turned award-winning and best-selling author. His previous books include Too Much Too Young, the 2 Tone Records Story; Isle of Noises: Conversations with Great British Songwriters; and The Lost Album of the Beatles: What If the Beatles Hadn't Split Up? He has also written sleeve notes for many artists including the Kinks, Madness, Ocean Colour Scene, Ray Davies, and Bryan Ferry. He lives in London. Daniel Rachel's website and Instagram. Bradley Morgan is a media arts professional in Chicago and author of U2's The Joshua Tree: Planting Roots in Mythic America (Backbeat Books, 2021), Frank Zappa's America (LSU Press, 2025), and U2: Until the End of the World (Gemini Books, 2025). He manages partnerships on behalf of CHIRP Radio 107.1 FM and is the director of its music film festival. Bradley on Facebook and Bluesky. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

Over the last seven decades, some of rock 'n' roll's most celebrated figureheads have flirted with the imagery and theater of the Third Reich. From Keith Moon and Vivian Stanshall kitting themselves out in Nazi uniforms to Siouxsie Sioux and Sid Vicious brandishing swastikas in the pomp of punk, generations of performers have associated themselves in troubling ways with the aesthetics, mass hysteria, and even ideology of Nazism. Whether shock factor, stupidity, or crass attempts at subversion, rock 'n' roll has indulged these associations in a way not accepted in any other art form. But how accountable should fans, the media, and the music industry be for what has often seemed a sleazy fascination with the eroticized perversions of a fascist regime? In This Ain't Rock 'n' Roll: Pop Music, the Swastika, and the Third Reich (Akashic Books, 2026), award-winning music historian Daniel Rachel navigates these turbulent waters with extraordinary delicacy and care, asking us to look anew at the artists who have defined us, inspired us, and given us joy--and consider why so many have been drawn to the imagery of a movement responsible for some of the twentieth century's worst atrocities. Rachel asks essential questions of actions often overlooked or underplayed, while neither casting sweeping judgment nor offering easy answers. In doing so, he asks us to reassess the history of rock 'n' roll, and he sheds new light on the grim echoes of the Third Reich in popular culture and the legacy of twentieth (and twenty-first) century history as it defines us today and sheds new light on the grim echoes of the Third Reich in popular culture--and the legacy of twentieth (and twenty-first)-century history as it defines us today. Daniel Rachel is a former musician turned award-winning and best-selling author. His previous books include Too Much Too Young, the 2 Tone Records Story; Isle of Noises: Conversations with Great British Songwriters; and The Lost Album of the Beatles: What If the Beatles Hadn't Split Up? He has also written sleeve notes for many artists including the Kinks, Madness, Ocean Colour Scene, Ray Davies, and Bryan Ferry. He lives in London. Daniel Rachel's website and Instagram. Bradley Morgan is a media arts professional in Chicago and author of U2's The Joshua Tree: Planting Roots in Mythic America (Backbeat Books, 2021), Frank Zappa's America (LSU Press, 2025), and U2: Until the End of the World (Gemini Books, 2025). He manages partnerships on behalf of CHIRP Radio 107.1 FM and is the director of its music film festival. Bradley on Facebook and Bluesky. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/performing-arts

Over the last seven decades, some of rock 'n' roll's most celebrated figureheads have flirted with the imagery and theater of the Third Reich. From Keith Moon and Vivian Stanshall kitting themselves out in Nazi uniforms to Siouxsie Sioux and Sid Vicious brandishing swastikas in the pomp of punk, generations of performers have associated themselves in troubling ways with the aesthetics, mass hysteria, and even ideology of Nazism. Whether shock factor, stupidity, or crass attempts at subversion, rock 'n' roll has indulged these associations in a way not accepted in any other art form. But how accountable should fans, the media, and the music industry be for what has often seemed a sleazy fascination with the eroticized perversions of a fascist regime? In This Ain't Rock 'n' Roll: Pop Music, the Swastika, and the Third Reich (Akashic Books, 2026), award-winning music historian Daniel Rachel navigates these turbulent waters with extraordinary delicacy and care, asking us to look anew at the artists who have defined us, inspired us, and given us joy--and consider why so many have been drawn to the imagery of a movement responsible for some of the twentieth century's worst atrocities. Rachel asks essential questions of actions often overlooked or underplayed, while neither casting sweeping judgment nor offering easy answers. In doing so, he asks us to reassess the history of rock 'n' roll, and he sheds new light on the grim echoes of the Third Reich in popular culture and the legacy of twentieth (and twenty-first) century history as it defines us today and sheds new light on the grim echoes of the Third Reich in popular culture--and the legacy of twentieth (and twenty-first)-century history as it defines us today. Daniel Rachel is a former musician turned award-winning and best-selling author. His previous books include Too Much Too Young, the 2 Tone Records Story; Isle of Noises: Conversations with Great British Songwriters; and The Lost Album of the Beatles: What If the Beatles Hadn't Split Up? He has also written sleeve notes for many artists including the Kinks, Madness, Ocean Colour Scene, Ray Davies, and Bryan Ferry. He lives in London. Daniel Rachel's website and Instagram. Bradley Morgan is a media arts professional in Chicago and author of U2's The Joshua Tree: Planting Roots in Mythic America (Backbeat Books, 2021), Frank Zappa's America (LSU Press, 2025), and U2: Until the End of the World (Gemini Books, 2025). He manages partnerships on behalf of CHIRP Radio 107.1 FM and is the director of its music film festival. Bradley on Facebook and Bluesky. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-studies

Over the last seven decades, some of rock 'n' roll's most celebrated figureheads have flirted with the imagery and theater of the Third Reich. From Keith Moon and Vivian Stanshall kitting themselves out in Nazi uniforms to Siouxsie Sioux and Sid Vicious brandishing swastikas in the pomp of punk, generations of performers have associated themselves in troubling ways with the aesthetics, mass hysteria, and even ideology of Nazism. Whether shock factor, stupidity, or crass attempts at subversion, rock 'n' roll has indulged these associations in a way not accepted in any other art form. But how accountable should fans, the media, and the music industry be for what has often seemed a sleazy fascination with the eroticized perversions of a fascist regime? In This Ain't Rock 'n' Roll: Pop Music, the Swastika, and the Third Reich (Akashic Books, 2026), award-winning music historian Daniel Rachel navigates these turbulent waters with extraordinary delicacy and care, asking us to look anew at the artists who have defined us, inspired us, and given us joy--and consider why so many have been drawn to the imagery of a movement responsible for some of the twentieth century's worst atrocities. Rachel asks essential questions of actions often overlooked or underplayed, while neither casting sweeping judgment nor offering easy answers. In doing so, he asks us to reassess the history of rock 'n' roll, and he sheds new light on the grim echoes of the Third Reich in popular culture and the legacy of twentieth (and twenty-first) century history as it defines us today and sheds new light on the grim echoes of the Third Reich in popular culture--and the legacy of twentieth (and twenty-first)-century history as it defines us today. Daniel Rachel is a former musician turned award-winning and best-selling author. His previous books include Too Much Too Young, the 2 Tone Records Story; Isle of Noises: Conversations with Great British Songwriters; and The Lost Album of the Beatles: What If the Beatles Hadn't Split Up? He has also written sleeve notes for many artists including the Kinks, Madness, Ocean Colour Scene, Ray Davies, and Bryan Ferry. He lives in London. Daniel Rachel's website and Instagram. Bradley Morgan is a media arts professional in Chicago and author of U2's The Joshua Tree: Planting Roots in Mythic America (Backbeat Books, 2021), Frank Zappa's America (LSU Press, 2025), and U2: Until the End of the World (Gemini Books, 2025). He manages partnerships on behalf of CHIRP Radio 107.1 FM and is the director of its music film festival. Bradley on Facebook and Bluesky. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/music

Hoy en La Gran Travesía viajamos hasta el año 1997, en un programa donde podréis escuchar a The Prodigy, Ocean Colour Scene, Rage Against the Machine, Silverchair, The Charlatans, Radiohead, Southern Culture on the Skids, Reef, Days of the New, Supergrass, Elliott Smith, Everclear, Matthew Sweet, Spiritualized...y muchos más. ▶️ Y ya sabéis, si os gusta el programa y os apetece, podéis apoyarnos y colaborar con nosotros por el simple precio de una cerveza al mes, desde el botón azul de iVoox, y así, además podéis acceder a todo el archivo histórico exclusivo. Muchas gracias también a todos los mecenas y patrocinadores por vuestro apoyo: Antonio Vicente Álvarez, Aida Borrallo, Eduardo Gutiérrez, Rafa Navarro, José Carlos Lozano, Ikatza, Cabe1961, Guillermo Esteban, Diego Román, Tole, Raquel, Poncho C, Sergio Rodríguez Rojas, Javier, Jose Antonio Moral, Juanito, Octavio Oliva, Andreea Deea, Igor Gómez Tomás, Matías Ruiz Molina, Eduardo Villaverde Vidal, Víctor Fernández Martínez, Rami, Leo Giménez, Alberto Velasco, Poncho C, Francisco Quintana, Con, Tete García, Marco Landeta Vacas, Oscar García Muñoz, Raquel Parrondo, Nacho, Javito, Alberto, Moy, Dani Pérez, Santi Oliva, Vicente DC, Leticia, Melomanic, Arturo Soriano, Gemma Codina, Raquel Jiménez, Pedro, SGD, Raul Andres, Tomás Pérez, Pablo Pineda, Quim Goday, Enfermerator, Joaquín, Horns Up, Victor Bravo, Fonune, Francisco González, Marcos Paris, Daniel A, Redneckman, Elliott SF, Sementalex, Miguel Angel Torres, Suibne, Noyatan, Iván Menéndez, Niksisley y a los mecenas anónimos.

Nueva entrega de Música de Contrabando, semanario de actualidad musical (19/03/2026)Entrevistas: - Cuenta atrás para el Costera Sur Festival. Su director, Javier Sierra nos pone al tanto de cartel y novedades. Noticias: Muere a los 64 años Phil Campbell, guitarrista de Motörhead. La película concierto Power to the People: John & Yoko Live in NYC, de John Lennon y Yoko Ono, con la Plastic Ono Band, será exhibida en cines de todo el mundo a partir del 29 de abril.Steven Knight ha compartido más detalles sobre su próximo documental de Oasis. El creador de Peaky Blinders está produciendo este nuevo documental, que seguirá el regreso de los gigantes del Britpop en su multitudinaria gira de reunión Live '25.Radiohead volverá a la actividad en 2027. El guitarrista de Pearl Jam, Mike McCready, ha anunciado “Farewell to Seasons”, que incluirá una novela gráfica y una ópera rock . Ocean Colour Scene han anunciado que sigue adelante con la gira de celebración del trigésimo aniversario de “Moseley Shoals”, que pasará por España a finales de septiembre. La legendaria Fender Stratocaster negra de David Gilmour se ha convertido la guitarra más cara jamás vendida. Un comprador pagó 14,5 millones de dólares por ella, en Christie's de Nueva York. Por fin llegará a salas de nuestro país el majestuoso "The Orchestral Tour" de los islandeses Sigur Rós. Rufus T. Firefly han ganado el Premio Ruido, otorgado por la prensa musical, al mejor disco español del año por "Todas las cosas buenas" .Vetusta Morla han anunciado “Gira de vuelta. Canciones de ida”, su gira de regreso. Novedades musicales:Ladytron, Broken Social Scene, Anna Calvi ^ Matt Berninger, Lime Garden, Metric, Tofusmell, Sean Frutos, Rata, Ginebras, Mujeres, Pôt-Pot, Special Friend, Les Imprimés, Robyn, Corizonas, Compro Oro, Olive Jones, Ca7riel &Paco Amoroso, The Parade, Pipiolas, MS Obama, Suu, Niños Luchando, Kokoshca, Sarria, Hnos Muñoz, Stormy Mondays, Youbet, Sao, Emilia, Pardo y Bazán, Inés de Lis, Comic Sans, Dracma, Ultralágrima, Somos La Herencia, Perfecto Miserable, Tatuaje, A Mares .Agenda de conciertos:Elliot Murphy, Leonor Watling y Leo Sidran (Murcia Jazz Festival), La Perra Blanco,Fernando Rubio & The Inner Demons, Fontán y Nuevos Vicios, Celtas Cortos, Jordi Ganchitos, Luis Fercán, La Gripe y Tú, Sal del Coche , Palomo Palomo , Marisa Valle Roso, Parquesvr....

In this episode of the XS Noize Podcast, Mark Millar sits down with Damon Minchella — founder of Ocean Colour Scene, longtime bass player for Paul Weller, and collaborator with Richard Ashcroft — to talk about his candid and often hilarious memoir You'd Look Good on a Donkey. Across a musical life that has ricocheted between some of the biggest names in music — from Paul McCartney and Jimmy Page to Diana Ross, Dr. John and The Who — Minchella has built a career full of extraordinary stories, unlikely encounters, and a deep love of music that runs through everything he does. During the conversation, Damon reflects on the creation of You'd Look Good on a Donkey, a memoir that captures the highs, chaos, humour and survival instincts required to navigate life in the music industry. In this wide-ranging conversation, Damon opens up about the early days of Ocean Colour Scene, the Birmingham music scene that shaped the band, and how their sound developed during the Britpop era. He also shares memories of working closely with Paul Weller — one of Britain's most influential songwriters — and what he learned from being inside Weller's musical world for so many years. The conversation explores the realities of band life, the strange rhythm of touring and recording, and the delicate balance between personal life and the pressures that come with a career in music. Along the way, Damon discusses the process of writing the book itself — revisiting decades of experiences that range from hilarious and absurd to deeply personal — and explains why honesty and self-reflection were essential to telling the story properly. Whether you're a fan of Ocean Colour Scene, interested in the behind-the-scenes realities of the music industry, or simply enjoy a great rock memoir, this conversation offers an entertaining and revealing look at a life spent in and around music. Related topics: Ocean Colour Scene, Paul Weller, Richard Ashcroft, Britpop, rock memoirs, British rock history, You'd Look Good on a Donkey About The XS Noize Podcast With more than 270 episodes, the XS Noize Podcast has become a trusted home for music's legends, innovators, and trailblazers — a place where real conversations meet real stories. Hosted by Mark Millar, the show has featured an extraordinary lineup including Steve Lillywhite, Paul Draper, Sleaford Mods, The Charlatans, Gary "Mani" Mounfield, Glen Matlock, Miles Kane, Matt Berninger, Saint Etienne, D:Ream, Gavin Rossdale, The Farm, Snow Patrol, John Lydon, Will Sergeant, Ocean Colour Scene, Gary Kemp, Doves, Gavin Friday, David Gray, Anton Newcombe, Peter Hook, Razorlight, Sananda Maitreya, James, Crowded House, Elbow, Cast, Kula Shaker, Shed Seven, Future Islands, Peter Frampton, Bernard Butler, Steven Wilson, Travis, New Order, The Killers, Tito Jackson, Simple Minds, The Divine Comedy, Shaun Ryder, Gary Numan, and Michael Head — among many more. Explore the complete XS Noize Podcast archive. New episodes drop weekly — subscribe for in-depth conversations with the artists who shape modern music.

In this episode of the XS Noize Podcast, Mark Millar sits down with legendary U2 producer Steve Lillywhite to discuss his work on landmark albums including Boy, War, The Joshua Tree, Achtung Baby, All That You Can't Leave Behind, How to Dismantle an Atomic Bomb, and No Line on the Horizon. Across a career spanning more than four decades, Lillywhite has worked with some of the most influential artists in modern music. But his work with U2 — from their earliest recordings through some of their biggest albums — helped define the sound of one of the world's most important bands. During the conversation, Lillywhite reflects on the creative environment around Achtung Baby, one of the most influential records in U2's catalogue, and explains what a producer actually does in the studio — describing his role as the "captain of the ship" guiding a band through the creative process of making an album. He shares memories of first encountering U2 before the mythology existed, when four young musicians from Dublin were still discovering their identity — and explains why he immediately sensed something different about them. The conversation explores the band's creative evolution across landmark albums including Boy, War, The Joshua Tree, Achtung Baby, All That You Can't Leave Behind, How to Dismantle an Atomic Bomb, and No Line on the Horizon, and how U2's sound developed in the studio over the years. Lillywhite also offers insights into the craft of record production — from capturing the distinctive guitar sound of The Edge to shaping Bono's vocal performances and finding the emotional centre of a song. Along the way, he reflects on the collaborative nature of the studio, the controlled chaos of working alongside producers like Brian Eno, Daniel Lanois and Flood, and the moments when a record suddenly comes alive. Whether you're a U2 fan, a musician, or simply fascinated by the craft of record-making, this conversation offers a rare look inside the creative process behind some of the most iconic albums of the last forty years. About The XS Noize Podcast With more than 270 episodes, the XS Noize Podcast has become a trusted home for music's legends, innovators, and trailblazers — a place where real conversations meet real stories. Hosted by Mark Millar, the show has featured an extraordinary lineup including Paul Draper, Sleaford Mods, The Charlatans, Gary "Mani" Mounfield, Glen Matlock, Miles Kane, Matt Berninger, Saint Etienne, D:Ream, Gavin Rossdale, The Farm, Snow Patrol, John Lydon, Will Sergeant, Ocean Colour Scene, Gary Kemp, Doves, Gavin Friday, David Gray, Anton Newcombe, Peter Hook, Razorlight, Sananda Maitreya, James, Crowded House, Elbow, Cast, Kula Shaker, Shed Seven, Future Islands, Peter Frampton, Bernard Butler, Steven Wilson, Travis, New Order, The Killers, Tito Jackson, Simple Minds, The Divine Comedy, Shaun Ryder, Gary Numan, and Michael Head — among many more. Explore the complete XS Noize Podcast archive. New episodes drop weekly — subscribe for in-depth conversations with the artists who shape modern music.

In this episode of the XS Noize Podcast, Mark Millar sits down with Zak and Matty from The Dream Machine to talk about Fort Perch Rock — the band's third studio album and a record shaped by instinct, friendship and a deep connection to place. Formed in 2021, the band first emerged with their 2022 debut Thank God! It's The Dream Machine, followed by 2024's James Skelly-produced Small Time Monsters. With Fort Perch Rock, they move further into their own identity — self-produced and recorded between studios on the Wirral and in Liverpool. Built with a DIY spirit, Fort Perch Rock leans into creative freedom. Zak and Matty discuss embracing a hands-on production approach, allowing songs to evolve naturally rather than chasing polish for its own sake. The local environment plays a strong role in the record's atmosphere, grounding it in memory, shared experience and the energy of the Wirral and Liverpool music communities. In this conversation, they reflect on their songwriting process — how ideas often begin with a riff or a feeling before being shaped collaboratively. They also talk about balancing nostalgia with originality, making music primarily for themselves rather than trends, and why live performance remains central to how their songs continue to grow and connect with audiences. About The XS Noize Podcast With over 270 episodes, the XS Noize Podcast has become a trusted home for music's legends, innovators, and trailblazers — a place where real conversations meet real stories. Hosted by Mark Millar, the show has featured an extraordinary lineup including Paul Draper, Sleaford Mods, The Charlatans, Gary "Mani" Mounfield, Glen Matlock, Miles Kane, Matt Berninger, Saint Etienne, D:Ream, Gavin Rossdale, The Farm, Snow Patrol, John Lydon, Will Sergeant, Ocean Colour Scene, Gary Kemp, Doves, Gavin Friday, David Gray, Anton Newcombe, Peter Hook, Razorlight, Sananda Maitreya, James, Crowded House, Elbow, Cast, Kula Shaker, Shed Seven, Future Islands, Peter Frampton, Bernard Butler, Steven Wilson, Travis, New Order, The Killers, Tito Jackson, Simple Minds, The Divine Comedy, Shaun Ryder, Gary Numan, and Michael Head — among many more. Explore the complete XS Noize Podcast archive here.

We transported back to the good old days for one epic radio show… in the 1990s!We wanted to celebrate the birth of Chris Moyles and the greatest decade in one show, and we definitely did that! This extra special bonus episode features surprise celebrity messages, a special appearance from Dean ‘The Gaffers' Gaffney, aka Robbie Jackson from Eastenders and live music from Steve and Simon from Ocean Colour Scene and Nigel from Dodgy!Plus, Noel Edmunds revived his iconic game Telly Addicts, putting a 90's twist on the feature in honour of Chris' birthday. Noel is usually all about calm and positivity, and you'll see if the game reflects that...Nostalgia! Mayhem! Endless 90s references! One very big Happy Birthday to Chris Moyles!Enjoy!The Chris Moyles Show on Radio X!Weekdays 6:30am - 10am

In this episode of the XS Noize Podcast, Mark Millar sits down with Dave Pen of Archive to talk about Glass Minds — the band's 13th studio album and a bold new chapter in a 30-year journey defined by reinvention, collaboration and creative risk. Formed in Croydon, South London in 1994, Archive have evolved from trip-hop pioneers into one of Europe's most respected alternative collectives. Glass Minds, released Friday 27th February 2026 via Dangervisit through [PIAS], follows the ambitious 2022 triple-album Call to Arms & Angels, which charted Top 10 across Europe and culminated in their biggest headline show to date at Paris' Accor Arena. Produced by Archive alongside long-time collaborator Jerome Devoise, and recorded in Brighton, London and Paris, Glass Minds marks a shift toward a more minimal, down-tempo sound — built on space and emotional weight. New textures emerge through Essex rapper Jimmy Collins on "Heads Are Gonna Roll," while Lisa Mottram shines on the title track and "The Love The Light." At its core is the eight-minute "So Far From Losing You," one of the band's most personal and expansive pieces to date. In this conversation, Dave Pen reflects on joining Archive and becoming part of a true creative collective. He discusses the trust and experimentation that shape the band's process, the evolution of their sound over three decades, embracing AI in the album's visual identity, and why live performance remains the ultimate space where Archive's songs continue to grow and transform. About The XS Noize Podcast With over 250 episodes, the XS Noize Podcast has become a trusted home for music's legends, innovators, and trailblazers — a place where real conversations meet real stories. Hosted by Mark Millar, the show has featured an extraordinary lineup including Paul Draper, Sleaford Mods, The Charlatans, Gary "Mani" Mounfield, Glen Matlock, Miles Kane, Matt Berninger, Saint Etienne, D:Ream, Gavin Rossdale, The Farm, Snow Patrol, John Lydon, Will Sergeant, Ocean Colour Scene, Gary Kemp, Doves, Gavin Friday, David Gray, Anton Newcombe, Peter Hook, Razorlight, Sananda Maitreya, James, Crowded House, Elbow, Cast, Kula Shaker, Shed Seven, Future Islands, Peter Frampton, Bernard Butler, Steven Wilson, Travis, New Order, The Killers, Tito Jackson, Simple Minds, The Divine Comedy, Shaun Ryder, Gary Numan, and Michael Head — among many more. Explore the complete XS Noize Podcast archive here. New episodes drop weekly — subscribe for more in-depth conversations with the artists who shape our lives.

Amazing actor and the voice of Blur's Parklife, Phil Daniels tells us all about his new play Teeth 'n' Smiles at London's West End.Ocean Colour Scene's riff-maker Steve Craddock pops in ahead of his new Travellers Tunes Tour.Join Chris and the Class Behind The Glass live from the rock n roll tower every morning from 0630! Watch all the stars live on the FREE Virgin Radio UK app. Hosted on Acast. See acast.com/privacy for more information.

Black Rebel Motorcycle Club's third album Howl was a risk — one that nearly broke the band. In this episode of the XS Noize Podcast, Mark Millar sits down with Robert Levon Been to revisit the record that stripped away the noise and reshaped their identity. Originally released in 2005, Howl arrived as an unexpected curveball. The reverb-drenched guitars and white noise that defined the band's early records were stripped back, replaced with folk, blues and gospel-inspired arrangements built around space, restraint and raw emotion. It was a risk — one that confused some at the time, but has since come to feel essential within the band's catalogue. In this conversation, Robert Levon Been reflects on the creative decisions that shaped the album, the deliberate use of silence and atmosphere, and how stepping away from distortion opened up a deeper emotional register in the songwriting. He discusses the impact of critical reception, the perspective that comes with revisiting the record years later, and what it feels like to bring that material back to life on tour. Robert also shares insights into the band's current creative landscape, highlights key entry points for new listeners, and speaks about protecting the spirit of music in an era driven by speed and algorithms. A thoughtful and reflective conversation about evolution, instinct, and trusting your creative compass — even when it takes you somewhere unexpected. About The XS Noize Podcast With over 250 episodes, the XS Noize Podcast has become a trusted home for music's legends, innovators, and trailblazers — a place where real conversations meet real stories. Hosted by Mark Millar, the show has featured an extraordinary lineup including Paul Draper, Sleaford Mods, The Charlatans, Gary "Mani" Mounfield, Glen Matlock, Miles Kane, Matt Berninger, Saint Etienne, D:Ream, Gavin Rossdale, The Farm, Snow Patrol, John Lydon, Will Sergeant, Ocean Colour Scene, Gary Kemp, Doves, Gavin Friday, David Gray, Anton Newcombe, Peter Hook, Razorlight, Sananda Maitreya, James, Crowded House, Elbow, Cast, Kula Shaker, Shed Seven, Future Islands, Peter Frampton, Bernard Butler, Steven Wilson, Travis, New Order, The Killers, Tito Jackson, Simple Minds, The Divine Comedy, Shaun Ryder, Gary Numan, and Michael Head — among many more. Explore the complete XS Noize Podcast archive here. New episodes drop weekly — subscribe for more in-depth conversations with the artists who shape our lives.

In this episode of the XS Noize Podcast, Mark Millar sits down with Mark Shaw of Then Jerico to talk about The Return — a moment that reconnects legacy, live energy, and purpose as the band bring their full show to Ireland for the first time. Watch the full XS Noize Podcast conversation below. Then Jerico are currently touring the UK and Europe, with debut full-band Irish headline shows at Belfast's Limelight 2 on Thursday 19 February and Dublin's Whelan's Main Room on Friday 20 February 2026. The tour features a 90-minute set spanning the band's classic first two albums — First (The Sound of Music) and The Big Area (Outside) — alongside material from Mark Shaw's 1990s solo releases. In this conversation, Mark Shaw reflects on a four-decade journey through success, setbacks, and survival. He talks about the importance of audience connection, shaping setlists that balance momentum with meaning, and the breakthrough impact of Big Area. Shaw also opens up about carrying the legacy of Then Jerico as the sole founder, revisiting early recordings and B-sides with fresh perspective, and why he's still driven to write songs that speak directly to the present moment. About The XS Noize Podcast With over 250 episodes, the XS Noize Podcast has become a trusted home for music's legends, innovators, and trailblazers — a place where real conversations meet real stories. Hosted by Mark Millar, the show has featured an extraordinary lineup including Paul Draper, Sleaford Mods, The Charlatans, Gary "Mani" Mounfield, Glen Matlock, Miles Kane, Matt Berninger, Saint Etienne, D:Ream, Gavin Rossdale, The Farm, Snow Patrol, John Lydon, Will Sergeant, Ocean Colour Scene, Gary Kemp, Doves, Gavin Friday, David Gray, Anton Newcombe, Peter Hook, Razorlight, Sananda Maitreya, James, Crowded House, Elbow, Cast, Kula Shaker, Shed Seven, Future Islands, Peter Frampton, Bernard Butler, Steven Wilson, Travis, New Order, The Killers, Tito Jackson, Simple Minds, The Divine Comedy, Shaun Ryder, Gary Numan, and Michael Head — among many more. Explore the complete XS Noize Podcast archive here. New episodes drop weekly — subscribe for more in-depth conversations with the artists who shape our lives.

Hello and welcome back to the Oasis Podcast, the ultimate audio guide to Oasis!We are proudly in partnership with our good friends at Wonderwall beer - give them a follow @WonderwallBeerUK on InstagramToday's guest is Damon Minchella, follow him on twitter @DamonMinchella or Instagram @DrDamonMinchellaHis book is available via www.backstagebooks.com

In this episode of the XS Noize Podcast, Mark Millar sits down with Kula Shaker frontman Crispian Mills to talk about Wormslayer — a record that captures the band feeling revitalised, confident, and creatively fearless. Watch the full video conversation. Released on 30 January 2026, Wormslayer is Kula Shaker's eighth studio album and sees the original line-up distil their explosive live energy into something cinematic, playful, and expansive. Often described as a natural companion to Natural Magic, the album allows songs to stretch and evolve, blending tight pop instincts with longer, more exploratory moments. In this conversation, Crispian Mills reflects on trust, chemistry, and why the band feels more alive now than at any point in their history. He talks about symbolism and synchronicity, the meaning behind key tracks including Lucky Number, Charge of the Light Brigade, and Broke as Folk, and the idea of creativity as an ongoing quest rather than a destination. About The XS Noize Podcast With over 250 episodes, the XS Noize Podcast has become a trusted home for music's legends, innovators, and trailblazers — a place where real conversations meet real stories. Hosted by Mark Millar, the show has featured an extraordinary lineup including Paul Draper, Sleaford Mods, The Charlatans, Gary "Mani" Mounfield, Glen Matlock, Miles Kane, Matt Berninger, Saint Etienne, D:Ream, Gavin Rossdale, The Farm, Snow Patrol, John Lydon, Will Sergeant, Ocean Colour Scene, Gary Kemp, Doves, Gavin Friday, David Gray, Anton Newcombe, Peter Hook, Razorlight, Sananda Maitreya, James, Crowded House, Elbow, Cast, Kula Shaker, Shed Seven, Future Islands, Peter Frampton, Bernard Butler, Steven Wilson, Travis, New Order, The Killers, Tito Jackson, Simple Minds, The Divine Comedy, Shaun Ryder, Gary Numan, and Michael Head — among many more. Explore the complete XS Noize Podcast archive here. New episodes drop weekly — subscribe for more in-depth conversations with the artists who shape our lives.

In this episode of the XS Noize Podcast, Mark Millar sits down with Dani Larkin to talk about Next Of Kin — a deeply emotive record shaped by time, patience, and a renewed sense of creative clarity.  Released on 23 January 2026, Next Of Kin marks a bold progression in Larkin's sound and vision. Co-produced with Ruth O'Mahony Brady, the album expands her acclaimed storytelling into a cinematic, emotionally rich landscape that explores life's most universal milestones — from birth and coming of age to love, loss, and acceptance. Structured as a trilogy, the record moves through distinct phases. Part I traces a journey from darkness toward revelation and youth. Part II sits in the complexity of adulthood, weaving love, fear, doubt, courage, and hope through expansive orchestral arrangements and intimate songwriting. Part III closes with a sense of resolution and homecoming, culminating in the poignant farewell Danny Boy. In this conversation, Larkin reflects on how releasing her debut Notes For A Maiden Warrior during the COVID era shaped her outlook, and why Next Of Kin feels like a true arrival moment. She talks about patience, self-acceptance, and the importance of creating space — both personally and creatively — between records. She also discusses the album's lead single End Of It All, a striking and urgent track that blends industrial drum beats, raw guitar, and a haunting reimagining of Row, Row, Row Your Boat — capturing the contradictions, anxiety, and fragile hope of modern life. About The XS Noize Podcast With over 250 episodes, the XS Noize Podcast has become a trusted home for music's legends, innovators, and trailblazers — a place where real conversations meet real stories. Hosted by Mark Millar, the show has featured an extraordinary lineup including Sleaford Mods, The Charlatans, Gary "Mani" Mounfield, Glen Matlock, Miles Kane, Matt Berninger, Saint Etienne, D:Ream, Gavin Rossdale, The Farm, Snow Patrol, John Lydon, Will Sergeant, Ocean Colour Scene, Gary Kemp, Doves, Gavin Friday, David Gray, Anton Newcombe, Peter Hook, Razorlight, Sananda Maitreya, James, Crowded House, Elbow, Cast, Kula Shaker, Shed Seven, Future Islands, Peter Frampton, Bernard Butler, Steven Wilson, Travis, New Order, The Killers, Tito Jackson, Simple Minds, The Divine Comedy, Shaun Ryder, Gary Numan, and Michael Head — among many more. Explore the complete XS Noize Podcast archive here.  

In this episode of the XS Noize Podcast, Mark Millar sits down with Paul Draper to talk about Mansun Retold — a project shaped by distance, perspective, and the strange experience of meeting your younger self through song. Watch the full video conversation. Releasing on 20 February, Mansun Retold sees Draper revisit and reimagine key songs from the Mansun catalogue, rebuilding them from the ground up as full-band, acoustic unplugged recordings. Rather than revisiting the past for nostalgia's sake, the album is about clarity — hearing familiar songs anew, stripped of urgency, ego, and expectation. Recorded at The Loft Studios in Surrey, the album was co-produced by Paul Draper alongside Paul "PDub" Walton (The Cure, U2, Björk, Massive Attack, Oasis). The sessions feature a string quartet arranged and led by Audrey Riley (Muse, Coldplay, Nick Cave), with drums performed by Julian Fenton — Mansun's original early-era drummer. Draper performs acoustic bass, acoustic lead and rhythm guitar, and piano throughout the record. In this conversation, Draper reflects on the emotional weight of returning to songs so closely tied to his own life, how he decided which tracks felt ready to be retold, and the responsibility he feels toward fans who have lived with this music for decades. He also talks about life beyond music, creative fulfilment, and how Mansun Retold is intended to be experienced — not as a retrospective, but as a living record, rooted firmly in the present. About The XS Noize Podcast With over 250 episodes, the XS Noize Podcast has become a trusted home for music's legends, innovators, and trailblazers — a place where real conversations meet real stories. Hosted by Mark Millar, the show has featured an extraordinary lineup including Sleaford Mods, The Charlatans, Gary "Mani" Mounfield, Glen Matlock, Miles Kane, Matt Berninger, Saint Etienne, D:Ream, Gavin Rossdale, The Farm, Snow Patrol, John Lydon, Will Sergeant, Ocean Colour Scene, Gary Kemp, Doves, Gavin Friday, David Gray, Anton Newcombe, Peter Hook, Razorlight, Sananda Maitreya, James, Crowded House, Elbow, Cast, Kula Shaker, Shed Seven, Future Islands, Peter Frampton, Bernard Butler, Steven Wilson, Travis, New Order, The Killers, Tito Jackson, Simple Minds, The Divine Comedy, Shaun Ryder, Gary Numan, and Michael Head — among many more. Explore the complete XS Noize Podcast archive here. New episodes drop weekly — subscribe for more in-depth conversations with the artists who shape our lives.

In this episode of the XS Noize Podcast, Mark Millar sits down with Alexander Wolfe to talk about his deeply personal new album Everythinglessness. Watch the full video conversation. Written after a period of intense personal reckoning — including time spent in a mental health rehabilitation facility in 2023 — Everythinglessness explores masculinity, mental health, and emotional survival. Drawing on experiences of depression, anxiety, and ADHD, Wolfe turns vulnerability into something raw, intimate, and quietly powerful. Raised in 1990s Woolwich, Wolfe blends observational grit with cinematic songwriting, using analogue textures, layered harmonies, and stark piano lines to create a record that unfolds like a coming-of-age story — moving through grief, identity, and acceptance. In this conversation, Wolfe reflects on the mindset behind the album, the challenge of expressing softness in a culture shaped by silence and stoicism, and how music became a form of recovery rather than escape. About The XS Noize Podcast With over 250 episodes, the XS Noize Podcast has become a trusted home for music's legends, innovators, and trailblazers — a place where real conversations meet real stories. Hosted by Mark Millar, the show has featured an extraordinary lineup including Sleaford Mods, The Charlatans, Gary "Mani" Mounfield, Glen Matlock, Miles Kane, Matt Berninger, Saint Etienne, D:Ream, Gavin Rossdale, The Farm, Snow Patrol, John Lydon, Will Sergeant, Ocean Colour Scene, Gary Kemp, Doves, Gavin Friday, David Gray, Anton Newcombe, Peter Hook, Razorlight, Sananda Maitreya, James, Crowded House, Elbow, Cast, Kula Shaker, Shed Seven, Future Islands, Peter Frampton, Bernard Butler, Steven Wilson, Travis, New Order, The Killers, Tito Jackson, Simple Minds, The Divine Comedy, Shaun Ryder, Gary Numan, and Michael Head — among many more. Explore the complete XS Noize Podcast archive here. New episodes drop weekly — subscribe for more in-depth conversations with the artists who shape our lives.

Steve Cradock's touring with Ocean Colour Scene in 2026 and in his own show, Travellers Tunes, with his wife and son Steve – “we're like the Von Trapps!” This highly original night involves them “living like gypsies in the spirit of Ronnie Lane”. He looks back here, from his psychedelic Mod-shrine converted garage in Totnes, at the first shows he ever saw and played, which touches on … …seeing UB40 at Birmingham Odeon, aged 13 – “I was bruised for days” … an after-school Duran Duran video shoot … “three 45-minute sets a night”: doing J Geils Band and Lennon covers pre-Bingo in working men's clubs, aged 15 … playing Scooter Rallies in Gorleston-on-Sea in pilled-up homage to the Purple Hearts, the Jam and Secret Affair … the imperishable sound of the early Small Faces – “the tone, the feedback, Plonk smashing his bass” … an intense love of Northern Soul, Soft Cell, the Pretenders, Costello and the La's … the Stones Roses, “the most important show I ever saw – the hair, the clothes, the songs, the guitars” … supporting Oasis at Knebworth … “musicians' books bore me” …. three days in a pub with Chris Evans and regrets about “the double-edged sword” of the Riverboat Song on TGI Friday … and Paul Weller with love beads Buy Steve Cradock tickets here: https://www.stevecradock.com/tour/Help us to keep The Longest Conversation In Rock going: https://www.patreon.com/wordinyourear Hosted on Acast. See acast.com/privacy for more information.

Steve Cradock's touring with Ocean Colour Scene in 2026 and in his own show, Travellers Tunes, with his wife and son Steve – “we're like the Von Trapps!” This highly original night involves them “living like gypsies in the spirit of Ronnie Lane”. He looks back here, from his psychedelic Mod-shrine converted garage in Totnes, at the first shows he ever saw and played, which touches on … …seeing UB40 at Birmingham Odeon, aged 13 – “I was bruised for days” … an after-school Duran Duran video shoot … “three 45-minute sets a night”: doing J Geils Band and Lennon covers pre-Bingo in working men's clubs, aged 15 … playing Scooter Rallies in Gorleston-on-Sea in pilled-up homage to the Purple Hearts, the Jam and Secret Affair … the imperishable sound of the early Small Faces – “the tone, the feedback, Plonk smashing his bass” … an intense love of Northern Soul, Soft Cell, the Pretenders, Costello and the La's … the Stones Roses, “the most important show I ever saw – the hair, the clothes, the songs, the guitars” … supporting Oasis at Knebworth … “musicians' books bore me” …. three days in a pub with Chris Evans and regrets about “the double-edged sword” of the Riverboat Song on TGI Friday … and Paul Weller with love beads Buy Steve Cradock tickets here: https://www.stevecradock.com/tour/Help us to keep The Longest Conversation In Rock going: https://www.patreon.com/wordinyourear Hosted on Acast. See acast.com/privacy for more information.

Damon Minchella, founding bassist and songwriter of Ocean Colour Scene, and longtime collaborator with Paul Weller and Richard Ashcroft, talks about his time in music. Damon reflects on a remarkable career spanning Britpop's rise, creative battles with major labels, his friendship with Oasis, and performing with The Who for Live 8 and Paul McCartney for War Child. He also discusses his autobiography You'd Look Good on a Donkey, the realities behind Ocean Colour Scene's success, and how a life-changing injury led him into academia while continuing to tour at the highest level. Further information Damon Minchella: You'd Look Good On A Donkey: Britpop, Basslines & Bad(Ish) Decisions Podcasts also available: Steve Cradock, Stephen Street, Billy Bragg, Lynval Golding, Bruce Foxton This podcast is also available on Apple Podcasts, YouTube, Spotify, Google apps and all usual platforms If you like what I do please support me on Ko-fi The post Damon Minchella – Ocean Colour Scene appeared first on The Strange Brew .

In this episode of the XS Noize Podcast, Mark Millar is joined by acclaimed filmmaker Oliver Murray — the British writer–director redefining modern music documentary through his bold, cinematic approach. Following his 2023 short film Now and Then, The Last Beatles Song — made in collaboration with Paul McCartney, Ringo Starr, Sean Lennon and the Harrison Estate to celebrate the release of the Beatles' final single — Oliver continues his creative relationship with the band by directing the brand-new, final chapter of the legendary Anthology series. First released three decades ago, The Beatles Anthology reinvented the music documentary format. Instead of outside narration and talking heads, it featured John, Paul, George, and Ringo telling their story in their own words — a groundbreaking approach that shaped the way music history is now documented. Under Murray's direction, the series now receives its long-awaited conclusion: Episode Nine, a completely new instalment filled with unseen footage, including intimate behind-the-scenes moments of Paul, George and Ringo reuniting between 1994 and 1995 at Abbey Road. Oliver discusses how he approached taking on one of the most important music stories ever told, the responsibility of handling unreleased Beatles material, and the emotional legacy carried by Episode Nine — both for the surviving members and for generations of fans discovering the band anew. "Watching Paul, Ringo and George together in the '90s, the chemistry is exactly the same as when they were young — it's hard-wired. It feels almost scripted, but it isn't. That bond is still alive." — Oliver Murray A rising force in film and music storytelling, Murray has previously collaborated with some of the biggest names in music, including The Rolling Stones (My Life As a Rolling Stone), The Beatles (Now & Then), and Quincy Jones (They All Came Out to Montreux). His work spans genres — from jazz in Ronnie's: The Story of Ronnie Scott's Jazz Club to classical music with Lang Lang — and has been featured on Disney, Netflix, and the BBC. Listen as Oliver Murray takes us inside the making of Episode Nine — revealing unseen moments of Beatles history and the evolution of his craft — exclusively on the XS Noize Podcast. This is the definitive deep dive into the Beatles' final chapter. "Episode nine concludes the anthology, but it's not an end. The Beatles' legacy isn't a full stop — it's something that's in the groundwater now, something we all inherit." — Oliver Murray About The XS Noize Podcast With over 250 episodes, the XS Noize Podcast has become a trusted home for music's legends, innovators, and trailblazers — a place where real conversations meet real stories. Hosted by Mark Millar, the show has featured an extraordinary lineup including The Charlatans, Gary "Mani" Mounfield, Glen Matlock, Miles Kane, Matt Berninger, Saint Etienne, D:Ream, Gavin Rossdale, The Farm, Snow Patrol, John Lydon, Will Sergeant, Ocean Colour Scene, Gary Kemp, Doves, Gavin Friday, David Gray, Anton Newcombe, Peter Hook, Razorlight, Sananda Maitreya, James, Crowded House, Elbow, Cast, Kula Shaker, Shed Seven, Future Islands, Peter Frampton, Bernard Butler, Steven Wilson, Travis, New Order, The Killers, Tito Jackson, Simple Minds, The Divine Comedy, Shaun Ryder, Gary Numan, Sleaford Mods, and Michael Head — among many more. Explore the complete XS Noize Podcast archive here. New episodes drop weekly — subscribe for more in-depth conversations with the artists who shape our lives.  

In this episode of the XS Noize Podcast, Mark Millar is joined by legendary producer Steve Lillywhite — the Grammy-winning studio mastermind behind iconic records by U2, The Rolling Stones, Talking Heads, The Smiths, The Killers, Peter Gabriel, and many more. Steve talks about the release of a brand-new 4-track EP featuring a completely unreleased live version of "Fairytale of New York" — recorded at Glasgow Barrowlands in December 1987. This historic performance captures the first time The Pogues ever played the song live, and the first time Kirsty MacColl performed it onstage with the band. The EP is released on 12 December. Recorded by Steve himself — producer of the original version and then-husband of Kirsty MacColl — the Barrowlands tape offers a rare window into the early live life of what has become the UK's favourite Christmas song for over a decade. Originally charting at No. 2 in 1987, "Fairytale of New York" has returned to the UK Top 20 every year since 2005. Steve reflects on the making of the classic track, the energy of that unforgettable night in Glasgow, and key moments from across his remarkable career. Listen to Steve Lillywhite discuss the new EP, the legacy of Fairytale of New York, and the stories behind his legendary productions — exclusively on the XS Noize Podcast. About The XS Noize Podcast With over 250 episodes, the XS Noize Podcast has become a trusted home for music's legends and trailblazers — a space where real conversations meet real stories. Hosted by Mark Millar, the show has welcomed an extraordinary lineup including The Charlatans, Gary "Mani" Mounfield, Glen Matlock, Miles Kane, Matt Berninger, Saint Etienne, D:Ream, Gavin Rossdale, The Farm, Snow Patrol, John Lydon, Will Sergeant, Ocean Colour Scene, Gary Kemp, Doves, Gavin Friday, David Gray, Anton Newcombe, Peter Hook, Razorlight, Sananda Maitreya, James, Crowded House, Elbow, Cast, Kula Shaker, Shed Seven, Future Islands, Peter Frampton, Bernard Butler, Steven Wilson, Travis, New Order, The Killers, Tito Jackson, Simple Minds, The Divine Comedy, Shaun Ryder, Gary Numan, Sleaford Mods, and Michael Head — among many more. Explore the complete XS Noize Podcast archive here. New episodes drop weekly — subscribe for more in-depth conversations with the artists who shape our lives.

In this episode of the XS Noize Podcast, Mark Millar is joined by guitarist and songwriter Cathal Mac Gabhann from Cork alt-rock and shoegaze outfit The Altered Hours — one of Ireland's most vital underground bands. The Altered Hours released their self-titled third album on November 7th via Pizza Pizza Records. Recorded to tape by analogue producer Julie McLarnon (New Order, Lankum, Happy Mondays), the album captures the band at their most raw, warm, and emotionally direct. Formed in 2010, the band have carved out a unique place in the European alternative scene through two albums, a run of EPs, and a reputation for immersive, fuzz-drenched live shows. Their independent spirit has earned them admiration from peers and fans alike. Cathal discusses the band's evolution, the creative shift behind the new record, and how recording to tape has brought out their most dynamic sound yet. He also reflects on touring with Fontaines D.C., playing venues like The Bataclan and Alexandra Palace, and stepping in as their live guitarist across Japan and Australia. Now signed to Pizza Pizza Records, The Altered Hours step confidently into a new phase — honouring their psych-rock roots while pushing into bolder, more atmospheric territory. Listen to Cathal Mac Gabhann discuss the making of the new album, the journey behind it, and where The Altered Hours go next — exclusively on the XS Noize Podcast. About The XS Noize Podcast With over 250 episodes, the XS Noize Podcast has become a trusted home for music's legends and trailblazers — a space where real conversations meet real stories. Hosted by Mark Millar, the show has welcomed an extraordinary lineup including The Charlatans, Gary "Mani" Mounfield, Glen Matlock, Miles Kane, Matt Berninger, Saint Etienne, D:Ream, Gavin Rossdale, The Farm, Snow Patrol, John Lydon, Will Sergeant, Ocean Colour Scene, Gary Kemp, Doves, Gavin Friday, David Gray, Anton Newcombe, Peter Hook, Razorlight, Sananda Maitreya, James, Crowded House, Elbow, Cast, Kula Shaker, Shed Seven, Future Islands, Peter Frampton, Bernard Butler, Steven Wilson, Travis, New Order, The Killers, Tito Jackson, Simple Minds, The Divine Comedy, Shaun Ryder, Gary Numan, Sleaford Mods, and Michael Head — among many more. Explore the complete XS Noize Podcast archive here. New episodes drop weekly — subscribe for more in-depth conversations with the artists who shape our lives.    

In this episode of the XS Noize Podcast, Mark Millar is joined by Pearce Macca — frontman of Birmingham indie-rockers The Clause, a band whose rise has become one of the most inspiring new stories in modern British guitar music. The Clause have just unveiled their long-awaited debut album Victim of a Casual Thing — a record built on pure graft, unshakable friendship, and more than a decade of refusing to give in. What started in a cramped school practice room in 2011 — with Pearce Macca, Jonny Fyffe and Niall Fennell learning their favourite songs before Liam Deakin completed the line-up — has grown into a band with a fiercely loyal fanbase and a reputation for electrifying live shows. Pearce looks back on the full journey: the teenage beginnings, the countless setbacks, the near-misses, the belief that kept them going, and the breakthrough moments that finally pushed the band to album one. He reflects on the stories they've lived together — the wins, the losses, the friendships, the heartbreaks — and how those experiences became the emotional engine of Victim of a Casual Thing. We also dive into The Clause's rise on the live circuit, from sweatbox early gigs to lighting up festival crowds at Radio 1's Big Weekend, Isle of Wight, Truck, Tramlines, and Rock 'n' Roll Circus. And Pierce takes us inside the making of the album itself — the sound that defines The Clause, the writing and recording process, and why this record feels less like a finish line and more like the start of the real story. "We've done this the long way — but it's the right way. It's made us the band we are." – Pearce Macca Listen to Pearce Macca talk about the decade-long journey behind The Clause, the heart and honesty driving Victim of a Casual Thing, and the breakthrough moment they've been chasing — exclusively on the XS Noize Podcast. About The XS Noize Podcast With over 250 episodes, the XS Noize Podcast has become a trusted home for music's legends and trailblazers — a space where real conversations meet real stories. Hosted by Mark Millar, the show has welcomed an extraordinary lineup including The Charlatans, Gary "Mani" Mounfield, Glen Matlock, Miles Kane, Matt Berninger, Saint Etienne, D:Ream, Gavin Rossdale, The Farm, Snow Patrol, John Lydon, Will Sergeant, Ocean Colour Scene, Gary Kemp, Doves, Gavin Friday, David Gray, Anton Newcombe, Peter Hook, Razorlight, Sananda Maitreya, James, Crowded House, Elbow, Cast, Kula Shaker, Shed Seven, Future Islands, Peter Frampton, Bernard Butler, Steven Wilson, Travis, New Order, The Killers, Tito Jackson, Simple Minds, The Divine Comedy, Shaun Ryder, Gary Numan, Sleaford Mods, and Michael Head — among many more. Explore the complete XS Noize Podcast archive here. New episodes drop weekly — subscribe for more in-depth conversations with the artists who shape our lives.

In this episode of the XS Noize Podcast, Mark Millar is joined by Roland Gift — the iconic voice of Fine Young Cannibals and one of the most instantly recognisable singers in British music. With era-defining hits like "She Drives Me Crazy," "Good Thing," "Johnny Come Home," and their electrifying version of "Ever Fallen In Love," Fine Young Cannibals became global chart-toppers — selling over five million records and earning two BRIT Awards, an Ivor Novello, and three Grammy nominations. Their sharp, soulful sound continues to influence generations. Roland returns with two major releases — FYC40, a definitive 40-year anthology, and his brand-new festive single "Everybody Knows It's Christmas", showcasing that unmistakable voice in glorious form. Roland looks back on the band's beginnings, the explosive success of The Raw & The Cooked, and how his Otis Redding-inspired delivery fused with David Steele and Andy Cox's songwriting to create something completely unique. He also reflects on Fine Young Cannibals' continued cultural impact — including "She Drives Me Crazy" becoming the musical centrepiece of the 2025 Chanel campaign starring Dua Lipa and Jennie from BLACKPINK. We also talk about Roland's return to performing — touring with Jools Holland, shining at the 2022 Hootenanny, and his triumphant 40 Years of Songs tour, which launched with a sold-out London Palladium show. And we dive into "Everybody Knows It's Christmas" — a glam-rock, wall-of-sound celebration co-written with Ben Barson, full of warmth, nostalgia, and classic Roland soul. "Wherever you are I hope this song brings a bit of warmth, a smile, and maybe a bit of that Christmas magic your way." – Roland Gift Listen to Roland Gift discuss 40 years of Fine Young Cannibals, the making of FYC40, and the joy behind his new Christmas single — exclusively on the XS Noize Podcast. About The XS Noize Podcast With over 250 episodes, the XS Noize Podcast has become a trusted home for music's legends and trailblazers — a space where real conversations meet real stories. Hosted by Mark Millar, the show has welcomed an extraordinary lineup including The Charlatans, Gary "Mani" Mounfield, Glen Matlock, Miles Kane, Matt Berninger, Saint Etienne, D:Ream, Gavin Rossdale, The Farm, Snow Patrol, John Lydon, Will Sergeant, Ocean Colour Scene, Gary Kemp, Doves, Gavin Friday, David Gray, Anton Newcombe, Peter Hook, Razorlight, Sananda Maitreya, James, Crowded House, Elbow, Cast, Kula Shaker, Shed Seven, Future Islands, Peter Frampton, Bernard Butler, Steven Wilson, Travis, New Order, The Killers, Tito Jackson, Simple Minds, The Divine Comedy, Shaun Ryder, Gary Numan, Sleaford Mods, and Michael Head — among many more. Explore the complete XS Noize Podcast archive here New episodes drop weekly — subscribe for more in-depth conversations with the artists who shape our lives.

In this episode of the XS Noize Podcast, Mark Millar is joined by ALKY — the Dublin-born indie-rock artist and former Emmy-nominated audio engineer whose raw, heartfelt songwriting is making serious waves across Ireland's indie scene. From his breakout singles "Dirty Tricks," "All Because of Love," "Perfect," and "How Do You?" to sold-out shows at Whelan's and The Workman's Club, ALKY has built a growing reputation for pairing widescreen anthems with brutally honest storytelling. Now, he's stepping into a defining new chapter with the release of his debut album Rinse & Repeat, a powerful exploration of addiction, love, and the endless cycles we fight to escape. In our conversation, ALKY talks about the messy truth behind his lyrics, his transition from studio engineer to full-time artist, and how facing his own patterns of self-destruction became the creative spark for the record. He opens up about sobriety, resilience, and why imperfection — both in music and in life — can be the most honest sound of all. We also dive into the making of standout tracks "All Because of Love," "How Do You?," "Perfect," and "Dirty Tricks," his experience coming up through Dublin's live circuit, and how Rinse & Repeat became a cathartic statement on falling, getting back up, and finding meaning in repetition. "I noticed I kept falling into the same destructive behaviours — the same chaos regarding alcohol and my relationship choices. Rinse & Repeat is a reflection of that cycle and putting it into songs." – ALKY Listen to ALKY discuss the making of his debut album Rinse & Repeat, addiction, love, and finding strength in repetition on the XS Noize Podcast. About The XS Noize Podcast With over 250 episodes to its name, the XS Noize Podcast has become a trusted home for music's legends and trailblazers — a space where real conversations meet real stories. Hosted by Mark Millar, the show has welcomed an extraordinary lineup including The Charlatans, Gary "Mani" Mounfield, Glen Matlock, Miles Kane, Matt Berninger, Saint Etienne, D:Ream, Gavin Rossdale, The Farm, Snow Patrol, John Lydon, Will Sergeant, Ocean Colour Scene, Gary Kemp, Doves, Gavin Friday, David Gray, Anton Newcombe, Peter Hook, Razorlight, Sananda Maitreya, James, Crowded House, Elbow, Cast, Kula Shaker, Shed Seven, Future Islands, Peter Frampton, Bernard Butler, Steven Wilson, Travis, New Order, The Killers, Tito Jackson, Simple Minds, The Divine Comedy, Shaun Ryder, Gary Numan, Sleaford Mods, and Michael Head — among many more. Explore the complete XS Noize Podcast archive here New episodes of the XS Noize Podcast drop weekly — subscribe for more in-depth conversations with the artists who shape our lives.  

In this episode of the XS Noize Podcast, Mark Millar is joined by Martin Blunt — founding member and bassist of The Charlatans, one of Britain's most enduring and beloved bands. From their breakthrough with Some Friendly to the anthemic Tellin' Stories and the reflective Modern Nature, The Charlatans have spent more than three decades making music that moves between euphoria and heart. Now, with We Are Love, they've created a record that feels like a true celebration — warm, hopeful, and full of connection. Martin talks about the chemistry that's kept the band together, the highs and heartbreaks along the way, and how they still find joy in playing together after all these years. He also pays heartfelt tribute to the late Rob Collins and Jon Brookes, whose spirit and influence continue to guide the band's sound and soul. "If you gave us the being-in-a-band tick sheet, I think we've ticked quite a few of the boxes." – Martin Blunt Listen to the full episode and join Martin as he looks back on the band's story, the soul behind We Are Love, and why — after all this time — The Charlatans are still chasing that same spark that started it all. About The XS Noize Podcast With over 250 episodes to its name, the XS Noize Podcast has become a trusted home for music's legends and trailblazers — a space where real conversations meet real stories. Hosted by Mark Millar, the show has welcomed an extraordinary lineup including Gary 'Mani' Mounfield, Glen Matlock, Miles Kane, Matt Berninger, Saint Etienne, D:Ream, Gavin Rossdale, The Farm, Snow Patrol, John Lydon, Will Sergeant, Ocean Colour Scene, Gary Kemp, Doves, Gavin Friday, David Gray, Anton Newcombe, Peter Hook, Razorlight, Sananda Maitreya, James, Crowded House, Elbow, Cast, Kula Shaker, Shed Seven, Future Islands, Peter Frampton, Bernard Butler, Steven Wilson, Travis, New Order, The Killers, Tito Jackson, Simple Minds, The Divine Comedy, Shaun Ryder, Gary Numan, Sleaford Mods, and Michael Head — among many more. Explore the complete XS Noize Podcast archive here New episodes of the XS Noize Podcast drop weekly — subscribe for more in-depth conversations with the artists who shape our lives.

In this episode of the XS Noize Podcast, Mark Millar is joined by Moya Brennan — the unmistakable voice of Clannad, often hailed as the First Lady of Celtic Music. This year marks the 40th anniversary of Clannad's landmark 1985 album Macalla — a record that bridged ancient Celtic roots with modern pop and ambient textures. Produced by Steve Nye (Japan, David Sylvian) and recorded across Dublin, Surrey, and Switzerland, Macalla captured the moment when Irish music stepped confidently onto the global stage — featuring the iconic duet with Bono, In a Lifetime. In this conversation, Moya looks back on the creative and spiritual journey behind Macalla — from the evolving sound that carried Clannad from Donegal's Irish-speaking Gaeltacht region to worldwide acclaim, to the energy of recording during a golden era for Irish music, with U2 at Live Aid and the world discovering Celtic voices anew. She recalls the "lightning in a bottle" studio sessions with Bono and explores the deeper sense of faith, family, and identity that continues to echo through her work. "If Macalla helps someone feel something, even for a moment — that's what it was meant for." – Moya Brennan Moya also reflects on Clannad's role in reshaping how Irish music was seen around the world, and the blending of Gaelic language and modern production that became their signature sound. She discusses how her collaborations have taken her voice from folk stages to global dance floors — most famously with Chicane on Saltwater — and the enduring power of songs such as Closer to Your Heart, Buachaill Ón Éirne, Caisleán Óir, Almost Seems (Too Late to Turn), The Wild Cry, and Journey's End to connect generations. Listen to the full episode and join Moya Brennan as she reflects on 40 years of Macalla — the memories, the music, and the lasting echo of Clannad's legacy. About The XS Noize Podcast With over 250 episodes to its name, the XS Noize Podcast has become a trusted home for music's legends and trailblazers — a space where real conversations meet real stories. Hosted by Mark Millar, the show has welcomed an extraordinary lineup including Glen Matlock, Miles Kane, Matt Berninger, Saint Etienne, D:Ream, Gavin Rossdale, The Farm, Snow Patrol, John Lydon, Will Sergeant, Ocean Colour Scene, Gary Kemp, Doves, Gavin Friday, David Gray, Anton Newcombe, Peter Hook, Razorlight, Sananda Maitreya, James, Crowded House, Elbow, Cast, Kula Shaker, Shed Seven, Future Islands, Peter Frampton, Bernard Butler, Steven Wilson, Travis, New Order, The Killers, Tito Jackson, Simple Minds, The Divine Comedy, Shaun Ryder, Gary Numan, Sleaford Mods, and Michael Head — among many more. Explore the complete XS Noize Podcast archive here  

In this episode, #254 of the XS Noize Podcast, Mark Millar is joined by a true architect of punk — Glen Matlock, the original bassist and founding spark of The Sex Pistols. Glen co-wrote ten of the twelve songs on the band's legendary 1977 album Never Mind the Bollocks, giving its chaos a melodic backbone that helped define an era. Now, he's reclaiming his story in the new documentary I Was a Teenage Sex Pistol — a compelling, filmic portrait of the Pistols' rise told through wry, honest, and often hilarious first-hand accounts. In this conversation, Glen looks back on the bleak yet electric energy of 1970s Britain, the provocations of Malcolm McLaren and Vivienne Westwood's SEX shop, Steve Jones' infamous thieving, and the band's chaotic search for a frontman that would ultimately change music forever. From bust-ups and fan mania to the tabloid outrage that followed, Glen offers a frank and insightful portrait of a group of misfits who tore down the old order — and the cost that came with it. He also talks about the real story behind I Was a Teenage Sex Pistol, co-writing the songs that built Never Mind the Bollocks, the truth about his split from the Sex Pistols, the spirit of early punk culture, fashion and rebellion, and the life lessons learned from one of rock's great survivors. Hear Glen Matlock reflect on the chaos, the craft, the myth — and the man behind it all. About The XS Noize Podcast With over 250 episodes to its name, the XS Noize Podcast has become a trusted home for music's legends and trailblazers — a space where real conversations meet real stories. Hosted by Mark Millar, the show has welcomed an extraordinary lineup including Miles Kane, Matt Berninger, Saint Etienne, D:Ream, Gavin Rossdale, The Farm, Snow Patrol, John Lydon, Will Sergeant, Ocean Colour Scene, Gary Kemp, Doves, Gavin Friday, David Gray, Anton Newcombe, Peter Hook, Razorlight, Sananda Maitreya, James, Crowded House, Elbow, Cast, Kula Shaker, Shed Seven, Future Islands, Peter Frampton, Bernard Butler, Steven Wilson, Travis, New Order, The Killers, Tito Jackson, Simple Minds, The Divine Comedy, Shaun Ryder, Gary Numan, Sleaford Mods, and Michael Head — among many more. Explore the complete XS Noize Podcast archive here  

In this episode of the XS Noize Podcast, Mark Millar is joined by Charles Cave and Jack Lawrence-Brown from White Lies to discuss their electrifying seventh album "Night Light". This bold, live-driven reinvention captures the band at their most instinctive and free-flowing. Recorded live in the room for the first time, Night Light sees White Lies embracing spontaneity and creative risk — from the motorik rush of “Nothing On Me” and the 70s-inspired swagger of “Going Nowhere”, to the sweeping ambition of “All The Best” and the hypnotic finale “In The Middle.” Charles and Jack take us inside the fearless process behind the record — how rehearsing and performing songs before recording transformed the sound, how the influence of The Midnight Special inspired their approach, and how working with longtime collaborator Seth Evans unlocked a new sense of chemistry and space within the band. They also reflect on 16 years of White Lies — from their debut To Lose My Life… to the creative confidence of Night Light — exploring what keeps their partnership strong, how they've continued to evolve, and the joy of still finding new ground to explore together. “This record felt like freedom — the sound of a band who finally know exactly who they are.” — Charles Cave “It's amazing what happens when you stop chasing perfection and just play.” — Jack Lawrence-Brown White Lies' seventh album "Night Light" arrives November 7 via Play It Again Sam — a bold new chapter in the band's sixteen-year journey. About The XS Noize Podcast With over 250 episodes to its name, the XS Noize Podcast has become a trusted home for music's legends and trailblazers — a space where real conversations meet real stories. Hosted by Mark Millar, the show has welcomed an extraordinary lineup including Miles Kane, Matt Berninger, Saint Etienne, D:Ream, Gavin Rossdale, The Farm, Snow Patrol, John Lydon, Will Sergeant, Ocean Colour Scene, Gary Kemp, Doves, Gavin Friday, David Gray, Anton Newcombe, Peter Hook, Razorlight, Sananda Maitreya, James, Crowded House, Elbow, Cast, Kula Shaker, Shed Seven, Future Islands, Peter Frampton, Bernard Butler, Steven Wilson, Travis, New Order, The Killers, Tito Jackson, Simple Minds, The Divine Comedy, Shaun Ryder, Gary Numan, Sleaford Mods, and Michael Head — among many more. Explore the complete XS Noize Podcast archive here.  

In this episode, #252 of the XS Noize Podcast, Mark Millar talks with Aaron Starkie of The Slow Readers Club to celebrate A Decade of Cavalcade — the Manchester band's breakthrough album that defined their sound and changed everything. As Aaron reflects: “Cavalcade was the moment where it all started to click — we found our sound, our confidence, and that connection with the audience that's carried us ever since.” — Aaron Starkie Across its ten tracks, Cavalcade captured The Slow Readers Club's signature blend of brooding intensity and euphoric release — from the pulsating urgency of “Forever In Your Debt” and the anthemic hope of “Plant The Seed,” to the haunting emotion of “Days Like This Will Break Your Heart” and the hypnotic title track itself. In this conversation, Aaron takes us inside that pivotal era — from writing and recording Cavalcade to creating the album's striking geometric artwork himself, and how those songs continue to evolve a decade later. He also discusses the band's creative growth, the importance of their DIY ethos, and the emotional power of seeing those tracks come alive again onstage. The episode arrives as The Slow Readers Club prepare to hit the road for their A Decade of Cavalcade tour — revisiting the record in full while celebrating a new chapter of momentum following the Top 20 success of their latest album, Out Of A Dream. Listen now and follow the XS Noize Podcast for more in-depth conversations with music's most inspiring artists. About The XS Noize Podcast With over 250 episodes to its name, the XS Noize Podcast has become a trusted home for music's legends and trailblazers — a space where real conversations meet real stories. Hosted by Mark Millar, the show has welcomed an extraordinary lineup including Miles Kane, Matt Berninger, Saint Etienne, D:Ream, Gavin Rossdale, The Farm, Snow Patrol, John Lydon, Will Sergeant, Ocean Colour Scene, Gary Kemp, Doves, Gavin Friday, David Gray, Anton Newcombe, Peter Hook, Razorlight, Sananda Maitreya, James, Crowded House, Elbow, Cast, Kula Shaker, Shed Seven, Future Islands, Peter Frampton, Bernard Butler, Steven Wilson, Travis, New Order, The Killers, Tito Jackson, Simple Minds, The Divine Comedy, Shaun Ryder, Gary Numan, Sleaford Mods, and Michael Head — among many more. Explore the complete XS Noize Podcast archive here.    

In this episode, Mark Millar is joined by Miles Kane to discuss his new album Sunlight in the Shadows — a swaggering, soulful record made with Dan Auerbach of The Black Keys. Recorded live in Nashville over three days, the album blends British beat energy, Motown soul, and Miles' unmistakable tremolo swagger. He opens up about the instant chemistry with Auerbach, finding calm and spirituality in his music, and why this feels like the defining moment of his career. About The XS Noize Podcast With over 250 episodes to its name, the XS Noize Podcast has become a trusted home for music's legends and trailblazers — a space where real conversations meet real stories. Hosted by Mark Millar, the show has welcomed an extraordinary lineup including Matt Berninger, Saint Etienne, D:Ream, Gavin Rossdale, The Farm, Snow Patrol, John Lydon, Will Sergeant, Ocean Colour Scene, Gary Kemp, Doves, Gavin Friday, David Gray, Anton Newcombe, Peter Hook, Razorlight, Sananda Maitreya, James, Crowded House, Elbow, Cast, Kula Shaker, Shed Seven, Future Islands, Peter Frampton, Bernard Butler, Steven Wilson, Travis, New Order, The Killers, Tito Jackson, Simple Minds, The Divine Comedy, Shaun Ryder, Gary Numan, Sleaford Mods, and Michael Head — among many more.

In episode #250 of the XS Noize Podcast, Mark Millar is joined by Andrew Davie from Bear's Den and Irish singer-songwriter Ciaran Lavery to discuss their beautiful new collaborative EP Promiser — a stripped-back collection celebrating love, simplicity, and connection. Quietly recorded over just five days in Andrew's home studio and released via Communion Records, Promiser explores the art of restraint — capturing songs in one-take performances filled with birdsong, rain, and real human imperfection. “There was this lyrical idea early on of trying to write songs that didn't need innate conflict or tragedy to exist — songs that celebrated love in its simple, domestic moments, without the need for high drama.” — Andrew Davie, Bear's Den Drawing inspiration from the intimacy of Bruce Springsteen's Nebraska and Adrianne Lenker's Bright Future, Promiser sees both artists embracing the beauty of limitation, joined by guests Emma Gatrill and Joshua Burnside for instinctive, emotionally charged one-take performances. In this conversation, Bear's Den and Ciaran Lavery reflect on the friendship and creative spark behind Promiser — writing songs without conflict, finding meaning in everyday love, capturing raw home-studio moments, and bringing the record to life on their fast-selling Irish tour. “Working with Bear's Den felt almost accidental — we followed what felt right, not what was perfect.” — Ciaran Lavery “Ciaran's songs would just appear — almost fully formed — and that was a real joy to witness.” — Andrew Davie, Bear's Den Bear's Den are known worldwide for their cinematic folk sound and emotional honesty. Ciaran Lavery, one of Ireland's most acclaimed singer-songwriters, is celebrated for his poetic lyricism and intimate storytelling. Together, they've created something special with Promiser — a record that captures the raw beauty of two songwriters in complete creative trust. About The XS Noize Podcast With over 240 episodes, XS Noize Podcast has welcomed legends and trailblazers including Matt Berninger, Saint Etienne, D:Ream, Gavin Rossdale, The Farm, Snow Patrol, John Lydon, Will Sergeant, Ocean Colour Scene, Gary Kemp, Doves, Gavin Friday, David Gray, Anton Newcombe, Peter Hook, Razorlight, Sananda Maitreya, James, Crowded House, Elbow, Cast, Kula Shaker, Shed Seven, Future Islands, Peter Frampton, Bernard Butler, Steven Wilson, Travis, New Order, The Killers, Tito Jackson, Simple Minds, The Divine Comedy, Shaun Ryder, Gary Numan, Sleaford Mods, and Michael Head — and many more.

In this episode, #249 of the XS Noize Podcast, Mark Millar is joined by Maddy Myers and Gustav Moltke from the Californian-Danish dream-pop collective Moon Panda to talk about their stunning third album, Dumb Luck. Recorded between California and Copenhagen, Dumb Luck is a lush dream-pop record exploring love, luck, and creative rebirth — Moon Panda's most sensuous and emotionally open work to date. Written and recorded with keyboardist/guitarist George Godwin and drummer Josh Cabitac, and completed with producer Adam Thein (Djo), the album also features the shimmering single “Space Elevator.” In this conversation, Moon Panda open up about: Recording from home and collaborating across continents The themes of luck, love, and creative survival that shaped Dumb Luck The emotional rollercoaster of motherhood and rediscovering identity through music The deep friendship and “dumb luck” that keeps the band connected across the world “We've been so lucky to find each other and keep creating together — even though we come from different sides of the world,” says Maddy Myers. With Dumb Luck, Moon Panda have created their finest and most heartfelt record yet — a dreamy soundtrack for life's changes, losses, and rediscoveries. XS Noize Podcast Guests Over 240 episodes in, XS Noize has welcomed legends and trailblazers, including: Matt Berninger, Saint Etienne, D:Ream, Gavin Rossdale, The Farm, Snow Patrol, John Lydon, Will Sergeant, Ocean Colour Scene, Gary Kemp, Doves, Gavin Friday, David Gray, Anton Newcombe, Peter Hook, Razorlight, Sananda Maitreya, James, Crowded House, Elbow, Cast, Kula Shaker, Shed Seven, Future Islands, Peter Frampton, Bernard Butler, Steven Wilson, Travis, New Order, The Killers, Tito Jackson, Simple Minds, The Divine Comedy, Shaun Ryder, Gary Numan, Sleaford Mods, Michael Head — and many more. Find The XS Noize Podcast's complete archive of episodes here.

In Episode #248 of the XS Noize Podcast, host Mark Millar is joined by Rick McMurray — drummer of Northern Irish rock legends Ash — for a deep dive into their brand-new ninth studio album, Ad Astra. Arriving just two years after Race the Night, Ad Astra finds Ash in rocket-fuelled form. Featuring collaborations with Graham Coxon and a wild cover of “Jump in the Line,” the record fuses ferocious riffs with reflective moments, showing a band still evolving three decades in. In this episode, Rick talks about the making of Ad Astra, the madness behind “Fun People” (and working with Coxon), the defiance/hope at the heart of “Give Me Back My World,” why the “Jump in the Line” cover made sense now, and how songs like “My Favourite Ghost” and “Keep Dreaming” bring balance. He also reflects on being “lifers, not part-timers,” Ash's place in today's scene, and taking the new songs on the road. XS Noize Podcast Guests Over 240 episodes in, XS Noize has welcomed legends and trailblazers, including: Matt Berninger, Saint Etienne, D:Ream, Gavin Rossdale, The Farm, Snow Patrol, John Lydon, Will Sergeant, Ocean Colour Scene, Gary Kemp, Doves, Gavin Friday, David Gray, Anton Newcombe, Peter Hook, Razorlight, Sananda Maitreya, James, Crowded House, Elbow, Cast, Kula Shaker, Shed Seven, Future Islands, Peter Frampton, Bernard Butler, Steven Wilson, Travis, New Order, The Killers, Tito Jackson, Simple Minds, The Divine Comedy, Shaun Ryder, Gary Numan, Sleaford Mods, Michael Head — and many more. Find The XS Noize Podcast's complete archive of episodes here.

In Episode #247 of the XS Noize Podcast, host Mark Millar is joined by Finn O'Brien — frontman of London via Bristol indie band The Jacques — to discuss the band's powerful new album Make Repetition. The Jacques' story is one of resilience, tragedy, and survival. Formed as teenagers, they rose quickly with early festival slots and a Libertines support show at Hyde Park, before facing devastating setbacks — including the loss of bandmate Will Hicks and Finn's own battle with addiction. Now, with Make Repetition!, produced by Dan Swift, Jules Apollinaire, and Gordon Raphael, the band have emerged with their strongest, most confident work to date. In this episode, Finn talks about the stories behind songs like “Nothing Amazing” and “Via Dolorosa,” how he ended up making John Lydon cry while touring with PiL, and what really happened when the band's gear was stolen by their tour manager. He also reflects on music as a vital lifeline, the resilience that has carried The Jacques forward, and why their next record might be a concept album. Previous XS Noize Podcast Guests Over 240 episodes in, XS Noize has welcomed legends and trailblazers, including: Matt Berninger, Saint Etienne, D:Ream, Gavin Rossdale, The Farm, Snow Patrol, John Lydon, Will Sergeant, Ocean Colour Scene, Gary Kemp, Doves, Gavin Friday, David Gray, Anton Newcombe, Peter Hook, Razorlight, Sananda Maitreya, James, Crowded House, Elbow, Cast, Kula Shaker, Shed Seven, Future Islands, Peter Frampton, Bernard Butler, Steven Wilson, Travis, New Order, The Killers, Tito Jackson, Simple Minds, The Divine Comedy, Shaun Ryder, Gary Numan, Sleaford Mods, Michael Head — and many more. Find The XS Noize Podcast's complete archive of episodes here.

Gary Numan joins The XS Noize Podcast to reflect on Telekon at 45, his emotional Wembley return, debut at Glastonbury, and the future of AI in music. In one of his most open and revealing interviews, Numan discusses resilience, mental health, and the moments he nearly walked away from music — while revisiting the ghosts of his past and looking ahead to the creative future. From Cars and Are ‘Friends' Electric? to Intruder and beyond, this is Gary Numan at his most candid — sharing insights into legacy, technology, and what still drives him after decades in music. Previous XS Noize Podcast Guests With over 240 episodes, XS Noize has welcomed legends and trailblazers including: Matt Berninger (The National), John Lydon (Sex Pistols), Peter Hook (Joy Division & New Order), Snow Patrol, Doves, Saint Etienne, Cast, Anton Newcombe, Peter Frampton, Razorlight, Ocean Colour Scene, Gary Kemp, Chesney Hawkes, and many more. Find The XS Noize Podcast's complete archive of episodes here.  

In Episode #245 of the XS Noize Podcast, host Mark Millar is joined by Neil Hannon — the brilliant mind behind The Divine Comedy — for a revealing conversation about his stunning new album, Rainy Sunday Afternoon, out this September on Divine Comedy Records. His 13th studio album and perhaps his finest to date, Rainy Sunday Afternoon, was recorded at Abbey Road and finds Hannon blending lush orchestral arrangements with sharp lyrical insight. Written as a response to personal reflection and global unrest, the record explores themes of memory, mortality, and melancholy — all delivered with his trademark wit and elegance. The Divine Comedy's 13th album, balancing grief and absurdity, and why songwriting still feels like emotional alchemy. The album's lead single Achilles, inspired by a 1915 WWI poem, is a moving meditation on bravery and loss. Elsewhere, Hannon reflects on writing songs for the hit film Wonka and revisiting his past through the remastered Divine Comedy back catalogue. In this episode, Neil discusses the emotional and philosophical ideas behind the new record, the creative freedom of writing for film, and why music — now more than ever — needs both sadness and silliness. He also teases the upcoming UK tour and shares reflections on a career spent crafting one of Britain's most unique and literate songbooks. Whether you've followed The Divine Comedy since Casanova, or are discovering Neil's genius for the first time, this is a rich, witty, and deeply human episode not to be missed. Previous XS Noize Podcast Guests Over 240 episodes in, XS Noize has welcomed legends and trailblazers, including: Matt Beringer, Saint Etienne, D:Ream, Gavin Rossdale, The Farm, Snow Patrol, John Lydon, Will Sergeant, Ocean Colour Scene, Gary Kemp, Doves, Gavin Friday, David Gray, Anton Newcombe, Peter Hook, Razorlight, Sananda Maitreya, James, Crowded House, Elbow, Cast, Kula Shaker, Shed Seven, Future Islands, Peter Frampton, Bernard Butler, Steven Wilson, Travis, New Order, The Killers, Tito Jackson, Simple Minds, The Divine Comedy, Shaun Ryder, Gary Numan, Sleaford Mods, Michael Head — and many more. Find The XS Noize Podcast's complete archive of episodes here.

In Episode #244 of the XS Noize Podcast, host Mark Millar chats with Tom Smith — frontman of Editors — about his debut solo album There Is Nothing In The Dark That Isn't There In The Light, released 5 December on Play It Again Sam. After two decades leading Editors through seven acclaimed albums and two records with Smith & Burrows, Tom is stepping into solo territory for the first time. Motivated by a desire to reconnect with the raw, acoustic beginnings of his songwriting, he set out to create something more intimate and personal — a world away from the collaborative nature of his band projects. Produced with Iain Archer, the album blends stripped-back honesty with cinematic flourishes, moving from the nostalgic ache of Lights Of New York City to the soaring drama of Life Is For Living. Along the way, Tom explores themes of memory, resilience, and connection, balancing melancholy with hope. In this episode, Tom talks about finding his voice as a solo artist, the stories and emotions behind these songs, and we also revisit the Editors' back catalogue that made him one of the UK's most distinctive frontmen. Whether you've followed Tom's journey from the very first Editors record or are meeting him here for the first time, this is an intimate and revealing look at an artist entering a bold new chapter. Previous XS Noize Podcast Guests Over 240 episodes in, XS Noize has welcomed legends and trailblazers, including: Matt Beringer, Saint Etienne, D:Ream, Gavin Rossdale, The Farm, Snow Patrol, John Lydon, Will Sergeant, Ocean Colour Scene, Gary Kemp, Doves, Gavin Friday, David Gray, Anton Newcombe, Peter Hook, Razorlight, Sananda Maitreya, James, Crowded House, Elbow, Cast, Kula Shaker, Shed Seven, Future Islands, Peter Frampton, Bernard Butler, Steven Wilson, Travis, New Order, The Killers, Tito Jackson, Simple Minds, The Divine Comedy, Shaun Ryder, Gary Numan, Sleaford Mods, Michael Head — and many more. Find The XS Noize Podcast's complete archive of episodes here.

In Episode #243 of the XS Noize Podcast, host Mark Millar chats with Rick Nunn — vocalist and guitarist of The Milk — about the band's powerful new album Borderlands, released 19 September on WLS Records. Formed during their school days, The Milk have spent decades honing a sound that blends soul, funk, and rock with fearless live energy. From their major-label debut Tales from the Thames Delta to the independent breakthrough Favourite Worry and the cinematic sweep of Cages, they've built a reputation for honesty, craft, and ambition. With Borderlands, they return with their most expansive and personal work yet — an album that weaves choirs, brass, and strings into stories of love, loss, and resilience. In this episode, Rick opens up about the ambition behind Borderlands, the journey from navigating label compromises to full creative independence, and how three decades of friendship continue to drive The Milk's music. He also reflects on the band's evolution and why Borderlands feels like a defining chapter in their story. Whether you've followed The Milk from the beginning or are discovering them for the first time, this episode offers a raw, inspiring look at a band still pushing forward with heart and conviction. Stream below. Or listen via YouTube | Apple Podcasts | Spotify | Amazon Music | RSS – Find The XS Noize Podcast's complete archive of episodes here. Previous XS Noize Podcast guests include legends and trailblazers such as Saint Etienne, D: Ream, Gavin Rossdale, The Farm, Snow Patrol, John Lydon, Will Sergeant, Ocean Colour Scene, Gary Kemp, Doves, Gavin Friday, David Gray, Anton Newcombe, Peter Hook, Razorlight, Sananda Maitreya, James, Crowded House, Elbow, Cast, Kula Shaker, Shed Seven, Future Islands, Peter Frampton, Bernard Butler, Steven Wilson, Travis, New Order, The Killers, Tito Jackson, Simple Minds, The Divine Comedy, Shaun Ryder, Gary Numan, Sleaford Mods, Michael Head — and many more.

This week, Steve picked a set of "wave" songs.  Here is the list of artists we'll hear this week: No Doubt, Matt Pond PA, The Blue Stones, Blancmange, Ocean Colour Scene, The Apples In Stereo, U2, The Cure, Muse, The Smiths, Mattiel, Metric, The Black Keys, Nocturnal Emissions, The Who. AI-free since 2016! On the Air on Bedford 105.1 FM Radio      *** 5pm Friday ***      *** 10am Sunday ***      *** 8pm Monday *** Stream live at http://209.95.50.189:8178/stream Stream on-demand most recent episodes at https://wbnh1051.podbean.com/category/suburban-underground/ And available on demand on your favorite podcast app! Facebook: SuburbanUndergroundRadio   ***    Instagram: SuburbanUnderground   ***    #newwave #altrock #alternativerock #punkrock #indierock

Send us a textCrispian Mills stops by the show and we discuss, romanticism of the US and Rock n' Roll, Energy, death, knowledge and more.***Kula Shaker is Crispian Mills (guitar/vocals), Jay Darlington (Hammond organ), Alonza Bevan (bass) and Paul Winter-Hart (drums), the original line-up who regrouped for the first time since 1999's Peasants, Pigs & Astronauts.“We're not embarrassed to admit we still regard America as the Holy Land of Rock and Roll,” says guitarist/vocalist Crispian Mills of psychedelic post-Britpop band KULA SHAKER about their respect for North America. “It's a hopelessly romantic and rather old-fashioned view of the colonies, y'know, but, dash it all, we limeys just can't give it up!”To prove their adoration for the continent, the mesmeric band (consisting of all four original members) has added a handful of headline shows in addition to their dates supporting The Dandy Warhols on a North American tour, kicking off in Chicago, IL on Sept. 16th at Metro and working their way east to NYC's Irving Plaza on September 22ndbefore shooting off to Texas to support The Dandy Warhols for a round of dates on the Western side of the country. “We can't wait,” Mills says excitedly. “We've always dug the Dandy Warhols' tunes and their stonesy vibe, not to mention their work with the Velvets and their defining contribution to Pop Art. It's going to be a blast travelling around with them!”Combining their shimmery brand of shoegazey textures with an intoxicatingly expansive light show, Kula Shaker's live performances border on an immersive, trippy environment that meshes the visual and aural worlds into one kaleidoscopic event. “We're also pairing up with our friend Lance Gordon, AKA the Mad Alchemist, based in San Francisco,” explains Mills excitedly. “He does the world's best mind-melting liquid lightshow, so it's going to be a real psychedelic bunfight with all manner of mischief!”Hot off the road in the U.K. with Ocean Colour Scene, Kula Shaker has been teasing new music. Having released a new single “Charge of the Light Brigade” this past Spring that Jammerzine calls, “a retro-tastic stance in the stanza with bravado and flair from a set of truly original musicians” and Northern Exposure declares “more powerful than ever … a sonic power that's thrillingly new and yet, at the same time, contains an aura that is so nice and ageless,” the psycherock maestros are jazzed for a whole new chapter in their musical biography.“We tend to offer an assortment of live goodies,” he hints at the setlist. Songs like ‘Govinda,' ‘Tattva,' and ‘Hush' are always a joy because they never get tired. They just run and run, like good German motor cars. Must be some kind of enchantment. Whether old or new, the songs have to stand up and be counted. We have a brand new one called 'My Lucky Number' that tallies well in this context.”******If you would like to contact the show about being a guest, please email us at Dauna@bettertopodcast.comUpcoming guests can be found: https://dmneedom.com/upcoming-guest Follow us on Social MediaInstagram: https://www.instagram.com/author_d.m.needom/Facebook: https://www.facebook.com/bettertopodcastwithdmneedomIntro and Outro music compliments of Fast Suzi©2025 Better To...Podcast with D. M. NeedomSupport the show