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2 episodes with tansen
2 episodes with tansen
2 episodes with tansen
2 episodes with tansen
2 episodes with tansen
2 episodes with tansen
#klsaigal #bollywoodsongs #bollywoodmusic Kundan Lal Saigal (1904–1947) was a trailblazing Indian actor and singer, widely regarded as the first superstar of Indian cinema. Born in Jammu, Saigal's journey from a railway timekeeper to a cinematic legend is truly inspiring. He joined New Theatres in Kolkata in the 1930s, where his unique singing style and soulful voice revolutionized Indian music. Saigal is best remembered for his iconic songs like “Babul Mora Naihar Chhooto Hi Jaye” and “Jab Dil Hi Toot Gaya,” as well as memorable performances in films like Devdas (1935) and Tansen (1943). His naturalistic acting and heartfelt singing set benchmarks in the industry and influenced generations of artists. Despite a brief career, Saigal's impact remains unparalleled. His timeless melodies and powerful screen presence made him an enduring icon of Indian cinema. K.L. Saigal's legacy continues to shine brightly as a pioneer of India's golden era in music and films. KiranPrabha narrates the interesting anecdotes from Saigal's film journey.
Sadhguru narrates the story of Tansen – the finest musician in Akbar's court – and two remarkably talented young musicians who did not give into Akbar's request to sing in his court, but instead gave up their lives. He also speaks about how sound and music could be used to access the very source of creation. Set the context for a joyful, exuberant day with a short, powerful message from Sadhguru. Explore a range of subjects with Sadhguru, discover how every aspect of life can be a stepping stone, and learn to make the most of the potential that a human being embodies. Conscious Planet: https://www.consciousplanet.org Sadhguru App (Download): https://onelink.to/sadhguru__app Official Sadhguru Website: https://isha.sadhguru.org Sadhguru Exclusive: https://isha.sadhguru.org/in/en/sadhguru-exclusive Inner Engineering Link: isha.co/ieo-podcast Yogi, mystic and visionary, Sadhguru is a spiritual master with a difference. An arresting blend of profundity and pragmatism, his life and work serves as a reminder that yoga is a contemporary science, vitally relevant to our times. Learn more about your ad choices. Visit megaphone.fm/adchoices
Sadhguru narrates the story of Tansen – the finest musician in Akbar's court – and two remarkably talented young musicians who did not give into Akbar's request to sing in his court, but instead gave up their lives. He also speaks about how sound and music could be used to access the very source of creation. Set the context for a joyful, exuberant day with a short, powerful message from Sadhguru. Explore a range of subjects with Sadhguru, discover how every aspect of life can be a stepping stone, and learn to make the most of the potential that a human being embodies. Conscious Planet: https://www.consciousplanet.org Sadhguru App (Download): https://onelink.to/sadhguru__app Official Sadhguru Website: https://isha.sadhguru.org Sadhguru Exclusive: https://isha.sadhguru.org/in/en/sadhguru-exclusive Inner Engineering Link: isha.co/ieo-podcast Yogi, mystic and visionary, Sadhguru is a spiritual master with a difference. An arresting blend of profundity and pragmatism, his life and work serves as a reminder that yoga is a contemporary science, vitally relevant to our times. Learn more about your ad choices. Visit megaphone.fm/adchoices
Human value story on love and devotion. Any work done without expectation and for the love of God derives everlasting joy.http://saibalsanskaar.wordpress.com
A story about how Akbar tried to have Birbal and Tansen executed. No points for guessing that Birbal managed to find a way out, again! Transcript and show notes Music: https://www.purple-planet.com#sfipodcast #Akbar-Birbal #AkbarBirbal #Akbar #Birbal #Tansen
She's been a historian and a filmmaker. She's worked on feminism and caste and Buddhism. She's collected oral histories of India's traumas. She's mentored generations. The legendary Uma Chakravarti joins Amit Varma in episode 332 of The Seen and the Unseen to talk about her life, her times and her invaluable work towards the pursuit of truth. (FOR FULL LINKED SHOW NOTES, GO TO SEENUNSEEN.IN.) Also check out: 1. Uma Chakkravarti on Wikipedia and Amazon. 2. The Social Dimensions of Early Buddhism -- Uma Chakravarti. 3. Rewriting History: The Life and Times of Pandita Ramabai -- Uma Chakravarti. 4. Gendering Caste Through a Feminist Lens -- Uma Chakravarti. 5. Delhi Riots: Three Days in the Life of a Nation -- Uma Chakravarti and Nandita Haksar. 6. Thinking Gender, Doing Gender -- Edited by Uma Chakravarti. 7. A Quiet Little Entry -- Uma Chakravarti. 8. Fragments of a Past -- Uma Chakravarti. 9. Ek Inquilab Aur Aaya: Lucknow 1920-1949 -- Uma Chakravarti. 10. Prison Diaries -- Uma Chakravarti. 11. Sexual Violence in Indian Society -- Uma Chakravarti. 12. Restructuring the Path: Inserting Women into History (2000) -- Uma Chakravarti. 13. Select episodes on The Seen and the Unseen that touched on feminism & gender with Paromita Vohra, Kavita Krishnan, Mrinal Pande, Kavitha Rao, Namita Bhandare, Shrayana Bhattacharya, Mukulika Banerjee, Manjima Bhattacharjya, Nilanjana Roy, Urvashi Butalia, Mahima Vashisht, Alice Evans, Ashwini Deshpande, Natasha Badhwar, Shanta Gokhale, Arshia Sattar, Rohini Nilekani and Shaili Chopra. 14. Memories and Things — Episode 195 of The Seen and the Unseen (w Aanchal Malhotra). 15. Amitava Kumar Finds the Breath of Life — Episode 265 of The Seen and the Unseen. 16. Whatever happened To Ehsan Jafri on February 28, 2002? — Harsh Mander. 17. A Life in Indian Politics — Episode 149 of The Seen and the Unseen (w JP Narayan). 18. Kiran Ahluwalia Finds Our Aam Zameen -- Episode 328 of The Seen and the Unseen. 19. Yogendra Yadav on why he was named Salim. 20. The Intellectual Foundations of Hindutva — Episode 115 of The Seen and the Unseen (w Aakar Patel). 21. Aakar Patel Is Full of Hope — Episode 270 of The Seen and the Unseen (w Aakar Patel). 22. The Ferment of Our Founders — Episode 272 of The Seen and the Unseen (w Shruti Kapila). 23. Early Indians — Episode 112 of The Seen and the Unseen (w Tony Joseph). 24. Early Indians — Tony Joseph. 25. Who We Are and How We Got Here — David Reich. 26. A Venture Capitalist Looks at the World — Episode 213 of The Seen and the Unseen (w Sajith Pai). 27. Therīgāthā on Wikipedia and Amazon. 28. Arshia Sattar and the Complex Search for Dharma — Episode 315 of The Seen and the Unseen. 29. Deedar -- Nitin Bose. 30. Diya Jalao Jagmag Jagmag -- Song from Tansen. 31. Do Bigha Zameen -- Bimal Roy. 32. The Life and Times of Shanta Gokhale — Episode 311 of The Seen and the Unseen. 33. The Loneliness of the Indian Man — Episode 303 of The Seen and the Unseen (w Nikhil Taneja). 34. A Vindication of the Rights of Woman — Mary Wollstonecraft. 35. Frankenstein -- Mary Shelley. 36. Amit Varma's episode of The Book Club on Wollstonecraft's book. 37. Amit Varma's episode of The Book Club on Shelley's book. 38. The Life and Times of Urvashi Butalia — Episode 287 of The Seen and the Unseen. 39. Manjima Bhattacharjya: The Making of a Feminist — Episode 280 of The Seen and the Unseen. 40. A Cricket Tragic Celebrates the Game — Episode 201 of The Seen and the Unseen (w Ram Guha). 41. India = Migration — Episode 128 of The Seen and the Unseen (w Chinmay Tumbe). 42. India Moving — Chinmay Tumbe. 43. Fixing Indian Education — Episode 185 of The Seen and the Unseen (w Karthik Muralidharan). 44. Education in India — Episode 77 of The Seen and the Unseen (w Amit Chandra). 45. Understanding Indian Healthcare — Episode 225 of The Seen and the Unseen (w Karthik Muralidharan). 46. The Great Redistribution — Amit Varma. 47. The Beautiful Tree — James Tooley. 48. Hum Dekhenge -- Iqbal Bano. 49. Bhimrao Ramji Ambedkar and the Question of Socialism in India -- V Geetha. 50. Let's Read Ambedkar -- Lecture series by V Geetha. 51. Dust on the Throne: The Search for Buddhism in Modern India -- Douglas Ober. 52. The Conversion of the Untouchables -- BR Ambedkar. 53. The Gregorian Chant. 54. Deva Bandha Namma -- Bhimsen Joshi. 55. Jo Bhaje Hari Ko Sada So Hi Param Pada Pavega -- Bhimsen Joshi. 56. Vaishnav Jan To -- Riyaaz Qawwali. This episode is sponsored by CTQ Compounds. Check out The Daily Reader and FutureStack. Use the code UNSEEN for Rs 2500 off. Check out Amit's online course, The Art of Clear Writing. And subscribe to The India Uncut Newsletter. It's free! Episode art: ‘Carrying the Torch' by Simahina.
लेखक - जयशंकर प्रसाद Writer - Jaishankar Prasad स्वर - समीर गोस्वामी Narration - Sameer Goswami https://kahanisuno.com/ http://instagram.com/sameergoswami_kahanisuno https://www.facebook.com/kahanisuno/ http://twitter.com/goswamisameer/ https://sameergoswami.com
Excellence of Guru of Tansen. Bhagwadgeeta.
Kisse Akbar Birbal ke 64 : birbal tansen vivad Voice : Sangya Tandon Production : arpaaradio.com किस्से अकबर बीरबल के 64 : बीरबल और तानसेन का विवाद स्वर : संज्ञा टंडन निर्माण : अरपा रेडियो #ArpaaRadio#किस्से_अकबर_बीरबल_के#बीरबल और तानसेन का विवाद website : www.arpaaradio.com Mail : arpaaradio@gmail.com Google Android APP : arpaa radio Facebook Page : https://www.facebook.com/Arpaaradio
In the study of 19th and 20th century Chinese history, there is often focus on the intense Christian missionary activities happening in China. Yet at the same time, members of China's Hui (or Sino-Muslim) community were also beginning to reconnect with their co-religionists overseas. Armed with knowledge of Arabic, Persian, and Urdu and trained in Western orientalist discourses in new religious schools overseas, these Hui scholars began to "rediscover" aspects of Islam and in the process rewrite the history of Islam in China both for audiences within China and for a non-Chinese audience overseas. In this episode, we are joined by Professor Nile Green of UCLA to talk about how and why these exchanges took place and some of the implications of these exchanges. Please also be sure to check out Professor Green's podcast "Akbar's Chamber" for monthly episodes on the history of Islam. Available on Apple Podcasts and all other major podcast platforms. Contributors Professor Nile Green Professor Nile Green is a Professor of History and the Ibn Khaldun Endowed Chair in World History at UCLA. He works on the Islamic history of Asia, the Middle East, Africa and Europe, publishing numerous monographs and articles and editing seven books on a wide range of topics related to the history of Islam. His recent research interest is on the global history of Islam and Muslims, focusing on intellectual and technological interchange between Asia and Europe; Muslim global travel writings; the transnational genealogy of Afghan modernism; and the world history of 'Islamic' printing. He was a founding director of UCLA's Program on Central Asia and serves on many association and editorial boards. He is also the host of Akbar's Chamber, a podcast that offers a non-political, non-sectarian and non-partisan space for exploring the past and present of Islam. Yiming Ha Yiming Ha is a Ph.D. candidate in the Department of History at the University of California, Los Angeles. His current research is on military mobilization and state-building in China between the thirteenth and seventeenth centuries, focusing on how military institutions changed over time, how the state responded to these changes, the disconnect between the center and localities, and the broader implications that the military had on the state. His project highlights in particular the role of the Mongol Yuan in introducing an alternative form of military mobilization that radically transformed the Chinese state. He is also interested in military history, nomadic history, comparative Eurasian state-building, and the history of maritime interactions in early modern East Asia. He received his BA from UCLA and his MPhil from the Hong Kong University of Science and Technology. Credits Episode no. 9 Release date: March 13, 2022 Recording location: Los Angeles, CA Bibliography courtesy of Professor Green Images Cover Image: Masjid at the Aligarh Muslim University (formerly Muhammadan Anglo-Oriental College) in Aligarh, Uttar Pradesh, India. It was founded by Sir Thomas Arnold and was (and still is) a major center of Islamic learning (Image Source). A view of the Darul Uloom Nadwatul Ulama in Lucknow, India, an Islamic seminary where Hai Weiliang* studied (Image Source). Sir Thomas Walker Arnold (1864-1930), a renowned British orientalist and Islamic scholar who wrote the famous The Preaching of Islam and The Encyclopedia of Islam. He founded the Muhammadan Anglo-Oriental College (now Aligarh Muslim University) and taught Syed Sulaiman Nadvi, who was the teacher of Hai Weiliang (Image Source). Syed Sulaiman Nadvi (1884-1953), the teacher and educational patron of Hai Weiliang (Image Source). * Sadly, no pictures of Hai Weiliang can be found. References Green, Nile. How Asia Found Herself: A Story of Intercultural Understanding. New Haven: Yale University Press, forthcoming 2022. Benite, Zvi Ben-Dor. The Dao of Muhammad: A Cultural History of Muslims in Late Imperial China. Cambridge, MA: Harvard University Asia Center, 2005. Benite, Zvi Ben-Dor. “Taking ʿAbduh to China: Chinese-Egyptian Intellectual Contact in the Early Twentieth Century.” In James Gelvin and Nile Green (eds.), Global Muslims in the Age of Steam and Print, edited by James Gelvin and Nile Green, 249-267. Berkeley: University of California Press, 2014. Chen, John. “‘Just Like Old Friends': The Significance of Southeast Asia to Modern Chinese Islam.” SOJOURN: Journal of Social Issues in Southeast Asia 31, no. 3 (2016): 685–742. Chen, John. “Islam's Loneliest Cosmopolitan: Badr al-Din Hai Weiliang, the Lucknow-Cairo Connection, and the Circumscription of Islamic Transnationalism.” ReOrient: The Journal of Critical Muslim Studies 3/2 (2018): 121-139. Chung, Tan & Ravni Thakur (eds). Across the Himalayan Gap: An Indian Quest for Understanding China. New Delhi: Indira Gandhi National Centre for the Arts, 1998. Henning, Stefan. “God's Translator: Qu'ran Translation and the Struggle over a Written National Language in 1930s China.” Modern China 41, no. 6 (2015): 631-655. Jahn, Karl. China in der islamischen Geschichtsschreibung. Vienna: Österreichischen Akademie der Wissenschaften, 1971. Lipman, Jonathan N. Familiar Strangers: A History of Muslims in Northwest China. Seattle: University of Washington Press, 1997. Mao, Yufeng. “A Muslim Vision for the Chinese Nation: Chinese Pilgrimage Missions to Mecca during World War II.” The Journal of Asian Studies 70, no. 2 (2011): 373–395. Murata, Sachiko. “The Muslim Appropriate of Confucian Thought in Eighteenth-Century China.” Comparative Islamic Studies 7, no. 1-2 (2012): 13–22. O'Sullivan, Michael. “Vernacular Capitalism and Intellectual History in a Gujarati Account of China, 1860–68.” The Journal of Asian Studies 80, no. 2 (2021): 267–292. Park, Hyunhee. Mapping the Chinese and Islamic Worlds: Cross-Cultural Exchange in Pre-Modern Asia. Cambridge: Cambridge University Press, 2012. Petersen, Kristian. Interpreting Islam in China: Pilgrimage, Scripture, and Language in the Han Kitab. Oxford: Oxford University Press, 2017. Sen, Tansen. India, China, and the World: A Connected History. Lanham: Rowman & Littlefield, 2017. Thum, Rian. The Sacred Routes of Uyghur History. Cambridge MA: Harvard University Press, 2014.
A true story that depicts how one should never be arrogant about their talent
Story of Tansen Episode 16
In this episode, Sean talks about some of the new scholarships and perspectives on the famous Zheng He voyages. Zheng He is widely known to history as the eunuch admiral who led several large-scale voyages to Southeast Asia and the Indian Ocean. For many Chinese, the story of Zheng He and his travels to the Indian Ocean (鄭和下西洋) is often seen as a symbol of China's friendship and diplomatic and commercial engagement with Southeast Asian, the Indian Ocean, and east African polities. For many in the West, Zheng He's voyages represent a period in time when China dominated the maritime world. But for both Chinese and Western audiences, the end of the voyages in the 1430s marked the end of China's engagement with the maritime world and is often viewed as the Ming's turn towards isolationism. However, new scholarships have emerged challenging this narrative. Sean discusses how these scholarships have led us to reevaluate the Zheng He voyages and what we can learn about the early Ming and early Ming diplomacy from them. Disclaimer: We apologize for some of the audio issues in this episode. A few parts may sound a bit distorted. We're now in the Best 20 Chinese History Podcasts on Feedspot! Check the list out here. Contributors: Sean Cronan Sean Cronan is a Ph.D. student at the University of California, Berkeley. His work focuses on East and Southeast Asian diplomatic encounters from the thirteenth to eighteenth centuries, tracing the development of new shared diplomatic norms following the Mongol conquests of Eurasia, as well as how rulers and scholar-officials in the Ming (1368- 1644) and Qing Dynasties (1644-1911) institutionalized and challenged these new norms. He explores how ideas of multipolarity, regime legitimacy, and the makeup of the interstate order came under debate throughout the Mongol Empire, Ming China, the Qing Empire, Chosŏn Korea, Dai Viet (Northern Vietnam), Japan, the Ayutthaya Kingdom of Thailand, the Pagan Kingdom of Burma, and beyond. He works with sources in Chinese (literary Sinitic), Japanese, Thai, Burmese, Manchu, and Dutch. Yiming Ha Yiming Ha is a Ph.D. candidate in the Department of History at the University of California, Los Angeles. His current research is on military mobilization and state-building in China between the thirteenth and seventeenth centuries, focusing on how military institutions changed over time, how the state responded to these changes, the disconnect between the center and localities, and the broader implications that the military had on the state. His project highlights in particular the role of the Mongol Yuan in introducing an alternative form of military mobilization that radically transformed the Chinese state. He is also interested in military history, nomadic history, comparative Eurasian state-building, and the history of maritime interactions in early modern East Asia. He received his BA from UCLA and his MPhil from the Hong Kong University of Science and Technology. Credits Episode No. 2 Release date: November 13, 2021 Recording location: Los Angeles/Berkeley, CA Transcript Bibliography courtesy of Sean and Yiming Images Cover Image: Statue of Zheng He in Malacca, Malaysia (Image Source) A map of Zheng He's voyages (Image Source). Zheng He's treasure ship vs. Columbus's ship. Photograph by Lars Plougmann (Image Source). Another model of one of Zheng He's treasure ships. The Hong Kong Science Museum (Image Source). Tribute Giraffe with Attendant 瑞應麒麟圖 (1414) by Shen Du (沈度, 1357–1434), currently held in the National Palace Museum in Taipei (Image Source). Select Bibliography Danjō Hiroshi 檀上寬. Mindai kaikin=chōkō shisutemu to Kai chitsujo 明代海禁=朝貢システムと華夷秩序 [The Ming Maritime Ban = The Tributary System and the Sino-Barbarian Order]. Kyōto: Kyōto Daigaku Gakujutsu Shuppankai, 2013. Li, Kangying. The Ming Maritime Trade Policy in Transition, 1368 to 1567. Wiesbaden: Harrassowitz Verlag, 2010. Lo, Jung-pang. China as a Sea Power, 1127-1368: A Preliminary Survey of the Maritime Expansion and Naval Exploits of the Chinese People. Edited by Bruce A. Elleman. Singapore: NUS Press, 2012. Sen, Tansen. "The Impact of Zheng He's Expeditions on Indian Ocean Interactions." Bulletin of SOAS, 79, 3 (2016): 609-636 ______. "Zheng He's Military Interventions in South Asia, 1405–1433." China and Asia Vol. 1 (2019): 158-191. Tsai, Henry Shih-shan. Perpetual Happiness: The Ming Emperor Yongle. Seattle: University of Washington Press, 2015. Wade, Geoff. "The Zheng He Voyages: A Reassessment," Journal of the Malaysian Branch of the Royal Asiatic Society, Vol. 78, No. 1 (288) (2005): 37-58.
9 Select Rain songs 1. Rumjuhum barse badarwa | Rattan 1944 | Zohrabai Ambalewali | D.N.Madhok | Naushad 2. Barso re | Tansen 1943 | Khurshid | Khemchand Prakash 3. Dheerey dheerey ja re badal | Qismet 1942 | Ashok Kumar-Mumtaz Shanti | Kavi Pradip | Anil Biswas 4. Ghata ghanghor ghor | Tansen 1943 | Khurshid | Pt Indra | Khemchand Prakash 5. Kahe akela dolat badal | Gramophone Singer | Surendra 6. O varsha ke pahle badal | Meghdoot 1945 | Jagmohan | Kamal Dasgupta 7. Sawan ke badlo unse ye ja kaho | Rattan 1944 | Karan Deewan, Zohrabai Ambalewali | DN Madhok | Naushad 8. Sawan ke nazare hain | Khazanchi 1941 | Shamshad Begum | Wali Sahab | Ghulam Haider 9. Tu kaun si badli mein mere chand hai aaja | Kahndan 1942 | Noorjahan Image Courtesy: Google search --- Send in a voice message: https://podcasters.spotify.com/pod/show/sm-irfan/message
Piya Se Naina Song - Sona Mohapatra and Ram Sampath - Coke Studio India Live Performance Tarana 1 - Tarana in Raag Hansadhwani Tarana 2 - Raag Yaman Chota Khayal & Tarana More about Tansen (website) More about Akbar (website)
This episode is also available as a blog post: https://swaminarayanglory.wordpress.com/2020/05/10/bhaja-govindam-4-6-when-tansen-met-vitthalnathji/
कहानी - तानसेन (लेखक - जयशंकर प्रसाद) हिंदी गुरुकुल - सुनो कहानी Tansen . Hindi GuruKul - Suno Kahani #kahani #kahaniyan #sunokahani #hindi #hindigurukul #jayshankarprasad
Mike and Steve Pickering talk about the hospital where Mike gave his first anaesthetic in 1968, and where Steve now works.
The interactions between India and China have been long and complicated. Tansen Sen sets on a singular mission: to fill the gaps in the narratives tying the regions, breaking through traditional conceptions of understanding India-China connections and proposing new ways to explore the historical and contemporary relations. Sen peoples his tapestry with material exchanges, archival evidence, intelligence reports and information networks, sweeping across historical contexts both within and outside the Asian continent. Sen is Director of the Center for Global Asia, Professor of History, NYU Shanghai. He specialises in Asian history and religions and has special scholarly interests in India-China interactions, Indian Ocean connections and Buddhism. In conversation with author and Festival Co Director William Dalrymple.
Was the relationship between China and the world shaped by wars? War with Japan in the late 1930s, the PRC's involvement in Korea in the early 1950s, its border conflict with India in 1962, and the military offensive it launched against Vietnam in 1978 were key events in the history of China's foreign relations. Within this context, how will the relationship between the two rising powers, China and India, and the global leadership of the United States change during the 2020s? As China develops its Belt and Road Initiative, how will it influence the future of Asia and the World? Rana Mitter, author of China’s Good War explores how China’s new nationalism might structure its relationship with India, the United States and the world. In conversation with Tansen Sen.
What were the stories of modern China-India relations in the age of empires? How did India and China engage with each other beyond pan-Asianist and anti-colonialist interactions? In Beyond Pan-Asianism: Connecting China and India, 1840s-1960s (Oxford UP, 2020), fifteen diverse scholars attempt to answer these questions through analyses on literature, religion, diplomacy, intelligence, political activism, nationalism, and more. Together, the chapters of the book argue for a need to understand China-India relations in the period between 1840s to 1960s beyond idealist perceptions of Asian unity. They question the use of fixed periodization and geographically constrained understandings of China-India interactions, at the same time reminding us of the complexities of political transitions and the various roles of mediators. This edited volume also actively engages with existing frameworks for understanding China-India relations, such as ‘Pan-Asianism' and ‘China/India as method' in different ways. Some contributors converge with these frameworks to show how thinkers from India and China tried to imagine alternatives to global imperialism and capitalism. Other contributors suggest that state-driven geopolitical designs and desires to overcome the nation-state system cannot be neatly demarcated. Prasenjit Duara, in the epilogue of the volume, points out that “India-China studies of the modern period have been largely confined either to the study of ancient civilizational exchanges or to contemporary realpolitik competitions.” He argues, “…what is not mentioned in these formulations is the extent to which these obscuring strategies are themselves an effect of postcolonial Asian societies participating in and even dominating the capitalist nation-state system for control of global resources.” Utilizing new and diverse archival materials in various languages, Beyond Pan-Asianism attempts to address these issues and highlights that modern China-India ties indeed went beyond, if not challenged, the capitalist nation-state system but also reinforced it. Learn more about your ad choices. Visit megaphone.fm/adchoices
What were the stories of modern China-India relations in the age of empires? How did India and China engage with each other beyond pan-Asianist and anti-colonialist interactions? In Beyond Pan-Asianism: Connecting China and India, 1840s-1960s (Oxford UP, 2020), fifteen diverse scholars attempt to answer these questions through analyses on literature, religion, diplomacy, intelligence, political activism, nationalism, and more. Together, the chapters of the book argue for a need to understand China-India relations in the period between 1840s to 1960s beyond idealist perceptions of Asian unity. They question the use of fixed periodization and geographically constrained understandings of China-India interactions, at the same time reminding us of the complexities of political transitions and the various roles of mediators. This edited volume also actively engages with existing frameworks for understanding China-India relations, such as ‘Pan-Asianism' and ‘China/India as method' in different ways. Some contributors converge with these frameworks to show how thinkers from India and China tried to imagine alternatives to global imperialism and capitalism. Other contributors suggest that state-driven geopolitical designs and desires to overcome the nation-state system cannot be neatly demarcated. Prasenjit Duara, in the epilogue of the volume, points out that “India-China studies of the modern period have been largely confined either to the study of ancient civilizational exchanges or to contemporary realpolitik competitions.” He argues, “…what is not mentioned in these formulations is the extent to which these obscuring strategies are themselves an effect of postcolonial Asian societies participating in and even dominating the capitalist nation-state system for control of global resources.” Utilizing new and diverse archival materials in various languages, Beyond Pan-Asianism attempts to address these issues and highlights that modern China-India ties indeed went beyond, if not challenged, the capitalist nation-state system but also reinforced it.
What were the stories of modern China-India relations in the age of empires? How did India and China engage with each other beyond pan-Asianist and anti-colonialist interactions? In Beyond Pan-Asianism: Connecting China and India, 1840s-1960s (Oxford UP, 2020), fifteen diverse scholars attempt to answer these questions through analyses on literature, religion, diplomacy, intelligence, political activism, nationalism, and more. Together, the chapters of the book argue for a need to understand China-India relations in the period between 1840s to 1960s beyond idealist perceptions of Asian unity. They question the use of fixed periodization and geographically constrained understandings of China-India interactions, at the same time reminding us of the complexities of political transitions and the various roles of mediators. This edited volume also actively engages with existing frameworks for understanding China-India relations, such as ‘Pan-Asianism’ and ‘China/India as method’ in different ways. Some contributors converge with these frameworks to show how thinkers from India and China tried to imagine alternatives to global imperialism and capitalism. Other contributors suggest that state-driven geopolitical designs and desires to overcome the nation-state system cannot be neatly demarcated. Prasenjit Duara, in the epilogue of the volume, points out that “India-China studies of the modern period have been largely confined either to the study of ancient civilizational exchanges or to contemporary realpolitik competitions.” He argues, “…what is not mentioned in these formulations is the extent to which these obscuring strategies are themselves an effect of postcolonial Asian societies participating in and even dominating the capitalist nation-state system for control of global resources.” Utilizing new and diverse archival materials in various languages, Beyond Pan-Asianism attempts to address these issues and highlights that modern China-India ties indeed went beyond, if not challenged, the capitalist nation-state system but also reinforced it. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history
What were the stories of modern China-India relations in the age of empires? How did India and China engage with each other beyond pan-Asianist and anti-colonialist interactions? In Beyond Pan-Asianism: Connecting China and India, 1840s-1960s (Oxford UP, 2020), fifteen diverse scholars attempt to answer these questions through analyses on literature, religion, diplomacy, intelligence, political activism, nationalism, and more. Together, the chapters of the book argue for a need to understand China-India relations in the period between 1840s to 1960s beyond idealist perceptions of Asian unity. They question the use of fixed periodization and geographically constrained understandings of China-India interactions, at the same time reminding us of the complexities of political transitions and the various roles of mediators. This edited volume also actively engages with existing frameworks for understanding China-India relations, such as ‘Pan-Asianism’ and ‘China/India as method’ in different ways. Some contributors converge with these frameworks to show how thinkers from India and China tried to imagine alternatives to global imperialism and capitalism. Other contributors suggest that state-driven geopolitical designs and desires to overcome the nation-state system cannot be neatly demarcated. Prasenjit Duara, in the epilogue of the volume, points out that “India-China studies of the modern period have been largely confined either to the study of ancient civilizational exchanges or to contemporary realpolitik competitions.” He argues, “…what is not mentioned in these formulations is the extent to which these obscuring strategies are themselves an effect of postcolonial Asian societies participating in and even dominating the capitalist nation-state system for control of global resources.” Utilizing new and diverse archival materials in various languages, Beyond Pan-Asianism attempts to address these issues and highlights that modern China-India ties indeed went beyond, if not challenged, the capitalist nation-state system but also reinforced it. Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/chinese-studies
What were the stories of modern China-India relations in the age of empires? How did India and China engage with each other beyond pan-Asianist and anti-colonialist interactions? In Beyond Pan-Asianism: Connecting China and India, 1840s-1960s (Oxford UP, 2020), fifteen diverse scholars attempt to answer these questions through analyses on literature, religion, diplomacy, intelligence, political activism, nationalism, and more. Together, the chapters of the book argue for a need to understand China-India relations in the period between 1840s to 1960s beyond idealist perceptions of Asian unity. They question the use of fixed periodization and geographically constrained understandings of China-India interactions, at the same time reminding us of the complexities of political transitions and the various roles of mediators. This edited volume also actively engages with existing frameworks for understanding China-India relations, such as ‘Pan-Asianism’ and ‘China/India as method’ in different ways. Some contributors converge with these frameworks to show how thinkers from India and China tried to imagine alternatives to global imperialism and capitalism. Other contributors suggest that state-driven geopolitical designs and desires to overcome the nation-state system cannot be neatly demarcated. Prasenjit Duara, in the epilogue of the volume, points out that “India-China studies of the modern period have been largely confined either to the study of ancient civilizational exchanges or to contemporary realpolitik competitions.” He argues, “…what is not mentioned in these formulations is the extent to which these obscuring strategies are themselves an effect of postcolonial Asian societies participating in and even dominating the capitalist nation-state system for control of global resources.” Utilizing new and diverse archival materials in various languages, Beyond Pan-Asianism attempts to address these issues and highlights that modern China-India ties indeed went beyond, if not challenged, the capitalist nation-state system but also reinforced it. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/south-asian-studies
What were the stories of modern China-India relations in the age of empires? How did India and China engage with each other beyond pan-Asianist and anti-colonialist interactions? In Beyond Pan-Asianism: Connecting China and India, 1840s-1960s (Oxford UP, 2020), fifteen diverse scholars attempt to answer these questions through analyses on literature, religion, diplomacy, intelligence, political activism, nationalism, and more. Together, the chapters of the book argue for a need to understand China-India relations in the period between 1840s to 1960s beyond idealist perceptions of Asian unity. They question the use of fixed periodization and geographically constrained understandings of China-India interactions, at the same time reminding us of the complexities of political transitions and the various roles of mediators. This edited volume also actively engages with existing frameworks for understanding China-India relations, such as ‘Pan-Asianism’ and ‘China/India as method’ in different ways. Some contributors converge with these frameworks to show how thinkers from India and China tried to imagine alternatives to global imperialism and capitalism. Other contributors suggest that state-driven geopolitical designs and desires to overcome the nation-state system cannot be neatly demarcated. Prasenjit Duara, in the epilogue of the volume, points out that “India-China studies of the modern period have been largely confined either to the study of ancient civilizational exchanges or to contemporary realpolitik competitions.” He argues, “…what is not mentioned in these formulations is the extent to which these obscuring strategies are themselves an effect of postcolonial Asian societies participating in and even dominating the capitalist nation-state system for control of global resources.” Utilizing new and diverse archival materials in various languages, Beyond Pan-Asianism attempts to address these issues and highlights that modern China-India ties indeed went beyond, if not challenged, the capitalist nation-state system but also reinforced it. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network
What were the stories of modern China-India relations in the age of empires? How did India and China engage with each other beyond pan-Asianist and anti-colonialist interactions? In Beyond Pan-Asianism: Connecting China and India, 1840s-1960s (Oxford UP, 2020), fifteen diverse scholars attempt to answer these questions through analyses on literature, religion, diplomacy, intelligence, political activism, nationalism, and more. Together, the chapters of the book argue for a need to understand China-India relations in the period between 1840s to 1960s beyond idealist perceptions of Asian unity. They question the use of fixed periodization and geographically constrained understandings of China-India interactions, at the same time reminding us of the complexities of political transitions and the various roles of mediators. This edited volume also actively engages with existing frameworks for understanding China-India relations, such as ‘Pan-Asianism’ and ‘China/India as method’ in different ways. Some contributors converge with these frameworks to show how thinkers from India and China tried to imagine alternatives to global imperialism and capitalism. Other contributors suggest that state-driven geopolitical designs and desires to overcome the nation-state system cannot be neatly demarcated. Prasenjit Duara, in the epilogue of the volume, points out that “India-China studies of the modern period have been largely confined either to the study of ancient civilizational exchanges or to contemporary realpolitik competitions.” He argues, “…what is not mentioned in these formulations is the extent to which these obscuring strategies are themselves an effect of postcolonial Asian societies participating in and even dominating the capitalist nation-state system for control of global resources.” Utilizing new and diverse archival materials in various languages, Beyond Pan-Asianism attempts to address these issues and highlights that modern China-India ties indeed went beyond, if not challenged, the capitalist nation-state system but also reinforced it. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/east-asian-studies
Hey what is up everyone?! I love cars and I've owned this 2003 Honda S2000 for over 10 years. I finally sold her last year and miss her from time to time. However, I the new owner was awesome enough to let me see it once in a while when we meet up for dinner. Here I am interviewing him and catching up on car life.
Hindi Story on devotion. The music of a Haridas touches the chords of one's heart pouring his love and devotion to God which makes it sweeter to listen than the Tansen the greatest musician of King Akbar's court.
Tansen is a pop star. But he is embroiled in court cases. Cases are lingering on for many years.
According to folklore, Raag Malhar in Hindustani Classical Music is so potent that when sung, it can induce the rains.Many authored accounts describe this characteristic of Raga Malhar. Tansen, Baiju Bawra, Baba Ramdas, Nayak Charju, Miyan Bakhshu, Tantarang, Tantras Khan, Bilas Khan (grandson of Tansen), Hammer Sen, Surat Sen, and Meera Bai are among the singers who are said to have been skillful in starting rains by singing different adaptations of this Raga.In another lore, it is said that Mughal emperor Akbar once asked his court musician Tansen to sing Raga Deepak, the raga of light, which affected all the lamps in the palace courtyard to light up. It is said that Tansen's body became so heated that he had to sit in the nearby river to cool himself.It is said that the river began to simmer with heat, and it became evident that Tansen would soon boil to death. He is then said to have set out on a quest to find somebody who could sing Raga Malhar to remedy him.In due course, he reached a city called Vadnagar, in Gujarat, where he is said to have found two sisters, Tana and Riri, whom he requested for assistance. They consented to sing for him and when they sang the Raga, it started pouring down in torrents, which helped cool Tansen's body instantaneously. Ritwik tells us that something similar happened when they were shooting for a song based on this very Raga in Bikaner in the summer, in the dry heat. As they started to shoot, the rains started which flooded the entire set of the movie. So we guess, its not so much of a legend anymore but the force of human emotion that made the universe come together to make the miracle happen. Shreya and Ritvik tell us more about the plot. The musical web series is a plethora of human emotions because of the clash of the two worlds that the protagonists belong to.Classical Indian music is extraordinarily emotive, and the complexity of the story provides excellent foliage to the journey of the characters as they go through the challenges in their love story. Shankar Ehsaan & Loy, the famous trio composers, are excited about the music they have composed for the series. “‘Bandish Bandits’ is special for us in more ways than one. Not only does it mark our digital debut, but the soundtrack also allowed us to experiment with contrasting musical genres ranging from Rajasthani folk and Indian classical to pop and combine them to create something wholly unique,” they said.“We’ve worked with artists from across the country for ‘Bandish Bandits,’ and we’re confident that the soundtrack has something for everyone. It’s fascinating, and we hope the audience enjoys it as much as we enjoyed making it,” they added.Shreya and Ritwik speak about the clash of the old and the new. Music can never have languages and barriers. India has deep cultural roots in music - classical, folk, and others. This clash of pop and classical music is enmeshment of the diversity of India. Torn by legacy, the series is a representation of the assortment of music India is a stage for.
This is a story about 2 sisters who once heard a story about Meera meeting Tansen. Then they start thinking about how would that meeting be. Then they get to see a movie about Tansen and they go to see if and finally find that Meera does not meet Tansen. Did they meet or not is the remaining of the story. Please listen to the story and share it with all your friends.
Hey what is up everyone?! I love cars and I've owned this 2003 Honda S2000 for over 10 years. I finally sold her last year and miss her from time to time. However, I the new owner was awesome enough to let me see it once in a while when we meet up for dinner. Here I am interviewing him and catching up on car life. --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app Support this podcast: https://anchor.fm/echizen32k/support
The poet/bard/singer holds a special place of reverence in many cultures and traditions. Far from being seen as 'escapism,' sung music, incanted verse, and told story was essential technology for transporting people to a place of greater presence, awareness, focus, and timeless vision that ultimately could assist in navigating life well. This is why story, poetry, and song are more vital now than ever. On this live storytelling episode of The Emerald, we conjure up the old bards and singers, from the formidable Indian singer Tansen — who called fires and storms with his voice — to the Celtic Taliesin, to Orpheus, the animate force of poetry and song itself. In this vision, poetic, sung verse is sometimes a fountain, sometimes a stream, sometimes a cauldron full of bubbling liquid... and the force of praise is the force of nature itself, which exists in a state of perpetual awe at its own creative power. Support the show (http://www.patreon.com/theemeraldpodcast)
Birbal Stories are very famous and popular in India among all ages of people. They are also called by another name Akbar-Birbal Stories. There was a Mogul Emperor in India, Akbar The Great (1542-1605). His full name was Jalaludden Mohammed Akbar Padshah Ghazi and he ruled India from 1560 to 1605. He himself was illiterate, but he invited several learned people in his court. Among these people, nine were very famous and were called Nav Ratna (nine jewels of the Mogul Crown) of his court. Among these nine jewels, five people were more famous - Tansen, Todarmal, Abul Fazal, Maan Singh and Birbal. 1. Tansen ... A Great Singer 2. Dasvant ... A Great Painter 3. King Todarmal ... A Financial Wizard 4. Abdu us-Samad ... A Brilliant Calligrapher and Designer of Imperil Coins 5. Abul Fazal ... A Great Historian ( whose brother was Faizi ) 6. Faizi ... A Great Poet 7. Mir Fareh-ullah Shirazi ... Financier,Philosopher,Physician & Astronomer 8. King Maan Singh ... A Great Man known for His Chivalry 9. Birbal ... A Great Man known for His Valuable Advice --- Support this podcast: https://anchor.fm/kadhikaapp/support
It's Every Record Ever Recorded podcast, episode 4! In which Hannah and guest expert Zain Dossani explore the cyclical nature of the universe, the philosophy of "in tune" versus "out of tune," and feeling the vibrations in your body, by way of illuminating the ancient art of Hindustani classical music in the modern day. Check out everyrecordeverrecorded.com for links for further exploration of dhrupad, and more episodes of Every Record Ever Recorded about other musical genres. COVER STARS: Ramakant and Umakant Gundecha, of course HEARD ON THE SHOW: Opening credits: Umakant and Ramakant Gundecha, vocals Akhilesh Gundecha, pakhawaj Sanjiv Jha and Amit Sharma, tanpura From the album Dhrupad Mala Vol. 1: Alap in raga Bhoopali Umakant and Ramakant Gundecha, vocals Akhilesh Gundecha, pakhawaj Pushparaj Koshti, surbahar Manik Mund, pakhawaj From the album Temple Voices: Alap Jor Jhalla Bandish in slow chautal "Pratham sharira gyan xlad bhed teen stham" Bandish in fast sultal 'Murat man bhaye sundara saloni' Closing credits: Umakant and Ramakant Gundecha, vocals Nirant Gundecha and Amita Sinha, tanpura From the album A Tribute to Tansen: "Tero Bal Pratap" in raga gujari todi
सुनिए महान हिंदी साहित्यकार जयशंकर प्रसाद जी द्वारा लिखी कहानी 'तानसेन'। संगीत सम्राट तानसेन शहंशाह अकबर के दरबार के नवरत्नों में से एक थे। यह कहानी उनके शुरुवाती जीवन पर आधारित है।
A story about Tansen and his Guru... part 1
The images that accompany this podcast may be found here: https://blogs.bl.uk/asian-and-african/2018/03/canonical-hindustani-music-treatises-of-aurangzeb-alamgirs-reign.html . What was the connection between the power of Indian music and the Mughal emperor’s sovereign power? And why is there a picture of Orpheus above the Mughal throne in Delhi? Perhaps the most famous anecdote of the reign of emperor Aurangzeb (r.1658–1707) concerns his “burial of music”, a parodic funeral procession put on by devastated court musicians in protest at the Emperor having banned music in 1668. In legend, the leader of this procession was Khushhal Khan “Gunasamudra” (fl. 1630s–70s), one of the most feted court musicians of his time. Great-grand-son of the most famous Mughal musician of them all, Tansen, and chief musician to the emperor Shah Jahan (r. 1627–58), he was written about extensively in his lifetime as a virtuoso singer of exceptional merit and serious character. Yet this was not how he was memorialised a hundred years later in 1753, when nobleman Inayat Khan “Rasikh” put the legends of the great Mughal musicians of the past into a biographical collection for the first time. Rather, Khushhal was remembered as the protagonist in a shocking scandal that supernaturally sealed Shah Jahan’s fate:— to be overthrown by his son Aurangzeb in the Mughal War of Succession, 1657–8. In this podcast I retell this story from Khushhal Khan’s life from the vantage point of the 1750s looking back over the canonical Mughal writings on music of Shah Jahan’s and Aurangzeb’s reigns. And I reveal what all this tells us about the power and importance of music at the Mughal court, before everything began to unravel. 1. Panipat, 1753 – 0:00 2. The War of Succession, 1657-8 – 7:20 3. Khushhal Khan’s Story – 12:30 4. The Powers of Music – 26:02 5. Panipat, 1753 – 35:34 This podcast is part of the project Histories of the Ephemeral: Writing on Music in Late Mughal India, sponsored by the British Academy in association with the British Library; additional research was funded by the European Research Council. The Orpheus of Delhi was written by me, Katherine Butler Schofield (King's College London), and is based on my original research. It was produced by Chris Elcombe http://www.linkedin.com/in/chris-elcombe-523a60116/ and is published under a Creative Commons Attribution Non-Commercial No Derivatives (CC–BY-NC–ND)license. The recordings of Rag Bilaskhani Todi — the main form of Rag Todi in the time of Khushhal Khan, and legendarily created by his grandfather Bilas Khan — are courtesy of: Rakae Jamil on surbahar: https://soundcloud.com/sanjannagar/surbahar-rakae-edited . By permission. M V N Murthy on veena, Veena-Murthy-19-4-2011 recorded by xserra. Licensed under a Creative Commons Attribution Licence CC BY 4.0: https://freesound.org/people/xserra/sounds/125655/ Pamulka Karunanayake on esraj: https://soundcloud.com/pamalka-karunanayake/raga-bilaskhani-todi-madhya-laya . By permission. Lothar Berger, Soumyojit Das & Sourendro Mullick, “Nachtgesang/Bilaskhani Todi”: https://soundcloud.com/lothar-berger-music/nachtgesang-bilaskhani-todi . By permission. Professor Ritwik Sanyal, dhrupad composition by Bilas Khan himself, recorded in Benares by Hans Wettstein in 1995: https://youtu.be/5l9hxmD5ul8 . By permission. With thanks to: the British Academy, the European Research Council, the British Library, Yale University Art Gallery, Ebba Koch, William Dalrymple and Bruce Wannell. For more episodes and information email katherine.schofield@kcl.ac.uk.
यह छोटा सा परिवार भी क्या ही सुन्दर है, सुहावने आम और जामुन के वृक्ष चारों ओर से इसे घेरे हुए हैं। दूर से देखने में यहॉँ केवल एक बड़ा-सा वृक्षों का झुरमुट दिखाई देता है, पर इसका स्वच्छ जल अपने सौन्दर्य को ऊँचे ढूहों में छिपाये हुए है। कठोर-हृदया धरणी के वक्षस्थल में यह छोटा-सा करुणा कुण्ड, बड़ी सावधानी से, प्रकृति ने छिपा रक्खा है। सन्ध्या हो चली है। विहँग-कुल कोमल कल-रव करते हुए अपने-अपने नीड़ की ओर लौटने लगे हैं। अन्धकार अपना आगमन सूचित कराता हुआ वृक्षों के ऊँचे टहनियों के कोमल किसलयों को धुँधले रंग का बना रहा है। पर सूर्य की अन्तिम किरणें अभी अपना स्थान नहीं छोडऩा चाहती हैं। वे हवा के झोकों से हटाई जाने पर भी अन्धकार के अधिकार का विरोध करती हुई सूर्यदेव की उँगलियों की तरह हिल रही हैं। सन्ध्या हो गई। कोकिल बोल उठा। एक सुन्दर कोमल कण्ठ से निकली हुई रसीली तान ने उसे भी चुप कर दिया। मनोहर-स्वर-लहरी उस सरोवर-तीर से उठकर तट के सब वृक्षों को गुंजरित करने लगी। मधुर-मलयानिल-ताड़ित जल-लहरी उस स्वर के ताल पर नाचने लगी। हर-एक पत्ता ताल देने लगा। अद्भुत आनन्द का समावेश था। शान्ति का नैसर्गिक राज्य उस छोटी रमणीय भूमि में मानों जमकर बैठ गया था। यह आनन्द-कानन अपना मनोहर स्वरूप एक पथिक से छिपा न सका, क्योंकि वह प्यासा था। जल की उसे आवश्यकता थी। उसका घोड़ा, जो बड़ी शीघ्रता से आ रहा था, रुका, ओर वह उतर पड़ा। पथिक बड़े वेग से अश्व से उतरा, पर वह भी स्तब्ध खड़ा हो गया; क्योंकि उसको भी उसी स्वर-लहरी ने मन्त्रमुग्ध फणी की तरह बना दिया। मृगया-शील पथिक क्लान्त था-वृक्ष के सहारे खड़ा हो गया। थोड़ी देर तक वह अपने को भूल गया। जब स्वर-लहरी ठहरी, तब उसकी निद्रा भी टूटी। युवक सारे श्रम को भूल गया, उसके अंग में एक अद्भुत स्फूर्ति मालूम हुई। वह, जहाँ से स्वर सुनाई पड़ता था, उसी ओर चला। जाकर देखा, एक युवक खड़ा होकर उस अन्धकार-रंजित जल की ओर देख रहा है। पथिक ने उत्साह के साथ जाकर उस युवक के कंधे को पकड़ कर हिलाया। युवक का ध्यान टूटा। उसने पलटकर देखा। भाग 2 पथिक का वीर-वेश भी सुन्दर था। उसकी खड़ी मूँछें उसके स्वाभाविक गर्व को तनकर जता रही थीं। युवक को उसके इस असभ्य बर्ताव पर क्रोध तो आया, पर कुछ सोचकर वह चुप हो रहा। और, इधर पथिक ने सरल स्वर से एक छोटा-सा प्रश्न कर दिया-क्यों भई, तुम्हारा नाम क्या है? युवक ने उत्तर दिया-रामप्रसाद। पथिक-यहाँ कहाँ रहते हो? अगर बाहर के रहने वाले हो, तो चलो, हमारे घर पर आज ठहरो। युवक कुछ न बोला, किन्तु उसने एक स्वीकार-सूचक इंगित किया। पथिक और युवक, दोनों, अश्व के समीप आये। पथिक ने उसकी लगाम हाथ में ले ली। दोनों पैदल ही सड़क की ओर बढ़े। दोनों एक विशाल दुर्ग के फाटक पर पहुँचे और उसमें प्रवेश किया। द्वार के रक्षकों ने उठकर आदर के साथ उस पथिक को अभिवादन किया। एक ने बढक़र घोड़ा थाम लिया। अब दोनों ने बड़े दालानों और अमराइयों को पार करके एक छोटे से पाईं बाग में प्रवेश किया। रामप्रसाद चकित था, उसे यह नहीं ज्ञात होता था कि वह किसके संग कहाँ जा रहा है। हाँ, यह उसे अवश्य प्रतीत हो गया कि यह पथिक इस दुर्ग का कोई प्रधान पुरुष है। पाईं बाग में बीचोबीच एक चबूतरा था, जो संगमरमर का बना था। छोटी-छोटी सीढिय़ाँ चढक़र दोनों उस पर पहुँचे। थोड़ी देर में एक दासी पानदान और दूसरी वारुणी की बोतल लिये हुए आ पहुँची। पथिक, जिसे अब हम पथिक न कहेंगे, ग्वालियर-दुर्ग का किलेदार था, मुग़ल सम्राट अकबर के सरदारों में से था। बिछे हुए पारसी कालीन पर मसनद के सहारे वह बैठ गया। दोनों दासियाँ फिर एक हुक़्क़ा ले आईं और उसे रखकर मसनद के पीछे खड़ी होकर चँवर करने लगीं। एक ने रामप्रसाद की ओर बहुत बचाकर देखा। युवक सरदार ने थोड़ी-सी वारुणी ली। दो-चार गिलौरी पान की खाकर फिर वह हुक़्क़ा खींचने लगा। रामप्रसाद क्या करे; बैठे-बैठे सरदार का मुँह देख रहा था। सरदार के ईरानी चेहरे पर वारुणी ने वार्निश का काम किया। उसका चेहरा चमक उठा। उत्साह से भरकर उसने कहा-रामप्रसाद, कुछ-कुछ गाओ। यह उस दासी की ओर देख रहा था।
Over the years people have sung praises of the magical beauty of Tansen’s singing. But Nani tells a story of his childhood friend who sang as beautifully as him. She played with him, she fought with him, she even saved his life. Let’s listen to this one. - This is an IVM Production; for more such awesome podcasts on the go, download the IVM Podcasts app on Google Play: https://goo.gl/bI1toI and on iOS: https://goo.gl/9UhnGd Or come find us: Website: Indusvox.com Facebook: https://goo.gl/P130uw Twitter: https://goo.gl/7P7Uec Instagram: https://goo.gl/qH3PHm
अकबर बीरबल, संज्ञाटंडन, , rachitarandon, Akbar Birbal, sangyatandon, sameergoswami, Stories of Akbar Birabal, Birbal Tansen Vivad, अकबर बीरबल की कहानियाँ, बीरबल तानसेन विवाद, ekradio
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