Podcast appearances and mentions of Christopher Lennertz

On this weeks episode I chat with composer Tim Wynn about creating the impactful - bone chilling score that went along with Final Destination: Bloodlines! WANT STICKERS?  https://www.stickermule.com/katieafraidy Subscirbe on Patreon for EXTENDED UNCUT Episodes, Stickers, and SO MUCH MORE! https://www.patreon.com/KatieAfraidy Get ready for more chaos coming every TUESDAY!  Old episodes of Horror at The Store will be reposted to YouTube every THURSDAY!  Use code KATIEAFRAIDY25 to get 25% off of your Fangoria subscription ! Check out Filmcraft Studio Gear! https://www.instagram.com/filmcraftla/ Tim Wynn is the quintessential modern-day composer/producer, excelling in multiple media genres. Over the past 20 years, he has scored some of the biggest franchises in film, TV, and video games. He has been nominated and has won multiple awards for his many scores. In 2025, Tim scored the iconic horror franchise Final Destination: Bloodlines. Along with scoring 15 seasons of the hit show Supernatural, Wynn's haunting score for the breakout film Freaks, directed by Adam Stein and Zach Lipovsky, was recognized as one of the top scores of 2019 by Film Music Magazine. Tim began his music training as a founding member of the prestigious Orange County High School of the Performing Arts in 1988. From there he was accepted into USC's Thornton School of Music, where he studied under world renowned composers Elmer Bernstein, Jerry Goldsmith, Christopher Young, and Buddy Baker. In 2012, Wynn and his business partner Christopher Lennertz built Sonic Fuel Studios, a state-of-the-art recording facility in Los Angeles. Wynn's music career is notable by the diversity of his credits. His career highlights include the feature films: Freaks (Well Go), Horrible Bosses 2 (Warner Bros), The Experience (Black Stallion), To Save A Life (Samuel Goldwyn Films), Starving Games (Peter Safran), Mckenna Shoots for the Stars (Martin Chase Prod.) the TV shows: Mech-X4 (Disney), Supernatural (Warner Bros), The Deep End (ABC), Atelier (Netflix/Fuji TV), Lucky Seven (Fuji TV), the video games: Marvel's Midnight Suns (2K), XCOM 2 (2K), Total War:Three Kingdoms (Sega), Darkness II (2K), Command and Conquer: Red Alert 3 (EA), Total War: Warhammer II (Sega), Madden NFL 25 (EA), The Simpson's Game (EA), and Warhawk (Sony). His score for Darkness II was nominated for 5 G.A.N.G awards and won OSV's best soundtrack of the year.

Welcome back to Bonfire Conversations! In this episode, I sit down with Christopher Lennertz, the mastermind behind the gritty, high-energy score of The Boys, the thrilling music of Back in Action, and legendary video game soundtracks like Medal of Honor, Mass Effect, and The Godfather.We dive deep into:

In our interview with Christopher Lennertz, the award-winning composer shares insights about his work on the soundtracks for the video games "Quantum of Solace" and "From Russia With Love." He delves into his creative process, recounts his experiences at Abbey Road and Air Studios, and shares a memorable moment of enjoying Mexican food and Margaritas with the legendary Vic Flick!

Luz verde a la implantación de la zona de bajas emisiones en Málaga capital tras ser aprobada en la Comisión de Urbanismo, que se aprobará definitivamente en el pleno de este jueves y empezará a funcionar previsiblemente en noviembre tras publicarse en el Boletín Oficial de la Provincia. El Ayuntamiento de Málaga da marcha atrás y suspende temporalmente la caza con arco de jabalíes para controlar la población tras reunirse con las asociaciones animalistas que habían denunciado el sufrimiento de los animales. Probará el uso de dardos narcotizantes para que los animales sean sacrificados por veterinarios. El Ayuntamiento de Alhaurín de la Torre ha aprobado solicitar a la Junta la creación de una línea de subvenciones o de ayudas para aquellos municipios clasificados como área de riesgo por el Virus del Nilo. El equipo de Gobierno ha justificado la petición en que, que, pese a haberse culminado los trabajos de fumigación y limpieza en el área afectada de 1,5 kilómetros, en el entorno de Zapata, la Junta les ha comunicado que tienen que actuar en todo el término municipal. Y en nuestra entrevista, hablamos con el coordinador de la novena edición del Festival MOSMA, el festival de música de cine que organiza el Festival de Málaga, que se desarrollará desde este jueves hasta este domingo 27 y volverá a traer a Málaga a los mejores compositores del cine actual, entre ellos Blake Neely, de 'Maestros del aire', y Christopher Lennertz, de 'The Boys'.Escuchar audio

Special guest Christopher Lennertz - composer for Supernatural, The Boys, Gen V, and more - joins us for the 200th episode of Supernatural, where a high school musical version of the boys' lives plays out while they investigate a disappearance! Support Ghostfacers: A Supernatural Rewatch https://www.patreon.com/Ghostfacers Brought to you By: The Sonar Network https://thesonarnetwork.com/

Our next guest is an ASCAP award-winning composer who has written music for The Boys, Gen V, The Bachelor and It's A Wonderful Binge among other projects. He got his start working for producer Matt Wallace before pivoting to Emoto Music and then meeting composer Christopher Lennertz who has been a mentor and later co-composer on a number of projects. And the composer is... Matt Bowen --- Support this podcast: https://podcasters.spotify.com/pod/show/composertalk/support

"The Boys" is one of the world's most successful and popular shows. The fourth season has recently finished airing, and now everyone is waiting with great anticipation for the fifth and final season. Composer Christopher Lennertz and Visual Effects Supervisor Stephan Fleet were kind enough to spend some time talking with me about their work on the latest season, how their work has changed across the show's lifespan, what they hope to accomplish in Season 5, and more. Please listen to the below and be sure to check out the show, which is now available to stream in full on Prime Video. Thank you, and enjoy! Check out more on NextBestPicture.com Please subscribe on... Apple Podcasts - https://itunes.apple.com/us/podcast/negs-best-film-podcast/id1087678387?mt=2 Spotify - https://open.spotify.com/show/7IMIzpYehTqeUa1d9EC4jT YouTube - https://www.youtube.com/channel/UCWA7KiotcWmHiYYy6wJqwOw And be sure to help support us on Patreon for as little as $1 a month at https://www.patreon.com/NextBestPicture and listen to this podcast ad-free Learn more about your ad choices. Visit megaphone.fm/adchoices

Today we are talking with ASCAP award-winning composer, Matt Bowen. We discuss his musical development from a classically trained violinist touring with a youth symphony to a full-time composer. We also dive into the compositional process behind his project, the Amazon Series "Gen V." Topics Include: • Matt's Background in violin • San Diego Youth Symphony • Learning harmonic structure • Do you know how to wrap cables? The value of an internship • The Importance of asking questions • Gen V: Threading the needle of spinoff music • Creating the Gen V “gritty” sound • How experience as an orchestrator helps with synthesized music • The members of the Gen V music team • Advice for aspiring musicians https://mattbowenmusic.com/ Matt Bowen is an ASCAP award-winning composer based in Los Angeles. A classically trained violinist from the age of three and later a member of a touring youth symphony, he ultimately shifted to working behind the scenes. He teamed up with record producer Matt Wallace (Maroon 5, Faith No More) and worked as an engineer on RIAA-certified platinum singles Michael Franti & Spearhead's "All Rebel Rockers" and O.A.R.'s "All Sides.” As composing projects continued to ramp up, he ultimately pivoted to composing full-time. Bowen recently scored Hulu's R-rated feature film THE BINGE starring Vince Vaughn and Skylar Gisondo. His work can be heard on the gritty Emmy Award-winning documentary BLOOD ROAD (Red Bull Media House). He also teamed up with Christopher Lennertz to co-score the Netflix TV series BEST WORST WEEKEND EVER. In addition to composing, Bowen has contributed as an arranger, orchestrator, and composer of additional music on a wide variety of projects for all mediums. He frequently works on Christopher Lennertz's music team on projects such as THE BOYS and BAD MOMS.

Co-composers Christopher Lennertz and Matt Bowen sit down for a brand new Film.Music.Media conversation! For this conversation we are spotlighting the collaborative process between co-composers, and what the process is for two composers to tackle a project together. Chris and Matt are unique in that Matt has worked for Chris as an additional composer on various projects and has spent a good part of his early career learning from Chris as part of his music team. For Gen V, Chris knew it was the perfect project for him and Matt to tackle as co-composers. You'll learn all about what Chris looks for when hiring people for his music team and how Matt used the early years working with Chris to learn techniques that he now applies to his solo projects. We also discuss the evolution of the score for The Boys and how that led to developing the sound for Gen V. A Film.Music.Media & Impact 24 PR Production | Produced & Presented by Kaya Savas

One morning, Amy opened her mailbox and found a package with 44 photos inside—photos of complete strangers. Now Amy wonders: Who are they? And why were the photos sent to her? Credits This episode was hosted and produced by supervising producer Stevie Lane, along with Jonathan Goldstein, Phoebe Flanigan, and Mohini Madgavkar. The senior producer is Kalila Holt. Editorial guidance from Emily Condon. Special thanks to Alex Blumberg, Mimi O'Donnell, Lauren Silverman, Maureen Taylor, Estelle Ivory, and all the incredibly patient people over at the USPS. The show was mixed by Bobby Lord.  Music by Christine Fellows, John K Samson, Blue Dot Sessions, Golden Dunes, In Skies, Megatrax, Christopher Lennertz, and Bobby Lord. Our theme song is by The Weakerthans courtesy of Epitaph Records. Heavyweight is a Spotify Original Podcast. Amy has just written a new book, Artificial, a graphic memoir about her father's efforts to preserve her late grandfather's identity using AI technology. You can find it at your local bookstore. Learn more about your ad choices. Visit podcastchoices.com/adchoices

AND, we just up the ante in 'Part TWO' of our @EchoChamberFP coverage of the 2023 (31st May - 6th June) The writer of one of the Festival standouts, 'The Warm Season' @thewarmseasonfilm stops by to talk career, and the genesis of the film, plus a lot more! Watch the conversation: HERE!https://youtu.be/o4BoADcLPCs In 'Part Two' We Have: The Warm Season Watch Review: Here. https://youtu.be/X83_s6GSxMw Boston Film Festival: 18th February 2023 The Santa Fe Film Festival: 18th February 2023 Arizona International Film Festival: 19th & 23rd April 2023 Milwaukee Film Festival: 23rd April & 4th May 2023 Big Apple Film Festival: 22nd May 2023 Sci-Fi London: 1st June 2023 Director: Janet Grillo Cast: Carie Kawa, Cynthia Mace, Michael Esparza, Daniel Dorr, Gregory Jbara, Mia Akemi Brown, Leonel Garza, Manny Rubio, Nicholas Wagner, Oscar Avila, Andrew Kern, Christopher A. Brooks Sr Credit: Cromono International Genre: Drama, Sci-Fi Running Time: 103:20 min Cert: 15 Trailer: Here. https://youtu.be/0-y6a52TPrs Website: Here. https://www.thewarmseason.com/ Instagram: @thewarmseasonfilm https://www.instagram.com/thewarmseasonfilm/ YouTube: Here. https://www.youtube.com/@thewarmseason Vimeo: Here. https://vimeo.com/user37293031 ------------ *(Music) 'End Credits' by Christopher Lennertz - 2018 --- Send in a voice message: https://podcasters.spotify.com/pod/show/eftv/message

It's the last day of Sci Fi London 2023 (31st May - 6th June), and we're bringing you a 'TWO Part' edition of our @EchoChamberFP https://www.instagram.com/echochamberfp/ coverage!!! Farpoint Films had the UK Premiere of their new flick, we then look at the closing gala entry. Before we wrap up 'Part One' with an atmospheric short that will have you gripped!!! In 'Part One' We Have: Wintertide Watch Review: Here. https://youtu.be/5MQX8Lgx-FY Canadian Film Festival: 1st April 2023 Palm Beach International Film Festival: 22nd April 2023 Sci-Fi London: 3rd June 2023 Portland EcoFilm Festival: 29th June 2023 Director: John Barnard Cast: Niamh Carolan, Solange Sookram, Isla Gorton, Marina Stephenson Kerr, Jeremy Walmsley, John B. Lowe, Josh Strait, Onalee Ames, Ava Darrach-Gagnon, Darcy Fehr, Jesse Nobess, Ward Massner, Colleen Furlan Credit: Farpoint Films Genre: Horror, Sci-Fi Running Time: 97 min Cert: 18 Trailer: Here. https://youtu.be/_Kk4x2XN2Kk Website: Here. https://www.farpointfilms.com/wintertide Twitter: @Wintertide_film https://twitter.com/Wintertide_film Facebook: Here. https://www.facebook.com/Wintertidefilm Instagram: @wintertidefilm https://www.instagram.com/wintertidefilm/ ------------ The Bystanders Watch Review: Here. https://youtu.be/Yh1aM4iPxsY Austin Film Festival: 27th October 2022 Boston Sci Fi Film Festival: 15th February 2023 Fantaspoa International Fantastic Film Festival: 19th April 2023 Sci-Fi London: 6th June 2023 Portland EcoFilm Festival: 29th June 2023 Director: Gabriel Foster Prior Cast: Scott Haran, Seann Walsh, Emily Wyatt, Lauren Douglin, Andi Jashy, Georgia Mabel Clarke, Nikolaos Brahimllari, Julia Varvara, Kurt Deed, Tom Clegg, Adam Morse, Nick Helm, Marek Larwood, Stefan Boehm, Lucy Pinder, Frank Harper, David Schaal Credit: Waggon & Horses Productions Genre: Comedy, Fantasy, Sci-Fi Running Time: 97 min Cert: 15 Trailer: Here. https://youtu.be/rhBcvT7xXWs Instagram: @thebystandersfilm https://www.instagram.com/thebystandersfilm/ ------------ AlieNation Watch Review: Here. https://youtu.be/r6jE9c-jSBs HollyShorts Film Festival: 26th October 2022 Sci-Fi London: 31st - 6th June 2023 Director: Ray Raghavan Cast: Maria Frazer, Margarita Iturriaga, Reece Presley, Christian Lagasse, Kyal Scott, Claire Johnstone, Gabriel Vill, Brian Walker Genre: Adventure, Drama, Horror, Short, Sci-Fi, Thriller Running Time: 14 min Cert: 12 Trailer: Here. https://youtu.be/ZyIDiEtmCBY YouTube: Here. https://www.youtube.com/@rayraghavan7069 ------------ *(Music) 'End Credits' by Christopher Lennertz - 2018 --- Send in a voice message: https://podcasters.spotify.com/pod/show/eftv/message

Sci Fi London 2023 (31st May - 6th June) is into 'Day 3' of our @EchoChamberFP https://www.instagram.com/echochamberfp/ coverage!. And it's another day with Premieres of interesting indie flicks! Today We Have: Ozma Watch Review: Here. https://youtu.be/cKHy8-7Xfp4 Sci-Fi London: 2nd June 2023 Director: Keith John Adams Cast: Ferdy Roberts, Eva Magyar, Victoria Moseley, Jun Noh, Gemma Saunders, Alice Margaroli Credit: Functional Electric Genre: Drama, Sci-Fi Running Time: 81:40 min Cert: 15 Trailer: Here. https://youtu.be/EFbKOKy6i2o ------------ The Warm Season Watch Review: Here. https://youtu.be/X83_s6GSxMw Boston Film Festival: 18th February 2023 The Santa Fe Film Festival: 18th February 2023 Arizona International Film Festival: 19th & 23rd April 2023 Milwaukee Film Festival: 23rd April & 4th May 2023 Big Apple Film Festival: 22nd May 2023 Sci-Fi London: 1st June 2023 Director: Janet Grillo Cast: Carie Kawa, Cynthia Mace, Michael Esparza, Daniel Dorr, Gregory Jbara, Mia Akemi Brown, Leonel Garza, Manny Rubio, Nicholas Wagner, Oscar Avila, Andrew Kern, Christopher A. Brooks Sr Credit: Cromono International Genre: Drama, Sci-Fi Running Time: 103:20 min Cert: 15 Trailer: Here. https://youtu.be/0-y6a52TPrs Website: Here. https://www.thewarmseason.com/ Instagram: @thewarmseasonfilm https://www.instagram.com/thewarmseasonfilm/ YouTube: Here. https://www.youtube.com/@thewarmseason Vimeo: Here. https://vimeo.com/user37293031 ------------ *(Music) 'End Credits' by Christopher Lennertz - 2018 --- Send in a voice message: https://podcasters.spotify.com/pod/show/eftv/message

It's time for the 2023 edition of Sci Fi London (31st May - 6th June). Day 2 has a couple of UK Premieres, which kicks off our @EchoChamberFP https://www.instagram.com/echochamberfp/ coverage! Today We Have: Cade: The Tortured Crossing Watch Review: Here. https://youtu.be/Mmy4qN5Tpqo Hollywood Reel Independent Film Festival: 25th February 2023 Sci-Fi London: 31st - 6th June 2023 Free State Festival: 19th August 2023 Zurich Film Festival: 28th September - 8th October 2023 Director: Neil Breen Cast: Neil Breen, Judy Lay, Gwendolyn Brown, Eric Lum, Landon Munoz, Amy Solomon, Nicole Butler, Leslie McKinney, Jennifer Estrella, Daryl Morris, Kevon Tyree, Talus Night, Jeremy Chavez, Tommy Lawler, Derek Powell, Addyson Medley Credit: Neil Breen Films, LLC Genre: Drama, Sci-Fi Running Time: 96 min Cert: 15 Trailer: Here. https://youtu.be/msWWqbN6HgI Website: Here. https://cade-crossing.com/ Facebook: Here. https://www.facebook.com/people/Cade-the-tortured-crossing/100088503561702/ YouTube: Here. https://www.youtube.com/@neilbreen7799 ------------ Deep Astronomy and the Romantic Sciences Watch Review: Here. https://youtu.be/7DT0ojIMIzE Portland EcoFilm Festival: 20th September 2022 Theatrical Release Date: 24th March 2023 Sci-Fi London: 1st June 2023 Portland EcoFilm Festival: 29th June 2023 Director: Cory McAbee Cast: Neil Breen, Judy Lay, Gwendolyn Brown, Eric Lum, Landon Munoz, Amy Solomon, Nicole Butler, Leslie McKinney, Jennifer Estrella, Daryl Morris, Kevon Tyree, Talus Night, Jeremy Chavez, Tommy Lawler, Derek Powell, Addyson Medley Credit: The Sundance Institute Genre: Comedy, Fantasy, Musical, Sci-Fi Running Time: 71:40 min Cert: 15 Trailer: Here. https://youtu.be/6Rk7O30pETE Website: Here. https://www.deepastronomymovie.com/home Twitter: @Deep_Astronomy https://twitter.com/Deep_Astronomy Facebook: Here. https://www.facebook.com/deepastronomymovie Instagram: @deepastronomymovie https://www.instagram.com/deepastronomymovie/ YouTube: Here. https://www.youtube.com/@CoryMcabee1961 ------------ *(Music) 'End Credits' by Christopher Lennertz - 2018 --- Send in a voice message: https://podcasters.spotify.com/pod/show/eftv/message

"Maybe you're right. Maybe we can't win this. But we'll fight you regardless, just like we did Sovereign. Just like I'm doing now. However "insignificant" we might be, we will fight, we will sacrifice and we will find a way. That's what humans do." -Commander Shepard. And so begins our journey into one of the best sci-fi western RPGs ever made: Mass Effect 2Kevin and Ethan of Project XTalk: An Xbox Podcast join me to talk about their show and their method in getting this massive project up and off the ground. They're multifaceted and bring some fresh perspectives into content creation I think everyone should check out. They run shows that cover Xbox, Playstation, Movies/TV and even a friendly banter show Nick is a huge fan of. I'm really happy they chose to jump on the show to discuss ME2 and we had so much fun reliving our experiences as Commander Shephard. Jump in with us to finish the fight!(00:30) - Intro(01:20)- Interview with the Kevin and Ethan of Project XTalk & Save The Game Media(01:07:15) - Mass Effect 2 Review(02:12:11) - OutroKevin and Ethan truly were fantastic guests to have on and as some of the primary members of Save The Game Media, they're working hard to bring all their fans as much content as quickly as possible. Make sure to go check out their link below if you don't want a Collector incursion to decimate your surrounding area. They have a team they can bring together!https://linktr.ee/SaveTheGameMediaIntermission/Game Music: Mass Effect 2 OST [Composed by: Christopher Lennertz, Chris Velasco & EA Games Soundtrack team]Mix & Mastered by: Daniel Campolihttps://www.danielcampoli.com/portfolioExtra special shout out to Dan this episode for really helping me a lot with this sound mix.If you want to reach out to Nick and Will personally to engage with us about the show, follow us on any link here:https://linktr.ee/FridayNightGamecastSupport the show

País Estados Unidos Dirección Josh Greenbaum Guion Annie Mumolo, Kristen Wiig Música Nick Urata, Christopher Lennertz, Dara Taylor Fotografía Toby Oliver Reparto Kristen Wiig, Annie Mumolo, Jamie Dornan, Wendi McLendon-Covey, Damon Wayans Jr., Kwame Patterson, Hank Rogerson, Reyn Doi, Tom Lenk, Michael Hitchcock, Mika Kubo, Mark Jonathan Davis Sinopsis Cuenta la historia de Barb y Star, dos mejores amigas que abandonan su pueblo en el medio oeste por primera vez en sus vidas en dirección a Vista Del Mar, en Florida, donde pronto se verán inmersos en una aventura que las llevará a descubrir el amor y a un terrible villano que planea matar a todo el mundo del pueblo.

The #UseYourIllusion anniversary boxset came with a new version of #NovemberRain equipped with a real orchestra. Renowned composer Christopher Lennertz was tasked with updating the #GunsNRoses classic. Here is his story. More info at christopherlennertz.com

On revient en grandes pompes parce que cette semaine on parle d'une résistante, une femme qui se bat pour la liberté : cette semaine on parle de Margaret 'Peggy' Carter de Marvel ! Au départ principalement écrite comme une love interest de Captain America sans prénom à part celui d'une libellule (pas vraiment en fait c'est un autre insecte qui ressemble), elle est tout de même une espionne, combattante et tacticienne de talent. Son nom de code pendant la guerre a beau avoir été 'agent 13' elle est la numéro 1 ! Et du coup on se demande si elle a ne serait-ce qu'un seul défaut. Ah et aussi pendant deux heures Jade attend qu'Eve parle d'une partie particulière de son histoire mais en fait ça s'trouve on l'a complètement inventé dans nos têtes depuis des années. Merci à Jayhan (@JayhanOfficial) pour les super intro et outro ! Tu peux nous suivre sur Twitter et Instagram : @codexespod et aussi nous laisser une note et un commentaire sympa si tu veux. Force et amour. Ressources : - Credit Suite de Christopher Lennertz, morceau de la BO de la série Agent Carter joué pendant l'épisode. - Attack of the Peggy de Laura Karpan, morceau de la BO de la série What If...? joué à la fin de l'épisode.

Jermaine Stegall is an accomplished and versatile composer and conductor.  With over 50 projects to his credit, Stegall most recently completed the score for “Coming 2 America”, the highly anticipated sequel to the Eddie Murphy classic, with Murphy, Arsenio Hall and James Earl-Jones all reprising their roles.  Stegall's recent scoring and conducting assignments have included “Senior Year” (2022) for Paramount Pictures, and the upcoming film “Oracle” for Universal Pictures.  He has also had the opportunity to collaborate over the years with notable film composers including Danny Elfman, Christophe Beck, William Ross, Marco Beltrami, Harry Gregson-Williams, Christopher Lennertz, and Blake Neely, and Mark Isham.   As a musical conductor, Stegall led a live string orchestra alongside Grammy-winning artist Tori Kelly at the televised 2019 ESPY Awards. A year prior, he conducted the orchestra to Camila Cabello's performance of “Consequences” on ABC's American Music Awards.  In addition to scoring 2 seasons of "Our Star Wars Stories,” an original digital series from Lucasfilm and StarWars.com, in which host Jordan Hembrough uncovers heartfelt tales of fans and families who have found inspiration in the galaxy far, far away, Jermaine was also nominated for a MPSE Golden Reel Award for scoring the animated Netflix short film "Canvas" directed by Pixar's Frank Abney III. Social media:  Jermaine Stegall on Twitter: @jermainestegall Jermaine Stegall on Instagram: @jermainestegall Jermaine Stegall on YouTube: Jermaine Stegall The Entourage Podcast Website: theentouragepodcast.com  The Entourage Podcast on Instagram: @theentouragepodcast The Entourage Podcast on Facebook: The Entourage Podcast Intro/Outro Music:  “Waiting IV” by Celeste Betton Link to album: http://bit.ly/celeste-betton-entourage Instagram: @celestebetton Facebook: Celeste Betton Credits:  Episode Host: Randy C. Bonds Executive Producers: Vannesia Darby, Randy C. Bonds, JAVI  

Composer Jay Gruska joins the show and shares his Supernatural origin story, and how he enjoyed collaborating with Christopher Lennertz to design the musical landscape. He discusses the performances in the episode and the loyalty of the Supernatural community. Rob and Rich ponder Dean's awkwardly long sex scene. See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

This week, the boys grapple with returning to work — in person — with Seth Gordon's somber treatise on workplace harassment. It's Horrible Bosses, with music by first-time comPOSERS pick Christopher Lennertz!

Today we're talking to Hollywood Music in Media Awards-winning composer Dara Taylor, best known for her collaborations with composer Christopher Lennertz on a variety of projects, from the Netflix series Lost in Space to the cult 2020 comedy Barb and Star Go to Vista del Mar. But her latest solo project is the biggest yet for the young composer - the George Clooney-directed drama The Tender Bar. Based on the memoir by J.R. Moehringer, The Tender Bar is a coming-of-age story about a young writer (Daniel Ranieri as a child, Tye Sheridan as a young man) growing up in 1970s Long Island. With an absentee father and little to do, he spends much of his childhood at the bar his Uncle Charlie (Ben Affleck) owns, absorbing the man's homespun wisdom through the cigarette haze of the past.   It's a sleepy tale soaked in hazy nostalgia, leading Dara Taylor down a stripped-down approach sufficed with plaintive guitars and pleasant piano. Her sound accentuates the film's ever-present '70s soundtrack, weaving through needledrops from Jackson Browne and Steely Dan without clashing with it.   I spoke to Dara about the incredible opportunity this prestige awards-season drama presented her, the challenges of working within an assignment so heavy on source music, and the long, challenging road it takes for a composer to get to this level.   You can find Dara Taylor at her official website here.   The Tender Bar is currently streaming on Prime Video.

Today is the final day of the National Science Fiction Day show extravaganza. I've really enjoyed doing this one this year. It's been a lot of work but so much fun. You get this every year! To take into account what is being covered here on the show, you don't get everything, for it's impossible to cover everything. It takes far too long. The shows covered on this show are Lost in Space Season 3, Hawkeye, Wheel of Time, Arcane, The Falcon and The Winter Soldier, and Sweet Tooth. You'll hear a couple themes along the way, but let's not spoil that. Here is the list of shows along with the cues that will be shared. Lost in Space Season 3 - Christopher Lennertz; Jupiter Rising/Updraft, Skeletons and Falling Rocks, Welcome to Alpha Centari. Hawkeye - CHRISTOPHE BECK; Hawkeye Theme, Ronin, Larp in the Park, Christmas Peril, Lady Hawk. Wheel of Time - Lorne Balfe; Moiraine Sedai, On Your Knees, Dragon Reborn. Arcane - Alexander Temple and Alex Seaver; The Bridge, You're Stronger than You Think, The Era of HexTech, You're a Jinx, the next chapter of hex tech, Romance I'm calling it the HexCore The Falcon and The Winter Soldier - Henry Jackman; Louisiana Hero, Airborne Operation, Outmatched, Real Partners, Captain America. Sweet Tooth - Jeff Grace; Story of a Boy, the Story of Hybrids, Civil War, Sweet Tooth. Soundtrack Alley's theme music is composed by Alexander Schiebel Find his work through xanderscores.com I'm on Social Media through Facebook, Twitter and Instagram The podcast is on Anchor.fm, Stitcher, Spotify, Radio Public, Breaker, PocketCast, OverCast, Google Podcast and Apple Podcast

Composer Dara Taylor is one of the brightest and most original voices working in the industry today. If you're a fan of Christopher Lennertz then you may recognize her name as she got her start working with Chris as part of his music team. In the years she has showed her versatility across all genres with projects like Echo Boomers, Little Ellen, Barb And Star Go To Vista Del Mar, and most recently she teamed up with director George Clooney for The Tender Bar starring Ben Affleck. In this All Access get to hear Dara's journey from growing up and living in New York all the way to moving to Los Angeles, and how she got her foot in the door with her first jobs. We dive into her time working with Christopher Lennertz and everything she learned and carried into her career when she branched out and started taking solo projects. Also learn how she became connected with George Clooney and Grant Heslov that lead to her being hired for The Tender Bar. Dara also takes us into her process including her approach to scoring The Tender Bar and how she had to navigate needle drops and create an overarching emotional thread through the narrative that leaned into the heartwarming tone that George Clooney was trying to capture. A Film.Music.Media Interview | Produced & Presented by Kaya Savas

TVC 450.2a: Greg Ehrbar interviews award-winning producer, composer and conductor Christopher Lennertz (Marvel’s Agent Carter, Galavant, Netflix’s Lost in Space). Christopher’s latest feature is Ugly Dolls, the animated musical starring Kelly Clarkson. Want to advertise/sponsor our show? TV Confidential has partnered with AdvertiseCast to handle advertising/sponsorship requests for the podcast edition of our program. They’re great to work with and will help you advertise on our show. Please email sales@advertisecast.com or click the link below to get started: https://www.advertisecast.com/TVConfidentialAradiotalkshowabout Learn more about your ad choices. Visit megaphone.fm/adchoices

In the thirty-first episode of Supernatural, Sam has a vision of Dean killing a young man who seems to be possessed by a demon, leading the brothers to head to Oregon in search of answers; Dean reveals what John whispered to him before dying. Support Ghostfacers: A Supernatural Rewatch https://www.patreon.com/Ghostfacers Brought to you By: The Sonar Network https://thesonarnetwork.com/

In the thirty-first episode of Supernatural, Sam has a vision of Dean killing a young man who seems to be possessed by a demon, leading the brothers to head to Oregon in search of answers; Dean reveals what John whispered to him before dying. We are also joined in this episode by Supernatural musical composer Christopher Lennertz for a special interview! Intro/Outro performed by Aaron Barry Artwork by Erin Gallagher Follow us on Twitter, Instagram, and Facebook! Or send us an email: ghostfacerspodcast@gmail.com! Part of the Brain Freeze Podcast Network!

For more information regarding COVID-19 and available health services in Canada, call 1-833-784-4397 or visit canada.ca/coronavirus.  Special thanks to Zencastr who made it possible for us to record this episode while practicing physical distancing in separate locations. This week the boys and Mljonir get together to discuss "The Boys". Just when you think the superhero genre has been satirized and deconstructed enough, here comes the comic book turned streaming series to prove that there is still more to be done with this concept. What is appealing about this world superheroes are essentially the bad guys? And does the bleak atmosphere presented by the series ruin the experience? To avoid SPOILERS for the first two seasons of "The Boys", skip over 52:25 - 1:02:58 of the episode. Music and audio from "The Boys (2019)" is the property of Christopher Lennertz, Eric Kripke, Hartley Gorenstein, Gabriel Garcia, Nick Barrucci, Sony Pictures Television, Amazon Studios, Point Grey Pictures, Original Film, Kripke Enterprises, Kickstart Entertainment, and KFL Nightsky Proudctions. The intro and outro music was created by Rob Koechl and Jeremy Eckert. We thank them for their generous support of this podcast. Check out our Facebook page at www.facebook.com/batjarpodcast. Invite your friends to like our page! You can contact us at @thebatcookiejar on Twitter or you can send an e-mail to batjarpodcast@gmail.com.

With the upcoming release of a full length big screen outing for Tom and Jerry, Matthew Sweet meets composer Christopher Lennertz to talk about his music for this and other films.

Our next guest has emerged as a fresh voice in the world of scoring music to picture as evidenced by her score to the upcoming Lionsgate comedy Barb and Star Go To Vista Del Mar starring Kristen Wiig and Jamie Dornan, co-composed with Christopher Lennertz. Her credits include the Netflix docuseries Trial By Media, the independent film Turner Risk, and the Karen Allen-starred film Colewell, for which she won a 2019 Hollywood Music in Media award. Up next for her is the FX series Pride and the action crime drama Echo Boomers starring Michael Shannon. As a score producer and composer of additional music for Chris Lennertz, she has contributed to major motion picture films including Bad Moms, A Bad Mom's Christmas, the action-comedy sequel Shaft, Amazon's highly acclaimed television series The Boys, Netflix's sci-fi series Lost in Space, Smurfs: The Lost Village, Baywatch, Boo 2! A Madea Halloween, Pitch Perfect 3, Tyler Perry's Acrimony, The Happytime Murders, Uglydolls, and A Madea Family Funeral, as well as the long-running CW show Supernatural. In 2015, she was nominated for a Hollywood Music in Media Award for her score on the short film Undetectable, and in 2016, she was asked to take part in Women in Film's Women Composers in Media concert. In 2018, she was chosen as a fellow for the Sundance Institute Composers Lab and the following year she was chosen as one the BMI Conducting for Composers Fellows. The composer is... Dara Taylor --- Support this podcast: https://anchor.fm/composertalk/support

The great and talented Paul Cronin joins me on this Guest Edition! A graduate from Berklee College of Music, Paul is a lifelong violinist who has worked with musicians such as Jacob Collier and Danny Ocean, as well as notable film composers Patrick Doyle and Christopher Lennertz. I had a great time speaking to Paul and hearing his story from the time he picked up a violin at six years old to the accomplished violinist he is today. AWOO! Instagram: @pauly_cronin_ Email: prcronin.12@gmail.com Support this podcast at — https://redcircle.com/the-autocast/donations --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app Support this podcast: https://anchor.fm/christopher-suarez0/support

Composer Dara Taylor shares how she stays focused on her writing for film & TV while striving to process the current national reckoning with systemic racism. We discuss how Dara moved through environments where she did not feel welcome as a female composer of color to how she found her creative home working with mentor turned collaborator Christopher Lennertz in Los Angeles. Dara shares how composing and therapy helped her begin to process her father's passing, and how an unexpected creative hobby opened her up to speaking more about her racial identity.    www.DaraTaylor.com Questions and comments can be shared on Julia Adolphe's YouTube Channel

Rana Fonk les recomienda la banda sonora de la serie The Boys de Amazon Prime Video compuesta por Christopher Lennertz. Punk, orquesta y mucha distorsión.

I've been a fan of this composer ever since I first saw Horrible Bosses and Sausage Party. He's composed the music for huge films such as Bad Moms, Ride Along, Baywatch, Pitch Perfect 3, and Shaft. He's also composed video game music for multiple iterations of Medal of Honor and Mass Effect, Scalebound, The Simpsons Game, and Madden NFL 25. His scores for shows including Agent Carter, Netflix's Lost in Space, and Prime Video's The Boys have garnered a lot of attention over the past couple of years and I'm very excited to welcome him on to the show. The composer is... Chris Lennertz. --- Support this podcast: https://anchor.fm/composertalk/support

030: Ro RowanWe might have had a lttle too much fun on this one, which is actually exactly why I do this. On Wednesday, March 11 of 2020, don’t get the coronavirus AND: music is not content, it’s connection.Enjoy a little cello rig rundown at the top of today’s episode, and a special space jam for you at the end. I am very cello happy at the moment, and it may show a bit.Meantime, Ro has a fascinating point of view and a story which will help you measure your own level of commitment to whatever you're trying to do. Get into that by pressing PLAY at the top of this page. Much joy, many fun.Now let’s get to it. It’s big out there with the global pandemic going on, I won’t lie. I count my blessings that I’m not always out pounding pavement and am mostly working from the studio these days. Please stay safe and stay clean out there. Tell your family you love them.The interview today is awesome! Check out Ro Rowan:Although Ro studied classical cello and spent most of their youth in orchestras, they have brought their rich tone and non-traditional techniques to a vast landscape of genres within the Los Angeles, Boston and New York music scene since 2002.Ro has worked with Lorde, Lauryn Hill, Kanye West, Hans Zimmer, deadmau5, Mike Posner, Toni Braxton, Shirley Manson, Willie Nelson, Annie Lennox, The Boston Pops, Deepak Chopra, Dream Theater, Chvrches, Alan Silvestri, George S. Clinton, Christopher Lennertz, Ron Carter, Terri Lyne Carrington and Lalah Hathaway.Ro’s cello can be heard on over 300 albums, film scores, television shows, documentaries, commercials, trailers, video games and sound libraries.They are working their ass off. And we have a blast here.Press PLAY up top to hear my interview with Ro RowanThanks for sticking around. Thanks to Ro for spending some time with us.You can find them online at rorowan.com and on all the socials. [IG]Thanks for listening to Play It Like It's Music. If you liked the show, PLEASE tell a friend. Let's grow this thing:LINKS:Check out Marc Maron’s show, which inspires this one: https://www.wtfpod.com/Also, a recommendation for you string players: My buddy Bryan just came out with a really cool set of compositions/books which may be of interest to you:Bryan Charles Wilson’s String Jams"Bryan Charles Wilson's new books, Advanced and Beginner String Jams for Violin, Viola, and Cello features original songs in contemporary genres including Hip-Hop, Synthpop, Hard Rock, Reggae and more! Songs include lead sheets with melodies, chord changes, and an improvisation section for jamming. All songs are designed to be performed with the included high quality backing tracks and can be practiced with the tracks at slow, medium, and performance tempo. String Jams is perfect for players looking to go beyond the classical realm to become familiar playing and improvising in a multitude of styles. For more information go to bryanwilsoncello.com/stringjams"Follow me on social media @trevorexter and talk to me on there if you have thoughts about the show.We're all contending with a mutating professional landscape, jacked revenue streams and a lot of noise out there in the culture. But you gotta keep playing.We don't draw any lines here between scenes or styles.As always, thank you for listening and remember to play it like its music.You can check out my music on bandcamp and other places. It’s all at my website, trevorexter.com. Sign the mailing list on substack to get this show sent right to you the very moment it comes out. Consider hiring me to score your piece, produce your show or back you up onstage. Music is a beautiful thing and it makes the world go around.Big love to your ears.Trevor(Did you press play yet?)...If you like my stuff, help it spread by sharing it!Hear songs: the “Trevor Exter Playlist” on SpotifySign the mailing list!Consider hiring me to score your piece.I can also produce your podcast.Follow me on IG TW FBMore @trevorexter.compsst… sign up for emails: This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit playitlikeitsmusic.substack.com

On today's program, Erik Woods selects his 10 favourites scores of 2019.  This is part one of a two-part series.  Today, you'll hear selections 10 thru to 6 which includes music by John Williams, Austin Wintory, Christopher Lennertz, Philipp Noll and Nainita Desai. Here is the link to that Alex North video Erik mentioned in the show https://www.youtube.com/watch?v=wLvIS-7bXKo&feature=youtu.be&t=275 Choices 5-1 will be unveiled shortly. Enjoy! —— Cinematic Sound Radio Web: http://www.cinematicsound.net Twitter: http://www.twitter.com/cinsoundradio Facebook: http://www.facebook.com/cinematicsound Cinematic Sound Radio Fanfare and Theme by David Coscina https://soundcloud.com/user-970634922 Bumper voice artist: Tim Burden http://www.timburden.com

[Watch the video interview on our YouTube Channel] Tim Wynn is one of the most talented storytellers working today. He brings his amazing personality to all his music, and injects his projects with wonderful themes and a deep emotional current. It's such an honor to have him back on All Access for the second time. For this discussion we revisit Tim's path to becoming a composer, including how he and Christopher Lennertz met in school and became best buds. The two of them opened up Sonic Fuel Studios together, where both of their studios reside. We breakdown a handful of Tim's career highlights including The Simpsons Game, The Darkness II, Red Faction: Guerilla Mech X4 on DisneyXD and his newest score to the acclaimed feature Freaks. Hear Tim breakdown his process including his continued collaboration with director Zach Lipovsky, and how the music he wrote based solely on the script was played on set during the filming of the movie. We tackle some other topics including finding your own sound when you're starting out, how to deal with rejection and criticism, and finding confidence in your abilities and your music. A Film.Music.Media Interview | Produced & Presented by Kaya Savas  

CHRISTOPHER LENNERTZ has written music for some of the world's greatest storytellers. Whether for Seth Rogen as a hot dog saving the world in Sausage Party, the lush orchestral melodies of Steven Spielberg's Medal of Honor series or futuristic dystopian Americana for J.J. Abrams' Revolution, this classic eclectic ability has now become his signature. Lennertz has teamed up with legendary artists like Grammy winners Arturo Sandoval and Dave Grusin, The RZA, and Sheila E. as well as members of Pearl Jam, No Doubt, The Beastie Boys, Dave Matthews Band, Jurassic 5, and Jane's Addiction. Collaborations with directors Tim Story, John Favreau, and Ben Stiller as well as producers Doug Liman, Ed Norton, McG, and Joel Silver, and many others have led to a stream of box office successes.This is Lennertz's third time on the podcast, having previously shared his musical story behind his work on SMURFS: THE LOST CITY and Netflix's LOST IN SPACE. He returns to The Annotator to open up one of his most recent projects - his original score for the Amazon Prime series: THE BOYS.THE BOYS is an irreverent take on what happens when superheroes, who are as popular as celebrities, as influential as politicians and as revered as Gods, abuse their superpowers rather than use them for good. It's the powerless against the super powerful as The Boys embark on a heroic quest to expose the truth about “The Seven,” and their formidable Vought backing. All 8 episodes were released on Amazon Prime on July 26, 2019.In this episode, Christopher Lennertz dissects the many exotic components that he's combined to create the distinctive sound for THE BOYS including: wratchets, breathing, rubbing hands, indian singing bowls and knitting needles. He details how he developed this gritty, garage-rock feel as well as invoking other musical-styles to convey significant moments in the series and to represent some of the key characters in THEY BOYS.ANNOTATED TRACKS / SEGMENTS02:33 - Translucent Alive03:47 - Butcher06:23 - Starlight07:36 - Hijacking09:47 - Translucent Explodes12:10 - Hughie Trashes Room13:38 - Homelanders Speech15:15 - Frenchies First Kill16:50 - Robin's Memory 18:47 - Homelander and StillwellSOUNDTRACKThe soundtrack was released on July 26, 2019 by Madison Gate Records and can be purchased digitally on Amazon.com, iTunes, and streamed on Spotify and Apple Music. MORE ABOUT THE COMPOSERYou can find out more and hear more music by Christopher Lennertz at his official site http://christopherlennertz.com/ and you can follow her on Twitter @clennertz.ABOUT THE ANNOTATORProduced by Christopher Coleman (@ccoleman) and you can Find more episodes at THEANNOTATOR.NET or you can subscribe via iTunes, Stitcher Radio or wherever you find quality podcasts.FOLLOW USTwitter @audioannotatorFacebook @TheAnnotatorInstagram @TheAnnotatorEmail theannotatorpodcast@gmail.com

Respondiendo a vuestro interés por The Boys, tratamos ésta y otras adaptaciones recientes de obras de cómic al medio televisivo, avisando de futuros proyectos y debatiendo sobre la supuesta burbuja de esta deriva del medio. Y no falta nuestra prometida inclusión sobre los anuncios en la Comic-Con de San Diego sobre lo próximo del Universo Cinematográfico Marvel. Únete a nosotros en Telegram: t.me/marcianosenuntren Lista de difusión de Ed. Limitada en WhatsApp: Mandar nombre completo al 619028920 Modera: Agustín Amador Participan: Xevi FirePanda y Carlos Arbelo Edición y Música: Jose Ceballos Temas de: Clint Mansell & Kevin Kiner, Jeff Russo, Paul Weller, Thin Lizzy, Christopher Lennertz, Paul McCartney and Wings y sesión de Asthenic

Robert and Kenny begin the show by discussing composer Dan Romer to compose for Bond 25, other hot releases like Stuber, The Farewell, and Crawl. The hosts also answer a viewer question about soundtrack releases and discuss the big earthquake in Southern California. Then award-winning composer Christopher Lennertz joins to share the story of growing up with an illustrious group of mentors around him including the late maestro Elmer Bernstein, accidentally walked into Henry Mancini’s recording session which later gave him the final push into becoming a film composer, working with pop stars Kelly Clarkson, Nick Jonas and Janelle Monáe on Uglydolls, and the artistic genius of Seth Rogen. This episode is presented by Spitfire Audio Follow us on Twitter @ScoreThePodcast Hosts: Robert Kraft & Kenny Holmes Executive Producer: Matt Schrader Coordinator: Carol Kuswanto Copyright 2019 Score: The Podcast

Dans une grande réunion de famille, le cinquième film de la franchise rassemble Shaft Junior, lui-même fils de Shaft II, neveu du John Shaft originel (ou plutôt son fils, la famille c’est compliqué), qui s’associent pour endiguer un trafic de drogue. Rattrapé au dernier moment par Netflix, le film n’a en terme d’intrigue aucun intérêt, à part celle de créer une nouvelle filiation. Le héros de la blacksploitation à la sauce polar et action dérive même vers la comédie sous la houlette de Tim Story. Le tout est assez anachronique, le pire du cinéma des années 80 remis au goût du jour, avec ce que cela suppose de beauferie. Animé par Thomas Rozec avec Stéphane Moïssakis.RÉFÉRENCES CITÉES DANS L’ÉMISSIONJessie Usher, Samuel L Jackson, Shaft (John Singleton, 2000), Shaft (Tim Story, 2019), Les 4 Fantastiques (Tim Story, 2005), Les 4 Fantastiques et le Surfeur d’argent (Tim Story, 2007), Mise à l’épreuve (Tim Story, 2014), Kevin Hart, Ice Cube, Annihilation (Alex Garland, 2018), Booksmart (Olivia Wilde, 2019), Shaft les nuits rouges de Harlem (Gordon Parks, 1971), Shaft contre les trafiquants d’hommes (John Guillermin, 2000), Christian Bale, American Psycho (Mary Harron, 2000), Superfly (Gordon Parks Jr., 1972), Richard Roundtree, Christopher Lennertz, Coffy la panthère noire de Harlem (Jack hill, 1973), Foxy Brown (Jack Hill, 1974), Truck Turner & Cie (Jonathan Kaplan, 1974), Jackie Brown (Quentin Tarantino, 1997). CRÉDITS NoCiné est un podcast de Binge Audio animé par Thomas Rozec. Cet épisode a été enregistré le 01 juillet 2019 au studio V. Despentes de Binge Audio (Paris, 19e). Réalisation : Solène Moulin. Générique : Corentin Kerdraon. Chargée de production : Juliette Livartowski. Chargée d’édition : Camille Regache. Identité graphique : Sébastien Brothier (Upian). Direction des programmes : Joël Ronez. Direction de la rédaction : David Carzon. Direction générale : Gabrielle Boeri-Charles. See acast.com/privacy for privacy and opt-out information.

TVC 450.2: Greg Ehrbar interviews award-winning producer, composer and conductor Christopher Lennertz (Marvel’s Agent Carter, Galavant, Netflix’s Lost in Space). Christopher’s latest feature is Ugly Dolls, the animated musical starring Kelly Clarkson that is also the first movie musical featuring a cast of all pop stars. Ugly Dolls: The Movie is playing in theaters everywhere, while the soundtrack is available wherever music is sold. Learn more about your ad choices. Visit megaphone.fm/adchoices

Today's very special episode of CINEMATIC SOUND RADIO is a conversation with one of film music's emerging talents. Born in Saudi Arabia and raised in Jordan, Ghiya Rushidat is one amongst the few female composers of Arab heritage working in her field. Now based in Los Angeles, Rushidat has worked and performed throughout the Middle East and Europe, playing in excess of 150 concerts over the years. After following a career as a concert pianist until 2008, Ghiya turned to composing and threw herself into the passion of composition. In 2014, Rushidat moved to the United States. Upon arriving, her first task was to compose the music for the short film, Pen of Mirrors, starring Eric Roberts. Her melodic, dissonant, and layered score gained critical praise. She has been working steadily and tremendously ever since, always inflexible in her pursuit to please her clients and understand their vision. Currently composing original soundtracks for a variety of plays, feature films, video games, short films, and TV spots, Ghiya Rushidat’s name is becoming a name to watch out for in the industry. In 2017, Ghiya Rushidat was the Winner of BMI Pete Carpenter Fellowship, a competitive residency for aspiring film, television, and video game composers. Rushidat's piece, "Fly and Flow", was chosen as the winning score by a distinguished judging panel that included such talent as Christopher Lennertz, Timothy Wynn, Ben Decter, Casey Kolb, Ed Rodgers, and John Kaefer. Ghiya is extremely proud of the fact that she has shattered stereotypes about women-both culturally and professionally. She will continue sharing her emotive and provocative scores with western and global audiences alike. In August 2018, Jason Drury talked to Ghiya Rushidat on Skype from her home in Los Angeles for CINEMATIC SOUND RADIO, about her life, the events that have put her on the path to success, her career to date and her future ambitions. During the show, you will also be hearing some of Ghiya’s wonderful music. Visit Ghiya's web site at htttp://www.ghiya-rushidat.com Cinematic Sound Radio Web: http://www.cinematicsound.net Twitter: http://www.twitter.com/cinsoundradio Facebook: http://www.facebook.com/cinematicsound WROCK Radio http://www.wrockradio.com Movie Scores and More Radio http://www.moviescoreradio.com Cinematic Sound Radio Fanfare and Theme by David Coscina https://soundcloud.com/user-970634922 Bumper voice artist: Tim Burden http://www.timburden.com

Composer Rossano Galante joins the show to discuss his career as a band composer and Hollywood orchestrator. Topics: Rossano’s early years growing up in Buffalo, New York, the story of how he used to organize his own reading bands for his music, and how he became an orchestrator for Hollywood movies. A discussion of composing including using pencil and paper versus the computer, the compositional process, and advice for young composers. Self-publishing, social media platforms, commissions, and the importance of being patient. Links: Rossano Galante on IMDB John Williams: E.T. The Extra Terrestrial Galante: Resplendent Glory Biography: Born in Buffalo, New York, Rossano Galante received his Bachelor of Arts Degree in Trumpet performance from SUNY Buffalo in 1992. That same year he was one of nineteen people from around the world to be accepted to the University of Southern California’s Film Scoring Program. He studied with the late Jerry Goldsmith, who won an Academy Award for his film score for The Omen. In 1999, Mr. Galante moved to California to pursue a career in composition and film orchestration. Since then he has worked with two-time Oscar nominated composer Marco Beltrami, Christophe Beck, Brian Tyler, Christopher Lennertz and Wolfram de Marco. Mr. Galante has 32 published compositions between G. Schirmer, Alfred, Hafabra, Rundel Music and Dehaske/Curnow. --------- This episode is sponsored, in part, by VanderCook College of Music. With a world-class faculty, a location just minutes from downtown Chicago, and an intensive summers-only masters program, it's no wonder VanderCook College of Music has graduates teaching music in all 50 states, 21 countries, and 6 continents. Make next summer your most inspiring summer yet by pursuing a Masters in Music Education at VanderCook College of Music. And for the next generation of music educators, VanderCook offers an exceptional, comprehensive 4-year Bachelor of Music Education program. VanderCook Admissions information is available at www.vandercook.edu.

Christopher Lennertz is a composer and producer for film, television, records, and video Games. His vast portfolio includes television programs such as: Marvel's Agent Carter, Galavant and Supernatural and among his many video game credits are titles within the Medal of Honor and Mass Effect franchises. He has also composed scores for numerous, animated, family features such as: Alvin and the Chipmunks, Hop and Smurfs: The Lost Village which was featured in episode 4 of The Annotator. One of his most recent, high-profile projects is his original score for LOST IN SPACE.Produced by Legendary Television, LOST IN SPACE is a Netflix Original dramatic and modern reimagining of the classic 1960's science fiction series. Set 30 years in the future, colonization in space is now a reality, and the Robinson family is among those tested and selected to make a new life for themselves in a better world. But when the new colonists find themselves abruptly torn off course en route to their new home they must forge new alliances and work together to survive in a dangerous alien environment, light-years from their original destination.In this episode of THE ANNOTATOR, Christopher Lennertz, out of the 500 minutes of score he composed, tells the story behind three crucial cues from his score for season one. Here, he shares how he made use of John Williams' season 3 theme from the original Lost in Space TV series. The composer reveals what pivotal moment in the pilot episode he felt he had to understand and score exactly right. Finally, Lennertz shares how he allowed the more dramatic moments of season one to inform his choices for instrumentation making the score more intimate at times and at others more scientific.ANNOTATED TRACKS02:19 - Maker of Worlds10:06 - Danger Will Robinson13:54 - IlluminationsOTHER TRACKS00:03 - Main Titles01:11 - End Credits18:28 - Flowers, Father and Son20:35 - End CreditsSOUNDTRACKThe original score can be found on Amazon.com, itunes or streaming on Spotify and Apple Music.MORE ABOUT THE COMPOSERYou can also hear more music and find out more about Daniel Ran at his official site (https://www.christopherlennertz.com/) or follow the composer on twitter @clennertzABOUT THE ANNOTATORProduced by Christopher Coleman (@ccoleman) and you can Find more episodes at THEANNOTATOR.NET or you can subscribe via iTunes, Stitcher Radio or wherever you find quality podcasts.FOLLOW USTwitter @audioannotatorFacebook @TheAnnotatorEmail theannotatorpodcast@gmail.comSUBSCRIBEiTunesSpotifyStitcher RadioGoogle Play PodcastsRSS Feed

Kristen Romanelli, Erik Woods, and Christopher Coleman share their reactions to the first four episodes of Netflix's new series, LOST IN SPACE, including their reaction to CHRISTOPHER LENNERTZ's stellar original score. They discuss their personal history with the Lost in Space franchise: from the original, 60s, TV series, to the 1998 feature film, to Netflix's latest incarnation. Before they do that, they bring back the popular WHYBLT? segment, where they discuss titles such as SUPERGIRL by Jerry Goldsmith, LOVE SIMON by Rob Simonson, and SPEED RACER by Michael Giacchino. Episode Highlights00:21 - Lost in the intro03:09 - WHYBLT?25:34 - LOST IN SPACE: The original TV series and 1998 film41:22 - LOST IN SPACE: The new Netflix series (spoilers)50:28 - LOST IN SPACE: Christopher Lennertz's score (spoilers)61:01 - LOST IN SPACE: Why not John Williams' first theme (spoilers)67:18 - Final declarationsMusic Selections00:00 - "Main Title" (Lost in Space) by Christopher Lennertz04:10 - "Overture" (Supergirl) by Jerry Goldsmith09:50 - "Simon and Blue" (Love, Simon) by Rob Simonson16:17 - "Thunderhead" (Speed Racer) by Michael Giacchino25:02 - "Family Chores Fugue" (Lost in Space) by Christopher Lennertz40:43 - "Flowers - Father, and Son" (Lost in Space) by Christopher Lennertz50:13 - "Maureen at Work" (Lost in Space) by Christopher Lennertz71:41 - "End Credits" (Lost in Space) by Christopher LennertzFind and Follow:Follow Erik Woods on Twitter - @cinsoundradioFollow The Soundcast on Twitter - @audiosoundcastFollow Tracksounds on Twitter - @tracksounds Follow Christopher Coleman on Twitter - @ccolemanSpotify: Find our Spotify Companion Playlist here! Support Tracksounds:Most of the soundtracks mentioned in this episode can be found at Amazon. Your purchases through these links help us to keep on keepin' on! Thank You!Buy Soundtracks at Amazon.com http://bit.ly/amazonsoundtracksSubscribe and More InfoaCASTGOOGLE PLAYiTUNESRSS FEEDSPOTIFYSTITCHER RADIOTUNEIN RADIO

Un nuevo ejercicio de sinvergonzonería y desvarío, que no necesita tomas falsas, por ser una toma falsa en su totalidad. Únete a nosotros en Telegram: t.me/marcianosenuntren Modera: Gonzalo Merat Participan: Andrés Merchán y Jose Ceballos Edición: Jose Ceballos Música: Jose Ceballos y Toni Deloni Temas: Bombfunk MC, Ramin Djawadi, Vampire Weekend, Christopher Lennertz, Clinton Shorter, Gianluca Rughi, Davide Saporito, Starover Blue, Matthias, Weird Al Yankovic, Monty Norman, Mark Snow, Juan El Camas, Kate Perry, Sergey Kovchik y Fat Damon Feat. Wax + un audio de Unbreakable K. Schmidt Escucha el episodio completo en la app de iVoox, o descubre todo el catálogo de iVoox Originals

On this week’s episode of CINEMATIC SOUND RADIO, we will be featuring six new and recent soundtrack releases.You’ll first hear exciting music from Alan Silvestri’s score to Steven Spielberg’s READY PLAYER ONE. You’ll also hear selections from Mark McKenzie’s MAX & ME, James Newton Howard’s RED SPARROW, Ludwig Goransson’s BLACK PANTHER, Christopher Lennertz’s LOST IN SPACE and Bear McCreary’s THE CLOVERFIELD PARADOX. Our John Williams score of the week is THE FURY released in 1978. And our re-recording of the week the unused score to 2001: A SPACE ODYSSEY by Alex North featuring conductor Jerry Goldsmith and the National Philharmonic Orchestra. Cinematic Sound Radio Web: http://www.cinematicsound.net Twitter: http://www.twitter.com/cinsoundradio Facebook: http://www.facebook.com/cinematicsound WROCK Radio http://www.wrockradio.com Movie Scores and More Radio http://www.moviescoreradio.com Cinematic Sound Radio Fanfare and Theme by David Coscina https://soundcloud.com/user-970634922 Bumper voice artist: Tim Burden http://www.timburden.com

Music is a big part of our family. It's either constantly playing, or we're trying to learn to play an instrument. Lately, Channing has been into the guitar and let me tell you, I'm already having visions of her in a rock band and it's awesome. So when I had the opportunity to interview someone truly influential in the music industry I jumped at the chance. Anne Cecere is the Senior Director, Film, TV & Visual Media Relations at BMI - a music rights company. Cecere is the visionary behind creating a platform at WonderCon of composers and creators. In 2009, she realized there was no discussion of any music at any of the Con festivals. So she championed for the opportunity to have BMI composers involved at WonderCon by giving them the opportunity to elaborate on the importance of music behind some of TV’s biggest shows, films and video games. L to R Gabriel Mann (Composer for “School of Rock”) Steven Vincent (VP of Music and Soundtracks- The Disney Channel) Anne Cecere (Co-moderator and Senior Director, Film, TV & Visual Media, BMI) Christopher Lennertz (Composer for Galavant) Chandler Poling (Co-Moderator and President of White Bear PR) Rachel Rusch (VP of Event Series at FOX – Oversaw Grease Live!) Jeffrey Hornaday (Director: Teen Beach Movie & Choreographer for films, Flashdance, A Chorus Line and Dick Tracy) She tells me that the Con people in power initially told her "no", citing that no one would come to a music panel. And in 2010 she proved them wrong by hosting the first BMI panel at WonderCon to a packed house. The BMI music panels are now some of the most anticipated and attended panels at both WonderCon and Comic-Con. Cecere believes, and rightly so, that music is just as much of a character playing alongside Wonder Woman, Superman, Spiderman, Rick & Morty and so many more cult classics. Anne Cecere congratulating Iconic BMI composer John Williams after one of his concerts at the Hollywood Bowl   As the BMI panels grew in popularity at both WonderCon and Comic-Con, it attracted major TV networks and creators. The networks offered exclusive footage and the creators asked to join the conversation of the important of music’s role in TV, film and video games. Over the years, the BMI panels at WonderCon and Comic-Con have included exclusive footage from shows such as Arrow and Looper, included award-winning composers such as Blake Neely, Christopher Lennertz, Charles Fox, Nathan Barr, John Ottman, Tyler Bates, Laura Karpman, Lolita Ritmanis, Heather McIntosh and many more. In addition, top Film, TV and video game executives and creators have also participated. In addition to changing the culture of the Cons, she is also a new mommy to a baby boy. She tells me she and her husband are avid cosplayers and that her son Jackson has already dressed up for his first Con. It's so awesome to see moms working their passion into parenting. I do the same with Channing which is why she eats so much cheese! L to R Chandler poling (co-moderator and President White Bear PR) Harry Manfredini (Composer Friday the 13th) Charles Bernstein (Composer Nightmare on Elm Street) Tyler Bates (Composer Dawn of The Dead) Anne Cecere (Co-Moderator and Sr Director, Film, TV & Visual Media, BMI) Laura Karpman (Composer Carrie) Richard Band (Composer Re-Animator) Maurizio Guarini (of the group Goblin…composed the music for Suspiria) Douglas Tait (Special guest that introduced the panel…Actor who played Jason in the film Freddy vs Jason) I loved chatting with Anne and you will truly be inspired by her story too. If you'd like to catch the BMI panel at WonderCon and see the magic of music for your self, the schedule is here. WonderCon runs March 23rd-26th in Anaheim. You can follow the latest news from BMI on their Facebook, Twitter and Instagram.  

Avec les musiques de "Pitch Perfect 3" de Christopher Lennertz, "Kedi" de Kira Fontana, "Tout l'argent du monde" de Daniel Pemberton

Avec les musiques de COCO par Michael Giacchino, BAD MOMS 2 par Christopher Lennertz, LE BONHOMME DE NEIGE par Marco Beltrami, LA PROMESSE par Gabriel Yared.

Emission proposée par Benoit Basirico Diffusée sur Aligre FM En Replay sur Cinezik.fr Au sommaire : - Un retour sur 2 B.O récentes ("Justice League", "Le Musée des merveilles"). - Les B.O des films à l'affiche les 22 et 29 novembre, dont "Thelma" de Ola Fløttum, "L’Expérience interdite" de Nathan Barr, "Madame" de Matthieu Gonet, "Bad Moms 2" de Christopher Lennertz, "Le Bonhomme de neige" de Marco Beltrami, "Coco" de Michael Giacchino, "La Promesse" de Gabriel Yared. - Invité : Matthieu Gonet (pour MADAME de Amanda Sthers), avec en exclusivité la musique de "Santa & Cie", prochain film de Alain Chabat. - Interview Gabriel Yared pour "La Promesse" - 1 avant-première : "Paddington 2" de Dario Marianelli - Vintage Vinyle, les raretés B.O de Manuel Bleton(spécial Eric Rohmer avec "Chassé-croisé" par Arielle Dombasle)

On this week’s episode of CINEMATIC SOUND RADIO, we will be playing music from some new and recent releases.You’ll hear selections from VALERIAN AND THE CITY OF A THOUSAND PLANET by Alexandre Desplat, COLOSSAL by Bear McCreary, DIANE: HER LIFE AND LEGACY by Miguel d’Oliveira (download the album for FREE at http://migueldoliveira.com/Diana_OST_2017.zip), REBEL IN THE RYE by Bear McCreary, SMURFS: THE LOST VILLAGE by Christopher Lennertz, ARK: SURVIVAL EVOLVED by Gareth Coker, ALI’S WEDDING by Nigel Westlake and IT by Benjamin Wallfisch. Cinematic Sound Radio http://www.cinematicsound.net WROCK Radio http://www.wrockradio.com Cinematic Sound Radio Fanfare and Theme by David Coscina https://soundcloud.com/user-970634922 Bumper voice artist: Tim Burden http://www.timburden.com Also available through Podtyrant http://www.podtyrant.com

[Watch the video interview on our YouTube Channel] Composer Tim Wynn sits down with Film.Music.Media for another fantastic episode in the All Access series. Tim's work in video game, film and television composing has given us some amazing scores that have stood the test of time. We spend some time here focusing on Tim's newest score to the anticipated science fiction turn-based tactical game XCOM 2. Tim talks about how he wanted the score to feel retro yet modern at the same time and talks about being influenced by Blade Runner and other classic scores of the sci-fi genre. Beyond that, Tim talks about how he found his path to film scoring. And how he and his best friend composer Christopher Lennertz roomed together, schooled together and now opened up their own dream studio together. We delve into industry talk such as how to be creative and have a voice when you have so much pressure coming from your directors, producers and studio executives. Many other industry trends and approaches are also discussed in another fantastic All Access interview. Interview Produced & Presented By:Kaya Savas Special Thanks:Tim WynnGreg O'Connor-ReadTop Dollar PR

The always great Christopher Lennertz chats about some of his newest scores like Thanks For Sharing and Revolution. Thanks For Sharing is a drama about sex addiction, but it also has a lot of light life moments. It's a film that will make you laugh and cry at the same time so we discuss all the challenges that came with it. It's also a deeply psychological film requiring a lot from the score to get into the head of the characters. We discuss in depth the psychology of film music. Especially how composers need to be able to analyze characters well in order to know what the music needs to do in order to evoke an emotional connection. Chris shares how 20 years ago he wouldn't have had the life experiences needed to be able to properly write a score like Thanks For Sharing, and how living life is the best way to become a better storyteller. We also discuss Revolution and what his method and approach is for a huge broadcast drama. A truly fascinating and insightful interview with an amazing composer. It was great to chat with Chris once again. Interview Conducted By:Kaya Savas Special Thanks:Christopher LennertzStefan KarrerRay CostaAlbert TelloMilan RecordsCosta Communications

The amazing Christopher Lennertz takes some time to chat about Mass Effect 3 and some upcoming projects. We go in detail about comedy scoring and family film scoring. We spend a good portion talking about his work on Mass Effect 3 and how the rest of the composing team came together to craft a cohesive and epic score for such a large scale game. We also discuss the importance of directors sticking with composers and building a lasting working relationship. He also mentions how his daughter is his secret weapon when it comes to knowing how to approach family films. A great chat with one of today's most admired and respected composers.

CHRISTOPHER LENNERTZ is a composer and producer for film, television, records, and Video Games. films credits include Box office hit comedies including The Boss, Horrible Bosses (1 &2), Think Like A Man (1 &2),, and Identity Thief, popular family comedies including Alvin and the Chipmunks and Hop. He's scored television series including Supernatural, Galavant and Marvel's Agent Carter and video games such as Mass Effect 3, Starhawk, Medal of Honor, and the James Bond: 007 series, Lennertz has also collaborated with music giants including Dave Grusin, RZA, members of Pearl Jam, Jane's Addiction and THE Dave Matthews Band. One of his most recent scoring projects is for Sony Pictures Animated film, SMURFS: THE LOST VILLAGE. This new take on the Smurfs film marks the first collaboration between Lennertz and the film's director, Kelly Asbury. In addition to writing the score for the film, Lennertz co-wrote a song with Award-winning singer-songwriter KT Tunstall. Smurfs: The Lost Village tells the story of Smurfette and her best friends Brainy, Clumsy and Hefty and their race through the Forbidden Forest; the gang must find a mysterious lost village before the evil wizard Gargamel. Embarking on a journey full of action and danger, the Smurfs are on a course that leads to the discovery of the biggest secret in Smurf history! In this episode of THE ANNOTATOR, Christopher Lennertz talks about how he worked with director Kelly Asbury to set the tone for this new Smurf creation, how he created “smurf flower horn” now 80's Amblin movies influenced this film and score, and just what the purpose of his original song, “You will Always Find Me In Your Heart” , was in the film.ANNOTATED TRACKS02:05 - Track 1 - “Meet the Smurfs”04:50 - Track 2 - “To the Village”07:12 - Track 4 - “Gargamel's Lair”09:00 - Track 13 - “Raft Chase”11:54 - Track 23 - “The Truest Smurf of All”17:27 - Track 25 - “Smurf Eating Flowers (Bonus Track)”OTHER TRACKS00:00 - Track 7 - “Get Those Smurfs” 18:22 - Track 24 - "End Credits Suite”20:32 - Track 1 - “Paris Can Wait″ (Paris Can Wait)SMURFS: THE LOST VILLAGE SOUNDTRACKReleased by MADISON GATE RECORDSDigital and CD - 25-track soundtrack was released on March 31, 2017You can find the soundtrack at Amazon.com, iTunes or streaming on Spotify.MORE ABOUT THE COMPOSERYou can find out and hear more music by CHRISTOPHER LENNERTZ at his official website CHRISTOPHERLENNERTZ.COM or follow him on twitter @clennertzABOUT THE ANNOTATORProduced by Christopher Coleman (@ccoleman) and you can Find more episodes at THEANNOTATOR.NET or you can subscribe via iTunes, Stitcher Radio or wherever you find quality podcasts.FOLLOW USTwitter @audioannotatorFacebook @TheAnnotatorEmail theannotatorpodcast@gmail.comSUBSCRIBEiTunesStitcher RadioGoogle Play PodcastsRSS Feed

On this week’s episode of CINEMATIC SOUND RADIO, we’ll be presenting our annual Christmas Special featuring music from some yuletide classics and some non-traditional Christmas favourites.You’ll hear music from the 1999 adaptation of A CHRISTMAS CAROL with music by Shephen Warbeck. You’ll also hear music by Jerry Goldsmith from THE HOMECOMING: A CHRISTMAS STORY, Williams Ross and Jerome Leroy’s ONE CHRISTMAS EVE and Dario Marianelli’s score to the remake of EVERYBODY’S FINE.We’ll also be featuring a suite of music from Shane Black scripted and/or directed films. And we can’t have a Christmas show without DIE HARD.Plus, we’ll be featuring single tracks selections from ALVIN AND HE CHIPMUNKS by Christopher Lennertz, HARRY POTTER AND THE GOBLET OF FIRE by Patrick Doyle, STAR TREK: GENERATIONS by Dennis McCarthy, John Williams’ STEPMOM and more. Cinematic Sound Radio http://www.cinematicsound.net WROCK Radio http://www.wrockradio.com Cinematic Sound Radio Fanfare and Theme by David Coscina https://soundcloud.com/user-970634922 Bumper voice artist: Tim Burden http://www.timburden.com Also available through Podtyrant http://www.podtyrant.com

This week James and Nick talk soundtracks, Nick gives a SPOILER FREE Star Wars: Rogue One review, and more! #TotallyWhelmed Twitter: @whelmedpod Facebook: facebook.com/whelmedpod James: @Iamvonblum Nick: @SPD4649 Dr. Comics & Mr. Games Twitter/Instagram: @drcomicsmrgames Facebook: facebook.com/drcomicsmrgames Tumblr: drcomicsmrgames.tumblr.com Castlevania Symphony of the NIght soundtrack by Michiru Yamane https://www.youtube.com/watch?v=EjVoUFrdYFQ&list=PL55DF16132A28F682 Street Fighter II: An Oral History http://www.polygon.com/a/street-fighter-2-oral-history The Lives We Left Behind - Skullgirls OST by Michiru Yamane https://www.youtube.com/watch?v=qVC-95fnVYs Castlevania Symphony of the Night Hidden Track https://www.youtube.com/watch?v=yF2htc3XDaw Chrono Trigger OST by Yasunori Mitsuda https://www.youtube.com/watch?v=mEoN_Xe-B-s Chrono Cross OST by Yasunori Mitsuda https://www.youtube.com/watch?v=h-IJvyAayzA&list=PLe49bTB1MEI2UcYl9lzqn5MeUH5aaGhdu Final Fantasy VI OST by Nobuo Uematsu https://www.youtube.com/watch?v=sLpjPht5mvg Final Fantasy VII OST by Nobuo Uematsu https://www.youtube.com/watch?v=PlfGch8mGhg Final Fantasy VIII OST by Nobuo Uematsu https://www.youtube.com/watch?v=X6kAwpgW29M Eyes on Me composed by Nobuo Uematsu, lyrics by Kako Someya, vocals by Faye Wong https://www.youtube.com/watch?v=bAMzIihPjAg 紅豆 (Hong Dou, Red Beans) by Faye Wong (B-Side to the Eyes on Me single) https://www.youtube.com/watch?v=q_71ctU9MzI Silent Hill 2 OST by Akira Yamaoka https://www.youtube.com/watch?v=6LB7LZZGpkw&list=PL3701130022801F23 Xenogears OST by Yasunori Mitsuda https://www.youtube.com/watch?v=BA6HpFfsFxY&list=PLCB5EC0C5E1947BF4 Mass Effect (full trilogy OST) by Jack Wall, Sam Hulick, Richard Jacques, David Kates, Jimmy Hinson, Brian DiDomenic, Sascha Dikiciyan, Cris Velasco, Christopher Lennertz and Clint Mansell https://www.youtube.com/watch?v=gX1UuJMfQfk Dragon Quest VIII - Overture (Arranged) by Koichi Sugiyama https://www.youtube.com/watch?v=zBE-TSYSN9M Dragon Quest VIII - Overture (Orchestral) by Koichi Sugiyama https://www.youtube.com/watch?v=6XltT3vKCE0 Legend of Zelda Ocarina of Time OST by Koji Kondo https://www.youtube.com/watch?v=bAMzIihPjAg Jet Set Radio OST by Hideki Naganuma https://www.youtube.com/watch?v=RGA4PilHdr0 Improvise by Jurassic 5 (exclusive track for the North America version of Jet Set Radio) https://www.youtube.com/watch?v=VXbQppZoEhU Ghost in the Shell OST by Kenji Kawai https://www.youtube.com/watch?v=GvaC6cIrntI Akira OST by Geinoh Yamashirogumi https://www.youtube.com/watch?v=hpDvtIt6Lsc Mega Man 2 OST by Takeshi Tateishi https://www.youtube.com/watch?v=rrMrIZRD7Xc Batman Arkham City OST by Ron Fish and Nick Arundel https://www.youtube.com/watch?v=wmv0W9nZvMc&list=PLFC44D36D6765DF12 Street Fighter III: Third Strike OST by Hideki Okugawa https://www.youtube.com/watch?v=XcrpsKq8q64&list=PL7BBA15DB126C716A Vocies by Yoko Kanno https://www.youtube.com/watch?v=GPnWdR6Q_g0 Tank! by Yoko Kanno and the Seatbelts https://www.youtube.com/watch?v=oAczwhihCyk Batman The Animated Series main theme by Danny Elfman and Shirley Walker https://www.youtube.com/watch?v=J6Cvi30-BTU Superman The Animated Series main theme by Shirley Walker https://www.youtube.com/watch?v=p6gyTq-k5ng X-Men Animated Series Theme by Ron Wasserman https://www.youtube.com/watch?v=7IzSGvXc_PM Mortal Kombat Movie Theme by The Immortals https://www.youtube.com/watch?v=EjQ7jJx9PJk Batman Brave and the Bold - I’m the Music Meister with Neil Patrick Harris https://www.youtube.com/watch?v=V_q1SdaWLlw Metal Gear Solid 2 OST by Harry Gregson-Williams https://www.youtube.com/watch?v=EXS-fVqrboo&list=PLDF4191CBB2E1910A The Chronicles of Narnia - The Battle by Harry Gregson-Williams (there’s no way this doesn’t belong in a Metal Gear game) https://www.youtube.com/watch?v=sxeiDFlJ5kU Tron Uprising OST by Joseph Trapanese https://www.youtube.com/watch?v=g5A83fXUikc&list=PLRoIhauwBfjxNiKys-cIvZzlk9gXc67qI

On this week’s episode of CINEMATIC SOUND RADIO, we’ll be featuring music from six brand new scores. We open with music from one of the finest scores of the year, PETE”S DRAGON by Daniel Hart. You’ll also hear brand new music from the Netflix TV series STRANGER THINGS by Kyle Dixon, and Michael Stein. THE LIGHT BETWEEN OCEANS features one of Alexandre Desplat’s best scores. Christopher Lennertz and Alan Menken scores the R-rated animated feature SAUSAGE PARTY. 65daysofstatic’s sound design score to the video game NO MAN’S SKY is our video game score of the week. And Naoki Sato provides outstanding music for the Japanese TV series, MORIBITO: GUARDIAN OF THE SPIRIT. Our John Williams album of the week is a 2007 recording of a three piece suite from MEMOIRS OF A GEISHA featuring cellist Yo-Yo Ma. And we pay tribute to legendary harmonica player Toots Thielemans, who passed away last week at the age of 94. You’ll hear four scores featuring performances by Thielemans including MIDNIGHT COWBOY by John Barry, CINDERELLA LIBERTY by John Williams, INTERSECTION by James Newton Howard and HARD RAIN by Christopher Young. Cinematic Sound Radio http://www.cinematicsound.net WROCK Radio http://www.wrockradio.com Cinematic Sound Radio Fanfare and Theme by David Coscina https://soundcloud.com/user-970634922 Bumper voice artist: Tim Burden http://www.timburden.com Also available through Podtyrant http://www.podtyrant.com

It's not vengeance. No, not vengeance...punishment. In issue #6 of Comics on Consoles, we examine perhaps one of the most shocking and violent comics-based games ever made in the form of 2005's The Punisher, developed by Volition, Inc. and published by THQ. Find out how the Punisher rode a roller coaster of popularity and decline before arriving at this unique entry in the entire Punisher franchise, since it fits in as many things simultaneously: a semi-sequel to the 2004 film, an adaptation of one of the character's most influential comic book stories, as well as a companion to the guy we all know and love in the Marvel Comics Universe. Also, listen as host Chris Clow recounts why it's okay to enjoy the Punisher with a "clear conscience," as explained in the words of one of the character's best writers: the incomparable Garth Ennis. Then, in the discussion portion, Chris' Batman-On-Film colleague and Flickering Myth writer Ricky Church joins the fray to talk about the game's legacy, and just what continues to make it such a memorable experience over ten years after it was first released. Plus, Chris announces the subject of issue #7! Music by BenSound.com. Game music composed by Christopher Lennertz and Timothy Michael Wynn.

The boys are back, and this time we have a guest! Enjoy music from our guest, Doug & pieces from James Hannigan, Jeremy Soule and more! Mass Effect 3 – Sur’kesh – Christopher Lennertz 2012 Terraforge – Dawn of Judgement Doug Waters 2016 Skyrim – Dragonborn Jeremy Soule 2011 To-Tum… Continue Reading Episode 27: Doug Waters Interview

Welcome back to our coverage of Agent Carter as the show airs each week in Ireland and the UK every Sunday on Fox UK. This time around we discuss character development for Howard Stark and an amazing ballerina move for quiet resident of The Griffith, Dottie Underwood (Bridget Regan). In Agent Carter The Blitzkrieg Button Peggy (Hayley Atwell) continues to work surreptitiously for Howard Stark (Dominic Cooper) to get details of the inventions now in the possession of the members of the Strategic Scientific Reserve. In particular Howard is concerned about the loss of one of his prized gadgets The Blitzkrieg Button and returns from hiding to ensure the device is kept out of the US Governments hands. The device contains a secret truly connected to Peggy's past. Will it lead to the breaking of the close knit group of Peggy, Howard and Jarvis (James D'Arcy)? Meanwhile Chief Dooley (Shea Whigham) and Agent Thompson (Chad Michael Murray) close in on the mystery of "The Battle of Finow" as they realise that Colonel Mueller (Jack Conley), a former commander in the German army now awaiting the death penalty in Germany, may provide the lead to the shadowy organisation Leviathan. As always thanks for listening to our Agent Carter Podcast. If you have any thoughts on Agent Carter, Ant-Man or of course Daredevil or the future Netflix shows please send them to feedback@defenderstvpodcast.com and we'll discuss them on our future podcasts. The Defenders TV Podcast will have a very special episode next time when we go to the cinema again to cover the Fantastic Four, the latest incarnation of the mainstay characters of the Marvel universe. We will also return next week with our thoughts on Agent Carter Episode 5 "The Iron Ceiling" where we will see Peggy teaming back up with the Howling Commandos. John and Derek Defenders TV Podcast Date recorded: 03/08/2015 Date published: 03/08/2015 MP3, 49.30 mins, 192kbps, 67.99 MB The Agent Carter Theme is by Christopher Lennertz. All images and audio clips are copyright of their respective copyright owners. No infringement is intended.  

We start out this weeks podcast with a very special piece of feedback from Eric Pearson the writer of Agent Carter Episode 2 and go on to discuss Agent Carter Time and Tide the third episode of season one. This episode was directed by two time emmy-winner Scott Winant and written by Andi Bushell the co-executive producer of Agent Carter. In Agent Carter Time and Tide Peggy gets closer to finding all of Howard Stark's missing inventions and uncovering who is behind this betrayal. Meanwhile the SSR step up their investigation into Howard Stark as they bring Jarvis (James D'Arcy) in for questioning. Can he keep his silence when faced with the carrot and the stick? As always thanks for listening to our Agent Carter Podcast if you have any thoughts on Agent Carter, Ant-Man or of course Daredevil or the future Netflix shows please send them to feedback@defenderstvpodcast.com and we'll discuss them on our future podcasts. The Defenders TV Podcast will return next week with our thoughts on Agent Carter Episode 4 "The Blitzkrieg Button". John and Derek Defenders TV Podcast Date recorded: 27/07/2015 Date published: 27/07/2015 MP3, 55.18 mins, 192kbps, 75.9 MB The Agent Carter Theme is by Christopher Lennertz. All images and audio clips are copyright of their respective copyright owners. No infringement is intended.

We return this week after our trip to the movies to see Marvel's Ant-man to continue our coverage of Agent Carter Bridge and Tunnel the second episode of season one of the TV series Agent Carter. This episode was directed by Joe Russo who brought us the wonderful Captain America: Winter Soldier and will bring us Avengers: Infinity War and Captain America: Civil War very soon, it's also written by Eric Pearson the writer behind the Marvel One-Shots including "A funny thing happened on the way to Thor's hammer", "Item 47" and of course the Marvel One-Shot: "Agent Carter". It's great to see such a pedigree brought to the TV Show. In episode 2 we see the contrasting investigations of Peggy Carter (Hayley Atwell), The SSR and the quiet man in the green suit all leading to the home of Sheldon McFee (Devin Ratray). While Agent Sousa (Enver Gjokaj) gets closer to the trail of the "blond" from Spider's Club. We also have a tender moment between Peggy and Jarvis (James D'Arcy) as he becomes a closer confidant and supportive influence on the life of our WW2 veteran. Finally we receive an obscure lead from Leet Brannis (James Frain soon to appear as a returning character on Gotham) which may lead Peggy to the nefarious Leviathan. As always thanks for listening to our Agent Carter Bridge and Tunnel Podcast if you have any thoughts on Agent Carter, Ant-Man or of course Daredevil please send them to feedback@defenderstvpodcast.com. The Defenders TV Podcast will return next week with our thoughts on Agent Carter Episode 3 "Time and Tide". John and Derek Defenders TV Podcast Date recorded: 20/07/2015 Date published: 22/07/2015 MP3, 53.44 mins, 128kbps, 73.8 MB The Agent Carter Theme is by Christopher Lennertz. All images and audio clips are copyright of their respective copyright owners. No infringement is intended.

Sam Hughes speaks to Sam Estes and Michael Hobe, founders of Sonicsmiths. Sam and Michael met while working at Remote Control Productions (2008-2012) and both left together to join the team at Cinesamples. During their tenure at Cinesamples (2012-2014) developing commercial libraries, they continued producing private sound design and samples for composers including Danny Elfman, Michael Giacchino, Junkie XL (Tom Holkenborg), and Christopher Lennertz. Sam and Michael left Cinesamples to form Sonicsmiths, a company dedicated to providing sound-design based soundtracks, unique sound design tools, and digital instruments. More great interviews at: www.thesoundarchitect.co.uk

This week's episode we talk about the independent Irish film 'The Randomers' and then talk with Hollywood composer Christopher Lennertz who has done the score of number 1 comedy hit Ride Along with Kevin Hart, Horrible Bosses, Identity Thief, The Medal of Honor computer games, Supernatural the TV Show and Soul Plane to name just a handful.Take a listen and enjoy!You can SHOP The After Movie Diner http://www.cafepress.com/aftermoviediner LOTS of original and unique designs available on a variety of clothing styles for all ages, office & home supplies and gifts for all the family! AND Check out our sister show Dr.Action and the Kick Ass Kid Commentaries: WATCH OUT! This Podcast EXPLODES!!! http://dractionkickass.blogspot.com/ You can e-mail us: aftermoviediner@gmail.com You can follow us on Twitter: @aftermoviedinerFind us on Facebook - www.facebook.com/aftermoviediner and please comment, leave feedback, rate and review us on www.talkshoe.com and iTunes We are also on Stitcher, Spreaker and www.podcastpickle.com The After Movie Diner Podcast is part of THE 2ND UNIT PODCAST NETWORK! Our website http://2upn.blogspot.com

Composer Christopher Lennertz joins the podcast! Christopher has worked on TV's Revolution and Supernatural and is the composer of the current #1 film in the U.S., Ride Along! Oh and did we mention he scored two Marvel One Shots as well as the iconic Jame

Welcome one and all to Cinematic Sound Radio’s third annual Christmas special. On the program this year you will hear music from Jeannot Szwarc’s 1985 film SANTA CLAUS: THE MOVIE starring Dudley Moore. You’ll also hear a rare Christmas gem by Bruce Broughton for the 1991 family comedy ALL I WANT FOR CHRISTMAS. Mychael Danna wrote arguably one of his very best scores for the 2006 film THE NATIVITY STORY; you’ll hear a lengthy suite from that score. We will also feature music from Maurice Jarre’s score to the 1989 film PRANCER – a score that received its very first CD release a few months ago. Sprinkled throughout the program you’ll hear shorter selections from Randy Edelman’s SURVIVING CHRISTMAS, Hans Zimmer’s THE HOLIDAY, and Christopher Lennertz’s A DIVA’S CHRISTMAS CAROL. To open the program you’ll hear Andrew Pearce’s extended TF1 CINE DIMANCE LOGO THEME and the close the show you will hear the “Christmas Carol Medley” arranged by Angela Morley from the 1990 film HOME ALONE.

Christopher Lennertz is a busy guy, working on multiple television projects like Supernatural and Revolution, in addition to writing music for games like Starhawk and Mass Effect 3. Hear the conversation on the new episode of Top Score from Classical MPR.

In which I talk about video game enemy racism, then play music from a cute platformer! Awkward tonal shifts are a trademark of this show. GUN theme and Dodge City theme scored by Christopher Lennertz from GUN by Neversoft; and Woods of Light and Ending Sequence by Eric Chevalier from Rayman 2: The Great Escape by Ubisoft.

Instead of another set of movie reviews this week I decided to make things consistent and come out with something in it's stead. I have a couple video games to review this round as well as one anime. I start things off with Mass Effect 3, hopefully it's as spoiler free as I think it is but if anyone has problems with it you can send an email. I didn't address in detail the controversy with ME3's ending(s) I just discuss my interaction with them. Following ME3 is Uncharted: Drake's Fortune, a good game but I think it shows it's age just a little bit. Overall it has a fun story, but it has two failings that keep this title from being amazing. And lastly I try to talk about Ikki Tousen, but honestly I have little to no idea what it's about and that's after watching 6 episodes. So if it sounded disjointed that's because I was confused and lost. I doubt anyone will be surprised by the score. Opening and Closing Song- Leaving Earth by Clint Mansell, Christopher Lennertz, Cris Velasco, Sam Hulick, and Sascha Dikiciyan

When a movie needs a little more ‘cattitude’ or must unleash some canine goofiness, movie moguls often turn to our special guest, Christopher Lennertz. This award-winning music composer creates the mood with just the right tempo, tone and use of instruments on such popular movies as Marmaduke, 101 Dalmatians, Free Willy 2, Alvin and the Chipmunks and the upcoming 3-D Cats & Dogs: Revenge of Kitty Galore (premieres July 30). Lennertz happily shares how his work has bee influenced by a pair of four-legged music muses -- his pets who include a liver-spotted Dalmatian named Miles Davis and a very chatty cat named Loca. Definitely tune in to this special episode of Oh Behave! More details on this episode MP3 Podcast - Emmy-Nominated Christopher Lennertz is a Howling Success as a Music Composer for Popular Movies and More with Arden Moore