Podcasts about bellotto

Join Richard in this weeks episode in which we have Mays seed of the month and Richard visits gardeners world spring fair at Beulieu in the new forest. Also Richard shares the latest from the allotment and Chef Scott is back with a delicious asparagus recipe. Kitchen garden update: Seed of the month Runner Bean. We find ourselves in May and its time for our seed of the month. This month its the runner bean which isn't one of Richards favourite vegetables but it certainly brings back lots of memories. Runner beans are often considered a staple for many and they are a very reliable crop. As a legume they also feed the soil with nitrogen so many benefits to growing beans. Some of Richards favourite verities are listed below with affiliate links: Runner Bean Lady Di a good reliable runner bean. Bellotto bean a beautiful looking bean Polestar stringless a string less variety Dwarf runner bean bean Hestia A dwarfing plant but still produces well Many more choices out there as well. The show season has started with gardeners world spring fair Richard headed down to The national motor museum at Beulieu this week for the Gardeners world spring fair, which happens to be one of Richards favourite gardening shows. As always its another fantastic show with plenty of show gardens to see and talks to listen too. Also Richard came back with plenty of purchases from independent stall holders too. Chef Scott's Recipe of the week: Asparagus wrapped in Parma with buretta and salsa verde Chef Scott is back with another seasonal recipe and this week its perfect as Richard has just harvested his first asparagus. This recipe uses asparagus wrapped in ham and served with a cheese stuffing and salsa verde is just mouth watering

Tony Bellotto retorna para mais um bate-papo com Afonso Borges. No episódio de hoje, ele falou sobre o processo de revisão dos seus livros, as adaptações de suas obras no cinema e ainda deu conselhos a novos escritores. Ouça! See omnystudio.com/listener for privacy information.

O convidado do podcast especial desta semana é o escritor e músico Tony Bellotto. Nessa conversa inédita, ele abordou sua trajetória com a escrita e a leitura; os romances policiais que publicou; seus métodos de construção de narrativas; sua relação com diferentes gêneros literários; e ainda contou sobre o novo livro no qual ele está trabalhando. Ouça!See omnystudio.com/listener for privacy information.

No podcast de hoje, Afonso Borges conversa com Malu Mader e Tony Bellotto no Sempre Um Papo. Ela, atriz desde a juventude, estrelou diversos filmes e novelas de sucesso. Ele, músico - guitarrista e compositor dos Titãs - é também um talentoso escritor com mais de 10 livros publicados. See omnystudio.com/listener for privacy information.

Christian GrappioloA Savigliano, Cuneo, Bra, Mondovì e Torino“I segreti della camera ottica”Un viaggio in cinque tappe, una tenda itinerante in cui scoprire i segretidella camera ottica, dai vedutisti alla fotografia. In occasione della mostra “Canaletto, Van Wittel, Bellotto. Il Gran Teatro delle città.Capolavori dalle Gallerie Nazionali di Arte Antica”promossa negli spazi del Complesso Monumentale di San Francesco a Cuneoda Fondazione CRC e Intesa Sanpaolo “I segreti della camera ottica” è un viaggio in cinque tappe, una tenda itinerante in cui scoprire i segreti della camera ottica, dai vedutisti alla fotografia, organizzato in occasione della mostra “Canaletto, Van Wittel, Bellotto. Il Gran Teatro delle città. Capolavori dalle Gallerie Nazionali di Arte Antica”, aperta fino al 30 marzo 2025 negli spazi del Complesso Monumentale di San Francesco a Cuneo e promossa da Fondazione CRC e Intesa Sanpaolo, in collaborazione con le Gallerie Nazionali di Arte Antica di Roma e con il supporto organizzativo di MondoMostre.Si partirà da Savigliano, domenica 15 dicembre, per spostarsi il 22 dicembre a Cuneo (inizio via Roma, vicino a Piazza Galimberti), il 5 gennaio 2025 a Bra (Corso Cottolengo, area sopraelevata coperta), ultime due tappe a metà gennaio a Mondovì e a inizio febbraio a Torino. In ognuna di queste città verrà allestita una grande tenda-camera ottica all'interno della quale, come nelle camere ottiche che utilizzavano i vedutisti, apparirà l'immagine del mondo.L'ingresso nella tenda è aperto a tutti, grandi e piccini. All'interno sarà possibile scoprire i principi del funzionamento di questo strumento, antenato della macchina fotografica, che i vedutisti utilizzavano per tracciare le immagini a partire dalle quali, ingrandite, modificate e montate una accanto all'altra, realizzavano poi in studio le proprie opere. Nel corso della giornata sarà anche possibile provare una camera ottica portatile, simile a quelle utilizzate dai vedutisti per realizzare i propri disegni.Accompagnerà i curiosi in questo viaggio Christian Grappiolo, fotografo e esperto di fotografia stenopeica.  Christian Grappiolo ha condiviso questa passione in decine di laboratori per adulti e ragazzi, collabora con la Fototeca Nazionale Ando Gilardi per la quale ha contribuito alla riedizione del volume “Spiracolo” di Ando Gilardi e ha recentemente pubblicato un volume di foto stenopeiche “Unboxing Cuneo” a cura di Giorgio Olivero.In tutti gli appuntamenti, la tenda sarà aperta dalle dieci del mattino fino al tramonto.  L'accesso è libero e gratuito, il laboratorio è a cura di Felìz Comunicazione.Informazioni e prenotazioni su www.fondazionecrc.itLa camera ottica La camera ottica è uno strumento composto da una scatola completamente oscurata dotata di un obiettivo attraverso il quale entra la luce che proietta l'immagine di ciò che è inquadrato sul fondo della scatola. La camera ottica funziona un po' come il nostro occhio ed è anche alla base della fotografia, ma è stata utilizzata già prima dell'invenzione di quest'ultima, da pittori che ricalcavano su carta l'immagine proiettata. Di camere ottiche e camere oscure (la versione senza obiettivo) se ne sono costruite di moltissimi modelli e svariate dimensioni. A volte addirittura si trasformava una camera d'abitazione in camera oscura: si oscurava la stanza, si praticava un piccolo foro in un muro o a una finestra e si proiettava sulla parete prospiciente.Le camere ottiche portatili utilizzate dai vedutisti erano dotate di uno specchio girevole che rifletteva l'immagine stenopeica su uno schermo traslucido. Poggiando sullo schermo un foglio di carta i vedutisti tracciavano le linee degli oggetti e delle architetture.Canaletto operava portandosi le camere ottiche nelle calli veneziane: orientando in varie direzioni l'obiettivo della camera, disegnava le vedute divise in porzioni, e vi annotava colori, ombre e condizioni delle architetture. Nei suoi appunti, conservati nelle Gallerie dell'Accademia di Venezia, sono contenuti disegni che, collegati in gruppi, formano delle vedute continue. Era solito realizzare più schizzi, a volte mantenendo fermo il punto di vista e disegnando due o più prospettive ruotando il quadro prospettico gradualmente, in altri casi spostando la camera.  Il dipinto era poi il risultato della composizione di più schizzi, realizzato in studio usando compassi rapportatori, quadrettature e pantografi, adattandoli con abili accorgimenti di regia e deformazioni per dilatare lo spazio e offrire originali tagli compositivi. Il pittore utilizzava i suoi schizzi documentari per replicare le composizioni, aumentando o restringendo il primo piano, allargando la visuale, combinando dettagli architettonici precisi e figure sempre diverse.     “Canaletto, Van Wittel, Bellotto. Il Gran Teatro delle città. Capolavori dalle Gallerie Nazionali di Arte Antica” Complesso Monumentale di San Francesco, Cuneo www.fondazionecrc.itIL POSTO DELLE PAROLEascoltare fa pensarewww.ilpostodelleparole.itDiventa un supporter di questo podcast: https://www.spreaker.com/podcast/il-posto-delle-parole--1487855/support.

Paola Nicita"Canaletto, Van Wittel, Bellotto. Il Gran Teatro delle città"Capolavori dalle Gallerie Nazionali di Arte AnticaComplesso Monumentale di San Francesco, CuneoMostra aperta fino al 30 marzo 2025www.fondazionecrc.itIl progetto espositivo, appositamente ideato per lo spazio cuneese, riunisce dodici capolavori provenienti dalle Gallerie Nazionali di Arte Antica di Roma che esplorano e reinventano l'immagine delle città nell'epoca dei Grand Tour e degli ambienti culturali illuminati, in un periodo in cui la prima tappa di ogni itinerario culturale attraverso l'Italia era Roma e la meta finale coincideva con Venezia.Curata da Paola Nicita e Yuri Primarosa, delle Gallerie Nazionali di Arte Antica, offre uno spaccato inedito sulla rappresentazione degli scenari urbani di Roma e Venezia nel Settecento attraverso le opere di tre maestri indiscussi della veduta: Giovanni Antonio Canaletto, Gaspar Van Wittel e Bernardo Bellotto, ai quali si affiancano i lavori del pittore piacentino Giovanni Paolo Pannini.La mostra Canaletto, Van Wittel, Bellotto. Il Gran Teatro delle città. Capolavori dalle Gallerie Nazionali di Arte Antica racconta la grande trasformazione artistica che pone lo scenario urbano allivello di un palcoscenico all'aperto, risolvendosi in vere e proprie scenografie dove realtà e immaginazione si fondono in maniera spettacolare e dove lo sguardo fotografico dialoga sempre con il coinvolgimento poetico. La grandiosità di Roma e il fascino lagunare di Venezia sono protagonisti delle scene catturate dai maestri in mostra, che ne immortalano momenti vitali come le feste, le cerimonie e gli eventi mondani con l'intento di restituire un ricordo vivido e duraturo ai viaggiatori che li avevano vissuti. L'arte di Canaletto, Van Wittel e Bellotto mette in scena la città antica accanto a quella moderna, spaziando dalla pittura di teatro al capriccio archeologico fino ad arrivare alla veduta topografica.Accompagna la mostra il catalogo edito da MondoMostre che affianca i contributi critici di Paola Nicita e Yuri Primarosa.IL POSTO DELLE PAROLEascoltare fa pensarewww.ilpostodelleparole.itDiventa un supporter di questo podcast: https://www.spreaker.com/podcast/il-posto-delle-parole--1487855/support.

Um papo único, de milhões, por assim dizer, com um dos maiores ídolos do rock brasileiro e sul-americano. Conversamos com Tony Bellotto, um dos fundadores e guitarrista dos  Titãs! Na conversa, falamos do mais recente projeto, o "Microfonado", onde a banda se permite revisitar clássicos, novidades e outros quitutes numa roupagem eletro-acústica cheia de convidados especiais, como Ney Matogrosso,  Vitor Kley  , Major RD  , Lenine  , entre outros. Além da nova empreitada, falamos de IA, processo criativo, o impacto da banda ainda hoje, livros, Living Colour  e outros tópicos! A conversa foi feita pouco antes do show da estreia do "Microfonado" em São Paulo, no fim de setembro. Vem que a coisa tá fina! NOSSAS REDES: https://www.facebook.com/sonoridadesinc https://www.instagram.com/sonoridades... https://twitter.com/Sonoridades_Inc TONY BELLOTO https://www.instagram.com/tonybellottooficial TITÃS https://www.instagram.com/titasoficial #titãs #microfonado #tonybellotto #livingcolour #vernonreid #lenine #vitorkley #majorrd #neymatogrosso #bellini #sonoridades #brrock #rockbrazuca #rickbonadio #poprock #cabecadinossauro #titanomaquia #oblesqueblom # unimedhall #lollapaloozabrasil #rockinrio #ia #musicadigital #vynil #entrevista #musicmatters --- Support this podcast: https://podcasters.spotify.com/pod/show/sonoridades/support

Dieser Kunstsnack ist eine Reise in die Vergangenheit. Es geht um das Gemälde "Blick auf Dresden" von Bernardo Bellotto. Die Maltechnik des Künstlers wird ebenso thematisiert, wie seine Arbeit mit der camera obscuro. Außerdem erklärt Jakob Schwerdtfeger, was eine Vedute ist, warum Bellotto oft mit Canaletto verwechselt wird und dass Bernardo Bellotto ein echter Chronist der Stadt Dresden war. Was Märklin Landschaften, Touri-Souvenirs und Las Vegas damit zu tun haben? Hört rein!

Imagine being the proud descendent of a cigar-loving lineage and turning that heritage into a smoldering success. That's precisely what Tony Bellotto did with his company, La Barba Cigars, and we're excited to have him share his journey with us. From his $5,000 seed money adventure to his collaboration with industry giants, Tony's tale is one of passion, perseverance, and the art of crafting fine cigars. Join us as we unravel the secrets behind his entrepreneurial spirit and how he's blending tradition with innovation to set the cigar world alight.As the smoke clears, we'll also delve into the heart of building a brand that resonates with aficionados and newcomers alike. Tony's experiences—from the thrill of his cigars gracing a Saturday Night Live celebration to the personal satisfaction of seeing customers commemorate their special moments with a La Barba—underscore the importance of connection in this craft. We'll pepper in some talk about pizzas, fries, and why mayonnaise never makes the cut, while also sipping on the details of Tony's ventures in coffee and cava. So, light up your curiosity and prepare for an episode that's full of flavor, entrepreneurship, and a dash of Youngstown charm.http://labarbacigars.com/

Gościem "Poranka Dwójki" był Artur Badach, kurator wystawy "Bernardo Bellotto. W 300. rocznicę urodzin malarza" pokazywanej na Zamku Królewskim w Warszawie.

„To był Europejczyk, który wybrał Polskę i Warszawę” – mówi o Bernardo Bellotto prof. Wojciech Fałkowski, dyrektor Zamku Królewskiego w Warszawie, które z okazji jubileuszu malarza przygotowało, największą w dziejach polskiego muzealnictwa, monograficzną wystawę artysty.… Czytaj dalej Artykuł Bernardo Bellotto w 300. rocznicę urodzin malarza pochodzi z serwisu Audycje Kulturalne.

Neste episódio do Podcast eu trago uma conversa que tive numa Live com a Lívia Bellotto do Pod7Studio (https://www.pod7studio.com.br/). Foram vários insights sobre como um especialista pode usar o Podcast como base digital e assim criar um negócio online. CURSO PODCAST DO ZERO: Como lançar o seu Podcast. É um treinamento passo a passo em vídeo aulas para você colocar o seu Podcast no ar de forma rápida e segura https://escoladopodcast.com/pdz EDP#120

Guitarrista da banda Titãs, Tony Bellotto, fala dos shows do Titãs Trio Acústico marcados para o RS by Rádio Gaúcha

Nowa wystawa, którą można oglądać na Zamku Królewskim w Warszawie, prezentuje m.in. XVIII-wieczne porcelanowe naczynia, których dekoracje inspirowało malarstwo i grafika oraz oryginalne ryciny Bernarda Bellotta. Szczegóły przedstawiliśmy w poniedziałkowej audycji "Wybieram Dwójkę".

O que será que a mãe do Monark acha sobre toda a polêmica?

Livia Bellotto, conhecida também como Mãe do Monark, é Psicóloga, mentora de mulheres e especialista em recomeços, ela também apresenta o Soul Fenix Podcast Sigam a Mãe do Monark no Instagram: @liviabellotto Link da Comunidade Mulheres Fênix: https://discord.gg/SqB2WPAWzn Soul Fenix Podcast: https://www.youtube.com/channel/UCzT-oqhLIh6dsoyfqTQ2xmg https://www.pod7studio.com.br/ _________ ANFITRIÃO: Monark - Twitter @monark - Instagram @monarkoficial DIREÇÃO: Coca - Instagram @_coca1337 - Twitter @_coca1337 Canal de Cortes: https://rumble.com/c/CortesdoMonarkTalks Grupo no Telegram: https://t.me/monarktalks

Mit der Werkschau "Bernardo Bellotto und der Zauber des Realen" feiert die Gemäldegalerie Alte Meister in Dresden den 300. Geburtstag des venezianischen Meisters. Es gehe dabei auch um eine Neubewertung des Künstlers, sagt Direktor Stephan Koja. Stephan Koja im Gespräch mit Gabi Wuttke www.deutschlandfunkkultur.de, FazitDirekter Link zur Audiodatei

Puntata 'focus'. Ospite l'ex tecnico della Fidelis Andria, GIANFRANCO BELLOTTO. Con Nicola Lucarelli e Riccardo Resta.

Incontro con Matteo Bellotto. Presenta Nicola Angeli Scendere nelle profondità di una terra, il Friuli-Venezia Giulia, cercando di ricostruirne una mitologia contemporanea, fatta delle vite di uomini e donne che ogni giorno vengono dimenticati dalla storia. Le identità separate di questa regione spesso vengono tenute assieme dal vino, capace di raccontare la terra da cui nasce e le persone. Un insieme di brevi ritratti a raccontare l'anima profonda di una terra silenziosa. Edizione 2019 www.pordenonelegge.it

No romance “Dom”, lançado em 2020, Tony Bellotto conta não apenas a trajetória de um jovem fora da lei, mas a história de um país marcado por profundas desigualdades sociais, de uma guerra às drogas que parece infinita, de uma máquina estatal cujos agentes corruptos rivalizam com aqueles que já perderam ou estão prestes a perder as esperanças. * Em junho deste ano, estreou a série homônima no Amazon Prime Video, estrelada por Gabriel Leone e Flávio Tolezani. Com 8 episódios de uma hora de duração, a produção já é um sucesso, não só no Brasil, mas também no mundo. * O episódio da Rádio Companhia desta semana apresenta um bate-papo entre Tony Bellotto e o diretor da série, Breno Silveira. Eles conversam sobre o desenvolvimento dos projetos, além de semelhanças entre o livro e a série. O papo foi ao ar ao vivo no canal da Companhia das Letras no YouTube, no dia 18 de junho. * Saiba mais sobre “Dom”: Neste romance, Tony Bellotto narra a história alucinante de Pedro Dom, jovem de classe média que se tornou chefe de uma quadrilha de roubo de residências no Rio de Janeiro dos anos 2000. À medida que descortina o panorama dramático da vida de Pedro, em especial sua relação com o pai – um agente da polícia aposentado que durante anos trabalhou no combate ao tráfico e fez parte do Esquadrão da Morte na ditadura –, a narrativa de Bellotto alcança um ritmo vertiginoso, de impacto profundo. * Apresentação: Mariana Figueiredo Edição: Paulo Júnior

Atualmente, existem muitas formas de se encontrar equilíbrio interno. Nesse episódio, papeamos com Livia Bellotto, terapeuta CranioSacral, psicóloga e consteladora familiar, que explora como diferentes tipos de terapias podem servir pessoas diversas em momentos variados da vida. Aprofundamos como, numa sociedade moderna caótica, as terapias integrativas nos permitem ter um cuidado completo conosco, com as nossas múltiplas necessidades em diferentes contextos, e nos auxiliam a desenvolver maior compreensão interna de maneira completa. Para mais conteúdo e ficar por dentro das novidades, siga @porquenaopodcast Convidada Livia Bellotto: @liviabellotto.institutoparaser Anfitriões: @soldelcarlo @marc_oliv Por que não apoiar? Link para Picpay Episódios sem cortes no Youtube Trilhas sonoras: Modern Jazz Samba by Kevin MacLeod: Link License

Neste Live da Escola do Podcast vamos conversar com Lívia Bellotto que além de ter uma jornada de vida fantástica e estar inaugurando um estúdio de Podcast, é mãe de do Monark, um dos criadores do Flow Podcast. Vai ser uma conversa recheada de assunto em torno de Podcast, empreendedorismo e mudança de vida.

Manolo Bellotto, PhD is General Manager and President Gain Therapeutics and dedicated to redefining drug discovery through the use of supercomputers and proprietary algorithms to understand rare diseases and diseases where there is a high medical need related to protein misfolding. These indications include cancer, neurodegenerative, metabolic and inflammatory diseases. While traditional drug discovery around protein misfolding was through high-throughput screening, Gain can efficiently identify a select group of molecules that can potentially correct misfolding or induce misfolding of specific proteins.  In a short period of time, using a personalized approach in each different target, they have the biological characterization to see if they can intervene on the protein, potentially leading to a pharmacological solution. @GainThera #ProteinMisfolding #DrugDiscovery #RareDisease #Oncology #LysosomalStorageDisorders #Neurodegenerative #Supercomputer #technology #ComputationalChemistry GainTherapeutics.com Download the transcript here

Manolo Bellotto, PhD is General Manager and President Gain Therapeutics and dedicated to redefining drug discovery through the use of supercomputers and proprietary algorithms to understand rare diseases and diseases where there is a high medical need related to protein misfolding. These indications include cancer, neurodegenerative, metabolic and inflammatory diseases. While traditional drug discovery around protein misfolding was through high-throughput screening, Gain can efficiently identify a select group of molecules that can potentially correct misfolding or induce misfolding of specific proteins.  In a short period of time, using a personalized approach in each different target, they have the biological characterization to see if they can intervene on the protein, potentially leading to a pharmacological solution. @GainThera #ProteinMisfolding #DrugDiscovery #RareDisease #Oncology #LysosomalStorageDisorders #Neurodegenerative #Supercomputer #technology #ComputationalChemistry GainTherapeutics.com Listen to the podcast here

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Victor Bellotto is a professional co-driver that was driven from a young age to bring a career in motorsports to life. He has a tremendous amount of passion for the sport and has experience in all different kinds of racing. In this episode we talk about his journey into the sport, working his way up to the professional level and some of the amazing experiences he has had (like winning a car!). In addition to co-driving, Victor has his own business that offers logistics and management services for other rally teams. It's a great chat where we also get into the different skills needed for gravel vs. tarmac rally both as a driver and a co-driver.Follow Victor:Victor on InstagramVictor on FacebookHiringa MotorsportsFollow Us:MoDD Racing WebsiteMoDD Racing Instagram or FacebookNorthwest Rally Association WebsiteNorthwest Rally on Instagram or FacebookKito on InstagramKatie on InstagramListen and subscribe:Apple PodcastsSpotifyGoogle Play

Tony Bellotto caminha muito bem por duas vertentes da arte: a música e literatura. Na música já são quase 40 anos nos palcos com uma das mais aclamadas bandas de rock do País, os Titãs; na literatura acaba de lançar seu décimo romance, “Dom”, pela "Cia das Letras". Em quarentena no interior do Rio de Janeiro, Tony Belloto conversou com o podcast "45 Do Primeiro Tempo", foi categórico em dizer que nunca mais será o mesmo depois que a pandemia passar: “não tem como voltar igual depois do que estamos vivendo”. Bastante tocado com as inúmeras mortes provocadas pelo coronavírus e pela iminente crise econômica que se avizinha com graves desdobramentos sociais, Tony Bellotto lembra que este vírus nos mostra o tamanho da nossa fragilidade: “o homem criou uma falsa ideia de que domina o mundo”, finalizou.

Confira os destaques do caderno Na Quarentena desta terça-feira (21/04/20)See omnystudio.com/listener for privacy information.

Mesmo após quase quatro décadas de carreira, os Titãs conseguem surpreender quando o assunto é produção musical. Não por menos, nesses 38 anos de carreira, a banda, de diversos hits como "Sonífera Ilha", "O Pulso" e "Os Cegos do Castelo" lançou, na última sexta-feira (3), o primeiro de três EPs, que podem ser acessados nas plataformas digitais, trazendo uma releitura desses e outros sucessos. Por telefone, a reportagem do M!, conversou com Tony Bellotto, um dos componentes do trio, formado também por Branco Mello e Sérgio Brito. Na oportunidade, ele falou sobre o projeto, tempos de quarentena em virtude da Covid-19 e uma forte crítica a postura do presidente Jair Bolsonaro (sem partido), diante da crise que a doença proporcionou no país.

L'Arte si lega alle tecnologie delle propria contemporaneità. Con la macchina ottica Canaletto, Bellotto e Guardi ci ricordano che l'arte può essere sostenuta dalla scienza, e realizzare vedute cariche di emozione. Stiamo agli albori del positivismo. Tutte le immagini su https://quellodiarte.com/2020/02/28/il-vedutismo-canaletto-bellotto-guardi/Vuoi rimanere aggiornato su tutte le novità su Quello di Arte? Iscriviti alla mailing list di Quello di Arte cliccando su questo link https://mailchi.mp/e5da93e9fc36/mailinglistSe volete scrivere a Quello di Arte l'email è quellodiarte@gmail.comPlaylistMichelangelo Mammoliti, Walkman Main, 2019

Hey there word nerds! Today I am so excited to be hosting Brazilian author Tony Bellotto on the show! As some of you may know, my parents are from Brazil and my first language is actually Portuguese. Though I was raised in the U.S. I consider myself as much Brazilian as American so I am super thrilled to have a Brazilian author here today! Tony is the author of the best-selling Bellini mystery novels, which have been released as major feature films and translated widely, establishing him as the preeminent writer of Brazilian detective fiction. He is also a guitarist and songwriter for the famed Brazilian rock band Titãs (The Titans), which has released twenty albums and sold over six million copies. On top of all that, Tony is also the editor of Rio Noir and São Paulo Noir, both published by Akashic Books, who are also releasing the English translation of his Bellini mysteries starting with his debut novel, Bellini and the Sphinx, which is now available. Now listen in, and get ready to hear a little Portuguese, as Tony and I chat about the two awesome anthologies he edited and what it really means for a story to be noir. In this episode Tony and I discuss: The broad definition of “noir”. How to create a crime fiction anthology with non-crime fiction writers. Using humor to create the noir atmosphere. Why you should divide an anthology into sections, and how to do it right. International publishing and the translation process. Plus, Tony’s #1 tip for writers. For more info and show notes: DIYMFA.com/238

I have an idea that some men are born out of their due place. Accident has cast them amid certain surroundings, but they have always a nostalgia for a home they know not. They are strangers in their birthplace, and the leafy lanes they have known from childhood or the populous streets in which they have played, remain but a place of passage. They may spend their whole lives aliens among their kindred and remain aloof among the only scenes they have ever known. Perhaps it is this sense of strangeness that sends men far and wide in the search for something permanent, to which they may attach themselves. Perhaps some deeprooted atavism urges the wanderer back to lands which his ancestors left in the dim beginnings of history. Sometimes a man hits upon a place to which he mysteriously feels that he belongs. Here is the home he sought, and he will settle amid scenes that he has never seen before, among men he has never known, as though they were familiar to him from his birth. Here at last he finds rest.I told Tiare the story of a man I had known at St. Thomas's Hospital. He was a Jew named Abraham, a blond, rather stout young man, shy and very unassuming; but he had remarkable gifts. He entered the hospital with a scholarship, and during the five years of the curriculum gained every prize that was open to him. He was made house-physician and house-surgeon. His brilliance was allowed by all. Finally he was elected to a position on the staff, and his career was assured. So far as human things can be predicted, it was certain that he would rise to the greatest heights of his profession. Honours and wealth awaited him. Before he entered upon his new duties he wished to take a holiday, and, having no private means, he went as surgeon on a tramp steamer to the Levant. It did not generally carry a doctor, but one of the senior surgeons at the hospital knew a director of the line, and Abraham was taken as a favour.In a few weeks the authorities received his resignation of the coveted position on the staff. It created profound astonishment, and wild rumours were current. Whenever a man does anything unexpected, his fellows ascribe it to the most discreditable motives. But there was a man ready to step into Abraham's shoes, and Abraham was forgotten. Nothing more was heard of him. He vanished.It was perhaps ten years later that one morning on board ship, about to land at Alexandria, I was bidden to line up with the other passengers for the doctor's examination. The doctor was a stout man in shabby clothes, and when he took off his hat I noticed that he was very bald. I had an idea that I had seen him before. Suddenly I remembered."Abraham, " I said.He turned to me with a puzzled look, and then, recognizing me, seized my hand. After expressions of surprise on either side, hearing that I meant to spend the night in Alexandria, he asked me to dine with him at the English Club. When we met again I declared my astonishment at finding him there. It was a very modest position that he occupied, and there was about him an air of straitened circumstance. Then he told me his story. When he set out on his holiday in the Mediterranean he had every intention of returning to London and his appointment at St. Thomas's. One morning the tramp docked at Alexandria, and from the deck he looked at the city, white in the sunlight, and the crowd on the wharf; he saw the natives in their shabby gabardines, the blacks from the Soudan, the noisy throng of Greeks and Italians, the grave Turks in tarbooshes, the sunshine and the blue sky; and something happened to him. He could not describe it. It was like a thunder-clap, he said, and then, dissatisfied with this, he said it was like a revelation. Something seemed to twist his heart, and suddenly he felt an exultation, a sense of wonderful freedom. He felt himself at home, and he made up his mind there and then, in a minute, that he would live the rest of his life in Alexandria. He had no great difficulty in leaving the ship, and in twenty-four hours, with all his belongings, he was on shore."The Captain must have thought you as mad as a hatter, " I smiled."I didn't care what anybody thought. It wasn't I that acted, but something stronger within me. I thought I would go to a little Greek hotel, while I looked about, and I felt I knew where to find one. And do you know, I walked straight there, and when I saw it, I recognised it at once. ""Had you been to Alexandria before?""No; I'd never been out of England in my life. "Presently he entered the Government service, and there he had been ever since."Have you never regretted it?""Never, not for a minute. I earn just enough to live upon, and I'm satisfied. I ask nothing more than to remain as I am till I die. I've had a wonderful life. "I left Alexandria next day, and I forgot about Abraham till a little while ago, when I was dining with another old friend in the profession, Alec Carmichael, who was in England on short leave. I ran across him in the street and congratulated him on the knighthood with which his eminent services during the war had been rewarded. We arranged to spend an evening together for old time's sake, and when I agreed to dine with him, he proposed that he should ask nobody else, so that we could chat without interruption. He had a beautiful old house in Queen Anne Street, and being a man of taste he had furnished it admirably. On the walls of the diningroom I saw a charming Bellotto, and there was a pair of Zoffanys that I envied. When his wife, a tall, lovely creature in cloth of gold, had left us, I remarked laughingly on the change in his present circumstances from those when we had both been medical students. We had looked upon it then as an extravagance to dine in a shabby Italian restaurant in the Westminster Bridge Road. Now Alec Carmichael was on the staff of half a dozen hospitals. I should think he earned ten thousand a year, and his knighthood was but the first of the honours which must inevitably fall to his lot."I've done pretty well, " he said, "but the strange thing is that I owe it all to one piece of luck. ""What do you mean by that?""Well, do you remember Abraham? He was the man who had the future. When we were students he beat me all along the line. He got the prizes and the scholarships that I went in for. I always played second fiddle to him. If he'd kept on he'd be in the position I'm in now. That man had a genius for surgery. No one had a look in with him. When he was appointed Registrar at Thomas's I hadn't a chance of getting on the staff. I should have had to become a G. P. , and you know what likelihood there is for a G. P. ever to get out of the common rut. But Abraham fell out, and I got the job. That gave me my opportunity. ""I dare say that's true. ""It was just luck. I suppose there was some kink in Abraham. Poor devil, he's gone to the dogs altogether. He's got some twopenny-halfpenny job in the medical at Alexandria -- sanitary officer or something like that. I'm told he lives with an ugly old Greek woman and has half a dozen scrofulous kids. The fact is, I suppose, that it's not enough to have brains. The thing that counts is character. Abraham hadn't got character. "Character? I should have thought it needed a good deal of character to throw up a career after half an hour's meditation, because you saw in another way of living a more intense significance. And it required still more character never to regret the sudden step. But I said nothing, and Alec Carmichael proceeded reflectively:"Of course it would be hypocritical for me to pretend that I regret what Abraham did. After all, I've scored by it. " He puffed luxuriously at the long Corona he was smoking. "But if I weren't personally concerned I should be sorry at the waste. It seems a rotten thing that a man should make such a hash of life. "I wondered if Abraham really had made a hash of life. Is to do what you most want, to live under the conditions that please you, in peace with yourself, to make a hash of life; and is it success to be an eminent surgeon with ten thousand a year and a beautiful wife? I suppose it depends on what meaning you attach to life, the claim which you acknowledge to society, and the claim of the individual. But again I held my tongue, for who am I to argue with a knight? 我认为有些人诞生在某一个地方可以说未得其所。机缘把他们随便抛掷到一个环境中，而他们却一直思念着一处他们自己也不知道坐落在何处的家乡。在出生的地方他们好象是过客；从孩提时代就非常熟悉的浓荫郁郁的小巷，同小伙伴游戏其中的人烟稠密的街衢，对他们说来都不过是旅途中的一个宿站。这种人在自己亲友中可能终生落落寡台，在他们唯一熟悉的环境里也始终孑身独处。也许正是在本乡本土的这种陌生感才逼着他们远游异乡，寻找一处永恒定居的寓所。说不定在他们内心深处仍然隐伏着多少世代前祖先的习性和癖好，叫这些彷徨者再回到他们祖先在远古就已离开的土地。有时候一个人偶然到了一个地方，会神秘地感觉到这正是自己栖身之所，是他一直在寻找的家园。于是他就在这些从未寓目的景物里，从不相识的人群中定居下来，倒好象这里的一切都是他从小就熟稔的一样。他在这里终于找到了宁静。我给蒂阿瑞讲了一个我在圣托玛斯医院认识的人的故事。这是个犹太人，姓阿伯拉罕。他是个金黄头发、身体粗壮的年轻人。性格腼腆，对人和气，但是很有才能。他是靠着一笔奖学金入学的，在五年学习期间，任何一种奖金只要他有机会申请就绝对没有旁人的份儿。他先当了住院内科医生，后来又当了住院外科医生。没有人不承认他的才华过人。最后他被选进领导机构中，他的前程已经有了可靠的保证。按照世情推论，他在自己这门事业上肯定会飞黄腾达、名利双收的。在正式上任以前，他想度一次假；因为他自己没有钱，所以在一艘开往地中海的不定期货船上谋了个医生位置。这种货轮上一般是没有医生的，只是由于医院里有一名高级外科医生认识跑这条航线的一家轮船公司的经理，货轮看在经理情面上才录用了阿伯拉罕。几个星期以后，医院领导人收到一份辞呈，阿伯拉罕声明他决定放弃这个人人嫉羡的位置。这件事使人们感到极其惊诧，千奇百怪的谣言不胫而走。每逢一个人干出一件出人意料的事，他的相识们总是替他想出种种最令人无法置信的动机。但是既然早就有人准备好填补他留下的空缺，阿伯拉罕不久也就被人遗忘了。以后再也没人听到他的任何消息。这个人就这样从人们的记忆里消失了。大约十年之后，有一次我乘船去亚历山大港①。即将登陆之前，一天早上，我被通知同其他旅客一起排好队，等待医生上船来检查身体。来的医生是个衣履寒酸、身体肥硕的人。当他摘下帽子以后，我发现这人的头发已经完全秃了。我觉得仿佛过去在什么地方见过他。忽然，我想起来了。①在埃及。“阿伯拉罕。”我喊道。他转过头来，脸上显出惊奇的神色。愣了一会儿，他也认出我来，立刻握住我的手。在我们两人各自惊叹了一番后，他听说我准备在亚历山大港过夜，便邀请我到英侨俱乐部去吃晚饭。在我们会面以后，我再次表示在这个地方遇到他实在出乎我的意料之外。他现在的职务相当低微，他给人的印象也很寒酸。这以后他给我讲了他的故事。在他出发到地中海度假的时候，他一心想的是再回伦敦去，到圣·托玛斯医院去就职。一天早晨，他乘的那艘货轮在亚历山大港靠岸，他从甲板上看着这座阳光照耀下的白色城市，看着码头上的人群。他看着穿着褴褛的轧别丁衣服的当地人，从苏丹来的黑人，希腊人和意大利人成群结队、吵吵嚷嚷，土耳其人戴着平顶无檐的土耳其小帽，他看着阳光和碧蓝的天空。就在这个时候，他的心境忽然发生了奇异的变化，他无法描述这是怎么一回事。事情来得非常突兀，据他说，好象晴天响起一声霹雳；但他觉得这个譬喻不够妥当，又改口说好象得到了什么启示。他的心好象被什么东西揪了一下。突然间，他感到一阵狂喜，有一种取得无限自由的感觉。他觉得自己好象回到了老家，他当时当地就打定主意，今后的日子他都要在亚历山大度过了。离开货轮并没有什么困难；二十四小时以后，他已经带着自己的全部行李登岸了。“船长一定会觉得你发疯了。”我笑着说。“别人爱怎么想就怎么想，我才不在乎呢。做出这件事来的不是我，是我身体里一种远比我自己的意志更强大的力量。上岸以后，我四处看了看，想着我要到一家希腊人开的小旅馆去；我觉得我知道在哪里能找到这家旅馆。你猜怎么着？我一点儿也没有费劲儿就走到这家旅馆前边，我一看见这地方马上就认出来了。”“你过去到过亚历山大港吗？”“没有。在这次出国前我从来没有离开过英国。”不久以后，他就在公立医院找到个工作，从此一直待在那里。“你从来没有后悔过吗？”“从来没有。一分钟也没有后悔过。我挣的钱刚够维持生活，但是我感到心满意足。我什么要求也没有，只希望这样活下去，直到我死。我生活得非常好。”第二天我就离开了亚历山大港，直到不久以前我才又想起阿伯拉罕的事。那是我同另外一个行医的老朋友，阿莱克·卡尔米凯尔一同吃饭的时候。卡尔米凯尔回英国来短期度假，我偶然在街头上遇见了他。他在大战中工作得非常出色，荣获了爵士封号。我向他表示了祝贺。我们约好一同消磨一个晚上，一起叙叙旧。我答应同他一起吃晚饭，他建议不再约请别人，这样我俩就可以不受干扰地畅谈一下了。他在安皇后街有一所老宅子，布置很优雅，因为他是一个很富于艺术鉴赏力的人。我在餐厅的墙上看到一幅贝洛托①的画，还有两幅我很羡慕的佐范尼②的作品。当他的妻子，一个穿着金色衣服、高身量、样子讨人喜欢的妇女离开我们以后，我笑着对他说，他今天的生活同我们在医学院做学生的时代相比，变化真是太大了。那时，我们在威斯敏斯特桥大街一家寒酸的意大利餐馆吃一顿饭都认为是非常奢侈的事。现在阿莱克·卡尔米凯尔在六七家大医院都兼任要职，据我估计，一年可以有一万镑的收入。这次受封为爵士，只不过是他迟早要享受到的第一个荣誉而已。①贝尔纳多·贝洛托（1720—1780），意大利威尼斯派画家。②约翰·佐范尼（1733—1810），出生于德国的英国画家。“我混得不错，”他说，“但是奇怪的是，这一切都归功于我偶然交了一个好运。”“我不懂你说的是什么意思？”“不懂？你还记得阿伯拉罕吧？应该飞黄腾达的本该是他。做学生的时候，他处处把我打得惨败。奖金也好，助学金也好，都被他从我手里夺去；哪次我都甘拜下风。如果他这样继续下去，我现在的地位就是他的了。他对于外科手术简直是个天才。谁也无法同他竞争。当他被指派为圣·托玛斯附属医学院注册员的时候，我是绝对没有希望进入领导机构的。我只能开业当个医生，你也知道，一个普通开业行医的人有多大可能跳出这个槽槽去。但是阿伯拉罕却让位了，他的位子让我弄到手了。这样就给了我步步高升的机会了。”“我想你说的话是真的。”“这完全是运气。我想，阿伯拉罕这人心理一定变态了。这个可怜虫，一点儿救也没有了。他在亚历山大港卫生部门找了个小差事——检疫员什么的。有人告诉我，他同一个丑陋的希腊老婆子住在一起，生了半打长着瘰疬疙瘩的小崽子。所以我想，问题不在于一个人脑子聪明不聪明，真正重要的是要有个性。阿伯拉罕缺少的正是个性。”个性？在我看来，一个人因为看到另外一种生活方式更有重大的意义，只经过半小时的考虑就甘愿抛弃一生的事业前途，这才需要很强的个性呢。贸然走出这一步，以后永不后悔，那需要的个性就更多了。但是我什么也没说。阿莱克·卡尔米凯尔继续沉思着说：“当然了，如果我对阿伯拉罕的行径故作遗憾，我这人也就太虚伪了。不管怎么说，正因为他走了这么一步，才让我占了便宜。”他吸着一支长长的寇罗纳牌哈瓦那雪茄烟，舒适地喷着烟圈。“但是如果这件事同我个人没有牵连的话，我是会为他虚掷才华感到可惜的。一个人竟这样糟蹋自己实在太令人心痛了。”我很怀疑，阿伯拉罕是否真的糟蹋了自己。做自己最想做的事，生活在自己喜爱的环境里，淡泊宁静、与世无争，这难道是糟蹋自己吗？与此相反，做一个著名的外科医生，年薪一万镑，娶一位美丽的妻子，就是成功吗？我想，这一切都取决于一个人如何看待生活的意义，取决于他认为对社会应尽什么义务，对自己有什么要求。但是我还是没有说什么；我有什么资格同一位爵士争辩呢？

I have an idea that some men are born out of their due place. Accident has cast them amid certain surroundings, but they have always a nostalgia for a home they know not. They are strangers in their birthplace, and the leafy lanes they have known from childhood or the populous streets in which they have played, remain but a place of passage. They may spend their whole lives aliens among their kindred and remain aloof among the only scenes they have ever known. Perhaps it is this sense of strangeness that sends men far and wide in the search for something permanent, to which they may attach themselves. Perhaps some deeprooted atavism urges the wanderer back to lands which his ancestors left in the dim beginnings of history. Sometimes a man hits upon a place to which he mysteriously feels that he belongs. Here is the home he sought, and he will settle amid scenes that he has never seen before, among men he has never known, as though they were familiar to him from his birth. Here at last he finds rest.I told Tiare the story of a man I had known at St. Thomas's Hospital. He was a Jew named Abraham, a blond, rather stout young man, shy and very unassuming; but he had remarkable gifts. He entered the hospital with a scholarship, and during the five years of the curriculum gained every prize that was open to him. He was made house-physician and house-surgeon. His brilliance was allowed by all. Finally he was elected to a position on the staff, and his career was assured. So far as human things can be predicted, it was certain that he would rise to the greatest heights of his profession. Honours and wealth awaited him. Before he entered upon his new duties he wished to take a holiday, and, having no private means, he went as surgeon on a tramp steamer to the Levant. It did not generally carry a doctor, but one of the senior surgeons at the hospital knew a director of the line, and Abraham was taken as a favour.In a few weeks the authorities received his resignation of the coveted position on the staff. It created profound astonishment, and wild rumours were current. Whenever a man does anything unexpected, his fellows ascribe it to the most discreditable motives. But there was a man ready to step into Abraham's shoes, and Abraham was forgotten. Nothing more was heard of him. He vanished.It was perhaps ten years later that one morning on board ship, about to land at Alexandria, I was bidden to line up with the other passengers for the doctor's examination. The doctor was a stout man in shabby clothes, and when he took off his hat I noticed that he was very bald. I had an idea that I had seen him before. Suddenly I remembered."Abraham, " I said.He turned to me with a puzzled look, and then, recognizing me, seized my hand. After expressions of surprise on either side, hearing that I meant to spend the night in Alexandria, he asked me to dine with him at the English Club. When we met again I declared my astonishment at finding him there. It was a very modest position that he occupied, and there was about him an air of straitened circumstance. Then he told me his story. When he set out on his holiday in the Mediterranean he had every intention of returning to London and his appointment at St. Thomas's. One morning the tramp docked at Alexandria, and from the deck he looked at the city, white in the sunlight, and the crowd on the wharf; he saw the natives in their shabby gabardines, the blacks from the Soudan, the noisy throng of Greeks and Italians, the grave Turks in tarbooshes, the sunshine and the blue sky; and something happened to him. He could not describe it. It was like a thunder-clap, he said, and then, dissatisfied with this, he said it was like a revelation. Something seemed to twist his heart, and suddenly he felt an exultation, a sense of wonderful freedom. He felt himself at home, and he made up his mind there and then, in a minute, that he would live the rest of his life in Alexandria. He had no great difficulty in leaving the ship, and in twenty-four hours, with all his belongings, he was on shore."The Captain must have thought you as mad as a hatter, " I smiled."I didn't care what anybody thought. It wasn't I that acted, but something stronger within me. I thought I would go to a little Greek hotel, while I looked about, and I felt I knew where to find one. And do you know, I walked straight there, and when I saw it, I recognised it at once. ""Had you been to Alexandria before?""No; I'd never been out of England in my life. "Presently he entered the Government service, and there he had been ever since."Have you never regretted it?""Never, not for a minute. I earn just enough to live upon, and I'm satisfied. I ask nothing more than to remain as I am till I die. I've had a wonderful life. "I left Alexandria next day, and I forgot about Abraham till a little while ago, when I was dining with another old friend in the profession, Alec Carmichael, who was in England on short leave. I ran across him in the street and congratulated him on the knighthood with which his eminent services during the war had been rewarded. We arranged to spend an evening together for old time's sake, and when I agreed to dine with him, he proposed that he should ask nobody else, so that we could chat without interruption. He had a beautiful old house in Queen Anne Street, and being a man of taste he had furnished it admirably. On the walls of the diningroom I saw a charming Bellotto, and there was a pair of Zoffanys that I envied. When his wife, a tall, lovely creature in cloth of gold, had left us, I remarked laughingly on the change in his present circumstances from those when we had both been medical students. We had looked upon it then as an extravagance to dine in a shabby Italian restaurant in the Westminster Bridge Road. Now Alec Carmichael was on the staff of half a dozen hospitals. I should think he earned ten thousand a year, and his knighthood was but the first of the honours which must inevitably fall to his lot."I've done pretty well, " he said, "but the strange thing is that I owe it all to one piece of luck. ""What do you mean by that?""Well, do you remember Abraham? He was the man who had the future. When we were students he beat me all along the line. He got the prizes and the scholarships that I went in for. I always played second fiddle to him. If he'd kept on he'd be in the position I'm in now. That man had a genius for surgery. No one had a look in with him. When he was appointed Registrar at Thomas's I hadn't a chance of getting on the staff. I should have had to become a G. P. , and you know what likelihood there is for a G. P. ever to get out of the common rut. But Abraham fell out, and I got the job. That gave me my opportunity. ""I dare say that's true. ""It was just luck. I suppose there was some kink in Abraham. Poor devil, he's gone to the dogs altogether. He's got some twopenny-halfpenny job in the medical at Alexandria -- sanitary officer or something like that. I'm told he lives with an ugly old Greek woman and has half a dozen scrofulous kids. The fact is, I suppose, that it's not enough to have brains. The thing that counts is character. Abraham hadn't got character. "Character? I should have thought it needed a good deal of character to throw up a career after half an hour's meditation, because you saw in another way of living a more intense significance. And it required still more character never to regret the sudden step. But I said nothing, and Alec Carmichael proceeded reflectively:"Of course it would be hypocritical for me to pretend that I regret what Abraham did. After all, I've scored by it. " He puffed luxuriously at the long Corona he was smoking. "But if I weren't personally concerned I should be sorry at the waste. It seems a rotten thing that a man should make such a hash of life. "I wondered if Abraham really had made a hash of life. Is to do what you most want, to live under the conditions that please you, in peace with yourself, to make a hash of life; and is it success to be an eminent surgeon with ten thousand a year and a beautiful wife? I suppose it depends on what meaning you attach to life, the claim which you acknowledge to society, and the claim of the individual. But again I held my tongue, for who am I to argue with a knight? 我认为有些人诞生在某一个地方可以说未得其所。机缘把他们随便抛掷到一个环境中，而他们却一直思念着一处他们自己也不知道坐落在何处的家乡。在出生的地方他们好象是过客；从孩提时代就非常熟悉的浓荫郁郁的小巷，同小伙伴游戏其中的人烟稠密的街衢，对他们说来都不过是旅途中的一个宿站。这种人在自己亲友中可能终生落落寡台，在他们唯一熟悉的环境里也始终孑身独处。也许正是在本乡本土的这种陌生感才逼着他们远游异乡，寻找一处永恒定居的寓所。说不定在他们内心深处仍然隐伏着多少世代前祖先的习性和癖好，叫这些彷徨者再回到他们祖先在远古就已离开的土地。有时候一个人偶然到了一个地方，会神秘地感觉到这正是自己栖身之所，是他一直在寻找的家园。于是他就在这些从未寓目的景物里，从不相识的人群中定居下来，倒好象这里的一切都是他从小就熟稔的一样。他在这里终于找到了宁静。我给蒂阿瑞讲了一个我在圣托玛斯医院认识的人的故事。这是个犹太人，姓阿伯拉罕。他是个金黄头发、身体粗壮的年轻人。性格腼腆，对人和气，但是很有才能。他是靠着一笔奖学金入学的，在五年学习期间，任何一种奖金只要他有机会申请就绝对没有旁人的份儿。他先当了住院内科医生，后来又当了住院外科医生。没有人不承认他的才华过人。最后他被选进领导机构中，他的前程已经有了可靠的保证。按照世情推论，他在自己这门事业上肯定会飞黄腾达、名利双收的。在正式上任以前，他想度一次假；因为他自己没有钱，所以在一艘开往地中海的不定期货船上谋了个医生位置。这种货轮上一般是没有医生的，只是由于医院里有一名高级外科医生认识跑这条航线的一家轮船公司的经理，货轮看在经理情面上才录用了阿伯拉罕。几个星期以后，医院领导人收到一份辞呈，阿伯拉罕声明他决定放弃这个人人嫉羡的位置。这件事使人们感到极其惊诧，千奇百怪的谣言不胫而走。每逢一个人干出一件出人意料的事，他的相识们总是替他想出种种最令人无法置信的动机。但是既然早就有人准备好填补他留下的空缺，阿伯拉罕不久也就被人遗忘了。以后再也没人听到他的任何消息。这个人就这样从人们的记忆里消失了。大约十年之后，有一次我乘船去亚历山大港①。即将登陆之前，一天早上，我被通知同其他旅客一起排好队，等待医生上船来检查身体。来的医生是个衣履寒酸、身体肥硕的人。当他摘下帽子以后，我发现这人的头发已经完全秃了。我觉得仿佛过去在什么地方见过他。忽然，我想起来了。①在埃及。“阿伯拉罕。”我喊道。他转过头来，脸上显出惊奇的神色。愣了一会儿，他也认出我来，立刻握住我的手。在我们两人各自惊叹了一番后，他听说我准备在亚历山大港过夜，便邀请我到英侨俱乐部去吃晚饭。在我们会面以后，我再次表示在这个地方遇到他实在出乎我的意料之外。他现在的职务相当低微，他给人的印象也很寒酸。这以后他给我讲了他的故事。在他出发到地中海度假的时候，他一心想的是再回伦敦去，到圣·托玛斯医院去就职。一天早晨，他乘的那艘货轮在亚历山大港靠岸，他从甲板上看着这座阳光照耀下的白色城市，看着码头上的人群。他看着穿着褴褛的轧别丁衣服的当地人，从苏丹来的黑人，希腊人和意大利人成群结队、吵吵嚷嚷，土耳其人戴着平顶无檐的土耳其小帽，他看着阳光和碧蓝的天空。就在这个时候，他的心境忽然发生了奇异的变化，他无法描述这是怎么一回事。事情来得非常突兀，据他说，好象晴天响起一声霹雳；但他觉得这个譬喻不够妥当，又改口说好象得到了什么启示。他的心好象被什么东西揪了一下。突然间，他感到一阵狂喜，有一种取得无限自由的感觉。他觉得自己好象回到了老家，他当时当地就打定主意，今后的日子他都要在亚历山大度过了。离开货轮并没有什么困难；二十四小时以后，他已经带着自己的全部行李登岸了。“船长一定会觉得你发疯了。”我笑着说。“别人爱怎么想就怎么想，我才不在乎呢。做出这件事来的不是我，是我身体里一种远比我自己的意志更强大的力量。上岸以后，我四处看了看，想着我要到一家希腊人开的小旅馆去；我觉得我知道在哪里能找到这家旅馆。你猜怎么着？我一点儿也没有费劲儿就走到这家旅馆前边，我一看见这地方马上就认出来了。”“你过去到过亚历山大港吗？”“没有。在这次出国前我从来没有离开过英国。”不久以后，他就在公立医院找到个工作，从此一直待在那里。“你从来没有后悔过吗？”“从来没有。一分钟也没有后悔过。我挣的钱刚够维持生活，但是我感到心满意足。我什么要求也没有，只希望这样活下去，直到我死。我生活得非常好。”第二天我就离开了亚历山大港，直到不久以前我才又想起阿伯拉罕的事。那是我同另外一个行医的老朋友，阿莱克·卡尔米凯尔一同吃饭的时候。卡尔米凯尔回英国来短期度假，我偶然在街头上遇见了他。他在大战中工作得非常出色，荣获了爵士封号。我向他表示了祝贺。我们约好一同消磨一个晚上，一起叙叙旧。我答应同他一起吃晚饭，他建议不再约请别人，这样我俩就可以不受干扰地畅谈一下了。他在安皇后街有一所老宅子，布置很优雅，因为他是一个很富于艺术鉴赏力的人。我在餐厅的墙上看到一幅贝洛托①的画，还有两幅我很羡慕的佐范尼②的作品。当他的妻子，一个穿着金色衣服、高身量、样子讨人喜欢的妇女离开我们以后，我笑着对他说，他今天的生活同我们在医学院做学生的时代相比，变化真是太大了。那时，我们在威斯敏斯特桥大街一家寒酸的意大利餐馆吃一顿饭都认为是非常奢侈的事。现在阿莱克·卡尔米凯尔在六七家大医院都兼任要职，据我估计，一年可以有一万镑的收入。这次受封为爵士，只不过是他迟早要享受到的第一个荣誉而已。①贝尔纳多·贝洛托（1720—1780），意大利威尼斯派画家。②约翰·佐范尼（1733—1810），出生于德国的英国画家。“我混得不错，”他说，“但是奇怪的是，这一切都归功于我偶然交了一个好运。”“我不懂你说的是什么意思？”“不懂？你还记得阿伯拉罕吧？应该飞黄腾达的本该是他。做学生的时候，他处处把我打得惨败。奖金也好，助学金也好，都被他从我手里夺去；哪次我都甘拜下风。如果他这样继续下去，我现在的地位就是他的了。他对于外科手术简直是个天才。谁也无法同他竞争。当他被指派为圣·托玛斯附属医学院注册员的时候，我是绝对没有希望进入领导机构的。我只能开业当个医生，你也知道，一个普通开业行医的人有多大可能跳出这个槽槽去。但是阿伯拉罕却让位了，他的位子让我弄到手了。这样就给了我步步高升的机会了。”“我想你说的话是真的。”“这完全是运气。我想，阿伯拉罕这人心理一定变态了。这个可怜虫，一点儿救也没有了。他在亚历山大港卫生部门找了个小差事——检疫员什么的。有人告诉我，他同一个丑陋的希腊老婆子住在一起，生了半打长着瘰疬疙瘩的小崽子。所以我想，问题不在于一个人脑子聪明不聪明，真正重要的是要有个性。阿伯拉罕缺少的正是个性。”个性？在我看来，一个人因为看到另外一种生活方式更有重大的意义，只经过半小时的考虑就甘愿抛弃一生的事业前途，这才需要很强的个性呢。贸然走出这一步，以后永不后悔，那需要的个性就更多了。但是我什么也没说。阿莱克·卡尔米凯尔继续沉思着说：“当然了，如果我对阿伯拉罕的行径故作遗憾，我这人也就太虚伪了。不管怎么说，正因为他走了这么一步，才让我占了便宜。”他吸着一支长长的寇罗纳牌哈瓦那雪茄烟，舒适地喷着烟圈。“但是如果这件事同我个人没有牵连的话，我是会为他虚掷才华感到可惜的。一个人竟这样糟蹋自己实在太令人心痛了。”我很怀疑，阿伯拉罕是否真的糟蹋了自己。做自己最想做的事，生活在自己喜爱的环境里，淡泊宁静、与世无争，这难道是糟蹋自己吗？与此相反，做一个著名的外科医生，年薪一万镑，娶一位美丽的妻子，就是成功吗？我想，这一切都取决于一个人如何看待生活的意义，取决于他认为对社会应尽什么义务，对自己有什么要求。但是我还是没有说什么；我有什么资格同一位爵士争辩呢？

I have an idea that some men are born out of their due place. Accident has cast them amid certain surroundings, but they have always a nostalgia for a home they know not. They are strangers in their birthplace, and the leafy lanes they have known from childhood or the populous streets in which they have played, remain but a place of passage. They may spend their whole lives aliens among their kindred and remain aloof among the only scenes they have ever known. Perhaps it is this sense of strangeness that sends men far and wide in the search for something permanent, to which they may attach themselves. Perhaps some deeprooted atavism urges the wanderer back to lands which his ancestors left in the dim beginnings of history. Sometimes a man hits upon a place to which he mysteriously feels that he belongs. Here is the home he sought, and he will settle amid scenes that he has never seen before, among men he has never known, as though they were familiar to him from his birth. Here at last he finds rest.I told Tiare the story of a man I had known at St. Thomas's Hospital. He was a Jew named Abraham, a blond, rather stout young man, shy and very unassuming; but he had remarkable gifts. He entered the hospital with a scholarship, and during the five years of the curriculum gained every prize that was open to him. He was made house-physician and house-surgeon. His brilliance was allowed by all. Finally he was elected to a position on the staff, and his career was assured. So far as human things can be predicted, it was certain that he would rise to the greatest heights of his profession. Honours and wealth awaited him. Before he entered upon his new duties he wished to take a holiday, and, having no private means, he went as surgeon on a tramp steamer to the Levant. It did not generally carry a doctor, but one of the senior surgeons at the hospital knew a director of the line, and Abraham was taken as a favour.In a few weeks the authorities received his resignation of the coveted position on the staff. It created profound astonishment, and wild rumours were current. Whenever a man does anything unexpected, his fellows ascribe it to the most discreditable motives. But there was a man ready to step into Abraham's shoes, and Abraham was forgotten. Nothing more was heard of him. He vanished.It was perhaps ten years later that one morning on board ship, about to land at Alexandria, I was bidden to line up with the other passengers for the doctor's examination. The doctor was a stout man in shabby clothes, and when he took off his hat I noticed that he was very bald. I had an idea that I had seen him before. Suddenly I remembered."Abraham, " I said.He turned to me with a puzzled look, and then, recognizing me, seized my hand. After expressions of surprise on either side, hearing that I meant to spend the night in Alexandria, he asked me to dine with him at the English Club. When we met again I declared my astonishment at finding him there. It was a very modest position that he occupied, and there was about him an air of straitened circumstance. Then he told me his story. When he set out on his holiday in the Mediterranean he had every intention of returning to London and his appointment at St. Thomas's. One morning the tramp docked at Alexandria, and from the deck he looked at the city, white in the sunlight, and the crowd on the wharf; he saw the natives in their shabby gabardines, the blacks from the Soudan, the noisy throng of Greeks and Italians, the grave Turks in tarbooshes, the sunshine and the blue sky; and something happened to him. He could not describe it. It was like a thunder-clap, he said, and then, dissatisfied with this, he said it was like a revelation. Something seemed to twist his heart, and suddenly he felt an exultation, a sense of wonderful freedom. He felt himself at home, and he made up his mind there and then, in a minute, that he would live the rest of his life in Alexandria. He had no great difficulty in leaving the ship, and in twenty-four hours, with all his belongings, he was on shore."The Captain must have thought you as mad as a hatter, " I smiled."I didn't care what anybody thought. It wasn't I that acted, but something stronger within me. I thought I would go to a little Greek hotel, while I looked about, and I felt I knew where to find one. And do you know, I walked straight there, and when I saw it, I recognised it at once. ""Had you been to Alexandria before?""No; I'd never been out of England in my life. "Presently he entered the Government service, and there he had been ever since."Have you never regretted it?""Never, not for a minute. I earn just enough to live upon, and I'm satisfied. I ask nothing more than to remain as I am till I die. I've had a wonderful life. "I left Alexandria next day, and I forgot about Abraham till a little while ago, when I was dining with another old friend in the profession, Alec Carmichael, who was in England on short leave. I ran across him in the street and congratulated him on the knighthood with which his eminent services during the war had been rewarded. We arranged to spend an evening together for old time's sake, and when I agreed to dine with him, he proposed that he should ask nobody else, so that we could chat without interruption. He had a beautiful old house in Queen Anne Street, and being a man of taste he had furnished it admirably. On the walls of the diningroom I saw a charming Bellotto, and there was a pair of Zoffanys that I envied. When his wife, a tall, lovely creature in cloth of gold, had left us, I remarked laughingly on the change in his present circumstances from those when we had both been medical students. We had looked upon it then as an extravagance to dine in a shabby Italian restaurant in the Westminster Bridge Road. Now Alec Carmichael was on the staff of half a dozen hospitals. I should think he earned ten thousand a year, and his knighthood was but the first of the honours which must inevitably fall to his lot."I've done pretty well, " he said, "but the strange thing is that I owe it all to one piece of luck. ""What do you mean by that?""Well, do you remember Abraham? He was the man who had the future. When we were students he beat me all along the line. He got the prizes and the scholarships that I went in for. I always played second fiddle to him. If he'd kept on he'd be in the position I'm in now. That man had a genius for surgery. No one had a look in with him. When he was appointed Registrar at Thomas's I hadn't a chance of getting on the staff. I should have had to become a G. P. , and you know what likelihood there is for a G. P. ever to get out of the common rut. But Abraham fell out, and I got the job. That gave me my opportunity. ""I dare say that's true. ""It was just luck. I suppose there was some kink in Abraham. Poor devil, he's gone to the dogs altogether. He's got some twopenny-halfpenny job in the medical at Alexandria -- sanitary officer or something like that. I'm told he lives with an ugly old Greek woman and has half a dozen scrofulous kids. The fact is, I suppose, that it's not enough to have brains. The thing that counts is character. Abraham hadn't got character. "Character? I should have thought it needed a good deal of character to throw up a career after half an hour's meditation, because you saw in another way of living a more intense significance. And it required still more character never to regret the sudden step. But I said nothing, and Alec Carmichael proceeded reflectively:"Of course it would be hypocritical for me to pretend that I regret what Abraham did. After all, I've scored by it. " He puffed luxuriously at the long Corona he was smoking. "But if I weren't personally concerned I should be sorry at the waste. It seems a rotten thing that a man should make such a hash of life. "I wondered if Abraham really had made a hash of life. Is to do what you most want, to live under the conditions that please you, in peace with yourself, to make a hash of life; and is it success to be an eminent surgeon with ten thousand a year and a beautiful wife? I suppose it depends on what meaning you attach to life, the claim which you acknowledge to society, and the claim of the individual. But again I held my tongue, for who am I to argue with a knight? 我认为有些人诞生在某一个地方可以说未得其所。机缘把他们随便抛掷到一个环境中，而他们却一直思念着一处他们自己也不知道坐落在何处的家乡。在出生的地方他们好象是过客；从孩提时代就非常熟悉的浓荫郁郁的小巷，同小伙伴游戏其中的人烟稠密的街衢，对他们说来都不过是旅途中的一个宿站。这种人在自己亲友中可能终生落落寡台，在他们唯一熟悉的环境里也始终孑身独处。也许正是在本乡本土的这种陌生感才逼着他们远游异乡，寻找一处永恒定居的寓所。说不定在他们内心深处仍然隐伏着多少世代前祖先的习性和癖好，叫这些彷徨者再回到他们祖先在远古就已离开的土地。有时候一个人偶然到了一个地方，会神秘地感觉到这正是自己栖身之所，是他一直在寻找的家园。于是他就在这些从未寓目的景物里，从不相识的人群中定居下来，倒好象这里的一切都是他从小就熟稔的一样。他在这里终于找到了宁静。我给蒂阿瑞讲了一个我在圣托玛斯医院认识的人的故事。这是个犹太人，姓阿伯拉罕。他是个金黄头发、身体粗壮的年轻人。性格腼腆，对人和气，但是很有才能。他是靠着一笔奖学金入学的，在五年学习期间，任何一种奖金只要他有机会申请就绝对没有旁人的份儿。他先当了住院内科医生，后来又当了住院外科医生。没有人不承认他的才华过人。最后他被选进领导机构中，他的前程已经有了可靠的保证。按照世情推论，他在自己这门事业上肯定会飞黄腾达、名利双收的。在正式上任以前，他想度一次假；因为他自己没有钱，所以在一艘开往地中海的不定期货船上谋了个医生位置。这种货轮上一般是没有医生的，只是由于医院里有一名高级外科医生认识跑这条航线的一家轮船公司的经理，货轮看在经理情面上才录用了阿伯拉罕。几个星期以后，医院领导人收到一份辞呈，阿伯拉罕声明他决定放弃这个人人嫉羡的位置。这件事使人们感到极其惊诧，千奇百怪的谣言不胫而走。每逢一个人干出一件出人意料的事，他的相识们总是替他想出种种最令人无法置信的动机。但是既然早就有人准备好填补他留下的空缺，阿伯拉罕不久也就被人遗忘了。以后再也没人听到他的任何消息。这个人就这样从人们的记忆里消失了。大约十年之后，有一次我乘船去亚历山大港①。即将登陆之前，一天早上，我被通知同其他旅客一起排好队，等待医生上船来检查身体。来的医生是个衣履寒酸、身体肥硕的人。当他摘下帽子以后，我发现这人的头发已经完全秃了。我觉得仿佛过去在什么地方见过他。忽然，我想起来了。①在埃及。“阿伯拉罕。”我喊道。他转过头来，脸上显出惊奇的神色。愣了一会儿，他也认出我来，立刻握住我的手。在我们两人各自惊叹了一番后，他听说我准备在亚历山大港过夜，便邀请我到英侨俱乐部去吃晚饭。在我们会面以后，我再次表示在这个地方遇到他实在出乎我的意料之外。他现在的职务相当低微，他给人的印象也很寒酸。这以后他给我讲了他的故事。在他出发到地中海度假的时候，他一心想的是再回伦敦去，到圣·托玛斯医院去就职。一天早晨，他乘的那艘货轮在亚历山大港靠岸，他从甲板上看着这座阳光照耀下的白色城市，看着码头上的人群。他看着穿着褴褛的轧别丁衣服的当地人，从苏丹来的黑人，希腊人和意大利人成群结队、吵吵嚷嚷，土耳其人戴着平顶无檐的土耳其小帽，他看着阳光和碧蓝的天空。就在这个时候，他的心境忽然发生了奇异的变化，他无法描述这是怎么一回事。事情来得非常突兀，据他说，好象晴天响起一声霹雳；但他觉得这个譬喻不够妥当，又改口说好象得到了什么启示。他的心好象被什么东西揪了一下。突然间，他感到一阵狂喜，有一种取得无限自由的感觉。他觉得自己好象回到了老家，他当时当地就打定主意，今后的日子他都要在亚历山大度过了。离开货轮并没有什么困难；二十四小时以后，他已经带着自己的全部行李登岸了。“船长一定会觉得你发疯了。”我笑着说。“别人爱怎么想就怎么想，我才不在乎呢。做出这件事来的不是我，是我身体里一种远比我自己的意志更强大的力量。上岸以后，我四处看了看，想着我要到一家希腊人开的小旅馆去；我觉得我知道在哪里能找到这家旅馆。你猜怎么着？我一点儿也没有费劲儿就走到这家旅馆前边，我一看见这地方马上就认出来了。”“你过去到过亚历山大港吗？”“没有。在这次出国前我从来没有离开过英国。”不久以后，他就在公立医院找到个工作，从此一直待在那里。“你从来没有后悔过吗？”“从来没有。一分钟也没有后悔过。我挣的钱刚够维持生活，但是我感到心满意足。我什么要求也没有，只希望这样活下去，直到我死。我生活得非常好。”第二天我就离开了亚历山大港，直到不久以前我才又想起阿伯拉罕的事。那是我同另外一个行医的老朋友，阿莱克·卡尔米凯尔一同吃饭的时候。卡尔米凯尔回英国来短期度假，我偶然在街头上遇见了他。他在大战中工作得非常出色，荣获了爵士封号。我向他表示了祝贺。我们约好一同消磨一个晚上，一起叙叙旧。我答应同他一起吃晚饭，他建议不再约请别人，这样我俩就可以不受干扰地畅谈一下了。他在安皇后街有一所老宅子，布置很优雅，因为他是一个很富于艺术鉴赏力的人。我在餐厅的墙上看到一幅贝洛托①的画，还有两幅我很羡慕的佐范尼②的作品。当他的妻子，一个穿着金色衣服、高身量、样子讨人喜欢的妇女离开我们以后，我笑着对他说，他今天的生活同我们在医学院做学生的时代相比，变化真是太大了。那时，我们在威斯敏斯特桥大街一家寒酸的意大利餐馆吃一顿饭都认为是非常奢侈的事。现在阿莱克·卡尔米凯尔在六七家大医院都兼任要职，据我估计，一年可以有一万镑的收入。这次受封为爵士，只不过是他迟早要享受到的第一个荣誉而已。①贝尔纳多·贝洛托（1720—1780），意大利威尼斯派画家。②约翰·佐范尼（1733—1810），出生于德国的英国画家。“我混得不错，”他说，“但是奇怪的是，这一切都归功于我偶然交了一个好运。”“我不懂你说的是什么意思？”“不懂？你还记得阿伯拉罕吧？应该飞黄腾达的本该是他。做学生的时候，他处处把我打得惨败。奖金也好，助学金也好，都被他从我手里夺去；哪次我都甘拜下风。如果他这样继续下去，我现在的地位就是他的了。他对于外科手术简直是个天才。谁也无法同他竞争。当他被指派为圣·托玛斯附属医学院注册员的时候，我是绝对没有希望进入领导机构的。我只能开业当个医生，你也知道，一个普通开业行医的人有多大可能跳出这个槽槽去。但是阿伯拉罕却让位了，他的位子让我弄到手了。这样就给了我步步高升的机会了。”“我想你说的话是真的。”“这完全是运气。我想，阿伯拉罕这人心理一定变态了。这个可怜虫，一点儿救也没有了。他在亚历山大港卫生部门找了个小差事——检疫员什么的。有人告诉我，他同一个丑陋的希腊老婆子住在一起，生了半打长着瘰疬疙瘩的小崽子。所以我想，问题不在于一个人脑子聪明不聪明，真正重要的是要有个性。阿伯拉罕缺少的正是个性。”个性？在我看来，一个人因为看到另外一种生活方式更有重大的意义，只经过半小时的考虑就甘愿抛弃一生的事业前途，这才需要很强的个性呢。贸然走出这一步，以后永不后悔，那需要的个性就更多了。但是我什么也没说。阿莱克·卡尔米凯尔继续沉思着说：“当然了，如果我对阿伯拉罕的行径故作遗憾，我这人也就太虚伪了。不管怎么说，正因为他走了这么一步，才让我占了便宜。”他吸着一支长长的寇罗纳牌哈瓦那雪茄烟，舒适地喷着烟圈。“但是如果这件事同我个人没有牵连的话，我是会为他虚掷才华感到可惜的。一个人竟这样糟蹋自己实在太令人心痛了。”我很怀疑，阿伯拉罕是否真的糟蹋了自己。做自己最想做的事，生活在自己喜爱的环境里，淡泊宁静、与世无争，这难道是糟蹋自己吗？与此相反，做一个著名的外科医生，年薪一万镑，娶一位美丽的妻子，就是成功吗？我想，这一切都取决于一个人如何看待生活的意义，取决于他认为对社会应尽什么义务，对自己有什么要求。但是我还是没有说什么；我有什么资格同一位爵士争辩呢？

A conversation with young independent fashion designer Cora Bellotto. Cora discusses her journey so far, her thoughts about slow and sustainable fashion and where she would like to take her label next... To hear more TextileStories subscribe to our channel or visit: http://www.textilesupport.net/blog To see more of Cora's creations go to: http://www.corabellotto.com/ Would you prefer to watch a slide show while you listen? Find us on Youtube here: https://www.youtube.com/watch?v=sqFmWSR7ThQ Music: "Add And" by Broke For Free http://brokeforfree.com/

Mostre e grandi pittori. Dal Quatrocento in poi. Che cosa avranno mai da insegnarci Piero della Francesca, Canaletto, Bellotto e Escher? O forse sono gli organizzatori delle mostre che possono darci spunti importanti? Tutti e due: la lezione dell’autore della Madonna della Misericordia esposta a Milano è molto vicina a quella di Marco Montemagno, mentre i paesaggisti del Diciottesimo secolo ci spiegano che cosa siano brand e adattamento al cliente (“non cercare clienti per i tuoi prodotti, ma prodotti per i tuoi clienti” Seth Godin).Nella puntata viene presentato anche il sondaggio con i premi sorteggiati tra tutti coloro che risponderanno.Ecco i linkAl sondaggiohttps://it.surveymonkey.com/r/G8NCCL3Alla mostra di Canaletto e Bellottohttp://www.gallerieditalia.com/it/milano/bellotto-e-canaletto-lo-stupore-e-la-luce/Alla mostra di Escherhttp://www.mostraescher.it/Alla presentazione dell’opera di Piero della Francescahttps://www.comune.milano.it/dseserver/pierodellafrancesca/index.htmlAl video di Marco Montemagno citato nel podcasthttps://www.youtube.com/watch?v=XAobuxcctRgQuesti i premi previsti per il sondaggio4^ due libri professionali di Paolo Pugni3^ un'ora di consulenza a distanza 2^ due ore di consulenza a distanza anche in 2, 3 o 4 sessioni1^ quattro ore di consulenza/formazione in presenza, al netto delle spese di viaggio, o fino a 6 sessioni di consulenza a distanza

Mostre e grandi pittori. Dal Quatrocento in poi. Che cosa avranno mai da insegnarci Piero della Francesca, Canaletto, Bellotto e Escher? O forse sono gli organizzatori delle mostre che possono darci spunti importanti? Tutti e due: la lezione dell’autore della Madonna della Misericordia esposta a Milano è molto vicina a quella di Marco Montemagno, mentre i paesaggisti del Diciottesimo secolo ci spiegano che cosa siano brand e adattamento al cliente (“non cercare clienti per i tuoi prodotti, ma prodotti per i tuoi clienti” Seth Godin).Nella puntata viene presentato anche il sondaggio con i premi sorteggiati tra tutti coloro che risponderanno.Ecco i linkAl sondaggiohttps://it.surveymonkey.com/r/G8NCCL3Alla mostra di Canaletto e Bellottohttp://www.gallerieditalia.com/it/milano/bellotto-e-canaletto-lo-stupore-e-la-luce/Alla mostra di Escherhttp://www.mostraescher.it/Alla presentazione dell’opera di Piero della Francescahttps://www.comune.milano.it/dseserver/pierodellafrancesca/index.htmlAl video di Marco Montemagno citato nel podcasthttps://www.youtube.com/watch?v=XAobuxcctRgQuesti i premi previsti per il sondaggio4^ due libri professionali di Paolo Pugni3^ un'ora di consulenza a distanza 2^ due ore di consulenza a distanza anche in 2, 3 o 4 sessioni1^ quattro ore di consulenza/formazione in presenza, al netto delle spese di viaggio, o fino a 6 sessioni di consulenza a distanza

Tiziana Ricci su “Lo stupore e la luce”, la mostra dedicata dalle Gallerie d'Italia di Milano ai vedutisti Bellotto e Canaletto. Barbara Sorrentini intervista il regista di “Le porte del Paradiso”, Guido Nicolas Zingari. L'intervista ad Ayse Kulin, la scrittrice più vendita della Turchia, ospite nella postazione di Radio Popolare a Bookcity, con il suo ultimo libro “L'ultima famiglia di Istanbul” (ed. Newton Compton). Il regista Renato Martinelli parla di “Erodiàs” di Giovanni Testori, con Federica Fracassi al Teatro I di Milano.

Tiziana Ricci su “Lo stupore e la luce”, la mostra dedicata dalle Gallerie d’Italia di Milano ai vedutisti Bellotto e Canaletto. Barbara Sorrentini intervista il regista di “Le porte del Paradiso”, Guido Nicolas Zingari. L’intervista ad Ayse Kulin, la scrittrice più vendita della Turchia, ospite nella postazione di Radio Popolare a Bookcity, con il suo ultimo libro “L’ultima famiglia di Istanbul” (ed. Newton Compton). Il regista Renato Martinelli parla di “Erodiàs” di Giovanni Testori, con Federica Fracassi al Teatro I di Milano.

Tiziana Ricci su “Lo stupore e la luce”, la mostra dedicata dalle Gallerie d’Italia di Milano ai vedutisti Bellotto e Canaletto. Barbara Sorrentini intervista il regista di “Le porte del Paradiso”, Guido Nicolas Zingari. L’intervista ad Ayse Kulin, la scrittrice più vendita della Turchia, ospite nella postazione di Radio Popolare a Bookcity, con il suo ultimo libro “L’ultima famiglia di Istanbul” (ed. Newton Compton). Il regista Renato Martinelli parla di “Erodiàs” di Giovanni Testori, con Federica Fracassi al Teatro I di Milano.

O guitarrista do Titãs e escritor conta: "Ainda temos o mesmo gás que tínhamos em 1982" Felipe Chiri Tony Bellotto   Tony Bellotto é fundador e guitarrista de uma das mais importantes bandas do Brasil, os Titãs, e há 20 anos ele se divide entre a criação de riffs e acordes de guitarra e a produção literária. Depois de comemorar os 30 anos do grupo no ano passado, este ano ele lança seu oitavo livro, Machu Picchu, pela editora Companhia das Letras. Pai da Nina, do João e do Antônio e o marido da Malu Mader, o galã dos Titãs, Antônio Carlos Liberalli Bellotto é espécie de cruzamento entre Jimi Hendrix e Ernest Hemingway. Ele ainda apresenta no canal Futura o programa Afiando a Língua, onde encarna uma espécie de Professor Pasquale de jaqueta de couro. Na entrevista ele falou sobre a vida em família, seu envolvimento com a literatura, sobre o programa de TV que apresenta no canal educacional e sobre os 30 anos da banda pioneira do rock paulista. "Claro que rock não é esporte, mas é legal você manter a forma" "O segredo da longevidade dos Titãs é justamente essa motivação que sentimos para sair e gravar coisas novas. É claro que a gente não vai ensaiar "Bichos Escrotos" ou "Polícia", que a gente já toca há mais de 25 anos", brincou o guitarrista. "O que mantém a gente vivo é olhar pra frente e ter o barato, sem Viagra, com o nosso trabalho novo. Ainda temos o mesmo gás que tínhamos em 1982 quando tocávamos na Caos Brasilis." Tony falou também sobre uma declaração que deu anos antes, quando afirmou que ficava deprimido ao ver roqueiros barrigudos. Como o tema da Trip deste mês é Barriga, a questão não poderia passar em branco na entrevista. "Eu não tenho preconceito com quem tem barriga", ele ri. "Tenho 52 anos e meu ideal de grande roqueiro é o Mick Jagger. O cara tem 70 anos e tá magrinho, com uma vitalidade incrível e cantando pra cacete. Eu admiro essa dedicação. Claro que rock não é esporte, mas é legal você manter a forma. É deprimente ver aquele cara que tá sem fôlego no palco. E a exceção é o Ozzy Osbourne, que é charmoso mesmo desse jeito." "Estar do lado da Malu já é 80% do meu segredo de beleza" Continuando no clima descontraído, Bellotto falou sobre o posto de galã oficial dos Titãs, que ocupa desde o início dos anos 80. "Estar do lado da Malu [Mader, sua esposa] já é 80% do meu segredo de beleza. Sempre achei que essa vida de estrada e de show é cansativa. Então eu sempre fiz exercício, mesmo quando eu era doidão. Tento equilibrar minha alimentação também, mas sempre seu exagero. Hoje rola essa patrulha contra quem é gordo, que eu acho um absurdo. Cada um faz o que quer da vida." Setlist do programa: Taj Mahal - "Aint That a Lot of Love"Jimi Hendrix - "Hey Joe"Titãs - "Familia"Slim Harpo - "Te Ni Nee Ni Nu"Rolling Stones - "Shes a Rainbow"