Podcasts about burnt offerings

Sunday Service (8/2/26) // *Leviticus 1* (ESV) // *Laws for Burnt Offerings* // 1 The Lord called Moses and spoke to him from the tent of meeting, saying, 2 “Speak to the people of Israel and say to them, When any one of you brings an offering to the Lord, you shall bring your offering of livestock from the herd or from the flock.3 “If his offering is a burnt offering from the herd, he shall offer a male without blemish. He shall bring it to the entrance of the tent of meeting, that he may be accepted before the Lord. 4 He shall lay his hand on the head of the burnt offering, and it shall be accepted for him to make atonement for him. 5 Then he shall kill the bull before the Lord, and Aaron's sons the priests shall bring the blood and throw the blood against the sides of the altar that is at the entrance of the tent of meeting. 6 Then he shall flay the burnt offering and cut it into pieces, 7 and the sons of Aaron the priest shall put fire on the altar and arrange wood on the fire. 8 And Aaron's sons the priests shall arrange the pieces, the head, and the fat, on the wood that is on the fire on the altar; 9 but its entrails and its legs he shall wash with water. And the priest shall burn all of it on the altar, as a burnt offering, a food offering[a] with a pleasing aroma to the Lord.10 “If his gift for a burnt offering is from the flock, from the sheep or goats, he shall bring a male without blemish, 11 and he shall kill it on the north side of the altar before the Lord, and Aaron's sons the priests shall throw its blood against the sides of the altar. 12 And he shall cut it into pieces, with its head and its fat, and the priest shall arrange them on the wood that is on the fire on the altar, 13 but the entrails and the legs he shall wash with water. And the priest shall offer all of it and burn it on the altar; it is a burnt offering, a food offering with a pleasing aroma to the Lord.14 “If his offering to the Lord is a burnt offering of birds, then he shall bring his offering of turtledoves or pigeons. 15 And the priest shall bring it to the altar and wring off its head and burn it on the altar. Its blood shall be drained out on the side of the altar. 16 He shall remove its crop with its contents[b] and cast it beside the altar on the east side, in the place for ashes. 17 He shall tear it open by its wings, but shall not sever it completely. And the priest shall burn it on the altar, on the wood that is on the fire. It is a burnt offering, a food offering with a pleasing aroma to the Lord.*Footnotes*a. Leviticus 1:9 Or an offering by fire; so throughout Leviticusb. Leviticus 1: 16 Or feathers#godslove #BibleStudy #BibleExplained #Bible #BiblicalStudies #BibleTeacher #WordOfGod #BiblicalLessons #BibleJournal #BibleReading #BibleStudyNotes #biblestudycommunity #ChicagoChurch #BibleProject #BibleVerse #Bible #danielbatarseh #mbchicago #mbcchicago Website: https://mbchicago.org *FOLLOW US* Facebook: https://facebook.com/mbc.chicago Instagram: https://instagram.com/mbc.chicago TikTok: https://tiktok.com/@mbc.chicago Podcasts: Listen on Apple, Spotify & others *TO SUPPORT US* Zelle to: info@mbchicago.org Web: https://mbchicago.org/give Venmo: https://venmo.com/mbchurch DAF Donations: https://every.org/mbc.chicago PayPal/Credit: https://paypal.com/donate/?hosted_button_id=AA74AC7V5WYMJ

Hey kid, there’s a spider in your bed! From Kingdom of the Spiders (1977) We’re going back to horror history class with Episode 212: Slashers Come of Age and Horror Finds Religion 1975-1979. Seven years ago, in the early days of the Scariest Things, we did some horror history, diving into some of the more obscure titles that you may not be aware of. We stopped at the early seventies, and then went on a very long hiatus. But now we are back with some (maybe) forgotten gems from 1975 to 1979. Friend of the podcast Ian Parker joins Eric and Mike in this deep dive. It took a while, but we are back to our chronology of horror movies. We have picked up the baton and are moving our movie history lessons forward. The seventies were a turbulent period in history. The Hayes Code, now dead and defeated, is no longer. The early seventies started playing around in the margins with movies that pushed the boundaries of what was possible. The advent of the massive summer blockbuster began to separate movies into big-budget and indie-budget films, and horror was part of that trend. Jaws (1975) and The Exorcist (1972) proved that with the right director, scary movies could bring in big money and be legitimate critical darlings as well. The doors opened for studios to pour big money into movies that would become The Omen, Alien, Invasion of the Body Snatchers, and Carrie, landmark movies all. Big-name actors with great pedigrees were coaxed into performing in big studio horror projects. Gregory Peck did The Omen. Faye Dunaway at the height of her career did The Eyes of Laura Mars. It wouldn’t be long before Jack Nicholson got cast in The Shining (1980), but we’ll get to that one later. Having said all that, the studios weren’t quite all-in yet. There were a few pet projects out there. But the domain of the horror movie was still in the dilapidated old downtown movie houses and drive-in theaters. You couldn’t yet rent movies for home viewing. If you wanted to go see independent horror movies, you had to be willing to get down and dirty. The Cineplex wasn’t yet ready for showing off the gory delicacies that were being cooked up in the era when the boundaries between R and X hadn’t been settled yet. Slasher Movies Come of Age Horror never forgot its roots. You could still make a low-budget movie, with no-name actors, scare some teenagers, and turn a profit. But a guy in a rubber suit wasn’t going to cut it anymore. Real explicit violence and raw visceral horror are now how to make a memorable mark. Following in the footsteps of Black Christmas (1972), Last House on the Left (1972), and The Texas Chainsaw Massacre (1974), the slasher film was going to find the sweet spot of low budget and mass appeal. Enter Halloween (1978). Stabbing and spooking were now moving into the suburbs. On a budget of $325,000, Halloween would go on to earn $47,160,000. On a budget of $325,000, Halloween would go on to earn $47,160,000. Hollywood noticed. The impact of Halloween would be felt primarily in the early eighties, but a few filmmakers picked up on the trend early. The slasher films influenced directly in the wake of Halloween include: Don’t Go Into the House (1979), Silent Scream (1979), Tourist Trap (1979), Driller Killer (1979), Prom Night (1980), Maniac (1980), Friday the 13th (1980), Don’t Go into the Woods (1981), Madman (1981), Happy Birthday to Me (1981), My Bloody Valentine (1981), The Burning (1981), The House on Sorority Row (1982), and The Slumber Party Massacre (1982). All of these films featured a masked killer (usually) and some sort of stabbing weapon (usually), and oblivious teen victims (usually), with sexual activity usually as part of the equation (usually)… and a final girl (usually). That’s the modern slasher template. It didn’t take long for filmmakers to figure out the formula. Our great directors who would lead horror for the next twenty years were in place. John Carpenter, Tobe Hooper, and Wes Craven had their knives out and were ready to dominate the field. This genre still felt fresh. The sequels had yet to take control of the industry, and the concept felt raw and scary. This trend would find its killer’s stride in the 80’s, but this is when the slasher movie came out of the shadows. Horror Gets Really Weird, and Discovers God While the sixties still had a safety belt on, and the eighties went for the reliable thrills, the seventies was a period that allowed directors to stretch out their ideas. The early seventies also contributed a number of strange films, but it is hard to match the back half of the seventies with the likes of The Manitou (1976), Phantasm (1979), Hausu (1977), and Eraserhead (1977), which brought wildly original concepts to the table. Religion was a big thing too. Conventionally, there were movies like The Omen and The Exorcist that were, while very scary, using traditional good-and-evil concepts. This era also had a more counter-cultural and artistic interpretation of holy horror. God Told Me To (1976) and The Visitor (1979) were gonzo strange concepts that never found an audience, but were challenging with their takes of what celestial beings might be. What is Jesus, really? For that matter, what is God? An alien? Perhaps. Truly strange, blasphemous stuff. Perhaps it was all the hallucinogens that were popular of the era. Cosmic horror found truth in a far-out metaphysical moment. It wouldn’t take long for the politicians and the morality police to put an end to such wild concepts. But in truth, the conservative backlash was waiting in the next decade. In the seventies, the liberal notions of acceptable content had plenty of room. That would be coming to an end soon, especially when movies could come home on cable TV and VHS. The Scariest Things History of Horror Episodes Episode 22: The Silent Era 1920s Episode 25: The Rise and Fall of the Golden Age 1930’s and 1940s Episode 29: Horror Comes Back – The Matinee Era Part 1 1950-1954 Episode 31: The Height of the Atomic Age – The Matinee Era Part 2 1955-1959 Episode 51: The International Gothic Trend – Horror From 1960-1964 Episode 53: The Diversification of Horror – Horror From 1965-1969 Episode 57: Horror Gets Trippy – Horror From 1970-1974 Episode 213: Slashers Come of Age and Horror Finds Religion 1975-1979 Friend of the Podcast Ian Parker joins Eric and Mike to talk about some deep cut movies from the late seventies. We have tried to avoid the obvious stuff and to notify our audience about some curious gems that you might have missed when shuffling through your streaming options: Burnt Offerings (1976) Don’t Go Into the House (1979) God Told Me To (1976) Kingdom of the Spiders (1977) Rabid (1977) Shock Waves (1977) The Witch Who Came From the Sea (1976) The Eyes of Laura Mars (1978) The Manitou (1978)

In spite of being named after a famous whiskey, Jack Daniel Napier has been called to a life of sobering inspiration. Jack aims to make relevant truth come alive in the heart and mind. Not raised in a Christian home, God saved him as a teenager and he went on to earn degrees in Biblical Studies and Business. Jack serves as lead pastor of Grace Community Church in Newton, Kansas, residing with his wife and five rambunctious children.

Study the daily lesson of Sefer HaMitzvos for day 159 with Rabbi Mendel Kaplan, where he teaches the mitzvah in-depth with added insight and detail.

Study the daily lesson of Sefer HaMitzvos for day 159 with Rabbi Mendel Kaplan, where he teaches the mitzvah in-depth with added insight and detail.

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Leviticus: Bleached By Blood With Dr. Clint Archer. Tonight's Sermon Is Make Him An Offering He Can't Refuse: The Burnt Offering Of Animals From Leviticus 1:2-5. Sermon Outline - 1st Of 5 Offerings God Gave Israel So We Can Israel So We Can Learn What Is Acceptable: 1. Burnt Offering (this week) 2. Grain Offering 3. Peace Offering 4. Sin Offering 5. Trespass Offering

I. The necessity of a priest's obedience to God, vv8-9. II. The necessity of a priest's holiness before God, vv10-11. III. The necessity of a priest's diligence with the fire of God, vv12-13 

Burnt Offerings: Accepted (Leviticus 1:1-17; 6:8-13)

This week, Josh and Drusilla watched the very cozy Burnt Offerings. From wiki: “Burnt Offerings (Italian: Ballata macabra, lit. 'Macabre ballad') is a 1976 supernatural horror film co-written and directed by Dan Curtis and starring Karen Black, Oliver Reed, Bette Davis, and Lee H. Montgomery, with Eileen Heckart, Burgess Meredith and Anthony James in supporting roles. It is based on the 1973 novel by Robert Marasco.[7] The plot follows a family which begins to interpersonally dissolve under supernatural forces in a large estate they have rented for the summer. The film's title derives from the Book of Leviticus, referring to a "sacrifice by fire" and a "gift offered to God."[8]Also discussed: Marilyn Monroe's 100th Birthday, The Silver Book: A Novel by Olivia Laing,  Backrooms (2026), I Love Boosters (2026), Watcher in the Woods (1980), Return from Witch Mountain (1978), Girls Just Wanna Fun (1985), The Midnight Hour (1984), Dark Shadows, Trilogy of Terror, Day of the Locust, Ruben and Ed, Phantasm, The Sentinel, The Legacy, Alliosn's Birthday, and more. NEXT WEEK: Dracula's Daughter (1936)Bloodhaus: https://www.bloodhauspod.com/https://www.instagram.com/bloodhauspod/https://letterboxd.com/bloodhaus/Drusilla Adeline:https://www.sisterhydedesign.com/https://letterboxd.com/sisterhyde/https://www.instagram.com/sister__hyde/Joshua Conkelhttps://www.joshuaconkel.com/https://www.instagram.com/joshua_conkel/https://letterboxd.com/JoshuaConkel/  

The Rolf family, including Aunt Elizabeth, rent a large country mansion for the summer, and care for an 85-year-old lady in the attic. What could go wrong?To download, right-click here and then click SaveJoin the Journey Into Patreon to get early Outfield Excursions episodes.Episode Art courtesy of Gino Moretto.To comment on this or any episode:Send comments and/or recordings to journeyintopodcat@gmail.comPost a comment on Facebook or on X

Episode 112: Tune in as we discuss a gem from the '70s! Burnt Offerings is a haunted house story that helped define the tropes in this sub-genre. Let us know if you like or dislike this one!

Send us Fan MailDownload study notes for this chapter.Download study notes for this entire book.**********Scriptures taken from the Holy Bible, New International Version ®, NIV ® Copyright © 1973, 1978, 1984, 2011 by Biblica, Inc. Used with permission. All rights reserved worldwide.The “NIV”, “New International Version”, “Biblica”, “International Bible Society” and the Biblica Logo are trademarks registered in the United States Patent and Trademark Office by Biblica, Inc.  Used with permission.BIBLICA, THE INTERNATIONAL BIBLE SOCIETY, provides God's Word to people through Bible translation & Bible publishing, and Bible engagement in Africa, Asia Pacific, Europe, Latin America, the Middle East, and North America. Through its worldwide reach, Biblica engages people with God's Word so that their lives are transformed through a relationship with Jesus Christ.Support the show

Send us Fan MailDownload study notes for this chapter.Download study notes for this entire book.**********Scriptures taken from the Holy Bible, New International Version ®, NIV ® Copyright © 1973, 1978, 1984, 2011 by Biblica, Inc. Used with permission. All rights reserved worldwide.The “NIV”, “New International Version”, “Biblica”, “International Bible Society” and the Biblica Logo are trademarks registered in the United States Patent and Trademark Office by Biblica, Inc.  Used with permission.BIBLICA, THE INTERNATIONAL BIBLE SOCIETY, provides God's Word to people through Bible translation & Bible publishing, and Bible engagement in Africa, Asia Pacific, Europe, Latin America, the Middle East, and North America. Through its worldwide reach, Biblica engages people with God's Word so that their lives are transformed through a relationship with Jesus Christ.Support the show

We are living in the new covenant - the ability for us all to present our bodies as a LIVING, HOLY, and PLEASING sacrifice. And it is our “logical,” worship. Join us as we dive into the Burnt offerings of the OT and how the Holy Spirit's presence with us continues this same offering today.

The Night Stalker (1972), Dracula (1973), and Trilogy of Terror (1975) Horror fans from the 1970s may not have known the name Dan Curtis, but they certainly knew his work. From his early gothic soap opera Dark Shadows, where one of the main characters just happened to be a vampire, to the countless adaptations of classic novels, such as Dracula, Frankenstein, and Jekyll and Hyde, to even more throughout the '70s. Curtis continued to give TV viewing audiences plenty of nightmares during that time, blending classic monsters with new and unique ones and delivering all of them to the small screen in ways that really resonated with audiences at the time. Modern audiences might be even less familiar with Curtis' work than those who grew up with his films, but his influence has never gone away, and his body of work is more than worth revisiting, or if you've never experienced it yet, then now is the perfect time to start down that journey. Films Mentioned in this episode: Bram Stoker's Dracula (1992), Burnt Offerings (1976), The Changeling (1980), City Slickers (1991), Curse of the Black Widow (1977), The Dark Crystal (1982), Dark Shadows (1966-71), Demons of the Mind (1972), Doctor Jekyll and Sister Hyde (1971), Dracula (1931), Dracula (1973), Fiddler on the Roof (1971), Frankenstein (1973), Frankenstein Must Be Destroyed (1969), The Great Muppet Caper (1981), In My Skin (2002), Kolchak: The Night Stalker (1973-74), The Night Stalker (1972), The Night Strangler (1973), The Norliss Tapes (1973), Nosferatu (1922), The Rocky Horror Picture Show (1975), The Strange Case of Dr. Jekyll and Mr. Hyde (1968), Superman (1978), Superman II (1980), Trilogy of Terror (1975), Vampyres (1974), War and Remembrance (1988), The X-Files (1993-2018)

The Burnt Offering: If God is truly holy, how could sinful men ever approach Him? God Himself answered this question for the children of Israel when He gave them the Law. Only through a God-appointed substitute—an atoning sacrifice—could His people be presented as wholly belonging to Him. We begin a new series this week on the Levitical sacrifices God appointed ... Read More The post Ancient Israel's Sacrifices: The Burnt Offering (Part 1 of 3) | April 25, 2026 appeared first on The Friends of Israel Today Radio.

I. Peace with God is a consequence of atonement. II. Peace with God should be celebrated with thanksgiving. III. Peace with God brings communion.

The Torah mentions offerings that are voluntary, and that theoretically could come to include a burn-offering, but the Torah also specifies the burnt-offering so that the details of accompaniment are also learned (for example, the libations). And we see the halakhic hermeneutical principles of deriving the general, the specific, and the general -- which concludes with a narrower application that one might have thought. Also, the specifics of offerings that indeed involve accompaniments -

Pastor Shelby shares an encouraging message to continue putting fresh wood on our burnt offering.

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Jim discusses the first big feature film from Dan Curtis - 1976's "Burnt Offerings," starring Karen Black, Oliver Reed, Bette Davis, Lee H Montgomery, Burgess Meredith, Eileen Heckart, Dub Taylor, J8im Myers, and Anthony James. A couple and their young son rent a large house in the country for the summer, but is there some sort of strange prescence lurking on the grounds? Find out MONSTER ATTACK!, The Podcast Dedicated To Old Monster Movies.

Jim discusses the first big feature film from Dan Curtis – 1976’s “Burnt Offerings,” starring Karen Black, Oliver Reed, Bette Davis, Lee H Montgomery, Burgess Meredith, Eileen Heckart, Dub Taylor, J8im Myers, and Anthony James. A couple and their young son rent a large house in the country for the summer, but is there some […] The post Burnt Offerings | Episode 508 appeared first on The ESO Network.

Exodus 27:1-8

I. What does God require for us to be acceptable to him? II. What will God accept instead of us? III. How does this change us?

Leviticus is one of the most daunting books in the Bible, but today we're going to start to unlock the gems that it has to offer... starting with the holy sacrifices of the burnt offering and what it means to be fully consecrated to the Lord. Join us as we see just how important and relevant this book is to our lives in Christ today.  DISCUSSION AND STUDY QUESTIONS: 1.    From this opening study of the book of Leviticus, would you describe it as a "worship manual"? Why or why not?  2.    The book of Leviticus derives its name from the Levites. Who were the Levites and what was their role among the Children of Israel? 3.    How did the podcast define "the Law"?  4.    According to the podcast, how did the Law teach the people about God's holiness?  5.    According to the podcast, how did the Law teach the people about the kind of worship that God accepts? 6.    According to the podcast, how did the Law teach the people that God wants to have fellowship with Him? 7.    According to the podcast, how did the Law show teach the people that the worship of God is personal? 8.    According to the podcast, how did the Law teach God's authority over every aspect of our lives? 9.    According to the podcast, how did the Law point to Jesus? 10.    There were several kinds of burnt offerings (daily, sabbath, festal, and voluntary). What set the "burnt offering" apart as the most sacred form of an offering? Why? 11.    What did the burnt offering uniquely show the person who was making the offering? 12.    Verse 2 taught that the animal had to come from the person's own flock (assuming they had one). Verse 3 says that the animal had to be "without defeat" (as in, healthy; not lame and dying). What did this show about the quality of this animal that was to be fully dedicated to God? How does this quality reflect the devotion of the worshipper?  13.    In verse 4, the worshipper was to lay their hands on the animal and identify themselves with it. What was this identification for? What was it supposed to show the worshipper?  14.    In verses 4, 5 & 6, the worshipper was to perform this sacrifice according to these specific steps (this was before the people's fall in Numbers 13). How do you think the offeror's involvement would personalize this ceremony and makes it "real" for the worshipper?  15.    What provision is given in verse 14 for those who could not afford an animal from their herd? What does this show us about the Lord's desire for His people to be in fellowship with Him? 16.    In light of Leviticus 1, how is the Burnt Offering the ultimate act of consecration? How does this reflect our consecration that we have in Christ, today? Check out our Bible Study Guide on the Key Chapters of Genesis! Available on Amazon just in time for the Genesis relaunch in January! To see our dedicated podcast website with access to all our episodes and other resources, visit us at: www.keychapters.org. Find us on all major platforms, or use these direct links: Spotify: https://open.spotify.com/show/6OqbnDRrfuyHRmkpUSyoHv Itunes: https://podcasts.apple.com/us/podcast/366-key-chapters-in-the-bible/id1493571819 YouTube: Key Chapters of the Bible on YouTube. As always, we are grateful to be included in the "Top 100 Bible Podcasts to Follow" from Feedspot.com. Also for regularly being awarded "Podcast of the Day" from PlayerFM. Special thanks to Joseph McDade for providing our theme music.   

By Matt King - Explore the theological connection between Jesus' promise to “prepare a place” in John 14:1–4 and the burnt offering of Leviticus 1. This message reexamines the Hebrew concept of kippēr (atonement) not simply as the removal of sin, but as the purification of sacred space that makes it possible to

Released in 1980, The Changeling stands as one of the most chilling haunted house films ever made. Starring George C. Scott, this slow-burn supernatural classic relies on atmosphere, sound design, and psychological dread rather than cheap shocks, and the result is unforgettable. In this video, Chris and Gerry break down The Changeling's story, themes, and lasting impact on horror cinema. We explore it's vibe and influences, the power of grief as a haunting force, the infamous seance sequence, and why the film continues to resonate with fans of intelligent, old-school horror. If you love films like The Haunting (1963), Burnt Offerings, or The Innocents, this discussion dives deep into why The Changeling remains essential viewing for horror purists. Subscribe for more classic horror, supernatural cinema, and thoughtful film discussions.

In this week's episode, we are taking a break from all of the hype and drama of new horror cinema with the 1975 star-studded film, "The Devil's Rain." Special topics for your consideration include: having only two paces to your movie and having them both be unbearable, leaving your servant to die, butthole eyes, and an incredible transformation. And weirdly, a baby John Travolta? This movie is batshit insane and for some reason made me think of Episode 370- "Burnt Offerings." You can support us at patreon.com/werewolfambulance and listen to a ton of action movie episodes and bonus, our third podcast, "Nice One, Mate!" Episode 4 drops soon! Get in now to vote for our next movie. leave us a message at 412-407-7025 hang out with some cool listeners at https://discord.gg/DutFjx3cBD buy merch at www.teepublic.com/user/werewolfambulance the best place to reach us is at werewolfambulance@gmail.com we're on Reddit at r/werewolfambulance sorta on Twitter @werebulance sorta on Instagram @werewolfambulance www.werewolfambulance.com if you feel you really must lodge a complaint with us, please do it on Facebook at facebook.com/werewolfambulance because we are probably not gonna see that, ever. If you liked this, please leave us a review on Apple Podcasts or wherever you listen! It helps others find us and allows us to continue to grow. Intro song is by Alex Van Luvie Outro song is A. Wallis- "EMT" Seriously, we have the best listeners, hands down.