Podcasts about The Jetsons

When the World Moves Too Fast: Honoring Neurodiverse Nervous Systems with Pasha Marlowe This week on Look for the Good, I'm joined by Pasha Marlowe, author, global neurodiversity speaker, coach, and consultant. Together, we explore what neurodiversity truly means and why so many of the norms we've been living by are beginning to unravel. Drawing from her book Creating Cultures of Inclusion, Pasha explains how our nervous systems were never designed to operate at the relentless pace of modern life — and how that mismatch affects all of us. We talk about the growing awareness that it may not be individuals who are broken, but systems and expectations that no longer fit the way humans are wired. In this rich and eye-opening conversation, Pasha shares her five pillars for creating cultures of inclusion and offers part of the solution: learning to become more aware of our own needs, honoring our unique nervous systems, and giving ourselves permission to slow down. We explore how practices like music can quite literally soothe the mortal soul, helping us regulate, reconnect, and return to our inner wisdom. We also talk about what it truly means to unplug — not just from devices, but from outdated expectations — so you can receive a genuine “download” from within. In a world that often feels like it's moving at Jetsons speed, this episode is a powerful invitation to listen to yourself, honor your rhythms, and rewrite the story of what it means to thrive. BIO:  Pasha Marlowe is a global neurodiversity speaker, coach, and consultant. Her book "creating Cultures of Inclusion" is an actionable framework for anyone who wants to lead neuroinclusively and create space for all minds and bodies to thrive. Find out more at www.PashaMarlowe.com To find out more about the program I mentioned that my friend Lori Diamond runs called Music Includes, please visit: www.LDFAMusic.com/musicincludes. Want to find out when the next incredible episode of Look for the Good is dropping? Sign up for the Look for the Good Podcast Chat weekly newsletter to get behind the scenes insights, special tips, and insider only offers. Click HERE to sign up today! Learn More about Carrie here: https://carrierowan.com/

Ever wondered how a hook can change the room before you even realize you're dancing? We revisit Nina Sky's self-titled debut and the lightning-bolt session that birthed Move Ya Body in about twenty minutes, unpacking how a global riddim, sharp production choices, and twin harmonies fused into a sound that defined countless nights out. From Puerto Rican roots and a Queens upbringing to the Coolie Dance riddim supplied by Cipha Sounds and the Jetsons' studio touch, we pull on every thread that made this record both a radio staple and a deep-cut treasure chest.We don't stop at the single. You'll hear us sit with the R&B core that powers tracks like You Deserve It and Let It Go, where the writing is tender, direct, and emotionally clean. We break down drum pockets, tremolo lines, and why minimalist rhythms make dance floors breathe. Goodbye and Your Time open a window into intimacy and misalignment; Runaway channels the urge to escape chaos without glamorizing it; Surely Missed holds grief and memory with restraint. Then there's Temperatures Rising, an acoustic-leaning standout whose nylon-string warmth and layered harmonies feel close enough to touch.Along the way, Tim shares a vivid Williamsburg memory—water tower skyline, a DJ rinsing that riddim, a $25 drink that turned into a keepsake—showing how personal moments fuse to songs and never let go. We spin the full album, weigh the genre alchemy of dancehall, reggae, reggaeton, and R&B, and close by picking our three favorite non-hits. If you love understanding why certain records live forever in clubs and in heads, you'll feel right at home here.Hit play, ride the beat with us, and tell us your top deep cut from the album. If this resonated, follow the show, share it with a friend, and drop a review to help more music fans find us.Send us a textSupport the show

Ever wondered how a hook can change the room before you even realize you're dancing? We revisit Nina Sky's self-titled debut and the lightning-bolt session that birthed Move Ya Body in about twenty minutes, unpacking how a global riddim, sharp production choices, and twin harmonies fused into a sound that defined countless nights out. From Puerto Rican roots and a Queens upbringing to the Coolie Dance riddim supplied by Cipha Sounds and the Jetsons' studio touch, we pull on every thread that made this record both a radio staple and a deep-cut treasure chest.We don't stop at the single. You'll hear us sit with the R&B core that powers tracks like You Deserve It and Let It Go, where the writing is tender, direct, and emotionally clean. We break down drum pockets, tremolo lines, and why minimalist rhythms make dance floors breathe. Goodbye and Your Time open a window into intimacy and misalignment; Runaway channels the urge to escape chaos without glamorizing it; Surely Missed holds grief and memory with restraint. Then there's Temperatures Rising, an acoustic-leaning standout whose nylon-string warmth and layered harmonies feel close enough to touch.Along the way, Tim shares a vivid Williamsburg memory—water tower skyline, a DJ rinsing that riddim, a $25 drink that turned into a keepsake—showing how personal moments fuse to songs and never let go. We spin the full album, weigh the genre alchemy of dancehall, reggae, reggaeton, and R&B, and close by picking our three favorite non-hits. If you love understanding why certain records live forever in clubs and in heads, you'll feel right at home here.Hit play, ride the beat with us, and tell us your top deep cut from the album. If this resonated, follow the show, share it with a friend, and drop a review to help more music fans find us.Send us a textSupport the show

This episode of Dad Lounge delivers a mix of sports frustrations, snow day nostalgia, and the realities of parenting—like kids hijacking Spotify playlists with Spidey and Bluey songs!The dads swap stories about family shows and movies that connect generations, laugh through technical glitches, and dive into quirky fan theories from The Jetsons to Ted Lasso. It's a laid‑back, funny, and relatable conversation that captures the chaos and charm of dad life, with a tease of Christmas traditions coming next.It's a great show! ENJOY!

Today On With Mario Lopez – Mario and Courtney revealed their Mt. Rushmore of Holiday movies, a fresh round of Christmas themed mono-tune, XMAS gift ideas, the latest music news and is a live action Jetsons movie in the words with Jim Carrey!?See omnystudio.com/listener for privacy information.

Cix Liv challenges the Silicon Valley consensus that humanoid robots belong in the warehouse or the battlefield. By explicitly rejecting the “Terminator” military arbitrage and the “Jetsons” domestic servant model, REK validates a new thesis: entertainment is the only sector where the reliability is acceptable and economically viable. The discussion dissects the unit economics of robot combat, the “context window” required for mainstream sport adoption, and why American “lawyer culture” is fundamentally losing the hardware war to Chinese “engineering culture” explored in Dan Wang's Breakneck This is a forensic look at building “Real Steel” without government grants or safe software margins.The Agenda:00:00 - Beta Testing Robot Roadshows05:06 - Defining the Real Steel Concept07:14 - "Context Window" of Violence vs. eSports16:59 - State of Bipedal Balance & Chinese Hardware26:02 - Robot Soldier vs Real Steel Decision33:01 - B2B SaaS Brain Drain37:01 - Unit Economics: Reliability Arbitrage45:04 - Tech Stack of Tele-Operation52:07 - Dan Wang's Breakneck Thesis: Engineer China vs Lawyer US57:37 - Bringing Detroit to TexasGuest LinksREK: Website, X, Instagram, LinkedInFollow Cix: X, LinkedIn -------------------Austin Next Links: Website, X/Twitter, YouTube, LinkedInEcosystem Metacognition Substack

Now, and??? Okay! Just another dime, And just enough to find Before I count them up to dollars— But you're turning into wine. What did you ever want? This is my other world. Go shatter you tantric catwalk elsewhere! Don't you know there is a show to put on? A wool to pull over the eyes of the unknown? Why do you have to groan at the quantifiable harm known but justice undone. No harm, no foul No food, no valid excuse for betraying my sacred dopamine, but hopefully you know only no good But words can come from it, And words that fall on blind eyes have no context at all. {Enter The Multiverse} Uncorrected transcript. [excuse my neighbors in the background they're determined to make my life miserable more than likely in exchange for dollar signs.] Okay, my Wi-Fi is off, my Bluetooth is off. Oh, my laptop is open, my Wi-Fi is on. I can give me a second to remedy that. Hello. Hello. I'm Atticus's tail says hello. What's going on? Oh, I wasn't planning on oh, my WiFi on my computers off. That is good. Uh, I keep all my devices uh, at minimum on off the grid as often as possible. Um, there there actually it's crazy how much of a difference this makes. I gotta pour myself some coffee. it is almost midnight, o'clock. Hello, um, what's up, we're missing talking episodes. Um, we're missing talking episodes from season 12. I can't find anything like past October, and I know it's on one of my hard drives, but all of my hard drives are full, um, I have like something like 10 terabytes altogether of stuff that needs to be like moved around and not all of it. Some of it's like really personal, like not personal, but like sensitive information that I can't necessarily utilize a cloud for. So I am it's taking me some time to organize some stuff. I I try to do between like eight and 12 hours of just organizing on any typical night after my uh exercise or whatever, or between I would say that exercise is definitely like the primary function of like my life. And that's like the priority right now, especially with the things that I've been going through. I think it's really important to keep my physical and mental health as um in in it's not gonna be at its peak, um, because of the noise pollution that I've been dealing with, and it's actually made me really sick over this extended period of two times. um, and I'm trying to um seek treatment for that, but it's a uh it's a long road, I have a long road ahead of me. We could just say that. Um, which is why I am giving you guys, um, some stuff that I've been working on that's not necessarily finished, and I'm actually really like, I'm embarrassed because I don't necessarily um I I actually have a hard rule of not releasing any music until it's absolutely finished. like even if it is a first draft, like it still has to be finished. um, but I actually and I gave you, I think, I think two tracks, which is actually four. um because this upcoming project, it's a concept album called a symposia. um and the concept for it is um a lot. I don't necessarily have to explain right now. Um, but all of the tracks so far on it are double tracks, and so it is typically I've always really loved albums that have that are like gapless. I don't think through my distributor, like I can never technically um, like put out an album that has no um technical stop or start between songs, like they would have to be cut a certain type of way that, like my distributor does it. There's always gonna be a gap between my music, but um all of the tracks are um double tracks, so they're all two tracks in one, um that are kind of along the same theme or idea and um like lead into the next track. I've always loved albums like that. uh, one of my favorite compilation albums, um like just to give you an example, just to throw it out there, is like, the Beatles love album, which is not actually a Beatles album. It's just a, um, it's a compilation of their um songs made for the Cirus Sole show that I think is still playing in Vegas. I don't know if it is it's been playing for like 10 years, and I still haven't seen it. um I really I really want to take mushrooms and go uh see that show. I've wanted to do that since it came out, but my favorite one of my favorite albums in the world is the love album, which is is basically a mash up of like their greatest hits, crafted by, um engineers and people who used to work with the Beatles and stuff for this uh Cir dis soet show um in Vegas that I hope I get to see I hope it's just one of those like long standing like like Siegfried and Roy. I just realized that they were in Vegas for like 40 years, like they were just there, they were just a stable, so hopefully that show is um kind of like that and one day I'll get the, uh one day I'll get the opportunity to see it. Like my my bucket list, like destination, like vacation at one point was to go see the Beatles love on like an EDC week. um that's still something that I want to do. I promise myself I wouldn't go to EDC unless I like ever got booked there. Um, and I think this year is like 30 years or something of EDC, and so they um they sold out in like five minutes. um so it's it's not it's not something I'd consider doing by myself anyway, unless I was gonna go with my best friend, and um and I was like I was talking to my best friend and I was like, oh, maybe I should check on, like the early bird tickets for ADC, and they were like, they was sold out, and was this celebrating 30 years, and I'm like, okay, well, I guess I should uh work on getting a booking agent, but my music is not my music is kind of turned into like a passion project. um, since everything that I've been going through over the last couple of years kind of just like took me off my path in that sort of way and DJing, I kind of wanna preserve it as like, I really love being a DJ. I really love producing music and because it's so consumer, there's a bunch of people in the industry that are not necessarily like music oriented or love oriented, and it's just like a whole different vibration from like the peace and the love and the unity respect of that. Like I like the scene for. I really want to check out, like as far as a festival goer is concerned, I really wanna check out some of these new festivals that are popping up that are doing like no cell phones. I kind of wanna check those out, cause I feel like the quality of of the experience has been preserved or will have been preserved in in certain spaces like that, um, but anyway, I'm uh I have been physically ill for like a few months now. um, and so the best that I can do for you guys my audience just because I'm not sure if I will get symposium out this year in which case it will come out next year. um, and then I think this track, I'm not sure, this track is definitely like a track that was in my mind. um implementing all of the like sound design stuff that I'm doing for symposium and is also a double track. um it's called Forget me nots. uh and then the second track is followed through. uh,get me nots/follow through. I think it's like an eight or nine. um minute track or whatever. It's not finished. Um, actually, the only finished track that you guys have heard, and even this even bitter butter and southwest of your scars is like a double track that is finished, that is on symposium, but it's still the version one, like it's not um I haven't done like any of the final mastering or any of the things that I do in the process of getting ready for a a release. I do have like a a like an implemented ritual structure of doing things like that, even for projects that seem like mindless, or, you know, things that are seem seemingly just like thrown together, like chasing dragons, was kind of like not necessarily even a concept until the three tracks were like sandwiched together, and I was like, oh, okay, like, this does tell a story and and they were all created in a certain way so that they'd go together. I think I fixed that. um, because, um, chasing dragons, the EP was for some reason, when chasing dragons got released to, like all the major platforms, it had chasing dragons was the first and the last track, and then dishes and the sink was just in the middle, which was weird. um so the third track on chasing dragons is actually immortalist and I got that all fixed. and I also got the regular like the normal version of the songightfall is out on the platforms now. Those were two er errors um that I needed to fix that I finally did. um but I'm slower to do music things now because like I said, my health is the priority. So it's like, yo, if it comes down to like getting a good meal in or like some good exercise or like right now I'm doing active recovery because I'm dumb. I went from like not really running anymore and only walking for an hour every day on the treadmill and doing like an hour between one and two hours on the pelotone, a day which is technically still three hours of work, um, but then I went back into heavy training the way that I preferred to do like I prefer to be at the gym between two and three hours every day. That is my ideal. That is where my body feels comfortable, um and flexible and like happy. Um, and if I can do that in the very beginning, like to start my day, cause I don't necessarily have 24 hour, like days anymore. um like what's technically the end of my day is oftentimes the very beginning of other people's days, and so I'm kind of just on on night, like, routine because it is like, I'm I'm basically just like protecting myself from the uh, you know, like my my nervous system can't take any further damage. Like, I do have really pronounced synesthesia and, um, I wasn't necessarily like planning to be exposed to extreme like noise pollution for an extended period of time without having the financial security or stability to escape from it, cause honestly, if I could have moved, I would have moved or if I could have just left, I would have just left, um, but I obviously wasn't in a situation that I could, and so I became very vulnerable um, to this type of attack, which I learned was actually very common. It's not something that is just like, oh, you know, um, this is just something that I'm going through. It's actually a very common for people of color to be, um vulnerable to this kind of disease that comes from um an implementation of using sound as a weapon. And I mean, like the irony is is that I was already kind of studying synesthetics and the way that, you know, as a culture or the way that in as as far as like mass consumerism is concerned, that's why people pay so much for a, you know, festiv for the festival experiences because sound can be a very much uh manipulated to be a physical thing. It's not, you know, it's not invisible. And so the fact that those same kind of um those that same kind of engineering can be implemented also in a negative way to have a negative effect. Like, you don't have to punch somebody in the face, like, you can just back up your exhaust, your engine exhaust, and, you know, fire at point blank to somebody that is, you know, caught off guard. and in that way, um sound can be used as a weapon, it uses the same dynamics, the same kind of dynamics as, you know, the reason why we go in the th you know, in flocks by the thousands and the millions to these festivals to feel the vibrations that that are on the opposite end of the same spectrum, the healing vibrations of, you know, certain things. and so I've been doing my best to try and, you know, maintain a certain level of health through, you know, using, um, you know, certain frequencies to block out. But when it's your physical person is in a space that's being manipulated to be on a certain frequency, um, uh, the exposure to this negative frequency that is unnatural to your body over a period of time. um, you begin to get very, very sick and that's what's happened to me. And so I'm trying my best to like keep my head above water and, you know, stay afloat. Um, but I didn't expect it especially after, you know, a period of like two or three years before that, where I was just like on the go all the time. Um, and, you know, not necessarily having like a a suitable foundational stability or a place to call home and then going straight into something else that was like more traumatic and more violent than, um then I expected, and so I've been trying to remedy that. um, the best that I can and because I'm putting my mental health and my physical health first, I'm not necessarily like, I it was weird. I was kind of in like a meditative space and I had, you know, like this this kind of spirit come over me that was like music, you know, music is gonna be there forever. like, as long as you're as long as you exist, you know, whether it's in like a physical realm or like an infinite realm or whatever, like as long as you exist, there's always gonna be music. and that was kind of like the sign that like, K, as much as I do like having a streak of, you know, like being an Ableton every day for several hours a day. um, the way that I am using these techniques that I'm applying in symposium and as seen on TV, which reminded up being a double album, because I actually have, um, like several, um, tracks that are like honestly on TV, I've been working on since, like, 2023., like, early 2023. Um, and so, the things that I've like collected, it's kind of interesting because my evolution as an artist or like my technique as a producer will be, um represented here in this project, which I hope comes out next year, but I can't say for sure, cause it's probably the it's definitely the biggest, most um important album I've ever worked on and I I put a lot of care and thought into those as seen on TV tracks because it does um like creatively, I guess, run alongside this series into the multiverse and all the series within the festival project, uh Ascension Death Wish, legends, um the legend of uh, the secret life and the sweet life of sunny Blue, just to name a few, there are I keep trying to make like a list of all of the shows within the festival project, but then I'm like, oh, like there are so many that it would it just falls apart. And so I mean like I'm getting a little bit more organized with the with the actual structure of, like, the television and movie, like, script part of the project. um, while I'm cleaning out my hard drives, but having to organize everything so that it's, you know, so that I can go to a certain hard drive and be like, okay, well, this is um, you know, this is this season to this season. I'm still archiving episodes from, you know, 2021 and and because a lot of those statistics can't be like once I delete an episode from the podcast, it goes away and all the all the statistical information about the number of downloads,, like all of its information, all of its metadata goes away. and that's very important for what I'm going through in my personal life right now in order to protect myself for those things to be taken down, but also for it to be archived in a way that I can reference as a creator like, okay, this is this day that this was published with this, that like, because it's it's a time travel concept that is multifaceted, and it is like based in this multiperceptory m multiperceptory multiimensional concept of technically technically infinite time and space, like it has to be organized in such a way that, like, all of the series and all of their all of the ways that they're connected to any particular parallels have to be, you know, they have to be organized and documented so that because I'm the more that I'm looking at it, the more it makes sense. I'll be like, oh, like, I thought this was just like nonsense or whatever, but when I'm putting it into like an organized space, um, and to me, that's like the god part about it is that like, oh, like, um like, I' I'll be looking at the writing and noticing how it takes like particular shapes or how the shapes will cut is sometimes like make pictures, like sometimes when you're looking at the clouds and you see, you know, shapes and the clouds. sometimes the riding for this project is like that, which is kind of incredible to me.c it's not something that I'm doing um, intentionally, it's kind of just something that's happening. I'm writing in a stream of consciousness that's also, you know, like artistic, creative in a way, that kind of has this, like, sense of divinity to it that I'm not necessarily, like, consciously doing. Um, so everything has to be organized in such a way that like it is gonna take time, um, and because it takes time and a lot of the other things that I did not foresee happening or also taking a lot of my time, like a lot of my my time and energy to document like how sick I've been getting a lot of time and energy has been focused on just like, doing the research on, you know, like crazy crazy shit that I never really took interest in, um, but could be applied here. um, could be applied to this situation and and kind of just finally being able to have a piece of mind to give myself the benefit of the doubt that, like, it wasn't in my head. like, I just had to be uh, I just had to be pushed to the point that I could understand, you know, that this um, sometimes very silent type of, um, you know, warfare is is like a documented not even necessarily historically, but like presently and present day. um, they're just I don't think haven't been enough survivors of this kind of thing, um, that it could be, um that it could be notably researched, like the amount of reports, but, you know, it's it's not it's not by choice, like it is taking up a lot of my time and I wish I was the kind of person that could just ignore it. Um, but I'm getting very physically ill. Um, so I can't, like, I can't ignore the fact that, like, you know, I'm running on zero pretty much all the time, and that my my patterns of speech have changed in my, you know, my thoughts have been intercepted and my, you know, like, because physical and mental health is such a priority to me, the fact that those things have been the primary uh, source of degradation has has affected me in such a way that it's not, I mean, like, it's less emotional than it is the logical answer to, you know, like if you have a cold, you take cold medicine or if you have the flu, you take, you know, it's it's like, well, remedying something that is a fi physical illness, you know. um, removing the cancer from the body, uh, you know, in such a way that it doesn't come back is kind of my main primary concern in this way. Um, so I am am especially because I can't but the talking episodes are actually more popular this season than any other season. and I can't find like six or seven of them, because I I don't know, I was just switching out all my, you know, uh my stuff so quickly and pulling things out of the cloud that it, you know, got saved under drive zip eight, seven six nine, you know, like. It's it's just a mess of of terabytes and tabyrites of creative work, um, and, you know, other things that I've had to dedicate my time to, which is not necessarily fair, but, you know what they say is life is not fair. Um, so, you know, life hasn't been fair, but I have, you know, been blessed in such a way that, like I I I've at least been able to um creatively channel some of the some of the energy and some of the time that I have left over that is technically mine. while in the sense that I've had a lot of my time and energy just stolen in siphoned, um, you know, I have been able to kind of forge a medium through fighting this that allowed me to, you know, start doing art along the lines of, um more more the way that I want my music to to think and feel. And so I'm I'm still just working from a little tiny MacBook air. um, so my, you know, um, my projects get like overwhelmed really quickly. I can't necessarily implement all of my um my plugins or all of the tools that I like to use at once, and so everything is kind of segment segmented in the way that I'm working. um and like, yeah, my projects get overloaded very quickly. um so the tracks that I'm giving you are not finished, but they're more um I would say like they're more, like colored, they're more like filled out. It's not necessarily abstract in the way that some of my stuff is like very like, you know, like drag and drop and cut and go, well, I do a lot of like, even in my even in my like my cut and dry stuff, I do a lot of sample manipulation. I very rarely will keep a sample in the way that it is without doing something to it, you know, like, I don't do dragon drop, um, unless I'm planning on just, like, you know, giving a beat to a rapper a artist for free. like, sometimes I'll just be like, okay, for the next 15 minutes, just do, like, something, you know, like a two or three minute, like dragon drop or whatever. But those those are not necessarily tracks that I A share here or B like plan on doing anything with because the world of sampling has gotten to the point where it's like, yo, you gotta have some creativity, like you can't just open up a sample pack and drag it and drop it into place, because then you have eight or nine songs that sound exactly the same. Eight or nine songs that are the same because basically you're just putting together a, you know, you're putting together stems from a track that was already created, you know, by somebody that's trying to sell you something, so um, you know, I I take a little bit more creative uh integrity in the stuff that I do mean seriously. Um, a lot of it lately hasn't been serious, but I I actually did want to take an hour to talk about this not this track in particular, just talk about why I'm doing this because it was something that it was like, oh, I feel like this project is a little bit more special or is a little bit more like technical than some of the other work that I've shared here on this podcast or work that I've put out before and so I kind of wanted to keep it to myself um, but then I've kind of had a couple, like, you know, like heart shattering experiences that make me realize, like, you don't know. like, you don't really know what's gonna happen and life is, um, sometimes very cruel and sometimes life is, you know, it just takes turns that are not necessarily. um you know, like you don't you don't ever know. And my mindset has not necessarily been that negative. It's like, oh, everything, you know, there's a there's a reason for everything, and blah, blah, blah, and I still do believe that, but like, you know, two years of constant, like, torture and stress to the point where I don't necessarily have a medium for support or, you know, um, like, I don't necessarily have the foundation of community. um, being in a place that is not my home and coming from a family that's very, very small and doesn't necessarily have, you know, well, like, I don't have what some people have, I don't have a large network of family and friends and the kind of family and friends that you create for yourself in the business are not necessarily, um, you know, like people can't necessarily be trusted to have your best interests. Um, especially especially if you are coming from like a a margin for success that, you know, is documented, like you've done well, you can't necessarily still believe that, like, everyone in your immediate circle has the best interest for you, because it is in human nature that everybody has, you know, themselves as the primary interest, and so um, me being like a a solidly um you know, like self sufficient. I won't say independent person. um, driving towards independence or whatever. um, but being a person that spends a lot of time in solitude and with enough respect, like enough self-respect to understand what my when my spiritual and my personal boundaries are being pushed even even in a person you know, professional setting. um like I took today for active recovery because I'm dumb and I went straight back into training as if I'd never really stopped. like it okay, like I'm on the Peloton seven days a week and I have a treadmill that I walk on in for an hour a day, you know, five to six days a week, but it's not the same as like being in the gym and lifting in stri strength training and and um active recovery um but I was like, okay, if I was running like a Madonna or whatever, you know, for this amount of time, then I should be able to do that. I should be able to do that. No, I didn't run a Madonna, but I ran like a 3K and then a little bit. and I like, my body was like, yeah, this is good, but then I had, like the rest of the day and I did not properly hydrate, and I got, like even more sick. and so I'm like, oh, fuck. Like, I really got like I really got a prioritize, like, my physical health, because if I keep letting myself get pushed, you know, like over the summer, before requisite when I was just like, oh, you know, like, I'm just gonna record. I'm gonna go to Manhattan 20 fucking days in a row and not take a day off and I'm also gonna train, you know, and I'm also gonna do this, like the like, I'm maximized my potential for burnout, which also left me per like, personally vulnerable. to the, like, professional sabotage and, like, weird, underhanded, like, underbelly shit that, like people in the DJ circuit are doing because it's so hard to actually break through., from the level of like consumer professionalism right now. So people are doing like a lot of nasty things to try to get that main stage spot and I wasn't like in my head, I'm still very much like a Disney kid, like, I'm still like, I don't necessarily well, I mean, like Disney to teach us like, there's always gonna be a villain, but like, a society kind of undoes that teaching and is like, but that's just in movies and that's just in your head, but there's no like to me, I there is just this weird misst up between real life and what is told that like, okay, like anything that exists that is like in a certain field of negativity is just in your head. but, like, evil is it like a documented source of the opposite of good. since the beginning of time, and I just don't understand in how in a society we can philosophically and psychologically embrace therapy, however, when it when it comes to, like, real lived experiences, when you're dealing with something that is not necessarily, uh, like a normal part of societal living, like that stuff only happens in movies. I'm like, but it does happen. Sometimes you just have to, you know, like being having I've I've never really been such a socially dependent creature. like, a lot of people have to have some kind of validation. That's why social media is like ruling our society right now. is because people have to have the validation or the likes of whatever they're doing is like cool with the rest of the group. and to me, that this is dangerous group think. like, if you're all thinking the same way, then there's something being missed. There's always something being missed, you know, if you're all on the same frequency or the same form of thought, you know. And so, I've always been like a big, you know, maybe it's just because I don't have any siblings. I've been like a big believer in embracing, um, independent thought, like, okay, if everybody else is thinking one way, then what is the opposite of what everybody else is thinking and not necessarily alluding to the fact that the opposite might be the right thing, but anything between whatever the group think and the opposite is, is also like valid, could be valid, you know, it's not necessarily the opposite of what everybody's thinking, but it's somewhere along the spectrum of maybe that or maybe the opposite, like it could be anything else in between. And so I think I'm the kind of person or the kind of thinker that's motivated by the the spectrum, you know, the spectrum, uh process, anything in between, like not necessarily that, not necessarily the opposite of that, but like what other possibilities, you know? um, could be validated or verified through thinking outside of the box or outside of a you know, being forced to the point of conformity that, like, everything sounds the same and everything looks the same and everything has like a way. That's not necessarily wrong. um, but also not necessarily the only way or right. um, so that I' of been uh what what did I get on that round about? I don't know. I've just been playing with like a lot of different concepts, like not necessarily trying to sound like anything. or anyone, and also not necessarily having the opportunity or environmental expression, like the space to be able to sound like myself. Like I still don't artistically or musically think that I sound like myself. um, and that they are elements of myself there, but it's something that's kind of, um, in its, you know, convex form of being this thing that is potential, but not necessarily fully realized or realizable yet. Like, I haven't had I haven't had peace and I haven't had like full p I haven't had peak health in a long time, or a safe environment in a very long time. and I think that the disallowance of comfort, not necessarily the safity of um of complatancy, you know, or or being comfortable to a point that it's it becomes dangerous, um, but just being able to kind of be in a life that is not necessarily like violent or terrible all the time. I think removing these barriers has not necessarily been a foreseeable reality for nearly a decade and while some artists technically thrive in what is, you know, what is this, you know, tragedy and darkness? It's there's only so much of a certain space that my creative ingenuity can take up and not void. And so, understanding that this time is kind of transitional in the sense that eventually it has to in no matter what direction break free from its current state of, you know, entrapment and its current state of imprisonment. um and so in my artistry and not will change, but I don't think I don't think it's necessarily going to be like fully realized until I have a a a point that I'm in an environment that I can breathe and be and think clearly without the force of control or being subjugated to, you know, a certain level of violence that's not necessarily always physical, but is certainly not, um, you know, without it's notable, um, impact on my physical health, my physical and mental health. So that being said, um, this track, um, this track is somewhere between symposium and, um, as seen on TV, I think I began writing it before the concept for symposium was fully formed. and, um, I think it was like the first of its little group of double tracks and I didn't necessarily mean, like, for the story, cause it, you know, ideally, like a song is like five minutes or less or whatever. um five minutes or less or whatever, but I've again, not been, uh, trying to conform to what is supposed to be this, or what is supposed to be that, and, um I don't know. I I began writing it in with the mindset and the technicality of symposium, but also as I listen back to it, um, I'm also using elements that have been implementing for the last few years into as seen on TV. And so there's some like to me, it's very beautiful. Again, what what is more important or more, you know, like wh what is more palatable for my audience is always differed like my favorite tr tracks are not your guys's favorite tracks from what I'm looking at for for the numbers, you know, my favorite episodes of me talking are not your favorite episodes for me talking. So, I mean, like they're exists here, this obvious, like, it's weird because a lot of artists can be applied to their fans and to their listeners. It's like the the listeners are being projective of like they see themselves in their favorite artists, or they see themselves reflected back through an artist that they, you know, like Taylor Swift, like, all her fans are Taylor Swift and like, most artists are that way that, you know, they're reflective of the people that they look like and have the same experience of and that's how, you know, um, that's how mass that's how mass media works. It's reflected, you know, through the medium of sorts, you know, um it as a as a concept that is shared amongst all all of those, you know, people. um, but I'm looking at my numbers and I'm realizing that, like, oh, there there's like a distinctly different flavor from the way that, like, my perception of what is my best work is and what my audience thinks is the best or, you know, the like I look a lot at the numbers not as they happen, but like over time, whereas I'll be in hiatus for a certain amount of months and then I'll come back. and see what the numbers are reflecting in in what is more, you know, palatable for my audience, like what my audience is is actually agreeing with more is like my better work and it's always not it's not necessarily again, it's not necessarily opposite. but it's not um, you know, it's not always what I expect to be. So this to me, I like um, but it doesn't necessarily like that you, whoever you are as an audience is gonna agree. Um This is actually the least completed track. um I feel like I'm showing you yeah, like I'm showing you my my uh it just it's naked cause it's very much not done. This is probably the most incomplete thing that I've ever, like, put out for anybody else to listen to. Um, but just being audit honest as like a person, not like as a entertainer, cause I don't necessarily see myself as that anymore after these couple years. Um, but being honest, like as a human being, as like a person, um, I've had some times that feel as though are, you know, an indication of not having a very prolonged experience in this sort of way. And I don't, like, I don't wanna put a trigger warning on anything. And I don't wanna, you know, like I I also don't want to insinuate things that are not there. Um, but a lot of the time, that is just to say that I don't feel safe, um, that I don't feel, um safe or secure, um, and that there's not necessarily a like sh it's just New York City. There's no level of like autho like a there is no necessary authority complex that has any sort of like, ability to protect you, you know, from uh certain experiences that are not necessarily um, you know, there's there's no level of protection from from, you know, there there are more heavily funded organizations that are like banks and investments or are more funded than the police. So when you're telling the police, like, hey, I'm being, you know, stalked or harassed and like, there's a pattern and like, here's the evidence and they won't even look at your evidence. Um, even though technically by the law, like it is, you know, documented uh, verifiable, like verifiable, like, no, there's none in my head. Like, I have like the videos, I have pictures, I have audio recordings of like this is happening to me, and they won't even look at it, um, not necessarily because they don't want to, but maybe because they've been trained to look in the other way. Um, and then, you know, just the cultural disadvantage of like, youre snitch. I'm like, I'm also within inches of my life sometimes. and nobody's helping me. Um, and it's not necessarily a mental condition. I think that more now than ever, I would be like readily willing to admit like, oh yeah, like, I should just take the meds, but I'm like, this is I'm not hallucinating this. I'm not gonna take some kind of fucking pill for some kind of medication for something that's like, I'm experiencing this, and not only am I experiencing this with like my eyes, my nose, my ears, like, I'm now videotaping 100% of my life everywhere I go. If I walk out the door, I'm recording, like, that's how many times I've been stalked or followed. Like, if I walk outside of my apartment, like I'm I'm videotaping it, because if I don't, if something happens, then it's literally their word against mine. and the police is, like, literal their whole thing is like, if we didn't see it, it didn't happen. Like, you can get you can get, like beaten within an inch of your life and the police can show up and you can tell them and they can see you like bleeding from the face or whatever, and be like, that guy did it, but the police will straight up tell you. the police will straight up tell you like if we didn't see it, it didn't happen, like we can write the report, but like we like they will not investigate. Period. They will not investigate. And so understanding that, like that opens the, you know, the possibility of like way, way more heinous crimes, you know, being able to be, um, played out without, you know, without any possibility of you having help for that, as, you know, is like dangerous to me, and a lot of the time I feel like I'm in danger, um, to me, and so, my priority is not sitting down in Ableton and and you know, getting these cues just right, like, especially with this this track. um, like it's so, so far from complete, but when I hear it, it still sounds it sounds decent enough that, like, I'll give it to you guys just in case, like like the least sometimes that I feel is gonna happen is that I just get hit by a bus. uh, which does happen almost any time I go outside. It's like, I will not get a bicycle. I won't because I'm like, that's like the easiest way to ensure that I will get hit by something. I'll get hit by something. um I will get hit by something, so I don't um I don't, you know. I'm just trying to, uh, get along and protect myself and away that, you know, maybe possibly enables me to, like, disappear. I don't necessarily need to be anybody. I stopped fighting for that main stage spot a long time ago, cause I I see that it's not about like it can't necessarily be about the love when it's about the money. and I have so, so much love. like for the music, um, and for what used to be the scene. I mean, the scene's always been kind of dirty. You pick up any book about DJ culture, about festival culture, you know, about music in the in the sense that it's been meant in the rave world has always had like a CD side to it. um because it was previously a counterculture, you know, that became mainstream and it still definitely has its like flavor, it definitely has its like, you know it's flavors to it, which, you know, is is a magnetism or like a draw, that's like, oh, there is this darkness that exists, but like, at the core of it is the frequency, you know? And I think that if there was ever going to be like a place for like a placeholder for success for me and the industry, it would be somewhere in the future when it can be a more decisive. No, what am I trying to say? Oh, I don't know. I think that money really fucks things up sometimes, and because of the amount of inequality in the world and the fact that the the world has become such a competitive space, um, that there're actually less places for opportunity for artists, even though it seems like there should be more. um I think until it's like about wellness, yeah, I think in until music can be until we can create like spaces where wellness is like at the center of these, you know, gatherings, then I don't think it's necessarily going to be like a safe place. Um for anybody, but let alone for me, because I'm very much like a fragile person when it comes down to, um, like per like the protection of my spirit and the protection of my aura, I don't necessarily want to be in a place of uh tragedy or a place of defense all the time. I I wanna go outside and and be in defense mode 100% of the time. I am right now, so um, like anything I I I kind of take it with a grain of salt in the way that like anything I say can and will be used against me. And so I don't say so much. I I don't say so much, and I want to be sure to take care of my art in a way that it doesn't is not, um, you know, so that it doesn't necessarily exist in a place of toxicity or that it's not coming from. Like, I won't sit down and Ableton if I feel a certain way. It's not just me being lazy. Like it's if I have like a certain vibration that's incurable, like it's not uh it doesn't make sense for me to, like, you know, sit down and work on a track. So this this track, uh, forget me nots and follow through. um, I think it is the first track and symposium. I don't know, because when I listen back to it, I also hear um when I listen back to it, I also hear as seen on TV, like a lot. um like a lot. And so it's kind of interesting to see those two kind of elements of my artistic personality combined, because I think the tracks that I've shared with you that are from symposium or different in the way that they're um made only one way, but this one is definitely implementing um techniques from two projects. Um, so the what are the two other ones? I think it's like talked to me about it. Is that oneosium? I think so. and bitter butter and southwest of your scars. Ah, those are all from this project, but then I I look at this one, which is technically the first of the bunch and it's so not done. that I'm like, don't put it out until it's done. and I'm like, well, and might not ever be done with the shit that's happening is kind of scary. Like, it's I might I may not ever be able to get back to a place where this is possible because of the things that are continually happening uh, to me. Um, I I don't know what the source of evil is. Like, I really don't, like I am very much a spiritual person and I do have like the tendency to believe that like no matter what God has my back so if I'm removed from one situation or existence into another, it is for the protection of that aura, for the protection of that frequency, for the protection of, you know, keeping my, you know, um my source intact, like there's, you know, certain elements or certain frequencies that can't exist in in other realms. I think that, uh, a toxic environment. Like my energ is not going to sustain an intoxic environment. It's just not. It's just not. It's not necessarily even a personal or emotional preference. It's more of like a oh, this doesn't go in there. Like this doesn't go there or I don't exist over there. Like, I don't, you know, it's not. I think I wish that I could be applied to like every space and time, but I think that there are certain drawbacks to being in energy that is applicable to anything and everything. I think that, you know, in the very rare circumstances that an energy like that exists, um it's very magnetizing, it's very, uh enigmatic and it's very charismatic in the way that, like, everybody wants it, everybody wants a piece, everybody wants to be around it, but also for that person, you know, where that energy exists, you know, for that vehicle, I think that it becomes like exhausting to the point that, you know, um, the human of of that, um, you know, the human of that energy is entirely vulnerable all the time. And so those people that are, um designated to do those kinds of jobs, having that high level of power and energy are also, uh, you know, in every sense of the word, um, like exhausted to some effect, um, and I'm exhausted, um, but I think that this last two years has been a case study for all of the like I mean, like she's just horrible things people are doing to each other to try to get ahead, you know, like to try to get a little bit of the pie just to get the tiniest crumbs or to get you know, people are stepping on heads out here. Like people are doing what it takes and they're justifying things that are technically morally, you know. so very morally, uh, corrupt and so so so bad to other people with the justification of like, that's just the way it is. Or you you gotta do what you gotta do and I'm like, yo, dude, but like again, my energy just does not exist in that space for that mindset you know where it's like you know, um because I also believe that like a certain level of justifying, you know, morally uh, you know, morally corrupt behavior eventually just makes it so that you can't get ahead. I I honestly chronically believe that, like if you're constantly fucking other people over just to get to the top, like your top is not going to be consistent with what is actually success and what is actually um freedom, you know, like, you are gonna owe back energy to a certain extent, you know, um, because you stole it in the first place, like, you can't you can't sustain on stolen energy. Like you cannot do it. Like you cannot exist in a place that that was taken from somebody else without something else in turn being taken from you. I honestly truly believed that with every like with every last breath, with every last word, I honestly believe that like that that good overpowers evil. Like, you can't sustain on something that you robbed from somebody, you can't sustain on something that you you know, that that you took, eventually, you know, karmically, um, it comes back too, and so, I don't think energy is any different. I think if you suck the life out of somebody, eventually something' gonna get sucked out of you and, uh, it's one of those things where it's like one step forward, two steps back for people who uh subsist on energy that way. I just I don't know. um, I try more and more to be conscious of my self to point where I realized that um the effect that I have on people could be, you know, long lasting. It's it's something that could be like a ripple effect, and so I'm very careful with my energy in the way that, you know, I if I dole it out, I expect I expect 39%. I don't know why that's the number. 39% to get it back. um, you know, on a certain way. And uh understanding my limits and my like just understanding my ability and my placement. understanding the, you know, the the love you make. yeah, all that. and the love that you make is equal to the love that you take. And so um also, I think that love in itself is probably the most valuable heat source and that it overpowers what is um technically needed in the society of, you know, for survival. I think that love overpowers, you know, whatever material, you know, the material sense of existence is. I think that love overpowers, whatever is morally corrupt, whatever is systematically corrupt. I think that love at the end of the day, like, really does put in its place. um what is supposed to be and what is not supposed to be. And so in because I think like living in this spirit with the understanding that like it took me a really long time. I think I having a a a victim's mentality of like, I must deserve this in some sort of way, but then understanding also like I didn't do anything wrong. Um Sometimes these things just happen and the understanding of why that is is not always attainable. Um, and so to wallow in it and to be like, why, why? You know, like, why? I mean, I think in a from a philosophical standpoint, I do a lot of this because it's like this doesn't necessarily make sense, but it has to it has to be an art artistic way for me to be like, well, it doesn't make sense, but like, you know, now I have ten pages about trying to figure, like, instead of actually just wallowing it and being like, what? Well, now I have ten pages of like this, you know, something that can be considered beautiful. you know, something that can be considered, uh, useful to somebody, maybe not now, but at some point in time, you know, because all of my work is is stored in like this digital time space, kind of like encrypted into history in itself being like a digital marker for, you know, something that very much did exist or did happen. I still believe I still live in the belief that like this, well, it's just like the overall knowing that this part, this faction of history is a very, you know, uh verifiable part of ancient history, you know, to a culture that exists like beyond our time. And so with that understanding that, like it's so crazy, because I do have this overriding kind of factor of, you know, God that's just kind of like, oh, these are ancient times. this is an ancient world and it's hard to like wrap your mind around it because youth, you know, you think of yourself in the present time of like being a, you know, a being of existence in the future. Oh, I watched the jet the Jetsons. Oh, that was so good. I watched uh the Jetsons. which I didn't know is also the Simpsons. and like every animated show that came out on it like a lot, actually. It's a good show. I got I think I gotta watch it again because I was like, oh, this is like ten different shows. It was like ten different shows. um but I watched like the pilot, I think episode of the Jetsons and I was tripping. I I was tripping. um it was just really good. Anyway, um I think what what was I saying? Oh, like this time being like a marker for actual actually being a primitive civilization. Whereas like not necessarily compared to what we know as the primitive civilizations, you know, of human time, like, you think of primitive civilizations of being like the ancient Egyptians or, you know, the Mayans or, uh, you know, the Greeks, uh loved them. I really I I almost even favored them over the Romans. almost, almost, almost, I don't know, I could talk about history and culture forever. cause I'm like, but the other Romans really, like their architecture, but the Greeks more culturally, like artistically, I think where what is the word for them? Uh, the Greeks? What is the word for them? I think there were definitely more, uh yeah, yeah, definitely more artistic philosophical than the Romans, but the Romans had like a lot, like a lot to do with modern society to the point where that's also uh admirable. I do like the Romans. They're just like shitty and violent. They're just shitty and violent anyway. um what was I saying? I don't know. I'm wrapping this up. cause I'm hungry. I don't know about a taco, though. This is technically the start of my day. at midnight o'clock. Um, at midnight o'clock. oh, that's what I was talking about. Markers for ancient civilizations. Oh, yeah, this this time is so so far beyond. But I think the the incredible thing about this time that we're living in now presently, um, is that it is so, like there's so much record of it that it does exist beyond our time for, you know, potentially millions of years and into hire and further civilizations. So I kind of live with that, like, understanding of like this this also and itself being like, a part of the ancient world as far as time is concerned, you know? like, in as much a stipulation of like any apocalyptic or societal, you know, destruction is made, like nothing really sees past, like nothing really sees past the fact that, like, they're so much historical information about our present time in the future that it is consistently creating to an adding to like the what am I trying to say? Oh, something about the multiviverse. Something about the cosmos or something. constantly expanding, because it is, but whatever, I actually just kind of made this as a real time episode to so that I could share this song and then um not really like I don't necessarily have anything for you, anything else for you in this season. um it's there. like, there are six or seven other episodes. There might even be some music. oh, all the freaky Fridays or whatever, mix tapes. Did I even post what up Wednesday? I did I did a freaky Friday on a Wednesday and it was arguably the best. of all the freaky Fridays. I don't know if I posted that already. um I don't know if I posted that already. but it's not. Also, like my podcasting distributor is kind of archaic. So it takes a lot of work just to go check on what's been posted or whatever. um So I'm I'm not going to make any promises and be like, oh, go check if that was posted. And if it is posted, I'll just maybe post it again, cause it's worth it. Um, what up Wednesdays? I did it twice, actually. um because it got difficult to do freaky Fridays. It's still kind of fucking difficult to do it. And, uh, I it pains me to realize, like, how physically affected. I've I have been. um cause it sucks, cause it's not just something that's in my head, it's like ow, like, my body hurts. like, I cannot, you know. I can't withstand a certain frequency or electronic exposure that is negative over this much time. Like, I'm just like broken down right now. Um at least I'm still capable, cause I didn't ever think. I was like, I don't think I'll ever run more than a mile again. Um, I probably should um take the proper steps to make sure that, though, uh, now that I'm running again, I take the proper steps, like, I forgot to stretch, and I forgot to drink water. Stupid. Well, I I just felt so good to run. I love those woodway treadmills so much, so much, it just felt so good that I didn't that I couldn't stop and then when I did, like my body is like, okay, like you're stupid. Like it felt really good, so I'm like, all right, like active recovery. I'm gonna do like two hours on the pelotone and then a walk. um, before I run again. and that's what I'm about to do right now. I love getting to the reunion parts of the bad girls club because as the most fighting and I burn the most calories during the reunions, I just finished to season. I just watched the season for the second time. and uh I have a reunion episode coming up, so I'm a I'm— I don't know. I'm pretty boring person to be quite honest, but here's the song. okay, I'm at an hour yet. Here's the song forgetmenot// and follow through. It's not finished. Like if I could give you a percentage on the— what are you doing? Yo, this dudes are weird all day. I'm sorry. Um. He's so funny. He's so funny. Earlier he like earlier he like sneezed. Earlier he sneezed. But like also farted and this scared himself so bad that I could not contain myself. Because he was like embarrassed. but like, also he sneezed and farted and probably could not. He was like, oh, my God. Like, oh my God. And then, uh, I laughed for like a good five minutes after that. He seemed genuinely embarrassed. I was like, yeah. yeah, that that is shocking that you can manage to do something like that. like being a cat, but, you know, oh, he did. It was good. That's why we have emotional support animals, because I needed that laugh. I don't think I' laughed so hard at anything in a very, very long time, so I'm glad I have my little kitty. my satterat, my Mr. Cat, mush matters anyway. uh, was I wrapping something up? I was.ive meods to follow through. this song that's about to come up, and then I'm maybe I'll maybe I'll if it's not out already. Well, if it is, here it is again, what up Wednesday? I'll go dig it out of the fucking archives. you guys couldn't have that. decent. Um, keep in mind that the CDJs at the radio station, where do Freaky Fridays are also very archaic? Um, I'm not complaining, though. I don't know. I don't know if I got to the episode where I was talking about that. Uh, or maybe I got I got fi I gotta figure it out. um I gotta figure out where these episodes are. There's like six or seven. Should I uh honorable mentions or dishonorable mensions? I feel like it borders on both. because I just figured out what apparently the six seven phenomenon is. And I'm actually worried about suburban children, like, having act like, why are they saying this? Because I looked up I looked up where it came from, it came from this rapper called scrilla dude. not gonna lie. One of my personal favorites, cause I love rap, that is terrible to a certain extent. um and it is, like it's not only it's not only like it's not lyrically terrible. He's actually really good um He's actually really good whatever he's saying. I know what he's saying, which is what's terrifying that, like, apparently suburban upper middle class and upper class children are saying this. six seven thing, because it came from this video by this rapper called Skrilla do doot. Yup. and well, it's culture music, like it's it's trap culture music, it's not necessarily drill, but it's done in the style of drill. um, talking about like the culture the culture the culture um that is not necessarily like great. cause he was talking I was like yo. what the fuck are children saying this for? Um, what the fuck are children exposed to this for? Because there was no, like parental block on it or anything like that. And the dude was talking about like, straight up murderer. He was like, yeah, m, like this though. And I was like, oh no, like I I actually kind of dig his music because it's it's like it's the music that was born of like the Young Thug and the low Wayne and themehesine and it's bad. It's really bad. Like it's really bad. like if your kids are saying six seven, like, the origin of that is not, I'm like,o, shout out sc a d do, because that is facts, but also like, like like kids should not necessarily like, everything he was saying and all of his songs, I was like, that's bad. That's bad that you said that. not that you shouldn't, actually. I feel like there, like art exists as a medium to be able to have this level of freedom of speech, and that's why it exists. But also like, if you understand which I think kids obviously don't if they're just like, oh, six, seven, I'm like, okay, like, but obviously, like, this is where that came from. Like, and this is where that came from, and the dude is talking about some stuff that I'm like what? Like, I'm not confused. I know what he's talking about. But like, children should not necessarily like, even if they don't know what he's talking about, this is not like, this is different from like, when I was like, 10 and it's getting hot in here. So take off all your clothes, like that came out or like to the window to the wall, like this is mild, those things are mild, compared to like, the shit that scrill a do dude. talks about. I'm like, oh, what? What? And apparently we little kids are seeing this and exposed to it, like, they don't necessarily know what it means, but he's like, yo, these are the lyrics to my songs. Listen. I'm like, oh, like. That's troubling. That that exists. That's troubling. truly troubling. I'm I'm not talking shit. I actually really like it, but like parental controls, like, my kids should not be exposed to this, like via the Internet. Like, you should not like, this should be something especially if you live in the subrooms like if you live in a house that has rooms, like if you live in a house that has rooms in an all. like the culture that this is referencing and you know what? The only thing that actually made me look it up was like so many people were saying it in the circuit of television that I watched that I was like, it was bothering me. It was bothering me like Labubu was, but Labubu was far less disturbing, far less. I was like, oh, no. this is not cool. This is not cool, David Letterman. This is not cool, because he was like,Yo, what's up six seven? I'm like, you're 106. I don't know why you're saying this. So I looked it up. So I looked it up, and I was like, oh no, like, okay, like we know it's a cultural fucking phenomenon, but like, do you know why? Do you know why? Like, do you know why? And do you know what this man is talking about? Do you know what this man is saying? Anyway. I'm not I'm actually not gonna say it. Like I'm not gonna say it because I think it it exempt exemplifies that's what I'm trying to say right yeah. I think it exemplifies and represents a part of the culture that is deeply, deeply, deeply, deeply wrong. um in the history of the United States of America. I think it's just bad news. It's just bad news. And it's bad news, like it exists, but the reason why it exists is terrible, like it shouldn't exist is it's terrible. It's bad. It's bad and it's bad that kids are saying this. It's bad anyway. it's really bad. Anyway, I got Peloton time, bad girls' club reunion, some coffee to reheat. Here's this song, um there's no anything else for a while. I gotta make sure that like my uh I got to make sure if I get taken out, it's by like a city bus. And, you know, not just because my insides are uh imploding. um and yeah, my insides are imploding. Uh, gotta take care of number one, which is me. So, that self serving thing I get, but, you know, I'm just not the kind to to step on heads or like, I'm not gonna make it, like, purposely harder for you to do something. Like, I do believe in free will to the point where if you're not hurting anybody else, it's not affecting anybody else's, like vibe, like, do what you want, like, as long as you're not objectively or subjectively hurting anybody. Like, just don't hurt anybody, but besides this, you know, take care of yourself, but it's not, you know. I mean, you're not causing any quantifiable harm. Go ahead and, you know? I, um, but that's it. That's that's it for me. Thank you for listening. Is that it? Yeah, forget me nots. It's not finished. I've got a lot to do. Like, I actually had this is a song that actually has like a list, like a handwritten list on a piece of paper of like do this and do that and do this and do that. But like here's what I have so far just in case, you know, the city buses be getting awful close to the curb sometimes. where I stand, I am yep, they do. anyway. um I said more stories to tell and stuff, but now it's not the time or the place. did I say my thing? Yeah, I say my. Dave you were listening. something, you're listening, see you next time. That's it, yeah. Yeah, I don't have anything else. Thank you for listening. See you next time, bye.

Y. M. Nelson hosts a deep dive into the Marvel movie The Fantastic Four: First Steps. She and guests Perry and Marcie discuss the fantastic four characters, movie pacing, and why this is the best version of them all.TOPICS:How did we discover /first watch the movie?What was with the "Jetsons" look?Character Portrayls: Mr. Fantastic and othersThe rest of the Fantastic Four: Ben, Johnny and SueFave charactersStoryline in the movieShow us some love with a text!Support the show#booktube #movietube⚠ *Note: some links to book recommendations are affiliate links. This means I receive a small commission when you buy. This does not affect the price you pay.

On this last episode of Geek Cave COMICS for 2025, the guys take a look at a comic that feels half-Fantastic Four and half-Jetsons, a graphic novel that addresses a real-life condition in a realistic manner, and another look at a Batman story told by a legendary duo.  Download and listen today on Apple Podcasts, Spotify, iHeart, Amazon, Stitcher, Goodpods, and more of your favorite podcast services!  Sponsored by Gamefly. New customers can get a 30-day free trial by clicking on the GameFly link at the top of GeekCavePodcast.com.

I grew up watching the Jetsons cartoon, but never imagined there would be robots in my lifetime that would work for me!Visit funlearningchinese.com to sign up for FLC Firecracker Newsflash emails and get your 21 Very Helpful Hints for Learning to Speak Chinese!

Today On With Mario Lopez – The kindest kids in American win a Good Deed Lopezie Award, Macy's Thanksgiving Day Parade details, Labubu & The Jetsons movies in the works, fresh case in Courtney's Court, latest buzz and more!See omnystudio.com/listener for privacy information.

- A live action version of "The Jetsons" in the works - Former NBA Stars are blaming Megan Thee Stallion for Klay Thompson poor gameplay this season. - Pharrell really dislikes politics - Stephen A. Smith calls out the Dems

Do you remember the half-hour cartoon show called “The Jetsons”? The futuristic 1962 prime-time half-hour cartoon became ABC’s very first color television program shown by the network.  After a one-year run in the evenings, reruns of “The Jetsons” remained on Saturday mornings for decades. The show’s premise involved a space-aged middle-class office worker named George Jetson and his family (including the family dog, Astro) as they dealt with issues of the day (which were remarkably like today’s). One particular episode introduced an extremely smart and sophisticated computerized robot “genius” named UniBlab.  The president of George Jetson’s company president bought UniBlab to improve efficiency and reduce the number of workers (including, of course, George Jetson). Artificial intelligence (AI) is now doing the same thing to many jobs today.  Let’s return to that subject a bit later. All Hail to “King” Kiffin and his SEC Court This week’s college football coaching carousel has one particular man being flown around and treated like a king in both Baton Rouge, Louisiana and Gainesville, Florida. Ole Miss football coach Lane Kiffin already makes $9 million per year.  His 10-1 Rebels are a virtual lock to play in their first College Football Playoff game in December. The Ole Miss Rebels have this week off as they prepare for a regular season finale against intrastate rival Mississippi State in the Egg Bowl game a week from Friday in Starkville. Coach Lane Kiffin was already the toast of Oxford, Mississippi.  The school’s athletics director has offered the football coach a very generous contract extension which currently is awaiting Kiffin’s signature – if he wants to remain the football coach at Ole Miss. November is a big season for hunters. Two of the SEC’s “Big Name” hunters are trying to bag a very expensive trophy named Lane Kiffin during this week’s open season on football coaches. LSU (which fired Brian Kelly) and Florida (ditto for Billy Napier) are openly courting Lane Kiffin to leave northern Mississippi and lead their SEC football programs next season. Both schools are expected to dangle upwards of $12 million per season to lure “King” Kiffin away from multitudes of his loyal subjects in Oxford, Mississippi. A fool and his money…??? At what point will major college football programs learn their lesson about signing coaches to long-term multi-million dollar contracts which require the payment of tens of millions of dollars if the deal doesn’t work out? There are plenty of wealthy benefactors at the University of Florida and LSU.  Ole Miss has its share of big money supporters, too. Most every major college football program today has wealthy alumni and fans who will gladly fork-over the money with one string attached. The new coaching hire must bring about the required return on investment made by the big rollers. It’s called, “Our team must make it into the College Football Playoffs and compete for a national championship nearly every year!” But what if it doesn’t? A little over a year ago, Penn State won its first game in the first 12-team College Football Playoffs.  The Nittany Lions clobbered SMU 38-10 in Round 1.  They beat Boise State 31-14 in Round 2.  PSU then lost a squeaker to Notre Dame 27-24 in the national semifinals. By any measure, Penn State had a fantastic season in 2024. Did the team’s success in 2024 help Coach James Franklin keep his job this fall? Penn State fired its 12th year head football coach in October after the Nittany Lions lost three straight games following a 3-0 start.  During his tenure with Penn State, Coach James Franklin’s teams won 70% of their games in what has become known recently as “Unhappy” Valley. James Franklin wasn’t unemployed for very long. Earlier this week, Coach Franklin found a new coaching home as he will lead Virginia Tech’s football program in 2026. Yes, it is true that Coach James Franklin still hasn’t won a national championship. Then again, neither has Virginia Tech. Neither had coach Brian Kelly (Western Michigan, Cincinnati, Notre Dame, and LSU). Ditto for coach Billy Napier (UL-Lafayette and Florida). This week’s rock star head coach (Lane Kiffin) hasn’t come close to winning a national championship, either Lane Kiffin is the well-traveled 50-year old son of legendary NFL defensive guru Monte Kiffin. The younger Kiffin played quarterback at Fresno State.  He quickly became a top college football assistant coach.  Kiffin worked his way up into the offensive coordinator position at the University of Southern California beginning in 2005. In 2007, the NFL’s Oakland Raiders hired 31-year old Lane Kiffin to become the youngest head football coach in franchise history.  After going 4-12 in his first NFL season, Kiffin was fired by Oakland the following season after a 1-3 start. Lane Kiffin returned to college football in 2009 as the head coach at the University of Tennessee.  After posting a 7-6 record during his first season in Knoxville, Lane Kiffin shocked Vol Nation by leaving to take the top job at USC in January, 2010. Coach Kiffin had three seasons of mild success with the Trojans before he was fired in late September, 2013 after losing two straight conference games early in his fourth season at USC.  Ironically, future LSU head coach Ed Orgeron replaced Kiffin as the interim head coach for the USC Trojans for the remainder of that regular season. Coach Nick Saban hired Lane Kiffin to become Alabama’s offensive coordinator a few months later in January, 2014. Kiffin performed well enough to be offered the head coaching job at Florida Atlantic University in Boca Raton (Fort Lauderdale area) beginning in 2017. The FAU Owls went 11-3, 5-7, and 10-3 before Lane Kiffin was hired by Ole Miss beginning with the 2020 football season. Lane Kiffin is now in his sixth year with the Rebels.  His Ole Miss football teams have produced a 74% winning percentage with four ten-win seasons in six years. Despite that success, Lane Kiffin’s Ole Miss Rebels have not played in either the SEC Championship game or the College Football Playoffs. At least not yet. So, why does everyone want Lane Kiffin? This is purely a supply vs. demand problem. There are ten FBS college football teams searching for a new head coach.  The now 50-year old Lane Kiffin has acquired a great deal of experience and (perhaps) a bit of humility in his coaching journeys. Kiffin has also admitted that he is a recovering alcoholic for nearly five years.  He has become closer than ever to his family since taking the job at Ole Miss in 2020. Lane Kiffin is what I would call an “old soul” to be such a relatively young major college football coach.  His ability to recruit top players and assistant coaches for his staff have helped to make him the nation’s biggest coaching “get” on the market. However, Lane Kiffin will become the most hated man in the state of Mississippi for at least the next decade if should accept the top job at either Florida or LSU soon. Which brings us back to The Jetsons Why pay tens of millions of dollars to the next football coach (and an expensive assistant coaching staff) at Florida, LSU, Penn State, etc. if the new coach has such a small chance of succeeding? Remember 2022, Gator Nation?  Fans were giddy about their SEC title possibilities after they hired a former Nick Saban assistant coach named Billy Napier to become Florida’s newest head football coach. Ditto for LSU after they wrangled Coach Brian Kelly away from Notre Dame to coach for the Tigers starting in 2022. How did those deals work out for you? Rapid advancements in artificial intelligence (AI) could mean that (let’s say) Grok from Twitter might have a high statistical chance of replicating the success of most major college football coaches in game planning and play-calling. We already know that most major college football teams (especially Lane Kiffin’s Ole Miss Rebels) lean heavily on advanced analytics and statistical models to make key decisions – especially on certain “down and distance” play calls. What if a college football team which rarely posts winning seasons (such as the UL-Monroe Warhawks) was to hire a cheaper and smaller group of under-30 coaches and fully utilize AI to find and sign key players, develop weekly game plans, and recommend play calls during the game? The money saved on the team’s coaching staff could be rolled into paying for better players. What would a struggling college football team have to lose by trying such an approach? The continued bidding war for both football coaches and players may put the proverbial nail in the coffin for a number of current FBS programs – even with the increased revenue from television and media deals. Perhaps hiring Coach AI UniBlab to run your favorite team may be coming sooner than you think! The post Ready for an AI College Football Coach yet? appeared first on SwampSwamiSports.com.

As the long Thanksgiving weekend approaches, Jim Hill and Drew Taylor dig into a flurry of newly dropped animation trailers, surprising box office projections, and the industry shifts shaping Spring and Summer 2026. Recorded just as holiday season ramps up, this week's Fine Tooning mixes news, nostalgia, and some unexpected industry history. HIGHLIGHTS Why studios dropped so many major trailers this week — and what their early online rollouts say about today's marketing playbook. A look at the weekend box office projections, including the strong debut for Now You See Me, Now You Don't 3 and the surprising second-week drop for Predator: Badlands. Angel Studios' upcoming animated musical David and its early pre-sale strategy heading into the crowded December slate. First impressions of The SpongeBob Movie: Search for SquarePants — plus memories from the 1980s Jetsons revival session featuring Mel Blanc. Updates on Super Mario Bros. Galaxy Movie, new leadership at Paramount Animation, and how “evergreen” franchises like Toy Story continue to evolve. A quick detour into the Magic Castle, close-up magic legends, and why those spaces still influence entertainment creatives today. Hosts Jim Hill — X/Twitter: @JimHillMedia | Instagram: @JimHillMedia | Website: jimhillmedia.comDrew Taylor — X/Twitter: @DrewTailored | Instagram: @drewtailored | Website: drewtaylor.work Patreon Love what we do? Support the show and get exclusive content at:https://www.patreon.com/jimhillmedia/ Follow Us Facebook: @JimHillMediaNews YouTube: @jimhillmedia TikTok: @jimhillmedia Producer Credits Edited by Dave Grey Produced by Eric Hersey — Strong Minded Agency Sponsor This episode is brought to you by UnlockedMagic.com, where you can save up to 12% on Walt Disney World and Universal Orlando tickets — including select after-hours events and holiday offerings. Run by the same trusted team behind DVC Rental Store and DVC Resale Market. When you book, tell them Drew & Jim sent you! Learn more about your ad choices. Visit megaphone.fm/adchoices

As the long Thanksgiving weekend approaches, Jim Hill and Drew Taylor dig into a flurry of newly dropped animation trailers, surprising box office projections, and the industry shifts shaping Spring and Summer 2026. Recorded just as holiday season ramps up, this week's Fine Tooning mixes news, nostalgia, and some unexpected industry history. HIGHLIGHTS Why studios dropped so many major trailers this week — and what their early online rollouts say about today's marketing playbook. A look at the weekend box office projections, including the strong debut for Now You See Me, Now You Don't 3 and the surprising second-week drop for Predator: Badlands. Angel Studios' upcoming animated musical David and its early pre-sale strategy heading into the crowded December slate. First impressions of The SpongeBob Movie: Search for SquarePants — plus memories from the 1980s Jetsons revival session featuring Mel Blanc. Updates on Super Mario Bros. Galaxy Movie, new leadership at Paramount Animation, and how “evergreen” franchises like Toy Story continue to evolve. A quick detour into the Magic Castle, close-up magic legends, and why those spaces still influence entertainment creatives today. Hosts Jim Hill — X/Twitter: @JimHillMedia | Instagram: @JimHillMedia | Website: jimhillmedia.comDrew Taylor — X/Twitter: @DrewTailored | Instagram: @drewtailored | Website: drewtaylor.work Patreon Love what we do? Support the show and get exclusive content at:https://www.patreon.com/jimhillmedia/ Follow Us Facebook: @JimHillMediaNews YouTube: @jimhillmedia TikTok: @jimhillmedia Producer Credits Edited by Dave Grey Produced by Eric Hersey — Strong Minded Agency Sponsor This episode is brought to you by UnlockedMagic.com, where you can save up to 12% on Walt Disney World and Universal Orlando tickets — including select after-hours events and holiday offerings. Run by the same trusted team behind DVC Rental Store and DVC Resale Market. When you book, tell them Drew & Jim sent you! Learn more about your ad choices. Visit megaphone.fm/adchoices

Josh and Jade review the 2025 Marvel film, Fantastic Four: First Steps. In this episode, they break down everything from the film's 1960s retro-futurism aesthetic to why Vanessa Kirby's performance as Sue Storm seems to rely on two facial expressions.The film has a star-studded cast, which includes Pedro Pascal as Reed Richards, Vanessa Kirby as Sue Storm, Joseph Quinn as Johnny Storm, and Ebon Moss-Bachrach as Ben Grimm. Directed by Matt Shakman and written by Josh Friedman, the movie leans heavily into Cold War era optimism, chrome-plated gadgetry, and bold pastel palettes that make the whole thing feel like a lost episode of The Jetsons with superheroes.If you love superhero movies with style, camp, and a film not overly connected to the web of Marvel films, this is one episode you won't want to miss.

In this episode of B Movies and Beyond, Peter and Ryan discuss what movie franchise they want to see a Broadway musical made for. Plus, some wrestling movie talk. They speak about the new trailers for Teenage Mutant Ninja Turtles: Chrome Alone 2 - Lost in New Jersey, Mercy, and Send Help. They also talk about the news of Laurence Fishburne wanting to play an X-Men, the state of a KPop Demon Hunter film, and a Jetsons movie. Movies reviewed are the A-listed Jared Leto's Tron: Ares (2025) and a movie with a doll that looks kind of of like Jared Leto Megan 2.0 (2025). Enjoy!

AI powered humanoid robots are headed to the market, ready to help with household tasks. Unlike cloud-based AIs that assist with purely cognitive tasks, these industrious little fellers can help do the dishes, clean your house, and fold your laundry. What flavor of omen is this? Is this the dawn of the Jetsons-adjacent future we were promised in the 20th century, or is this evidence that disaster lurks over the technological horizon? Tune in to find out!

The 1X Neo home robot has been everywhere this week, cooking, cleaning, and having problems. Will the dream of the Jetsons come true, and we'll all have a Rosey to take care of us? We don't think so, but they will only get better from here. Plus, we've got plenty of other tech news to get caught up on from Apple, Canva, Nvidia, and more. We've also got some tips and picks to help you get out there and tech better! Watch on YouTube! - Notnerd.com and Notpicks.com INTRO (00:00) Apple OS 26.1s are out (04:25) Apple launches rich new web interface for the App Store (05:50) Quarterly Results (08:35) MAIN TOPIC: Neo Robot wants to be in your home (09:00) 1X Neo is a $20,000 home robot that will learn chores via teleoperation Can I Turn A Robot Into A MasterChef? DAVE'S PRO-TIP OF THE WEEK: Currency converter in Apple Calculator app (17:30) JUST THE HEADLINES: (22:45) Withings launches iPhone-connected urine reader that goes in your toilet New China law fines influencers if they discuss 'serious' topics without a degree Nvidia takes $1 billion stake in Nokia Nvidia becomes world's first 5 trillion dollar company Someone snuck into a Cellebrite Microsoft Teams call and leaked phone unlocking details Three decades after Clippy, Microsoft launches AI Mico Mathematical proof debunks the idea that the universe is a computer simulation TAKES: Apple One gets new colorful logo following Apple TV rebrand (25:50) Affinity is now an all-in-one free app with native Canva integration (32:45) YouTube TV loses ESPN, ABC and other Disney channels (35:05) Security & Privacy: Two Windows vulnerabilities, one a 0-day, are under active exploitation - iOS 26.1 and iPadOS 26.1 bring multiple critical security fixes; here's the full list (37:55) BONUS ODD TAKE: https://playclassic.games (40:35) PICKS OF THE WEEK:  Dave: Slickwraps Wood Series (44:10) Nate: NEEWER Wireless Lavalier Microphone for iPhone Android Tablet PC Laptop 131ft/40m Range Noise Cancellation Omnidirectional Mic for Vlogging Live Streaming (1x RX + 2x TX), KM23 (48:00) RAMAZON PURCHASE OF THE WEEK (51:25)

This is the news section of episode 226. In this section, The Movie Toasters discuss Star Wars projects that Disney passed on, Stranger Things releasing on the big screen, a live-action film adaptation of The Jetsons, the upcoming G.I. Joe x Transformers animated series, and more.Stay Toasty!!!

VettaFi's Zeno Mercer sees robotics booming toward a $7 trillion industry. A.I.'s acceleration adds to his case that robotics is here to stay. He talks about how the Global Robotics and Automation Index ETF (ROBO) taps names like Nvidia (NVDA), Qualcomm (QCOM), and Foxconn as key companies that will drive growth. Zeno later explains the industries that he sees will benefit from further robotics adoption.======== Schwab Network ========Empowering every investor and trader, every market day. Subscribe to the Market Minute newsletter - https://schwabnetwork.com/subscribeDownload the iOS app - https://apps.apple.com/us/app/schwab-network/id1460719185Download the Amazon Fire Tv App - https://www.amazon.com/TD-Ameritrade-Network/dp/B07KRD76C7Watch on Sling - https://watch.sling.com/1/asset/191928615bd8d47686f94682aefaa007/watchWatch on Vizio - https://www.vizio.com/en/watchfreeplus-exploreWatch on DistroTV - https://www.distro.tv/live/schwab-network/Follow us on X – https://twitter.com/schwabnetworkFollow us on Facebook – https://www.facebook.com/schwabnetworkFollow us on LinkedIn - https://www.linkedin.com/company/schwab-network/ About Schwab Network - https://schwabnetwork.com/about

This week on The Nerdpocalypse Podcast, the guys return to discuss Slow Horses, The Chair Company, The Lost Bus, The Last Frontier, The Materialists, Peacemaker season 2 finale, Task series finale, Jim Carrey in talks to star in The Jetsons live-action movie, Laurence Fishburne expresses serious interest in playing Charles Xavier in the X-Men reboot in the MCU, upcoming 'Avatar' documentary, Tron: Ares dooming Jared Leto's leading man position in movies, trailer for 'Send Help,' and more.CHECKED OUTSlow HorsesThe Chair CompanyThe Lost BusThe Last FrontierThe MaterialistsPeacemaker - Season 2 finaleTask - Series finaleTOPICS - Section 1Jim Carrey in Talks to Star in ‘The Jetsons' Live-Action MovieLaurence Fishburne wants to play Charles Xavier in MCU's version of the X-MenTOPICS - Section 2 ‘Avatar' Documentary Set at Disney+ About the Making of James Cameron's Blockbusters‘Tron: Ares' May Mark End of Jared Leto's Franchise-Leading DaysWTF? by JayTeeDee from the “Edit That Out” PodcastMicah: https://tinyurl.com/scrtchsnffJay:     https://tinyurl.com/rurkinsTRAILERSSend HelpTNP STUDIOS PREMIUM (www.TheNerdpocalypse.com/premium) $5 a month Access to premium slate of podcasts incl. The Airing of Grievances, No Time to Bleed, The Men with the Golden Tongues, Upstage Conversation, and full episodes of the Look Forward political podcast

In this episode of "Normal World," Dave Landau, 1/4 Black Garrett, and Angela open with the night's headlines, from National Guardsmen refusing to enter Portland to John Stamos' defense of Lori Loughlin. The crew unpacks the phrase “busted her up to the core,” swaps stories, and invites viewers to call in with their own confessions before diving into the week's strangest headlines. They react to Jeff Daniels' painfully sincere protest song inspired by the “No Kings” rally, then break down the bizarre story of Luigi Mangione, the man accused of ending the life of UnitedHealthcare CEO Brian Thompson after a violent encounter in Thailand led to a spiral of rage over medical costs. From there, they cover a brazen daylight jewel heist at the Louvre, wonder how anyone fences stolen crown jewels in Detroit, and question TMZ's claim that Trump might commute Diddy's sentence. Later, they talk A24's new Friday the 13th prequel, the strange world of tribute bands, and a fan's oddly touching moment with a Def Leppard drumstick. The episode wraps with Jim Carrey's rumored Jetsons reboot and what a modern Spacely Sprockets might look like today. Today's guests on "Normal World" are Derek Richards and Kevin Kramis. Learn more about your ad choices. Visit megaphone.fm/adchoices

Brim and Mr. Greer are back at it again. Apart from all the usual shenanigans, the gang chats about everything pop culture with all the trimmings including how GHR and Brimstone are up for the Best of LI Awards again, how to vote for them, and how it would be great to take the wins home to Grindhouse yet again. The crew also chats about how awesome the Rise of the Jack-o-Lanterns on Long Island is, Universal Studios moves towards a Disney style Fast Pass for popular rides, and Disney takes down the Hollywood Studios arch. The cast talks about Snapple, their history on Long Island, and that they are currently bringing back the glass bottles for a limited run in New York only. They talk about Colman Domingo being cast as the Cowardly Lion in Wicked: For Good, and the passing of Ace Frehley (KISS) and Sam Rivers (Limp Bizkit). The crew also discusses the Twitch streamer who was sexually assaulted at Twich Con, Historic jewels stolen in France, and Jim Carrey joining the cast of the Jetsons. The cast discusses Brim Wins including the Brimstone Dr. Dancaked pancake, Burnt Offerings now available on-tap at Necromantic Brew Co, and his recent appearance at Darkside Arts & Oddities Expo. The crew chats about entertainment news, opinions and other cool stuff and things. Enjoy.Wherever you listen to podcasts & www.thegrindhouseradio.comhttps://linktr.ee/thegrindhouseradioThe Grindhouse RadioFB: @thegrindhouseradioTW: @therealghradioInstagram: @thegrindhouseradio

It's a mid-month So Many Scares update! Josh, Garrett, and David share what they've been watching—from haunted live-stream comedies (Dead Stream) to vintage courtroom comfort (Matlock). They debate whether the world needs a Jetsons movie, celebrate Ethan Hawke's spooky streak, and peek at the box-office numbers for Black Phone 2. It's part horror chat, part nostalgic detour, and totally So Many Sequels.00:00 – Intro & So Many Scares check-in02:30 – The Black Phone 2 buzz05:20 – Josh's Shudder pick: Dead Stream07:00 – Garrett braves Terrifier10:00 – Where are today's horror icons?11:45 – David's Matlock and Diagnosis Murder binge16:00 – The Jim Carrey × Jetsons rumor19:00 – Could the Jetsons work in 2025?22:00 – Weekend box-office update23:20 – Outro & where to find us

The Ninjas are back for another episode. The guys share their thoughts on K-pop Demon Hunters not getting a live-action movie (58:05), Jim Carrey being rumored to star in a live-action movie of The Jetsons (1:18:10), Laurence Fishburne wanting to play Professor X (140:00), and more.Picks:Domino | KPop Demon HuntersHesh | BALL x PITHelp support the show by becoming a Patron: https://www.patreon.com/ThedojoisgangSend us questions @TheDojo203@gmail.com Join the Discord: https://discord.gg/RKpjgVBUQXWatch us live on Twitch:https://www.twitch.tv/thedojoisgangSubscribe to our YouTube channel: https://www.youtube.com/@TheDojoPodcast203Become a supporter of this podcast: https://www.spreaker.com/podcast/the-dojo-w-domino-hesh-jones--4652058/support.

This week, the gang remembers the legendary artist Drew Struzan, whose iconic movie posters defined decades of pop culture. We break down news of Jim Carrey starring in a live-action Jetsons movie, reactions to HBO's A Knight of the Seven Kingdoms teaser, and new footage from Predator: Badlands. Then, we summon some supernatural nostalgia with... The post JAN 611: Poltergeist (1982) Review – Remembering Drew Struzan (10/22/25) appeared first on The Jock and Nerd Podcast.

Mia Goth is the latest actor shedding a bit of light on the long-shelved Blade movie from Marvel Studios. In an interview with Elle, promoting her upcoming appearance in Guillermo del Toro's Frankenstein, Goth shared only that she is still attached to the film and commented that “It's for the best that it's taken the time it has. They want to do it right.” This is in line with Kevin Feige's comments this summer that the film is still moving forward.In an interview with the AP this week, Adam Driver dropped some major information about the Ben Solo movie in Star Wars that never was. Driver explained that Lucasfilm was interested in continuing his character's story in a film that had a script written by Steven Soderbergh. Driver was supportive of the script and the creative team took it to Bob Iger and Alan Bergman at Disney who turned the project down as they “didn't see how Ben Solo was alive.” Fan favorites Amber Midthunder and Walton Goggins will star in a new action movie from the creator of the John Wick franchise. The film, called Painter, has a major executive producer credit - with Avatar and Titanic director James Cameron serving in that role. Stunt coordinator Garrett Warren, who worked with Cameron on the last two Avatars as well as Logan and the Road House reboot, is directing the movie; a debut effort. The movie's plot will focus on Midthunder's character, trained as a child who must save her father after he is kidnapped.Lightning RoundKate McKinnon has joined the cast of “Percy Jackson and the Olympians” Season 3 and will play Aphrodite.Jim Carrey is in talks to star in a live action film adaptation of The Jetsons from Warner Bros. Pictures that has Colin Trevorrow attached to direct and write the script. There have been attempts to reboot the animated series from the 1960s in some form at various times over the years, but this is the first project that seems to have some traction.Blumhouse's The Black Phone 2 took the number one spot at the box office this weekend with a worldwide box office opening of $42 million, with $26.5 million from North America and $15.5 million from international markets. Disney's Tron: Ares is at $103M global for ten-days and is currently bound to lose more than $132M off a $220 million net production cost.Colman Domingo has been cast as the voice of the Cowardly Lion in “Wicked: For Good.” The announcement was made on the “Wicked” Instagram account on Monday, with Domingo hiding behind a lion stuffed animal before revealing himself and saying: “See you in Oz!”Netflix has won the rights to adapt the popular Asmodee board game Settlers of Catan and is planning an array of projects — scripted and unscripted, live-action and animated based on the franchise.AppleTV has released some first look photos for Shrinking season 3 and has confirmed a release date. The series starring Jason Segel and Harrison Ford returns with a one-hour episode on Jan. 28, 2026 on Apple TV. The 11-episode season will then release new episodes weekly on Wednesdays, until the April 8 finale.Netflix has entered development on a series about the Kennedy family, described as the American version of ‘The Crown' and Michael Fassbender has been cast as Joseph Kennedy Sr.Andor actress Denise Gough has joined the cast of Greta Gerwig's Narnia adaptation.

On Episode 453 we talk about international heists, rejected Star Wars movies, and speculate about a live action Jetsons movie. We also cover the recent box office problems and what's behind them. What We're Watching: Roofman The Black Phone 2 Beetlejuice Beetlejuice Monster: The Ed Gein Story (Netflix) Tron: Ares

Dave and Chuck the Freak talk about emailer's wife's gyno appointment, video of a couple banging in port-a-potty, what's the ‘don't trust a skinny chef' of your industry?, shooting stopped at busiest airport in the world, pilots thought someone was trying to break into cockpit, update on Amazon cloud outage, police search warrant to wrong home, update on the kid who fell from cruise ship and father had to jump in to save her, best prices for Thanksgiving plane tickets are about 35 days out, America's turkey flock low, coyote going after woman and dog in yard, grizzly on walking trail, Dave's son has car problems, MLB World Series, con artist posed as Elon Musk for scam, J. Lo says she never felt loved by ex, actors who were paid to do nothing, town featured in Halloween movie embraces the holiday, The Jetsons movie, guy's GF stole his custom truck and crashed it, guy named Michael Jackson stole car, guy films dump truck on fire, flight attendants fight at Atlanta airport, doctor arrested for illegal penis enlargement procedures in his car, device decodes your poop, guy shot lady over card game, police allegedly tased man with criminal record in the eye, couple left their baby alone on beach, riders stuck on carnival ride in North Carolina, rain in Arizona causing rare frogs to come out, monkeys jumping out of trees in Florida, Halloween is the loneliest time of the year, and more!This episode of Dave & Chuck is brought to you in part by Profluent http://bit.ly/4fhEq5lSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Dave and Chuck the Freak talk about emailer’s wife’s gyno appointment, video of a couple banging in port-a-potty, what’s the ‘don’t trust a skinny chef’ of your industry?, shooting stopped at busiest airport in the world, pilots thought someone was trying to break into cockpit, update on Amazon cloud outage, police search warrant to wrong home, update on the kid who fell from cruise ship and father had to jump in to save her, best prices for Thanksgiving plane tickets are about 35 days out, America’s turkey flock low, coyote going after woman and dog in yard, grizzly on walking trail, Dave’s son has car problems, MLB World Series, con artist posed as Elon Musk for scam, J. Lo says she never felt loved by ex, actors who were paid to do nothing, town featured in Halloween movie embraces the holiday, The Jetsons movie, guy’s GF stole his custom truck and crashed it, guy named Michael Jackson stole car, guy films dump truck on fire, flight attendants fight at Atlanta airport, doctor arrested for illegal penis enlargement procedures in his car, device decodes your poop, guy shot lady over card game, police allegedly tased man with criminal record in the eye, couple left their baby alone on beach, riders stuck on carnival ride in North Carolina, rain in Arizona causing rare frogs to come out, monkeys jumping out of trees in Florida, Halloween is the loneliest time of the year, and more! This episode of Dave & Chuck is brought to you in part by Profluent http://bit.ly/4fhEq5l

This week on Fine Tooning, Drew Taylor and Jim Hill explore how Disney's most beloved songwriting duo—the Sherman Brothers—found new creative life after leaving the Mouse House in 1968. From the heartfelt melodies of Snoopy Come Home to the timeless charm of Charlotte's Web, Jim revisits how their music carried Disney's spirit into other studios' animated worlds. Drew shares highlights from the Animation Is Life event, including Q&As for ChaO and Arco Why TRON: Ares's box office dip has Disney nervous The rise of Gabby's Dollhouse as a Universal park franchise A live-action Jetsons film that's finally moving forward—again The legacy of Marsupilami and Nickelodeon's attempt to revive it Jim wraps things up by celebrating the Sherman Brothers' post-Disney era—two films that remind us that great songs can make any animation studio feel like home. Unlocked Magic Unlocked Magic, powered by DVC Rental Store and DVC Resale Market, offers exclusive Disney & Universal ticket savings with TRUSTED service and authenticity. With over $10 MILLION in ticket sales, use Unlocked Magic to get the BIGGEST SAVINGS. ⁠⁠⁠⁠Learn More⁠⁠⁠⁠ Learn more about your ad choices. Visit megaphone.fm/adchoices

This week on Fine Tooning, Drew Taylor and Jim Hill explore how Disney's most beloved songwriting duo—the Sherman Brothers—found new creative life after leaving the Mouse House in 1968. From the heartfelt melodies of Snoopy Come Home to the timeless charm of Charlotte's Web, Jim revisits how their music carried Disney's spirit into other studios' animated worlds. Drew shares highlights from the Animation Is Life event, including Q&As for ChaO and Arco Why TRON: Ares's box office dip has Disney nervous The rise of Gabby's Dollhouse as a Universal park franchise A live-action Jetsons film that's finally moving forward—again The legacy of Marsupilami and Nickelodeon's attempt to revive it Jim wraps things up by celebrating the Sherman Brothers' post-Disney era—two films that remind us that great songs can make any animation studio feel like home. Unlocked Magic Unlocked Magic, powered by DVC Rental Store and DVC Resale Market, offers exclusive Disney & Universal ticket savings with TRUSTED service and authenticity. With over $10 MILLION in ticket sales, use Unlocked Magic to get the BIGGEST SAVINGS. ⁠⁠⁠⁠Learn More⁠⁠⁠⁠ Learn more about your ad choices. Visit megaphone.fm/adchoices

Running Man, ST:SNW, Starfleet Academy, Yellowjackets, Jetsons, Mortal Kombat, Daredevil: Born Again, X-Men 97, Friendly Neighborhood Spider-Man, Vision Quest, Magic 8 Ball, rebecca reviews Black Phone 2, lots more

If you had to choose the BEST Pixar movie of all time what would it be? Join Hoody and Kevin as we duke it out to make our official list of Pixar movies while also figuring out if a Jetsons movie can be relevant in this century! Plus how hyped are we for Stranger Things' final season that it's almost a month away? All that and more with the Crisis Crew!Buy Your Own Crisis Crew Shirt!: https://bit.ly/3I5Lv8GNew Episodes of Crisis on Infinite Podcasts come out every Monday and Thursday! Make sure to rate us and subscribe to us on your platform of choice and send us a secret message and we'll read it out loud on next week's show!!

Matt and Eric discuss the bomb that is TRON: ARES, Jim Carrey playing George in THE JETSONS, GOOD FORTUNE, RIP Drew Struzan, and more...

• Jeff's Bagel Run opens Lake Mary on Halloween • Push the JBR app; free bagel promo • Fresh spreads, coffee, hot-honey everything test • Post pics with #TDBagel • Friday Free Show kicks off • Guest: Brendan O'Connor of Orlando Shine • November: Bad at Business Beer Fest; Sofas and Suds • Logistics: start times, IDs, free entry, charity pint glass • Orlando Shine hits ~20k monthly uniques • Why Brendan left former outlet; Mo Dewitt first sponsor • Fired after revealing Mo's offer; labeled an “enemy” • Launching Shine felt validating; stress down • Brendan as brand face; firing criticized; praise for Mike Donahue • “Replaceable” reminders; automation/AI replacing workers • Self-driving trucks; remote monitoring • Urged to start a “blog war”; Brendan stays positive • Shine covers grim stories with empathy; avoids drama • Point Orlando: Museum of Ice Cream selfie pop-up • Still Lounge by Dre & Snoop; “gin and juice” theme • Hip-hop venues: Proper Lounge; Still Lounge • Shine posted MOIC at 1 a.m.; rival claimed “Scoop!” at 8 a.m. • Accused AI-style rewrites; aggregation ethics and proper credit • OBJ/Sentinel sourcing norms; grace is gone; undermining alleged • Former employer litigious; Mo says “I got your back” • Florida “tree audit” funding: state grants/tree fund, not taxes • Tree fines fund programs; property-tax debate; state control • People want tax relief; budgets misunderstood • Boutique local outlets; fragmented audiences • Scroll culture, headline skims, ad-bloated sites • AI filler vs. human reporting; diversify sources • Ad metrics inflated; empty “impressions” • Shine sells engagement/trust over raw numbers • Old radio PPM vs. meaningless digital clicks • Google's paid results vs. current ChatGPT answers • Worry about future AI monetization bias • AI as tool: Brendan uses tracking/visuals; Dan prefers TikTok • Stoicism: focus on what you control; skip fear loops • Brendan's Canada family spooked by U.S. news • Rumor: live-action Jetsons with Jim Carrey • Jetsons trivia: one season in 1960s; revived in 1980s; set in 2062 • Love for Googie futurism; T&D brand nods to mid-century • Retro TVs, VHS culture, lost media; studio write-offs yank films • Tom of Finland shout; leather aesthetics; Folsom Street Fair explained • Puppy-play pens; Beer Fest “puppy pen” gag; dom/sub curiosity • Burning Man “Celestial Bodies” note • Adult-night debate: fun without full swinger vibes; nude beaches as option • Safety/etiquette at gay bars; buddy system; straight bars vs. karaoke • Big Daddy's chaos; Creed sing-alongs • Casino boats memory; declined ads; Oktoberfest “mud bog” humor • Viral boat-fail culture vs. reality; spectators filming over helping • Scotty's dad Glenn tales: Fireball, purse gun, wild pontoon mishap • Biketoberfest plan: leather shopping; Daytona wild vs. New Smyrna calm • Cabbage Patch coleslaw wrestling; Playalinda nude section • Adult-weekend ideas: speakeasies, secret bars, escape rooms • Orlando gay nightlife: District Dive; Southern Nights; “Stiffies” • Jetsons chat returns; Carrey's family-friendly picks • Orlando Shine: joyful local coverage; memberships; Friday 8 p.m. Real Radio • Adventures on Tap D&D charity; Brendan as a gnome • Scooby-Doo campaign pitch; Velma vs. Daphne jokes • Close: BDM show Monday; playful sign-off ### **Social Media:**   [Website](https://tomanddan.com/) | [Twitter](https://twitter.com/tomanddanlive) | [Facebook](https://facebook.com/amediocretime) | [Instagram](https://instagram.com/tomanddanlive) **Where to Find the Show:**   [Apple Podcasts](https://podcasts.apple.com/us/podcast/a-mediocre-time/id334142682) | [Google Podcasts](https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkLnBvZGJlYW4uY29tL2FtZWRpb2NyZXRpbWUvcG9kY2FzdC54bWw) | [TuneIn](https://tunein.com/podcasts/Comedy/A-Mediocre-Time-p364156/) **The Tom & Dan Radio Show on Real Radio 104.1:**   [Apple Podcasts](https://podcasts.apple.com/us/podcast/a-corporate-time/id975258990) | [Google Podcasts](https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkLnBvZGJlYW4uY29tL2Fjb3Jwb3JhdGV0aW1lL3BvZGNhc3QueG1s) | [TuneIn](https://tunein.com/podcasts/Comedy/A-Corporate-Time-p1038501/) **Exclusive Content:** [Join BDM](https://tomanddan.com/registration) **Merch:** [Shop Tom & Dan](https://tomanddan.myshopify.com/)

Topics Include: Wonder Man, Mercy, Eternity, The Elixir, Father Mother Sister Brother, All You Need Is Kill, Pluribus, Primate, Send Help, and the live action Jetsons movie.

The ComicBook Nation crew reviews two of the most highly anticipated films of the Halloween season in The Black Phone 2 and Netflix's Frankenstein.. On the TV front, we discuss the status of Amazon's plans for The Boys universe and review Splinter Cell: Deathwatch and The Twits. PLUS: DC's insane crossover news for DC K.O., Jim Carrey and The Jetsons, Star Wars: Legion 2.0, and big comics like Absolute Batman and Rogue Storm! To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices

Dirty Work Hour 3: Sound Soiree includes Patrick Willis on Fred Warner's season-ending injury, Caleb Williams on criticism from Troy Aikman, and Anthony Edwards nominating Timothee Chalamet for a distinguished award. Dirty Work Dial returns with Klay Thompson's smelling salts, Arby's false advertising lawsuit, and the Jetsons live action movie.See omnystudio.com/listener for privacy information.

MUSICThe response to Rush's reunion tour next year has been so overwhelming that they're announcing more cities next week. https://www.instagram.com/p/DPjdzlLDWGP/This is not surprising given the fact that they added two extra dates in six of the seven cities announced, and the schedule had so many gaps in it that this obviously the plan all along, which Geddy Lee recently alluded to.· Nicki Minaj is threatening to quit music, and she's blaming Jay-Z. Nicki got on socials yesterday to announce she was canceling her new album, which was expected in March 2026, while teasing her retirement from music and appearing to blame JAY-Z.· Funko has announced two new Tom Petty Funko Pop! figures. One is modeled after the cover of Full Moon Fever while the other on Petty's look in the "Don't Come Around Here No More" video. https://www.instagram.com/p/DP1fe6NEzft/ Turnstile have teamed up with Fender Guitars for the American Professional Classic line of guitars and basses. The company says these new instruments are an “accessible entry point for players looking for a pro-grade, stage-ready instrument.” https://www.youtube.com/watch?si=oqBLe23MRz3sTklR&v=pD1GJI2rSvo&feature=youtu.beSean Kingston due in court in Miami in federal wire fraud case.Prince Purple Rain musical opens in Minneapolis. TVTOP TALK SHOWS GUESTS:Jimmy Fallon has musical guests Mariah Carey and Anderson .PaakStephen Colbert has musical guest Nathaniel RateliffJimmy Kimmel has musical guests Wet LegSeth Meyers has musician Lionel Richie, comedian Sarah Sherman Reliable inside sources say that the Play Station 6 and a new XbBox will get 2027 releases, barring any delays. NME shares that insiders claim Sony is hoping its next console will rival Nintendo's Switch 2. The device is estimated to cost $500 https://www.nme.com/news/gaming-news/ps6-and-new-xbox-launch-date-next-gen-console-3899076· MOVING ON INTO MOVIE NEWS:Diane Keaton‘s family has confirmed that the beloved actress died of pneumonia on Oct. 11 at the age of 79. https://people.com/diane-keaton-family-confirms-cause-of-death-grateful-support-11828660· AMC Theatres is paying tribute to the late Diane Keaton. https://variety.com/2025/film/news/diane-keaton-annie-hall-somethings-gotta-give-amc-theatres-1236552041/ Home Alone's Sticky Bandit, Daniel Stern was recently rushed to the hospital after an unspecified medical emergency. https://www.tmz.com/2025/10/14/home-alone-daniel-stern-hospital-scare/ Jim Carrey is reportedly in talks to star in a live-action film adaptation of the popular 1960s cartoon The Jetsons, according to The Wrap. https://www.thewrap.com/jim-carrey-jetsons-movie-colin-trevorrow-live-action/· Can you imagine Yoda as any color other than green? I'll answer that for you: No, no you can't. But did you know it almost happened? https://www.theguardian.com/film/2025/oct/15/blue-yoda-originally-was-archival-star-wars-sources-reveal· HBO is doing a documentary about Keiko the killer whale, the star of "Free Willy" https://deadline.com/2025/10/free-willy-whale-doc-keiko-hbo-1236585076/· A documentary about the making of the "Avatar" movies drops on Disney+ on November 7th https://variety.com/2025/film/news/avatar-documentary-james-cameron-disney-plus-1236553609/AND FINALLYIt's the perfect time of year for a vampire movie. Parade.com put together a ranking of the Best Vampire Movies of All Time. https://parade.com/1004930/samuelmurrian/best-vampire-movies/AND THAT IS YOUR CRAP ON CELEBRITIES!See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

On today's episode of The Kristian Harloff Show, we're breaking down some of the biggest movie news of the week — including the reveal that Mattel's upcoming HE-MAN movie might be even bigger than Barbie! Mattel Studios says the He-Man (Masters of the Universe) sets were massive, with larger-than-life characters and production on a whole new scale. We'll also cover the brand-new Primate (2026) trailer, Jim Carrey's casting in the live-action Jetsons, new updates from the Percy Jackson series, and more! Plus, Kristian shares his thoughts on Andy Muschietti's comments about The Flash, the shocking $600M “Rise of Skywalker” cost, and whether Tron: Ares could be the end of the TRON franchise. Topics include: 1️⃣ “He-Man” Sets Were ‘Bigger Than Barbie' 2️⃣ Primate | Official Trailer (2026 Movie) Review 3️⃣ Jim Carrey To Lead Live-Action “The Jetsons” 4️⃣ “Percy Jackson” Series Casts Its Aphrodite 5️⃣ Muschietti Remains Proud Of His “The Flash” 6️⃣ “Rise of Skywalker” Cost Nearly $600M? 7️⃣ “TRON: Ares” Failure To End The Franchise?

Someone find a holiday R2D2 for Jason, please! Home Goods is in full holiday-mode and there's nothing we can do about it, Holly tells you to become a wedding officiant and Jason shares Jersey Mike's private equity drama, a Diane Keaton cause of death update, and a live-action "Jetsons" movie starring Jim Carrey? See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

On this episode of THE GEEK BUDDIES, John Rocha and Michael Vogel discuss if James Gunn will listen to Peacemaker S2 criticism, reports that Hugh Jackman to stay as Wolverine in the MCU past Secret Wars, Jim Carrey eyed to lead a The Jetsons live action movie, our tributes to Drew Struzan and Diane Keaton and more! Remember to Like and Share this episode on your social media and to Subscribe to The Outlaw Nation YouTube channel below. #DC #marvel #peacemaker #jamesgunn #hughjackman #wolverine #thegeekbuddies ____________________________________________________________________________________ Chapters: 0:00 Intro and Rundown 1:41 Jim Carrey Eyed to Lead a The Jetsons Live Action Movie 14:30 The Rise of Skywalker Reportedly Cost $600M 29:11 Drew Struzan Passes Away, Our Tribute to His Work 35:08 Diane Keaton Tribute 39:29 Will James Gunn Listen to Peacemaker S2 Criticism? 56:28 Hugh Jackman Reportedly Staying MCU's Wolverine Past Secret Wars FOLLOW THE GEEK BUDDIES: Twitter: https://twitter.com/Geek_Buddies Follow John Rocha: https://twitter.com/TheRochaSays​​​​​ Follow Michael Vogel: https://twitter.com/mktoon Follow Shannon McClung: https://twitter.com/Shannon_McClung Instagram: https://www.instagram.com/the_geek_bu... Learn more about your ad choices. Visit megaphone.fm/adchoices

Live action of "The Jetsons," a man is rewarding for paying it forward, grubhub's new 'snooze insurance,' and a 70 year old man caught for pretending to be blind. Are you okay with this? See omnystudio.com/listener for privacy information.

The Jetsons are getting a live-action movie starring Jim Carrey, the Duffer brothers did tons of research to make sure the Stranger Things finale won't fall flat and Pope Leo might already be the funniest pope of all-time.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

10 random ones for your brain.  LOVE TRIVIA WITH BUDDS? CHECK OUT THE MNEMONIC MEMORY PODCAST!  "Forget forgetting—The Mnemonic Memory Podcast makes learning unforgettable.” http://www.themnemonictreepodcast.com/ Fact of the Day: In 2016, a mother from the UK was banned from naming her daughter Cyanide. Triple Connections: Hook, Turkey, Split THE FIRST TRIVIA QUESTION STARTS AT 01:14 SUPPORT THE SHOW MONTHLY, LISTEN AD-FREE FOR JUST $1 A MONTH: www.Patreon.com/TriviaWithBudds INSTANT DOWNLOAD DIGITAL TRIVIA GAMES ON ETSY, GRAB ONE NOW!  GET A CUSTOM EPISODE FOR YOUR LOVED ONES:  Email ryanbudds@gmail.com Theme song by www.soundcloud.com/Frawsty Bed Music:  "EDM Detection Mode" Kevin MacLeod (incompetech.com) Licensed under Creative Commons: By Attribution 4.0 License http://creativecommons.org/licenses/by/4.0/ http://TriviaWithBudds.com http://Facebook.com/TriviaWithBudds http://Instagram.com/ryanbudds Book a party, corporate event, or fundraiser anytime by emailing ryanbudds@gmail.com or use the contact form here: https://www.triviawithbudds.com/contact SPECIAL THANKS TO ALL MY AMAZING PATREON SUBSCRIBERS INCLUDING:   Mollie Dominic Vernon Heagy Brian Clough Nathalie Avelar Becky and Joe Heiman Natasha raina Waqas Ali leslie gerhardt Skilletbrew Bringeka Brooks Martin Yves Bouyssounouse Sam Diane White Youngblood Evan Lemons Trophy Husband Trivia Rye Josloff Lynnette Keel Nathan Stenstrom Lillian Campbell Jerry Loven Ansley Bennett Gee Jamie Greig Jeremy Yoder Adam Jacoby rondell Adam Suzan Chelsea Walker Tiffany Poplin Bill Bavar Sarah Dan  Katelyn Turner Keiva Brannigan Keith Martin Sue First Steve Hoeker Jessica Allen Michael Anthony White Lauren Glassman Brian Williams Henry Wagner Brett Livaudais Linda Elswick Carter A. Fourqurean KC Khoury Tonya Charles  Justly Maya Brandon Lavin Kathy McHale Chuck Nealen Courtney French Nikki Long Mark Zarate Laura Palmer  JT Dean Bratton Kristy Erin Burgess Chris Arneson Trenton Sullivan Jen and Nic Michele Lindemann Ben Stitzel Michael Redman Timothy Heavner Jeff Foust Richard Lefdal Myles Bagby Jenna Leatherman Albert Thomas Kimberly Brown Tracy Oldaker Sara Zimmerman Madeleine Garvey Jenni Yetter JohnB Patrick Leahy Dillon Enderby James Brown Christy Shipley Alexander Calder Ricky Carney Paul McLaughlin Casey OConnor Willy Powell Robert Casey Rich Hyjack Matthew Frost Brian Salyer Greg Bristow Megan Donnelly Jim Fields Mo Martinez Luke Mckay Simon Time Feana Nevel

Robots are just about everywhere these days: circling the grocery store, cleaning the floor at the airport, making deliveries. Not to mention the robots on the assembly lines in factories. But how far are we from having a human-like robot at home? For example, a robot housekeeper like Rosie from “The Jetsons.” She didn't just cook and clean, she bantered and bonded with the Jetsons. Stanford roboticist Karen Liu joined Host Ira Flatow to talk about how AI is driving advances in humanoid robotics at a live show at the Fox Theatre in Redwood City, California.Guest: Dr. Karen Liu is a professor of computer science at Stanford University.Transcripts for each episode are available within 1-3 days at sciencefriday.com. Subscribe to this podcast. Plus, to stay updated on all things science, sign up for Science Friday's newsletters.

In episode 1936, Jack and Miles are joined by host of HeidiWorld: The Heidi Fleiss Story and the upcoming podcast JennaWorld, Molly Lambert, to discuss… We Are One Vote Away From Congressional Action On The EPSTEIN FILES, Ezra Klein Should Actually Just Shut Up And Stop Talking, Disney Decides To Bring Back Jimmy Kimmel Now That Everybody Hates Them, Okay... Maybe Flying Cars Are A Bad Idea and more! We Are One Vote Away From Congressional Action On The EPSTEIN FILES Ezra Klein Should Actually Just Shut Up And Stop Talking Disney Decides To Bring Back Jimmy Kimmel Now That Everybody Hates Them Did Jimmy Kimmel Really Cost Disney $3.87B? We Ran the Numbers—And the Internet's Claim Falls Apart 400 Celebs Sign Open Letter Backing Jimmy Kimmel, Including Tom Hanks, Meryl Streep, Jennifer Aniston Jimmy Kimmel’s Cancellation Is Somehow Being Felt in a Galaxy Far, Far Away as Disney Reportedly Delays 'Star Wars' Trailer FCC Chairman Says His “Easy Way Or The Hard Way” Comment About Jimmy Kimmel Wasn’t Meant As A Threat To Pull Licenses If ABC Didn’t Fire Him Flying cars crash into each other mid-air in China 11 Years Later, Elon Musk Is Floating the Flying Car Scam Again Elon Musk says the Tesla Roadster is still delayed with no release in sight—but now he’s talking about making Peter Thiel’s flying car a reality The Biggest Problem With Flying Cars Is on the Ground How the FAA Is Keeping Flying Cars in Science Fiction Flying cars straight out of ‘The Jetsons’ are finally a reality — and several people own them now The Flying Car Is Finally Here. It’s Slightly Illegal. How the inventors of a new generation of aircraft are outsmarting the feds. Flying cars have arrived. Here’s how people feel about them. Flying cars and supersonic flights? Trump turns on boosters for new-age tech Dude, where’s my (flying) car? Trump Clears the Way for a Dystopian Air Taxi Future Trump Administration Seeks Pilot Projects for Air Taxis LISTEN: The Carneddau by Orions BelteSee omnystudio.com/listener for privacy information.