Podcasts about Castilian

With rigorous attention to history and empire, Maïa Pal's Jurisdictional Accumulation: An Early Modern History of Law, Empires, and Capital (Cambridge UP, 2020) is a unique analysis of imperial expansion. Through an analysis of ambassadors and consuls in the Mediterranean—and attention to Castilian, French, Dutch, and British empires—Pal's multifaceted conceptualization of jurisdictional analysis gathers together law and capital in the early modern period. A compelling application of political Marxist frameworks, Jurisdictional Accumulation is a multidisciplinary approach to thinking through extraterritoriality and its implications. Through archival work, theorization, and legal analyses, Pal offers us a novel way to better understand the links between capital, law, and imperial authority. Dr. Maïa Pal is a Senior Lecturer in International Relations at Oxford Brookes University. Her research brings together international relations theory, international political economy, and histories of international law, and focuses on early modern overseas consuls, imperialism, and empire.Rine Vieth is an FRQSC Postdoctoral Fellow at Université Laval. Interested in how people experience state legal regimes, their research centres around questions of law, migration, gender, and religion. Learn more about your ad choices. Visit megaphone.fm/adchoices

The Kingdom of Grenada launches a large scale uprising against Castilian rule in 1264.

With rigorous attention to history and empire, Maïa Pal's Jurisdictional Accumulation: An Early Modern History of Law, Empires, and Capital (Cambridge UP, 2020) is a unique analysis of imperial expansion. Through an analysis of ambassadors and consuls in the Mediterranean—and attention to Castilian, French, Dutch, and British empires—Pal's multifaceted conceptualization of jurisdictional analysis gathers together law and capital in the early modern period. A compelling application of political Marxist frameworks, Jurisdictional Accumulation is a multidisciplinary approach to thinking through extraterritoriality and its implications. Through archival work, theorization, and legal analyses, Pal offers us a novel way to better understand the links between capital, law, and imperial authority. Dr. Maïa Pal is a Senior Lecturer in International Relations at Oxford Brookes University. Her research brings together international relations theory, international political economy, and histories of international law, and focuses on early modern overseas consuls, imperialism, and empire.Rine Vieth is an FRQSC Postdoctoral Fellow at Université Laval. Interested in how people experience state legal regimes, their research centres around questions of law, migration, gender, and religion. Learn more about your ad choices. Visit megaphone.fm/adchoices

With rigorous attention to history and empire, Maïa Pal's Jurisdictional Accumulation: An Early Modern History of Law, Empires, and Capital (Cambridge UP, 2020) is a unique analysis of imperial expansion. Through an analysis of ambassadors and consuls in the Mediterranean—and attention to Castilian, French, Dutch, and British empires—Pal's multifaceted conceptualization of jurisdictional analysis gathers together law and capital in the early modern period. A compelling application of political Marxist frameworks, Jurisdictional Accumulation is a multidisciplinary approach to thinking through extraterritoriality and its implications. Through archival work, theorization, and legal analyses, Pal offers us a novel way to better understand the links between capital, law, and imperial authority. Dr. Maïa Pal is a Senior Lecturer in International Relations at Oxford Brookes University. Her research brings together international relations theory, international political economy, and histories of international law, and focuses on early modern overseas consuls, imperialism, and empire.Rine Vieth is an FRQSC Postdoctoral Fellow at Université Laval. Interested in how people experience state legal regimes, their research centres around questions of law, migration, gender, and religion. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/world-affairs

With rigorous attention to history and empire, Maïa Pal's Jurisdictional Accumulation: An Early Modern History of Law, Empires, and Capital (Cambridge UP, 2020) is a unique analysis of imperial expansion. Through an analysis of ambassadors and consuls in the Mediterranean—and attention to Castilian, French, Dutch, and British empires—Pal's multifaceted conceptualization of jurisdictional analysis gathers together law and capital in the early modern period. A compelling application of political Marxist frameworks, Jurisdictional Accumulation is a multidisciplinary approach to thinking through extraterritoriality and its implications. Through archival work, theorization, and legal analyses, Pal offers us a novel way to better understand the links between capital, law, and imperial authority. Dr. Maïa Pal is a Senior Lecturer in International Relations at Oxford Brookes University. Her research brings together international relations theory, international political economy, and histories of international law, and focuses on early modern overseas consuls, imperialism, and empire.Rine Vieth is an FRQSC Postdoctoral Fellow at Université Laval. Interested in how people experience state legal regimes, their research centres around questions of law, migration, gender, and religion. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

With rigorous attention to history and empire, Maïa Pal's Jurisdictional Accumulation: An Early Modern History of Law, Empires, and Capital (Cambridge UP, 2020) is a unique analysis of imperial expansion. Through an analysis of ambassadors and consuls in the Mediterranean—and attention to Castilian, French, Dutch, and British empires—Pal's multifaceted conceptualization of jurisdictional analysis gathers together law and capital in the early modern period. A compelling application of political Marxist frameworks, Jurisdictional Accumulation is a multidisciplinary approach to thinking through extraterritoriality and its implications. Through archival work, theorization, and legal analyses, Pal offers us a novel way to better understand the links between capital, law, and imperial authority. Dr. Maïa Pal is a Senior Lecturer in International Relations at Oxford Brookes University. Her research brings together international relations theory, international political economy, and histories of international law, and focuses on early modern overseas consuls, imperialism, and empire.Rine Vieth is an FRQSC Postdoctoral Fellow at Université Laval. Interested in how people experience state legal regimes, their research centres around questions of law, migration, gender, and religion. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

With rigorous attention to history and empire, Maïa Pal's Jurisdictional Accumulation: An Early Modern History of Law, Empires, and Capital (Cambridge UP, 2020) is a unique analysis of imperial expansion. Through an analysis of ambassadors and consuls in the Mediterranean—and attention to Castilian, French, Dutch, and British empires—Pal's multifaceted conceptualization of jurisdictional analysis gathers together law and capital in the early modern period. A compelling application of political Marxist frameworks, Jurisdictional Accumulation is a multidisciplinary approach to thinking through extraterritoriality and its implications. Through archival work, theorization, and legal analyses, Pal offers us a novel way to better understand the links between capital, law, and imperial authority. Dr. Maïa Pal is a Senior Lecturer in International Relations at Oxford Brookes University. Her research brings together international relations theory, international political economy, and histories of international law, and focuses on early modern overseas consuls, imperialism, and empire.Rine Vieth is an FRQSC Postdoctoral Fellow at Université Laval. Interested in how people experience state legal regimes, their research centres around questions of law, migration, gender, and religion. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/law

With rigorous attention to history and empire, Maïa Pal's Jurisdictional Accumulation: An Early Modern History of Law, Empires, and Capital (Cambridge UP, 2020) is a unique analysis of imperial expansion. Through an analysis of ambassadors and consuls in the Mediterranean—and attention to Castilian, French, Dutch, and British empires—Pal's multifaceted conceptualization of jurisdictional analysis gathers together law and capital in the early modern period. A compelling application of political Marxist frameworks, Jurisdictional Accumulation is a multidisciplinary approach to thinking through extraterritoriality and its implications. Through archival work, theorization, and legal analyses, Pal offers us a novel way to better understand the links between capital, law, and imperial authority. Dr. Maïa Pal is a Senior Lecturer in International Relations at Oxford Brookes University. Her research brings together international relations theory, international political economy, and histories of international law, and focuses on early modern overseas consuls, imperialism, and empire.Rine Vieth is an FRQSC Postdoctoral Fellow at Université Laval. Interested in how people experience state legal regimes, their research centres around questions of law, migration, gender, and religion.

With rigorous attention to history and empire, Maïa Pal's Jurisdictional Accumulation: An Early Modern History of Law, Empires, and Capital (Cambridge UP, 2020) is a unique analysis of imperial expansion. Through an analysis of ambassadors and consuls in the Mediterranean—and attention to Castilian, French, Dutch, and British empires—Pal's multifaceted conceptualization of jurisdictional analysis gathers together law and capital in the early modern period. A compelling application of political Marxist frameworks, Jurisdictional Accumulation is a multidisciplinary approach to thinking through extraterritoriality and its implications. Through archival work, theorization, and legal analyses, Pal offers us a novel way to better understand the links between capital, law, and imperial authority. Dr. Maïa Pal is a Senior Lecturer in International Relations at Oxford Brookes University. Her research brings together international relations theory, international political economy, and histories of international law, and focuses on early modern overseas consuls, imperialism, and empire.Rine Vieth is an FRQSC Postdoctoral Fellow at Université Laval. Interested in how people experience state legal regimes, their research centres around questions of law, migration, gender, and religion. Learn more about your ad choices. Visit megaphone.fm/adchoices

An increasingly frustrated King Alfonso attempts to extend Castilian territory into Navarre, Gascony and northern Africa.

Navegamos entre músicas ibéricas y latinoamericanas, siguiendo nuevas estelas del flamenco y del folk castellano y gallego, saltando después al otro lado del Atlántico, para seguir disfrutando con nuevos y próximos álbumes con aires brasileños, colombianos, caribeños, chilenos y neoyorquinos. We sail through Iberian and Latin American music, following new trails of flamenco and Castilian and Galician folk, then crossing to the other side of the Atlantic to continue enjoying new and upcoming albums with Brazilian, Colombian, Caribbean, Chilean and New York airs. - Quentin Gas & Los Zíngaros - La virgen de los Dolores - El mundo se quema - Antonio Fernández & Pedro de Dios - Fandango del coche fúnebre - Cantes malditos - Dani de Morón - Eunoia (tangos) - Empatía - Germán Ruiz - Crisol - Hemisferios - Tor - Zira - Zira - María López - Tico tico no fubá - Daydreaming - Thiago Amud - O raio - Enseada perdida - Ilessi - Oxum (Ora ie ie ie) | Oxum (Oxum bai le ô) - Atlântico negro - De Mar y Río - De mar y río - Bailen y gocen - Chacho Ramírez - Bein' Caribbean - I remember Bill - Patricio Morales - La tierra canta - La tierra canta - (Dani de Morón - 41530 (bulería) - Empatía) 📸 Dani de Morón

The apparition of the Blessed Virgin Mary that came to be known as Our Lady of Guadalupe was a miracle. The Castilian roses that came from Tepeyac Hill in winter were a miracle. The divinely illustrated vision of Our Lady on St. Juan Diego's tilma was a miracle—as is the fact that the tilma composed of organic fibers has refused to degrade for 500 years and is still available to see to this day. But none of those were the greatest miracle that Our Lady brought to the Americas that fateful century. Fr. Mike points out the incredible miracle that many people gloss over—but the one that makes an eternal difference.

Novena to Our Lady of Guadalupe – Day 7 Mystical Rose, your miraculous signs of Castilian roses in winter and your image on the tilma of Juan Diego led to the conversion of eight million Aztec people to Catholicism in just seven years. Mary, Mother of the Americas, intercede again for your children in the ... Read more The post Novena to Our Lady of Guadalupe – Day 7 – Discerning Hearts Podcast appeared first on Discerning Hearts Catholic Podcasts.

If you're looking for advice on sustaining a marriage, or robbing a grave, or performing liver surgery, then a series of self-help stories by a 14th-century Spanish prince is a good place to start. Tales of Count Lucanor, written between 1328 and 1335 by Prince Juan Manuel of Villena, is one of the earliest works of Castilian prose. The tales follow the familiar shape of many medieval stories, presented as a kind of medicine to improve the lives of its readers by example. Yet in his preface Manuel makes an unusual assertion about the individuality of all people, a philosophy that, as Mary and Irina discuss in this episode, leads to bizarre and opaque moral messages intended more to make the reader think for themselves than reach a universal conclusion.Find a translation of the Tales here: https://elfinspell.com/CountLucanor1.htmlNon-subscribers will only hear an extract from this episode. To listen in full, and to all our other Close Readings series including Mary and Irina's twelve-part series Medieval Beginnings, sign up:Directly in Apple Podcasts: https://lrb.me/medlolapplesignupIn other podcast apps: https://lrb.me/medlolscsignupGet in touch: podcasts@lrb.co.uk Hosted on Acast. See acast.com/privacy for more information.

This week Alex and Rodney welcome Fede Baronti of Deiser and the host of the Deiser Connection! We'll talk about the Atlassian Ecosystem in Europe and bring a Castilian flavor to our hot takes! The Jira Life ===================================== Having trouble keeping up with when we are live? Sign up for our Atlassian Community Group! https://ace.atlassian.com/the-jira-life/ Or Follow us on LinkedIn!   / the-jira-life   Become a member on YouTube to get access to perks: https://www.youtube.com/@thejiralife/... Join this channel to get access to perks:    / @thejiralife   Hosts: Alex "Dr. Jira" Ortiz Rodney "The Jira Guy" Nissen "King Bob" Robert Wen Lina Ortiz   / alexortiz89     / @apetechtechtutorials     / rgnissen  https://thejiraguy.com Producer:   / robert-wen-csm-spc6-a552051   Executive Producer: Music provided by Monstercat: ===================================== Intro: Nitro Fun - Cheat Codes    / monstercat   Outro: Fractal - Atrium    / monstercatinstinct  

Hacemos la crónica de dos importantes eventos mediterráneos de los que Mundofonías es medio colaborador: la Fira Mediterrànania de Manresa y el Premio Andrea Parodi, que se celebran en Cataluña y en Cerdeña, respectivamente. Suenan músicas ibéricas, con aires flamencos, castellanos y catalanes, también sonoridades argentinas y sones de diversas regiones de África. We chronicle two important Mediterranean events in which Mundofonías is a media partner: the Fira Mediterrània de Manresa and the Premio Andrea Parodi, held in Catalonia and Sardinia, respectively. You’ll hear Iberian music, with flamenco, Castilian, and Catalan airs, as well as Argentine and Mexican sounds and tunes from various regions of Africa. - José Anillo - Tangología (tangos) - Filosofía - José Almarcha - Mi refugio (minera) - Un nuevo paseo - Castijazz / Carlos Soto - Seguidillas de la luna - Barrio mudéjar - Ricardo Jacob - Suenan las trompetas - Suenan las trompetas - Gabo Naas - Prienda, zamba y chacarera - Del tiempo y la distancia - Sandra Bautista - Cartografía - Intuir el tigre - Arar - Gamma Velorum - Arar - Tarta Relena - Odniramat - És pregunta - Momi Maiga - Salia - Kairo - Franck Biyong - Elephant rumble - Radio Masoda - Oriental Brothers International Band - Ndaa Julie - Onye rie ibe ya erie 📸 Sandra Bautista

Bossa nova con grabaciones de Stan Getz y Charlie Byrd ('Desafinado', 'O pato'), Antonio Carlos Jobim, Baden Powell y Herbie Mann ('Samba de uma nota só'), Paul Horn, Cal Tjader, Clare Fischer y Laurindo Almeida ('Se é tarde me perdoa'), Lalo Schifrin ('Silvia', 'Lalo´s bossa nova'), Herbie Mann y Baden Powell ('Consolação'), Ike Quebec ('Loie'), Sergio Mendes ('Tristeza de nós dois', 'Disa'), George Shearing ('Pensativa'), Paul Winter ('Insensatez'), Shorty Rogers, Bud Shank, Shelley Manne y Laurindo Almeida ('Chega de saudade'), Dave Brubeck ('Castilian blues'), Coleman Hawkins ('Um abraço no Bonfá), Luiz Bonfá ('Lamento no morro') y Herb Alpert & The Tijuana Brass ('Desafinado'). Escuchar audio

Did Christ really say, “I need you to spend one hour a week with me, we'll call it mass, and I've planned it so you'll be as bored and distracted as possible,” or did He say, “I need you to spend one hour a week with me, and in that one hour, we will share all the passion and intimacy that defines My Being so that your life, through Mine, may become abundant”?  If you're ready to entertain the possibility that God wants more for you rather than less and that His answers for your life may transcend even your own expectations, then seize the day with Eleanor, Brenda, and Randy as they seek the God who would select a miraculous tilma for the fabric of your life.

We're kicking off an August of Art Films with a look at Victor Erice's 1973 film, The Spirit of the Beehive. The film stars Ana Torrent as Ana, a five year old girl who lives with her older sister, Isabel, her mother, and her distant father in a palatial estate. When the film Frankenstein comes to their little Castilian town, Ana becomes fascinated by the creature killing little Maria.  This comes at a time when she begins to understand death in the harrowing world around her.Heather Drain and Robert Bellissimo join Mike to discuss this thought-provoking film.Become a supporter of this podcast: https://www.spreaker.com/podcast/the-projection-booth-podcast--5513239/support.

We're kicking off an August of Art Films with a look at Victor Erice's 1973 film, The Spirit of the Beehive. The film stars Ana Torrent as Ana, a five year old girl who lives with her older sister, Isabel, her mother, and her distant father in a palatial estate. When the film Frankenstein comes to their little Castilian town, Ana becomes fascinated by the creature killing little Maria.  This comes at a time when she begins to understand death in the harrowing world around her.Heather Drain and Robert Bellissimo join Mike to discuss this thought-provoking film.Become a supporter of this podcast: https://www.spreaker.com/podcast/the-projection-booth-podcast--5513239/support.

As our Castilian traveller makes his roundabout way toward Mt Sinai, he finds ill-health but lots of help on Cyprus, while around Cairo he's struck by the street food and crocodiles. If you like what you hear and want to chip in to support the podcast, my Patreon is here. I'm on BlueSky @a-devon.bsky.social, Twitter @circus_human, Instagram @humancircuspod, and I have some things on Redbubble. Sources: Pero Tafur: Travels and Adventures (1435-1439), translated and edited with an introduction by Malcolm Letts. Harper & brothers, 1926. Excerpta Cypria: Materials for a History of Cyprus, edited by Claude Delaval Cobham. Cambridge University Press, 1908. Learn more about your ad choices. Visit podcastchoices.com/adchoices

The journey of our 15th-century Castilian traveller continues, as Pedro Tafur leaves Venice and makes his way to Jerusalem, where there will be no shortage of things for him to see and do. If you like what you hear and want to chip in to support the podcast, my Patreon is here. I'm on BlueSky @a-devon.bsky.social, Twitter @circus_human, Instagram @humancircuspod, and I have some things on Redbubble. Sources: Pero Tafur: Travels and Adventures (1435-1439), translated and edited with an introduction by Malcolm Letts. Harper & brothers, 1926. Antrim, Zayde. “Jerusalem in the Ayyubid and Mamluk Periods.” Routledge Handbook on Jerusalem, edited by Suleiman Mourad, Bedross Der Matossian, and Naomi Koltun-Fromm, 102-109. New York: Routledge, 2018. Dalrymple, William. In Xanadu: A Quest. HarperCollins, 1990. Little, Donald P. “Mujīr Al-Dīn al-ʿUlaymī's Vision of Jerusalem in the Ninth/Fifteenth Century.” Journal of the American Oriental Society 115, no. 2 (1995): 237–47. Norwich, John Julius. A History of Venice. Penguin, 2003. Learn more about your ad choices. Visit podcastchoices.com/adchoices

Pedro Tafur, a 15th-century Castilian, makes his way around Spain and Italy with lengthy stops in Genoa, Venice, and Rome, and generally has a pretty pleasant holiday. If you like what you hear and want to chip in to support the podcast, my Patreon is here. I'm on BlueSky @a-devon.bsky.social, Twitter @circus_human, Instagram @humancircuspod, and I have some things on Redbubble. Sources: Pero Tafur: Travels and Adventures (1435-1439), translated and edited with an introduction by Malcolm Letts. Harper & brothers, 1926. Abu-Lughod, Janet L. Before European Hegemony: The World System A.D. 1250-1350. Oxford University Press, 1989. Verità, Marco, Laura Speranza, Simone Porcinai, and Daniele Angellotto. “The Sacro Catino in Genoa: Analytical and Technological Investigations of a Unique Glass Vessel.” Journal of Glass Studies 60 (2018): 115–28. Learn more about your ad choices. Visit podcastchoices.com/adchoices

History on my Spanish and the project I'm working on trying to translate from English to Spanish the book prison to praise. There is a current translation done by the author Marlin Carothers I believe it was done in Florida, but it is a Castilian type of Spanish. We need Latin America Spanish or common everyday street language to meet the peoples needs. --- Support this podcast: https://podcasters.spotify.com/pod/show/fernando-m-de-oca/support

In this episode, Amanda Valdés Sánchez addresses the crucial role of Marian devotion in the Castilian domination of the former territory of Al-Andalus and its native Islamic population. She analyzes the Castilian exploitation of the local Islamic cult of Maryam as an essential tool for consolidating the Castilian control over the recently conquered territories of the South and the expansion of the colonial project. Her analysis also reveals the fundamental role of Mary in the articulation of the Andalusian Islamic population's place in the Castilian colonial regime and its transformation. This is an exploration of the political significance of Marian devotion in the convulsive context of Late Medieval and Early Modern Spain, defined by the birth of the Inquisition, the emergence of new communities of converts to Christianity, from Judaism and Islam, and the progressive racialization of religious ancestry and ethnic differences. In this sense, Valdéz Sánchez inquires into the political meaning of devotional trends in the changing Castilian religious panorama of the 1500s, analyzing its links to the transformation of royal and ecclesiastic policy and social attitudes towards religious and ethnic diversity, especially regarding the forced conversions of 1501 and 1526, the evolution of the collective perception of Moriscos, and the development of the “Morisco Problem.” Finally, Valdéz Sánchez looks into the Morisco response to the significant changes that characterized 16th-century Spain, analyzing how Morisco communities and elites, facing the threat of expulsion and the erosion of their rights and privileges, used the politically charged figure of Mary as a way to vindicate their place in the emerging Spanish Empire.For more information on Amanda Valdéz Sánchez and this discussion, visit our website at www.multiculturalmiddleages.com.

DREAMS OF GREATNESS- AT OUR AGE There is a saying that most people regret what they DIDN'T do in their lives - pursue that dream, take different risks, get off their butts and live life to its fullest!  This podcast's purpose is to feature active and adventurous seniors who are doing exactly that everyday: pursue new dreams, take different risks, get off their butts and live life fully . “The young and the old are entitled to advance” Holliwell is guiding us to create new life experiences such as these folks: Suzanna teaches Spanish as only a true Castilian woman of a certain age can. She teaches to our active seniors at our Gulfport senior center every week.  Research has shown that learning a new language is one of the best preventions against dementia and Alzheimer's . Renee is in her seventies and loves to travel.  Her favorite travel company is Road Scholar.  Road Scholar is known for their exceptional tour guides due to their knowledge, experience and expertise in a specific field. For people who like to travel solo, this is a wonderful opportunity to take new risks, create new memories, fulfill dreams. *I learned of an Octogenarian at eighty- nine who is still a gym rat, going to the gym several times a week to lift weights and do cardio exercises.  He even inspired a woman half his age to get to it with her work out that day. DISCOVERY, ADVENTURE, GUIDANCE:  Venture on your own however, as I am not liable for any mishaps! Road Scholar https://www.roadscholar.org/ Philip's E-bike referral Aventure .2 EBIKE www.aventon.com Story of the eighty nine years of age gym rat told to me by ANA GABRIELA Duican LinkedIn Merci et auvoir.  contact me with your three minute POSITIVE STORY:  valerie@allinourminds.com, www.allinourminds.com  

In the process of researching the area that I now call home, and working to understand the context and history of the land, I've uncovered some fascinating information. The Iberian peninsula made up mostly of Spain with Portugal along the Atlanitc coast and Andorra in the Pyrenees mountains has been dramatically transformed through thousands of years of human history, to say nothing of prehistoric and geological times. Caves and monuments point to some of the earliest evidence of human habitation in Europe. Empires from the Romans through the Visigoths and the Umayyad caliphate as well as various ruling families of the peninsula have all left their mark on the culture and of course, the land. The Spanish empire fueled the colonization of the Americas and the immense sequestration of resources and wealth that followed. This involved unprecedented exchange of biological resources too, that have even become associated with the local cuisine with ingredients like tomatoes and potatoes which are of course originally from south america. The civil war in the 1930s eradicated many rural villages and oppressed non Castilian cultures and resulted in a government structure that still only loosely holds together 17 autonomous communities. Modern industrial agriculture continues to shape the land like never before and it's all just a superficial explanation of what adds up to the landscape and context that I now find myself building a life in. So you can see why I've been on a mission since I arrived to find others to help me better understand the complexities and nuances of the never ending journey of finding my place in this place. This episode is my first attempt at bringing you along with me in this research effort and we have the pleasure to speak to a friend of mine who has built an incredible understanding of the Spanish context through the lens of biology and regenerative landscape design.  Sara Garcia is the founder of Ecoloniza and lead designer at United Designers International. As a forest engineer and permaculture designer, she concentrates on creating ecological design solutions that integrate hydrological cycle management systems, techniques to enhance soil health, and the restoration of native plant communities and ecosystems. Through her experience, she's learned that project success depends not only on a well-thought-out design but also on effective management, keen observation, and the ability to adapt. As a result, Sara emphasizes the importance of embracing a role as stewards of the land and actively monitoring the progress of the implemented design. I reached out to Sara originally to help me map out and understand the geology and biome of the unique little pocket of the pre-littoral mountains of Catalunya where I live, but I quickly realized I had so much more to learn from her knowledge and experience. In this episode Sara and I will talk in more detail about the history and influences that have shaped the land and life across the Iberian peninsula, both the good and the catastrophic,  as well as the trajectory we find it on in modern times.  From there we talk about what is needed to set a new course for ecological prosperity for our region before going into the key awareness and understanding that is needed to act appropriately in any of the immensely diverse bioregions on the peninsula. With that information as a base we also go into the actions and areas of focus that anyone can take to contribute to the regeneration of our incredibly special corner of the earth. Now, some of you might be thinking, well where I live is nothing like Spain, maybe this won't be interesting or useful to me. My reply to that would be that episodes like this where I take you along on my own journey of research and discovery in an attempt to become an integrated steward of my land and community is meant to act like a case study of the steps that anyone can take to learn more about their own place on this planet and how to actively participate in setting a new trajectory for abundant and resilient life for that space. This is one of many episodes I have planned to give you all a window into what will be a lifelong pursuit of what could be described as my efforts to become a person of place, or re indigenize myself. There are endless ways to approach this vision and so many perspectives to explore, so I'm excited to get this series started with this first conversation with Sara Garcia.

Novena to Our Lady of Guadalupe – Day 7 Day Seven Mystical Rose, your miraculous signs of Castilian roses in winter and your image on the tilma of Juan Diego led to the conversion of eight million Aztec people to Catholicism in just seven years. Mary, Mother of the Americas, intercede again for your children ... Read more The post Novena to Our Lady of Guadalupe – Day 7 – Discerning Hearts Podcast appeared first on Discerning Hearts Catholic Podcasts.

Louise Minchin has a wonderful story to tell and she tells it very well. Born in a typhoon in Hong Kong some 55 years ago, one of her earliest memories as a young child is of the water in her bath moving as her tower block shook in gale-force winds! To this day, Louise finds storms exciting…You can also watch/Listen to Louise here: https://vimeo.com/chrisgrimes/louiseminchinHer grandparents had a house at the foot of a mountain in Spain, which she fondly remembers visiting year after year. Louise loved the country, the water to swim in and the language itself. Small wonder she chose to study Spanish at St Andrew's University, where coincidentally Louise also won a scholarship early ‘gap year' in Argentina. Here her Spanish became fluent, if not strictly Castilian. Here Louise also read the iconic novel ‘100 years of Solitude' by Gabriel Garcia Marquez - in its original Spanish! This fortuitous year's experience helped Louise gain a better Degree than her tutors originally expected! Armed with her academic qualifications, Louise joined the BBC as a Production Assistant. Practically speaking, this involved providing early morning alarm-calls for the presenters on the Today Programme on Radio 4 and making tea or coffee for them on their arrival in the Studio. Louise then decided to do a Diploma Course in Journalism. She became a professional writer under the expert guidance of a great mentor by the name of Neil Dunwoody. This, she says, was “life-changing”. Louise's career took off in style: for 20 years she was reading news and then presenting BBC TV's flagship Breakfast Show. She did her last ‘Breakfast' two years ago - but the adventures never stopped. She married successfully and now has two daughters, the first of whom arrived by emergency Caesarean section, followed in dangerously quick succession by acute appendicitis. Louise's real ‘near death' experience means that she no longer ‘sweats the small stuff'. She now describes herself as an ‘Endurance Athlete' and has represented her country in that capacity. Louise is also an accomplished author. Her first book is based on her own personal experience and is entitled ‘Dare To Try.' Her latest book is called ‘Fearless Adventures with Extraordinary Women.' It does what it says on the cover, recording the diverse real life adventures of 18 extraordinary women. Louise invites you to hear her speak about it and buy copies of it for yourself, your family and your friends. She did not work with the one and only John Humphrys without learning to speak your mind. But always with a smile!Tune in next week for more stories of 'Distinction & Genius' from The Good Listening To Show 'Clearing'. If you would like to be my Guest too then you can find out HOW via the different 'series strands' at 'The Good Listening To Show' website. Show Website: https://www.thegoodlisteningtoshow.com You can email me about the Show: chris@secondcurve.uk Twitter thatchrisgrimes LinkedIn https://www.linkedin.com/in/chris-grimes-actor-broadcaster-facilitator-coach/ FaceBook Group: https://www.facebook.com/groups/842056403204860 Don't forget to SUBSCRIBE & REVIEW wherever you get your Podcasts :) Thanks for listening!

Finally, the basic question: What is being “culturally Jewish”? Getting at the difference between a culture and religion, how identity manifests in modernity and how it came to be this way is heady stuff, and of course, in true Jewish fashion, the answer is: it's complicated. Thank goodness for my brilliant baby brother, Zeb, who is a professional Jewish educator like my mom, but also a largely secular Jew, like me, and his specialty in and nuanced thinking about modern Western Jewish history. Some light topics up for discussion include: the birth of nation-states, assimilationism, responses to modernity, what “identity” means, and how, lucky us, we came to be part of the "global cabal." Don't worry, there's plenty of snark too, this ain't grad school! Also, love you Mom, sorry in advance! Tons of terminology in this one, so hit the glossary below, and check previous episode notes for more.  GLOSSARY:Rebbe: Largely used by Hasidic Jews, a Yiddish-German term for "rabbi," also referring to a person educated in and who educates, guides or mentors others in Judaism. Assimilationism: The act or desire to be absorbed culturally and socially into the dominant or majority group.  Zionism: A poitical movement founded by Theodor Herzl in the 1890s to create a Jewish homeland, based in an assimilationist philosophy and cemented by antisemitic incidents like the Dreyfus affair (the false accusation and imprisonment of a French Jewish military officer that came to symbolize Jews' supposed disloyalty).Ghetto: Likely derived from Italian, in the early 1500s it referred to the area of Venice where the Jews were required by law to live. It is most broadly used in the Jewish to refer to the walled-in parts of cities where Jews were imprisoned under Nazi occupation, often before being sent to death camps.Humanism: A philosophical approach with a long history, generally centered on placing importance of the human experience, and well-being of humankind over deities or states. Haskala: A late 18th- and early 19th-century European Jewish intellectual school of thought integrating Judaism and modern European life. Yiddish: Translated to mean "Jewish" in Yiddish, a German-derived dialect integrating Hebrew and parts of the local language generally considered the language of Askenazic Jewish communities in central and eastern Europe. Yiddishkeit: a Yiddish word describing a quality of "Jewishness."Ladino: Sometimes called Judeo-Spanish, it has Castilian origins and is considered the language of Sephardic Jews, who originate in Spain and Portugal, but blends broad languages including Arabic or Greek. Nebbish: Yiddish for a meek, pitiful person.Freedom Seder: https://religiondispatches.org/take-history-into-your-own-hands-why-i-wrote-the-freedom-seder-and-why-its-still-necessary/ Reform Movement: https://www.myjewishlearning.com/article/reform-judaism/Pale of Settlement: https://www.jewishvirtuallibrary.org/the-pale-of-settlement Support the showLike the show? Support it! Or don't, that's cool too. Just glad you're here! https://www.buzzsprout.com/2196108/supporters/new

Francisco Gomez struggles to create a legacy under the shadow of his father, a famous Castilian knight. Luckily for him, he is born during the age of European exploration and decides to embark on a journey to the "new world." Will Francisco succeed? Or will the dangers of the new world take him under? Tune in to listen! --- Support this podcast: https://podcasters.spotify.com/pod/show/d-a-f-l-o-w/support

Once upon a time, there was a silly little podcast that liked to talk about books about love and sex. The podcast became so popular that the hosts and producers were able to quit their jobs and become very famous and much beloved....right? We believe in fairytale endings, which is why today we're doing Fairytale Retellings! For this magical episode we read "Mistress to the Beast" by Eve Vaughn and "The Princess and the Evil Queen: A Lesbian Romance Retelling of the Classic Fairytale Snow White" by Lola Andrews. Our magical hosts discuss the nebulous nature of bodegas, the one time Castilian breaks the fantasy, and Neil and Claire find their perfect karaoke song! Support us on Patreon! patreon.com/fmklitpod

In 1355 King Afonso the 4th of Portugal ordered his son Pedro's lover Inês de Castro to be murdered. King Afonso was concerned that Inês's illegitimate upbringing and Castilian roots would threaten Portugal's independence. Predictably, Pedro did not take Inês murder well. In this episode, we'll talk about this royal family, how Pedro avenged his lover's death, and how Pedro exhumed Inês rotten corpse to crown her queen posthumously. Listen to hear this gruesome love story. Follow us on ⁠⁠⁠⁠⁠⁠YouTube⁠⁠⁠⁠⁠⁠, ⁠⁠⁠⁠⁠⁠TikT⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠o⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠k⁠⁠⁠⁠⁠⁠, ⁠⁠⁠⁠⁠⁠Facebook⁠⁠⁠⁠⁠⁠, ⁠⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠⁠ and ⁠⁠⁠⁠⁠⁠Twitter⁠⁠⁠⁠⁠⁠ @GreetingsTAC, email us at ⁠⁠⁠⁠⁠⁠GreetingsTAC@gmail.com⁠⁠⁠⁠⁠⁠, or leave us a voicemail at ‪‪⁠⁠⁠⁠⁠⁠915-317-6669⁠⁠⁠⁠⁠⁠ if you have a story to share with us. If you like the show, leave us a review, tell a friend, and subscribe! Visit us on the web at ⁠⁠⁠⁠⁠⁠TechnicallyAConversation.com⁠⁠⁠⁠⁠⁠ Contest: ⁠⁠⁠⁠⁠⁠https://www.technicallyaconversation.com/Contest⁠⁠⁠⁠⁠⁠ Episode Page: ⁠https://www.technicallyaconversation.com/episodes/Lilith⁠ Listen to ⁠⁠⁠⁠⁠⁠⁠⁠⁠Southern Gothic⁠⁠ Follow them on ⁠⁠Facebook⁠⁠ Listen to ⁠⁠⁠⁠⁠⁠⁠⁠⁠Petri Dish⁠⁠ Follow them on ⁠⁠⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠⁠⁠ Sources: https://www.rd.com/list/disturbing-history-facts/ https://www.bbc.com/culture/article/20220419-ins-de-castro-the-macabre-tale-of-the-skeleton-queen https://www.newworldencyclopedia.org/entry/Afonso_IV https://www.historynaked.com/cadaver-queen/ https://www.youtube.com/watch?v=oLsU6KBJyzk https://www.youtube.com/watch?v=FAjtupc4MEQ --- Send in a voice message: https://podcasters.spotify.com/pod/show/technicallyaconversation/message

In this episode we discuss the Spanish explorer, Álvar Núñez Cabeza de Vaca. We also discuss Steve's history-class troubles, lisp too much even for Castilian, and more. Enjoy!

We now enter into the final stage of the Reconquista 1481 - The treaty that has held the unease peace between Castile and Nasrid Granada is broken. The Sultan Abu Al-Hasan takes advantage of Castilian weakness and launches an attack on the Castilian city of Alhama. The last war of the Reconquista has begun.    Flash Point History YouTube Channel: https://www.youtube.com/channel/UCTYmTYuan0fSGccYXBxc8cA Contribute on Patreon: https://www.patreon.com/FPHx Leave some feedback: flashpointhistory@gmail.com Follow along on Facebook: https://www.facebook.com/FLASHPOINTHX/ Engage on Twitter: https://twitter.com/FlashpointHx

**Who You will Hear**Guest: Holger Ehling (Director of Holger Ehling Media)Co-host: Luna Tang (Cloud Service Delivery Manager at Klopotek)Co-host: Dwayne Parris (Senior Consultant at Klopotek) The guest for this episode is Holger Ehling, a journalist, author, and active organizer of specialist conferences and cultural events.Holger shares with us how reading and writing plants in him a seed for exploring the undiscovered world, and how his work and passion take him on a global journey, from Germany, Africa, Latin America, England, Portugal to Spain. Recounting his work with the Frankfurt Book Fair and many specialist events he develops over the decades, he looks back how the bookfair has evolved, and how these events reshape his perspectives on cultural understanding, writing, and publishing. He also talks about how the idea of “Pocket” (a book series he edits) comes into being and presents us with a brief but vivid intro to the fascinating cultures he sees in England, Portugal, and Spain.For more information about Holger's books, projects, and his most recent book “History of Spain”, please visit Holger Ehling Media. Tell us what is going on with your publishing projects or business on Twitter (@Klopotek_AG), LinkedIn, or email us at podcast@klopotek.com.  For more information about the Klopotek software solution, please write to info@klopotek.com, or register to receive emails from us on technology innovations & events from Klopotek.* The views, information, or opinions expressed in the program are solely those of the individuals involved and do not necessarily represent those of Klopotek and its employees. It is the goal of Klopotek Publishing Radio to support cultural diversity, the exchange of opinions, and to create an environment where the conversation of a global publishing industry can thrive.

December 12: Our Lady of Guadalupe (U.S.A.) 1531 Feast; Liturgical Color: White Patroness of the Americas A miracle hangs, frozen in time, in Mexico City The humble Indian Juan Diego and his wife, Maria Lucia, had accepted baptism from the Franciscan missionaries laboring in Tenochtitlan (Mexico City), the greatest city of Spain's most impressive colony, the future Mexico. After his wife died in 1529, Juan moved to the home of his Christian uncle, Juan Bernardino, on the outskirts of Mexico City. On Saturday, December 9, 1531, Juan Diego arose very early to walk to Mass. It was a quiet, peaceful morning. As he walked by the base of a hill called Tepeyac, Juan heard the gentle singing of many birds. He looked up. On the top of the hill was a radiant white cloud encircling a beautiful young woman. Juan was confused. Was this a dream? Then the gentle, bird-like singing ceased, and the mysterious young woman spoke directly to him: “Juanito, Juan Dieguito!...I am the perfect and always Virgin Mary, Mother of the True God.” Mary went on to say many beautiful things to Juan, concluding with her desire that a church be built in her honor on that very hill of Tepeyac. The Virgin Mary, a faithful Catholic, placed herself under obedience to the local bishop. She would not build the shrine herself or work directly with the nearby faithful. She required the bishop's cooperation and support, and so told Juan, “...go now to the bishop in Mexico City and tell him that I am sending you to make known to him the great desire that I have to see a church dedicated to me built here.” There followed meetings with the good but incredulous Bishop Zumárraga, more brief apparitions, and more drama until matters culminated on Tuesday, December 12, 1531. Juan was waiting patiently in the Bishop's parlour for hours. The Bishop's aids wished he would just go away. But Juan carried a secret gift for the Bishop in his coarse poncho. It was stuffed full of fragrant Castilian roses. Juan had gathered them from Tepeyac despite the cold December weather. Mary had told Juan to present the roses to the Bishop as a sign. After a long wait, Juan was finally brought into the presence of His Excellency. He recounted his conversations with Mary and then proudly unfurled his poncho. The fresh and dewy roses fell gracefully to the floor. Juan was content. But there was a gift within the gift. There was more than gorgeous roses. Everyone in the room fell to their knees in wonder. Juan was the last to see it. A gentle image of the Virgin Mary was impressed on Juan's poncho. Could it be? Who could have possibly… It was a miracle! The Bishop immediately took possession of the poncho and placed it in his private chapel. Events now moved quickly. The miraculous image was put in the Cathedral. It was then brought in holy procession to a quickly built shrine on Tepeyac. Then there were more and more miracles. Then there were more and more pilgrims. Mary is the woman who, under the title of Our Lady of Guadalupe, spoke with Juan on the Hill of Tepeyac. Our Lady of Guadalupe is the woman whose image is impressed upon Juan's poncho. And it is that very same poncho which hangs to this day in the shrine built for and at the request of Our Lady of Guadalupe in Mexico City. The miracle first unfurled in the Bishop's office in 1531 has been frozen in time. It is perpetually 1531 in the Basilica of Our Lady of Guadalupe. Everyone who gazes on the image stands in the shoes of Bishop Zumárraga. The image teems with mysterious symbols and meanings. The wholesale conversion of the tribes of old Mexico, a missionary effort that until 1531 had been a struggle, was directly attributable to Mary's miraculous intercession. It was the greatest and most rapid conversion of a people in the history of the Church. It is Mary to whom we turn on this feast. She made herself a humble, indigenous, local, expectant mother to bring a good but pagan people into the embrace of her Son and His Holy Church. She models the precious gift of life and the costs required to protect it from harm. Our Lady of Guadalupe, your miraculous image was made possible because of the humble cooperation of Saint Juan Diego. May our work in the mission fields of everyday life be as fruitful as your own. May we cooperate with you just as Juan did.

Please visit the Discerning Hearts Our Lady of Guadalupe page for the text and audio for the remaining days. Day Seven Mystical Rose, your miraculous signs of Castilian roses in winter and your image on the tilma of Juan Diego led to the conversion of eight million Aztec people to Catholicism in just seven years. ... Read more The post Novena to Our Lady of Guadalupe Day 7 – Discerning Hearts Podcast appeared first on Discerning Hearts Catholic Podcasts.

1212 - A new wave of powerful Berber Muslims called the Almohads controlled southern Spain. Castilian raids into Almohad territory brought the Almohad army from Africa, and their aggression caused the Pope to call for a crusade which climaxed with this pivotal battle.

In this episode, our plucky and determined heroine discovers the mantle of religious warfare.  Isabella and Ferdinand respond to an attack on a Castilian city from Moorish forces.  This becomes the first skirmish in a "Holy War" against Muslims in Spain.  It is a war that will last a decade, and inflict a terrible fate on the city of Malaga.  Harem politics of betrayal and revenge undermine Moorish resistance to Castilian forces.  Along the way, Ferdinand and Isabella champion Renaissance learning and education for their daughters, but the war against the Moors will occupy most of their attention.  They see themselves as champions of Christianity, not just in Spain but in Europe.  Their use of religious languages and symbols emerges against a larger global context where Christian countries fear the rising power of the Ottoman Empire.  Victory against Muslims on the battlefield in Spain takes on a larger significance, and encourages a terrifying drive for religious purity that will have catastrophic consequences.  

Matt and Maddie join Caitlin to cover 2022's Piggy. Based on a short by the same name, Piggy tells the story of a brutally bullied girl faced with the decision of whether or not to save her tormenters. We look at themes of size, bullying, and compulsion, and we give our best Castilian pronunciations. THERDITA! Tangents include pork dishes, books, discount stores, and muppets. I'd also like to give a special thanks to Magnolia Pictures for the screener.

The Reconquista continues as Isabella becomes Queen!  On Dec 13, 1474 Isabella crossed her own Rubicon - she staged a coup and became the Queen of Castile. No woman had sole power over the kingdom in over 250 years. Immediatly she would come into conflict with her neighbors and her own husband. Her ascendancy would only be settled with bloodshed   Flash Point History YouTube Channel: https://www.youtube.com/channel/UCTYmTYuan0fSGccYXBxc8cA Contribute on Patreon: https://www.patreon.com/FPHx Leave some feedback: flashpointhistory@gmail.com Follow along on Facebook: https://www.facebook.com/FLASHPOINTHX/ Engage on Twitter: https://twitter.com/FlashpointHx

The Battle of Pavia left Francis I in Imperial custody, Henry VIII utterly jubilant, and Charles V hopeful but wary. While Francis stews in Italy and then Spain, Charles weds Isabella of Portugal to the delight of his Castilian subjects. Henry, however, begins to have major doubts about the validity of his own marriage as he falls deeply in love with Anne Boleyn.Website: www.westerncivpodcast.comPatreon: www.patreon.com/westerncivpodcastWestern Civ 2.0: www.glow.fm/westernciv

In this episode, we discuss the intersection of chivalry and violence with Dr. Sam Claussen, with a focus on the chaotic Trastámara period of Castilian history (1369-1516). In examining chivalry, we find ourselves immersed in the bloody history of late medieval knights, grappling to understand the purposes of chivalric violence, their meanings and consequences. The destruction wrought by knights and nobles in late medieval Castile was closely tied to the ideas broadcast in chivalric writings and helped shape the course of Castile as it approached the early modern world and stood on the precipice of a European and global empire.

Chris Castilian has resigned as executive director of the Lakewood-based National Ski Patrol after one year, citing “vastly different visions for the future of this organization” between himself and the group's board.  The venerable National Ski Patrol is a mess, and has been for years, with half the members wondering why the group needs to think about diversity, equity and inclusion.See omnystudio.com/listener for privacy information.

On tonight's edition of the Other Side of Midnight: Frank Morano uses the Castilian lisp. Scott Wiener, Founder of Scott's Pizza Tours, monthly columnist for Pizza Today Magazine, host of Thrillist's Really Dough and the Guinness World Record holder for the largest collection of pizza boxes, joins the Other Side to talk about the world's perfect food. Later, James Rosen, Newsmax Chief White House Correspondent and the author of Strong Man: John Mitchell and the Secrets of Watergate, discusses the anniversary of the Watergate break-in, and Alan Dershowitz, Harvard Law Professor, host of "The DerShow," and the author of The Price of Principle: Why Integrity Is Worth the Consequences, weighs in on the FBI raid of Mar-a-Lago. We also lambast the Volodymyr Zelensky regime in Ukraine, lament the drug overdose rate in the country, and extol the benefits of working in person vs. at home. This episode of TOSOM is like a mullet - all work up front and all party in the back! Learn more about your ad choices. Visit megaphone.fm/adchoices

A bitter war between legitimate and illegitimate heirs was fought for the throne of fourteenth century Castile. The ensuing conflict pulled in many powers, large and small, including both the kingdoms of England and France. Dur: 17mins File: .mp3

After holding the first ever #VOBOSS Bilingual Audition Challenge, Anne & Pilar welcome the winners onto the show. Joe Lewis, Milena Benefiel, and Ramesh Mahtani share the process behind their winning entry, what stood out to Anne & Pilar when judging the contest as well as what it means to be a bilingual voice talent in today's industry. Transcript >> It's time to take your business to the next level, the BOSS level! These are the premiere Business Owner Strategies and Successes being utilized by the industry's top talent today. Rock your business like a BOSS, a VO BOSS! Now let's welcome your host, Anne Ganguzza. Pilar: Hola, BOSS Voces. Bienvenidos al podcast con Anne Ganguzza y Pilar Uribe. Anne: Hey, hey. Hey everyone. Welcome to the VO BOSS podcast. I'm your host Anne Ganguzza, and today we have a very, very special episode planned for you. Not only am I here with my awesome special guest co-host Pilar Uribe -- woohoo Pilar! Pilar: Hi, Anne. Anne: Thanks for being here. We are so honored to be here with our VO BOSS bilingual audition challenge winners. So a huge welcome to our English audition winner, Joe Lewis. Yay! Joe: Hello. Ramesh: Hello, Joe. Anne: And our Spanish audition winner -- Pilar: Milena Benefiel. Anne: Yay! Hey Milena. Milena: Hi. Anne: And then our best English and Spanish audition, Ramesh Mahtani. Yay! So first of all, congratulations, everybody, on your wins. Joe: Thank you. Milena: Thank you, gracias. Ramesh: Gracias. Anne: It's very exciting. For those BOSSes that are just joining us and have not joined us before now, Pilar and I ran a bilingual audition challenge contest, which featured a Toyota commercial in both English and Spanish. And this was about, I'm gonna say, three to four weeks ago, and we had a number of submissions. I think it was over what, Pilar, like 130 or something like that? Pilar: Yeah. Anne: Or close to 130. Pilar: Yeah. Anne: And so first of all, everybody did a wonderful job, but we are so, so incredibly excited to have the winners with us today to talk about being bilingual in the industry today and what it takes. So let's start with our English winner, Mr. Joe Lewis. Yay, Joe. Joe, tell us a little bit about yourself and then I wanna play your winning audition. Joe: Okay. Well thank you for having me here. First of all, it's great to be with you all. I am a bilingual voiceover and voice actor, born in the US, Spanish father, American mother. And basically I've been back and forth in the States to Spain and from Spain to the States at different points of my life. And it's been a trip or several trips. You learn to adapt where you are and you do as the Romans do. And you learn a lot of stuff because you have to leverage two cultures, two languages. It's a thing. Anne: Yeah, absolutely. So first of all, let's play your winning audition. And I wanna tell you a little bit about the specs. Our specs indicated that the voice should be confident, knowledgeable, optimistic, never take themselves too seriously, but at the same time, never come off as sarcastic either, warm human down to earth, playful spontaneous, conversational, relatable, and above all else, nothing that is typical commercial sounding, movie trailer, or announcery at all. So. Milena: All the things, all the things. Anne: All the things. Pilar: In other words, the kitchen sink. Anne: All the things. Totally. And I want to give a big shout out to the queen bee herself, Liz Atherton, and CastVoices for her sponsoring this contest and offering our winners a year pro membership to CastVoices. You guys, castvoices.com, go and get yourself an account. Liz is amazing and always has the voice talents' backs. I'll tell you what, she's amazing. So thank you Liz for that. So let's go ahead and play the warm, human, down to earth, playful, not typical commercial sounding, movie trailer or announcery English winning submission by Joe. Here we go. Joe: Beep. Beep. That is the sound of me signaling that this is a car commercial while being considerate of the fact that you may be on the road. It's exactly this kind of consideration that lets you know, you can trust Toyota and our all new 2022 Highlander SUV to get you where you need to be faster and more reliably. Beep beep beep beep beep. Oops. Sorry. I think my burrito's done. Anne: I love it. Joe: Thank you. Anne: I think that that really took every single spec into consideration. Joe, did you have any particular strategy when you were doing this audition or what is it that you do to prepare for an audition? Because we had so many submissions, but yours just kind of really stood out from the get-go. Joe: Well, thank you so much for that. I really appreciate it. As far as strategy, if it's automotive, I take it extra seriously because it's a big genre. So no matter what it is, even if it's a dealership, you know, it could turn into a long-term gig. So you take it seriously. It's always a challenge, uh, to see if it's a soft sell or if it's a harder sell, more promotional. At the same time, as you say, there's lot to consider in the styles or the trends that we work with today, uh, which are very different from 10, 15, 20 years ago. And that's as far as in general or as far as English. As far as Spanish, obviously my origin is of Castilian Spanish, uh, from Spain. So knowing that this would be for the American market, I tried to modulate that and go to a more neutral read and, and taking the specs into consideration as much as I could and have fun, have fun with it. Anne: Yeah. I think that's so important that you have fun with it. Pilar, comments about why we love Joe so much. Pilar: Listening to it again, I think what, what I really liked about it, this is probably not the right word. It wasn't folksy, but I really felt like I was listening to you, and I was listening to a real person rather than somebody reading it. Anne: Yeah, I agree. Pilar: Like, and just the small pauses, the little giggle -- there were some amazing entries, but what I found so interesting about yours was that you had this attitude from the beginning. You weren't serious, and then you went to the punchline. You had this sort of upbeat throughout the entire read. That's what really stood out for me. Anne: Yeah. Really, really warm smile, I think overall. Joe: Thank you so much. Anne: I just felt like. Pilar: Yeah, yeah. Anne: I felt like we were just longtime friends, which we are, but listening to, I felt like we were, and it really, really stood out from the beginning. So congratulations, Joe, again -- Joe: Thank you so much. Anne: -- on that. Joe: I appreciate it. Anne: So onto our winner in the Spanish division, Milena. Milena: Hi. Anne: Tell us a little bit about yourself and where you're located and your VO journey so far. Milena: All right. Well Saludos, hola, hi. Milena Benefiel. I am currently located in Orlando, well, near Orlando, Florida. I am the first generation born here in the US. Both of my parents came over from Cartagena, Colombia, woohoo and they insisted that I learned Spanish as a child, and I never understood why. Why would I ever need this other language? And look at me now, right? My background was actually in television. I worked part-time as a TV host for a Telemundo affiliate in Spanish and did a lot of commercial acting while also being an ER nurse and ICU nurse. I came from entrepreneurial parents who had multiple careers, multiple jobs, 'cause they had to, right, coming from another country. So I don't know how to not have too much on my plate. So this was kind of my side hustle. And after COVID I, I took it from part-time to full-time. I, I was kind of burnt out in the hospital, and yeah, I had the ability to go from sounding very middle America English, as you can hear in my, in my accent to speaking [Spanish] speaking in Spanish that's very neutral. It kind of like people are like, are you Colombian or Cuban or from where? So I've been very fortunate in that that I've been able to provide both sides for my clients. So it's been a really fun journey. Ramesh: Super. Anne: Yeah. Let's have a listen to the winning entry. Here we go. Milena: Bip bip. Ese es el sonido que uso para señalar que este es un comercial de autos mientras que usted podría estar conduciendo en la carretera. Este tipo de servicio es lo que le permite saber que puede confiar en Toyota y en nuestra nueva SUV Highlander 2022 para que se transporte de un lugar a otro de la manera más rápida y confiable. Bip bip bip bip bip. Vaya, lo siento, creo que mi burrito está listo. Yay! Ramesh: Super. Anne: Congratulations again, such a wonderful, warm sound. That's what I really got. And I love how, when we said have fun with this or somebody that doesn't take themselves too seriously, I really felt that in the places where you could -- it opened up to have fun, the more conversational like, "oops, I think my burrito's done." I love the way that you guys brought life to that and brought fun to that that wasn't even as expected. Pilar, your thoughts, Pilar: You had me from the beginning Milena. This was to me displayed so much warmth and reassurance. I felt like when I listen to it, you're taking me by the hand, and you're reassuring me as a consumer that it's gonna be okay. And it's like, oh yeah, I'll do whatever she says. Milena: Wow. PIlar: So that's what I got from this read. It was really, yeah, it was, it was really good read. You just, you got me. Milena: Oh my goodness. Thank you so much. I am so grateful for that feedback. That's kind of my MO when it comes to anything that I do in VO. I just, I, I wanna be warm and caring and reassuring. That's kind of my, my thing. So that you heard that feels so good because it makes me feel like, wow, okay. I'm, I'm doing what I'm supposed to do. So thank you so much. Anne: I wanna kind of tag on to what Pilar said. Like for me, I do not speak Spanish, but I could hear the story. If I listen, I could hear your story in there. And when we talk about trusting Toyota, I felt that, and I really felt that you took the words beyond just what was on the page, and really you were in the scene. And like I said, for me to not even speak Spanish but to listen and to be able to hear your storytelling, I thought that that was, that was just really wonderful. So yeah. Milena: Wow. Thank you so much. Such a huge compliment from two women that I admire very much. So this is a very surreal moment for me. So thank you so much. Anne: well deserved. Well deserved. Milena: Thank you. Anne: Okay. So onto our English Spanish combination winner. Ramesh Mahtani yay. Congratulations. Ramesh, tell us a little bit -- Ramesh: Well, thank you very much. Anne: Yeah. Tell us a little bit about yourself and your journey. Ramesh: Yeah, well, I suppose like most of us over here, very, very varied background. I mean, I was born in Karachi, Pakistan to Indian parents who perhaps were a bit disgruntled with the way things were going out over there, and they decided to move to the Canary Islands. Why, I have no idea, but that takes me back to when I was about four. So I came over here to the islands, speaking a combination of Sindi, of Hindi, of Urdu. Of course I had to learn Spanish rather quickly. And my parents always wanted me to speak English because they knew that English is the lingua franca, and you wouldn't get anywhere in the world without it. So I grew up in an American school over here in the canaries, and I was shipped off to a horrible concentration camp sort of boarding school in England, which was a nightmare. Um, I would spend four long miserable years there, which is I suppose, where I picked up the sort of vestige of an English accent. And then I went to America to do my university degree, which was a lot of fun. And I saw what the real world was like. And I didn't, I suppose, switch on to the American accent because wherever I spoke to were like, oh my God, your accent's so cool. Where are you from? Well, I'm originally from -- Oh my God. Keep on speaking. We just love your accent. So, um, no, I didn't pick up an American accent, I suppose. I just veered towards what, what I call international or neutral. So that's my story. And in voice, I I've always played around with my voice. I love switching accents between -- I speak to my parents with a bit of an -- well, my mom. My father passed away -- with an Indian accent. So it changes depending who I talk to, if it is very strong Indian community, well, it becomes Indian, otherwise it's what I speak now. And then of course, in Spanish and English and French and all these sort of, you know, weird voices going on in my head, it was but natural that I followed a voice over career. So that's what brings me here today, basically. Anne: Wow. Well now you did something interesting with your auditions. You did two takes for both English and Spanish. And so one of the things that stood out to Pilar and I were the fact that you did two different takes for each. And so let's go ahead and play now. Um, I'm gonna click on this one. I'm not sure if this is the English or the Spanish. So hang on one second because the name is, is long. So it's kind of running off my little table here. Ramesh: Sure. Anne: It could be either one. Let's put it that way. There we go. Ramesh: Beep. Beep. That is the sound of me signaling that this is a car commercial while being considerate of the fact that you may be on the road. It's exactly this kind of consideration that lets you know, you can trust Toyota and our all new 2022 Highlander SUV to get you where you need to be faster and more reliably. Beep beep beep beep beep. Oops. Sorry. I think my burrito's done. Beep. Beep. That is the sound of me signaling that this is a car commercial while being considerate of the fact that you may be on the road. It's exactly this kind of consideration that lets you know, you can trust Toyota and our all new 2022 Highlander SUV to get you where you need to be faster and more reliably. Beep beep beep beep beep. Oops. Sorry. I think my burrito's done. Anne: I love it. I wanna just make some comments before we played your Spanish entry. I thought, first of all, you had two completely different takes, and now I understand where the accent came from because you were living in the UK. So I get that now. I was not aware of that, but I really loved it because it really wasn't something that felt to me like it was obviously forced or something that wasn't natural to you. And the fact that you did completely different reads shows just some tremendous acting ability, which I think is any good casting director that can hear that knows immediately that they would be able to direct you to do anything really. And so that was, I thought was really strong about your English entry. And I also liked you had a different reaction and a different emotion about the burrito, which stood out to me, even though it was like a nuanced change. You're like, oh I think my burrito's done. Or Ooh, I think my burrito's done. It really lent a lot to the different reads and the different aspects and the showcasing of your acting abilities. Pilar. Pilar: Yeah. I felt like you were talking to two different people in the two different reads and that was really significant. And it's funny because I didn't realize it, but they were two different accents, and I was like, they sounds so different, and it's, it's like, oh yeah, duh, because he's so versatile. But that also colored the read because one was a little bit more business-like. The other one was a little bit sort of more off the cuff, more warm. And so it was really interesting to see them together, but they are very different reads, so yeah, that's great. Ramesh: Well, thank you. Thank you very much. I suppose one of the underlying elements is that I try and make sure that I'm not trying to sell in this case, sell the car, but just say, tell the story, uh, as something that we will often talk about in voiceover direction. As soon as it sounds sort of salesy, you know, you're going the wrong direction. So spice it up, you know, conjure up some magic, just make it sound as if as Pilar said, you know, you're just basically off the cuff having a conversation with someone, without sell, buy this car sort of thing, you know, which we definitely do not want to go there. Anne: And you know, I don't know if you guys noticed, but in the middle of that script, the sentences were a little bit long. You know how we always get a script and if it's a really lovely, wonderfully written script, we're like, oh yes, it's so easy to voice. We gave you something specifically that may not have been so easy to voice in navigating a long sentence. So. Ramesh: Ah, you did it purposely. Anne: Yeah. All of you handled that so well, so kudos on that. I mean, I'm used to doing that because you do a lot of long format narration and coaching my students, there's always unwieldy sentences. And to make it sound truly conversational and you know, as if you're talking to one person or talking to us, you gotta know your rhythm, you gotta kind of know, you gotta put yourself in the scene and understand where those pauses, where the commas are, even if they don't exist. Ramesh: Yeah. I realize, I thought, my gosh, who's written this, because it is, there was a part where it got really wordy and thought, you know, you have to navigate that. Pilar: Those were the traps and none of you fell into it. Anne: Yes. You know, we are teachers . Exactly. Yes. Always a teacher, just saying so, so congratulations. All right. So let's play, uh, the Spanish entry, which again, you did two reads, which were different. So here we go. Ramesh: Soy Ramesh Mahtani. Bip bip. Ese es el sonido que uso para señalar que este es un comercial de autos mientras que usted podría estar conduciendo en la carretera. Este tipo de servicio es lo que le permite saber que puede confiar en Toyota y en nuestra nueva SUV Highlander 2022 para que se transporte de un lugar a otro de la manera más rápida y confiable. Bip bip bip bip bip. Vaya, lo siento, creo que mi burrito está listo. Bip bip. Ese es el sonido que uso para señalar que este es un comercial de autos mientras que usted podría estar conduciendo en la carretera. Este tipo de servicio es lo que le permite saber que puede confiar en Toyota y en nuestra nueva SUV Highlander 2022 para que se transporte de un lugar a otro de la manera más rápida y confiable. Bip bip bip bip bip. Vaya, lo siento, creo que mi burrito está listo. Anne: Yay. Ramesh: I suppose I'll just caveat, uh, the accent there. I mean like Joe, I live in Spain and sometimes if my client's in mainland Spain, I would do a Castilian accent, but I put on a sort of neutral and general Latin American accent for those, which is similar to the Canarian accent. Anne: Yeah. I was gonna just ask you about that. And one thing that I wanted to point out, which I thought was super strategic, because you did the two takes, you immediately went into your second take to call the attention of like -- Pilar and I listened like, oh my gosh, I think it took us a weekend, right, at least, uh, one after the other one after the other. Pilar: Several times too. Anne: Exactly. And the fact that even though, I didn't know, you were having two takes immediately going into that second take was like brilliant because I didn't stop listening. You know, I was just getting ready. Okay. He's finished -- oh no, here he comes with the next one, which I thought was really strategic. And I think if I know you, Ramesh, that was on purpose Ramesh: Would it have been the alternative to have said, take one? Pilar: No. Most people leave a space. Anne: A lot of space. Yeah. Pilar: You don't let the listener down for a second. There's no lag time. Ramesh: Right. Pilar: And that is brilliant. I mean, I'm using that in my auditions now as well. Ramesh: Okay. I've I've always done it that way. Anne: That's smart. Ramesh: I, I seldom send off an audition unless I do two. Pilar: It's wonderful. Ramesh: I usually always do two takes. Anne: Yeah. Ramesh: And I just do them back to back. So as you said, so they don't have a chance to hit the next button. Yeah. Milena: I typically call it out in my slate if I'm going, do two takes, which -- Anne: And that's good too. Milena: -- for most auditions I would do two. Yeah. But I like this. You give them no choice. Give 'em no choice. Anne: Right, right. Just go right into it. I love it. And you went right into that second character too, which I thought was great for that. Now did you have a strategy English versus Spanish? I know you just mentioned that you did more of a neutral Spanish. What was your strategy for those two different reads? Ramesh: For the two Spanish reads? Anne: Mm-hmm, mm-hmm. Ramesh: Um, just, just variation really. Anne: Yeah. Ramesh: I mean, I just, I would loathe for them to sound similar so the director would've said, ah, you know, this guy's obviously reading the same thing twice in the same way. I, I just do not wanna fall in that trap. So whatever I could do to spice it up or color it to just make them sound different and believable, relatable and conversational, keeping away from the salesy. Anne: Sure. So then let me ask you what's happening in your brain? What's happening? What's the process? Are you putting yourself in a different scene maybe? Ramesh: I've got a different audience and I'm somebody else. Anne: Okay. Ramesh: So either I'm a young sort of rich, youthful sort of business dude, or I'm an older person just wanting to sort of have a nice car. So I, my whole persona changes, maybe it helps being a Gemini. I could switch from one, from one personality to the other, but yeah, definitely. I've gotta change the audience and change the speaker. Both of them. Anne: Oh good. That's a really good tip. I like that. I've always changed the scene, but not necessarily who I was, because I always wanna be conversational and, and tell this story and, and not be salesy as well, but I never thought about changing, let's say I'm a younger Anne, which that would be nice. I like that. Milena: Your voice can be as young as you wanna be. Anne: That's it. There you go. Yeah. I like that. Ramesh: I guess ever since I was a young kid and, and having been moved around so many different places, I perhaps, and this is for something very personal and intimate, and I, and now that it comes up in context, I don't mind sharing it, but I've, I've often struggled to have a proper identity as an -- sometimes I don't even know who I am because I've had to switch and I do often switch, you know, when I speak, as I said, I speak to my mom, I speak to in an Indian sort of way. I speak to the local Canarian dudes out in the street and become totalmente canario; it's a totally different accent. So I'm always switching, switching, switching, switching in the end, to think, you know, oh my gosh, existential crisis, you know, who am I? Anne: That's a, that's really an interesting point. Yeah. Joe: You're a chameleon, Ramesh. Ramesh: I'm a bit of a chameleon. Anne: Absolutely. Ramesh: I'm not Spanish and I'm not English, you know? So it's really weird. Anne: That's very interesting. I always equate that, and again, I'll get maybe a little into it, but I grew up with three brothers. And so being the only girl in the family, I didn't have to share necessarily, but I also didn't have like a sister to kind of like play dolls with or whatever I was gonna be doing. Milena: Same. Anne: So I got really good at my imagination. Ramesh: Yeah. Anne: And playing with my dolls and teaching and talking to them and really putting myself in different scenes with them. And I think that carries through the adulthood. Right, Milena, you mentioned the same thing? Milena: Oh yeah, absolutely. I didn't have a sister growing up. And I also just think like with my parents having the multiple jobs, they were both performers. My whole life has been a performance, and I kind of do the same in my two takes. I go into my lower register in that warm, buttery, soft, like my first take will be -- or exactly what the specs ask for, I'll give you in the first take, and then the next one, I'll kick it up to a little bit of a higher pitch, make myself a little bit younger and I'll be a little wackier, like a little more fun, a little more conversational, and just get a little more crazy with it. Just to add some adlibs and some different things too, just for range. Anne: I think that's great. Do you have more than two personas? I always have two in my pocket, but do you spend time developing, let's say, a third read or a third persona that can give you a different read? I think that's good for the artist in us. Joe: I mean, I, what captivated me about this piece was the invitation to do effects. You don't usually see that in copy, so I thought that was like, ooh, this is gonna be fun. Anne: Yeah. Joe: And then I tried to add layers, do several takes and sort of warm up and then listen to them and see if I can be sprinkling, uh, or adding something. But I do agree that when you kick into another language, it's another dimension of tools and, and tricks that you have. I wasn't privileged to have brothers or sisters. So being lucky enough to grow up with a, a parent of either side, you know, you, you kind of take it for granted when you're a kid, and then you, you grow up and you're like, wow, this is pretty powerful to switch on and off, switch the languages, you know, with all the cultural and the contextual things that come along with each particular one. Totally there with Ramesh on the strange dichotomy that happens and not really knowing who you are or when it's the, uh, what secret service did you say you worked for again? Pilar: No, comment. Milena: I love how he's silent. He's like -- Joe: He's a pro. Milena: If I tell you I'll have to kill you. Ramesh: Well, sorry. Did I, did I talk about a secret service? Joe: I was asking you what secret service you work for, my friend. Anne: I love it. Milena: Crickets, crickets. Anne: Crickets. Secret service. Pilar: Speaking of which, that was one of the things that really struck me about Ramesh's Spanish read is that I heard someone speaking in Spanish with the Spanish language rhythms rather than a translation. And that to me was so important because that not being your first language, and I think that that's really important because like Milena, I mean, I was born in this country, but my parents spoke to me for the first five years of my life in Spanish, but it's technically not the language that, you know, I speak English all the time. So there's something, there's always that strange sort of divide. Like who are you? Are you this? Are you that? And what I really liked about your read was that it was like, I was listening to a Spanish person speaking, not a translation. And that's so important. Everyone is always so concerned with the accent. That really kind of falls by the wayside. Because if you believe in what you're saying, and it has to do with acting, if you're really acting it, how well you speak or how much of an accent you have doesn't really matter. It all falls by the wayside. So that's what to me, what made a very successful bilingual audition. And that's why we picked you, one of the reasons why we picked you as the bilingual audition winner. Ramesh: Oh, thank you. I'm privileged. Thank you very much. Anne: And again, I'll just kind of tack onto what Pilar was saying is both of the Spanish versions of your audition, I could hear the story that you were telling. And again, I listened very carefully, especially in the unwieldy sentences, because that's what I do every day with my students. I'm working on these crazy, long format narration scripts that aren't always written well. And so I would really be listening carefully throughout all the entries for that navigation. And I still felt the story. I felt the rhythm, and I felt the words that needed to come be a little more present in my ear that were important, like the brand name, the fact that you trust Toyota on all of your reads. Believe it or not, listening to all of the entries, that was kind of a key I was listening for, to trust Toyota. And I wanna feel that trust as opposed to trust Toyota. And I really wanted to feel that little nuance of emotion or trust. And I think every single one of you in every one of your English and Spanish gave me that trust feeling and that warm feeling and that kind of having fun with it, especially at the end, and the beeps too. I mean, I like the fact that we gave this script out because of the beep beep and what people did with the beep beep was really telltale, especially in the beginning, if you did something that maybe wasn't a traditional beep beep or you had fun with it, or you just kind of smiled at yourself. I think Joe, you're, right off the bat, you're kind of chuckling a little bit and it just was so warm and I fell in love with that from the beginning and all of your interpretations of the beeping at the front end of that and the back end of that, I loved it. You know, you had fun with it like we asked in the specs. Joe: Well, I was just gonna say Road Runner, you know, I mean, it was irresistible to me. It was irresistible. Ramesh: Absolutely, absolutely. Milena: Yes, that's exactly what I pictured in my head too. Ramesh: Yeah. Milena: That's funny. Ramesh: I think after doing this for, I mean, you know, you're speaking to people who are super professionals. I have great respect for Joe and Milena and Pilar and yourself, Anne, of course. I mean, when you listen to somebody who's just started off and doesn't have much training, that's when you realize, oh my gosh, this is a poorly done audition. But after a while it just becomes intuitive, I think, plus the script lend itself, the beeps, the mic proximity that you can, the burrito whole thing. I mean, what does the burrito have to do with the car sale, for God's sake? So you can do so much with that. You know, you can just, as you said, have fun and the more imagination you have, and the more years of experience you have tucked under your belt, you can do crazy things within parameters, of course. I often don't overthink it because that's usually when it doesn't usually work. It's usually my first and my third take, which are good. Uh, the first one, because I'm just off the bat, I'm fresh and I'm just being really spontaneous. The second seems to be similar to the first ,and the third, usually I've had a bit more time to imagine nuances, and those come out quite magically. So, but yeah, the script was nice. It lent itself to, to having fun and being creative. Milena: I completely agree with that, the instincts, I know Anne, you had asked earlier, you know, what was your method? How did you attack this script? How did we look at the script? And I actually will do a read prior to even reading the specs, just to get my natural inclination of like, okay, I'm looking at the script without overthinking it. Let me just do a read. And then of course looking at the specs, and then kind of picking apart, you know, I listened back to my read and picking apart, what words do we wanna highlight? Like you said, trust, right? The brand, faster and safely, getting there fast and safely. Those are important things, right? Joe: Exactly. Milena: So then I go through with it, but I completely agree with Ramesh, it typically is my first read. And then maybe my third or my fourth. The second one always sounds like the first one, or it's like, so off the wall that it's like, why did I go totally left field on that one? But yeah. I completely agree with you, when you just go with those once you've been doing it for a while, when you try to be someone you're not, it's not authentic. Ramesh: Exactly. Milena: And you can hear it in your read. Joe: Yeah. By family tradition, my parents came from the academic and the publishing world. So script analysis, I put at the top of the list, you know, the top three, because the burrito for example was what invited me not to do it in Castilian. And that was my choice. I thought it was great that you did two takes of each, Ramesh. I, I shied away from the Castilian because I just wanted to have a burrito and, and that's Mexican, and I just -- and it's international by now., yes, but it's traditionally and originally Mexican. And I wanted, I wanted to go there. If you told any person in Spain, you know, burrito just stand alone, they might not get it. If it's contextual, they'll be, oh yeah, yeah, Taco Bell, you know, whatever, but, or Mexican restaurant, but that's, that's the reason I, I shied away from Castilian and I, I made an attempt at my best neutral Spanish. Milena: I had no choice. I don't do Castilian You don't wanna hear me trying to do Castilian accent. Anne: So that brings an interesting question, which I had asked of Pilar early on in our series, about when specs come in for Spanish, is there a strategy? Are specs clear? Do you sometimes have to say, well, is there a particular dialect that you're looking for? What do you guys do? Joe: First and foremost is the market. What market is it hitting? Because if it's a state, it's gonna be 99.9% neutral Spanish. It's very exceptional to do Castilian. I've spent many years living in Spain, and sometimes they call me to do Spanish and Catalan. And for many years they wanted an American accent, even though I don't really have one when I speak normally. So I, I had to kind of impose, impose an accent like this or something like that. You know, you know what I'm saying? Milena: I love it. Being in the US, I think it's kind of less of a question for me. I know Ramesh and Joe are overseas. For me here in the US, typically my specs are always gonna say either neutral Spanish or Latam Spanish, Latin American Spanish. That's 99%. I think I have gotten a couple auditions that have asked for Catalan or Castilian Spanish. And it's very rare, but I am pretty upfront with them that I'm like, you're not gonna be happy with my read, if you want me to try to pull one of those off. But yeah, I think for me over here in the States, it's almost always, it's gonna be neutral or, or Latin American Spanish, which is what I do. And I can put a little bit more of that Paisa, you know, Colombian accent on it, if they're asking specifically for Latin American, but yeah. Ramesh: I've had a very strange situation with many of my castings in Spanish. I've booked jobs. And then they come to me and say, you're not Spanish, are you? I said, they say, you sound very Spanish, but by your name, we had doubts. And a few times they're, they're brave enough to say that. Anne: Yeah. Ramesh: They're like, your name sounds Indian or Pakistani. I'm like, well, it is. What you want do about it? Milena: What you want? Ramesh: You bookedme. You, you booked me, you liked my audition, but are you just curious? You just wanna start a conversation over here? And, and I struggle with that. And the same thing with my English, like, oh, this guy's Indian. He probably, he doesn't have a proper English accent. I'm like, well, so I stopped trying to be very British at one point, and I said, well, I'm international English. I mean, what can I say? Yes, I'm Indian. I can't, I could change my name. And at one point I tried to go as Robert Martin, but I thought it just sucks. Joe: No, you should be Pepe Mahtani. Ramesh: Pepe Mahtani de las islas canarias... so, yeah. So that's another sort of strange one, but like Joe's, But I mean, I also do a lot of times they, they ask you to do a span with the English accent. So you have to do what they, what the client wants and you hope they're happy. Joe: You have to. You have to. Ramesh: You have to. Pilar: You have to. Ramesh: Yes. Milena: Oh my goodness. Ramesh: Without a doubt. Milena: Ramesh, that did strike me. Remember, our first conversation. That's what I said. I said, I'm completely blown away. As soon as I saw your name, I was like, well, he's not Spanish or American. [indistinct] Ramesh: No, I totally understandable, yeah. It's like, where are you from? [speaking Spanish] Milena: Cómo puede ser, pero no entiendo. [banter in Spanish] Joe: For me, it's the same, Joe Lewis. Right? You know, talking in Spanish, like, come on. This is -- Pilar: You could be José Luís. Joe: Ridiculous, ain't it? Milena: José Luís. Joe: José Luís, exacto. Ramesh: Whenever I speak to Joe, whenever I, the first thing I tell him, when we get on the phone is like, hello, Mr. Joe Lew-is. . Joe: I try to do my best Southeast Asian for Ramesh because I love him so much. Ramesh: Listen, all my white friends who try and do an Indian accent are just terrible at it. You guys suck big eggs because you cannot do an Indian accent. Even Mr. Peter Sellers, who I have great respect for in the movie "The Party," he also did not pull out a decent Indian accent. I'm sorry. It's crap. Joe: A thousand apologies. But I do -- I do this with, with love. I do this with love. I promise you. Ramesh: Joke around. Anne: Oh my goodness. Ramesh: You can joke around because we are good friends, but your Indian accent, I'm sorry, is not very convincing. Joe: Totally. Totally agreed. Anne: Oh my goodness. Well, you guys -- Milena: Friends don't let friends go around with terrible accents. Anne: There you go. There you go. Joe: Precisely. Anne: So I wanna ask each of you, what would be your best tip? Like how do you market yourself as -- like people that are coming in to the industry now, if they're bilingual, what best tips can you give us to market yourself as a bilingual voice talent? Joe: I've spent many years trying to equate both. I have them at the same level, both languages. It was a thing of responsibility. That's a big R word, responsibility. And this was instilled through my parents directly and indirectly. So I was very lucky with that. It all went astray when, uh, a number of years ago, I started to get requests from clients to do accents that are not my natural accents. Oh, I wait, are you sure? I'm like, yes, no, please. And then you do it and they love it. And like, Hmm, well, maybe there's something here. Maybe, maybe it's a thing. So you can never sleep in your laurels. You can never get too comfortable. You can never get too overconfident because it's like music. I come from music. It's ultimately unattainable. You're not gonna finish it. Just keep on pumping. That's what you can do. That's my best advice. Keep on pumping. Ramesh: 100%. Milena: I guess before this interview, we talked about this a little bit. I actually shied away from doing Spanish when I first started, despite me literally being on Telemundo, right? like having my own segment in Spanish. I always was a little bit insecure about my Spanish, and I would get requests to do things both English and Spanish, and producers kept telling me like, you've got something here. You've gotta do -- when you can offer both sides, it's more efficient. It's mutually beneficial for you and the client. You've really gotta push this. And I did. So I try to -- and I'm trying to get better at it -- I try to, when I'm posting things, say to social media, or, you know, whenever I'm doing things, I'm trying to do more showing the spots that I do in English and in Spanish so that people can see both sides, especially right now. There's this huge shift in the last few years here, that is this huge push for diversity, huge push for bilingualism, especially with Spanish in the US. And I don't know if you guys are seeing things over there too, or internationally, 'cause of course I just know here in the US, but there's this really big push. So I've been very, very fortunate in that everyone that I connect with, as soon as I mention that I'm bilingual, they then mention that to somebody else. So my biggest tip would be let people know. Don't do what I did for the first, you know, five years and shy away from that. Practice it. And if you don't feel as confident in that second language, which I didn't, start reading books out loud, watching movies, speaking -- I told my parents do not speak to me in English. We're speaking in Spanish, and I would read technical things so that it would be more difficult, you know, words that I didn't use in conversation, and just let people know, but plaster it everywhere and make sure everyone knows. Anytime I send an audition on say Voice 123, 'cause I do use that as a pay to play in addition to my agents and other things, anytime, even if it's an English audition only, I always, always, always write, hey, and if you ever think about hitting the Hispanic market, I also speak neutral Spanish. Please go to my website and here's my stuff. Even if it's only an English spot, I always let people know. And you know what? 50% of the time, they come back to me and say, you know what? We posted a separate for the Spanish. We'll just go with you for both of them. So whatever language that is that you're in, use it. And even if you don't think they'll ever use you in -- let people know, 'cause they're not gonna know unless you tell them, right? So that is my biggest piece of advice is just brag on yourself, man. Let 'em know. Joe: And if I may quote Jaco Pastorias, the great late bass player, it ain't bragging if you can back it up. Milena: Heyo. Ramesh: Absolutely. Anne: Ramesh, your thoughts? Ramesh: Yeah. Well, I think in my case, I was speaking to Joe about this actually a few, a few days back, it, it's very market specific. I mean I live in Spain and I don't really market myself to Spanish clients in Spanish, I suppose because I know there's, there's a whole plethora of Spanish voice artists here. Why would they necessarily go to me? So they come to me for English and as Milena said, once they come to me for English, then I'd bring out the Spanish. I'm like, here you go. I can do it in Spanish for you. Oh great. That saves us so much trouble and hassle finding somebody who can do it in Spanish. And likewise with international clients that I book in English, you know, I tell them I, I can do the Spanish, but I think you, as Milena said, you have to let it be known that you can do both and do whatever you're good at. If you're good at corporate, well, sell yourself at corporate and be even better at corporate, and then perhaps branch out to something that you may want to aspire to. If you wanted to do some animation in Spanish, you've never done that before, get coaching, but focus on your strengths and build your strengths and be really confident that my strong piece is this. And I can promote that openly and confidently, because confidence is, is 90% of the game. If they see that you say I can do Spanish for you as well. And you know, you don't have a belief in yourself, it's gonna seep through. I mean, I do French voicing, but I tell the clients, I'm not a native French speaker. I've got a very good accent, but it's not native. And I try and pull it off because I have confidence that I can do it. Joe: I totally agree. We don't read minds. And I, I was in a corporate multinational advertising agency for a while, and bilingualism in the States is a really important thing. I mean, I don't know what you think, Ramesh, if you agree with me, but for certain reasons, I think there's more of a bilingual ambient in the States than there is in Spain. 'Cause Spain is too busy with politics and they're busy with co-official languages. They're not dialects, they're official languages like Catalan, Gallego, or Galician and, and Basque. And the, the thing is that, uh, because of the way English is taught in Spain and, and because of dubbing, this is the reason why English is not a second nature, uh, language in Spain. So you always have to have client education in mind in the good sense to try to explain to them because they may not read your mind. They may not understand to what level you are in the other language. It's not easy. I mean, it's, we live in a world that is very multiplied because of social media. And you know, I see this from the musician standpoint, again, you know, the advent of pop star. You do a 3000 line casting. You, you get in, you're on TV, it's instant stardom. I mean, there's a lot of ways to get known really quickly and dramatically in this world. And a lot of people are strutting their stuff. So it's a complicated thing to market yourself effectively. It's not just marketing, and here I would like Anne to take over on the marketing thing because you're a master at this, but it's a really important question, what you ask. How do you market yourself in English and Spanish effectively and be taken seriously? You know? Anne: Well, I mean spoken by the guy who has the bilingualvoiceover guy.com, right? I mean me@thebilingualvoice -- so that I'll tell you, right in your URL, you're advertising, and you've got multiple URLs. And I know that, you know, all of you on your websites are focusing or you have the fact that you are bilingual. And I think that's number one, I mean, in this online world and Pilar, I know does an exorbitant amount of not just bilingual voiceover, but also dubbing. So Pilar, any specific, additional tips that we haven't talked about that maybe you could offer as advice to, let's say, bilingual voiceover talent that are coming into the industry now? Pilar: Um, well a lot has been said about it. When I first started in the industry, in voiceover, I was encouraged not to do a bilingual voiceover demo for example by a very, very well known coach here that Anne and I both know who shall remain nameless who said, absolutely. You never mesh the two together. Milena: I've been told that too. Pilar: You have Spanish on one side and English on the other. So I did, not with them. And so then I, I was like, okay. So I went with somebody else. I did it, Spanish, English, fine. And then I thought, no, I'm gonna go ahead and do a bilingual voiceover demo. And I did, and that is one that's booked me so many jobs. The other one is really good. The other two that I did, the Spanish and English and it, my agents prefer me separating them. So that's fine. But the Spanglish one is what has booked me so many jobs. And so for somebody starting out, I think it's just important to keep at it, just to keep putting yourself out there. And also you never know what the client's gonna ask. I just, I find it so hysterical that I get booked for something. We'll do it in English. We'll do it in Spanish. And then they'll say, well, can you just give us a little accent? I'm like, you're kidding, right? And I don't have an accent in either. I mean, in Spanish, I always think I do, but I don't. I know I don't, it's just, it's so minuscule, but they're like, can you just make it a little bit more for us? And then in English, can you just give us a little bit more, a little thicker? I'm like, okay, fine. If that's what the client wants, that's what the client gets. So I think that the key is to be elastic and to say, yes, I can do this. I can do this. Never say no. A lot of times I've come up against artists who sit there, and they say, oh, well, I passed on that because I can't do it. And I was like, well, why can't you do it? Well, I didn't, I didn't think I could. Well, if you don't think you can, then you're not gonna be able to. Right. Exactly. So always be available and let the person who is casting see if you're right for it or not. And you know, keep putting yourself out there, no matter what. Milena: I wanted to ask, 'cause this is the question that I have and I think maybe some that are coming in would appreciate an answer to this -- in the US, the majority of my buyers are speaking English, right, whether they want Spanish or not. Now I do work with buyers that speak Spanish, but the majority of them are in English. So I've struggled with the decision to make my website, do a Spanish website, all Spanish website, or just an all English website. So I've chosen to do an all English website that says I'm bilingual and I'm gonna have an about me page that's just in Spanish, just my about me page. And I just wanted to get your feedback on that, 'cause I think that's a question that a lot of people have coming in as well. Like do I need to have these two separate entities like I have for my demos? Or like I said, for me, the majority of my buyers speak English regardless whether their client is or they -- their primary language may be Spanish, but my buyers are usually in English. Pilar: So this might sound a little radical. Milena: I like it. Anne: Already. Pilar: I'm not thinking about who my buyers are. I'm thinking about me. And if I go, and I did this, 'cause I had two separate websites 'cause I actually followed what this person said to me at first, and I had an English website and I had a Spanish website. And all that does is dilute you. That does nothing for your SEO, does nothing for the persona. And if you're talking about branding, for me, this did not work. It might work for other people, but I just park everything in one place and I have different categories. That's just me. Milena: Perfect. I like it. Pilar: And that has worked better. I think it's worked better in consolidating everything because at one time I had like three different websites. It was just crazy. And it just diluted -- Milena: It's a lot to manage. Yeah. Pilar: Exactly. Joe: I mean, Milena, you could put a tab -- you could have your website in English and then put a little tab of in Spanish and then they can click, and then they'll, they'll go to that same site, and you'll have it all translated into Spanish. What I'm not an expert is an SEO and how it behaves looking at a, at a site in one language and if it can complement SEO ratings on the same site. So just because I could, I have the Bilingual Voiceover Guy, but I have both Voces Bilingue, and right now I'm redirecting them. But the idea is to have Voces Bilingue in Spanish and then have it linked to the English one. Anne: And then Joe, you have a page on your, the Bilingual Voiceover Guy, English that also is translated in Spanish, correct? Joe: Yes, because I hadn't had this thing that I just talked about yet. That, that, that was a sort of a patch in the meantime. And funny enough, that page is what's ranking. Anne: I was just gonna say that, if you have that page, if it's all in Spanish, because if somebody doesn't speak English, and they're typing a search term in Spanish, that would match your page, your landing page. And it still comes to your central, you know, I call it the central website, but you've just got another page. Yeah, a separate tab, a landing page. And I think that's a really good strategy that you'll be able to capture the best of both SEO worlds. Yeah. Pilar: Yeah. The tab is essential. Joe: Yeah. The tab, mm-hmm. Anyway, I mean, my thing is work in progress too, but the way I choose to think is that there's 2 billion English speakers, and there's 600,000 Spanish speakers. So that's a market of 2.6 billion. Anne: Yeah. Joe: For each one of us. And sky's the limit. Pilar: Absolutely. Anne: Ramesh, how do you work your website? Do you have a special page dedicated? Ramesh: I just have it in English actually. I think that's, that's definitely something I need to work on to see how I can, but I've -- to be absolutely honest, I'm quite happy with the level of work that I've got right now. So -- Milena: If it ain't broke. Ramesh: -- smooth sailing, I don't wanna sound arrogant, but I'm comfortable. So I, I could perhaps do all these lovely suggestions that you guys have come up with, but perhaps another time. Anne: Well, I don't have another language page, but I have literally four other genre specific pages like website, because I specialize in corporate narration or I specialize in e-learning. So I have the e-learningvoice.com. I have medical-narration.com, phone voice. And so even though I may not get a ton of activity on those sites, the words on those sites get indexed, and it contributes to my SEO. And each of those sites also maps back to my core site, which I think is my core brand of AnneGanguzza.com in addition to my VO BOSS and VO Peeps brands. So I handle probably 11 sites. Pilar: That's next level marketing. Go to AnneGanguzza.com for next level marketing, that's, that's that's our next, our next job. Anne: But yeah, it just helps to be found and it kind of just works on its own. And every once in a while I do have, as a matter of fact, I'm looking to refresh those pages just to make sure they keep generating people, pointing at my website. And again, it's a wonderful position to be in. If you have a, a good amount of work, I think that's amazing. Then things are working for you. And so that's why your advice and everything we're talking about today is so valuable for people that are coming into this industry. So we thank you, guys, so much for joining us. Milena: Thank you for this contest -- Joe: Thank you for having us. Milena: -- and this swag. Hello! Ramesh: Thank you for having us. Anne: I know. So yeah, I do wanna mention the swag. So not only did you guys get, uh, thank you again to Liz Atherton, but also you guys got BOSS swag, which Pilar and Milena are wearing right now. Ramesh: Yeah. Mine's on the way. It'll be here in about next -- Anne: Which it is on the way. As a matter of fact, I will tell you because you're on that little island there, Ramesh, it might take a little longer to get you. Milena: It's gonna come by carrier pigeon. Ramesh: Keep on looking at the skies to make sure the drones are dropping in. Anne: I can't wait to see pictures of you in that t-shirt. Ramesh: Oh, I will. Anne: And Joe with your mug. That's awesome. So. Ramesh: I love it. Super. Anne: You guys, amazing job. Thank you so much. It's been, this has been so wonderful, and we thank you for sharing your wisdom with us, and yeah, I wanna do this like now every six months. Milena: Down for it. Anne: Think we should -- Joe: -- amazing. Anne: You know, right? Ramesh: It would be pleasure. Anne: So what's been going on in six months in the bilingual world? So yeah. Awesome. Well guys, I'm gonna give a great big shout-out to our sponsor, ipDTL. You guys can connect and network like we have on ipDTL. Find out more at ipdtl.com. And also I will say that this was recorded today with Riverside. So I'm extremely happy to have given this a try, and thanks for the wonderful video and audio tracks that we're going to get. And one more sponsor, 100 Voices Who Care. If you want to use your voice to make an immediate difference and give back to the communities that give to you, find out more at 100voiceswhocare.org. Thanks, guys, so much for joining us again. It's been amazing and we'll see you next week. Ramesh: Thank you very much. Joe: It was lovely. Milena: Thank you. >> Join us next week for another edition of VO BOSS with your host Anne Ganguzza. And take your business to the next level. Sign up for our mailing list at voBOSS.com and receive exclusive content, industry revolutionizing tips and strategies, and new ways to rock your business like a BOSS. Redistribution with permission. Coast to coast connectivity via ipDTL.

Elon Musk hyped the near-term prospects of Tesla's new Giga Texas factory during the company's quarterly earnings call in which the company revealed profits far beyond projections - $3.7 billion in the first quarter of 2022. Another local billionaire, Paul Mitchell's John Paul Dejoria, has continued his longtime relationship with the homeless support organization Mobile Loaves and Fishes with a $5 million donation. An Austin judge has delayed the trial of Alex Jones in the Sandy Hook defamation case, blasting his lawyers for improperly filing bankruptcy for Jones' Infowars network. Travis County DA Jose Garza is adding to his workforce to address the spike in homicides seen in Austin as of last year (part of a national trend). Also in local law enforcement, Austin has almost doubled the number of 911 calls diverted away from APD in favor of mental health service response over the last year. Austin is found to be the second-highest-ranked city in the U.S. for fastest rising rent, up 38% on average in a single year, only behind Portland, Oregon. Yesterday's 4/20 pro-marijuana legalization rally at the Capitol was sparsely attended - however, the Prop A measure to formally end marijuana possession arrests in Austin appears to be primed to pass. The new 48-story tower known as The Republic is preparing for its groundbreaking near Republic Square Park at 4th and Guadalupe. Changes in the UT area: Real estate company Blackstone has bought American Campus Communities for a whopping $12.8 billion - those holdings include several high-rise West Campus apartment buildings such as The Castilian and J26. Meanwhile, Wooten Barbershop (an American Campus tenant) has been booted from its storefront on the Drag after 58 years in business. Austin's rate of food insecurity has risen above the national average, while the USDA identifies 33 distinct "food deserts" across the city, meaning the closest grocery stores are miles away from residents. As a wave of property demolition plans appear to threaten several downtown Austin LGTBQ-friendly bars, plans to tear down the Iron Bear are on hold while the city considers that structure's historical value. Austin FC came up short in their first U.S. Open Cup match against San Antonio, dropping the match 2-1. Meanwhile, allegations of domestic abuse appear to be at the center of the MLS investigation of midfielder Cecilio Dominguez that has resulted in his suspension from play. A lifeguard shortage isn't the only problem at Barton Springs Pool lately - a pair of geese have taken to attacking swimmers, and federal wildlife protections prevent the removal of the offending fowl. Eater Dot Com has listed Austin's Essential Breakfast Tacos, and the Essential Restaurants for Affordable Dining in Austin. Live music options this weekend include the three-day Austin Reggae Festival at Vic Mathias Shores Friday thru Sunday, the ongoing Old Settler's Music Festival at Tilmon, Texas near Lockhart also thru Sunday, Billy Strings at Waterloo Park's Moody Amphitheater on Friday, Girl Talk at Emo's on Saturday, and Everclear at Empire Control Room and Garage on Sunday.

This week we take a look at the chart and life of the Castilian ruler known as "La Prudentissima" or "The Wisest"; Berenguella of Castile.Follow us on socials for all the latest info about the podcastfacebook.com/historyinretrogradeyoutube.com/historyinretrograde@retrograde_podcast on instagramhistoryinretrograde@gmail.comMusic: [Sitar1] by Alas Media (www.soundcloud.com/alas-media)Licensed under Creative Commons BY Attribution 4.0 LicenseEnjoy what you hear? Consider donating to our paypal to help us continue producing quality content.https://www.paypal.com/donate/?hosted_button_id=JS7ENERBQWQGQ Our GDPR privacy policy was updated on August 8, 2022. Visit acast.com/privacy for more information.