Podcasts about Death Records

Boared to Death Records (Bonus Episode). Dan of Boared to Death Records joins for a conversation about the label, running an independent label, and the bands on the label. The episode also includes tracks from Quit Everything, Oort Patrol, Distortions, Alcantara, Manic Third Planet, Night! Night!, and tenderqueer.

Empesando temporada 2 con nuestro gran amigo Julian Torres. Disfruten de su historia en como se enamoro de la musica de mariachi, y como le llego la oportunidad de trabajar con Snoop Dogg y formar parte de Death Row Records.Starting season 2 with our friend Julian Torres. Enjoy his story on how he fell in love with mariachi music and how he got the opportunity to work with Snoop Dogg and be part of Death Records.Con Lisa y Celeste Hernández, hija de Pedro Rey y Nieta de Crescencio HernándezFollow us:Instagram: @mariachiymaspcYoutube: @mariachiymaspodcastTiktok: @mariachiymaspcFacebook: @mariachiymaspodcastInstagram: @lisahernandezoficialInstagram: @celestehernandezoficial

This week on the blog, a podcast interview with Ari Kahan, who assembled and oversees the most complete compendium of on-line information on Brian DePalma's classic rock music horror classic, Phantom of the Paradise. LINKSA Free Film Book for You: https://dl.bookfunnel.com/cq23xyyt12Another Free Film Book: https://dl.bookfunnel.com/x3jn3emga6Fast, Cheap Film Website: https://www.fastcheapfilm.com/The Swan Archives: https://www.swanarchives.org/Eli Marks Website: https://www.elimarksmysteries.com/Albert's Bridge Books Website: https://www.albertsbridgebooks.com/YouTube Channel: https://www.youtube.com/c/BehindthePageTheEliMarksPodcastINTERVIEW TRANSCRIPTDo you remember when you first saw it? What were the circumstances? How old are you? What was your reaction? ARI KAHAN: Sure. I first saw it when I was 12. It was double billed with Young Frankenstein. This would have been in early 1975, and my mom took me to see Young Frankenstein, which was okay. It was pretty good, but I was really enamored with the second feature on the bill, which was Phantom. And I've been in love with it ever since.Did you know anything about it before you went in? ARI KAHAN: Nothing. Nothing at all. So, what has been the attraction for you for that film, low those many, many years ago?ARI KAHAN: It may have just hit me at an impressionable time. But I think that, you know, being 12 and being kind of a nerd, I probably identified with Winslow and his fervent belief that if the world could only hear from his heart, and especially if all the girls in school could only hear from his heart, then they would love him and not the jerk that they always went out with.So, there's probably some of that. There was certainly, I do remember very, very clearly that the direction in some respect stood out to me. I had seen a lot of movies when I was 12, and I remember even today, thinking when I was 12, that there was a moment where the Phantom is rising up into the rafters in the foreground as Beef is descending in the background. And I looked at that and I thought, boy, that's complex. Anybody else would have done a shot of the Phantom starting to climb a rope, and then cut away, and then come back to him up in the rafters. This guy is trying to do things that are more interesting than he needs to and I thought that was really fun.After seeing Phantom I went back and saw Sisters.Which was no mean feat back then. ARI KAHAN: Yeah, I know and in fact, I had to see Sisters by buying a 16-millimeter print of it. That was the only way I could. I had fixed up a couple of—this is probably a year or two later—I had fixed up a couple of 16-millimeter projectors that my school was discarding, so I could even do changeovers in my bedroom. And I got a copy of Sisters just so I could see it because it was unseeable otherwise. Well, kudos to you for finding Sisters, because it took me a long time. I imagine it showed up at the Film society at the university or something finally. So getting to see William Findlay in a markedly different role and also seeing, oh, okay, this is a director who likes split screen. Although I probably would have gotten that from Carrie, because I'm sure I saw Carrie first. He's accused of doing stuff like that just for showing off. In fact, I think it's always for a cinematic or emotional reason. And Sisters is the best example of that. The suspense of getting rid of that dead body before they get to the door is enhanced by the fact that you're watching two things happen at the same time. ARI KAHAN: Yeah, I think in Sisters and Phantom both, it works really well. And I think, and I think even DePalma would agree that it didn't work as well in Carrie. Because the split screen calls for intellectualizing on the part of the audience. And it takes you out emotionally and wasn't really working that well. I understand why he did it, because it'd be boring to like, cut to Carrie's face, cut the things happening, cut back to Carrie's face, blah, blah, blah, blah. But I think both he and Paul Hirsch, the editor, feel it would have been better off to do something else.But anyway, after Phantom, you know, every new De Palma film to come out—all the way through Domino—has been a much anticipated event for me, you know, and I'm in the theater on the first day. And there have been a couple of disappointments along the way, but by and large, it's been awesome. Since you've seen Phantom so many times, were there any surprises that popped up over the years as you've watched again and again and things that you hadn't seen or hadn't realized?ARI KAHAN: It took me a really long time to notice that there was a frame or two of Jessica Harper being one of the backup singers on stage when Beef's performing life at last and only because I think it was unavoidable to use those frames. I think somebody figured out in editing that it didn't make any sense for her to be one of those backup singers and then in a white dress. So that took a while. It also was only within the past couple of years that I realized that a lot of the sort of classical, but silent movie sounding music that I had always thought was composed by the guy who did the incidental music was actually Beethoven. Oh, really?ARI KAHAN: Because Beethoven's not credited. So that little like a little violin thing that happens …ARI KAHAN: Or when Swan is going into phoenix's dressing room. When Winslow is escaping from prison. Well, it's Beethoven piano trios for the most part. So, you don't need to get permission from the Beethoven estate on that…ARI KAHAN: Well, I think that they would have had to pay the orchestra involved and I can easily imagine them omitting credit to avoid doing that. Hoping nobody would notice. And nobody did, obviously.Until you've just brought it up. ARI KAHAN: Yeah, sorry. That's okay. It's not, it's not our problem. One of the things that, that I found the Swan Archives to be so helpful on—well, lots of things, uh, when I discovered it years ago and I've returned to it as new things have popped up or I've dug a little deeper—was your explanation of the Swan Song debacle. As a frequent viewer of the movie. I wasn't noticing truncated shots. That I didn't notice until you showed us those shots. But obviously the mattes, particularly at the press conference, are really, really terrible. If I'm noticing them, they're bad. Can you just give us a brief history of why they had to do that? ARI KAHAN: Sure. So, it goes to Beef electrocution. In the early seventies, there was a band called Stone the Crows, whose guitarist was a guy named Les Harvey and Peter Grant, who would later manage Led Zeppelin, managed Stone The Crows. And Les Harvey was—in a freak accident—electrocuted on stage. I think his guitar was badly grounded or something along those lines, in 1971 or 72.And when Peter Grant learned that there was a film coming out in which a rock guitarist is electrocuted on stage, he assumed, that it was making fun of what had happened to his friend, Les Harvey. And by that time he was managing Led Zeppelin. I should say in De Palma's defense that Beef's electrocution shows up in early drafts of the script that were written before Les Harvey suffered his accident. So, this was life imitating art, imitating life, you know, rather than the other way around. De Palma clearly did not take that plot and probably didn't even know about what had happened to Les Harvey. But anyway, by the time Peter Grant got wind of this, Phantom had already been shot, but not yet released. This was in the summer of 1974. And by sheer absolute sheer coincidence, Peter Grant and Led Zeppelin had just gotten a trademark on Swan Song for their record label. And the first record to come out on the Swan Song label was Bad Company's first record, and that was in somewhere around June of 1974. So that's when their trademark was perfected, and Phantom was scheduled to be released a few months later at the end of October.And Peter Grant went to 20th Century Fox, which had just purchased Phantom from Ed Pressman and DePalma. You know, it's important for the story to know that Phantom was independently produced. It wasn't financed by Fox. Pressman and DePalma raised money to make this movie in the hopes that they would then sell it to some distributor for more than they had paid to make it.And it turned out that there was a, quite a bidding war among several studios, which Fox won. And Fox paid more for Phantom than anyone had ever paid for an independent film to that point in history. They had very high expectations for it. So that sale had just closed, but Pressman and De Palma and everyone else hadn't been paid yet by Fox.And of course, they had run out of money and owed everybody money, everyone who had worked on the film. So, they were in kind of a desperate situation. And Peter Grant went to Fox and said, “I'll sue you and prevent release of this film.” And the only thing that Fox could do was to tell Pressman and De Palma, you need to fix this.And the only way they could fix it was by removing all of the references to Swan Song, so that Peter Grant wouldn't have grounds for his claim, because he obviously can't claim you can't have a film with an electrocution of a rock star. Really, all he had was the Swan Song thing. And so that was done very, very hastily. They were still working on it in early October, even though the film was scheduled for release at the end of October. And so, basically, Fox signed a deal with Led Zeppelin saying we won't release the film with any of this Swan Song prominently shown. Which is a very stupid resolution really because Peter Grant in the end did not prevent distribution of a film with an electrocution of a rock star, which was his original concern.All he really managed to do was mangle somebody else's. And so the end result is that the film that we've all been watching for the last 50 years, there's a little bit cut out of it. There's some lovely crane shots that you missed because what the DePalma had done through the film was start on this Swan Song logo or the Swan name and then move away from it to whatever was going on. So that you have the impression that Swan was everywhere. And so that whole thing was lost and, you know, as you and everybody else noticed, some of it's very noticeable, particularly the bird at the airport. Which is too bad.I understand that you have a secret print of the film in which all those logos had been restored. In addition to fixing the crane shots and having shots that no longer have the terrible matte on them, is there anything else in that version that we wouldn't have seen before? ARI KAHAN: It's not a secret print, really. It was just reconstructing the film the way that it was intended to be, using footage that had been assumed to have been destroyed decades ago, but which I eventually found and digitized. And then with the help of a couple of other folks, put the movie back together. The most challenging part: there's a couple of challenging parts to that.You know, it's not just a matter of sticking things in. The footage was without sound. And so, if you're making a scene a few seconds longer, for example, and there's music underlying that scene, what are you going to do? Are you going to start the music a little bit later? Are you going to end it a little bit earlier?Are you going to play it a little bit slower so that it fills up these extra seconds? Are you going to loop it? Are you going to find some other piece of music that was probably intended to go there in the first place? So there's that problem. And then the podium scene, which is the worst offender—at the airport—the original, they actually worked on the negative to put the dead bird on. And so, the original footage for that podium didn't exist. But we knew what the podium was supposed to look like, because there's a photo that was used for the German promotional campaign—created obviously months before the film is released—and that still shows the podium the way that it's supposed to look. So, I got my friend, Steve Rosenbaum, who is a special effects supervisor. He won Oscars for Forrest Gump and Avatar, I think. And he's about to win an Emmy—I will bet you a box of donuts—he's about to win an Emmy for his work on Masters of the Air. I gave him this image and the footage that's shown, you know, in the theater normally, and he reconstructed the podium for me. So that's how we did the podium. But the other thing that was that if you go see the film now in the theater projected from DCP, the DCP master—which is the same master that we've used for the current blu rays—it was done by a company called Reliance Media Works in Burbank. And, I don't know what 17 year olds they had working on it, but they did the coloring and grading the way it's fashionable to do when they did it, you know, 10 years ago, which was a lot of orange, teal and the blacks are crushed so that anything that's really dark gray or dark brown, just black, so that the colors pop more, but you lose a lot of the detail, and to my eye it looks terrible.And so, I used an earlier master of the film that looks more like it looked in the 70s as the base for the reconstruction. And then color matched the replacement footage to that. It sounds beautiful. ARI KAHAN: It's gorgeous. The only other thing that I suppose we could have done, but didn't, is there's originally footage of Winslow's face coming out of the record press looking all mangled. And I have that footage, but I didn't put it back in because that footage that DePalma deemed not appropriate to the tone of the film that he was making. And so, since the object of this game was to restore the film to the way that he would have wanted it, I let that out. I think that was a wise choice. You know, I talked to Pete Gelderblom, who did the Raising Cainreconstruction. And it's a beautiful piece of work that he did. He was more constrained than you, because he was only allowed to use the footage which was there, and he just had to rearrange it. He repeats one shot, but he got it as close to the original shooting script as he could. I don't think Paul Hirsch was particularly thrilled with it, but De Palma was and has referred it as his director's cut. Did De Palma see your version and did he like it? ARI KAHAN: Yeah. I did a cast and crew sort of screening in Los Angeles and Paul Williams came to that and Archie Hahn and so on. Ed Pressman, the producer. And there was tremendous enthusiasm, because none of them had ever seen the film that they made the way that it was supposed to be.And I sent a copy to Paul Hirsch and I'm not sure whether DePalma heard about it from Pressman or from Paul Hirsch, but he asked to see it. And I sent it to him and I got a nice note from him saying, you know, that it was great, good job, la la la, it's great to see the film the way that it was, you know, the original cut.So. Yes, he is. Definitely. He's seen it. He's happy with it. And Ed Pressman, in particular, wanted to have that version released on home video or in some other way. And we went to Fox. This is before Disney. It was still Fox. And Fox said, well, you know, we could consider doing that under two conditions. First, Mr.DePalma approves. Well, yes, check box checked there. He does. And second, we made this deal with Led Zeppelin back in 1974, where we agreed not to do this. And if you can get them to waive their rights under that agreement, then yeah, sure. So, I worked with Ed Pressman and we put together a bunch of testimonials from people that we thought Led Zeppelin might respect, like Brett Easton Ellis and I think Guillermo del Toro and others, and sent a package off to Led Zeppelin through their lawyers. And God bless them, they got back to us in less than a week and said no. At least they didn't leave you hanging. ARI KAHAN: At least they didn't leave us hanging. That's right. So, your archive is amazing and is hour's worth of fun to go through it. ARI KAHAN: It's a rabbit warren. Yeah, I wish it were a little better organized.How did it get started? Well first, when did you start collecting memorabilia and then how did that grow into the archive? ARI KAHAN: I started collecting memorabilia right after I saw the film when I was 12. And that was obviously pre internet and pre-eBay. And it was a lot harder to get stuff. Bt I would frequent science fiction conventions and horror conventions and comic book shops.And there were a whole bunch of people who knew me as that kid who's always looking for Phantomstuff. And I was the kind of nerd who kept a log with the what everybody else was also looking for. And so, if I were at some convention and the guy who was collecting Olivia Newton, John's stuff, if I saw something interesting—not that there is anything interesting about it, but anyway—if I saw something interesting about Olivia Newton, John, I would run to the pay phone and call him and say, Hey, you want this? And I would pick it up for him. And so, there was a lot of returning of favorites where there would be people who were going to cons that I wasn't going to. And if they saw Phantom stuff, they would pick it up for me and that kind of thing. And so, you know, that became the way to get the posters from every country in the world that it was released in and the lobby cards and everything else and it started filling up, taking up more and more space over time and grew into, you know, trailers and magazines and everything else.And then when the site came out in around 2006, I put up the first version of the site. People who either had worked on the film or had something interesting would get in touch with me and say, “You know, I have this. I see you have a good home for it. Do you want it?” And of course, you know, eBay was a way to fill in some gap.Is there, within what your current collection holds, is there a prized possession that, you know, if there was a fire and you only grabbed one of those pieces, what would you take with you? ARI KAHAN: Yeah, absolutely. You know, in every dorm room and every apartment and every house I've ever lived in has hung John Alvin's art from the one sheet, and it's the same art that's on the cover of the soundtrack album. I just thought that was beautiful piece of art. And I think it was his second movie poster he painted. The first one would be for Blazing Saddles. And then he did Young Frankenstein, and if you look at the Young Frankenstein poster and the Phantom poster, you can see that there's a lot of stylistic similarities there.But he went on to do, you know, E. T. and, you know, 130 odd other posters. And at some point, he and I started corresponding and he finally said, “You know, I have something that I think you should have. Give me your mailing address.” And a few days later what showed up was his original painting, the comp painting for that poster, which he had had all this time. And so that would be the prize possession for sure. Well, that qualifies, I think. Is there a Holy Grail out there that you're still looking for? ARI KAHAN: The original art for the Corbin poster. Which is the “he's been maimed and framed, beaten, robbed, and mutilated.” That artwork would be a Holy Grail. As well as, well, the Phantom's original helmet. Now, it turns out there's a couple of them, at least. And one of them Guillermo del Toro now has. He just bought the Phantom's costume after it failed to sell at auction at Bonham's. And the other helmet the Pressmanfamily has, so those would be a grail. There's a lot of things that I'm sure no longer exist that would be the grail, like, you know, the Phantom's contract.Any number of props would be fun, but there's not very many known to still exist. I think Peter Elbling still has—or I think his son has it right now—the microphone that he used with a knife on it. And Garrett Graham still has his guitar strap, Beef's guitar strap. And I think he may still have the plunger.But not the antler belt? ARI KAHAN: No, not as far as I know. That'd be tough to ship. It would be. Yes. Dangerous to keep around the house. You could bump into it. On the site you kindly show all kinds of different memorabilia that you have or that exists around the world. And you also have a section called Inexplicable Crap. Is there one piece in there that just stands out for you as what in the world were they thinking? ARI KAHAN: Maybe the Death Records pillow. Like I can understand why they did. They made prototypes that never went out for sale. Why anybody would want it, you know, a dead bird, probably somebody wants a dead bird pillow, but the market would be limited.When the DVD for Phantom Palooza 2 came out, I bought that and then heard you talking somewhere about getting Jessica Harper to sing Old Souls, which is on the DVD. We just see the very end of her singing it. I'm guessing there were some technical problems or something with that. ARI KAHAN: It wasn't technical problems. It was the Paul Williams rider, which required that the show not be recorded. And I think that midway through Jessica singing, somebody might have said, or actually I think that's an audience--t might be an audience shot thing that we have. There's probably lots and lots of cell phone video out there of the show, but nobody related to who worked on Phantom Palooza—and I was one of the people who worked on Phantom Palooza—is going to be out there distributing anything that we agreed with Paul we would not even shoot. But, but yes, Jessica was absolutely a highlight of the show there. I was surprised that she went full force on the end of that song. ARI KAHAN: Well, there were no plans for her to perform. And the morning of the rehearsal, I said, “Hey, Jessica, you want to go down and watch Paul rehearse?” And I took her over to the auditorium and I was hoping that, you know, seeing that and being a performer at heart, she might be inspired to maybe, you know, participate. And she decided she would do Old Souls with Paul's band. And then she went back to the hotel and practiced the song, I think, all day in her hotel room and then, you know, knocked it out of the park that night. That's how I remember it. And then she came off stage and said, you know, now I know how Mick Jagger feels. It's a pretty stunning debut for her in that movie, to come from essentially nowhere—although she'd done things before that. And then the run that she had in the seventies, pretty unequaled when it comes to being the, um…ARI KAHAN: The queen of cult. Yeah. The queen of cult. And just the range, from Suspiria to My Favorite Year. You don't get a much broader range than that. ARI KAHAN: Pennies From Heaven. Yes, just phenomenal. Even just the wheat speech in Love and Death is worth the price of admission alone. ARI KAHAN: She played, uh, Gary Shandling's wife on The Gary Shandling show in the last season, named Phoebe, of all things. And in, I'm pretty sure it was the last episode of that show, she's held hostage by a phantom who lives under the set, who threatens to sabotage Gary's show, unless she will sing his song. And she ends up singing his song, which turns out to be YMCA. Wearing a dress that is very, very reminiscent of the one she wore to sing Old Souls in. And they even make a Pennies From Heaven joke. So, it's very inside baseball, I should say. Speaking of actors from that, I've always been blown away by William Finley's performance in the movie. I think it was Paul Williams who said something like, you know, he spends three quarters of the movie acting with one eye and metal teeth, and that's all he's got. And it's just flawless and so heartbreaking.And I'm just sorry we didn't get to see him in more movies. He's delightful in The Fury in a very small part. He's all over the early films. And I got the sense since I read somewhere that you did a eulogy for him, that you must have developed a friendship over the years. ARI KAHAN: Yeah. And, before we get to that, you say heartbreaking, right?And I think that that's one of the things about Phantom that was so ballsy. It's obviously a spoof of many things, but while being a spoof, it tries to get you to care about the characters. If, if you were not, you know, devastated at the end when Winslow dies just before Phoenix recognizes that it was him all along, you know, the film has failed.Whereas in other spoofs, you know, Rocky Horror doesn't ask you to care whether Brad and Janet will get back together after their experience or anything like that. Nobody asked you to care about the characters at all. And I think it's a huge risk that DePalma took in making a film like this: while simultaneously being a parody and a satire and a spoof and everything else, he wants you to care about the outcome. As far as Finley, I got to know Bill a little bit towards the end of his life after meeting him at Phantom Palooza. I went to New York and spent a little time with him and now I know his wife Susan pretty well and his son Dash a little bit. And when he died, Susan asked If I would put together some kind of a video montage for the funeral, which wasn't that—it's a celebration of life was what she was calling it. And I did that. And every time I had it finished—and, you know, I had like a day and a half to do this. And then I had to take the red eye to New York from California for this, for this event—every time I had it finished, she would send me a few more pictures and I'd have to, you know, redo it.And then she asked, could you set it to music? Could it be set to Faust? You know, okay. You know, you don't say no to a widow, right? And I was working at the time too. So, when I finally flew to New York, I was completely exhausted. And I got to the chapel I guess a couple of hours before the ceremony was supposed to start, so that we could make sure that this thing would play on their equipment and so on.And I'm taking a nap on one of the pews and Susan showed up with, you know, programs under her arm. And I picked up a program and saw that, right after Garrett Graham and Jessica Harper was supposed to speak, I'm supposed to speak. But I this was the first I was hearing about it. And so, I spent the first, unfortunately, the first part of the ceremony—where I really wanted to be paying full attention—kind of scrambling together what I was going to say.I have no idea what I said at this point. I hope it did Bill justice and didn't offend anybody, but I couldn't tell you now a single word of what I ended up saying there. And it's in front of, you know, various of the icons of my childhood, right, are in that chapel. So it's kind of like all of the nightmares of going to school and realizing that there's a test in the subject that you never took, and that you're not wearing pants, and all your ex-girlfriends are there laughing at you. Because I have my own podcast that has to do with my series of books, and like your site, I want to make it perpetual. But there's really no way to do that unless I set up a fund so that after I die they keep paying the site to keep running it. Because as soon as that site shuts down, the podcast goes away. And the same thing will happen to the archive. Whoever is hosting it, unless they're paid, it's gonna go away. I'm wondering, do you have a plan in place for all that information? ARI KAHAN: When I go, it goes.Oh, I feel like I set you up for that. Okay. Can I propose an alternate ending to that? ARI KAHAN: Sure. You essentially have a book there. You just have it in web form. You should put that together so that when it is done, when you are done, it can just be put into a book because it already reads like a book.ARI KAHAN: People have suggested that, and I've resisted doing a book because every now and then, some new fact comes to light that shows that something I had in there was wrong. And everything in there—virtually everything—is based on conversations that I've had with participants or material that came out at the time. None of it is taken from someone else's book or anything. So it's all fairly firsthand, but people have fallible memory. So, for example, the guy who made the phantom's helmet assured me that he had made only one. And it's crazy, because every production wants to have multiple copies of any key prop, because if something happens to the prop during shooting, shooting would have to, you know, it's an incredibly expensive problem to stop shooting waiting for another one.But as it turns out, he's, he's wrong. He made more than one. There is more than one. And so, every now and then, I have to correct something on the site. And if I put it out in book form, these books would be wrong. Potentially, something could come out in the future that that would make something with my name on it. Wrong. Imagine a book with a mistake. I can't imagine. ARI KAHAN: Exactly. And I can't abide that. So, it exists in electronic form so that I can edit it and improve it. Well, I would argue that you can do the ebooks, but that's, you know, that's your circus. It's not my circus. But you do raise an interesting question about misconceptions. I know that one of the biggest misconceptions is that it ran in Winnipeg forever and it didn't. I can—as someone who lived here in Minneapolis when Harold and Maude ran at the Westgate Theater for two and a half years—I can assure you it ran there for two and a half years, because I was there those two and a half years. So that was real. Is there another misconception out there about the movie that you just can't—like a whack a mole—get rid of? ARI KAHAN: So many. In fact, um, I think on my FAQ page, I list some of them. Is there an egregious one that just gets under your skin? ARI KAHAN: Yeah. The idea that it was only popular in Winnipeg and a couple other places is just completely wrong. It was big in Japan. It eventually became a big in Los Angeles. It never did anything in New York. Where it was actually biggest was not Winnipeg, it was El Salvador, where the songs hit number one on the radio. More than once. And it was brought back and revived many times. I get more mail from El Salvador than from anybody else.As we wrap up here, my favorite scene in the movie is the closing credits. I just love the music. I love what Paul Hirsch did with the assembly of that. And for years, I was living under the mistaken impression that in the credits, when it said Montage by Paul Hirsch, that that's what I was looking at was that montage. That's a montage. Then I was disabused of that in an interview with him—which I clarified with him. It was very nice to get back to me on Facebook when I said, “Am I correct in my understanding that the montage in the middle of the movie, the writing montage, you never saw that until the film was done? You had to put all the timing of that together, the animation of the writing, the placement of Phoenix's face on this part of the screen, and the Phantom and that, all the dissolves, all that timing?” And he said, “Yes it was a one-shot thing.” And I think for that he does deserve a special “Montage by Paul Hirsch,” because even today, with all the stuff we have, that would still be a challenging thing to do. And then not to be able to see the end result.But even with that, I just still love the closing credits. It's a combination of music, it allows me to revisit all my favorite scenes in the movie and a lot of my favorite shots. Do you have a favorite scene? ARI KAHAN: Well, I actually like those closing credits too, because most of the shots in those closing credits aren't actually in the film. Most of them are outtakes. And so, for example, in those closing credits, you have Swan splashing in the tub. There's Archie Han twirling around like this. And most of them, alternate takes. And they're clearly things that Paul Hirsch thought were charming and wanted to include that he couldn't put in the film.I suspect that you've held 35-millimeter film in your hands and cut shot A to shot B. I've only done that in 16mm. To keep a piece of film that short, hanging on a hook somewhere going, “I know I'm going to want to use that later.” Then finding that. I don't think people today understand what skill level was involved in, you know, that sort of thing, or the TIE Fighters in Star Wars that he did, or all that connection of little pieces, and tracking that and knowing that that's going to go there and that's going to go. It's so much easier today. And you had to make firmer decisions then earlier in the process than you do now, right? And fixing things was much more arduous. ARI KAHAN: You know, I think if they had to fix the Swan Song stuff out of Phantom and they were doing it using digital technology today, obviously, it'd be much faster and so on, but, uh, doing it on film. And having to send each change into the processing house, and then getting it back a few days later, and, uh, you know, it's a lot of work. It'd be horrible.But favorite scenes: The Goodbye Eddie number just remains a favorite. Do you know why? It's not fancy DePalma. It's a wide shot, two shot, a single. ARI KAHAN: That's right. It's the most conventionally shot thing in the film, but Archie Han is just so great in it. His delivery boy in My Favorite Year—when he does the punching—he just does the exact right thing at the right time. And I wish there'd been bigger movies with more Archie Han in them than what we got. ARI KAHAN: So does Archie. Okay, last question. If you take Phantom of the Paradise out of the mix, what would you say is your favorite De Palma movie?ARI KAHAN: Well, I'm not sure that Phantom of the Paradise is my favorite De Palma movie. It is a sentimental childhood favorite. But I go back and forth between Carlito's Way, Casualties of War, Femme Fatale, Carrie. And Raising Cain.I think that Femme Fatale is probably the one that came closest to his intention.It's the one that I think of as being, like, the most successfully realized, and I love it for that reason. Carlito's Way is just, by, I think, any objective standard, probably his best work. Then I love Blow Out. I'm not on the Blow Out train as much as everybody else. Maybe because it just, it goes so dark.ARI KAHAN: That's what I love about it is the devastating ending. I really love Peet Gelderboom's version of Raising Cain. Given all that, and given that you're 12 years old in 1974, 75, somewhere in there, and you're you're a movie freak at this point, which is a really good time in film history from that era. Is there a favorite? ARI KAHAN: So, I was really lucky that I was when I was 15 or 16, I was working at a theater called the UC theater in Berkeley, which was a repertory house that showed a different double bill every night. And any night that I wasn't working, I was there seeing movies.So, I saw lots and lots and lots of movies. And despite all that and all the weird stuff I saw, my favorites are probably the same things that every 70s kid's favorites were: Star Wars, Harold and Maude, The Godfather. I loved Harold and Maude so much that I bought an old hearse at one point.Okay, you win. ARI KAHAN: And I didn't keep it for long. It got like, I don't know how many gallons per mile. It was just not economical to have as a car, but it was fun for a while. I was very lucky when they hit the two-year mark here in Minneapolis, and I was a junior in high school, maybe. I happen to know the son of the local movie critic for the paper, and the critic knew that I was a big fan of Harold and Maude. And so he took me along on his press junkets. So, I had dinner with Bud Cort, got to chat with him. I got to hang out with Ruth Gordon for the day. ARI KAHAN: The only one I can propose to top that would be when I was in high school, I was writing for the school paper. Actually, I had stopped going to high school. I was the entertainment editor for the school paper, and I had stopped going to high school. I dropped out, but I kept submitting articles to the paper. And at some point, the newspaper staff changed my title from Entertainment Editor to Foreign Correspondent. And on the strength of that—when Tim Curry's first record, Read My Lips, came out, and he was coming to town to sign autographs at Tower Records—myself and a writer from the Berkeley Bar, which was a newspaper back then, had lunch with him around the corner from Tower Records just before he went off to do his autographing. And I was a huge Tim Curry fan. And I had to try to keep that under wraps and, you know, not ask any Rocky Horror related questions. And that was my claim to fame until all of the Phantom nonsense started.

POWW Recent Compilations Episode 1: This episode features four compilations released by Rebellion Records, Liberty or Death Records, Pirates Press Records, and No Romance Records towards the end of 2023.

ORDER QUALITY MEAT TO YOUR DOOR HERE: https://wildpastures.com/promos/save-20-for-life/bonus15?oid=6&affid=321 Save 20% and get $15 off your FIRST order! Support your local farms and stay healthy! GET HEIRLOOM SEEDS & NON GMO SURVIVAL FOOD HERE: https://heavensharvest.com/ USE Code WAM to get FREE shipping in the United States! HELP SUPPORT US AS WE DOCUMENT HISTORY HERE: https://gogetfunding.com/help-wam-cover-history/ GET YOUR APRICOT SEEDS at the life-saving Richardson Nutritional Center HERE: https://rncstore.com/r?id=bg8qc1 BUY GOLD AND SILVER HERE: https://kirkelliottphd.com/wam/ Josh Sigurdson reports on recent news exposing the FDA as the Food & Drug Administration has been given allowance by US District Judge Reggie Walton to essentially hide vaccine data from the public due to "extraordinary circumstances." The FDA has recently been caught having knowledge at the time of vaccine rollout that the injections caused severe heart problems including myocarditis. It seems that the more information that comes out, the more governments are willing to cover up vaccine data despite a constantly growing public outcry demanding answers. There is little to no justice after nearly 4 years since lockdowns began. 3 years since injections were rolled out, causing mass death worldwide despite obvious foreknowledge of said injuries and deaths. Now, we learn that not only are mask mandates returning in many places worldwide but vaccine mandates are still being enforced in Hollywood while Brazil forces infants to be injected or their families lose welfare. We are living in a truly sick anti-human world and that is the goal of the establishment. We must fight back. Stay tuned for more from WAM! Buy HEALTHY organic coffee with your day's worth of antioxidants HERE: https://www.r1kln3trk.com/3PC4ZXC/FFJPPD/ GET AN EXTENDED FREE TRIAL FOR ICKONIC WHEN YOU SIGN UP HERE: https://www.ickonic.com/affiliate/josh10 BUY YOUR PRIVATE CLEARPHONE HERE: https://www.r1kln3trk.com/3PC4ZXC/F9D3HK/ LION ENERGY: Never Run Out Of Power! PREPARE NOW! https://www.r1kln3trk.com/3PC4ZXC/D2N14D/ GET VITAMINS AND SUPPLEMENTS FROM DR. ZELENKO HERE: https://zstacklife.com/?ref=WAM GET TIM'S FREE Portfolio Review HERE: https://bit.ly/redpilladvisor And become a client of Tim's at https://www.TheLibertyAdvisor.com STOCK UP ON STOREABLE FOODS HERE: http://wamsurvival.com/ OUR GOGETFUNDING CAMPAIGN: https://gogetfunding.com/help-keep-wam-alive/ OUR PODBEAN CHANNEL: https://worldaltmedia.podbean.com/ Find us on Vigilante TV HERE: https://vigilante.tv/c/world_alternative_media/videos?s=1 FIND US on Rokfin HERE: https://rokfin.com/worldalternativemedia FIND US on Gettr HERE: https://www.gettr.com/user/worldaltmedia See our EPICFUNDME HERE: https://epicfundme.com/251-world-alternative-media JOIN OUR NEWSLETTER HERE: https://www.iambanned.com/ JOIN our Telegram Group HERE: https://t.me/worldalternativemedia JOIN US on Rumble Here: https://rumble.com/c/c-312314 FIND WAM MERCHANDISE HERE: https://teespring.com/stores/world-alternative-media FIND OUR CoinTree page here: https://cointr.ee/joshsigurdson JOIN US on SubscribeStar here: https://www.subscribestar.com/world-alternative-media We will soon be doing subscriber only content! Follow us on Twitter here: https://twitter.com/WorldAltMedia Help keep independent media alive! Pledge here! Just a dollar a month can help us alive! https://www.patreon.com/user?u=2652072&ty=h&u=2652072 BITCOIN ADDRESS: 18d1WEnYYhBRgZVbeyLr6UfiJhrQygcgNU World Alternative Media 2023

READ: https://www.judicialwatch.org/judicial-watch-new-records-reveal-barack-obamas-presence-at-emergency-scene-of-obama-family-chef-drowning/READ: https://www.judicialwatch.org/censoredandcontrolled/READ: https://www.judicialwatch.org/sues-national-intelligence-social-media-censorship/READ: https://www.judicialwatch.org/sues-cdc-for-records-about-breastfeeding-by-males/READ: https://www.judicialwatch.org/sues-state-dept-for-records-related-to-eligibility-of-hungarians-visa-waiver-program/ SUPPORT OUR WORK https://www.judicialwatch.org/donate/thank-youtube/ VISIT OUR WEBSITE http://www.judicialwatch.org

Listen every weekday for a local newscast featuring town, county, state and regional headlines. It's the daily dose of news you need on Wyoming, Idaho and the Mountain West—all in four minutes or less. Fridays feature a roundup of KHOL's best stories of the week.

Episode 327, featuring tracks from Mad By Mourning, Mars Addict, Dead Streets, First In Line (F.I.L.), Fist, Lion Fight, The Apparents, Bent Out Of Shape, Racun Timur Menggoda, American Eagle, Skinny Pete and the Meats, Sevensins, and Bullet. Eric is unfortunately unable to join for this episode, though his list of releases and upcoming shows are included. The episode is loaded with a bunch of music shared with us, some great older tracks, mentioning of the upcoming live shows, discuss a great charity compilation from Liberty or Death Records, and wrap up the show with a couple metal tracks.

Are your ancestors whispering secrets from the 19th century, waiting for you to discover them? Embark on a thrilling journey with me, Dr Michala Hulme as we unearth these enigmas etched in death and burial records. Together, we'll decode the cryptic handwriting on pre-1812 records and navigate the Civil Registration Index, a treasure trove waiting to be explored.The 19th century was a time of trials and tribulations, its harsh realities reflected in child mortality rates. Urban areas teeming with life were also packed with perils for the young ones. Gain a new perspective on your family history as we harness the power of the 1911 census and shed light on common causes of death such as TB, cholera, and convulsions. How did these adversities shape the journey of your forebears? Let's trace the roots together. Lastly, we'll step into the somber world of 19th-century burial practices. Uncover the rise of joint-stock cemetery companies and the advent of municipal cemeteries, the silent witnesses to the cycle of life and death. How did the 19th-century burial acts shape these landscapes of remembrance? Let's find out together. Support the show

Episode 318, featuring a great interview with T aka Ace Soprano of Italian Blood, Dead End Lane, Liberty or Death Records, Baltimore's I95 Fest, and Oi 2 World. Also, including tracks from Split Image, Brutal Youth, Flores Y Fuego, The Traders, Guilty By Association, Cat's Paw, Italian Blood, Monstrology and Primal Scream. We play a lot of new music, more music shared with us, discuss upcoming live shows, we discuss with T all of the upcoming activities his projects have in the near future, and wrap up the show with some metal and alternative tracks.

JUST TALKING Game contributor HenricK The WrecK and Ubisoft Community Development Director, Dan Mitre log into JUST TALKING to smash their video game controllers on the floor frustrated with gaming politics! They're just one life-heart away from the final stage and with 10% energy left can they beat the final boss? In gaming news the U.S. government wants to ban social media giant TikTok because they have concerns over China spying on Americans. Meanwhile Apple Siri, Microsoft Cortana, Google Home and Amazon Echo say— “don't panic, we hear your concerns." The 2023 BAFTA (British Academy Games Awards) are coming up and why should we care? We don't BUT let's press start anyway. Which games do our esteemed panel of gamers nominate? God of War is the Beyonce of awards—multiple nominations but hasn't sealed the deal. Will Elden Ring take home the gold? Totally Turtles dude! It's a sleeper hit on the Nintendo Switch. It's heavy on the cheese but can it deliver the “za” in 30 minutes or less? Voice Acting is getting the recognition it deserves but the competition is tight. Which VO performer takes the trophy in a video game leading role? The best games in 2023 are from 15 years ago! How does the video game industry justify serving stale bread to the fans? Is the nostalgic factor worth the price of entertainment — is there an appetite for these old moldy games? Don't touch it, there are masterpieces in our world that need to be left alone. The Olympic Esports competition will take place in Singapore with games like Just Dance and Tennis Clash while snubbing established tournament franchises like Call of Duty and League of Legends. Gamers say the Olympics are playing it too safe and need to include headshots. Can we uncheck the parental controls—BUT the E in Esports stands for everyone! Even hockey players clean up their act for the Olympic Games! https://www.chriscollinsshow.com/henrick-the-wreck   STRIKE A CHORD Vocalist/guitarist Dan Mitre joins STRIKE A CHORD to discuss his Punk Rock trio band Distortions. Rocking out of Raleigh, North Carolina the band has deep roots in the punk rock scene, the trio quickly established a fan base and position in the music community. Distortions is well known for crazy guitar riffs and an unwavering desire to perform live on stage. Rumor has it, this is how the band survives without food or water—feeding off the communal energy of the crowd. But how did former Bear vs Shark bassist Nick Jones and former Blitzkid drummer Andrew Winter link up with Dan Mitre to form Distortions? Music is medicine for the soul. The trio brings passion and emotion to every track but Mitre admits "you don't really know until you see us live on stage." Their latest EP “Flies” addresses some heavy themes. “We're all battling some form of depression, the demons ripping at our chest but there's hope at the end of the day, we can persevere and we can endure and there is a reason to continue forward.” Community is vital to Distortions. We need to be human. You can't spend every day pretending to be Superman. REACH OUT to people that love you, don't be afraid. That commitment to community also created a record label, Bored to Death Records. Dan's DIY punk rock campaign to offer a platform for independent artists without the pressure and politics of a large music label. Singles or Albums has been an on-going argument on the show BUT which side does Distortions go sideways with? The trio is a force of nature and their latest single “Castaways” is as punk as it gets. We're all just “whimsy hypnosis charming castaways” on punk rock island. Follow, listen and Support: https://distortionsband.com

Episode 300, featuring a great interview with Stefan & Gabriel of City Saints. Also, including tracks from Alpha Sub, Final Call, Claymore, Conflict Resolution, Get To The Point, Minor Threat, and City Saints. We play new music from Liberty or Death Records newest compilation (raising money for Brick City Rescue), discuss live shows, and have a great discussion with City Saints and talk about their new album “Punk & Roll”.

Condor is a progressive rock band from Southern California. They were featured on the most recent installment of the YouTube series, “Into the Ether,” from Realm Drifter Magazine. Check that out here: https://youtu.be/ACsSFpMS3ZA The band are set to release their new album with Glory or Death Records later this month. Follow them @condortheband and subscribe to the podcast!

Ashley & Wynonna Judd have been shut down in their attempt to have a judge recuse himself from presiding over their fight to keep their late mom Naomi's death records sealed. Listen here and learn more at RadarOnline.comAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Author Neil Greene discusses his article, "Marked as Homeless: Reconciling with Ambiguities about Housing Status in Death Records," published in Socius: Sociological Research for a Dynamic World in September 2022.

Buddy Donner is the lead guitarist for Great Electric Quest and also the man behind Glory or Death Records. The label is gearing up to release its third installment of the Bow to Your Master's tribute compilation series, paying homage this time to none other than Judas Priest. You can preorder the digital copy now or grab one of the many vinyl variants at gloryordeathrecords.com

Episode 281, featuring a great interview with Anthony Soprano aka T Soprano of Italian Blood, Oi 2 the World, and Liberty or Death Records. Including tracks from Flogging Molly, Finnegan's Hell, Longshot Odds, The Attack, Patriot, The Enforcers, and P.O.D. We play several new tracks, more music from Violated Records, play a lot of Flogging Molly, and great conversation with T about his band Italian Blood, a new compilation on Oi 2 the World, and many topics related to Liberty or Death Records. Wrapping up the show with a some nu metal.

PODCAST ALERT!  Please share the pod and tag me (and the show) in your post. Please also invite your pals to like The Whizbanger Show on Twitter, Insta, and FB - if you want your music featured on the one and only Whizbanger Show, gimme a holler!  Love y'all! The Whizbanger Show is 100% sweat equity. Support me by donating HERE. Thank you! The Bands: Alabama Thunderpussy, Alunah, Amon Amarth, Angelus Apatrida, Anthrax, Anti-Flag, Anti-Nowhere League, Cher, Chris Cornell, Death, Faith No More, Hammerfall, Howling Giant, Marianne Faithfull, Mothership, Patti Smith, Sepultura, Tragedy, Two Minutes to Late Night, Vader   The Labels/PR: Beauty Rock Records, Century Media Records, Columbia Records, Glory or Death Records, Magnetic Eye Records, Metal Blade Records, Napalm Records, Nowhere Records, Nuclear Blast, Redux Records, Roadrunner Records, Small Stone Recordings,     Tune in to MMH The Home Of Rock Radio every Friday from 2-4 PST | 10-midnight GMT to hear The Whizbanger Show. Stream ===>>> www.mmhradio.co.uk Whizbanger Show Podcasts ===>>> https://mmhradio.co.uk/podcasts/the-whizbanger-show/   Download the app ===>>> Google Play or Apple Store   Tell Alexa ===>>> Hey Alexa, play Midlands Metalheads Radio on TuneIn Tell Google ===>>> Hey Google, play MMH Radio on TuneIn   Get in touch with The Whizbanger: Email: thewhizbangershow@mmhradio.co.uk Facebook: www.facebook.com/whizbangershow Instagram: @sara.whizbanger Twitter: @SaraWhizbanger

New music by way of Manchester,Portland,Clermont Ferrand,Santander,Los Angeles,Madrid, Vichnza,Pasaro, and Stockholm. The links are below: Besvarjelsen: https://besvarjelsen.bandcamp.com/releases Witchfinder: https://witchfinder.bandcamp.com/album/endless-garden Sasquatch: https://sasquatchrocks.bandcamp.com/album/fever-fantasy Warcoe: https://warcoe.bandcamp.com/album/the-giants-dream Ultracombo: https://ultracombostoner.bandcamp.com/album/season-ii RedWhore: https://redwhore.bandcamp.com Grey Giant: https://greygiant.bandcamp.com/releases Greenseeker: https://greenseeker.bandcamp.com Deepshade: https://deepshadehq.bandcamp.com/album/gloaming-ep-2022 Wild Wild Wets: https://wildwildwets.bandcamp.com ***** http://doomtombpodcast.com *****   ***** Edited by Ian from No Masters Audio: https://www.instagram.com/nomastersaudio/ House band : Stone Witch https://stonewitchband.bandcamp.com https://interstellarsmokerecords.bigcartel.com (They're are working on new material right now) *****  SPONSORS : Sam Sa'House: https://www.samsahouse.com Click below for 10% off first your order! https://www.samsahouse.com/discount/sahousetomb https://www.instagram.com/samsahouse/ Saucy sauserten from sauce town. ***** Desert Records: https://www.desertrecords.us/artists/ https://desertrecords.bandcamp.com https://www.facebook.com/desertrecordslabel https://www.instagram.com/desertrecords/ When you go to the desert bring water. It's hot out there. ***** Glory or Death Records: https://gloryordeathrecords.bigcartel.com https://www.facebook.com/Gloryordeathrecords https://www.instagram.com/gloryordeathrecords/ https://www.gloryordeathrecords.com Sick variants lately , huh ?! ***** Cranium Radio(Sundays,6-9 PM EST): https://www.facebook.com/craniumradio The Doom Tomb followed by an episode of the podcast - http://craniumradio.com Listen by way of : https://streema.com https://tunein.com https://live365.com https://liveonlineradio.net/cranium-radio http://radio.garden/listen/cranium-radio/5vlWBp-R Thank you to all the new listeners ! Just a few to mention -  Annie Rekshin Jenna Tools Mike Rotchburns Wayne Kerr(he told me to check out Ted Lasso) and Clint Torres(you were a hard one to get a hold of, but I'm so glad we met) ***** Social Media: Sometimes I'll go live at events- usully TikTok. https://www.instagram.com/doomtombpodcast/ https://www.facebook.com/doomtombpodcast https://www.tiktok.com/@doomtomb?lang=en https://twitter.com/DoomTombPodcast https://www.youtube.com/channel/UCYEaR0imIjYsgw-icbQPyhQ   ***** Planet Mammoth: https://www.facebook.com/planetmammoth https://www.instagram.com/planetmammothentertainment/ ***** Doom Tomb Merch: https://doomtomb.bigcartel.com   ***** doomtombpodcast@gmail.com Submissions, interviews, or just to say hi. ***** STAY HEAVY !!!!

The band recaps their last shows before taking an extended break to record their new material. Featuring Buddy Donner (Glory or Death Records, Great Electric Quest, Sabbath Buddy Sabbath) Follow me @zaccrye Subscribe to the podcast! www.jamspacepodcast.com Realm Drifter Arugula Video Premier https://youtu.be/wZatLFSPG7k

Today on the podcast we have all of the members of Surf Through Death. We talk about In and Out hacks,the higher consciousness of music,pantry problems,hands glued together, and a track by track breakdown of their latest release, STD2.  If you are interested in putting this release on vinyl hit them up at: iwanttoputoutthisrecord@gmail.com   Surf Through Death: https://surfthroughdeath.bandcamp.com/music http://doomtombpodcast.com *****   ***** Edited by Ian from No Masters Audio: https://www.instagram.com/nomastersaudio/ House band : Stone Witch https://stonewitchband.bandcamp.com https://interstellarsmokerecords.bigcartel.com *****  SPONSORS : Sam Sa'House: https://www.samsahouse.com Click below for 10% off first your order! https://www.samsahouse.com/discount/sahousetomb https://www.instagram.com/samsahouse/ ***** Desert Records: https://www.desertrecords.us/artists/ https://desertrecords.bandcamp.com https://www.facebook.com/desertrecordslabel https://www.instagram.com/desertrecords/ ***** Glory or Death Records: https://gloryordeathrecords.bigcartel.com https://www.facebook.com/Gloryordeathrecords https://www.instagram.com/gloryordeathrecords/ https://www.gloryordeathrecords.com   ***** Cranium Radio(Sundays,6-9 PM EST): https://www.facebook.com/craniumradio New music ,old favorites and a lot more. http://craniumradio.com Listen by way of : https://streema.com https://tunein.com https://live365.com https://liveonlineradio.net/cranium-radio http://radio.garden/listen/cranium-radio/5vlWBp-R ***** Social Media: https://www.instagram.com/doomtombpodcast/ https://www.facebook.com/doomtombpodcast We go live at shows on TT sometimes. https://www.tiktok.com/@doomtomb?lang=en https://twitter.com/DoomTombPodcast https://www.youtube.com/channel/UCYEaR0imIjYsgw-icbQPyhQ   ***** Planet Mammoth: https://www.facebook.com/planetmammoth https://www.instagram.com/planetmammothentertainment/ ***** Doom Tomb Merch: https://doomtomb.bigcartel.com ***** doomtombpodcast@gmail.com Submissions, interviews, or just to say hi. ***** STAY HEAVY !!!!

New Music Volume 6 New music from Portugal,Westerly Rhode Island,Antwerp Belgium,Milan Italy,Oslo Norway,Mexico, and Fayetteville Arkansas. Moonsong: https://moonsong.bandcamp.com Bloody Sam: https://bloodysam.bandcamp.com/releases Hashishian: https://hashishian.bandcamp.com/releases Kill The Kings: https://ktkings.bandcamp.com/releases Coma Hole: https://comahole.bandcamp.com/music Gnome: https://gnome.bandcamp.com/ Lord Mortvm: https://lordmortvm.bandcamp.com/ Veljet: https://veljet.bandcamp.com/ Carson: https://sixteentimes.bandcamp.com/album/the-wilful-pursuit-of-ignorance Sixteen Times: https://shop.sixteentimes.com/   http://doomtombpodcast.com *****   ***** Edited by Ian from No Masters Audio: https://www.instagram.com/nomastersaudio/ House band : Stone Witch https://stonewitchband.bandcamp.com https://interstellarsmokerecords.bigcartel.com *****  SPONSORS : Sam Sa'House: https://www.samsahouse.com Click below for 10% off first your order! https://www.samsahouse.com/discount/sahousetomb https://www.instagram.com/samsahouse/ ***** Desert Records: https://www.desertrecords.us/artists/ https://desertrecords.bandcamp.com https://www.facebook.com/desertrecordslabel https://www.instagram.com/desertrecords/ ***** Glory or Death Records: https://gloryordeathrecords.bigcartel.com https://www.facebook.com/Gloryordeathrecords https://www.instagram.com/gloryordeathrecords/ https://www.gloryordeathrecords.com   ***** Cranium Radio(Sundays,6-9 PM EST): https://www.facebook.com/craniumradio The Doom Tomb followed by an episode of the podcast - http://craniumradio.com Listen by way of : https://streema.com https://tunein.com https://live365.com https://liveonlineradio.net/cranium-radio http://radio.garden/listen/cranium-radio/5vlWBp-R ***** Social Media: https://www.instagram.com/doomtombpodcast/ https://www.facebook.com/doomtombpodcast https://www.tiktok.com/@doomtomb?lang=en https://twitter.com/DoomTombPodcast https://www.youtube.com/channel/UCYEaR0imIjYsgw-icbQPyhQ   ***** Planet Mammoth: https://www.facebook.com/planetmammoth https://www.instagram.com/planetmammothentertainment/ ***** Doom Tomb Merch: https://doomtomb.bigcartel.com ***** doomtombpodcast@gmail.com Submissions, interviews, or just to say hi. ***** STAY HEAVY !!!!      

Jonathan Portnoy is back on the podcast.Jonathan is the bassist for SORXE,but he also has this side hustle , Moon Custom Cabinetry. We talk music,crafting cabinets, and a lot more. Check oiut his links below: https://mooncabinets.com https://horseheadphx.bandcamp.com/album/terminal https://sorxe.bandcamp.com ***** http://doomtombpodcast.com *****   ***** Edited by Ian from No Masters Audio: https://www.instagram.com/nomastersaudio/ House band : Stone Witch https://stonewitchband.bandcamp.com https://interstellarsmokerecords.bigcartel.com *****  SPONSORS : Sam Sa'House: https://www.samsahouse.com Click below for 10% off first your order! https://www.samsahouse.com/discount/sahousetomb https://www.instagram.com/samsahouse/ ***** Desert Records: https://www.desertrecords.us/artists/ https://desertrecords.bandcamp.com https://www.facebook.com/desertrecordslabel https://www.instagram.com/desertrecords/ ***** Glory or Death Records: https://gloryordeathrecords.bigcartel.com https://www.facebook.com/Gloryordeathrecords https://www.instagram.com/gloryordeathrecords/ https://www.gloryordeathrecords.com   ***** Cranium Radio(Sundays,6-9 PM EST): https://www.facebook.com/craniumradio The Doom Tomb followed by an episode of the podcast - http://craniumradio.com Listen by way of : https://streema.com https://tunein.com https://live365.com https://liveonlineradio.net/cranium-radio http://radio.garden/listen/cranium-radio/5vlWBp-R ***** Social Media: https://www.instagram.com/doomtombpodcast/ https://www.facebook.com/doomtombpodcast https://www.tiktok.com/@doomtomb?lang=en https://twitter.com/DoomTombPodcast https://www.youtube.com/channel/UCYEaR0imIjYsgw-icbQPyhQ   ***** Planet Mammoth: https://www.facebook.com/planetmammoth https://www.instagram.com/planetmammothentertainment/ ***** Doom Tomb Merch: https://doomtomb.bigcartel.com ***** doomtombpodcast@gmail.com Submissions, interviews, or just to say hi. ***** STAY HEAVY !!!!

On Episode 12, Barrett invites guest Nathan Landolt, drummer of Secret Shame- a rising Post-Punk/Goth band hailing from Asheville, NC. Barrett and Nathan discuss their first encounters through the Midwest Hardcore/Metal scene dating back to 2008, Nathan's various entrepreneurial endeavors of old, why Nathan relocated to the East Coast, the formation of Secret Shame and his involvement, Secret Shame's upcoming tour(s), and Secret Shame's impending sophomore release. Barrett and Nathan also discuss how the band's mental health challenges have been infused into their music, the song writing dynamic/process, and the true "family" environment and collaborative culture woven into Secret Shame. Nathan's other current musical project (Harsh Realm), Nathan's record label/distribution (Hand of Death Records), and recently touring with Portrayal of Guilt as their "merch guy" are all discussed as well. Sit-back and enjoy as two acquaintances, of nearly 15-years, catch-up and talk about life! Listen, Enjoy, Subscribe anywhere you get your podcast audio. Check out Secret Shame's BANDCAMP - https://secretshame.bandcamp.com/ Special thanks to Ben Sharp of Cloudkicker for the new ATI Podcast open! Listen to and support Cloudkicker on BANDCAMP at https://cloudkicker.bandcamp.com/ --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app Support this podcast: https://anchor.fm/ati-podcast/support

There have been so many releases in the past few months! Here are a few to check out. New interview episodes with Surf Through Death and Jonathan Portnoy of SORXE and Moon Custom Cabinetry are coming soon! **** Greenbeard: https://greenbeardtheband.bandcamp.com/ Fuzz Meadows: https://fuzzmeadows.bandcamp.com/   Skumstrike: https://skumstrike.bandcamp.com/music Cardiel: https://cardiel.bandcamp.com/ Frozen Planet 1969: https://peppershakerrecords.bandcamp.com/album/glassblaster Humanotone: https://humanotone.bandcamp.com/music Karma Vulture: https://karmavulture.bandcamp.com/music Space Players: https://open.spotify.com/artist/77OF7cFSiulEz1RDFDNxJ2?si=VFWUa4CNS-ijCmn4HELSrA http://doomtombpodcast.com *****   ***** Edited by Ian from No Masters Audio: https://www.instagram.com/nomastersaudio/ House band : Stone Witch https://stonewitchband.bandcamp.com https://interstellarsmokerecords.bigcartel.com *****  SPONSORS : Sam Sa'House: https://www.samsahouse.com Click below for 10% off first your order! https://www.samsahouse.com/discount/sahousetomb https://www.instagram.com/samsahouse/ ***** Desert Records: https://www.desertrecords.us/artists/ https://desertrecords.bandcamp.com https://www.facebook.com/desertrecordslabel https://www.instagram.com/desertrecords/ ***** Glory or Death Records: https://gloryordeathrecords.bigcartel.com https://www.facebook.com/Gloryordeathrecords https://www.instagram.com/gloryordeathrecords/ https://www.gloryordeathrecords.com   ***** Cranium Radio(Sundays,6-9 PM EST): https://www.facebook.com/craniumradio The Doom Tomb followed by an episode of the podcast - http://craniumradio.com Listen by way of : https://streema.com https://tunein.com https://live365.com https://liveonlineradio.net/cranium-radio http://radio.garden/listen/cranium-radio/5vlWBp-R ***** Social Media: https://www.instagram.com/doomtombpodcast/ https://www.facebook.com/doomtombpodcast https://www.tiktok.com/@doomtomb?lang=en https://twitter.com/DoomTombPodcast https://www.youtube.com/channel/UCYEaR0imIjYsgw-icbQPyhQ   ***** Planet Mammoth: https://www.facebook.com/planetmammoth https://www.instagram.com/planetmammothentertainment/ ***** Doom Tomb Merch: https://doomtomb.bigcartel.com ***** doomtombpodcast@gmail.com Submissions, interviews, or just to say hi. ***** STAY HEAVY !!!!

Today on the podcast we have the return of Ian from the band Stone Witch. We talk about their latest release, Order Of The Goat +2 vinyl release. We go track by track, discuss the packaging, get in-depth about Raffi and realize I've missed a lot of classic films. The release will be out on April 20, 2022, the link is below. http://doomtombpodcast.com *****   ***** Edited by Ian from No Masters Audio: https://www.instagram.com/nomastersaudio/ House band : Stone Witch Preorder the release, it'll be live very soon. https://stonewitchband.bandcamp.com https://wetrecords.bandcamp.com https://www.instagram.com/wetrecordsofficial/ To grab a copy of their other vinyl release the link is below: https://interstellarsmokerecords.bigcartel.com *****  SPONSORS : Sam Sa'House: https://www.samsahouse.com Click below for 10% off first your order! https://www.samsahouse.com/discount/sahousetomb https://www.instagram.com/samsahouse/ ***** Desert Records: https://www.desertrecords.us/artists/ https://desertrecords.bandcamp.com https://www.facebook.com/desertrecordslabel https://www.instagram.com/desertrecords/ ***** Glory or Death Records: https://gloryordeathrecords.bigcartel.com https://www.facebook.com/Gloryordeathrecords https://www.instagram.com/gloryordeathrecords/ https://www.gloryordeathrecords.com   ***** Cranium Radio(Sundays,6-9 PM EST): https://www.facebook.com/craniumradio The Doom Tomb followed by an episode of the podcast - http://craniumradio.com Listen by way of : https://streema.com https://tunein.com https://live365.com https://liveonlineradio.net/cranium-radio http://radio.garden/listen/cranium-radio/5vlWBp-R ***** Social Media: https://www.instagram.com/doomtombpodcast/ https://www.facebook.com/doomtombpodcast https://www.tiktok.com/@doomtomb?lang=en https://twitter.com/DoomTombPodcast https://www.youtube.com/channel/UCYEaR0imIjYsgw-icbQPyhQ   ***** Planet Mammoth: https://www.facebook.com/planetmammoth https://www.instagram.com/planetmammothentertainment/ ***** Doom Tomb Merch: https://doomtomb.bigcartel.com ***** doomtombpodcast@gmail.com Submissions, interviews, or just to say hi. ***** STAY HEAVY !!!!

There has been a lot of new music recently. Here are some tracks I know you'll like. ***** Decasia: https://decasia.bandcamp.com Ibliss: https://ibliss666.bandcamp.com/music Cactus Flowers: https://cactusflowers.bandcamp.com Slowerpain: https://slowerpain.bandcamp.com/releases Misleading: https://heavymisleading.bandcamp.com/music Acid Row: https://acidrow.bandcamp.com/music Githyanki: https://githyanki.bandcamp.com Tentacula: https://tentacula.bandcamp.com/music The Swamp Krewe: https://theswamprecords.bandcamp.com Los Suffers: https://lossuffers.bandcamp.com/music SYK: https://syk-official.bandcamp.com/music http://doomtombpodcast.com *****   ***** Edited by Ian from No Masters Audio: https://www.instagram.com/nomastersaudio/ House band : Stone Witch: They are releasing Order Of The Goat on vinyl for the first time. It'll be available on 4/20/2022 https://stonewitchband.bandcamp.com https://interstellarsmokerecords.bigcartel.com https://wetrecords.bandcamp.com/music *****  SPONSORS : Sam Sa'House: https://www.samsahouse.com Click below for 10% off first your order! https://www.samsahouse.com/discount/sahousetomb https://www.instagram.com/samsahouse/ ***** Desert Records: https://www.desertrecords.us/artists/ https://desertrecords.bandcamp.com https://www.facebook.com/desertrecordslabel https://www.instagram.com/desertrecords/ ***** Glory or Death Records: https://gloryordeathrecords.bigcartel.com https://www.facebook.com/Gloryordeathrecords https://www.instagram.com/gloryordeathrecords/ https://www.gloryordeathrecords.com   ***** Cranium Radio(Sundays,6-9 PM EST): https://www.facebook.com/craniumradio The Doom Tomb followed by an episode of the podcast - http://craniumradio.com Listen by way of : https://streema.com https://tunein.com https://live365.com https://liveonlineradio.net/cranium-radio http://radio.garden/listen/cranium-radio/5vlWBp-R ***** Social Media: https://www.instagram.com/doomtombpodcast/ https://www.facebook.com/doomtombpodcast https://www.tiktok.com/@doomtomb?lang=en https://twitter.com/DoomTombPodcast https://www.youtube.com/channel/UCYEaR0imIjYsgw-icbQPyhQ   ***** Planet Mammoth: https://www.facebook.com/planetmammoth https://www.instagram.com/planetmammothentertainment/ ***** Doom Tomb Merch: https://doomtomb.bigcartel.com ***** doomtombpodcast@gmail.com Submissions, interviews, or just to say hi. ***** STAY HEAVY !!!!

The band discusses landing a vinyl deal with Glory or Death Records, playing in different bands and the constantly changing band dynamic. Follow us @huduakil

We had to split up the episode. There is so much new music out now! Here is Part 2.  ***** Lux Incerta: https://luxincerta.bandcamp.com Izthmi: https://izthmiseattle.bandcamp.com Twisted Tower Dire: https://twistedtowerdire.bandcamp.com/music Pia Isa: https://piaisa.bandcamp.com/releases Superlynx: https://superlynx.bandcamp.com The Absurd: https://theabsurd.bandcamp.com/music Jupiter Cyclops: https://jupitercyclops.bandcamp.com Lammping: https://lammping.bandcamp.com http://doomtombpodcast.com *****   ***** Edited by Ian from No Masters Audio: https://www.instagram.com/nomastersaudio/ House band : Stone Witch https://stonewitchband.bandcamp.com https://interstellarsmokerecords.bigcartel.com *****  SPONSORS : Sam Sa'House: https://www.samsahouse.com Click below for 10% off first your order! https://www.samsahouse.com/discount/sahousetomb https://www.instagram.com/samsahouse/ ***** Desert Records: https://www.desertrecords.us/artists/ https://desertrecords.bandcamp.com https://www.facebook.com/desertrecordslabel https://www.instagram.com/desertrecords/ ***** Glory or Death Records: https://gloryordeathrecords.bigcartel.com https://www.facebook.com/Gloryordeathrecords https://www.instagram.com/gloryordeathrecords/ https://www.gloryordeathrecords.com   ***** Cranium Radio(Sundays,6-9 PM EST): https://www.facebook.com/craniumradio The Doom Tomb followed by an episode of the podcast - http://craniumradio.com Listen by way of : https://streema.com https://tunein.com https://live365.com https://liveonlineradio.net/cranium-radio http://radio.garden/listen/cranium-radio/5vlWBp-R ***** Social Media: https://www.instagram.com/doomtombpodcast/ https://www.facebook.com/doomtombpodcast https://www.tiktok.com/@doomtomb?lang=en https://twitter.com/DoomTombPodcast https://www.youtube.com/channel/UCYEaR0imIjYsgw-icbQPyhQ   ***** Planet Mammoth: https://www.facebook.com/planetmammoth https://www.instagram.com/planetmammothentertainment/ ***** Doom Tomb Merch: https://doomtomb.bigcartel.com ***** doomtombpodcast@gmail.com Submissions, interviews, or just to say hi. ***** STAY HEAVY !!!!

So much new music we had to split it up! Part 2 coming soon. Temple Of Diemos: https://templeofdeimos.bandcamp.com Tigguo Cobauc: https://tigguocobauc.bandcamp.com Kohana: https://kohana.bandcamp.com/album/jab-2 Stria: https://taxidriverstore.bandcamp.com/album/stria Medussa: https://discosmacarras.bandcamp.com/album/xibalb Warstomper: https://warpstormer.bandcamp.com/album/here-comes-hell Nerdgore Art: https://www.instagram.com/artofnerdgore/ Witchpit: https://heavypsychsoundsrecords.bandcamp.com/album/witchpit-the-weight-of-death Mano De Mono: https://manodemono.bandcamp.com/album/chameleon-tongue ***** http://doomtombpodcast.com *****   ***** Edited by Ian from No Masters Audio: https://www.instagram.com/nomastersaudio/ House band : Stone Witch https://stonewitchband.bandcamp.com https://interstellarsmokerecords.bigcartel.com *****  SPONSORS : Sam Sa'House: https://www.samsahouse.com Click below for 10% off first your order! https://www.samsahouse.com/discount/sahousetomb https://www.instagram.com/samsahouse/ ***** Desert Records: https://www.desertrecords.us/artists/ https://desertrecords.bandcamp.com https://www.facebook.com/desertrecordslabel https://www.instagram.com/desertrecords/ ***** Glory or Death Records: https://gloryordeathrecords.bigcartel.com https://www.facebook.com/Gloryordeathrecords https://www.instagram.com/gloryordeathrecords/ https://www.gloryordeathrecords.com   ***** Cranium Radio(Sundays,6-9 PM EST): https://www.facebook.com/craniumradio The Doom Tomb followed by an episode of the podcast - http://craniumradio.com Listen by way of : https://streema.com https://tunein.com https://live365.com https://liveonlineradio.net/cranium-radio http://radio.garden/listen/cranium-radio/5vlWBp-R ***** Social Media: https://www.instagram.com/doomtombpodcast/ https://www.facebook.com/doomtombpodcast https://www.tiktok.com/@doomtomb?lang=en https://twitter.com/DoomTombPodcast https://www.youtube.com/channel/UCYEaR0imIjYsgw-icbQPyhQ   ***** Planet Mammoth: https://www.facebook.com/planetmammoth https://www.instagram.com/planetmammothentertainment/ ***** Doom Tomb Merch: https://doomtomb.bigcartel.com ***** doomtombpodcast@gmail.com Submissions, interviews, or just to say hi. ***** STAY HEAVY !!!!  

We've got some new music for ya. Check it out and click the links!  ***** OAR: https://oarmusic.bandcamp.com/album/the-blood-you-crave Power Paladin: http://www.atomicfire-records.com/ Dark Meditation: https://darkmeditation.bandcamp.com/album/polluted-temples Black Rainbows: https://heavypsychsoundsrecords.bandcamp.com/album/black-rainbows-live-at-desertfest-belgium Dirty Nips: https://dirtynips.bandcamp.com End Boss: https://end-boss.bandcamp.com/album/they-seek-my-head Endtime: https://heavypsychsoundsrecords.bandcamp.com/album/endtime-impending-doom Helge: https://helgeofficialband.bandcamp.com/track/dying-to-become Netherlands: https://thenetherlands1.bandcamp.com/album/green-lips-and-lightning-b-sides http://doomtombpodcast.com *****   ***** Edited by Ian from No Masters Audio: https://www.instagram.com/nomastersaudio/ House band : Stone Witch https://stonewitchband.bandcamp.com https://interstellarsmokerecords.bigcartel.com *****  SPONSORS : Sam Sa'House: https://www.samsahouse.com Click below for 10% off first your order! https://www.samsahouse.com/discount/sahousetomb https://www.instagram.com/samsahouse/ ***** Desert Records: https://www.desertrecords.us/artists/ https://desertrecords.bandcamp.com https://www.facebook.com/desertrecordslabel https://www.instagram.com/desertrecords/ ***** Glory or Death Records: https://gloryordeathrecords.bigcartel.com https://www.facebook.com/Gloryordeathrecords https://www.instagram.com/gloryordeathrecords/ https://www.gloryordeathrecords.com   ***** Cranium Radio(Sundays,6-9 PM EST): https://www.facebook.com/craniumradio The Doom Tomb followed by an episode of the podcast - http://craniumradio.com Listen by way of : https://streema.com https://tunein.com https://live365.com https://liveonlineradio.net/cranium-radio http://radio.garden/listen/cranium-radio/5vlWBp-R ***** Social Media: https://www.instagram.com/doomtombpodcast/ https://www.facebook.com/doomtombpodcast https://www.tiktok.com/@doomtomb?lang=en https://twitter.com/DoomTombPodcast https://www.youtube.com/channel/UCYEaR0imIjYsgw-icbQPyhQ   ***** Planet Mammoth: https://www.facebook.com/planetmammoth https://www.instagram.com/planetmammothentertainment/ ***** Doom Tomb Merch: https://doomtomb.bigcartel.com ***** doomtombpodcast@gmail.com Submissions, interviews, or just to say hi. ***** STAY HEAVY !!!!

Judge Blocks Saget's Death Records, Aaron Rodgers And Shailene Woodley Break Up, Hollywood Extends COVID Protocols, Disney Communities, New Looney Tunes Movie, Timberlake's Billion Views Videos… See omnystudio.com/listener for privacy information.

On today's episode we have Dylan Ryan from the band Ether Feather. https://etherfeather.bandcamp.com/music ***** http://doomtombpodcast.com *****   ***** Edited by Ian from No Masters Audio: https://www.instagram.com/nomastersaudio/ House band : Stone Witch https://stonewitchband.bandcamp.com https://interstellarsmokerecords.bigcartel.com *****  SPONSORS : Sam Sa'House: https://www.samsahouse.com Click below for 10% off first your order! https://www.samsahouse.com/discount/sahousetomb https://www.instagram.com/samsahouse/ ***** Desert Records: https://www.desertrecords.us/artists/ https://desertrecords.bandcamp.com https://www.facebook.com/desertrecordslabel https://www.instagram.com/desertrecords/ ***** Glory or Death Records: https://gloryordeathrecords.bigcartel.com https://www.facebook.com/Gloryordeathrecords https://www.instagram.com/gloryordeathrecords/ https://www.gloryordeathrecords.com   ***** Cranium Radio(Sundays,6-9 PM EST): https://www.facebook.com/craniumradio The Doom Tomb followed by an episode of the podcast, or just more of the music that you need to hear - http://craniumradio.com Listen by way of : https://streema.com https://tunein.com https://live365.com https://liveonlineradio.net/cranium-radio http://radio.garden/listen/cranium-radio/5vlWBp-R ***** Social Media: https://www.instagram.com/doomtombpodcast/ https://www.facebook.com/doomtombpodcast https://www.tiktok.com/@doomtomb?lang=en https://twitter.com/DoomTombPodcast https://www.youtube.com/channel/UCYEaR0imIjYsgw-icbQPyhQ   ***** Planet Mammoth: https://www.facebook.com/planetmammoth https://www.instagram.com/planetmammothentertainment/ ***** Doom Tomb Merch: https://doomtomb.bigcartel.com ***** doomtombpodcast@gmail.com Submissions, interviews, or just to say hi. ***** You're still reading? Cool, you rock. Come to the show at Yucca on February 26, 2022, and I'll give you a poster. Mention you saw it here. It's the first  Planet Mammoth show of 2022! STAY HEAVY !!!!

We are back with all new music and interview episodes. Ahhh, it's good to be back. There have been a lot of new releases, and here are just a few of them.    http://doomtombpodcast.com ***** Elcam: https://elcam.bandcamp.com Greyborn: https://greyborn.bandcamp.com/track/bits-pieces Sleepwulf: https://heavypsychsoundsrecords.bandcamp.com Urzah: https://urzahband.bandcamp.com Solemn Lament: https://solemnlament.bandcamp.com/releases https://svartrecords.bandcamp.com Obsidian Sea: https://ripplemusic.bandcamp.com Albatross Overdrive: https://albatrossoverdrive.bandcamp.com/album/eye-see-red Possessor: https://possessor.bandcamp.com/album/the-speed-of-death KYOTY: https://kyoty.bandcamp.com/album/isolation     ***** Edited by Ian from No Masters Audio: https://www.instagram.com/nomastersaudio/ House band : Stone Witch https://stonewitchband.bandcamp.com https://interstellarsmokerecords.bigcartel.com *****  SPONSORS : Sam Sa'House: https://www.samsahouse.com Click below for 10% off first your order! https://www.samsahouse.com/discount/sahousetomb https://www.instagram.com/samsahouse/ ***** Desert Records: https://www.desertrecords.us/artists/ https://desertrecords.bandcamp.com https://www.facebook.com/desertrecordslabel https://www.instagram.com/desertrecords/ ***** Glory or Death Records: https://gloryordeathrecords.bigcartel.com https://www.facebook.com/Gloryordeathrecords https://www.instagram.com/gloryordeathrecords/ https://www.gloryordeathrecords.com   ***** Cranium Radio(Sundays,6-9 PM EST): https://www.facebook.com/craniumradio The Doom Tomb followed by an episode of the podcast - http://craniumradio.com Listen by way of : https://streema.com https://tunein.com https://live365.com https://liveonlineradio.net/cranium-radio http://radio.garden/listen/cranium-radio/5vlWBp-R ***** Social Media: https://www.instagram.com/doomtombpodcast/ https://www.facebook.com/doomtombpodcast https://www.tiktok.com/@doomtomb?lang=en https://twitter.com/DoomTombPodcast https://www.youtube.com/channel/UCYEaR0imIjYsgw-icbQPyhQ   ***** Planet Mammoth: https://www.facebook.com/planetmammoth https://www.instagram.com/planetmammothentertainment/ ***** Doom Tomb Merch: https://doomtomb.bigcartel.com ***** doomtombpodcast@gmail.com Submissions, interviews, or just to say hi. ***** STAY HEAVY !!!! *****

Formula 400 is a high-octane 4-piece rock and roll band out of San Diego. They just released their first album Heathens on Glory or Death Records, and will be playing the Planet Mammoth, Glory or Death Records Family and Friends Showcase along with Great Electric Quest, Old Fashion Assassin, Kvasir, and Grail - February 26th at Yucca Tap Room Follow them @formula400 Follow me @zaccrye Subscribe to the Podcast!

Using death records is a basic part of genealogy research. In fact, for many genealogists, it is the first type of recordset they learn to use. This is because death records are readily available to the general public in most cases and because they usually contain a wealth of important family history information. If you haven't yet learned how to use death records in your genealogy research and don't know what they can offer you, here's what you need to know to get started with them... Podcast Show Notes: https://ancestralfindings.com/genealogy-basics-death-record-research-advice-beginners/  Genealogy Clips Podcast https://genealogyclips.com Historical Postcard Giveaway https://ancestralfindings.com/postcard-giveaway/ Free Genealogy eBooks https://ancestralfindings.com/ebooks/ Hard To Find Surnames https://ancestralfindings.com/surnames Follow on Facebook https://www.facebook.com/AncestralFindings Support Ancestral Findings https://ancestralfindings.com/donation #Genealogy #AncestralFindings #GenealogyClips

今回の配信は、以前大好評だった企画「レーベルで聴こう！」の第二弾。我らが青春ど真ん中「Pizza of Death Records」を大特集！ 【ご注意】 このエピソードは、Spotifyの【Music+Talk】の機能から音楽部分を除いたものになります。紹介している音楽も含めたバージョンはSpotifyのみで楽しむことが出来ます。気になる方はSpotifyにユーザー登録をし、体感してみてください。（無料ユーザーでも音楽は一部聴くことが出来ます） ▼radioDTMのホームページはこちらから http://radio-dtm.jp/page/

Here is another excerpt from a lunch we had at Casey Moores. Good food. Good conversation. Thanks to all the Band Members involved. Buy their stuff. Oh, and visit Casey Moores when you are in Tempe Arizona! https://caseymoores.com   Mosara : https://mosaradoom.bandcamp.com Hudu Akil: https://huduakil.bandcamp.com Aiwass: https://aiwassband.bandcamp.com Hovenweep: https://hovenweep.bandcamp.com Secrets Of Lost Empires: https://secretsoflostempires.bandcamp.com Jupiter Cyclops: https://jupitercyclops.bandcamp.com http://doomtombpodcast.com *****   ***** Edited by Ian from No Masters Audio: https://www.instagram.com/nomastersaudio/ House band : Stone Witch https://stonewitchband.bandcamp.com https://interstellarsmokerecords.bigcartel.com *****  SPONSORS : Sam Sa'House: https://www.samsahouse.com Click below for 10% off first your order! https://www.samsahouse.com/discount/sahousetomb https://www.instagram.com/samsahouse/ ***** Desert Records: https://www.desertrecords.us/artists/ https://desertrecords.bandcamp.com https://www.facebook.com/desertrecordslabel https://www.instagram.com/desertrecords/ ***** Glory or Death Records: https://gloryordeathrecords.bigcartel.com https://www.facebook.com/Gloryordeathrecords https://www.instagram.com/gloryordeathrecords/ https://www.gloryordeathrecords.com   ***** Cranium Radio(Sundays,6-9 PM EST): https://www.facebook.com/craniumradio The Doom Tomb followed by an episode of the podcast - http://craniumradio.com Listen by way of : https://streema.com https://tunein.com https://live365.com https://liveonlineradio.net/cranium-radio http://radio.garden/listen/cranium-radio/5vlWBp-R ***** Social Media: https://www.instagram.com/doomtombpodcast/ https://www.facebook.com/doomtombpodcast https://www.tiktok.com/@doomtomb?lang=en https://twitter.com/DoomTombPodcast https://www.youtube.com/channel/UCYEaR0imIjYsgw-icbQPyhQ   ***** Planet Mammoth: Latest Show 2/26/22: https://fb.me/e/5OpRctLmK   https://www.facebook.com/planetmammoth https://www.instagram.com/planetmammothentertainment/ ***** Doom Tomb Merch: https://doomtomb.bigcartel.com ***** doomtombpodcast@gmail.com Submissions, interviews, or just to say hi. ***** STAY HEAVY !!!!

I hope this is the first of many more to come. A bunch of musicians from bands like Stone Witch, Mosara, Secrets Of Lost Empires, Hudu Akil, Hovenweep, Aiwass, and Jupiter Cyclops gathered at Casey Moore's in Tempe Arizona to hang out and talk.    Mosara : https://mosaradoom.bandcamp.com Hudu Akil: https://huduakil.bandcamp.com Aiwass: https://aiwassband.bandcamp.com Hovenweep: https://hovenweep.bandcamp.com Secrets Of Lost Empires: https://secretsoflostempires.bandcamp.com Jupiter Cyclops: https://jupitercyclops.bandcamp.com http://doomtombpodcast.com *****   ***** Edited by Ian from No Masters Audio: https://www.instagram.com/nomastersaudio/ House band : Stone Witch https://stonewitchband.bandcamp.com https://interstellarsmokerecords.bigcartel.com *****  SPONSORS : Sam Sa'House: https://www.samsahouse.com Click below for 10% off first your order! https://www.samsahouse.com/discount/sahousetomb https://www.instagram.com/samsahouse/ ***** Desert Records: https://www.desertrecords.us/artists/ https://desertrecords.bandcamp.com https://www.facebook.com/desertrecordslabel https://www.instagram.com/desertrecords/ ***** Glory or Death Records: https://gloryordeathrecords.bigcartel.com https://www.facebook.com/Gloryordeathrecords https://www.instagram.com/gloryordeathrecords/ https://www.gloryordeathrecords.com   ***** Cranium Radio(Sundays,6-9 PM EST): https://www.facebook.com/craniumradio The Doom Tomb followed by an episode of the podcast - http://craniumradio.com Listen by way of : https://streema.com https://tunein.com https://live365.com https://liveonlineradio.net/cranium-radio http://radio.garden/listen/cranium-radio/5vlWBp-R ***** Social Media: https://www.instagram.com/doomtombpodcast/ https://www.facebook.com/doomtombpodcast https://www.tiktok.com/@doomtomb?lang=en https://twitter.com/DoomTombPodcast https://www.youtube.com/channel/UCYEaR0imIjYsgw-icbQPyhQ   ***** Planet Mammoth: https://www.facebook.com/planetmammoth https://www.instagram.com/planetmammothentertainment/ ***** Doom Tomb Merch: https://doomtomb.bigcartel.com ***** doomtombpodcast@gmail.com Submissions, interviews, or just to say hi. ***** STAY HEAVY !!!!

Miss the show? Have no fear, the podcast is here! Please share the pod and tag me (and/or the show) in your post. Please also invite your pals to like The Whizbanger Show on Twitter, Insta, and FB - if you want your music featured on the one and only Whizbanger Show, gimme a holler!  Love y'all! The Bands: AC/DC, Blasting Rod,  Doomsday Rejects, Emma Ruth Rundle, Exodus, Golers, Hermética, Motörhead, Murder City Devils, Pig Destroyer, Puresonic Outcasts, Rainbow, Skunk, Slayer, Slow Green Thing, The Astral Prophets, Thee Arthur Layne, Thou, Thus Live Humans, Y&T, Ye Goat-Herd Gods, War on Women     The Labels/PR: Bad Idea Records, Bridge Nine Records, Fuzzmatazz Records, Fuzzy Mind Records, Glory or Death Records, Happy Hour with Heather and Guest, Kingside Records, Nuclear Blast, RadioTripoli Discos, Relapse Records, Sacred Bones Records, Sargent House Records   Tune in to MMH – The Home Of Rock Radio every Friday from 2-4 PST | 10-midnight GMT to hear The Whizbanger Show. Stream ===>>> www.mmhradio.co.uk Whizbanger Show Podcasts ===>>> https://mmhradio.co.uk/podcasts/the-whizbanger-show/   Download the app ===>>> Google Play or Apple Store   Tell Alexa ===>>> Hey Alexa, play Midlands Metalheads Radio on TuneIn Tell Google ===>>> Hey Google, play MMH Radio on TuneIn   Get in touch with The Whizbanger: Email: thewhizbangershow@mmhradio.co.uk Facebook: www.facebook.com/whizbangershow Instagram: @sara.whizbanger Twitter: @SaraWhizbanger

Buddy is the guitarist for the band Great Electric Quest and also runs his own label, "Glory or Death Records."

Aiwass (Blake Carrerra) Blake from Aiwass is on today's episode. We talk Crowley, the Taubernaut, and the Sonic Demon connection. Vinyl, steak, and Enya discussions are also bandied about. Fun for all. We even discuss his latest Aiwass release "Wayward Gods". You'll like it. Click the link: https://aiwassband.bandcamp.com/music Blake's latest project Aiwass - Wayward Gods hit number 11 on the November 2021 Doom Charts. Tabernaut . Yes. Check them out.  https://taubnernaut.bandcamp.com ***** http://doomtombpodcast.com *****   ***** Edited by Ian from No Masters Audio: https://www.instagram.com/nomastersaudio/ House band : Stone Witch https://stonewitchband.bandcamp.com https://interstellarsmokerecords.bigcartel.com *****  SPONSORS : Sam Sa'House: https://www.samsahouse.com Click below for 10% off first your order! https://www.samsahouse.com/discount/sahousetomb https://www.instagram.com/samsahouse/ ***** Desert Records: https://www.desertrecords.us/artists/ https://desertrecords.bandcamp.com https://www.facebook.com/desertrecordslabel https://www.instagram.com/desertrecords/ ***** Glory or Death Records: https://gloryordeathrecords.bigcartel.com https://www.facebook.com/Gloryordeathrecords https://www.instagram.com/gloryordeathrecords/ https://www.gloryordeathrecords.com   ***** On Sundays, I'll play all the music you want to hear. Really. I'm serious. Listen in and find out ! Cranium Radio(Sundays,6-9 PM EST): https://www.facebook.com/craniumradio The Doom Tomb followed by an episode of the podcast - http://craniumradio.com Listen by way of : https://streema.com https://tunein.com https://live365.com https://liveonlineradio.net/cranium-radio http://radio.garden/listen/cranium-radio/5vlWBp-R ***** Social Media: https://www.instagram.com/doomtombpodcast/ https://www.facebook.com/doomtombpodcast https://www.tiktok.com/@doomtomb?lang=en https://twitter.com/DoomTombPodcast https://www.youtube.com/channel/UCYEaR0imIjYsgw-icbQPyhQ   ***** Planet Mammoth: https://www.facebook.com/planetmammoth https://www.instagram.com/planetmammothentertainment/ ***** Doom Tomb Merch: https://doomtomb.bigcartel.com ***** doomtombpodcast@gmail.com Submissions, interviews, or just to say hi. ***** STAY HEAVY !!!!

Last year, Voice of San Diego sued the County of San Diego to get death records for local residents who died directly or indirectly from COVID-19. A few months ago, we won. Since then, a team of reporters has blazed through thousands of these records to assemble the data and reveal trends — to show the true impact of COVID, how our region works for different populations and who was most affected by the pandemic. Reporter Will Huntsberry joins the show this week to share the insights. Also: Scott on football drama and Andrea on sidewalk vendors.  Join us! Our year-end fundraising campaign is on now. If you support the show now, your gift will be matched. Head to: vosd.org/podcast2021 We appreciate all our listeners and supporters.  See omnystudio.com/listener for privacy information.

Last year, Voice of San Diego sued the County of San Diego to get death records for local residents who died directly or indirectly from COVID-19. A few months ago, we won. Since then, a team of reporters has blazed through thousands of these records to assemble the data and reveal trends — to show the true impact of COVID, how our region works for different populations and who was most affected by the pandemic. Reporter Will Huntsberry joins the show this week to share the insights. Also: Scott on football drama and Andrea on sidewalk vendors.  Join us! Our year-end fundraising campaign is on now. If you support the show now, your gift will be matched. Head to: vosd.org/podcast2021 We appreciate all our listeners and supporters.  See omnystudio.com/listener for privacy information.

Matt C. White has returned to talk about Creepshow Peepshow Act II. We also speak of lore, creepy hunting experiences, disgusting food, and so much more! ***** Matt C. White: https://mattcwhite.bandcamp.com https://www.instagram.com/matt_c_white/ ***** Thank you, Dana: https://www.instagram.com/plainenglishconsultant/ ***** http://doomtombpodcast.com *****   ***** Edited by Ian from No Masters Audio: https://www.instagram.com/nomastersaudio/ House band : Stone Witch https://stonewitchband.bandcamp.com https://interstellarsmokerecords.bigcartel.com *****  SPONSORS : Sam Sa'House: https://www.samsahouse.com Click below for 10% off first your order! https://www.samsahouse.com/discount/sahousetomb ***** Desert Records: https://www.desertrecords.us/artists/ https://desertrecords.bandcamp.com https://www.facebook.com/desertrecordslabel https://www.instagram.com/desertrecords/ ***** Glory or Death Records: https://gloryordeathrecords.bigcartel.com https://www.facebook.com/Gloryordeathrecords https://www.instagram.com/gloryordeathrecords/ ***** Cranium Radio(Sundays,6-9 PM EST): https://www.facebook.com/craniumradio The Doom Tomb is where we will play all of the music you love and cherish. Most times there will be a podcast episode after it. Other times it's more music. It's like that. Tune in because you never know. -  http://craniumradio.com Listen by way of : https://streema.com https://tunein.com https://live365.com https://liveonlineradio.net/cranium-radio http://radio.garden/listen/cranium-radio/5vlWBp-R ***** Social Media TikTok people, or should I say, people of DoomTok? Thanks for adding us! A few more followers to be able to go  LIVE! : https://www.instagram.com/doomtombpodcast/ https://www.facebook.com/doomtombpodcast https://www.tiktok.com/@doomtomb?lang=en https://twitter.com/DoomTombPodcast https://www.youtube.com/channel/UCYEaR0imIjYsgw-icbQPyhQ ***** Planet Mammoth: https://youtu.be/sa4bq_Lj0mg https://www.facebook.com/planetmammoth https://www.instagram.com/planetmammothentertainment/ ***** Doom Tomb Merch: https://doomtomb.bigcartel.com ***** doomtombpodcast@gmail.com Submissions, interviews, or just to send Thanksgiving pics. ***** STAY HEAVY !!!! Heavier? Probably after Thanksgiving. Aiwass is up next.   

Today on the podcast we have a conversation with Van and Ben from The Buzzards Of Fuzz. We talk about Fuzzstock , and they give a proper description of the area. Come to think of it, they describe everything in great detail. Pickle Pals, the artwork for their latest release, Sci-fi books, Spaghetti Westerns, you name it. We also have a track-by-track discussion of their latest release, The Buzzards Of Fuzz. Thanks, Ben and Van. Fuzzstock rocked! The Buzzards Of Fuzz: https://thebuzzardsoffuzz.bandcamp.com https://www.facebook.com/Fuzzstock ***** Pickles: Kelly's Death Pickles: https://www.instagram.com/deathpickles/   ***** http://doomtombpodcast.com *****   ***** Edited by Ian from No Masters Audio: https://www.instagram.com/nomastersaudio/ House band : Stone Witch https://stonewitchband.bandcamp.com https://interstellarsmokerecords.bigcartel.com *****  SPONSORS : Sam Sa'House: https://www.samsahouse.com Click below for 10% off first your order! https://www.samsahouse.com/discount/sahousetomb       ***** Desert Records: https://www.desertrecords.us/artists/ https://desertrecords.bandcamp.com https://www.facebook.com/desertrecordslabel https://www.instagram.com/desertrecords/ ***** Glory or Death Records: https://gloryordeathrecords.bigcartel.com https://www.facebook.com/Gloryordeathrecords https://www.instagram.com/gloryordeathrecords/ ***** Cranium Radio(Sundays,6-9 PM EST): https://www.facebook.com/craniumradio The Doom Tomb followed by an episode of the podcast - http://craniumradio.com Listen by way of : https://streema.com https://tunein.com https://live365.com ***** Social Media: https://www.instagram.com/doomtombpodcast/ https://www.facebook.com/doomtombpodcast https://www.tiktok.com/@doomtomb?lang=en https://twitter.com/DoomTombPodcast https://www.youtube.com/channel/UCYEaR0imIjYsgw-icbQPyhQ   ***** Planet Mammoth: https://www.facebook.com/planetmammoth https://www.instagram.com/planetmammothentertainment/ ***** Doom Tomb Merch: https://doomtomb.bigcartel.com ***** doomtombpodcast@gmail.com Hit us up. ***** STAY HEAVY !!!!

The Doom Tomb's Horrifying Hair Raising Halloween Ghouls and Ghastly Goblins Special(and gore too). We put together a bunch of new songs and a few that needed attention for this special episode. There's a game within the podcast- name the movies we played trailers of and the first to get them right wins a prize. Maybe more. Stay tuned.   Huge thank you to Ian from No Masters Audio for taking the time to produce and edit this Mammoth Halloweed episode(yes, that's spelled correctly). ***** http://doomtombpodcast.com ***** Resent: https://resent1.bandcamp.com/album/crosshairs Altateth: https://altareth.bandcamp.com Ethereal Sea: https://etherealseamusic.bandcamp.com/track/the-brighter-side-of-hell Daxma: https://daxma.bandcamp.com Slow Voyage: https://theslowvoyage.bandcamp.com/album/souls-whisper Sun Below: https://sunbelow.bandcamp.com/album/sun-below Wolfnaut: https://wolfnaut.bandcamp.com/album/iii Funeral For Two: https://funeralfortwo.bandcamp.com Cultist: https://cultistworship.bandcamp.com Rosy Finch: https://rosyfinch.bandcamp.com Tarlung: https://tarlung.bandcamp.com/album/architect Satanic Waves: https://satanicwaves.bandcamp.com/releases Sheev: https://sheev.bandcamp.com/album/mind-conductor Spacelord: https://spacelordband.bandcamp.com/album/false-dawn Alkemia: https://alkemiaband.bandcamp.com Scarecrow: https://scarecrow-official.bandcamp.com/album/scarecrow-ii ***** Edited by Ian from No Masters Audio: https://www.instagram.com/nomastersaudio/ House band : Stone Witch https://stonewitchband.bandcamp.com https://interstellarsmokerecords.bigcartel.com *****  SPONSORS : Sam Sa'House: https://www.samsahouse.com Click below for 10% off your first order! https://www.samsahouse.com/discount/sahousetomb     ***** Desert Records: https://www.desertrecords.us/artists/ https://desertrecords.bandcamp.com https://www.facebook.com/desertrecordslabel https://www.instagram.com/desertrecords/ ***** Glory or Death Records: https://gloryordeathrecords.bigcartel.com https://www.facebook.com/Gloryordeathrecords https://www.instagram.com/gloryordeathrecords/ ***** Cranium Radio(Sundays,6-9 PM EST): https://www.facebook.com/craniumradio The Doom Tomb followed by an episode of the podcast - http://craniumradio.com Listen by way of : https://streema.com https://tunein.com https://live365.com ***** Social Media: https://www.instagram.com/doomtombpodcast/ https://www.facebook.com/doomtombpodcast https://www.tiktok.com/@doomtomb?lang=en https://twitter.com/DoomTombPodcast https://www.youtube.com/channel/UCYEaR0imIjYsgw-icbQPyhQ   ***** Planet Mammoth: https://www.facebook.com/planetmammoth https://www.instagram.com/planetmammothentertainment/ ***** Doom Tomb Merch: https://doomtomb.bigcartel.com ***** doomtombpodcast@gmail.com Submissions, interviews, or just to say hi. ***** STAY HEAVY !!!! -... .-.. .- -.-. -.- / -- . - .- .-.. / ...- . .. -. ... -.-. .- -. -. .. -... .- .-.. / .... --- .-.. --- -.-. .- ..- ... - ... .-... -- .- -. .... ..- -- .- -. / -.-. . -. - .. .--. . -.. . / ..--- .-. . --. --- .-. . --. .. - .- - . -.. / ... .- -.-. .-. .. ..-. .. -.-. . . ...- .. .-.. / -.. . .- -.. - .... . / -... ..- -. -. -.-- / --. .- -- .

Mammoth Monday Demon Grass and Manguera in Bisbee, AZ October 30th https://www.instagram.com/demongrassfuzz/ https://www.instagram.com/manguera.band/ https://www.instagram.com/the.quarry.bisbee/ Mosara: https://www.instagram.com/mosaraband/ http://doomtombpodcast.com *****   ***** Edited by Ian from No Masters Audio: https://www.instagram.com/nomastersaudio/ House band : Stone Witch https://stonewitchband.bandcamp.com https://interstellarsmokerecords.bigcartel.com *****  SPONSORS : Sam Sa'House: https://www.samsahouse.com Click below for 10% off your first order! https://www.samsahouse.com/discount/sahousetomb     ***** Desert Records: https://www.desertrecords.us/artists/ https://desertrecords.bandcamp.com https://www.facebook.com/desertrecordslabel https://www.instagram.com/desertrecords/ ***** Glory or Death Records: https://gloryordeathrecords.bigcartel.com https://www.facebook.com/Gloryordeathrecords https://www.instagram.com/gloryordeathrecords/ ***** Cranium Radio(Sundays,6-9 PM EST): https://www.facebook.com/craniumradio The Doom Tomb followed by an episode of the podcast - http://craniumradio.com Listen by way of : https://streema.com https://tunein.com https://live365.com ***** Social Media: https://www.instagram.com/doomtombpodcast/ https://www.facebook.com/doomtombpodcast https://www.tiktok.com/@doomtomb?lang=en https://twitter.com/DoomTombPodcast https://www.youtube.com/channel/UCYEaR0imIjYsgw-icbQPyhQ   ***** Planet Mammoth: https://www.facebook.com/planetmammoth https://www.instagram.com/planetmammothentertainment/ ***** Doom Tomb Merch: https://doomtomb.bigcartel.com ***** doomtombpodcast@gmail.com Hit us up! ***** STAY HEAVY !!!!  

Dan Hooligan, singer from Mob Mentality chats about what health and wellness means to him these days, versus when he was younger. He respectfully shares his experiences on: How eating healthy has improved his health Why he incorporates exercise into his life on a daily basis Mental toughness, and how he's better for having it Why he challenges himself to do things he dislikes What helps his anxiety How he quit smoking and stopped drinking What supplements he takes on a regular basis Connect with Dan: Mob Mentality Liberty or Death Records Shop @ Liberty or Death Records . . . The Collaborative Resource Hub is brought to you by Wellness Provisions, the most badass wellness business. We're bridging the gap between mental health, wellness and rock and roll. Here's how we do it: 1 - WELLNESS COACHING SESSIONS For those seeking to get healthy and ahead in life! From gut health to goal setting, I can help you find balance.

Last Weeks Nothing Else Matters 1. Heller & Farley Project - Ultra Flava (Darius Syrossian's Full Pressure Remix) (Defected) Nothing Else Matters Main Room Mix 2. Andrea Guidice & Larry Cadge - Baby (Mark Knight Rework) (Toolroom) 3. Mar T - Ride On (Mother Recordings) 4. Johannes Albert - 1-800 Piano (Renate Schallplatten) 5. Loods - Pure Bliss Meltdown (Steel City Dance Discs) 6. Mat.Joe - Off Ma Mind (Nothing Else Matters) 7. Spencer Parker - Babeh Babeh Babeh Babeh (Work Them Records) Memories Matter 8. Julio Bashmore - Battle For Middle You (PMR) Deep In The Mix 9. Around 7 - Rock My Pitch (Ondule) 10. Sebra Cruz - When Life Was Slow (Life & Death Records) 11. Daniel Rateuke & AWEN - Gold (Madorasindahouse Records) 12. Solomun - No Comment (Push Communications) 13. Real Lies - Boss Trick (Real Lies) THE Nothing Else Matters 14. Cinthie - Bassline (Aus Music)