Podcasts about old souls

The Green Impact Report Quick take: Hollywood is going green! This episode reveals how the film industry is tackling its environmental footprint with innovative technology and practical solutions that can inspire any sustainability professional. Meet Your Fellow Sustainability Champion  Ben Hall is a film director who splits time between Los Angeles and Atlanta and has worked in the production department on multiple studio feature films and television shows.  He is developing and directing independent feature films via his production company, Marianna Motion Pictures.  Some of his films include shorts Sergeant Townsend (2012), Old Souls (2013), and feature films The Man From Outer Space (2017), Night Into Day (2020), and upcoming, Remote (2025)

How do you make a new acoustic guitar sound slightly more "vintage?" This was the nebulous premise that Jason posed to three great builders at the 2024 Fretboard Summit: John Slobod (Circa Guitars), TJ Thompson, and Steve "Nully" Nall from Collings. In this live panel, we hear these luthiers' thoughts on the topic, including wood, the importance of aging (even with a brand new guitar), the hardest body style to make sound period correct, and so much more. It's 45 minutes of great insights from three exceptional makers. http://www.circaguitars.com/ https://proluthiertools.com/ https://collingsguitars.com/ Want to be a part of our next Summit? Registration is now available for our 2025 Fretboard Summit, taking place August 21-23, 2025 at Chicago's Old Town School of Folk Music. Attend and enjoy three days of panel discussions, all-star concerts, jam rooms, interviews, exhibitors, workshops and surprises...created just for like-minded guitar fanatics. https://fretboardsummit.org/ This week's show is sponsored by: Stringjoy Strings: https://stringjoy.com (Use the code FRETBOARD to save 10% off your first order) Mike & Mike's Guitar Bar: https://mmguitarbar.com Peghead Nation: https://www.pegheadnation.com (Get your first month free or $20 off any annual subscription with the promo code FRETBOARD at checkout).

Show NotesChris Wasko is a Spiritual Counselor, Psychic Medium, and Energy Healer dedicated to guiding individuals through healing and personal growth. She specializes in supporting old souls and survivors of narcissistic abuse, helping them uncover soul lessons and navigate life's challenges. “I see myself as a cycle breaker. It's about ending unhealthy patterns and creating a new, healthier legacy for future generations.”

In this heartwarming episode of Mind Your Nest, host Jennifer Rosen welcomes the lively and passionate Nicole Miller, a real estate agent specializing in the senior community. Join us as Nicole shares her inspiring journey from a would-be doctor to a leading real estate professional, weaving her love for seniors and her commitment to service into every aspect of her work. Together, Jennifer and Nicole delve into the priceless value of “old souls” in a modern world, the powerful influence of family memories, and the importance of respecting and supporting the older population.With humor and insight, Jennifer and Nicole discuss everything from the beauty of minimalism to the challenges of technology, and from finding purpose in trauma to the profound impact of authentic, face-to-face connection. Perfect for anyone seeking a refreshing perspective on life's essentials and the invaluable lessons our elders bring, this episode is sure to captivate and inspire.Contact Nicole Miller:Website: JustSoldSFL.comEmail: NMillerProperties@gmail.comInstagram: @southflhomesFacebook:  Nicole Miller, PA-Real Estate Broker Associate Contact Jennifer Rosen:Email: jennifer@mindyournest.com

Send us a textThe PIT Crew hides from a storm in the cabin of a very talkative old-timer. === Links === Join our Community! ( https://discord.gg/CHUCNTxnat ). Bonus Content! ( https://www.ko-fi.com/halfwitsfailedcrits ). Listen to our other shows! ( https://www.HalfwitPodcasts.com ). Rate & Review! ( https://www.podchaser.com/podcasts/halfwits-failed-crits-1012806 ). === CREDITS === Game System: PenultiMyth: Finite Rules for Infinite Stories - created by Jonathan Swenson.  Theme Song: The Parable Infused Tribune -  composed by Dungeon Maestro.Find their socials at ( https://linktr.ee/dungeonmaestro ). Other music and sound effects used on Dark Fantasy Studio Premium, Zapsplat Gold, and Ghosthack Music licenses. The Lucky Die - A D&D actual play podcast witnessing an apocalypse in progress, where the gods are dying and criminals have the fate of the world in their hands. https://linktr.ee/tldpod The Sprouting - A Call of Cthulhu actual play podcast, where the eldritch infused plants have already won, plunging humanity into a post apocalyptic world. https://linktr.ee/thesprouting Counterbalance - A high fantasy audio drama that explores what happens to a world when a hole has been torn into the weave of magic. https://linktr.ee/counterbalancepodSupport the show

Founded by Will Sanders, Frank R. Bellucci, Jim Mahoney and Maddie Rivera. We combine our Individual talents to bring to our Fans the Very Best in Country / Outlaw / Americana / Christian Music on the scene today!   Old Soul's of The Cross - song by Old Soul's of The Cross, Will Sanders, Frank R. Bellucci, Madeline Rivera, Jim Mahoney | Spotify   The Fierce Female Network Podcast Series - Apple Podcasts    

Chris Wasko recently created Spicy Old Souls™, a system for old souls to understand their character, their passions and purpose. Old souls struggle, So Chris helps them understand why they choose the difficult lessons and what makes them incredible beings. The soul's spiciness holds clues to the healing journey. In addition, she released a children's book specific to old souls. It's not just for children but also the inner child. Chris' own spiritual journey started after she cut off her narcissistic parents. This led her on an unexpected healing journey that eventually opened her up to the spirit world and taking classes on mediumship so that she could learn the language of that world. Chris Wasko Psychic Medium and Spiritual Counselor

Hi beautiful soul, I hope this video lands for you and meets you where you are. I trust that it will and that whoever needs to hear this, your higher self brought you here with love. I offer Spiritual Life Coaching + Energy Healing for Old Souls, Empaths, Highly Sensitives, Starseeds, Lightworkers & Spiritual Seekers. Together we dive deep into the heart to transform energy, working with the shadow and inner child using divinely downloaded Quantum Consciousness Psychotherapy approaches. Rapid Transformative Coaching Join Me in this Self Love Initiated 4 Week Accountability Journey | Working 1:1 and digging deeper into inner child healing and shadow work through the body-mind connection from a bottom up approach in quantum consciousness psychotherapy that is heart led. https://calendly.com/marisasage/rapid... ☆Website: https://www.marisasagecoaching.com/

Welcome back to the show - I am excited you're here. This one goes out to the star seeds and old souls or the ones who are curious to learn more! Welcome my love, so happy you're here! I break down and define the rearms Old Soul and Starseed and talk about their unique missions here and why it can be "hard to human". You are not alone, I see you.   ✨ Mentioned In This Episode Manifest From The Inside 12 Week Program >> https://taliajoymanifestation.thrivecart.com/inside/ Instagram >> @taliajoymanifestation On The Path Private Podcast >> taliajoymanifestation.thrivecart.com/thepath       — - SIGNATURE PROGRAMS - — ✨ Quantum Magic >> taliajoymanifestation.thrivecart.com/magic

On today's episode, we're discussing the healing journey with Chris Wasko who is a Psychic Medium that specializes in Old Souls and Healing from Narcissistic Abuse. Chris also has several workshops and mentorship programs plus provides various services including readings and various modalities of healing. More from Chris My spiritual journey began after an intense and emotional healing process. As I initially worked on healing my mind and body, my spirit started to awaken. I began to hear my maternal grandfather and eventually could see spirits in my mind's eye. What started as the closing of one door turned into an opening and transformation toward a new version of myself. As I started further developing my skills as a psychic medium, this gift worked it's way into my every day life. While on playdates or on the phone with friends it became common place for me to hear their inner thinking and that of their children, especially if they were expressing frustration about a behavior. It also was not uncommon for me to catch a glimpse of a past life displaying the behavior being discussed. After sharing the information I was receiving, I would then guide accordingly. This eventually led me to work with old souls and victims of narcissistic abuse. There is a spiritual element that intertwines these two worlds and has led to amazing realizations and healing for my clients. As a spiritual counselor, I help individuals and families understand the behaviors exhibited and what it means for the soul development. As each person is unique, so is every soul and journey. The gift of intuition and connecting on a soul level resides in all of us. I am here to help you tap into and understand your soul. Thank you for trusting me with something so precious. Connect with Chris https://www.chriswasko.com https://www.instagram.com/chriswaskomedium/ https://www.youtube.com/channel/UCC9vCB9mrA8Ga_TZbINdBng https://www.facebook.com/chriswaskomedium American gypC Podcast http://americangypc.com https://www.instagram.com/americangypcpodcast/ https://www.tiktok.com/@UCtt0HzXgvNADAOyRarKZFkQ https://www.linkedin.com/in/american-gypc-1940a2231 https://open.spotify.com/show/2stCfDEs5xOY7xMldvZjXo http://luamlee.com --- Support this podcast: https://podcasters.spotify.com/pod/show/american-gypc/support

My guest this week is Alister Atkin of Atkin Guitars.I've been following Atkin's progress for a few years now and have been blown away by the quality of guitars they're producing. They combine some cutting edge techniques with a bespoke approach, to bring out the uniqueness of every guitar they make. As Alister puts it: 'We're all about getting the feel and the sound of the instrument, and the aura of a great instrument.'We talk about some of these processes, including baking wood, freezing guitar bodies and even 3D printing moulds, as well as how Alister got into guitar making in the first place. We also chat about Atkin's White Rice model, a tribute to the Martin D28 owned by Clarence White, then Tony Rice (hence the name!) and the new range of electric guitars they're making.You can find info and drool over their guitars at https://atkinguitars.com/ and follow the Atkin Guitars Instagram feed for updates.But what I'd really urge you to do is to find one and play it, which you can do by checking the list of Atkin Guitar dealers around the world.It was a fascinating chat - I hope you enjoy it.Happy picking,MattSend a message to Bluegrass Jam Along! (Don't forget to include your name so I know who you are!) Support the Show.===Thanks to Bryan Sutton for his wonderful theme tune to Bluegrass Jam Along (and to Justin Moses for playing the fiddle!)- Sign up to get updates on new episodes - Free fiddle tune chord sheets- Here's a list of all the Bluegrass Jam Along interviews- Follow Bluegrass Jam Along for regular updates: Instagram Facebook - Review us on Apple Podcasts

In this episode, Bryan and Kristen talk about a conversation that Kristen had with a lady at the grocery store and realize that there is actually much hope for one of their young ones. Life Level 1 is a general topic podcast about life from the humorous perspective of Bryan and his broad, Kristen. Bryan has a background in video game development and Kristen has a background in life. The thoughts and opinions expressed on this podcast are those of the individual contributors alone and are not a reflection of their employers.

This week on the blog, a podcast interview with Ari Kahan, who assembled and oversees the most complete compendium of on-line information on Brian DePalma's classic rock music horror classic, Phantom of the Paradise. LINKSA Free Film Book for You: https://dl.bookfunnel.com/cq23xyyt12Another Free Film Book: https://dl.bookfunnel.com/x3jn3emga6Fast, Cheap Film Website: https://www.fastcheapfilm.com/The Swan Archives: https://www.swanarchives.org/Eli Marks Website: https://www.elimarksmysteries.com/Albert's Bridge Books Website: https://www.albertsbridgebooks.com/YouTube Channel: https://www.youtube.com/c/BehindthePageTheEliMarksPodcastINTERVIEW TRANSCRIPTDo you remember when you first saw it? What were the circumstances? How old are you? What was your reaction? ARI KAHAN: Sure. I first saw it when I was 12. It was double billed with Young Frankenstein. This would have been in early 1975, and my mom took me to see Young Frankenstein, which was okay. It was pretty good, but I was really enamored with the second feature on the bill, which was Phantom. And I've been in love with it ever since.Did you know anything about it before you went in? ARI KAHAN: Nothing. Nothing at all. So, what has been the attraction for you for that film, low those many, many years ago?ARI KAHAN: It may have just hit me at an impressionable time. But I think that, you know, being 12 and being kind of a nerd, I probably identified with Winslow and his fervent belief that if the world could only hear from his heart, and especially if all the girls in school could only hear from his heart, then they would love him and not the jerk that they always went out with.So, there's probably some of that. There was certainly, I do remember very, very clearly that the direction in some respect stood out to me. I had seen a lot of movies when I was 12, and I remember even today, thinking when I was 12, that there was a moment where the Phantom is rising up into the rafters in the foreground as Beef is descending in the background. And I looked at that and I thought, boy, that's complex. Anybody else would have done a shot of the Phantom starting to climb a rope, and then cut away, and then come back to him up in the rafters. This guy is trying to do things that are more interesting than he needs to and I thought that was really fun.After seeing Phantom I went back and saw Sisters.Which was no mean feat back then. ARI KAHAN: Yeah, I know and in fact, I had to see Sisters by buying a 16-millimeter print of it. That was the only way I could. I had fixed up a couple of—this is probably a year or two later—I had fixed up a couple of 16-millimeter projectors that my school was discarding, so I could even do changeovers in my bedroom. And I got a copy of Sisters just so I could see it because it was unseeable otherwise. Well, kudos to you for finding Sisters, because it took me a long time. I imagine it showed up at the Film society at the university or something finally. So getting to see William Findlay in a markedly different role and also seeing, oh, okay, this is a director who likes split screen. Although I probably would have gotten that from Carrie, because I'm sure I saw Carrie first. He's accused of doing stuff like that just for showing off. In fact, I think it's always for a cinematic or emotional reason. And Sisters is the best example of that. The suspense of getting rid of that dead body before they get to the door is enhanced by the fact that you're watching two things happen at the same time. ARI KAHAN: Yeah, I think in Sisters and Phantom both, it works really well. And I think, and I think even DePalma would agree that it didn't work as well in Carrie. Because the split screen calls for intellectualizing on the part of the audience. And it takes you out emotionally and wasn't really working that well. I understand why he did it, because it'd be boring to like, cut to Carrie's face, cut the things happening, cut back to Carrie's face, blah, blah, blah, blah. But I think both he and Paul Hirsch, the editor, feel it would have been better off to do something else.But anyway, after Phantom, you know, every new De Palma film to come out—all the way through Domino—has been a much anticipated event for me, you know, and I'm in the theater on the first day. And there have been a couple of disappointments along the way, but by and large, it's been awesome. Since you've seen Phantom so many times, were there any surprises that popped up over the years as you've watched again and again and things that you hadn't seen or hadn't realized?ARI KAHAN: It took me a really long time to notice that there was a frame or two of Jessica Harper being one of the backup singers on stage when Beef's performing life at last and only because I think it was unavoidable to use those frames. I think somebody figured out in editing that it didn't make any sense for her to be one of those backup singers and then in a white dress. So that took a while. It also was only within the past couple of years that I realized that a lot of the sort of classical, but silent movie sounding music that I had always thought was composed by the guy who did the incidental music was actually Beethoven. Oh, really?ARI KAHAN: Because Beethoven's not credited. So that little like a little violin thing that happens …ARI KAHAN: Or when Swan is going into phoenix's dressing room. When Winslow is escaping from prison. Well, it's Beethoven piano trios for the most part. So, you don't need to get permission from the Beethoven estate on that…ARI KAHAN: Well, I think that they would have had to pay the orchestra involved and I can easily imagine them omitting credit to avoid doing that. Hoping nobody would notice. And nobody did, obviously.Until you've just brought it up. ARI KAHAN: Yeah, sorry. That's okay. It's not, it's not our problem. One of the things that, that I found the Swan Archives to be so helpful on—well, lots of things, uh, when I discovered it years ago and I've returned to it as new things have popped up or I've dug a little deeper—was your explanation of the Swan Song debacle. As a frequent viewer of the movie. I wasn't noticing truncated shots. That I didn't notice until you showed us those shots. But obviously the mattes, particularly at the press conference, are really, really terrible. If I'm noticing them, they're bad. Can you just give us a brief history of why they had to do that? ARI KAHAN: Sure. So, it goes to Beef electrocution. In the early seventies, there was a band called Stone the Crows, whose guitarist was a guy named Les Harvey and Peter Grant, who would later manage Led Zeppelin, managed Stone The Crows. And Les Harvey was—in a freak accident—electrocuted on stage. I think his guitar was badly grounded or something along those lines, in 1971 or 72.And when Peter Grant learned that there was a film coming out in which a rock guitarist is electrocuted on stage, he assumed, that it was making fun of what had happened to his friend, Les Harvey. And by that time he was managing Led Zeppelin. I should say in De Palma's defense that Beef's electrocution shows up in early drafts of the script that were written before Les Harvey suffered his accident. So, this was life imitating art, imitating life, you know, rather than the other way around. De Palma clearly did not take that plot and probably didn't even know about what had happened to Les Harvey. But anyway, by the time Peter Grant got wind of this, Phantom had already been shot, but not yet released. This was in the summer of 1974. And by sheer absolute sheer coincidence, Peter Grant and Led Zeppelin had just gotten a trademark on Swan Song for their record label. And the first record to come out on the Swan Song label was Bad Company's first record, and that was in somewhere around June of 1974. So that's when their trademark was perfected, and Phantom was scheduled to be released a few months later at the end of October.And Peter Grant went to 20th Century Fox, which had just purchased Phantom from Ed Pressman and DePalma. You know, it's important for the story to know that Phantom was independently produced. It wasn't financed by Fox. Pressman and DePalma raised money to make this movie in the hopes that they would then sell it to some distributor for more than they had paid to make it.And it turned out that there was a, quite a bidding war among several studios, which Fox won. And Fox paid more for Phantom than anyone had ever paid for an independent film to that point in history. They had very high expectations for it. So that sale had just closed, but Pressman and De Palma and everyone else hadn't been paid yet by Fox.And of course, they had run out of money and owed everybody money, everyone who had worked on the film. So, they were in kind of a desperate situation. And Peter Grant went to Fox and said, “I'll sue you and prevent release of this film.” And the only thing that Fox could do was to tell Pressman and De Palma, you need to fix this.And the only way they could fix it was by removing all of the references to Swan Song, so that Peter Grant wouldn't have grounds for his claim, because he obviously can't claim you can't have a film with an electrocution of a rock star. Really, all he had was the Swan Song thing. And so that was done very, very hastily. They were still working on it in early October, even though the film was scheduled for release at the end of October. And so, basically, Fox signed a deal with Led Zeppelin saying we won't release the film with any of this Swan Song prominently shown. Which is a very stupid resolution really because Peter Grant in the end did not prevent distribution of a film with an electrocution of a rock star, which was his original concern.All he really managed to do was mangle somebody else's. And so the end result is that the film that we've all been watching for the last 50 years, there's a little bit cut out of it. There's some lovely crane shots that you missed because what the DePalma had done through the film was start on this Swan Song logo or the Swan name and then move away from it to whatever was going on. So that you have the impression that Swan was everywhere. And so that whole thing was lost and, you know, as you and everybody else noticed, some of it's very noticeable, particularly the bird at the airport. Which is too bad.I understand that you have a secret print of the film in which all those logos had been restored. In addition to fixing the crane shots and having shots that no longer have the terrible matte on them, is there anything else in that version that we wouldn't have seen before? ARI KAHAN: It's not a secret print, really. It was just reconstructing the film the way that it was intended to be, using footage that had been assumed to have been destroyed decades ago, but which I eventually found and digitized. And then with the help of a couple of other folks, put the movie back together. The most challenging part: there's a couple of challenging parts to that.You know, it's not just a matter of sticking things in. The footage was without sound. And so, if you're making a scene a few seconds longer, for example, and there's music underlying that scene, what are you going to do? Are you going to start the music a little bit later? Are you going to end it a little bit earlier?Are you going to play it a little bit slower so that it fills up these extra seconds? Are you going to loop it? Are you going to find some other piece of music that was probably intended to go there in the first place? So there's that problem. And then the podium scene, which is the worst offender—at the airport—the original, they actually worked on the negative to put the dead bird on. And so, the original footage for that podium didn't exist. But we knew what the podium was supposed to look like, because there's a photo that was used for the German promotional campaign—created obviously months before the film is released—and that still shows the podium the way that it's supposed to look. So, I got my friend, Steve Rosenbaum, who is a special effects supervisor. He won Oscars for Forrest Gump and Avatar, I think. And he's about to win an Emmy—I will bet you a box of donuts—he's about to win an Emmy for his work on Masters of the Air. I gave him this image and the footage that's shown, you know, in the theater normally, and he reconstructed the podium for me. So that's how we did the podium. But the other thing that was that if you go see the film now in the theater projected from DCP, the DCP master—which is the same master that we've used for the current blu rays—it was done by a company called Reliance Media Works in Burbank. And, I don't know what 17 year olds they had working on it, but they did the coloring and grading the way it's fashionable to do when they did it, you know, 10 years ago, which was a lot of orange, teal and the blacks are crushed so that anything that's really dark gray or dark brown, just black, so that the colors pop more, but you lose a lot of the detail, and to my eye it looks terrible.And so, I used an earlier master of the film that looks more like it looked in the 70s as the base for the reconstruction. And then color matched the replacement footage to that. It sounds beautiful. ARI KAHAN: It's gorgeous. The only other thing that I suppose we could have done, but didn't, is there's originally footage of Winslow's face coming out of the record press looking all mangled. And I have that footage, but I didn't put it back in because that footage that DePalma deemed not appropriate to the tone of the film that he was making. And so, since the object of this game was to restore the film to the way that he would have wanted it, I let that out. I think that was a wise choice. You know, I talked to Pete Gelderblom, who did the Raising Cainreconstruction. And it's a beautiful piece of work that he did. He was more constrained than you, because he was only allowed to use the footage which was there, and he just had to rearrange it. He repeats one shot, but he got it as close to the original shooting script as he could. I don't think Paul Hirsch was particularly thrilled with it, but De Palma was and has referred it as his director's cut. Did De Palma see your version and did he like it? ARI KAHAN: Yeah. I did a cast and crew sort of screening in Los Angeles and Paul Williams came to that and Archie Hahn and so on. Ed Pressman, the producer. And there was tremendous enthusiasm, because none of them had ever seen the film that they made the way that it was supposed to be.And I sent a copy to Paul Hirsch and I'm not sure whether DePalma heard about it from Pressman or from Paul Hirsch, but he asked to see it. And I sent it to him and I got a nice note from him saying, you know, that it was great, good job, la la la, it's great to see the film the way that it was, you know, the original cut.So. Yes, he is. Definitely. He's seen it. He's happy with it. And Ed Pressman, in particular, wanted to have that version released on home video or in some other way. And we went to Fox. This is before Disney. It was still Fox. And Fox said, well, you know, we could consider doing that under two conditions. First, Mr.DePalma approves. Well, yes, check box checked there. He does. And second, we made this deal with Led Zeppelin back in 1974, where we agreed not to do this. And if you can get them to waive their rights under that agreement, then yeah, sure. So, I worked with Ed Pressman and we put together a bunch of testimonials from people that we thought Led Zeppelin might respect, like Brett Easton Ellis and I think Guillermo del Toro and others, and sent a package off to Led Zeppelin through their lawyers. And God bless them, they got back to us in less than a week and said no. At least they didn't leave you hanging. ARI KAHAN: At least they didn't leave us hanging. That's right. So, your archive is amazing and is hour's worth of fun to go through it. ARI KAHAN: It's a rabbit warren. Yeah, I wish it were a little better organized.How did it get started? Well first, when did you start collecting memorabilia and then how did that grow into the archive? ARI KAHAN: I started collecting memorabilia right after I saw the film when I was 12. And that was obviously pre internet and pre-eBay. And it was a lot harder to get stuff. Bt I would frequent science fiction conventions and horror conventions and comic book shops.And there were a whole bunch of people who knew me as that kid who's always looking for Phantomstuff. And I was the kind of nerd who kept a log with the what everybody else was also looking for. And so, if I were at some convention and the guy who was collecting Olivia Newton, John's stuff, if I saw something interesting—not that there is anything interesting about it, but anyway—if I saw something interesting about Olivia Newton, John, I would run to the pay phone and call him and say, Hey, you want this? And I would pick it up for him. And so, there was a lot of returning of favorites where there would be people who were going to cons that I wasn't going to. And if they saw Phantom stuff, they would pick it up for me and that kind of thing. And so, you know, that became the way to get the posters from every country in the world that it was released in and the lobby cards and everything else and it started filling up, taking up more and more space over time and grew into, you know, trailers and magazines and everything else.And then when the site came out in around 2006, I put up the first version of the site. People who either had worked on the film or had something interesting would get in touch with me and say, “You know, I have this. I see you have a good home for it. Do you want it?” And of course, you know, eBay was a way to fill in some gap.Is there, within what your current collection holds, is there a prized possession that, you know, if there was a fire and you only grabbed one of those pieces, what would you take with you? ARI KAHAN: Yeah, absolutely. You know, in every dorm room and every apartment and every house I've ever lived in has hung John Alvin's art from the one sheet, and it's the same art that's on the cover of the soundtrack album. I just thought that was beautiful piece of art. And I think it was his second movie poster he painted. The first one would be for Blazing Saddles. And then he did Young Frankenstein, and if you look at the Young Frankenstein poster and the Phantom poster, you can see that there's a lot of stylistic similarities there.But he went on to do, you know, E. T. and, you know, 130 odd other posters. And at some point, he and I started corresponding and he finally said, “You know, I have something that I think you should have. Give me your mailing address.” And a few days later what showed up was his original painting, the comp painting for that poster, which he had had all this time. And so that would be the prize possession for sure. Well, that qualifies, I think. Is there a Holy Grail out there that you're still looking for? ARI KAHAN: The original art for the Corbin poster. Which is the “he's been maimed and framed, beaten, robbed, and mutilated.” That artwork would be a Holy Grail. As well as, well, the Phantom's original helmet. Now, it turns out there's a couple of them, at least. And one of them Guillermo del Toro now has. He just bought the Phantom's costume after it failed to sell at auction at Bonham's. And the other helmet the Pressmanfamily has, so those would be a grail. There's a lot of things that I'm sure no longer exist that would be the grail, like, you know, the Phantom's contract.Any number of props would be fun, but there's not very many known to still exist. I think Peter Elbling still has—or I think his son has it right now—the microphone that he used with a knife on it. And Garrett Graham still has his guitar strap, Beef's guitar strap. And I think he may still have the plunger.But not the antler belt? ARI KAHAN: No, not as far as I know. That'd be tough to ship. It would be. Yes. Dangerous to keep around the house. You could bump into it. On the site you kindly show all kinds of different memorabilia that you have or that exists around the world. And you also have a section called Inexplicable Crap. Is there one piece in there that just stands out for you as what in the world were they thinking? ARI KAHAN: Maybe the Death Records pillow. Like I can understand why they did. They made prototypes that never went out for sale. Why anybody would want it, you know, a dead bird, probably somebody wants a dead bird pillow, but the market would be limited.When the DVD for Phantom Palooza 2 came out, I bought that and then heard you talking somewhere about getting Jessica Harper to sing Old Souls, which is on the DVD. We just see the very end of her singing it. I'm guessing there were some technical problems or something with that. ARI KAHAN: It wasn't technical problems. It was the Paul Williams rider, which required that the show not be recorded. And I think that midway through Jessica singing, somebody might have said, or actually I think that's an audience--t might be an audience shot thing that we have. There's probably lots and lots of cell phone video out there of the show, but nobody related to who worked on Phantom Palooza—and I was one of the people who worked on Phantom Palooza—is going to be out there distributing anything that we agreed with Paul we would not even shoot. But, but yes, Jessica was absolutely a highlight of the show there. I was surprised that she went full force on the end of that song. ARI KAHAN: Well, there were no plans for her to perform. And the morning of the rehearsal, I said, “Hey, Jessica, you want to go down and watch Paul rehearse?” And I took her over to the auditorium and I was hoping that, you know, seeing that and being a performer at heart, she might be inspired to maybe, you know, participate. And she decided she would do Old Souls with Paul's band. And then she went back to the hotel and practiced the song, I think, all day in her hotel room and then, you know, knocked it out of the park that night. That's how I remember it. And then she came off stage and said, you know, now I know how Mick Jagger feels. It's a pretty stunning debut for her in that movie, to come from essentially nowhere—although she'd done things before that. And then the run that she had in the seventies, pretty unequaled when it comes to being the, um…ARI KAHAN: The queen of cult. Yeah. The queen of cult. And just the range, from Suspiria to My Favorite Year. You don't get a much broader range than that. ARI KAHAN: Pennies From Heaven. Yes, just phenomenal. Even just the wheat speech in Love and Death is worth the price of admission alone. ARI KAHAN: She played, uh, Gary Shandling's wife on The Gary Shandling show in the last season, named Phoebe, of all things. And in, I'm pretty sure it was the last episode of that show, she's held hostage by a phantom who lives under the set, who threatens to sabotage Gary's show, unless she will sing his song. And she ends up singing his song, which turns out to be YMCA. Wearing a dress that is very, very reminiscent of the one she wore to sing Old Souls in. And they even make a Pennies From Heaven joke. So, it's very inside baseball, I should say. Speaking of actors from that, I've always been blown away by William Finley's performance in the movie. I think it was Paul Williams who said something like, you know, he spends three quarters of the movie acting with one eye and metal teeth, and that's all he's got. And it's just flawless and so heartbreaking.And I'm just sorry we didn't get to see him in more movies. He's delightful in The Fury in a very small part. He's all over the early films. And I got the sense since I read somewhere that you did a eulogy for him, that you must have developed a friendship over the years. ARI KAHAN: Yeah. And, before we get to that, you say heartbreaking, right?And I think that that's one of the things about Phantom that was so ballsy. It's obviously a spoof of many things, but while being a spoof, it tries to get you to care about the characters. If, if you were not, you know, devastated at the end when Winslow dies just before Phoenix recognizes that it was him all along, you know, the film has failed.Whereas in other spoofs, you know, Rocky Horror doesn't ask you to care whether Brad and Janet will get back together after their experience or anything like that. Nobody asked you to care about the characters at all. And I think it's a huge risk that DePalma took in making a film like this: while simultaneously being a parody and a satire and a spoof and everything else, he wants you to care about the outcome. As far as Finley, I got to know Bill a little bit towards the end of his life after meeting him at Phantom Palooza. I went to New York and spent a little time with him and now I know his wife Susan pretty well and his son Dash a little bit. And when he died, Susan asked If I would put together some kind of a video montage for the funeral, which wasn't that—it's a celebration of life was what she was calling it. And I did that. And every time I had it finished—and, you know, I had like a day and a half to do this. And then I had to take the red eye to New York from California for this, for this event—every time I had it finished, she would send me a few more pictures and I'd have to, you know, redo it.And then she asked, could you set it to music? Could it be set to Faust? You know, okay. You know, you don't say no to a widow, right? And I was working at the time too. So, when I finally flew to New York, I was completely exhausted. And I got to the chapel I guess a couple of hours before the ceremony was supposed to start, so that we could make sure that this thing would play on their equipment and so on.And I'm taking a nap on one of the pews and Susan showed up with, you know, programs under her arm. And I picked up a program and saw that, right after Garrett Graham and Jessica Harper was supposed to speak, I'm supposed to speak. But I this was the first I was hearing about it. And so, I spent the first, unfortunately, the first part of the ceremony—where I really wanted to be paying full attention—kind of scrambling together what I was going to say.I have no idea what I said at this point. I hope it did Bill justice and didn't offend anybody, but I couldn't tell you now a single word of what I ended up saying there. And it's in front of, you know, various of the icons of my childhood, right, are in that chapel. So it's kind of like all of the nightmares of going to school and realizing that there's a test in the subject that you never took, and that you're not wearing pants, and all your ex-girlfriends are there laughing at you. Because I have my own podcast that has to do with my series of books, and like your site, I want to make it perpetual. But there's really no way to do that unless I set up a fund so that after I die they keep paying the site to keep running it. Because as soon as that site shuts down, the podcast goes away. And the same thing will happen to the archive. Whoever is hosting it, unless they're paid, it's gonna go away. I'm wondering, do you have a plan in place for all that information? ARI KAHAN: When I go, it goes.Oh, I feel like I set you up for that. Okay. Can I propose an alternate ending to that? ARI KAHAN: Sure. You essentially have a book there. You just have it in web form. You should put that together so that when it is done, when you are done, it can just be put into a book because it already reads like a book.ARI KAHAN: People have suggested that, and I've resisted doing a book because every now and then, some new fact comes to light that shows that something I had in there was wrong. And everything in there—virtually everything—is based on conversations that I've had with participants or material that came out at the time. None of it is taken from someone else's book or anything. So it's all fairly firsthand, but people have fallible memory. So, for example, the guy who made the phantom's helmet assured me that he had made only one. And it's crazy, because every production wants to have multiple copies of any key prop, because if something happens to the prop during shooting, shooting would have to, you know, it's an incredibly expensive problem to stop shooting waiting for another one.But as it turns out, he's, he's wrong. He made more than one. There is more than one. And so, every now and then, I have to correct something on the site. And if I put it out in book form, these books would be wrong. Potentially, something could come out in the future that that would make something with my name on it. Wrong. Imagine a book with a mistake. I can't imagine. ARI KAHAN: Exactly. And I can't abide that. So, it exists in electronic form so that I can edit it and improve it. Well, I would argue that you can do the ebooks, but that's, you know, that's your circus. It's not my circus. But you do raise an interesting question about misconceptions. I know that one of the biggest misconceptions is that it ran in Winnipeg forever and it didn't. I can—as someone who lived here in Minneapolis when Harold and Maude ran at the Westgate Theater for two and a half years—I can assure you it ran there for two and a half years, because I was there those two and a half years. So that was real. Is there another misconception out there about the movie that you just can't—like a whack a mole—get rid of? ARI KAHAN: So many. In fact, um, I think on my FAQ page, I list some of them. Is there an egregious one that just gets under your skin? ARI KAHAN: Yeah. The idea that it was only popular in Winnipeg and a couple other places is just completely wrong. It was big in Japan. It eventually became a big in Los Angeles. It never did anything in New York. Where it was actually biggest was not Winnipeg, it was El Salvador, where the songs hit number one on the radio. More than once. And it was brought back and revived many times. I get more mail from El Salvador than from anybody else.As we wrap up here, my favorite scene in the movie is the closing credits. I just love the music. I love what Paul Hirsch did with the assembly of that. And for years, I was living under the mistaken impression that in the credits, when it said Montage by Paul Hirsch, that that's what I was looking at was that montage. That's a montage. Then I was disabused of that in an interview with him—which I clarified with him. It was very nice to get back to me on Facebook when I said, “Am I correct in my understanding that the montage in the middle of the movie, the writing montage, you never saw that until the film was done? You had to put all the timing of that together, the animation of the writing, the placement of Phoenix's face on this part of the screen, and the Phantom and that, all the dissolves, all that timing?” And he said, “Yes it was a one-shot thing.” And I think for that he does deserve a special “Montage by Paul Hirsch,” because even today, with all the stuff we have, that would still be a challenging thing to do. And then not to be able to see the end result.But even with that, I just still love the closing credits. It's a combination of music, it allows me to revisit all my favorite scenes in the movie and a lot of my favorite shots. Do you have a favorite scene? ARI KAHAN: Well, I actually like those closing credits too, because most of the shots in those closing credits aren't actually in the film. Most of them are outtakes. And so, for example, in those closing credits, you have Swan splashing in the tub. There's Archie Han twirling around like this. And most of them, alternate takes. And they're clearly things that Paul Hirsch thought were charming and wanted to include that he couldn't put in the film.I suspect that you've held 35-millimeter film in your hands and cut shot A to shot B. I've only done that in 16mm. To keep a piece of film that short, hanging on a hook somewhere going, “I know I'm going to want to use that later.” Then finding that. I don't think people today understand what skill level was involved in, you know, that sort of thing, or the TIE Fighters in Star Wars that he did, or all that connection of little pieces, and tracking that and knowing that that's going to go there and that's going to go. It's so much easier today. And you had to make firmer decisions then earlier in the process than you do now, right? And fixing things was much more arduous. ARI KAHAN: You know, I think if they had to fix the Swan Song stuff out of Phantom and they were doing it using digital technology today, obviously, it'd be much faster and so on, but, uh, doing it on film. And having to send each change into the processing house, and then getting it back a few days later, and, uh, you know, it's a lot of work. It'd be horrible.But favorite scenes: The Goodbye Eddie number just remains a favorite. Do you know why? It's not fancy DePalma. It's a wide shot, two shot, a single. ARI KAHAN: That's right. It's the most conventionally shot thing in the film, but Archie Han is just so great in it. His delivery boy in My Favorite Year—when he does the punching—he just does the exact right thing at the right time. And I wish there'd been bigger movies with more Archie Han in them than what we got. ARI KAHAN: So does Archie. Okay, last question. If you take Phantom of the Paradise out of the mix, what would you say is your favorite De Palma movie?ARI KAHAN: Well, I'm not sure that Phantom of the Paradise is my favorite De Palma movie. It is a sentimental childhood favorite. But I go back and forth between Carlito's Way, Casualties of War, Femme Fatale, Carrie. And Raising Cain.I think that Femme Fatale is probably the one that came closest to his intention.It's the one that I think of as being, like, the most successfully realized, and I love it for that reason. Carlito's Way is just, by, I think, any objective standard, probably his best work. Then I love Blow Out. I'm not on the Blow Out train as much as everybody else. Maybe because it just, it goes so dark.ARI KAHAN: That's what I love about it is the devastating ending. I really love Peet Gelderboom's version of Raising Cain. Given all that, and given that you're 12 years old in 1974, 75, somewhere in there, and you're you're a movie freak at this point, which is a really good time in film history from that era. Is there a favorite? ARI KAHAN: So, I was really lucky that I was when I was 15 or 16, I was working at a theater called the UC theater in Berkeley, which was a repertory house that showed a different double bill every night. And any night that I wasn't working, I was there seeing movies.So, I saw lots and lots and lots of movies. And despite all that and all the weird stuff I saw, my favorites are probably the same things that every 70s kid's favorites were: Star Wars, Harold and Maude, The Godfather. I loved Harold and Maude so much that I bought an old hearse at one point.Okay, you win. ARI KAHAN: And I didn't keep it for long. It got like, I don't know how many gallons per mile. It was just not economical to have as a car, but it was fun for a while. I was very lucky when they hit the two-year mark here in Minneapolis, and I was a junior in high school, maybe. I happen to know the son of the local movie critic for the paper, and the critic knew that I was a big fan of Harold and Maude. And so he took me along on his press junkets. So, I had dinner with Bud Cort, got to chat with him. I got to hang out with Ruth Gordon for the day. ARI KAHAN: The only one I can propose to top that would be when I was in high school, I was writing for the school paper. Actually, I had stopped going to high school. I was the entertainment editor for the school paper, and I had stopped going to high school. I dropped out, but I kept submitting articles to the paper. And at some point, the newspaper staff changed my title from Entertainment Editor to Foreign Correspondent. And on the strength of that—when Tim Curry's first record, Read My Lips, came out, and he was coming to town to sign autographs at Tower Records—myself and a writer from the Berkeley Bar, which was a newspaper back then, had lunch with him around the corner from Tower Records just before he went off to do his autographing. And I was a huge Tim Curry fan. And I had to try to keep that under wraps and, you know, not ask any Rocky Horror related questions. And that was my claim to fame until all of the Phantom nonsense started.

Mike Giant in conversation with Dalek at Mike's studio in San Diego, California on June 21, 2024. Topics discussed include: Tyke, pickup basketball games, Hurley (2009-2015), Mark Parker, Roger Gastman, Black Dot, fashion world, Spacemonkey racing yacht, apartment mural, Cycle, dominatrix girlfriend, sex in SF in the 1990s, unintentional harm, painting freights at night in Chicago, closing out bars, interaction with Chicago PD, etiquette with cops, backing away from a sketchy girl, exhilaration of release, picking up Semz and Nekst from jail, referrals from fellow graffiti writers, writing to T-Dee, meeting Kaws (1995), car stolen in Queens, The Limelight club, Leeway, Sume, flow among creatives in NYC, Alphabet City, squatters, Sidewalk Cafe, Z Bar, East Side Inc, 111 Minna Gallery, Move shows by Rich Jacobs, Chouinard, location flexibility, disinterest in public school, DODDS, 16 years old in Japan (1984), 6'6” white hair, sexual standards, 1982 World Cup trip to Spain, teenage drinking and topless beaches in Europe, Iron Maiden “Number of the Beast” Tour, engaging with a new culture, Japanese cartoons, food mascots, Naval Academy in Maryland, family roots in Annapolis, new wave/punk, MTV, Oceans Two record store, confrontational attitude to punks, trip to Ocean City, meeting skaters, acting out, sleeping on floors, Espo arriving in a limo, lack of compassion/discussion from parents, parenting, honest conversation with children, self discovery through trials, processing childhood trauma as an adult, pressure of life clouding clarity of mind, Let It Go meditation to help sleep, medication, blood disorder, masking vs fixing, chaos bringers, Old Souls, difference in how sons first responded, Shannon's past lives, realizations on road trips, people watching, investigating emotions, discovering new places, memory recollection, casing neighborhoods before writing graffiti, mind mapping, Web3, global anonymous community, Tunny and Joe, importance of meeting in-person, Art Basel, Buffmonster, Bobby Tribal, Nate Lyons and Kris Markovich, Jay Strickland, Duffs team manager, Shepard Fairey, mailing canvases to artist friends, making connections, pulling off life as an artist, the blessing of support and the impact of murals.

Reincarnation - do you believe or not? Are you aware of your past lives? Join Lorraine Nilon and Tom Shroder in this captivating episode as we dive into the intriguing world of reincarnation and past lives. Be fascinated by acclaimed journalist and author Tom Shroder. Best known for his groundbreaking book "Old Souls: Compelling Evidence from Children Who Remember Past Lives." OLD SOULS BOOK ( Amazon) https://geni.us/oldsoulschildren Tom shares his extensive research and personal experiences investigating the phenomenon of reincarnation. In this episode, Tom discusses the compelling cases documented by Dr. Ian Stevenson, a pioneering psychiatrist who dedicated his career to studying children who claim to remember past lives. With fascinating anecdotes and scientific insights, Tom sheds light on the mysterious and often controversial subject of past life memories. Discover the intersection of science and spirituality as we explore questions like: Can memories from past lives be scientifically validated? How do cultural beliefs shape our understanding of reincarnation? What can these extraordinary cases teach us about the nature of consciousness and the human soul? Whether you're a skeptic or a believer, this episode will challenge your perceptions and open your mind to the possibilities of life beyond the physical realm. Tune in for an enlightening conversation that delves deep into the mysteries of our existence. Don't forget to like, comment, and subscribe for more thought-provoking discussions on the mysteries of life and beyond! ✨

Loren Kranz (Ragbirds, Barbarossa Bros, Solo, +) and Sean Drysdale (Banana Convention, CDF Band, Solo) are new lighthouses on the edge of the Michigan Rock and Roll Peninsula. Both hail from the Mid-Michigan area, both uber-creative types that make every band or project they involve themselves in 200% better, just because of what they bring to the table.    Kranz is currently the drummer in The Ragbirds. He has been on keyboards and organ for many other projects offering vocal ability as well. Getting his start in Barbarossa, and currently ramping up a band as a solo artist as well, Kranz has spread his wings to the west side of the state musically, while keeping his feet in the Saginaw area. He is a teacher at Major Chords For Minors and is a first-call studio cat.    Bassist/vocalist Drysdale toured and wrote with the Banana Convention for many years, recently reuniting with them for a new album (in the works), working via state to state tracks, on the new project. He just helped wrap up the third CDF album, with John Cashman and Mick Furlo (and addition of Steven Hughey) and has recently been rapidly creating heavily in his studio a lot of new works as he approaches his own solo career. Listen to the podcast from last season with Cashman and Furlo on CDF.    The two have come together to discuss their projects and career, while noting the importance of music in Michigan moving forward. Hit the PLAY button now... >

*THIS DESCRIPTION IS AI GENERATED*

To schedule a session with Sherri, buy her “Divinely Guided Children” Book series or visit the empowering Learning Centers

Will Sanders Will is a  Navy Veteran and One Half of the Sanders & King Team. Will has been playing Guitar and Pickin Country / Bluegrass / Christian Music for more that 53 Years. Born in Shelbyville Indiana in 1959 Sanders grew up on a steady diet of Country / Christian / and Bluegrass Music. Sanders entered his first talent contest in 1973 at his High School in Hunterdon County NJ. Taking 3rd place Sanders was destined to make Music and Entertain. Sanders started doing “Elvis” Gigs when David Martin (of Dave Martin and The Southern Comforts) would let him perform with his band on stage. Once Sanders hooked up with his boyhood friend from school, Paul King the rest has became history. Will's first big hit “Angel Wife (Aimée's Song)” was streamed over Three Million Time on all of the Major Streaming Platform. ============================================================================ Jim Mahoney Jim is a Navy Veteran who has been playing guitar for 50 years. Jim is an ensemble member of Sanders & King's We '73 Band. Jim plays Rhythm Guitar and does double duty as both a lead and back up singer. Jim has 2 singles out “Give Me a Reason” and “Another Better US” Jim's songs have well over a quarter million plays on all of the Major Music Platforms. ====================================================================== Frank Bellucci While in Austin, Texas, Frank Bellucci created his heartfelt music style that blends adult contemporary, singer-songwriter, and retro country music. The many-year effort eventually led to his first commercial album, “Life in the County”, released in early 2022 … and then “The Old Days later” in the same year.    

Ever felt like an old soul trapped in the carousel of modern life? This episode is an expedition into the essence of Old Souls, exploring the wisdom tucked within their ageless perspectives. As your guide, I navigate the traits that earmark these profound beings - from their intuitive trust to their unique approach to personal growth. You'll find out why their definition of success transcends the typical ladder-climbing achievements and how they handle life's tumultuous waves with a grace that belies their physical age. And for those intrigued by the depth of their own soul, a tailor-made quiz awaits to whisk you away on a self-discovery adventure, revealing the true age of your inner spirit.This episode promises to not just enlighten but to offer support for those seeking to live in harmony with the universe's rhythm. Join me for this heartfelt journey, one that connects the dots between the age of your soul and the universal quest for purpose.Next Sunday's Topic:  All About the Heart Chakra Support the showThe Angel Room is a place for those who love angels, those who want to know more about them and how to get the most angelic guidance possible. You will enjoy spiritual, healing, enlightening, and empowering topics each week. Voted one of the best Best Soul Path Podcasts in 2023 by PlayerFM and one of the Top 100 Spiritual Podcasts on Feedspot .Host, Ivory LaNoue is a respected angel communicator based in central Arizona. She offers a variety of angel readings, angelic healing services, spiritual counseling, life coaching and mentoring to become a certified angel communicator or Empath. She is the author of Let Your Angels Lead, available on Amazon. Her book teaches you how to feel, see and hear your angels so you can gain the most angelic guidance possible in your life. Join Ivory's Patreon page (The Angel Room) for exclusive content, ad-free podcasts, live classes and events! Get a free 7-day subscription so you can check out what is available.You can learn more about Ivory and her services at IvoryAngelicMedium.com.Podcast: https://the-angel-room.onpodium.co/Email: ivoryangelic@outlook.comYouTube Channel: https://www.youtube.com/@ivorylanoue4912Book: https://ivorylanoue.com/

In this insightful episode 321 of the Old Souls & Seekers podcast, Guy and Ilan Ferdman delve into the profound topic of managing anxiety and stress. They shed light on anxiety as a signal of nervous system dysregulation rather than a mere mental health issue, emphasizing the importance of understanding it in this light. The hosts guide listeners through key practices for self-regulation, including meditation, conscious breathing, seeking community support, and the transformative concept of reparenting the inner child. This episode provides practical tools to navigate stress and anxiety, fostering a deeper understanding of how these signals relate to nervous system function. The discussion also highlights an upcoming two-day event focused on energy healing and expanding awareness, encouraging listeners to register and embark on a journey of hands-on energy and awareness training. The action items include not only event registration but also researching methods for nervous system regulation, such as meditation and biofeedback, and scheduling consistent self-care practices. Join Guy and Ilan on this exploration of stress management, and take proactive steps toward greater well-being and self-regulation. Learn more about your ad choices. Visit megaphone.fm/adchoices

In Episode 320 of the Old Souls & Seekers podcast, Guy and Ilan Ferdman guide listeners through a weekly community call focused on personal growth and healing. The discussion emphasizes the balance between 'growing up' (mindset evolution) and 'waking up' (energetic healing), stressing the importance of compassionate living and community support. Key topics include unwinding the nervous system, addressing judgments and reactivity in relationships, recognizing signs of progress, and critiquing capitalism with insights. The hosts encourage listeners to attend their upcoming live event for an immersive experience in energetic healing through group participation, offering exclusive ticket discounts and long-term program opportunities. Join us on this transformative journey within, as we explore the nuances of personal evolution, from mindset shifts to energetic healing. Discover how compassion, community, and lifestyle changes play pivotal roles in navigating the challenges of growth. The episode culminates in an invitation to the live event, promising an opportunity to delve deeper into the collective energy of healing and transformation, with Guy detailing exclusive ticket offers and long-term engagement options. Learn more about your ad choices. Visit megaphone.fm/adchoices

Paintings and poetry, mending and making do, reciting Yeats in New Delhi and a long night of the soul in the Emergency Department, with Daniel Mulhall, Catherine Foley, John MacKenna, Aidan Mathews, Margaret Hickey and Nidhi Zak/Aria Eip

I do a solo episode and I'm getting a little out there folks!I've had a massive spiritual and energetic shift this past year.  Partly through external clarity, and partly because of internal work, focus, energy work, and diving deep into my intuition.I get into chronic pain and my body's manifestation of it as a signal to me about how I'm treating myself and habits that I may need to change.  I've dealt with this for several decades and become really in tune with my body and not only view it as a physical being with physical parts, but as a message centre for my consciousness.  A message centre to let me know when things may need to change in my processes.I also dive into the impact my personal work, and also Kim's massive shift and transformation she has personally made, and how that has positively impacted our relationship.  it's affecting us, our children, and what we want from our lives.I'm operating differently.  And it's been needed.  I hope me sharing this can enlighten you in your own journey.If this episode inspires you or motivates you to look at your own life please tag us in your stories or send me a DM, I'd love to hear from you!With all the love and respect!K&JSUPPORT & RESOURCES:  To join our email list click here: bit.ly/JKFSubscribeTo join our FREE Fitzlife Facebook community click here:bit.ly/FitzLifeCommunityTo join our Wellness Accountability Group click here:bit.ly/JKFMoreInfoTo apply for business mentorship with Kim & Jamie and help you start your own online wellness and leadership business click here:bit.ly/CrushNationCoachApplicationTo join Legacy By Kim email list click here:   bit.ly/LegacyByKimNewsletter ____________________________________________________________ CONTACT INFO:Private Coaching:jamie@fitzlifeconsulting.comkim@fitzlife Consulting Kim:www.jamieandkimfitzpatrick.comIG: @k_m_fitzpatrickTikTok: @kimmfitzpatrickFB: https://www.facebook.com/kim.p.fitzpatrickE: kim@jamieandkimfitzpatrick.comJamie: www.jamieandkimfitzpatrick.com IG: @jamiefitzpatrickentrepreneur FB: https://www.facebook.com/CoachJamieFitzpatrick/ E: jamie@jamieandkimfitzpatrick.comLegacy By Kim: www.legacybykim.com IG: @legacybykim E: contact@legacybykim.com

In Episode 319 of the Old Souls & Seekers podcast, Guy Ferdman guided the listeners into a transformative conversation exploring the realms of personal growth, healing, mindfulness, and liberation. The episode unfolds with a guided meditation, "Discovering the Inner Symphony," guiding individuals to distinguish the 'listener' from mental chatter, fostering relaxation for thoughts to naturally subside. Embracing mind patterns as guardians and understanding their protective role is emphasized, highlighting the healing power of compassionate listening in easing inner turmoil. The narrative continues with personal experiences in "The Courageous Path to Freedom," illustrating the transformative journey of facing fears and pain with compassion as the gateway to true liberation. Shifting focus to listener-defined values in "Defining Happiness Within" becomes key, as the episode concludes with practical mindfulness practices for inner transformation in "Mindful Action for Inner Transformation." Throughout the chapters, the episode unfolds a narrative of self-discovery, encouraging listeners to navigate their inner landscape with courage and patience. The episode offers actionable steps, such as spending dedicated time noticing thoughts non-judgmentally and investigating the roots of difficult emotions. The overarching theme emphasizes that true happiness arises from cultivating self-compassion and aligning with audience-defined values, transcending the pursuit of external expectations. Join the Old Souls & Seekers community on this captivating journey, where insights unlock the keys to inner liberation and inspire profound personal transformations. Learn more about your ad choices. Visit megaphone.fm/adchoices

In this insightful episode of the Old Souls & Seekers podcast (Episode 318), Guy and Ilan Ferdman engage in a diverse conversation touching upon the distinctions between psychological and energetic developmental paths, and strategies for skillfully responding to stress and complex relationships. They explore the health considerations associated with coffee consumption and delve into the paradoxical nature of 'growing up' psychologically versus 'waking up' energetically. Throughout the dialogue, the hosts emphasize the need for a patient and lifelong commitment to awareness and trauma healing work, cautioning against expectations of quick resolutions. The episode serves as a rich exploration of daily challenges, offering valuable insights into navigating life's intricacies with consciousness and commitment. Guy and Ilan unravel the and delve into the complexities of personal development, they guide listeners through understanding the patient and ongoing nature of healing work. From exploring the impacts of coffee on health to providing strategies for navigating stress and challenging relationships, the episode invites the audience into a reflective space, encouraging a commitment to daily practices for sustainable growth. The conversation is a tapestry of wisdom, illustrating the profound interconnectedness of economic decisions, psychological insights, and the transformative journey toward self-discovery. Learn more about your ad choices. Visit megaphone.fm/adchoices

In Episode 317 of the Old Souls & Seekers podcast, Guy and Ilan Ferdman discuss and unravel the intricacies of personal growth, self-awareness, and life purpose. The speakers underscore the pivotal role of commitment in achieving diverse life goals, emphasizing its intrinsic nature in relationships and contrasting it with transient external commitments. They explore the sustainable path of subtle daily improvements over fleeting new year's resolutions, advocating for incremental growth that compounds into profound personal development. Additionally, the episode delves into compassionately attuning to emotional reactions, steering away from judgment and fostering responsive choices. The conversation navigates towards aligning life purpose with serving others, showcasing a transformative journey from self-centric goals to a purpose-driven existence. It concludes by shedding light on the evolving role of companies, urging a shift from merely supporting external customer goals to actively fostering the internal growth and development of employees. The episode encapsulates actionable items, encouraging listeners to explore the correlation between commitment and goal achievement, track the impact of daily incremental improvements, and observe the shift from reaction to response through compassionate attunement. Join this enlightening exploration, tapping into a wealth of wisdom for your journey of self-discovery and growth. Learn more about your ad choices. Visit megaphone.fm/adchoices

My new book Reframe Your Brain, available now on Amazon https://tinyurl.com/3bwr9fm8 Find my "extra" content on Locals: https://ScottAdams.Locals.com Content: Politics, Sumerian Tablets, Doppelgängers, Consciousness Shift, Simulation Theory, Old Souls, SCOTUS Rejects Jack Smith, President Trump, Dictator Accusations, Analogies Without Argument, Inflation, Governor Newsom, The Atlantic's Propaganda, Congressional Blackmail Process, Rep. Tim Burchett, Honeypot Blackmail, Nikki Haley Rumors, Louis Farrakhan, Julian Assange, 40 Murderers Pardoned, Governor Edwards, John Fetterman, Weed People Pardons, President Biden, Scott Adams ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ If you would like to enjoy this same content plus bonus content from Scott Adams, including micro-lessons on lots of useful topics to build your talent stack, please see scottadams.locals.com for full access to that secret treasure. --- Support this podcast: https://podcasters.spotify.com/pod/show/scott-adams00/support

Embark on a profound exploration with Guy and Ilan in Episode 316 of the Old Souls & Seekers podcast. The hosts transparently share their recent journey in the Columbian jungle, engaging in plant medicine work—a challenging yet enlightening experience that continues to unfold. From envisioning a global shift into higher consciousness to navigating the paradox of selfish healing for collective benefit, the episode unravels the complexities of inner wisdom. Delve into the transformative power of intuitive guidance, the importance of community support, and the hosts' commitment to reaching a broader audience through revamped pricing for their coaching programs. In this episode, Guy and Ilan invite listeners to reflect on intuitive nudges, commit to personal healing and growth, and engage in open conversations within the community. Seize the opportunity to explore transformative teachings, trust the journey of inner transformation, and join the collective evolution towards higher consciousness. Tune in to this episode as the hosts navigate the jungle of inner wisdom, offering insights that resonate with the pulse of humanity's rebirthing process. Learn more about your ad choices. Visit megaphone.fm/adchoices

Jenu Six & Chantal Lynn are Old SoulsSharing a love of country and the road, several years and many weathered miles, they've spun their ghost stories into songs. Reincarnated to play for sinners and honky-tonk angels searching for something real, proving Old Souls never die. https://oldsoulsduo.comhttps://www.facebook.comcautionlightmedia/https://www.instagram.com/somethinginthewaterpodcast/https://www.facebook.com/somethinginthewaterpodcast/somethinginthewaterpodcast@gmail.comhttps://somethinginthewater.captivate.fmhttps://www.patreon.com/somethinginthewater

Embark on a transformative journey with Guy and Ilan in Episode 315 of the Old Souls & Seekers podcast. Reflecting on their recent retreat, the hosts delve into the aftermath of leading an intense experience in the jungle. The ceremonies, described as both profound and challenging, create an intimate connection with nature, spirit, and soul. The episode explores the transformative power of community and the need for compassionate healing in the face of different types of trauma, from 'big T' abuse to 'little t' daily misattunements. The hosts emphasize the courage required for true healing, sharing insights into the nuances of leaving behind an intense retreat and the emotional echoes it leaves. As a special offering, Guy and Ilan announce a limited opportunity to join their year-long coaching program at a significantly reduced cost. This includes weekly group coaching, video lessons, a live event ticket, and the Primary Abundance course—a unique chance for those committed to their inner work to receive live coaching support for genuine healing and transformation. The hosts invite listeners to join the transformative exploration, experience compassionate support, and take advantage of this limited time offer to deepen their inner transformation with proven effective training and practices. Trust the process, offer compassion, and evolve together within the community. Learn more about your ad choices. Visit megaphone.fm/adchoices

In this episode Phillip sits down with luthier Creston Lea and talks about how he got into guitar building, our love of weird Peavey stuff, and drawing on popular models for inspiration to create new and unique guitars that feel classic. Find Creston and Creston Guitars on:Internet: https://crestonguitars.com/Instagram: https://www.instagram.com/crestonguitars/Facebook: https://www.facebook.com/groups/61598245820/I've partnered with TourGear Designs to get you 10% off the best patch cables in the game! You can use my affiliate link (https://www.tourgeardesigns.com/discount/40WATT) or just use the code 40WATT at checkout to get 10% off your order! If you want to save even more, Patreon supporters of the show get 20% OFF!  Check out my post over on my patreon page for more information!Get 20% off Rattlesnake Cables using this link: 20% off their order using this link: https://www.rattlesnakecables.com/40watt/Support the show at: https://www.patreon.com/40wattpodcast/​Find guitar lessons on TrueFire (remember to use code 40WATT): https://bit.ly/3t0v1ZdFind all of the podcast links at:https://www.linktr.ee/40wattpodcasthttps://www.40wattpodcast.com/40 Watt Merchandise: https://40-watt-merch.creator-spring.com/Reverb Affiliate link: https://reverb.grsm.io/phillipcarter5480StringJoy Affiliate link: https://stringjoy.com/partner/fortywatt/Subscribe to the channel and give a like – also find us in audio format wherever you listen to podcasts and leave us a review and share us with your friends.Support the show

In this episode of the Old Souls & Seekers podcast, Guy and Ilan Ferdman candidly address recent technical challenges and unveil a proactive shift to manual signups, ensuring a smoother experience for our community. Congratulations resonate for those embarking on the Millionaire Mindset Immersion program, setting the stage for a collaborative atmosphere where shared experiences aim to transform weekly livestreams into personalized tune-ups. As we explore common themes of health crises and loss within our community, the narrative emphasizes the intrinsic value of coming together, providing mutual support through collective challenges. Delving into the metaphorical concept of life's tools as building blocks, the discussion unfolds, emphasizing that true change is not derived from a singular methodology but rather from the accumulation of diverse tools and techniques over time, akin to assembling the complete picture of one's life. Learn more about your ad choices. Visit megaphone.fm/adchoices

In this enlightening episode 313 of the Old Souls & Seekers podcast discussion, hosts Guy and Ilan Ferdman delve into the intricate dynamics of our relationship with money. Participants share their emotional landscapes during financial transactions, paving the way for a collective understanding of anxiety, guilt, and scarcity. The hosts reframe money as an energetic force, magnifying consumption patterns and societal impact, urging listeners to cultivate a conscious daily interaction for a healthier financial relationship. Guy & Ilan challenges the illusion that money alone provides security, advocating for an inner journey to build genuine safety and nourishment. Aran emphasizes the importance of prioritizing personal well-being, debunking the myth that being 'selfish' in self-care doesn't benefit the greater community. Actionable steps include noticing emotional responses to financial transactions and creating a 'nervous system fund' for stability. Join the conversation, subscribe, and embark on a liberating journey of intimacy with all aspects of our financial lives. Join us on this transformative journey into the heart of wealth. In the podcast, we unravel transformative insights—acknowledging the anxiety surrounding money, establishing a 'nervous system fund' for stability, and embracing challenging seasons as opportunities for profound growth. Engage in the conversation as we embark on a liberating journey, fostering intimacy with every facet of our financial lives. Become a part of the dialogue. Subscribe, listen, and set forth on a conscious and intimate journey with your finances. Together, let's nurture the riches within and unlock the path to true liberation. Learn more about your ad choices. Visit megaphone.fm/adchoices

In this episode 312 of the Old Souls & Seekers podcast Guy and Ilan Ferdman delve into a transformative exploration of spiritual awareness practices, guiding listeners through the profound journey of self-healing and personal transformation. They introduce the episode with an emphasis on openness and curiosity in approaching inner experiences. Throughout the chapters, the discussion unfolds, delving into the conditioned mind's impact, the healing potential of compassionate awareness, and the practical aspects of consistent spiritual practices. Listeners are invited to recognize the transformative power of shifting inner energy and to overcome societal conditioning, ultimately concluding with a powerful message on the necessity of daily inner work for genuine transformation. The episode is a roadmap to self-realization, encouraging a commitment to daily spiritual awareness practices and embracing the transformative path towards one's truest self. Tune in to Episode 312 for a comprehensive exploration that illuminates the barriers hindering our true nature, unlocking the potential for profound healing and inner transformation. The hosts provide actionable insights and encourage a commitment to inner work, setting the stage for a transformative journey that aligns the present with future self-realization. Learn more about your ad choices. Visit megaphone.fm/adchoices

In this insightful Episode 311 of the Old Souls & Seekers podcast, Guy and Ilan Ferdman embark on a profound exploration of fear and discomfort. They recount a transformative 3-day hunting experience, challenging their upbringing and shedding light on the evolution from 'fear hunting' to a softer, compassionate approach. Discovering the calmness of the nervous system amid discomfort, they advocate turning inward with kindness to soothe the parts holding fear. Guy and Ilan build on this theme, urging listeners to drop judgments and meet emotions with unconditional love, releasing societal rules about 'allowed' feelings. They affirm the naturalness of all emotions and encourage listeners to give compassion to themselves first, creating a path to integration and wholeness. The episode concludes with actionable steps, inviting listeners to reflect on uncomfortable experiences, practice acknowledging emotions without judgment, and commit to meeting humanity with an open heart. Join this transformative journey of self-discovery and empathy, embracing discomfort with compassion. Learn more about your ad choices. Visit megaphone.fm/adchoices

One of host Chase Tremaine's favorite CCM artists, Riley Clemmons, comes on the show to discuss her new album Church Pew, to reflect on the trajectory of her career thus far, and to share stories about experiencing the closeness of God through heartache and pain. Click here to learn more about the podcast Observations of a Professional Third Wheel. Click here to check out the Kickstarter campaign for A Kingdom of Tea & Strangers. The JFH Podcast is hosted and produced by Chase Tremaine and executive produced by John DiBiase and Christopher Smith. To meet the people behind the show, discuss the episodes, ask questions, and engage in conversations with other listeners, join the JFH Podcast group on Facebook.

In Episode 309 of the Old Souls & Seekers podcast, Guy and Ilan Ferdman, seasoned personal development experts with over two decades of experience, delve into the critical facets of healing trauma, transforming our relationship with money, and embracing the intensities of life's lessons. They stress the significance of fully experiencing sensations to heal trauma, emphasize how reshaping one's relationship with money can lead to love and flow, and explore the increasing pace of life's lessons while highlighting the need to skillfully navigate life's challenges for inner peace and stability. The podcast also underscores the essential role of support and co-regulation from others' nervous systems in the healing process, offering an invitation to their transformative programs designed to unlock personal potential and promote growth. In this enriching conversation, the episode sheds light on the vital role of others in the healing process, offering a supportive hand on your journey of transformation. Additionally, you'll receive an exclusive invitation to join their transformative programs, designed to help you unlock your full potential and lead a life filled with love, flow, and personal growth. Learn more about your ad choices. Visit megaphone.fm/adchoices

In episode 308 of the Old Souls & Seekers podcast, listeners are taken on a profound journey into the depths of the human psyche with Guy & Ilan Ferdman, exploring the intricacies of inner chaos and discomfort. Through in-depth discussions, the episode reveals that much of our inner turmoil originates from childhood protective mechanisms that have become limiting chains in our adulthood. By confronting this discomfort directly and adopting a practice of neutrality, we can navigate our emotional landscapes more freely, leading to personal growth and a strengthened sense of community. Beyond individual introspection, the episode underscores the power of proactive community engagement. By taking ownership of problems and stepping up as agents of change, we can break through societal constructs and foster a harmonized, intuitive collective. This potent blend of self-awareness and collective action paints a vision for a more harmonious future, urging listeners to reflect deeply and take decisive steps in their personal and communal journeys. Learn more about your ad choices. Visit megaphone.fm/adchoices

Did you enjoy this message from the Universe?!  Please leave us a review HERE...Even one line helps the show GROW;) For more Inspired content, Holistic products, technologies and tools, go to: http://embracewhoyouare.earth/ Join Us in Our Facebook Community: Empaths, Old Souls & the Mother Wound Email: Jessica@realrawmomma.com  Facebook: https://www.facebook.com/freedomja2012    Instagram: https://www.instagram.com/realrawmomma    TikTok: https://www.tiktok.com/@realrawmomma 

Did you enjoy this message from the Universe?!  Please leave us a review HERE...Even one line helps the show GROW;) For more Inspired content, Holistic products, technologies and tools, go to: http://embracewhoyouare.earth/ Join Us in Our Facebook Community: Empaths, Old Souls & the Mother Wound Email: Jessica@realrawmomma.com  Facebook: https://www.facebook.com/freedomja2012    Instagram: https://www.instagram.com/realrawmomma    TikTok: https://www.tiktok.com/@realrawmomma 

Did you enjoy this message from the Universe?!  Please leave us a review HERE...Even one line helps the show GROW;) For more Inspired content, Holistic products, technologies and tools, go to: http://embracewhoyouare.earth/ Join Us in Our Facebook Community: Empaths, Old Souls & the Mother Wound Email: Jessica@realrawmomma.com  Facebook: https://www.facebook.com/freedomja2012    Instagram: https://www.instagram.com/realrawmomma    TikTok: https://www.tiktok.com/@realrawmomma 

Did you enjoy this message from the Universe?!  Please leave us a review HERE...Even one line helps the show GROW;) For more Inspired content, Holistic products, technologies and tools, go to: http://embracewhoyouare.earth/ Join Us in Our Facebook Community: Empaths, Old Souls & the Mother Wound Email: Jessica@realrawmomma.com  Facebook: https://www.facebook.com/freedomja2012    Instagram: https://www.instagram.com/realrawmomma    TikTok: https://www.tiktok.com/@realrawmomma 

Did you enjoy this message from the Universe?!  Please leave us a review HERE...Even one line helps the show GROW;) For more Inspired content, Holistic products, technologies and tools, go to: http://embracewhoyouare.earth/ Join Us in Our Facebook Community: Empaths, Old Souls & the Mother Wound Email: Jessica@realrawmomma.com  Facebook: https://www.facebook.com/freedomja2012    Instagram: https://www.instagram.com/realrawmomma    TikTok: https://www.tiktok.com/@realrawmomma 

#225. Maybe we're not so middle as much as we're old. We enjoy old dude phrases which make little sense, we pine for the commercials and jingles of the good ol' days, and we still can't figure out what the kids are doing with all the new-fangled sports drinks on social media. A new experience more our speed is finding a quaint place to sit outside a small town convenient store with a bag of corn nuts. If you find that relatable, you'll love this one! We then get into a social etiquette scenario which involves obligating the unwarned use of an acquaintances kitchen and fridge staples. Then it's onto streaming. This week we mention Winnie the Pooh: Blood and Honey, Invasion, Ahsoka, Loki season 2, Band of Brothers, Pacific, and Masters of the Air. Share your nostalgia and PLEASE tell us what the deal is with Prime and why it's on instagrams everywhere. You can follow the LinkTree below for that. Until next time, be kind to each other.Main Landing Page - https://linktr.ee/fromthemidpod​​​​​​VOICE MAIL! Comment, ask a question, suggest topics - (614) 383-8412Artius Man - https://artiusman.com​​​​​​​​​​​​​​ use discount code "themiddle"This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/4771230/advertisement

In this episode of the Old Souls & Seekers podcast, we sit down with Asil Toksal, a renowned channel and guide. Together, we explore the depths of personal development, the profound impact of collective trauma, and the challenges and opportunities that lie ahead for humanity. In Today's Episode: The profound impact of personal development work and the challenges of reaching plateaus. Collective trauma work in war-torn regions and its lasting effects. The foundational course by Asil through Evolution One. The future challenges humanity might face and the role of pillars of light. The intersection of AI, consciousness, and the evidence found in our DNA. Notable Quotes: "Consciousness is not just about awareness; it's about understanding the deeper layers of our existence and the universe." - Asil Toksal "There is no better time to wake up than now. Shits getting real. Things will be challenging for humanity. It's gonna require those doing internal work to assist humanity through this birthing process." - Asil Toksal Join us as we navigate these enlightening topics and more, offering you a unique blend of insights, research, and personal experiences. Tune in to understand the broader implications of trauma, technology, and the evolution of consciousness. Episode Timestamps: 0:00:00 - 0:01:26: Personal development work and reaching plateaus 0:04:19 - 0:06:29: Collective trauma work Asil did in Kosovo, Serbia, Bosnia, and Croatia 0:06:29 - 0:07:21: How trauma is embedded in societies unconsciously 0:11:06 - 0:12:37: Asil's foundations course through Evolution One 0:15:06 - 0:16:58: Upcoming challenges for humanity 0:19:23 - 0:22:11: Perspectives on AI and sentient consciousness 0:32:41 - 0:35:04: DNA evidence and technology 0:49:23 - 0:55:17: Preparing internally for accelerated changes Learn more about your ad choices. Visit megaphone.fm/adchoices

My special guest is Tom Shroder who's here to discuss his fasinating journey as he traveled the world conducting research on children that remember their past lives. Get his book Old Souls on Amazon. All across the globe, small children spontaneously speak of previous lives, beg to be taken "home", pine for mothers and husbands and mistresses from another life, and know things that there seems to be no normal way for them to know. From the moment these children can talk, they speak of people and events from the past - not vague stories of centuries ago, but details of specific, identifiable individuals who may have died just months, weeks, or even hours before the birth of the child in question. For 37 years, Dr. Ian Stevenson has traveled the world from Lebanon to suburban Virginia investigating and documenting more than 2000 of these past life memory cases. Now, his essentially unknown work is being brought to the mainstream by Tom Shroder, the first journalist to have the privilege of accompanying Dr. Stevenson in his fieldwork. Shroder follows Stevenson into the lives of children and families touched by this phenomenon, changing from skeptic to believer as he comes face-to-face with concrete evidence he cannot discount in this spellbinding and true story.   It's super easy to access our archives!   Here's how:   iPhone Users: Access Mysterious Radio from Apple Podcasts and become a subscriber there or if you want access to even more exclusive content join us on Patreon.   Android Users: Enjoy over 800 exclusive member-only posts to include ad-free episodes, case files and more when you join us on Patreon.    Copy and Paste our link in a text message to all your family members and friends! We'll love you forever! (Check out Mysterious Radio!)  

In this episode of the Old Souls & Seekers podcast, we delve into the intricate relationship between money, abundance, and the inner journey of healing. We discuss how subconscious patterns can obstruct our financial success and share strategies to resolve these patterns. In Today's Episode: The Power of Awareness in Resolving Patterns Around Money and Abundance Understanding the Impact of Conditioning on Financial Behavior The Power of Attunement in Healing Financial Trauma The Reality of Self-Sabotage in Financial Decisions The Importance of Safety in Financial Transformation "Money is the energy of support. The amount of money that will show up in your life is equal to the amount of support that you think you deserve." - Guy Ferdman "There is a deeply entrenched lineage of human suffering around money that has been passed down to you, and the more you sit and glimpse it, the more freedom." - Ilan Ferdman Join us as we explore these topics and more, offering you the tools and insights you need to begin resolving patterns around money and abundance. Dive deep into the intricate relationship between money and abundance, and discover how to resolve subconscious patterns that hinder financial success. Tune in to learn how to overcome financial self-sabotage and unlock your full potential! Episode Timestamps: 0:00 The Role of Awareness in Resolving Patterns Around Money and Abundance 1:42 What does it mean to have an abundance mindset? 6:37 Bringing the area of money to mind 12:05 Hooking into the spaciousness of money 17:49 How to create spaciousness without money? 22:10 How to change your energetic composition? 27:27 How to deal with judgment? 37:10 The importance of having support 48:17 Why we need money to experience the world Learn more about your ad choices. Visit megaphone.fm/adchoices

In this episode of Drunk Ex-Pastors we discuss the recent verdict in the Trump sexual assault case. We talk about the Netflix show, Shrinking, and then share some of the downsides of being an “old soul.” We consider how accountable groups like the Proud Boys should be given how lied-to they are, and then share biebers involving exercise and key fobs.

Langston and David answer a listener's email about having a birth mark makes you an old soul. Send your conspiracy theories, music drops, and any problematic talks to mymommapod@gmail.com We are now on YouTube! Listen & Watch episodes of My Momma Told Me. Subscribe to the channel here!See omnystudio.com/listener for privacy information.