Podcast appearances and mentions of emanuel schikaneder

durée : 01:28:25 - En pistes ! du vendredi 30 août 2024 - par : Emilie Munera, Rodolphe Bruneau Boulmier - Au programme de ce vendredi matin, les œuvres de Gabriel Fauré, Emanuel Schikaneder, Robert Schumann, Jean-Sébastien Bach, Charles Martin Loeffler, Georg Philipp Telemann et Sergueï Prokofiev. En pistes !

durée : 01:28:25 - En pistes ! du vendredi 30 août 2024 - par : Emilie Munera, Rodolphe Bruneau Boulmier - Au programme de ce vendredi matin, les œuvres de Gabriel Fauré, Emanuel Schikaneder, Robert Schumann, Jean-Sébastien Bach, Charles Martin Loeffler, Georg Philipp Telemann et Sergueï Prokofiev. En pistes !

Mozart war Freimaurer, wie auch der Dichter dieses Liedes, Emanuel Schikaneder,der Librettist der Zauberflöte. Und wie viele Komponisten und Musiker, die mit dem Volkslied in Verbindung gebracht werden. Die Freimaurerei versteht sich als Bewegung, in der weder Religion noch ethnische oder soziale Abstammung eine Rolle spielen. Es war und ist es in vielen Zeiten oder Ländern riskant, sich offen dazu zu bekennen. Wenn es im Liedtext um den Bund, das Reichen der Hände geht, steht das für die Gleichheit aller Menschen. Heute drohen demokratische Strukturen wieder zu zerfallen und damit Freiheiten und Rechte. Zu den Freiheiten und Rechten gehört aber auch die Verantwortung, sorgsam damit umzugehen. Genau dazu ruft Monika Drasch in dieser Folge auf.

SynopsisOh, to have been in Vienna on today's date in 1785! Wolfgang Mozart had just finished a new piano concerto a week earlier and quite likely performed it himself for the first time as an intermission feature at a performance of the oratorio Ester, by Karl Ditters von Dittersdorf, conducted by Antonio Salieri.Now wouldn't that have made for a good scene in the movie Amadeus?Fast forward 11 years for another memorable concert at the Theater an der Wien, when on today's date in 1806, it was Beethoven's turn to premiere one of his new concertos in Emanuel Schikaneder's Viennese theater. Alongside works of Mozart, Méhul, Cherubini and Handel, Beethoven's Violin Concerto was introduced to the world, with Franz Clement as the soloist.Beethoven's friend Czerny recalled that Clement's performance was greeted with “noisy bravos.”But a contemporary Viennese music critic wrote: “While there are beautiful things in the concerto … the endless repetition of some commonplace passages could prove fatiguing.” The reviewer's final assessment? “If Beethoven pursues his present path, it will go ill with him and the public alike.”Music Played in Today's ProgramWolfgang Mozart (1756-1791) Piano Concerto No. 22; Mitsuko Uchida, piano; English Chamber Orchestra; Jeffrey Tate, cond. Philips 420 187Wolfgang Mozart (1756-1791) Magic Flute Overture; Zurich Opera House Orchestra; Nikolaus Harnoncourt, cond. Teldec 95523Ludwig van Beethoven (1770-1827) Violin Concerto; Anne-Sophie Mutter, violin; New York Philharmonic; Kurt Masur, cond. DG 471 349

SynopsisWolfgang Mozart died on Dec. 5, 1791, leaving behind an unfinished Requiem Mass, commissioned anonymously by Count Franz von Walsegg, a 28-year-old Austrian nobleman who had the ignoble habit of passing off works he commissioned as his own. The Requiem was intended to be a memorial to the count's 20-year-old wife, Anna, who had died earlier that year.Mozart's wife, Constanza, arranged for some of Mozart's pupils to complete the unfinished Requiem and eventually delivered it to Count Walsegg in order to receive the full commission fee promised her husband.But just five days after Mozart's death in 1791, the portions of the Requiem that Mozart had completed were sung at a memorial service organized by his friend and collaborator Emanuel Schikaneder.Schikaneder was the librettist for Mozart's opera The Magic Flute and ran his own opera house at the Theater auf der Wieden in a Viennese suburb. It was there that Mozart's Magic Flute had premiered, and it was Schikaneder's musicians who performed parts of Mozart's Requiem for the first time on today's date in 1791, at St. Michael's Church in the center of Vienna.Music Played in Today's ProgramWolfgang Mozart (1756-1791) Requiem

El 30 de septiembre de 1791 se estrenó "La Flauta mágica", una ópera de dos actos creada por Mozart y libreto en alemán de Emanuel Schikaneder.

Die Zauberflöte stammt von? Wolfgang Amadeus Mozart, klar. Bei der Weltpremiere in Wien allerdings stand im Programmheft: "Eine Oper von Emanuel Schikaneder" - schließlich stammte von Mozart "bloß" die Musik. WDR-Kollegin Monika Buschey erzählt Marko Rösseler und Martin Herzog im Geschichtsmacher-Podcast wie es dazu kam.

Constance raconte que durant les derniers jours de son existence, à l'automne 1791, Mozart suivait depuis son lit, montre en main, chaque représentation de sa Flûte enchantée par le Theater auf der Wieden de son ami (et frère de loge maçonnique) Emanuel Schikaneder, fredonnant ses airs emblématiques… Pouvait-il offrir plus belle preuve de son attachement à cette partition aujourd'hui entrée dans la légende, dans laquelle il renoue, après la très aristocratique (et italienne) «trilogie Da Ponte», avec le genre du théâtre populaire qui lui va si bien, combinant idéalement féerie enfantine (incarnée par les personnages de Papageno et Papagena) et initiation spirituelle (à travers la quête de Tamino et Pamina)? L'œuvre est portée à la scène par l'un des plus fins spécialistes des relectures baroques et classiques sur instruments historiques, Christophe Rousset, aux commandes de ses Talens Lyriques et de l'Ensemble Vocal de Lausanne, avec en tête de distribution une Sandrine Piau que l'on imagine solaire dans le rôle de Pamina.

Benedetta Galli"Schikanedere e il labirinto"Del Vecchio Editorehttps://www.delvecchioeditore.it/Wolfgang Amedeus Mozart, per gli amici Wolfi, e Emanuel Schikaneder, voce narrante e imbonitore, psono legati da una profonda amicizia. Ma quando le scene si aprono su questa vicenda Mozart è morto ormai da sette anni e il teatro Freihaus, che grazie al grande compositore aveva visto giorni di gloria, versa ora in grandi difficoltà. Schikaneder librettista e codirettore del teatro annega nei debiti. Per recuperare stabilità economica e per dimostrare a tutti – e forse ancor più a sé stesso – di poter far bene anche senza la sua “gallina dalle uova d'oro”, decide di portare sulle scene Il labirinto, opera destinata ad essere il seguito de Il flauto magico, ultimo grande successo ospitato al Freihaus e che porta le firme, per l'appunto, di Mozart e dello stesso Shikaneder.Attraverso la voce irriverente del narratore, Benedetta Galli costruisce una cornice, o meglio una scenografia, a tratti grottesca che ammalia il lettore e lo trascina tra mostri di cartapesta e situazioni farsesche. L'autrice armonizza i movimenti della storia proprio come una sinfonia, riuscendo a tenere in equilibrio gli intrecci, la forma e i contenuti con un tono giocoso, da raffinato divertissement, dato da una scrittura ammirevole per leggerezza, intelligenza e ironia. Shikaneder e il labirinto con il suo incedere si fa bonariamente beffe del pubblico e degli artisti, dell'arte e del profitto, perché il narratore è consapevole di essere parte di un'elaborata farsa in cui la Storia procede prendendosi fin troppo sul serio, agendo in modo subdolo nel modificare tanto il gusto del pubblico quanto la voce degli artisti. Ogni cambiamento lascia un vuoto, una frattura e una promessa che sembra trovare la sua più lucida espressione nelle ultime parole di Shikaneder: ho ancora fiducia nelle storie, nonostante tutto.Benedetta Galli, nata nel 1993 nella città metropolitana di Firenze, dopo il liceo classico ha intrapreso studi di Ingegneria a Milano e al momento lavora nel campo dell'efficienza energetica. Collabora con il blog letterario Il rifugio dell'ircocervo. Con Schikaneder e il labirinto è stata finalista nel 2019 al Premio Neri Pozza e ha ottenuto una menzione speciale della giuria del 33° Premio Calvino.IL POSTO DELLE PAROLEascoltare fa pensarehttps://ilpostodelleparole.it/

Description Need a quick refresher on the plot of Mozart's Die Zauberflöte aka The Magic Flute? Take a minute to get the scoop!Fun FactWolfgang Amadeus Mozart and librettist Emanuel Schikaneder decided to write The Magic Flute aka Die Zauberflöte in the style of Singspiel—a German-language comic opera with singing and dialogue—though it should be noted that Mozart never actually referred to it as a Singspiel. The opera premiered on 30 September 1791, just two months before Mozart's death, with the composer himself conducting and Schikaneder as the bird-catcher Papageno. It was an immediate hit with audiences. It took Vienna by storm, and its popularity soon spread throughout all of Europe. About StevenSteven is a Canadian composer living in Toronto. He creates a range of works, with an emphasis on the short-form genre—his muse being to offer the listener both the darker and more satiric shades of human existence. If you're interested, please check out his website for more.A Note To Music Students et al.All recordings and sheet music are available on my site. I encourage you to take a look and play through some. Give me a shout if you have any questions.Got a topic? Pop me off an email at: TCMMPodcast@Gmail.com Support the show (https://www.buymeacoffee.com/TCMM)

A cura di Massimiliano SamsaProseguiamo con l'ascolto della terza ed ultima parte dei Gurre-Lieder di Arnold Schönberg. Potete trovare la descrizione dell'intera composizione nel podcast di ieri 13-01-21, insieme alle prime due parti. A completamento della puntata ho inserito l'ascolto dei Brettl Lieder per voce e pianoforte.Buon ascoltoArnold Schönberg (1874 - 1951) Gurre-Liederper soli, coro e orchestraTesto: Jens Peter JacobsenPrima rappresentazione: Vienna, Großer Musikvereins-Saal, 23 febbraio 1913Parte III1.Erwacht, König Waldemars Mannen wert! (Waldemar)2.Deckel des Sarges klappert und klappt (Bauer)3.Gegrüßt, o König, an Gurre-Seestrand! (Waldemars Mannen)4.Mit Toves Stimme flüstert der Wald (Waldemar)5.Ein seltsamer Vogel ist so'n Aal (Klaus-Narr)6.Du strenger Richter droben (Waldemar)7.Der Hahn erhebt den Kopf zur Kraht (Waldemars Mannen)8.Des Sommerwindes wilde Jagd - Preludio orchestrale9.Herr Gänsefuß, Frau Gänsekraut (voce recitante)10.Seht die Sonne farbenfroh am Himmelssaum (Coro misto)Waldemar - Thomas MoserTove - Jane EaglenWaldtaube - Marjana LipovsekKlaus Narr - Kurt AzesbergerBauer - Franz GrundheberSprecher - Hans HotterOrchestra - Gustav Mahler JugendorchesterChoir - Arnold Schönberg Chor; Südfunk Chor Stuttgart; Slowakischer Philharmonischer ChorClaudio Abbado, direttore*****Arnold Schönberg (1874-1951) – Brettl Lieder (1901)I. Der genügsame Liebhaber II. Einfältiges III. Nachtwandler IV. Jedem das Seine V. Mahnung VI. Gigerlette VII. Galathea VIII. Aus dem "Spiegel von Arkadien" Jessye Norman, sopranoJames Levine, pianoIl significato storico di Arnold Schoenberg come padre del serialismo spesso oscura la varietà della sua produzione. Forse non c'è cosa migliore per dimostrare questo che i suoi otto Brettl-Lieder (Canzoni da cabaret). Queste otto poesie intrise di umorismo e semplicità, in un linguaggio tonale che non ha alcuna etichetta o distinzione speciale, ci danno uno scorcio unico e amabile della musica cameristica dello Schoenberg pre-atonaleLe otto poesie sono tratte da una raccolta, Deutsche Chansons (Canzoni tedesche), pubblicata per la prima volta nel 1900 da Otto Julius Bierbaum. I contenuti del volume erano antitetici alla corrente letteraria conservatrice di fine Ottocento, e divennero un successo immediato. I testi dei Brettl-Lieder sono stati scritti da Frank Wedekind, Otto Julius Bierbaum, Hugo Salus, Gustav Hochstetter, Colly, Emanuel Schikaneder e Gustav Falke.

Wolfgang Mozart died on December 5th, 1791, leaving behind an unfinished Requiem Mass, commissioned anonymously by Count Franz von Walsegg, a 28-year-old Austrian nobleman who had the ignoble habit of passing off works he commissioned as his own. The Requiem was intended to be a memorial to the Count’s 20-year-old wife, Anna, who had died earlier that year. Mozart’s wife Constanza arranged for some of Mozart’s pupils to complete the unfinished Requiem, and eventually delivered it to Count Walsegg in order to receive the full commission fee promised her husband. But just five days after Mozart’s death in 1791, the portions of the Requiem that Mozart himself had completed were sung at a memorial service organized by his friend and collaborator Emanuel Schikaneder. Schikaneder was the librettist for Mozart’s opera “The Magic Flute,” and ran his own opera house at the Theater auf der Wieden in a Viennese suburb. It was there that Mozart’s “Magic Flute” had premiered, and it was Schikaneder’s musicians who performed parts of Mozart’s Requiem for the first time on today’s date in 1791, at St. Michael’s Church in the center of Vienna.

Wolfgang Mozart died on December 5th, 1791, leaving behind an unfinished Requiem Mass, commissioned anonymously by Count Franz von Walsegg, a 28-year-old Austrian nobleman who had the ignoble habit of passing off works he commissioned as his own. The Requiem was intended to be a memorial to the Count’s 20-year-old wife, Anna, who had died earlier that year. Mozart’s wife Constanza arranged for some of Mozart’s pupils to complete the unfinished Requiem, and eventually delivered it to Count Walsegg in order to receive the full commission fee promised her husband. But just five days after Mozart’s death in 1791, the portions of the Requiem that Mozart himself had completed were sung at a memorial service organized by his friend and collaborator Emanuel Schikaneder. Schikaneder was the librettist for Mozart’s opera “The Magic Flute,” and ran his own opera house at the Theater auf der Wieden in a Viennese suburb. It was there that Mozart’s “Magic Flute” had premiered, and it was Schikaneder’s musicians who performed parts of Mozart’s Requiem for the first time on today’s date in 1791, at St. Michael’s Church in the center of Vienna.

We're taking a break from b-movies this week and are instead checking out a film many consider to be one of the greatest ever made. It's Amadeus, released September 19th, 1984. It tells the (very fictional) story of Mozart and a man called Salieri who wants him dead. It's a tale of jealousy, opera and mercury. Got feedback? Send us an email at oldiebutagoodiepod@gmail.com Follow the show! Facebook: https://fb.me/oldiebutagoodiepod Omny: https://omny.fm/shows/oldie-but-a-goodie YouTube: https://www.youtube.com/channel/UCjfdXHxK_rIUsOEoFSx-hGA Songs from 1984 Playlist: https://open.spotify.com/playlist/39v1MbWf849XD8aau0yA52 Follow the hosts! Sandro Falce - Instagram: https://www.instagram.com/sandrofalce/ - Twitter: https://twitter.com/sandrofalce - Letterboxd: https://letterboxd.com/SandroFalce/ Zach Adams - Instagram: https://www.instagram.com/zach4dams/ Listen to Sandro's other podcast: Nerd-Out! https://omny.fm/shows/nerdout  See omnystudio.com/policies/listener for privacy information.

durée : 00:59:34 - Schikaneder commande un opéra à Beethoven - par : Aurélie Moreau - En cette fin d’année 1802, le directeur du théâtre an der Wien propose à Beethoven de composer un opéra. Ce directeur, c’est Emanuel Schikaneder, le machiavélique librettiste de La Flûte enchantée. - réalisé par : Davy Travailleur

durée : 00:59:34 - Schikaneder commande un opéra à Beethoven - par : Aurélie Moreau - En cette fin d’année 1802, le directeur du théâtre an der Wien propose à Beethoven de composer un opéra. Ce directeur, c’est Emanuel Schikaneder, le machiavélique librettiste de La Flûte enchantée. - réalisé par : Davy Travailleur

Emanuel Schikaneder und Wolfgang Amadeus Mozart: Zwei Genies, die so fruchtbar zusammenarbeiteten, dass wir ihnen unter anderem die "Zauberflöte" verdanken. Ihre Freundschaft vertrug auch so manchen Scherz, wie den mit dem Glockenspiel.

Es ist die Suggestivkraft des Erzählens, die Eva Gesine Baur zum Schreiben gebracht hat. Den Menschen im Krieg den Frieden vermitteln und im Unglück das Glück. Ihre Leidenschaft aber gehört der Musik. Kein Wunder, dass sie hauptsächlich über musikalische Themen schreibt. Wie jetzt zum Beispiel. Ihr neuer Roman «Der Klavierschüler» beschreibt eine kurze Zeit im Leben des grossen Pianisten Vladimir Horowitz, in der der junge Starpianist eine leidenschaftliche Liebesaffäre mit seinem noch jüngeren Schüler hat und nicht weiss, wie er mit dieser ihn bedrohenden Situation umgehen soll. Sich für die Liebe entscheiden trotz aller Gefahr? Oder für die Karriere? Doch dieser Roman ist nur der neueste einer ganzen Reihe von Büchern, die Eva Gesine Baur unter dem Namen Lea Singer über Musiker geschrieben hat. So gibt es bereits Romane über Frédéric Chopin und Emanuel Schikaneder, über Paul Wittgenstein und andere. Und natürlich auch über den, dessen Musik sie als ihre Lebensmusik bezeichnet. Wolfgang Amadé Mozart. Über all ihre Musik und Musiker, über ihren tiefen Bezug zur Musik und über die Art und Weise, wie sie die Musik zu Literatur macht, erzählt Eva Gesine Baur/Lea Singer in «Musik für einen Gast» Gastgeber Michael Luisier.

In het laatste jaar van zijn leven werkt Mozart een maand lang koortsachtig aan de opera “Die Zauberflöte”, op een libretto van zijn vriend en mede-vrijmetselaar Emanuel Schikaneder. De opera is een succes, en elke dag lijkt de voorstelling in aanzien te stijgen. Hoewel het plezier van deze brief afspat, is het een van de laatste die Mozart schreef.

Emanuel Schikaneder ist gemeinhin bekannt als Librettist von Mozarts Zauberflöte. Dass er auch der erste Papageno der Uraufführung war, dürfte schon weniger geläufig sein. Welche Person sich aber tatsächlich hinter dem eigentümlichen Theaterunternehmer, fahrenden Komödianten, Charakterschauspieler und Librettisten verbirgt, dürfte nahezu unbekannt sein. Wolfgang Amadeus Mozart und sein Vater Leopold lernten Schikaneder schon 1780 in Salzburg kennen. Und zwar beim gemeinsamen Kegelspiel!

The Magic Flute, K. 620, is an opera in two acts by Wolfgang Amadeus Mozart to a German libretto by Emanuel Schikaneder. The work is in the form of a Singspiel, a popular form that included both singing and spoken dialogue. The work was premiered on 30 September 1791 at Schikaneder's theatre, the Freihaus-Theater auf der Wieden in Vienna, just two months before the composer's premature death. Purchase the music (without talk) for only $2.99 at: http://www.classicalsavings.com/store/p717/Mozart%3A_The_Magic_Flute_%28digital_download%29.html Your purchase helps to support our show! Classical Music Discoveries is sponsored by La Musica International Chamber Music Festival and Uber. @khedgecock #ClassicalMusicDiscoveries #KeepClassicalMusicAlive #LaMusicaFestival #CMDGrandOperaCompanyofVenice #CMDParisPhilharmonicinOrléans #CMDGermanOperaCompanyofBerlin #CMDGrandOperaCompanyofBarcelonaSpain #ClassicalMusicLivesOn #Uber Support us on Patreon https://www.patreon.com/user?u=4186107 staff@classicalmusicdiscoveries.com

Bob Wilcox and Gerry Kowarsky review (1) HENRY IV, by William Shakespeare, at Shakespeare Festival St. Louis, (2) THE HOMECOMING, by Harold Pinter, at St. Louis Actors' Studio, (3) HENRY V, by William Shakespeare, at Shakespeare Festival St. Louis, (4) PRAYER FOR THE GUN BUG, by Carter W. Lewis, at OnSite Theatre Co. , (5) THE MAGIC FLUTE, by W.A. Mozart & Emanuel Schikaneder, at Opera Theatre of St. Louis, and (6) THE 25TH ANNUAL PUTNAM COUNTY SPELLING BEE, by William Finn et al., at The Alpha Players of Florissant.