Podcasts about mozart's requiem

I første afsnit af KORET møder vi organist og tidligere drengekorssanger Stephan Nørklit Roed til en samtale om at føle sig tryg i disciplinerede fællesskaber, om Mozarts Requiem og Hits for Kids, og om at synge sine sidste soloer med en suppleant bag sig, når stemmen ikke længere kunne nå de øverste toner. _ Forfatter Fine Gråbøl er vildt draget af kor. Kor er lyden af fællesskaber, de mangfoldige og de disciplinerede, de besværlige og de ensrettede, de guddommelige og de kropslige. Kormusik er så enkelt og intimt, og samtidig så overjordisk i sin lyd. Der skal ikke mere til end stemmer. I podcastserien KORET inviterer forfatter Fine Gråbøl en række kunstnere, sangere, musikere og komponister ind til en samtale om korets betydning, og hvilke typer af lydlige fællesskaber kor skaber eller besværliggør. KORET er skabt og tilrettelagt af Fine Gråbøl, Timmy Olivia Thyge Johansen og Louise Tandrup Esbensen.

David, Nils och Max, nej, David, Nils och Vidar. Podd är det iallafall. Dänga va Lacrimosa ur W.A. Mozarts Requiem.

Heute macht euer Lieblingspodcast seinem Namen Distanz & Gloria mal wieder alle Ehre. Robert sendet aus dem verträumten Bad Säckingen, während Städt noch a casa weilt. Das könnte sich aber schon bald ändern. Mehr dazu erfahrt ihr in der aktuellen Folge noch nicht, dafür aber viele andere Dinge. Zum Beispiel, was sich Städt wünscht, damit das Fliegen für ihn noch besser wird, Roberts äußerst eigenwillige Einkaufsliste und wo er sie abarbeiten konnte, Mozarts Requiem und ganz viele weitere Dinge. Einen Namen für unsere Hörerinnen und Hörer haben wir endlich auch noch gefunden...Ach ja, und was macht eigentlich "Schnappi das kleine Krokodil"? Hört rein und fühlt euch bestenfalls unterhalten. Roberts Empfehlung: Einfach mal wieder Zuhause anrufen (sorgt für Freude im Elternhaus) Der hochoffizielle D&G Instagram Channel: @distanzundgloria Städts Instagram: @staedt_tc Roberts Instagram: @tenorpohlers

Een goed gesprek met dirigent Maria van Nieukerken (van kamerkoor PA'dam) en componist Gustavo Trujillo, èn een kort commentaar van pianiste Mirsa Adami - alles over de bewerking die Trujillo maakte van Mozarts Requiem voor kamerkoor en piano! Uitgevoerd door PA'dam olv Maria van Nieukerken. 23.04 CD Echoes of an old hall (LINN CDK644) Gilles Binchois: Deuil angoisseux Gothic Voices 7'00” 23.13 CD Mozart: Requiem (Harmonia Mundi HMC 901620) W.A. Mozart: Requiem - Confutatis - Lacrimosa Collegium Vocale Gent, Hanno Müller-Brachmann, La Chapelle Royale, Orchestre des Champs-Elysées olv Philippe Herreweghe 5'35” 23.35 CD Mozart: Requiem (Harmonia Mundi HMC 901620) W.A. Mozart: Requiem - Kyrie - Dies Irae Collegium Vocale Gent, Hanno Müller-Brachmann, La Chapelle Royale, Orchestre des Champs-Elysées olv Philippe Herreweghe 4'31” 23.45 CD Aulin, Moberg, Andrée: Orchestral Works (Nilento Records NILCD2101) Elfride Andrée: Symfonie nr 1 in C - Andante Gothenborg Symphony Orchestra olv Johannes Gustavsson 8'59”

American Festival Chorus and Orchestra (AFCO) is performing the Mozart Requiem this weekend. Craig Jessop, Director of AFCO and Gary Griffin, Managing Director of Utah Festival Opera and Musical Theater (UFOMT) will join us in-studio to talk about Mozart, the Requiem, and performing arts as we come out of the pandemic.

This is the final side of Heather's second island album.  This was fun going through with her.  Remember to let us know which five albums you would bring to the island.  Enjoy!

This is side 3 of Heather's 2nd island album.  This is a nice side.  Unfortunately, we don't understand Latin so feel we are missing a great deal.  Oh well, as we mentioned, we might eventually learn it.  Enjoy Rhetoricians!

This is side 2 of Heather's classical double album which she would take to the island.  This has some interesting interludes during the music.  Listening to this could make one very reflective or introspective.  Relax and listen.

Here is another first for Vinyl Rhetoric...a classical album.  This one is interesting to Kingcow because it has operatic singing on it.  This might be one of Heather's island albums.  Sit back with a nice beverage and relax to the first side of Requiem.

Wolfgang Mozart died on December 5th, 1791, leaving behind an unfinished Requiem Mass, commissioned anonymously by Count Franz von Walsegg, a 28-year-old Austrian nobleman who had the ignoble habit of passing off works he commissioned as his own. The Requiem was intended to be a memorial to the Count’s 20-year-old wife, Anna, who had died earlier that year. Mozart’s wife Constanza arranged for some of Mozart’s pupils to complete the unfinished Requiem, and eventually delivered it to Count Walsegg in order to receive the full commission fee promised her husband. But just five days after Mozart’s death in 1791, the portions of the Requiem that Mozart himself had completed were sung at a memorial service organized by his friend and collaborator Emanuel Schikaneder. Schikaneder was the librettist for Mozart’s opera “The Magic Flute,” and ran his own opera house at the Theater auf der Wieden in a Viennese suburb. It was there that Mozart’s “Magic Flute” had premiered, and it was Schikaneder’s musicians who performed parts of Mozart’s Requiem for the first time on today’s date in 1791, at St. Michael’s Church in the center of Vienna.

Wolfgang Mozart died on December 5th, 1791, leaving behind an unfinished Requiem Mass, commissioned anonymously by Count Franz von Walsegg, a 28-year-old Austrian nobleman who had the ignoble habit of passing off works he commissioned as his own. The Requiem was intended to be a memorial to the Count’s 20-year-old wife, Anna, who had died earlier that year. Mozart’s wife Constanza arranged for some of Mozart’s pupils to complete the unfinished Requiem, and eventually delivered it to Count Walsegg in order to receive the full commission fee promised her husband. But just five days after Mozart’s death in 1791, the portions of the Requiem that Mozart himself had completed were sung at a memorial service organized by his friend and collaborator Emanuel Schikaneder. Schikaneder was the librettist for Mozart’s opera “The Magic Flute,” and ran his own opera house at the Theater auf der Wieden in a Viennese suburb. It was there that Mozart’s “Magic Flute” had premiered, and it was Schikaneder’s musicians who performed parts of Mozart’s Requiem for the first time on today’s date in 1791, at St. Michael’s Church in the center of Vienna.

Jess Gillam and percussionist Elsa Bradley chat about the music they love. Featuring the drama of Mozart's Requiem in D minor, Eugen Cicero injecting some caffeine into C.P.E Bach's Solfeggio, Arnold Bax’s majestic symphonic poem Tintagel. Plus Elsa goes wild in a field, or maybe just her kitchen, to the Warsaw Village Band, and we have a miniature moment of calm from Isobel Waller-Bridge. Playlist: Mozart - Requiem in D minor K.626; Kyrie + Dies irae (English Baroque Soloists, Monteverdi Choir, John Eliot Gardiner) Steve Reich – Tehillim: I. Psalm 19:2-5 (Alarm Will Sound) Eugen Cicero - Solfeggio in C minor by C.P.E. Bach (Wq 117 No. 2, H220) La Boheme; Act 1 ‘Si Mi chiamano Mimi’ (Renata Tebaldi, Orchestra Of The Accademia Di Santa Cecilia) Isobel Waller-Bridge - September Warsaw Village Band - Musicians Are a Playin Louis Armstrong - We have all the time in the world Bax – Tintagel (London Philharmonic Orchestra, Osmo Vanska)

Why do humans need art? Hidden within the answer to that question is a profound truth about the human experience. Join me as we travel around the world to narrow down three primary reasons why humans need art. In our quest for the answer we will explore Michelangelo's Sistine Chapel, the Game of Thrones TV show, the poetry of Emily Dickinson, Carl Jung's art therapy methods, Mozart's Requiem, and the visionary art of Alex Gray. Get your thinking caps on, this one's a bonafide deep dive. ---- To become a patron of this show, and access exclusive Creativity Tip mini-episodes, please visit: https://www.patreon.com/mjdorian ---- Visit the NEW Creative Codex Subreddit, and join the conversation: https://www.reddit.com/r/CreativeCodex/ ---- All the music in this episode was written & recorded by MJDorian except: 'Lacrymosa' from Mozart's Requiem, as conducted by Erich Leinsdorf. 'Game of Thrones Theme', snippet arranged for sampled instruments. ---- Creative Codex is written & hosted by MJDorian. For more art / music / content please visit: www.mjdorian.com/ Social media: https://www.instagram.com/mjdorian/ https://twitter.com/mjdorian Contact: mjdorian@gmail.com Copyright 2020 MJDorian

Seit rund fünfzehn Jahren hat Howard Arman sich intensiv mit der Fertigstellung der Originalpartitur von Mozarts Requiem beschäftigt. Das Ergebnis kommt am 25. Januar in München zur Aufführung, und zwar im Herkulesssaal beim Gedenkkonzert des Chors des Bayerischen Rundfunks zu Ehren von Mariss Jansons. Vorab hat Howard Arman uns verraten, was ihm bei der Fertigstellung von Mozarts Requiem so durch den Kopf ging.

I dagens sändning uppmärksammar vi Transgender day of remembrance och recenserar Mozarts Requiem som går på Malmö Operan just nu. Dessutom nyheter och evenemangstips! MUSIK Grace Kelly - Mika 7-15-13 - Ah-Mer-Ah-Su Communio - WA Mozart (Från föreställningen Mozarts requiem på Malmö Operan/Skånes dansteater) Lights up - Harry Styles Uyang'khumbula - FAKA

Barnet och barndomen är vanliga litterära teman, men vem blir Barnet när vuxna definierar det? Långt reportage om litteraturens barn. Dessutom: Mozarts requiem som dansföreställning i Malmö. Evighetslånga barndomssomrar eller nattsvart barndomsskräck  allt det där som händer oss innan vi fyllt 18 och är en outsinlig källa som författare öser ur. Men vilka blir barnen när vuxna definierar dem? En vuxen fantasi, en sentimental längtan tillbaka till den egna barndomen? Och vad gör det i så fall med de verkliga barnens röster, tystas de än mer eftersom de inte stämmer med vuxnas förvrängda fantasibarn? Reportage av Jenny Aschenbrenner med författarna Mirja Unge och Kristoffer Leandoer, och forskaren Jeanette Sundhall. 56 personer på scenen - dansare och sångare i vardagliga kläder i ljuva pasteller och klara färger i ett i övrigt bländande vitt scenrum. I lördags var det premiär för Skånes Dansteaters nya föreställning Mozarts Requiem, i regi av Örjan Andersson. P1 Kulturs Cecilia Blomberg var där. Med sin befolkning lika stor som Sveriges och anor tillbaka till Aztekerna är Mexiko city ett myller av märkliga berättelser och historiska skeenden som lever kvar och går igen i nya skepnader. Författaren och essäisten Henrik Nilsson ger en guidning i dagens radioessä från OBS. Programledare: Saman Bakhtiari Producent: Eskil Krogh Larsson

In this episode I enter the world of academic research, while taking to the streets of Vienna. And demolishing a wall. Image: By Joebloggsy at English Wikipedia, CC BY-SA 3.0, https://commons.wikimedia.org/w/index.php?curid=7037257 Lacrimosa from Mozart's Requiem: https://commons.wikimedia.org/wiki/File:W._A._Mozart_-_Requiem_-_8._Lacrimosa_(Herbert_von_Karajan,_Wiener_Philharmoniker,_Wiener_Singverein,_1960).ogg Ad music from https://www.zapsplat.com.

Mozart, Beethoven und Bach waren die Popper, Punker und Rocker ihrer eigenen Zeit. Sie waren hip, trendy und einfach mega in. Warum gelten heute aber nur Rock, Pop und HipHop als cool, während Klassik es im Mainstream nicht zu sein scheint? Oder ist das nur eine Frage der Betrachtung? Wer betrachtet eigentlich? Und wer legt fest, wo Klassik anfängt und wo sie aufhört? Mit meinem Motto #klassikistgeil möchte ich versuchen, all diejenigen von der Faszination der Klassik zu begeistern, die bisher keine Verbindung zu dieser Musik hatten! In meinem Podcast komme ich mit Gästen ins Gespräch, die selbst Künstler, Pädagogen, Musiker oder Politiker sind. Ich möchte zusammen mit diesen Gästen die großen Komponisten und deren Storys, die Klassik, aber auch die Musik aller Genres näher betrachten, hinter die Kulissen und durch die unzähligen Schlüssellöcher schauen. War Mozart wirklich fast göttlich und unfehlbar? Wie sieht es dann aber mit seiner spielsüchtigen und durchaus nicht kostverechtenden Seite aus? Er war ein Zeitgenosse, der sein Leben und die Vorzüge seines „Standes“ in vollen Zügen genoss. Nur liest man diese Charaktereigenschaft weit weniger, als die Lobeshymnen auf sein Schaffen. Ist also nur ein „Saubermann“ ein guter Klassiker?Ist Beethoven wirklich nur ein gänzlich unanfechtbarer Musiker und Komponist gewesen? Warum scheint dann jemand wie er Probleme damit gehabt zu haben, Gefühle zuzulassen, Liebe oder Hingabe zuzugeben? War er am Ende doch nur ein Mensch?Wie hat es Robert Schumann geschafft, so unzählig viele Werke, die heute stellvertretend für die Epoche der Romantik gelten, zu schreiben? Und was ist dran, an dem Gerücht, dass seine Frau Clara eigentlich seine Ghostwriterin war?   Es gibt unzählig viele Fragen zu beantworten und Meinungen zu diskutieren.   Folge meinem Podcast kostenfrei auf Spotify: https://spoti.fi/2Tv51o7 iTunes: https://apple.co/2ThwJ8C YouTube: https://bit.ly/2TuOzFm Podbean: https://bit.ly/2UqbUEl   Genau das möchte ich im Podcast zu #klassikistgeil tun. Für die ersten vier Episoden habe ich die Musiker meiner Band Backstage getroffen und zu ihren ganz persönlichen Meinungen zu Klassik befragt, über Erlebnisse mit mir auf Tour gesprochen und ergründet, wie sie sich selbst zwischen Klassik, Rock, Pop, Metal und Schlager bewegen. Was hat das "Dies Irae" aus Mozarts Requiem mit Rock oder Metal gemeinsam und was passiert, wenn Musiker Klassik einmal komplett neu denken?   Nächste Woche beginnt mein Podcast mit der ersten Episode! Abonniert meinen Kanal, schreibt eine Bewertung und teilt mir mit, welche Themen euch bewegen und welche Gäste ihr euch wünscht. Wir hören uns bei Episode eins. Ich grüße euch von der dunklen (und irgendwie hippen und trendigen) Seite der Klassik!   Folge meinem Podcast kostenfrei auf Spotify: https://spoti.fi/2Tv51o7 iTunes: https://apple.co/2ThwJ8C YouTube: https://bit.ly/2TuOzFm Podbean: https://bit.ly/2UqbUEl   Folge der #klassikistgeil-Playlist auf Spotify: https://spoti.fi/2H2XcAa   Im Herbst bin ich mit meiner Klassik-Crossover-Show auf „Laut und Akustisch“-Tour 2019. Seid dabei! Standardtickets und VIP-Meet & Greets findet ihr hier: www.thedarktenor.com/tickets   31.10.19 Bremerhaven - Stadthalle 01.11.19 Zwickau - Ballhaus 02.11.19 Halle - Händelhalle 15.11.19 Berlin - Columbia Theater 16.11.19 Berlin - Columbia Theater 21.11.19 Köln - Gloria 22.11.19 Bochum - Christuskirche 23.11.19 Offenbach - Capitol   Bei Konzertentzug empfehle ich meine Tour Playlist 2019 auf Spotify: https://spoti.fi/2XGCr26   YouTube: www.youtube.com/thedarktenortv Spotify: https://open.spotify.com/artist/2GIKcsT0xfsxpYUZ5yX2tL?si=wp2vQvzpSbKzlTYRhtCfHQ Apple: https://itunes.apple.com/de/artist/the-dark-tenor/726708169?l=de Instagram: www.instagram.com/thedarktenor Facebook: www.facebook.com/thedarktenor  

Te gast in deze Lezen in het Donker, is schrijver en musicoloog Pieter Bergé. Zijn nieuwste boek met de titel: Wie schreef het Requiem van Mozart? geeft antwoord op deze vraag. De feiten, geruchten en verzinsels zijn in de requiemgeschiedenis nauwelijks te onderscheiden. Was het Salieri, of Haydn of toch gewoon Mozart zelf? | En hoe komt het dat er om de haverklap "nieuwe versies' van Mozarts Requiem verschijnen?

This week on the podcast I have Matt Hughes, an artist in collaboration with Ethereal Visions Publishing LLC providing a take on Mozart's famous Requiem in a visual form. This is the first visual artist I have on the podcast that combines art with music. They're in need of your help with their Kickstarter Campaign and they need an additional boost for the remaining days! Please considering contributing to this important cause. Here is the link to donate, click here! . Also in the ETV News, a cellist gets his strings taken away from airport security, the Milwaukee Symphony announces its new conductor, and Fanny Mendelssohn gets the recognition she deserves in a recent BBC article. Click here for the article. 

Viele Legenden ranken sich um Mozarts Requiem. Der Auftrag kam von einem anonymen Bittsteller, Mozart konnte die Komposition nicht mehr vollenden. Für Autor Christoph Vratz birgt der Torso alle Emotionen in sich, die man im Anblick des Todes haben kann: Angst, Trauer, Verzweiflung, Hoffnung.

Mercury performs Mozart's Requiem.

Hele følelsesregistret ud - fra jubel og fest i Händels Halleluja over alvor og drama i Mozarts Requiem til fredfyldt harmoni i de elskede Requiem-messer af Brahms og Fauré. Hør også:Mozart: Gloria fra Kroningsmessen.Rakhmaninov: Bogoroditse devo fra Vesper. Verdi: Fangekoret fra Nabucco. Puccini: Nynnekoret fra Madama Butterfly. Berlioz: Adieu des Bergers fra L'enfance du Christ.DR KoncertKoret.DR SymfoniOrkestret.Dirigent: Bart Van Reyn. (Koncerthuset, København 7. april). Ca. 21.30Bratschisten Einar Kyvik Bauge, der er debuteret fra Det Kgl. Danske Musikkonservatorium, spiller Britten og Marais. Vært: Celine Haastrup. www.dr.dk/p2koncerten

Cerys Matthews delves into the archives to put together a specially curated mixtape of her favourite stories from across 25 series of the BBC Radio 4's Soul Music. Each episode of Soul Music takes a different piece of music - it might be a pop song, or a hymn, or a piece of classical music or world music - and looks at why it moves us and what it means to different people. Cerys's choices include Leonard Cohen's Hallelujah, Mozart's Requiem in D Minor, Bob Marley's Redemption Song, Puccini's La Boheme and Sam Cooke's A Change is Gonna Come. Producer: Mair Bosworth.

Cerys Matthews delves into the archives to put together a specially curated mixtape of her favourite stories from across 25 series of the BBC Radio 4's Soul Music. Each episode of Soul Music takes a different piece of music - it might be a pop song, or a hymn, or a piece of classical music or world music - and looks at why it moves us and what it means to different people. Cerys's choices include Leonard Cohen's Hallelujah, Mozart's Requiem in D Minor, Bob Marley's Redemption Song, Puccini's La Boheme and Sam Cooke's A Change is Gonna Come. Producer: Mair Bosworth.

Cerys Matthews delves into the archives to put together a specially curated mixtape of her favourite stories from across 25 series of the BBC Radio 4's Soul Music. Each episode of Soul Music takes a different piece of music - it might be a pop song, or a hymn, or a piece of classical music or world music - and looks at why it moves us and what it means to different people. Cerys's choices include Leonard Cohen's Hallelujah, Mozart's Requiem in D Minor, Bob Marley's Redemption Song, Puccini's La Boheme and Sam Cooke's A Change is Gonna Come. Producer: Mair Bosworth.

I programmet; musik av Stravinsky under Chailly, Bachs soloviolinverk på gitarr, Mozarts Requiem med René Jacobs på pulten samt viola-toner framförda av Nils Mönkemeyer. Tollgerdt i möte med Saariaho. I panelen Boel Adler, Nicholas Ringskog Ferrada-Noli och Tony Lundman som tillsammans med programledaren Johan Korssell betygsätter följande skivor: WILLIAM WALTON MAX BRUCH ARVO PÄRT Violakonsert Kol Nidrei Romance Fratres Nils Mönkemeyer, viola Bambergs symfoniker Markus Poschner, dirigent Sony 88985360192 W A MOZART Requiem Sofie Karthäuser, Marie-Claude Chappuis, Maximilian Schmitt, Johannes Weisser RIAS Kammarkör Freiburgs barockorkester René Jacobs, dirigent Harmonia Mundi HMM 902291 JOHANN SEBASTIAN BACH Bach Sei Solo Sonater och Partitor BWV 1001-1006 i arr för gitarr Mats Bergström, gitarr Mats Bergström Musik AB MBCD 05 IGOR STRAVINSKY Chant funèbre, Feu dartifice, Le Sacre du printemps m.fl. Sophie Koch, mezzo-sopran Lucern-festivalens orkester Riccardo Chailly, dirigent Decca 4832562 Johan Tollgerdt möter Kaija Saariaho Johan träffade kompositören i hennes hem i Paris, för ett samtal om den fjärde och senaste operan Only the Sound remains som hade premiär  på Garnier-operan i Paris i januari. Operan finns också i en inspelning på DVD, på märket Erato.  Referensen  Våroffer Johan jämför med och refererar till en inspelning av Stravinskys Våroffer med Cleveland-orkestern ledd av Riccardo Chailly inspelad 1987 på märket Decca.  Andra i programmet nämnda eller rekommenderade inspelningar: Nils Mönkemeyers inspelning Without Words tillsammans med pianisten Nicholas Rimmer inspelad på Sony. Waltons violakonsert med solisten William Primrose tillsammans med Philharmonia Orchestra, London under kompositören själv på märke Naxos samt med Jurij Basjmet och Sovjetunionens statliga symfoniorkester ledda av Gennadij Rozjdestvenskij på skivmärket Revelation. Mozarts Requiem med solister, Wiener Singverein och Wiens filharmoniker dirigerade av Herbert von Karajan på DGG. Stravinskys Chant funèbre med Philharmonia Orchestra, London ledd av Esa-Pekka Salonen (Youtube); med Mariinsky-teaterns orkester, S:t Petersburg under Valery Gergiev (Youtube) samt med Berlins filharmoniker dirigerad av Simon Rattle (Berlins filharmonikers Digitala konserthus). Stravinskys Våroffer med Cleveland-orkestern ledd av Riccardo Chailly på Decca (Referensen) med Mariinsky-teaterns orkester ledd av Valery Gergiev på Decca; Londons symfoniorkester ledd av Leonard Bernstein på ICA Classics; Philharmonia Orchestra, London under Igor Markevitch på Testament och RIAS symfoniorkester, Berlin också under Igor Markevitch på skivmärket Audite; med San Franciscos symfoniorkester dirigerad av Michael Tilson Thomas på RCA; Bostons symfoniorkester ledd av Michael Tilson Thomas på DGG samt med Berlins filharmoniker ledd av Bernard Haitink på Philips.  Inget Svep denna vecka

Bernard Cornwell is now one of the world's most popular writers of historical fiction. He's famous for his Sharpe series, about a British soldier during the Napoleonic wars, and for his Last Kingdom books, set in 9th-century Britain. Both have become successful television adaptations, with a third season of The Last Kingdom being filmed for Netflix at the moment. The numbers are pretty staggering: 57 books published, worldwide sales of 35 million. But Bernard Cornwell owes his existence as a writer to a very happy accident. It was 1978, he was in an office in Edinburgh, the lift doors opened, and out stepped a blonde. In his own words, he "fell disastrously in love". But Judy, the woman who stepped out of the lift, was American, and, when he moved to America to live with her, he couldn't get a green card. Unemployed, he decided to write a novel. And so the Sharpe series was born. In Private Passions, Bernard Cornwell reveals his extraordinary childhood among a religious sect called the "Peculiar People". He was adopted, and he tells the story of his search for his birth parents. When he found his mother, her shelves were full of his books. The music he loves now is very much influenced by his lifelong rebellion against this ascetic religious upbringing: he loves Requiems and Catholic liturgical settings. Music choices include Faure's Requiem, Mozart's Requiem, Allegri's Miserere, and songs from Shakespeare. Produced by Elizabeth Burke A Loftus production for BBC Radio 3.

Well this week is designed to help any student who is looking at a score for the first time and perhaps, they aren't really sure how to analyse it. I always start with the Core Material. Identifying the core material will help you to see what the initial ideas are and how they are developed or manipulated. This week, I use "Confutatis" from Mozart's Requiem as a sample. I would like to thank Geru's Music Library for taking the time to create the scrolling score with the excerpts from the film "Amadeus". It is so good for the kids to be able to focus on this particular sequence. It is such a good analytical sequence. http://www.klerrisacustommusic.com.au/latest-news/ 

Antoine Plante is the conductor, co-founder and artistic director of Mercury, the Orchestra Redefined. They are performing Mozart's Requiem on May 13th at the Wortham Center and this gives us the opportunity to talk about the musical genius's unfinished masterpiece. Mozart died before The Requiem was completed and someone else put the final touches to the composition. It was a great mystery for a long time and Antoine tells us how it was solved.We also discuss their upcoming season, their Neighborhood Concerts and the big free show they put on at The Miller, at the end of each summer. It's all on their website: www.mercuryhouston.org

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De skønneste kor.DR KoncertKoret er i centrum i en koncert med Triumfmarch fra Verdis Aida og uddrag af Händels Messias og Mozarts Requiem m.m.Musik af Händel, Mozart, Gade, Mascagni, Verdi, Kodály, Rakhmaninov og Fauré.DR KoncertKoret.DR SymfoniOrkestret.Dirigent: Andris Poga.(Koncerthuset 29. oktober). Ca. 21.00 Ebène Kvartetten og Gautier Capucon spiller Schuberts Strygekvintet. Vært: Anne Bro. www.dr.dk/p2koncerten

Michael Berkeley meets Turner Prize-nominated conceptual artist and film-maker Sam Taylor-Wood, whose latest work, Nowhere Boy, documents the early life of John Lennon. Much of her work has been inspired by music, from opera to Bach, and her choices range from the opening of Gluck's opera Orfeo ed Euridice, the Kyrie from Mozart's Requiem and the opening of Beethoven's Ninth Symphony to an Indian raga and Nina Simone singing Wild Is the Wind as well as film scores by Ry Cooder and Michael Nyman. Sig: M Berkeley: The Wakeful Poet (Music from Chaucer) Beaux Arts Brass Quintet (Berkeley/OUP) Duration: 0m26s Mozart: Introitus (Requiem in D Minor, KV626) Marie McLaughlin (soprano) Bavarian Radio Chorus and Symphony Orchestra Leonard Bernstein (conductor) DG 431 041-2 Tr 1 Duration: 6m39s Ravi Shankar: Prabhati Ravi Shankar (sitar) Yehudi Menuhin (violin) Alla Rakha (tabla) (Shankar, based on Raga Gunkali) Menuhin meets Shankar EMI CDC7490702 Tr 1 Duration: 4m06s Gluck: Ah ! Se intorno a quest'urna funesta (Orfeo ed Euridice) Orfeo ...... Bernarda Fink (mezzo-soprano) Rias-Kammerchor Freiburger Barockorchester Rene Jacobs (conductor) HARMONIA MUNDI HMC90174243, CD 1 Tr 2 Duration: 3m18s John Lennon: Love Lennon/Lenono Music/BMG Muic Publishing Ltd The John Lennon Collection PARLAPHONE CDP7915162 Tr 7 Duration: 3m19s Beethoven: Symphony No 9 in D minor Op 125 (1st mvt - excerpt) Staatskapelle Berlin Daniel Barenboim (conductor) ERATO 4509 94353-2 Tr 1 Duration: 5m25s Ry Cooder: Paris, Texas (Paris, Texas - film sountrack) Ry Cooder, Jim Dickinson, David Lindley (Cooder/Tonopah and Tidewater Music Co BMI) Original Film Soundtrack WARNER 9252702 Tr 1 Duration: 2m56s Nina Simone: Wild Is the Wind Nina Simone (piano/voice) Rudy Stevenson (guitar) Lisle Atkinson (bass) Bobby Hamilton (drums) (D Tiomkin, N Washington arr Nina Simone, Famous Music Corp) Work Song (The 60's vol 3) MERCURY 8385452 Tr 8 Duration: 6m58s Michael Nyman: The Heart Asks Pleasure First (The Piano - film soundtrack) Michael Nyman (piano) Nyman/Chester Music Ltd The Piano VENTURE CDVE919 Tr 4 Duration: 1m33s.

How Mozart's Requiem, written when he was dying, has touched and changed people's lives. Crime writer Val McDermid recalls how this music helped her after the loss of her father. Hypnotist Athanasios Komianos recounts how the piece took him to the darker side of the spirit world. And a friend of ballet dancer Edward Stierle, Lissette Salgado-Lucas, explains how Eddie turned his struggle with HIV into a ballet inspired by Mozart's music. Basement Jaxx used the Requiem in their live shows and on their album Scars - Felix Buxton reveals his love for Mozart and the divine nature of the Requiem. And Mozart expert Cliff Eisen takes us inside the composer's world: how the orchestra and choir conjure visions of funerals, beauty, hellfire and the confusion of death. He recounts how Mozart was commissioned to write the piece by a nobleman who may have intended to pass off the work as his own. The stern challenge faced by people trying to complete the piece are described by composer Michael Finnissy, who himself wrote a completion of the work. The Requiem was performed at the funerals of many heroic figures - Beethoven, Napoleon and J F Kennedy, among others. Gordana Blazinovic remembers one extraordinary performance during the horrors of the Bosnian war - a show of defiance and grief from the ruins of Sarajevo City Hall. Producer: Melvin Rickarby.

Der Deutsch-Kanadier Michael Schade gilt als einer der Mozart-Tenöre unserer Zeit. Anlässlich der Aufführungen von Mozarts-Requiem unter Zubin Mehta mit den Münchner Philharmonikern spricht BR-KLASSIK mit dem Solisten.

Nicholas Kenyon recommends a recording of Mozart's Requiem.

TSO Music Director speaks with legendary violinist Itzhak Perlman - Perlman will be joining the symphony for their Opening Night performance. Plus, Joel Ivany, Founder and Artistic Director for the Against the Grain Theatre, stops by to talk about his semi-staging of Mozart's Requiem.

Val McDermid is one of the biggest names in crime writing. Her novels - 30 so far - have sold over 10 million copies worldwide and have been translated into 30 languages. But in Private Passions she reveals that what she really wanted to be early on was a singer. As a teenager she played the guitar and sang in folk clubs, though hampered by the fact that she never managed to learn to read music, though she tried both as a child and an adult. But she still sings, with the poet Jackie Kay and with other friends. In Private Passions, Val McDermid talks about the creative inspiration she finds in music, and how listening to music can cure writer's block. She chooses music connected with the sea - Vaughan Williams's Sea Symphony. Having been brought up by the sea on the East Coast of Scotland, she has never been able to be happy away from the sea. She includes the piece of Villa Lobos which opened up classical music to her, and a Robert Burns song which her father used to sing. Other choices include Bruch, Kurt Weill, Janacek, Mozart's Requiem and Philip Glass. Produced by Elizabeth Burke A Loftus Production for BBC Radio 3.

Unearth the suspicious tale behind one of Mozart's great masterpieces, the visionary 'Requiem', which will be performed by the Budapest Festival Orchestra conducted by Ivan Fischer at the Usher Hall on Tuesday 18 August.

Am 17. Januar ist im Münchner Herkulessaal ein spannendes Konzert zu erleben: Mozarts Requiem erklingt in der unvollendeten Urfassung, kombiniert mit Werken von Bach, Brahms oder Ligeti. Mit dabei ist auch der Chor des BR.

This week's guest, Joanne Harris, talks about her love of French poetry, a novel way to experience Mozart's Requiem and her trilogy of books with food at her heart, and Rob chooses a piece of music especially for her.

Michael Sheen is famous for playing real people on screen - from Tony Blair and Kenneth Williams to Brian Clough and David Frost. And it was playing another real person - but this time on stage - that formed a turning point in his relationship with classical music. This person was Mozart, in the play Amadeus, and Michael has chosen part of Mozart's Requiem, used in that production. His other choices include music by Lisa Gerrard and Arvo Pärt and Jeff Wayne's War of the Worlds starring Richard Burton, who shares a home town with Michael. He tells Michael Berkeley about his recent return home to Port Talbot to work for three years on a marathon staging of The Passion, which lasted for 72 hours and involved a cast of 1000, mostly local, people.

Mozart’s Requiem exists only as fragments—its completion attended to posthumously by many others.

Berlin Philharmonic principal trombone player Thomas Leyendecker coaches Amanda Logue on the "Tuba mirum" trombone solo from Mozart's Requiem. Select members of the Berlin Philharmonic woodwind and brass sections led two days of master classes focusing on orchestral repertoire and audition preparation. Participating young artists attended panel discussions with the master class leaders and heard the Berlin Philharmonic in performance, led by Sir Simon Rattle, at Carnegie Hall.

From Neolithic burials to Mozart's Requiem and the novels of Martin Amis, humans have fashioned cultural responses to the inevitability of each individual's demise. But what does science have to say about death? In a stimulating panel discussion, scientists and writers debate the impact of future advances in science and technology on our understanding of the end.

From Neolithic burials to Mozart's Requiem and the novels of Martin Amis, humans have fashioned cultural responses to the inevitability of each individual's demise. But what does science have to say about death? In a stimulating panel discussion, scientists and writers debate the impact of future advances in science and technology on our understanding of the end.

In today's Proms Music Guide, Suzi Klein talks about Mozart's Requiem.

WPAS speaks with Choral Arts Society's Norman Scribner and music commentator Rob Kapilow about Mozart's Requiem. Explore this work further April 10 at the Kennedy Center. Tickets at WPAS.org or 202-785-WPAS.

Shockingly, Hollywood movies don't make us all history experts, and Salieri didn't murder Mozart.

Maestro Joe Miller Previews Mozart's Requiem and Part's Te Deum

Warren Adams, born and raised in South Africa, is among several choreographers whose dances will receive their New York premieres during BalletMet Columbus's return engagement at The Joyce Theater (September 30-October 5). Adams will present "The Audacious One," inspired by the speech that first brought Senator Barack Obama to national and international attention and acclaim. Created as a four-minute piece for BalletMet's 30th anniversary season in Columbus, Ohio, the work will now be seen in an expanded version, set to Mozart's Requiem. Program notes--http://infinitebody.blogspot.com. Guest info at http://www.joyce.org and http://www.balletmet.org/performances_hot_nights_adams.php. (c)2008, Eva Yaa Asantewaa

Maestro Classical Podcast: Episode 4 feat. Mozart's "Requiem" and Shostakovich's "Symphony No. 5 in D Minor, Op. 47". 1. Sir Colin Davis, London Symphony Orchestra "Requiem" (mp3) from "Mozart: Requiem" (LSO Live) Buy at iTunes Music Store More On This Album 2. Chicago Symphony Orchestra "Symphony No. 5 in D Minor, Op. 47" (mp3) from "CSO Resound / Shostakovich: Symphony No. 5" (CSO Resound) Buy at iTunes Music Store Stream from Rhapsody Buy at Amazon More On This Album

Hur stavas schysst (schyst? juste?)? Vi pratar med Sveriges Radios språkvårdare Eva Göransson, som kommer till studion. Till studion kommer också Göran Greider och Göran Rosenberg för att prata om vad som är på riktigt. Och vad som inte är på riktigt. Dessutom pratar vi med filmmusikexperten Peter Bryngelsson om användningen av Mozarts Requiem. Roger Wilson är sidekick

Hur stavas schysst (schyst? juste?)? Vi pratar med Sveriges Radios språkvårdare Eva Göransson, som kommer till studion. Till studion kommer också Göran Greider och Göran Rosenberg för att prata om vad som är på riktigt. Och vad som inte är på riktigt. Dessutom pratar vi med filmmusikexperten Peter Bryngelsson om användningen av Mozarts Requiem. Roger Wilson är sidekick