Podcasts about finnemore

Archwiliodd y gyfres ‘Zen Gardener' breifatrwydd man gardd fel lleoliad perfformio, gweithgarwch artistig, darlunio a dychymyg. Dyma waith celf ar ffurf cyfres o fideos sy'n cynnwys tua 80 o ffilmiau sydd wedi'u harddangos yn rhyngwladol ac sydd wedi'u harchifo mewn nifer o gasgliadau cyhoeddus. Yn ddiarwybod, mae'r ardd yn lleoliad cysylltiedigrwydd, yn ficrocosm o fyd mwy, lle caiff ffiniau, mamwlad, ymylon diwylliannol a gwleidyddiaeth eu harchwilio. Yn flaenllaw yn y ffilmiau hyn y mae ffigwr milwrol sy'n gwisgo dillad cuddliw nad ydyn nhw'n ei ffitio. Mae'r lifrai'n cuddio awdurdod symbolaidd ac yn colli pŵer machismo. Mae Finnemore yn ymddiddori mewn syniadau o guddliwiau diwylliannol a sut mae “ymgymysgu” yn dechneg ar gyfer goroesi. Mae'n fwgwd allanol i symud o gwmpas heb ddenu sylw. Mae'r motiff militaraidd hwn hefyd yn estyniad cyfoes o fyth paganaidd/Celtaidd y Dyn Gwyrdd – ffigwr defodol a wnaed o ganghennau coed, deiliach, planhigion, blodau. Mae cymeriad y garddwr gerila yn ffilm Finnemore yn cyfuno natur a diwylliant. Mae e'n amalgam o wahanol archdeipiau. Ffigwr golau a chysgod: addfwyn, comig, sinistr, bardd, ffŵl cysegredig a diogyn, siaman, troedfilwr, gwrthryfelwr, milwr gerila a goroeswr. Yr ysbrydoliaeth ar gyfer y ffigwr ymladdgar hwn yw cymeriad Charlie Chaplin yn The Great Dictator. Rôl ddeuol Adenoid Hynkel (ffigwr tebyg i Hitler) a barbwr Iddewig comig dienw (dyn cyffredin). Yn y ffilm hon, mae Chaplin yr actor, yr ysgrifennwr a'r cyfarwyddwr yn defnyddio comedi, trasiedi a dwyster i wynebu peryglon ffasgiaeth y 1940au a rhybuddio'r byd amdanyn nhw. Mae cymeriadau cyfochrog Chaplin yn rhannu'r un lifrai ond maen nhw'n ei ddefnyddio at ddibenion gwahanol iawn. Dyma gymeriadau sydd ar ddwy ochr yr un geiniog. Mae Chaplin yn defnyddio chwerthin a digrifwch mewn modd chwyldroadol, gan gymodi cymeriadau croes. Mae comedi a thrasiedi bellach yn gydgyfnewidiol. Hiwmor yw deallusrwydd, gan hwyluso dealltwriaeth a gwaredigaeth. Mae Peter Finnemore yn artist sy'n ceisio amlygu pethau, gan groesawu amrywiaeth eang ac iaith arfer celf ffotograffig wrth weithio drwy amrywiaeth o gyfryngau, gan gynnwys celf ffotograffig, fideo, gweithgareddau perfformio, gosodweithiau, ysgrifennu ac arfer curadu. Mae'n ymchwilio i'r cyfnewid deinamig rhwng bywgraffiad a phresenoldeb, cof cenedlaethau, diwylliant, hanes a gwreiddiau, a ddechreuodd drwy archwilio cysyniad cartref, cof a stori mewn cyd-destun diwylliannol Cymreig. Graddiodd Peter Finnemore ym 1987 mewn Ffotograffiaeth Celfyddyd Gain yn Ysgol Gelf Glasgow yn yr Alban. Ym 1994, derbyniodd MFA mewn Ffotograffiaeth ym Mhrifysgol Michigan yn Unol Daleithiau America.

Rock Music is a film by Peter Finnemore, made in 2004, duration 1 minute and 52 seconds. A central large light brown dull rock lies on a bed of frosty autumn soil as a pair of dishevelled brown work boots move towards the rock. As birds chirp pleasantly, one-foot positions to the left of the rock and one to the right, a sense of anticipation occurs, a sledgehammer slowly descends, dispersing a puff of sediment on impact and forcing the work boots to rebuff backwards. This forceful action is repeated multiple times but with no lasting impact on the hard rock's surface. This is rock music at its most elemental. Hitting a stone is unpolished, direct, and instinctive. This mirrors how Rock music often positions itself against refinement or restraint. The idea of ‘singing stones' is embedded within Welsh culture and mythology, where the bluestones of the Preseli Hills resonate with a ringing sound when lightly struck by a hammer. This work is part of the Zen Gardener series.

Ffilm 1 funud a 41 eiliad o hyd gan Peter Finnemore a wnaed yn 2005 yw Armageddon. Mae'r ffilm yn dechrau gyda hisian, wrth i dân gwyllt ffrwydro y tu mewn i dŷ gwydr gardd gartref a gynhelir gan ffrâm fetel arian ryw noson tua diwedd yr haf. Mae mwg yn llenwi'r lle ac yn dianc drwy'r fynedfa i'r awyr dywyll wrth i'r tân gwyllt barhau i saethu llwybrau tanllyd euraidd i fyny tuag at do'r tŷ gwydr. Mae pigiadau euraidd yn addurno'r lle rhwng clystyrau o ffrwydradau euraidd sy'n fflachio, nes i'r hadau euraidd olaf ddisgyn i'r tir sydd wedi'i orchuddio gan bilenni chwyn du, wrth i raeadr o fwg barhau i ddeillio o'r tŷ gwydr. Dangoswyd y ffilm am y tro cyntaf yng ngosodwaith tair sgrîn penodol i'r safle Peter Finnemore yn Biennale Fenis yn 2005. Mae'r gwaith yn rhan o'r gyfres Zen Gardener.

Armageddon is a film by Peter Finnemore, made in 2005, duration 1 minute and 41 seconds. The film opens with a sizzle, to a firework erupting inside a domestic garden glass greenhouse supported by a silver metal frame on a late summer evening. Smoke fills the space and escapes through the entrance into the night sky as the firework continues to fire, shooting golden fiery trails upwards to the roof of the greenhouse. Golden pinpricks stud the space between clusters of gold flashing explosions, until the final splash of golden seeds fall to the black weed membrane covered ground; a cascade of smoke still emanating from the greenhouse. The cacophony of intense sparks and noise within an enclosed environment is disorientating, the viewer is drawn into the unlikely spectacle that evokes a warlike hellscape. The inspiration of the film was abstract like night-time WW2 footage from the Battle of Al Alamein. This film was first shown in Peter Finnemore's site specific three screen installation at the Venice Biennale in 2005. This work is part of the Zen Gardener series.

A five-film installation by Peter Finnemore (b.1963), Birdwatcher, made in 2004-2005. All five films (parts) of Birdwatcher are intended to be viewed concurrently with a total running time of 7 minutes, 11 seconds. Part one is 1 minute, 4 seconds and depicts blue tits feeding from two green bird feeders filled with seeds that hang from a Laburnum tree. Behind the tree is a bright orange corrugated shed where a Caucasian male figure dressed in ill-fitting green army camouflage and bold black rimmed orange sunglasses is transfixed, staring out at the birds from a rectangular opening in the structure. Ivy flows from the figure to the ground helping to hide his intrusion. The man steps away from the opening, dropping something in the process. Part two is 2 minutes, 34 seconds and again portrays blue tits feeding from two green bird feeders filled with seeds that hang from a Laburnum tree in front of a bright orange corrugated shed. Only this time, the militaristic figure is standing behind the tree peering out of the bottom right of the screen, slowly adjusting his vantage point between the left- and right-hand bird feeders. His eyes darting between bird and viewer. Part three is 59 seconds and this time portrays the militaristic figure hunched over behind the Laburnum tree, in front of the bright orange corrugated shed. His face mere inches away from the left-hand bird feeder, where a blue tit is happily filling up on seeds. The man's eyes dart between birds and the viewer. Part four is 24 seconds and again depicts the militaristic figure behind the Laburnum tree, in front of the bright orange corrugated shed, although his face is this time basked in soft golden sunlight as he watches the bird feeders. There are no blue tits present, and the man begins to whistle encouraging imitation bird song. Part five is 1 minute, 46 seconds and opens to a wintery scene, the bright orange corrugated shed now covered in snow, the leafless Laburnum tree still holding two full bird feeders. The militaristic figure standing to the left of the tree, watching as blue tits swoop in for quick feeds before flying away. This work is part of the Zen Gardener series, in which Finnemore utilises his garden environment and nature as an active collaborator. Birdwatching is one of the UK's most loved hobbies. Dressed in camouflage gear, Finnemore becomes a modern extension of the mythic Green Man. Blending into the environment, seeing how physically close he can get to the birds, and gain their trust.

Gosodwaith pum ffilm a wnaed gan Peter Finnemore (a aned ym 1963) yn 2004 a 2005 yw Birdwatcher.   Bwriedir i bobl wylio pob un o bum ffilm (rhan) Birdwatcher ar yr un pryd a'r hyd cyfan yw 7 munud, 11 eiliad. Hyd y rhan gyntaf yw 1 funud, 4 eiliad ac mae'n dangos titwod tomos las yn bwydo o ddau borthwr gwyrdd llawn hadau sy'n hongian o onnen Sbaen. Y tu ôl i'r goeden y mae sied rychiog oren llachar lle mae ffigwr gwryw gwyn sy'n gwisgo dillad cuddliw gwyrdd nad ydyn nhw'n ei ffitio a sbectol haul oren â fframiau oren; mae golwg syfrdan arno wrth iddo syllu ar yr adar o agoriad petryal yn yr adeiledd. Mae iorwg yn llifo o'r ffigwr i'r tir, gan helpu i'w guddio. Mae'r dyn yn camu i ffwrdd o'r agoriad, gan ollwng rhywbeth wrth iddo wneud hynny. Hyd yr ail ran yw 2 funud, 34 eiliad ac unwaith eto mae'n portreadu titwod tomos las yn bwydo o ddau borthwr gwyrdd llawn hadau sy'n hongian o goeden Sbaen o flaen sied rychiog oren llachar. Ond y tro hwn y mae'r ffigwr militaraidd yn sefyll y tu ôl i goeden ac yn syllu o dde isaf y sgrîn, gan newid ei olwg yn araf rhwng yr adar sy'n bwydo o'r porthwr chwith a'r rhai hynny sy'n bwydo o'r porthwr de. Mae ei lygaid yn gwibio rhwng yr adar a'r gwyliwr. Hyd y drydedd ran yw 59 eiliad ac y tro hwn y mae'n portreadu ffigwr militaraidd yn crymu ei gefn y tu ôl i goeden Sbaen, o flaen y sied rychiog oren llachar. Mae ei wyneb o fewn modfeddi yn unig i'r porthwr chwith, lle mae titw tomos las yn llyncu'r hadau'n llawen. Mae llygaid y dyn yn gwibio rhwng yr adar a'r gwyliwr. Hyd y bedwaredd ran yw 24 eiliad ac unwaith eto y mae'n dangos y ffigwr militaraidd y tu ôl i goeden Sbaen, o flaen y sied rychiog oren llachar, er bod heulwen euraidd yn tywynnu ar ei wyneb y tro hwn wrth iddo wylio'r porthwyr. Nid oes unrhyw ditwod tomos las yn bresennol, ac mae'r dyn yn dechrau chwibanu cân i ddynwared adar. Hyd y bumed ran yw 1 funud, 46 eiliad ac mae'n dechrau gyda golygfa aeafol lle mae'r sied rychiog oren llachar bellach wedi'i gorchuddio gan eira ac mae'r ddau borthwr adar llawn yn dal i hongian o goeden Sbaen heb ddail. Mae'r ffigwr militaraidd yn sefyll ar yr ochr chwith i'r goeden, ac yn gwylio wrth i ditwod tomos las ddisgyn a bwydo'n gyflym cyn hedfan i ffwrdd. Mae'r gwaith yn rhan o'r gyfres Zen Gardener, lle mae Finnemore yn cydweithredu'n weithredol ag amgylchedd ei ardd a byd natur. Mae gwylio adar yn un o hobïau mwyaf poblogaidd y DU. Wrth iddo wisgo dillad cuddliw, mae Finnemore yn estyniad modern o'r Dyn Gwyrdd mytholegol. Mae'n cymysgu â'r amgylchedd, yn gweld pa mor gorfforol agos y gall fod at yr adar, ac yn meithrin eu hymddiriedaeth.

Ffilm 2 funud a 40 eiliad o hyd a wnaed gan Peter Finnemore yn haf 2004 yw Forest Fire. Mae'r ffilm yn dechrau gyda gardd werdd hyfryd ar ddiwrnod llachar yn yr haf a menyw sy'n gwisgo dillad cuddliw du a gwyrdd nad ydyn nhw'n ei ffitio. Mae hi'n sefyll ac yn pwyso ar ffon gerdded bren fawr, gan wylio tân cynyddol gryf wrth iddo ddinistrio sied simsan. Mae'r sied flêr wedi'i phaentio mewn patrwm cuddliw gwyrdd yn arddull Mondrian ac mae byrddau pren heb eu paentio wedi'u clymu wrth frig ei mynedfa ar ffurf X. Mae'r tân hypnotaidd yn dinistrio'r sied, gan daenu o'r cefn tuag at y fynedfa wrth i ffigwr militaraidd gwryw sy'n gwisgo dillad cuddliw gwyrdd llawn gerdded tuag at yr ochr chwith i'r sied ac yn ôl i'r dde, gan symud ar y cyd â'r person cyntaf wrth i'r fflamau ddod yn rhy boeth. Yn raddol, caiff y sied ei dinistrio gan y tân cryf, gan gwympo i'r chwith a pharhau i losgi ar y ddaear. Yma, mae harddwch ofnadwy tân yn drosiad ar gyfer cyffro, dinistr ac adfywio. Heb fod yn ddangosol nac yn rhagnodol, mae Finnemore yn cyfeirio at ddigwyddiadau byd-eang cyfoes y tu mewn i ffiniau gardd yng Nghymru. Mae'r gwaith hwn yn rhan o'r gyfres Zen Gardener.

Forest Fire of the forest of illusions is a film by Peter Finnemore, made in the summer of 2004, duration 2 minutes and 40 seconds. The film opens to a luscious green garden on a bright summer's day with a female figure standing dressed in ill-fitting army black and green camouflage, leaning into a large wooden walking stick, watching over a growing intense blaze as it consumes a rickety garden shed. The unkempt shed is painted in a green camouflage pattern in the style of Mondrian with unpainted wooden boards fastened to the top of its entrance in an X shape. The roaring hypnotic blaze consumes the shed, spreading from the back towards the entrance as another male militaristic figure in full green camouflage walks to the left of the shed and back to the right, moving with the first person as the flames become too intense. Over a steady time, the shed is decimated by the vigorous fire, collapsing to the right and continuing to burn on the ground, scorching the earth. Here, the terrible beauty of fire is a metaphor for spectacle, destruction and regeneration. Without being illustrative or prescriptive, Finnemore alludes to contemporary global events within the boundaries of the Welsh garden space. This work is part of the Zen Gardener series.

Ffilm 1 funud a 52 eiliad o hyd a wnaed gan Peter Finnemore yn 2004 yw Rock Music. Mae craig ddilewyrch lliw brown golau fawr yn gorwedd yn ganolog ar wely pridd rhewllyd yn yr hydref wrth i bâr o esgidiau gwaith brown anniben symud tuag at y graig. Wrth i adar drydar yn bleserus, rhoddir un esgid i ochr chwith y graig a'r llall i'r ochr dde. Mae ymdeimlad o ddisgwyliad cyn i forthwyl ddisgyn yn araf, gan daenu chwa o waddodion a gorfodi'r esgidiau gwaith i gamu'n ôl. Gwneir yr un weithred rymus sawl gwaith ond does dim effaith arhosol ar arwyneb y graig galed. Dyma gerddoriaeth roc ar ei mwyaf elfennol. Mae curo carreg yn ddi-sglein, yn uniongyrchol ac yn reddfol. Mae'n adlewyrchu sut mae cerddoriaeth roc yn aml yn ymwrthod â mireinio ac ymatal. Mae syniad cerrig sy'n canu wedi'i wreiddio yn niwylliant a mytholeg Cymru, lle mae cerrig glas Mynydd Preseli'n atseinio â sŵn uchel pan fydd morthwyl yn eu curo'n ysgafn. Mae'r gwaith hwn yn rhan o'r gyfres Zen Gardener.

Tailspin is a film by Peter Finnemore, made in 2005, duration 1 minute and 55 seconds. The film depicts a late autumn evening countryside scene with a man dressed in ill-fitting green army camouflage clothing in the bottom right, walking clockwise around a large roaring bonfire. The man stops and bends down to light a thin tube-shaped firework on a stick, arising holding the firework like a torch in front of him, walking into the centre of the space. The fiery torch-like firework peters to wispy smoke until it erupts into the emptiness of soft dark blue clear sky. Golden sparks fly behind, flickering at dizzying speed until a smattering of fizzing sparkling effervescent gold explodes into a puff of smoke. As soon as it's over there is another golden eruption disrupting the night sky, this display continues for 30 seconds until the last bellow of smoke disperses. The repeating series of firework explosions into the evening sky is evocative of distress flares to alleviate rural isolation. The firework here becomes an extension of the body's temporal presence. The man walks back towards the fire and throws the emptied firework onto it. In relation to this work Finnemore often quote's Jack Kerouac's famous lines from On the Road. “The only people for me are the mad ones, the ones who are mad to live, mad to talk, mad to be saved, desirous of everything at the same time, the ones who never yawn or say a commonplace thing, but burn, burn, burn like fabulous yellow Roman candles exploding like spiders across the stars and in the middle you see the blue centerlight pop and everybody goes ‘Awww!'” This work is part of the Zen Gardener series.

Ffilm 1 funud a 55 munud a wnaed gan Peter Finnemore yn 2005 yw Tailspin.  Mae'r ffilm yn dangos golygfa wledig gyda'r hwyr tua diwedd yr hydref lle mae dyn sy'n gwisgo dillad cuddliw gwyrdd nad ydyn nhw'n ei ffitio yn cerdded yn glocwedd o gwmpas coelcerth fawr yn y gornel dde isaf. Mae'r dyn yn oedi ac yn plygu i gynnau tân gwyllt tenau ar ffurf tiwb ar ffon, gan godi i ddal y tân gwyllt fel tortsh o'i flaen a cherdded i ganol y lle. Mae'r tân gwyllt ffyrnig tebyg i dortsh yn pallu'n raddol yn fwg eiddil nes iddo ffrwydro yng ngwacter yr awyr las feddal. Mae gwreichion euraidd yn hedfan y tu ôl iddo, gan fflachio ar gyflymder aruthrol nes i liw aur disglair ffrwydro mewn chwa o fwg. Cyn gynted ag y daw i ben, mae ffrwydrad euraidd arall yn tarfu ar yr awyr dywyll, gan barhau am 30 eiliad nes i'r mwg olaf wasgaru. Mae'r gyfres o ffrwydradau tân gwyllt yn awyr yr hwyr yn dwyn i gof ffaglau gofid i liniaru ynysu gwledig. Mae'r tân gwyllt yma'n estyniad o bresenoldeb bydol y corff. Mae'r dyn yn cerdded yn ôl tuag at y tân ac yn taflu'r tân gwyllt gwag arno. Mewn perthynas â'r gwaith hwn, mae Finnemore yn aml yn dyfynnu llinellau enwog Jack Kerouac o On the Road.  “The only people for me are the mad ones, the ones who are mad to live, mad to talk, mad to be saved, desirous of everything at the same time, the ones who never yawn or say a commonplace thing, but burn, burn, burn like fabulous yellow Roman candles exploding like spiders across the stars and in the middle you see the blue centerlight pop and everybody goes ‘Awww!'” Mae'r gwaith hwn yn rhan o'r gyfres Zen Gardener.

Eve of Destruction is a film by Peter Finnemore, made in 2004, duration 4 minutes and 2 seconds. The film opens to an empty improvised stage in a luscious green garden on a bright autumn afternoon with a large weathered concrete slab set within the grass and a washing line with clothes swinging in the background. In front of the slab is a sunflower in a terracotta pot, with only three drooping leaves below its top flower which faces away from us. Sitting on the slab to the right of the sunflower is a grey and white cat in front of two stacked blue plastic boxes, and next to a green beer bottle. In character as an Elvis Presley Impersonator, artist Peter Finnemore enters comically to the left in full green camouflage, sunglasses and an Elvis wig, beginning an interpretive dance. Using the central sunflower as a mock microphone, replicating the iconic gyrations of Elvis and miming along to the song, Eve of Destruction written by nineteen-year-old P. F. Sloan in 1965, but best-known in Barry McGuire's version. Written in the style of Bob Dylan, Finnemore was attracted to the teenage angst quality of the lyrics. The rock'n'roll ceremony culminates in a crescendo of motion as Peter pulls the sunflower from its pot and repeatedly smashes it on the concrete, kicking the flower towards us and swinging the stem vigorously around his head before smashing it to the ground and finally throwing it at us before walking off to the right. Finnemore said: “This work is part of the Zen Gardener series, which explored the intimacy of a garden space as a site of performance, artistic activity, of drawing and imagination. Importantly these series of works with their absurdist performances reflect their historical moment. Made during the second Iraq war whose justifications were fabricated by political forces.” Eve of Destruction was first shown in 2004 as part of the Zen Gardener exhibition at Oriel Mostyn.

Ffilm 4 munud a 2 eiliad o hyd a wnaed gan Peter Finnemore yn 2004 yw Eve of Destruction. Mae'r ffilm yn dechrau gyda llwyfan byrfyfyr gwag mewn gardd werdd ar brynhawn llachar yn yr hydref. Mae slab concrit hindreuliedig mawr wedi'i osod yn y glaswellt ac mae lein sychu â dillad arni yn siglo yn y cefndir. O flaen y slab y mae blodyn haul mewn pot terracotta a dim ond tair deilen yn hongian yn is na'i flodyn uchaf, sy'n wynebu oddi arnon ni. Yn eistedd ar y slab i'r dde o'r blodyn haul y mae cath lliw llwyd a gwyn o flaen dau flwch plastig glas mewn pentwr a gerllaw potel gwrw werdd. Yn portreadu cymeriad sy'n dynwared Elvis Presley, mae'r artist Peter Finnemore yn cyrraedd mewn modd comig i'r chwith, gan wisgo dillad cuddliw gwyrdd llawn, sbectol haul a wig Elvis wrth iddo ddechrau dawns sy'n dynwared y canwr. Mae'n defnyddio'r blodyn haul canolog fel microffon ffug, gan efelychu ystumiau eiconig Elvis a meimio i'r gân Eve of Destruction, a gyfansoddwyd gan P. F. Sloan ac yntau'n 19 oed ym 1965, ond sydd fwyaf adnabyddus oherwydd fersiwn Barry McGuire. Ysgrifennwyd y gân yn arddull Bob Dylan a denwyd Finnemore gan ansawdd ingol geiriau rhywun yn ei arddegau. Mae'r seremoni roc a rôl yn arwain at ddiweddglo llawn symudiadau wrth i Peter dynnu'r blodyn haul o'i bot a'i guro droeon ar y concrit, gan gicio'r blodyn tuag aton ni a siglo'r coesyn yn ffyrnig o gwmpas ei ben cyn ei falu ar y llawr a'i daflu aton ni yn y diwedd a cherdded i ffwrdd i'r dde. Meddai Finnemore: “Mae'r gwaith hwn yn rhan o'r gyfres Zen Gardener, a archwiliodd breifatrwydd man gardd i gynnal perfformiad, gweithgarwch artistig, darlunio a dychymyg. Mae'n bwysig bod y gyfres hon yn adlewyrchu ei chyfnod hanesyddol drwy'r perfformiadau absẃrd. Gwnaed y gyfres yn ystod yr ail ryfel yn Irac, a gafodd ei gyfiawnhau gan luoedd gwleidyddol ar seiliau ffug.” Dangoswyd Eve of Destruction yn gyntaf yn 2004 fel rhan o'r arddangosfa Zen Gardener yn Oriel Mostyn.

The ‘Zen Gardener' series explored the intimacy of a garden space as a site of performance, artistic activity, of drawing and imagination. A body of video art comprising of around 80 films which have been exhibited internationally and are archived within a number of public collections. Flying under the radar… the garden becomes a site of interconnectedness, a microcosm of a larger world, where issues of borders, homeland and cultural margins and politics are explored. Predominant within these films is a military figure dressed in ill-fitting army camouflage clothing. The uniform is a mask of symbolic authority and is deflated of the power of machismo. Finnemore is interested in ideas of cultural camouflage and how "blending in" becomes a survival technique. An outward mask to move around unnoticed. This militaristic motif also becomes a contemporary extension of the pagan/Celtic myth of the Green Man- a ritual figure made out of tree branches, foliage, plants, flowers. Finnemore's guerrilla gardener film character fuses both nature and culture. He is an amalgam of different archetypes. A light and shadow figure; benign, comic, sinister, a poet, holy fool and bum, a shaman, foot soldier, rebel, guerrilla, and survivalist. The inspiration for this combative figure is Charlie Chaplin's, character in The Great Dictator. A dual role of - Adenoid Hynkel (a Hitler like figure) and an unnamed comic Jewish barber (an everyman). In this movie, Chaplin as actor, writer and director utilises comedy, tragedy and pathos to confront and warn the world of oncoming dangers of fascism in 1940's. Chaplin's mirror protagonists share the same uniform but use it to very different ends. They are characters on two sides of the same coin. Chaplin's use of laughter and humour becomes a subversive force, which reconciles opposites. Comedy and tragedy become interchangeable. Humour is intelligence, it allows insight and redemption. Peter Finnemore is an artist who seeks to ‘make visible', he embraces the broad range and language of photographic art practice, working across a range of platforms; including photographic art, video, performed activities, installation, writing and curatorial practice. Investigating the dynamic interchange between, biography & presence, generational memory, culture, history and origins which began as an exploration into the notion of home, memory and story within a Welsh cultural context. Peter Finnemore graduated in 1987 in Fine Art Photography at the Glasgow School of Art, Scotland. In 1994 he received an MFA in Photography at the University of Michigan, U.S.A.

On Sunday morning, we were blessed to have special guest speaker Tom Finnemore share a message with us

An episode from Seneca Bible Baptist Church, a conservative, independent body of King James Bible believers located in Seneca Falls, New York. We believe the Holy Scriptures of the Old and New Testament to be the verbally and plenary inspired Word of God. The Scriptures are inerrant, infallible and God ­breathed, and therefore are the final authority for faith and life. The sixty­-six books of the Old and New Testament are the complete and divine revelation of God to Man. The Scriptures shall be interpreted according to their normal grammatical ­historical meaning. The King James Version of the Bible shall be the official and only translation used by the church (2 Tim. 3:16­-17). We believe in one Triune God, eternally existing in three persons—Father, Son, and Holy Spirit—each coeternal in being, co-identical in nature, coequal in power and glory, and having the same attributes and perfections (Deut. 6:4). We believe that the Lord Jesus Christ, the eternal Son of God, became man, without ceasing to be God, having been conceived by the Holy Spirit and born of the virgin Mary, in order that He might reveal God and redeem sinful men (Phil. 2:5­8). We believe that the Lord Jesus Christ accomplished our redemption through his death on the cross as a representative, vicarious, substitutionary sacrifice; and, that our justification is made sure by His literal, physical resurrection from the dead (1 Peter 1:3­5). We believe that the Lord Jesus Christ ascended to Heaven, and is now exalted at the right hand of God, where, as our High Priest, He fulfills the ministry of Representative, Intercessor, and Advocate (Acts 1:9­10). We believe that salvation is the gift of God brought to man by grace and received by personal faith in the Lord Jesus Christ, whose precious blood was shed on Calvary for the forgiveness of our sins 1 Pet. 1:18­19). A message from Seneca Bible Baptist Church: “We would love to have you visit! “If you are looking for a church in the Seneca Falls, New York area that preaches the Truth from God's Word, reach out to us at any time. We would love to hear from you at (315) 568-9100 or on our website ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.senecabiblebaptist.org/⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ You may also write to us at:Seneca Bible Baptist Church1859 Auburn RdSeneca Falls, New York 13148 Our video messages are also available for you at the following locations:YouTube -⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.youtube.com/channel/UCo4STuljw68fWAhrlwC0Cmw⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Facebook -⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.facebook.com/profile.php?id=100064601297462⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Be sure to Subscribe to our channel and/or Like and Follow SBBC on Facebook so that you will be notified the next time we are live. Have A Blessed Day, Seneca Bible Baptist Church”  The KJV Bible Preaching Churches Podcast is directly supported by Doss Metrics LLC | Ministry Services based out of Cleveland Texas. If you have any questions regarding this podcast, or the churches hosted on the podcast, please reach out to us directly at ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠dossmetrics@gmail.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ or write to us at: Doss Metrics | KJV Bible Preaching Churches Podcast1451 McBride Rd.Cleveland, TX 77328 God Bless#KingJamesPreaching #KJVPodcast #SenecaBibleBaptistChurch #PastorTerryFenton #BaptistChurches #PreachingPodcast #Churches

An episode from Seneca Bible Baptist Church, a conservative, independent body of King James Bible believers located in Seneca Falls, New York. We believe the Holy Scriptures of the Old and New Testament to be the verbally and plenary inspired Word of God. The Scriptures are inerrant, infallible and God ­breathed, and therefore are the final authority for faith and life. The sixty­-six books of the Old and New Testament are the complete and divine revelation of God to Man. The Scriptures shall be interpreted according to their normal grammatical ­historical meaning. The King James Version of the Bible shall be the official and only translation used by the church (2 Tim. 3:16­-17). We believe in one Triune God, eternally existing in three persons—Father, Son, and Holy Spirit—each coeternal in being, co-identical in nature, coequal in power and glory, and having the same attributes and perfections (Deut. 6:4). We believe that the Lord Jesus Christ, the eternal Son of God, became man, without ceasing to be God, having been conceived by the Holy Spirit and born of the virgin Mary, in order that He might reveal God and redeem sinful men (Phil. 2:5­8). We believe that the Lord Jesus Christ accomplished our redemption through his death on the cross as a representative, vicarious, substitutionary sacrifice; and, that our justification is made sure by His literal, physical resurrection from the dead (1 Peter 1:3­5). We believe that the Lord Jesus Christ ascended to Heaven, and is now exalted at the right hand of God, where, as our High Priest, He fulfills the ministry of Representative, Intercessor, and Advocate (Acts 1:9­10). We believe that salvation is the gift of God brought to man by grace and received by personal faith in the Lord Jesus Christ, whose precious blood was shed on Calvary for the forgiveness of our sins 1 Pet. 1:18­19). A message from Seneca Bible Baptist Church: “We would love to have you visit! “If you are looking for a church in the Seneca Falls, New York area that preaches the Truth from God's Word, reach out to us at any time. We would love to hear from you at (315) 568-9100 or on our website ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.senecabiblebaptist.org/⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ You may also write to us at:Seneca Bible Baptist Church1859 Auburn RdSeneca Falls, New York 13148 Our video messages are also available for you at the following locations:YouTube -⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.youtube.com/channel/UCo4STuljw68fWAhrlwC0Cmw⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Facebook -⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.facebook.com/profile.php?id=100064601297462⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Be sure to Subscribe to our channel and/or Like and Follow SBBC on Facebook so that you will be notified the next time we are live. Have A Blessed Day, Seneca Bible Baptist Church”  The KJV Bible Preaching Churches Podcast is directly supported by Doss Metrics LLC | Ministry Services based out of Cleveland Texas. If you have any questions regarding this podcast, or the churches hosted on the podcast, please reach out to us directly at ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠dossmetrics@gmail.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ or write to us at: Doss Metrics | KJV Bible Preaching Churches Podcast1451 McBride Rd.Cleveland, TX 77328 God Bless#KingJamesPreaching #KJVPodcast #SenecaBibleBaptistChurch #PastorTerryFenton #BaptistChurches #PreachingPodcast #Churches

An episode from Seneca Bible Baptist Church, a conservative, independent body of King James Bible believers located in Seneca Falls, New York.   We believe the Holy Scriptures of the Old and New Testament to be the verbally and plenary inspired Word of God. The Scriptures are inerrant, infallible and God ­breathed, and therefore are the final authority for faith and life. The sixty­-six books of the Old and New Testament are the complete and divine revelation of God to Man. The Scriptures shall be interpreted according to their normal grammatical ­historical meaning. The King James Version of the Bible shall be the official and only translation used by the church (2 Tim. 3:16­-17).   We believe in one Triune God, eternally existing in three persons—Father, Son, and Holy Spirit—each coeternal in being, co-identical in nature, coequal in power and glory, and having the same attributes and perfections (Deut. 6:4).   We believe that the Lord Jesus Christ, the eternal Son of God, became man, without ceasing to be God, having been conceived by the Holy Spirit and born of the virgin Mary, in order that He might reveal God and redeem sinful men (Phil. 2:5­8).   We believe that the Lord Jesus Christ accomplished our redemption through his death on the cross as a representative, vicarious, substitutionary sacrifice; and, that our justification is made sure by His literal, physical resurrection from the dead (1 Peter 1:3­5).   We believe that the Lord Jesus Christ ascended to Heaven, and is now exalted at the right hand of God, where, as our High Priest, He fulfills the ministry of Representative, Intercessor, and Advocate (Acts 1:9­10).   We believe that salvation is the gift of God brought to man by grace and received by personal faith in the Lord Jesus Christ, whose precious blood was shed on Calvary for the forgiveness of our sins 1 Pet. 1:18­19).   We believe that all the redeemed, once saved, are kept by God's power and are thus secure in Christ forever (John 6:37­40, 1 Pet. 1:4­5). We believe in that “blessed hope,” the personal, imminent return of Christ Who will rapture His Church prior to the seven­ year tribulation period. At the end of the Tribulation, Christ will personally and visibly return with His saints, to establish His earthly Messianic Kingdom which was promised to the nation of Israel (Ps. 89:3­4; Dan. 2:31­45; 19:11­16; 20:1­6).   A message from Seneca Bible Baptist Church:   “We would love to have you visit!   “If you are looking for a church in the Seneca Falls, New York area that preaches the Truth from God's Word, reach out to us at any time. We would love to hear from you at (315) 568-9100 or on our website ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.senecabiblebaptist.org/⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠   You may also write to us at: Seneca Bible Baptist Church 1859 Auburn Rd Seneca Falls, New York 13148   Our video messages are also available for you at the following locations: YouTube - ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.youtube.com/channel/UCo4STuljw68fWAhrlwC0Cmw⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Facebook - ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.facebook.com/profile.php?id=100064601297462⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠   Be sure to Subscribe to our channel and/or Like and Follow SBBC on Facebook so that you will be notified the next time we are live.   Have A Blessed Day, Seneca Bible Baptist Church”    The KJV Bible Preaching Churches Podcast is directly supported by Doss Metrics LLC | Ministry Services based out of Cleveland Texas. If you have any questions regarding this podcast, or the churches hosted on the podcast, please reach out to us directly at ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠dossmetrics@gmail.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ or write to us at:   Doss Metrics | KJV Bible Preaching Churches Podcast 1451 McBride Rd. Cleveland, TX 77328   God Bless #KingJamesPreaching #KJVPodcast #SenecaBibleBaptistChurch #PastorTerryFenton #BaptistChurches #PreachingPodcast #Churches

In this episode, we welcome one of the foremost scholars in international relations to the podcast, Professor Martha Finnemore. Recognized globally for her pioneering contributions to the field, Finnemore recently received the 2023 Johan Skytte Prize in Political Science alongside Alexander Wendt. This prestigious accolade celebrates their groundbreaking work in constructivism, a theory that has reshaped how we understand international politics by emphasizing the role of shared ideas and norms. In this episode, Finnemore reflects on the journey and impact of constructivism, tracing its rise from a niche critique to a central framework in global governance. We explore the intellectual and real-world challenges of persuading a discipline once dominated by materialist paradigms to take seriously the power of ideas. With enviable clarity, she explains how constructivism reveals the social underpinnings of power, from norms shaping cybersecurity to the shared authority in the governance of AI. Martha Finnemore is University Professor of Political Science and International Affairs at George Washington University. A leading scholar in global governance, international organizations, and social theory, her award-winning books include Rules for the World and The Purpose of Intervention. Her research has appeared in top journals like International Organization and World Politics. A Fellow of the American Academy of Arts and Sciences, she has held research appointments at Brookings and Stanford and received fellowships from the MacArthur Foundation and the United States Institute of Peace. Martha's GWU profile can be found here: https://elliott.gwu.edu/martha-finnemore We discussed: The Skytte Prize citation: https://www.skytteprize.com/prize-laureates/martha-finnemore-and-alexander-wendt Who Governs the Globe (with Deborah Avant and Susan K. Sell): https://www.cambridge.org/core/books/who-governs-the-globe/6B6B62E4C2E00E560DF3B2B35E79C839 Rules for the World: International Organizations in Global Politics (with Michael Barnett): https://www.cornellpress.cornell.edu/book/9780801488238/rules-for-the-world/

Martha Finnemore, recent winner of the Johan Skytte Prize in Political Science, discusses the critical role of norms in international affairs. She explains how norms develop, what they are and are not, and how they shape international relations. She also highlights how norms influence current issues such as cybersecurity and artificial intelligence.

Deborah Avant is the Sié Chéou-Kang Chair for International Security and Diplomacy at the Josef Korbel School of International Studies, University of Denver. She is a distinguished scholar in the field of international relations, renowned for her expertise in global governance, security studies, and civil-military relations. Her groundbreaking 2005 book, The Market for Force: The Consequences of Privatizing Security earned her widespread acclaim and shone an important light on privatization of military services and its implications for global security. Her current research uses network and pragmatic theory to understand how security and governance are actually conducted – both historically and in the contemporary world. In this conversation, we reflect on the role of private military companies and the aftermath of the Iraq War. challenges and opportunities in security studies, the role of academia in addressing global crises, the importance of questioning conventional wisdom, and much more. Deborah's official profile can be found here: https://korbel.du.edu/about/directory/deborah-avant We discussed: The Market for Force: The Consequences of Privatizing Security, 2005: https://www.cambridge.org/core/books/market-for-force/0EAE220EDCBF4ADF88F97B6F7B1BDD10 Who Governs the Globe (with M. Finnemore and S. Sell), 2010: https://www.cambridge.org/core/books/who-governs-the-globe/6B6B62E4C2E00E560DF3B2B35E79C839 The Ethics of Engaged Scholarship in a Complex World, 2024: https://academic.oup.com/ia/article-abstract/100/1/159/7506709?redirectedFrom=fulltext

In this episode of "Transformations, the HR Management podcast by K Data," host Lindsay Clayborne welcomes guest Chelsea Finnemore, an HR leader at Lightspeed. They discuss the importance of adaptability, building relationships, and developing strong leaders in HR. Chelsea shares her experiences at Lightspeed, including navigating growth, acquisitions, and maintaining culture. She also offers insights on performance management, storytelling, and the challenges and opportunities at different stages of growth. This engaging conversation provides valuable advice for HR professionals looking to succeed in their roles.

This weekend we take you on a trip to Japan with Peeps at Many Lands by John Finnemore, where we learn about the geography of the region and experience daily life. Illustrations by Ella Du Cane. Enjoy this complete audiobook with subtitles, relaxing music and visuals to help you stay engaged.

Marieke Louis and Lucile Maerten's book, Why International Organizations Hate Politics: Depoliticizing the World, draws on the extensive literature on functionalism and the related topic of technocracy, on anti-politics and bureaucractic multilateralism, and the wider, crosssectional research on expertise, knowledge and technicization, to systematically analyse and shine new light on the less explored topic of depoliticization.  Through current and historical case studies they examine behind the facades to reveal the common structures, mechanisms and logics of the depoliticization process at work and point to the unintended consequences and impacts on the very issues that IOs were created to address. Their argument is carefully constructed and very nuanced and they invite us to consider their whole book and to question everyday practices that may, as they say, “backlash”. Marieke Louis is Associate Professor in Political Science and International Relations at Sciences Po Grenoble, PACTE, University Grenoble Alpes. Lucile Maertens is Senior Lecturer in Political Science and International Relations at IEP / CRHIM, University of Lausanne. Resources Transcript:  • Finnemore, M. and Barnett, M.N. (2004) Rules for the world: international organizations  in global politics. Cornell University Press. • Hay, C. (2007) Why we hate politics (Vol. 5). Polity.  • Hay, C. (2014) “Depoliticisation as Process, Governance as Practice: What Did the ‘First Wave' Get Wrong and Do We Need a ‘Second Wave' to Put it Right?,” Policy and Politics 42, no. 2. 293–311. • Human Development Index. UNDP. https://hdr.undp.org/data-center/humandevelopment-index#/indicies/HDI  • Keohane, R. O. (1978) “The Functional Theory of Politics. By David Mitrany. (New York: St. Martin's Press, 1975. Pp. xxv 294),” American Political Science Review. Cambridge University Press, 72(2), pp. 805–806. doi: 10.2307/1954263. • Littoz-Monnet, A. (2017) The politics of expertise in international organizations. London: Routledge. • Mérand, F. (2021) The Political Commissioner: A European Ethnography. Oxford University Press. • Müller, B. (ed.) (2013) The gloss of harmony: the politics of policy‐making in multilateral organisations. London. Pluto Press. • Ruwet, C. (2012) “La RSE négociée: règles du jeu et contenus. Le cas d'ISO 26000,” Négociations 2, no. 18 (2012): 93–108. • Steffek, J. (2021) International Organization as Technocratic Utopia. Oxford University Press.  • Steffek J, Holthaus L. (2018) The social-democratic roots of global governance: Welfare internationalism from the 19th century to the United Nations. European Journal of International Relations. 24(1):106-129. doi:10.1177/1354066117703176. Where to listen to this episode Apple podcasts: https://podcasts.apple.com/us/podcast/the-next-page/id1469021154  Spotify: https://open.spotify.com/show/10fp8ROoVdve0el88KyFLy  Youtube:  Content   Speakers: Dr. Lucile Maertens & Dr. Marieke Louis Host: Amy Smith Editors & Producers: Amy Smith, Alma Rinaldi & Natalie Alexander Social media designs: Alma Rinaldi & Natalie Alexander   Recorded & produced at the United Nations Library & Archives Geneva 

In this episode, we talked with Maine entrepreneur and business owner Daniel Finnemore from Box Of Maine. We talked about how he started selling online, how he finds the unique Maine-made products that go into his boxes, how growing up the son of an entrepreneur inspired him, how he defines success, and more!   ABOUT OUR GUEST: Daniel was born and raised in Bangor, where he graduated high school and attended the local community college for Business Management. His father was an entrepreneur and would take him on the job when he was younger. When Daniel got married to his wife, Sarah, he soon realized that he needed to make more money so he began selling on e-commerce platforms like Ebay and Amazon. A few years later, his business Box of Maine started in the basement. He now owns his own commercial property in Old Town, where his team packages and ships Maine products in customized gift boxes all over the world. Order your Box Of Maine at www.boxofmaine.com today! Be sure to follow them on Facebook, Instagram, Twitter, and Pinterest.   ABOUT OUR SPONSOR: Headquartered in Gorham, Maine since its founding in 1868, Gorham Savings Bank is a depositor-owned community bank delivering a full suite of financial services tailored to the needs of Southern Maine's businesses and consumers. As the only bank headquartered in Cumberland County, GSB serves and supports businesses that value local management, know-how and accountability. The bank offers consumer savings accounts, personal loans, mortgages, HELOCs, CDs, IRAs and financial planning services through its 12 branches and growing network of ATMs, video teller machines, and mobile services. Gorham Savings Bank is a tireless advocate for the wellbeing of the communities it serves, donating thousands of volunteer hours to dozens of community-based initiatives annually. Learn more at gorhamsavings.bank. Member FDIC.   ABOUT KEEP IT LOCAL MAINE: We are a way for local businesses to promote themselves to thousands of people in and around their communities - letting them know what great services and products they offer right here in Maine! We currently publish four issues in areas around Southern Maine in addition to our podcast. To learn more about us, visit keepitlocalmaine.com or follow us on social media - Facebook, Twitter, Instagram, and YouTube.

In this first of a new season of conversations with talented photographers working in Wales, Ffoton talks with Welsh photographic artist Peter Finnemore at his home - Gwendraeth House - in south west Wales. Ffoton's Emyr Young explores Finnemore's roots in photography and how the artist's own culture, family and creative roots revolve around his thirty year, and ongoing, historical exploration of his family home as an epicentre for his photography.Part 2 of 2.Recorded at Gwendraeth House, 2021.

In this first of a new season of conversations with talented photographers working in Wales, Ffoton talks with Welsh photographic artist Peter Finnemore at his home - Gwendraeth House - in south west Wales. Ffoton's Emyr Young explores Finnemore's roots in photography and how the artist's own culture, family and creative roots revolve around his thirty year, and ongoing, historical exploration of his family home as an epicentre for his photography.Part 1 of 2.Recorded at Gwendraeth House, 2021.

Easy Vibes with the Easy CEOs. On the next episode of Easy Does it, Dj @ Large hangs out with the men tasked with steering EasyEquities and EasyProperties respectively, Charles Savage and Rupert Finnemore. Talking all things investing and more - from Charles' love for horses, to Rupert's obsession with classic Porches and their worst and best financial decisions. We also put them to the test with a quiz, while they discuss the value of a single rand. It's time to rewind the mixtape of investing. Let us know what you think of this episode by tweeting @EasyEquities or share the money love on instagram by tagging us.To sign up to EasyEquities:  http://bit.ly/2EtcE85DISCLAIMER: EasyEquities is a product of First World Trader (Pty) Ltd t/a EasyEquities which is an authorised Financial Services Provider. FSP number: 22588. This material is not intended as and does not constitute financial advice or any other advice and is neither exhaustive nor prescriptive. The views expressed by the contributor are his or her own (as an independently registered financial services provider, financial adviser or other independent capacity), and not necessarily endorsed by EasyEquities (as a separate financial services provider).

CEO of EasyProperties, Rupert Finnemore joins us to chat about investing in property in South Africa, buying property shares, and the difference between EasyProperties and REITs.EasyProperties makes it possible for anyone to become a property investor regardless of income or net worth.With their fractional property investment model, you will be able to buy property shares, earn dividends and diversify your investment portfolio.For more information about this episode, please visit my blog www.leratob.com/easyproperties/ and share your comments or topic suggestions with me on social media @LeratoLB.Thanks for listening!

In this episode of the BizNews Power Hour, Alec Hogg is joined by co-host Steven Nathan, Emile Du Toit on Harith's $200m capital raise, Gerrie Fourie on Capitec's results, Magda Wierzycka on being spied on, Steve Brooks founder and CEO of Balwin Properties, Rupert Finnemore CEO of Easy Properties and the BizNews team.

In this episode of the BizNews Power Hour, Alec Hogg is joined by co-host Steven Nathan, Emile Du Toit on Harith's $200m capital raise, Gerrie Fourie on Capitec's results, Magda Wierzycka on being spied on, Steve Brooks founder and CEO of Balwin Properties, Rupert Finnemore CEO of Easy Properties and the BizNews team.

China's foreign policy, including WHO's pro-China actions (01:52), the resignation of Hong Kong policymakers (04:55), and the suspension of Ant Group's IPO (06:53); Conflict resolution between Azerbaijan and Armenia (09:00), contrasting to Ethiopia's potential Civil War (10:11); Saudi Arabia's progressive considerations (11:50), and a controversial celebration of Mary Wollstonecraft's achievements (12:30); Pfizer's success (15:01) and Brazil's CoronaVac trial stoppage (16:14); Obama's memoir (17:16) and Finnemore's achievement (17:50) -- all and more on this week's episode.

Vote now in Name of the Decade! Do this on twitter by looking for the tweets from @namedecade Find the bracket here, email us with legibility complaints and news from Orlando via talltalesnight@gmail.com Music from Susannah Pearse, arranged by Harry Sever, sung by Mari Izzard, all for the On Hope Digital Song cycle produced by Matt Powell and Victoria Saxton (rules are made to be broken).

Today's demonstrations sees - 'sees'?, let's say 'features' - features one of the highlights of Tall Tales' last couple of years from Matthew Parker and Ellis Sareen's tremendous villainous plutocrat from Diary of a Nobody by Finnemore and Pearse. Oh - Warhorses of Letters is available via this link.

Dave and James chat with Australian writer Peter C Hayward, writer of Night Crew, the winner of our first BCG Pro/Sitcom Geeks Sitcom Script Challenge. Featuring giant toasters, Finnemore fandom, and a bee plot. You can read the first 10 pages of Night Crew via Dropbox: https://bit.ly/NightCrewScript

In today's demonstration, terrifying comedy from Anna Savory, and terrifying piano from John Finnemore. This might not be the best link to Finnemore on YouTube, but it is a link: https://www.youtube.com/watch?v=-YUJmHuHfKQ

Hello hello hello HELLO - series 3 begins with an absolute CRUNKER of a show. Pamela Rice has been done in - murdered, would you believe it - and Toby Poirot is on the case, hunting down the vile creature what done it. Featuring John Finnemore, Frankie Evans, Andrew Pugsley and Tom Salinsky. Criminal Casebook is recorded live every month at Kings Place in London. Find our next recording at www.kingsplace.co.uk  www.criminalimprov.weebly.com Twitter Facebook Hosted by Ralph Jones and Joel Gatehouse

This week Matt and Andy give a quick Christmas message and also share a little resource as a gift for you!   Cabin Pressure is a radio sitcom written and created by John Finnemore and directed and produced by David Tyler. It follows the exploits of the eccentric crew of the single aeroplane owned by "MJN Air" as they are chartered to take all manner of items, people or animals across the world. The show stars Finnemore, Stephanie Cole, Roger Allam and Benedict Cumberbatch.The series was first broadcast on BBC Radio 4 in 2008. Wikipedia https://itunes.apple.com/gb/podcast/cumberbins-treasure/id1018144672?mt=2

There are hundreds of media companies in the Washington DC metro area. But few of them approach the development of media content like Aldo Bello and Marilyn Finnemore, co-founders of Mind & Media in Alexandria, Virginia's Old Town. These long time residents of Del Ray know that media is merely a vehicle for delivering stories. And the quality of a story is only as good as the state of the person's mind that developed it. In this Del Ray Vibe podcast episode, Aldo and Marilyn talk about how they routinely and strategically make plans to disconnect their minds from DC's fast paced culture and the stress of beltway politics. They believe this approach is important to producing quality media that stands up to the competition of the high stakes marketplace of storytelling that Washington DC is known for as it serves as the world’s political epicenter.

John Hodgman, Maria Shehata, John Finnemore and Josie Long join host, Dave Holmes for an episode recorded at Kings Place as part of the 2016 London Podcast Festival. Written by Sarah Morgan and Riley Silverman. Produced by Jennifer Marmor and Colin Anderson.

We continue our Summer Rewind series with a look back at the second half of our excellent interview with ultra runner Wesley Finnemore. Wes tells the story of how he ran the Boston Marathon TWICE in one race day as training for a 100-mile race. Plus, Bryan shares some interesting poll results with Peter. HWYRT fun fact: This episode has become famous for coining the phase “Clyde Army.” Enjoy!

Part two of Bryan and Peter's excellent interview with ultra runner Wesley Finnemore. The guys learn more tricks of the 100-mile race trade. Plus Bryan shares some interesting poll results with Peter. Be sure to check out the big race info that Wes talks about: http://www.outrace.ca/races/haliburton-forest-trail-run and on Facebook at https://www.facebook.com/events/1568286080158877/ And don't forget to send us your feedback at hwyrt.com

Bryan and Peter share Part 1 (of 2) of their terrific interview with ultra runner and restauranteur, Wesley Finnemore. Think a marathon is long? How about using it as just a training exercise? http://matildasmenu.com

Get on a plane with us so we can tell you all about Cabin Pressure, the hilarious British radio drama created by John Finnermore. 4 people struggle to keep a single plane airline alive through hilarious adventures. You'll learn all the reasons why you should download it immediately, plus Benedict Cumberbatch! So sit back and enjoy as Ashley and Jason begin their lesson. You might learn something. Enter your Mind University! Be careful! This podcast contains SPOILERS. So if you don't want to know what happens, then you should come back later. You can help support the show by buying a Geek History Lesson T-Shirt! Go to http://bit.ly/JawiinShirts! The best geek & gamer gear comes from Loot Crate, save 10% with code JAWIIN: http://lootcrate.com/Jawiin Listen on Itunes or Stitcher. Make sure to visit our Facebook fanpage: facebook.com/geekhistorylesson and our Tumblr: geekhistorylesson.tumblr.com for the latest news on episodes and more geek facts. You can find Ashley on Twitter @AshleyVRobinson and Jason on Twitter @Jawiin. Thanks for showing up to class today. Class dissmissed!

Eliza Skinner, John Finnemore, Jonah Ray and Roisin Conaty join guest host Cameron Esposito, to uncover the British equivalents to hay-riding and Kim Kardashian. Special guest Julie Klam tells us about her new book Friendkeeping: A Field Guide to the People You Love, Hate and Can’t Live Without and is incredibly tolerant of Eliza’s latest comic character. Engineered by Lindsay Pavlas and Chris Morris, written by Jordan Morris and Tom Neenan and produced by Colin Anderson.

Why were listeners' views on the two biggest news stories of last week not covered in Any Answers? Roger Bolton asks the programme's editor Clare McGinn why calls on the row over the St Paul's protest, school results and downsizing of homes left no room for listeners' views on Gaddafi's death and the proposed EU referendum. It's the beginning of the end for long wave. Tens of thousands of small-time mariners, who can't afford expensive equipment and currently rely on hearing the Shipping Forecast on long wave, will have to find other ways of checking the weather once the signal is switched off.Your verdict on Radio 4's new Sunday night schedule. Finnemore fans call for a second series of his Souvenir Programme and mixed reviews for Tonight with Rory Bremner.Producer: Karen Pirie A Whistledown production for BBC Radio 4.