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Nos visitó Marcelo "Pelucón" Martinez, uno de los encargados de las locaciones de "El eternauta". Vino Mery Linares con "Los revoltosos de antes" para llevarnos en esta ocasión al maravilloso mundo de las películas B con "My Name is Julia Ross" de Joseph H. Lewis. Finalizamos con el recuerdo de Don Rickles.
Welcome to It's A Wonderful Podcast!A rather unique series for April on the main show as Morgan and Jeannine explore a selection of movies each having a U.S. State in its title! From Epics, to Westerns, to Epic Western Musicals, it promises to open up even more discovery!A pure pulpy revenge Western to close out the series as the lines between Film Noir and Revisionist Westerns have never been blurrier! Political themes and fighting against the blacklist is fully on show as Morgan and Jeannine talk Joseph H. Lewis' TERROR IN A TEXAS TOWN (1958) starring Sterling Hayden, Sebastian Cabot & Nedrick Young!Our YouTube Channel for Monday Madness on video, Morgan Hasn't Seen TV, Retro Trailer Reactions & Morehttps://www.youtube.com/channel/UCvACMX8jX1qQ5ClrGW53vowThe It's A Wonderful Podcast Theme by David B. Music.Donate:https://www.buymeacoffee.com/ItsAWonderful1Join our Patreon:https://www.patreon.com/ItsAWonderful1IT'S A WONDERFUL PODCAST STORE:https://www.teepublic.com/user/g9designSub to the feed and download now on all major podcast platforms and be sure to rate, review and SHARE AROUND!!Keep up with us on (X) Twitter:Podcast:https://twitter.com/ItsAWonderful1Morgan:https://twitter.com/Th3PurpleDonJeannine:https://twitter.com/JeannineDaBean_Keep being wonderful!!
Hosts Josh and Jamie continue Noirvember by discussing one of their favorite Hollywood B-noir visual technicians Joseph H. Lewis with a double feature of his horny, violent and tragic proto-Bonnie & Clyde doomed lovers-on-the-run armed robbery thriller GUN CRAZY (1950) and his sadistic and visually poetic/abstract approach to a hard-boiled gangster B-noir procedural in THE BIG COMBO (1955). Next week's episode is a patron-exclusive bonus episode on THE CONVERSATION (1974) + CHINATOWN (1974), you can get access to that episode (and all past + future bonus episodes) by subscribing to our $5 tier on Patreon: www.patreon.com/sleazoidspodcast Intro // 00:00-13:30 GUN CRAZY // 18:05-1:24:06 THE BIG COMBO // 1:24:06-2:32:55 Outro // 2:32:55-2:35:22 MERCH: www.teepublic.com/stores/sleazoids?ref_id=17667 WEBSITE: www.sleazoidspodcast.com/ Pod Twitter: twitter.com/sleazoidspod Pod Letterboxd: letterboxd.com/SLEAZOIDS/ Josh's Twitter: twitter.com/thejoshl Josh's Letterboxd: letterboxd.com/thejoshl Jamie's Twitter: twitter.com/jamiemilleracas Jamie's Letterboxd: letterboxd.com/jamiemiller
Welcome to It's A Wonderful Podcast!! A flashier, pulpier, and brash change to the Couples On The Run series this week as Morgan and Jeannine talk Joseph H. Lewis' GUN CRAZY (1950) starring Peggy Cummins & John Dall! With stylish sexiness and an intense flair, this is the loud, in-your-face, yet still morally deep example of this little sub-genre! Our YouTube Channel for Monday Madness on video, Morgan Hasn't Seen TV, Retro Trailer Reactions & More https://www.youtube.com/channel/UCvACMX8jX1qQ5ClrGW53vow The It's A Wonderful Podcast Theme by David B. Music. Donate: https://www.buymeacoffee.com/ItsAWonderful1 Join our Patreon: https://www.patreon.com/ItsAWonderful1 IT'S A WONDERFUL PODCAST STORE: https://its-a-wonderful-podcast.creator-spring.com/ Sub to the feed and download now on Anchor, Apple Podcasts, Spotify, Stitcher, Google Podcasts, Castbox, Amazon Music & more and be sure to rate, review and SHARE AROUND!! Keep up with us on Twitter: Podcast: https://twitter.com/ItsAWonderful1 Morgan: https://twitter.com/Th3PurpleDon Jeannine: https://twitter.com/JeannineDaBean_ Keep being wonderful!! --- Support this podcast: https://podcasters.spotify.com/pod/show/itsawonderfulpodcast/support
It just keeps getting deadlier and deadlier as we delve deeper into THE LEFT HAND ENDEAVOR! It's classic film noir five days a week all March and we got some strange lovers here who go together like guns and ammunition. Bart is a gun pervert. He's known this from a young age. He got sent to reform school over his gun perversion. Annie is also a gun pervert which has our perv protagonist absolutely chubbing while he watches her William Tell routine. Makes sense these crack shots would fall in love, except he's trying to be a nice boy but Annie wants more and she wants to take it all using her favorite tool. There's only one way this can end but they sure had a lot of fun along the way. We're discussing the beautifully directed Joseph H. Lewis film based on an ok script ghost written by Dalton Trumbo. It's “GUN CRAZY” from 1950 starring Peggy Cummins & John Dall. This movie has its flaws but it's a lot of fun. A perfect example of a movie we might pick over another we might have technically scored higher but it's a very well shot noir. A straight shooting wild ride of its time. Pretty easy to find online. One such link right here: https://archive.org/details/gun.-crazy.-1950 Subscribe to us on YOUTUBE: https://www.youtube.com/channel/UCuJf3lkRI-BLUTsLI_ehOsg Contact us here: MOVIEHUMPERS@gmail.com Hear us on podcast: https://open.spotify.com/show/6o6PSNJFGXJeENgqtPY4h7 Our OG podcast “Documenteers”: https://podcasts.apple.com/us/podcast/documenteers-the-documentary-podcast/id1321652249 Soundcloud feed: https://soundcloud.com/documenteers Twitch: https://www.twitch.tv/culturewrought
Welcome to It's A Wonderful Podcast!! Happy Noirvember everyone! Morgan and Jeannine are celebrating their most favourite style of movie all month long, starting with a uniquely stylish yet textbook Noir, and one of the unsung greats of the genre, Joseph H. Lewis' THE BIG COMBO (1955) starring Cornel Wilde, Richard Conte, Jean Wallace, Brian Donlevy & Lee Van Cleef! Our Youtube Channel for Monday Madness on video, Morgan Hasn't Seen TV, Retro Trailer Reactions & More https://www.youtube.com/channel/UCvACMX8jX1qQ5ClrGW53vow The It's A Wonderful Podcast Theme by David B. Music. Donate: https://www.buymeacoffee.com/ItsAWonderful1 Join our Patreon: https://www.patreon.com/ItsAWonderful1 IT'S A WONDERFUL PODCAST STORE: https://its-a-wonderful-podcast.creator-spring.com/ Sub to the feed and download now on Anchor, Apple Podcasts, Spotify, Stitcher, Google Podcasts, Castbox, Amazon Music & more and be sure to rate, review and SHARE AROUND!! Keep up with us on Twitter: Podcast: https://twitter.com/ItsAWonderful1 Morgan: https://twitter.com/Th3PurpleDon Jeannine: https://twitter.com/JeannineDaBean Keep being wonderful!! --- Send in a voice message: https://podcasters.spotify.com/pod/show/itsawonderfulpodcast/message Support this podcast: https://podcasters.spotify.com/pod/show/itsawonderfulpodcast/support
Au sommaire de cette spéciale polar et Film Noir : Retour sur deux sorties signées Rimini Éditions, à savoir, La ballade des sans-espoirs de John Cassavetes et Dillinger de John Milius ; Rencontre autour de cette édition collector signée Rimini avec Stéphane Chevalier, auteur du livret "Wanted Dillinger", et Rania Griffete, éditrice et directrice de Bubbelcom ; Chroniques des dernières sorties Elephant Films estampillées Film Noir : Association criminelle de Joseph H. Lewis, Le Crime de la semaine & Faux monnayeurs de Jack Arnold, L'Homme au bras d'or d'Otto Preminger. Bonne écoute à toutes et tous !
Hosts Josh and Jamie go solo to discuss two films that played the Toronto International Film Festival Midnight Madness in 1993 (the section of the fest dedicated to genre and midnight movies): Alex Winter and Tom Stern's FREAKED, a vulgar, comedic punk-rock body horror update on Tod Browning's FREAKS for demented 90s weirdo kids + Stephen Elliot's FRAUDS, a diabolical, strange, and energetic funhouse insurance claims investigator thriller starring Phil Collins. Next week's episode is a patron-exclusive bonus episode on Joseph H. Lewis' MY NAME IS JULIA ROSS (1945) and TERROR IN A TEXAS TOWN (!958), you can get access to that episode (and all past + future bonus episodes) by subscribing to our $5 tier on Patreon: www.patreon.com/sleazoidspodcast Intro // 00:00-17:22 FREAKED // 17:22-1:36:22 FRAUDS //1:36:22-2:26:48 Outro // 2:26:48-2:31:14 MERCH: www.teepublic.com/stores/sleazoids?ref_id=17667 WEBSITE: www.sleazoidspodcast.com/ Pod Twitter: twitter.com/sleazoidspod Pod Letterboxd: letterboxd.com/SLEAZOIDS/ Josh's Twitter: twitter.com/thejoshl Josh's Letterboxd: letterboxd.com/thejoshl Jamie's Twitter: twitter.com/jamiemilleracas Jamie's Letterboxd: letterboxd.com/jamiemiller
For our Universal 1942 episode, a very odd pairing: The Mad Doctor of Market Street, a mad scientist/ocean liner comedy/island adventure movie directed by low-budget noir auteur Joseph H. Lewis, and Alfred Hitchcock's first fully American movie, Saboteur, a fugitive-on-the-run thriller. We dissect the depiction of the fictional islanders in The Mad Doctor of Market Street and the movie's deconstruction of the science/magic dichotomy, before moving on to Saboteur's leftist take on fascism in the United States. And in our Fear and Moviegoing in Toronto segment, we talk about Ozu's A Hen in the Wind and Curtiz's Angels with Dirty Faces, which have nothing in common but very emotional endings. Time Codes: 0h 00m 45s: THE MAD DOCTOR OF MARKET STREET [dir. Joseph H. Lewis] 0h 24m 05s: SABOTEUR [dir. Alfred Hitchcock] 1h 03m 52s: Fear and Moviegoing in Toronto: A Hen in the Wind (1948) by Yasujiro Ozu & Angels With Dirty Faces (1938) by Michael Curtiz Studio Film Capsules provided by The Universal Story by Clive Hirschhorn Additional studio information from: The Hollywood Story by Joel W. Finler +++ * Marvel at our meticulously ridiculous Complete Viewing Schedule for the 2020s * Intro Song: “Sunday” by Jean Goldkette Orchestra with the Keller Sisters (courtesy of The Internet Archive) * Read Elise's latest film piece on Preston Sturges, Unfaithfully Yours, and the Narrative role of comedic scapegoating. * Check out Dave's new Robert Benchley blog – an attempt to annotate and reflect upon as many of the master humorist's 2000+ pieces as he can locate – Benchley Data: A Wayward Annotation Project! Follow us on Twitter at @therebuggy Write to us at therebuggy@gmail.com We now have a Discord server - just drop us a line if you'd like to join!
You can lose yourself in cinema -- and you can find yourself in it. Jai Arjun Singh and Subrat Mohanty join Amit Varma in episode 294 of The Seen and the Unseen to talk about the films in their lives, why we should watch old films, why we should watch new films, why Bollywood and Hollywood and other woods are all great, and why we live in a wonderful technicolor world. This episode is a celebration of cinema! (For full linked show notes, go to SeenUnseen.in.) Also check out: 1. Jai Arjun Singh on Twitter and Instagram. 2. Haal-Chaal Theek Thaak Hai -- Subrat Mohanty and Pavan Jha's podcast. 3. Jai Arjun Singh Lost It at the Movies -- Episode 230 of The Seen and the Unseen. 4. Jabberwock — Jai Arjun Singh's blog. 5. Jaane Bhi Do Yaaron: Seriously Funny Since 1983 — Jai Arjun Singh. 6. The World of Hrishikesh Mukherjee -- Jai Arjun Singh. 7. Popcorn Essayists: What Movies do to Writers -- Edited by Jai Arjun Singh. 8. The Golden Era -- Subrat Mohanty's YouTube playlist of 100 lesser-known songs from the golden era of Hindi film music (mostly 1935-65). 9. The Unseen Lata -- Subrat Mohanty's YouTube playlist of 54 lesser-heard songs from Lata Mangeshkar, from 1948 to 1976. 10. Old posts by Subrat Mohanty from the Passion For Cinema web archives. 11. Some Spotify playlists, courtesy Nishant Shah, from Haal-Chaal Theek Thaak Hai episodes: 1, 2, 3, 4. 12. Pavan Jha's YouTube channel. 13. The only 1980s Maltova Mum commercial I could locate from the 1980s. (Couldn't find Singer.) 14. Kashmir Ki Kali -- Shakti Samanta. 15. Mughal-E-Azam -- K Asif. 16. Khuda Nigehbaan Ho -- Song from Mughal-E-Azam, sung by Lata Mangeshkar, music by Naushad, lyrics by Shakeel Badayuni. 17. Cinema Paradiso -- Giuseppe Tornatore. 18. Phool Khile Hain Gulshan Gulshan -- talk show by Tabassum. 19. Old episodes of Phool Khile Hain Gulshan Gulshan with RD Burman, Deepti Naval, Anand Bakshi and Bhupinder. 20. The Indiana Jones and Superman franchises. 21. The Evil Dead -- Sam Raimi. 22. Sam Raimi, Wes Craven and John Carpenter. 23. The Fugitive and The Bodyguard. 24. The Unbearable Lightness of Being -- Milan Kundera. 25. The Antichrist -- Friedrich Nietzsche. 26. The 400 Blows -- Francois Truffaut. 27. Salò, or The 120 Days of Sodom -- Pier Paolo Pasolini. 28. Łódź Film School and Andrzej Wajda. 29. Do the Right Thing -- Spike Lee. 30. On Exactitude in Science (Wikipedia) -- Jorge Luis Borges. 31. Titus Andronicus -- William Shakespeare. 32. A Chess Story (previously published as The Royal Game) -- Stefan Zweig. 33. The World of Yesterday -- Stefan Zweig. 34. The Friday the 13th franchise. 35. Tracy and Hepburn -- Garson Kanin. 36. Bhimsen Joshi, Mallikarjun Mansur, Kumar Gandharva and Lata Mangeshkar on Spotify. 37. Vijay Anand, Guru Dutt, Raj Kapoor, Bimal Roy and Hrishikesh Mukherjee. 38. Guide -- Vijay Anand. 39. Kaagaz Ke Phool -- Guru Dutt. 40. Jean-Luc Godard and Federico Fellini. 41. Shankar–Jaikishan, Hasrat Jaipuri, Shailendra, Mukesh, KA Abbas, Ramanand Sagar and Kidar Sharma. 42. Aag, Satyam Shivam Sundaram, Awaara, Barsaat and Shree 420.43. Nargis and Nadira. 44. Mud Mud Ke Na Dekh -- Song from Shree 420, sung by Asha Bhosle and Manna Dey, music by Shankar-Jaikishan, lyrics by Shailendra. 45. Orson Welles. 46. Squid Game on Netflix. 47. The Immediate Experience -- Robert Warshow. 48. Dil Dhadakne Do, Luck by Chance and Gully Boy -- Zoya Akhtar. 49. Casablanca -- Michael Curtiz. 50. Yudh and Tridev -- Rajiv Rai. 51. Amit Varma's Twitter threads on the MAMI festival from 2018 and 2019. 52. The Art of Translation -- Episode 168 of The Seen and the Unseen (w Arunava Sinha). 53. Dead Poet's Society -- Peter Weir. 54. The desire to help, and the desire not to be helped — Roger Ebert's review of Goodbye Solo. 55. Pauline Kael on Amazon. 56. Dekalog — Krzysztof Kieślowski. (And Roger Ebert's essay on it.) 57. The Dead — John Huston. 58. In the Bedroom -- Todd Field. 59. Devdas (Sanjay Leela Bhansali) and Parineeta (Pradeep Sarkar). 60. Salman Rushdie, Arundhati Roy and Vikram Seth. 61. Raag Darbari (Hindi) (English) — Shrilal Shukla. 62. PG Wodehouse on Amazon and Wikipedia. 63. Films, Feminism, Paromita — Episode 155 of The Seen and the Unseen (w Paromita Vohra). 64. Dharmyug and Dharamvir Bharati. 65. Andha Yug (Hindi) (English) -- Dharamvir Bharati. 66. Suraj ka Satvaan Ghoda -- Dharamvir Bharati. 67. Gunahon Ka Devta — Dharamvir Bharati. 68. Sara Rai Inhales Literature — Episode 255 of The Seen and the Unseen. 69. The Life and Times of Mrinal Pande — Episode 263 of The Seen and the Unseen. 70. Anil Biswas, SD Burman, Chitragupt, Roshan, C Ramchandra and Madan Mohan. 71. Naushad and Aan. 72. Maan Mera Ehsan -- Song from Aan, sung by Mohammad Rafi, music by Naushad, lyrics by Shakeel Badayuni. 73. Sebastian D'Souza, Anthony Gonsalves, Ghulam Mohammed and Mohammed Shafi. 74. Khayyam and RD Burman. 75. The Long Tail -- Chris Anderson. 76. The Sound of Music -- Robert Wise. 77. Do-Re-Mi -- Song from The Sound of Music. 78. Giacomo Puccini and Giuseppe Verdi on Spotify. 79. Tosca -- Giacomo Puccini -- performed at Arena di Verona. 80. Dua Lipa, Olivia Rodrigo, Lizzo and Billie Eilish on Spotify. 81. About That Time -- Lizzo. 82. Renaissance -- Beyoncé. 83. Ae Dil Hai Mushkil -- Karan Johar. 84. Aar Paar, Geeta Dutt and Eminem. 85. Pet Shop Boys, Guns N' Roses, U2, REM and Stone Temple Pilots on Spotify. 86. Bob Dylan and Leonard Cohen. 87. How This Nobel Has Redefined Literature -- Amit Varma. 88. Mera Joota Hai Japani -- Song from Shree 420, sung by Mukesh, music by Shankar-Jaikishen, lyrics by Shailendra. 89. Sahir Ludhianvi and Majrooh Sultanpuri. 90. Do Bigha Zamin -- Bimal Roy. 91. Dharti Kahe Pukaar Ke -- Song from Do Bigha Zamin, sung by Manna Dey and Lata Mangeshkar, music by Salil Chowdhury, lyrics by Shailendra. 92. Varun Grover Is in the House -- Episode 292 of The Seen and the Unseen. 93. Mondegreen. 94. Tragedy -- Bee Gees. 95. Aap Jaisa Koi -- Song from Qurbani, sung by Nazia Hassan, music by Biddu Appaiah, lyrics by Masth Ali & Shashi Pritam. 96. Ek Akela Is Shaher Mein -- Song from Gharaonda, sung by Bhupinder Singh, music by Jaidev, lyrics by Gulzar. 97. Jonathan Haidt on Amazon. 98. Amar Akbar Anthony and Andrei Tarkovsky. 99. 2001: A Space Odyssey -- Stanley Kubrick. 100. Mirza Ghalib (and the show on him by Gulzar). 101. Roy Lichtenstein, Drowning Girl, Jackson Pollock, René Magritte, Pablo Picasso and the Pre-Raphaelites. 102. The Wire, Breaking Bad and Better Call Saul. 103. Christopher Nolan, Martin Scorcese, Quentin Tarantino, Coen Brothers and Preston Sturges. 104. Ball of Fire -- Howard Hawks. 105. The Lady Eve -- Preston Sturges. 106. Barbara Stanwyck and Lawrence Olivier. 107. Francis Ford Coppola, Brian De Palma and Alfred Hitchcock. 108. How to Read and Why -- Harold Bloom. 109. Malayankunju -- Sajimon Prabhakar. 110. Muqaddar Ka Sikandar -- Prakash Mehra. 111. Agatha Christie on Amazon and Wikipedia. 112. Nayak -- Satyajit Ray. 113. Prakash Mehra and Kader Khan. 114. Laawaris -- Prakash Mehra. 115. Don and Majboor. 116. Sample SSR conspiracy theory: He's alive! 117. David Cronenberg. 118. Masaan — Directed by Neeraj Ghaywan and written by Varun Grover. 119. Moonlight — Barry Jenkins. 120. Chacha Bhatija, Parvarish, Amar Akbar Anthony and Dharam Veer -- Manmohan Desai. 121. Man, Woman and Child -- Erich Segal. 122. Man, Woman and Child (1983 film) -- Dick Richards. 123. Masoom -- Shekhar Kapoor. 124. Shyam Benegal, Govind Nihalani, Mani Kaul, Kumar Shahani, Mrinal Sen and Robert Bresson. 125. Au Hasard Balthazar -- Robert Bresson. 126. Uski Roti -- Mani Kaul. 127. Narendra Shenoy and Mr Narendra Shenoy — Episode 250 of The Seen and the Unseen. 128. Calcutta 71 -- Mrinal Sen. 129. Ivan's Childhood, Solaris and Andrei Rublev -- Andrei Tarkovsky. 130. Stanislaw Lem on Amazon and Wikipedia. 131. Cahiers du Cinéma and Mayapuri. 132. Black Friday and Paanch -- Anurag Kashyap. 133. Navdeep Singh, Sudhir Mishra, Neeraj Ghaywan, Raj Kumar Gupta and Rajkumar Kohli. 134. Nagin and Nagina. 135. Jaani Dushman -- Rajkumar Kohli. 136. Three Colors: Blue -- Krzysztof Kieślowski. 137. Three Colors: Red -- Krzysztof Kieślowski. 138. Three Colors: White -- Krzysztof Kieślowski. 139. The Double Life of Veronique -- Krzysztof Kieślowski. 140. The legendary Babbar Subhash. 141. Dance Dance -- Babbar Subhash. 142. Aagaya Aagaya Halwa Wala -- Song from Dance Dance. 143. Jaane Bhi Do Yaaro -- Kundan Shah. 144. Leke Pehla Pehla Pyar -- Song from CID, sung by Shamshad Begum, Asha Bhosle and Mohammad Rafi., music by OP Nayyar, lyrics by Majrooh Sultanpuri. 145. Rote Hue Aate Hain Sab -- Song from Muqaddar Ka Sikandar, sung by Kishore Kumar, music by Kalyani-Anandji, lyrics by Anjaan. 146. Kai Baar Yun Bhi Dekha Hai -- Song from Rajnigandha, sung by Mukesh, music by Salil Chowdhury, lyrics by Yogesh. 147. Rim Jhim Gire Saawan -- Song from Manzil, sung by Lata Mangeshkar, music by RD Burman, lyrics by Yogesh. 148. Andrew Sarris and André Bazin. 149. Sergei Eisenstein and the Odessa Steps sequence. 150. Court — Chaitanya Tamhane. 151. Khosla Ka Ghosla, Oye Lucky! Lucky Oye!, Love Sex Aur Dhokha, Shanghai and Detective Byomkesh Bakshy! -- Dibakar Banerjee. 152. Jean Renoir. 153. Akira Kurosawa and Yasujirō Ozu. 154. Tokyo Story -- Yasujirō Ozu. 155. Rashomon -- Akira Kurosawa. 156. The 2012 Sight and Sound poll of the 100 Greatest Films of All Time. 157. Early Summer -- Yasujirō Ozu. 158. Make Way for Tomorrow -- Leo McCarey. 159. Citizen Kane -- Orson Welles. 160. Vertigo -- Alfred Hitchcock. 161. Setsuko Hara. 162. Sara Akash -- Basu Chatterjee. 163. Bhuvan Shome -- Mrinal Sen. 164. KK Mahajan. 165. One Cut of the Dead -- Shin'ichirō Ueda. 166. Unsane -- Steven Soderbergh. 167. Promising Young Woman -- Emerald Fennell. 168. Psycho -- Alfred Hitchcock. 169. Hitchcock's Films Revisited -- Robin Wood. 170. Picnic at Hanging Rock, Gallipoli, Witness, Dead Poet's Society and The Truman Show -- Peter Weir. 171. Buster Keaton and Charlie Chaplin. 172. John Ford and Girish Shahane. 173. Everything is Cinema -- Don Palathara. 174. Hi Mom! -- Brian De Palma. 175. Taxi Driver -- Martin Scorcese. 176. Joyful Mystery -- Don Palathara. 177. The Postman Always Rings Twice -- Tay Garnett. 178. Treasure of the Sierra Madre -- John Huston. 179. Noir's arc - notes on an excellent anthology -- Jai Arjun Singh. 180. Key Largo -- John Huston. 181. Gun Crazy -- Joseph H Lewis. 182. Sullivan's Travels -- Preston Sturges. 183. O Brother, Where Art Thou? -- Coen Brothers. 184. Winchester '73 and Bend of the River -- Anthony Mann. 185. Shaheed (1948) -- Ramesh Saigal, starring Dilip Kumar. 186. Andaz -- Mehboob Khan. 187. Duniya Na Mane -- V Shantaram. 188. Some Like it Hot and Ace in the Hole -- Billy Wilder. 189. Ernst Lubitsch and James Wong Howe. 190. Sweet Smell of Success -- Alexander Mackendrick. 191. Mere Apne -- Gulzar. 192. Haal Chaal Thik Thak Hai -- Song from Mere Apne, sung by Kishore Kumar and Mukesh, music by Salil Chowdhury, lyrics by Gulzar. 193. Mr Sampat -- SS Vasan. 194. Miss Malini -- Kothamangalam Subbu. 195. Mr. Sampath: The Printer Of Malgudi -- RK Narayan. 196. Achhe Din Aa Rahe Hain -- Song from Mr Sampat, sung by Shamshad Begum and ML Vasantakumari, music by Balkrishna Kalla, lyrics by Pandit Indra Chander. 197. Parakh -- Bimal Roy. 198. O Sajna Barkha Bahaar Aayee -- Song from Parakh, sung by Lata Mangeshkar, music by Salil Chowdhury, lyrics by Shailendra. 199. Oonche Log -- Phani Majumdar. 200. Major Chandrakanth -- K Balachander. 201. Jaag Dil-E-Deewana -- Song from Oonche Log, sung by Mohammad Rafi, music by Chitragupt, lyrics by Majrooh Sultanpuri. 202. Birendranath Sircar, RC Boral and Timir Baran. 203. PC Barua, Bimal Roy and KL Saigal. 204. Devdas (1936) -- PC Barua. 205. President -- Nitin Bose. 206. Ek Bangla Bane Nyara -- Song from President, sung by KL Saigal, music by RC Boral, lyrcs by Kidar Sharma. 207. Street Singer -- Phani Majumdar. 208. Babul Mora Naihar Chhooto Hi Jaye -- Song from Street Singer, sung by KL Saigal, music by RC Boral, lyrics by Nawab Wajid Ali Shah. 209. Wajid Ali Shah. 210. Shatranj Ke Khilari -- Satyajit Ray. 211. Duniya, Yeh Duniya, Toofan Mail-- Song from Jawab, sung by Kanan Devi, music by Kamal Dasgupta, lyrics by Pandit Madhur. 212. Rajnigandha -- Basu Chatterjee. 213. Rajnigandha/राजनीगंधा -- Mannu Bhandari. 214. The Conversation -- Francis Ford Coppola. 215. Deer Hunter -- Michael Cimino. 216. The Godfather -- Francis Ford Coppola. 217. The Godfather: Part 2 -- Francis Ford Coppola. 218. Sisters -- Brian De Palma. 219. Blow Out -- Brian De Palma. 220. Blowup -- Michelangelo Antonioni. 221. The Long Goodbye and Nashville -- Robert Altman. 222. The Missouri Breaks -- Arthur Penn. 223. The Last Picture Show, Paper Moon, What's Up, Doc? and Targets -- Peter Bogdanovich. 224. This is Orson Welles -- Orson Welles and Peter Bogdanovich. 225. Hitchcock -- Francois Truffaut. 226. Bringing Up Baby, His Girl Friday, The Big Sleep and To Have and Have Not -- Howard Hawks. 227. The Big Sleep -- Raymond Chandler. 228. William Faulkner and Ernest Hemingway on Amazon. 229. Johny Mera Naam and Jewel Thief -- Vijay Anand. 230. Sholay -- Ramesh Sippy. 231. Back to the Future -- Robert Zemeckis. 232. Mr India -- Shekhar Kapoor. 233. Rahul Rawail, JP Dutta, Mukul Anand and Rajiv Rai. 234. Hathyar and Ghulami -- JP Dutta. 235. Raat Bhat Jaam Se Jaam Takrayega -- Song from Tridev with galaxy of villains. 236. Naseeb -- Manmohan Desai. 237. Dan Dhanoa, Mahesh Anand, Dalip Tahil and Tej Sapru. 238. The Ramsay Brothers! 239. Don't Disturb the Dead: The Story of the Ramsay Brothers -- Shamya Dasgupta. 240. Do Gaz Zameen Ke Neeche -- Tulsi and Shyam Ramsay. 241. Veerana -- Ramsay Brothers. 242. Purana Mandir -- Ramsay Brothers. 243. Govinda! 244. Ilzaam -- Shibu Mitra. 245. I am a Street Dancer and Main Aaya Tere Liye from Ilzaam. 246. Jackie Brown and Pulp Fiction -- Quentin Tarantino. 247. Halloween -- John Carpenter. 248. A Nightmare on Elm Street -- Wes Craven. 249. Scream -- Wes Craven. 250. Terminator 2: Judgment Day -- James Cameron. 251. Mad Max: Fury Road -- George Miller. 252. Nicholas Cage and Keanu Reeves. 253. Wild at Heart -- David Lynch. 254. Red Rock West -- John Dahl. 255. The Last Seduction -- John Dahl. 256. Edward Norton in American History X and Rounders. 257. New Delhi Times -- Ramesh Sharma. 258. Drohkaal -- Govind Niahalani. 259. Gupt and Mohra by Rajiv Rai. 260. Sonam! 261. Wild -- Nicolette Krebitz. 262. Waves -- Trey Edward Shults. 263. Climax -- Gaspar Noé. 264. Mother! -- Darren Aronofsky. 265 Eho — Dren Zherka. 266. The Magic Mountain -- Thomas Mann. 267. Invisible Cities -- Italo Calvino. 268. Cosmicomics -- Itali Calvino. 269. If on a Winter's Night a Traveller -- Italo Calvino. 270. A House For Mr Biswas -- VS Naipaul. 271. A Bend in the River -- VS Naipaul. 272. Middlemarch -- George Eliot. 273. Mrs Dalloway -- Virginia Woolf. 274. To the Lighthouse -- Virginia Woolf. 275. Decline and Fall -- Evelyn Waugh. 276. Scoop -- Evelyn Waugh. 277. Brighton Rock -- Graham Greene. 278. Brighton Rock (1948 film) -- John Boulting. 279. Kingsley Amis and Martin Amis. 280. Lucky Jim -- Kingsley Amis. 281. The Siege Of Krishnapur -- JG Farrell. 282. Alfie -- Lewis Gilbert. 283. Get Carter -- Mike Hodges. 284. Blame it on Rio -- Stanley Donen. 285. Gangs of Wasseypur -- Anurag Kashyap. 286. Tamas -- Govind Nihalani. This episode is sponsored by Capital Mind. Check out their offerings here. Check out Amit's online course, The Art of Clear Writing. And subscribe to The India Uncut Newsletter. It's free! Episode art by Simahina, in a homage to Jackson Pollock.
Fans of old film noir know and love the director we're covering on today's episode: Joseph H. Lewis (1907-2000). In a prolific career that saw him helm 40 films for every Hollywood studio in operation from the late 30s through the 50s, Lewis cemented himself as a workhorse with a knack for making the most of limited means. The New York native made low-budget westerns, war films, musicals, and everything in between, but his best work came between the mid-40s and -50s with a string of noir films that defied typical B-movie limitations and are now remembered as some of the genre's greatest offerings. We revisit Lewis' career and how he elevated films like My Name is Julia Ross, So Dark the Night, Gun Crazy, and The Big Combo from standard B-level ditties to influential noir classics that are celebrated by filmmakers and cinephiles alike to this day. NOTE: In this episode, I mistakenly stated that long, one-shot takes became a hallmark of Lewis' style with his film The Undercover Man. In fact, he began using them before then, namely in My Name is Julia Ross. Also, due to some unforeseen calamities, this episode had to be recorded in two sittings. You'll notice a slight change in the audio about 12 minutes in, but no technical issues. Kisses many.
The lads are continuing their look at Halloween Noir with 1945's My Name Is Julia Ross, directed by show favorite Joseph H. Lewis and starring Nina Foch, Dame May Whitty, and George Macready. Grab the classifieds and join us by the water! Questions, comments or escape plans? therealoutofthepodcast@gmail.com
The BIG AUGUST comes to an explosive finish with 1955's The Big Combo, directed by Joseph H. Lewis and starring Cornel Wilde as Police Lt. Leonard Diamond with Jean Wallace (married to Wilde at the time - the couple produced as well), Richard Conte as the very memorable villain Mr. Brown, Brian Donlevy, Lee Van Cleef, Earl Holliman and Helene Stanton. The lads are closing this month out in style, you're not going to want to miss this fantastic noir! Questions, comments or hearing aids? therealoutofthepodcast@gmail.com
Frame Fatale es un podcast sobre películas no canónicas conducido por Sebastián De Caro y Santiago Calori. En este undécimo episodio, nos ocupamos de Bunny Lake ha desaparecido (Bunny Lake is Missing, 1965) de Otto Preminger y, como nos suele ocurrir, hablamos de esa, pero terminamos hablando de todas estas: Tenet (2020) de Christopher Nolan, El Padrino (The Godfather, 1972) de Francis Ford Coppola, El mercader del terror (Experiment in Terror, 1962) de Blake Edwards, Repulsión (Repulsion, 1965) de Roman Polanski, Mi nombre es Julia Ross (My Name is Julia Ross, 1945) de Joseph H. Lewis, Las diabólicas (Diabolique, 1955) de Henri-Georges Clouzot, Laura (1944), Anatomía para un homicidio (Anatomy of a Murder, 1959), Tomenta sobre Washington (Advise and Consent, 1962) y El cardenal (The Cardinal, 1963) de Otto Preminger, Psicosis (Psycho, 1960) y Vértigo (Vertigo, 1958) de Alfred Hitchcock, Casino (1995) de Martin Scorsese, Psexoanálisis (1968) de Héctor Olivera, Plan de vuelo (Flightplan, 2005) de Robert Schwentke, Spoorloos (1988) y El rapto (The Vanishing, 1993) de George Sluizer, Maestro de pala (1994) de Emilio Vieyra, 2001: odisea del espacio (2001: A Space Odyssey, 1968) de Stanley Kubrick y Lo que el viento se llevó (Gone with the Wind, 1939) de Victor Fleming... ... por si justo te dio paja anotar, y hasta contestamos preguntas de lxs oyentes. Podés comentar este episodio usando el hashtag #FrameFatale en Twitter. Frame Fatale volverá el lunes que viene. Quizás sea una pegada total suscribirte en donde sea que escuches tus podcasts y tener la primicia que de todas maneras, como ya explicamos varias veces, es lo menos importante.
Ahoy hoy! This week the lads get insane for Gun Crazy from 1950, directed by Joseph H. Lewis, and starring Peggy Cummins and John Dall. Questions, comments or carnival attractions? therealoutofthepodcast@gmail.com
The Big Combo is a 1955 film noir by director Joseph H. Lewis starring Cornel Wilde, Richard Conte, Brian Donlevy, and Jean Wallace. And boy, is it a mixed bag! The film follows a dull detective seeking to bust Mr. Brown, the leader of an insidious crime syndicate, or "combo." Along the way, our hero obsesses over Brown's piano-loving moll, undergoes torture-by-jazz, and infringes upon the civil rights of countless besuited crooks. Listen to Áine and Kevin talk about the film's unique blend of tedious storytelling and gorgeous filmmaking choices.Beware! This review contains spoilers!Follow us on the usual social media suspects:FacebookTwitterInstagramAnd send us mysterious and intriguing missives at mysterytomepodcast@gmail.com.Want to watch the flick and toss us a kickback at the same time? Buy the DVD for The Big Combo on Amazon by clicking here, or stream it on Amazon Prime by clicking here.
On this episode we discuss "So Dark The Night" (1946) and "The Big Combo." The director is Joseph H. Lewis, and along with discussing these films we also talk about what made Lewis such a unique filmmaker (his other credits include "Gun Crazy," which is his most popular film, and "My Name Is Julia Ross."). Join our CinemAddicts Facebook Group for movie talk and weekly Blu-ray and DVD giveaways (exclusive to members!). Check out Greg Srisavasdi's interviews w/ actors, writers, and directors on the Deepest Dream YouTube Channel. Bruce Purkey's movie reviews are found on his Rustomire YouTube Channel. Lastly, Eric Holmes is an awesome guy (he rounds out the trio!).
This week on Flick City I interview Almost Paradise producer Dean Devlin (he also directed Geostorm and Bad Samaritan). He talks about his love for E.T. the Extra Terrestrial. My full interview with Devlin is up for our Patreon members. Plus if you want to support your local independent theater by watching Bacurau via a […]
We kick-off Noirvember 2019 with a look at Joseph H. Lewis's The Big Combo (1955). Written by Philip Yordan, the film stars Cornel Wilde as Lt. Leonard Diamond. He's a cop with a soft spot for Susan Lowell (Jean Wallace), the main squeeze of Mr. Brown (Richard Conte). Diamond and Brown play a strange game of cat and mouse as Diamond seems to pursue justice while Brown is a psychopathic thug who thinks he's anything but.Jedidiah Ayres and Brian Hoyle join Mike to discuss the film and posit just what that big combo of the title can mean.Learn more about your ad choices. Visit megaphone.fm/adchoices
We kick-off Noirvember 2019 with a look at Joseph H. Lewis’s The Big Combo (1955). Written by Philip Yordan, the film stars Cornel Wilde as Lt. Leonard Diamond. He’s a cop with a soft spot for Susan Lowell (Jean Wallace), the main squeeze of Mr. Brown (Richard Conte). Diamond and Brown play a strange game of cat and mouse as Diamond seems to pursue justice while Brown is a psychopathic thug who thinks he’s anything but. Jedidiah Ayres and Brian Hoyle join Mike to discuss the film and posit just what that big combo of the title can mean.
We kick-off Noirvember 2019 with a look at Joseph H. Lewis’s The Big Combo (1955). Written by Philip Yordan, the film stars Cornel Wilde as Lt. Leonard Diamond. He’s a cop with a soft spot for Susan Lowell (Jean Wallace), the main squeeze of Mr. Brown (Richard Conte). Diamond and Brown play a strange game of cat and mouse as Diamond seems to pursue justice while Brown is a psychopathic thug who thinks he’s anything but. Jedidiah Ayres and Brian Hoyle join Mike to discuss the film and posit just what that big combo of the title can mean.
The new superhero movie SHAZAM owes such a debt to Penny Marshall’s weird and whimsical 1988 comedy BIG that it includes a giant piano as an homage, but the connections between these two wish-fulfillment fantasies go beyond their shared premises. After discussing how SHAZAM distinguishes itself from other superhero films, and what it might say about the future of the DCEU, we bring in BIG to see how these two films echo and refract each other in their ideas about what maturity looks like to kids, in their depictions of home and family, and in their use of toys as signifiers of childhood. Plus, Your Next Picture Show, where we share recent filmgoing experiences in hopes of putting something new on your cinematic radar. Please share your comments, thoughts, and questions about BIG, SHAZAM, or anything else in the world of film by sending an email to comments@nextpictureshow.net, or leaving a short voicemail at (773) 234-9730. Your Next Picture Show: • Tasha: Wim Wenders’ WINGS OF DESIRE (via The Criterion Channel) • Genevieve: Madeleine Sami and Jackie van Beek’s THE BREAKER UPPERERS • Keith: Joseph H. Lewis’ MY NAME IS JULIA ROSS (via The Criterion Channel’s ‘Columbia Noir’ Collection) • Scott: Don Siegel’s THE LINEUP (via The Criterion Channel’s ‘Columbia Noir’ Collection) Outro Music: Queen, “Don’t Stop Me Now” Learn more about your ad choices. Visit megaphone.fm/adchoices
We return to the world of noir with a look at Joseph H. Lewis' Gun Crazy. Is it crazy enough to work? Tune in to find out. We also chat about Widows, Annihilation and Fighting With My Family. marriedwithclickers@gmail.com
Welcome back to another episode of the GGtMC!!! This week we bring you coverage of Arrow Academy's release of Terror in a Texas Town (1958) directed by Joseph H. Lewis and The Horror of Party Beach (1964) directed by Del Tenney...we hope you are ready for the horrific terror of out coverage!!! Emails to midnitecinema@gmail.com Adios!!! --- Send in a voice message: https://anchor.fm/ggtmc/message
We discuss the career of director and film noir master Joseph H. Lewis and his films Gun Crazy, The Big Combo and Terror in Texas Town. We have a NEW BOOK called THE IMPORTANT CINEMA CLUB JOURNAL and you can buy a copy now at: Amazon Canada www.amazon.ca/Important-Cinema-C…rnal/dp/1794544585 Amazon US: www.amazon.com/Important-Cinema-…nal/dp/1794544585 Amazon UK: www.amazon.co.uk/Important-Cinema…al/dp/1794544585 On this week's Patreon, we discuss the film People on Sunday. Become a member for $5 a month: www.patreon.com/theimportantcinemaclub If you have any questions or comments, feel free to drop us a line at importantcinemaclubpodcast@gmail.com
Neste episódio regressamos ao film noir com a mais icónica femme fatale que o género ofereceu, Rita Hayworth em Gilda, filme de 1946 realizado por Charles Vidor, e com o apaixonado casal de foras-da-lei de Mortalmente Perigosa, título de 1950 com Joseph H. Lewis atrás das câmaras.
Greg screens Joseph H. Lewis' 1950 shoot-em-up "Gun Crazy."
www.youtube.com/mrparka https://www.instagram.com/mrparka/ https://twitter.com/mrparka00 http://www.screamingtoilet.com/dvd--blu-ray https://www.facebook.com/screamingpotty/ https://www.facebook.com/mrparka Video Version of 11 - https://youtu.be/ce-NBs8jsOw Video Version of 12 - https://youtu.be/LsNayS2Ww4M Stormy Monday – 1988 – Mike Figgis Terror in a Texas Town – 1958 – Joseph H. Lewis Lust of the Vampire Girls – 2017 – Matt Johnson Coffy – 1973 – Jack Hill Foxy Brown – 1974 – Jack Hill Death-Scort Service Part 2: The Naked Dead – 2017 – Sean Donohue Free Fire – 2016 – Ben Wheatley Beyond the Darkness – 1979 – Joe D'Amato Devil's Domain – 2016 – Jared Cohn I Am Hero – 2015 – Shinsuke Sato Time Bandits – 1981 – Terry Gilliam Pat Garrett and Billy the Kid – 1973 – Sam Peckinpah Soldier Blue – 1970 – Ralph Nelson Also included is Q&A and an interview with indie actor, writer, podcaster Brandon Salkil (Zombie A-Hole, Slimy Little Bastards) Brandon’s Patreon https://www.patreon.com/user?u=5075957
Author and film historian Troy Howarth (, ) returns to Monster Kid Radio to take a look at another Bela Lugosi gem - 1941's Invisible Ghost (dir. Joseph H. Lewis). He and Derek discuss the film (with SPOILERS!), and sidetrack here and there along the way in the best monster kid way possible! Also, Derek announces the winner of the contest for a copy of Anthony Wendel's . Voicemail: 503-479-5MKR (503-479-5657) Email: That's Terri-IFIC - Troy Howarth on Amazon - The B-Movie Cookbook - (.mp3s of every episode of Monster Kid Radio is available for download at our barebones behind-the-scenes website at ) Next week: More from Monster Bash 2017 The opening and closing song "Colegas de Retrete" (B-Sides) belongs to Los Deformes - All original content of Monster Kid Radio by is licensed under a .
A police lt. is ordered to stop investigating deadly crime boss Mr. Brown, because he hasn't been able to get any hard evidence against him. He then goes after Brown's girlfriend who despises him, for information instead.Director: Joseph H. Lewis (as Joseph Lewis)Writer: Philip Yordan (by)Stars: Richard Conte, Jean Wallace, Cornel Wilde - via IMDB https://archive.org/details/The_Big_Combo_1955
Our sixth episode focuses on the women who turn to crime out of desperation, no femme fatale's here, just real women swapping the mop for a gun. We reference our third episode on the Pre-codes (wherein women used their sexuality to gain social mobility} to women now turning to crime to climb out of poverty. The films we discuss include Paid (1930), Ladies They Talk About (1933), Blondie Johnson (1933), Gun Crazy (1950) and Caged (1950). In keeping with our crime theme we devote some quality time to the fabulous Robert Mitchum in our He's a Keeper segment. Sources: Blondie Johnson (1933) Dir. Ray Enright [DVD] Warner Bros. Caged (1950) Dir. John Cromwell [DVD] Warner Bros. Cape Fear (1962) Dir. J. Lee Thompson [DVD] Universal. Gun Crazy (1950) Dir. Joseph H. Lewis [DVD] United Artists. Jaggar, A. M., & Bordo, S. (1989). Gender/body/knowledge: Feminist reconstructions of being and knowing. New Brunswick, N.J: Rutgers University Press. Ladies They Talk About (1933) Dir. Howard Bretherton and William Keighley [DVD] Warner Bros. Out of the Past (1947) Dir. Jacques Tourneur [DVD] RKO. Paid (1930) Dir. Sam Wood [DVD] MGM. Russell, J. (1985) Jane Russell: An Autobiography London: Sidgwick & Jackson. The Lusty Men (1952) Dir. Nicholas Ray [DVD] RKO. The Night of the Hunter (1955) Dir. Charles Laughton [DVD] United Artists. Thirteen Women (1932) Dir. George Archainbaud [Internet Archive] RKO. Brainy Broads essay from Smart Chicks on Screen, Sheri Chinen Biesen
Dr. Charles Kessler (Bela Lugosi), a well-to-do physician who shares his mansion with his daughter, Virginia (Polly Ann Young), has been depressed ever since his wife (Betty Compson) left him for another man, only to later die in a car accident. That's not all Kessler has to worry about, however. Unexplained murders have begun to occur around town, eventually claiming members of his house staff. Making matters worse, the authorities suspect Kessler may somehow be involved. Stream online: https://amzn.to/2yF1jiW Become a Patron: https://www.patreon.com/mfrbooksandfilm?fan_landing=true
Dr. Charles Kessler (Bela Lugosi), a well-to-do physician who shares his mansion with his daughter, Virginia (Polly Ann Young), has been depressed ever since his wife (Betty Compson) left him for another man, only to later die in a car accident. That's not all Kessler has to worry about, however. Unexplained murders have begun to occur around town, eventually claiming members of his house staff. Making matters worse, the authorities suspect Kessler may somehow be involved. Stream online: https://amzn.to/2yF1jiW
This week, Mike and Sean dive into the seedy noir world of Joseph H. Lewis's 1950 film Gun Crazy, take a stroll along the beach with Keanu Reeves and Patrick Swayze in Kathryn Bigelow's Point Break and talk about their Essential Adrenalizing films. They'll also take a closer look at the career of Keanu and debate the proper usage of the phrase "Vaya con Dios'.