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It's not that other podcast, but Russ and Jared are finally covering cult-favorite, Geostorm (2017), starring Gerard Butler, Jim Sturgess, Abbie Cornish, Alexandra Maria Lara, Daniel Wu, Andy Garcia, Ed Harris, Adepero Oduye, Amr Waked, Eugenio Derbez, and Talitha Eliana Bateman! The guys are already having fun with the trailer, and stay tuned for the full episode next week!
Episode Notes S6E9 -- Join us as we sit down with the one and only Rico Anderson. He'll be in the house telling tales from S.W.A.T to Get Gone and beyond. As an award winning actor, a sci fi nerd, the oldest of 11 children on his mothers side (6 biological / 5 adopted) and the 3rd of 4 children on his fathers side, Rico was born in Seaside/Monterey, CA and raised on the south side of Chicago as well as the San Francisco Bay Area. It was in Chicago where Rico's love for the arts began. As a little boy, his 3rd grade class went to a touring performance of The Wiz, starring Stephanie Mills. Even at that early age, Rico sat there mesmerized and amazed at the performances. Memories from that performance stuck in the back of his mind and would not surface until a few years later when his family moved to Berkeley, California. The bug bit again and Rico started performing in several plays and Independent films. Rico also majored in Theatre Arts at San Francisco State University. Eventually, Rico moved to Los Angeles and has been blessed to have many film, television, voice over and theatre credits to his name. NEWS FLASH: You can now purchase Toking with the Dead full novel here https://a.co/d/7uypgZo https://www.barnesandnoble.com/.../toking.../1143414656... OR Show your support by purchasing FB stars. Send stars to the stars fb.com/stars ______ Follow our guest https://www.ricoanderson.com/ https://www.instagram.com/iamricoanderson/?hl=en https://en.wikipedia.org/wiki/Rico_E._Anderson https://www.imdb.com/name/nm1066970/ ______ Toking with the Dead: https://www.stilltoking.com/ https://www.facebook.com/TokingwiththeDead?tn=-]C-R https://www.instagram.com/stilltokingwith/?hl=en https://twitter.com/thetoking?lang=en https:/ /pinecast.com/feed/still-toking-with Check out Toking with the Dead Episode 1 https://www.youtube.com/watch?v=awhL5FyW_j4 Check out Toking with the Dead Episode 2 https://www.youtube.com/watch?v=SaUai58ua6o Buy awesome Merchandise! https://www.stilltoking.com/toking-with-the-dead-train https://teespring.com/stores/still-toking-with ____ Our booking agent: https://www.facebook.com/AmyMakepeace https://www.facebook.com/groups/3770117099673924 ___ Sponsorship Opportunities: https://www.stilltoking.com/become-a-sponsor or email us at bartlett52108@gmail.com thetokingdead@gmail.com ————————————— Follow Still Toking With and their friends! https://smartpa.ge/5zv1 https://thedorkeningpodcastnetwork.com/ ————————————— Produced by Leo Pond and The Dorkening Podcast Network https://TheDorkening.com Facebook.com/TheDorkening Youtube.com/TheDorkening Twitter.com/TheDorkening More About he Guest: Known for playing a variety of humans....and aliens, Rico's selected film and television credits include S.W.A.T. on CBS, The Orville and Rosewood on FOX and Young & Hungry on Freeform. Other selected works include, The Mick, Grey's Anatomy, The Fosters, NCIS, Modern Family, Criminal Minds, K.C. Undercover, Two and a Half Men, Mike & Molly, 2 Broke Girls, Days of our Lives, The Bold and the Beautiful, Murder in the First, Sullivan & Son, Justified and The Shield. Rico was also tapped for the lead role in the feature, Get Gone opposite Lyn Shaye and Robert Miano. Rico's breakthrough role was in the 2005 Academy Award Winning short, "Mighty Times: The Children's March" portraying civil rights activist, Shelley "The Playboy" Stewart. This period piece was Narrated by Samuel L. Jackson (Marvel's The Avengers, Star Wars Trilogy) and Sam Elliott (The Hulk, The Big Lebowski) respectfully. Another breakthrough role was in Sci Fi where Rico was tapped to star in the TV pilot, Star Trek: Renegades, directed by Tim Russ (Tuvok in Star Trek: Voyager) and starring Walter Koenig (Star Trek, Babalon 5), Sean Young (Blade Runner) and Edward Furlong (John Connor in The Terminator). Rico was directed by Joss Whedon (Marvel's The Avengers, Agents of S.H.I.E.L.D.) in the pilot for Dollhouse w/ Eliza Dushku and played (The Color Purple) Danny Glover's son in in "The Harimaya Bridge" with Peter Coyote. As a member of the L.A. based Sketch Comedy Troupe, 'The Outpatients', Rico performed at The World Famous Comedy Store Main Room. Selected Commercial works includes: Kraft Macaroni & Cheese, Direct TV, UPS Store, Lending Tree, Bud Light, Honda, Sony, Jeep. Voice Over Commercial work includes: Mc Donalds, Bud Light, Sony, Jeep, The University of Maryland University College (UMUC) and National Rent a Car. As a Voice Over artist, Rico has recorded Loop Group / ADR work for Batman: Arkham Knight, #FreeRayshawn, Rebel and Being Mary Jane (BET), Geostorm, Power (Starz) and VH-1's Hit the Floor. Find out more at https://still-toking-with.pinecast.co Send us your feedback online: https://pinecast.com/feedback/still-toking-with/624d631c-91b7-463c-afde-ad46efb50d6c
It's the most wonderful time of the year. And by that, we mean it's Gerarduary: the time of year when we come together to celebrate Gerard Butler. This year, we're watching Gerard Butler watch more interesting things happen from the privacy of his own space station, as we watch the 2017 disaster/government intrigue movie, Geostorm. Join us as we discuss poorly-hidden British accents, actors that play obvious villains, and too much lightning. Find us on Bluesky, Instagram, and Threads @TCTAMPod and on TikTok @theycalledthisamovie.Our theme music was written and performed by Dave Katusa. He can be found on Instagram @dkat_productions.
This week, SepTIMEber continues as we head back to 14th century France to launch real fireballs out of real trebuchets alongside real Montreal LARPers in a rare misstep from a true master of the popcorn flick. It's 2003's Timeline, directed by Richard Donner, based on the book by Michael Crichton, and starring Paul Walker, Frances O'Connor, Gerard Butler, Billy Connolly, David Thewlis, Anna Friel, Neal McDonough, Ethan Embry, Matt Craven, Michael Sheen, Lambert Wilson, Marton Csokas and Rossif Sutherland. Two movies into this theme month and we already be down bad with Stockholm Syndrome, as the dire straits of The Time Machine made this film look like an oasis in the desert comparatively. Alas, it is a deeply flawed flick to be sure, and for the very first time one of our hosts could not make it over the finish line. Plus: a bit of listener mail makes Hayley finally explain her longstanding beef with Ted Lasso. If you'd like to watch the movie before listening to our conversation, good luck! Despite being a Paramount movie, Timeline is not available on Paramount+ but is rentable on YouTube and the Cineplex app at the time of publication. Other works discussed on this episode include Rebel Ridge, Green Room, Blue Ruin, Kinds of Kindness, Poor Things, The Favourite, The Ballad of Buster Scruggs, The Emperor's New Groove, Child's Play, M3GAN, English Teacher, The Lost World: Jurassic Park, Jurassic Park III, Almost Live!, Ready Player One, Backspot, I Like Movies, Sabrina Carpenter's album Short & Sweet, The Dana Carvey Show, Too Funny To Fail, 300, Terminator 2: Judgment Day, Midnight in Paris, Pushing Daisies, A.I.: Artificial Intelligence, Olympus Has Fallen, Greenland, Geostorm, Superman II, The Goonies, Lethal Weapon, Maverick, Radio Flyer, The 13th Warrior, Sky Captain & The World of Tomorrow, Paycheck and The Perfect Score. We'll be back next week with a little ADHD-TPB, as SepTIMEber rolls on with a movie J Mo torrented off the internet roughly 15 years ago and never got around to actually watching: 1979's Time After Time, starring Malcolm McDowell and David Warner as H.G. Wells and Jack The Ripper respectively. Sounds like fun, right? Here's hoping! It is also not available on streaming, but once again is rentable on YouTube. Until then, we'll see you at the movies!!
creative action adventure movie. It reminds me of a bunch of other movies but with a creative spin that was entertaining.
Stefan Burns: G5+ GeoStorm Update! Kp9 & Hp11, 5.8 X-Flare & CME, Worldwide Aurora, Health Effects
The Jay Thomas Show from Friday May 10th, 2024. Guests include Chris Coste and your calls and emails.
Exhausted from an action-packed Free Comic Book Day, we still couldn't wait to fire up the mics and share our adventure with you. Alongside the ever-entertaining Joey Thurman, we regale our laugh-out-loud journey from a live audience episode to the side-splitting aftereffects of our heroically hectic schedule. Find out how a cinematic trip to see Doctor Strange led to Mitch's uproarious breakdown of the cult favorite "Reefer Madness," and why our social media platforms are the newest hotspots to join the conversation.Fasten your seatbelts for an adrenaline-fueled dive into the world of bank heist flicks and the ever-evolving Netflix landscape. As we dissect Michael Bay's "Ambulance" and its explosive grass (no, seriously), you'll realize why we'd rather laugh at its absurdities than recommend it. And because we love a good mystery, the whispers about Apple+'s star-studded secret project have us all playing detective. From the sensitive topic of the Gabby Petito case to the inner workings of Netflix's transparency woes, we've covered the gamut with the kind of humor and insight you've come to expect from us.Our comic book villain knowledge faces the ultimate showdown, complete with trivia, high stakes, and the threat of hot sauce penalties (not for the faint of heart). We switch gears to gaming with a review of "Dying Light 2," blending critiques with the undeniable truths of life—like the sacred role of the A button. Wrapping up with "Geostorm," our banter offers a salve for the heartburn and headaches that accompany such tumultuous days of geekdom. So come for the culture, stay for the laughs, and let's nerd out together over everything that makes our geek hearts beat faster.The Gaming BlenderCould you design a video game?Listen on: Apple Podcasts Spotify Realer Than Most PodcastHere at Realer Than Most Podcast, we believe that hip-hop/rap is more than just...Listen on: Apple Podcasts SpotifySupport the Show.
Hello classmates!Messages from the class, Kong = mx + Godzilla(Sydney Sweeney), Ang Lee almost won Best Picture, and Joseph brings a game to the showVisit the YouTube channel Saturdays @ 12:30 PM Pacific to get in on the live stream!Channel:https://www.youtube.com/channel/UCI1lVsk1xjMSBgZK82uAzgQThis Episode:https://youtu.be/qe0Mzk_sQqIThank you to Darryl from Getting Dafoe You for the smooth vocals in the Me Myself and Tyler stinghttps://linktr.ee/dafoeyoupodhttp://www.MCFCpodcast.comhttps://www.twitch.tv/MCFCpodcasthttp://www.facebook.com/MCFCpodcasthttp://www.twitter.com/podcastMCFChttp://www.tiktok.com/middleclassfilmclasshttp://www.instagram.com/middleclassfilmclassEmail: MCFCpodcast@gmail.comLeave us a voicemail at (209) 730-6010Merch store - https://middle-class-film-class.creator-spring.com/Join the Patreon:www.patreon.con/middleclassfilmclassPatrons:JavierJoel ShinnemanLinda McCalisterHeather Sachs https://twitter.com/DorkOfAllDorksRyan CorbinChris GeigerDylanRobert StewartJasonAndrew Watches MoviesDallas TerryJack FitzpatrickMacKenzieBinge Lord Dan - twitter.com/Binge_Lord_DanJoseph Navarro Pete Abeytaand Tyler Noe Streaming Picks:There's Something in The Barn - NetflixDream Scenario - MaxDicks: The Musical - MaxDonnie Darko - Peacock, AMC+, Roku, Tubi, Shudder, Pluto, Shout TV, Freeze, XumoDashcam - HuluPaint (anti pick) - Hulu, AMC+Wonka - MaxBodies Bodies Bodies - Paramount+, Netflix, ShowtimeGeostorm - HuluMafia Mama - Fubo, Paramount+, ShowtimeCube 2: Hypercube - Roku, Tubi, Pluto, FreeveeBirds of Prey - Max, NetflixApollo 18 - Hulu. Peacock, Roku, Tubi, Pluto, Plex, Shout
Imagine enduring 'Geostorm' as a punishment and finding it surprisingly tolerable—if you've got the right sense of humor, that is. That's just a slice of this week's antics where Mitch and I, sans our absent co-host Hayden, dissect the disaster flick's sci-fi quirks, Gerard Butler's rugged charm, and visual effects that flirt with the edge of reason. Our banter doesn't stop at cinematic weather woes; we also tackle the helicopter-warship love affair in film and dive into 'Uncharted's delayed gratification, character evolutions, and our no-holds-barred take on 'Moon Knight.'Transport with us to a realm where the animated Al Bundy might just defy expectation, and competitive board gaming with 'Trivial Pursuit 2' breeds hilarity. Special guests Michael Hamilton and Nathan Marchand from the Power Trip podcast swoop in to fuel a Power Rangers nostalgia-filled trivia showdown that will test even the most die-hard fan's knowledge. Experiences with 'Warzone's Operation Monarch event prove that sometimes, chaos is the best strategy, especially when Godzilla and Kong are in your corner.Finally, prepare yourself for the audacious Soviet 'Lord of the Rings' adaptation review—a bizarre journey through what could arguably be the most peculiar cinematic interpretation of Tolkien's work. It's a reminder that not all rings are created equal, and some adventures are best left behind the Iron Curtain. So, join us on this wild ride through the latest in entertainment, where laughs are guaranteed, and dull moments are as rare as a Dragonzord in distress.Support the show
In the vast expanse of our skies lies a sinister truth hidden from the public eye—a truth so disturbing that it challenges the very fabric of our understanding of natural phenomena. Weather manipulation, once dismissed as mere science fiction, now emerges as a dark reality orchestrated by shadowy figures with agendas far beyond our comprehension. Prepare to delve into the depths of this conspiracy, where storms are not acts of nature but weapons of control wielded by those who lurk in the shadows.
One half of the Movie Rankers Podcast Duo (James) joins Jon and I for another summary of blockbuster millionaire producer Jerry Bruckheimer. Did he make all those millions just from episodes of The Amazing Race prior to building his CSI and Pirates of the Caribbean production house? Is he a popcorn producer or do some of his mega-hits actually have some substance to audiences? Did he become not as prominent once he stopped using directors like Jon Turteltaub, Michael Bay & Tony Scott? Why'd he take his name off of Geostorm but not The Lone Ranger as well? All that and more praise, hot takes and summaries of another successful media mogul in good ole' Hollywood! MAIN LINKS: LinkTree: https://linktr.ee/JURSPodcast Facebook Page: https://www.facebook.com/JackedUpReviewShow/ Facebook Group: https://www.facebook.com/groups/2452329545040913 Twitter: https://twitter.com/JackedUpReview Instagram: https://www.instagram.com/jacked_up_podcast/ SHOW LINKS: YouTube: https://m.youtube.com/channel/UCIyMawFPgvOpOUhKcQo4eQQ iHeartRadio: https://www.iheart.com/podcast/269-the-jacked-up-review-show-59422651/ Podbean: https://jackedupreviewshow.podbean.com Spotify: https://open.spotify.com/show/7Eg8w0DNympD6SQXSj1X3M Apple Podcasts: https://podcasts.apple.com/us/podcast/the-jacked-up-review-show-podcast/id1494236218 RadioPublic: https://radiopublic.com/the-jacked-up-review-show-We4VjE Overcast: https://overcast.fm/itunes1494236218/the-jacked-up-review-show-podcast Google Podcasts: https://podcasts.google.com/?feed=aHR0cHM6Ly9hbmNob3IuZm0vcy9hNDYyOTdjL3BvZGNhc3QvcnNz Anchor: https://anchor.fm/s/a46297c/podcast/rss PocketCasts: https://pca.st/0ncd5qp4 CastBox: https://castbox.fm/channel/The-Jacked-Up-Review-Show-Podcast-id2591222 #MovieReview #FilmTwitter #PodFamily #PodcastersOfInstagram #Movies #Film #Cinema #Music #Reviews #Retrospect #Podcasts #MutantFam #MutantFamily #actionmystery #bmovies #scifihorror #truecrime #historydramas #warmovies #podcastcollabs #hottakes #edgy #cultmovies #nsfw #HorrorFam #badass
This week, David and Connor unbury the long forgotten environmental thriller(?), Geostorm. They discuss what they enjoyed, what they didn't, and if a film this conceptually goofy could have ever actually been goofy. Apologies for the video formatting, result of technical issues
This week, Scott and Mitch bicker like an old married couple. But, they are brought back together by a 1950s classic and some 1980s chaos! 5:30 - Tau 14:57 - Dark Water (2005) 23:11 - Let's Be Evil 33:01 - The Protege 39:30 - Geostorm 46:30 - Sayonara 54:06 - Buckaroo Bonzai 1:06:03 - Conclusion
The guys are back this week to talk about The Pope's Exorcist, Blue Beet'e, Foundation, and (sadly) Geostorm. Stay til the end, too, as Andrew gets a little deep on what vibe is defining the modern generation and then a discussion on... Taylor Swift?!? Kevin starts off talking about The Pope's Exorcist which is currently available on Netflix. If horror is your jam and you like the "based on a true story" genre, definitely give it a watch. Next up, Andrew talks about Blue Beetle which just landed in theaters this week. Sadly, it's doing poorly at the box office but it SHOULD be doing great! If you need something to do this weekend, go see it! Kevin takes over at the end to talk about the Apple TV sci-fi epic, Foundation. After talking to Kim, he realized that this show has many parallels to Game of Thrones so if that was your jam, give it a shot. Kevin then closes the show by talking about the disaster of a disaster film, Geostorm. Yeah, it's really not good. Like... at all... And of course there isn one last discussion about the Fast and the Furious franchise. As always, thank you for watching. If you haven't already, don't forget to Like & Subscribe. We love new viewers! Also, leave us comments and let is know how we are doing and what we can be doing better. Enjoy the episode and have a great week! Facebook: @apncpodcast Twitter: @APNCPodcast Instagram: AllPopNoCulture
Podcast de la pasada emisión del 13/08/2023. Volvemos con nuestro programa junto a Agustín Lara, Espartanos del cine, David Larrad de Cinemascomics, y Sergio Reina. Hoy os hablamos de en formato Express de unas cuantas recomendaciones fresquitas para este torrido verano como Agente Stone, Megalodón 2, Jury Duty, Mortal Engines, The Flash, Solo asesinatos en el edifico T3, Al filo del abismo, Juego de supervivencia, Geostorm y mucho más... Y por supuesto las mejores noticias de cine de la semana. Música de los títulos finales by RomanSenykMusic
Rating movies can at times be arbitrary. But in this episode, the Movie Amigos really break it down. We get so granular, Newton couldn't even handle this episode. Let us know how you rate movies, if you're into that sort of thing. We like movies and we're amigos. Join us and be our movie amigos. Instagram: https://www.instagram.com/movieamigospodcast/ Find us wherever you listen to podcasts! Letterboxd profiles: Gila https://letterboxd.com/gilasantos1/ Josh https://letterboxd.com/joshman972/ Juve https://letterboxd.com/mrfalcon/ Movies mentioned this episode: The Proposal (2009) 1917 (2019) The Apartment (1960) The Room (2003) Top Gun: Maverick (2022) Top Gun (1986) 12 Angry Men (1957) Casablanca (1942) Citizen Kane (1941) The Last Vampire on Earth (2009) He's All That (2021) Lucy (2014) One Day (2011) The Time Traveler's Wife (2009) The Blue Lagoon (1980) Dragonball Evolution (2009) Senior Year (2022) 21 Jump Street (2012) High School Musical (2006) The Breakfast Club (1985) 17 Again (2009) The Usual Suspects (1995) Seven / Se7en (1995) Last Survivors (2021) Clueless (1995) Geostorm (2017) Loqueesha (2019) The Star Wars Holiday Special (1978) The Lion King (2019) Cats (2019) Jurassic World Dominion (2022) Jurassic Park (1993) Kimba, the White Lion (1966) Mulan (2020) Thor: Love and Thunder (2022) The Spectacular Now (2013) La La Land (2016) Spirited Away (2001) Eternal Sunshine of the Spotless Mind (2004) Black Swan (2010) No Country for Old Men (2007) Divergent (2014) The Social Network (2010) Phantom Thread (2017) The Game Plan (2007) Ella Enchanted (2004) Disenchanted (2022) Fantasia (1940) Return of Jafar / Aladdin 2: The Return of Jafar (1994) Aladdin and the King of Thieves (1996) Mulan II (2004) Tangled (2010) Moana (2016) Encanto (2021) Air Buddies (2006) Paddington (2014) Star Wars: Episode V - The Empire Strikes Back (1980) Mulan (1998) Maleficent (2014) Cinderella (2015) Pinocchio (2022) Drumline (2002) Toy Story (1995) Toy Story 4 (2019) Star Wars: Episode III - Revenge of the Sith (2005) The Incredibles (2004) Whiplash (2014) Titanic (1997) Nope (2022) Get Out (2017) Us (2019) Intro music by: Avalerion Music Outro music by: Don General For any inquiries email us at movieamigospodcast@gmail.com
In This Episode Brought to you by the Drive Weather app GeoStorm Movie Commentary Partnered with AMS Weather Band Next Episode Teaser Presented by the Drive Weather app - See the weather forecast along your route. Visit driveweatherapp.com Check out our Patreon page for exciting ways to support our podcast and interact with us more! www.patreon.com/stormfrontfreaks Listen along to our movie commentary as you watch the movie GeoStorm! Thanks to AMS Weather Band. Now weather enthusiasts can join meteorologists and weather professionals. Visit AMSWeatherBand.org Submit your questions or comments about this show to questions@stormfrontfreaks.com or on our social media accounts and we may read it on our next episode! Twitter: @stromfrontfreak Facebook: @stormfrontfreaks Instagram: @stormfrontfreaks YouTube "RAW": YouTube.com/stormfrontfreaks Next Episode…we're going GLOBAL for Episode 178 with global storm chaser James Reynolds! Become a member of our patreon.com/stormfrontfreaks to tune in LIVE and watch the RAW recording on 3/2/23. Look for the audio podcast on your favorite podcast player following the weekend. Credits Opening Music: Brett Epstein Closing Music: Gabe Cox Other Music: “Pecos Hank” Schyma from El Reno Blues
In This Episode Brought to you by the Drive Weather app Guests: Interviews from the 2023 National Storm Chaser Summit Erik Fox, Jen Walton, Jennifer Brindley, Eric Aldrine, Dr. Jason Persoff, Jeff Piotrowski, Josh Morgerman, Tim Marshall, Rick Smith Partnered with AMS Weather Band Storm Chaser Safety Tips Girls Who Chase Sprint Training Webinar Next Episode Teaser Presented by the Drive Weather app - See the weather forecast along your route. Visit driveweatherapp.com Check out our Patreon page for exciting ways to support our podcast and interact with us more! www.patreon.com/stormfrontfreaks Thanks to AMS Weather Band. Now weather enthusiasts can join meteorologists and weather professionals. Visit AMSWeatherBand.org For more storm chaser/spotter safety tips, visit the weather.gov ACES Weather Spotter Safety Program Girls Who Chase Spring Training, register TODAY for the March 4, 2023 online event! Submit your questions or comments about this show to questions@stormfrontfreaks.com or on our social media accounts and we may read it on our next episode! Twitter: @stromfrontfreak Facebook: @stormfrontfreaks Instagram: @stormfrontfreaks YouTube "RAW": YouTube.com/stormfrontfreaks Next Episode… It's time for another movie commentary episode and drinking game with the movie Geostorm! Become a member of our patreon.com/stormfrontfreaks to tune in LIVE and watch the RAW recording. Look for the audio podcast on your favorite podcast player following the weekend. Credits Opening Music: Brett Epstein Closing Music: Gabe Cox Other Music: “Pecos Hank” Schyma from El Reno Blues
This week the GBGBs bring on friend of the show RYAN (a separate Ryan from our current Ryan) to review GEOSTORM. This 2017 film starring Gerard Butler and Jim Sturgess makes you stop and think, "why was this movie made in 2017 and not during the great disaster boom of the mid 00s?" With the world threatened by the effects of climate change, Gerard Butler is the lead scientist in the creation of "Dutch Boy": a globe-spanning satellite net that uses lasers and weather missiles to control the Earth's climate. But *record scratch* it seems like sabotage is afoot when Dutch Boy mysteriously creates a series of disastrous weather patterns in specific portions of the world. We had some interesting reactions to this one, including one of us who was willing to take a stand and defend it from the critics. Thanks for stopping by!
This week on A Novel Console, Chris and Karradyne are recovering from a terrible sinus infection. Karradyne talks about sitcoms, roommates, and an updated Throne of Glass set. Chris talks about terrible movies he's been watching and gives Karradyne an impromptu class on Dead Space. They end the show with a very disappointing meal from Jollibee.You can contact us at:anovelconsole@gmail.comFacebook.com/anovelconsoleTwitter.com/anovelconsoleInstagram: @anovelconsolePatreon.com/anovelconsoleOther Streaming Platforms:anovelconsole.carrd.coSupport the show
Colton Dunn (Superstore, Blockers) joins Paul, Jason, and guest co-host Jessica St. Clair (The Deep Dive, Avenue 5) to discuss the 2017 disaster film Geostorm starring Gerard Butler. Recorded live from Los Angeles at Largo at the Coronet, they talk about Andy Garcia's pen acting, the real-life car Geo Storm, Mr. Bean in space, and much more. GEOSTOOOOOORM! (Originally released 04/12/2018)For more Matinee Monday content, visit Paul's YouTube page: https://www.youtube.com/c/PaulScheerGo to www.hdtgm.com for tour dates, merch, and more.Follow Paul on Letterboxd: https://letterboxd.com/paulscheer/HDTGM Discord: discord.gg/hdtgmPaul's Discord: https://discord.gg/paulscheerCheck out Paul and Rob Huebel live on Twitch (https://www.twitch.tv/friendzone) every Thursday 8-10pm ESTSubscribe to The Deep Dive with Jessica St. Clair and June Diane Raphael here: listen.earwolf.com/deepdiveSubscribe to Unspooled with Paul Scheer and Amy Nicholson here: listen.earwolf.com/unspooledCheck out The Jane Club over at www.janeclub.comCheck out new HDTGM merch over at https://www.teepublic.com/stores/hdtgmWhere to find Jason, June & Paul:@PaulScheer on Instagram & Twitter@Junediane on IG and @MsJuneDiane on TwitterJason is not on Twitter
Welcome to our new series: “Disaster Porn”! Why? Because everyone loves porn! And everyone loves disasters! (don't question me about either of those statements, dammit). So we thought, why not combine two great tastes . . . or two really horrible tastes, if you're more “reasonable,” and do a series about it. Because, come on, … Continue reading "Episode 225 – Geostorm (2017)"
Best movies I watched in 2022-Cloud Atlas-The Last Duel-Unforgiven-Leon: The Professional-Gravity-Snatch-Mass-Ocean's Eleven-Full Metal Jacket-Raging Bull-Glengarry Geln Ross-Papillon-Casino-All Quiet on the Western Front-Top Gun: MaverickWorst movies I watched in 2022-Geostorm-Deep Water-An American Werewolf in ParisBest TV seasons I watched in 2022-Station Eleven-The Wonder Years-Dopesick-Better Call Saul-Cheers-We Own This City-The Killing-The Bear-Primal-Ted Lasso-Kennedy-Frasier
Äntligen så är jag tillbaks... vad skönt för mig, eller er kära lyssnare :)! I veckans avsnitt så recenserar jag 5(!) st filmer och så kör jag även veckans fråga. Även denna vecka från TikTok. Håll till godo!
Ana and Dan were hired to fail and so maybe it's no surprise that they cannot make sense of this slowly preposterous movie, full of absurd pronouncements and improbable motivations. It should be more fun to watch than it is! However, I will never get tired of yelling, "The president is the kill code!" Folks, the president is the goddamn kill code. There is some very silly IR in this movie. Get bonus content on Patreon Hosted on Acast. See acast.com/privacy for more information.
Ana and Dan were hired to fail and so maybe it's no surprise that they cannot make sense of this slowly preposterous movie, full of absurd pronouncements and improbable motivations. It should be more fun to watch than it is! However, I will never get tired of yelling, "The president is the kill code!" Folks, the president is the goddamn kill code. There is some very silly IR in this movie. Get bonus content on Patreon Hosted on Acast. See acast.com/privacy for more information.
They went in expecting a disaster flick, but instead got a space mystery, as The Last Row Podcast covers the 2017 box office hit and critical flop, Geostorm. Drew and Badway discuss not only the bad acting and bait and switch plot, but also slow Smart Cars costing lives, rocket launchers in trunks, the world's most heartfelt coded message, and one of the most unexpectedly evil movie villains in cinema history. --- Our previous "Disaster Movie" podcast episodes: San Andreas (EP 35) The Day After Tomorrow (EP 73) Dante's Peak (EP 83) Twister (EP 92) Subscribe & Follow Us: Spotify Apple Podcasts Google Podcasts Twitter Facebook Instagram YouTube
It's another UNCUT special, back to our eighth episode and third ever dumb science movie! A two brothers classic: Geostorm. This week you get 20 extra minutes of our incredulity at the ridiculousness of this movie! EnjoyWe've got frozen deserts, exploding cities, giant tsunamis and #airlockdrama! Abi tries to understand the scientific and economic logistics of a space net while Freda just wants this movie to flush itself out of her brain. It hurts all the science parts. "I want it dead, I want it's whole family dead, I want it down in the ground!"Things you might find interesting:Will weather control happen in the future? - BBCCan China control the weather? - How Stuff WorksCloud Seeding: should we or shouldn't we? - IndependentGeostorm and the ethics of geoengineering - The ConversationThe disasters of disaster movies - Yale Climate ConnectionsProject Poyeye - Office of the Historian (US Dept of State...not an onion article)The science behind Geostorm - Smithsonian MagRockets and rocket launches - National GeographicBBC How to build a satellite - Youtube Hosted on Acast. See acast.com/privacy for more information.
Talitha Bateman is an American actress. After making her acting debut in a 2013 episode of the sitcom The Middle, she has starred in the independent drama film So B. It (2016), the science fiction film The 5th Wave (2016), the supernatural horror film Annabelle: Creation (2017), the disaster film Geostorm (2017), the romantic comedy film Love, Simon (2018), and the horror film Countdown (2019). In 2020, Bateman starred in Away (a Netflix original), alongside Hilary Swank. I really enjoyed this conversation and was super impressed with the level of self awareness Talitha has at such a young age. She has a lot of insight into mental health and how to manage your emotions and she speaks from personal experience. You can learn more about Talitha here: www.instagram.com/talitha_eliana/...Thanks for listening! We would love your support so we can keep growing this show! Please sign up to nickbracks.com to receive a free chapter of my book. We would love you to subscribe, review, share and comment on the podcast to help us make a difference!The Move Your Mind book & Audiobook is now Available in stories Australia wide and online globally! You can find free chapters & order here: Move Your Mind Book or on my site: nickbracks.comYou can also sign up to our new Move Your Mind community group here: moveyourmind.me or here: Move Your Mind Community We have also relaunched underBRACKS with $1 from every pair going towards mental health. You can find them here: www.underbracks.comYou can find all of the other links here: https://linktr.ee/moveyourmind Hosted on Acast. See acast.com/privacy for more information.
In this episode of Good Brews Bad View we celebrate the birthday of our dear host James with Geostorm, a movie that has been on the list of potential episodes since we saw the first trailer. Therefore it is entirely fitting that James is absent and GBBV calls in Claire and Jamie for support. Jump forward to 1:50:20 for our post movie wrap up on Geostorm, our on brand beer, the movies forgettable soundtrack, disaster movies worth checking out and ones to skip, and information on fostering dogs. Get all the info about Detroit Dog Rescue >>Here
So, here's what happened. Conor and Josh both watched a dumb movie about the end of the world (Moonfall, 2022), and then watched another dumb movie about the end of the world (Geostorm, 2017), and we wanted to talk about them, and here it is. Are they good movies? Well, yes and no. Does the real science matter? Certainly not. Does Los Angeles get destroyed again? Damn right. Running Time: 00:55:47 Music: "A Hard Rain's A-Gonna Fall" Bob Dylan Learn more about your ad choices. Visit megaphone.fm/adchoices
It's time to Geostorm! After a one-week delay, we're back covering one of the worst movies about a global weather controlling satellite network of 2017, it's Geostorm, directed by frequent Roland Emmerich collaborator Dean Devlin. Jake Lawson (Gerard Butler) is a world famous satellite designer who is the creator of Dutch Boy, a satellite network tasked with controlling the weather to combat the ravages of climate change. His bad boy ways cause him to get kicked off the project, and his brother Max (Jim Sturgess) is put in charge. But, Dutch Boy causes series of freak weather occurrences so Max asks his brother to go up to the International Space Station to investigate. It turns out these aren't glitches, but something more sinister. Also starring Andy Garcia as President Andrew Palma, Ed Harris as Secretary of State Leonard Dekkom who is definitely not the bad guy, and Abbie Cornish as Secret Service Agent Sarah Wilson.
Nick and Justin get their faces dragged along things in outer space. . . Post show song: The new tune from THE WIZARD'S KEYS's upcoming spy album SNEAKING AROUND TOWN, THE BUYER BEWARE (Nunziata, Murphy, Robinson). . . . By the way, you can donate to this show in the link if you have more money than sense. . . . You can also leave a voice mail at 762-499-4802 and follow on Instagram at https://www.instagram.com/movie_microscope/ and on Twitter at http://twitter.com/PodMicroscope and can comment on these on the Trouble City message boards at http://citizens.trouble.city/showthread.php?tid=81355 . . . You can also write a 5 star review. . . . Theme music by Nick Nunziata and Steve Murphy. --- Support this podcast: https://anchor.fm/moviemicroscope/support
FORTIFY THE TORNADO SHELTER, STAY CLEAR OF THE WINDOWS & STOCK UP ON FIRE EXTINGUISHERS, IT'S DISASTER-O-CLOCK! Do you hear earthquakes and lightning? Do you hear hurricanes blowing and fear the rivers overflowing? Well, don't we all – it's called climate change. The end is coming for us all. Why not spend what time you have left listening to Gabe and returning guest Justin Clark chat about the spectacular disaster movies that predicted our current predicament? Join us for a look back at new and classic catastrophic cacophonies, including John Guillermin's The Towering Inferno (1974), Shiro Moritani's Japan Sinks (aka: Submersion of Japan, 1973), Roger Donaldson's Dante's Peak (1997), Roland Emmerich's 2012 (2009), and Dean Devlin's Geostorm (2017). 00:00 – Intro 02:48 – The Towering Inferno 31:51 – Japan Sinks 54:10 – Dante's Peak 1:13:40 – 2012 (and other Roland Emmerich movies) 1:41:37 – Geostorm 1:52:53 – Outro & other recommendations If you are in a position to make the world a better place, please consider the following fundraisers: UNHCR Pakistan Flood Relief: https://tinyurl.com/2kkaac4p Donations 4 Abortions (state by state abortion funds): https://donations4abortion.com/funds-by-state National Network of Abortion Funds: https://secure.actblue.com/donate/supportabortionfunds Transgender Legal Defense & Education Fund: https://www.transgenderlegal.org/
Don't Kill the Messenger with movie research expert Kevin Goetz
Kevin is joined by the incredibly talented screenwriter, film producer, television producer, television director, film director, and former actor Dean Devlin to discuss filmmaking and his experiences with audience test screenings.Dean DevlinDean Devlin has produced and co-written some of the most successful feature films of all time -- Independence Day, Stargate, and Godzilla -- which collectively grossed more than 1.4 billion dollars worldwide. In May of 2001, he founded Electric Entertainment, where he serves as chairman and CEO. Changing the DNA of the film, Stargate (2:00)Kevin and Dean jump right into the test screening for Stargate, and how they decided on a DNA change with that movie based on audience feedback that raised the testing numbers dramatically. They discuss the major changes to the film, which Kevin calls DNA changes, including film length, dialogue changes, pacing, and a pivotal change to the movie's villain. They also discuss behind the scenes negotiations, and the push and pull with the studio to successfully make the changes they wanted. Dean Devlin partners with Roland Emmerich (6:08)Dean talks about his partnership with Roland Emmerich, and the way they started their working relationship, a relationship that would lead to some of the highest grossing movies of all time. Dean was acting in Roland's first American film, when Dean asked to re-write some of his lines. Learn how this encounter led to their 12-year partnership.On not testing Godzilla (16:26)Dean was not able to test screen Godzilla, and he talks about what it was like watching that first screening at the back of the theater. Dean could see exactly what was wrong with the movie and talks about his frustration with knowing what was wrong, how to fix it, but not being able to do it. This was the last time Dean ever released something without testing it first.Independence Day (21:32)Dean and Kevin discuss how everything just fell into place with the movie Independence Day. From the audience cheers at the initial screen tests, to how the film changed Dean, to how a small change to a pivotal final scene brought the test score from a 92 to a 98.Testing and directing Geostorm (30:32)There are unique challenges that come from directing a film, and Dean goes into how the testing process differs from the perspective of a director versus that of a producer. Kevin and Dean discuss the heartache of knowing what needs to be changed in a movie based on the audience tests, but not being able to make those changes.Join Kevin and his guest, producer and director Dean Devlin, and learn how they successfully used audience screen testing to craft some of the highest grossing movies of all time, and enjoy some insider stories on Kevin's podcast, Don't Kill the Messenger!Host: Kevin GoetzGuest: Dean DevlinProducer: Kari CampanoFor more information about Dean's upcoming projects:Website: https://www.electricentertainment.com/Facebook: https://www.facebook.com/electricentertainment/Twitter: https://twitter.com/electricent1For more information about Kevin Goetz:Website: www.KevinGoetz360.comAudienceology Book: https://www.simonandschuster.com/books/Audience-ology/Kevin-Goetz/9781982186678Facebook, Twitter, Instagram: @KevinGoetz360Linked In @Kevin GoetzScreen Engine/ASI Website: www.ScreenEngineASI.com
How can we keep space safe? Neil deGrasse Tyson and comic-environmentalist co-host Matt Winning learn about the space industry and how we can keep debris out of orbit with aerospace engineers Jenna Tiwana and Danielle Wood, with words from Steve Wozniak. NOTE: StarTalk+ Patrons can watch or listen to this entire episode commercial-free here: https://startalkmedia.com/show/space-sustainability-with-steve-wozniak-guests/Thanks to our Patrons Sub Zero, Maury, Harrison Wilcox, Jim Langner, and JAYME HATTERSLEY for supporting us this week.Photo Credit: NOIRLab/NSF/AURA/P. Marenfeld, CC BY 4.0, via Wikimedia Commons
Armageddon, Interstellar, and The Day After Tomorrow walk into a bar. They see two brothers touch wieners while shaking the president's hand. A daughter who has a total of 3 minutes of screen time is supposed to be the emotional anchor that holds it all together. Bartender says the title of the movie half a dozen times for no reason. Everybody is confused. If you're troubled by what transpired, you might as well have watched Geostorm. A movie that defies space, time, science, and our sensibilities. Let's get into it... Daddy daughter proxy smarts! Zeus suit riots! Who holoframed Roger Rabbit?! Presidential potty mouth! Fried egg semantics! Secretive Servicing! Hidden Dutch Boy backdoor entrances, and much, much more on this week's episode of The Worst Movie Ever Made! Now in 2D and color on YouTube Every Sunday. www.theworstmovieevermade.com
In this week's episode, Merritt shares a recap of the final week of her trip to Carlsbad + some verrryyyy exciting news she learned while she was there!! She discusses one of the best meals of her life, which happens to be a fine dining situation she experienced solo. Merritt also talks through her experience with traveling and maintaining balance on longer trips, while also sharing listener tips and tricks for staying healthy on vacation. When talking about what she watched in the last week, Merritt reviews two apocalypse-themed movies and a new Netflix series about a now defunct revenge porn website run by Hunter Moore. In the Beck & Call segment, Merritt answers listener questions about big age gaps in dating, trying trends that don't always make sense for you, and taking care of designer clothes, bags and shoes. Call into the Beck & Call hotline at 214-620-0473 to ask Merritt for advice, or you can submit your questions to info@beckandcallpodcast.com! Follow along on Instagram @beckandcallpodcast for episode visual guides, audio clips and more behind-the-scenes content. You can also follow @merrittbeck for more fashion and travel content! MENTIONED IN THIS EPISODE: Herb & Wood (downtown San Diego), Waverly (Cardiff), La Valencia Hotel (La Jolla), Valentina (Encinitas), Jeune et Jolie (Carlsbad Village), Urban Crave, The Happening, Geostorm, Greenland, The Most Hated Man On The Internet (Netflix)
Parker Padgett recently joined host Elias in the cave! You can see Parker in his latest film 'ICON' as Same on August 1st across all TVOD/Digital and Blu-Ray/DVD platforms throughout North America. Young love's the topic of so many films, but rarely is it handled with earnest, authentic grace, as we see in "Icon". Anchored in the touching performances of Parker Padgett and Devon Hales, audiences will find themselves moved much like fellow beloved indie film "The Spectacular Now." When a surprise pregnancy forces Sam to face many brutal realities of adulthood and responsibility, things spiral rapidly out of control as he simultaneously tries to fight to find his own truth: why his absent father hasn't been in his life since he was one and is only a fading memory. "Icon" was inspired by a true story and stars Parker Padgett ("Surviving Lunch") and Devon Hales (Netflix's "Teenage Bounty Hunters," "Stan Against Evil"), along with Julia Denton ("The Fundamentals of Caring," "Geostorm"), Tony Demil (Succession," "Zola"), Bryce Anthony Heller ("Education in Love," "Cobra's World"), and the feature film debut of Ronald Sansone. Adapted from an award-winning short that won the presidents' award at Ringling College of Art & Design, "Icon" was filmed in Ahedo's hometown of Saint Petersburg, Florida, just prior to the pandemic. The story pulls elements from his childhood growing up in the mid 90's through the early 2000s in Florida. You can watch this interview on YouTube https://youtu.be/xyeR6nBw5Kc Have a question? Email us themccpodcast@gmail.com Follow us on Social Media for the latest show updates www.twitter.com/themccpodcast www.instagram.com/themccpodcast www.facebook.com/themancavechroniclespodcast www.themccpodcast.com www.youtube.com/c/TheManCaveChronicleswElias
Natural disaster movies, anyone? It's what Steph's been into, and Chris has THOUGHTS on the drilling in Armageddon. Additionally, a chat around RuboCop RSpec rules happens, and they answer a listener's question, "how do you get acquainted with a new code base?" This episode is brought to you by BuildPulse (https://buildpulse.io/bikeshed). Start your 14-day free trial of BuildPulse today. Greenland (https://www.imdb.com/title/tt7737786/) Geostorm (https://www.imdb.com/title/tt1981128/) San Andreas (https://www.imdb.com/title/tt2126355/) Armageddon (https://www.imdb.com/title/tt0120591/) This episode is brought to you by Airbrake (https://airbrake.io/?utm_campaign=Q3_2022%3A%20Bike%20Shed%20Podcast%20Ad&utm_source=Bike%20Shed&utm_medium=website). Visit Frictionless error monitoring and performance insight for your app stack. Become a Sponsor (https://thoughtbot.com/sponsorship) of The Bike Shed! Transcript: AD: Flaky tests take the joy out of programming. You push up some code, wait for the tests to run, and the build fails because of a test that has nothing to do with your change. So you click rebuild, and you wait. Again. And you hope you're lucky enough to get a passing build this time. Flaky tests slow everyone down, break your flow, and make things downright miserable. In a perfect world, tests would only break if there's a legitimate problem that would impact production. They'd fail immediately and consistently, not intermittently. But the world's not perfect, and flaky tests will happen, and you don't have time to fix all of them today. So how do you know where to start? BuildPulse automatically detects and tracks your team's flaky tests. Better still, it pinpoints the ones that are disrupting your team the most. With this list of top offenders, you'll know exactly where to focus your effort for maximum impact on making your builds more stable. In fact, the team at Codecademy was able to identify their flakiest tests with BuildPulse in just a few days. By focusing on those tests first, they reduced their flaky builds by more than 68% in less than a month! And you can do the same because BuildPulse integrates with the tools you're already using. It supports all of the major CI systems, including CircleCI, GitHub Actions, Jenkins, and others. And it analyzes test results for all popular test frameworks and programming languages, like RSpec, Jest, Go, pytest, PHPUnit, and more. So stop letting flaky tests slow you down. Start your 14-day free trial of BuildPulse today. To learn more, visit buildpulse.io/bikeshed. That's buildpulse.io/bikeshed. CHRIS: Hello and welcome to another episode of The Bike Shed, a weekly podcast from your friends at thoughtbot about developing great software. I'm Chris Toomey. STEPH: And I'm Steph Viccari. CHRIS: And together, we're here to share a bit of what we've learned along the way. So, Steph, what's new in your world? STEPH: Hey, Chris. So I've been watching more movies lately. So evenings aren't always great; I don't always feel good being around 33 weeks pregnant now. Evenings I can be just kind of exhausted from the day, and I just need to chill and prop my feet up and all that good stuff. And I've been really drawn to natural disaster like end-of-the-world-type movies, and I'm not sure what that says about me. But it's my truth; it's where I'm at. [chuckles] I watched Greenland recently, which I really enjoyed. I feel like they ended it well. I won't share any spoilers, but I feel like they ended it well. And they didn't take an easy shortcut out that I kind of thought that they might do, so that one was enjoyable. Geostorm, I watched that one just last night. San Andreas, I feel like that's one that I also watched recently. So yeah, that's what's new in my world, you know, your typical natural disaster end-of-the-world flicks. That's my new evening hobby. CHRIS: I feel like I haven't heard of any of the three that you just listed, which is wild to me because this is a category that I find enthralling. STEPH: Well, definitely start with Greenland. I feel like that one was the better of the three that I just mentioned. I don't know Geostorm or San Andreas which one you would prefer there. I feel like they're probably on par with each other in terms of like you're there for entertainment. We're not there to judge and be hypercritical of a storyline. You're there purely for the visual effects and for the ride. CHRIS: Gotcha. Interesting. So quick question then, since this seems like the category you're interested in, Armageddon or Deep Impact? STEPH: Ooh, I'm going to have to walk through the differences because I always get those mixed up. Armageddon is where they take Bruce Willis up to an asteroid, and they have to drill and drop a nuke, right? CHRIS: They sure do. STEPH: [laughs] And then what's Deep Impact about? I guess the fact that I know Armageddon better means I'm favoring that one. I can't place what...how does Deep Impact go? CHRIS: Deep Impact is just there's an asteroid coming, and it's the story and what the people do. So it's got less...it doesn't have the same pop. I believe Armageddon was a Michael Bay movie. And so it's got that Michael Bay special bit of something on it. But the interesting thing is they came out the same year; I want to say. It's one of those like Burger King and McDonald's being right next door to each other. It's like, what are you doing there? Why are you...like, asteroid devastation movies two of you at the same time, really? But yeah, Armageddon is the correct answer. Deep Impact is like a fine movie, but Armageddon is like, all right, we're going to have a movie about asteroids. Let's really go for it. Blow it out. Why not? STEPH: Yeah, I'm with you. Armageddon definitely sticks out in my memory, so I'd vote that one. Also, for your other question that you didn't ask, but you kind of implicitly asked, I'm going to go McDonald's because Burger King fries are trash, and also, McDonald's has better ice cream cones. CHRIS: Okay, so McDonald's fries. Oh no, I was thinking Wendy's, get a frosty from there, and then you make that combination because the frostys are great. STEPH: Oh yeah, that's a good combo. CHRIS: And you need the french fries to go with it, but then it's a third option that I'm introducing. Also, this wasn't a question, but I want to loop back briefly to Armageddon because it's an important piece of cinema. There's a really great...like it's DVD commentary, and it's Ben Affleck talking with Michael Bay about, "Hey, so in the movie, the premise is that the only way to possibly get this done is to train a bunch of oil drillers to be astronauts. Did we consider it all just having some astronauts learn to do oil drilling?" And Michael Bay's response is not safe for radio is how I would describe it. But it's very humorous hearing Ben Affleck describe Michael Bay responding to that. STEPH: I think they addressed that in the movie, though. They mentioned like, we're going to train them, but they're like, no, drilling is such an art and a science. There's no way. We don't have time to teach these astronauts how to drill. So instead, it's easier to teach them to be astronauts. CHRIS: Right. That is what they say in the movie. STEPH: [laughs] Okay. CHRIS: But just spending a minute teasing that one apart is like, being an astronaut is easy. You just sit in the spaceship, and it goes, boom. [laughs] It's like; actually, there's a little bit more to being an astronaut. Yes, drilling is very subtle science and art fusion. But the idea that being an astronaut [laughs] is just like, just push the go-to space button, then you go to space. STEPH: The training montage is definitely better if we get to watch people learn how to be astronauts than if we watch people learn how to drill. [laughs] So that might have also played a role. CHRIS: No question, it is the correct cinematic choice. But whether or not it's the true answer...say we were actually faced with this problem, I don't know that this is exactly how it would play out. STEPH: I think we should A/B test it. We'll have one group train to be drill experts and one group train to be astronauts, and we'll send them both up. CHRIS: This is smart. That's the way you got to do it. The one other thing that I'm going to go...you know what really grinds my gears? In the movie Armageddon, they have this robotic vehicle thing, the armadillo; I believe it's called. I know more than I thought I would remember about this movie. [chuckles] Anyway, continuing on, the armadillo, the vehicle that they use to do the drilling, has the drill arm on it that extends out and drills down into the asteroid. And it has gears on the end of it. It has three gears specifically. And the first gear is intermeshed with the second gear, which is intermeshed with the third gear, which is intermeshed with the first gear, so imagine which direction the first gear is turning, then imagine the second gear turning, then imagine the third gear turning. They can't. It's a physically impossible object. One tries to turn clockwise, and the other one is trying to go counterclockwise, and they're intermeshed. So the whole thing would just cease up. It just doesn't work. I've looked at it a bunch of times, and I want to just be wrong about this. I want to be like; I don't know what's going on. But I think the gears on the drilling machine just fundamentally at a very simple mechanical level cannot work. And again, if you're going to do it, really go for it, Michael Bay. I kind of like that, and I really hate it at the same time. STEPH: I have never noticed this. I'm intrigued. You know what? Maybe Armageddon will be the movie of choice tonight. [chuckles] Maybe that's what I'm going to watch. And I'm going to wait for the armadillo to come out so I can evaluate the gears. And I'm highly amused that this is the thing that grinds your gears are the gears on the armadillo. CHRIS: Yeah. I was a young child at the time, and I remember I actually went to Disney World, and I saw they had the prop vehicle there. And I just kind of looked up at it, and I was like, no, that's not how gears work. I may have been naive and wrong as a child, and now I've just anchored this memory deep within me. In a similar way, so I had a moment while traveling; actually, that reminded me of something that I said on a recent podcast episode where I was talking about names and pronunciation. And I was like, yeah, sometimes people ask me how to pronounce my name. And I can't imagine any variation. That was the thing I was just wrong about because 'Toomay' is a perfectly reasonable pronunciation of my name that I didn't even think... I was just so anchored to the one truth that I know in the world that my name is Toomey. And that's the only possible way anyone could pronounce it. Nope, totally wrong. So maybe the gears in Armageddon actually work really, really well, and maybe I'm just wrong. I'm willing to be wrong on the internet, which I believe is the name of the first episode that we recorded with you formally as a co-host. [chuckles] So yeah. STEPH: Yeah, that sounds true. So you're going to change the intro? It's now going to be like, and I'm Chris 'Toomay'. CHRIS: I might change it each time I come up with a new subtle pronunciation. We'll see. So far, I've got two that I know of. I can't imagine a third, but I was wrong about one. So maybe I'm wrong about two. STEPH: It would be fun to see who pays attention. As someone who deeply values pronouncing someone's name correctly, oh my goodness, that would stress me out to hear someone keep pronouncing their name differently. Or I would be like, okay, they're having fun, and they don't mind how it gets pronounced. I can't remember if we've talked about this on air but early on, I pronounced my last name differently for like one of the first episodes that we recorded. So it's 'Vicceri,' but it could also be 'Viccari'. And I've defaulted at times to saying 'Viccari' because people can spell that. It seems more natural. They understand it's V-I-C-C-A-R-I. But if I say 'Vicceri', then people want to add two Rs, or they want a Y. I don't know why it just seems to have a difference. And so then I was like, nope, I said it wrong. I need to say it right. It's 'Vicceri' even if it's more challenging for people. And I think Chad Pytel had just walked in at that moment when I was saying that to you that I had said my name differently. And he's like, "You can't do that." And I'm like, "Well, I did it. It's already out there in the world." [laughs] But also, I'm one of those people that's like, Viccari, 'Vicceri' I will accept either. In a slightly different topic and something that's going on in my world, there was a small win today with a client team that I really appreciated where someone brought up the conversation around the RuboCop RSpec rules and how RuboCop was fussing at them because they had too many lines in their test example. And so they're like, well, they're like, I feel like I'm competing, or I'm working against RuboCop. RuboCop wants me to shorten my test example lines, but yet, I'm not sure what else to do about it. And someone's like, "Well, you could extract more into before blocks and to lets and to helpers or things like that to then shorten the test. They're like, "But that does also work against readability of the test if you do that." So then there was a nice, short conversation around well, then we really need more flexibility. We shouldn't let the RuboCop metrics drive us in this particular decision when we really want to optimize for readability. And so then it was a discussion of okay, well, how much flexibility do we add to it? And I was like, "Well, what if we just got rid of it? Because I don't think there's an ideal length for how long your test should be. And I'd rather empower test authors to use all the space that they need to show their test setup and even lean into duplication before they extract things because this codebase has far more dry tests than they do duplication concerns. So I'd rather lean into the duplication at this point." And the others that happened to be in that conversation were like, "Yep, that sounds good." So then that person issued a PR that then removed the check for that particular; how long are the examples? And it was lovely. It was just like a nice, quick win and a wonderful discussion that someone had brought up. CHRIS: Ooh, I like that. That sounds like a great conversation that hit on why do we have this? What are the trade-offs? Let's actually remove it. And it's also nice that you got to that place. I've seen a lot of folks have a lot of opinions in the past in this space. And opinions can be tricky to work around, and just deeply, deeply entrenched opinions is the thing that I find interesting. And I think I'm increasingly in the space of those sort of, thou shalt not type linter rules are not ideal in my mind. I want true correctness checks that really tell some truth about the codebase. Like, we still don't have RuboCop on our project at Sagewell. I think that's true. Yeah, that's true. We have ESLint, but it's very minimal, what we have configured. And they more are in the what we deem to be true correctness checks, although that is a little bit of a blurry line there. But I really liked that idea. We turn on formatters. They just do the thing. We're not allowed to discuss the formatting, with the exception of that time that everybody snuck in and switched my 80-line length to a 120-line length, but I don't care. I'm obviously not still bitter about it. [chuckles] And then we've got a very minimal linting layer on top of that. But like TypeScript, I care deeply, and I think I've talked in previous episodes where I'm like, dial up the strictness to 14 because TypeScript tends to tell me more truths I find, even though I have to jump through some hoops to be like TypeScript, I know that this is fine, but I can't prove it. And TypeScript makes me prove it, which I appreciate about it. I also really liked the way you referred to RSpec's feedback to you was that RSpec was fussing at you. That was great. I like that. I'm going to internalize that. Whenever a linter or type system or anything like that when they tell me no, I'm going to be like, stop fussing, nope, nope. [chuckles] STEPH: I don't remember saying that, but I'm going to trust you that that's what I said. That's just my true southern self coming through on the mic, fussing, and then go get a biscuit, and it'll just be a delightful day. CHRIS: So if I give RuboCop a biscuit, it will stop fussing at me, potentially? STEPH: No, the biscuit is just for you. You get fussed at; you go get a biscuit. It makes you feel better, and then you deal with the fussing. CHRIS: Sold. STEPH: Fussing and cussing, [laughs] that's most of my work life lately, fussing and cussing. [laughs] CHRIS: And occasional biscuits, I hope. STEPH: And occasional biscuits. You got it. But that's what's new in my world. What's going on in your world? CHRIS: Let's see. In my world, it's a short week so far. So recording on Wednesday, Monday was a holiday. And I was out all last week, which very much enjoyed my vacation. It was lovely. Went over to Europe, hung out there for a bit, some time in Paris, some time in Amsterdam, precious little time on a computer, which is very rare for me. So it was very enjoyable. But yeah, back now trying to just get back into the swing of things. Thankfully, this turned out to be a really great time to step away from the work for a little while because we're still in this calm before the storm but in a good way is how I would describe it. We have a major facet of the Sagewell platform that we are in the planning modes for right now. But we need to get a couple of different considerations, pick a partner vendor, et cetera, that sort of thing. So right now, we're not really in a position to break ground on what we know will be a very large body of work. We're also not taking on anything else too big. We're using this time to shore up a lot of different things. As an example, one of the fun things that we've done in this period of time is we have a lot of webhooks in the app, like a lot of webhooks coming into the app, just due to the fact that we're an integration of a lot of services under the hood. And we have a pattern for how we interact with and process, so we actually persist the webhook data when they come in. And then we have a background job that processes and watch our pattern to make sure we're not losing anything and the ability to verify against our local version, and the remote version, a bunch of different things. Because turns out webhooks are critical to how our app works. And so that's something that we really want to take very seriously and build out how we work with that. I think we have eight different webhook integrations right now; maybe it's more. It's a lot. And with those, we've implemented the same pattern now eight times; I want to say. And in squinting at it from a distance, we're like; it is indeed identically the same pattern in all eight cases or with the tiniest little variation in one of them. And so we've now accepted like, okay, that's true. So the next one of them that we introduced, we opted to do it in a generic way. So we introduced the abstraction with the next iteration of this thing. And now we're in a position...we're very happy with what we ended up with there. It's like the best of all of the other versions of it. And now, the plan will be to slowly migrate each of the existing ones to be no longer a unique special version of webhook processing but use the generic webhook processing pattern that we have in the app. So that's nice. I feel good about how long we waited as well because it's like, we have webhooks. Let's introduce the webhook framework to rule them all within our app. It's like, no, wait until you see. Check and make sure they are, in fact, the same and not just incidental duplication. STEPH: I appreciate that so much. That's awesome. That sounds like a wonderful use of that in-between state that you're in where you still got to make progress but also introduce some refactoring and a new concept. And I also appreciate how long you waited because that's one of those areas where I've just learned, like, just wait. It's not going to hurt you. Just embrace the duplication and then make sure it's the right thing. Because even if you have to go in and update it in a couple of places, okay, sure, that feels a little tedious, but it feels very safe too. If it doesn't feel safe...I could talk myself back and forth on this one. If it doesn't feel safe, that's a different discussion. But if you're going through and you have to update something in a couple of different places, that's quick. And sure, you had to repeat yourself a little bit, but that's fine. Versus if you have two or three of something and you're like, oh, I immediately must extract. That's probably going to cause more pain than it's worth at this point. CHRIS: Yeah, exactly, exactly that. And we did get to that place where we were starting to feel a tiny bit of pain. We had a surprising bit of behavior that when we looked at it, we were like, oh, that's interesting, because of how we implemented the webhook pattern, this is happening. And so then we went to fix it, but we were like, oh, it would actually be really nice to have this fixed across everything. We've had conversations about other refinements, enhancements, et cetera; that we could do in this space. That, again, would be really nice to be able to do holistically across all of the different webhook integration things that we have. And so it feels like we waited the right amount of time. But then we also started to...we're trying to be very responsive to the pressure that the system is pushing back on us. As an aside, the crispy Brussels snack hour and the crispy Brussels work lunch continue to be utterly fantastic ways in which we work. For anyone that is unfamiliar or hasn't listened to episodes where I rambled about those nonsense phrases that I just said, they're basically just structured time where the engineering team at Sagewell looks at and discusses higher-level architecture, refactoring, developer experience, those sort of things that don't really belong on the core product board. So we have a separate place to organize them, to gather them. And then also, we have a session where we vote on them, decide which ones feel important to take on but try and make sure we're being intentional about how much of that work we're taking on relative to how much of core product work and try and keep sort of a good ratio in between the two. And thus far, that's been really fantastic and continues to be, I think, really effective. And also the sort of thing that just keeps the developer team really happy. So it's like, I'm happy to work in this system because we know we have a way to change it and improve it where there's pain. STEPH: I like the idea of this being a game show where it's like refactor island, and everybody gets together and gets to vote which refactor stays or gets booted off the island. I'm also going to go back and qualify something I said a moment ago, where if something feels safe in terms of duplication, where it starts to feel unsafe is if there's like an area that you forgot to update because you didn't realize it's duplicated in several areas and then that causes you pain. Then that's one of those areas where I'll start to say, "Okay, let's rethink the duplication and look to dry this up." CHRIS: Yep, indeed. It's definitely like a correction early on in my career and overcorrection back and trying to find that happy medium place. But as an aside, just throwing this out there, so webhooks are an interesting space. I wish it were a more commoditized offering of platforms. Every vendor that we're integrating with that does webhooks does it slightly differently. It's like, "Oh, do you folks have retries?" They're like, "No." It's like, oh, what do you mean no? I would love it if you had retries because, I don't know, we might have some reason to not receive one of them. And there's polling, and there are lots of different variations. But the one thing that I'm surprised by is that webhook signing I don't feel like people take it serious enough. It is a case where it's not a huge security vulnerability in your app. But I was reading someone who is a security analyst at one point. And they were describing sort of, I've done tons of in-the-code audits of security practices, and here are the things that I see. And so it's the normal like OWASP Top 10 Cross-Site Request Forgery, and SQL injection, and all that kind of stuff. But one of the other ones he highlighted is so often he finds webhooks that are not verified in any way. So it's just like anyone can post data into the system. And if you post it in the right shape, the system's going to do some stuff. And there's no way for the external system to enforce that you properly validate and verify a webhook coming in, verify that payload. It's an extra thing where you do the checksum math and whatnot and take the signature header. I've seen somewhere they just don't provide it. And it's like, what do you mean you don't provide it? You must provide it, please. So it's either have an API key so that we have some way to verify that you are who you say you are or add a signature, and then we'll calculate it. And it's a little bit of a dance, and everybody does it different, but whatever. But the cases where they just don't have it, I'm like, I'm sorry, what now? You're going to say whom? But yeah, then it's our job to definitely implement that. So this is just a notice out there to anyone that's listening. If you got a bunch of webhook handling code in your app, maybe spot-check that you're actually verifying the payloads because it's possible that you're not. And that's a weird, very open hole in the side of your application. STEPH: That's a really great point. I have not worked with webhooks recently. And in the past, I can't recall if that's something that I've really looked at closely. So I'm glad you shared that. CHRIS: It's such an easy thing to skip. Like, it's one of those things that there's no way to enforce it. And so, I'd be interested in a survey that can't be done because this is all proprietary data. But what percentage of webhook integrations are unverified? Is it 50%? Is it 10%? Is it 100%? It's definitely not 100. But it's somewhere in there that I find interesting. It's not a terribly exploitable vulnerability because you have to have deep knowledge of the system. In order to take advantage of it, you need to know what endpoint to hit to, what shape of data to send because otherwise, you're probably just going to cause an error or get a bunch of 404s. But like, it's, I don't know, it's discoverable. And yeah, it's an interesting one. So I will hop off my webhook soapbox now, but that's a thought. MIDROLL AD: Debugging errors can be a developer's worst nightmare...but it doesn't have to be. Airbrake is an award-winning error monitoring, performance, and deployment tracking tool created by developers for developers, that can actually help you cut your debugging time in half. So why do developers love Airbrake? Well, it has all of the information that web developers need to monitor their application - including error management, performance insights, and deploy tracking! 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You literally have nothing to lose. So head on over to airbrake.io/try/bikeshed to create your FREE developer account today! CHRIS: But now that I'm off my soapbox, I believe we have a topic that was suggested. Do you want to provide a little bit of context here, Steph? STEPH: Yeah, I'd love to. So this came up when I was having a conversation with another thoughtboter. And given that we change projects fairly frequently, on the Boost team, we typically change projects around every six months. They asked a really thoughtful question that was "How do you get acquainted with a new codebase? So given that you're changing projects so often, what are some of the tips and tricks for ways that you've learned to then quickly get up to speed with a new codebase?" Because, frankly, that is one of the thoughtbot superpowers is that we are really good at onboarding each other and then also getting up to speed with a new team, and their processes, and their codebase. So I have a couple of ideas, and then I'd love to hear some of your thoughts as well. So I'll dive in with a couple. So the first one, this one's frankly my favorite. Like day one, if there's a team where I'm joining and they have someone that can walk me through the application from the users' perspective, maybe it's someone that's in sales, or maybe it's someone on the product team, maybe it's a recording that they've already done for other people, but that's my first and favorite way to get to know an application. I really want to know what are users experience as they're going through this app? That will help me focus on the more critical areas of the application based on usage. So if that's available, that's fabulous. I'm also going to tailor a lot of this more to like a Rails app since that's typically the type of project that I'm onboarding to. So the other types of questions that I like to find answers to are just like, what's my top-level structure? Like to look through the app and see how are things organized? Chris, you've mentioned in a previous episode where you have your client structure that then highlights all the third-party clients that you're working with. Are we using engines in the app? Is there anything that seems a bit more unique to that application that I'm going to want to brush up on or look into? What's the test coverage like? Do they have something that's already highlighting how much test coverage they have? If not, is there something that then I can run locally that will then show me that test coverage? I also really like to look at the routes file. That's one of my other favorite places because that also is very similar to getting an overview of the product. I get to see more from the user perspective. What are the common resources that people are going to, and what are the domain topics that I'm working with in this new application? I've got a couple more, but I'm going to pause there and see how you get acquainted with a new app. CHRIS: Well, unsurprisingly, I agree with all of those. We're still searching for that dare to disagree beyond Pop-Tarts and IPAs situation. To reiterate or to emphasize some of the points you made, the sales demo thing? I absolutely love that one because, yes, absolutely. What's the most customer-centric point of view that I can have? Can I then login to a staging version of the site so I can poke around and hopefully not break anything or move real money or anything like that? But understanding why is this thing, not in code, but in actual practical, observable, intractable software? Beyond that, your point about the routes, absolutely, that's one of my go-to's, although the routes there often is so much in the routes, and it's like some of those may actually be unused. So a corollary to the routes where available if there's an APM tool like Scout, or New Relic, or something like that, taking a look at that and seeing what are the heavily trafficked endpoints within this app? I like to think about it as the entry points into this codebase. So the routes file enumerates all of them, but some of them matter, and some of them don't. And so, an APM tool can actually tell you which are the ones that are seeing a ton of traffic. That's a really interesting question for me. Similarly, if we're on Heroku, I might look is there a scheduler? And if so, what are the tasks that are running in the background? That's another entry point into the app. And so I like to think about it from that idea of entry points. If it's not on Heroku, and then there's some other system, like, I've used Cronic. I think it's Cronic, Whenever the Cron thing. Whenever, that's what it is, the Whenever gem that allows you to implement that, but it's in a file within the codebase, which as an aside, I really love that that's committed and expressive in the code. Then that's another interesting one to see. If it's more exotic than that, I may have to chase it down or ask someone, but I'll try and find what are all of the entry points and which are the ones that matter the most? I can drill down from there and see, okay, what code then supports these entry points into the application? I want to give an answer that also includes something like, oh, I do fancy static analysis in the codebase, and I do a churn versus complexity graph, and I start to...but I never do that, if we're being honest. The thing that I do is after that initial cursory scan of the landscape, I try and work on something that is relatively through the layers of the app, so not like, oh, I'll fix the text in a button. But like, give me something weird and ideally, let me pair with someone and then try and move through the layers of the app. So okay, here's our UI. We're rendering in this way. The controllers are integrated in this way, et cetera. This is our database. Try and get through all the layers if possible to try and get as holistic of a view of how the application works. The other thing that I think is really interesting about what you just said is you're like, I'm going to give some answers that are somewhat specific to a Rails app. And that totally makes sense to me because I know how to answer this in the context of a Rails app because those organizational patterns are so useful that I can hop into different Rails apps. And I've certainly seen ones that I'm like, this is odd and unfamiliar to me, but most of them are so much more discoverable because of that consistency. Whereas I have worked on a number of React apps, and every single one I come into, I'm like, okay, wait, what are we doing? How are we doing state management? What's the routing like? Are we server-side rendering, are we not? And it is a thing that...I see that community really moving in the direction of finding the meta frameworks that stitch the pieces together and provide more organizational structure and answer more of the questions out of the box. But it continues to be something that I absolutely love about Rails is that Rails answers so many of the questions for me. New people joining the team are like, oh, it's a Rails app, cool. I know how to Rails, and we get to run with that. And so that's more of a pitch for Rails than an answer to the question, but it is a thing that I felt in answering this question. [laughs] But yeah, those are some thoughts. But interested, it sounds like you had some more as well. I would love to hear what else was in your mind when you were thinking about this. STEPH: I do. And I want to highlight you said some really wonderful things. One that really stuck out to me that I had not considered is using Scout APM to look at heavily-trafficked endpoints. I have that on my list in regards as something that I want to know what's my error tracking, observability. Like, if I break something or if you give me a bug ticket to work on, what am I going to use? How am I going to understand what's going wrong? But I hadn't thought of it in terms of seeing which endpoints are heavily used. So I really liked that one. I also liked how you highlighted that you wish you'd do something fancy around doing a churn versus complexity kind of graph because I thought of that too. I was like, oh, that would be such a nice answer. But the truth is I also don't do that. I think it's all those things. I think it would be fun to make it easy. So I do that with new applications. But I agree; I typically more just dive in like, hey, give me a ticket. Let me go from there. I might do some simple command-line checking. So, for example, if I want to look through app models, let's find out which model is the largest. I may look for that to see do we have a God object or something like that? So I may look there. I just want to know how long are some of these files? But I also don't use a particular tool for that churn versus complexity. CHRIS: I think you hit the nail on the head with like, I wish that were easier or more in our toolset. But here on The Bike Shed, we tell the truth. And that is aspirational code flexing that we do not yet have. But I agree, that would be a really nice way to explore exactly what you're describing of, like, who are the God models? I'll definitely do that check, but not some of the more subtle and sophisticated show me the change over time of all these...like nah, that's not what I'm doing, much as I would like to be able to answer that way. STEPH: But it also feels like one of those areas like, it would be nice, but I would be intrigued to see how much I use that. That might be a nice anecdote to have. But I find the diving into the codebase to be more fruitful because I guess it depends on what I'm really looking at. Am I looking to see how complicated of a codebase this is? Because then I need to give more of a high-level review to someone to say how long I think it's going to take for me to work on a particular feature or before I'm joining a team, like, who do I think are good teammates that would then enjoy working on this application? That feels like a very different question to me versus the I'm already part of the team. I'm here. We're going to have complexity and churn. So I can just learn some of that over time. I don't have to know that upfront. Although it may be nice to just know at a high level, say like, okay, if I pick up a ticket, and then I look at that churn and complexity, to be like, okay, my ticket falls right smack-dab in the middle of that. So it's going to be a fun first week. That could be a fun fact. But otherwise, I'm not sure. I mean, yeah, I'd be intrigued to see how much it helps me. One other place that I do browse is I go to the gem file. I'm just always curious, what do people have in their tool bag? I want to see are there any gems that have been pulled in that are helping the team process some deprecated behavior? So something that's been pulled out of Rails but then pulled into a separate gem. So then that way, they don't have to upgrade just yet, or they can upgrade but then still keep some of that existing old deprecated behavior. That kind of stuff is interesting to me. And also, you called it earlier pairing. That's my other favorite way. I want to hear how people talk about the codebase, how they navigate. What are they frustrated by? What brings them joy? All of that is really helpful too. I think that covers all the ways that I immediately will go to when getting acquainted with a new codebase. CHRIS: I think that covers most of what I have in mind, although the question is framed in an interesting way that I think really speaks to the consultant mindset. How do I get acquainted with a new codebase? But if you take the question and flip it around sort of 180 degrees, I think the question can be reframed as how does an organization help people onboard into a codebase? And so everything we just described are like, here's what I do, here's how I would go about it, and pairing starts to get to collaboration. I think we've talked in a number of episodes about our thoughts on onboarding and being intentional with that, pairing people up. A lot of things we described it's like, it's ideal actually if the organization is pushing this. And you and I both worked as consultants for long enough that we're really in the mindset of like, all right, let's assume I'm just showing up. There's no one else there. They give me a laptop and no documentation and no other humans I'm allowed to talk to. How do I figure this out and get the next feature out to production? And ideally, it's something slightly better than that that we experience, but we're ready for whatever it is. Versus, most people are working within the context of an organization for a longer period of time. And most organizations should be thinking about it from the perspective of how do I help the new hires come into this codebase and become effective as quickly as possible? And so I think a lot of what we said can just be flipped around and said from the other way, like, pair them up, put them on a feature early, give them a walkthrough of the codebase, give them a sales-centric demo. Yeah, I feel equally about those things when said from the other side, but I do want to emphasize that this shouldn't be you're out there in the middle of the jungle with only a machete, and you got to figure out this codebase. Ideally, the organization is actually like, no, no, we'll help you. It's ours, so we know it. We can help you find the weird stuff. STEPH: That's a really nice distinction, though, because you're right; I hadn't really thought about this. I was thinking about this from more of the perspective of you're out in the jungle with a machete, minus we did mention pairing in there [laughs] and maybe a demo. I was approaching it more from you're isolated or more solo and then getting accustomed to the codebase versus if you have more people to lean on. But then that also makes me think of all the other processes that I didn't mention that I would include in that onboarding that you're speaking of, of like, how does this team work in terms of where do I push my code? What hooks are going to run? And then what do I wait for? How many people need to review my code? There are all those process-y questions that I think would ideally be included on the onboarding. But that has happened before, I mean, where we've joined projects, and it's been like, okay, good luck. Let us know if you need anything. And so then you do need those machete skills to then start hacking away. [laughs] CHRIS: We've been burned before. STEPH: They come in handy. [laughs] So when you are in that situation, and there's a comet that's coming to destroy earth, and there's a Rails application that is preventing this big doomsday, the question is, do you take astronauts and train them to be Rails experts, or do you take Rails developers and train them to be astronauts? I think that's the big question. CHRIS: What would Michael Bay do? STEPH: On that note, shall we wrap up? CHRIS: Let's wrap up. The show notes for this episode can be found at bikeshed.fm. STEPH: This show is produced and edited by Mandy Moore. CHRIS: If you enjoyed listening, one really easy way to support the show is to leave us a quick rating or even a review on iTunes, as it really helps other folks find the show. STEPH: If you have any feedback for this or any of our other episodes, you can reach us at @_bikeshed or reach me on Twitter @SViccari. CHRIS: And I'm @christoomey. STEPH: Or you can reach us at hosts@bikeshed.fm via email. CHRIS: Thanks so much for listening to The Bike Shed, and we'll see you next week. ALL: Byeeeeeeeeee!!!!!!!! ANNOUNCER: This podcast was brought to you by thoughtbot. thoughtbot is your expert design and development partner. Let's make your product and team a success.
Act One Podcast - Episode 33 - Interview with Screenwriter, Paul Guyot.PAUL GUYOT has written and produced more than 200 hours of television. His work includes the JJ Abrams created FELICITY, the Emmy-winning JUDGING AMY, and LEVERAGE for TNT which won back-to-back People's Choice Awards. Guyot served as Co-Executive Producer on THE LIBRARIANS, including taking over all showrunning duties for Season Two. After that he served as the Co-Executive Producer for NCIS: NEW ORLEANS -- at the time the 8th most watched series in the world. He has written pilots for multiple networks and studios including his original pitch THE BLACK 22s -- based on the true story of the first all African-American squad of detectives in St. Louis, MO -- which sold in a fierce bidding war between four networks. The series died in development hell, but Guyot retains all rights to the story and is currently developing a feature film with award-winning screenwriter Geoffrey Thorne.Guyot co-wrote the Warner Brothers feature GEOSTORM starring Gerard Butler and Andy Garcia, which grossed more than a quarter billion dollars worldwide. But don't hold it against him. His spec feature TIME BANDITS was optioned by Slated and is presently out to some of the top directors in Hollywood. Currently, Guyot is developing COLONIE 07 for French television, one of the first American screenwriters ever hired to do so. He is the author of several award-winning short stories, and his bestselling DARE TO LIVE -- a serialized story on Amazon's Kindle Vella platform -- was chosen as a Top 200 favorite out of more than 17,000 stories.In May of 2022 Guyot launched http://screenwritingtruth.com -- a website dedicated to helping emerging writers learn the truth about Hollywood and a career in screenwriting.Guyot attended the University of Arizona. In his non-writing time he enjoys cycling, golf, mechanical watches, and his quest to find the perfect old fashioned.The Act One Podcast provides insight and inspiration on the business and craft of Hollywood from a Christian perspective.Support the show
We're continuing Disaster Movie Month with the 2017 film Geostorm! We talk about an incredibly unlikable "hero", try to figure out Gerard Butler's best movie, and Kat proposes an unconventional name for this film. Brought to you in part by GhostBed. Every GhostBed product, from their mattresses to their sheets and pillows, is designed with cooling features so it's perfect if you sleep warm, which most people do. Right now, GhostBed is offering our listeners 40% off GhostBed Bundles where you get a Mattress, Adjustable Base, or 30% Off Sitewide. That is 30% off all mattresses + 2 luxury pillows; use promo code LOVE at www.ghostbed.com/love This episode brought to you in part by Framebridge. Framebridge makes it super easy and affordable to frame your favorite things, from art prints and posters to the travel photos sitting on your phone. Go to www.framebridge.com and use promo code LOVEIT to save an additional 15% off your first order. This episode brought to you in part by Best Fiends. If you're looking for a fun game to pass the time while engaging your brain and enjoying breathtaking visuals and a gripping story, your answer is Best Fiends. Engage your brain with fun puzzles and collect tons of cute characters. With over 100 million downloads, this 5-star rated mobile puzzle game is a must play! Download the 5 star-rated puzzle game, Best Fiends FREE today on the App Store or Google Play. Produced by Andrew Ivimey as part of The From Superheroes Network. Visit www.FromSuperheroes.com for more podcasts, articles, YouTube series, web comics, and more.
In this episode we have Tom's punishment review of Geostorm. Then reviews on Uncharted (movie), Moon Knight (tv), Trivial Pursuit 2 (game) AND Warzone season 3 (game). We have news and rumors in each medium as well. Lastly with Hayden away we plotted and schemed and had a Power Ranger trivia competition with the duo that hosts The Power Trip podcast. Get ready for a good laugh as we navigate this trivia. Support the show
Seit ihrem großen Durchbruch im Hitler-Drama „Der Untergang“, das vor 17 Jahren mehr als viereinhalb Millionen Besucher ins Kino lockte, zählt Alexandra Maria Lara zu den Top-Schauspielerinnen Deutschlands. Sie überzeugt sowohl in Dramen wie „Der Baader Meinhof Komplex“ oder „Der Fall Collini“ als auch in Hit-Komödien wie „Der geilste Tag“. Auch in internationalen Produktionen wie „Geostorm“ oder „The King's Man“ wird sie gerne besetzt. Im tragikomischen Roadmovie „Töchter“, das jetzt in den deutschen Kinos angelaufen ist, spielt sie neben Birgit Minichmayr und Josef Bierbichler eine Frau mit Vaterkomplex. Ich spreche mit Alexandra über Eltern-Kind-Konflikte und überhöhte Erwartungshaltungen, Übereifer in der Kindererziehung, Dankbarkeit und Elyas M'Barek, dem sie demnächst im Kino das Leben schwer machen wird. Alexandra hat mir verraten, warum ihr zurückliegendes Lebensjahrzehnt für sie voller großer Herausforderungen steckte, warum es ihr unglaublich wichtig ist, so flexibel wie möglich zu bleiben und dass sie zu oft viel zu streng mit sich selbst ist. Wenn du wissen möchtest, welcher kluge Spruch fürs Leben ihr bis heute im Kopf herumspukt, warum sie in manchen Momenten auch an Schicksal und Vorhersehung glaubt und wieso es ihr bis heute nicht leichtfällt, sich rundum selbst zu mögen, dann solltest du dir diese Folge nicht entgehen lassen. Ich wünsche dir gute und inspirierende Unterhaltung mit Alexandra Maria Lara!
It's a disaster this week as we check out the Gerard Butler film Geostorm as well as 1974's Earthquake. Thanks for listening! The Horror Returns Website: https://thehorrorreturns.com THR Patreon: https://www.patreon.com/thehorrorreturns THR Facebook: https://www.facebook.com/thehorrorreturns/ Join THR Facebook Group: https://www.facebook.com/groups/1056143707851246 THR Twitter: https://twitter.com/horror_returns?s=21&t=XKcrrOBZ7mzjwJY0ZJWrGA THR Instagram: https://instagram.com/thehorrorreturns?igshid=YmMyMTA2M2Y= SK8ER Nez Podcast Network https://www.podbean.com/pu/pbblog-p3n57-c4166 ESP Anchor Feed: https://anchor.fm/mac-nez E Society YouTube Channel https://youtube.com/channel/UCliC6x_a7p3kTV_0LC4S10A
Scott is a composer, guitarist and music editor for film and television. He has worked closely with many composers including Christophe Beck, Patrice Rushen, Joseph LoDuca, Michael Penn, Matthew Margeson, and Charles Sydnor. His compositions have appeared in numerous short films, advertisements, music libraries, and network television shows including Wrecked, Girls, The Librarians, Malcolm In The Middle, Help Me Help You, and Leverage. Scott has also had the privilege of working on many notable films such as Academy Award nominated “A Mother's Promise” 2008, “Geostorm” 2017, "Hacker" 2016, “Pay The Ghost” 2015, "Fame" 2009 as well as composing the original scores for “Crypsis” 2019, “Smile The Musical” 2017, and "Hitting on Destiny" 2011.In addition to film and television, Scott has over two decades of experience in record production. He has contributed to albums by artists such as Mick Jagger, Puddle Of Mudd, Badly Drawn Boy, Goo Goo Dolls, Blues Traveler, Dokken, Liz Phair, Ron Brown, and The Urban Jazz Network among many others. He was nominated for a Latin Grammy in 2000 for his work on Jaguares "Bajo el Azul de Tu Misterio."https://scottfranciscomusic.com/@thecareermusician@nomadsplace
Alex's guest today is the lovely Jim Sturgess who popped into the studio to talk about Season 2 of his excellent Apple TV+ series Home Before Dark, as well as look back cross his big screen career from One Day to Cloud Atlas to Across the Universe. They discussed him breaking into acting with a chance meeting in Manchester and Alex even got to talk to about that film of Jim's he loves... Geostorm!We want to reach out to our community from time to time. Mostly about latest updates on the podcast, giveaways, and inviting you to cool events. Click the links below to join our growing community.Join our monthly newsletter: https://bit.ly/JTFPodNewsletterTwitter: https://twitter.com/JTFPodInstagram: https://www.instagram.com/JTFPodYouTube: https://youtube.com/JTFPodWebsite: https://www.jtfpod.com See acast.com/privacy for privacy and opt-out information.
Dan Murrell deep dives into GEOSTORM directed by Dean Devlin. Follow Dan Twitter: http://www.twitter.com/murrelldan Instagram: http://www.instagram.com/murrelldan GET THE "GOAT" Merch: http://bit.ly/MTSGOAT Learn more about your ad choices. Visit megaphone.fm/adchoices