Podcast appearances and mentions of Linda Perhacs

durée : 00:05:13 - C'est une chanson - par : Frédéric Pommier - Actuellement en tournée pour présenter "De l'autre côté", son 3e album, elle sera le 21 mars à Sceaux, le 22 mars à Poitiers, le 20 octobre à la Cigale à Paris. Au micro de Frédéric Pommier, Laura Cahen évoque "Hey, Who Really Cares ?" de la chanteuse de musique folk psychédélique Linda Perhacs.

The first noise we hear on Christine is a bird, chirping merrily away, like it's warming up its voice. It's apropos, considering the five tunes of naturalist meditation we're about to embark on. The EP from Portland-based songwriter Canary Room, aka Maddy Heide, is one of 2021's small joys. Heide's dexterous guitar work and fluttering voice puts her alongside the bare musings of Linda Perhacs or Sibylle Baier, but with her constant gestures at the natural world, with water springing forth in nearly every lyric, Christine is most at place not with other humans, but in nature. By the end of the EP, it becomes self evident that the tuning bird at the start was getting ready to duet with Heide. We chatted with Heide below:

On this episode of Songs of Our Lives, it's Jae Soto! Her debut album, “Leave the Light On,” has quickly become one of my favorites of 2024. It's special and I can't stop listening to it. After talking a bit about that, we get into the beauty of Linda Perhacs' music, Gal Costa's infectious sounds, making interplanetary friends with The Golden Girls, Jackie Wilson taking everyone beyond, ML Buch's unique palette, Deerhoof showing that anything is possible, and she even challenged the cosmos (and broke our internet connection!) with one of her picks. Ha! This was a blast and there's so much more, too!Listen to all of Jae's picks HEREJae Soto “Leave the Light On”Jae Soto on InstagramSongs of Our Lives is a podcast series hosted by Brad Rose of Foxy Digitalis that explores the music that's made us and left a certain mark. Whether it's a song we associate with our most important moments, something that makes us cry, the things we love that nobody else does, or our favorite lyrics, we all have our own personal soundtrack. Join Foxy Digitalis on Patreon for extra questions and conversation in each episode (+ a whole lot more!)Follow Foxy Digitalis:WebsitePatreonInstagramTwitterBlueskyMastodonThe Jewel Garden

Est-ce que vous savez ce que c'est que la synesthésie ? Eh bien, il s'agit d'un phénomène neurologique qui associe deux sens entre eux. C'est intéressant, non ?Bien sûr, si je vous raconte ça, ce n'est pas pour rien, car ça a en fait à voir avec le titre de l'album qui nous intéresse aujourd'hui, Parallelograms de Linda Perhacs, même si pour en savoir plus de ce côté-là, il va bien évidemment falloir cliquer sur « lecture ». Cette américaine, née au nord de San Francisco, a en tout cas vu l'émergence des mouvements hippies et nul doute que ceux-ci ont fatalement influé sur sa vie et sur sa musique. Amoureuse de la nature et désireuse de répandre le bonheur autour d'elle, c'est presque par hasard qu'elle a fini par sortir, au début de la décennie 70, cet album qui, s'il a bidé à sa sortie, était appelé à devenir culte par la suite pour tout un tas d'admirateurs de folk qui ont offert à sa créatrice la possibilité de retenter sa chance plus de 40 ans après la parution de son premier disque. Titres diffusés durant l'émission : Delicious - Linda Perhacs Sarabande Main Title (Barry Lyndon - Music From The Soundtrack) - Georg Friedrich Händel, orchestre dirigé par Leonard Rosenman Dolphin - Linda Perhacs Paper Mountain Man - Linda Perhacs Call Of The River - Linda Perhacs Parallelograms - Linda Perhacs Chimacum Rain - Linda Perhacs Porcelain Baked-Over Cast-Iron Wedding - Linda Perhacs If You Were My Man - Linda Perhacs Hey, Who Really Cares? - Linda Perhacs Le Twitter de l'émissionLe Twitter de Fox

Linda Perhacs, Arvo Pärt, Mari Kalkun, Teitur, Nathaniel Gow, Astrig Siranossian og Marlene Dietrich smyger sig i hvid satin sammen med andre af nattens sjæle. Vært: Minna Grooss.

En 1970, la dentiste Linda Perhacs abandonne le son strident du détartrage pour la douceur de son folk inspiré. Sourire “ultra brite” assuré.

Esta semana, en Islas de Robinson, nos mecemos entre apacibles brumas psicodélicas, por una senda que va de 1969 a 1971, con un puñado de melodías hipnóticas y armonías sublimes entregadas de forma tan mágica como sencilla. Todo grandes nombres esta noche... pasen, acomódense... plácidos... serenos... sientan ustedes... Suenan: THE BEATLES - "BECAUSE" ("ABBEY ROAD", 1969) / THE PRETTY THINGS - "PARACHUTE" ("PARACHUTE", 1970) / FAMILY - "SOME POOR SOUL" ("A SONG FOR ME", 1970) / CROSBY STILLS & NASH - "GUINNEVERE" ("CROSBY, STILLS & NASH", 1969) / GRATEFUL DEAD - "ROSEMARY" ("AOXOMOXOA", 1969) / LAMBERT & NUTTYCOMBE - "BIRD SONG" ("AT HOME", 1970) / LINDA PERHACS - "CHIMACUM RAIN" ("PARALLELOGRAMS", 1970) / ROY HARPER - "ANOTHER DAY" ("FLAT, BAROQUE AND BERSERK", 1970) / DAVID BOWIE - "LETTER TO HERMIONE" ("DAVID BOWIE", 1969)/ PINK FLOYD - "A PILLOW OF WINDS" ("MEDDLE", 1971) / GENESIS - "DUSK" ("TRESPASS", 1970) / KING CRIMSON - "MOONCHILD" ("IN THE COURT OF THE CRIMSON KING", 1969) / VAN DER GRAAF GENERATOR - "OUT OF MY BOOK" ("THE LEAST WE CAN DO IS WAVE TO EACH OTHER GOODBYE", 1970) / JETHRO TULL - "WOND'RING ALOUD" ("AQUALUNG", 1971) / THIN LIZZY - "DUBLIN" (1971) Escuchar audio

Episode 133 of Pudding On The Wrist finds your host, Frozen Lazuras, spinning choice cuts from The Three O'Clock, Moonshake, Jan & Lorraine, Urusei Yatsura, Linda Perhacs, etc., etc., etc.Plus Bollywood soundtracks, Gamelan music, Northern Soul Stompers, lost psychedelic gems, and much more.

The 1970s were a great time for singer/songwriters. Many of the genres best albums were released during the decade. Which makes our job of picking just one to talk about, pretty tough. Here's where we landed: Linda Perhacs – Parallelograms (Andy)Carole King – Tapestry (Don)Billy Joel – The Stranger (Dude) What do you think of […]

LA MALLE AUX SILLONS, rediffusion pour les feignant(e)s de l'épisode consacré à Linda Perhacs, qui détient le record du monde du temps écoulé entre deux albums, 44 ans. Une histoire comme on les aime, une vie de musique folk, de l'authentique, du peace and love et du flower power, du summer of love dans un combi Volkswagen, du Jack Kerouac dans les yeux et du Thimoty Leary dans les veines. 44 ans, écoute l'incroyable histoire de Linda Perhacs.. Artiste : Linda Perhacs. Genre : folk. Oui alors je sais ce que tu vas dire, quoi !!! Du folk !!!! Mais t'es dingue !!!! Certes, mais attention, là je te parle de vrai folk, de l'authentique, et puis écoute son histoire, tout ce qu'on aime.. Époque : de 1970 à 2017, soit 47 ans, dont trois à chanter et 44 à se venger de sa mauvaise fortune en tourmentant molaires et incisives à coups de roulette rageurs.. De 1 à 10, probabilité que tu connaisses : 1. De 1 à 10, probabilité que tu me dises merci de te l'avoir fait découvrir, 7 et demi. Numéro de l'épisode : #28 redifPour l'écouter, c'est par ici si tu utilises Apple Podcasts, ici si tu utilises Deezer ou encore ici si tu utilises Spotify.Pour me contacter, pour me dire que tu as adoré (ou pas du tout mais j'y crois pas) ou encore me suggérer un artiste pour le prochain épisode, tu peux m'écrire à contact@lavoixdessillons.comGros Naze te souhaite une très bonne écoute. On se retrouve dans un prochain numéro de La Voix des Sillons, en attendant café et à la messe !Pour soutenir gratuitement le podcast :1. Abonne-toi2. Laisse-moi un avis et 5 étoiles sur Apple Podcasts, ou Spotify et Podcast Addict3. Partage ton épisode préféré à 3 personnes autour de toiEt pour le soutenir pas gratuitement :Alimenter ce podcast prend beaucoup de temps, sans compter les coûts induits. Alors, si tu prends du plaisir à écouter ces chroniques, si tu te marres, si tu apprends des choses, si tu découvres de nouveaux artistes, aide-moi à continuer, tout apport sera le bienvenu. Rendez-vous sur Tipeee ou Paypal. Tu peux aussi suivre la sortie des prochains épisodes sur mon site internet, sur ma page Facebook et sur mon compte Instagram Hébergé par Acast. Visitez acast.com/privacy pour plus d'informations.

Sommeren forsvinder lige så hurtigt som en drøm kort tid efter man er vågnet. De fleste glemmer ferien når hverdagen igen er i gang, og vupti er der næsten et helt år til det endnu engang bliver sommer. Men i "Dagdrømmer" lever sommeren året rundt. I dag til et soundtrack af Vivaldi, Mungo Jerry, Anne Marie Helger, Santo & Johnny, Poul Dissing og Linda Perhacs. Produceret for DR af Munck Studios København.

Sommeren forsvinder lige så hurtigt som en drøm kort tid efter man er vågnet. De fleste glemmer ferien når hverdagen igen er i gang, og vupti er der næsten et helt år til det endnu engang bliver sommer. Men i "Dagdrømmer" lever sommeren året rundt. I dag til et soundtrack af Vivaldi, Mungo Jerry, Anne Marie Helger, Santo & Johnny, Poul Dissing og Linda Perhacs. Produceret for DR af Munck Studios København.

Myspace discoveries, kaleidoscopic sonics, the beam shining through. The Yokohama-born, London-based producer discusses three important albums.Hinako's picks:The Knife – Silent ShoutLinda Perhacs – ParallelogramsBeverly Glenn-Copeland – Keyboard FantasiesHinako Omori's new album, a journey... is out now on Houndstooth. Check it out on Bandcamp. Hinako's website is here, and her Instagram is here.Donate to Crucial Listening on ko-fi: https://ko-fi.com/cruciallistening

Linda Perhacs détient le record du monde du temps écoulé entre deux albums, 44 ans. Une histoire comme on les aime, une vie de musique folk, de l'authentique, du peace and love et du flower power, du summer of love dans un combi volkswagen, du jack kerouac dans les yeux et du thimoty leary dans les veines. 44 ans, écoute l'incroyable histoire de Linda Perhacs. Voir Acast.com/privacy pour les informations sur la vie privée et l'opt-out.

Maybe the greatest folk duo you've ever heard, and possibly the best folk artist you haven't heard! 

Enjoy our discussion of Parallelograms! --- Support this podcast: https://podcasters.spotify.com/pod/show/three-different-ones/support

Nicole Dorsey and Face2Face host David Peck talk about her new film Black Conflux, identity and uncertainty, empathy, attitude and ego, staying present, humility in asking good questions and why what you do next really matters.Watch the film now online.TrailerFind out more about Nicole and the film here.Synopsis:“The lives of an anxious teenage girl and a troubled man converge fatefully, in Nicole Dorsey's vivid debut exploring womanhood and toxic masculinity.“Black Conflux is a constant visual delight.” –Stephen Dalton, The Hollywood ReporterSet in suburban Newfoundland in 1987, Nicole Dorsey's debut feature is a dreamy account of two converging lives.Fifteen-year-old Jackie (Ella Ballentine) is navigating the tricky transition between vulnerable adolescence and impending adulthood. The film opens with Jackie auditioning for her school choir with a gorgeous rendition of “Hey, Who Really Cares?”, by obscure early-'70s psychedelic folk singer Linda Perhacs. It's a symbolic overture for a promising young woman from a broken home. Raised by her aunt and living under the cloud of all the disappointments endured by the women in her family, Jackie finds herself giving in to internal and external pressures — partying, skipping school, and hitchhiking — in search of her own identity. Her choices leave her speeding inevitably towards Dennis (Ryan McDonald), a socially inept loner with a volatile dark streak and delusional fantasies of adoring women at his beck and call.Black Conflux is a vibrant and stunning debut, one that shies away from conventions common to small-town coming-of-age stories. Dorsey exhibits an inspiring cinematic style — both assured and mature — as she reflects on the past and her own experience. Exploring womanhood, isolation, and toxic masculinity, Black Conflux is a bracingly relevant narrative for today.”With thanks to Ravi Srinivasan and TIFFAbout Nicole:Nicole Dorsey is a Canadian film director and screenwriter, whose debut feature film, Black Conflux, premiered at the 2019 Toronto International Film Festival.The film was subsequently named to TIFF's annual year-end Canada's Top Ten list for 2019, and received a nomination for the John Dunning Best First Feature Award at the 8th Canadian Screen Awards in 2020.A native of Burlington, Ontario, she is a graduate of the film studies program at Ryerson University. She directed a number of short films prior to Black Conflux, including Ivadelle (2009), Pop the Grapes (2013), Dennis (2015), Star Princess (2015) and Arlo Alone (2018).Image Copyright and Credit: Nicole Dorsey and Band With Productions.F2F Music and Image Copyright: David Peck and Face2Face. Used with permission.For more information about David Peck's podcasting, writing and public speaking please visit his site here.With thanks to Josh Snethlage and Mixed Media Sound. See acast.com/privacy for privacy and opt-out information.

From the very first demos, the arc of the Villagers story has pointed inexorably upwards, always reaching for the higher ground, a climb like no other. In this episode Conor O'Brien joins Dónal in The Sugar Club for a discussion on some of those lofty peaks and how he got there. In-between there's a bunch of live songs as well as a run through some key points of influence from Pierro Umiliani to Dorotthy Ashby, Robert Wyatt and Linda Perhacs.   https://wearevillagers.bandcamp.com/music   https://www.patreon.com/user?u=32902440  

Welcome to the latest episode of Retrosonic Podcast "Music From The Edge of the Universe: The 5 Billion In Diamonds Story". We welcome founder members, the legendary producer and drummer with Garbage Butch Vig, Bristol UK producer Andy Jenks and UK DJ James Grillo to hear the definitive and fascinating story on how this star-studded Transatlantic project came to fruition. The band's second LP "Divine Accidents" (Make Records) was our Album of The Year 2020 and it's another imaginary soundtrack to another imaginary film - a dazzling sonic and cinematic mix of Psych Rock and Folk sounds. It features the same stellar cast of collaborators including singers Ebbot Lundberg of The Soundtrack of Our Lives, David Schelzel of The Ocean Blue, Damian O'Neill of The Undertones, Sandra Dedrick of The Free Design, singer Helen White and musicians including the Bristol Wrecking Crew of Alex Lee, Sean Cook and Damon Reece on guitars, bass and drums. The album also features new sublime contributions from James Bagshaw of British psych rockers Temples and gorgeous vocals from Martin Barnard from Jenk’s '90's combo Alpha. In this thoroughly entertaining journey through 5 Billion In Diamonds musical universe, Butch, Andy and James play and talk us through some of the many and varied influences on the 5BiD sound including John Barry, Ramases, John Carpenter, Jimmie Spheeris, The BBC Radiophonic Workshop, Michel Legrand, Linda Perhacs, Faust, Jeff Bridges and Richard Rodney Bennett. There's also a pick of their own music from both albums including the forthcoming single and a special sneak preview of the as yet unreleased vinyl-only bonus track featuring Jimmy Chamberlin from The Smashing Pumpkins. There's a comprehensive introduction to all of the 5BiD special guest musicians and vocalists and a Butch Vig edited medley of examples of their music. If all that is not enough, James tells us who is next on his special guest wish list, Andy plays a track from his new project Ree-Vo and Butch gives us an update on the new Garbage album. We even find out how TV presenter, naturalist and conservationist Chris Packham is involved with 5 Billion In Diamonds. So, sit back, relax and enjoy this very special episode, packed full of music from the edge of the universe. Please check out the feature at Retro Man Blog at the link below for further information, links, video to their current single and exclusive Paul Slattery photographs. https://retroman65.blogspot.com/2021/02/music-from-edge-of-universe-5-billion.html

Un podcast à vocation nocturne, sans limitation de styles. JSPTCQAATLN, ou en langage courant "Je suis pour tout ce qui aide à traverser la nuit" : une balade crépusculaire sur les sentiers d’un répertoire envoûtant et éclectique. Durée : 75 minutes - Laurie Anderson: From the air - Popol Vuh: Aguirre I - Meredith Monk: Atlas - Part 3: invisible light, earth seen from above - Jean-Louis Murat: Au fin fond d'une contrée - Robbie Basho: Come to me - Linda Perhacs: - spoken intro to Leonard Rosenman + Chimacum rain (demo with sounds) - Pj Harvey: Water - Mahjun: Les enfants sauvages - Brigitte Fontaine & Jacques Higelin: La grippe - Mocke: Quel est ton parcours ? - William Basinsky: All these too, I, I love - Tom Waits: Alice - Chilly Gonzales, Jarvis Cocker, Feist: Snow is falling in Manhattan - Julie Doiron: Faites de beaux rêves

Un podcast à vocation nocturne, sans limitation de styles. JSPTCQAATLN, ou en langage courant "Je suis pour tout ce qui aide à traverser la nuit" : une balade crépusculaire sur les sentiers d'un répertoire envoûtant et éclectique. Durée : 75 minutes- Laurie Anderson: From the air- Popol Vuh: Aguirre I- Meredith Monk: Atlas - Part 3: invisible light, earth seen from above- Jean-Louis Murat: Au fin fond d'une contrée- Robbie Basho: Come to me- Linda Perhacs: - spoken intro to Leonard Rosenman + Chimacum rain (demo with sounds)- Pj Harvey: Water- Mahjun: Les enfants sauvages- Brigitte Fontaine & Jacques Higelin: La grippe- Mocke: Quel est ton parcours ? - William Basinsky: All these too, I, I love - Tom Waits: Alice- Chilly Gonzales, Jarvis Cocker, Feist: Snow is falling in Manhattan- Julie Doiron: Faites de beaux rêves

In questo episodio parliamo di Linda Perhacs: igienista dentale e musicista californiana. Quarantaquattro anni di otturazioni e tre album all'attivo.In-Between è un podcast ideato, prodotto e scritto da Marta Fantin e Marina Calvaresi; Voce di Marina Calvaresi; Musiche, produzione audio e grafica di GIUNGLA; Illustrazioni di Ambra Galassi.

We continue our look into decades of music and the '70s are simply SUPER! Barely scratching the surface on how amazing the music was during these 10 years, the guys try to cover as much as they can by including an extra song each on the playlist. The '70's saw rock take over stadiums, disco in the night clubs, and the birth of Metal and Punk, just to name a few. Stay tuned for the '70's sequel as there is so much more to explore and get ready for next week as some of the acts from this decade were launched only to become megastars in the '80's.Todays Voodoo Ranger Drinking Game Word of the Episode - "Disco"Full Playlist Here:Follow Pinch Recording on Instagram:Pinch RecordingE Scott LindnerNick "The Ear" Angeloor visit us atwww.pinchrecording.comwww.escottlindner.comwww.paperhousenetwork.com

Fernando Perdomo created his first big break while living in Miami, out of the desperation he was feeling by not doing music full-time. 20 years later, he’s toured all over the world, and produced well over 100 records for others. Funny story about working with J Lo on his first session, the leap of faith he took moving to LA, his vintage guitars, working with Todd Rundgren, Echo in the Canyon, and Dexter, most important thing his mentor taught him (great lesson for all musicians), bouncing back, not comparing yourself to others and more An in-demand LA producer, singer/songwriter, and multi-instrumentalist, Fernando was part of the house band, and in the Echo In The Canyon movie. He’s worked with Todd Rungren, Linda Perhacs, Dean Ford (Marmalade), Dave Kerzner Christian Castro and others. He’s done TV music for Honda, Target, McDonalds, Goya, Dunkin' Donuts, Toyota, Shameless and Dexter, and has released 10 solo LPs in the last 4 years as a singer / songwriter and as prog rock instrumentalist Support this Show: http://www.everyonelovesguitar.com/support  Subscribe https://www.everyonelovesguitar.com/subscribe/  Facebook: https://www.facebook.com/EveryoneLovesGuitar/ Instagram: https://www.instagram.com/everyonelovesguitar/ 

Klaus Schulze, Linda Perhacs, Tigran Hamasyan. La música de las esferas. Historial de emisiones: 03/10/16 Escuchar audio

GEMAS Y HOLOGRAMAS, MALÉN DENIS recupera artistas que quedaron olvidadas o que tuvieron vidas ocultas: Hoy Linda Perhacs.

Esta semana en Islas de Robinson volvemos a caer en territorio habitual. Canciones de atmósfera evocadora ancladas entre 1969 y 1971. Suenan: MU - "AIN'T NO BLUES" ("FIRST ALBUM", 1971) / PAUL KANTNER & GRACE SLICK - "WHEN I WAS BOY I WATCHED THE WOLVES" ("SUNFIGHTER", 1971) / TIM BUCKLEY - "CHASE THE BLUES AWAY" ("BLUE AFTERNOON", 1969) / SHAWN PHILLIPS - "THE BALLAD OF CASEY DEISS" ("SECOND CONTRIBUTION", 1970) / ROY HARPER - "THE SAME OLD ROCK" ("STORMCOCK", 1971) / TIR NA NOG - "TIME IS LIKE A PROMISE" ("TIR NA NOG", 1971) / MICHAEL CHAPMAN - "KODAK GHOSTS" ("FULLY QUALIFIED SURVIVOR", 1970) / KATHY SMITH - "TRAVEL IN A CIRCLE" ("2", 1971) / JIMMIE SPHEERIS - "MONTE LUNA" ("ISLE OF VIEW", 1971) / LINDA PERHACS - "MOONS AND CATTAILS" ("PARALLELOGRAMS", 1970) / TOM RAPP / PEARLS BEFORE SWINE - "ISLAND LADY" ("... BEAUTIFUL LIES YOU COULD LIVE IN", 1971) / Escuchar audio

Linda Perhacs and her band, composed of Julia Holter Michelle Vidal, and Aaron Robinson, stopped by the dublab studio for a live performance. Perhac’s 1970 album, Parallelograms, has become a timeless classic. Tune in for a special performance by a truly unique artist and her band.   Live at dublab Radio is produced by dublab. Sound editing and theme music are by Matteah Baim. Visit dublab.com to find out more!

Linda Perhacs In Conversation with DJ Nobody Linda Perhacs sat down with DJ Nobody to discuss the reissue of her 1970 album Parallelograms. Over the course of their conversation, we get a feeling for the unique creative process that made this album such a timeless classic. Perhacs explains how Parallelograms was created not from a desire to be a professional artist or musician, but rather as an expression of her experiences with the natural world. She also shares some thoughts on using a combination of synthesizers and acoustic instruments now and where she sees her work going from here. In Conversation is produced by dublab. Sound editing and music are by Matteah Baim. Due to rights reasons music from the original broadcast has been removed. To hear more, please visit dublab.com.

L.A. Music Powerhouse, Fernando Perdomo, releases “The Golden Hour”, the perfect culmination of an amazing musical journey, evoking the past and inspiring the future. FOR RELEASE July 18, 2017 LOS ANGELES, CA - One of the most accomplished musicians on the LA scene, Fernando Perdomo has created an album that echoes the sound and feel of classic 70s singer-songwriter records. Recorded at Ardent Studios with Big Star archivist and engineer Adam Hill, “The Golden Hour” has captured the atmosphere, energy and melancholy mood of the classic Big Star albums recorded within those walls. The sound of "The Golden Hour" features the instruments and gear heard on classic albums by the iconic power pop group. The main electric guitar employed on the album is a vintage Gibson ES-330 that was owned by late Big Star founding member, Chris Bell. Perdomo also was afforded access to the original Mellotron used by Big Star, which is heard on every song on the record. From the opening piano-instrumental, "Sunset" to the inspirational closer, "Gold," vast emotional ground is covered on “The Golden Hour.” Many of the songs on the record clock in at less than 3 minutes long, wielding a measured sonic economy in a world full of overcooked pop. Only 36, Perdomo is a veteran sideman having backed up a who’s who of musical talent numbering Todd Rundgren, Jakob Dylan, Fiona Apple, Beck, Emitt Rhodes, Linda Perhacs, Cristian Castro, and more. Tallying years of experience has honed his consummate ability and robust creativity on a variety of instruments. In fact, Perdomo is a virtual one-man band on “The Golden Hour” providing all the vocals and instrumentation. Lyrically, Perdomo’s exquisitely crafted songs are infused with a finely nuanced mix of honesty and vulnerability. On "I Feel (Therefore I Am)", Perdomo sings "I've made mistakes; it can be great" which is quite the admission from a musician who sounds like a true perfectionist. On "Love Loss Repeat," he intones, "Nothing lasts forever…especially love”. Perdomo wrote every song on the record independently, save for "Look At The Moon," which is a co-write between Perdomo and Jordan Zevon, son of Warren Zevon, who was inspired to write the instrumental for a bridge while watching Perdomo play his original version of the song on Facebook Live. While in Memphis, Perdomo wrote the lyrics for the bridge resulting in the final version of “Look At The Moon”, an honest love song about venturing out with the one you love on a moonlit night. Laying down the foundation of the record at Ardent Studios, Perdomo put the finishing touches on the record at his own Reseda Ranch Studios. The album was mixed and mastered by Grammy-award-winning engineer, Zach Ziskin. “The Golden Hour” features a gorgeous album cover image by Derek Cintron. Shot before the first note of the album was recorded, the evocative cover inspired the tone for the music that followed, and the visuals truly have captured the feel of the record. The Golden Hour is here…Perfect Light, Perfect Love…Enjoy!

L.A. Music Powerhouse, Fernando Perdomo, releases “The Golden Hour”, the perfect culmination of an amazing musical journey, evoking the past and inspiring the future. FOR RELEASE July 18, 2017 LOS ANGELES, CA - One of the most accomplished musicians on the LA scene, Fernando Perdomo has created an album that echoes the sound and feel of classic 70s singer-songwriter records. Recorded at Ardent Studios with Big Star archivist and engineer Adam Hill, “The Golden Hour” has captured the atmosphere, energy and melancholy mood of the classic Big Star albums recorded within those walls. The sound of "The Golden Hour" features the instruments and gear heard on classic albums by the iconic power pop group. The main electric guitar employed on the album is a vintage Gibson ES-330 that was owned by late Big Star founding member, Chris Bell. Perdomo also was afforded access to the original Mellotron used by Big Star, which is heard on every song on the record. From the opening piano-instrumental, "Sunset" to the inspirational closer, "Gold," vast emotional ground is covered on “The Golden Hour.” Many of the songs on the record clock in at less than 3 minutes long, wielding a measured sonic economy in a world full of overcooked pop. Only 36, Perdomo is a veteran sideman having backed up a who’s who of musical talent numbering Todd Rundgren, Jakob Dylan, Fiona Apple, Beck, Emitt Rhodes, Linda Perhacs, Cristian Castro, and more. Tallying years of experience has honed his consummate ability and robust creativity on a variety of instruments. In fact, Perdomo is a virtual one-man band on “The Golden Hour” providing all the vocals and instrumentation. Lyrically, Perdomo’s exquisitely crafted songs are infused with a finely nuanced mix of honesty and vulnerability. On "I Feel (Therefore I Am)", Perdomo sings "I've made mistakes; it can be great" which is quite the admission from a musician who sounds like a true perfectionist. On "Love Loss Repeat," he intones, "Nothing lasts forever…especially love”. Perdomo wrote every song on the record independently, save for "Look At The Moon," which is a co-write between Perdomo and Jordan Zevon, son of Warren Zevon, who was inspired to write the instrumental for a bridge while watching Perdomo play his original version of the song on Facebook Live. While in Memphis, Perdomo wrote the lyrics for the bridge resulting in the final version of “Look At The Moon”, an honest love song about venturing out with the one you love on a moonlit night. Laying down the foundation of the record at Ardent Studios, Perdomo put the finishing touches on the record at his own Reseda Ranch Studios. The album was mixed and mastered by Grammy-award-winning engineer, Zach Ziskin. “The Golden Hour” features a gorgeous album cover image by Derek Cintron. Shot before the first note of the album was recorded, the evocative cover inspired the tone for the music that followed, and the visuals truly have captured the feel of the record. The Golden Hour is here…Perfect Light, Perfect Love…Enjoy!

Episode 365: August 13, 2017 playlist: The Residents, "Rest Aria" (Meet The Residents) 1974 Ralph UUUU, "Verlagerung, Verlagerung, Verlagerung" (UUUU) 2017 Editions Mego Linda Perhacs, "Parallelograms" (Parallelograms) 1970 Kapp Tuxedomoon, "In A Manner Of Speaking" (Holy Wars) 1985 Cramboy Supersilent, "13.9" (13) 2016 Smalltown Supersound Astrid and Rachel Grimes, "Le Petit Salon" (Through the Sparkle) 2017 Gizeh The Duellists, "Baba Yaga's Cat" (English Hurdy Gurdy Music) 1997 Panic ATC Fontanelle, "When the Fire Hits the Forest" (Vitamin F) 2012 Southern Lord Abul Mogard, "All This Has Passed Forever (excerpt)" (Nervous Hydra / All This Has Passed Forever) 2017 Ecstatic Lisa Germano, "Red Thread" (In The Maybe World) 2006 Young God Email podcast at brainwashed dot com to say who you are; what you like; what you want to hear; share pictures for the podcast of where you're from, your computer or MP3 player with or without the Brainwashed Podcast Playing; and win free music! We have no tracking information, no idea who's listening to these things so the more feedback that comes in, the more frequent podcasts will come. You will not be put on any spam list and your information will remain completely private and not farmed out to a third party. Thanks for your attention and thanks for listening.

Singer/songwriter extraordiaire, Chris Price returns to Pablo's Poppin' Podcast to chat about his incredible new record, "Stop Talking".  Chris is an open book about his songwriting methods and gives many untold stories about how the album was put together.  We also chat about his work with Linda Perhacs as well as his views on the music industry both on a grand scale and within the genre that we are a part of.     For more info on Chris Price and to buy "Stop Talking, visit - http://omnivorerecordings.com/music/stop-talking/Also visit - http://www.thisischrisprice.com/     Pablo's Poppin' Podcast is proudly sponsored by "Fifteen Surefire Tips for Relieving Back Pain (Plus 192 Others, Just in Case)" available to buy at Amazon  http://www.amazon.com/Fifteen-Surefire-Tips-Relieving-Others/dp/0985201770/ref=sr_1_2?ie=UTF8&qid=1462577643&sr=8-2&keywords=15+sure+fire+tips

I'm Bored (Hat & Beard Press) Jess Rotter: I'm Bored is a Gary-Larson-meets-The Muppets variety show, a terrific trip composed of drawings filled with recurring characters--ranging from walruses to wizards to life warriors, who are all, like the rest of us, seeking their daily salvation. A wizard paddles on a lonely sea, his flag proclaiming "I'm trying." An ostrich hitchhikes in the desert, holding up a sign with her destination--"Bliss." A walrus wearing an AC/DC shirt looks mellowly at the viewer underneath the refrain "I'm bored." Part art book, part comic book compilation, and partly a skeptical but loving take on those Successories motivational posters for the office, this book (designed by the artist and with a foreword by Kate and Laura Mulleavy of Rodarte) features the whimsical, wonderfully whacked-out work of artist and illustrator Jess Rotter. Informed by a deep knowledge and love for the world of 1970s rock 'n' roll, the work of Jess Rotter was inspired by her father's vinyl covers and comic books growing up. "Part Peter Max, part Fritz the cat" (as Rotter described an early aesthetic influence), Rotter's illustrations have appeared on everything from public murals to album covers (to name a few: Best Coast, Linda Perhacs, Wooden Shjips, Country Funk Volumes I & II and This Record Belongs To), and on projects for clients including MTV, Converse, Target, Red Bull, Indiewire and Lena Dunham's Lenny Letter. Her T-shirt label, Rotter and Friends (launched in 2006) resulted in collaborative capsule collections for The Gap and Urban Outfitters, and official band merchandising for acts such as the Grateful Dead, Sly Stone, Rodriguez, Big Star, Kurt Vile and more.

SUFJAN STEVENS. NO SHADE IN THE SHADOW OF THE CROSS – 2:40Carrie And Lowell, Asthmatic Kitty, 2015 LINDA PERHACS. THE SOUL OF ALL NATURAL THINGS – 5:00The Soul Of All Natural Things, Asthmatic Kitty, 2014 JULIA HOLTER. NIGHT SONG – 4:10Have You In My Wilderness, Domino, 2015 THE BEATLES. JULIA – 2:50The Beatles (White Album), […] Cet article Errance #65 : De Sufjan Stevens à Tim Buckley est apparu en premier sur Eldorado.

Esta semana o João Biscaia, a Maria Martins e o Rafael Fonseca falam do novo álbum dos SUUNS, de Linda Perhacs e ainda dão algumas sugestões culturais. Escutem-nos!

Une émission assez variée pour terminer le mois de janvier en beauté avec Bridget St-John, Linda Perhacs, Wax Idols, Nushu, Bona Dish, Neonates, The Cosmopolitains, Maximum Joy, Spray Pals, Corpses as Bedmates et Free Kitten.

Une émission assez variée pour terminer le mois de janvier en beauté avec Bridget St-John, Linda Perhacs, Wax Idols, Nushu, Bona Dish, Neonates, The Cosmopolitains, Maximum Joy, Spray Pals, Corpses as Bedmates et Free Kitten.

This edition of the Talkhouse Music Podcast features two of the more acclaimed new singer-songwriters of 2015: Jessica Pratt and Tobias Jesso, Jr. Both musicians have deep roots in the sounds of the '70s, but two very different sides of the '70s. Jesso's piano-driven debut album Goon evokes superstar '70s singer-songwriters like John Lennon, Carole King, Harry Nilsson and Elton John. But Pratt's latest album On Your Own Love Again channels a very different, much more obscure side of the Me Decade: psychedelic folk from brilliant musicians such as Linda Perhacs and Vashti Bunyan. We put these two together backstage at this summer's Pitchfork Music Festival and they covered a wide range of topics: the recent Brian Wilson bio-pic, the difference between playing solo and with a band, dealing with stage nerves and insecurity, how malfunctioning equipment can be a blessing, the interview tricks journalists try to pull on them and the wonderfulness of the Train song "Drops of Jupiter." Jesso reveals his tricks for playing as few songs as possible in his set. Pratt recounts a synopsis of the film she has seen more times than any other: The Brave Little Toaster (1987), which prompts our guests to wrestle with a most vexing question: "How weird is it for a blanket to be chasing a kid through a forest?"

1. Mark Lanegan Band (USA) - "Floor of the ocean" CD "Phantom radio" (Heavenly) 2. O Que Strada (Portugal) - "Sweet old country" CD "Atlantic Beat: Mad in Portugal" (O Sonho) 3. -M- (France) - "Mojo" CD "Il" (Barclay) 4. Archon Orchestra (Russia) - "Hope & calm" CD "Cenotaph" (Shadowplay) 5. Marc Almond (UK) - "The dancing marquis" CD "The dancing marquis" (Cherry red) 6. Marc Almond (UK) - "A comet" CD "Ten plagues" (Cherry red) 7. Linda Perhacs (USA) - "Freely" CD "The soul of all natural things" (Asthmatic kitty) 8. Korhan Futaci & Kara Orkestra (Turkey) - "Unutulmasin bu yaz" CD "Korhan Futaci & Kara Orkestra" (Unibro) 9. Olivia Louvel (UK/France) - "In my shed" CD "Beauty sleep" (Cat werk) 10. The Youth (Denmark) - "Baby, Im back" CD "Nothing but..." (Dirty water) 11. Alsara & The Nubatones (Sudan) - "Nuba noutou" CD "Silt" (Wonderwheel) 12. Sun Foot (USA) - "Recession psychonaut" CD "Purple & orange Memorial record" (Pork salad) 13. Pacifika (Canada) - "Panamericana" CD "Amor Planeta" (Six degrees) 14. Dexter (Germany) - "Witch/Room" CD "The trip" (Melting pot) 15. Archie Bronson Outfit (UK) - "We are floating" CD "Wild crush" (Domino) Страница программы на оф. сайте Сообщество программы Вконтакте

For our second podcast, we ask our friend and supporter Dj sundae to offer us a mix.he did it, and that's great. Sundae loves music and we love him! thanks!!sundae-heavenlysweetness.mp3 Tracklisting :1) Elaine Brown "Child in the world" (Motown Black Forum 1973)2) Fitz Gore "Musication" (Corba 1980)3) Stark Reality "Too much Tenderness" (Now Again 1969)4) Linda Lewis "Guffer" (Reprise 1973)5) Duke Pearson "The Moana Surf" (Blue Note 1968)6) Linda Perhacs "Porcelain Baked-over Cast-iron Wedding" (Kapp 1970)7) Dr John " Danse Kalinda Ba Doom" (ATCO 1968)8) Sun Ra "That's how I Feel" (Philly 1978)9) Hypnotic Brass Ensemble "Jupiter"(2006)10) Nick Drake "Hazey Jane I" (Island 1970)http://myspace.com/radiantchild...