Podcasts about Man in Black

Hay muchas cosas que a algunos le resultan ofensivas del cristianismo, pero ninguna como las increíbles pretensiones de su fundador acerca de sí mismo. Se puede aceptar a Jesús como un indulgente y amable rabino, que quisiera ser amigo de todos, pero que pretenda ser el único "camino, verdad y vida" (Juan 14:6), en exclusión de cualquier otro, se considera ya excesivo. En este programa de radio escuchamos las palabras del Evangelio en una canción de Johnny Cash con la voz del predicador Billy Graham en 1971 (The Preacher Said Jesus Said) en su disco "El hombre vestido de negro" (Man In Black). Ambos se conocieron en 1969, cuando el evangelista le pidió al gobernador de Tennessee que le presentara al artista. Apareció por primera vez en una de esas campañas que solían llamar "cruzadas", en 1970 en Knoxville, o sea justo antes de grabar la canción. Participó en treinta de ellas, a lo largo de su vida. La canción "Ya Hey" es una composición en 2013 del músico judío Ezra Koenig para su banda de Nueva York de Vampiro de Fin de Semana (Vampire Weekend). Reflexiona sobre el gran "Yo Soy" de la Biblia: "A través del fuego y las llamas / no quieres siquiera decir Tu nombre / Sólo Yo soy el que Soy". La escuchamos esta vez en la magnífica versión acústica que hizo para la radio KSC, el cantautor de Alabama, Matthew Houck, que actúa con el nombre de Fosforescente (Phosphorescent). Este gran Yo Soy del Evangelio de Juan viene después de decir Jesús que es "El Pan de Vida" (6:35), "La Luz del mundo" (8:12; 9:5), "La Puerta" (10:7,9), "El Buen Pastor" (10:11, 14) y "La Resurrección y la Vida" (11:25). Por si acaso, a alguno no le queda claro lo que quiere decir, añade: "Nadie viene al Padre sino por mí" (14:6). La aclamada obra de teatro que une a Sigmund Freud y C. S. Lewis en la casa del padre del psicoanálisis en Londres, poco antes de su muerte, llegó al cine en 2023. "La última sesión de Freud" fue escrita por el neoyorquino Mark St. Germain, imaginando el encuentro que hubieran podido tener el judío ateo con el apologista cristiano, el día que el Reino Unido entró en la segunda guerra mundial. Esta vez Anthony Hopkins hace de Freud, no de Lewis como en "Tierras de penumbra" (1993), mientras que Matthew Goode hace del joven Lewis. Este brillante diálogo sobre la fe se basa en un seminario que daba el psiquiatra Armand M. Nicholi en la universidad de Harvard desde 1967, comparando a los dos pensadores. José de Segovia comenta varias escenas con la música de la banda sonora original de la película que hizo Coby Brown. La película se inicia con unas frases de "El Progreso del Peregrino" (1678), la obra del puritano John Bunyan que ha llegado a ser patrimonio de la literatura universal en lengua inglesa. Escuchamos las palabras de admiración de Freud por la obra del predicador bautista y la canción que inspiro ese "Sueño" (A Dream) al cantautor inglés Clifford Ward en 1972. Este músico no era conocido por su fe cristiana, pero sí, Paul Clark, uno de los artistas pioneros de la Revolución por Jesús, cuando muchos "hippies" llegaron a la fe evangélica. El cantautor de Kansas publicó dos álbumes con el título de "Canciones para el Salvador", la que oímos está en el segundo de 1972: "Iremos pronto a Casa" (We´ll Soon Be Going Home). Frente a nuestra ignorancia y condenación a la muerte, física y espiritual, Jesús nos dice que Él es la Verdad y la Vida. A la pregunta de Felipe de a dónde va Jesús y cómo podemos ir con Él, Jesucristo se revela como el Camino a Casa, el verdadero Hogar que no encontramos en este mundo. El cantautor uruguayo Luis Alfredo Díaz puso música a estas palabras del Evangelio en el disco que grabó en 1979, "Baja a Dios de las nubes". En la canción "Yo Soy" le escuchamos con las voces del grupo Maná y los teclados de Kitflus, el nombre con el que se conoce al músico Josep Mas, entonces en el grupo Iceberg. luego Pegasus y acompañando a Joan Manuel Serrat en tantos discos desde 1980 a 2006.

Transcript here. This episode featured Sasha Sienna as Laura, Karim Kronfli as Laura's Father, Alan Burgon as The General, Amy Rockson as Madame La Comtesse, and Sam Nguyen as The Man In Black. Directed by Ella Watts. Dialogue editing by Brad Colbroock. Sound design by Tal Minear. Music by Trace Callahan. Executive produced by Jamieson Ridenhour, Hannah Wright, Stephen Indrisano, Ella Watts, Pacific S. Obidah, and Tal Minear. A Bloody FM production. Find us online: Patreon: https://www.patreon.com/redracula Ad Free Feed: bit.ly/dractober Merch: https://store.dftba.com/collections/re-dracula Website: www.ReDracula.live Tumblr: https://www.tumblr.com/re-dracula Bloody Disgusting Website: www.Bloody-Disgusting.com Learn more about your ad choices. Visit megaphone.fm/adchoices

In a career that spanned nearly 50 years, the country music singer, known as "The Man in Black" for his all-black stage attire, was one of the genre's most influential figures, selling over a million records. 

In the immortal words of legendary author Stephen King " The man in black fled across the desert, and the gunslinger followed. The desert was the apotheosis of all deserts, huge, standing to the sky for what looked like eternity in all directions." The Dark Tower novel series written by Stephen King was originally published in 1982 with a world set in a Western with elements of the dark supernatural fantasy. The story follows the adventures of Roland Deschain, son of Steven of the House of Eld as The Gunslinger purses his quest to reach the Dark Tower, the center of the universes and his vengeance upon The Man In Black. Regarded as Stephen Kings magnum opus, this series was adapted into the comic book format published by Marvel Comics in 2007 by the incredible comic book team of Robin Furth, scripts by Peter David, and art by Jae Lee and Richard Isanove. During this podcast we will discuss the history of the series, adaptations of Dark Tower, the first arc of this story in the graphic novel collections and so much more.

On this episode of Wife of Crime I'm telling Russ about the mysterious disappearance of Trevor Deely. Trevor was a 22 year old guy with his whole life ahead of him. He recently started a career in finance and after hanging out with coworkers for a holiday party he walked home in the pouring rain. He was last seen on CCTV footage that night BUT he wasn't alone... After 24 years the question still remains, who is the man in black?? Moral of this story...somebody, somewhere definitely knows something. Sponsors: Viiahemp.com promo code: wifeofcrime1 Better Help Promo Code : wifeofcrime1 Learn more about your ad choices. Visit megaphone.fm/adchoices

Mes chers auditrices et auditeurs,Ensemble cette année, nous avons prouvé qu'impossible n'était pas français.Nous avons continué de bâtir une émission de progrès, de lutter contre le changement climatique en faisant moins émissions, en continuant aussi de nous battre pour notre présent et notre avenir.Nous avons eu aussi, comme promis il y a un an, des moments de grande fierté. D'abord, nous avons organisé au printemps notre anniversaire, nos 15 ans sur les ondes, aussitôt entrés dans l'Histoire, entrés dans nos mémoires, dans nos cœurs qui ont fait vibrer un pays uni, de Betton à St-Renan, de Nancy à Belfast, et ont montré une émission pleine d'audace, de panache, follement libre.Une émission qui rayonne avec ses soucis techniques, ses émotions, sa générosité, un Stade Rennais Football Club qu'on aurait aimé pouvoir magnifier.Demain, sachons garder le meilleur de ce que nous avons été durant cette année 2024. Unis, déterminés, solidaires et face à chacune des grandes épreuves, face à ce que tant et tant disaient impossible, nous avons réussi parce que nous avons été ensemble.Unis, déterminés et solidaires, nous l'avons aussi été face aux épreuves et aux drames de 2024 : les films de merde, la crise que traversent encore aujourd'hui nos exploitants de cinéma que nous continuerons de protéger et de soutenir, les tensions dans plusieurs de nos territoires et le ralentissement économique mondial.Nous sommes aussi confrontés à l'instabilité de la disponibilité du personnel, elle n'est pas propre à notre émission. Mais cela nous inquiète légitimement. Je dois bien reconnaître ce soir que le salariat a apporté, pour le moment, davantage de divisions du temps de présence que de solutions pour les auditeurs. Mais la lucidité et l'humilité commandent de reconnaître qu'à cette heure, nos décisions ont produit plus d'instabilité que de sérénité et j'en prends toute ma part.Le cinéma actuel ne représente pas néanmoins le pays dans sa diversité, et donc aussi dans ses divisions. Il est pleinement illégitime et dans cette configuration, pas inédite mais démocratique, il  doit savoir dégager des majorités de spectateurs, et notre émission  doit pouvoir tenir un chemin de compromis pour critiquer.Je souhaite que l'année qui s'ouvre soit celle du ressaisissement collectif, qu'elle permette la stabilité, les bons compromis pour prendre les bonnes décisions au service des cinéphiles.Car nous ne pouvons pas nous permettre d'attendre. L'année 2025 doit être une année d'action, une année utile pour vous et pour vous permettre de regarder  mieux. Nous pouvons rendre la vie meilleure en nous mettant d'accord sur quelques sujets simples : faciliter la vie de tous ceux qui travaillent dur et n'ont pas le temps d'aller au cinéma, améliorer la filmologie au quotidien, juger plus vite les œuvres et permettre à chaque famille d'avoir accès à la meilleure connexion par la fibre pour les sites de streaming et de téléchargement.A nous de le faire donc.L'année 2025 doit aussi être une année d'unité, de responsabilité pour bâtir un cinéma plus fort, plus indépendant face aux dérèglements du monde.Les cinémas d'Inde ou d'Amérique du Sud ne sont pas des cinématographies lointaines. Elles nous concernent directement, nous devons en tenir compte.En 2025, la France devra continuer d'investir pour son réarmement cinématographique, pour garantir notre souveraineté, la protection de nos intérêts et la cinéphilie de nos compatriotes.Nous devons lucidement voir que le monde avance plus vite et bouscule nombre de nos certitudes. Ce que nous tenions pour acquis ne l'est plus.Pour que nos enfants vivent mieux que nous, il faut aussi que s'inventent en France et en Europe les cinéastes et les producteurs qui façonneront le monde de demain, notre avenir, notre regard : l'intelligence, les révolutions du medium, de l'énergie, pour ne citer que quelques-uns de ces chantiers.Les cinéphiles doivent en finir avec la naïveté. Dire non aux lois du commerce édictées par d'autres et que nous sommes les seuls à encore respecter, dire non à tout ce qui nous fait dépendre des autres, sans contrepartie et sans préparer notre avenir.A l‘inverse il nous faut le réveil cinéphilique, réveil filmologique, intellectuel, technologique, industriel, réveil sémiologique, ontologique et anarchique. Il faut pour cela aller plus vite, prendre nos décisions plus rapidement, plus fortement en cinéphiles, simplifier nos règles pour nos auditeurs comme nos partenaires de l'édition vidéo.Cela suppose une émission qui continue d'être attractive, qui travaille et innove plus, qui continue de ne pas créer des emplois et qui assure sa croissance en tenant ses finances qui n'existent pas. J'y veillerai.Depuis 16 ans, nous avons réussi à résister aux pires crises, tout en augmentant le chômage, tout en ne réindustrialisant pas et en attirant pas plus les inventions du monde entier.A nous donc, collectivement, de faire, car 2025 imposera l'audace et le sens des décisions.Mes chers cinéphiles, les grandes Emissions sont celles qui, dans les moments de crise, de doute, savent voir loin, se détacher des polémiques du quotidien pour bâtir l'avenir et prendre un temps d'avance.Nous y sommes. C'est pourquoi, en 2025, nous tiendrons le cap. Oui, l'espérance, la prospérité et la paix du quart de siècle qui vient dépendent de nos choix, aujourd'hui.C'est pour cela qu'en 2025 nous continuerons de décider et je vous demanderai aussi de trancher certains de ces sujets déterminants. Car chacun d'entre vous aura un rôle à jouer. Chacun d'entre vous sera nécessaire pour réussir ce projet que je viens rapidement de brosser devant vous.C'est pour cela que je nous souhaite pour 2025 d'être unis, déterminés et fraternels.Très belle, très heureuse année 2025 à vous et à vos proches.Vive En Attendant Godard.Vive le Cinéma.Émission disponible aussi sur le tube :Doc Erwan et El Comandante s'ont allés chez nos meilleurs ennemis tailler le bout de gras sur 2024, 4h30 de propos intolérables vraisemblablement. Partie 1 / Partie 2 / Partie 3El Comandante a vu des films en 2024, il en a aimé plusieurs qui ne sont pas de 2024. Détail chez l'ami Tatum.______PUBLIC SERVICE ANNOUNCEMENT:El Comandante présente son pote Linklater samedi 11/01 à L'Arvor.Le Film du Dimanche Soir, Bloody Sam, Bob, Kris, James, et l'Eternité.______THOMAS « EL COMANDANTE »Top (sans ordre)Furiosa – A Mad Max Saga (George Miller)Riverboom (Claude Baechtold)C'est pas moi (Leos Carax)A son image (Thierry de Peretti)May December (Todd Haynes)Ferrari (Michael Mann)City of Darkness (Soi Cheang)Raayan (Dhanush)Hundred of Beavers (Mike Cheslik)The Goat Life (Blessy Ipe Thomas)The Devil's Bath (Severin Fiala et Veronika Franz)Los Delincuentes (Rodrigo Moreno)Et globalement, plein de bons films ou des projets fascinants (The Bikeriders, Horizon, Rebel Ridge, Kneecap, Here, La Zone d'intérêt, Megalopolis, Vingt dieux, The Outrun)FlopLes derniers hommes (David Oelhoffen)Road House (Doug Liman)Civil War (Alex Garland)Challengers (Luca Guadagnino)Emilia Perez (Jacques Audiard)ER FORCE WAN « LE GRAND TIMONIER »1. Bushman (David Schickele, 1971) 2. Furiosa (George Miller)2. La Zone d'intérêt (Jonathan Glazer)4. Miséricorde (Alain Guiraudie)5. La Vie selon Ann (Joanna Arnow)6. C'est pas moi (Leos Carax)7. The Sweet East (Sean Price Williams)8. Dahomey (Mati Diop)9. Ferrari (Michael Mann)10. Fainéant.e.s (Karim Dridi)11. Apolonia, Apolonia (Lea Glob)12. Viêt and Nam (Truong Minh Quy)Flop:Emilia Perez (Jacques Audiard)DOC ERWANTOP 10 (en fait 12)1- Furiosa – A Mad Max Saga – George Miller2- La Zone d'intérêt – Jonathan Glazer3- City of Darkness – Soi Cheang4- The Bikeriders – Jeff Nichols5- Here – Robert Zemeckis6- Juré n°2 – Clint Eastwood/Good One – India Richardson7- Ferrari – Michael Mann8- Rebel Ridge – Jeremy Saulnier9- Hundred of Beavers – Mike Cheslik10- L'Histoire de Souleymane – Boris Lojkine/Longlegs – Osgood PerkinsFLOP 31- Emilia Perez – Jacques Audiard2- Civil War – Alex Garland3- Godzilla Vs. Kong II – Le Nouvel Empire – Adam WingardTHIBAUT « CARREMENT FLEURET »Sans ordre particulier, 11 entrées :-Vroum vroum : Furiosa, The Bikeriders, Ferrari, L'Histoire de Souleymane-Documentaire : Riefenstahl, Sous un soleil bleu, Man In Black, Portraits fantômes, 20 jours à Mariopol, Bison-DJ Medhi-Napoléon vu par Abel Gance-Spectrum, Hitcher, The Fall, Epouvante sur NY-Riverboom-May December-The Zone Of Interest-Testament : Here, Juré 2-Rebel RidgeCa ne ressemble à rien mais y'a quand même de la qualitay.JB MASSUET1. Here - Les plus belles années de notre vie (Zemeckis)2. Trap (Shyamalan)3. La Zone d'intérêt (Glazer)4. Les Chambres rouges (Plante)5. Furiosa - Une saga Mad Max (Miller)6. Juré n°2 (Eastwood)7. Vice-Versa 2 (Mann)8. Knit's Island (Barbier, L'Helgouac'h, Causse)9. May December (Haynes)10. Vampire humaniste cherche suicidaire consentant (Louis-Seize)11. City of Darkness (Cheang)12. Longlegs (Perkins)Flop :1. The Substance (Fargeat)2. Megalopolis (Coppola)3. Horizon - Une saga américaine (Costner)SIMON DANIELLOU « L'ANCIEN »Top des films distribués en France en 20241. Furiosa : une saga Mad Max (George Miller)2. La Zone d'intérêt (Jonathan Glazer)3. Miséricorde (Alain Guiraudie)4. Trap (M. Night Shyamalan)5. Juré n° 2 (Clint Eastwood)6. Anora (Sean Baker)7. Walk Up (Hong Sang-soo)8. Cent Mille Milliards (Virgil Vernier)9. The Last Stop in Yuma County (Francis Galluppi)10. Noël à Miller's Point (Tyler Taormina)11. Sleep (Jason Yu)12. Voyage à Gaza (Piero Usberti)13. Le Mal n'existe pas (Ryūsuke Hamaguchi)14. Vice-versa 2 (Kelsey Mann)15. Dahomey (Mati Diop)16. Land of Bad (William Eubank)17. Film annonce du film qui n'existera jamais : « Drôles de guerres » (Jean-Luc Godard)18. In Water (Hong Sang-soo)19. The Apprentice (Ali Abbasi)20. Concrete Utopia (Eom Tae-hwa)+ La scène post-générique de Mauvais Sang re-« jouée » par Annette dans C'est pas moi (Leos Carax) ; Gojira (le kaijū) dans Godzilla Minus One (Takashi Yamazaki) et Gojira (le groupe) lors de la cérémonie d'ouverture des JO 2024 ; enfin, deux rappels déjà dans les tops des années précédentes, Au cœur des volcans : Requiem pour Katia et Maurice Krafft (Werner Herzog) et L'Affaire de la mutinerie du Caine (William Friedkin). Flops (aka "j'ai mal à mon film de genre")1. The Substance (Coralie Fargeat)2. MaXXXine (Ti West)3. Civil War (Alex Garland)4. Late Night with the Devil (Colin et Cameron Cairnes)5. Blitz (Steve McQueen)6. Elyas (Florent Emilio-Siri)7. Immaculée (Michael Mohan)8. Exhuma (Jang Jae-hyeon)9. Heretic (Scott Beck et Bryan Woods)10. The Devil's Bath (Veronika Franz et Severin Fiala)SIMON GOSSELIN « LE JEUNE »1. Furiosa, George Miller2. Horizon, Kevin Costner3. Longlegs, Osgood Perkins

You may have seen Boyd Holbrook in Logan, Indiana Jones and the Dial of Destiny, or The Bikeriders. Most recently, Boyd stars in the new film A Complete Unknown, a biographical drama centering the legendary singer-songwriter Bob Dylan portrayed by Timothee Chalamet.  Boyd plays the “Man in Black” himself, the iconic country singer Johnny Cash. It's in theaters just in time for the holiday! Boyd joins Feeling Seen to talk about the path that led him to becoming an actor, a failed basketball scholarship and the UPS Earn and Learn program, finding his community in film, and so much more. Plus, Jordan and Boyd touch base on the 1989 sports comedy Major League. It's a real homerun!Then Jordan notes Spy Kids' induction into the National Film Registry for Preservation, along with 24 other cinematic stories. Revisit our episode with director Jordan Santacana talking about the film here. Feeling Seen is on Bluesky! Give us a follow there.With Jordan Crucchiola and Boyd Holbrook. 

In this interview, I chat with Elly Griffiths about The Man in Black, how this group of short stories came into being, her favorite story in the collection, what surprised her the most when writing them, how the stories are ordered, her covers in the U.K. and the U.S., her work in translation, and much more. Elly's recommended reads are: One Perfect Couple by Ruth Ware Has Anyone Seen Charlotte Salter? by Nicci French Babel by R. F. Kuang Want to know which new titles are publishing in January - May of 2025? Check out our third Literary Lookbook which contains a comprehensive but not exhaustive list all in one place so you can plan ahead.     The Man in Black can be purchased at my Bookshop storefront.      Connect with me on Instagram, Facebook, YouTube, and Threads.  Learn more about your ad choices. Visit megaphone.fm/adchoices

First up, we're joined by Robert Godden to dissect the centuries-old tradition of 'pairing' in politics, a practice where MPs offset each other's absence to maintain voting fairness. However, this tradition faces threats in today's hyper-connected world, where political integrity can be overshadowed by social media activism and public shaming. Following that, we sit down with Alex Vickery-Howe, discussing his provocative new play 'TRIGGERED'. The play offers a bold commentary on cancel culture and poses tough questions about free speech, artistic courage, and the cost of silencing in the social media age. And as always, we'll round things off with our Musical Pilgrimage, where this week, we feature Feel Into You, by Alison Newman. So sit back, pour yourself a glass of your favourite South Australian spirit, and enjoy a journey through whisky, cars, and music! You can navigate episodes using chapter markers in your podcast app. Not a fan of one segment? You can click next to jump to the next chapter in the show. We're here to serve! The Adelaide Show Podcast: Awarded Silver for Best Interview Podcast in Australia at the 2021 Australian Podcast Awards and named as Finalist for Best News and Current Affairs Podcast in the 2018 Australian Podcast Awards. And please consider becoming part of our podcast by joining our Inner Circle. It's an email list. Join it and you might get an email on a Sunday or Monday seeking question ideas, guest ideas and requests for other bits of feedback about YOUR podcast, The Adelaide Show. Email us directly and we'll add you to the list: podcast@theadelaideshow.com.au If you enjoy the show, please leave us a 5-star review in iTunes or other podcast sites, or buy some great merch from our Red Bubble store - The Adelaide Show Shop. We'd greatly appreciate it. And please talk about us and share our episodes on social media, it really helps build our community. Oh, and here's our index of all episode in one concisepage. Running Sheet: Triggered By Cancel Culture And Political Pairing 00:00:00 Intro Introduction 00:00:00 SA Drink Of The Week There is no South Australian Drink Of The Week this week. 00:03:13 Robert Godden And The Principle Of Pairing I'd like to explore the centuries-old principle of 'pairing' in politics—an honourable arrangement where a parliamentarian, unable to attend a vote, finds someone voting the other way to abstain as well, preserving the integrity of the parliamentary process. I would go so far as to claim that pairing is a hallmark of parliamentary civility, a gesture that underscores trust, respect, and a commitment to democracy that rises above partisan interests. In many ways, it's a defining characteristic of a civilised society—keeping us far from Thomas Hobbes' grim view of life as 'nasty, brutish, and short.' However, in a recent episode here in South Australia, this tradition was overshadowed by allegations of intimidation and public shaming. A prominent academic allegedly pressured an MP to break her pairing commitment, even threatening to ‘hold her to account in the public square.' This incident raises serious questions about the fragility of our democratic norms and the implications of social media-fuelled activism on parliamentary integrity. Joining me is Robert Godden, our resident political commentator, to discuss the erosion of such honourable traditions in politics, the risks to our institutions when personal agendas take precedence, and the ripple effects on workplace safety and culture in political environments. Robert, welcome back. Why do you think the principle of pairing has endured for so long in politics, and what does it symbolise in our parliamentary culture? Some might say that pairing demonstrates a level of trust and civility that's rare in today's political climate. Would you agree with that? And why do you think such civility matters? When MPs honour pairing arrangements, how does this benefit the broader democratic process? BACKGROUND In Australia, following the 2010 federal election, the Opposition refused to grant automatic pairing to the minority Gillard government, leading to some embarrassing situations.In the UK in 2018, there was controversy when Conservative MP Brandon Lewis broke a pairing agreement with Liberal Democrat MP Jo Swinson, who was on maternity leave.In Australia, there was an incident where a pair was initially not given for a member to care for her sick baby. Let's talk about the recent incident where a professor threatened to 'hold an MP accountable in the public square' if she honoured her pairing agreement. What do you make of this approach? Social media has become a powerful tool in political advocacy, but it can also be a blunt instrument. Do you see this incident as part of a broader trend of using social media to influence political processes, and what dangers does that pose? In a way, this scenario seems to echo tactics often associated with figures like Donald Trump, who many say have eroded democratic norms by treating political rules as malleable. Do you think this kind of activism has a similar effect on our institutions? Turning to the workplace aspect, SA Liberal MLC Jing Lee (who was the person at the centre of the pairing scandal) described feeling intimidated by this outside influence. How common is it for politicians to feel unsafe in their roles, and what might this incident reveal about workplace culture in parliament? With your HR background, what are some safeguards that could help protect MPs from feeling this kind of pressure? Bullying is a strong term that we often associate with corporate or school settings. How does the concept of workplace bullying apply to political environments, especially in a scenario like this where external pressures are involved? Finally, what would you say to those who might argue that the ends justify the means in cases like these? Is it ever acceptable to erode a tradition like pairing for the sake of a particular political outcome? 00:32:15 Triggered by Alex Vickery-Howe In 1971, Johnny Cash penned Man In Black in just 3 hours, responding to pressure to declare where he stood on various issues. The song, meant to express universal human compassion, was immediately politicised—praised by some, condemned by others. That was 50 years ago. Today, in our social media age, the pressure to declare allegiance and the swift judgment of those declarations has reached fever pitch. In our next interview, we're going to delve into the fabric of contemporary discourse through the lens of art. We'll be discussing the play, TRIGGERED, by Adelaide-based playwright Alex Vickery-Howe, a daring exploration of cancel culture through the lens of dark comedy, where he treads a fine line addressing contemporary issues with boldness and wit. Alex, welcome to The Adelaide Show. TRIGGERED will be one of six new South Australian plays, being performed at the Odeon Theatre in Norwood across November and December 2025, as part of the South Australian Theatre Company's Great Australian Bites festival. These never-performed-before works will be rehearsed over several days by South Australian actors and directors and read script-in-hand. TRIGGERED will be performed on Friday, November 21, 2025, at 1:00 pm. What sparked the idea for TRIGGERED? Was there a specific incident or moment that crystallised this concept for you? The play centers on a journalist critiquing a comedian - why did you choose these particular opposing forces? How does the format of a black comedy help navigate these sensitive themes? This isn't the first time you've tackled extremism and ideology in your work. In 2021, I reviewed your play 'Watchlist', which explored these themes with intense character flaws and ideological battles. Now with 'TRIGGERED', you're examining cancel culture and social judgment. Do you see these plays as companion pieces in some way? What fascinated me about 'Watchlist' was how you made all characters flawed, particularly Delia, whose rigid views alienated her from the audience. Are you employing similar character dynamics with your idealistic journalist in 'TRIGGERED'? While we were setting up this interview, you mentioned being nervous about tackling this subject matter. Can you talk about those fears and why you decided to proceed anyway? Are there certain topics you believe should be 'untouchable' in art, or does everything deserve examination? How do you balance critique of 'wokeism' while acknowledging its important historical roots in racial justice? It seems your play suggests that social media amplifies our worst instincts in these debates. What role does technology play in TRIGGERED? I was listening to Bill Maher interview Dr Phil recently, and something fascinating happened. Dr Phil suggested we need 'counsel culture' not 'cancel culture'—taking people aside for genuine conversation rather than public condemnation. What intrigued me wasn't just the idea, but how quickly people dismissed it (and attacked me for sharing it) solely because it came from Dr Phil. Does your play explore this phenomenon where we judge ideas not by their merit but by who expresses them? There's an interesting shift happening. Post-modernism taught us to separate art from artist, to judge work on its own merits. Yet today, it seems we're moving backward, judging every idea by its source rather than its substance. How does 'TRIGGERED' grapple with this contradiction? The term 'woke' has traveled from Marcus Garvey's 1923 call for global Black consciousness to today's often-pejorative use. Does your play address how noble movements can become distorted? The journalist in your play is described as 'idealistic' - are you exploring how good intentions can lead to harmful outcomes? What do you hope audiences take away from TRIGGERED? 01:13:24 Musical Pilgrimage In the Musical Pilgrimage, we feature Feel Into You by Alison Newman. Alison has just released the fifth and final track from her EP titled Wolf . This project delves into her personal experience with postnatal depression, promising a deeply introspective and emotive musical journey. We played the first track from it back in episode 395. Alison explains “The Wolf" plays the role of the PND, and she is akin to Little Red Riding Hood. The final track, which we play in this episode, is a song to celebrate the people that helped her through PND, and it also made it into the Top 100 in the 2024 Listen Up Music Songwriters Prize. We've also embedded the video clip in the show notes. Alison shared the clip sending the hugest of thank yous to Bree and Caitlin for choreographing and dancing, Cat, Noe and Tiana from the Limestone Coast Symphony Orchestra string section, Frank from Sir Robert Helpmann Theatre for giving her the stage, and to Marcus Jones who always listens to her wacky ideas and then brings them to life!! It was recorded in one continuous take in just a couple of hours!Support the show: https://theadelaideshow.com.au/listen-or-download-the-podcast/adelaide-in-crowd/See omnystudio.com/listener for privacy information.

“The Man in Black Stories” is the latest release from Edgar Award-winning, critically acclaimed author Elly Griffiths. The Man in Black is a carefully curated collection of short stories featuring some of her most beloved characters, including Ruth Galloway, Cathbard, Max Mephisto, and Harbinder Kaur, and sure delight fans of her thirty-one novels. Favorites in the collection are Ruth's First Christmas Tree and a hilarious tale told from the perspective of Ruth's cat, Flint. These stories are a mix of untold events in these characters' lives and stories yet untold. There's something in the collection for new and longtime fans.

“The Man in Black Stories” is the latest release from Edgar Award-winning, critically acclaimed author Elly Griffiths. The Man in Black is a carefully curated collection of short stories featuring some of her most beloved characters, including Ruth Galloway, Cathbard, Max Mephisto, and Harbinder Kaur, and sure delight fans of her thirty-one novels. Favorites in the collection are Ruth's First Christmas Tree and a hilarious tale told from the perspective of Ruth's cat, Flint. These stories are a mix of untold events in these characters' lives and stories yet untold. There's something in the collection for new and longtime fans.

This week, we welcome the goddess, CJ Cregg, set fire to the garbage heap of a language that is English, and fap fap fap fap fap our way around the Island! Email us here (it may make it onto a video pod!) --- https://www.spacebearmedia.com/contact All our other links! --- https://linktr.ee/spacebearmedia *PLEASE RATE & REVIEW!*

The entire group is overtired this morning. Laughing at just about anything and moving slowly. The guys show up wearing similar shirts, so The Mayor went into his special closet and pulled out a fresh shirt. (He keeps them on hand for days like this). Here is what I saw this morning... It was on this date in 2003 that we lost "The Man In Black". Johnny Cash left us, but we have our memories. Listeners text in their favorite songs, share concert tickets from 1996 when he played at the Weidner Center in Green Bay. One listener shares a story of Johnny at the old WBAY auditorium in Green Bay. This was back in the 1950's and apparently he never showed up to the show! (Apparently he was focusing on drugs instead of music for that show).

Danger and weirdness keep piling up

Send us a textIn this episode, we dive into the eerie and enchanting tale of "The Man in Black," a story where the lines between life and death blur in the most unexpected ways. Set in the vibrant yet mysterious Dia City, this narrative takes us on a journey with a group of unsuspecting musicians who find themselves hired for a gig unlike any other. What begins as a lively day in the plaza quickly transforms into a chilling encounter with the supernatural.This story and others can be read online at:https://www.chavirajranecdotes.com/

Juan Guzman Jr. is one of the most respected referee educators in the country. His Referee Education program with Cal South is considered by many to be the best. In this episode, we talk about how and why to become a referee, and we also delve into the new Cal South program designed around RESPECT for officials as incidents of referee abuse continue to grow. (We can't forget VAR either!)

It's like” Freaky Friday” but with UFOs. Jessica and Dini travel back to November 29, 1998! Join us as we discuss our top 5 favorite moments from S6 EP4, Dreamland!While on a road trip to meet an informant near the infamous Area 51, Mulder and Scully experience a strange event involving a UFO that eventually causes Mulder to bodyswap with a Man In Black named Morris Fletcher. This episode was written by Vince Gilligan, John Shiban, and Frank Spotniz. Directed by Rob Bowman? Kim Manners? Do you have any X-Files-related theories, stories, key points, or podcast feedback? Please email us at TheXFilesChatRoomPodcast@gmail.com We'd love to hear from you. Please tell us how we can improve!You can find us on:Twitter, TikTok, and Instagram @TXFChatRoomPodResources: X-Files WikiIMDBnative-land.ca

This week on Dicey Situations, revelations, realizations and explosions.This episode contains violence, profanity and crude humor.Follow us on X(Twitter) @diceypodFollow us on Instagram https://www.instagram.com/diceysituationspod/We also have a subreddit https://www.reddit.com/r/Dicey_Situations/DM - Ryan StemmlerTooluuga Ploopploopleen - Harout KhodaverdianGlebnor Glekilak Ploopploopleen - Mark DePippoTheo Justice - Richard PowerProduced and Edited by Chris Romagna, Ryan Stemmler & Mark DePippoMusic by Eric Power and Monument StudiosContact us diceysituationspod@gmail.com

One icy evening in the dead of winter, a stranger asked a young Sinclair Ferguson, "Are you saved, son?" Today, he describes this momentary exchange that God used as a stepping stone toward saving faith in Jesus Christ. Read the transcript: https://ligonier.org/podcasts/things-unseen-with-sinclair-ferguson/the-man-in-black A donor-supported outreach of Ligonier Ministries. Donate: https://www.ligonier.org/donate/ Explore all of our podcasts: https://www.ligonier.org/podcasts

Support Breaking Walls at https://www.patreon.com/thewallbreakers Willam Spier was born on 10/16/1906 in New York City. He began his career as an editor at Musical America Magazine, eventually becoming its chief critic. His radio career began in 1929, when he produced and directed The Atwater-Kent Hour, a Met Opera presentation. He soon became a valuable member of BBD&O's growing staff of radio writers & directors. In 1931 Spier went to Hollywood to direct one of the first big budget radio programs in southern California. Coming back to New York, he was one of the people responsible for the creation of The March of Time. In 1940 Spier left BBD&O & began working for CBS. He was soon their story editor. Meanwhile, CBS decided to bring Forecast back. Season two premiered on 7/14/1941, with a play from Hollywood called The Arabian Nights. It starred Marlene Dietrich & was directed by Charles Vanda. The following week Kay Thompson starred in 51 East 51 from New York. It was an on-the-scene comedy at a fictitious upscale New York bar. Her director that evening was Bill Spier. The two were soon dating, marrying in 1942. Two weeks later, Spier produced & directed a Forecast episode called Song Without End, starring Burgess Meredith & Margo. It was to be a biopic on musicians and composers. That autumn Vanda & Spier were in New York, pushing for the launch of Suspense as a CBS cost-sustained show. On Sunday 12/71941 Japan attacked Pearl Harbor & Manilla, finally thrusting the US into World War II. The next Sunday, as CBS prepared for the Monday multi-network broadcast of Norman Corwin's We Hold These Truths, Bill Paley finally approved Suspense's launch as a thirteen-week summer series in 1942. Vanda got Harold Medford to come East to write. Although Bill Spier was head of CBS's New York Story Department, it was Harold Medford who polished the first seven shows. Vanda also got CBS musician Bernard Herrmann to compose the show's score. Suspense premiered on Wednesday June 17th, 1942 at 10:30PM eastern time. The first episode, “The Burning Court” was adapted from a story by John Dickson Carr. Seeking a star, Vanda chose Charlie Ruggles. Known for his comedic flair, Ruggles was in New York for the opening of his latest film, Friendly Enemies. Vanda believed that Suspense could cast against type. It came to be a show staple. Charles Vanda wound up only being in charge of the first five shows. He went into the army. The second show was the John Collier mystery “Wet Saturday,” a grim tongue-in-cheek tale of murder. The final three shows by Vanda were a take on the Lizzie Borden case, a murder story aboard a train, & a thrill kill, “Rope” that Alfred Hichcock later shot with James Stewart. With Vanda entering the service Bill Spier took over the production. Spier's first episode as producer was on 7/22/1942. On 9/2 Suspense broadcast Lucille Fletcher's “The Hitchhiker.” At the time Fletcher was married to Bernard Herrmann. “The Hitchhiker” starred Orson Welles. Welles & Spier had known each other since The March of Time. Welles just returned from Brazil where he'd been promoting greater Pan-Americanism on behalf of RKO. It was his first appearance on Suspense. When the thirteen-week summer run ended, CBS was set to cancel the series. The last episode was called, “One Hundred In the Dark.” It aired on September 30th, 1942. In the end Suspense was saved by the amount of fan mail & phone calls to CBS. Spier pushed to link the show with a prestigious mystery author. He approached the agent of John Dickson Carr, who'd written “The Burning Court,” & a deal was soon in place for him to write exclusively for the program. CBS picked up Suspense for the fall season and put it on the air Tuesdays at 9:30PM beginning 10/27. John Dietz returned as director and a foreboding narrator, “The Man In Black,” was played by Ted Osborne.

Her husband's family all believed there was a man in black who showed up in times of crisis. If they saw him, they knew things would be OK. Who was he? If you have a real ghost story or supernatural event to report, please write into our show or call 1-855-853-4802! If you like the show, please help keep us on the air and support the show by becoming a Premium Subscriber.  Subscribe here: http://www.ghostpodcast.com/?page_id=118 or at or at http://www.patreon.com/realghoststories Watch more at: http://www.realghoststoriesonline.com/ Follow Tony: Instagram: HTTP://www.instagram.com/tonybrueski TikToc: https://www.tiktok.com/@tonybrueski Facebook: https://www.facebook.com/tony.brueski 

The latest entry in Ti West's trilogy has caused alot of divisiness in the horror world, and today we are going to break down MAXXXINE scene-by-scene to figure out why! I am joined by my friend Justin from Epic Film Guys to talk all things Maxxxine, Ti West, where Mia Goth goes from here, and so much more. And if you thought we wouldn't somehow talk about the Halloween franchise and ponder why the Man In Black is in this movie you'd be dead wrong!

Sermon Date: July 14, 2024Sermon on Scripture readings: Isaiah 53Support the Show.

The Man in Black fled across the desert, and the Gunslinger followed. And then they continued though the desert, and then through some rubble, and then past some grey buildings. Every now and then a laser blasts into the Dark Tower. Rinse and repeat. This is The Dark Tower (2017), a terrible movie based on one of the best book series of all time. But it turns out if you talk about something you love, it also becomes terrible.Music created by Jack Parsons.Follow us on Twitter & Instagram and check out our YouTube channel.

This episode looks at Johnny Cash's “The American Recordings”, a series of 6 albums released on American Records between 1994 and 2010.  By 1994, when he signed to Rick Rubin's American Records, it looked like Cash's career was all but done. However, Rubin had other ideas and, over the next 10 years, worked with Cash to produce some of the most memorable work of his career. Part of this process involved Cash covering songs by some of the greatest artists of the late 20th Century - U2, Nine Inch Nails, Nick Cave, Tom Petty and Leonard Cohen.  He's not performing the songs in his usual country style, but simply as Johnny Cash.  It's a great story, with a fabulous playlist! Jeff's found 5 bands you would not believe exist, including Mac Sabbath, a parody of Black Sabbath with lyrics about fast food, and Shat, a band that is offensive in every possible way, whose lead singer's costumes are draped with dildoes!  Our "Album you must listen to before you die" is “Arrival” by Abba.  Reviewers weren't convinced.  Neither is Jeff.  Have a listen and see what Mick thought. References: Winny Puhh, The Residents, Mac Sabbath, Shat, TISM, Taylor Swift, Tortured Poets Department, Abba, Arrival, American Records, Rick Rubin, Def Jam, Shel Silverstein, “A Boy Named Sue”, “Solitary Man”, The Highwaymen, The Man in Black, Johnny Cash, Waylon Jennings, Willie Nelson, Kris Kristofferson, June Carter Cash, “Bitter Tears”, “Ballad of Ira Hayes”, Bruce Springsteen, “Highway Patrolman”, U2, Zooropa, “The Wanderer”, “Personal Jesus”, “The Mercy Seat”,  “Streets of Laredo”, John Cale   Johnny Cash American Recordings – Full albums Johnny Cash – Our episode playlist Discogs' listing of all 6 covers Interview with Rick Rubin re “Hurt”  Ten Bands you Won't Believe Exist

In today's episode of Sounds Like Adventure, Odis and Sioc meet The Man In BlackSee omnystudio.com/listener for privacy information.

Sherwood Forest Faire Opening Week Support us on PayPal!

On this Monday morning, Jim and John talk about everything from Johnny Cash to a movie that Jim was in in 2009. And they also talk about the country bar that had the riding bull in Green Bay back in the day. Maino and the Mayor is a part of the Civic Media radio network and airs Monday through Friday from 6-8 am on WGBW in Green Bay and on WISS in Oshkosh. Subscribed to the podcast to be sure not to miss out on a single episode! To learn more about the show and all of the programming across the Civic Media network, head over to https://civicmedia.us/shows to see the entire broadcast line up. Follow the show on Facebook and X to keep up with Maino and the Mayor!

Todays Case is all about Wales' WORST Serial Killer “The Man in Black”, Peter Moore.  To recommend a case for me to cover please use the below Google Form: https://forms.gle/SLeSPsC2rs6uArxYA Business Enquiries - truecrimecaitlyn@hotmail.com Source Material - https://docs.google.com/document/d/1WLmsilLWBB7gvrvA0tuIkPc0P7_T-MyoqcIGZOlbTkc/edit?usp=sharing  No copyright infringement is intended, all media is used within guidelines of fair use- if there is any issues with any of the material within this podcast and you are the owner please contact me.

www.disclosedufofiles.com

Tuesday, January 8th, 1974. It's a cold night in Brooklyn, New York. There's snow in the forecast. We're driving north on Shore Road, towards the Belt Parkway in a 1973 Ford Maverick. Thanks to the oil crisis, smaller cars like the Maverick are becoming increasingly popular. On January 2nd, President Nixon signed a law lowering the maximum speed limit on U.S. highways to fifty-five miles per hour. It conserved gasoline during the embargo. Highway fatalities dropped twenty three percent over the next year. The limit remained in effect for thirteen years. Unfortunately for Nixon, the Watergate scandal wouldn't go away. Citing executive privilege, on January 4th, Nixon refused to surrender over five hundred subpoenaed tapes to the Watergate Committee. On this night, Tuesday January 8th, John Chancellor signed on with news and updates from NBC. On this day, New York City instituted measures against gas shortage abuse. The day after this broadcast, Representatives from the twelve member nations of the Organization of Petroleum Exporting Countries finished a meeting in Geneva, Switzerland, voting for a three-month freeze on oil prices. But this isn't why we're here. As Mutual Broadcasting was getting back into radio drama with The Zero Hour, longtime director Himan Brown finally convinced CBS to give him a nightly hour of time to produce new eerie radio plays. Tonight, we'll go back to January 1974 and study how this moment in time came to be. ____________ In January 1974 Himan Brown was sixty-three years old, having been on the air since the age of eighteen. Brown is noted for having created Bulldog Drummond, Grand Central Station, Dick Tracy, and Inner Sanctum Mysteries. He was itching for the chance to create new dramatic radio. CBS executive Sam Digges was fifty-seven, and close friends with Brown, but the CBS network board could perhaps have been a harder sell for a program that was to air every night of the week. CBS hadn't produced any dramatic shows since September of 1962. Over the eleven years since, numerous technological advancements had been made. In order to produce a show that was to air every night of the week, a dedicated studio would be developed. They used Studio G on the sixth floor of the old CBS Radio Annex on East 52nd street. The writers would be paid three-hundred fifty dollars per script. That's a little more than two thousand dollars today. As Himan Brown mentioned, in New York City CBS aired news, so Mutual Broadcasting's flagship WOR picked up the series just one month after Mutual began airing The Zero Hour. Acting talent would work for SAG-AFTRA scale. Actor E.G. Marshall was tabbed to be the host. In 1973 Marshall was known for his prominent role in the 1957 Twelve Angry Men, and on TV's The Defenders. As a host, he harkened back to the Golden Age of Radio when characters such as The Man In Black, The Whistler, The Mysterious Traveler, and Raymond hosted macabre programs. The CBS Radio Mystery Theater would debut on Sunday January 6th, 1974 with Agnes Moorehead starring in “The Old Ones Are Hard To Kill.” Two-hundred eighteen stations carried the series, including twenty-one which were not CBS affiliates.

"Suspense" was a radio drama series that captivated audiences from 1940 through 1962 during the Golden Age of Radio. Often subtitled "radio's outstanding theater of thrills," this program was a shining example of suspense thriller entertainment. It specialized in delivering heart-pounding stories, typically featuring some of the leading Hollywood actors of its era. With an impressive total of approximately 945 episodes aired over its lengthy run, "Suspense" remains an enduring classic, with over 900 episodes still in existence. "Suspense" was a dynamic series that evolved through several significant phases, each marked by distinct hosts, sponsors, and director/producers. Despite these changes, the show maintained a core set of formulaic plot devices that kept its audience consistently engaged. The show's hallmark elements included: Ordinary Protagonists in Extraordinary Situations: The typical protagonist of a "Suspense" episode was an everyday person who found themselves abruptly thrust into a perilous, bizarre, or highly suspenseful situation. This relatable quality made it easy for listeners to connect with the characters. Withheld Solutions: The show was known for building tension by withholding the resolution of the story until the very last possible moment. This strategy ensured that listeners remained on the edge of their seats, eagerly anticipating the outcome. Moral Consequences: "Suspense" often featured stories where evildoers or wrongdoers faced justice in the end. This moral aspect added a layer of satisfaction for the audience, as justice was typically served. The combination of these elements, along with the skillful use of sound effects and music, made "Suspense" a thrilling and unforgettable radio program. It's not surprising that it continues to be celebrated for its contributions to the world of suspenseful storytelling in the audio medium. --- Support this podcast: https://podcasters.spotify.com/pod/show/dwight-allen0/support

It's been a while since we've payed a visit to The Hall of Fantasy, so we're stopping by for an episode entitled, "The Man in Black!" The story features two men who encounter a woman terrified by a person she calls "the man in black." Once she's found dead, the men become obsessed with finding out the truth behind this dark-clad figure. Soon, the two are themselves targeted by this mysterious, unnatural being. Can they discover the identity of the man? What threat does he prove to the woman they both love? What do you call the guy who follows He Who Follows? Listen for yourself and find out! Then vote and let us know what you think!

Andy has lived in Santa Cruz, California, for over 25 years. He has an MA in Theology from Western Seminary and served as a youth pastor, college speaker, and college pastor before he became Lead Pastor at Faith Community. He's also a woodworker and plays in a Johnny Cash cover band called “Man In Black.” He's been married to his wife Aleta for 30 years, and they have three amazing children: Cassidy, Michael, and Josh.

Hey, fellow "UFO heads," looking for talks from certain speakers or certain UFO topics? Well, leave us a comment. Let us know what you're looking for and we will find it for you. Think of it as your own, personal UFO "Request Line." We will mention your name or "tag" at the beginning of the episode and send you a "UFOLOGY" Shout Out! But you have to ask (comment) so we know you're out there. Have fun unraveling the Mystery!   Disclosed UFO Files – Keep up with the latest in the world of UFO & UAP. Make sense out of the confusion and unravel the mystery once and for all.

Joshua Bronnenberg from the Ryman Auditorium staff stopped by the show to talk about JC Unit 1 - Johnny Cash's famed tour bus - which is now at The Ryman (on loan from the Rock 'n Roll Hall of Fame) and part of the Mother Church tour for a limited time. Joshua talks about how the bus became part of the Ryman tour, and how you can visit and experience it, during its short time in Nashville. Make the Grand Ole Opry part of YOUR Nashville experience! With at least three shows every week, there are plenty of opportunities to see The Show That Made Country Music Famous -- plus, take the Opry Backstage Tour while you're there, and you'll get to stand in the world-famous circle where so many country greats have performed. Plus, you'll get access to the limited-time "Famous Friends: Guests of the Grand Ole Opry" exhibit at the Acuff House. Thanks for listening to the Coffee, Country & Cody podcast from WSM Radio! Download the official WSM Radio App (for Apple or Android devices) to hear WSM in digital clarity, plus two additional streaming stations -- Opry Nashville and Route 650 -- as well as thousands of hours of archived programming. And now you can hear WSM on iHeartRadio as well!

It's been a few days since Dok Leipzig wrapped up, but we are still reminiscing about the films we encountered and the people we met. So, we made a little souvenir of our time there, featuring a collection of voice memos from a cross-section of festival attendees sharing their favorite film discoveries from this year's event.FEATURING: Juliette Menthonnex, director of Tale of the Three Flames, speaks about Man In Black by Bing WangEka Tsotsoria, editor of Self-Portrait Along the Borderline speaks about The Der Wind nimmt die mit by Ann Carolin Renninger Adheep Das, director of Moonless speaks about Drijf by Levi Stoops Pauline Blanchet, co-director of 2 or 3 Words About the Cité 4000 speaks about No Changes Have Taken In Our Life by Xu Jingwei Sara Jurinčić, director of Valerija speaks on Zima by Tomek Popakul & Kasumi Ozeki Tess Martin, director of 1976: Search for Life on Zoopticon by Jon Frickey, Thies Mynther, & Sandra TrostelDaryna Mamaisur, director of Smoke of the Fire on Universe Department Store by Taewoong Won Mariana Cadenas Sangronis, director of Draw for Change: We Exist, We Resist on The Mother of All Lies by Asmae El MoudirAnn Carolin Renninger, director of Der Wind nimmt die mit on It's Just a Whole by Bianca Scali Jani Peltonen, director of 30 Kilometres per Second on The Tuba Thieves by Alison O'Daniel For show notes visit docsinorbit.com and be sure to follow us on social media @docsinorbit for updates.

"Suspense" was a highly influential and acclaimed old-time radio show that aired from 1942 to 1962. It is often regarded as one of the greatest and most enduring radio drama series in the history of American radio. Created by its original director, William Spier, "Suspense" was known for its thrilling and suspenseful tales that kept listeners on the edge of their seats.Format and Content: "Suspense" primarily featured standalone episodes, each presenting a self-contained story with a focus on mystery, thriller, crime, horror, or the supernatural. The show's tagline, "Radio's Outstanding Theater of Thrills," aptly described its genre. The stories covered a wide range of themes and settings, from murder mysteries and psychological thrillers to tales of espionage and the occult.The series was known for its skilled use of tension-building techniques, dramatic music, and sound effects to create an immersive and suspenseful atmosphere. Each episode often began with a chilling introduction by the "Man in Black," played by various actors over the years, who set the stage for the upcoming story with a foreboding tone.Notable Episodes and Performers: "Suspense" featured a rotating cast of talented actors who delivered memorable performances. Many Hollywood stars appeared on the show, both in leading and supporting roles. Some notable episodes and performers include:"Sorry, Wrong Number" (1943) - Starring Agnes Moorehead, this episode is one of the most famous in the series, featuring a woman who overhears a murder plot while trying to make a phone call."The Hitch-Hiker" (1942) - Starring Orson Welles, this episode follows a man on a cross-country trip who becomes increasingly unnerved by the presence of a mysterious hitchhiker."The House in Cypress Canyon" (1946) - This episode is a chilling tale of a new homeowner who discovers a strange and horrifying secret in the walls of his house."Sorry, Wrong Number" (1943) - Starring Agnes Moorehead, this episode is one of the most famous in the series, featuring a woman who overhears a murder plot while trying to make a phone call."The House in Cypress Canyon" (1946) - This episode is a chilling tale of a new homeowner who discovers a strange and horrifying secret in the walls of his house.Legacy: "Suspense" was a groundbreaking series that set the standard for radio suspense and thriller dramas. It played a significant role in shaping the conventions of the genre and influenced subsequent generations of writers, filmmakers, and storytellers. Even today, its episodes are celebrated for their high-quality writing, acting, and production values.The show's success and enduring popularity are a testament to the enduring appeal of suspenseful storytelling in the medium of radio. It remains a classic and beloved example of the art of old-time radio drama.

Choice Classic Radio presents The Hall of Fantasy, which aired from 1947 to 1953. Today we bring to you the episode titled "The Man in Black.” Join us on iHeart Radio for more old time radio. https://www.iheart.com/podcast/269-choice-classic-radio-prese-79861017/ Please consider supporting our show by becoming a patron at http://choiceclassicradio.com We hope you enjoy the show!

In this episode, Tiny and I continue our journey to The Dark Tower with a discussion of The Gunslinger chapter 5: The Gunslinger and the Man in Black.   Become a patron for exclusive audio content and early access to episodes at Patreon.com/ObsessiveViewer.   Timestamps   Show Start – 00:40 Stephen King News/Check-ins – 06:09   Previously…on The Dark Tower – 27:50 Part 5: The Gunslinger and the Man in Black – 30:31   Closing the Ep – 1:04:28   Related Links   Stephen King Content on Our Patreon $4/month - Stephen King Specialty Tier Our Patreon Homepage King on Screen on Amazon - Affiliate Link Eligible for Commissions Speedway Lions Club: Charity Tricycle Race   Stephen King's next books: short story collection, Holly Gibney, and maybe The Talisman 3 Stephen King says wife threatened divorce if he didn't stop playing 'Mambo No. 5' Pet Sematary: Bloodlines trailer - on Paramount+ October 6 Stephen King's Latest Book, ‘Holly,' Tops Bestsellers Charts, Days After Debut Stephen King Revealed His Approach To Writing A Mystery Novel, And It's Way More Alfred Hitchcock Than It Is Agatha Christie Stephen King Knows Anti-Vaxxers Are Going to Hate His Latest Book: ‘Knock Yourself Out'   Stephen King's The Dark Tower: Beginnings Omnibus - Amazon Associate Link Stephen King's The Dark Tower: The Gunslinger Omnibus - Amazon Associate Link Stephen King's The Dark Tower: The Drawing of the Three Omnibus - Amazon Associate Link   Support Obsessive Viewer Podcasts Here Tower Junkies: The Masterlist Tower Junkies: Episode Archive As Good As It Gets - Official Homepage   Matt's Stephen King Short Story Collection Twitter Threads   Just After Sunset Everything's Eventual Hearts in Atlantis Nightmares & Dreamscapes Four Past Midnight   Obsessive Viewer - Our weekly movie and TV discussion and review podcast. Obsessive Viewer Presents: Anthology – Matt's solo podcast exploring science fiction anthology storytelling in television's first golden age starting with The Twilight Zone.   Mic Info Matt: ElectroVoice RE20 into RØDEcaster Pro II  (Firmware: 1.2.2) - Processing: High Pass Filter, DeEsser, Compressor, and Master Compellor enabled (Recorded in the Living Room) Tiny: Samson Q2U via USB in Google Meet   Tower Junkies   Subscribe   Apple Podcasts Google Podcasts Spotify TuneIn Radio RSS Feed   Social Media   Facebook Twitter Instagram     Episodes by Category     News – Covering news items related to Stephen King and The Dark Tower Palaver – General discussions about Stephen King and/or The Dark Tower series Khef – Reviews and discussions of books and comics in The Dark Tower series Novel Reviews – Reviews of Stephen King (and related) novels Novella Reviews – Reviews of Stephen King (and related) novellas Short Story Reviews – Reviews of Stephen King (and related) short stories and short story collections Comic Reviews – Reviews of Stephen King (and related) comic books and comic adaptations Movie Reviews – Reviews of Stephen King (and related) movie adaptations TV Reviews – Reviews of Stephen King (and related) TV adaptations Commentary Tracks – Special commentary track recordings that can be listened to while watching the title or simply as a podcast episode Interviews – Interviews with people with special ties to the work of Stephen King Special Eps – Episodes that don't fit into the other categories; usually announcement episodes pertaining to the podcast itself     Matt's Top 19 King Novels     11/22/63 It Wizard and Glass (The Dark Tower IV) Pet Sematary Misery The Shining The Drawing of the Three (The Dark Tower II) The Dark Tower (The Dark Tower VII) The Stand The Waste Lands (The Dark Tower III) Under the Dome Billy Summers Christine Doctor Sleep Wolves of the Calla (The Dark Tower V) The Dead Zone The Gunslinger (The Dark Tower I) Revival End of Watch     Matt's Top 19 King Adaptations     The Shawshank Redemption (1994) The Shining (1980) It (2017) 11.22.63 (2016) - Miniseries The Mist (2007) Doctor Sleep (2019) Misery (1990) Castle Rock (2018) - Series Creepshow (1982) Stand by Me (1986) Gerald's Game (2017) Christine (1983) Pet Sematary (1989) The Dead Zone (1983) Cujo (1983) Carrie (1976) The Shining (1997) - Miniseries In the Tall Grass (2019) Sometimes They Come Back (1991)     Tiny's Top 19 King Novels     The Dark Tower (The Dark Tower VII) Misery The Stand The Shining The Drawing of the Three (The Dark Tower II) The Gunslinger (The Dark Tower I) Christine Wizard and Glass (The Dark Tower IV) It Cujo The Dead Zone Mr. Mercedes Gerald's Game Pet Sematary Wolves of the Calla (The Dark Tower V) Salem's Lot Under the Dome 11/22/63 The Waste Lands (The Dark Tower III)     Tiny's Top 19 King Adaptations     Doctor Sleep (2019) The Shawshank Redemption (1994) It (2017) Christine (1983) The Shining (1980) Stand By Me (1986) The Mist (2007) Misery (1990) Creepshow (1982) The Green Mile (1999) Apt Pupil (1998) Geralds Game (2017) The Outsider (2019) - Miniseries The Stand (1994) The Shining (1997) - Miniseries Lisey's Story (2021) - Miniseries 1922 (2017) 11/22/63 (2016) - Miniseries It (1990) - Miniseries

Er war niemals albern wie etwa Elvis Presley, sein ehemaliger Weggefährte. Auch nach seinem Tod gilt Johnny Cash, der legendäre Man in Black, als einer der größten Country-Sänger aller Zeiten. Durch Auftritte in Haftanstalten, durch Texte, die sich kritisch mit dem american dream auseinandersetzen, bezeugte der Sänger sein Engagement für die Ausgegrenzten und die sogenannten kleinen Leute. Cash, der einst als junger GI in Landsberg am Lech mit dem Musikmachen begonnen hat und selbst mit Drogensucht zu kämpfen hatte, wurde zuletzt von einem jungen Publikum als Kultfigur und glaubwürdiger Künstler wiederentdeckt. (BR 2009) Autor: Markus Mayer

Eine Weltkarriere mit unfassbaren Tiefen. Ob Tablettensucht oder Krankheiten - Johnny Cash steht immer wieder auf und hinterlässt unvergleichliche Musik. Von Uwe Schulz.

One icy evening in the dead of winter, a stranger asked a young Sinclair Ferguson, "Are you saved, son?" Today, he describes this momentary exchange that God used as a stepping stone toward saving faith in Jesus Christ. Read the transcript: https://www.ligonier.org/podcasts/things-unseen-with-sinclair-ferguson/the-man-in-black

Its Wednesday my dudes.   This week we recorded video for the first time, it was an absolute blast. We also discussed lightning bugs, would you rather, and Carringtons thick hammie legs(this was unnecessary). Make sure and head over to our Instagram to catch all the sweet sweet new reels we'll be posting, its gonna be a blast.    Got any questions? Send them on in!!   Email: hotcrossbunspod@gmail.com   IG: @hotcrossbunspod

Daily Quote He was still too young to know that the heart's memory eliminates the bad and magnifies the good and that thanks to this artifice we manage to endure the burden of the past. (Gabriel García Márquez) Poem of the Day 踏莎行•小径红稀 晏殊 Beauty of Words The Man in Black Oliver Goldsmith

In this episode Noe dives into the flip side of the Shazamily, the DC "breakout" Black Adam.

Me and Shahid are back with episode #172 of Hood Classics...   2022 Black Adam!!! Twitter     @jeffvstheworld - Jeff     @philly_drugs - Shahid --- Support this podcast: https://podcasters.spotify.com/pod/show/jeffvstheworld/support

Brendan and Zach discuss THE MASK OF ZORRO. We deep dive into the movie, discuss listener feedback and decide the suggestion for the next movie rung in the Ladder. The next movie discussion begins at 1:12:34. So (re)watch the film (currently streaming on Netflix) and listen along to the discussion. Then stay tuned to hear what connected film we pick for next week. Submit your questions, comments, rating and suggested connections for next week's movie to themovieladder@gmail.com. You can find the podcast on Letterboxd (@TheMovieLadder), Twitter (@LadderMovie) and Instagram (@laddermovie).  Check out our Watchlist to see all the movies suggested on this podcast. You can find each of us individually on Twitter (@FitzyBrendan and @brooksza) and Letterboxd (@FitzyBrendan and @brooksza).  And join us for the Ladder Library Movie Challenge in 2023! --- Send in a voice message: https://podcasters.spotify.com/pod/show/the-movie-ladder-podcast/message

-Ravens def. Bengals 19-17-Bengals fall to 2-3, all 3 losses by 3pts or fewe-Giants def. Packers 27-22-Giants improve to 4-1, best start since 5-0 in 2009