Podcasts about rhythm blues

Rhythm & Blues 45s

Embarquez pour un voyage passionnant à la découverte de l'histoire de Sam & Dave, l'un des duos les plus emblématiques de la musique soul américaine des années 60. Ombline Roche, votre guide, vous plonge dans les coulisses de ce tandem explosif, mêlant succès retentissants et tensions personnelles.Dès le début, on est captivé par le parcours singulier de Sam Moore, ce jeune afro-américain qui rêvait de devenir pasteur avant de se laisser séduire par les sirènes du Rhythm & Blues. Sa rencontre fortuite avec Dave Prater, son futur acolyte, marque le début d'une aventure musicale hors du commun. Ensemble, ils forment le duo Sam & Dave et signent avec le prestigieux label Atlantic Records, la maison de Ray Charles.Mais le succès ne vient pas du premier coup. C'est un producteur avisé qui aura l'idée de les envoyer enregistrer à Memphis, au cœur des studios Stax Records, berceau de la soul music. Là-bas, Sam & Dave trouvent leur véritable voie et enchaînent les tubes, devenant l'une des locomotives du label. Leurs concerts enflammés, où leur énergie débordante électrise les foules, leur valent le surnom de "Double Dynamite". Cependant, derrière cette façade étincelante, les tensions entre les deux artistes ne cessent de s'intensifier. Leur relation tumultueuse finit par avoir raison du duo, qui se sépare une première fois en 1970, avant de se reformer sporadiquement, sans jamais retrouver la magie des débuts.Malgré ces moments de discorde, Sam & Dave laisseront une empreinte indélébile sur la musique soul, avec des titres devenus des classiques, comme "Soul Man". Leur histoire mouvementée, ponctuée de succès et de ruptures, est un véritable roman rock'n'roll, qui nous plonge au cœur de la scène musicale afro-américaine des sixties.

Rejoignez-nous pour découvrir l'histoire fascinante de Sam Cooke, l'un des chanteurs les plus emblématiques de la musique soul des années 1960. Avec sa voix de velours et son charisme irrésistible, Sam Cooke a su conquérir les cœurs du public américain, traversant les frontières raciales pour devenir une véritable icône.Dans cet épisode, Ombline Roche nous plonge dans les débuts de la carrière de Sam Cooke, alors qu'il passe du gospel à la chanson d'amour pop. Nous suivons son ascension fulgurante, qui le voit dominer à la fois les classements Rhythm & Blues et les hit-parades pop, détrônant même Elvis Presley sur son propre terrain. Nous découvrons également la liberté artistique dont Sam Cooke a bénéficié grâce à son contrat avec le géant RCA, lui permettant de s'épanouir pleinement en tant qu'artiste. Son concert mémorable au Copacabana de New York, l'un des disques soul les plus influents de l'histoire, est un moment fort de sa carrière.Malheureusement, la fin de la vie de Sam Cooke est tragique. Nous retraçons les circonstances mystérieuses de sa mort prématurée à l'âge de 33 ans, dans un motel miteux de Los Angeles. Cette fin brutale a longtemps alimenté les spéculations et les théories, laissant un voile de mystère sur la disparition de ce talent hors du commun.Rejoignez-nous pour un voyage passionnant dans la vie et l'œuvre de Sam Cooke, une figure incontournable de la musique soul

Making a Scene Presents Gerry Casey's Interview with Davy WatsonDavy Watson is a musician from Belfast. A singer/songwriter with influences steeped in Rhythm & Blues, Celtic Folk, Americana and Rock n Roll, his songs come from the Heart & Soul. http://www.makingascene.org

“UK R&B 在英国本地并不卖座”（‘The hardest music to sell in the UK'），这个观点经常伴随着 UK R&B 这一风格的讨论，不少文化/音乐媒体都一本正经地表达过这个观察，非得细究一下他们受欢迎的市场——好像还真的不在本地，都是在美国！这个观点确实如此吗？本期节目我们试着聊一聊这个话题，但我们并不认为这个观点以及现象是一个“问题”，它仅仅是再次强调了，英国音乐的土壤和来源与美国传统流行乐/黑人音乐的不同。R&B 在英国并不卖座，因为英国的文化环境就是与美国不同——如果我们只用美国传统黑人音乐的审美来欣赏的话。但深挖下去，就会发现 UK 音乐的特色，以及与美国流行音乐互相影响的趣味。本期主要目的还是分享一下我们喜欢的 UK 音乐，尤其是那些在主流音乐中不太常见或是已经不容易被提及的 hidden gems. 请不要将讨论所产生的观点作为权威乐评或某种严肃理论看待。本期所聊的 R&B 音乐是广义上的 Rhythm & Blues，也就是在美国发展而来的传统黑人音乐为根的 R&B，具体释义可回顾这一期：Ep53: All About R&B pt.1  我和老林不仅会分享一些传统意义上的 R&B/Soul，也有与这类风格和文化互相影响渗透的Dance, UK Street Soul 等 UK 特色的音乐。*我们聊的大部分音乐是1980s 之后的，1980s 之前UK R&B 有几个阶段也会提及：1960s: British InvasionLate 1960s: Northern Soul Late 1970s: Lovers RockMid 1980s - Early 1990s:  UK Street Soul （Discogs 关于 UK Street Soul 的介绍https://www.discogs.com/style/uk%20street%20soul）Episode Playlist:M People - “Inner City Cruise”Cymande - “Dove”Loose Ends - “Hangin' On A String”Loose Ends - “Don't You Ever (Try To Change Me)”Soul Ⅱ Soul - “Move Me No Mountain”M People - “Colour My lIfe” Sade - “Tar Baby”The Style Council - “Shout To The Top (USA Remix)”Julia Fordham - “Porcelain” Seal - “Crazy” Seal - “Don't Cry”Seal - “Human Beings” Ocean - “Don't Stand There” Lisa Stansfield - “Mighty Love”Lisa Stansfield - “All Around The World” All Saints - “Rock Steady (Satrip)”Tasmin Archer -“Sleeping Satellite”Mark Morrison - “Return of the Mack”Damage - “Ghetto Romance”Shola Ama - “You Might Need Somebody”Floetry - “Say Yes” Floetry  ft. Common - “SupaStar”Sananda Maitreya - “Wishing Well”Blood Orange - “Augustine”Sault - “Wildfire” Cleo Sol - “One”（节目中我口误把 Cleo 名字念错了请见谅！！！）Michael Kiwanuka - “Cold Little Heart”Sault- “Glory”

Die Blues Brothers, das sind Jake und Elwood Blues, vor allem dem amerikanischen Publikum bekannt aus der Comedy Show Saturday Night Live. In ihrem ersten und einzigen Filmauftritt in Originalbesetzung mit Jim Belushi und Dan Aykroyd erfahren sie, kurz nachdem Jake aus dem Gefängnis entlassen wurde, dass das Waisenhaus, in dem sie gemeinsam aufgewachsen sind, wegen Überschuldung schließen muss. Doch Dank eines James Brown Ex Machina hat Jake die rettende Idee: Die Band! Genauer gesagt, ihre alte Rhythm & Blues Band. Die wollen sie zusammentrommeln, um bei einem großen Konzert die notwendigen Mittel zur Rettung des Waisenhauses einzuspielen. Eine göttliche Mission, die allerdings schwieriger ist als gedacht. Nicht nur, dass die ehemaligen Bandmitglieder mittlerweile in alle Winde verstreut sind. Zusätzlich werden die beiden Brüder verfolgt: Von einem Haufen Neonazis, einer cholerischen Countryband, der gesamten Polizei des Staates Illinois und Carrie - Princess Leia - Fisher, bewaffnet mit Zeitbomben und einer fucking Bazooka. Hilfe gibt es von einer ganzen Reihe Musiklegenden: Ray Charles, Aretha Franklin, John Lee Hooker, Cab Calloway und dem bereits erwähnten James Brown als Priester auf Koks. Johannes, wir hatten hier im Podcast ja schon so manche musikalische Begegnung: Der Swing in Singing in the Rain, der Rock & Roll in Rocky Horror Picture Show, die Klassik in Fantasia. Der Jazz in Soul. Und mit Abba und Mamma Mia. haben wir uns dem - zur Entstehung des Films - deutlich populären Discogenre gewidmet. Wo landet bei dir “Rhythm & Blues” in deiner Mussmanhören-Tier-List. Und kann diese Musik, die schon damals out of date war, einen Film tragen, der ansonsten vor allem aus albernen Gags und Autoverfolgungsjagden besteht?

Gaslit Nation is recharging our batteries for the big election ahead so we're re-running a popular episode this week: Andrea's interview with her longtime friend and mentor, the journalist, filmmaker, and author Nelson George. Exclusively for our Patreon community we're publishing an all new bonus show this Saturday on how to stop MAGA. To our supporters at the Democracy Defender level and higher, submit your questions for our Q&A in the comments below or in a private message -- we always love hearing from you! Our Q&A will be out later this month! Thank you to everyone who supports the show -- we could not make Gaslit Nation without you!     Nelson George set off to become the greatest music writer in the world. In this surreal essay, he explains his strange relationship with Prince who summoned him to listen to new music; this confirms George's dream was achieved. Having come out of the projects in Brooklyn to contribute to the bohemian renaissance of Spike Lee turning Brooklyn into a global brand, George lived the explosion of Black culture across film, music, art, and more at the close of the 20th century and looks back at this groundbreaking time in a sweeping and important discussion of why art matters.     This is an interview about artists -- it's for people who want to be artists -- it's for artists at all stages of their careers -- it's for people who love and consume art -- it's a discussion about the value of mentorship -- and the way to get to the heart of being an artist, why that's important, what that means, the practical ins and outs of how to do it.     From the biography on his website: "Nelson George is the author of several histories of African American music, including Where Did Our Love Go: the Rise and Fall of the Motown Sound, The Death of Rhythm & Blues, and the classic Hip Hop America. He has published two collections of music journalism: Buppies, BBoys, Baps & Bohos: Notes on Post-Soul America and the recent The Nelson George Mixtape, which is available through Pacific Books. He has written several novels with music themes (The Accidental Hunter, The Plot Against Hip Hop, The Lost Treasures of R&B, and To Funk and Die in LA). In television, George was a producer on the Emmy Award winning The Chris Rock Show on HBO, a producer on Hip Hop Honors on VH1, and executive producer of the American Gangster crime series on BET. As a filmmaker, George has co-written the screenplays to Strictly Business and CB4. He directed Queen Latifah to a Golden Globe in the HBO film Life Support, which he also co-wrote. He has directed a number of documentaries including Finding the Funk, The Announcement, and Brooklyn Boheme (Showtime). George was a producer on the award winning documentary on Black music executive Clarence Avant, The Black Godfather, for Netflix. His theatrical documentary on ballerina Misty Copeland is called A Ballerina's Tale. He was a writer/producer on Baz Lurhmann's hip hop inspired Netflix series The Get Down. He is an executive producer of Dear Mama, a documentary series about Tupac Shakur directed by Allen Hughes." And, to add to this illustrious biography, Nelson has been a longtime friend and mentor who helped Andrea navigate the wily world of getting Mr. Jones written and produced.     Fight for your mind! To get inspired to make art and bring your projects across the finish line, join us for the Gaslit Nation LIVE Make Art Workshop on April 11 at 7pm EST – be sure to be subscribed at the Truth-teller level or higher to get your ticket to the event!     Join the conversation with a community of listeners at Patreon.com/Gaslit and get bonus shows, all episodes ad free, submit questions to our regular Q&As, get exclusive invites to live events, and more!     Check out our new merch! Get your “F*ck Putin” t-shirt or mug today! https://www.teepublic.com/t-shirt/57796740-f-ck-putin?store_id=3129329

We discuss Patti LaBelle, and we also discuss the political realignment in the U.S.

HOST: MARK LONGO, THE OPTIONS INSIDER MEDIA GROUP CO-HOST: MARK SEBASTIAN, THE OPTION PIT CO-HOST: MIKE TOSAW, ST. CHARLES WEALTH MANAGEMENT ON THIS EPISODE, MARK, THE GREASY MEATBALL, AND UNCLE MIKE BREAK DOWN: THEIR MEMORIES OF THE HONKY TONK MAN THE LATEST IN THE OPTIONS MARKETS - THE RUSSELL 2000 IS THE STAR OF THE SHOW TODAY MOST ACTIVE OPTIONS INCL UBER, MARA EARNINGS VOLATILITY IN PLAY, OLLI, DG, LULU UNUSUAL OPTIONS ACTIVITY IN BBWI, PLTK, CLB, COUR WHEN TO ACT AND WHEN TO WAIT TO ACT ON SELLING OPTIONS FOR TAX PURPOSES WHAT'S ON OUR RADAR FOR THE REST OF THE WEEK AND MUCH MORE THIS EPISODE OF THE OPTION BLOCK BROUGHT TO YOU BY TASTYTRADE.

HOST: MARK LONGO, THE OPTIONS INSIDER MEDIA GROUP CO-HOST: MARK SEBASTIAN, THE OPTION PIT CO-HOST: MIKE TOSAW, ST. CHARLES WEALTH MANAGEMENT ON THIS EPISODE, MARK, THE GREASY MEATBALL, AND UNCLE MIKE BREAK DOWN: THEIR MEMORIES OF THE HONKY TONK MAN THE LATEST IN THE OPTIONS MARKETS - THE RUSSELL 2000 IS THE STAR OF THE SHOW TODAY MOST ACTIVE OPTIONS INCL UBER, MARA EARNINGS VOLATILITY IN PLAY, OLLI, DG, LULU UNUSUAL OPTIONS ACTIVITY IN BBWI, PLTK, CLB, COUR WHEN TO ACT AND WHEN TO WAIT TO ACT ON SELLING OPTIONS FOR TAX PURPOSES WHAT'S ON OUR RADAR FOR THE REST OF THE WEEK AND MUCH MORE THIS EPISODE OF THE OPTION BLOCK BROUGHT TO YOU BY TASTYTRADE.

Delve into the vibrant journey of the blues as it evolved into the toe-tapping beats of Rhythm & Blues in Episode 8 of our series: 'From Heartbreak to Dance Floor.' Explore how post-WWII socio-economic shifts, along with gospel, jazz, and big band influences, shaped this transformative genre. Discover the musical nuances, key R&B artists like Fats Domino and Ray Charles, and the significant societal impacts of Rhythm & Blues. Listen now to trace the rhythmic lineage and celebrate the deep roots of R&B in blues music. SUPPORT THE SHOW: https://lnk.bio/TheBluesLegacy --- Send in a voice message: https://podcasters.spotify.com/pod/show/theblueslegacy/message

This latest jazz Cast features part two of our newest compositions. We hope you start to tap your toes before the end of the first tune! The songs: NICE TO MEET YOU, RIFFIN' ON A DREAM, TIME KEEPS ON TICKING, VARIATIONS ON THE MOMENT and MOUNTAIN MOVES. Enjoy! 

Rhythm & Blues. Gospel. Hip Hop. Rock & Roll. These genres are the soundtrack and backdrop to the black experience. They speak to us, and we speak through them literally and physically as instruments that help us say it loud, we're black and we're proud.    On this episode of the Jigsaw, Josh and Bryan close out United Negro Music Appreciation month by inviting the multi-talented and hyphenated Steve Epting to the Living Room to discuss his transition from the church choir stand, to arenas performing with icons and legends. Also, he answers the question of if Hip Hop & R&B are dead and if so, how can they be resurrected.    Oh, and someone said that Beyoncé could never measure up to Ashanti. Find out who.  Follow and connect with Steve Epting on IG @needfor_steve or at his business page @livenowculture   Bless Up Report: Boyesh Brand - Reginald Justilien   Song of the Week: Steve Epting - Willing    Tap in to your favorite Casanegros by writing them or following them on social media using the information below:   askthejigsaw@gmail.com   IG: @thejigsawpodcast | @iamjoshrodgers | iambryanhaire

Every Friday in June leading up to Heritage Days, K-100 is showcasing the bands performing on the Pepsi Main Stage and giving you the chance to preview their music before showtime. This week Sparks chats with Isaiah Evans of The 40 Acre Mule, who will playing the Heritage Days Pepsi Main Stage on Saturday, June 24th from 9:15 to 10:30 p.m. From their band description: Since forming in Dallas, Texas in 2015, The 40 Acre Mule has built a loyal following the old-fashioned way, they earned it! Playing countless bars and packed clubs, they watched crowds grow mainly by word of mouth. As the crowds caught on, so did the likes of legendary promoter Scott Beggs and Jim Heath (The Reverend Horton Heat) who gave The 40 Acre Mule their first break with an opening slot at a SOLD-OUT show at Dallas' legendary Bomb Factory. From there, opportunities to open for more superstars of roots music came along helping The 40 Acre Mule spread their brand of Rhythm & Blues music.

From Dark Side to The Wall: A Deep Dive into Pink Floyd's Evolution and Impact on Music History.

Nelson George is an established author and filmmaker with a passion for telling stories of the black experience in America. George is the author of several ground breaking histories of African American music, including Where Did Our Love Go: the Rise and Fall of the Motown Sound, The Death of Rhythm & Blues and Hip Hop America. He has published two collections of music journalism, Buppies, BBoys, Baps & Bohos: Notes on Post-Soul America and the The Nelson George Mixtape, which is available through Pacific Books. www.pacificpacific.pub. As a novelist he has written several popular novels with music themes (The Accidental Hunter, The Plot Against Hip Hop, The Lost Treasures of R&B, To Funk and Die in LA). The fifth book in the D Hunter music noir series, The Darkest Hearts, was published by Akashic Books in August 2020. In television, George was a producer on the Emmy Award winning The Chris Rock Show (HBO), a producer on Hip Hop Honors (VH1), executive producer of the high rated American Gangster crime series (BET) and a writer on A Grammy Salute to The Sounds of Change (CBS) in 2021  He has directed a number of documentaries including Finding the Funk (VH1), The Announcement (ESPN), and Brooklyn Boheme (Showtime). George was a producer on the award winning documentary on black music executive Clarence Avant, The Black Godfather (Netflix). His theatrical documentary on ballerina Misty Copeland is called A Ballerina's Tale.  His most recent docs are Say Hey, Willie Mays! (HBO MAX) and Thriller 40 (Sony Music). Currently he is editing a documentary called a Great Day in Hip Hop Revisited, parts of which have been screened at various museums and is an executive producer on documentary series about Tupac Shakur, Dear Mama, directed by Allen Hughes that will air on FX in 2023. Nelson does most of his work through his production company, Urban Romances. He post regularly on his Substack titled The Nelson George Mixtape. 

In the late 80's & early 90's you couldn't turn on a comedy special without seeing Roger Kabler and his off the wall, high energy, impression filled act. He was the Zima guy in commercials and starred in the sitcom Rhythm & Blues. He took his passion for Robin Williams and released a movie called "Being Robin". Join Ace & Scott as they go behind the funny with Roger Kabler! https://beingrobinthemovie.com/  Go to https://www.buymeacoffee.com/behindthefQ to buy us a coffee or a bourbon.  Get your BTF gear at https://www.teepublic.com/stores/scott-higgins

This weekend we finished the final week in our Rhythm + Blues series. Josh King, one of our teaching pastors, continued to talk about this process of lament and how God sees and hears us in those moments. 

This weekend we finished the final week in our Rhythm + Blues series. Josh King, one of our teaching pastors, continued to talk about this process of lament and how God sees and hears us in those moments. 

During the message this weekend, Trace Rorie, one of our teaching pastors, continued our "Rhythm + Blues" series talked about how to cope with these natural rhythms of struggle/frustration/grief.

During the message this weekend, Trace Rorie, one of our teaching pastors, continued our "Rhythm + Blues" series talked about how to cope with these natural rhythms of struggle/frustration/grief.

We had an incredible weekend with you beginning a new series called, Rhythm + Blues. Lead Pastor Ted Bryant unpacked the process of lament and how we should go to God in seasons of pain. 

We had an incredible weekend with you beginning a new series called, Rhythm + Blues. Lead Pastor Ted Bryant unpacked the process of lament and how we should go to God in seasons of pain. 

Rhythm & Blues 45s

"rhythm and blues music rhythm and blues, also called rhythm & blues or R&B, term used for several types of postwar African-American popular music, as well as for some white rock music derived from it. The term was coined by Jerry Wexler in 1947, when he was editing the charts at the trade journal B" "--START AD- #TheMummichogblogOfMalta Amazon Top and Flash Deals(Affiliate Link - You will support our translations if you purchase through the following link) - https://amzn.to/3CqsdJH Compare all the top travel sites in just one search to find the best hotel deals at HotelsCombined - awarded world's best hotel price comparison site. (Affiliate Link - You will support our translations if you purchase through the following link) - https://www.hotelscombined.com/?a_aid=20558 “So whatever you wish that others would do to you, do also to them, for this is the Law and the Prophets."""" #Jesus #Catholic. Smooth Radio Malta is Malta's number one digital radio station, playing Your Relaxing Favourites - Smooth provides a ‘clutter free' mix, appealing to a core 35-59 audience offering soft adult contemporary classics. We operate a playlist of popular tracks which is updated on a regular basis. https://smooth.com.mt/listen/ Follow on Telegram: https://t.me/themummichogblogdotcom END AD---" "illboard and found that the record companies issuing Black popular music considered the chart names then in use (Harlem Hit Parade, Sepia, Race) to be demeaning. The magazine changed the chart's name in its June 17, 1949, issue, having used the term rhythm and blues in news articles for the previous two years. Although the records that appeared on Billboard's rhythm-and-blues chart thereafter were in a variety of different styles, the term was used to encompass a number of contemporary forms that emerged at that time. Perhaps the most commonly understood meaning of the term is as a description of the sophisticated urban music that had been developing since the 1930s, when Louis Jordan's small combo started making blues-based records with humorous lyrics and upbeat rhythms that owed as much to boogie-woogie as to classic blues forms. This music, sometimes called jump blues, set a pattern that became the dominant Black popular music form during and for some time after World War II. Among its leading practitioners were Jordan, Amos Milburn, Roy Milton, Jimmy Liggins, Joe Liggins, Floyd Dixon, Wynonie Harris, Big Joe Turner, and Charles Brown. While many of the numbers in these performers' repertoires were in the classic 12-bar A-A-B blues form, others were straight pop songs, instrumentals that were close to light jazz, or pseudo-Latin compositions. USA 2006 - 78th Annual Academy Awards. Closeup of giant Oscar statue at the entrance of the Kodak Theatre in Los Angeles, California. Hompepage blog 2009, arts and entertainment, film movie hollywood BRITANNICA QUIZ Pop Culture Quiz Are you a princess of Pop? The king of Culture? See if you're an entertainment expert by answering these questions. Charles Brown. Within this genre there were large-group and small-group rhythm and blues. The former was practiced by singers whose main experience was with big bands and who were usually hired employees of bandleaders such as Lucky Millinder (for whose band Harris sang) or Count Basie (whose vocalists included Turner and Jimmy Witherspoon). The small groups usually consisted of five to seven pieces and counted on individual musicians to take turns in the limelight. Thus, for instance, in Milton's group, Milton played drums and sang, Camille Howard played piano and sang, and the alto and tenor saxophonists (Milton went through several of them) each would be featured at least once. Another hallmark of small-group rhythm and blues was the relegation of the guitar, if indeed there was one, to a time-keeping status, because guitar soloing was considered “country” and unsophisticated. The most extreme example of this was Brown, both in his early work with Johnn

Song: Made My Blood Run ColdSong by: Ike TurnerPhoto credit: Edge4life42 - Own workUsage: Wikipedia CC BY-SA 3.0Keyboardist: Gail NoblesPodcast vocals: Gail NoblesIke Turner said: She made my blood run cold,Sent cold chills all through my soul ..You know Halloween is coming up. I always think of Michael Jackson's song, Thriller. But there are other songs you can listen to for Halloween like Ike Turner's Made My Blood Run Cold released in 1957. The style is considered Rhythm & Blues. I went to see my doctor. Asked him what was wrongHe gave me an examination I was chilled to my bones. ..Ike Turner was a musician, bandleader, songwriter, record producer, and talent scout. An early pioneer of 1950s rock and roll. He is best known for his work in the 1960s and 1970s with his then - wife Tina Turner.It's always good to go back & dig up oldies but goodies. Especially when it's your first time hearing a song that was before your time. It is then a new song to the ears. And if you haven't heard Ike Turner's song “Made My Blood Run Cold”, you've got a new Halloween song to listen to. I'm Gail Nobles on the Cat Bear. Don't forget this Halloween to listen to Ike Turner's song Made My Blood Run Cold found on Spotify. …

What is being an impressionist? Since Roger Kabler was 17 years old he has been observing Robin Williams now he made a movie about how he effected him and he felt possessed by him. In early 1990s ads, Kabler was known as the fedora-wearing "Zima guy". Aside from the fedora, his gimmick involved replacing "S" sounds with "Z" sounds, reinforcing the slogan "Zomething different." On television, Kabler appeared as a member of the repertory company on CBS' The Carol Burnett Show in 1991. The next season, he landed the lead role of Bobby Soul in the short-lived NBC sitcom Rhythm & Blues.[1][2] As a celebrity impersonator, Kabler is known for his impression of Robin Williams and Jon Lovitz. Check out the trailer https://beingrobinthemovie.com/   Connect with Reena https://youtube.com/c/BetterCallDaddy twitter.com/reenareena instagram.com/reenafriedmanwatts instagram.com/bettercalldaddypodcast bettercalldaddy.com

Brooks Long is back and that means he and Nate are talking about a book written or co-written by the great David Ritz. While at Billboard magazine in the 1940s, Jerry Wexler coined the term Rhythm & Blues. He went on to become one of the great "record men" at Atlantic Records in the 1950s, 60s and 70s where he produced career-peak recordings by legends such as Ruth Brown, LaVern Baker, Ray Charles, Solomon Burke, Aretha Franklin. He also found time to be a villain in the stories of Stax Records, Bert Berns and FAME Studios in Muscle Shoals, Alabama.Buy the book and support the podcast.Download this episode.Don't miss Nate's interview with David Ritz.Don't miss Nate & Brooks discussing:Aretha FranklinRay CharlesDon't miss Nate's interview with Bert Berns biographer Joel Selvin.Don't miss Nate's interviews with Robert Gordon about Stax Records:Part 1Part 2Have a question or a suggestion for a topic or person for Nate to interview? Email letitrollpodcast@gmail.comFollow us on Twitter.Follow us on Facebook.Let It Roll is proud to be part of Pantheon Podcasts.  

We preview the 2022 Harborpark Jazz Rhythm & Blues Festival (coming up this Saturday, August 20th, at Celebration Place in downtown Kenosha) with Tim Mahone, Ardis Mahone, Teri Jacobsen, Jeff Weidner, and Sheronda Glass.

Tonight was the finale of Love Belvin's Love in Rhythm & Blues series. All of the secrets were revealed...listen in. She hates secrets. He despises gray areas. But his sent her away without answers. Will Wynter's rhythm of blues keep her from experiencing the relationship budding between the two? Or will Ragee cleanse himself of the demons and teach her the rhyme of love? Find out in the spellbinding conclusion of the "Love in Rhythm & Blues" series. DISCLAIMER: The Rhyme of Love is book two of a two-book series. This series is for mature audiences ONLY. This installment is a full-length novel containing profanity, erotica, and sensitive sexual content. If you do not like dark, racy romance between your pages, this literary venture is not for you.

Tonight we discuss fake celebrity marriages, love, and betrayal. Some believe the old adage, “where there's smoke, there's fire.” Well, in some instances the smoke is just a coverture for secrets. Dark ones. Ragee is a successful R&B singer, music composer, and actor who shot to fame and celebrity at rocketing speed. He has the voice, the troubled soul, the seductive look, and the alluring mystique, all of which give him the traditional packaging of a soulful rhythm and blues singer. But he also has an unshakable stigma attached to his stardom that won't seem to go away. Wynter Blue thought she was taking control of her world the day she up and quit her job. As a social service professional, she was done with helping afflicted adult men to right their paths in life. She was ready to live for her. Finally. She wanted to pursue her dreams and stretch the bounds of her creativity. Little did she know, the day she walked out of her job was the very one she'd run into the shroud of smoke. His smoke. Awfully familiar with secrets herself, Wynter questions if she can handle Ragee's darkness while trying to bring him into the light of truth. DISCLAIMER: The Rhythm of Blues is book one of a two-book series. This series is for mature audiences ONLY. This installment is a full-length novel containing profanity, erotica, and sensitive sexual content. It ends on a cliffhanger. If you do not like dark, racy romance between your pages this literary venture is not for you.

Another hour of Motown, Ska, Mod, Northern Soul, Surf, Rhythm & Blues, Psychedelia and Garage Rock from long agos and worlds apart.

Gearld Albright launched his solo career as a saxophonist in 1987, releasing his first solo album.  In addition, this 8-time Grammy award nominated musician has appeared in various television programs.  Gerald collaborates with many other jazz musicians too, including the all-star cast of Summer Horns.  Multi-award winning program director and radio producer, Ray White, talks with Gerald about his latest release G-Stream - which he recorded during the Covid pandemic.  He also shares his insights into playing with the legendary drummer Alphonse Mouzon.  Lisa Davis features two phenominal R&B singers in our showcase segment, who have just released new singles - Tony award winner Melba Moore and the 3-time Grammy winner, Maxwell!  Bringing you the latest, and very best of Contemporary Jazz and Rhythm & Blues...stay tuned-in to the Coool CAT.  

Sublette's book is "a tale of imperial war, religious conflict, the search for treasure, the spread of slavery, the Cuban connection, the cruel aristocracy of sugar, and the very different revolutions that created the United States and Haiti" culminating in the magical drum music of Congo Square, sounds that echo on today via Jazz, Rhythm & Blues, Rock & Roll, Funk and Hip-Hop.Have a question or a suggestion for a topic or person for Nate to interview? Email letitrollpodcast@gmail.comFollow us on Twitter.Follow us on Facebook.Let It Roll is proud to be part of Pantheon Podcasts.

Sublette's book is "a tale of imperial war, religious conflict, the search for treasure, the spread of slavery, the Cuban connection, the cruel aristocracy of sugar, and the very different revolutions that created the United States and Haiti" culminating in the magical drum music of Congo Square, sounds that echo on today via Jazz, Rhythm & Blues, Rock & Roll, Funk and Hip-Hop.Have a question or a suggestion for a topic or person for Nate to interview? Email letitrollpodcast@gmail.comFollow us on Twitter.Follow us on Facebook.Let It Roll is proud to be part of Pantheon Podcasts.

⁃ NBA- Is the Model now a fade? ⁃ NCAAB- Things are looking good at the start of the season. ⁃ NCAAF- Just looking to break even at this point ⁃ NFL- Still positive through a tough couple of weeks Please Rate, Review & Share!! --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app

In this episode, the legendary Paul Morley joins us to talk about his native Manchester, Joy Division and his epic new biography of Factory Records boss Tony Wilson.Paul recounts his early pop epiphanies and discovery of the UK's music press, culminating in the one & only issue of his 1976 fanzine Out There — not to mention his first reviews for the NME in 1976. The conversation then turns to "Anthony H." Wilson and the formation of Factory, taking in Paul's championing of Joy Division before leading into a discussion of Martin Aston's 1986 audio interview with New Order's Bernard Sumner and Stephen Morris.From there we consider the week's featured act Faust, spinning off from pieces about the German enigmas by Ian MacDonald, Andy Gill and David Stubbs, and prompting general thoughts on "Krautrock" from both guest and hosts. After saying goodbye to chief Chieftain Paddy Moloney, and to three veteran RBP writers on soul and R&B (Pete Grendysa, Bob Fisher and Roger St. Pierre), Mark leads us through his personal favourites among the 100+ articles added to the RBP library over the past fortnight, incuding pieces about the Stones' pad in Edith Grove, Lorraine Ellison's volcanic single 'Stay With Me' and Charlie Watts on drummers & drumming. Finally, Jasper talks us out with his thoughts on pieces about Primal Scream's 2000 XTRMNTR and John Sinclair taking The Wire's "Invisible Jukebox" text in 2003.Many thanks to special guest Paul Morley; his book From Manchester with Love: The Life and Opinions of Tony Wilson is published by Faber and available now. Pieces discussed: Paul Morley on Manchester, Joy Division, New Order, Tony Wilson, New Order audio, Faust, Faust IV, Jean-Hervé Peron, David Stubbs' Faustian Pact, Rhythm & Blues, Soul (Style), The Chieftains, Paddy Moloney, The Stones, Pink Floyd, Lorraine Ellison, Iron Butterfly, Patti Smith, 808 State, Dusty Springfield, Charlie Watts, The Sex Pistols, Was (Not Was), Primal Scream and John Sinclair.

In this episode, the legendary Paul Morley joins us to talk about his native Manchester, Joy Division and his epic new biography of Factory Records boss Tony Wilson.Paul recounts his early pop epiphanies and discovery of the UK's music press, culminating in the one & only issue of his 1976 fanzine Out There — not to mention his first reviews for the NME in 1976. The conversation then turns to "Anthony H." Wilson and the formation of Factory, taking in Paul's championing of Joy Division before leading into a discussion of Martin Aston's 1986 audio interview with New Order's Bernard Sumner and Stephen Morris.From there we consider the week's featured act Faust, spinning off from pieces about the German enigmas by Ian MacDonald, Andy Gill and David Stubbs, and prompting general thoughts on "Krautrock" from both guest and hosts. After saying goodbye to chief Chieftain Paddy Moloney, and to three veteran RBP writers on soul and R&B (Pete Grendysa, Bob Fisher and Roger St. Pierre), Mark leads us through his personal favourites among the 100+ articles added to the RBP library over the past fortnight, incuding pieces about the Stones' pad in Edith Grove, Lorraine Ellison's volcanic single 'Stay With Me' and Charlie Watts on drummers & drumming. Finally, Jasper talks us out with his thoughts on pieces about Primal Scream's 2000 XTRMNTR and John Sinclair taking The Wire's "Invisible Jukebox" text in 2003.Many thanks to special guest Paul Morley; his book From Manchester with Love: The Life and Opinions of Tony Wilson is published by Faber and available now. Pieces discussed: Paul Morley on Manchester, Joy Division, New Order, Tony Wilson, New Order audio, Faust, Faust IV, Jean-Hervé Peron, David Stubbs' Faustian Pact, Rhythm & Blues, Soul (Style), The Chieftains, Paddy Moloney, The Stones, Pink Floyd, Lorraine Ellison, Iron Butterfly, Patti Smith, 808 State, Dusty Springfield, Charlie Watts, The Sex Pistols, Was (Not Was), Primal Scream and John Sinclair.

Nick Smith, well known as a Jazz Pianist, is also skilled at several other musical genres including Latin, Rhythm & Blues, Rock, and Country. His imposing talent in diverse musical environments reflects Nick's passion for excellence and his mastery of all aspects of his craft, from performing to composing to producing. Nick is devoted to providing performances that adhere to the correct form of the composition with persistently lyrical, stratospheric comping.

In the new episode of the RBP podcast, hosts Barney, Mark & Jasper welcome the great Nelson George into "the cupboard", all the way from his native Brooklyn. Nelson talks about his long and distinguished career, from interning at Billboard via his Village Voice column to his recently-published collection The Nelson George Mixtape, Vol. 1. His hosts ask him specifically about his essential 1988 book The Death of Rhythm & Blues, as well as about hip hop & the Average White Band.The conversation then turns to the week's new audio interview(s) with Nelson favourites Jimmy Jam & Terry Lewis — and to the Minneapolis duo's peerless productions of Janet Jackson, Alexander O'Neal and the S.O.S. Band. Mark then talks us through new library pieces about Lee Dorsey, Television's Richard Lloyd and Public Enemy, while Barney highlights Sheila Weller's Vanity Fair retrospective on Haight-Ashbury and Jasper quotes from Mal Peachey's 2004 Independent appreciation of Eric Dolphy's jazz classic Out to Lunch.Many thanks to special guest Nelson George. Visit his website at http://www.nelsongeorge.net/bio for details of his books and other work.Pieces discussed: Nelson George, The Death of Rhythm & Blues, Hip Hop America, Bruce Springsteen, Arthur Lee, Average White Band, Jimmy Jam audio, Terry Lewis audio, The Who, Byrds, Miles Davis, Germaine Greer, Richard Lloyd, Public Enemy, Lee Dorsey, Suede, Summer of Love, Eric Dolphy and Run the Jewels.

In the new episode of the RBP podcast, hosts Barney, Mark & Jasper welcome the great Nelson George into "the cupboard", all the way from his native Brooklyn. Nelson talks about his long and distinguished career, from interning at Billboard via his Village Voice column to his recently-published collection The Nelson George Mixtape, Vol. 1. His hosts ask him specifically about his essential 1988 book The Death of Rhythm & Blues, as well as about hip hop & the Average White Band.The conversation then turns to the week's new audio interview(s) with Nelson favourites Jimmy Jam & Terry Lewis — and to the Minneapolis duo's peerless productions of Janet Jackson, Alexander O'Neal and the S.O.S. Band. Mark then talks us through new library pieces about Lee Dorsey, Television's Richard Lloyd and Public Enemy, while Barney highlights Sheila Weller's Vanity Fair retrospective on Haight-Ashbury and Jasper quotes from Mal Peachey's 2004 Independent appreciation of Eric Dolphy's jazz classic Out to Lunch.Many thanks to special guest Nelson George. Visit his website at http://www.nelsongeorge.net/bio for details of his books and other work.Pieces discussed: Nelson George, The Death of Rhythm & Blues, Hip Hop America, Bruce Springsteen, Arthur Lee, Average White Band, Jimmy Jam audio, Terry Lewis audio, The Who, Byrds, Miles Davis, Germaine Greer, Richard Lloyd, Public Enemy, Lee Dorsey, Suede, Summer of Love, Eric Dolphy and Run the Jewels.

Host Nate Wilcox is joined by R.J. Smith to talk about his book "The Great Black Way: L.A. in the 1940s and the Last African American Renaissance." It was a pivotal place and time in American music history that brought together gospel, jazz and blues and brought forth Rhythm & Blues and modern jazz.Let It Roll is proud to be part of Pantheon Podcasts.

Host Nate Wilcox is joined by R.J. Smith to talk about his book "The Great Black Way: L.A. in the 1940s and the Last African American Renaissance." It was a pivotal place and time in American music history that brought together gospel, jazz and blues and brought forth Rhythm & Blues and modern jazz.Let It Roll is proud to be part of Pantheon Podcasts.

Vamos a dar un paseo por uno de los grandes singles del Rhythm & Blues de todos los tiempos: Ain’t No Sunshine de Bill Withers. Ricardo Portmán nos cuenta su breve historia.

Co-Founder of Atlantic Records. Producer of Ray Charles, Aretha Franklin, Wilson Pickett, Otis Redding, Dusty Springfield, Etta James, Sam & Dave, Dire Straits and Bob Dylan. Inventor of the term ‘Rhythm & Blues'. New York. Memphis. Muscle Shoals. I interviewed Wexler in 2003 for my BBC documentary series “Richard Niles' History of Pop Arranging” and for my book “The Invisible Artist” (2009). This interview is not only historically important. Wexler enabled and encouraged some of the greatest artists to create their best work. It allows you to hear the thoughts of someone whose unique combination of intellect, soul and humanity made him one of the greatest contributors to the art of music. In Part 1 Wexler talks about his work with Ray Charles, Wilson Pickett, Doctor John, and Harold Battiste. Don't miss Part 2 where Wexler discusses his work at Stax Records with Aretha Franklin and Dylan at Muscle Shoals and Part 3 where he talks about Dusty Springfield in Memphis. Wexler also takes us into his private office at his home in Long Island. Only Radio Richard can give you such amazing content! Please subscribe to our YouTube channel and donate to our podcast.   YouTube: https://www.youtube.com/user/DRRICHARDNILES?sub_confirmation=1 Podcast: https://radiorichard.podbean.com/ Facebook: https://www.facebook.com/radiorichard2021 Twitter: https://twitter.com/radiorichard3 Patreon: https://www.patreon.com/radiorichard #jerrywexler #richardniles #radiorichard #atlanticrecords #raycharles #arethafranklin #wilsonpickett #otisredding #dustyspringfield #ettajames #direstraits #bobdylan #podcast #interviews #music #musicresearch #musiceducation #artistdevelopment #composition #performance #podbean​ #educational​ Radio Richard Theme ©Niles Smiles Music 2021 sung by Free Play Duo.

Co-Founder of Atlantic Records. Producer of Ray Charles, Aretha Franklin, Wilson Pickett, Otis Redding, Dusty Springfield, Etta James, Sam & Dave, Dire Straits and Bob Dylan. Inventor of the term ‘Rhythm & Blues'. New York. Memphis. Muscle Shoals. I interviewed Wexler in 2003 for my BBC documentary series “Richard Niles' History of Pop Arranging” and for my book “The Invisible Artist” (2009). This interview is not only historically important. Wexler enabled and encouraged some of the greatest artists to create their best work. It allows you to hear the thoughts of someone whose unique combination of intellect, soul and humanity made him one of the greatest contributors to the art of music. In Part 1 Wexler talks about his work with Ray Charles, Wilson Pickett, Doctor John, and Harold Battiste. Don't miss Part 2 where Wexler discusses his work at Stax Records with Aretha Franklin and Dylan at Muscle Shoals and Part 3 where he talks about Dusty Springfield in Memphis. Wexler also takes us into his private office at his home in Long Island. Only Radio Richard can give you such amazing content! Please subscribe to our YouTube channel and donate to our podcast.   YouTube: https://www.youtube.com/user/DRRICHARDNILES?sub_confirmation=1 Podcast: https://radiorichard.podbean.com/ Facebook: https://www.facebook.com/radiorichard2021 Twitter: https://twitter.com/radiorichard3 Patreon: https://www.patreon.com/radiorichard #jerrywexler #richardniles #radiorichard #atlanticrecords #raycharles #arethafranklin #wilsonpickett #otisredding #dustyspringfield #ettajames #direstraits #bobdylan #podcast #interviews #music #musicresearch #musiceducation #artistdevelopment #composition #performance #podbean​ #educational​ Radio Richard Theme ©Niles Smiles Music 2021 sung by Free Play Duo.

Co-Founder of Atlantic Records. Producer of Ray Charles, Aretha Franklin, Wilson Pickett, Otis Redding, Dusty Springfield, Etta James, Sam & Dave, Dire Straits and Bob Dylan. Inventor of the term ‘Rhythm & Blues'. New York. Memphis. Muscle Shoals. I interviewed Wexler in 2003 for my BBC documentary series “Richard Niles' History of Pop Arranging” and for my book “The Invisible Artist” (2009). This interview is not only historically important. Wexler enabled and encouraged some of the greatest artists to create their best work. It allows you to hear the thoughts of someone whose unique combination of intellect, soul and humanity made him one of the greatest contributors to the art of music. In Part 1 Wexler talks about his work with Ray Charles, Wilson Pickett, Doctor John, and Harold Battiste. Don't miss Part 2 where Wexler discusses his work at Stax Records with Aretha Franklin and Dylan at Muscle Shoals and Part 3 where he talks about Dusty Springfield in Memphis. Wexler also takes us into his private office at his home in Long Island. Only Radio Richard can give you such amazing content! Please subscribe to our YouTube channel and donate to our podcast. YouTube: https://www.youtube.com/user/DRRICHARDNILES?sub_confirmation=1 Podcast: https://radiorichard.podbean.com/ Facebook: https://www.facebook.com/radiorichard2021 Twitter: https://twitter.com/radiorichard3 Patreon: https://www.patreon.com/radiorichard #jerrywexler #richardniles #radiorichard #atlanticrecords #raycharles #wilsonpickett #doctorjohn #haroldbattiste #podcast #interviews #music #musicresearch #musiceducation #artistdevelopment #composition #performance #podbean​ #educational​ Radio Richard Theme ©Niles Smiles Music 2021 sung by Free Play Duo.

Vol. 5 LIVE (Rock & Roll, Rhythm & Blues, 50s and 60s)

On the line with Osei and Simon of Big Hands Rhythm and Blues Band. The name is straightforward, but the music is so much more. --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app