Podcasts about Johnny Pacheco

Un cop al mes, tornem a la vida can

Simón Petit, Arturo Ramos & JazzTaBueno Productions present: SalsaBrava 02/2025 *Candela Pa Ti* 1. Kako Y Palmieri - Alegre All Stars 2. El Matakan - Bobby Valentin. 3. Abicu - Roberto Anglero 4. Candela Pa Ti - Ernie Agosto y la Conspiración 5. Chonqui - Willie Colon 6. Lo que esta pasando - Orquesta Harlow 7. Ritmo con Ache - Jose Mangual Jr. 8. Seguiré Sin Soñar - Ray Barreto 9. La Blusita Colora - Ismael Quintana 10. Sonero – Johnny Pacheco con Pete El Conde Rodriguez Our Production music is new and innovative in many ways. Is also engaging and inspiring our loyal public radio family with the current explosion of talent and creativity across the spectrum of jazz and related musics.

Born in the Pinar del Río province of Cuba, Steinway Artist, Grammy Nominated, and 2014 Jalc Millennium Swing Award! recipient pianist and composer Elio Villafranca was classically trained in percussion and composition at the Instituto Superior de Arte in Havana, Cuba. Since he arrived in the U.S. in mid-1995, Elio Villafranca has been at the forefront of the latest generation of remarkable pianists, composers, and bandleaders. NYC Jazz Record selected his concert Letters to Mother Africa as Best Concerts in 2016. In 2015, Mr. Villafranca was among the 5 pianists hand-picked by Chick Corea to perform at the first Chick Corea Jazz Festival, curated by Chick himself at JALC. Elio Villafranca's new album Caribbean Tinge (Motema), received a 2014 Preis der Deutschen Schallplattenkritik Nomination by the German Records Critics Award, as well has been selected by JazzTimes and DownBeat magazines for a feature on their very competitive section Editor's Pick. He also received a 2010 Grammy Nomination in the Best Latin Jazz Album of the Year category. In 2008 The Jazz Corner nominated Elio Villafranca as pianist of the year. That year, Mr. Villafranca was also honored by BMI with the BMI Jazz Guaranty Award. He received the first NFA/Heineken Green Ribbon Master Artist Music Grant for the creation of his Concerto for Mariachi, for Afro-Cuban Percussion and Symphony Orchestra. Finally, his first album, Incantations/ Encantaciones, featuring Pat Martino, Terell Stafford, and Dafnis Prieto was ranked amongst the 50 best jazz albums of the year by JazzTimes magazine in 2003. Over the years Elio Villafranca has recorded and performed nationally and internationally as a leader, featuring jazz master artists such as Pat Martino, Terell Stafford, Billy Hart, Paquito D'Rivera, Eric Alexander, Lewis Nash, David Murray, and Wynton Marsalis among others. As a sideman, Elio Villafranca has collaborated with leading jazz and Latin jazz artists including: Chick Corea, Jon Faddis, Billy Harper, Sonny Fortune, Giovanni Hidalgo, Miguel Zenón, and Johnny Pacheco among others. This year, in 2017 Elio Villafranca received The Sunshine Award, founded in 1989 to recognize excellence in the performing arts, education, science and sports of the various Caribbean countries, South America, Central America, and Africa. He is based in New York City and he is a faculty member of Temple University, Philadelphia, The Juilliard School of Music, New York University, and Manhattan School of Music in NYC.

THIS WEEK's BIRDS: new music from Asher Gamedze; new music from Los Speyer; new music from Kenneth Jimenez; rendition of Raga Shree (on the rudra veena) by Madhuvani Pal; vocal rendition of Raga Nandkauns by Parween Sultana; vintage Roscoe Mitchell (w.  Sound and Space Ensemble); Peruvian song from Arturo "Zambo" Cavero; salsa from Johnny Pacheco; from Cuba: Rumbavana, Eulogio Abreu, Daisy Diaz; Ikue More, Okkyung Lee, & DJ Olive; samba from Martinho da Vila & Mart'nália; Titina from Cabo Verde; Halit Araboğlu (from Turkey); from Algeria: Dahmane el Harrache (cha'abi); Cherif Zârour (Arabo-Andalous); gulf singer Mohammed Omer; much, much more... Catch the BIRDS live on Friday nights, 9:00pm-MIDNIGHT (EST), in Central New York on WRFI, 88.1 FM Ithaca/ 88.5 FM Odessa;. and WORLDWIDE online via our MUSIC PLAYER at WRFI.ORG. 24/7 via PODBEAN: https://conferenceofthebirds.podbean.com/ via iTUNES: https://podcasts.apple.com/us/podcast/conference-of-the-birds-podcast/id478688580 Also available at podomatic, Internet Archive, podtail, iheart Radio, and elsewhere. Always FREE of charge to listen to the radio program and free also to stream, download, and subscribe to the podcast online: PLAYLIST at SPINITRON: https://spinitron.com/WRFI/pl/19737600/Conference-of-the-Birds and via the Conference of the Birds page at www.WRFI.ORG https://www.wrfi.org/wrfiprograms/conferenceofthebirds/  Join us on Facebook: https://www.facebook.com/groups/conferenceofthebirds/?ref=bookmarks FIND WRFI on Radio Garden: http://radio.garden/visit/ithaca-ny/aqh8OGBR

Eugenio Pérez es productor de su programa de más de 30 años Etiqueta Tropical, hablamos sobre la historia de la salsa, cómo llega él a acercarse a los grandes como Johnny Pacheco y el impacto de su carrera como auditor en su proceso de creador de contenido alrededor de la música. REDES: Patreon: https://www.patreon.com/jorgechaljub  YouTube: https://www.youtube.com/channel/UCvmw5p_mFlEC5XKEIqL1-TQ Instagram: https://www.instagram.com/jorgechaljub/  Twitter: https://twitter.com/jorgechaljub Blog: https://www.jorgechaljub.com/  REDES Eugenio: Instagram Miguel: https://www.instagram.com/eugenioperezsalsa/ ALIADOS DEL PODCAST Mr. Home Asesores Inmobiliarios https://mrhome.com.do/ https://www.instagram.com/mrhomerd/  Brands Avenue https://www.instagram.com/brandsavenuerd/ https://brandsavenuerd.com/  Música: Good for Nothing Safety de Twin Musicom 

Send us a message!Welcome back to LNXdance with your Co-Hosts, Marcus & Mari! Our guest for this episode is the beautiful Katherine Jimenez. We are so honored to share her story with you. Enjoy!Kathy on IG: katherinejimenez_official Ailey Extensions: www.alvinailey.org/extension/instudio/mamboNYU, Dance Ed: steinhardt.nyu.edu/programs/dance-educationStreaming Platform: KJON2.comCombinacion Perfecta and Eddie Torres: www.youtube.com/watch?v=mWXO5uW-PUsComparte el amor with our guest, and let us know your favorite part of this chat. We want to thank Katherine for making this Sip & Chat happen and sharing her story with us!Katherine Jiménez is a multifaceted figure in the world of dance. She was born in NYC and received training, taught, and graduated from The Ailey School and the Professional Performing Arts High School. With a passion for Latin dance, Katherine became a prominent figure in the scene, training under esteemed masters of NY Style Mambo. Katherine has performed internationally, gracing stages of City Center, The United Palace, Hostos, Radio City Music Hall, and Lincoln Center alongside esteemed artists like Tony Vega, Johnny Pacheco, Andy Montanez, Marvin Santiago, Willie Colon, Charanga America, and many others. In addition, Katherine has also served as a judge for the World Salsa Summit, helping fellow dancers refine their craft.Having successfully earned a master's degree in Dance Education from NYU Steinhardt, Katherine is on a mission to make dance and movement tools accessible to all. To achieve this, she founded her own streaming platform, KJon2.com, which aims to support and inspire individuals of all ages, ethnicities, and backgrounds worldwide. As well as a professor for NYU Steinhardt School in the Dance Education program. Throughout her career, Katherine has earned recognition as the first NY Style Mambo instructor at The Ailey School through the Ailey Extension and at The Professional Performing Arts High School. She has conducted workshops for Alvin Ailey's Arts in Education Teaching Artists. She has been featured on various media platforms, including PIX11, The New York Times, The Sherri Show, Cheddar News with ShannSupport the Show.--Brought to you by MotionScoop Dance Corp, LNXdance Podcast is a series of conversations FOR Latinx dancers and educators BY Latinx dancers and educators. Join Mari & Marcus -M&M- as they dive deep into important topics in the dance industry and explore how being part of the Latinx community affects us, our contributions, decisions, and careers. We hope you enjoy our sip and chat, don't forget to subscribe and leave a comment with what you loved, questions and topics for next time! Follow us on our Instagram page LNXdance to interact with our community and with us.For business inquiries and to apply to be a guest, please email motionscoopinfo@gmail.com ¡Adiós! Hosts: Marcus Mantilla-Valentin & Mari VasconezSponsors: MotionScoop Dance Corp.

FANIA Records is celebrating 60 years! Founded in 1964 in New York City, they released modern (at the time) takes on Mambo, City Slick Salsa, Cuban Soul, Spanish Harlem Funk and more. It was a blend of Island Latin and the Big Apple. New music from Arab Strap, Mdou Moctar.Music; Biz Markie, Ralphie Robles, Joe Cuba, Monguito Santamaria, Johnny Pacheco, Arab Strap, Mdou Moctar, Joe Bataan, The Latinaires, Tia Rosa and loads more. For more info and tracklisting, visit: https://thefaceradio.com/worldy/Tune into new broadcasts of Worldy with Matt and Dom, LIVE, Mondays from 10 AM - 12 Noon EST / 3- 5 PM GMT.//Dig this show? Please consider supporting The Face Radio: http://support.thefaceradio.com Support The Face Radio with PatreonSupport this show http://supporter.acast.com/thefaceradio. Join the family at https://plus.acast.com/s/thefaceradio. Hosted on Acast. See acast.com/privacy for more information.

For this 1st Premiere hour, Azucar interviews Johnny Pacheco, nephew of Johnny Pacheco from the group Fania!, who worked with Celia Cruz.  Johnny inquires about the Azucar origin story and what behind some of her books, Sidepiece Sanctifications and TO Love Azucar. Later, Johnny and Azucar scour social media to present a preview of "Werk Well Wednesday" answering 3 of your questions from the cyberverse and interwebs! Keep those questions coming everyone. These 2 segments will occur biweekly so if you don't hear your question today keep listening because Azucar wannts to answer all of your questions!

Reciban un cordial saludo. Desde Cali (Colombia), les habla Sergio Luis López, compartiéndoles un nuevo episodio de "Así la escuché yo..." Una de las grandes orquestas del género Salsa, es sin duda alguna, la Sonora Ponceña de Puerto Rico que dirige el maestro Papo Lucca, la cual ha grabado un gran número de éxitos a través de su amplio repertorio que incluye una canción clásica publicada en el álbum "De Puerto Rico a Nueva York” de 1972, en la voz del boricua Tito Gómez titulada “Camina y prende el fogón”. Así la escuché yo… Para 1967, el gran músico y productor dominicano, Johnny Pacheco y el cantante cubano Monguito, ya habían lanzado una versión de esta canción en el álbum "Pacheco presents Monguito", bajo el título “Camina y prende el fogón”. Esta canción es una composición del cubano Benigno Echemendía, la cual fue grabada inicialmente por Félix Chapottín y sus Estrellas en el álbum "Guarapachanga" de 1952, en la voz del reconocido cantante cubano Miguelito Cuní con el título “Camina y prende el fogón”. ¿Y tú, conocías el origen cubano de esta canción? Autor: Benigno Echemendía (cubano) Camina y prende el fogón - Sonora Ponceña (1972) "De Puerto Rico a Nueva York" álbum (1972) Canta: Tito Gómez (nombre real Humberto Luis Gómez Rivera, puertorriqueño) Papo Lucca (nombre real Enrique Arsenio Lucca Quiñones, puertorriqueño) Camina y prende el fogón - Johnny Pacheco & Monguito (1967) "Pacheco presents Monguito" álbum (1967) Monguito "El Único" (nombre real Ramón Sardiñas, cubano) Johnny Pacheco (nombre real Juan Pablo Azarías Pacheco Knipping, dominicano) Camina y prende el fogón - Conjunto Chappottín y sus Estrellas (1952) "Guarapachanga" álbum (1952) Canta: Miguelito Cuní (nombre real Miguel Arcángel Conill, cubano) Félix Chapottín (nombre real Félix Chappottín Lage, cubano) ___________________ “Así la escuché yo…” Temporada: 7 Episodio: 83 Sergio Productions Cali – Colombia Sergio Luis López Mora

Katie sits down with the man behind Hip Hop's Baby pictures Joe Conzo JR. In an article published on October 4, 2005 by The New York Times, reporter David González heralded Joe Conzo Jr as “The Man Who Took Hip-Hop's Baby Pictures.” The long and perilous journey of his photographic images had finally captured the gaze of mainstream America. Born and raised in the Bronx, Joe Conzo Jr. acquired a passion for photography as a young boy attending the Agnes Russell School on the campus of Columbia University. He continued his formal artistic education at the School of Visual Arts (NYC). During his early development, “Joey” bore witness to the volatile state of South Bronx community activism, and to the vanguard world of New York's Puerto Rican cultural music scene. On any given day, he could find himself at the heels of his grandmother, the late Dr. Evelina López Antonetty (a dynamic leader and passionate activist ), engaged in a defiant act of civil disobedience for the educational rights of minorities in the South Bronx. On another day, he'd find himself clinging to the shirt-tail of his father, Joe Conzo Sr. (longtime confidant and biographer for the legendary orchestra leader and musician the late Tito Puente), behind-the-scenes with the giants of Latin music like Machito, Charlie Palmieri, Johnny Pacheco and Ray Barretto. These two vivid realities would have a profound effect on how Joey viewed his environment through the lens of a camera. Like most modern photographers, Joey has undergone the transition from film to digital. His work from behind the lens continues to reflect the main tenets of Hip Hop culture. As he once said, “Just because of a camera…,” he has traveled the USA coast-to-coast and has crossed oceans to parts of the world he thought he would never see, and everywhere he went the unfathomable spread of Hip Hop music, culture and dance was irrefutable. Joe Conzo Jr. continues to lecture, meet with young people, exhibit his work, and attend international events. Did you know that his father was the historian for Hector Lavoe? Check us out Monday's at 10am on our website https://www.rawrrzonenyc.com/ Youtube / Twitch @rawrrzonenyc Listen to us on El-Gin Sound Radio Tuesday at 8pm https://live365.com/station/El-gin-Sound-Radio-a19625 Listen to us Wednesday's at 8am on Puso 82.3FM https://live365.com/station/PUSO-82-3-FM-a88820 Support our Giveback for Shawn by making a donation below https://www.gofundme.com/f/give-back-for-shawn Follow us Katie / Ivy Twitter / Instagram / Tiktok : @iamivy.xo_ Katie Kay Photography www.katiekayphotography.com www.facebook.com/photosbykatiekay https://www.instagram.com/katiekay_photographyxo Ivy Productions Twitter @ivyproductions1 https://facebook.com/ivyproductions Follow Rawrrzone Everywhere https://linktr.ee/Rawrrzonenyc Tiktok @rawrrzonenyc Check out our Rawrrzone Picks https://open.spotify.com/playlist/22uou4E2jqStyU3vVJzLgU?si=5GYOHhVoT9a5P1qsUd5JaQ&app_destination=copy-link&pt_success=1&nd=1 #Photographers #nyc #joeconzo #nikon #music #NYC #phototalk #respecttheshooter #hiphop #hiphop50 --- Support this podcast: https://podcasters.spotify.com/pod/show/rawrr-zonenyc/support

Katie sits down with the man behind Hip Hop's Baby pictures Joe Conzo JR. In an article published on October 4, 2005 by The New York Times, reporter David González heralded Joe Conzo Jr as “The Man Who Took Hip-Hop's Baby Pictures.” The long and perilous journey of his photographic images had finally captured the gaze of mainstream America. Born and raised in the Bronx, Joe Conzo Jr. acquired a passion for photography as a young boy attending the Agnes Russell School on the campus of Columbia University. He continued his formal artistic education at the School of Visual Arts (NYC). During his early development, “Joey” bore witness to the volatile state of South Bronx community activism, and to the vanguard world of New York's Puerto Rican cultural music scene. On any given day, he could find himself at the heels of his grandmother, the late Dr. Evelina López Antonetty (a dynamic leader and passionate activist ), engaged in a defiant act of civil disobedience for the educational rights of minorities in the South Bronx. On another day, he'd find himself clinging to the shirt-tail of his father, Joe Conzo Sr. (longtime confidant and biographer for the legendary orchestra leader and musician the late Tito Puente), behind-the-scenes with the giants of Latin music like Machito, Charlie Palmieri, Johnny Pacheco and Ray Barretto. These two vivid realities would have a profound effect on how Joey viewed his environment through the lens of a camera. Like most modern photographers, Joey has undergone the transition from film to digital. His work from behind the lens continues to reflect the main tenets of Hip Hop culture. As he once said, “Just because of a camera…,” he has traveled the USA coast-to-coast and has crossed oceans to parts of the world he thought he would never see, and everywhere he went the unfathomable spread of Hip Hop music, culture and dance was irrefutable. Joe Conzo Jr. continues to lecture, meet with young people, exhibit his work, and attend international events. Did you know that his father was the historian for Hector Lavoe? Check us out Monday's at 10am on our website https://www.rawrrzonenyc.com/ Youtube / Twitch @rawrrzonenyc Listen to us on El-Gin Sound Radio Tuesday at 8pm https://live365.com/station/El-gin-Sound-Radio-a19625 Listen to us Wednesday's at 8am on Puso 82.3FM https://live365.com/station/PUSO-82-3-FM-a88820 Support our Giveback for Shawn by making a donation below https://www.gofundme.com/f/give-back-for-shawn Follow us Katie / Ivy Twitter / Instagram / Tiktok : @iamivy.xo_ Katie Kay Photography www.katiekayphotography.com www.facebook.com/photosbykatiekay https://www.instagram.com/katiekay_photographyxo Ivy Productions Twitter @ivyproductions1 https://facebook.com/ivyproductions Follow Rawrrzone Everywhere https://linktr.ee/Rawrrzonenyc Tiktok @rawrrzonenyc Check out our Rawrrzone Picks https://open.spotify.com/playlist/22uou4E2jqStyU3vVJzLgU?si=5GYOHhVoT9a5P1qsUd5JaQ&app_destination=copy-link&pt_success=1&nd=1 #Photographers #nyc #joeconzo #nikon #music #NYC #phototalk #respecttheshooter #hiphop #hiphop50 --- Support this podcast: https://podcasters.spotify.com/pod/show/rawrr-zonenyc/support

La primera vez que Nelson Albareda promovió un espectáculo en el legendario complejo de entretenimiento Madison Square Garden de Nueva York (no en el arena propiamente dicho, sino en el teatro con capacidad para 5.600 personas que se encuentra debajo) todos le dijeron: “Vas a perder hasta el culo”. Albareda, un cubano nacido en Miami, había reunido lo que para él era un cartel de ensueño: una celebración del 50 aniversario del innovador artista de salsa y cofundador de Fania Records, Johnny Pacheco, con Pacheco y los Fania All-Stars. Aun así, sus detractores tenían razón: Albareda perdió 200.000 dólares en aquel show en el año 2006. Pero después de que el evento terminó, el promotor seguía entusiasmado. A medianoche, llevó a sus padres, que habían asistido, a una tienda de delicatessen cercana, donde su padre le preguntó: “¿Porque te ríes? ¡acabas de perder 200 mil dólares!. “Bueno, es parte del negocio”, le dijo Albareda a su padre. "Seguimos avanzando". Diecisiete años después, Albareda, defiende esa opinión. “En este negocio se pierde dinero, y lo importante no es la rapidez con la que se cae, sino la rapidez con la que se recupera”. --- Send in a voice message: https://podcasters.spotify.com/pod/show/checkingconmauro/message

Ray Viera was born in Rio Piedras, Puerto Rico. During his childhood he grew up listening to the recordings of the great "Soneros", such as Hector Lavoe, Ismael Rivera, Ismael Miranda, Chamaco Ramirez and Marvin Santiago. Collectively, these artists inspired Ray to pursue his goals, combining their musical influences into his own vocal style and sensibility. At the age of 11, Ray was sent to live with his father in the "Barrio" of Philadelphia.  Where he was exposed to many other musical genres.  Although he lived outside of his native Puerto Rico, he never lost his cultural roots and musical influences. Ray has worked with many Latin music legends, including Johnny Pacheco, the late Celia Cruz, Yomo Toro, Adalberto Santiago, Papo Lucca, Justo Betancourt, Eddie Palmieri, Spanish Harlem Orchestra, Jimmy Bosch, Chino Nunez, The Fania All Stars, and many other greats. He recorded his first album for ATI Records in 1997 produced by Johnny Pacheco with Jovanny Diaz and his Orchestra.Ray has logged over 20 professional recordings where his discography includes background vocals in various genres, including the soundtrack of an Off-Broadway musical entitled "Quien Mato a Hector Lavoe" starring Domingo Quinones, that would later become a major motion picture starring Jennifer Lopez and Marc Anthony titled “El Cantante”. He sang background vocals for the late Celia Cruz's Grammy winning "La Negra Tiene Tumbao", her final CD; both Eddie Palmieri's 40th anniversary CD, "La Perfecta II" (Grammy nominated) and "Ritmo Caliente", and is the lead singer in Johnny Pacheco's 50th anniversary CD "Entre Amigos"(2004). He also participated in Ricky Gonzalez's "Oasis", singing lead in the songs "Timbalero" and "Ya Era Tiempo". Over the years, he has toured throughout the United States, Canada, Mexico, South America , Africa, and Europe.While striving to realize his dreams, he has continually performed with intense passion and emotion. Many consider Ray one of the new generation of artists who can blend the traditional style of singing with the flexibility of a crooner and a progressive, modern outlook. After many years of being in a background role to some of Salsa's greatest legends, Ray released his debut album, Aqui Esta Ray Viera in 2002. He shows his talent as composer in songs like "Lo Mio Es Cantar", "Borinquen y Cubanacan", and "Corazon Cerrado". He also composed "Tun Tun Suena El Tambor" in Spanish Harlem Orchestra's Grammy award winning album "Across 110th Street". Ray has been a lead singer for the legendary Johnny Pacheco's Tumbao Añejo since 1998. In 2007 Ray released “TROMBAO which he produced and composed nine of the ten songs. “TROMBAO” made it to the second round of the Grammy nomination process in 2008. Ray Viera y Trombao presented its latest work to the public that provided a cultural blending of rhythm that is bursting with Caribbean flavors titled "SAMBUMBIA RADIOACTIVA" in 2013. Today, Ray Viera is taking his talents to the production side and continuing to compose for various projects.Support the show

THIS WEEK's BIRDS: new music form Angelika Niescier; Floros Floridis x 2; Roma song from Esma, Divna Lazarova; Greek song from Stavros Kabanis, Petroloukas Chalkas; Romanian flute music from Rapsozii Gorjului; Joseph Daley w. Earth Tones; Bill Dixon w. 17 musicians; vintage light music from Ustad Chhotey Ghulam Ali Khan; new music from Md After Hussain & Pas; Diego 'el Cigala'; Persian pop (Googoosh); Baul musical Kurdish music; Sun Ra; Charles MacPherson; salsa from. Joey Pastrana, Celia Cruz & Johnny Pacheco;  much more!!!!   Catch the BIRDS live on Friday nights, 9:00pm-MIDNIGHT (EST), in Central New York on WRFI: 88.1FM Ithaca, 89.7FM Odessa, 91.9FM WINO Watkins Glen. and WORLDWIDE online at WRFI.ORG. 24/7 at via PODBEAN: https://conferenceofthebirds.podbean.com/ via iTUNES: https://podcasts.apple.com/us/podcast/conference-of-the-birds-podcast/id478688580 Also available at podomatic, Internet Archive, podtail, iheart Radio, and elsewhere. Always FREE of charge to listen to the radio program and free also to stream, download, and subscribe to the podcast online: PLAYLIST at SPINITRON: https://spinitron.com/WRFI/pl/17975907/Conference-of-the-Birds and via the Conference of the Birds page at WRFI.ORG https://www.wrfi.org/wrfiprograms/conferenceofthebirds/  Join us on Facebook: https://www.facebook.com/groups/conferenceofthebirds/?ref=bookmarks FIND WRFI on Radio Garden: http://radio.garden/visit/ithaca-ny/aqh8OGBR Contact: confbirds@gmail.com  

Conoce una de las primeras novelas de ciencia ficción de la historia, escrita hace 400 años por el sacerdote inglés, Francis Godwin. Escucha además la anécdota de las mareas y el sol, la cultura espacial de Johnny Pacheco, y el desafío de este episodio. Escríbeme a laika.podcast@gmail.com / sígueme en instagram @laika.podcast

Simón Petit, Arturo Ramos & JazzTaBueno Productions present: SalsaBrava 20/2023 *Pa'Lante* 1. Aquá Traigo Mi Montuno – Ismael Quintana 2. Pa'Lante – Luis Perico Ortiz 3. Anabacoa – Willy Rosario 4. Awilda – Bobby Valentin. 5. Blanca – Johnny Pacheco y Pete El Conde Rodriguez 6. Cachomba - Puerto Rico All-Stars 7. Arrepientete – Ray Barreto 8. Así Son - El Gran Combo De Puerto Rico 9. Guisando - Lavoe/Colon 10. Colombia te Canto – Eddie Palmieri Our Production music is new and innovative in many ways. Is also engaging and inspiring our loyal public radio family with the current explosion of talent and creativity across the spectrum of jazz and related musics.

JUNIO 4 en distintas décadas y años: Bailamos con JOHNNY PACHECO, BENNY GOODMAN, HANSON, HUGO BLANCO, LIPPS, CHICAGO, LARRY HARLOW,… Cantamos y tarareamos con QUEEN, MONTANER, WHITNEY, los GIBB, OLIVIA y TRAVOLTA, YURI, BEATLES, PRESLEY, DARTS,… Recordamos “LA LEY Y EL ORDEN”, “CASADO CON HIJOS”, “HECHIZADA”, “TRAMPA 22”,… y mucho mas! DE COLECCION!   ¿SABES CUAL ES EL PRIMER ALBUM QUE SE COMPRO JANIS JOPLIN Y EL AÑO Y EL NOMBRE DEL INVENTOR DE LA “COCA COLA? --- Support this podcast: https://podcasters.spotify.com/pod/show/genteenambiente/support

En 1974 el cantante matancero Justo Betancourt grabó el álbum homónimo Justo Betancourt. Justo venía de triunfar con su disco y canción Pa' Bravo Yo, por lo que este trabajo fue conocido por la canción Sigo Bravo, de Tite Curet Alonso, y especie de continuación del anterior. Sería pues la confirmación de un estupendo sonero tanto individual como colectivamente, es decir con Johnny Pacheco, la Fania All Stars o la Sonora Matancera. Un trabajo romántico que, en manos de Jorge Millet y Larry Harlow, fue revestido de rumba y baile, y del que hablaremos hoy en La Hora Faniática.

ART & MUSIC SAMUEL GONZALEZ @samuelgonzalezmusic Cantante, compositor, guitarrista, pianista montecristeño graduado en Bellas Artes y especializado en Piano Clásico en el Instituto de Cultura y Arte, ICA de Santiago. Posteriormente se especializó en el estudio de guitarra clásica. Ha presentado conciertos culturales en El Centro León, Casa de Teatro, El Gran Teatro del Cibao, Centro de la cultura, Pucmm, Arena del Cibao, Hard Rock Café, tres giras por los Estados Unidos en Acústico. Fue invitado especial por la Cervecería Nacional Dominicana al concierto 35 Años en la música del cantautor español José Luis Perales, fue contraparte del concierto Bulería de David Bisbal, Artista invitado de Arte Vivo con Amaury Pérez, concierto Dos Voces por Las Mercedarias junto Maridaría Hernández, además ha trabajado y ha compartido escenario junto a Víctor Víctor, Johnny Pacheco, Manuel Jiménez, José Antonio Rodríguez, Sonia Silvestre(DEP), Pavel Núñez, Sergio Vargas, Eddy Herrera, Fernando Villalona, Los Hermanos Rosarios entre otros. El 13 de febrero del año 2016 lanza su primera producción discográfica Samuel González “Mas De Mi” con un concierto en el Gran Teatro del Cibao, el cual fue Nominado a Los Premios Soberano 2017 como concierto del del año. 2019 fue invitado por La artista Puertorriqueña Yolandita Monge al Concierto Homenaje a Anthony Ríos en el Teatro La Fiesta del Hotel Jaragua y en el Lehman College, NY donde Samuel González abrió con su banda el Concierto y canto a dúo con Yolandita la canción Oportunidad Perdida de Anthony Ríos. Y en el año 2023 lanza su segunda producción discográfica titulada Lucerito de Mi Cielo en el Centro León disponible ya en todas las plataformas digitales y el audio visual en canal de YouTube de @samuelgonzalezmusica y lo puedes conseguir en las redes Instagram @samuelgonzalezmusic y en Facebook Samuel González. Año 2022 presentó el concierto Romancé en el Parque en el parque Central de Santiago junto al cantautor cubano Amaury Gutiérrez. Este año 2023 es nominado a Los Premios Soberano como solista del año junto a Watson Brazoban, Pavel Núñez, Techy Fatule y Badir.

Hola mi gente! Welcome to Siempre Pa'lante! Always Forward. I'm your host, Giraldo Luis Alvaré. Gracias for listening. In this episode, our guest is a Badass Bori from the Boogie Down Bronx. A self-taught DJ who moves the crowd from el corazón. Her relentless pursuit of perfecting her craft is the reason why she's one of the best to do it. A champion of the people. Always moving forward. Pa'lante como un elefante. From park jams to arenas, she brings that sofrito to every mix leaving the people wanting more. please welcome, two-time DMC US Champion, the Queen of the 1's & 2's, DJ Perly. Gracias for listening. Don't forget to rate, review, follow, subscribe, like and share. Check out my Linktree for more info. Pa'lante! https://linktr.ee/sp.alwaysforward DJ Perly Artist DJ Perly site | Linktree | YouTube | Instagram | Twitter | Facebook | Soundcloud DJ Perly site - https://www.djperlymusic.com/ Linktree - https://linktr.ee/djperly YouTube - https://www.youtube.com/djperly IG - https://www.instagram.com/djperly/ Twitter - https://twitter.com/djperly FB - https://www.facebook.com/DJPerly/ Soundcloud - https://soundcloud.com/djperly Frosted Perlz Snow Vid - https://www.youtube.com/watch?v=2kwnH-b_vtg 2017 DMC USA Finals - https://youtu.be/mD6ws_c9nXo 2022 DMC USA Finals - https://youtu.be/-T5r7kfJo-o NOTABLE MENTIONS DJ Perly, Badass Bori, Puerto Rico, Technics, DMC USA National Championship, Spanish Harlem, Fania All-Stars, Johnny Pacheco, Ray Barretto, La Lupe, Héctor Lavoe, Willie Colón, Marc Anthony, Studio 54, Elvis, Motown, Diana Ross, The Beatles MTV, TRL, Hot 97, Hip-Hop, Salsa, Park Jams, Native New Yorker, Odyssey, Frankie Avalon, Can't Take My Eye's Off You, Deee-lite, Groove is in the Heart, Q-Tip, Bootsy Collins, De La Soul, Trugoy the Dove, 3 Feet High and Rising, Delorean, Wu-Tang, A Tribe Called Quest, J Dilla, Lady Gaga, Madison Square Garden, MSG, EDM, Mark Ronson, A-Trak, Aaron LaCrate, Milkcrate Athletics, Kobe Bryant --- Support this podcast: https://anchor.fm/spalwaysforward/support

En los años 70 la salsa despegó en EEUU gracias a una generación mágica de aristas, algunos emigrados, otros criados en barrios de Nueva York. Aquella hornada de artistas latinos llevó los sonidos de sus tierras al corazón de América. Entre todos ellos no hubo nadie las grande que nuestra protagonista que Celia Cruz, la gran dama de la salsa.Celia huyó de Cuba rumbo a México tras un par de choques con Fidel Castro. No sabía Celia que jamás volvería a pisar su tierra. Tras dar tumbos durante unos años la cubana llegó a Estados Unidos donde acabaría siendo la gran estrella de la música latina de la mano del sello Fania, grandes embajadores de los sonidos latinos en América, primero entre sus paisanos y luego más allá como una novedad de sonidos frescos y música alegre que sonaba tan poderosa como exótica.En 1974 llegó a las tiendas Celia y Johnny uno de los discos más exitosos del género y la carta de presentación en EEUU de la reina de la salsa. Tras una mítica actuación en en Carnegie Hall empieza a grabar junto a Johnny Pacheco, con el que editaría dos discos más después de este primer paso juntos, pero nada igualaría la magia de ese primer encuentro. El disco de Celia y Johnny es Cuba, pero también el Caribe, Colombia o México. Es fantasía, alegría y cierta morriña. Gracias al éxito de este debut, Cruz se asentó como una estrella en EEUU y comenzó una carrera llena de triunfos que la llevó a salir en Barrio Sésamo o a conocer presidentes.Esta semana dedicamos el Sofá Sonoro a recordar esta historia junto a Mario Tornero, director del podcast Fruta Extraña, y Lucía Taboada.

Esta semana nos ponemos salseros con el primero disco que Celia Cruz grabó junto a Johnny Pacheco y que fue su carta de presentación en los Estados Unidos, una propuesta que nos hace Mario Tornero.

En 1977 Johnny Pacheco y Luis Angel Silva "Melón" grabaron un disco buenísimo, uno de los mejores que se hayan hecho en Fania Records y que fue todo un éxito. Llegó Melón estuvo 26 semanas en el Hit Parade latino. Al acabar el año fue el tercer disco más escuchado en Nueva York y el sexto en el área caribeña. Lógicamente eso dio pie para una nueva grabación del dúo, lo que se dio en 1981 con el álbum Flying High, que publicó el sello Vaya dos años después, en 1983. Esta es la historia de Flying High y de la relación entre el flautista, director y productor dominicano Johnny Pacheco con el cantante y educador mexicano Melón en La Hora Faniática.

About Pete NaterBiography:Grammy Winner, Band Leader, Musical Director, Arranger, Trumpet, ComposerPete Nater has been part of bands like: Spanish Harlem Orchestra 2002 to 2008 (2005 Grammy Award Winner)The Mambo Legends Orch. 2009 to presentThe Latin Giants of Jazz 2002 to 2009Frankie Ruiz Orchestra 1995-1998Musical Director Larry Harlow Orchestra 1974-1980, 1990 to presentGrupo Fascinacion 1983-present Co-founder/Leader (a/k/a Fascinacion)Chico O'Farrill's Afro-Cuban Jazz Orch 2008 to 2014 (2014 Grammy Award Winner)Conjunto Clasico 1996 to 2008Ray Sepulveda Orchestra 1997 to presentMusical Director Hector Casanova Y Montuno 1980-1983The Bronx Horns 2001 to presentLatin Legend Band 1994 to presentRalph Irizarry's Son Criollo 1998-2002David Gonzales' “Sofrito” play 1999 to presentRichie Viruet's Blue Clave 1998 to presentVictor Cruz Orchestra 1995-1996Nestor Sanchez Band 1996-1997Junior Gonzales Orchestra 1990-1991Seguida 1972-1974 Latin Soul Inc. 1972Viento De Agua 2000-2002Ray Martinez' “Sabor Criollo” 2007 – Present“Little” Johnny Rivero 2008-PresentPete Nater & Associates 2009 to presentRay De La Paz 2007- presentMusical Director Orlando Marin 2010-presentI have also played with, or recorded with, or sub-ed with, or jammed with, on and off, here and there over the years, the following artists:Ray BarrettoMachitoJohnny PachecoTito PuenteEddie PalmieriCharlie PalmieriHector LaVoeMarc AnthonyCachaoCelia CruzRuben BladesPete “El Conde” RodriguezVictor ManuelTito RojasLuis Perico OrtizDizzy GillespieWynton MarsalisEl Gran ComboMongo SantamariaPaul SimonCyndi LauperIsmael MirandaRichie Ray & Bobby CruzOrlando MarinJose FajardoDave ValentinSonora PoncenaTito NievesToby LoveDLGGiovanni HidalgoTipica 73Obie BermudezRay RuizKakoDaniel SantosHilton RuizBill EvansRay Santos All-starsOrnette ColemanThe Mingus BandCheo FelicianoValerie CapersMichael StuartYomo ToroAdalberto SantiagoTony VegaYolanda DukeJohnny RiveraJoe QuijanoJanis IanEddie Torres Mambo King OrchestraSalseros Del Hudson& many many more.Support the show

Uno de las canciones bailables de fin de año más exitosas de 1979 en Colombia fue sin duda alguna la que presentó “El Rey Sabanero” Lisandro Meza con su Conjunto, vocalizada por Marcelo Pérez, la cual lleva por título “El polvorete”. Así la escuché yo… Esta canción es una composición del colombiano Manuel González y es tal su popularidad que ha sido versionada por diversos músicos en diferentes ritmos, como Wilfrido Vargas con la voz líder de Sandy Reyes en 1982 en ritmo de Merengue… Rolando Laserie también la grabó como una Salsa en 1982 para su álbum “De película” junto a Johnny Pacheco, bajo el título “El polvorete”… Hasta el mexicano Vicente Fernández se animó a realizar su versión de “El polvorete” para el álbum “El Tapatío” de 1980… Sin embargo, el honor de haber realizado la grabación original le correspondió a la colombiana Lucy González acompañada por el acordeón de Lucho Campillo junto al Conjunto Los Reales Orenses, agrupación musical de la población Ciénaga de Oro en el departamento de Córdoba, Colombia ¿Y tú, en cuál versión la escuchaste primero? Autor: Manuel González (colombiano) El polvorete - Lisandro Meza y su Conjunto (1979) single “El polvorete/Cuerpo viejo” (1979) Canta: Marcelo Pérez (colombiano) Ritmo: Merengue El polvorete - Wilfrido Vargas y Sandy Reyes (1982) “El africano” álbum (1982) Ritmo: Merengue Canta: Sandy Reyes (nombre real Salvador Reyes, dominicano) Wilfrido Vargas (nombre real Wilfrido Radamés Vargas Martínez, dominicano) El polvorete - Rolando Laserie (1982) “De película - Rolando Laserie y Johnny Pacheco” álbum (1982) Rolando Laserie (nombre real Rolando Laserie Rodríguez, cubano) Género: Salsa El polvorete - Vicente Fernández (1980) “El Tapatío” álbum (1980) Vicente Fernández (nombre real Vicente Fernández Gómez, mexicano) Ritmo: Jarabe tapatío El polvorete - Conjunto Los Reales Orenses con Lucho Campillo y Lucy González (1978) “El polvorete” álbum (1978) Ritmo: Merengue Conjunto de Ciénaga de Oro, del Departamento de Córdoba, Colombia ___________________ “Así la escuché yo…” Temporada: 6 Episodio: 20 Sergio Productions Cali – Colombia Sergio Luis López Mora

Fue el cuarto álbum del sello Fania Records, creado por Jerry Masucci y Johnny Pacheco y que comenzó lanzando grabaciones de este último con su conjunto. Fania ya había hecho Cañonazo, At the NY World's Fair y Te Invita a Bailar, antes de hacer este que se tituló Johnnhy Pacheco his Flute and Latin Jam. Fue una sesión de descarga al estilo del que habían hecho en Alegre Records y por esos días se hacía en el sello Tico. A partir de este disco la firma comenzaría su ampliación de catálogo con nuevos artistas como Louie Ramírez, Larry Harlow y Bobby Valentín. Fue un disco especial, sin duda, y hoy objeto de culto de coleccionistas y melómanos. Y esta es su historia en La Hora Faniática.

Uno de los grandes éxitos en ritmo de bolero del artista colombiano Luis Alberto Cortés Bonnet, conocido artísticamente como Tito Cortés es sin duda alguna la canción que grabara en 1976 bajo el título “Derrumbes”. Así la escuché yo… En Nicaragua se dice que “Derrumbes” es una composición de Octavio Latino Acuña y que el primero en grabarla fue el cantante Memo Neyra en 1976. Sin embargo, desde muchos años atrás encontramos grabaciones de esta canción. Por ejemplo, para 1966, ya la cantante cubana Blanca Rosa Gil en el álbum “En su momento” la había grabado con el título “Derrumbe”, acreditando su autoría a Tony Pereyra. Son muchos los artistas que han grabado versiones de esta canción como el ecuatoriano Olimpo Cárdenas….… “Derrumbe” también fue grabado por Óscar González, Ricardo Blanco y Francisco “Paquito” López integrantes del famoso Trío de Oro de Puerto Rico en 1972… La venezolana Nohemy Berlatti también nos dejó en 1977 su versión de “Derrumbes”… Y en 1998 la grabó el cantante colombiano Charlie Zaa, entre muchos otros intérpretes… Hay registros que evidencian que este bolero es una composición de Tony Pereyra, grabada originalmente por su propio autor para el sello Fania Records acompañado por la orquesta de Johnny Pacheco, con el título “Derrumbe”. ¿Y tú, en cuál versión la escuchaste primero? Autor: Tony Pereyra - Atribuido a Octavio Latino Acuña (nicaragüense) - Atribuido erróneamente a Tito Cortés (colombiano) - Atribuido erróneamente a Memo Neyra (costarricense) - Atribuido erróneamente a Tony Ferrero Derrumbes - Tito Cortés (1976) single “Derrumbes/Fruto amargo” (1976) Tito Cortés (nombre real Luis Alberto Cortes Bonnet, colombiano) Derrumbe - Blanca Rosa Gil (1966) “En su momento” álbum (1966) Blanca Rosa Gil (cubana) con la Orquesta de Chucho Rodríguez Derrumbe - Olimpo Cárdenas (1976) “Rondando tu esquina” álbum (1976) Olimpo Cárdenas (nombre real Olimpo León Cárdenas Moreira, ecuatoriano) Derrumbes - Memo Neyra (1976) “Memo Neyra” álbum (1976) Memo Neyra (nombre real Guillermo Acuña Brenes, costarricense) Derrumbes - Nohemy (1977) “Mi segundo álbum” álbum (1977) Nohemy (nombre real Nohemí Berlatti, venezolana) Desengaños: Derrumbes & Por qué eres así - Charlie Zaa (1998) “Un segundo Sentimiento” álbum (1998) Charlie Zaa (nombre real Carlos Alberto Sánchez Ramírez, colombiano) Derrumbe - El Trío de Oro (1972) “Un ángel” álbum (1972) El Trío de Oro (nombres reales Óscar González & Ricardo Blanco & Francisco “Paquito” López, puertorriqueños) Derrumbe - Tony Pereyra (1965) single “Derrumbe/Nada tiene importancia para mí” (1965) ___________________ “Así la escuché yo…” Temporada: 6 Episodio: 17 Sergio Productions Cali – Colombia Sergio Luis López Mora

From the Victrola record player to the modern iPhone, Savage shares his love for music and the evolution of his musical taste with Frank Malerba, founding editor of Cryptic Rock magazine. Hear about his early days, tuning in his favorites on the radio and his immigrant father's distaste for "junkie music." What music first resonated with the young kid in 1940s New York? How did a Marty Robbins song teach Savage about becoming an American? When did he start listening to jazz and Afro-Cuban? How did Savage's son turn him on to heavy metal? What impact did the music of the islands leave with him? Hear Savage on musical greats including Gene Autry, Herbie Hancock, Cannonball Adderley, Johnny Pacheco, Thelonius Monk, Fats Domino, Bobby Darin, Sinatra, Frankie Lyman, Rammstein, Jimi Hendrix, Metallica, IZ, and more. When did Savage first see television? What film first struck a chord with him as a child? How did classic performances from Marlon Brando and James Dean influence him as a teenager? Did a Savage story make it on The Sopranos? Does Savage have aspirations for filmmaking? What was it like at The Apollo in the 1950s? Savage and Malerba discuss the changes in art during his lifetime: Has art been cheapened by our binge watching culture? Has art lost its role as being revolutionary? Learn more about your ad choices. Visit megaphone.fm/adchoices

Today's show celebrates the work of Ramón Quian, better known as Monguito 'El Unico'. We'll celebrate his life and work with the likes of Johnny Pacheco and Arsenio Rodriguez. We'll also address the controversy su his similar vocal style to the famed Cuban vocalist, Miguelito Cuni as well as the role of the term salsa. Songs La Lema del Guaguanco Guajira y Camara El Mundo Esto Si Se Llama Querer Me Gusta El Son Borinquen Tu Guaguanco Palo Mayimbe Mi Propio Sangre Salsa No Le Llaman Salsa A Mi Son Mi Son, Mi Son, Mi Son Un Pedacito Yo No Soy Mentiroso Perla Fina --- Send in a voice message: https://anchor.fm/anani-kaike/message

While he is scarcely mentioned, Chivirico Davila's voice can be heard on the records of Orlando Marin, Joey Pastrana, Rafael Cortijo, Kako Y Su Combo, Joe Cuba, Johnny Pacheco, The Alegre All Stars and Richie Ray. His proficiency as a sonero and bolerista alike often goes unnoticed and understated. 28 years after his passing we'll be remembering and honoring his legacy here on Voice of the Waterlily Songs: Ritmo Bembe (with Orlando Marin) Esta de Bala (with Orlando Marin) Pastrana Llego (with Joey Pastrana) El Sopon (with the Alegre All Stars) Yenyere Jala-Jala (with Richie Ray) El Champolon (with Johnny Pacheco) Yo No Bailo Con Juana (with Cortijo, Kako) Que Le Paso (with Cortijo, Kako) Mirame Perfidia Que Mas Puedo Pedir Mala Noche El Babalao Luna Lunera Mar Y Cielo Enamorado Asi --- Send in a voice message: https://anchor.fm/anani-kaike/message

Bienvenido mi gente! to Season 2 of Siempre Pa'lante! Always Forward. I'm your host, Giraldo Luis Alvaré. Gracias for listening. In this episode, our guest has dedicated his life to music for more than 50 years. He is a self-taught musician who has earned every accolade that has come his way. From El Barrio in Nueva York to entertaining millions of fans around the world, Please welcome, the King of Latin Soul, Joe Bataan. Gracias for listening. Don't forget to rate, review, follow, subscribe, like and share. Check out my Linktree for more info. Aguacate! https://linktr.ee/sp.alwaysforward SPECIAL GUEST Joe Bataan Musician, Band Leader, Singer & Songwriter Joe Bataan site | Facebook | Instagram | Twitter | Youtube Joe Bataan site - https://www.joebataanmusic.com/ FB - https://www.facebook.com/joe.bataan IG - https://www.instagram.com/therealjoebataan/?hl=en Twitter - https://twitter.com/JOE_BATAAN YouTube - https://www.youtube.com/channel/UC3hEeXdGmXCK19HNso5epoA/featured NOTABLE MENTIONS El Barrio, New York, Nueva York, Streetology, Afro-Filipino, Puerto Ricans, Portoros, Spofford, Bridges Detention Center, Spirit, Health, Knowledge, Three notches above the rest, The Godfather, Machiavelli Theory, Latin Soul, Cinderella Story, Peace, Joe Cuba, Shaft, Isaac Hayes, La Lupe, Tito Puente, Triad, C Major, D Minor, E Minor, Ralfi Pagan, Saint Cecilia's Church, Saint Cecilia, Patron Saint of Music, Our Father, Lord's Prayer, Shanghai, Australia, Japan, France, Germany, Mother's Day, Marshall & Wendell Piano, West Coast, La Raza, Ballads, Uptempo, Davinci Code, James Brown, Smokey Robinson, Frankie Lymon, George Gershwin, Cole Porter, Judy Garland, Frank Sinatra, Perry Como, Nat King Cole, Sammy Davis Jr., George Washington, Roosevelt, Pedro Albizu Campus, Cha-Cha-Cha, Mary Wells, Hector Rivera, Johnny Colon, Boogaloo, Ordinary Guy, Ricardo Ray, Chicago, R&B, Ghetto Records, Drug Story, Gypsy Women, Cotique Records, Morris Levy, Jerry Masucci, Boricua Theatre, Dick (Ricardo) Sugar, Johnny Pacheco, Red Garter, Marvin Gaye, Our Latin Thing, Fania, Sweet Soul, St. Latin's Day Massacre, Shea Stadium, Yankee Stadium, SalSoul, Rap-O-Clap-O, RCA Records, Larry Levan, Paradise Garage, El Avion, The Riot, Grace, Mercy, Peace --- Support this podcast: https://anchor.fm/spalwaysforward/support

Whether he invented Mambo, laid the groundwork for Salsa or revitalized són, his contributions are undeniably seminal. This is a story of a phenomenal musician whose compositions are classics that laid the foundation for Salsa. It is a story filled with myths and half truths. This is the story of Arsenio Rodríguez. read the blog post here: http://voiceofthelily.water.blog/2022/02/27/el-ciego-maravilloso-the-story-of-arsenio-rodriguez/ Arsenio's recordings: Se Va El Caramelero (with Miguelito Valdes) Linda Cubana Hachero Pa' Un Palo Cambia El Paso Mami Te Gusto Dumdunbanza (with piano solo from Lilí Martinez) Rumba Guajira No Me Llores Covers of Arsenio's compositions: Hachero Pa Un Palo - Sonora Ponceana 1968 A Bailar Mi Bomba - Ismael Rivera 1980 Bruca Manigua - Ray Barretto 1972 Dumdunbanza - Larry Harlow 1976 Con un amor se borra otro amor - Eddie Palmieri 1963 Saludo Celestial - Celia Cruz, Johnny Pacheco 1978 Arsenio (live) - Larry Harlow, Justo Betancourt 1973 --- Send in a voice message: https://anchor.fm/anani-kaike/message

In Part III of my four part celebration of Celia Cruz, after the 19th anniversary of her passing. In 1974, Celia recorded the pivotal album, 'Celia y Johnny' with the Dominican musical marvel, Johnny Pacheco. The album included hits such as 'Quimbara' and 'Toro Mata', quickly endearing her to yet another generation of fans. She even traveled to Zaire with the Fania All Stars and performed in front of 80,000 fans! Hear all this and more, in this week's episode! Songs: Quimbara (Live in Zaire 1974) El Paso de Mulo (with Johnny Pacheco) Celia y Johnny 1974 Tengo El Idde (with Johnny Pacheco) Celia y Johnny 1974 Tres Dias del Carnival (with Johnny Pacheco) Tremendo Cache 1975 Ritmo, Tambor y Flores (with Johnny Pacheco, Justo Betancourt, Papo Lucca) Recordando El Ayer 1976 El Yerbero Moderno  (with Johnny Pacheco, Justo Betancourt, Papo Lucca) Recordando El Ayer 1976 Raices (with La Sonora Ponceaña) La Ceiba 1979 Y Volveré (with La Sonora Ponceaña) La Ceiba 1979 Encantigo (with  Fania All Stars, Pete 'El Conde' Rodriguez) Commitment 1980 Herencia Africana (with La Sonora Matancera) Feliz Encuentro 1982 Nadie Se Salva de la Rumba (Ray Barretto, Adalberto Santiago) Tremendo Trio 1983 --- Send in a voice message: https://anchor.fm/anani-kaike/message

Hubo un tiempo en que en Fania Records sólo se quería hacer dúos de estrellas. Pacheco y Laserie, Barretto y Celia, Ismael Quintana y Papo Lucca, Ismael Miranda y la Sonora Matancera, y dos reencuentros de viejas sociedades: Colón y Lavoe en Vigilante, y Johnny Pacheco y Pete El Conde Rodríguez en una serie de títulos que serían los siguientes: De Nuevo los Compadres, Johnny Pacheco y El Conde, Salsobita y Celebración. Era sin duda una fórmula ganadora, pues ambos se entendían a la perfección. Hoy contaremos la historia del primero de esos álbumes, De Nuevo los Compadres en La Hora Faniática.

La dupla salsera conformada por Johnny Pacheco y Pete "El Conde" Rodríguez publicó en 1983 el álbum "De nuevo Los Compadres", en el cual nos deleitaron con la canción “El divorcio”. La canción había sido versionada con éxito tres años antes por el salsero dominicano Rey Reyes en 1980 junto a Charlie Rodríguez y su Conjunto con el título “El divorcio”. Así la escuché yo… Cinco años atrás, ya el puertorriqueño Juan Enrique López, más conocido como Johnny El Bravo, había presentado su propia versión de esta canción en el álbum “De pie, de frente y en guardia” de 1975, vocalizada por su hermano Toñito López, la cual grabaron con el título “El divorcio”. Los anteriores temas musicales son en realidad nuevas versiones de la canción compuesta por el legendario músico cubano Arsenio Rodríguez, quien la grabó con su Conjunto en 1964 en la voz de su cantante Raffi Martínez, canción que “El Ciego Maravilloso” escribió con el título “El divorcio”. ¿Y en tu opinión, cuál versión tiene más sabor? Autor: Arsenio Rodríguez (cubano) El divorcio - Orquesta Johnny El Bravo (1975) "De pie, de frente y en guardia" álbum (1975) Canta: Toñito López Toñito López y Johnny El Bravo (hermanos puertorriqueños) Toñito López, también conocido como Tony Yanz (nombre real Antonio López Llanos, puertorriqueño) Johnny El Bravo (nombre real Juan Enrique López Llanos, puertorriqueño) El divorcio - Rey Reyes & Charlie Rodríguez y su Conjunto (1980) "Charlie Rodríguez y su Conjunto, canta Ray Reyes" álbum (1980) Rey Reyes, también conocido como Ray Reyes (nombre real Ramón Nicolás Reyes, dominicano) El divorcio - Johnny Pacheco & Pete "El Conde" Rodríguez (1983) "De nuevo Los Compadres" álbum (1983) Canta: Pete "El Conde" Rodríguez (nombre real Pedro Juan Rodríguez Ferrer, puertorriqueño) Johnny Pacheco (nombre real Juan Pablo Pacheco Knipping, dominicano) El divorcio - Arsenio Rodríguez y su Conjunto (1964) "Arsenio Rodríguez y su Conjunto Vol.1" álbum (1964) Canta: Raffi Martínez (nombre real Rafael Martínez, cubano) Arsenio Rodríguez (nombre real Ignacio de Loyola Rodríguez Scull, cubano) ___________________ “Así la escuché yo…” Temporada: 5 Episodio: 59 Sergio Productions Cali – Colombia

Hi my name is Taylor and I am going to be discussing the amazing life of the Queen of Salsa, formally known as Celia Cruz. Celia Cruz was born (real full name) on October 21, 1925 in the musically diverse city of Havana, Cuba. She grew up in an extremely important time for tropical music in cuba and eventually became one of the most renowned artist of that genre and more not only in her own country but throughout Latin America. She did grow up in a very weird time for Cuba. Not only was music changing for the better, political, the country was at it's worst. But she used the one thing that brought everyone a sense of euphoria, her voice. Celia has always been a musical person. As she got older she would compete in singing competitions and win. She even did small commercial jingles. But it wasn't until the late 40s and 50s she got her big break. During that time, an Afro Cuban group famously known as La Sonora Matancera was at it's peak. This band was famous for singing with other singers like Bienvenido Grada, Celio González, and Benny Moré. Their lead singer, Myrta Silva, had wanted to leave the group to start a family in her country of Puerto Rico which left her spot open. Celia auditioned, and with hard work she became the groups first black front woman. Celia first record with La Sonora in August 1950 and wasn't received well by the public because she was black. But she persevered and kept doing what she loved most. She stayed with La Sonora for 15 years and recorded songs like Juancito Trucupey and Yerbero Moderno. They also made songs in honor of the Saints of the afro-Cuban religion, Santeria. The most populars were, Palo Mayimbe, yemaya, and Guede Zaina. As year passed, living in Cuba become a lot more tense. The Castro regime didn't like how La Sonora accepted gigs in other countries, so once the group flew to Mexico for a concert in 1960, the regime banned them from ever returning to cuba again. Celia COULDNT even attend her parents funerals. She then moved to the United States, found a home in New York, and then became a citizen. She stayed with La Sonora until 1965 and then began her solo career. She was contacted by Tito Puente who was very important in the making Latin Jazz in New York. That was the beginning of the next chapter of musical career Celia and Tito puente made a few albums together which weren't so successful. So she left for Fania records and joined the Fania All-Stars with Johnny Pacheco and debuted her most popular album Celia & Johnny. With Fania, Celia career skyrocketed. She had joined Fania in the 1970s which was also the time salsa was extremely popular. With them she record hits like Bemba Colora, Toro mata, and Quimbara. Salsa evetually died like most genres but Celia's popularity didn't. Years lster she made another hit entitled “La Negra Tiene Tumba'o”. A few months after releasing final album Regalo Del Alma in 2003, celia passed away. Her career lasted a little over 50 years and her impact on music in the Spanish speaking world is still seen in recent years. Celia as well as some of the Fania All-Stars paved the way for the popularity of genres such as Salsa, merengue, and reggaetón.

LOPE BALAGUER (José Manuel López Balaguer) 22 agosto,1925, Santiago de los Caballeros - 29 de enero, 2015, Santo Domingo) Cantante. Sobrino del presidente dominicano Joaquín Balaguer y primo del músico Johnny Pacheco. LOPE BALAGUER, “El Tenor de la Juventud” en 1944 hizo su primera presentación en la emisora La Voz del Yuna, ahora “La Voz Dominicana” con la Orquesta San José, y en el año siguiente canta bajo la dirección del compositor y pianista cubano Julio Gutiérrez. LOPE BALAGUER graba en 1946 su primer disco con Luisito Benjamín en Puerto Rico. Además con la orquesta de Antonio Morel, graba un disco con canciones dominicanas, con mucho éxito. LOPE BALAGUER fue esposo de la cantante puertorriqueña GLORIA MIRABAL y con frecuencia cantaban juntos. Entrevista con Gilda Mirós, radio NYC 1980s Contiene música y llamadas del publico.

Marcos Lamarche, Arturo Ramos & JazzTaBueno Productions present: SalsaBrava 10/2022 *Rumba Caliente* 1. Yambeque - Sonora Ponceña 2. La Boda de Ella – Bobby Valentin 3. Acid – Ray Barreto 4. El Pito – Joe Cuba Sextet & Cheo Feliciano 5. Usted abuso – Celia Cruz 6. La esencia del Guaguanco – Johnny Pacheco & Pete El Conde Rodriguez 7. Las Caras Lindas – Ismael Rivera 8. El Barbero Loco - El Gran Combo The Best Salsa Brava By JazzTaBueno Productions

Fajardo Jr. born in New York City, New York on January 29, 1972. Coming from a musical family, Fajardo Jr. became a musician playing congas at the age of 3, then Timbales at the age of 4. At that tender age, he began his musical journey with father " Jose Fajardo" leader of the band "Fajardo Y Sus Estrellas".Fajardo Jr. made his first TV appearance at the age of 3 in Miami. On his first tour, in 1977 at the age of 5, he and his father performed in Africa sponsored by RMM (Ralph Mercado Management). With his father at his side, he became knowledgeable in the world of music. He was destined to follow the Fajardo tradition. At the age of 6 Fajardo Jr. was already exposed to promoters and business giants, they referred to him as a prodigy child and nicknamed him EL NINO PRODIGIO. Earlier on in his childhood, his father would sit down with him and show him positions on the flute, he also tried to teach him how to read music to see if Fajardo Jr. could catch on and play like his father. In high school, Fajardo Jr. had the opportunity to study flute once again and began playing second flute chair in the concert band for Memorial High school. At this time, Fajardo Jr. was also Drum Captain for the school's Concert, Jazz and Marching bands. He was well liked and had is own fame in school as one of the best percussionist in Hudson County. “Nothing could take the place of my salsa music and the limelight.” Fajardo Jr. exclaimed. His first love was and will always remain his TIMBALES and percussion instruments.As a percussionist, he developed his own style by watching and learning from famous percussionists like Tito Puente, Johnny Almendra, Ralph Irizarry and others.Throughout the years Fajardo Jr. has had the privilege of performing along side the likes of Johnny Pacheco, Oscar D' Leon, Jose Alberto (El Canario), La Sonora Mantancera, Johnny Ray, Grupo Imagen, Luisito Carrion, Pedro Jesus, Cano Estremerra, Johnny Almendra, Tito Puente, Sheila E., Nino Segarra, Cachao and many more. Fajardo Jr. has also had the opportunity to travel with many of these artists to such places like Africa, Mexico, Canada, France, Martinique, Guadelupe, St. Marten, Germany, Russia, Holland, Colombia as well as throughout the United States. In New York and Miami he has performed in some of the most famous night clubs such as THE COPACABANA, LATIN QUARTERS, LA MAGANETTE, CASA BLANCA, THE PALM TREE, CLUB MYSTIQUE and more.Fajardo Jr. has appeared on recordings with artist such as Jose Fajardo (his father), Javier Vasquez (Sonora Mantancera), David Cedeno, Grupo Imagen, Glen Vargas, Felipe Mercado and more. In his career he has also appeared on TV shows such as "SIEMPRE EN DOMINGO", "EL SHOW DE ROLANDO BARRAL", "EL SHOW DE EL MEDIO DIA", "ACCESS HOLLYWOOD", "PRIMERA EDICION", "SALSA EN LA CALLE".Fajardo Jr. has become the musical director of his father's band FAJARDO Y SUS ESTRELLAS in 2001. This 6-11 piece latin band brings much excitement to the stage in any event. Besides performing latin music this band can also perform some american classics to satisfy all dancers alike.Bio Credit: The BashPodcast hosted byConcert Photographer Adrian Montanez & DJ Broadway!Support the show (https://cash.app/$AdrianLMontanez)

Today's show is honor of the phenomenally talented Cuban vocalist known as ‘El Guapachoso', Rolando LaSerie. He worked with the likes of Benny Moré, Tito Puente, Cachao and Johnny Pacheco, yet he did not receive recognition of popularity. Listen to his incredible music and hear about his life. La Palabra Fin (with Johnny Pacheco) Mentiras Tuyas Que Me Digan Feo (with Tito Puente) La Maquina Y La Madama (with Cortijo Y Su Combo) Bilongo Hola Soledad Cuba Linda Perdoname La Letra Sobre Una Tumba, Una Rumba No Me Dejes Solo (with Johnny Pacheco) El Paso De Encarnacion (with Johnny Pacheco) Inolvidable --- Send in a voice message: https://anchor.fm/anani-kaike/message

Welcome to Mambo in the City Salsa Podcast! In this episode Legendary Congero and Musical director for Charlie Aponte, Sammy Garcia joins us live from Puerto Rico! Sammy was Born in Chicago, his family then moved to the South Bronx and from there SALSA entered Sammy's life  and changed it forever. Sammy remembers  bands he was part of including: Hector Cassanova, Johnny Pacheco y Su Tumbao , Andy Montanez, Don Perignon y la Orquesta Puertorriqueña and Willie Colon. and He has recorded with  Marc Anthony, Celia Cruz, La India, Bobby Valentin, Tony Vega , Charlie Aponte, Tito Nieves just to name a few. He shares the story of traveling to Cuba with Richie Bastar ( El Compadre) and meeting his music idol  the one and only Tata Güines! Finally we surprise Sammy w/ Special guest Tito Nieves and we talk recordings, the Corso Nightclub, travel stories and the El Conjunto Clásico era w/ these 2 original members!Gente this is a great  story packed w/ moments  SALSA's biggest legends  and musicians that came into Sammy's life!It's an honor to have this legendary percussionist on the Mambo in the City Salsa Podcast!!Hosted by Adrian Montanez and DJ BroadwaySpecial Guest: Tito NievesWebsite: MambointheCity.comYoutube: MambointheCitySalsaPodcastInstagram: AdrianLMontanez( Host)Support the show (https://cash.app/$AdrianLMontanez)

grab un cafecito (make sure it has espumita) and learn all about our queen, Celia Cruz. from her humble beginnings to a place in the cuban mt. rushmore (¡metaphorically speaking, of course, que barbaridad!) tune in as carmen y fryda remember the woman who made salsa, the mother of cubanity.buy our merch: www.teikirisipod.com/shopfollow us on social media @teikirisipodjoin us on patreon: https://www.patreon.com/teikirisipodepisode transcript: https://bit.ly/3s5wjClepisode credits:Johnny Pacheco on Salsa, Source: BBCCelia Cruz on Azucar, Source: Canal RCN

On today's episode of T&S, we mourn the deaths of Rennie Davis and Johnny Pacheco and remember what they did throughout their lifetime. We also learn that SAG is now opening its doors to online influencers. We'll take a look at how the Australian Open went as well as Valentine's Day! To finish off, we go into the new variants of COVID-19. Social Media: Instagram: https://www.instagram.com/talksnsips/ https://www.instagram.com/cecy.encizo/ https://www.instagram.com/jayfoxx__/ Facebook: https://www.facebook.com/Talks-Sips-105205538366787 Twitter: https://twitter.com/TalksNSips TikTok: https://www.tiktok.com/@talksnsips?lang=en * For the list of our resource links please visit: talksnsips.com/reminiscing-and-moving-forward * --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app

In this episode, you will hear from a Latina pioneer who defied the odds documenting the Latino experience through the power of the pen and music. Her Puerto Rican influences mixed with growing up in New York City provided a perspective that schools did not teach. From Salsa 101 to Chinese Cubans. I introduce to you, CEO of Aurora Communications, Aurora Flores. GUEST Aurora Flores CEO, Aurora Communications Website | Instagram | Twitter | Facebook | YouTube | LinkedIn https://www.aurora-communications.com/who_we_are https://aurorazdb.medium.com/ https://www.instagram.com/aurorazdb/ https://twitter.com/Aurorazdb https://www.facebook.com/aurora.zondelbarrio https://www.youtube.com/user/aurorazdb https://www.linkedin.com/in/aurorazdb?trk=org-employees NOTABLE MENTIONS Salsa, Trio Music, Clave, Son Montuno, Guaracha, Mambo, Plenas, Danceable Bombas, Doo-wop, Rock, Rancheras, Fania, Johnny Pacheco, Nicky Marrero, Tito Puente, Celia Cruz, La Sonora Matancera, Cortijo y Su Combo, Bill Haley and His Comets, The Beatles, Symphony Sid, Libertad Lamarque, Toña la Negra, Olga Guillot, Germán Genaro Cipriano Gómez Valdés de Castillo, Tin-Tan, Cantinflas, Miguel Aceves Mejía, Pedro Infante, Jorge Negrete, Joe Bataan, Mongo Santamaria, Izzy Sanabria, Frankie Dante, Ray Barretto, Eddie Palmieri, Arsenio Rodríguez, Larry Harlow, Ernie Agosto y La Conspiración, Tony Pabon y La Protesta, Manny's Music Shop NYC, Eugenio María de Hosto, José Martí, Arturo Alfonso Schomburg, Pedro Albizu Campos, Joseph Campbell, Lehman College, Columbia Univesity, Latin NY, Billboard Magazine, Rolling Stones, WEVD, WBNX, Radio Hit, WADO Gracias for listening. Don't forget to rate, review, follow, subscribe, like and share. Check out my linktree for more info. Pa'lante! https://linktr.ee/sp.alwaysforward --- Support this podcast: https://anchor.fm/spalwaysforward/support

Drawn to the desert enclave of Tucson for its diverse music scene, Saul Millan and Caleb Michel joined their considerable talents to distill their mutual love of Latin American pop, jazz, and cultural music into the distinct sounds of Los Esplifs. Since 2018 they've recorded and released two albums and several EPs, all the while spreading the Los Esplifs philosophy by sitting in with local legends like Calexico and Orkesta Mendoza. Join Nick as he and Caleb and Saul go deep into the current political landscape, the importance of Cuba to Latin music, and the incredible generosity of their fellow Arizona musicians.   HIGHLIGHTS: [01:48] Saul and Caleb met at a jazz club performance [02:48] Just hanging out and jamming led to the formation of Los Esplifs in 2019 [03:54] Los Esplifs has a rotating membership, with several performers coming from local Arizona bands [05:29] Caleb and Saul explain who played what instrument on the new record "ESTRAIK BACK" [06:36] Caleb recorded and toured with Afro-Cuban All Stars for the last seven years [06:57] Saul worked with local bands like Afro-Cuban All Stars, Iron And Wine, and Calexico [07:55] The Tucson music community is collaborative and diverse [09:45] Saul and Caleb explore the reasons behind Tucson's incredible multi-cultural music scene [12:13] Caleb and Saul explain the origins of the psychedelic elements in their music, ranging from the shores of Cuba to New York in the 70's [16:40] Saul and Caleb dive into the meaning behind the new song "Otro Pais", and how it reflects the current immigration situation [19:00] The new record was started when the pandemic lockdown began, and that had a big effect on the band's songwriting [21:36] Caleb and Saul debate the pros and cons of the label "Latinx" [23:46] Latin music, especially from Puerto Rico, is finally getting its due on the American charts [26:14] Los Esplifs didn't get to do much touring before the lockdown, but they hope to get out on the road because they love playing live [27:36] Saul and Caleb maintain a busy schedule because it allows them to infuse their Los Esplifs vibe into other musical projects [28:29] Los Esplifs have received incredible support from the established bands in the Tucson scene that want to help out new artists [29:30] Brazilian popster Sessa's album "Grandeza" is new music that Caleb and Saul are enjoying immensely [30:32] Parts of the new album were recorded in a living room, and a closet   Thanks for listening! Tune in next week and don't forget to take a minute to review the podcast. In this incredibly competitive podcasting world, every piece of feedback helps. Follow our social media channels for last-minute announcements and guest reveals @theradicalpod on Instagram and Facebook.   Find out more about today's guests, Saul Millan and Caleb Michel of Los Esplifs. Find out more about your host, Nick Terzo   MENTIONED IN THIS EPISODE: @casadecalexico @IMS_MIS [the Mexican Institute Of Sound] @JuandeMarcos1 [leader of Afro-Cuban All Stars] @VoxUrbana @Jerusafunk @SlowMosesBand @OrkestaMendoza @IronAndWine @giantsand @XIXA_tuxon @Residente [leader of band Calle 13] @ZiaRecords [label for Sessa] @Faniamusic Mesquite (Tucson band)   Los Puchos   Dust & Stone Recording Studios   Johnny Pacheco    

En este episodio tuve una conversación super buena y amena con Chiquito y Enmanuel los creadores del sonido Chiquito Tema Band.Nos dejaron 3 EXCLUSIVAS sobre su nuevo Album. Detalles de su proceso de grabación, comentamos sobre la importancia de Johnny Pacheco para los salseros de RD. Chiquito pone a bailar a su mama en las redes y mucho mas.Recuerda compartir el episodio y suscribirte al canal!! --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app

Creador y showrunner de la docuserie “Rompan todo”, sobre la historia del Rock en América Latina original de Netflix que produjo junto a Gustavo Santaolalla a finales de 2020. Socio fundador de Red Creek, donde creó y produjo el documental “Pecados de mi padre” en el que juntó en una sala al hijo de Pablo Escobar junto a los hijos del ex-candidato colombiano Luis Carlos Galán. Además escribió y dirigió el documental “Orquesta típica”, con el que fue invitado a más de 50 festivales internacionales.Comenzamos Platicando de “Rompan todo”, del esfuerzo y el trabajo que significó para él y su equipo sacarlo adelante, también sobre las polémicas que ha generado, las críticas que ha recibido y también de los nuevos proyectos en los que está trabajando. Ya al calor de los tragos profundizamos un poco más sobre la nueva nueva serie de ficción que está produciendo. Nos comentó, en lo oscurito, las amenazas que recibió luego de rodar “Pecados de mi padre”.Terminamos hablando también de un proyecto que sería un belleza si algún día se hiciera ahora que acaba de morir el gran Johnny Pacheco: un documental sobre la disquera Fania.Visítanos en https://www.elmartinez.net/ y suscríbete en Spotify, Apple Podcasts o donde lo estés oyendo ahora. Síguenos en FB o IG @ElMartinezPodcast. See acast.com/privacy for privacy and opt-out information.

Minerva thinks the BMI is a lie. Fredo shares part 2 of our many-part exploration of African influence on Latino music. This week we cover punta, palo de mayo, bomba, and salsa.  Bombahttps://www.nytimes.com/2018/07/07/style/bomba-puerto-rico-music-dance.htmlhttps://www.youtube.com/watch?v=3RGqiGHWDrQhttps://www.youtube.com/watch?v=z0vzkGKEWX4Sambahttps://study.com/academy/lesson/samba-music-history-and-instruments.htmlhttp://www.sambassadorsofgroove.org.uk/history-of-samba.htmlSong: Magaleha by Sergio MendesSalsahttps://www.salsagente.com/history-of-salsa-music-dance/#:~:text=Salsa%20represents%20a%20mix%20of,like%20Afro%2DCuban%20rumba).&text=Gradually%20in%20the%2050s%20and,know%20it%20today%20was%20emerging.https://www.youtube.com/watch?v=VhMHALSw_ughttps://www.britannica.com/art/salsa-musichttps://www.youtube.com/watch?v=ltXfR_TIlEESong: Quimbara by Johnny Pacheco and Celia CruzPalo de Mayohttp://www.nicatour.net/en/nicaragua/palo-de-mayo.cfmhttps://web.archive.org/web/20070914070005/http://www-ni.laprensa.com.ni/cronologico/2005/mayo/28/revista/http://bluefieldspulse.com/maypolehistoryrescuingourculture.htmSongs: Tululu by Dimension Costena             Mayaya by Dimension CostenaPuntahttp://www.louisianafolklife.org/LT/Articles_Essays/garifuna.htmlhttps://www.nicaragua.com/blog/punta-music-of-the-garifuna/Song: Sopa de Caracol by Banda Blanca

In this episode we invite former Disc (and Music Echo) reporter Caroline Boucher to reflect on her journey from the Gravesend & Dartford Reporter to The Observer's Food Monthly supplement — via a stint at Elton John's Rocket label. Barney, Mark & Jasper ask Caroline about being a female pop reporter in that very unwoke era, and press her for stories about her favourite L.A. freaks Frank Zappa and Captain Beefheart.The Zappa theme leads into clips from not one but two audio interviews with Vince "Alice Cooper" Furnier, the first from August 1969 — when Alice signed to Frank's Straight label — and the second from exactly 20 years later, when Adam Blake talked to him about his new Trash album. Fond recall ensues of 'School's Out' and other Cooper classics.The conversation turns from freaky California weirdness to pompous English prog-rock, though Mark makes a compelling case for — and defence of — the 50-year-old Yes Album. The "team" pays its respects to the Supreme Mary Wilson, the jazz-fusing Chick Corea, Salsa godfather Johnny Pacheco and Byrds/Smiths biographer Johnny Rogan, after which Mark talks us through his library highlights from the previous fortnight and Jasper signs off with remarks on pieces about Halsey and Pharrell Williams.Many thanks to special guest Caroline Boucher; for more of her writing, visit her page on RBP.The Zappa documentary is streaming now on the altitude.film website and all major platforms from March.Pieces discussed: Frank Zappa, Captain Beefheart, Burgers with Alice Cooper, Alice Cooper backstage, Alice Cooper audio, Yes, Yes, Yes, Mary Wilson, The Supremes, Chick Corea, Johnny Pacheco, Johnny Rogan, The Beatles live, Aretha Franklin, Nick Drake, Sunset Strip groupies, Evan Parker, Chuck Berry, Keith Richards, George Clinton, The Jesus & Mary Chain, Alan Douglas, Al Bell, Pharrell Williams and Halsey.

La noche del sábado 13 de febrero de 2021, se conoció que el destacado músico y director de orquesta dominicano Johnny Pacheco fue internado de emergencia debido a una pulmonía.Este lunes 15 de febrero de 2021, Falleció en Nueva York el gran director de "Las estrellas Fania"